t ar matters
Week of Sunday, January 26, 2014
www.montgomerynews.com
Page 15
■ February 2014
■ Covering the Arts throughout the Philadelphia Region
ExhibitionsInSight
PMA features heady ‘Photo-Centric’ art
and maker of obvious pictorial age of a lone burning candle images capable of amusing backed up by a flat, dark blue popular artistic taste. rectangle. The ability of the hough he is not as He first came to widespread combination photographwell-known in the painting to arrest a spectator’s United States as he recognition in 1967, when several of his works were attention and hold it in place really ought to be, for a sustained period of time multitalented Cana- given exposure at the Expo World’s Fair, held in Montreal. is curiously fascinating. The dian artist Michael hypnotic essence of the artSnow is highly rec- From that time to the present day, he has continued to work is utterly magnetic. ognized in Europe produce works Someand in his native land. times, Snow His major areas of expertise that are based can even be include experimental filmmak- upon rather humorous. For ing, music, painting, sculpture simple visual example, in a and still photography. Amaz- forms. “Michael Snow: On the other large full-color ingly skillful in his ability to Photo-Centric” hand, they photograph proceed from one specialty will be on view are extremely of 2003, he to another, examples of his at the Philadelphia presents three creative achievements will be challenging in Museum of Art, the marketnude female 2600 Benjamin Franklin on public view in a solo preplace of ideas figures, seen Parkway, sentation at the Philadelphia Philadelphia, PA 19130, from behind, Museum of Art from Feb. 1 to because they Feb. 1 - April 27. in their own April 27. It includes examples are rather Info: 215-763-8100 offbeat and space, looking of his artistic insights and or www.philamuseum.org. unexpected at the nude breakthroughs from 1962 so far as art figures in Paul through 2003. offerings in a Cézanne’s late Frequently described as a gallery setting are concerned. painting from the collection conceptualist, Snow’s show of the Philadelphia Museum offers examples of his explo- Of course, this very fact also makes them sources of of Art, titled “The Great Bathrations of time, space, cogniwonderment for the museum ers.” tion and consciousness. His visitor to ponder and reflect Snow’s artwork is a delightinventiveness and versatility fully amusing take on the provide unexpected experienc- upon. Typically, the selection classical “Judgment of Paris” es for audiences because they challenge the role of the artist titled “Midnight Blue” is a Please see Photo-Centric on a17 profoundly mesmerizing imas a merely clever storyteller
By Burton Wasserman
T
“Door,” 1979. Michael Snow, Canadian, born 1928. Color photograph, 90 x 46 x 5 inches (228.6 x 119.3 x 15.2 cm). The Bailey Collection, Ontario, Canada. On view at the Philadelphia Museum of Art Feb. 1 through April 27.
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