McGaw Graphics - 2019 Warhol Catalog

2019 COLLECTION

WARHOL

2019 COLLECTION

WARHOL Pop artist and icon Andy Warhol is as relevant today as he was during the height of his career. With major brand partnerships, Super Bowl commercials, and a landmark exhibition making its way across the United States, Warhol’s work continues to inspire generations of fans who appreciate his brilliant visual language and insightful commentary.

Gathering the most celebrated works and unpublished gems from Warhol’s illustrious portfolio, McGaw Graphics, Inc. is pleased to present The Andy Warhol 2019 Collection.

Developed in cooperation and collaboration with The Andy Warhol Foundation for the Visual Arts, the 2019 collection builds upon the foundation of our 2016 collection, adding new works to Warhol’s most popular series’ including Marilyn Monroe, Campbell’s Soup, Celebrity Portraits, Pop Art, Illustrations, and Quotes.

This thoughtfully curated collection highlights Warhol’s diverse portfolio, spanning from his early commercial illustrations to his silkscreens and photographic works. It’s a collection that when viewed concurrently, clearly illustrates how Andy Warhol’s influence reached far beyond art to inspire our fashion and lifestyle, even today.

We hope you enjoy the McGaw Graphics Andy Warhol 2019 Collection!

Sincerely, McGaw Graphics

Andy Warhol, Andy Warhol artwork, Andy Warhol quotes ©/®/™ The Andy Warhol Foundation for the Visual Arts, Inc. Photo (above and opposite page): Self Portrait, c. 1963 (detail) - ©/®/™ The Andy Warhol Foundation for the Visual Arts, Inc.

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CONTENTS 4 10 16 22 66 86 96 98 106

Self-Portraits Marilyn Campbell’s Soup Pop Art Illustrations Celebrity Portraits Film Photography Quotes

Cover image: “Flowers, 1970” (see page 50 for poster details) Inside cover images: “Flowers (various), 1964–1970” Contents page image: “Andy Explains, The Factory, 1965 (detail)” About the artist page image: “Andy Warhol with Campbell’s Silkscreen and Cow Wallpaper, The Factory, 1965.”

Both photographs by Nat Finkelstein / © Estate of Nat Finkelstein / ™ The Andy Warhol Foundation for the Visual Arts, Inc. All Rights Reserved. *Andy Warhol images are not available as reproductions on canvas. *Paper p prints have a 1” border, Giclée g prints have a 2” border unless otherwise specified.

ABOUT THE ARTIST

ANDY WARHOL was born Andrew Warhola in Pittsburgh, Pennsylvania, in 1928. In 1945 he entered the Carnegie Institute of Technology (now Carnegie Mellon University) where he majored in pictorial design. Upon graduation, Warhol moved to New York where he found steady work as a commercial artist.

He worked as an illustrator for several magazines including Vogue, Harper’s Bazaar and The New Yorker and did advertising and window displays for retail stores such as Bonwit Teller and I. Miller.

Prophetically, his first assignment was for Glamour magazine for an article titled “Success is a Job in New York.”

Throughout the 1950s, Warhol enjoyed a successful career as a commercial artist, winning several commendations from the Art Director’s Club and the American Institute of Graphic Arts. In these early years, he shortened his name to “Warhol.” In 1952, the artist had his first individual show at the Hugo Gallery, exhibiting Fifteen Drawings Based on the Writings of Truman Capote. His work was exhibited in several other venues during the 1950s, including his first group show at The Museum of Modern Art in 1956.

The 1960s was an extremely prolific decade for Warhol. Appropriating images from popular culture, Warhol created many paintings that remain icons of 20th-century art, such as the Campbell’s Soup Cans, Disasters and Marilyns. In addition to painting, Warhol made several 16mm films, which have become underground classics such as Chelsea Girls, Empire and Blow Job. In 1968, Valerie Solanis, founder and sole member of SCUM (Society for Cutting Up Men) walked into Warhol’s studio, known as the Factory, and shot the artist. The attack was nearly fatal.

At the start of the 1970s, Warhol began publishing Interview magazine and renewed his focus on painting. Works created in this decade include Mao’s, Skulls, Hammer & Sickles, Torsos, Shadows and many commissioned portraits. Warhol also published The Philosophy of Andy Warhol (from A to B and Back Again). Firmly established as a major 20th-century artist and international celebrity, Warhol exhibited his work extensively in museums and galleries around the world.

Warhol began the 1980s with the publication of POPism: The Warhol ‘60s and with exhibitions of Portraits of Jews of the Twentieth Century and the Retrospectives and Reversal series.

He also created two cable television shows, “Andy Warhol’s TV” in 1982 and “Andy Warhol’s Fifteen Minutes” for MTV in 1986. His paintings from the 1980s include The Last Suppers, Rorschachs and, in a return to his first great theme of Pop, a series called Ads. Warhol also engaged in a series of collaborations with younger artists, including Jean-Michel Basquiat, Francesco Clemente and Keith Haring.

Following routine gall bladder surgery, Andy Warhol died February 22, 1987. After his burial in Pittsburgh, his friends and associates organized a memorial mass at St. Patrick’s Cathedral in New York that was attended by more than 2,000 people.

In late 1987, The Andy Warhol Foundation for the Visual Arts was duly incorporated in accordance with Warhol’s will, whose mission is for the advancement of the visual arts. In 1989, the Museum of Modern Art in New York had a major retrospective of his works. Finally, The Andy Warhol Museum opened in Pittsburgh, Pennsylvania, in May 1994.

Photos © Estate of Nat Finkelstein / ™ The Andy Warhol Foundation for the Visual Arts, Inc.

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W1764 Self-Portrait, 1966

PG in sizes 10x10 up to 52x52 W955 A Set of Six Self-Portraits, 1967

PG in sizes 8x12 up to 36x54

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I’m not more intelligent than I appear…

I never have time to think about the real Andy Warhol, we’re just so busy here…not working, busy playing because work is play when it’s something you like.

”

SELF-PORTRAITS

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SELF-PORTRAITS

Tuesday February 25, 1986:

I tried on wigs from Fiorucci but it looked like

too much of a big-hat wig, too outrageous. This is for the Self-Portraits. – The Andy Warhol Diaries

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W1526 Self-Portrait, 1986 (red, white and blue camo)

PG in sizes 10x10 up to 52x52 W1664 Self Portrait, 1986

PG in sizes 10x10 up to 36x36

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Ever since I was a kid I’ve wanted to live as fast as I could, so I always try to find ways to do things faster.

W1654 Self Portrait, 1963 (photobooth)

PG in sizes 12.5x2.5 up to 17.5x3.5 W1528 Self-Portrait, 1964 (on green)

PG in sizes 10x8 up to 60x50

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SELF-PORTRAITS

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Andy Warhol created his iconic series of Marilyn Monroe paintings in the 1960s. These photo-silkscreened paintings and screenprints are based on the same source image of a publicity photo of Marilyn Monroe from her 1953 film Niagara.

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©/®/™ The Andy Warhol Foundation for the Visual Arts, Inc. / Marilyn Monroe™ is a trademark of The Estate of Marilyn Monroe LLC. Rights of Publicity and Persona Rights are used with the permission of The Estate of Marilyn Monroe LLC. marilynmonroe.com

MARILYN

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W972 Ten Marilyns, 1967

PG in sizes 5x12.5 up to 30x75 W969 Twenty-Five Colored Marilyns, 1962

PG in sizes 12x9 up to 63x49

People look the most kissable when they’re not wearing makeup.

Marilyn’s lips weren’t kissable, but they were photographable.

©/®/™ The Andy Warhol Foundation for the Visual Arts, Inc. / Marilyn Monroe™ is a trademark of The Estate of Marilyn Monroe LLC. Rights of Publicity and Persona Rights are used with the permission of The Estate of Marilyn Monroe LLC. marilynmonroe.com

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W922 Shot Orange Marilyn, 1964

PG in sizes 10x10 up to 52x52 W1803 Marilyn, 1967 (on blue ground)

PG in sizes 10x10 up to 52x52

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W923 Shot Light Blue Marilyn, 1964

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W1008 Marilyn Monroe, 1967 (hot pink)

PG in sizes 10x10 up to 52x52 PG in sizes 10x10 up to 52x52

©/®/™ The Andy Warhol Foundation for the Visual Arts, Inc. / Marilyn Monroe™ is a trademark of The Estate of Marilyn Monroe LLC. Rights of Publicity and Persona Rights are used with the permission of The Estate of Marilyn Monroe LLC. marilynmonroe.com

MARILYN

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W1006 Marilyn Monroe, 1967 (black)

PG in sizes 10x10 up to 52x52 W1007 Marilyn Monroe, 1967 (pale pink)

PG in sizes 10x10 up to 52x52

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W1036 Marilyn Monroe, 1967 (on salmon)

PG in sizes 10x10 up to 52x52 W1040 Marilyn Monroe, 1967 (peacock)

PG in sizes 10x10 up to 52x52

©/®/™ The Andy Warhol Foundation for the Visual Arts, Inc. / Marilyn Monroe™ is a trademark of The Estate of Marilyn Monroe LLC. Rights of Publicity and Persona Rights are used with the permission of The Estate of Marilyn Monroe LLC. marilynmonroe.com

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W1589 Gold Marilyn Monroe, 1962

PG in sizes 12x8 up to 65x45.5 W1589t 30x20.5 on 36x24 (as shown)

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W1768 Lemon Marilyn, 1962

PG in sizes 10x8 up to 60x48

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©/®/™ The Andy Warhol Foundation for the Visual Arts, Inc. / Marilyn Monroe™ is a trademark of The Estate of Marilyn Monroe LLC. Rights of Publicity and Persona Rights are used with the permission of The Estate of Marilyn Monroe LLC. marilynmonroe.com

MARILYN

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Sunday, July 29, 1984:

And I went into the big room where they had a Marilyn over

the mantle in a gold frame and it looked just beautiful. Really beautiful. It looked like a million-dollar painting.It looked so right in that room with all the America stuff.

– The Andy Warhol Diaries.

©/®/™ The Andy Warhol Foundation for the Visual Arts, Inc. / Marilyn Monroe™ is a trademark of The Estate of Marilyn Monroe LLC. Rights of Publicity and Persona Rights are used with the permission of The Estate of Marilyn Monroe LLC. marilynmonroe.com

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Andy Warhol’s Campbell’s Soup Cans are among the most recognizable and celebrated works in the history of art. Warhol began his Campbell’s Soup Can paintings around 1961, and the subject would take various forms in the years to follow.

W1921 Campbell’s Soup Cans, 1962

P W1921n 20x28 (as shown)

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©/®/™ 2019 The Andy Warhol Foundation for the Visual Arts, Inc. Trademarks Licensed By Campbell Soup Company - All Rights Reserved.

CAMPBELL’S SOUP

W828 One Hundred Cans, 1962

PG in sizes 11x8 up to 64x48 W828r 30.25x22 on 36x26 (as shown)

The Ferus type of Campbell’s Soup can paintings, which take their name from the thirty-two paintings of individual cans exhibited at the Ferus Gallery in Los Angeles, are the largest and best known of Warhol’s Campbell’s Soup paintings.

For these paintings, Warhol painted the well-known red and white cans, referring to a product list supplied by the Campbell Soup Company and checking off each type of soup as it was completed.

©/®/™ The Andy Warhol Foundation for the Visual Arts, Inc. Trademarks Licensed By Campbell Soup Company. All Rights Reserved.

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“

I used to drink [Campbell’s Soup] it.

I used to have the same lunch every day, for twenty years, I guess, the same thing over and over again. Someone said my life has dominated me; I like the idea. I used to want to live at the Waldorf Towers and have soup and a sandwich, like that scene in the restaurant in Naked Lunch.

”

W827 Campbell’s Soup I: Tomato, 1968

PG in sizes 12x8 up to 66x44

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©/®/™ The Andy Warhol Foundation for the Visual Arts, Inc. Trademarks Licensed By Campbell Soup Company. All Rights Reserved.

CAMPBELL’S SOUP

Campbell’s Soup Cans, 1968 PG in sizes 12x8 up to 66x44

W1053

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W1055

W1056

W1057

W1058

W1059

W1061

W1062

©/®/™ The Andy Warhol Foundation for the Visual Arts, Inc. Trademarks Licensed By Campbell Soup Company. All Rights Reserved.

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A later series of Campbell’s Soup cans, produced around 1965, is comprised of nineteen different colored cans. For these works, Warhol not only used ink colors that departed from real colors, but also spray painted the backgrounds and the lower (white) portion of the label in different colors. The result was a collection that was both unexpected and familiar. Through these groundbreaking works, Warhol challenged our way of thinking about art.

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W1050

W1502

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W1571

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©/®/™ The Andy Warhol Foundation for the Visual Arts, Inc. Trademarks Licensed By Campbell Soup Company. All Rights Reserved.

W914

W915

W916

W917

©/®/™ The Andy Warhol Foundation for the Visual Arts, Inc. Trademarks Licensed By Campbell Soup Company. All Rights Reserved.

CAMPBELL’S SOUP

Colored Campbell’s Soup Can, 1965 PG in sizes 12x8 up to 66x44

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Throughout his life and professional career, Andy Warhol had an uncanny ability to see the familiar in an unexpected way. From the early 1960s until his death in 1987, Warhol’s subject matter was the American experience, especially the Pop culture, in which the American consumer became Warhol’s muse in choosing everything from Campbell’s soup cans, Brillo boxes, commercial shipping labels, black and white ads, and of course, the rich and famous as the subject matter of his artwork.

Warhol always took it to another level, and he was ahead of the curve by using the commercial process of silk-screening itself as a means to execute this artwork dealing with consumerism. Warhol exploited this process as a form of pure reproduction that duplicated pictures efficiently and neutrally. He often directed assistants who actually executed the silkscreens, and the assembly-line nature of this process involving multiple screens was the inspiration for naming his studio The Factory. Of his trademark method of depersonalized artistic production, Warhol declared, “I think everybody should be a machine.”

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©/®/™ The Andy Warhol Foundation for the Visual Arts, Inc. / Brillo® is a registered trademark of the Armaly Sponge Company. All rights reserved.

POP ART

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W1822 Brillo Boxes, 1963-1964

PG in sizes 10x10 up to 30x30 W1824 Brillo Box (detail), 1964

P W1824r 30x24 (as shown) P W1824k 20x16 (as shown)

I just happen to like ordinary things. When I paint them, I don’t try to make them extraordinary.

I just try to paint them ordinary-ordinary.

©/®/™ The Andy Warhol Foundation for the Visual Arts, Inc. / Brillo® is a registered trademark of the Armaly Sponge Company. All rights reserved.

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W1045 Cow, 1966 (yellow & pink)

PG in sizes 12x8 up to 66x44 W1043 Cow, 1971 (purple & orange)

PG in sizes 12x8 up to 66x44 W930 Cow, 1976 (pink & purple)

PG in sizes 12x8 up to 66x44 W1044 Cow, 1971 (blue & yellow)

PG in sizes 12x8 up to 66x44

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POP ART In a 1966 exhibition at the Leo Castelli gallery in New York City, Warhol covered the walls of the gallery space with wallpaper with repeat images of a cow’s head screen-printed in Day-Glo colors.

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“Why don’t you paint some cows?

They’re so wonderfully pastoral and such a durable image in the history of the arts.”

- Ivan Karp, 1960s Art Dealer to Andy Warhol

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Warhol’s Queen Elizabeth II images are part of his Reigning Queens portfolio completed in 1985. He used the official photograph released for the queen’s Silver Jubilee in 1977 as source material for these works, taken at Windsor Castle in 1975.

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POP ART

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“

If everybody’s not a beauty, then nobody is.

W1192 Reigning Queens: Queen Elizabeth II, 1985

PG in sizes 10x8 up to 60x48

W1818 Reigning Queens: Queen Elizabeth II, 1985

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PG in sizes 10x8 up to 60x48 W1815 Details of Renaissance Paintings (Birth of Venus), 1984

PG in sizes 8x12 up to 24x36 W1814 Details of Renaissance Paintings (Birth of Venus), 1984

PG in sizes 8x12 up to 24x36

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Wednesday, April 13, 1977:

I had the first really nice talk with

Jackie O. but I don’t remember too much what it was about. The Magic of People in the Movies, or something.

– The Andy Warhol Diaries

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W1727 Flash-November 22, 1963, 1968

PG in sizes 8x8 up to 52x52

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W1727w 36x36 on 44x40 (as shown)

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W826 Jackie, 1964 (on red)

PG in sizes 8x8 up to 52x52 W826w 36x36 on 44x40 (as shown)

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W1725 Jackie, 1964

PG in sizes 8x8 up to 52x52 W1727w 36x36 on 44x40 (as shown)

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W1726 Sixteen Jackies, 1964

PG in sizes 10x8 up to 50x40

POP ART

4 After President John F. Kennedy’s assassination in November 1963, Warhol created a number of works depicting both JFK and his wife Jackie. In 1964 he debuted an enormous series of silkscreens called Jackie, each work depicting the many faces of emotion of Jackie Kennedy during that fateful day her husband was assassinated.

Warhol also includes the powerful images of the First Lady’s face of shock and mourning at his funeral in Washington D.C. later that week. Later in 1964 Warhol released three more Jackie portrait silkscreens calling them Red Jackie and Blue Jackie. These works are commonly referred to as the “Hyannisport” Jackies since the 1960 source photograph of Jackie was taken at the Kennedy family vacation compound in Cape Cod, Massachusetts.

These works by Warhol reveal the Camelot legend of Jackie in her beauty, fashion and wealth.

Later in 1968 Warhol created a series titled “Flash–November 22, 1963” which depicted Teletype texts along with images of President John F. Kennedy relating to his assassination. In this collection Warhol explores the media and public obsession with tragedy.

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“

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Everybody’s always asking me if I’m a Communist because I’ve done Mao. So now I’m doing hammers and sickles for Communism, and skulls for Fascism.

”

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W1327 Mao, 1972 (Green)

PG in sizes 10x10 up to 42x42 W912 Mao, 1972

PG in sizes 10x10 up to 42x42

Andy Warhol created a series of 10 screenprints featuring Chinese Communist leader Mao Zedong (1893-1976) at the height of his fame in 1972. The image is based on the official portrait of Mao used as the cover of the widely circulated Quotations from Chairman Mao Zedong (also known as The Little Red Book) published in 1966.

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POP ART

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Money became a very important subject matter for Andy Warhol early on in the 1960s, when he began drawing and silk-screening the images of dollar bills. In the 1970s, Warhol focused on the nexus between art and commerce.

During his career as a commercial illustrator, and later as a fine artist, the relation between money and his artwork continued to be a focal point for Warhol. In 1981, the series of Dollar Signs was executed by Warhol, and since then these paintings have been some of Warhol’s most iconic works.

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POP ART

Monday August 15, 1983:

Got a call from Pia Zadora who said she

wanted a Dollar Sign and she’d take it with her if it fit into her husband’s jet, so they were measuring it.

– The Andy Warhol Diaries

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‘Well, what do you love most?’

That’s how I started painting money.

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W796 Dollar Sign, 1981 (red)

PG in sizes 12x8 up to 64x48 W1954 Dollar Sign, 1981 (green)

PG in sizes 12x9 up to 48x36 W1955 Dollar Sign, 1981 (pink)

PG in sizes 12x9 up to 40x30 W1517 $9, 1982

PG in sizes 10x8 up to 63x49.5 W1137 $4, 1982

PG in sizes 11x9 up to 60x48

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1 In August 1962, Andy Warhol began to generate the imagery for his paintings from photographs transferred onto silkscreens. For Warhol, silk-screening was crucial to the image’s reproducibility, and his art was a mirror of his times. Warhol’s Death and Disaster series began with his famous portraits of Marilyn Monroe, followed by more macabre and sensational images of car crashes, electric chairs, and race riots among others, which were often appropriated from newspapers and magazines.

Commenting on the fragility of life, Warhol said: “Isn’t life a series of images that change as they repeat themselves?”.

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POP ART

3 For the Skulls series of works in 1976, Warhol had his assistant photograph a skull Warhol bought in Paris while doing his favorite activity, antique shopping. Ironically, the shadow off the skull in the works depict the shadow of a baby’s head.

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W932 Twelve Electric Chairs, 1964/65

PG in sizes 10x10 up to 52x52 W1962 Electric Chair, 1971

PG in sizes 9x12 up to 24x32

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W997 Skull, 1976

PG in sizes 8x10 up to 48x60 W1956 Skull, 1976 (green and pink)

PG in sizes 8x10 up to 48x60

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POP ART

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I’m doing knives and guns. Just making abstract shapes out of them.

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W1672 Knives, c. 1981-82 (Red)

PG in sizes 10x8 up to 60x48 W1671 Knives, c. 1981-82 (Aqua)

PG in sizes 10x8 up to 60x48 W1515 Knives, 1981-82 (multi)

PG in sizes 10x8 up to 60x48 W1127 Knives, c.1981-82 (three black)

PG in sizes 10x8 up to 60x48

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W1122 Gun, c. 1981-82 (black and red on white) PG in sizes 7.5x10 up to 49.5x63 W943 Guns, c. 1981-82 (white and black on red)

PG in sizes 8x11.25 up to 48x64 W1123 Gun, c. 1982 (many/rainbow)

PG in sizes 8.5x11 up to 48x64 W996 Gun, c. 1981-82 (black, white, red on pink)

PG in sizes 8x11.25 up to 48x64

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1 Andy Warhol was a devout Catholic, and he attended Sunday mass every week during his lifetime. In 1986, Warhol was commissioned to create a series of works based on Leonardo da Vinci’s Last Supper for an exhibition space in Milan, which was across the street from where da Vinci’s masterpiece was displayed. The work was very important to Warhol, and he painted this series only on Sundays.

Warhol commented: “I painted them [The Last Supper paintings] all by hand – I myself; so now I’ve become a Sunday painter… But I worked with a passion.”

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W1158 Detail of The Last Supper, 1986

PG in sizes 8x12 up to 45.5x65 W1158r 20.5x30 on 24x30 (as shown)

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W1157 The Last Supper, 1986 (blue)

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W1015 Double Mona Lisa, 1963

PG in sizes 8x10 up to 48x60 W1950 Thirty Are Better Than One, 1963

PG in sizes 12x9 up to 40x30

PG in sizes 10x10 up to 36x36

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There was always a party somewhere: if there wasn’t a party in the cellar there was one on the roof, if there wasn’t a party in a subway there was one on a bus; if there wasn’t one on a boat there was one in the Statue of Liberty.

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POP ART

2 From 1949 until his death, New York City was home for Andy Warhol. Warhol created a series of Brooklyn Bridge images in 1983 commissioned by The Brooklyn Centennial Commission to celebrate the 100th Anniversary of the iconic New York landmark.

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W879 Statue of Liberty, 1962

PG in sizes 8x8 up to 52x52 W973 Brooklyn Bridge, 1983 (blue bridge/yellow background)

PG in sizes 10x10 up to 52x52 W1335 Brooklyn Bridge, 1983 (orange, blue, lime)

PG in sizes 10x10 up to 52x52

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In 1966, Andy Warhol’s Banana artwork was used for one of the most iconic album covers in Rock n’ Roll history. Early copies of the album had a special cover feature that allowed the owner to peel back the banana skin to uncover the flesh-colored fruit.

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W1969 Banana, 1966 (x4)

PG in sizes 12x9 up to 40x30

POP ART

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W1467 Banana, 1966

PG in sizes 5x12 up to 36x72

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But I always say, one’s company, two’s a crowd, and three’s a party.

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W961 Twelve Cars, 1962

PG in sizes 10x9 up to 60x55 W1268 After the Party, 1979

PG in sizes 8x11.25 up to 45.5x65

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POP ART

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W1286 Crowd, c. 1963

PG in sizes 10x8 up to 50x40

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Andy Warhol’s interest in shoes can be traced back to the early 1950s.

Warhol’s blotted line drawings of shoes, especially high-heeled shoes, were very much a part of his professional career, both as a commercial artist and as a fine artist.

By 1980 Warhol was ready to revisit one of his favorite subjects. It was at this time that he created his Diamond Dust Shoes using crushed-glass particles – a glittery powder that sparkled. He was able to combine some of his favorite themes with the Diamond Dust Shoe paintings – movie star glamour, high fashion, and money.

The Diamond Dust Shoe paintings were created just as the disco, lamé, and stilettos of Studio 54 had captured the imagination of the Manhattan glitterati. Warhol, who had been in the vanguard of the New York club scene since the early 60’s, once again reflected the times he was living in through his paintings.

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W800 Diamond Dust Shoes, 1980

PG in sizes 10x8 up to 60x48 W1957 Diamond Dust Shoes (Random), 1980

PG in sizes 10x8 up to 60x48

POP ART

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I never wanted to be a painter, I wanted to be a tap-dancer.

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W1820 Dance Diagram [2]

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W1821 Carat, 1961

[Fox Trot: “The Double Twinkle—Man], 1962 PG in sizes 11x8 up to 49.5x36 PG in sizes 10x9 up to 40x36 W1968 Before and After [3], 1961

PG in sizes 8x10 up to 40x50

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If you can convince yourself that you look fabulous, you can save yourself the trouble of primping.

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W1966 Lips Book, c. 1975

PG in sizes 12x12 up to 20x20 W1012 1 page from Lips Book, c. 1975

PG in sizes 10.5x12 up to 49x56 W1826 Barbie, 1986

PG in sizes 10x10 up to 52x52

POP ART

Andy Warhol painted portraits of many celebrities and icons of the 1980s including Mattel’s Barbie in 1986. Warhol’s depiction of the popular doll encapsulates the glamour of the decade and Warhol’s love of pop culture.

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©/®/™ The Andy Warhol Foundation for the Visual Arts, Inc. / BARBIE and associated trademarks and trade dress are owned by, and used under license from, Mattel. ©1985 Mattel. All Rights Reserved.

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Throughout Andy Warhol’s career he often returned to subjects that interested him. He used the subject of flowers as a point of inspiration from his early years of working as a commercial illustrator, until shortly before his untimely death in 1987.

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Flowers, 1964–1970 PG in sizes 8x8 up to 52x52

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In the 1960s he created his most famous flowers series. These colorful compositions were exhibited in various orientations, and the silkscreen process flattened the subjects to create a beautiful painting that is integrally abstract.

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W1817 Flowers (various), 1964 - 1970

PG in sizes 7.5x12.5 up to 42x70

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POP ART

In the 1980s, Warhol created a proposal for the exterior of the Tacoma Dome of flowers, and after liking the images so much he created a series of Daisy screenprints.

Daisy, c. 1982 PG in sizes 10x10 up to 52x52

W876

W792

W877

W878

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W1019

W1964

W1963

W1018

Sunset, 1972 PG in sizes 8x8 up to 52x52

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POP ART

W1017

W1965

W1016

W1982

In 1972 Andy Warhol was commissioned to create 472 unique color variations of a setting sun for architects Johnson & Burgee, to be installed in the guest rooms of the renovated Hotel Marquette in Minneapolis, Minnesota.

This series is considered one of the artist’s most expressive projects.

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During the last decade of Andy Warhol’s life, he produced various bodies of work that dealt with the subject of abstraction. Visually, these works were the antithesis of the pop art Warhol was famous for yet conceptually, they were in perfect harmony with Warhol’s artistic aesthetic and creative vision. In the series of Shadows silkscreens done in 1978 and 1979, Warhol depicted the ephemeral aspects of shadows with various colors by showing the silhouettes from the many unidentifiable objects photographed by Warhol both in his office and studio in New York City.

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56

McGAW GRAPHICS

W1981 Shadows, 1978-1979

PG in sizes 4.5x12 up to 27x72

POP ART

Shadows II, 1979 PG in sizes 12x9 up to 64x48

W1189

W1188

W1659

W1660

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Andy Warhol’s Eggs paintings originated as Easter gifts of all sizes and colors that Warhol gave to family and friends.

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58

McGAW GRAPHICS

POP ART

For his Rorschach paintings, Warhol poured paint directly onto large canvases and folded them to recreate the well-known ink blot Rorschach tests. This test, created by the German psychiatrist Hermann Rorschach after World War II, was used as a means to understand the unconscious.

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1

W1682 Eggs, 1982 (multi)

PG in sizes 12x8 up to 66x44 W1682s 31x24 on 36x24 (as shown)

It’s too hard to look in the mirror.

There’s nothing there.

”

2 3

W1657 Rorschach, 1984

PG in sizes 11x9 up to 60x48 W1657s 30x24 on 36x24 (as shown) W1658 Rorschach, 1984

PG in sizes 11x8.25 up to 49.5x36 W1658s 30x22 on 36x22 (as shown)

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Andy Warhol’s series of Camouflages are imprinted with everything he most wanted to say about art, about himself, and about us. In the series of Camouflage paintings and prints, Warhol painted the ultimate philosophy of Andy Warhol: survival depends on seeing without being seen.

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“

“I’d prefer to remain a mystery, I never like to give my background and, anyway, I make it all up different every time I’m asked. It’s not just that it’s part of my image not to tell everything, it’s just that I forget what I said the day before and I have to make it all up over again. I don’t think I have an image, anyway, favorable or unfavorable.”

”

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McGAW GRAPHICS

W1662 Camouflage, 1987 (pink, purple, orange)

PG in sizes 10x10 up to 52x52

POP ART

1 2 3

W1663 Camouflage, 1987 (blue, yellow)

PG in sizes 10x10 up to 52x52 W1973 Camouflage, 1987

PG in sizes 5x12.5 up to 30x75

3

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In 1983 Zurich gallery owner Bruno Bischofberger suggested to Andy Warhol that he paint a series of “Paintings for Children�, explaining that he and his wife liked to take their young children to galleries and museums, but of course found many paintings there were uninteresting or unsuitable to children, and hung too high for them to see.

Warhol obliged, happily and the exhibition opened on Dec. 3, 1983 in time for the Christmas season. The paintings, bright and colorful images of toys, were all quite small and were hung child-height, on a wallpaper background of silk-screened Warhol fish and Japanese toys.

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McGAW GRAPHICS

W1217 Space Ship, 1983

PG in sizes 8x10 up to 48x60 W1511 Moon Explorer Robot, 1983

PG in sizes 15x12 up to 60x48 W1513 Panda, 1983

PG in sizes 10x8 up to 60x48 W1652 Monkey, 1983

PG in sizes 15x12 up to 60x48 W1220 Mechanical Terrier, 1983

PG in sizes 10x8 up to 60x48

POP ART

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3

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5

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1

Best known for appropriating images from popular culture, Warhol also felt that animals should enjoy their moment of fame too and painted various portraits of animals including his own Dachshund Archie as well as Yves Saint Laurent’s French Bulldog.

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POP ART

“

3

1 2 3 4

I never met an animal I didn’t like.

”

W1953 Moujik, 1986

PG in sizes 8.25x9 up to 44x48 W569 Portrait of Maurice, 1976

PG in sizes 9x12 up to 48x64 W1816 Cat, 1976

PG in sizes 10x8 up to 48x60 W1952 Cats and Dogs (Broadway), 1976

PG in sizes 10x8 up to 50x40

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ILLUSTRATIONS Andy Warhol owned and loved cats throughout his life, especially early on in his career as a commercial illustrator in New York City.

In the 1950s and 1960s, Andy and his mother Julia shared their Lexington Avenue townhouse with cats, and in 1954 Andy published a book entitled 25 Cats Named Sam and one Blue Pussy.

5

The book included a series of portraits of cats rendered with his blotted ink line technique and colored with Dr. Martin’s ink washes.

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W1455 Pink Sam, c. 1954

PG in sizes 14x11 up to 50x40 W1456 Green Sam, c. 1954

PG in sizes 14x11 up to 50x40 W1457 One Blue Pussy, c. 1954

PG in sizes 14x11 up to 50x40 W1458 Green Cat, c. 1954

PG in sizes 14x11 up to 50x40 W1958 Cat from 25 Cats..., c. 1958 (hot pink)

PG in sizes 14x11 up to 50x40 W1959 Cat from 25 Cats..., c. 1958 (yellow)

PG in sizes 14x11 up to 50x40

6

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1

2 Before he became famous, Andy Warhol worked as a commercial illustrator for many years. During that time, he created many hand drawn personal pieces. One of his most playful projects is his “So Series” of illustrations which explore the concept of “So”, including You Are So Big, You Are So Small, So Sweet, and I Love You So.

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McGAW GRAPHICS

ILLUSTRATIONS

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4

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W1736 So Meow, c. 1958

PG in sizes 8x10 up to 28x35 W1742 So Sunny, c. 1958

PG in sizes 8x10 up to 28x35 W1647 You Are So Little..., c. 1958

PG in sizes 8x10 up to 20x30 W1080 So Happy, ca. 1958

PG in sizes 8x10 up to 48x64

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McGAW GRAPHICS

1 2

W1746 Spaghetti is So Slippery, c. 1958

PG in sizes 8x10 up to 28x35 W1748 So Daring

PG in sizes 8x10 up to 28x35

ILLUSTRATIONS

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4

3 4

W1747 So Nutty

PG in sizes 8x10 up to 28x35 W1749 So Smart

PG in sizes 8x10 up to 28x35

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McGAW GRAPHICS

W1730 So Many Stars, c. 1958

PG in sizes 8x10 up to 28x35 W1745 I Love You So, c. 1958 (angel)

PG in sizes 8x10 up to 28x35

3 4

W1731 So Sweet, c. 1958

PG in sizes 8x10 up to 28x35 W1732 I Love You So, c. 1958

PG in sizes 8x10 up to 28x35

ILLUSTRATIONS

3

“

I tried and tried when I was younger to learn something about love, and since it wasn’t taught in school I turned to the movies for some clues about what love is and what to do about it.

”

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McGAW GRAPHICS

“

2

”

You need to let the little things that would ordinarily bore you suddenly thrill you.

4

ILLUSTRATIONS Apart from a long hiatus from 1963 to 1972, Andy Warhol maintained a regular practice of illustration throughout his life. Drawing is the one medium that spanned the whole of his career, from his earliest days as an art student in the 1940s to the last few weeks before his death in 1987. His characteristic “blotted line� technique served him well, and often in commercial assignments.

5 1 2 3 4 5

W1094 A Gold Book, 1957 PG in sizes 11.75x8 up to 60x48 W1093 (Stamped) Basket of Flowers, 1958

PG in sizes 10x8 up to 60x48 W981 Butterflies, 1955

PG in sizes 12x9 up to 64x48 W1118 Happy Bug Day, 1954

PG in sizes 12x8 up to 66x44 W1960 In the Bottom of my Garden, c. 1956

PG in sizes 12x15 up to 40x50

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Wednesday March 19, 1986:

Went to Walter Stait’s dinner party on East 57th Street (cab

$6). Then took Sam to Serendipity. Had a hot fudge sundae and the sugar made me tip so much. I felt generous ($25).

– The Andy Warhol Diaries

W1090 Ice Cream Dessert, c.1959

PG in sizes 8x11 up to 48x60

76

McGAW GRAPHICS

ILLUSTRATIONS

W1460

W1461

Warhol was in such demand for commercial assignments, especially for his illustrations of shoes, that in order to avoid turning down assignments, he recruited assistants to execute drawing under his direction and even had his mother hand-write some of his lettering. This working process would later form the foundation for calling his studio in New York City the Factory.

W1462

W1463

Ice Cream Dessert, c. 1959 PG in sizes 14x11 up to 56x49

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After seeing Andy Warhol’s whimsical illustrations on display at Serendipity ice cream parlor, interior decorator and hostess Suzie Frankfurt sought out the young illustrator and the two became fast friends and collaborators.

In Autumn of 1959 they decided to create a series of handmade cookbooks titled “Wild Raspberries” with Frankfurt writing some of the recipes, Warhol illustrating them, and his mother doing the calligraphy.

W1475

Wild Raspberries, 1959 PG in sizes 11x7 up to 66x44 W1476

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ILLUSTRATIONS

“

All I ever really want is sugar.

”

W1473

W1472

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McGAW GRAPHICS

W1530 Airplane, c. 1959

PG in sizes 9x12 up to 48x64 W1111 Car, c.1959

PG in sizes 5.5x11 up to 36x72 W1961 Hot air Balloon, c.1958

PG in sizes10x10 up to 24x24

ILLUSTRATIONS

“ 3

I mean, I came to New York on a bus. And went with my portfolio to a magazine, and the lady just liked the things and said to come back when I got out of school, and that’s how it started.

”

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Andy Warhol’s interest in fashion and shoes can be traced back to his time during the early 1950s as commercial illustrator.

1

His illustrations of beautiful women in elegant gowns, dresses, hats and shoes, especially high-heeled shoes, were very much a part of his professional career, both as a commercial artist and as a fine artist. Warhol made drawings of shoes for I. Miller and Glamour magazine among others.

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McGAW GRAPHICS

1 2 3

W1678 Untitled (High Heel), c. 1958

PG in sizes 10x10 up to 52x52 W1084 A la Recherche du Shoe Perdu, 1955

PG in sizes 8x10.5 up to 48x64 W1088 Shoe bright, shoe light, 1955

PG in sizes 8x10.5 up to 48x64

ILLUSTRATIONS

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7 6

4 5 6 7

W1792 Legs and High Heels, c. 1957

PG in sizes 10x8 up to 30x24 W1793 Pair of Legs in High Heels, c. 1958

PG in sizes 10x8 up to 30x24 W1677 Male Fashion Figure, c. 1960

PG in sizes 10x8 up to 60x48 W1683 Three Female Fashion Figures, c. 1959

PG in sizes 10x10 up to 52x52

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“ 1 2 3 4 5 6 7

84

Everything in your closet should have an expiration date on it the way milk and bread and magazines and newspapers do.

”

W1676 Female Head with Stamps, c. 1959

PG in sizes 10x8 up to 60x48 W1674 Female Fashion Figure, c. 1959

PG in sizes 10x8 up to 60x48 W1675 Two Female Fashion Figures, c. 1960

PG in sizes 10x8 up to 60x48 W1788 Female Head and Hands Applying Eyeliner, c. 1955

PG in sizes 10x8 up to 20x16 W1791 Female Head, c. 1958

PG in sizes 10x8 up to 25x20 W1459 Stamped Lips, c. 1959

PG in sizes 14x11 up to 60x50 W1827 Female Faces, c. 1960

PG in sizes 14x11 up to 24x20

McGAW GRAPHICS

3

ILLUSTRATIONS

4

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7

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W1668 Liz, 1963

P W1668w 36x36 on 38x38 P W1668r 24x24 on 26x26 P W1668sqd 12x12 P W1668pfb 8x8 on 14x11

Andy Warhol explored the themes of fame and celebrity throughout his life. In the 1960s he created paintings and prints of many celebrities such as Elizabeth Taylor, Marilyn Monroe, and Elvis Presley. Later in the 1970s and 80s he was commissioned by hundreds of the rich and famous to create their portraits. Warhol’s practice of creating commissioned portraits allowed him another opportunity to document the world around him and acts as a lasting record of the European and American culture of that time.

86

McGAW GRAPHICS

©/®/™ The Andy Warhol Foundation for the Visual Arts, Inc. / ELIZABETH TAYLOR® is a registered trademark and service mark in the United States and other foreign jurisdictions. All rights reserved.

When we got to Studio 54, I thought it was just going to

be about fifteen or twenty people for Liz Taylor’s party, but it was

CELEBRITY PORTRAITS

Monday, March 6, 1978:

more like 2,000, so if Halston was paying, it cost a fortune.

– The Andy Warhol Diaries

W1687 Liz, 1963 (red) P W1687w 36x36 on 38x38 P W1687r 24x24 on 26x26 P W1687sqd 12x12 P W1687pfb 8x8 on 14x11

©/®/™ The Andy Warhol Foundation for the Visual Arts, Inc. / ELIZABETH TAYLOR® is a registered trademark and service mark in the United States and other foreign jurisdictions. All rights reserved.

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“

1 2

Everyone has their own America, and they have pieces of fantasy America that they think is out there but they can’t see.

”

W995 Cowboys & Indians: John Wayne, 1986 PG in sizes 10x10 up to 52x52 W1967 Cowboys and Indians: Annie Oakley, 1986

PG in sizes 10x10 up to 30x30

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McGAW GRAPHICS

©/®/™ The Andy Warhol Foundation for the Visual Arts, Inc. / JOHN WAYNE and THE DUKE are the exclusive trademarks of, and the John Wayne name, image, likeness, and voice, and all other related indicia are the intellectual property of, John Wayne Enterprises, LLC.

CELEBRITY PORTRAITS

2

In 1986, Andy Warhol created the Cowboys and Indians series which featured John Wayne, Annie Oakley and other celebrated American heroes interspersed with Native American portraits and motifs. This series was Warhol’s commentary on the American mythology of the Old West.

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1 1 2

W1669 Debbie Harry, 1980 PG in sizes 10x10 up to 52x52 W1939 Debbie Harry, 1980 (pink)

PG in sizes 10x10 up to 52x52

Tuesday, August 12, 1980:

At 12:00 I had an appointment to meet Debbie Harry at the office (cab $4).

I was early and Debbie and Chris were on time. We worked all afternoon.

Debbie was sweet, and every picture came out perfect.

– The Andy Warhol Diaries

90

McGAW GRAPHICS

©/®/™ The Andy Warhol Foundation for the Visual Arts, Inc. / Scarab Inc. under license to Easy Partners, LLC. All rights reserved.

CELEBRITY PORTRAITS

2

©/®/™ The Andy Warhol Foundation for the Visual Arts, Inc. / Scarab Inc. under license to Easy Partners, LLC. All rights reserved.

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“

The United States has a habit of making heroes out of anything and anybody, which is great.

”

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McGAW GRAPHICS

©/®/™ The Andy Warhol Foundation for the Visual Arts, Inc. / Dennis Hopper name and image are trademarked properties of Hopper Art Trust.

CELEBRITY PORTRAITS In 1977 Andy Warhol photographed Muhammad Ali at the height of his fame as part of Warhol’s “Athletes” series.

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1 2 3

W1843 Dennis Hopper, 1970 PG in sizes 10x10 up to 36x36 W1801 Muhammad Ali, c. 1977

PG in sizes 10x10 up to 52x52 W1930 Muhammad Ali, 1978

PG in sizes 12x9 up to 64x48

3 ©/®/™ The Andy Warhol Foundation for the Visual Arts, Inc. / Muhammad Ali™; Rights of Publicity and Persona Rights: Muhammad Ali Enterprises LLC. ali.com

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Monday, October 20, 1986:

John Powers called me from Japan and he’s looking for an Elvis to buy. There’s

one coming up at auction and the reserve is so low. It says “Three Elvises” but I don’t know if it’s a really big one or just where the images overlap three times.

– The Andy Warhol Diaries

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McGAW GRAPHICS

3 ©/®/™ The Andy Warhol Foundation for the Visual Arts, Inc. / ELVIS™ and ELVIS PRESLEY™ are trademarks of ABG EPE IP LLC. Rights of Publicity and Persona Rights: Elvis Presley Enterprises, LLC. elvis.com.

CELEBRITY PORTRAITS

4

In 1963, Andy Warhol created his iconic series of Elvis paintings. For these works, Warhol used silver paint for the background of the canvas with the black silkscreen image of Elvis Presley as a gunslinger from the film Flaming Star. In doing so, Warhol paid homage to the Hollywood silver screen with one of its most desired and legendary stars.

1 2 3 4

©/®/™ The Andy Warhol Foundation for the Visual Arts, Inc. / ELVIS™ and ELVIS PRESLEY™ are trademarks of ABG EPE IP LLC. Rights of Publicity and Persona Rights: Elvis Presley Enterprises, LLC. elvis.com.

W1766 Eight Elvis, 1963

PG in sizes 7x12 up to 28x48 W928 Elvis 2 Times, 1963

PG in sizes 10.5x9 up to 56x49 W929 Triple Elvis, 1963

PG in sizes 11x8 up to 66x48 W1665 Elvis I and II, 1963-1964

PG in sizes 6x12 up to 30x60

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Andy Warhol was a prolific and influential filmmaker. In the summer of 1963, he bought his first movie camera and filmed Sleep, an eight hour black and white epic of a man sleeping, with no sound. Warhol’s films presented provocative views of human behavior and also challenged accepted filmmaking conventions of format, content, and time. For Empire, he set his camera on a tripod and filmed the Empire State Building from morning to night. One watches it, he said, “to see time go by.”

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W1548 Empire, 1964

PG in sizes 12x4.5 up to 72x27 W1549 Kiss, 1963

PG in sizes 11.5x8 up to 65x45.5 W1805 Screen Test: Jane Holzer, 1964

PG in sizes 8x11 up to 12x16.5 W1844 Screen Test: Dennis Hopper, 1964

PG in sizes 8x11 up to 14x19.25

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McGAW GRAPHICS

© The Andy Warhol Museum, Pittsburgh, PA, a museum of Carnegie Institute. All Rights Reserved.

FILM By 1965, Warhol proclaimed an end to his own painting and announced that he only wanted to make films.

The Factory had become a center for film production where anyone could become a Warhol Superstar.

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3

4 Š The Andy Warhol Museum, Pittsburgh, PA, a museum of Carnegie Institute. All Rights Reserved.

W1805: Image licensed courtesy of Jane Holzer / W1844: Dennis Hopper name and image are trademarked properties of Hopper Art Trust

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Andy Warhol carried a Polaroid camera with him from the late 1950s until his death in 1987, resulting in a vast collection of instant photos of friends, patrons, celebrities, landscapes, and still lifes.

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McGAW GRAPHICS

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W1949 Andy Warhol with Vintage 1907 Camera, 1971

6

W1842 Dennis Hopper, 1977

PG in sizes 10x8 up to 25x20 W1653 Self-Portrait in Fright Wig, 1986

PG in sizes 10x8 up to 35x28 W1175 Andy Warhol in Drag, 1981

PG in sizes 10x8 up to 35x28 W1670 Harry, Debbie 1980

PG in sizes 10x8 up to 35x28 W1802 Ali, Muhammad, 1977

PG in sizes 10x8 up to 35x28 PG in sizes 10x8 up to 35x28

PHOTOGRAPHY

3

5

“

4 My idea of a good picture is one that’s in focus and of a famous person.

”

6 ©/®/™ The Andy Warhol Foundation for the Visual Arts, Inc. / W1670: Scarab Inc. under license to Easy Partners, LLC. All rights reserved. / W1802: Muhammad Ali™; Rights of Publicity and Persona Rights: Muhammad Ali Enterprises LLC. ali.com / W1842: Dennis Hopper name and image are trademarked properties of Hopper Art Trust.

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Thursday, May 17, 1984:

Ran into Bill Cunningham

on his bike, I just wish I could do what he does, just go everywhere and take pictures all day.

– The Andy Warhol Diaries

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“

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McGAW GRAPHICS

”

A picture means I know where I was every minute.

That’s why I take pictures. It’s a visual diary.

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W862 Bridge, undated PG in sizes 12x8 up to 40x30 W864 Statue of Liberty, 1982

PG in sizes 8x12 up to 48x64 W1673 Statue of Liberty, c.1985

PG in sizes 10.5x8 up to 40x30 W1951 Statue of Liberty, 1976-86

PG in sizes 10x8 up to 40x32

PHOTOGRAPHY

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4

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Nat Finkelstein

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McGAW GRAPHICS

1 2 3 © Estate of Nat Finkelstein / TM The Andy Warhol Foundation for the Visual Arts, Inc.

F2175 Andy Warhol, 1966 PG in sizes 8x12 up to 44x66 F2174 Double Tambourine, circa 1966

PG in sizes 8x12 up to 44x66 F2177 Andy Warhol, 1966 (2)

PG in sizes 8x12 up to 44x66

”

PHOTOGRAPHY

“

The factory was a place where you could let your ‘problems’ show and nobody would hate you for it.

3

© Estate of Nat Finkelstein / TM The Andy Warhol Foundation for the Visual Arts, Inc.

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Nat Finkelstein

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2

Nat Finkelstein (1933–2009) was born in Coney Island, NY, and grew up in working class Brooklyn. Throughout the 1960s, he was a successful mainstream photojournalist—published in national and international outlets—reporting primarily on emerging political and cultural movements in New York City. In 1964, Nat Finkelstein entered Andy Warhol’s Factory as the media and remained for three years. His photographs of the legendary Silver Factory scene are now recognized among the most iconic images of the era.

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McGAW GRAPHICS

© Estate of Nat Finkelstein / TM The Andy Warhol Foundation for the Visual Arts, Inc. / F2172: Silver Clouds © The Andy Warhol Foundation

PHOTOGRAPHY

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F2172 Silver Clouds Installation, Leo Castelli Gallery, NYC, 1966

PG in sizes 12x8 up to 66x44 F2173 Andy at Typewriter, The Factory, NYC, circa 1965

PG in sizes 12x8 up to 66x44 F2221 Andy Warhol at the Factory, circa 1966 (Color Factory #5)

PG in sizes 8x12 up to 44x66 F2176 Andy with Spray Paint and Moped, The Factory, NYC, circa 1965

PG in sizes 8x12 up to 30x45

© Estate of Nat Finkelstein / TM The Andy Warhol Foundation for the Visual Arts, Inc.

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Andy Warhol loved talkers as much as he adored beauties. He had an uncanny ability to absorb his surroundings and listened more than he spoke in public yet his words are part of our daily lexicon.

Whether it is his ubiquitous fifteen minutes of fame quote, or through his celebrity gossip publication Interview Magazine, Warhol wanted whatever he published or stated publicly to be impactful and thought provoking.

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McGAW GRAPHICS

QUOTES

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W1446 Fifteen Minutes

PG in sizes 10x10 up to 52x52 W1447 Fantasy

PG in sizes 10x10 up to 52x52 W1452 Love Affair

PG in sizes 10x10 up to 52x52 W1450 The World

PG in sizes 10x10 up to 52x52 W1971 Think Rich

PG in sizes 10x10 up to 52x52

6 7 8 9 10

W1449 Waiting

PG in sizes 10x10 up to 52x52 W1448 Everybody

PG in sizes 10x10 up to 52x52 W1451 Three’s A Party

PG in sizes 10x10 up to 52x52 W1453 Art

PG in sizes 10x10 up to 52x52 W1970 Beauty

PG in sizes 10x10 up to 52x52

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The Moderna Museet Stockholm commissioned well-regarded Swedish graphic designer John Melin to design this series of exhibition posters for Andy Warhol’s 1968 retrospective at the museum. This collection features Warhol’s enigmatic quotes rendered in a minimal Swedish style, available in the original dimensions.

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McGAW GRAPHICS

M2963 I never read, I just look at pictures.

M2963u 39.37x27.56 (as shown)

M2964 If you want to know all about Andy Warhol...

M2964u 39.37x27.56 (as shown)

M2967 All is pretty.

M2967u 39.37x27.56 (as shown)

Andy Warhol and Andy Warhol Quote ©/®/™ The Andy Warhol Foundation for the Visual Arts, Inc. Designed by John Melin in 1968 for the Moderna Museet.

QUOTES

3

Andy Warhol and Andy Warhol Quote ©/®/™ The Andy Warhol Foundation for the Visual Arts, Inc. Designed by John Melin in 1968 for the Moderna Museet.

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1 2 3 4

M2965 In the future...

M2965u 39.37x27.56 (as shown)

M2969 I like boring things...

M2969u 39.37x27.56 (as shown)

M2966 Machines have less problems.

M2966u 39.37x27.56 (as shown)

M2968 Do you think pop art is...

M2968u 39.37x27.56 (as shown)

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McGAW GRAPHICS

Andy Warhol and Andy Warhol Quote ©/®/™ The Andy Warhol Foundation for the Visual Arts, Inc. Designed by John Melin in 1968 for the Moderna Museet.

QUOTES

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4

Andy Warhol and Andy Warhol Quote ©/®/™ The Andy Warhol Foundation for the Visual Arts, Inc. Designed by John Melin in 1968 for the Moderna Museet.

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POLICIES

Our products are provided subject to the following terms and conditions. By using and ordering from this catalog you agree to be bound by these terms and conditions. If you have any questions, please do not hesitate to call us. These policies are applicable to United States and Export paper products from the U.S. on business to business orders.

SAME DAY SHIPPING­ If all items are available in stock to be picked, orders received by 11:00 am (EST) will likely be shipped the same day via our preferred shipper: FedEx. At your request, we will ship via UPS or other forwarder with whom you have an account. COD — $12.50 additional per order. Prices subject to change by FedEx. Next Day Air and Saturday Delivery (where available) also offered at an additional charge.

Bulk and Export orders shipped by customer’s choice of common carrier.

Export orders shipped within 36 hours from receipt of payment or resolution of terms.

Additional surcharges apply if sent to a residential address.

PAYMENTS Acceptable forms of payment: Business Check Visa — Mastercard — American Express — Discover Net 30 (after credit approval) COD — FedEx and UPS do not accept cash for COD shipments.

Orders of $500 net or more may require a certified check or money order for payment. No COD’s on export orders.

We request a wire transfer or payment by credit card for export (Proforma invoices available on request).

ORDERING HOURS Telephone (888-4BMCGAW) 888-426-2429 8:30 am to 5:00 pm Eastern time, Monday — Friday.

Fax (802) 549-5463, e-mail (sales@mcgawgraphics.com) and online (www.mcgawgraphics.com) — 24 hours a day.

Register on our website and take full advantage of our shopping cart, wishlist and stock check features.

MINIMUM ORDERS $50 net minimum to the trade.

Below-minimum orders are subject to a $7.50 service charge. *Resale Certificate, Sales Permit, or Business Authorization must be submitted with first order.

WORLD HEADQUARTERS McGaw Graphics, Inc. 6378 Route 7A Sunderland, VT 05250

TEL: (888) 4BMCGAW (426-2429)

DAMAGES AND REPLACEMENT We will gladly replace defective or incorrect posters: • If the package is damaged, refuse the order and notify us immediately.

• If you accept a damaged package in error, save the package, its contents and all packing material, take a picture if possible and contact us immediately.

• All claims for damages or errors must be reported to us within three working days of receipt of the order.

• We are not responsible for the replacement of defective or incorrect posters once they have been mounted and/or­framed.

• Returns are not accepted for any other reason than damage or defect.

ORDER CHANGES While we will try our best to amend an order that has been placed with us, please be aware that it is generally not possible because of our automated handling system. This system permits us to process and ship your order that same day, often within minutes of it being placed.

BACKORDERS In the rare event an item is not available at the time your order ships, we will not backorder that item. If you are a net 30 terms customer and want us to maintain backorders on your account, please speak with one of our sales staff.

COLOR AND SIZE DISCLAIMER Great efforts have been made to represent colors and sizes in the catalogue and online as accurately as possible - however, color or size variances may occur. We do not take returns because of color or size variance, or if your customer cancels their order.

We recommend that frames, mats or glass never be precut based on the dimensions printed in the catalogue.

QUANTITY DISCOUNTS McGaw Graphics, in cooperation with the Warhol Foundation, may limit quantity discounts in their sole and absolute discretion.

PROHIBITED USE Internet sales of Warhol product is strictly prohibited without written authorization. Andy Warhol images are not available as reproductions on canvas. Warhol posters may not be used for canvas transfers or other canvas products. Any unauthorized reproduction of this product is a copyright violation, is subject to penalties under U.S. law, and will be strictly enforced. McGaw reserves the right to take any action it deems appropriate, including terminating future sales, with any suspected violator of these provisions.

| fax: (802) 549-5463 | e-mail: sales@mcgawgraphics.com | web: www.mcgawgraphics.com Andy Warhol, Andy Warhol artwork, Andy Warhol quotes ©/®/™ The Andy Warhol Foundation for the Visual Arts, Inc.

@ mcgawgraphics @ warholfoundation

The Andy Warhol Foundation for the Visual Arts, Inc. As the preeminent American artist of the 20th Century, Andy Warhol challenged the world to see art differently. Since its founding in 1987 in accordance with Andy Warhol’s will, The Andy Warhol Foundation has established itself as among the leading funders of contemporary art in the United States having distributed over $275,000,000 in grants supporting the creation, presentation and documentation of contemporary visual arts, particularly work that is experimental, under-recognized or challenging in nature. The foundation’s ongoing efforts to protect and enhance its founder’s creative legacy ensure that Warhol’s inventive, open-minded spirit will have a profound impact on the visual arts for generations to come. Proceeds the foundation receives from licensing projects such as this contribute to the Foundation’s endowment from which it distributes grants. For more information please visit www.warholfoundation.org.

6378 Route 7A | Sunderland, VT 05250 888.426.2429 | www.mcgawgraphics.com ©/®/™ 2019 The Andy Warhol Foundation for the Visual Arts, Inc.