S.PETERSON Revit Portfolio 2022

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REVIT PORTFOLIO

BLM CULTURAL CENTER WINTER 2020 SHAN PETERSON

SHAN PETERSON

BS Interior Architecture ‘23 Minors: Entrepreneurship and Architecture

INTERESTS

Commercial projects focusing on Civic and healthcare design

DESIGN STARTS WITH PEOPLE

For Shan, the process of design begins with looking at the need within the community. Focusing on a hands on approach, she first assesses the site and surrounding community; working to understand the local culture and atmosphere of the space. Shan places a keen and positive spirit on creating spaces in which users will enjoy.

Throughout her past four years at the University of Oregon she has constantly pushed the boundaries of design, focusing on creating new and innovative spaces. She is constantly trying to examine and research what is next for the built environment.

Starting as a business major, Shan was able to examine from a new perspective how her ideas may or may not work for potential users. She uses this background and her minor to think about the true functionality and feasibility of a space.

Her main passion resides in making common building types a enjoyable environment for all. Leaning into Healthcare types and other Civic buildings in which the user may not always share positive experiences with. She enjoys the challenge as it pushes her to collaborate with others and design unique solutions.

SOFTWARES Revit Rhino Enscape Lumion Adobe Suites Microsoft
SECTION XX | NAME OF SECTION 2 BLM CULTURAL CENTER | SHAN PETERSON
SECTION XX | NAME OF SECTION 3 BLM CULTURAL
| STUDENT NAME
CENTER| SHAN PETERSON

TOPOGRAPHY STUDY

9TH AND CONCH

The site being located within the downtown Pearl District of Portland Oregon, creates a pretty neutral surface. There is a slight incline throughout the span of the building.

4 BLM CULTURAL CENTER | SHAN PETERSON SECTION 01 | TOPOGRAPHY STUDY
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| STUDENT NAME SECTION 01 | TOPOGRAPHY
BLM CULTURAL CENTER| SHAN PETERSON PROJECT NAME

MASSING STUDY

BUILDING CONCEPT

BREAKING THE PATTERN

The overall concept of this was a to create a gradual movement of space to learn about what has led up to where we are at today. Therefore, each floor has it’s own set purpose.

Basement: History of Racism in Oregon

First Floor: Personal Stories and Impacts of Racism on Oregon Residents

Second Floor: Celebration of Local Artists

Third Floor: Research on People’s Perspectives Today

Organic Forms: Break the Buildings Pattern

6 SECTION 02 | MASSING STUDY BLM CULTURAL CENTER | SHAN PETERSON
7 BLM
NAME | STUDENT NAME SECTION 02 | MASSING STUDY
CULTURAL CENTER| SHAN PETERSON PROJECT

FLOOR PLANS, SECTIONS, ELEVATIONS

BREAKING BARRIERS

COLUMN GRID

The entire building is laid on a 15’ x 15’ column grid. The idea of having two organic forms that spam multiple floors is influenced through the idea of rebelling against the pattern. The breaking up of the space is a piece of art itself as it resembles the fight of Black Lives Matter and evolving as a society.

8 SECTION 03 | FLOOR PLANS, SECTIONS,
BLM CULTURAL CENTER | SHAN PETERSON
ELEVATIONS

SITE PLAN

BLM Cultural Center City of Portland 904 NW Conch St SBP

PETERSON

9 BLM CULTURAL CENTER| SHAN

PROJECT NAME: CLIENT: ADDRESS: DATE: DRAWN BY: ShanDesigns inc. 1/16" = 1'-0" 1 Site
The BLM Cultural Center, its garden, parking, and surrounding buildings within the block.
SECTION 03 | FLOOR PLANS, SECTIONS, ELEVATIONS

BASEMENT AND GROUND FLOOR PLANS

PROJECT NAME: CLIENT: ADDRESS: DATE: DRAWN BY: ShanDesigns inc. BLM Cultural Center City of Portland 904 NW Conch St SBP 1/8" = 1'-0" 1 00 Foundation 1/8" = 1'-0" 2 01 Level
10 SECTION 03 | FLOOR PLANS, SECTIONS, ELEVATIONS BLM CULTURAL CENTER | SHAN PETERSON VIRTUAL EXHIBITION TIMELINE EXHIBITION RESTROOM STORIES EXHIBITION CAFE ENTRY RESTOOM HALL OF HOPE HALL OF HOPE GARDEN OF REMEMBERANCE STORAGE
Floor plans and layout of the exhibition spaces within the floors.

FLOOR

PROJECT
ADDRESS:
BY: ShanDesigns inc.
City
904
St SBP 1/8" = 1'-0" 1 02 Level 1/8" = 1'-0" 2 03 Level
11 BLM CULTURAL CENTER| SHAN PETERSON SECTION 03 | FLOOR PLANS, SECTIONS, ELEVATIONS HALL OF HOPE HALL OF HOPE PRESENTATION HALL PRESENTATION HALL LOCAL ARTISTS EXHIBITION WHAT’S NEXT? EXHIBITION
NAME: CLIENT:
DATE: DRAWN
BLM Cultural Center
of Portland
NW Conch
SECOND AND THIRD
PLAN Floor plans and layout of exhibition spaces amongst the floors.

SECTIONS

Cut through the building showing the two organic forms throughout the floors.

PROJECT
CLIENT: ADDRESS: DATE: DRAWN BY: ShanDesigns
BLM
City
904
SBP 1/8" = 1'-0" 1 Longitudinal Section 1/8" = 1'-0" 2 Cross Section
NAME:
inc.
Cultural Center
of Portland
NW Conch St
12 SECTION 03 | FLOOR PLANS, SECTIONS, ELEVATIONS BLM CULTURAL CENTER | SHAN PETERSON PRESENTATION HALL CAFE PRESENTATION HALL CAFE HALL OF HOPE ENTRY

ELEVATIONS

1/8" = 1'-0" 1 South Elevation 1/8" = 1'-0" 2 West Elevation
PROJECT NAME: CLIENT: ADDRESS: DATE: DRAWN BY: ShanDesigns inc. BLM Cultural Center City of Portland 904 NW Conch St SBP
13 BLM CULTURAL CENTER| SHAN PETERSON SECTION 03 | FLOOR PLANS, SECTIONS, ELEVATIONS
Two main facades showing the layout of windows and entry

SOUTH EXTERIOR ELEVATION

Back facades showing exterior forms of the building.

1/8" = 1'-0" 1 East Elevation 1/8" = 1'-0" 2 North Elevation
PROJECT NAME: CLIENT: ADDRESS: DATE: DRAWN BY: ShanDesigns inc. BLM Cultural Center City of Portland 904 NW Conch St SBP
14 SECTION 03 | FLOOR PLANS,
BLM CULTURAL CENTER | SHAN PETERSON
SECTIONS, ELEVATIONS
15 BLM CULTURAL CENTER| SHAN PETERSON SECTION 03 | FLOOR PLANS, SECTIONS, ELEVATIONS

WALLS

AGAINST ALL ODDS

The existing exterior of the site used a concrete structural system with columns and walls. To cover the concrete a stucco was placed on the exterior and plaster on the interior. Due to the two sides covering the concrete, I had difficulty showing the wall materials in fine detail.

16 SECTION 04 | WALLS BLM CULTURAL CENTER | SHAN PETERSON

WALL AXON

This axon shows the two wall types around the exterior of the building. The basement uses a basic concrete retaining wall (thick black line) while the, upper floors have the wall as shown (thick red line).

17 BLM CULTURAL CENTER| SHAN PETERSON SECTION 04 | WALLS

STAIRS

AGAINST ALL ODDS

Throughout the entire building there are four total staircases. Two serve as fire exits, one being located amongst he front facade used as an art piece. Within the interior the main staircase is used as transitions space, while also displaying work allowing for people to slowly move throughout the building.

18 SECTION 05 | STAIRS BLM CULTURAL CENTER | SHAN PETERSON

STAIR AXON

Curved fire stair axon sowing the flow around the circular form.

19 BLM CULTURAL CENTER| SHAN PETERSON SECTION 05 | STAIRS

STAIR SECTION

Fire stair showing location of steps in relation to each floor.

20 SECTION 05 | STAIRS BLM CULTURAL CENTER
| SHAN PETERSON

STAIR AXON

Fire stair axon, showing the path of movement from each floor.

21 BLM CULTURAL CENTER| SHAN PETERSON SECTION 05 | STAIRS

STAIR SECTION

Coalescent stairs in relation to each floor, demonstrating the breaks for art displays.

22 SECTION 05 | STAIRS BLM CULTURAL CENTER | SHAN PETERSON

STAIR AXON

Coalescent stairs showing the different paths that can be taken.

23 BLM CULTURAL CENTER| SHAN PETERSON SECTION 05 | STAIRS

STAIR SECTION

Stair showing location of steps in relation to each floor.

24 SECTION 05 | STAIRS BLM CULTURAL CENTER |
SHAN PETERSON

STAIR AXON

Presentation Hall stairs showing the curved shape outlining the room.

25 BLM CULTURAL CENTER| SHAN PETERSON SECTION 05 | STAIRS

PERSPECTIVES

BREAKING BARRIERS

AGAINST ALL ODDS

The building houses a variety of spaces includinf exhibition halls, presentation hall, and a cafe space. Using the views in revit perspectives of the presentation hall and cafe were added to show the usage of large curved forms thorughout the building.

26 SECTION 06 | PERSEPCTIVES BLM CULTURAL CENTER | SHAN PETERSON

CAFE PERSPECTIVE

This view shows the entry and cafe space, giving the viewer and understadning of the space layout.

27 BLM CULTURAL CENTER| SHAN PETERSON SECTION 06 | PERSPECTIVES

DEFINING SPACE

Using enscape materials were added to the model to demonstrate and evoke diffferent feeings within different spaces. The cafe is meant to be light and warm, whereas the basement exhibition is a timeline looking into the dark history of racism. After pulling these from enscape they would then be edited in photoshop allowing local artists and other work to be added to the displays.

ENSCAPE
28 SECTION 07 | ENSCAPE BLM CULTURAL CENTER | SHAN
BREAKING BARRIERS
PETERSON

GROUND FLOOR EXHIBITION

Basic layout and circulation within the ground floor.

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SECTION 07 | ENSCAPE
BLM CULTURAL CENTER| SHAN PETERSON

DESIGN OPTION

BREAKING BARRIERS

MORE CURVES?

For the design option I wanted to experiment with having a slighlty curved exterior to still keep the shape, but get rid of the harsh corners. Overall looking at the options, I do like the smoothness the curves add to the design, but I think its goes against the the main concept of breaking the barriers with the cuves cutting through a more box-like shell.

30 SECTION 08 | DESIGN OPTIONS BLM CULTURAL CENTER | SHAN PETERSON

RECTANGULAR OPTION

Harsh edges, providing clarity to users on corners.

31 BLM CULTURAL CENTER| SHAN PETERSON SECTION 08 | DESIGN OPTIONS

REVIT PORTFOLIO

BLM CULTURAL CENTER WINTER 2020 SHAN PETERSON

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