m a t h i a s s k a f t e a n d e r s e n
n e w
y o r k s t u d . c a n d . a r c h
m a a
c h i c a g o s t u d i o c o n s t r u c t i n g t h e a a r h u s s c h o o l
a n o f
a r c h i v e f 1 5 a r c h i t e c t u r e
P H O T O — G R A P H S l a s
v e g a s
+ 4 5 4 0 9 4 6 6 4 8 m a t s k a f t e @ g m a i l . c o m
g r a n d w w w. m a t s k a f t e . t u m b l r. c o m w w w. m a t s k a f t e . c o m
c a n y o n
k r o y
w e n
o g a c i h c
— O T O H P S H P A R G s a g e v
n o y n a c
d n a r g
s a l
m a t h i a s s k a f t e a n d e r s e n
s t u d . c a n d . a r c h
s t u d i o c o n s t r u c t i n g t h e a a r h u s s c h o o l
a n o f
m a a
a r c h i v e f 1 5 a r c h i t e c t u r e
+ 4 5 4 0 9 4 6 6 4 8 m a t s k a f t e @ g m a i l . c o m
w w w. m a t s k a f t e . t u m b l r. c o m w w w. m a t s k a f t e . c o m
s a i h t a m e t f a k s n e s r e d n a
k r o y a a m
w e n
h c r a . d n a c . d u t s
o g a c i h c 5 1 f e v i h c r a e r u t c e t i h c r a
n a f o
g n i t c u r t s n o c o i d u t s l o o h c s s u h r a a e h t
— O T O H P S H P A R G s a g e v
s a l
8 4 6 6 4 9 0 4 5 4 + m o c . l i a m g @ e t f a k s t a m
n o y n a c
d n a r g m o c .r l b m u t . e t f a k s t a m .w w w m o c . e t f a k s t a m .w w w
introduction
The photographs in this collection have all been shot, edited and collaged on a smartphone. Limited storage space on the smartphone has dictated quick curation and editing of the photographs, putting them into context directly after they have been shot. No raw material, no exist. Creating the collection has been an exercise in identifying and extracting relevant subject matter in snapshots as they are taken rather than (as often) days or weeks after — if ever.
mathias skafte andersen.
page nine
alternative shots and no discarded photographs
k r o y
w e n
o g a c i h c
— O T O H P S H P A R G s a g e v
n o y n a c
d n a r g
s a l
introduction
The photographs in this collection have all been shot, edited and collaged on a smartphone. Limited storage space on the smartphone has dictated quick curation and editing of the photographs, putting them into context directly after they have been shot. No raw material, no exist. Creating the collection has been an exercise in identifying and extracting relevant subject matter in snapshots as they are taken rather than (as often) days or weeks after — if ever.
mathias skafte andersen.
chicago
page nine
alternative shots and no discarded photographs
noitcudortni
neeb lla evah noitcelloc siht ni shpargotohp ehT .enohpt rams a no degalloc dna detide ,tohs sah enohpt rams eht no ecaps egarots detimiL eht fo gnitide dna noitaruc kciuq detatcid yltcerid txetnoc otni meht gnittup ,shpargotohp on ,lairetam war oN .tohs neeb evah yeht retfa shpargotohp dedracsid on dna stohs evitan retla .tsixe ni esicrexe na neeb sah noitcelloc eht gnitaerC rettam tcejbus tnaveler gnitcartxe dna gniyfitnedi sa( naht rehtar nekat era yeht sa stohspans ni .reve fi — retfa skeew ro syad )netfo
.nesredna etfaks saihtam
page eleven
chicago
las vegas
page twelve
page thirteen
las vegas
grand canyon
page fourteen
page fifteen
las vegas
las vegas
page sixteen
page nineteen
las vegas
las vegas
page nineteen
las vegas
new york
page twenty
page twenty-one
chicago
las vegas
page twenty-two
page twemty-three
las vegas
grand canyon
page twen-four
page twemty-five
grand canyon
las vegas
page twenty-six
page twemty-seven
chicago
page twenty-eight
page five
las vegas
page twemty-nine
hoover dam
las vegas
page thirty
page thirty-one
chicago
grand canyon
page thirty-two
page thirty-three
grand canyon
new york
page thirty-four
page thirty-five
grand canyon
chicago
page thirty-six
page thirty-seven
new york
new york
page thirty-eight
page thirty-nine
new york
chicago
page forty
page forty-one
new york
new york
page forty-two
page forty-three
new york
hoover dam
page forty-four
page forty-five
hoover dam
chicago
page forty-six
page forty-seven
chicago
plano
page forty-eight
page forty-nine
plano
new york
page fifty
page fifty-one
new york
new york
page fifty-two
page fifty-three
plano
new york
page fifty-four
page fifty-five
new york
chicago
page fifty-six
page fifty-seven
grand canyon
grand canyon
page fifty-eight
page fifty-nine
plano
chicago
page sixty
page sixty-one
chicago
plano
page sixty-two
page sixty-three
plano
chicago
page sixty-four
page sixty-five
chicago
blank page
page sixty-six
page twemty-three
hoover dam
las vegas
page xity-eight
page sixty-nine
las vegas
new york
page seventy
page seventy-one
plano
chicago
page seventy-two
seventy-three
grand canyon
new york
page seventy-four
t h e
a a r h u s
s c h o o l
o f
a r c h i t e c t u r e f a l l
2 0 1 5
s u h r a a f o
e h t
l o o h c s
e r u t c e t i h c r a 5 1 0 2
l l a f
s u h r a a f o
e h t
l o o h c s
e r u t c e t i h c r a 5 1 0 2
l l a f