ABOUT: This portfolio represent my work in the advanced studios of the Master of Architecture Program at Boston Architectural College. CONTACT: Mobile: 1.973.951.6146 Email: durso.mark7@gmail.com Master of Architecture Program Boston Architectural College Segment II (2011-2013)
CONTENTS - CITY BESIEGED: DETROIT URBAN HOSPITAL DETROIT , MI - TRANSCENDENTALISM AT WALDEN POND: VISITORS CENTER CONCORD, MA - SLIVER OF GREEN: GREEN HUB MIXED USE BOSTON, MA - CRITICAL REGIONALISM: ARTIST STUDIO LINCOLN, MA - THINKING INSIDE THE BOX: REPURPOSING BIG-BOX STORES DORCHESTER, BOSTON, MA - ROSE KENNEDY GIFT SHOP & CAFE BOSTON, MA
CITY BESIEGED: DETROIT URBAN HOSPITAL
Background: While economies suffer, medical bills spiral upward, and the American population ages, the business of healthcare booms. Health care is the largest employment sector in the Michigan economy and the only one growing; health centers in the Upper Peninsula now serve not only Michigan but enormous swathes of Canadian territory. Objective: This project undertakes the reclamation of a long-time vacant contaminated lot on the river in Detroit with a medical complex of specialized care centers; situating the proposal in the trajectory of historic hospital design while attempting rescue of patients pouring into the city, and of the city itself.
Previous Site Occupant
Proposed Site The previous site occupant was Uniroyal Tire company which resulted in a significant amount of contamination on the site. The proposed site is located on the Detroit River about 3 miles from downtown Detroit. The site is vacant and all existing structures have been removed. The South side overlooks the river, Belle Isle, and Canada. While the North side overlooks low-rise commercial and dilapidated residential homes.
Downtown Detroit Site
City of Detroit Site Model
Site Concept Collage Concept: A Hospital is a fully functional institution for healing. The existing site located in Detroit on the Detroit River on a contaminated parcel of land, the objective is to provide bioremedation in the central area of contamination and remove the soil in the less contaminated zones on the site then design the building form to surround & encapsulate the previously main zone of contamination on the site as a gesture to the healing process.
The atrium courtyard is located at the central point of the main zone of contamination and shall use bioremedation methods to clean the contaminated soil and will be filled with lush vegetation, and water features symbolizing growth, recovery, renewal, of this previously sick site. In addition the facade will be translucent to allow natural light flow into the patient room and a cantilevered green space surrounding the entire building and on each level to promote this transformation of health and renewal.
Site Strategy Diagram
Site Photos & Adjacent Context
RA E. G ND D. BLV
T UN MO IOT ELL STR EET
ED
E AV
TRAFFIC NOISE
ITE
E
TRAFFIC PATTERNS
S
T
ST
E RE
AR
RN
LA
ON
RS
FFE
JE
C MA IDG BR UR TH
ST
EA
E
NU
T AS
E
O
TR
DE
City Context Diagram
IT
R
VE
RI
BELLE ISLE
Traffic & Noise Diagram TRAFFIC NOISE & PATTERNS DIAGRAM
Site Connection Diagram Site Contamination Diagram
A series of site analysis diagrams were developed to generate connections the site had to the surrounding city context, traffic and noise, and contamination.
Health Care Trajectory Collage
The materiality collage helped explore materials and elements that would provide healing and growth symbols to the hospital design.
Hospital Materiality Collage
Hospital Program Distribution Diagram
Preliminary Program Adjacency Section Diagram
Preliminary Program Adjacency Plan Diagram
The program requirements for the hospital were quite large and significant thought had to go into planning the program adjacencies appropriately to allow the hospital to function safely and efficiently. The public, patients, staff, and doctors need be separated properly according to hospital regulations and be able to circulate efficiently within their designated areas.
Program adjacencies and circulation are two very important factors in hospital design. The design must be able to separate the public from the inpatient areas in order to function properly. Also there needs to be well thought out circulation areas so nurses and doctors can service all the inpatients and be able to move patients around the building for surgical procedures without being expose to public spaces.
Site Plan with building layout, parking, landscaping and paths.
Site Plan
Due to the size of the hospital students were advised to select an important part of the hospital program and detail it. The chosen program space is the inpatient area since the focus was to develop a relaxing healing environment for patients. Shown is the typical layout for the inpatient areas levels 3-7 with all inpatient rooms located on the exterior walls for optimal natural light exposure and view of green cantilever vegetation space. In the core of the building are nursing stations, staff and equipment spaces, elevators, stairwells, and waiting area.
Inpatient Levels 3-7 Typical Plan
The typical inpatient room consists of patient bed, handicap bath, couch for guests, furniture for storage of patients belongings and nursing assistance, and green cantilever vegetation space.
Typical Inpatient Room Module Plan
Cantilevered Green space
Cantilevered Green space
Typical Inpatient Room Section - B
Inpatient Room Renderings
The facade strategy consisted of the use of white and blue colored opaque spandrel glass on private or structural areas such as baths, surgery, and emergency areas. Then at each corner of the building and every level the opaque white and blue color system would change to white instead of blue or blue instead of white. Then use translucent glass on the inpatient rooms to allow natural light flow into the rooms.
Facade Strategy Diagram
North Elevation w/ Facade Materiality
East Elevation w/ Facade Materiality
South - North Section (Program & Circulation Diagram
Section - A
Rendering of North Elevation
Study Model
Outdoor Gathering Space
Study Section Model
Proposed Hospital
Parking Area
Site Model Facing East
Outdoor Gathering Space
Cantilever Green Space Outdoor Gathering Space
Courtyard Atrium
Courtyard Atrium
Section Model Facing West
Outdoor Gathering Space
Circulation Ramp
Outdoor Gathering Space
Section Model Facing South West
Outdoor Gathering Space
Outdoor Gathering Space
Circulation Ramp
Cantilever Green Space
Cantilever Green Space
Section Model Facing East
Section Model Facing North
TRANSCENDENTALISM AT WALDEN POND: VISITORS CENTER
Background: Walden Pond is a 161 acre, 102ft deep glacier “kettle hole” lake in Concord, Ma. The writer, transcendentalist, and philosopher Henry David Thoreau lived on the shore of the pond for 2 years starting in 1845. His account of the experience was recorded in his book Walden and made the pond famous. The land was owned by Thoreau’s friend Ralph Waldo Emerson, who let Thoreau use it for his experiment. Because of Thoreau’s legacy, Walden Pond and the undeveloped woods totaling 2680 acres, have been designated a National Historic Landmark. Walden Pond and is considered the birthplace of the conservation movement. Now managed by the Commonwealth of Massachusetts, Walden Pond State Reservation is a popular swimming destination in the summer. There is a large parking lot with restroom facilities to serve the summer crowds; however, aside from a reproduction of Thoreau’s cabin, there is limited interpretive information about the transcendentalist movement. The task of the students is to interpret the ideas of the Transcendentalist movement and create an exhibit and ultimately a visitor center at Walden Pond.
Walden Pond
Objective: This studio examined transcendentalism and its embodiment in the building and site at 3 levels: a seed, a site, a structure. The goal of the studio is to understand, interpret and architecturally embody the ideas of an important cultural group. The studio began with several short readings to introduce students to the thoughts of transcendentalists. This was followed by visits to the Walden Pond site to preform a site analysis in order to understand the site and decide on appropriate location for the building site to be located.
Proposed Site
The final step of the studio is to design a visitor center and a detached rest area for Walden pond. In particular, investigate building and wall sections in depth to develop a building envelope which reflects the concepts of Transcendentalism and their integration of the landscape environment.
Proposed Site
Thoreau’s Cove
Thoreau’s Bean Field
Thoreau Cove View from Lower Path Facing East
Wyman Meadow
Proposed Site View from Thoreau’s Original Cabin Location Facing Pond
It’s unique because it gives an isolated view of the woods situated on the corner of the pond with a private yet beautiful view of the pond in the background
Stone Stair
Thoreau’s Cabin Replica
Pr Site opose Lo ca d tion
Site Main Entry
Thoreau Rock Cairn Memorial
Thoreau’s Cove
Main Beach
Red C Beacross h
Ice Fort Cove
Bathhouse W/ Restrooms Deep Cove PM
AM Long Cove
Little Cove
Main Beach Facing West Thoreau’s Original Cabin Location
Legend
Thoreau’s Original Cabin Location Facing Walden Pond
Railroad Tracks
Site Mappings & Analysis
View from Little Cove
Man-made dirt paths/ roads
Natural woodlands
Water
Buildings
Beaches
Parking Lot
Proposed Site
Concept Diagram
Local Materials Concept Proposed Site
Walden Pond Model
Aerial Isolated Views Diagram
Concept: Creating isolated viewing conditions of the natural environment to experience and the use of local materials to blend with the ponds regional qualities.
Interior Program - Vestibule/ Lobby - Gift shop - Coat Room / Ticketing - Orientation Room - Open Staff Offices - Supply Closet - Walden Pond Resource Library - Seminar Room - Restrooms - Mechanical room - Interior Museum Displays - Isolated Views Booths - Walden Pond Local Plant Species - Thoreau Night Boating Experience - Survey of Walden Pond
Massing & Isolated Views Diagram
Building Design: The approach to the building design was developed from the transcendental ideals that the interconnection between nature and man can only be achieved through isolation. This was translated to the building design by means of creating isolated framed viewing experiences of the surrounding environment with the use of natural materials.
Exterior Program - Shaded Gathering Area - Restrooms - Court yard - Garden Modules - Perennial garden - Flower garden - Butterfly garden - Herb garden
The next step will be the design of an exhibit based around 6 artifacts which will elucidate the ideas of Transcendentalists. Indoor Artifact: 1. Thoreau’s survey of Walden Pond Thoreau’s glass survey of Walden pond representing mans connection to nature by documenting the pond and its depth. It is also the original place which helped foster Transcendentalism ideals by Thoreau.
Indoor Artifact: 2. Thoreau’s Isolated Viewing Display Transcendentalists believe the interconnection between nature and man can be achieved though isolation. It’s about isolating the views and allowing them to sit still to focus on the natural surroundings.
Indoor Artifact: 3. Thoreau’s Night Boating experience on Walden Pond Display Thoreau’s was fishing at night and looking up at stars connecting to both nature the stars.
Indoor Artifact: 4. Walden Pond Local Plant Species Display Thoreau’s quest was to seek his own relationship to the universe by seeing the universe in everything around him. This process is a journey taken by paying attention and absorbing the surroundings. Thoreau documented over 100 different plants species during his time at Walden.
Outdoor Artifact: 5. Thoreau’s Cabin rebuilt in its original location Display This cabin house site that Thoreau resided in for 2 year was a pivotal point in Transcendentalism where he developed and wrote about this social experiment and spiritual discovery in his book “Life in the woods”. Represents where the major ideas of transcendentalism were fostered.
Outdoor Artifact: 6. Garden Display of Local Plant Species documented by Throreau Individuals can learn about the local plant species documented by Thoreau. Individuals can come appreciate local plants species as a means of developing a relationship with nature.
Site Selection: The site selection was chosen because of the history that occurred at the location that being the original location of Thoreau’s cabin experiment where he could be isolated to observe nature. The site is isolated away from the main entry deep into the natural environment of Walden Pond. Situating the visitor’s center on an elevated portion of the site allows it to be embedded into the natural environment, and the building form was develop from creating isolated views to Walden pond, Thoreau’s Cove, the woodlands, and Thoreau’s Cabin.
Outdoor Courtyard
Visitor’s Center
Butterfly Garden of Local Plant Species Herb Garden of Local Plant Species Perennial Garden of Local Plant Species Flower Garden of Local Plant Species
Thoreau’s Orig. Cabin Location Thoreau’s Rock Carin
Rest Area’s
Walden Pond
Site Plan
Outdoor Courtyard
Seminar room Walden Pond Resource Library Restrooms Walden Pond Local Plant Species Display Isolated Views Booths Display
Open Staff Offices
Mech. Room Survey of Walden Pond Display
Thoreau’s Orig. Cabin Location
Orientation Room
Thoreau Night Boating Experience Display
Women’s Restroom
Lobby
Thoreau’s Rock Carin
Gift Shop/ Coat Room
Isolated Views Booths Display
Shaded Gathering Area
Men’s Restroom Shaded Gathering Area
Floor Plan (Visitor’s center & Gathering Area)
The separate rest area consists of men’s and women’s restrooms that blend into the stone wall gardens with a shaded outdoor meeting space. The gardens are designed to have an isolated formal experience which the viewers can have a linear procession to the visitor’s center and can enjoy a different natural experience with each enclosed garden module they enter as they make their way up the stairs.
The facade materiality consisted of wood lumber, local stone, green roofing, and glass following the transcendentalist ideals of using natural materials which allows the buildings to blend into the surrounding natural environment of Walden Pond. The structure of the buildings consists of steel and concrete.
Lobby
Path to Gardens &Visitor’s Center
South - North Section (Full Site)
Seminar Room
Open Staff Offices
East - West Section (Visitor’s Center) Shaded Gathering Area
Outdoor Courtyard
Women’s Restroom Men’s Restroom
South - North Section (Gathering Area)
East - West Section (Gathering Area)
Women’s Restroom
Facade Materiality Collage
Vertical Wood Fin Members
Stone Masonry
Facade Materiality Diagram
Vertical Wood Fin Members
Glass Facade
South Elevation Main Entry Facing Pond The facades facing North and South toward the pond and woods are glass isolated viewing areas and the East and West faรงades are opaque stone walls,
Lastly the closely spaces different sized wood cladding fins on the exterior of the building provides a different isolated view frame for each individual.
Partial Elevation Detail
Axonometric Wall Section
Study Model 1
Study Model 2
Study Model 2
Visitor’s Center
Green Roof
Visitor’s Center
Thoreau’s Orig. Cabin Location Gardens Rest Area
Gardens
Thoreau’s Orig. Cabin Location
Thoreau’s Rock Carin Rest Area
Final Model Facing North
Final Model Facing East Visitor’s Center
Green Roof
Gardens Rest Area
Thoreau’s Orig. Cabin Location
Thoreau’s Rock Carin
Final Model Facing West
Visitor’s Center Green Roof Vertical Wood Fin Members
Gardens
Final Model Close Up Facing North
Vertical Wood Fin Members
Visitor’s Center Green Roof
Green Roof
Visitor’s Center
Gardens
Outdoor Courtyard
Final Model Close Up Facing West
Vertical Wood Fin Members
Final Model Close Up Facing South
Sliver of Green: Green Hub Mixed Use
Site Background: In an effort to promote Boston as a “green” city, the Mayor has initiated a competition to construct a new “Green Hub” on a difficult, but prominent site in the Financial District. The Old Hardware Company, which overlooks Dewey Square on the Rose Kennedy Greenway, once served as a vital resource uncommon in a downtown. The City has funded the purchase of this old masonry structure with the intent to transform it into a new showcase of and resource for Green Building design.
Objective: This hypothetical competition emphasizes an agenda that explores a formal response to sustainable design. Rather than construct a conventional high rise on the site and apply green technology a la carte to reduce its energy footprint, the Mayor has expressed a forward looking goal. The competition asks to see what a building designed expressly with the intent to operate sustainably will look and feel like. As a proof of concept, the competition requires the submission include well-articulated building sections and wall sections that illustrate how the building intends to function as a complete system, and to articulate the smaller parts.
Site
Aerial View of Site Facing North
Site
Birds Eye View of Site Facing North
Site
Zoomed Birds Eye View of Site Facing North
Site: The site itself is small, difficult, but prominent. The existing footprint is 24’ x 100’. After the basic requirements for a high rise are satisfied (egress, elevator, toilets, etc.), the remaining space for program is small, but viable. The building will be seen by thousands of commuters entering the city every day as they come from South Station. The advantage is that it will help us quickly establish a design, and spend the remaining course time exploring the realities of how to build and articulating that design. The studio began with an analysis of the site and surrounding areas.
Site Plan Diagram
Site Site
Site
Site
Site Photos Map Site Views Diagram Site
Site
Site
Site Models
In this studio we worked back and forth between the large and small scale. The small scale will emphasize the operation and use of the building, while the large scale will explore and demonstrate a comprehensive understanding of building technology, and express the experiential quality of the building.
Open Space & Usage Diagram
Public Transit & Pedestrian Circulation Diagram
Vehicular Traffic Diagram
Adjacent Building Use Diagram
Materials Diagram
9 AM.
10 AM.
11 AM.
12 PM.
1 PM.
2 PM.
3 PM.
1 PM.
2 PM.
3 PM.
1 PM.
2 PM.
3 PM.
DECEMBER 21ST WINTER SOLSTICE
9 AM.
10 AM.
11 AM.
12 PM. MARCH 21ST EQUINOX
9 AM.
10 AM.
11 AM.
12 PM. JUNE 21ST SUMMER SOLSTICE
9 AM.
10 AM.
11 AM.
12 PM.
1 PM.
2 PM.
3 PM.
SEPTEMBER 21ST EQUINOX
Sun Study
The site would be significantly impacted by sunlight on its south facade, so double skin facade idea was developed to reduce the heat gain in the summer and increase it during the winter while also reducing glare and providing good working light.
Concept: The concept is to be able to convey the function of the sustainable systems to the users of the building and how each functions. The primary sustainable system is geothermal with a double skin facade as a secondary system. A helical stair design was developed from the helical drill used to drill geothermal wells. I wanted to convey to the occupants how a geothermal system functions by integrating this form throughout all levels of the building using a helical stair displaying the depth and idea behind geothermal energy.
Well Drill Helical Stair Design
Building Program Bicycle Commuter Spaces - Lockers and showers: 100 lockers men, 100 lockers women, 8 showers each. - Lockable bicycle storage: storage space for 100 bicycles Office Space - Office space for 5 people, no private offices - Conference rooms: (1) at 50 people, (1) at 15 people, (2) at 6 people, (2) at 2-3 people - Kitchenette - Storage, copy, etc. - Reception and Lobby - Men’s and women’s restrooms Materials Library - 1000 sf. for open storage and display of materials Gallery Space - Linked to materials library - 100 seat theater/presentation space - Men’s and women’s restrooms Mechanical - Geothermal heat pump and chilled beam system Vertical circulation - 2 egress stairs - 2 Elevators
In the center of the helical stair is a glass circular elevator with exposed PVC water pipes on the outside with thermochromic firm that change with the temperature of the water and a geothermal heat pump encased in glass suspended from the ceiling in the lobby to show the occupants the how these systems function.
Sustainable System
CHILLED BEAM
Geothermal Well Standing Column System: A standing column well system is a specialized type of open loop system. Water is drawn from the top of a deep well, passed through a geothermal heat pump, and returned to the bottom of the well. The geothermal system is always taking from the top of the well where the temperature is constant. Standing column systems operate on the same principle as other open loop systems and deliver similar benefits. One of the major benefits of the standing column well system is that only one well is needed.
WINTER
SUMMER
DISCHARGE AIR (COOL)
ROOM AIR (WARM)
DISCHARGE AIR (WARM)
ROOM AIR (COOL)
HOT/COLD WATER SUPPLY
HOT/COLD WATER SUPPLY
HOT/COLD WATER RETURN
HOT/COLD WATER RETURN
HEAT PUMP
HEAT PUMP
1” DIA. WATER PIPE
WELL DEPTH 1000 FT
The system components: 1. Earth Connection Subsystem Using the earth as a heat source/sink, a series of connected pipes, commonly called a “loop,” is buried in the ground near the building to be conditioned. . It circulates a fluid (water, or a mixture of water and antifreeze) that absorbs heat from, or relinquishes heat to, the surrounding soil, depending on whether the ambient air is colder or warmer than the soil.
CHILLED BEAM
1” DIA. WATER PIPE
SUPPLY WATER
SUPPLY WATER
PUMP
PUMP
RETURN WATER
STANDING COLUMN WELL
RETURN WATER
STANDING COLUMN WELL
Standing Column System Standing Column Open SYSTEM LoopDIAGRAM STANDING COLUMN OPEN LOOP GEOTHERMAL Geothermal System Diagram
Geothermal Depth Diagram
2. Heat Pump System w/ Glass Enclosure For heating, a geothermal heat pump removes the heat from the fluid in the earth connection, concentrates it, and then transfers it to the building. For cooling, the process is reversed.
Glass Enclosed Heat Pump
Clear PVC Piping with Thermochromic Coating:
Thermochromism is a property of substances that change due to change in temperature. The exposed PVC pipe will be coated with thermochromic film which will changes in response to water temperature fluctuations. Blue for cold water and red for warm water.
Chilled Beam System
3. Chilled Beam Distribution Subsystem Conventional ductwork is generally used to distribute heated or cooled air from the geothermal heat pump throughout the building but in this case we will use a PVC piping of the water to distribute system throughout the building and use an active chilled beam system on each floor to cut down on heat loss/gain from ductwork. A chilled beam is a type of convection HVAC system designed to heat or cool large buildings. Pipes of water are passed through a “beam� (a heat exchanger) suspended a short distance from the ceiling of a room. As the beam chills the air around it, the air becomes denser and falls to the floor. It is replaced by warmer air moving up from below, causing a constant flow of convection and cooling the room. Heating works in the same fashion.
Sustainable System Double-Skin Curtain Wall High Performance Facade: The double-skin facade (two surfaces of glass, creating an insulated airspace) is a multi-story (full height), full depth (3’), thermal flue. The facade allows for complete transparency while ensuring protection from excessive heat gain, heat loss, and glare. Energy Savings & Comfort: The facade saves energy (up to 50 % reduction compared with a conventional curtain wall) and maximizes comfort in the spaces. A 3’ airspace can be open in summer to keep heat from entering the building and closed in the winter to create an insulating “thermal blanket;” Natural Light: The facade brings a significant amount of balanced natural light into the building, carefully controlled by the moveable louver sunshades, which automatically adjust to the sunlight conditions. Natural Ventilation: Operable windows in the facade allow fresh air throughout the year. In the winter, spring and fall, the windows allow heat from the cavity to be brought into the building.
Key Features: - 3’-0” Deep Airspace: provides added insulating depth and enables maintenance access. - Multi-story Thermal Flue: the greater height improves natural convection and makes the heat capture and exhaust more efficient. - Movable 1’-0” Deep Sunshades: locating the blinds in the protected cavity allows them to collect the sun’s heat energy before it enters the conditioned building. The lightweight louvers can be motorized to provide glare protection at all sun angles.
Double Skin Facade Daylighting Study Location: Boston, MA LAT: N42.4 Deg., Long: W71.1 Deg. Solar Time Zone: -5 (EST) June 21st December 21st
12:00PM Summer 12:00PM Winter
List of Interior & Exterior Materials Materials - Precast Concrete: Poured walls and double tee slabs (concrete to be sourced & fabricated locally and use local recycled aggregate) - Double tee slabs 10’ wide by 24’ long, 30” deep - Concrete walls joints spacing 10’-20’ - Concrete poured on site with forms, precast concrete made off site and delivered. - Concrete joints spacing joints spacing 10’-20’, control joints 1/4”,3/8”, 1/2” - Expansion/contraction concrete: 8.0 (10-6 in/in oF) - Embodied energy concrete: 200- 300 btu/ lb (1.11 MJ/kg) - Stainless steel siding - Stainless steel siding varies from 9” – 36” wide - Stainless steel siding mounted to sheathing & concrete walls - Expansion/contraction stainless steel: 9.6 (10-6 in/in oF) - Embodied energy stainless steel: 13,500 btu/lb (56.7 MJ/kg) - Rigid insulation Sheathing - Curtain walls: Glass double skin facade curtain wall on front & single skin on rear. - Embodied energy glass: 3,580 btu/lb (15 MJ/kg) Water Mitigation - Seal all joints, vapor barrier - Pitch roof to rooftop drains to collect rainwater and drain through interior leaders to city storm water system or onsite storm water tank to reuse water for vegetation and flushing toilet in building.
Thorough research needed to be provided on the building materiality consisting of the structure, facade, insulation, and water mitigation to confirm this building will function sustainably.
Women’s Locker Rm.
Stair
Stair
Stair
Stair
Men’s Locker Rm.
Stair
Stair
Presentation Space
Bike Storage Gallery Space
Glass Elev.
Materials Library
Glass Elev.
Helical Stair Restrooms
Glass Elev.
Helical Stair Restrooms
Helical Stair
Glass Elev.
Glass Elev.
Glass Elev.
Helical Stair
Helical Stair
Helical Stair
Restrooms Lobby
Sub Level 3 Plan
Sub Level 2 Plan
Sub Level 1 Plan
Ground Floor Plan
2nd Floor Plan
3rd Floor Plan
Conf.Rm.
Stair
Helical Stair
Stair
Helical Stair
Stair
Conf.Rm.
Stair
Conf.Rm.
Stair
Stair
Helical Stair
Helical Stair
Helical Stair
Helical Stair
Glass Elev.
Glass Elev.
Glass Elev.
Glass Elev.
Glass Elev.
Glass Elev.
Open Offices
Open Offices
Open Offices
Conf.Rm. Conf.Rm. Conf.Rm.
4th Floor Plan
5th Floor Plan
6th Floor Plan
7th Floor Plan
8th Floor Plan
9th Floor Plan
Conference Room
Supply Rm.
Conf. Rm. Kit.
Conf. Rm.
Conference Room
Supply Rm.
Conference Room
Supply Rm.
Double Skin Facade
Open Offices
Kit.
Conf. Rm. Kit.
Open Offices Supply Rm.
Kit.
Fire Stair Open Offices
Open Offices
Geothermal heat pump W/ glass enclosure
Supply Rm.
Open Offices
Kit.
Open Offices Supply Rm.
Shower
Kit.
Geothermal heat pump W/ glass enclosure
Shower Lobby
Glass Elev. Lobby
Helical Stair
Materials Library
Restroom
Restroom
Bike Storage
PVC Pipeing
Presentation Space
Gallery
Materials Library
Presentation Space
Gallery
Restroom
Section - A
Geothermal Well access
Section - B
Purchase St. Elevation
High St. Elevation
Typical Exterior Wall Section
Partial Wall Section South Facade
Rendering of View from Atlantic Avenue Over Looking Dewey Square Park
Rendering of Lobby Entrance
Rendering of View from Dewey Square Plaza
Rendering Looking Down Helical Stair from Top Floor
Bicycle Storage Area
Site
Site Model A Facing North (Small Scale)
Site Site
Site Model B Facing North (Larger Scale)
Proposed Building Proposed Building
Final Model Facing North Elevated View
Final Model Facing West
Proposed Building
Final Model Facing North Birds Eye
Section Model
Critical Regionalism: Artist Studio
Site
The intent is to use the ethics of critical regionalism learned throughout the semester to design a small house for a visiting artist, invited by the DeCordova Museum for 6 months in Lincoln. The site is any spot along Flints Pond which is adjacent tot he museum. This is a wooded site with varying topography and views to the pond. Deliverables: 1. Site research and analysis 2. Sketches and ideas 3. Site plan, plan, 2 sections, 4 elevations, exterior and interior perspectives, several sketch details, and sketch model.
Thoreau’s Bean Field
Thoreau Cove View from Lower Path Facing East
Wyman Meadow
View from Thoreau’s Original Cabin Location Facing Pond Stone Stair
Thoreau’s Cabin Replica
Site Main Entry Thoreau Rock Cairn Memorial
Thoreau’s Cove
Main Beach
Red Cro Beach ss
Ice Fort Cove
Bathhouse W/ Restrooms Deep Cove Long Cove
Little Cove
Main Beach Facing West Thoreau’s Original Cabin Location
Legend
Thoreau’s Original Cabin Location Facing Walden Pond
Local Building Materials
Railroad Tracks
View from Little Cove
Man-made dirt paths/ roads
Natural woodlands
Water
Buildings
Beaches
Parking Lot
Walden Pond
Points of interest Lincoln, MA: Codman House DeCordova Museum & Sculpture Park Gropius House Hanscom Air Force Base Minuteman National Historic Park Pierce House Thoreau Institute Walden Pond
Local Architecture Examples Colonial & Modern
Climate Data - Average annual temperature 60-45 degrees. - Precipitation above U.S. average +- 4 inches per month. - Snowfall above U.S. average. - Wind speed above U.S. average. 11-15 mph. - Annual humidity 70-70 % - Annual sunshine below U.S. average
Lincoln, MA Located only 15 miles from Boston, Lincoln retains the look and character of a rural New England town. It respects its history, preserves its rural character, educates its children, engages its citizenry, welcomes diversity in its built environment, and encourages open mindedness and individual growth of its people. Lincoln is a town in the historic area of Middlesex County, Massachusetts, United States. The population was 6,362 at the 2010 census, including residents of Hanscom Air Force Base that live within town limits. Lincoln was settled by Europeans in 1654, as a part of Concord. It was split from Concord, and incorporated as a separate town in 1754. Due to their “difficulties and inconveniences by reason of their distance from the places of Public Worship in their respective Towns,” local inhabitants petitioned the General Court to be set apart as a separate town.
Flints Pond Site Diagram Lincoln Land Conservation Trust / RLF Was founded in 1959 has worked to conserve and protect Lincoln’s land. In the mid-1960’s, Lincoln, characterized by a great deal of open space and high property values was ripe for intensive development. They believed that creative land planning and financing could generate limited development projects that created conservation value for town residents.
FoMA Friends of Modern Architecture/Lincoln or FoMA was formed to promote wider knowledge and appreciation of Modern houses and their benefits, and to help in efforts to preserve them for future generations of homeowners. They are dedicated to building awareness of Lincoln’s exceptional stock of early Modern houses.
Flints Pond Facing North West
Flints Pond Facing West
Flints Pond Facing North
Flints Pond Flints Pond history originated from an English immigrant Thomas Flint owned at least part of the extensive Flint farm, which incorporated the future center of town. This farm appears to have been the first functional farmstead within Lincoln’s bounds. When Flint’s possessions were inventoried in 1653, they included “one Bed at the farme.” The house in which that bed was located was no doubt the first house constructed within the future Lincoln. The pond in this part of town was called Flint’s Pond as early as 1647, with Thomas Flint evidently owning the pond and having rights to its fish and to future milling. By the mid-1980s, the Flints were not only the last 17th-century family, but also the last pre 1850 Lincoln family with descendants still living on the same farmstead. Flint’s Pond is Lincoln’s main public water supply. All users, and their pets are required to remain on the marked trails throughout the Flints Pond conservation areas.
Codman Estate
Architect: John Codman Location: Lincoln, MA Year: 1740
Overlooking a prospect of farm and pleasure grounds, this country seat, also known as “The Grange,” was a powerful force in the lives of five generations of the Codman family. Each generation that lived here left its mark, and the estate gradually came to symbolize the family’s fascinating past. In the 1790s, John Codman carried out extensive improvements to the original Georgian house and surrounding grounds. Sixty years later, his grandson updated the house in keeping with Victorian taste and filled the house with the finest New York furnishings. Today, the interiors are richly furnished with portraits, memorabilia, and art works collected in Europe, showing the decorative schemes of every era, including those of noted early twentieth century interior designer Ogden Codman, Jr.
deCordova Sculpture Park & Museum
Architect: John Q. Adams/Kallmann, McKinnell & Wood Location: Lincoln, MA Year: 1950, Renovations 1998 deCordova Sculpture Park & Museum Established in 1950, deCordova Architect: John Q. Adams/Kallmann, McKinnell & Wood Location: Lincoln, MA Sculpture Park and Museum is Year: 1950, Renovations 1998 the largest park of its kind in New in 1950, deCordova Sculpture Park and England encompassing 30 acres, Established Museum is the largest park of its kind in New England encompassing 30 acres, 20 miles northwest of Bos20 miles northwest of Boston. In ton. In 2009, deCordova changed its name from de2009, deCordova changed its Cordova Museum and Sculpture Park to deCordova Sculpture Park and Museum to emphasize its renewed name from deCordova Museum focus on sculpture and to support the institution’s goal of becoming a premier Sculpture Park by 2020. Providand Sculpture Park to ing a constantly changing landscape of large-scale, deCordova Sculpture Park and outdoor, modern and contemporary sculpture and site-specific installations, the Sculpture Park hosts more Museum to emphasize its than 60 works, the majority of which are on loan to the deCordova Sculpture Park & Museum Museum. Inside, the Museum features a robust slate renewed focus on sculpture Architect: John Q. Adams/Kallmann, McKinnell &and Wood of rotating exhibitions and innovative interpretive proLocation: Lincoln, MA to support the institution’s goal of gramming. Year: 1950, Renovations 1998 becoming a premier Patrons of deCordova can enjoy year round activities Established in 1950, deCordova Sculpture Park and in the Sculpture Park and Museum, including snowshoe Sculpture Park by 2020. Providing Museum is the largest park of its kind in New England tours, yoga in the park, birding tours, curator and artist a constantly changing conversations, and many special talks, screenings, and encompassing 30 acres, 20 miles northwest of Bosevents. Unique to deCordova, the Corporate Program of changed large-scale, ton. In landscape 2009, deCordova its name from de- provides area businesses the opportunity to support the Cordova Museum and Sculpture Park to deCordova institution and regional artists through membership inioutdoor, modern and Sculpture Park and Museum to emphasize its renewed tiatives and Art Loan options. DeCordova is also home contemporary sculpture and focus on sculpture and to support the institution’s goal to the only preschool embedded in a contemporary of becoming a premierinstallations, Sculpture Park by 2020. Provid- art museum in the United States. site-specific the ing a constantly changing landscape of large-scale, Sculpture Park hosts more than outdoor, modern and contemporary sculpture and 60 works, the majority ofPark which site-specific installations, the Sculpture hosts more than 60 works, majority of which are on loan to the are onthe loan to the Museum. Museum. Inside,the the Museum features a robust Inside, Museum features a slate of rotating exhibitions and innovative interpretive prorobust slate of rotating gramming. exhibitions and innovative Patrons of deCordova can enjoy year round activities interpretive programming. in the Sculpture Park and Museum, including snowshoe
tours, yoga in the park, birding tours, curator and artist conversations, and many special talks, screenings, and events. Unique to deCordova, the Corporate Program provides area businesses the opportunity to support the institution and regional artists through membership initiatives and Art Loan options. DeCordova is also home to the only preschool embedded in a contemporary art museum in the United States.
Gropius House
Architect: Walter Gropius Location: Lincoln, MA Year: 1938
Walter Gropius, founder of the German design school known as the Bauhaus, was one of the most influential architects of the twentieth century. He designed Gropius House as his family home when he came to Massachusetts to teach architecture at Harvard’s Graduate School of Design. Modest in scale, the house was revolutionary in impact. It combined the traditional Gropius House elements of New England Architect: Walter Gropius Location: Lincoln, MA architecture wood, brick, and Year: 1938 fieldstone with innovative materials rarely used in design school Walter Gropius, founder of the German known as the Bauhaus, was oneat of the most influential domestic settings that time, architects of the twentieth century. He designed Groincluding glass block, pius House as his family home when he came to Masacoustical plaster, chrome sachusetts to teach architecture at Harvard’s Graduate School of Design.and the latest banisters, in fixtures. Modest technology in scale, the house was revolutionary in impact. It combined the traditional elements of New EnglandThe architecture brick, a and fieldstone with house wood, contains innovative materials rarely used in domestic settings significant of at that time, includingcollection glass block, acoustical plaster, chromefurniture banisters, and the latest technology in fixtures. designed by
Marcel Breuer and fabricated
In keeping with Bauhaus philosophy, every aspect of in and theitsBauhaus the house surroundingworkshops. landscape was planned for maximum and simplicity of design. The Withefficiency the family’s possessions house contains a significant collection of furniture still in place, Gropius House designed by Marcel Breuer and fabricated in the a sense immediacy andstill in Bauhaushas workshops. Withof the family’s possessions place, Gropius House has a sense of immediacy and intimacy. intimacy.
Smith House
Architect: RIchard Meier Location: Darien, CT Year: 1967 Gropius House Architect: Walter Gropius Location: Lincoln, MA The Smith Year: 1938
a small, sandy cove. The spatial organization of this house hinges on a programmatic separation between public and private areas. The private side of the house is at the entrance facing land, woods, and road. A series of closed, cellular spaces, these private areas are organized through three levels behind an opaque Smith House facade which is intermittently pierced with windows. Architect: RIchard Meier The public spaces, where the family meets and enLocation: Darien, CTare to the rear of the house, overlooking the tertains, Year: 1967 water. This public sector consists of three levels nestled within a three-sided glass enclosure; from the outside, the ground upper levels appear as solid slabs held The Smith House, builtand amidst fasttrees in the of white mullions of the glass shell.The dramatic the rocks and a one view of sea and sky that greets one upon entering is and one-half acre site, framed and intensified in the transparent skin of the overlooks Long Island Sound rear facade.
from the Connecticut coast. House, built amidst the rocks andcluster trees of A dense of evergreens a one and one-half acre site, overlooks Long Island stands at the entrance to the Walter Gropius, founder of the German design Smith school House Sound from the Connecticut coast. A denseBehind, cluster the land known as the Bauhaus, was one of the most influential property. Architect: RIchard Meier architects of theof twentieth century. He designed evergreens stands atGrothe entrance to the property. Location: Darien, CT clears and rises to the center pius House as his family home when he came to MasBehind, the land clears and rises to of the Year: 1967 sachusetts to teach architecture at Harvard’s Graduofthe thecenter site, then drops sharply site, then drops sharply to the rocky shoreline and ate School of Design. to the rocky shoreline and a The Smith House, built amidst of thethis rocks and trees of a small, sandy cove. The spatial organization Modest in scale, the house was revolutionary inaimsmall, sandy cove. The one and one-half acre site, overlooks Long Island house hingeselements on a programmatic separation between pact. It combined the traditional of New Sound from thespatial Connecticut coast. A dense cluster organization of this England architecture wood, brick, and fieldstone with The private side of the house public and private areas. of evergreens stands the entrance innovative materials rarely used in domestic settings houseathinges on a to the property. is at the facing land, and Behind, the woods, land clears androad. rises toA the center of the at that time, including glass entrance block, acoustical plaster, programmatic separation chrome banisters, and the technology insite, fixtures. then drops sharply to the rocky series oflatest closed, cellular spaces, these private areasshoreline and between public and private a small, sandy cove. The spatial organization of this organized levels behind an opaque In keeping with are Bauhaus philosophy, through every aspectthree of areas. The private side ofbetween the house hinges on a programmatic separation the house and its surrounding landscape was planned facade which is intermittently piercedareas. with The windows. public private side of the house for maximum efficiency and simplicity of design. The and private house is at the entrance facing public spaces, where the family facing meetsland, andwoods, en- and road. A is at the entrance house contains The a significant collection of furniture land, woods, and A designed by Marcel Breuer and in the tertains, arefabricated to the rear of the house, overlooking theroad. series of closed, cellular spaces, these private areas Bauhaus workshops. With the family’s possessions stillorganized in series of closed, cellular spacare through three levels behind an opaque water. This public sector place, Gropius House has a sense of immediacy andconsists of three levels nestled es, these private areas are facade which is intermittently pierced with windows. intimacy. within a three-sided glass enclosure; from the outside, The public spaces, where the family meets and enorganized through three levels the ground and upper levelsare appear as solid tertains, to the rear of theslabs house,held overlooking the behind an opaque facade fast in the white mullions of This thepublic glass shell.The dramatic water. sector consists of three levels nestled which is intermittently pierced within a three-sided glass enclosure;isfrom the outside, view of sea and sky that greets one upon entering with windows. Theaspublic theinground and upper levels solid slabs held framed and intensified the transparent skin appear of the fast in the whitespaces, mullions of the glass where theshell.The familydramatic rear facade. view of sea and sky that greets one upon meets and entertains, entering are to is framed and intensified in the transparent skin of the rear facade. the rear of the house, overlooking the water. This public sector consists of three levels nestled within a three-sided glass enclosure; from the outside, the ground and upper levels appear as solid slabs held fast in the white mullions of the glass shell.
Smith House
Architect: RIchard Meier Location: Darien, CT Year: 1967
The Smith House, built amidst the rocks and trees a one and one-half acre site, overlooks Long Isla Sound from the Connecticut coast. A dense clu of evergreens stands at the entrance to the prop Behind, the land clears and rises to the center of site, then drops sharply to the rocky shoreline and a small, sandy cove. The spatial organization of t house hinges on a programmatic separation bet public and private areas. The private side of the is at the entrance facing land, woods, and road series of closed, cellular spaces, these private are are organized through three levels behind an op facade which is intermittently pierced with windo The public spaces, where the family meets and e tertains, are to the rear of the house, overlooking water. This public sector consists of three levels n within a three-sided glass enclosure; from the ou the ground and upper levels appear as solid slab fast in the white mullions of the glass shell.The dra view of sea and sky that greets one upon enterin framed and intensified in the transparent skin of rear facade.
My analysis consisted of researching the background of the town of Lincoln, MA consisting of history, local landmarks, climate, local architecture, local materials, and the project site Flints Pond. The local architecture consisted of both traditional colonial and modern style homes; I was surprised at the amount of modern homes in a rural town like Lincoln.
Key Map
Site Plan
Proposed Site Facing North
Sectional Concept Diagram
Use of Local Traditional & Modern Building Design Concepts & Local Materials
My precedents studies consisted of the Codman House, Decodova Museum, Gropius House, Smith House, and Thoreau’s cabin at Walden Pond. Many of the homes in the area used local materials consisting of wood, brick and stone.
Floor Plan
Local Materials Used
Interior Studio Perspective
Modern Glass Bi-Fold Wall System
The primary use of this proposed house is an artist’s studio that is affiliated with the Decordova Museum so I wanted to situate the building about a 5 or 10 minute walk away from the museum for ease of access and orient the wider portion of the house facing north to allow in ample working light for a studio and situate it close to the water as a means of inspiration for the artist.
North Elevation
North Perspective
East Elevation
My concept is to integrate the traditional and modern architecture of Lincoln, MA into the house design using the simplistic design of the colonial house like Thoreau’s cabin with modern open plan design like the Gropius House. There will be a screened processional path to the house from the DeCordova Museum parking lot through the dense cluster of trees with the house’s opaque facade screening the direct view to the pond.
South Elevation
South Perspective
West Elevation
Once inside what looks like a traditional colonial style house you enter the studio or living space with is an open floor plan with a dramatic panoramic view revealed of the pond and landscape with the façade facing the pond a wall of glass with operable bi-fold doors out to a deck. This is similar to the design of the Smith House on the coastline of Connecticut by Richard Meier. The house is screened by dense trees and has an opaque façade hiding what’s behind it until you enter the house, which builds to a dramatic view of the ocean.
Section - A (West - East)
Section - B (North - South)
Local materials will be used in the construction and finish of the house with stone foundation walls, and wood construction (studs, siding, rafters, walls, floor, & ceiling) and a wood shake roof. The materials used on the exterior will be used in the interior similar to the Gropius house to convey the construction and materiality to the occupant. Any trees that are removed will be used in the house construction or relocated on the site.
Detail - B
Detail - A
Sketch Model Facing South East
Thinking Inside the Box: Repurposing Big-Box Stores Background: “Dark stores� are big boxes whose purpose has been outlived. What does one do with these shells once their corporate creators discard them to conquer new markets? Big boxes challenge conventional notions of scale, community, public space, infrastructure, and density, and these assessments only become more exposed once a facility has been left behind. The problem of what to do with this typology once a corporate owner decides to move on has become widespread across the country. This studio employed an existing big box site and will investigate adapting a large scale retail building for new types of experience. The box can become more than a source for shopping - a destination that promotes a quality of wellbeing. Rather than timidly salvaging the box as a container to shove a new program into, this studio will actively use the formal possibilities latent in the box to develop new geometries of occupation INSIDE its core. There are no precedents for the big box: its form arose from the logistics of selling and storing large quantities of merchandise. Embedded in it is an economic and strategic logic derived from networks of information and goods transmission - its value lies exactly in its being an element in a network of connections. The logical pressures that generated the form of the box will be redirected as formal impulses to generate new conditions that: 1) Promote social and cultural quality. 2) Demonstrate the use of progressive technologies including engineering systems and sustainable design. 3) Reconsider the exterior infrastructure and landscape as integral components of the site directly linked to the interior formal conditions. Architecture can work inside the box: the possibilities for transformation are greater at the core than simply decorating the exterior for the spectacle of commerce. The studio develops the gap between architects’ utopian longings and developer banalities.
Concept: - Creating a dense space the transitions into an open central space. - Create a space of centralized activity and engagement.
+
Integration of Two Systems a + b: Creating a dense space that transition into an open space and creating variability of space to imply movement and having the elements engaging with each other.
a
Concept Sketch
b Operation a: Created a dynamic flow from diagonal panels going against the grid. Creating a dense compressed space the transitions into a more open central space. Operation b: (Kit parts of a system) Variability of cubes implies movement & creates interesting lighting & shading moments. All elements are engaging with each other. Operation a + b Combination: Wanted to integrate the 2 operations. Used the panel & cubes to condense pathways & screen views into the space using varying heights, then opening it up to a larger space, then filter into a smaller entrance way into he hidden room.
Building Design Concept Diagram
Building Design Concept Diagram: This concept of was translated into the design of the big box store making use of the columns within the existing space. - Orange: original program - Yellow: additional housing - Green: garden space - Purple: gallery
a
b
Sample Plan
b model
a+b
Top View Model
a + b model
Big-Box Study Model Progression
Axon Model
Program Model Diagram
Exploded Axon of Components
I created a hybrid program of (housing, restaurant, baseball batting cages).Then create expressive space the makes connection between its form and intended use.
The Proposed Big-Box site is a Stop & Shop / Famous Footwear Proposed Hybrid Building Program: - Housing - Restaurant - Baseball batting cages Additional: - Garden - Gallery Space
Building Components: - Column grid 25’ x 35’ - Column sizes 8” & 24” - Steel roof trusses 30” deep - Exterior walls 12” conc. blk. - Conc. Slab 4” thick
From the existing big-box I am removing the existing roof and glass, keeping exterior walls , making use of steel columns and finishes to show contrast from what was there to the new building.
Proposed Site
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
Panoramic View of Big-Box Store Site
B
Rendering of Existing Store
STORAGE
3-1/2" METAL STUDS (TYP.)
8" X 8" STEEL COLUMNS (TYP.)
STOP AND SHOP
A
A FAMOUS FOOTWEAR
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
C
SKYLIGHT ABOVE (TYP.) STEEL DECKING (TYP.)
DUNKIN DONUTS
CITIZENS BANK
EXIT
C
(MEZZANINE ABOVE)
(MEZZANINE ABOVE)
(MEZZANINE ABOVE)
ENTRY LOBBY (DOUBLE HEIGHT)
B
Existing Store Floor Plan PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
12" REINFORCED CONCRETE BLOCK (TYP.)
24" X 24" STEEL COLUMNS (TYP.)
Model of Existing Big-Box Store
Sample Site Plan (End Unit)
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
WATERPROOF ROOF MEMBRANE INSULATION STEEL DECKING
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
OPEN WEB STEEL JOISTS 30" DEEP
12" CMU WALL
4" CONC. SLAB RIGID INSULATION VAPOR BARRIER FINISHED GRADE
CRUSHED STONE BASE
REINFORCED CONC. FOOTING & FOUNDATION
Proposed Site Plan Wall Section - C PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
First Floor Plan The ground level is open no program allowing for an communal space and baseball batting cages, housing, and restaurant are suspended above on the second and third floors.
Mezzanine Plan This open communal space transitions from dense to narrow space into a central space with public gardens that follow the same pattern, and open gallery space. The mezzanine has batting cages suspended from steel trusses above.
Second Floor Plan The second floor is housing following narrow/ dense to open space concept. Lastly the third floor is restaurant and housing following narrow/ dense to open space concept.
Third Floor Plan
South Elevation (Front)
West Elevation (Left Side)
North Elevation (Rear)
East Elevation (Right Side)
Section - A
Section - B
Section - C
Section - D
Rendering of Proposed Insertion into Big-Box
Exterior Renderings
Exterior Renderings
Big-Box Study Model
Building Model Insertion
Repurposed Big-Box Building Model
Building Model Inserted into Full Big-Box Complex
Rose Kennedy Gift Shop & Cafe Site Location Map
Site Photos Building Renderings
DESCRIPTION
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
MARK DATE MADE BY CHECKED REVISIONS
N
PROJECT NO. CAD DWG. FILE: DESIGNED BY: M. D'URSO DRAWN BY:
M. D'URSO
DEPT. CHECK: PROJECT CHECK:
Site Plan SITE PLAN
DATE: DEC. 13 2013 SCALE: 1" = 50'
SCALE: 1" = 50'
SP -1
Rose Kennedy Gift Shop & Café: I was given concept drawings to develop the construction drawings for the new rose kennedy gift shop & café. To develop the required construction drawings, I researched the systems and work back and forth between plans, sections, elevations and details to be sure the enclosure meets the design intent. PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
DESCRIPTION
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
B
C
D
E
F
G
H B
.5 1
2'-0" X 2'-0" X 1'-0" CONC. FOOTING USE # 6 REBAR 12" E.W. TOP & BOTTOM (TYP.)
3
A-8 6" CONC. SLAB ON GRADE W/6 X 6 10/ 10 W.W.M. OVER 6 MIL VAPOR BARRIER 6" STONE BASE COMPACTED CLEAN FILL
2
A
6" CONC. SLAB ON GRADE W/6 X 6 10/ 10 W.W.M. OVER 6 MIL VAPOR BARRIER 6" STONE BASE COMPACTED CLEAN FILL
A
A-7
A-7
3
4
3'-4" X 3'-4" X 1'-0" CONC. FOOTING USE # 6 REBAR 12" E.W. TOP & BOTTOM BOTTOM OF FOOTING (TYP).
2
A-8
16" CONCRETE FOUNDATION WALL W/ #6 BARS @12" E.W. E. F.
4
A-8
12" C.I.P. CONCRETE WALL ABOVE GRADE W/ #6 BARS @12" E.W. E. F.
FOUNDATION PLAN
SCALE: 18 " = 1'-0" NOTE: FOUNDATION DESIGN BASED ON A GROSS ALLOWABLE BEARING PRESSURE OF 3000 PSF
B
A-7
Foundation Plan PROJECT NO. CAD DWG. FILE: DESIGNED BY: M. D'URSO DRAWN BY:
M. D'URSO
DEPT. CHECK: PROJECT CHECK: DATE: DEC. 13 2013 SCALE: 18" = 1'-0"
A -1 PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
A-7
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
MARK DATE MADE BY CHECKED REVISIONS
A
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
A
B
C
D
E
F
G
H B
H.R. TO 2ND FL. SC W4 X13
SC W4 X13
12" C.I.P. CONCRETE WALL W/ #6 BARS @ 12" E.W. E. F.
UP
SC W4 X13
SC W4 X13
H.R. SC W4 X13
1
.5
SC W4 X13
SC W4 X13
KAWNEER ALUM. 5- 3 4" LOW-RISE CURTAIN WALL SYSTEM
3070 ALUM. DR.
SC W4 X13
STONE VENEER
3
A-8
SC W4 X13 3070 ALUM. DR.
2 BOOKSTORE/ GIFT SHOP
3070 ALUM. DR.
A
A-7
A
A-7
3 5
A-14
SC W4 X13
6
3070 ALUM. DR.
A-14
SC W4 X13
4 7&8 A-14
SC W4 X13
SC W4 X13
SC W4 X13
2
A-8
SC W4 X13
1
2ND FL. ABOVE
4
A-8
A-8
B
A-7
FIRSTFloor FLOORPlan PLAN First SCALE: 18 " = 1'-0"
PROJECT NO. CAD DWG. FILE:
DESIGNED BY: M. D'UR DRAWN BY:
M. D'UR
DEPT. CHECK: PROJECT CHECK: DATE: DEC. 13 2013 SCALE: 18" = 1'-0"
A -2 PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
DATE
A-7
A
B
C
D
E
F
G
DESCRIPTION
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
H B
MARK DATE MADE BY CHECKED REVISIONS
H.R.
GLASS RAILING
24" X 24" TILE TECH IPE WOOD ADJUSTABLE PEDESTALS W/ ROOF DRAIN BELOW
3
TO 1ST FL.
DN.
A-9
H.R.
1
.5 6" METAL STUDS
HALF WALL
3
A-8 TRESPA VENEER (RAINSCREEN)
1
A-9
2
3070 ALUM. DR.
CAFE
ROOF DECK
2
A
3070 ALUM. DR.
A-7
3
A-9
A
A-7
KAWNEER ALUM. 5- 3 4" LOW-RISE CURTAIN WALL SYSTEM
4
4
A-9
5
A-9
2
A-8
4
A-8
Second SECOND Floor FLOORPlan PLAN
B
SCALE: 18 " = 1'-0"
A-7
PROJECT NO. CAD DWG. FILE: DESIGNED BY: M. D'URSO DRAWN BY:
M. D'URSO
DEPT. CHECK: PROJECT CHECK: DATE: DEC. 13 2013 SCALE: 18" = 1'-0"
A -3 PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
A-7
A
B
C
D
E
F
G
DESCRIPTION
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
H B
MARK DATE MADE BY CHECKED REVISIONS
PITCH 1 4"
.5
1
3
PITCH
PITCH
1 " 4
1 " 4
A-8
2 1 " 4
2
ROOF DRAIN
A-12 1 " 4
1 " 4
PITCH
PITCH
1
ROOF DRAIN
ROOF DRAIN
1 " 4
PITCH
A-12
ROOF DRAIN PITCH
1 " 4
1 " 4
PITCH
PITCH
A
A
A-7
A-7
H PITC
PITCH 1 " 4
PITCH
1 4"
PITCH 1 " 4
1 4"
PIT
CH
3
1 4"
PIT
CH
1 " 4
4
4
A-8
Roof Plan
ROOF PLAN
B
SCALE: 18 " = 1'-0"
A-7 PROJECT NO. CAD DWG. FILE: DESIGNED BY: M. D'URSO DRAWN BY:
M. D'URSO
DEPT. CHECK: PROJECT CHECK: DATE: DEC. 13 2013 SCALE: 18" = 1'-0"
A -4 PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
A-7
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
DESCRIPTION
ROOF
MARK DATE MADE BY CHECKED REVISIONS
PHENOLIC CLADDING TRESPA RAINSCREEN
C.I.P. CONCRETE WALL 12" W/ GRANITE STONE VENEER RAINSCREEN
FIRST FLOOR
EAST EastELEVATION Elevation SCALE: 18 " = 1'-0"
ROOF
PHENOLIC CLADDING TRESPA RAINSCREEN
GLASS RAILING SECOND FLOOR
KAWNEER ALUM. 5- 3 4" LOW-RISE CURTAIN WALL SYSTEM
C.I.P. CONCRETE WALL 12" W/ GRANITE STONE VENEER RAINSCREEN
PROJECT NO. CAD DWG. FILE:
FIRST FLOOR
DESIGNED BY: M. D'URSO DRAWN BY:
M. D'URSO
DEPT. CHECK: PROJECT CHECK: DATE: DEC. 13 2013
NORTH North ELEVATION Elevation
SCALE: 18" = 1'-0"
A -6
SCALE: 18 " = 1'-0"
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
SECOND FLOOR
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
DESCRIPTION
ROOF
KAWNEER ALUM. 5- 3 4" LOW-RISE CURTAIN WALL SYSTEM
C.I.P. CONCRETE WALL 12" W/ GRANITE STONE VENEER RAINSCREEN
FIRST FLOOR
WEST ELEVATION West Elevation SCALE: 18 " = 1'-0"
ROOF PHENOLIC CLADDING TRESPA RAINSCREEN
GLASS RAILING SECOND FLOOR
KAWNEER ALUM. 5- 3 4" LOW-RISE CURTAIN WALL SYSTEM
C.I.P. CONCRETE WALL 12" W/ GRANITE STONE VENEER RAINSCREEN
FIRST FLOOR PROJECT NO. CAD DWG. FILE: DESIGNED BY: M. D'URSO DRAWN BY:
M. D'URSO
DEPT. CHECK:
SOUTH South ELEVATION Elevation
PROJECT CHECK: DATE: DEC. 13 2013 SCALE: 18" = 1'-0"
SCALE: 18 " = 1'-0"
A -5 PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
SECOND FLOOR
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
MARK DATE MADE BY CHECKED REVISIONS
PHENOLIC CLADDING TRESPA RAINSCREEN
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT WATERPROOF ROOF MEMBRANE 2" RIGID INSULATION 1-1/2" 18 GAGE WIDE RIB STEEL DECK SPRAY APPLIED FOAM INSULATION FILL ALL VOIDS
1
5
A-11
ROOF
GRACE AVB PERM-A-BARRIER WALL MEMBRANE SELF-ADHESIVE
A-12
2
A-11
2
A-12
ROOF DECK
CAFE
2
1
A-11
A-13
1
A-15
4" CONC. SLAB
SECOND FLOOR
1
6
STEEL COLUMN
A-11
KAWNEER ALUM. 5- 3 4" LOW-RISE CURTAIN WALL SYSTEM 2&4
1
BOOKSTORE/ GIFT SHOP
GRANITE STONE VENEER RAINSCREEN
A-13
A-14
2
12" C.I.P. CONCRETE WALL & FOUNDATION W/ #6 BARS @12" E.W. E. F.
A-10
1
A-10
3
A-14
FIRST FLOOR
APPROX. GRADE
6" CONC. SLAB W/ #5 BARS @12" (TYP.) 2" RIGID INSULATION (TYP.) 6 MIL VAPOR BARRIER (TYP.) 6" CRUSHED STONE BASE (TYP.) COMPACTED CLEAN FILL
3'-4" X 3'-4" X 1'-0" CONC. FOOTING USE # 6 REBAR E.W. TOP & BOTTOM (TYP.)
Building SECTION Section --AA BUILDING
WATERPROOF ROOF MEMBRANE 2" RIGID INSULATION 1-1/2" 18 GAGE WIDE RIB STEEL DECK SPRAY APPLIED FOAM INSULATION FILL ALL VOIDS
5
A-11
SCALE: 18 " = 1'-0" PHENOLIC CLADDING (TRESPA)
ROOF
1
3
A-12
GRACE AVB PERM-A-BARRIER WALL MEMBRANE SELF-ADHESIVE
A-11
4
A-11
CAFE
4" CONC. SLAB
SECOND FLOOR
6
A-11
BOOKSTORE/ GIFT SHOP
GRANITE STONE VENEER RAINSCREEN
1
A-13
12" C.I.P. CONCRETE WALL & FOUNDATION W/ #6 BARS @12" E.W. E. F.
PROJECT NO. APPROX. GRADE
FIRST FLOOR
CAD DWG. FILE:
DESIGNED BY: M 6" CONC. SLAB W/ #5 BARS @12" (TYP.) 2" RIGID INSULATION (TYP.) 6 MIL VAPOR BARRIER (TYP.) 6" CRUSHED STONE BASE (TYP.) COMPACTED CLEAN FILL
BUILDING Section SECTION -B B Building SCALE: 18 " = 1'-0"
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
A-14
DRAWN BY: 3'-4" X 3'-4" X 1'-0" CONC. FOOTING USE # 6 REBAR E.W. TOP & BOTTOM (TYP.)
M
DEPT. CHECK:
PROJECT CHECK
DATE: DEC. 13 2
SCALE: 18" = 1'-0
A -7
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
1 4"
WALLSection SECTION -- 1 Wall
2" RIGID INSUL. BOARD 4" CONC. SLAB OVER METAL DECKING
GAF WATERPROOF EVERGUARD PVC 60 MIL ROOF MEMBRANE
STEEL BEAMS
SPRAY APPLIED FOAM STEEL INSULATION FILL ALL VOIDS BEAM TRESPA RAINSCREEN GRACE AVB PANEL PERM-A-BARRIER 1 " DENSGLASS WALL MEMBRANE 2 SELF-ADHESIVE SHEATHING
ALUM. WINDOW
SPRAY APPLIED FOAM INSULATION FILL ALL VOIDS 1 " 2 GYPSUM BD. 2" ROCK WOOL INSULATION
SCALE: 14 " = 1'-0"
GRACE AVB PERM-A-BARRIER WALL MEMBRANE SELF-ADHESIVE GLASS GUARD RAIL 1 " 2
WOOD FLOORING 3
ADJUSTABLE PEDESTALS GAF WATERPROOF EVERGUARD PVC 60 MIL ROOF MEMBRANE
4"
SUB FLOOR
STEEL BEAM
SPRAY APPLIED FOAM INSULATION FILL ALL VOIDS
6" METAL STUDS
GRACE AVB PERM-A-BARRIER WALL MEMBRANE SELF-ADHESIVE
TILE TECH IPE WOOD
GRACE AVB PERM-A-BARRIER WALL MEMBRANE SELF-ADHESIVE
FIXED BRACKET AIRCAVITY
1 " 2
DENSGLASS SHEATHING
6" METAL STUDS
2" ROCK WOOL INSULATION
SPRAY APPLIED FOAM INSULATION FILL ALL VOIDS GYPSUM BD.
GRACE AVB PERM-A-BARRIER WALL MEMBRANE SELF-ADHESIVE
1 " 2
1 " 2
AIRCAVITY
4" CONC. SLAB OVER METAL DECKING
WOOD FLOORING 3
4"
SUB FLOOR 4" CONC. SLAB OVER METAL DECKING
FIXED BRACKET
2" RIGID INSUL. BOARD GRACE AVB PERM-A-BARRIER WALL MEMBRANE SELF-ADHESIVE
SPRAY APPLIED FOAM INSULATION FILL ALL VOIDS
4" CONC. SLAB OVER METAL DECKING
SPRAY APPLIED FOAM INSULATION FILL ALL VOIDS
SPRAY APPLIED FOAM INSULATION FILL ALL VOIDS
GRANITE STONE VENEER RAINSCREEN
STEEL COLUMN
WRB DELTA-DRY DRAINAGE & VENTILATION RAINSCREEN MEMBRANE
KAWNEER ALUM. 5- 3 4" LOW-RISE CURTAIN WALL SYSTEM
2" ROCK WOOL INSULATION 12" C.I.P. CONCRETE WALL W/ #6 BARS @12" E.W. E. F.
6" CONC. SLAB W/ #5 BARS @12" (TYP.)
GRANITE STONE VENEER RAINSCREEN WRB DELTA-DRY DRAINAGE & VENTILATION RAINSCREEN MEMBRANE 2" ROCK WOOL INSULATION
6" CONC. SLAB W/ #5 BARS @12" (TYP.)
2" RIGID INSULATION (TYP.) 6 MIL VAPOR BARRIER (TYP.)
2" RIGID INSULATION (TYP.) 6 MIL VAPOR BARRIER (TYP.) 6" CRUSHED STONE BASE (TYP.)
6" CRUSHED STONE BASE (TYP.)
16" CONCRETE FOUNDATION WALL W/ #6 BARS @12" E.W. E. F. APPROX. GRADE
APPROX. GRADE
6" CONC. SLAB W/ #5 BARS @12" (TYP.) 12" C.I.P. CONCRETE WALL W/ #6 BARS @12" E.W. E. F. 16" CONCRETE FOUNDATION WALL W/ #6 BARS @12" E.W. E. F.
2" RIGID INSULATION (TYP.) 6 MIL VAPOR BARRIER (TYP.) 6" CRUSHED STONE BASE (TYP.)
APPROX. GRADE
PROJECT NO.
3'-4" X 3'-4" X 1'-0" CONC. FOOTING USE # 6 REBAR E.W. TOP & BOTTOM (TYP.) COMPACTED CLEAN FILL
Wall 2 WALLSection SECTION -- 2 SCALE: 14 " = 1'-0"
CAD DWG. FILE:
DESIGNED BY: M. D'URSO DRAWN BY:
3'-4" X 3'-4" X 1'-0" CONC. FOOTING USE # 6 REBAR E.W. TOP & BOTTOM (TYP.) COMPACTED CLEAN FILL
WallWALL Section - 3- 3 SECTION SCALE: 14 " = 1'-0"
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
ROOF DRAIN
PARAPET CAP TRESPA RAINSCREEN PANEL
ADJUSTABLE PEDESTALS
PITCH
KAWNEER ALUM. 5- 3 4" LOW-RISE CURTAIN WALL SYSTEM
PARAPET CAP
DESCRIPTION
GLASS GUARD RAIL
TILE TECH IPE WOOD
GAF WATERPROOF EVERGUARD PVC 60 MIL ROOF MEMBRANE 2" RIGID INSULATION 1-1/2" 18 GAGE WIDE RIB STEEL DECK
MARK DATE MADE BY CHECKED
SPRAY APPLIED FOAM INSULATION FILL ALL VOIDS
GAF WATERPROOF EVERGUARD PVC 60 MIL ROOF MEMBRANE 2" RIGID INSULATION 1-1/2" 18 GAGE WIDE RIB STEEL DECK
3'-4" X 3'-4" X 1'-0" CONC. FOOTING USE # 6 REBAR E.W. TOP & BOTTOM (TYP.) COMPACTED CLEAN FILL
Wall Section WALL SECTION- -44 SCALE: 14 " = 1'-0"
M. D'URSO
DEPT. CHECK: PROJECT CHECK: DATE: DEC. 13 2013 SCALE: 14 " = 1'-0"
A -8
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
DOOR JAMB
WINDOW JAMB
VERTICAL PANEL JO 1 " 2
SPRAY APPLIED FOAM INSULATION FILL ALL VOIDS
1 " 2
GYPSUM BD. 6" METAL STUDS
1 " 2
GYPSUM BD. 6" METAL STUDS
SPRAY APPLIED FOAM INSULATION FILL ALL VOIDS
DESCRIPTION
GYPSUM BD. 6" METAL STUDS
2" ROCK WOOL INSULATION
MARK DATE MADE BY CHECKED
SPRAY APPLIED FOAM INSULATION FILL ALL VOIDS
1 " 2
DENSGLASS SHEATHING GRACE AVB PERM-A-BARRIER WALL MEMBRANE SELF-ADHESIVE
1 " 2
ALUM. DOOR JAMB
ALUM. WINDOW JAMB
2" ROCK WOOL INSULATION
2"
CHANNEL ANCHOR J - CHANNEL RAIL ANCHOR 1 " 2
33 4"
ALUM. BLOCK
RAIL ANCHOR
1 " 2
1 " 2
1 " 2
1 " 2
SYSTEM CLOSURE
33 4"
2"
DENSGLASS SHEATHING
GRACE AVB PERM-A-BARRIER WALL MEMBRANE SELF-ADHESIVE
33 4"
1 " 2
2"
CHANNEL ANCHOR
CHANNEL ANCHOR
ALUM. BLOCK FIXED BRACKET
2" ROCK WOOL INSULATION ALUM. BLOCK
1 " 2
AIR CAVITY
314"
J - CHANNEL 8" TRESPA RAINSCREEN PANEL RAIL
RAIL ANCHOR
3
AIR CAVITY
314"
J - CHANNEL 8" TRESPA RAINSCREEN PANEL RAIL
3
FIXED BRACKET T U ANCHOR
Rainscreen Window -2 RAINSCREEN WINDOWJamb JAMB Plan PLAN Detail DETAIL-2 INSIDE CORNER
SCALE: 3" = 1'-0"
SCALE: 3" = 1'-0"
1 " 2
AIR CAVITY RAIL T U ANCHOR
314"
3 " TRESPA 8 RAINSCREEN PANEL
FIXED BRACKET T U ANCHOR
Rainscreen RAINSCREENDoor DOORJamb JAMB Plan PLAN Detail DETAIL --11
8"
314"
3
Rainscreen -3 RAINSCREEN Vertical VERTICAL Panel PANEL Joint JOINT Detail PLAN DETAIL-3 SCALE: 3" = 1'-0"
GYPSUM BD. SPRAY APPLIED FOAM INSULATION FILL ALL VOIDS
6" METAL STUDS
1 " 2
GYPSUM BD. 6" METAL STUDS
1 " 2
63
째
DENSGLASS SHEATHING GRACE AVB PERM-A-BARRIER WALL MEMBRANE SELF-ADHESIVE
SPRAY APPLIED FOAM INSULATION FILL ALL VOIDS
RAIL ANCHOR RAIL FIXED BRACKET T U ANCHOR
1 " 2
DENSGLASS SHEATHING
GRACE AVB PERM-A-BARRIER WALL MEMBRANE SELF-ADHESIVE
1 " 2
2" ROCK WOOL INSULATION
CHANNEL ANCHOR AIR CAVITY
4116"
J - CHANNEL ALUM. BLOCK
33 4"
2"
8"
414"
3
1 " 2
33 4"
2"
2" ROCK WOOL INSULATION
3
RAIL ANCHOR T U ANCHOR 8" TRESPA RAINSCREEN PANEL FIXED BRACKET RAIL
8"
1 " 2
AIR CAVITY
414"
CHANNEL ANCHOR
3
J - CHANNEL 3
TRESPA RAINSCREEN PANEL
8"
1 " 2
Rainscreen Inside Corner Plan Detail -4 RAINSCREEN INSIDE CORNER PLAN DETAIL-4 SCALE: 3" = 1'-0"
ALUM. BLOCK
Rainscreen -5 RAINSCREENOutside OUTSIDECorner CORNERPlan PLANDetail DETAIL-5 SCALE: 3" = 1'-0"
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
DENSGLASS SHEATHING GRACE AVB PERM-A-BARRIER WALL MEMBRANE SELF-ADHESIVE
PROJECT NO. CAD DWG. FILE:
DESIGNED BY: M. D'URSO DRAWN BY:
M. D'URSO
DEPT. CHECK: PROJECT CHECK: DATE: DEC. 13 2013 SCALE: 3 " = 1'-0"
A -9
KAWNEER ALUM. 5- 3 4" LOW-RISE CURTAIN WALL SYSTEM
DESCRIPTION
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
GRANITE STONE VENEER RAINSCREEN PANEL
6" CONC. SLAB W/ #5 BARS @12" (TYP.)
AIR SPACE ADJUSTABLE CLIP 6" CONC. SLAB W/ #5 BARS @12" (TYP.) 2" RIGID INSULATION (TYP.)
GRANITE STONE VENEER MORTAR SETTING BED WIRE LATH W/ SCRATCH COAT
6 MIL VAPOR BARRIER (TYP.)
DELTA-DRY MEMBRANE 2" RIGID INSULATION BOARD
6" CRUSHED STONE BASE (TYP.)
WRB. GRACE AVB PERM-A-BARRIER WALL MEMBRANE SELF-ADHESIVE
2" RIGID INSULATION (TYP.)
WRB. GRACE AVB PERM-A-BARRIER WALL MEMBRANE SELF-ADHESIVE
6 MIL VAPOR BARRIER (TYP.)
12" C.I.P. CONCRETE WALL W/ #6 BARS @12" E.W. E. F.
6" CRUSHED STONE BASE (TYP.)
16" CONCRETE FOUNDATION WALL W/ #6 BARS @12" E.W. E. F. APPROX. GRADE
16" CONCRETE FOUNDATION WALL W/ #6 BARS @12" E.W. E. F. APPROX. GRADE
3'-4" X 3'-4" X 1'-0" CONC. FOOTING USE # 6 REBAR E.W. TOP & BOTTOM (TYP.) COMPACTED CLEAN FILL
3'-4" X 3'-4" X 1'-0" CONC. FOOTING USE # 6 REBAR E.W. TOP & BOTTOM (TYP.) COMPACTED CLEAN FILL
Foundation Detail - 1 FOUNDATION DETAIL - 1 SCALE:
3
4
" = 1'-0"
PROJECT NO. CAD DWG. FILE:
Foundation 2 FOUNDATIONDetail DETAIL -- 2 SCALE:
3
4
" = 1'-0"
DESIGNED BY: M. D'URSO DRAWN BY:
M. D'URSO
DEPT. CHECK: PROJECT CHECK: DATE: DEC. 13 2013 SCALE:
3
4
" = 1'-0"
A -10 PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
STONE CAP W/ DRIP
MARK DATE MADE BY CHECKED REVISIONS
2" ROCK WOOL INSULATION STEEL CHANNEL
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT FIXED BRACKET T U ANCHOR
8" 3
2" ROCK WOOL INSULATION GRACE AVB PERM-A-BARRIER WALL MEMBRANE SELF-ADHESIVE
FIXED BRACKET RAIL RAIL ANCHOR T U ANCHOR
1 " 2
FIXED BRACKET RAIL RAIL ANCHOR T U ANCHOR
6" METAL STUDS
GYPSUM BD.
SPRAY APPLIED FOAM INSULATION FILL ALL VOIDS
RAIL ANCHOR RAIL ALUM. BLOCK
1 " 2
314"
1 " 2
314"
GYPSUM BD.
AIR CAVITY 3 " TRESPA 8 RAINSCREEN PANEL
DENSGLASS SHEATHING
6" METAL STUDS
SPRAY APPLIED FOAM INSULATION FILL ALL VOIDS 6" METAL STUDS
2" ROCK WOOL INSULATION GRACE AVB PERM-A-BARRIER WALL MEMBRANE SELF-ADHESIVE 1 " 2
DENSGLASS SHEATHING 1 " 2
2"
GYPSUM BD.
1 " 2
SPRAY APPLIED FOAM INSULATION FILL ALL VOIDS
1 " ALUM. BLOCK 2 VENT SCREEN CHANNEL ANCHOR
1 " ALUM. BLOCK 2 VENT SCREEN CHANNEL ANCHOR
2" 33 4"
ALUM/ WINDOW HEAD
Rainscreen Panel Joint Detail -1 RAINSCREENHorizontal HORIZONTAL PANEL JOINT DETAIL-1
Rainscreen -2 RAINSCREEN Door DOORHead HEAD Detail DETAIL-2
SCALE: 3" = 1'-0"
Rainscreen Detail - 3 RAINSCREENWindow WINDOW Head HEAD DETAIL-3
SCALE: 3" = 1'-0"
SCALE: 3" = 1'-0"
33 4"
ALUM. PARAPET CAP
2"
SPRAY APPLIED FOAM INSULATION FILL ALL VOIDS 1 " 2
ALUM/ WINDOW SILL
1 " 2
DENSGLASS SHEATHING GRACE AVB PERM-A-BARRIER WALL MEMBRANE SELF-ADHESIVE
GYPSUM BD.
6" METAL STUDS CHANNEL ANCHOR 1"MIN.
1 " 2
T U ANCHOR
GYPSUM BD.
SPRAY APPLIED FOAM INSULATION FILL ALL VOIDS
1 " 2 3
2"
8"
RAIL ANCHOR RAIL 1 " 2
ALUM. BLOCK 2" ROCK WOOL INSULATION
DENSGLASS SHEATHING
1 " 2
6" METAL STUDS 1 " 2
GYPSUM BD.
T U ANCHOR RAIL ANCHOR RAIL
FIXED BRACKET T U ANCHOR
RAIL ANCHOR RAIL
1 " ALUM. BLOCK 2 2" ROCK WOOL INSULATION
SPRAY APPLIED FOAM INSULATION FILL ALL VOIDS
3 " TRESPA 8 RAINSCREEN PANEL AIR CAVITY
2" 33 4"
1 "MIN. 8
1"
1 " 2
3 " TRESPA 8 RAINSCREEN PANEL
414"
6" METAL STUDS
CHANNEL ANCHOR
1 " 2
DENSGLASS SHEATHING
2" ROCK WOOL INSULATION GRACE AVB PERM-A-BARRIER WALL MEMBRANE SELF-ADHESIVE
2"
ADJUSTABLE BRACKET
1 " 2
CHANNEL ANCHOR
2" ROCK WOOL INSULATION AIR CAVITY
33 4"
AIR CAVITY 3 " TRESPA 8 RAINSCREEN PANEL 314"
2" ROCK WOOL INSULATION GRACE AVB PERM-A-BARRIER WALL MEMBRANE SELF-ADHESIVE
ADJUSTABLE BRACKET
314"
1"MIN.
1"MIN.
1 "MIN. 4
3 1 " 2
33 4"
ALUM. BLOCK
8"
414"
ADJUSTABLE BRACKET SOFFIT
PROJECT NO. CAD DWG. FILE:
DESIGNED BY: M. D
Rainscreen WINDOW Window SILL Sill Detail -4 RAINSCREEN DETAIL-4
RainscreenPARAPET ParapetCAP CapDETAIL-5 Detail - 5 RAINSCREEN
Rainscreen SoffitDETAIL-6 Detail Detail - 6 RAINSCREEN SOFFIT
DRAWN BY:
SCALE: 3" = 1'-0"
SCALE: 3" = 1'-0"
SCALE: 3" = 1'-0"
DATE: DEC. 13 201
M. D
DEPT. CHECK: PROJECT CHECK: SCALE: 3 " = 1'-0"
A -11 PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
33 4" AIR CAVITY 3 " TRESPA 8 RAINSCREEN PANEL
314"
AIR CAVITY
GRACE AVB PERM-A-BARRIER WALL MEMBRANE SELF-ADHESIVE 1 " DENSGLASS 2 SHEATHING
1 " 2
CHANNEL ANCHOR
314"
1 " 2
2" ROCK WOOL INSULATION
33 4"
1 "MIN. 8
1 " 8
MIN.
TRESPA RAINSCREEN PANEL
2"
8"
1 "MIN. 8
3
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT TILE TECH IPE WOOD
GAF WATERPROOF EVERGUARD PVC 60 MIL ROOF MEMBRANE
ADJUSTABLE PEDESTALS
ROOF DRAIN WATER BLOCK SEALANT
2" RIGID INSULATION TAPER INSULATION TO DRAIN
SPRAY APPLIED FOAM INSULATION FILL ALL VOIDS
GRACE AVB PERM-A-BARRIER WALL MEMBRANE SELF-ADHESIVE
4" CONC. SLAB OVER METAL DECKING STORM DRAIN LEADER
STEEL BEAM
RoofDRAIN DrainDETAIL Detail -- 11 ROOF SCALE: 3" = 1'-0" ROOF DRAIN 2" RIGID INSULATION METAL FLASHING
GAF WATERPROOF EVERGUARD PVC 60 MIL ROOF MEMBRANE
WATER BLOCK SEALANT
GRACE AVB PERM-A-BARRIER WALL MEMBRANE SELF-ADHESIVE TAPER INSULATION TO DRAIN SPRAY APPLIED FOAM INSULATION FILL ALL VOIDS
1-1/2" 18 GAGE WIDE RIB STEEL DECK
Roof Drain Detail - 2 ROOF DRAIN DETAIL - 2
STORM DRAIN LEADER
SCALE: 3" = 1'-0"
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
METAL FLASHING
DECK CLAMP
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
TILE TECH IPE WOOD
12" C.I.P. CONCRETE WALL W/ #6 BARS @12" E.W. E. F. 2" ROCK WOOL INSULATION
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
STEEL CHANNEL FIXED CLIP
GRANITE STONE VENEER RAINSCREEN PANEL AIR SPACE
WRB. GRACE AVB PERM-A-BARRIER WALL MEMBRANE SELF-ADHESIVE ADJUSTABLE CLIP TILE TECH IPE WOOD
ADJUSTABLE SCREW
CERAMIC POINT ADJUSTABLE PEDESTALS WALL ANGLE
TILE TECH IPE WOOD
RIVET
ADJUSTABLE PEDESTALS
SCALE: 3" = 1'-0"
Typical Wood Decking Tile Detail - 2 TYPICAL WOOD DECKING TILE DETAIL - 2
PROJECT NO
SCALE: 1-1/2" = 1'-0"
DESIGNED B
CAD DWG. F DRAWN BY:
DEPT. CHECK
PROJECT CH
DATE: DEC. 1
SCALE: 3 " =
APRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
STONE StoneVENEER VeneerRAINSCREEN RainscreenDETAIL Detail--11
ALUM, CAP
3'-6"
1" THICK GLASS GUARD RAIL SAFETY GLASS
TILE TECH IPE WOOD
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
ADJUSTABLE PEDESTALS GAF WATERPROOF EVERGUARD PVC 60 MIL ROOF MEMBRANE
PAINTED STEEL GUARDRAIL SHOE W/ SEALED RUBBER GASKET
2" RIGID INSUL. BOARD
ALUM. PARAPET CAP
GRACE AVB PERM-A-BARRIER WALL MEMBRANE SELF-ADHESIVE
ANCHOR
4" CONC. SLAB OVER METAL DECKING
NAILER
SPRAY APPLIED FOAM INSULATION FILL ALL VOIDS KAWNEER ALUM. 5- 3 4" LOW-RISE CURTAIN WALL SYSTEM
STEEL BEAM
RoofDECK Deck RAILING Railing Detail - 1- 1 ROOF DETAIL SCALE: 3" = 1'-0"
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT