July 2012 Art Matters

“The Bathers,” 1913, Jean Metzinger, French, 1883-1956.

Oil on canvas, 58 3/8 x 41 7/8 inches (148.3 x 106.4 cm). The Louise and Walter Arensberg Collection, 1950. On display in the Philadelphia Museum of Art exhibition “Gaughin, Cèzanne, Matisse: Visions of Arcadia,” through Sept. 3.

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Barnes Foundation landscaping assures privacy, serenity

Another view of landscaping around the Barnes Foundation on the Parkway.

A view of the Barnes Foundation exterior with its narrow windows and landscaping.

By Diane M. Fiske

T

he move of the Barnes Foundation from its original location to the Benjamin Franklin Parkway was as much an effort to re-create the setting of the Merion site as it was to bring the art to Philadelphia.

Landscape architect Laurie Olin, the founder of the Olin Studio, worked with architects Billie Tsien and Tod Williams to design the 4.5-acre site, along with the museum buildings at 20th and the Parkway.

Soon after the Barnes opened in May, Olin set out to show me how his team had worked to bring the bucolic serenity of the Merion campus to Philadelphia.

The result is that anyone

can appreciate the results, even one who knows as little about horticulture as I do.

“We wanted to make people feel that they are in the peaceful suburban setting and that they are shielded from the cars and trucks of a busy city,” he said.

Olin, who began his career as an architect, switched to planning and landscape design early in his career. One of the reasons, he said, was to help put all the pieces of a project together.

His firm has designed many of the high-profile Philadelphia projects from Independence Mall through the Race Street pier.

The mandate handed to the design team was to recreate the gallery in Merion,

where Barnes’ collection of impressionistic and early modern art was shown.

The creative result was a 12,000-square-foot gallery set next to a tower that provides classrooms, administrative offices, a cafeteria, a library and a great lounge where visitors can think about their experience viewing the art.

Within the site, Olin created two terraces, one a lush garden setting open to the sky and the other next to the café, where diners can enjoy their meals outdoors.

Behind a glass wall, Olin installed a garden that can be viewed from the lounge and from the library. The garden includes tall bushes and flowers.

As we approached the museum from the parking

ing on the Parkway, the architects created the same small-paned window panels that were used in Merion in a building that was created in the mid-1920s.

Under the windows, huge lot, Olin pointed out the banks of hydrangeas bloom ivy growing on the fence in pink and purple. leading to the museum and Inside, the main first floor said, “When the ivy is full- gallery features the famed grown, it will hide the view paintings of the Barnes and of the parking lot.”

“The Dance” wall hanging The most important part hangs above. of entering the site for visiThis would be tempting tors is to establish a feeling to Parkway passersby who of tranquility, something might want to sneak a peek established in the Merion into the gallery window. site, far from the city.

If there were anything As visitors approach the that would detract from the entrance, they find a quiet visitor’s serenity it would be reflecting pool filled with these peeking passersby. water lilies. The area is enOlin’s plans had an anclosed with plants. It is one swer for this. The windows of several planted areas for are located above a 12-inch reflection and contemplation planted platform behind a Some people question row of hedges. It would be why the entrance is not on very difficult for any casual the Parkway, but Olin expeek to take place. plains, “It would be imposOlin said it was important sible to escape the city if the for the visitor to look out the main entrance were there.” gallery window and be able Farther around the build- to see the same type of tree

or bush that he could see in Merion.

To make sure the museum on the Parkway continued to be protected by trees, Olin planted a line of shade trees in case any of the aging trees on the Parkway die.

And on the corner leading from the Parkway, stone benches and green plants provide a shady place to rest.

Olin said he could see the space filled with mothers and children, students and anyone who wanted a quiet break in the city.

So, unlike the other museums on the Parkway, it seems that a garden shares the billing with the gallery.

— This is a monthly column about architecture, city planning and landscape design. Questions and comments would be welcome.

Diane Fiske can be reached at dfiske_19118@yahoo. com.

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Artand Ability

An Art Ability image titled “Traveling Man.”

By Adam Crugnale

F

rench novelist Andre Malraux stated that “art is a revolt against fate.” This idea takes on a very human appearance in the Community Art Gallery at the Philadelphia Foundation, which presents “Bryn Mawr Rehab Hospital’s Art Ability: Celebrating Artist’s with Disabilities.”

The showing is considered a satellite exhibit, and is part of one of the biggest art shows for artists with disabilities in the U.S. This exhibit showcases more than 30 works by 24 artists, featuring acrylics, oils, sculpture, photography and digital art, and other mixed media. The artists

suffer from varying condiThough they seem minor, tions, including severe brain it’s crucial to understand the injuries, spinal cord injuries, artists’ lifestyle and disabilstroke, deafness and blindity to fully comprehend and ness. appreciate how these things If art were ever a revolt affect their work. against fate, “The sentithis is it. ments I instill If You Go Beside directly into each piece my art link “Art Ability: A Celeof artwork directly to bration of Artists with is a small my subconDisabilities” information scious and continues at the card, listing help re-esPhiladelphia Foundation, the artist’s tablish a vital 1234 Market St., biography connection Suite 1800, and explainto my inner Philadelphia, PA 19107, ing his or her emotions,” through Aug. 24. affliction, explains Info: 215-563-6417, or painstakingly acrylic artwww.philafound.org. researched ist Ralph and put toMindicino, gether by the from Astoria, exhibit’s curator, Susanna T. N.Y. At the age of 14, MinSaunders. dicino lost his right leg to

Friday, June 29, 2012

services officer. “But this inspires her art. She likes her colors loud, because the words around her are soft.”

The artwork featured in the exhibit is phenomenal.

It is not so much about the idea that these people should be, or need to be, treated differently – it is more about the fact that they do suffer from debilitating disabilities, and thus are able to offer their own unique perspective through their art.

Some of the most amazing pieces of art, literature and music have their origins An Art Ability image titled “Strokes of Cake.” in some extreme experience or passion.

J.R.R. Tolkien wrote “The Lord of the Rings” after experiencing the horrors of trench warfare in World War I. Ludwig van Beethoven began to lose his hearing in his 20s but continued to compose even after going completely deaf later in life.

These artists revolted against their fate, and now their names are forever recorded in the annals of history.

“It’s not just about the An Art Ability image titled “Under the Boardwalk.” art,” Kirk went on, explaining the purpose of the bone cancer. This traumatic Morpheus Digital Arts. exhibit. “It’s more about experience has significantly As I made my way into the cause behind the art.” influenced his life and, the foyer, two paintings This satellite exhibition subsequently, his art. hanging behind the desk hosted by the Philadelphia AJ Brockman, a digital caught my attention imme- Foundation is on display artist from Palm Beach diately. They are intensely now through Aug. 24. All Gardens, Fla., suffers from bright acrylics by Joan of the artwork is for sale. If spinal muscular atrophy, and Fabian, from San Antonio, you meet the criteria, you has been wheelchair-bound Texas. The colors were so can enter Art Ability: 17th since the tender age of 2. extreme they almost seemed Annual Exhibition and Sale, “With my newfound talto be loud, and I wanted to beginning Nov. 3 and runent, people began to see me know right away what the ning through Jan. 20, 2013. as an artist, someone with story was behind them.

The deadline for submisability rather than a dis“She is hearing-impaired,” sions is June 25. ability,” he says. Brockman explained Maggi Kirk, now owns his own business, development and donor

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35th Annual Open Juried Art Exhibition WAYNE ART CENTER CRAFT FORMS 2012 CALL FOR ENTRIES “Craft Forms 2012” 18th International Juried Exhibition Contemporary Fine Craft.

November 30, 2012 – January 26, 2013.

Juror: Cindi Strauss, Curator of Modern and Contemporary Art and Design, Museum of Fine Arts, Houston. $4,000 + Awards. Digital Entry Fee: $40.

Deadline: September 13, 2012. www.craftformsentry.com.

July 29 - Sept. 4, 2012 GoggleWorks Center for the Arts Reading, PA $4000+ total awards Most media accepted Hand delivered entries only Entries accepted on July 23 Jurors - Chris Feiro, Asst. Prof. of Art Community College of Philadelphia Cheryl B. Harper, Adj. Prof. of Art Delware County Community College For prospectus, log on to www.goggleworks.org www.berksartalliance.com or send #10 SASE to: BAA c/o Gurman, 305 Sunshine Rd., Reading, PA. 19601

Art does Matter.

We invite you to submit to Jenkintown’s Festival of the Arts for a Juried Art Show September 23rd, 2012 1:00 to 6:00 Prizes Awarded Application and information is available at www.jenkintown.net www.jenkintownfest.org or call 215-517-5507 Application Deadline: July 15, 2012

Your resource for finding artists, soliciting entries, renting art studious and for promoting your service.

For more information call 215-628-9300, ext. 226

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A mythical paradise at PMA

Friday, June 29, 2012

restraints inevitably imposed by even the best intended of human efforts.

Inspired by a determination to bring such significant uton the world of art, the theme of Arcadia suggests a mythipian image content to the awareness of visitors, the Philadelcal, paradise-like environment. It offers a vision of peaceful phia Museum of Art is currently showing an exhibition titled abundance where the overall mood is one of serene order.

“Gauguin, Cézanne, Matisse: Visions of There is a place for everything and everything is in its Arcadia.” It will remain on view in the Dorrance Special place. Freedom from duress and feelings of economy and Exhibition Galleries on the first floor through Sept. 3. dynamic harmony are characteristic of the overarching The show was organized by Joseph Rishel, the distinreality pervading the atmosphere of the scene. Across the years, in guished curator of pre-20th century art and the senior curator various ways, artists have sought to create such a domain in a wide of both the museum’s Johnson Collection and the Rodin assortment of media.

Museum. The installation features several large-scale masterAccording to the late, eminent art historian Erwin Panofsky, it pieces by the three painters named in the title of the show, “Deer in the Forest I,” 1913. Franz Marc, German, 1880-1916. Oil on canvas, was the highly esteemed Roman poet Virgil who originally coined as well as notable selections by other artists. Among these the concept of an imaginary realm of ultimate bliss. As initially de- additional examples are a study for Seurat’s “Island of La 39 3/4 x 41 1/4 inches (100.9 x 104.7 cm). Gift from the estate of Katherine S. scribed in his “Eclogues,” it was a place of pastoral contentment, Grande Jatte,” a small preparatory sketch in watercolor for Dreier, 1953. The Phillips Collection, Washington, D.C. a locale far removed from natural limitations and the stultifying Picasso’s famous “Demoiselles d’Avignon” and Rousseau’s

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magnificent “The Dream,” on loan from the Museum of Modern Art in New York City.

The massive painting by Paul Gauguin, borrowed from the Boston Museum of Fine Arts, titled “Where Do We Come From? What Are We? Where Are We Going?” offers a composite view of various ongoing events from among the cultures of French Polynesia that he observed in the region of the South Pacific.

The forms of tress, foliage and people become submerged within a rich tapestry of color and pattern.

Each spot and dot is unified with whatever is located near it within the total composition. Together, they express a spirit of dignity, balance and ordered grace.

By comparison, Cézanne’s monumentally scaled “Large Bathers” is based on the appearance of a group of nude women in a landscape near his home in Provence, situated in southern France.

Through his efforts at invention and organization, the gap between his original perceptions and the

ìThe Dream,î 1910. Henri-Julien-FÈlix Rousseau, French, 1844-1910. Oil on canvas, 80 1/2 x 117 1/2 inches (204.5 x 298.5 cm). The Museum of Modern Art, New York. Gift of Nelson A. Rockefeller, 1954.

By Burt Wasserman

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“The Large Bathers,” 1906. Paul CÈzanne, French, 1839-1906. Oil on canvas, 82 7/8 x 98 3/4 inches (210.5 x 250.8 cm). Philadelphia Museum of Art. Purchased with the W. P. Wilstach Fund, 1937.

design of the resultant artwork has been soundly brought to resolu- surface is given ample voice in credible terms. tion and fulfillment.

Examining the consistency of treatment by the three painters in The third example of a large work featurthese canvasses, as well as their deviations from each other, ing a group of figures in a tranquil setting adds up to a richly rewarding adventure in comparative If You Go is “Bathers by a River” by Henri Matisse, aesthetics for both the knowledgeable connoisseur and the on loan from the Art Institute of Chicago. newcomer to what museums provide.

“Gaughin, Cèzanne, On the one hand, this latter work provides Finally, as Joseph Rishel has pointed out, this exhibition, Matisse: Visions a curious echo of the Gauguin picture. On steeped in some of the most significant creative challenges of Arcadia” the other hand, it is clearly a more abstract and accomplishments encountered in late 19th and early continues at Philadelphia departure from the example brought to real20th century European art, serves as an excellent way for Museum of Art’s ization by Cézanne. the museum to honor and recognize the Philadelphia openDorrance Galleries, The ultimate reality of the Matisse painting ing of the Barnes Foundation building in its new venue on 26th St. & the Parkway, is the intensity of his visual transformation.

Benjamin Franklin Parkway during the summer of 2012.

Philadelphia, PA 19130, The distinctive integrity of the two-dimenthrough Sept. 3. sional foundation offered by the canvas Info: 215-235-SHOW or www.philamuseum.org.

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PENNSYLVANIA

­ Cohen Gallery Ebb & Flow Exhibition: Through July 22, 2012.

Opening Reception: First Friday, July 6, 5:30-7:30pm

­ ­­ ­ ­ ­ ­ ­ ­ ­ ­ The Tints That Glow Exhibition: Through July 22, 2012.

Opening Reception: First Friday, July 6, 5:30-7:30pm ­­

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­ ­ Berks Art Alliance 35 Annual Open Juried Exhibition ­

Schmidt Gallery ­ ­­

Green Wall ­ ­ VIST Financial Gallery The Willson History Project

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JULY 2012 Listings DELAWARE NEW CASTLE COUNTY..

THE BLUE STREAK GALLERY 1721 Delaware Ave. Wilmington DE, 19806 p: 302-429-0506. Extended Holiday Hours: Mon-Fri. 10am-6pm; Sat 10am-5pm; Sun noon-4pm. Email: Bluestreakgallery@gmail.com DELAWARE ART MUSEUM – 2301 Kentmere Pkwy., Wilmington, DE 19806 p: 302-571-9590. Wed-Sat 10am-4pm, Sun 12pm-4pm. Free admission Sundays. www.delart.org Exhibits: Painted Poetry:The Art of Mary Page Evans, through July 15, 2012. Wilmington-based painter Mary Page Evans - Her vibrant paintings and drawings evoke particular places—gardens in Delaware and France, a mountain in the Shenandoah Valley, the Florida coast. Displaying works that span over 40 years, Painted Poetry is organized thematically to highlight Evans’ longstanding interests: landscapes, gardens, figures, trees, seas, and skies.

Tales of Folk and Fairies: The Life and Work of Katharine Pyle, through September 9, 2012. Katharine Pyle (1863 – 1938), Howard Pyle’s youngest sibling, emerged as one of Delaware’s most prolific women authors and illustrators.

Between 1898 and 1934, she illustrated or wrote and illustrated over 50 books—mostly stories about animals and fairy tales for children. This exhibition serves to reintroduce 78 of Katharine’s books and illustrations to present-day audiences.

Once Upon a Time in Delaware/In Quest of the Perfect Book, through September 16, 2012. Nina Katchadourian has explored systems, structures, codes, language, and communication. Sorted Books is an ongoing project, begun in 1993, in which the artist surveys a collection of books, selecting and grouping particular titles so that they can be read in sequence. Working primarily with the Library’s M. G. Sawyer Collection of Decorative Bindings—a collection of over 2,000 books acquired for their cover design—this exhibit marries the collector’s interest in the book’s exterior with the artist’s method of using the covers to explore the content of the collection as a whole.

100 Works for 100 Years, through September 16, 2012. As part of the yearlong celebration of the Museum’s Centennial, this installation will feature one or more works of art for each year of the Museum’s existence.

The installation will be featured throughout the permanent collection, galleries and outdoors in the Copeland Sculpture Garden.

Beyond Words: The Symbolic Language of Plants, Extended date!

Now through July 29, 2012. The exhibition closing date has been moved to July

29, 2012. Beyond Words was created by a group of D.C.-based botanical artists known as Studio 155. It features approximately 60 works in various media that emphasize the historic and symbolic meanings of plants throughout history.

NEW JERSEY ATLANTIC COUNTY….

RICHARD STOCKTON COL. OF NJ 101 Vera King Farris Dr. Galloway, NJ p: 609-652-4214 www.stockton.edu/artgallery Through August 16, Works on Paper: Selections from the Noyes Museum’s Permanent Collection.

BURLINGT0NCOUNTY CENTER FOR THE ARTS IN SOUTHERN NEW JERSEY 123 South Elmwood Rd. Marlton, NJ 08053 Mon-Fri 10am-3pm; Wed 7-9pm p: 856-985-1009; fx: 856-985-7555 www.cfasnj.com Exhibit info: CFA/SNJ Annual Members Exhibition July 9 – 30, 2012 Reception: Thursday, July 12, 7-9 pm Call for Artists information CFA/SNJ Theme Exhibit Lazy, Hazy Summer Days August 6, 27, 2012 CFA/SNJ Annual Open Juried Exhibit Sept 4 – 24, 2012 For prospectus to either exhibit send SASE to: CFA/SNJ, 123 S. Elmwood Rd., Marlton NJ 08053.

856-985-1009

CAMDEN COUNTY MARKEIM ART CENTER 104 Walnut Street, Haddonfield, NJ 08033 p: 856-429-8585 Markeim@verizon.net www. markeimartscenter.org Call or email us for info on classes, exhibits & performances Exhibit info:

CAPE MAY COUNTY OCEAN CITY ARTS CENTER – 1735 Simpson Ave. Ocean City, NJ p: 609-399-7628 fx: 609-399-6145 Mon-Fri 9am-9pm, Sat 9am-3pm www.oceancitryartscenter.org admission Free; parking available in adjacent lot.

Exhibit info: Artist Meed Barnett brings her watercolor, oil and acrylic paintings and metal jewelry to Ocean City Arts Center.

July 1 through July 31. Meet the Artist Reception is Fri, July 13, 7pm to 8:30 pm.

August 3, 4, & 5 --Boardwalk Art Show

1971 - 2012 Celebrating Forty One Years in Stone

WiLLiAM RiS GALLERY 9400 Second Avenue • Stone Harbor, New Jersey • 08247 609-368-6361 wrgsh@comcast.net www.williamris.com Butterflies, Birds, Fish and Feathers, A tribute to Stone Harbor’s Wetlands Institute.

Featuring: Sarah Canfield, oils; Robert Barrett, Lisa Budd, watercolors; Dotty Berner, wood carvings; Warren Kenny, colored pencil; Ron Korczynski, ceramics; Aleksandra Puzyn, stained glass; Dave Woeller, photography.

August 4, group show: Ellen Gavin and Neal McPheeters, oils; Dennis Golsborough, watercolors; Joanie San Chirico, mixed media.

CUMBERLAND COUUNTY CLAY COLLEGE CERAMIC ARTS STUDIO, Cumberland Co College 108 High Street, Millville, NJ 08332 phone: 856-765-0988 jsandro@cccnj.edu www.cccnj.edu/claycollege/

DownSIZED – A Square Deal ARTISTS TRANSFORM THEIR PERSONAL VISIONS BY THINKING SMALL painters, photographers, sculptors and street artists produce work in a format smaller than a piece of paper. Our intent is to help focus attention on each individual’s art & vision and allow you to appreciate the beauty of small, intimate work as well as the range of expression and diversity of technique contained within such a modest and accessible through August 14

Exhibit info: Student Show

MIDSUMMER RECEPTION FRIDAY JULY 6, 2012, 6pm – 8pm www.artsqs.com

Intro to Pottery Wheel Workshop, Sundays, July 8-Aug. 26 (8 weeks), 11 am-1 pm, $175

Reception: July 20, 6-9 pm Classes: Enamel Jewelry Workshop, Friday, July 27, 6-9 pm, $25, materials included.

Clay Wall Pocket, Saturday, July 28, 1-4 pm, $25, materials included.

Intro to Pottery Wheel Workshop, Thursdays, July 12-Aug. 23 (7 weeks), 6-8 pm, $165

June/July and Aug./Sept. Buy a special piece to bring home with you to remember your time at the shore.

Third Friday: July 20: Browse the Millville Glasstown Arts District

LBIF Faculty Exhibition

WHEATON ARTS & CULTURAL CENTER – 1501 Glasstown Rd., Millville, NJ 08332 p: 800-998-4554 Open Tues-Sun 10am-5pm; www.wheatonarts.org Exhibit info: Through December 31, 2012 in the Museum of American Glass: Pioneers of American Studio Glass: Edris Eckhardt, Maurice Heaton, Frances and Michael Higgins. During the 1940s, ‘50s and ‘60s, these artists experimented with different techniques resulting in sculptural forms that ranged from slumped to pâte de verre. The exhibit shows the work of all four artists.

Through December 31, 2012 in the Museum of American Glass: Celebrating 50 Years: American Studio Glass. This exhibit provides a comprehensive history and understanding of the American Studio Glass Movement. Works selected from the permanent collection of the Museum of American Glass represent the founders of the movement and the subsequent generations of artists that brought esteem to the field.

July 14 through August 19, 2012 in The Gallery of Fine Craft: Figure It Out. A mixed media show representing work with the Human Form as the subject. Glass, metal, ceramic and two-dimensional works with depictions of the human figure at rest and in motion will be on display for show and sale.

Through October 14, 2012 in the Museum of American Glass. The Artistry of Rick Ayotte: From The Gordon Park Collection. Over 100 paperweights and paperweight related objects

GLOUCESTER COUNTY GLOUCESTER COUNTY COLLEGE ART GALLERY 1400 Tanyard Rd, Sewell, p: 856-415-2236 Mon-Fri 8am-10pm, Sat 8am-3pm www.gccnj.edu

OCEAN COUNTY LONG BEACH ISLAND FOUNDATION, ARTS & SCIENCES 120 Long Beach Blvd., Loveladies, NJ p: 609-494-1241 Hrs: Mon-Fri 9am-5pm, Sat-Sun, 9am-3pm, www.lbifoundation.org Exhibit info: Craft Gallery Session One: through July 20 Session Two: July 27 – Sept 28 From June through September, the LBIF hosts a gallery featuring fine contemporary handmade crafts. Ceramics, glass, jewelry, metalwork, basketry, wood, fiber, and other fine craft media is be exhibited in this display.

The exhibition is be spilt into two sessions:

through August 16, Blai Gallery Throughout the summer months, the work of the extraordinary LBIF faculty is on display in the Blai Gallery. Interested in taking a class? Take a look at the work of the instructors to see which ones make your heart beat faster. Interested in supporting a faculty member with whom you’ve taken a class? Take the opportunity to purchase their work during this exciting and ever-changing exhibition.

National Juried Competition: Digital Works, through July 16.

Reception: Sunday, July 1, 5:00 – 7:00 p.m.

Juror: Christiane Paul – Director of Media Studies Graduate Programs, The New School, NYC and Adjunct Curator of New Media Arts at the Whitney Museum of American Art. The Digital Works exhibition displays emerging artists as well as those with established reputations. The purpose of the exhibition is to showcase innovative works that are created through digital processes, display distinctive characteristics of the digital, and reflect on the language and aesthetics of digital media. Artworks include all forms of digital media including photography and prints, video, software art, online, and mobile projects.

Aspects of Summer, July 25 – August 20.

Reception: Sunday, July 19, 5:00 – 7:00 p.m.

Aspects of Summer explores the true essence of summer: from the robustness and fullness of color in nature, the growth of gardens at their peak to the rippling water of the ocean.

The exhibition features both contemporary realism and abstract artwork.

MERCER COUNTY EDUCATIONAL TESTING SERVICE – 660 Rosedale Rd., Princeton, NJ, All exhibits are Free to the public.

Hrs: Mon-Fri 9am-4pm p: 609-921-9000 Exhibit info: The Chauncey Conference Center, Brodsky Gallery will be closed through mid-October for a renovation/construction project so we will not have any exhibits for that gallery.

Conant Hall, Lounge B Gallery has the Arts and Education Center exhibit through July 10, 2012. This is a varied medium exhibit of select high school students from Monmouth, Middlesex and Ocean counties in NJ.

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PHILADELPHIA SKETCH CLUB

Where artists grow.

July 6 July 22 Workshop Exhibition A show of sketches, paintings, prints and other work from the PSC 2012 life drawing and print workshops Reception: Sunday, July 22, 2 to 4 PM July 1 July 31 Works by Karen McDonnell and Anthony Cortosi Visit above website for life, clothed model and print workshop schedules.

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ART MATTERS,

For Information

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Call 215-628-8330; ext

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