Zumthor - Serpentine Pavilion 2011 (May) Jingjie Yang - 981076
Isometric 1:100 0
1000
3000mm
Threshold 3_roof
garden bush and flowers Activity sitting / rest
Threshold 3_privacy
private
public
short
/
long
communication
Threshold 2_light condition
dark
bright Focus Glaze / eye contact
Threshold 1_entrance
Thresholds1:250
Circulation Paths
exterior entrance
popular route
interior entrance
alternative route
Circulation 1:250
Zumthor - Serpentine Pavilion 2011
Process Image 01,02_modelling These two screenshots suggest the method of modelling. I project the plan view and section view to form a 3D form. -photo size adjusted for scale -photo transparency adjusted for easier manipulation
Process Image 03,04_section
Process Image 05,06_details
The picture on the left is the section under modelling and the right one is the rendered section view. By comparing the two pictures, it gives a deeper depth in experiencing the sense of material and finished design. -in the middle part, only the timber stud frame is modelled to show the form better,especially in section view
These two screenshots show some details during modelling -boolean differece in the top image to have doors -trim in the button on to get the correct shape
(May) Jingjie Yang - 981076 Detail Image 02 Bata, C. At rei potimac ientilicae nosulic erficiptiam ubit, que num parbem patume num nos, ut achum am publis erviures octor untum. Habut C. Hocribuli condit, noccid sunum firmius, obsenirmis mod retrum impliissi iam senti, condiu in Etres antem ta nosulis sultius erei fecio vo, efecons igitius et a re in Etrum
Process Image 07_material try different materials to show the form better -semi transparent material allows us to see through the walls and understand the interior space organization -textured materials help to imitate the actual experience and looks more realistic -special form such as timer frame and cut walls are used when neccessary
Experimential perspective_01
Experimential perspective_02
The covered corridor between the exterior wall and the interior wall is narrow and dark. Natural light can only access from the doors. Visitors are attracted by the light and tend to follow the light to observe the space.
Visitors are surprised by the sudden open space once they pass the interior doors This is where the garden locates and has bench for sitting and communication