PANL 2008 #17

2008 #17

2008 #17

002

# 17

003

002

# 17

003

INDEX

INDEX

Lets meet 004

P 006-007

documentary & Life P 010-026

people & portraits P 106-163

Richard Hutten P 008-009

interior & exterior P 028-070

Still Life P 164-187

x e d

Cees Dam

P 072-073

lifestyle & fashion P 074-105

student work P 188-224

ALL Entries

P 225-241

ALL members

P 248-249

colophon

P 253

The Judges

P 242-246

credits

P 250-251

ads

P 254

the nominees

P 247

sponsors

P 252

stickers

005

INDEX

INDEX

Lets meet 004

P 006-007

documentary & Life P 010-026

people & portraits P 106-163

Richard Hutten P 008-009

interior & exterior P 028-070

Still Life P 164-187

x e d

Cees Dam

P 072-073

lifestyle & fashion P 074-105

student work P 188-224

ALL Entries

P 225-241

ALL members

P 248-249

colophon

P 253

The Judges

P 242-246

credits

P 250-251

ads

P 254

the nominees

P 247

sponsors

P 252

stickers

005

Lets meet Introduction

006

The PANL Board

Introduction

The PANL Board

17th PANL Sony Awards This book will give you an unique insight of the status quo of Dutch photography.

The winners in our yearly PANL Dutch Photography Annual, frames the best of breed amongst our members. Not every one will agree with the choices but that keeps the judging and our organisation healthy and sharp.

Our members are without doubt some of the best photographers in the Netherlands. They are active in three fields; editorial, fashion and advertising. They are broad based, ranging from senior members to students and beginners. Our activities celebrate proven talent as well as focusing to stimulate raw talent.

PANL has never been more alive and kicking. This year (2008) we have, to date, a 33% growth in membership. Submissions for these PANL SONY Awards 2007 were also up 33%, bringing the total of photos to be judged to a staggering 1000. Second only to our best year ever. Interest in many of our acti­vities has exceeded our most optimistic expectations. To top all this we have found an enthusiastic Main Sponsor in SONY to help us, along with our present sponsors, build the PANL SONY Awards into something really memorable for our members and the photographic community in general. In short, PANL is healthy and is looking confidently to the future.

Times change as do techniques. For the first time all submis­­­­sions for the PANL SONY Awards were sent in digitally for the initial first round. Saving members time and the hassle of printing and framing their work and the jury of wading through 1000 physical photos. The all important second round of judging, however, was done with prints. Bringing the full force of the work to life.

Creativity remains the force behind all Photographers.

Their hunger and constant drive to find the perfect picture results in many hours producing non commissioned work. This year the non commissioned submissions have been on a par with commissioned work. This proves that the work in this book show­cases the broadest output from our members.

For years we have been proud of our annual. The work we show has been consistently found to be inspiring. That must never change. This year we have added an extra criteria to our briefing.

It should also be aimed at a wider more international audience.

Just as Dutch Design has made waves in the international market so should the output of Dutch Photography.

We, the PANL Board, wish you an enjoyable and stimulating read.

Eugene Bay, Chairman PANL

007

Lets meet Introduction

006

The PANL Board

Introduction

The PANL Board

17th PANL Sony Awards This book will give you an unique insight of the status quo of Dutch photography.

The winners in our yearly PANL Dutch Photography Annual, frames the best of breed amongst our members. Not every one will agree with the choices but that keeps the judging and our organisation healthy and sharp.

Our members are without doubt some of the best photographers in the Netherlands. They are active in three fields; editorial, fashion and advertising. They are broad based, ranging from senior members to students and beginners. Our activities celebrate proven talent as well as focusing to stimulate raw talent.

PANL has never been more alive and kicking. This year (2008) we have, to date, a 33% growth in membership. Submissions for these PANL SONY Awards 2007 were also up 33%, bringing the total of photos to be judged to a staggering 1000. Second only to our best year ever. Interest in many of our acti­vities has exceeded our most optimistic expectations. To top all this we have found an enthusiastic Main Sponsor in SONY to help us, along with our present sponsors, build the PANL SONY Awards into something really memorable for our members and the photographic community in general. In short, PANL is healthy and is looking confidently to the future.

Times change as do techniques. For the first time all submis­­­­sions for the PANL SONY Awards were sent in digitally for the initial first round. Saving members time and the hassle of printing and framing their work and the jury of wading through 1000 physical photos. The all important second round of judging, however, was done with prints. Bringing the full force of the work to life.

Creativity remains the force behind all Photographers.

Their hunger and constant drive to find the perfect picture results in many hours producing non commissioned work. This year the non commissioned submissions have been on a par with commissioned work. This proves that the work in this book show­cases the broadest output from our members.

For years we have been proud of our annual. The work we show has been consistently found to be inspiring. That must never change. This year we have added an extra criteria to our briefing.

It should also be aimed at a wider more international audience.

Just as Dutch Design has made waves in the international market so should the output of Dutch Photography.

We, the PANL Board, wish you an enjoyable and stimulating read.

Eugene Bay, Chairman PANL

007

Vision

Richard Hutten

Photo by Vincent Boon

Vision

Richard Hutten

Photo by Vincent Boon

I am a brand. Clients come to me, because I am Richard Hutten. Not because they are looking for a specific item.

They want something by me, something that carries my name. Of course this allows me a tremendous amount of freedom to make the work I make.

My brand stands for simplicity, logic and directness with my own interpretation of these qualities. I see myself as an author designer. It is because of the iconographic nature of my objects that they preserve their quality in photography.

I am a brand

008

This is what you can see in my product book, where the two different worlds in which my objects are presented are shown consecutively. Above, how the fashion and interior magazines

The photographs show that the product leads a life of its own, despite me and my intentions.

For my graduation project I designed the table chair and despite the limited production of just 50 pieces, photography made it world-famous. Only a small number of people have seen the physical object, but the image travelling all over the world made people discuss it.

The dombo with a production of 100.000 has a similar impact. It

' Photography carries my objects into the world without me being able to influence it.' world want it: the object on a white background without any context. And beneath that my world – the way I see and feel it: documentary instead of staged product photography. The documentary form visualises the story behind the object.

You see the object in different environments, in situations in life –where and how people live and how they use the object; and so placed in context.

For instance take a look at the picture of a dog using my dombo mug as a bone. Who would make that up!

is not about production numbers but how an image of my objects is formed. The story of my objects creates an effect.

Sometimes a design escapes you to lead a life of its own

009

Vision

Richard Hutten

Photo by Vincent Boon

Vision

Richard Hutten

Photo by Vincent Boon

I am a brand. Clients come to me, because I am Richard Hutten. Not because they are looking for a specific item.

They want something by me, something that carries my name. Of course this allows me a tremendous amount of freedom to make the work I make.

My brand stands for simplicity, logic and directness with my own interpretation of these qualities. I see myself as an author designer. It is because of the iconographic nature of my objects that they preserve their quality in photography.

I am a brand

008

This is what you can see in my product book, where the two different worlds in which my objects are presented are shown consecutively. Above, how the fashion and interior magazines

The photographs show that the product leads a life of its own, despite me and my intentions.

For my graduation project I designed the table chair and despite the limited production of just 50 pieces, photography made it world-famous. Only a small number of people have seen the physical object, but the image travelling all over the world made people discuss it.

The dombo with a production of 100.000 has a similar impact. It

' Photography carries my objects into the world without me being able to influence it.' world want it: the object on a white background without any context. And beneath that my world – the way I see and feel it: documentary instead of staged product photography. The documentary form visualises the story behind the object.

You see the object in different environments, in situations in life –where and how people live and how they use the object; and so placed in context.

For instance take a look at the picture of a dog using my dombo mug as a bone. Who would make that up!

is not about production numbers but how an image of my objects is formed. The story of my objects creates an effect.

Sometimes a design escapes you to lead a life of its own

009

i l n ill en t m S cu n I o D ife 010

011

i l n ill en t m S cu n I o D ife 010

011

Overview

Documentary & Life

The Winners

Commissioned

Non commissioned

Robbert Jan de Witte

Martijn de Vries

page 16

page 22-23

Commissioned

Non commissioned

Robbert Jan de Witte

Maurice Heesen

page 17

page 20-21

Commissioned

Non commissioned

Merit

Merit

012

Nomination + Best of members Jeroen Hofman page 18-19

Overview

Documentary & Life

The Winners

Merit

Best of members

Nomination Lucia Ganieva page 24-26

013

Overview

Documentary & Life

The Winners

Commissioned

Non commissioned

Robbert Jan de Witte

Martijn de Vries

page 16

page 22-23

Commissioned

Non commissioned

Robbert Jan de Witte

Maurice Heesen

page 17

page 20-21

Commissioned

Non commissioned

Merit

Merit

012

Nomination + Best of members Jeroen Hofman page 18-19

Overview

Documentary & Life

The Winners

Merit

Best of members

Nomination Lucia Ganieva page 24-26

013

oVErVIEw

014

documentary & life

All Winners

oVErVIEw

documentary & life

All Winners

015

oVErVIEw

014

documentary & life

All Winners

oVErVIEw

documentary & life

All Winners

015

Documentary & Life

016

Robbert Jan de Witte

Merit

Documentary & Life

Robbert Jan de Witte

Merit

017

Documentary & Life

016

Robbert Jan de Witte

Merit

Documentary & Life

Robbert Jan de Witte

Merit

017

Documentary & Life

018

Jeroen Hofman

Nomination + Best of Members

019

Documentary & Life

018

Jeroen Hofman

Nomination + Best of Members

019

Documentary & Life

020

Maurice Heesen

Best of Members

021

Documentary & Life

020

Maurice Heesen

Best of Members

021

Documentary & Life

Martijn de Vries

Merit

Documentary & Life

Martijn de Vries

Merit

Documentary & Life

024

Lucia Ganieva

Nomination

Documentary & Life

Luica Ganieva

Nomination

025

Documentary & Life

024

Lucia Ganieva

Nomination

Documentary & Life

Luica Ganieva

Nomination

025

Documentary & Life

026

Lucia Ganieva

Nomination

Proloque PANL board

People & Portraits

Richard Hutten

Documentary & Life

026

Lucia Ganieva

Nomination

Proloque PANL board

People & Portraits

Richard Hutten

p t i o a e tr r r o o eri io r t e n 028

029

p t i o a e tr r r o o eri io r t e n 028

029

Overview

030

Interior & Exterior

The Winners

Overview

Interior & Exterior

The Winners

Commissioned

Non commissioned

Silver

Non commissioned

Non commissioned

Nomination Jansje Klazinga

RenĂŠe Zindler

Merel Zwart

Ebo Fraterman

page 34-35

page 44-47

page 58-61

page 68-70

Commissioned

Non commissioned

Silver

Non commissioned

Nomination

Jaap Vliegenthart

Joris Ten Bosch

Marco van Middelkoop

page 36-37

page 48-53

page 62-65

Commissioned

Non commissioned

Merit

Non commissioned

Best of members Jimmy Nelson

Erik van Gurp

Marco van Middelkoop

page 42-43

page 54-57

page 66-67

Nomination

Best of members

Nomination

Nomination

031

Overview

030

Interior & Exterior

The Winners

Overview

Interior & Exterior

The Winners

Commissioned

Non commissioned

Silver

Non commissioned

Non commissioned

Nomination Jansje Klazinga

RenĂŠe Zindler

Merel Zwart

Ebo Fraterman

page 34-35

page 44-47

page 58-61

page 68-70

Commissioned

Non commissioned

Silver

Non commissioned

Nomination

Jaap Vliegenthart

Joris Ten Bosch

Marco van Middelkoop

page 36-37

page 48-53

page 62-65

Commissioned

Non commissioned

Merit

Non commissioned

Best of members Jimmy Nelson

Erik van Gurp

Marco van Middelkoop

page 42-43

page 54-57

page 66-67

Nomination

Best of members

Nomination

Nomination

031

oVErVIEw

032

Interior & exterior

All Winners

oVErVIEw

Interior & exterior

All Winners

033

oVErVIEw

032

Interior & exterior

All Winners

oVErVIEw

Interior & exterior

All Winners

033

Interior & Exterior

034

Jansje Klazinga

Nomination

035

Interior & Exterior

034

Jansje Klazinga

Nomination

035

Interior & Exterior

036

Jaap Vliegenthart

Nomination

037

Interior & Exterior

036

Jaap Vliegenthart

Nomination

037

client nbc

Jaap Vliegenthart

038

039

PANL is Urban

client nbc

Jaap Vliegenthart

038

039

PANL is Urban

QUOTE

040

Jaap Vliegenthart

QUOTE

Jaap Vliegenthart

' The technique is always secondary to the idea, it's a question of what you show to the people.'

041

QUOTE

040

Jaap Vliegenthart

QUOTE

Jaap Vliegenthart

' The technique is always secondary to the idea, it's a question of what you show to the people.'

041

Interior & Exterior

042

Jimmy Nelson

Best of Members

043

Interior & Exterior

042

Jimmy Nelson

Best of Members

043

Interior & Exterior

044

Renée Zindler

Silver

Interior & Exterior

Renée Zindler

Silver

045

Interior & Exterior

044

Renée Zindler

Silver

Interior & Exterior

Renée Zindler

Silver

045

Interior & Exterior

046

Renée Zindler

Silver

Interior & Exterior

Renée Zindler

Silver

047

Interior & Exterior

046

Renée Zindler

Silver

Interior & Exterior

Renée Zindler

Silver

047

Interior & Exterior

048

Joris Ten Bosch

Silver

Interior & Exterior

Joris Ten Bosch

Silver

049

Interior & Exterior

048

Joris Ten Bosch

Silver

Interior & Exterior

Joris Ten Bosch

Silver

049

Interior & Exterior

050

Joris Ten Bosch

Silver

051

Interior & Exterior

050

Joris Ten Bosch

Silver

051

Interior & Exterior

052

Joris Ten Bosch

Silver

Interior & Exterior

Joris Ten Bosch

Silver

053

Interior & Exterior

052

Joris Ten Bosch

Silver

Interior & Exterior

Joris Ten Bosch

Silver

053

Interior & Exterior

054

Erik van Gurp

Merit

Interior & Exterior

Erik van Gurp

Merit

055

Interior & Exterior

054

Erik van Gurp

Merit

Interior & Exterior

Erik van Gurp

Merit

055

Interior & Exterior

056

Erik van Gurp

Merit

Interior & Exterior

Erik van Gurp

Merit

057

Interior & Exterior

056

Erik van Gurp

Merit

Interior & Exterior

Erik van Gurp

Merit

057

Interior & Exterior

058

Merel Zwart

Nomination

Interior & Exterior

Merel Zwart

Nomination

059

Interior & Exterior

058

Merel Zwart

Nomination

Interior & Exterior

Merel Zwart

Nomination

059

Interior & Exterior

060

Merel Zwart

Nomination

061

Interior & Exterior

060

Merel Zwart

Nomination

061

Interior & Exterior

062

Marco van Middelkoop

Nomination

Interior & Exterior

Marco van Middelkoop

Nomination

063

Interior & Exterior

062

Marco van Middelkoop

Nomination

Interior & Exterior

Marco van Middelkoop

Nomination

063

Interior & Exterior

064

Marco van Middelkoop

Nomination

065

Interior & Exterior

064

Marco van Middelkoop

Nomination

065

Interior & Exterior

066

Marco van Middelkoop

Nomination

067

Interior & Exterior

066

Marco van Middelkoop

Nomination

067

Interior & Exterior

068

Ebo Fraterman

Best of Members

Interior & Exterior

Ebo Fraterman

Best of Members

069

Interior & Exterior

068

Ebo Fraterman

Best of Members

Interior & Exterior

Ebo Fraterman

Best of Members

069

Interior & Exterior

070

Ebo Fraterman

Best of Members

071

Interior & Exterior

070

Ebo Fraterman

Best of Members

071

Vision

Cees Dam

Photo by Vincent Boon

Vision

Cees Dam

Photo by Vincent Boon

The art of looking In the first place photography is: to look.

In my profession, architecture, the ability to look is essential. And by looking I mean: actually perceiving. Consciously registering, and capturing the world around you in your mind. And I am not just talking about looking at the constructed world, but also looking at art, at theatre, at fashion and above all: at people.

072

073 Only after you have mapped all these ingredients of life, do you truly understand what reality is; what it is that actually gives pleasure, what is merely pleasing or just very functional, and so on. A well-trained visual memory is the indispensable luggage for every architect that wants to create good buildings.

And this also goes for the painter, the couturier or the choreographer that wants to make interesting work, which will last in time and in people’s minds.

Of all art disciplines photography is the purest form of expressing skilled observation. What the photographer sees or chooses to see through the lens or on the digital screen of the camera, he instantly fixes in an image. However, this may be a somewhat too simple way of describing it. For a photographer this looking is at the same time discovering, composing, lighting, assembling, and editing, creating an atmosphere, generating calmness or disturbance; encountering the adventure. And all this has to be done with great technical craftsmanship, but also with the indispensable catalogue in your mind’s eye of everything you have seen in life, really looked at, and this in the most open-minded way possible. Only then is there a chance that quality originates.

Cees Dam, architect

Vision

Cees Dam

Photo by Vincent Boon

Vision

Cees Dam

Photo by Vincent Boon

The art of looking In the first place photography is: to look.

In my profession, architecture, the ability to look is essential. And by looking I mean: actually perceiving. Consciously registering, and capturing the world around you in your mind. And I am not just talking about looking at the constructed world, but also looking at art, at theatre, at fashion and above all: at people.

072

073 Only after you have mapped all these ingredients of life, do you truly understand what reality is; what it is that actually gives pleasure, what is merely pleasing or just very functional, and so on. A well-trained visual memory is the indispensable luggage for every architect that wants to create good buildings.

And this also goes for the painter, the couturier or the choreographer that wants to make interesting work, which will last in time and in people’s minds.

Of all art disciplines photography is the purest form of expressing skilled observation. What the photographer sees or chooses to see through the lens or on the digital screen of the camera, he instantly fixes in an image. However, this may be a somewhat too simple way of describing it. For a photographer this looking is at the same time discovering, composing, lighting, assembling, and editing, creating an atmosphere, generating calmness or disturbance; encountering the adventure. And all this has to be done with great technical craftsmanship, but also with the indispensable catalogue in your mind’s eye of everything you have seen in life, really looked at, and this in the most open-minded way possible. Only then is there a chance that quality originates.

Cees Dam, architect

e t x l y e t & fes io i h l fas e 074

075

e t x l y e t & fes io i h l fas e 074

075

Overview

076

Lifestyle & Fashion

The Winners

Overview

Lifestyle & Fashion

Commissioned

Non commissioned

Nomination

Non commissioned

Merit

Maurice Heesen

Wendelien Daan

Maarten Wouters

page 80-81

page 92-93

page 100-105

Commissioned

Non commissioned

Nomination

Nomination

Wendelien Daan

Janneke Luursema

page 82-83

page 94-97

Commissioned

Non commissioned

Best of members

Nomination

Alek Bruessing

Mirella Sahetapy

page 84-89

page 98-99

The Winners

Best of members

077

Overview

076

Lifestyle & Fashion

The Winners

Overview

Lifestyle & Fashion

Commissioned

Non commissioned

Nomination

Non commissioned

Merit

Maurice Heesen

Wendelien Daan

Maarten Wouters

page 80-81

page 92-93

page 100-105

Commissioned

Non commissioned

Nomination

Nomination

Wendelien Daan

Janneke Luursema

page 82-83

page 94-97

Commissioned

Non commissioned

Best of members

Nomination

Alek Bruessing

Mirella Sahetapy

page 84-89

page 98-99

The Winners

Best of members

077

oVErVIEw

078

lifestyle & fashion

All Winners

oVErVIEw

lifestyle & fashion

All Winners

079

oVErVIEw

078

lifestyle & fashion

All Winners

oVErVIEw

lifestyle & fashion

All Winners

079

Lifestyle & Fashion

080

Maurice Heesen

Merit

081

Lifestyle & Fashion

080

Maurice Heesen

Merit

081

Lifestyle & Fashion

082

Wendelien Daan

Nomination

083

Lifestyle & Fashion

082

Wendelien Daan

Nomination

083

Lifestyle & Fashion

084

Alek Bruessing

Best of Members

Lifestyle & Fashion

Alek Bruessing

Best of Members

085

Lifestyle & Fashion

084

Alek Bruessing

Best of Members

Lifestyle & Fashion

Alek Bruessing

Best of Members

085

Lifestyle & Fashion

086

Alek Bruessing

Best of Members

Lifestyle & Fashion

Alek Bruessing

Best of Members

087

Lifestyle & Fashion

086

Alek Bruessing

Best of Members

Lifestyle & Fashion

Alek Bruessing

Best of Members

087

Lifestyle & Fashion

088

Alek Bruessing

Best of Members

089

Lifestyle & Fashion

088

Alek Bruessing

Best of Members

089

client rails

Alek Bruessing

090

091

PANL is on the move

client rails

Alek Bruessing

090

091

PANL is on the move

lifestyle & fashion

092

Wendelien Daan

Nomination

093

lifestyle & fashion

092

Wendelien Daan

Nomination

093

Lifestyle & Fashion

094

Janneke Luursema

Nomination

095

Lifestyle & Fashion

094

Janneke Luursema

Nomination

095

Lifestyle & Fashion

096

Janneke Luursema

Nomination

Lifestyle & Fashion

Janneke Luursema

Nomination

097

Lifestyle & Fashion

096

Janneke Luursema

Nomination

Lifestyle & Fashion

Janneke Luursema

Nomination

097

Lifestyle & Fashion

098

Mirella Sahetapy

Nomination

099

Lifestyle & Fashion

098

Mirella Sahetapy

Nomination

099

Lifestyle & Fashion

100

Maarten Wouters

Best of Members

Lifestyle & Fashion

Maarten Wouters

Best of Members

101

Lifestyle & Fashion

100

Maarten Wouters

Best of Members

Lifestyle & Fashion

Maarten Wouters

Best of Members

101

Lifestyle & Fashion

102

Maarten Wouters

Best of Members

103

Lifestyle & Fashion

102

Maarten Wouters

Best of Members

103

Lifestyle & Fashion

104

Maarten Wouters

Best of Members

Lifestyle & Fashion

Maarten Wouters

Best of Members

105

Lifestyle & Fashion

104

Maarten Wouters

Best of Members

Lifestyle & Fashion

Maarten Wouters

Best of Members

105

i i sh a & f e & opl ai e r p rt 106

107

i i sh a & f e & opl ai e r p rt 106

107

Overview

People & Portraits

Overview

People & Portraits

The Winners

Commissioned

Commissioned

Non commissioned

Non commissioned

Tara Fallaux

Ilya van Marle

Polle Aubert

Maurits Giesen

page 112-113

page 122-123

page 132-135

page 148-153

Commissioned

Commissioned

Non commissioned

Non commissioned

Krijn van Noordwijk

Ilya van Marle

Tobias Reymond

Tobias Reymond

page 114

page 124

page 136-137

page 154-156

Commissioned

Commissioned

Non commissioned

Non commissioned

Alice Wolfs

Simon Warmer

page 116-118

page 126-129

The Winners

Silver

Merit

108

Merit

Nomination

Nomination

Best of members

Gold

Gold

Silver + Best of members + PANL Award #17 Maurice Heesen page 140-146

Nomination

Nomination

Nomination Jochem Sanders page 158-160

Non commissioned

Nomination Mirjam Brinkhof page 162

109

Overview

People & Portraits

Overview

People & Portraits

The Winners

Commissioned

Commissioned

Non commissioned

Non commissioned

Tara Fallaux

Ilya van Marle

Polle Aubert

Maurits Giesen

page 112-113

page 122-123

page 132-135

page 148-153

Commissioned

Commissioned

Non commissioned

Non commissioned

Krijn van Noordwijk

Ilya van Marle

Tobias Reymond

Tobias Reymond

page 114

page 124

page 136-137

page 154-156

Commissioned

Commissioned

Non commissioned

Non commissioned

Alice Wolfs

Simon Warmer

page 116-118

page 126-129

The Winners

Silver

Merit

108

Merit

Nomination

Nomination

Best of members

Gold

Gold

Silver + Best of members + PANL Award #17 Maurice Heesen page 140-146

Nomination

Nomination

Nomination Jochem Sanders page 158-160

Non commissioned

Nomination Mirjam Brinkhof page 162

109

oVErVIEw

110

People & Portraits

All Winners

oVErVIEw

People & Portraits

All Winners

111

oVErVIEw

110

People & Portraits

All Winners

oVErVIEw

People & Portraits

All Winners

111

People & Portraits

112

Tara fallaux

Silver

113

People & Portraits

112

Tara fallaux

Silver

113

People & Portraits

114

Krijn van Noordwijk

Merit

115

People & Portraits

114

Krijn van Noordwijk

Merit

115

People & Portraits

116

Alice Wolfs

Merit

People & Portraits

Alice Wolfs

Merit

117

People & Portraits

116

Alice Wolfs

Merit

People & Portraits

Alice Wolfs

Merit

117

People & Portraits

118

Alice Wolfs

Merit

Proloque PANL board

People & Portraits

Richard Hutten

People & Portraits

118

Alice Wolfs

Merit

Proloque PANL board

People & Portraits

Richard Hutten

client WinQ magazine

Alice Wolfs

120

121

PANL Uncovers

client WinQ magazine

Alice Wolfs

120

121

PANL Uncovers

People & Portraits

122

Ilya van Marle

Nomination

123

People & Portraits

122

Ilya van Marle

Nomination

123

People & Portraits

124

Ilya van Marle

Nomination

125

People & Portraits

124

Ilya van Marle

Nomination

125

People & Portraits

126

Simon Warmer

Best of Members

People & Portraits

Simon Warmer

Best of Members

127

People & Portraits

126

Simon Warmer

Best of Members

People & Portraits

Simon Warmer

Best of Members

127

People & Portraits

128

Simon Warmer

Best of Members

129

People & Portraits

128

Simon Warmer

Best of Members

129

client Autotrack

Simon Warmer

130

131

PANL captures

client Autotrack

Simon Warmer

130

131

PANL captures

People & Portraits

132

Polle Aubert

Gold

People & Portraits

Polle Aubert

Gold

133

People & Portraits

132

Polle Aubert

Gold

People & Portraits

Polle Aubert

Gold

133

People & Portraits

134

Polle Aubert

Gold

QUOTE

Polle Aubert

' The beauty of the absence of light' Gold

Polle Aubert

135

People & Portraits

134

Polle Aubert

Gold

QUOTE

Polle Aubert

' The beauty of the absence of light' Gold

Polle Aubert

135

People & Portraits

136

Tobias Reymond

Gold

137

People & Portraits

136

Tobias Reymond

Gold

137

People & Portraits

140

Maurice Heesen

Silver & Best of members

141

People & Portraits

140

Maurice Heesen

Silver & Best of members

141

People & Portraits

142

Maurice Heesen

Silver & Best of members

People & Portraits

Maurice Heesen

Silver & Best of members

143

People & Portraits

142

Maurice Heesen

Silver & Best of members

People & Portraits

Maurice Heesen

Silver & Best of members

143

People & Portraits

144

Maurice Heesen

Silver & Best of members

145

People & Portraits

144

Maurice Heesen

Silver & Best of members

145

People & Portraits

146

Maurice Heesen

Silver & Best of members

' Telling a whole story in one image Quote

Maurice Heesen

147

People & Portraits

146

Maurice Heesen

Silver & Best of members

' Telling a whole story in one image Quote

Maurice Heesen

147

People & Portraits

148

Maurits Giesen with Ilse Leenders

Nomination

149

People & Portraits

148

Maurits Giesen with Ilse Leenders

Nomination

149

People & Portraits

150

Maurits Giesen with Ilse Leenders

Nomination

People & Portraits

Maurits Giesen with Ilse Leenders

Nomination

151

People & Portraits

150

Maurits Giesen with Ilse Leenders

Nomination

People & Portraits

Maurits Giesen with Ilse Leenders

Nomination

151

People & Portraits

152

Maurits Giesen with Ilse Leenders

Nomination

153

People & Portraits

152

Maurits Giesen with Ilse Leenders

Nomination

153

People & Portraits

154

Tobias Reymond

Nomination

People & Portraits

Tobias Reymond

Nomination

155

People & Portraits

154

Tobias Reymond

Nomination

People & Portraits

Tobias Reymond

Nomination

155

People & Portraits

156

Tobias Reymond

Nomination

quote

Tobias Reymond

' The images I take, often like snapshots, appear to have been living with me for a long time. Once taken they often go and play outside again.'

157

People & Portraits

156

Tobias Reymond

Nomination

quote

Tobias Reymond

' The images I take, often like snapshots, appear to have been living with me for a long time. Once taken they often go and play outside again.'

157

People & Portraits

158

Jochem Sanders

Nomination

People & Portraits

Jochem Sanders

Nomination

159

People & Portraits

158

Jochem Sanders

Nomination

People & Portraits

Jochem Sanders

Nomination

159

People & Portraits

160

Jochem Sanders

Nomination

Proloque PANL board

People & Portraits

Richard Hutten

People & Portraits

160

Jochem Sanders

Nomination

Proloque PANL board

People & Portraits

Richard Hutten

People & Portraits

162

Mirjam Brinkhof

Nomination

163

People & Portraits

162

Mirjam Brinkhof

Nomination

163

i o a e tr e r f i o l p ill nt t e s 164

165

i o a e tr e r f i o l p ill nt t e s 164

165

Overview

Still Life

The Winners

Overview

Commissioned

Non commissioned

Marcel Christ

Marcel Christ

page 170-173

page 182-185

Commissioned

Non commissioned

Jaap Vliegenthart

Ebo Fraterman

page 174-177

page 186-187

Silver

Best of members

166

Commissioned

Merit

Marcel Christ page 178-181

Still Life

The Winners

Merit

Nomination + Best of members

167

Overview

Still Life

The Winners

Overview

Commissioned

Non commissioned

Marcel Christ

Marcel Christ

page 170-173

page 182-185

Commissioned

Non commissioned

Jaap Vliegenthart

Ebo Fraterman

page 174-177

page 186-187

Silver

Best of members

166

Commissioned

Merit

Marcel Christ page 178-181

Still Life

The Winners

Merit

Nomination + Best of members

167

oVErVIEw

168

still life

All Winners

oVErVIEw

still life

All Winners

169

oVErVIEw

168

still life

All Winners

oVErVIEw

still life

All Winners

169

Still Life

170

Marcel Christ

Silver

Still Life

Marcel Christ

Silver

171

Still Life

170

Marcel Christ

Silver

Still Life

Marcel Christ

Silver

171

Still Life

172

Marcel Christ

Silver

Still Life

Marcel Christ

Silver

173

Still Life

172

Marcel Christ

Silver

Still Life

Marcel Christ

Silver

173

Still Life

174

Jaap Vliegenthart

Best of Members

Still Life

Jaap Vliegenthart

Best of Members

175

Still Life

174

Jaap Vliegenthart

Best of Members

Still Life

Jaap Vliegenthart

Best of Members

175

Still Life

176

Jaap Vliegenthart

Best of Members

Still Life

Jaap Vliegenthart

Best of Members

177

Still Life

176

Jaap Vliegenthart

Best of Members

Still Life

Jaap Vliegenthart

Best of Members

177

Still Life

178

Marcel Christ

Merit

Still Life

Marcel Christ

Merit

179

Still Life

178

Marcel Christ

Merit

Still Life

Marcel Christ

Merit

179

Still Life

180

Marcel Christ

Merit

Still Life

Marcel Christ

Merit

181

Still Life

180

Marcel Christ

Merit

Still Life

Marcel Christ

Merit

181

Still Life

182

Marcel Christ

Merit

Still Life

Marcel Christ

Merit

183

Still Life

182

Marcel Christ

Merit

Still Life

Marcel Christ

Merit

183

Still Life

184

Marcel Christ

Merit

Still Life

Marcel Christ

Merit

185

Still Life

184

Marcel Christ

Merit

Still Life

Marcel Christ

Merit

185

Still Life

186

Ebo Fraterman

Nomination + Best of Members

187

Still Life

186

Ebo Fraterman

Nomination + Best of Members

187

f i o l p ill t n t e s ud o D t S rk 188

189

f i o l p ill t n t e s ud o D t S rk 188

189

Overview

Student Work

Overview

The Winners

Nomination

Merit

Marc Driessen

Linda Jansen

page 194-195

page 206-209

Nomination

Nomination

Marc Driessen

Roel van Lanen

page 196-199

page 210-213

190

Student Work

The Winners

191 Silver

Nomination

Sonja de Ridder

Henri Blommers

page 200-201

page 214-216

Silver

Nomination

Marco Kuis

Merel van Beukering

page 202-205

page 218-219

Best of members Fred van ‘t Slot page 220-223

Overview

Student Work

Overview

The Winners

Nomination

Merit

Marc Driessen

Linda Jansen

page 194-195

page 206-209

Nomination

Nomination

Marc Driessen

Roel van Lanen

page 196-199

page 210-213

190

Student Work

The Winners

191 Silver

Nomination

Sonja de Ridder

Henri Blommers

page 200-201

page 214-216

Silver

Nomination

Marco Kuis

Merel van Beukering

page 202-205

page 218-219

Best of members Fred van ‘t Slot page 220-223

oVErVIEw

192

student work

All Winners

oVErVIEw

student work

All Winners

193

oVErVIEw

192

student work

All Winners

oVErVIEw

student work

All Winners

193

Adopted by sony

194

Studentwork

Marc Driessen

Nomination

195

Adopted by sony

194

Studentwork

Marc Driessen

Nomination

195

Adopted by sony

196

Studentwork

Marc Driessen

Nomination

Adopted by sony

Studentwork

Marc Driessen

Nomination

197

Adopted by sony

196

Studentwork

Marc Driessen

Nomination

Adopted by sony

Studentwork

Marc Driessen

Nomination

197

Adopted by sony

198

Studentwork

Marc Driessen

Nomination

Adopted by sony

Studentwork

Marc Driessen

Nomination

199

Adopted by sony

198

Studentwork

Marc Driessen

Nomination

Adopted by sony

Studentwork

Marc Driessen

Nomination

199

Adopted by sony

200

Studentwork

Sonja de Ridder

Silver

201

Adopted by sony

200

Studentwork

Sonja de Ridder

Silver

201

Adopted by sony

202

Studentwork

Marco Kuis

Silver

203

Adopted by sony

202

Studentwork

Marco Kuis

Silver

203

Adopted by sony

204

Studentwork

Marco Kuis

Silver

Adopted by sony

Studentwork

Marco Kuis

Silver

205

Adopted by sony

204

Studentwork

Marco Kuis

Silver

Adopted by sony

Studentwork

Marco Kuis

Silver

205

Adopted by sony

206

Studentwork

Linda Jansen

Merit

Adopted by sony

Studentwork

Linda Jansen

Merit

207

Adopted by sony

206

Studentwork

Linda Jansen

Merit

Adopted by sony

Studentwork

Linda Jansen

Merit

207

Adopted by sony

208

Studentwork

Linda Jansen

Merit

Adopted by sony

Studentwork

Linda Jansen

Merit

209

Adopted by sony

208

Studentwork

Linda Jansen

Merit

Adopted by sony

Studentwork

Linda Jansen

Merit

209

Adopted by sony

210

Studentwork

Roel van Lanen

Nomination

Adopted by sony

Studentwork

Roel van Lanen

Nomination

211

Adopted by sony

210

Studentwork

Roel van Lanen

Nomination

Adopted by sony

Studentwork

Roel van Lanen

Nomination

211

Studentwork

212

Roel van Lanen

Nomination

Adopted by sony

Studentwork

Roel van Lanen

Nomination

213

Studentwork

212

Roel van Lanen

Nomination

Adopted by sony

Studentwork

Roel van Lanen

Nomination

213

Adopted by sony

214

Studentwork

Henri Blommers

Nomination

Adopted by sony

Studentwork

Henri Blommers

Nomination

215

Adopted by sony

214

Studentwork

Henri Blommers

Nomination

Adopted by sony

Studentwork

Henri Blommers

Nomination

215

Adopted by sony

216

Studentwork

Henri Blommers

Nomination

217

Adopted by sony

216

Studentwork

Henri Blommers

Nomination

217

Adopted by sony

218

Studentwork

Merel van Beukering

Nomination

219

Adopted by sony

218

Studentwork

Merel van Beukering

Nomination

219

Adopted by sony

220

Studentwork

Fred van 't Slot

Best of Members

Adopted by sony

Studentwork

Fred van 't Slot

Best of Members

221

Adopted by sony

220

Studentwork

Fred van 't Slot

Best of Members

Adopted by sony

Studentwork

Fred van 't Slot

Best of Members

221

Adopted by sony

222

Studentwork

Fred van 't Slot

Best of Members

223

Adopted by sony

222

Studentwork

Fred van 't Slot

Best of Members

223

224

t Llo A r s the o i ll ntr e t ies 225

Machteld Schoep

Willeke Duijvekam

Willeke Duijvekam

Pim Vuik

Willeke Duijvekam

Willeke Duijvekam

Willeke Duijvekam

Erik Hijweege

Erik Hijweege

Erik Hijweege

Erik Hijweege

Erik Hijweege

Robert Peek

Willeke Duijvekam

Willeke Duijvekam

Willeke Duijvekam

Willeke Duijvekam

Sander Foederer

Maurice Heesen

Maurice Heesen

Réne van der Hulst

Jeroen Hofman

Jeroen Hofman

Jeroen Hofman

Jeroen Hofman

Ebo Fraterman

Jan Zwart

Sander Foederer

Sander Foederer

Sander Foederer

Réne van der Hulst

Kees Stuip

Maurice Heesen

Kees Stuip

Jimmy Nelson

Kees Stuip

second round

Machteld Schoep

Maurice Heesen

Maurice Heesen

All Other Entries

Malou van Breevoort

Annelore van Herwijnen

Frederique Vlamings

Maurice Heesen

Machteld Schoep

Pim Vuik

Maurice Heesen

Machteld Schoep

226

Pim Vuik

second round All Other Entries

227

Machteld Schoep

Willeke Duijvekam

Willeke Duijvekam

Pim Vuik

Willeke Duijvekam

Willeke Duijvekam

Willeke Duijvekam

Erik Hijweege

Erik Hijweege

Erik Hijweege

Erik Hijweege

Erik Hijweege

Robert Peek

Willeke Duijvekam

Willeke Duijvekam

Willeke Duijvekam

Willeke Duijvekam

Sander Foederer

Maurice Heesen

Maurice Heesen

Réne van der Hulst

Jeroen Hofman

Jeroen Hofman

Jeroen Hofman

Jeroen Hofman

Ebo Fraterman

Jan Zwart

Sander Foederer

Sander Foederer

Sander Foederer

Réne van der Hulst

Kees Stuip

Maurice Heesen

Kees Stuip

Jimmy Nelson

Kees Stuip

second round

Machteld Schoep

Maurice Heesen

Maurice Heesen

All Other Entries

Malou van Breevoort

Annelore van Herwijnen

Frederique Vlamings

Maurice Heesen

Machteld Schoep

Pim Vuik

Maurice Heesen

Machteld Schoep

226

Pim Vuik

second round All Other Entries

227

Jaap Vliegenthart

Jaap Vliegenthart

Jaap Vliegenthart

Arjan Benning

Arjan Benning

Arjan Benning

Raymond Waltjen

Renée Zindler

Thomas van Schaik

Janneke Luursema

Raymond Waltjen

Raymond Waltjen

Réne van der Hulst

Renée Zindler

Renée Zindler

Renée Zindler

Réne van der Hulst Raymond Waltjen

Isabella Rozendaal

Bob Eshuis

Bob Eshuis

Bob Eshuis

Bob Eshuis

Isabella Rozendaal

Kees Stuip

Ebo Fraterman

Ebo Fraterman

Ebo Fraterman

second round

Renée Zindler

Renée Zindler

Renée Zindler Réne van der Hulst

Isabella Rozendaal

Isabella Rozendaal

Teska Overbeeke

Isabella Rozendaal

Erik Hijweege

Isabella Rozendaal

All Other Entries

Jimmy Nelson

Isabella Rozendaal

Réne van der Hulst

Réne van der Hulst

Isabella Rozendaal

Isabella Rozendaal

Jeroen Hofman

Réne van der Hulst

Jaap Vliegenthart

228

Arjan Benning

second round All Other Entries

229

Jaap Vliegenthart

Jaap Vliegenthart

Jaap Vliegenthart

Arjan Benning

Arjan Benning

Arjan Benning

Raymond Waltjen

Renée Zindler

Thomas van Schaik

Janneke Luursema

Raymond Waltjen

Raymond Waltjen

Réne van der Hulst

Renée Zindler

Renée Zindler

Renée Zindler

Réne van der Hulst Raymond Waltjen

Isabella Rozendaal

Bob Eshuis

Bob Eshuis

Bob Eshuis

Bob Eshuis

Isabella Rozendaal

Kees Stuip

Ebo Fraterman

Ebo Fraterman

Ebo Fraterman

second round

Renée Zindler

Renée Zindler

Renée Zindler Réne van der Hulst

Isabella Rozendaal

Isabella Rozendaal

Teska Overbeeke

Isabella Rozendaal

Erik Hijweege

Isabella Rozendaal

All Other Entries

Jimmy Nelson

Isabella Rozendaal

Réne van der Hulst

Réne van der Hulst

Isabella Rozendaal

Isabella Rozendaal

Jeroen Hofman

Réne van der Hulst

Jaap Vliegenthart

228

Arjan Benning

second round All Other Entries

229

Hans Peter Fรถllmi

Maurice Heesen

Ernst Yperlaan

Ernst Yperlaan

Gerrit Schreurs

Gerrit Schreurs

Alek Bruessing

Deborah Roffel

Marco van Middelkoop

Deborah Roffel

Natalia Pieterse

Natalia Pieterse

Natalia Pieterse

Gerrit Schreurs

Maurice Heesen

Maurice Heesen

Edo Kars

230

Maurice Heesen

Maurice Heesen

Heike Engel

Raymond Waltjen

Raymond Waltjen

Marc van Oene

Marc van Oene

Marc van Oene

Marc van Oene

Sofie Knijff

Sofie Knijff

Mark de Graaf

Mark de Graaf

Mark de Graaf

Mark de Graaf

Raymond Waltjen

Raymond Waltjen

Raymond Waltjen

Raymond Waltjen

second round

Gerrit Schreurs

Sofie Knijff

Sofie Knijff

Sofie Knijff

All Other Entries

Hans Peter Fรถllmi

Hans Peter Fรถllmi

Ernst Yperlaan

Katrien Franken

Ernst Yperlaan

Hans Peter Fรถllmi

Hans Peter Fรถllmi

Ernst Yperlaan

second round All Other Entries

231

Hans Peter Fรถllmi

Maurice Heesen

Ernst Yperlaan

Ernst Yperlaan

Gerrit Schreurs

Gerrit Schreurs

Alek Bruessing

Deborah Roffel

Marco van Middelkoop

Deborah Roffel

Natalia Pieterse

Natalia Pieterse

Natalia Pieterse

Gerrit Schreurs

Maurice Heesen

Maurice Heesen

Edo Kars

230

Maurice Heesen

Maurice Heesen

Heike Engel

Raymond Waltjen

Raymond Waltjen

Marc van Oene

Marc van Oene

Marc van Oene

Marc van Oene

Sofie Knijff

Sofie Knijff

Mark de Graaf

Mark de Graaf

Mark de Graaf

Mark de Graaf

Raymond Waltjen

Raymond Waltjen

Raymond Waltjen

Raymond Waltjen

second round

Gerrit Schreurs

Sofie Knijff

Sofie Knijff

Sofie Knijff

All Other Entries

Hans Peter Fรถllmi

Hans Peter Fรถllmi

Ernst Yperlaan

Katrien Franken

Ernst Yperlaan

Hans Peter Fรถllmi

Hans Peter Fรถllmi

Ernst Yperlaan

second round All Other Entries

231

Ilya van Marle

Arjan Benning

Arjan Benning.

Kees Stuip

Peter Tijhuis

Peter Tijhuis

Peter Tijhuis

Peter Tijhuis

Peter Tijhuis

Heidi de Gier

Eddo Hartmann

Eddo Hartmann

Eddo Hartmann

Eddo Hartmann

RĂŠne Kramers

Suzanne Karsters

Suzanne Karsters

Maurice Heesen

Marcel Kentin

Marcel Kentin

Marcel Kentin

Dolph Kessler

Dolph Kessler

Marcel Kentin

Gerdjan van der Lugt

Gerdjan van der Lugt

Ilya van Marle

Tobias Reymond

Suzanne Karsters

Natalia Pieterse

Suzanne Karsters

All Other Entries

Ilya van Marle

Erik Hijweege

Denise Boomkens

Krijn van Noordwijk

Maurice Heesen

Dolph Kessler

Denise Boomkens

Martin Dijkstra

Maurice Heesen

Dolph Kessler

Mirjam Brinkhof

Denise Boomkens

Krijn van Noordwijk

Dolph Kessler

Erik Hijweege

Denise Boomkens

Krijn van Noordwijk

second round second round All Other Entries

232 233

Ilya van Marle

Arjan Benning

Arjan Benning.

Kees Stuip

Peter Tijhuis

Peter Tijhuis

Peter Tijhuis

Peter Tijhuis

Peter Tijhuis

Heidi de Gier

Eddo Hartmann

Eddo Hartmann

Eddo Hartmann

Eddo Hartmann

RĂŠne Kramers

Suzanne Karsters

Suzanne Karsters

Maurice Heesen

Marcel Kentin

Marcel Kentin

Marcel Kentin

Dolph Kessler

Dolph Kessler

Marcel Kentin

Gerdjan van der Lugt

Gerdjan van der Lugt

Ilya van Marle

Tobias Reymond

Suzanne Karsters

Natalia Pieterse

Suzanne Karsters

All Other Entries

Ilya van Marle

Erik Hijweege

Denise Boomkens

Krijn van Noordwijk

Maurice Heesen

Dolph Kessler

Denise Boomkens

Martin Dijkstra

Maurice Heesen

Dolph Kessler

Mirjam Brinkhof

Denise Boomkens

Krijn van Noordwijk

Dolph Kessler

Erik Hijweege

Denise Boomkens

Krijn van Noordwijk

second round second round All Other Entries

232 233

Jaap Vliegenthart

Jaap Vliegenthart

Wendelien Daan

Wendelien Daan

John Bakker

Geek Zwetsloot

Geek Zwetsloot

Geek Zwetsloot

Maarten Wouters

Maarten Wouters

Geek Zwetsloot

Kees Stuip

Juliette Erkelens

Juliette Erkelens

Maarten Wouters

Juliette Erkelens

Juliette Erkelens

Juliette Erkelens

Tobias Reymond

Réne Kramers

Réne Kramers

Maarten Wouters

Maurice Heesen

Maurice Heesen

Maurice Heesen

Manon van der Zwaal

Manon van der Zwaal

Maurice Heesen

Maurice Heesen

Maurice Heesen

Martijn van Oorschot

second round

Jaap Vliegenthart

Jaap Vliegenthart

Katrien Franken

Réne Kramers

Ernst Yperlaan

Réne Kramers

Réne Kramers

All Other Entries

Jimmy Nelson

Manon van der Zwaal

Maarten Wouters

Katrien Franken

Edo Kars

Maarten Wouters

Manon van der Zwaal

Katrien Franken

Deborah Roffel

234

Maarten Wouters

second round All Other Entries

235

Jaap Vliegenthart

Jaap Vliegenthart

Wendelien Daan

Wendelien Daan

John Bakker

Geek Zwetsloot

Geek Zwetsloot

Geek Zwetsloot

Maarten Wouters

Maarten Wouters

Geek Zwetsloot

Kees Stuip

Juliette Erkelens

Juliette Erkelens

Maarten Wouters

Juliette Erkelens

Juliette Erkelens

Juliette Erkelens

Tobias Reymond

Réne Kramers

Réne Kramers

Maarten Wouters

Maurice Heesen

Maurice Heesen

Maurice Heesen

Manon van der Zwaal

Manon van der Zwaal

Maurice Heesen

Maurice Heesen

Maurice Heesen

Martijn van Oorschot

second round

Jaap Vliegenthart

Jaap Vliegenthart

Katrien Franken

Réne Kramers

Ernst Yperlaan

Réne Kramers

Réne Kramers

All Other Entries

Jimmy Nelson

Manon van der Zwaal

Maarten Wouters

Katrien Franken

Edo Kars

Maarten Wouters

Manon van der Zwaal

Katrien Franken

Deborah Roffel

234

Maarten Wouters

second round All Other Entries

235

Aatjan Renders

Aatjan Renders

Marcel Christ

Marcel Christ

Marcel Christ

Marcel Christ

Willeke Duijvekam

Nick Franken

Marcel Christ

Marcel Christ

Bart van Bussel

Bart van Bussel

Alexandra Brand

Carlfried Verwaayen

Carlfried Verwaayen

Carlfried Verwaayen

Marcel Christ

Marcel Christ

Marcel Christ

Marcel Christ

Tobias Reymond

Tobias Reymond

Tobias Reymond

Gerrit Schurer

Petra van der Veer

Petra van der Veer

Petra van der Veer

Petra van der Veer

Gerrit Schurer

Gerrit Schurer

Malou van Breevoort

Malou van Breevoort

Petra van der Veer

Petra van der Veer

Aleid Denier van der Gon

Alexandra Brand

second round

Dolph Kessler

Gerrit Schurer

Malou van Breevoort

Malou van Breevoort

Dolph Kessler

Dolph Kessler

Dolph Kessler

Dolph Kessler

All Other Entries

Aatjan Renders

Sofie Knijff

Aatjan Renders

236

Aatjan Renders

second round All Other Entries

237

Aatjan Renders

Aatjan Renders

Marcel Christ

Marcel Christ

Marcel Christ

Marcel Christ

Willeke Duijvekam

Nick Franken

Marcel Christ

Marcel Christ

Bart van Bussel

Bart van Bussel

Alexandra Brand

Carlfried Verwaayen

Carlfried Verwaayen

Carlfried Verwaayen

Marcel Christ

Marcel Christ

Marcel Christ

Marcel Christ

Tobias Reymond

Tobias Reymond

Tobias Reymond

Gerrit Schurer

Petra van der Veer

Petra van der Veer

Petra van der Veer

Petra van der Veer

Gerrit Schurer

Gerrit Schurer

Malou van Breevoort

Malou van Breevoort

Petra van der Veer

Petra van der Veer

Aleid Denier van der Gon

Alexandra Brand

second round

Dolph Kessler

Gerrit Schurer

Malou van Breevoort

Malou van Breevoort

Dolph Kessler

Dolph Kessler

Dolph Kessler

Dolph Kessler

All Other Entries

Aatjan Renders

Sofie Knijff

Aatjan Renders

236

Aatjan Renders

second round All Other Entries

237

Alexandra Brand

Marcel Christ

Moon Jansen

Karolien Damstra

Karolien Damstra

Karolien Damstra

Chantal Heijnen

Natascha Libbert

Karolien Damstra

Karolien Damstra

Karolien Damstra

Lotte Gieles

Natascha Libbert

Natascha Libbert

Lotte Gieles

Lotte Gieles

Philip Ploegmakers

Philip Ploegmakers

Angeline Swinkels

Angeline Swinkels

Philip Ploegmakers

Jens van der Velde

Harrie van Kessel

Remco Muntz

Robin de Puy

Laetitia Molenaar

Laetitia Molenaar

Laetitia Molenaar

Laetitia Molenaar

Moon Jansen

Moon Jansen

Moon Jansen

second round

Koene en Heuvink Gerrit Schreurs

Tjitske van Leeuwen

Bart van Bussel

Bart van Bussel

Réne Mesman

Réne Mesman

Réne Mesman

All Other Entries

Gerrit Schreurs

Ienske Meindertsma

Natascha Libbert

Angeline Swinkels

Gerrit Schreurs

Mirella Sahetapy

Natascha Libbert

238

Angeline Swinkels

second round All Other Entries

239

Alexandra Brand

Marcel Christ

Moon Jansen

Karolien Damstra

Karolien Damstra

Karolien Damstra

Chantal Heijnen

Natascha Libbert

Karolien Damstra

Karolien Damstra

Karolien Damstra

Lotte Gieles

Natascha Libbert

Natascha Libbert

Lotte Gieles

Lotte Gieles

Philip Ploegmakers

Philip Ploegmakers

Angeline Swinkels

Angeline Swinkels

Philip Ploegmakers

Jens van der Velde

Harrie van Kessel

Remco Muntz

Robin de Puy

Laetitia Molenaar

Laetitia Molenaar

Laetitia Molenaar

Laetitia Molenaar

Moon Jansen

Moon Jansen

Moon Jansen

second round

Koene en Heuvink Gerrit Schreurs

Tjitske van Leeuwen

Bart van Bussel

Bart van Bussel

Réne Mesman

Réne Mesman

Réne Mesman

All Other Entries

Gerrit Schreurs

Ienske Meindertsma

Natascha Libbert

Angeline Swinkels

Gerrit Schreurs

Mirella Sahetapy

Natascha Libbert

238

Angeline Swinkels

second round All Other Entries

239

Remco Muntz

Remco Muntz

Heidi de Wit

Heidi de Wit

Saskia Dommisse

Saskia Dommisse

Ben Knoop

Ben Knoop

Saskia Dommisse

Marjolein van Veen

Marjolein van Veen

Marjolein van Veen

Peter van de Wijngaart

Merel van Beukering

Hans de Vries

Hans de Vries

Adrian Noortman

Alewijn Eijgenraam

Heidi de Wit

Heidi de Wit

Monique Eller

Monique Eller

second round

Monique Eller

All Other Entries

Marjolein van Veen

Remco Muntz

Ben Knoop

Peter van de Wijngaart

Hans de Vries

Hans de Vries

Heidi de Wit

Remco Muntz

Ben Knoop

Ben Knoop

Kees van den Akker

Hans de Vries

240

Alewijn Eijgenraam

second round All Other Entries

241

Remco Muntz

Remco Muntz

Heidi de Wit

Heidi de Wit

Saskia Dommisse

Saskia Dommisse

Ben Knoop

Ben Knoop

Saskia Dommisse

Marjolein van Veen

Marjolein van Veen

Marjolein van Veen

Peter van de Wijngaart

Merel van Beukering

Hans de Vries

Hans de Vries

Adrian Noortman

Alewijn Eijgenraam

Heidi de Wit

Heidi de Wit

Monique Eller

Monique Eller

second round

Monique Eller

All Other Entries

Marjolein van Veen

Remco Muntz

Ben Knoop

Peter van de Wijngaart

Hans de Vries

Hans de Vries

Heidi de Wit

Remco Muntz

Ben Knoop

Ben Knoop

Kees van den Akker

Hans de Vries

240

Alewijn Eijgenraam

second round All Other Entries

241

The judges

Photo by Vincent Kruijt

The judges

Photo by Vincent Kruijt

242

243 Nick Meek

Julia Llamas

Photographer, 1.83 m

Art buyer, + 1.70 m

Marc de Groot

Ruth Eichhorn

Kai Uwe Gundlach

Dennis Baars

Photographer, 1.93 m

Picture editor, + 1.70 m

Photographer, + 1.80 m

Art Director, an impressive 2.02 m tall

this year’s jury was not only impressively talented, but impressively tall.

The 17th annual Photography Awards of the Netherlands was the first to allow digital submissions and online voting. Photographers who made it through the first round were then asked to submit a hard copy print. Once all the submissions were assembled, the jury was flown in to meet for just one day to make their final choices and award the much-coveted prizes. In the past, the jury gathered for two days to hash out their selections. But this year they were able to make their initial selections from their home computers. The members took plenty of time to look over the submissions; three or four evenings or an entire Saturday and Sunday. Their first task was to get an overall impression and take notes. Then they went through, category by category, making their selections. A few took their notes with them to Amsterdam or made screen dumps of their choices. Dennis Baars: “It was fun, but it was a lot of work. The method was simple so selection was quick: it was a matter of yes, no or undecided. I took three days: two evenings just browsing and the third day voting. Being part of an internet jury takes more discipline. The Art Directors Club of the Netherlands is going digital this year too.”

The PANL members had the option to vote as well while those who had submitted photographs were required to do so. In fact, photographers were only allowed to submit work if they also participated on the jury. Members selected one photo in each category, with the final tally counting towards the granting of the PANL Award, the prize for The Best of Show.

Clearly, those who made it through the selection process would want their work to look its best on a quality print. Marc de Groot: “In my opinion, a number of photos would have presented better if the photographer had used film instead of taking digital shots. And they should have had a good professional make a print from the film. But maybe I’m splitting hairs. Generally, the print quality of the works displayed here is better than I’d expected.

Not that I think they’re all good, mind you. There are clearly people who haven’t mastered the technical side while others get lost in all the technical possibilities. It’s very exciting to look at photos with this depth of awareness. It reminds me of the multitude of elements and stages that go into making a great shot.”

In the past, two days were carved out for the selection process.

The first day was about separating the wheat from the chaff; the second involved a discussion to further narrow the selection and award the prizes. On that first day, it was sometimes quite challenging for the jury members to walk into the room where all the submissions were displayed. It was the first time they saw the photos; the hodgepodge of mature and less polished works often created a negative atmosphere. This time the jury members had already made their initial selections at home and were already fairly familiar with the submissions. Thanks to the pre-selection process, the works on display were surprisingly high-quality.

This inspired enthusiasm among the jury members, who began the final sifting process in high spirits which they maintained throughout.

Jeannette van Zee, who assists the jury on behalf of the PANL board, reminds the jury that the photo selection must be reduced by half. She also points out that there is no longer a balance between commissioned and non-commissioned works as a majority of the selected work is non-commissioned. She asks if

the jury would please have another look. Nick wants to know what the difference is between commissioned editorial and commissioned advertising. He mentions a still life he thought was really striking. In his view, if the work was editorially commissioned and the photographer was the one to come up with the idea, this should weigh more heavily than if the idea came from an art director. The PANL secretarial staff may provide additional information upon request, revealing everything but the name of the photographer. And if this means a make-break difference to Nick, then they’re happy to do so. A discussion follows about the difference between commissioned and noncommissioned. The freedom to create something yourself and sell it to a magazine. The jury considers it important to know whether the concept behind a photograph came from the photographer or the art director/ the client.

“Has anyone else changed their mind? No? Then it’s out.” On to the next. Jeannette: “One. Two. Three? ” She waits to give everyone a chance to consider. Nick: “I’m prepared to fight for this one.”

“Tell me, tell me,” Marc says, encouraging details. Nick: “There’s

The judges

Photo by Vincent Kruijt

The judges

Photo by Vincent Kruijt

242

243 Nick Meek

Julia Llamas

Photographer, 1.83 m

Art buyer, + 1.70 m

Marc de Groot

Ruth Eichhorn

Kai Uwe Gundlach

Dennis Baars

Photographer, 1.93 m

Picture editor, + 1.70 m

Photographer, + 1.80 m

Art Director, an impressive 2.02 m tall

this year’s jury was not only impressively talented, but impressively tall.

The 17th annual Photography Awards of the Netherlands was the first to allow digital submissions and online voting. Photographers who made it through the first round were then asked to submit a hard copy print. Once all the submissions were assembled, the jury was flown in to meet for just one day to make their final choices and award the much-coveted prizes. In the past, the jury gathered for two days to hash out their selections. But this year they were able to make their initial selections from their home computers. The members took plenty of time to look over the submissions; three or four evenings or an entire Saturday and Sunday. Their first task was to get an overall impression and take notes. Then they went through, category by category, making their selections. A few took their notes with them to Amsterdam or made screen dumps of their choices. Dennis Baars: “It was fun, but it was a lot of work. The method was simple so selection was quick: it was a matter of yes, no or undecided. I took three days: two evenings just browsing and the third day voting. Being part of an internet jury takes more discipline. The Art Directors Club of the Netherlands is going digital this year too.”

The PANL members had the option to vote as well while those who had submitted photographs were required to do so. In fact, photographers were only allowed to submit work if they also participated on the jury. Members selected one photo in each category, with the final tally counting towards the granting of the PANL Award, the prize for The Best of Show.

Clearly, those who made it through the selection process would want their work to look its best on a quality print. Marc de Groot: “In my opinion, a number of photos would have presented better if the photographer had used film instead of taking digital shots. And they should have had a good professional make a print from the film. But maybe I’m splitting hairs. Generally, the print quality of the works displayed here is better than I’d expected.

Not that I think they’re all good, mind you. There are clearly people who haven’t mastered the technical side while others get lost in all the technical possibilities. It’s very exciting to look at photos with this depth of awareness. It reminds me of the multitude of elements and stages that go into making a great shot.”

In the past, two days were carved out for the selection process.

The first day was about separating the wheat from the chaff; the second involved a discussion to further narrow the selection and award the prizes. On that first day, it was sometimes quite challenging for the jury members to walk into the room where all the submissions were displayed. It was the first time they saw the photos; the hodgepodge of mature and less polished works often created a negative atmosphere. This time the jury members had already made their initial selections at home and were already fairly familiar with the submissions. Thanks to the pre-selection process, the works on display were surprisingly high-quality.

This inspired enthusiasm among the jury members, who began the final sifting process in high spirits which they maintained throughout.

Jeannette van Zee, who assists the jury on behalf of the PANL board, reminds the jury that the photo selection must be reduced by half. She also points out that there is no longer a balance between commissioned and non-commissioned works as a majority of the selected work is non-commissioned. She asks if

the jury would please have another look. Nick wants to know what the difference is between commissioned editorial and commissioned advertising. He mentions a still life he thought was really striking. In his view, if the work was editorially commissioned and the photographer was the one to come up with the idea, this should weigh more heavily than if the idea came from an art director. The PANL secretarial staff may provide additional information upon request, revealing everything but the name of the photographer. And if this means a make-break difference to Nick, then they’re happy to do so. A discussion follows about the difference between commissioned and noncommissioned. The freedom to create something yourself and sell it to a magazine. The jury considers it important to know whether the concept behind a photograph came from the photographer or the art director/ the client.

“Has anyone else changed their mind? No? Then it’s out.” On to the next. Jeannette: “One. Two. Three? ” She waits to give everyone a chance to consider. Nick: “I’m prepared to fight for this one.”

“Tell me, tell me,” Marc says, encouraging details. Nick: “There’s

The judges

244

Text by Pim Milo

The judges

Text by Pim Milo

' This is very innovative.

I’ll be unhappy if this doesn’t make it into the book.' a level to it where you can almost feel what’s going on in the rest of the room. There’s a story here; the room is describing the character of the woman in the photograph. Just the look on her face speaks volumes. What you see almost describes the rest of the building, the other people who are there, what might be about to happen. There’s a lot going on. Even if you forget the story, there are some really beautiful colours and the framing is nice.”

Kai Uwe: “I love the colours, the wooden stuff, the interior; the framing is perfect.” Ruth mutters her agreement. Marc joins in: “Is it in Eastern Europe? What is it? ” Dennis: “She does look Eastern European, yes.” Marc: “The plant looks plastic, but so does the colour management.” Nick: “It’s like a film fragment, isn’t it? ” Ruth: “It’s a little like a film still.” Marc: “This photograph raises plenty of questions, which is already a strong point in itself.” Jeannette: “Shall we vote? ” Four hands are raised.

some apparant hesitation Dennis follows, bringing the number of votes to four. The series is in. Julia tells Kai Uwe: “Well done!”

From one to four.

A series of three of a young men with short hair wearing a suit and red tie. Kai Uwe: “I’m a fan of this one. I don’t know why.

I like the casting. The character isn’t typical. I don’t know what he is – a poker player, a terrorist or just arrogant-looking. I like the framing and the posing. A good piece.” Marc: “The hard thing for me is understanding the added value of them as a series.”

Ruth has trouble with the fact that the middle photo is black and white. Kai Uwe: “As a typical manager’s portrait it’s a bit weird. The seventies location …” Marc: “It is quite David Lynch.”

Jeannette suggests putting it to a vote. Only one hand is raised.

Kai Uwe: “One thing. We voted the other one in, the old man behind his desk piled high with papers. This series is a hundred thousand times better. This is very innovative. I’ll be unhappy if this doesn’t make it into the book. The middle one isn’t as good, but it’s still not bad.” Kai’s appeal gets two more votes and, after

Boy with reddish hair. Kai Uwe: “I like the portrait. I’m touched.”

Nick: “There’s something curious about the colour on the hair.

It’s a beautiful quality.” It reminds Ruth of Vermeer’s “The girl with the pearl earring”. Jeannette: “Who’s voting for it? One, two, three.” Marc is the fourth to vote. In. Marc: “You convinced me. Actually, in the first round I didn’t raise my hand. But Ruth, when you so sensually described the hair around the ear, you won my vote for it.”

Documentary & Life, non-commissioned. Nick wants to discuss a series of four photos. Very good. Quiet, subtle clear and convincing. “I really want to vote for that. I think the two pictures at the top have a lovely spacial quality to them. There’s a kind of quietness. By comparison, the compositions of the two at the bottom aren’t really that strong. They’re not as clean as the top two; both are scruffy and almost look like they were taken by a different photographer.” Everyone agrees. Each year it becomes apparent once again how difficult it is to submit a consistent series. Just one weak photograph ruins the chances of the entire series!

Blue dress with white birds and a hand adorned with a chain.

Ruth: “The cloth, the fabric, and the mood reflected by these photos’. I can imagine the type of designer involved, the kind of woman the photos are targeting. I like these pictures They attract me.” Marc: “Yes, they’ve grown on me as well. Very naive and quiet. They are not trying to be clever at all.” Dennis:

“I like the one in the middle.” Julia: “What I like about it is that it has the same shape as the butterfly here as it has in the fabric over here. The colours are repeated as well. That’s what I like about these series. The composition is nice because the photographer has thought about what textures to put together.” Jeannette: “Ok, shall we vote for these series? Who’s in favour? One. Two.” Giggling. Only the two female jury members vote for this series. Marc: “I must admit I have my doubts.” Kai Uwe: “Half a point for me.” Ruth, to Julia: “I like what you said. It’s kind of naive.” Julia: “When you look closer I think it really grows on you.

I had a long look at these pictures online and they kept coming back to me. I’m not sure why. There’s something about them.”

Marc: “They capture a kind of un-fashion-like quality that is in it’s own way fashionable.” Dennis: “Ok, I’ll give them my vote.” Jeannette: “That’s three. Three and a half.” Then Kai Uwe decides to give the series a full vote and it’s in, much to everyone’s delight.

Next up is People & Portraits, non-commissioned. Jeannette does her best to inspire the jury to award prizes. One Silver and – for the first time – one Gold are granted. Jeanette and the jury are pleased. “Ok. We have a Gold and we have Silver. And what’s this, Silver as well? ” “Merit,” says Julia decisively. Speaking with an exaggerated Dutch accent, Marc says: “Merit, anyone? ” Kai Uwe replies absently: “I’m married.”

The next category is Interior & Exterior, non-commissioned.

A relatively broad category. Nick: “Bold ideas. Excellent.”

Jeannette: “Who wants to go for Gold? ” Three hands are raised.

“Silver then? ” Jeannette asks. Five hands. When considering the next submission Ruth asks if two submissions can be awarded

Silver. The answer is yes. Kai Uwe: “Is it really Silver quality? ” Jeannette pipes up: “Or do you think it should be Gold? Shall we vote for Gold? ” Nick: “The quality is not very good, nor is the printing. I really don’t think it’s worthy of Silver.” But Marc thinks this submission is better than the one just awarded Silver, so they vote for Gold. But no one considers it worthy. Marc’s point is really that he disagrees with the previous vote. The jury votes for Silver and six hands go up; this is the second Silver award in this category. Next the members consider a Merit in this category.

There are three votes in favour. Nick: “Oh, come on.” A fourth vote is added for the Merit. Things are moving along. The jury is feeling generous.

It’s time for the PANL Award, the Best of Show. You would think it would go to a photograph with a ‘Gold Award’; after all, Gold is the best of the best. In the past, the jury put the Gold Award winners side by side or, if no Gold was granted, the Silver Awards.

The PANL Award was then selected from this group. But this year was different. As is the case with popular TV programmes like Idols and Big Brother, other votes were considered alongside those of the jury: namely the member votes, which were added to the jury selections to determine the winner.

The jury was surprised, even amazed to hear which photograph won the coveted PANL Award. This was because the submission that was awarded Gold by the jury received no points at all from the members. The jury then considered what the outcome would be if a different photo was upgraded from Silver to Gold. But even then, the photo ended up with insufficient points to win the PANL Award. No matter what they do, the members’ choice wins. The jury must concede.

245

The judges

244

Text by Pim Milo

The judges

Text by Pim Milo

' This is very innovative.

I’ll be unhappy if this doesn’t make it into the book.' a level to it where you can almost feel what’s going on in the rest of the room. There’s a story here; the room is describing the character of the woman in the photograph. Just the look on her face speaks volumes. What you see almost describes the rest of the building, the other people who are there, what might be about to happen. There’s a lot going on. Even if you forget the story, there are some really beautiful colours and the framing is nice.”

Kai Uwe: “I love the colours, the wooden stuff, the interior; the framing is perfect.” Ruth mutters her agreement. Marc joins in: “Is it in Eastern Europe? What is it? ” Dennis: “She does look Eastern European, yes.” Marc: “The plant looks plastic, but so does the colour management.” Nick: “It’s like a film fragment, isn’t it? ” Ruth: “It’s a little like a film still.” Marc: “This photograph raises plenty of questions, which is already a strong point in itself.” Jeannette: “Shall we vote? ” Four hands are raised.

some apparant hesitation Dennis follows, bringing the number of votes to four. The series is in. Julia tells Kai Uwe: “Well done!”

From one to four.

A series of three of a young men with short hair wearing a suit and red tie. Kai Uwe: “I’m a fan of this one. I don’t know why.

I like the casting. The character isn’t typical. I don’t know what he is – a poker player, a terrorist or just arrogant-looking. I like the framing and the posing. A good piece.” Marc: “The hard thing for me is understanding the added value of them as a series.”

Ruth has trouble with the fact that the middle photo is black and white. Kai Uwe: “As a typical manager’s portrait it’s a bit weird. The seventies location …” Marc: “It is quite David Lynch.”

Jeannette suggests putting it to a vote. Only one hand is raised.

Kai Uwe: “One thing. We voted the other one in, the old man behind his desk piled high with papers. This series is a hundred thousand times better. This is very innovative. I’ll be unhappy if this doesn’t make it into the book. The middle one isn’t as good, but it’s still not bad.” Kai’s appeal gets two more votes and, after

Boy with reddish hair. Kai Uwe: “I like the portrait. I’m touched.”

Nick: “There’s something curious about the colour on the hair.

It’s a beautiful quality.” It reminds Ruth of Vermeer’s “The girl with the pearl earring”. Jeannette: “Who’s voting for it? One, two, three.” Marc is the fourth to vote. In. Marc: “You convinced me. Actually, in the first round I didn’t raise my hand. But Ruth, when you so sensually described the hair around the ear, you won my vote for it.”

Documentary & Life, non-commissioned. Nick wants to discuss a series of four photos. Very good. Quiet, subtle clear and convincing. “I really want to vote for that. I think the two pictures at the top have a lovely spacial quality to them. There’s a kind of quietness. By comparison, the compositions of the two at the bottom aren’t really that strong. They’re not as clean as the top two; both are scruffy and almost look like they were taken by a different photographer.” Everyone agrees. Each year it becomes apparent once again how difficult it is to submit a consistent series. Just one weak photograph ruins the chances of the entire series!

Blue dress with white birds and a hand adorned with a chain.

Ruth: “The cloth, the fabric, and the mood reflected by these photos’. I can imagine the type of designer involved, the kind of woman the photos are targeting. I like these pictures They attract me.” Marc: “Yes, they’ve grown on me as well. Very naive and quiet. They are not trying to be clever at all.” Dennis:

“I like the one in the middle.” Julia: “What I like about it is that it has the same shape as the butterfly here as it has in the fabric over here. The colours are repeated as well. That’s what I like about these series. The composition is nice because the photographer has thought about what textures to put together.” Jeannette: “Ok, shall we vote for these series? Who’s in favour? One. Two.” Giggling. Only the two female jury members vote for this series. Marc: “I must admit I have my doubts.” Kai Uwe: “Half a point for me.” Ruth, to Julia: “I like what you said. It’s kind of naive.” Julia: “When you look closer I think it really grows on you.

I had a long look at these pictures online and they kept coming back to me. I’m not sure why. There’s something about them.”

Marc: “They capture a kind of un-fashion-like quality that is in it’s own way fashionable.” Dennis: “Ok, I’ll give them my vote.” Jeannette: “That’s three. Three and a half.” Then Kai Uwe decides to give the series a full vote and it’s in, much to everyone’s delight.

Next up is People & Portraits, non-commissioned. Jeannette does her best to inspire the jury to award prizes. One Silver and – for the first time – one Gold are granted. Jeanette and the jury are pleased. “Ok. We have a Gold and we have Silver. And what’s this, Silver as well? ” “Merit,” says Julia decisively. Speaking with an exaggerated Dutch accent, Marc says: “Merit, anyone? ” Kai Uwe replies absently: “I’m married.”

The next category is Interior & Exterior, non-commissioned.

A relatively broad category. Nick: “Bold ideas. Excellent.”

Jeannette: “Who wants to go for Gold? ” Three hands are raised.

“Silver then? ” Jeannette asks. Five hands. When considering the next submission Ruth asks if two submissions can be awarded

Silver. The answer is yes. Kai Uwe: “Is it really Silver quality? ” Jeannette pipes up: “Or do you think it should be Gold? Shall we vote for Gold? ” Nick: “The quality is not very good, nor is the printing. I really don’t think it’s worthy of Silver.” But Marc thinks this submission is better than the one just awarded Silver, so they vote for Gold. But no one considers it worthy. Marc’s point is really that he disagrees with the previous vote. The jury votes for Silver and six hands go up; this is the second Silver award in this category. Next the members consider a Merit in this category.

There are three votes in favour. Nick: “Oh, come on.” A fourth vote is added for the Merit. Things are moving along. The jury is feeling generous.

It’s time for the PANL Award, the Best of Show. You would think it would go to a photograph with a ‘Gold Award’; after all, Gold is the best of the best. In the past, the jury put the Gold Award winners side by side or, if no Gold was granted, the Silver Awards.

The PANL Award was then selected from this group. But this year was different. As is the case with popular TV programmes like Idols and Big Brother, other votes were considered alongside those of the jury: namely the member votes, which were added to the jury selections to determine the winner.

The jury was surprised, even amazed to hear which photograph won the coveted PANL Award. This was because the submission that was awarded Gold by the jury received no points at all from the members. The jury then considered what the outcome would be if a different photo was upgraded from Silver to Gold. But even then, the photo ended up with insufficient points to win the PANL Award. No matter what they do, the members’ choice wins. The jury must concede.

245

The judges

Personal Choices

Julia: “I think it’s a very cinematic image. Sensual and intimate. A lovely composition.

While we were voting on other works, I’ve been looking at it at length and it stands head and shoulders above the rest. Classic black and white, without seeming cliché. Well styled.”

Ruth: “You know, I’m a storyteller. I love to look at pictures that tell a story. They’re fun to look at. It’s intriguing to find out what’s going on. And the photographer did a nice job here.

Clearly, it wasn’t a one-off shot, because he or she took a couple of pictures. I would guess the photographer is a professional; very much aware of what he or she is doing. I was very intrigued, indeed. I prefer picture stories. I think it’s very funny when somebody does this type of thing. I’m much more drawn into a picture if I have the impression there’s real life behind it. You get a kind of inside view of people’s lives. That’s much more interesting to me than a staged photo. This touches my job. We do mainly picture stories. Storytelling through photography.”

246

Nick: “Of all the individual pictures I’ve seen – i.e. not including the series – this one tells the longest story. There’s a lot going on here; it really holds my attention. A beautiful shot. If I had a second choice, it would be the black and white series of the houses, which is really my style.

Absolutely decisive, perfectly executed. Sharp lines. There’s something emotional about it.”

Kai Uwe: “I love the funny situation depicted here. One dog is biting the other. Normally, this could be traumatic. But the dog looking into the camera seems bored, like he doesn’t mind what the other dog is doing. It’s really comical. Shows the photographer’s sharp eye.

And I like the composition.”

Dennis: “This photo is somewhat abstract. You’re not sure if it’s a caravan or perhaps a car.

Maybe it’s a site where a caravan once stood. I assume we’re looking inside the caravan.

But I’m not sure of that either. It’s so simple and so weird. It looks like it was cut out of cardboard.

It touches me somehow. It’s really quite peculiar. And very abstract. It kind of stands out.”

Marc: “This is simply a beautiful, playful, sensual play of lines, diagonals, structures, light, shadow, composition, tonalities. The use of light and shadow reminds me of the work of Edward Weston. As does the subject, showing part of a naked body. The photo is sexy. I think it’s a great shot.”

The nominees

All Categories

Alek Bruessing Alice Wolfs Ebo Fraterman Erik van Gurp Fred van 't Slot Henri Blommers Ilya van Marle Jaap Vliegenthart Janneke Luursema Jansje Klazinga Jeroen Hofman Jimmy Nelson Jochem Sanders Joris Ten Bosch Krijn van Noordwijk Linda Jansen Lucia Ganieva Maarten Wouters Marc Driessen

Marcel Christ Marco Kuis Marco van Middelkoop Martijn de Vries Maurice Heesen Maurits Giesen Merel van Beukering Merel Zwart Mirella Sahetapy Mirjam Brinkhof Polle Aubert Renée Zindler Robbert Jan de Witte Roel van Lanen Simon Warmer Sonja de Ridder Tara Fallaux Tobias Reymond Wendelien Daan

247

The judges

Personal Choices

Julia: “I think it’s a very cinematic image. Sensual and intimate. A lovely composition.

While we were voting on other works, I’ve been looking at it at length and it stands head and shoulders above the rest. Classic black and white, without seeming cliché. Well styled.”

Ruth: “You know, I’m a storyteller. I love to look at pictures that tell a story. They’re fun to look at. It’s intriguing to find out what’s going on. And the photographer did a nice job here.

Clearly, it wasn’t a one-off shot, because he or she took a couple of pictures. I would guess the photographer is a professional; very much aware of what he or she is doing. I was very intrigued, indeed. I prefer picture stories. I think it’s very funny when somebody does this type of thing. I’m much more drawn into a picture if I have the impression there’s real life behind it. You get a kind of inside view of people’s lives. That’s much more interesting to me than a staged photo. This touches my job. We do mainly picture stories. Storytelling through photography.”

246

Nick: “Of all the individual pictures I’ve seen – i.e. not including the series – this one tells the longest story. There’s a lot going on here; it really holds my attention. A beautiful shot. If I had a second choice, it would be the black and white series of the houses, which is really my style.

Absolutely decisive, perfectly executed. Sharp lines. There’s something emotional about it.”

Kai Uwe: “I love the funny situation depicted here. One dog is biting the other. Normally, this could be traumatic. But the dog looking into the camera seems bored, like he doesn’t mind what the other dog is doing. It’s really comical. Shows the photographer’s sharp eye.

And I like the composition.”

Dennis: “This photo is somewhat abstract. You’re not sure if it’s a caravan or perhaps a car.

Maybe it’s a site where a caravan once stood. I assume we’re looking inside the caravan.

But I’m not sure of that either. It’s so simple and so weird. It looks like it was cut out of cardboard.

It touches me somehow. It’s really quite peculiar. And very abstract. It kind of stands out.”

Marc: “This is simply a beautiful, playful, sensual play of lines, diagonals, structures, light, shadow, composition, tonalities. The use of light and shadow reminds me of the work of Edward Weston. As does the subject, showing part of a naked body. The photo is sexy. I think it’s a great shot.”

The nominees

All Categories

Alek Bruessing Alice Wolfs Ebo Fraterman Erik van Gurp Fred van 't Slot Henri Blommers Ilya van Marle Jaap Vliegenthart Janneke Luursema Jansje Klazinga Jeroen Hofman Jimmy Nelson Jochem Sanders Joris Ten Bosch Krijn van Noordwijk Linda Jansen Lucia Ganieva Maarten Wouters Marc Driessen

Marcel Christ Marco Kuis Marco van Middelkoop Martijn de Vries Maurice Heesen Maurits Giesen Merel van Beukering Merel Zwart Mirella Sahetapy Mirjam Brinkhof Polle Aubert Renée Zindler Robbert Jan de Witte Roel van Lanen Simon Warmer Sonja de Ridder Tara Fallaux Tobias Reymond Wendelien Daan

247

Members

248

Yani Kees Ab Waldo Aikema Kees van den Akker Gerard Albertsboer Raymond R. Alonso van der Tak Stefan Ammerlaan Jonathan Andrew Laurens Arenas Arton Jefta Arts Frits van den Assem Polle Aubert Fleur Baan Aline Baggio John Bakker Marcel R. Bakker Simone Bär Eugene Bay Robbert Beck Arjan Benning Mathilde Berends-Spits Marianne Berkhoff Joost Berndes Jaap van den Beukel Merel van Beukering Milan de Bie Koen Bierbooms Karen Birnholz Henk Bleeker Sylvia Blok Marc Blommaert Henri Blommers Dirk-Jan Bode Diederik Boel Pieter Boer Eveline van den Bogaert John Boom Marjo van den Boomen Denise Boomkens Vincent Boon Paul F.I. Born Charles Borsboom Roelof Bos René Bosch Joris Ten Bosch Eddy Bosland Arno Bosma Jaqueline Bosman Morad Bouchakour Mart Boudestein Peter Boudestein Alexandra Brand Frank Brandwijk Malou van Breevoort Mirjam Brinkhof Alek Bruessing Kevin van der Brug Marco Buddingh Erik Buis Renda van der Burg Thora Burggraeve Bart van Bussel Renate van Bussel Johannes van Camp Stefana Caramanica Marcel Christ Jojanneke Claessen Dominique Colen Wendelien Daan

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Maria Heijdendeal Chantal Heijnen Jan Jaap Heine Francois Hendrickx Tom Hendriks Ruud A. Hermans Hans den Hertog Annelore van Herwijnen Alique v.d. Heuvel Erik Hijweege Eddy Hilhorst Jessie Hillebrand Kasper van 't Hoff Jeroen Hofman Ivo Hofsté Hans Hogervorst Henk Hogerzeil Jan Holtslag Aafke Holwerda Marjon Hoogervorst Natalie Hoogmoed Krisztina Horvath Gerrit Jan Huinink Cindy Huisden René van der Hulst Anke van Iersel Timon Jacob Wouter Jansen Monique Jansen Linda Jansen John Janssen Mark Janssen Edwin Janssen Robin Jasperse Ama Kaag Marjolein Kaaij Roy Kahmann Alex Kals Edo Kars Suzanne Karsters Petra Kasteleijn David Kater Ilja Keizer Marcel Kentin Harrie van Kessel Dolph Kessler Jansje Klazinga Henk Kloosterhuis Sofie Knijff Ben Knoop Ursula Knuman Frans Koene & Herman Heuvink John de Koning Erik de Koning Robbert van Koningsbruggen Steven van Kooijk Bodine Koopmans Henk van Kooten Astrid Koppers Lisa Kortenhorst Feiko Koster Evelyn J. Kotting Peter Koudstaal Denis Koval Remko Kraaijeveld Raoul Kramer René Kramers Diederik Kratz Ben Krewinkel Brigitte Kroone

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Kitty Kroone Corrie de Kruif Vincent Kruijt Marco Kuis Frans Kuypers Jeanne van der Laar Harald Lakerveld Mireille Lampe Roel van Lanen Jeffrey Lausberg Pim Leenen Tjitske van Leeuwen Gerard van Leuven Diana van der Ley Natascha Libbert Dirk van Liebergen Jeroen Liebers Suzanne Liem Boudewijn van Lierop Tom van Limpt Gerdjan van der Lugt Wilco van der Lugt Theo Lumens Janneke Luursema Elmer L. van der Marel Rob Marinissen Ilya van Marle Arthur Mebius Maxim Meekes Wimer Meijer Ienske Meindertsma Willem Mes René Mesman Marco van Middelkoop Pim Milo Tim Mintiens Lucas Mol Laetitia Molenaar Evert van Moort Tim van der Most Alexander Roberto Moust Jelle Mulder Reinout Mulder Remco Muntz Jimmy Nelson Joost van der Neut Boudewijn Neuteboom Rachel Nieborg Ada Nieuwendijk Bart Nieuwenhuijs Quintalle Nix Krijn van Noordwijk Adrian Noortman Marc van Oene Guy Offerman Xander van Ommen Martijn van Oorschot Annabel Oosteweeghel Marie-Therese van Ouwel Aernout Overbeeke Teska Overbeeke Edith Paol Henk Pasman Ovidiu Pavel Robert Peek Natalia Pieterse Biryuchenko Philip Ploegmakers Willem Poelstra Corien van der Poll Michiel Poodt Herman Poppelaars

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Paul Posse Diana Post Marnix Postma Hugo Potharst Inga Powilleit Roland Pupupin Robin de Puy Martin Pyper Claudette van de Rakt Aatjan Renders Tobias Reymond Patricia Ribas Philip Riches Sonja de Ridder José van Riele Marjolein de Rijk Joep Rijk Kees Rijken Cees Rijnen Ed van Rijswijk Mike Roelofs Robert Roelofsen Suzan van de Roemer Berry Roest Deborah Roffel Peter Rokven Bert Rorije Mark de Rouw Isabella Rozendaal Paul Ruigrok Eric W.T. Ruys Mirella Sahetapy Roos van der Sanden Jochem Sanders Janita Sassen Katja Schade Thomas van Schaik Nico van Scherpenzeel Cindy Schimmel Arjen Schmitz Machteld Schoep Jan Willem Scholten Jolanda Scholten Pieter Schouwstra Gerrit Schreurs Gerrit Schurer Luba Schuyler Oscar Seijkens Martin Sharrott Fred van 't Slot Vonne Slump Boudewijn Smit Marthein Smit Fulco Smit Roeters Erik Smits Mariëtte van Soestbergen Peter Spruijt Ron Steemers Maarten Steffens Manja Stroomer Kees Stuip Angeline Swinkels Kees Tabak Joanne Taylor Jaap Teding van Berkhout Huib Teunissen Ivar Teunissen Guido Thie Frank Tielemans Peter Tijhuis Oscar Timmers Chris van Tongeren

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249

Members

248

Yani Kees Ab Waldo Aikema Kees van den Akker Gerard Albertsboer Raymond R. Alonso van der Tak Stefan Ammerlaan Jonathan Andrew Laurens Arenas Arton Jefta Arts Frits van den Assem Polle Aubert Fleur Baan Aline Baggio John Bakker Marcel R. Bakker Simone Bär Eugene Bay Robbert Beck Arjan Benning Mathilde Berends-Spits Marianne Berkhoff Joost Berndes Jaap van den Beukel Merel van Beukering Milan de Bie Koen Bierbooms Karen Birnholz Henk Bleeker Sylvia Blok Marc Blommaert Henri Blommers Dirk-Jan Bode Diederik Boel Pieter Boer Eveline van den Bogaert John Boom Marjo van den Boomen Denise Boomkens Vincent Boon Paul F.I. Born Charles Borsboom Roelof Bos René Bosch Joris Ten Bosch Eddy Bosland Arno Bosma Jaqueline Bosman Morad Bouchakour Mart Boudestein Peter Boudestein Alexandra Brand Frank Brandwijk Malou van Breevoort Mirjam Brinkhof Alek Bruessing Kevin van der Brug Marco Buddingh Erik Buis Renda van der Burg Thora Burggraeve Bart van Bussel Renate van Bussel Johannes van Camp Stefana Caramanica Marcel Christ Jojanneke Claessen Dominique Colen Wendelien Daan

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Annelies Damen Karolien Damstra Heleen Dankbaar Marieke den Das Roel van der Linden David Moore Peter Day Patrick DeBas Chris B. Dees Aleid Denier van der Gon Jacqueline Dersjant Martin Dijkstra Wilmar Dik Wim Dingemans Robert Dodd Sylvia Doeleman Saskia Dommisse Monique Doornbos-Lubbers Pauline Dorhout Frank Dorren Ellen Dosse Arthur Dries Marc Driessen Willeke Duijvekam Dennis Dwinger Alewijn Eijgenraam Jurriaan Eindhoven Hotze Eisma Monique Eller Heike Engel Juliette Erkelens Bob Eshuis Dorette Evers Robert Jan Evers Jasper Faber Tara Fallaux Thomas Fasting Maarten Feenstra Michaël Ferron Sander Foederer Hans Peter Föllmi Nick Franken Katrien Franken Ebo Fraterman Paulien de Gaaij Lucia Ganieva Lotte Gieles Heidi de Gier Maurits Giesen René Glas Lukas Göbel Victor M. Gomes Pinto René Gonkel Koos Goris Mark de Graaf Willem Groeneveld Marc Groeneveld Maarten de Groot Marijke de Gruyter Hans Guldemond Erik van Gurp Frank van Haalen Arjaan Hamel Reza Harek Robert Hart Eddo Hartmann Durk Hattink Anton Havelaar Tom van Heel Maurice Heesen

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Maria Heijdendeal Chantal Heijnen Jan Jaap Heine Francois Hendrickx Tom Hendriks Ruud A. Hermans Hans den Hertog Annelore van Herwijnen Alique v.d. Heuvel Erik Hijweege Eddy Hilhorst Jessie Hillebrand Kasper van 't Hoff Jeroen Hofman Ivo Hofsté Hans Hogervorst Henk Hogerzeil Jan Holtslag Aafke Holwerda Marjon Hoogervorst Natalie Hoogmoed Krisztina Horvath Gerrit Jan Huinink Cindy Huisden René van der Hulst Anke van Iersel Timon Jacob Wouter Jansen Monique Jansen Linda Jansen John Janssen Mark Janssen Edwin Janssen Robin Jasperse Ama Kaag Marjolein Kaaij Roy Kahmann Alex Kals Edo Kars Suzanne Karsters Petra Kasteleijn David Kater Ilja Keizer Marcel Kentin Harrie van Kessel Dolph Kessler Jansje Klazinga Henk Kloosterhuis Sofie Knijff Ben Knoop Ursula Knuman Frans Koene & Herman Heuvink John de Koning Erik de Koning Robbert van Koningsbruggen Steven van Kooijk Bodine Koopmans Henk van Kooten Astrid Koppers Lisa Kortenhorst Feiko Koster Evelyn J. Kotting Peter Koudstaal Denis Koval Remko Kraaijeveld Raoul Kramer René Kramers Diederik Kratz Ben Krewinkel Brigitte Kroone

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Kitty Kroone Corrie de Kruif Vincent Kruijt Marco Kuis Frans Kuypers Jeanne van der Laar Harald Lakerveld Mireille Lampe Roel van Lanen Jeffrey Lausberg Pim Leenen Tjitske van Leeuwen Gerard van Leuven Diana van der Ley Natascha Libbert Dirk van Liebergen Jeroen Liebers Suzanne Liem Boudewijn van Lierop Tom van Limpt Gerdjan van der Lugt Wilco van der Lugt Theo Lumens Janneke Luursema Elmer L. van der Marel Rob Marinissen Ilya van Marle Arthur Mebius Maxim Meekes Wimer Meijer Ienske Meindertsma Willem Mes René Mesman Marco van Middelkoop Pim Milo Tim Mintiens Lucas Mol Laetitia Molenaar Evert van Moort Tim van der Most Alexander Roberto Moust Jelle Mulder Reinout Mulder Remco Muntz Jimmy Nelson Joost van der Neut Boudewijn Neuteboom Rachel Nieborg Ada Nieuwendijk Bart Nieuwenhuijs Quintalle Nix Krijn van Noordwijk Adrian Noortman Marc van Oene Guy Offerman Xander van Ommen Martijn van Oorschot Annabel Oosteweeghel Marie-Therese van Ouwel Aernout Overbeeke Teska Overbeeke Edith Paol Henk Pasman Ovidiu Pavel Robert Peek Natalia Pieterse Biryuchenko Philip Ploegmakers Willem Poelstra Corien van der Poll Michiel Poodt Herman Poppelaars

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Paul Posse Diana Post Marnix Postma Hugo Potharst Inga Powilleit Roland Pupupin Robin de Puy Martin Pyper Claudette van de Rakt Aatjan Renders Tobias Reymond Patricia Ribas Philip Riches Sonja de Ridder José van Riele Marjolein de Rijk Joep Rijk Kees Rijken Cees Rijnen Ed van Rijswijk Mike Roelofs Robert Roelofsen Suzan van de Roemer Berry Roest Deborah Roffel Peter Rokven Bert Rorije Mark de Rouw Isabella Rozendaal Paul Ruigrok Eric W.T. Ruys Mirella Sahetapy Roos van der Sanden Jochem Sanders Janita Sassen Katja Schade Thomas van Schaik Nico van Scherpenzeel Cindy Schimmel Arjen Schmitz Machteld Schoep Jan Willem Scholten Jolanda Scholten Pieter Schouwstra Gerrit Schreurs Gerrit Schurer Luba Schuyler Oscar Seijkens Martin Sharrott Fred van 't Slot Vonne Slump Boudewijn Smit Marthein Smit Fulco Smit Roeters Erik Smits Mariëtte van Soestbergen Peter Spruijt Ron Steemers Maarten Steffens Manja Stroomer Kees Stuip Angeline Swinkels Kees Tabak Joanne Taylor Jaap Teding van Berkhout Huib Teunissen Ivar Teunissen Guido Thie Frank Tielemans Peter Tijhuis Oscar Timmers Chris van Tongeren

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040-2461319

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Robert van Tongeren Isis Torensma Roland van Tulder Iris Uffen Karin van Mierlo Pruys Pepijn Vanthoor Marjolein van Veen Lutske Veenstra Lennert van der Veer Petra van der Veer Jens van der Velde Lydia Veldhuis Oof Verschuren Carlfried Verwaayen Iris Vetter Johan Visschedijk Ruth Visser Frederique Vlamings Jaap Vliegenthart Marcel van der Vlugt Philippe Vogelenzang Han van Vonno Hans van de Vorst Martijn de Vries Hans de Vries Hans de Vries Paul de Vries Mark van Vugt Pim Vuik Martin Waalboer Valerie van der Wal Raymond Waltjen Simon Warmer Piet Weber Eric Weber Paul Wennekendonk Taco van der Werf Gonny Wiermans Flore Zoé van de Wijngaart Peter van de Wijngaart Don Wijns Marieke Wijntjes Sander de Wilde Heidi de Wit Robbert-Jan de Witte Bianca Wittenrood Denise Woerdman Jarg Woldhuis Patricia Wolf Alice Wolfs Sietse Wolters Stuart Woodburn Martin Woods Adrian Woods Maarten Wouters Chantal Wouters - van den Corput Ernst Yperlaan Hans Zeegers Renée Zindler Manon van der Zwaal Jan Zwart Merel Zwart Nienke de Zwart Jasper Zwartjes Geek Zwetsloot

0487-510837 030-2715736 020-6724929

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249

Credits Documentary & life commissioned Page Name Agency Client

16 Robbert Jan Witte KSM Nissan

Page Name Agency Client

17 Robbert Jan Witte KSM Nissan

Page Name Agency Client Location

18-19 Jeroen Hofman RISC Risc Flack Nutec Maasvlakte Rotterdam

Documentary & life non commissioned Page Name Location

250

22-23 Martijn Vries Napoli

Interior & exterior commissioned Page 34-35 Name Jansje Klazinga Client Nobiles Location Voormalig hoofdkantoor Elsevier Page Name Agency Client

36-37 Jaap Vliegenthart ADK Europe NBC

Page Name Location

42-43 Jimmy Nelson Tanzania

Interior & Exterior non commissioned Page Name Location

54-57 Erik Gurp Portugal

Page Name Location

68-70 Ebo Fraterman Hong Kong

Lifestyle & fashion commissioned Page Name Agency Client Location Page Name Agency Client

80-81 Maurice Heesen Fitch London Vodafone St. Paul – Spain 82-83 Wendelien Daan Me PANL

People & portraits non commissioned Make up Model

Cindy Broekhuis Sabina, HOO Models

Page Name Client Styling Make up Location Model

84-89 Alek Bruessing Rails Frances Levoleger Fedde Hoekstra Vondelpark Larissa

Lifestyle & fashion non commissioned Page Name Make up Location Model

92-93 Wendelien Daan Kathinka Gernant Amsterdam Heleen, Tony Jones

Page Name Design studio Fashion editor Styling Make up Modelmaker Model Casting

98 Mirella Sahetapy Mirella Sahetapy Mirella Sahetapy Mirella Sahetapy Esther Goldstein SKIN Model Agency Marije Mirella Sahetapy

People & portraits commissioned

Page Name Location Model

132-134 Polle Aubert Baarn Elke

Page Name Location

140-146 Maurice Heesen Buenos Aires

Page Name Styling Make up Location Model

148-153 Maurits Giesen GiesenLeenders GiesenLeenders Paris/GiesenLeenders GiesenLeenders

Page Name Location Casting

158-160 Jochem Sanders Queens, NY, USA Streetcast

Still life commissioned Page Name Agency Styling

170-173 Marcel Christ Provider magazine Marcel van Doorn

Page Name Client

174-177 Jaap Vliegenthart Mendo 178-181 Marcel Christ Provider magazine Marcel van Doorn

Page Name Client Location

112-113 Tara Fallaux Circe films, Calimucho Circus Harlekino, Holland

Page Name Agency Styling

Page Name Fashion editor Client

114-115 Krijn Noordwijk Hilde Kreuze Dik Magazine

Still life non commissioned

Page Name Agency Model Casting

116-121 Alice Wolfs WinQ magazine Aristide Von Bieneveldt Writer

Page Name Model

122 Ilya Marle F. Vrenkel

Page Name Client

124 Ilya Marle Volkskrant Banen

Page Name Agency Client Styling Make up Casting

126-131 Simon Warmer Eigen Fabrikaat Autotrack Simone Jay Gerry-An Schets Simone Jay

Page Name Styling

182-185 Marcel Christ Marcel van Doorn

Studentwork Page Name Location

200-201 Sonja Ridder Zwembad Beekhuizen te Velp

Page Name Location Model

202-205 Marco Kuis Amsterdamse bos Paul de Vries

Page Name Location

210-213 Roel Lanen Belarus

251

Credits Documentary & life commissioned Page Name Agency Client

16 Robbert Jan Witte KSM Nissan

Page Name Agency Client

17 Robbert Jan Witte KSM Nissan

Page Name Agency Client Location

18-19 Jeroen Hofman RISC Risc Flack Nutec Maasvlakte Rotterdam

Documentary & life non commissioned Page Name Location

250

22-23 Martijn Vries Napoli

Interior & exterior commissioned Page 34-35 Name Jansje Klazinga Client Nobiles Location Voormalig hoofdkantoor Elsevier Page Name Agency Client

36-37 Jaap Vliegenthart ADK Europe NBC

Page Name Location

42-43 Jimmy Nelson Tanzania

Interior & Exterior non commissioned Page Name Location

54-57 Erik Gurp Portugal

Page Name Location

68-70 Ebo Fraterman Hong Kong

Lifestyle & fashion commissioned Page Name Agency Client Location Page Name Agency Client

80-81 Maurice Heesen Fitch London Vodafone St. Paul – Spain 82-83 Wendelien Daan Me PANL

People & portraits non commissioned Make up Model

Cindy Broekhuis Sabina, HOO Models

Page Name Client Styling Make up Location Model

84-89 Alek Bruessing Rails Frances Levoleger Fedde Hoekstra Vondelpark Larissa

Lifestyle & fashion non commissioned Page Name Make up Location Model

92-93 Wendelien Daan Kathinka Gernant Amsterdam Heleen, Tony Jones

Page Name Design studio Fashion editor Styling Make up Modelmaker Model Casting

98 Mirella Sahetapy Mirella Sahetapy Mirella Sahetapy Mirella Sahetapy Esther Goldstein SKIN Model Agency Marije Mirella Sahetapy

People & portraits commissioned

Page Name Location Model

132-134 Polle Aubert Baarn Elke

Page Name Location

140-146 Maurice Heesen Buenos Aires

Page Name Styling Make up Location Model

148-153 Maurits Giesen GiesenLeenders GiesenLeenders Paris/GiesenLeenders GiesenLeenders

Page Name Location Casting

158-160 Jochem Sanders Queens, NY, USA Streetcast

Still life commissioned Page Name Agency Styling

170-173 Marcel Christ Provider magazine Marcel van Doorn

Page Name Client

174-177 Jaap Vliegenthart Mendo 178-181 Marcel Christ Provider magazine Marcel van Doorn

Page Name Client Location

112-113 Tara Fallaux Circe films, Calimucho Circus Harlekino, Holland

Page Name Agency Styling

Page Name Fashion editor Client

114-115 Krijn Noordwijk Hilde Kreuze Dik Magazine

Still life non commissioned

Page Name Agency Model Casting

116-121 Alice Wolfs WinQ magazine Aristide Von Bieneveldt Writer

Page Name Model

122 Ilya Marle F. Vrenkel

Page Name Client

124 Ilya Marle Volkskrant Banen

Page Name Agency Client Styling Make up Casting

126-131 Simon Warmer Eigen Fabrikaat Autotrack Simone Jay Gerry-An Schets Simone Jay

Page Name Styling

182-185 Marcel Christ Marcel van Doorn

Studentwork Page Name Location

200-201 Sonja Ridder Zwembad Beekhuizen te Velp

Page Name Location Model

202-205 Marco Kuis Amsterdamse bos Paul de Vries

Page Name Location

210-213 Roel Lanen Belarus

251

sPonsors

252

sPonsors

corporate sponsors

general sponsors

additional sponsors

a36

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PANL greatly appreciates the assistance and support of all its volunteers, without whom the exhibitions, this book and many other activities would never been accomplished

253

sPonsors

252

sPonsors

corporate sponsors

general sponsors

additional sponsors

a36

avnet

Donker Curtiusstraat 5 1051 JL Amsterdam Tel +31 (0)20 412 09 06 Fax +31 (0)20 412 09 07 info@a36.nl www.a36.nl

Insulindelaan 134 5613 BT Eindhoven Tel Fax info@avnet.com www.avnet.nl

bosch & bosch translations and copy

mattmo

eyes on media

Spinhuissteeg 5 1012 CJ Amsterdam Tel Fax info@mattmo.nl www.mattmo.nl

Basisweg 45 1043 AN Amsterdam Tel +31 (0)20 5858222 Fax +31 (0)20 5858500 info@eyesonmedia.nl www.eyesonmedia.nl

+31 (0)20 420 67 73 +31 (0)20 639 00 05

Keizersgracht 205 +31 (0)40 265 93 13 +31 (0)40 265 93 65

1016 DS Amsterdam Tel +31 (0)20 646 31 32 Fax +31 (0)20 646 52 89 mail@boschbosch.nl www.boschbosch.nl

dekeijzernipius & co Paasheuvelweg 16 1105 BH Amsterdam Z.O. Tel +31 (0)20 564 60 00 Fax +31 (0)20 564 60 01 info@dknco.nl www.dknco.nl

sony benelux bv

het licht

Schipholweg 275 1171 PK Badhoevedorp Tel +31 (0)20 658 15 13 Fax +31 (0)20 658 50 64 info@sony./nl www.sony.nl

Duivendrechtsekade 85 b 1096 AJ Amsterdam Tel +31 (0)20 630 48 00 Fax +31 (0)20 630 48 01 info@hetlicht.nl www.hetlicht.nl

straight premedia

magic

Kuiperbergweg 50 1101 AG Amsterdam Tel +31 (0)20 751 19 70 Fax +31 (0)20 751 19 79 info@straighpremedia.nl www.straightpremedia.nl

Hygieastraat 10 1076 RM Amsterdam Tel +31 (0)20 575 46 80 Fax +31 (0)20 575 46 90 info@magicgroup.nl www.magicgroup.nl

lucas van doorn

modderman drukwerk

name models

Keizersgracht 758 hs 1017 EZ Amsterdam Tel +31 (0)20 618 23 01 Fax +31 (0)20 618 22 66 maarten@modderman.nl www.modderman.nl

Westermarkt 2 D 1016 DK Amsterdam Tel +31 (0)20 638 12 17 Fax +31 (0)20 638 51 43 info@namemodels.nl www.namemodels.nl

klomps & boor risicobeheer Singel 1 7411 HV Deventer Tel Fax info@KBRbeheer.nl www.KBRbeheer.nl

Bloemgracht 126 1015 TP Amsterdam Tel Fax Lu.doorn@wxs.nl

+31 (0)570 69 17 77 +31 (0)570 69 17 71

+31 (0)20 422 31 69 +31 (0)20 622 40 35

vertical vision international Flevolaan 22 1382 JZ Weesp Tel +31 (0)294 48 43 60 Fax +31 (0)294 48 27 29 info@verticalvision.info www.verticalvision.info

PANL greatly appreciates the assistance and support of all its volunteers, without whom the exhibitions, this book and many other activities would never been accomplished

253

Colophon

254

Photographer PANL Jury

The PANL jury Vincent Kruijt

Jury members

Jury report

Dennis Baars (NL) Ruth Eichhorn (D) Marc de Groot (NL) Kai Uwe Gundlach (D) Julia Llamas (NL) Nick Meek (UK)

Pim Milo

PANL board members

Publisher

Office manager Project manager

Eugene Bay (Chairman) Frank Deelstra (Treasurer/secretary) Ton Damen Edo Kars Annemiek Klijn Vincent Kruijt Maarten Modderman Carlfried Verwaayen Manon van der Zwaal

Photography Association of The Netherlands (PANL)

Nieuwe Kerkstraat 20 1018 EB Amsterdam Phone +31 20 4893154 Fax +31 20 4893155 info@panl.nl www.panl.nl

Concept & design, Editorial production Interviews

Mattmo concept | design, Amsterdam www.mattmo.nl

Photographer Interviews

Vincent Boon

Print production

Modderman Drukwerk, Amsterdam www.modderman.nl

Translation

Bosch & Bosch Translation and Copy Amsterdam www.boschbosch.nl

Lithography

Straight Premedia www.straightpremedia.nl

Print

Thieme, Amsterdam www.thiemeamsterdam.com

Laura Mars Jacqueline van Stiphout

255

Copyright 2008.

The Photographers Association of the Netherlands, PANL The copyright of the individual photographs in this book remains with the photographers or clients credited, unless otherwise stated.

The compilation of the photographs is subject to the copyright of The Photographers Association of the Netherlands.

All rights reserved. No part of this book may be reproduced in any other form by print, photoprint or any other means without prior written permission from publisher.

ISBN/EAN 978-90-806287-8-6

Therefore Mattmo is sponsoring PANL by giving strategic advice followed by the concept and design of the website, the awards night presentation and this book.

Colophon

254

Photographer PANL Jury

The PANL jury Vincent Kruijt

Jury members

Jury report

Dennis Baars (NL) Ruth Eichhorn (D) Marc de Groot (NL) Kai Uwe Gundlach (D) Julia Llamas (NL) Nick Meek (UK)

Pim Milo

PANL board members

Publisher

Office manager Project manager

Eugene Bay (Chairman) Frank Deelstra (Treasurer/secretary) Ton Damen Edo Kars Annemiek Klijn Vincent Kruijt Maarten Modderman Carlfried Verwaayen Manon van der Zwaal

Photography Association of The Netherlands (PANL)

Nieuwe Kerkstraat 20 1018 EB Amsterdam Phone +31 20 4893154 Fax +31 20 4893155 info@panl.nl www.panl.nl

Concept & design, Editorial production Interviews

Mattmo concept | design, Amsterdam www.mattmo.nl

Photographer Interviews

Vincent Boon

Print production

Modderman Drukwerk, Amsterdam www.modderman.nl

Translation

Bosch & Bosch Translation and Copy Amsterdam www.boschbosch.nl

Lithography

Straight Premedia www.straightpremedia.nl

Print

Thieme, Amsterdam www.thiemeamsterdam.com

Laura Mars Jacqueline van Stiphout

255

Copyright 2008.

The Photographers Association of the Netherlands, PANL The copyright of the individual photographs in this book remains with the photographers or clients credited, unless otherwise stated.

The compilation of the photographs is subject to the copyright of The Photographers Association of the Netherlands.

All rights reserved. No part of this book may be reproduced in any other form by print, photoprint or any other means without prior written permission from publisher.

ISBN/EAN 978-90-806287-8-6

Therefore Mattmo is sponsoring PANL by giving strategic advice followed by the concept and design of the website, the awards night presentation and this book.

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2008 #17

2008 #17