“Voyaging (Self Portrait) or (The Wayfarer).” Rockwell Kent, American, 1882-1971. Wood engraving (chiaroscuro), Image: 6 x 6 inches (15.2 x 15.2 cm). Philadelphia Museum of Art. Purchased with the Leo Model Foundation Curatorial Discretionary Fund. On view in the exhibition “Rockwell Kent, Voyager,” at the Philadelphia Museum of Art, May 19 to July 29.
Page 2 • Art Matters May 2012
gallery happenings
THE ART ASSOCIATION OF HARRISBURG WILL SHOWCASE EXPRESSIONIST OIL PAINTINGS BY NEW MEXICO ARTIST CHARLOTTE SHROYER
Charlotte Shroyer of Taos, New Mexico, will exhibit her paintings in an Art Association of Harrisburg Community Exhibition at Penn National Insurance, 2 North Second Street in Harrisburg, May 1 through July 31. The exhibition is open to the public during weekday business hours in the handsome lobby of PNI on Market Square in Harrisburg. Call 717-236-1432 for more information or email Carrie Wissler-Thomas as carrie@artassocofhbg.com.
Art Matters
May 2012 • Page 3
David Febland Running in Places
May 2nd thru 27th 2010
First Friday May 4th 6 to 10pm
81st Annual
Rittenhouse Square Fine Art Show
Friday, June 1 & Saturday, June 2 11:00 am to 7:00 pm Sunday, June 3 - 11:00 am to 5:00 pm "Lunar Disintegration," 1937. Rockwell Kent, American, 1882 1971. Lithograph, Image: 12 1/8 x 10 1/8 inches. Sheet: 16 1/8 x 11 3/4 inches. Philadelphia Museum of Art. Purchased with the Lola Downin Peck Fund from the Carl and Laura Zigrosser Collection, 1971. © Plattsburgh State Art Museum, State University of New York, USA, Rockwell Kent Collection, Bequest of Sally Kent Gorton. See story on page 7
18th & Walnut Sts. rittenhousesquareart.org or 877-689-4112
Page 4 • Art Matters May 2012
35th Annual Open Juried Art Exhibition
July 29 - Sept. 4, 2012 GoggleWorks Center for the Arts Reading, PA $4000+ total awards Most media accepted Hand delivered entries only Entries accepted on July 23 Jurors - Chris Feiro, Asst. Prof. of Art Community College of Philadelphia Cheryl B. Harper, Adj. Prof. of Art Delware County Community College For prospectus, log on to www.goggleworks.org www.berksartalliance.com or send #10 SASE to: BAA c/o Gurman, 305 Sunshine Rd., Reading, PA. 19601
Call for Student Artists Full- time Students Only
WAYNE ART CENTER CRAFT FORMS 2012 CALL FOR ENTRIES “Craft Forms 2012” 18th International Juried Exhibition Contemporary Fine Craft. November 30, 2012 – January 26, 2013. Juror: Cindi Strauss, Curator of Modern and Contemporary Art and Design, Museum of Fine Arts, Houston. $4,000 + Awards. Digital Entry Fee: $40. Deadline: September 13, 2012. www.craftformsentry.com.
Are you interested in participating as an exhibiting artist in a highly respected, nationally recognized outdoor art show?
The 81st Annual
Rittenhouse Square
Fine Art Show
Friday - Sunday June 1-3, 2012 Contact Steve at RittenhouseArt@aol.com
or phone 1-877-689-4112 for information or a Student Application Only $35 and no jury for students RittenhouseSquareArt.org
COMMUNITY ARTS CENTER
CALL FOR ARTISTS Orchard Artworks, A cooperative gallery, seeks new members. Particular interest in contemporary functional crafts and art for children (clothing accessories and gifts). For submission information, see www.ochardartworks.org
CALL for ARTISTS and CRAFTERS 11th annual
Art does Matter.
FINE ARTS and CRAFTS FESTIVAL September 22 STATE STREET. MEDIA
HOLIDAY ARTS and CRAFTS SALE Duke Gallery at the Community Arts Center December 2012 Prospectus available on line at www.communityartscenter.org or call 610-566-1713
Your resource for finding artists, soliciting entries, renting art studious and for promoting your service. For more information call 215-628-9300, ext. 226
Art Matters
May 2012• Page 5
The Gratz Gallery and hidden treasures
An example of the fine restoration work available at Gratz Gallery and Conservation Studio in Doylestown.
By Adam Crugnale t’s happened before: an elderly member of the family passes away, and that faded old painting over the fireplace gets taken down and stored in an attic. Fifty years later, the painting is found again, dusted off, admired by all. Then comes that burning question, “I wonder if it’s worth anything?” On May 5 the Gratz Gallery in Doylestown will be hosting its recurrent “Appraisal Day,” the perfect time to bring that old painting or framework into the gallery to learn its worth. The last time the gallery held this event, in 2010, it was wildly successful, with many
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pieces of art being bought and sold throughout the day. “It was out of control,” said Lauren Bradley, the assistant gallery director at the Gratz. “It got to the point of people coming into the gallery from Philadelphia and beyond to have their work looked at and appraised.” Due to the popularity of this event, the gallery is requesting that all patrons present no more than two paintings for appraisal. “The Antiques Roadshow,” on PBS, made popular the idea of artistic treasure in an attic or basement. It also helped in spreading the love of old art, or simply the discovery of old art. The bad news?
If You Go
for the Mercer “Everyone Museum, and hopes their Appraisal Day we’re hoping to piece is worth takes place at Gratz Gallery raise even more $10,000 or & Conservation Studio, 68 S. Main St., for A Woman’s more,” Doylestown, PA 18901, Place this time answered Saturday, May 5, around.” Bradley, 11 a.m. - 4 p.m. Cindy laughing. Limit: two paintings Rosenberg, To add a per patron. founder and little more Fee: $20 donation president of the excitement to encouraged, not mandatory. Art Appraisal this event, the Info: 215-348-2500 or www.gratzgallery.com. Firm, will be Gratz Gallery assisting with is requesting a appraisals. Rosenberg’s firm $20 donation from any willis independent and dedicated ing patrons. All money colsolely to appraising artwork, lected will be donated to A and thus is qualified to offer Woman’s Place, a domestic unbiased assessments. There violence community benefit are fewer than 25 citizens organization. within the U.S. who hold as “We did something very many qualifications in similar the last time we held appraising fine art as this event,” said Bradley. “We raised well over $3,000 Rosenberg.
The split image above shows a painting of “The Madonna and Child” before (left) and after (right) restoration of the old painting at Gratz Gallery and Conservation Studio.
A fascinating feature of the Gratz Gallery that sets it apart is restoration of old art. This operation is headed by Paul Gratz, owner of the Gratz Gallery and Conservation Studio. If something is discovered as Appraisal Day unfolds, the gallery will be able to offer a reliable estimate of its worth as well as the possibility of restoration. Appraisal Day serves as a
great way to bring in people who might not otherwise consider themselves interested in the “art scene.” “Sometimes people can get intimidated by the art world,” said Bradley, “and one of the great things about an event like this is that people who would normally not come in the studio do come in, and some bring things in with them.”
Page 6 • Art Matters May 2012
Waterfront plan receives unanimous approval
An artist’s conception of how Penn’s Landing will appear when the Delaware riverfront project is finally completed.
By Diane M. Fiske oon it may not be necessary to calculate when you can rush in front of racing traffic to cross Route I-95 and get to the Delaware River waterfront. That “soon” has already started, but the entire process may take about 35 years. Last month the Philadelphia Planning Commission voted to adopt the master plan for the central Delaware River with a unanimous vote. The plan does a number of things. For starters, it reunites neighborhoods with the six miles of Delaware riverfront from Allegheny to Oregon Avenue. It provides a number of small parks and recreation areas for the public to enjoy in their own communities and it establishes a basis for private development. While the plan took six
S
years to develop, it is projected to take 35 years to reach complete realization at a cost of $750 million in private and public funding. “That is a reasonable amount of time for a largescale development like this,” said Harris Steinberg, a planning professor at the University of Pennsylvania School of Design. He is also the head of the Penn Praxis team that helped organize the beginning of the process in which about 30 community meetings were held seeking public opinion about waterfront development. He added, “After all, it took 100 years for the Benjamin Franklin Parkway to be completed, and it still is not finished.” In the community meetings, individuals were asked for their opinions regarding what could be done to offset the neglect of the once thriving piers that had been abandoned since the demise of
the industries that owned the riverfront properties. The fact that I-95 separates the waterfront from access to streets from Allegheny to Oregon exacerbates the problem of isolating the riverfront. Northern Liberties resident Matt Ruben, who teaches English at Bryn Mawr and Haverford, is president of the Northern Liberties Community Organization and a leader in the Central Delaware Advisory Group, an umbrella organization that includes about 20 riverfront neighborhood organizations. He cheers the progress. “This began in the fall of 2006 with Harris Steinberg. ... We participated in a series of public meetings. We have to make sure we continue to be active and continue to watch and be ready to react and take part in the public process,” Ruben said. He said the Nutter administration has been encouraging
and cooperative, but vigilance may be necessary when other administrations take over in the future. “Public participation is what distinguishes this from past waterfront proposals,” Ruben said. The Delaware River Waterfront Corporation compiled the final plan and is now in charge of its implementation. According to Sara Thorp, director of planning for the DRWC, the first steps of the plan have been well under way. Last year the Race Street Pier, designed by James Corner, who designed the famous Hi Line pier in New York, opened. The design took an abandoned pier and created a two-tiered recreation site where visitors could jog, exercise or ride bicycles on the lower deck of the square-mile pier. And on the upper deck they could relax, look at the scenic landscap-
ing and trees or pretend they were on a boat. The pier extends more than 500 feet over the river. Another project, the Washington Avenue Park, is an example of development of the master plan, which is to develop small parks and recreation areas throughout the waterfront community. In addition, some of the other projects include improvements to Race Street leading to the river to include lighting, landscaping and new sidewalks. There will also be a bicycle landing and realignment of the ramp to I-95. The challenge of crossing I-95 will be met with long- and short-term plans, which will include a proposal to cap the crossing to Penn’s Landing Park and cover the interstate between Chestnut and Walnut streets to “provide solutions to difficult waterfront access and reduce the impact of I-95,” according to the DRWC in
its report “Transforming the Waterfront.” The design, which was done by Cooper-Robertson & Partners, a planning firm of New York and Landscape designers Olin of Philadelphia, calls for a community park at Penn’s Landing and a waterfront trail along Delaware Avenue. There will be about a dozen overpasses from connector streets to reach the waterfront and improved crossing, including underpasses, in others. There are tangible results of the plan, but the entire process will take time. And that is good. When it was passed unanimously by the planners, Commissioner Nancy Trainer said she liked the fact that it is “incremental.” Thorp said, “The plan is divided into near-term, midterm, and long-term proposals and some of the public improvements have already been completed. We are in negotiations to acquire more piers.” She said the DRWC just made overtures to buy Pier 70-80. An important aspect of the plan is to encourage private development, which will include more residential, small-scale building. About 90 percent of the land in the area is privately owned. The master plan calls for the development of the Delaware River waterfront so that it will rival Boston and Baltimore in attracting residents and tourists, but its strong goal, according to Thorp, is to be intrinsically Philadelphia. — This is a monthly column about architecture, urban design and city planning. Comments and questions would be welcome. Diane Fiske can be reached at dfiske_19118@yahoo.com.
Art Matters
May 2012 • Page 7
The Fascinating Voyages of Rockwell Kent
EXHIBITIONS
InSight
By Burton Wasserman
Left, “Big Inch,” 1941. Rockwell Kent, American, 1882 1971. Lithograph, Image: 9 x 12 7/16 inches. Sheet: 12 1/2 x 16 5/8. Below, “Harvest,” 1926. Watercolor over graphite on white watercolor paper, mounted on illustration board. Sheet: 10 1/4 x 14 3/16 inches. Philadelphia Museum of Art. Both purchased with the Lola Downin Peck Fund from the Carl and Laura Zigrosser Collection, 1971. © Plattsburgh State Art Museum, State University of New York, USA, Rockwell Kent Collection. Bequest of Sally Kent Gorton.
If You Go “Rockwell Kent, Voyager” will be on view
n the art world, reaching a position of considerable prominence can prove to be very fickle. At a given time, one may enjoy a bright and sparkling reputation. Income may be arriving both from connoisseurs anxious to acquire selections of one’s creative work and from substantial commissions for all sorts of special projects. And then, it can all fade. For any number of possible reasons, the bubble goes poof and pops out of sight. In due course, the elevated standing in the critical scene dies down and with it the sources of notoriety and revenue gradually go dry. This was very much the case with Rockwell Kent. Famous for six decades in the early years of his career, he died in 1971, virtually a has-been. His star grew dim and then went to the very brink of limbo. For a long time, Kent had enjoyed recognition as an eminent painter, printmaker, book illustrator, author, world traveler, successful farmer and even a political activist. One of his most notable accomplishments was the set of illustrations he prepared for a phenomenally successful edition of Melville’s “Moby Dick.” However, in spite of all his good fortune in all of these different undertakings, he is best remembered
I
at the Philadelphia today as a gifted draftstive Museum of Art, man, principally in black presence floating in a jet26th St. & the Parkway, and white, and as an dark sky. Below, on the Philadelphia, PA 19130, accomplished master of ground, several tiny May 19 - July 29. the demanding craft of standing human forms, Info: 215-763-7100 or fine wood engraving. with arms raised, appear www.philamuseum.org. In tribute to his to be praying as they lift accomplishments, the their heads upward. Philadelphia Museum of Art has decidThe overall scene generates an ed to install a memorial solo exhibition atmosphere of profound spiritual intenof his graphic work. Titled “Rockwell sity, given deep expression by the juxKent, Voyager,” the show will be on taposition of white and black areas of display in the Berman Gallery of the color. As a romantically poetic compolandmark building on Fairmount from sition, it all comes together in a soundly May 19 to July 29. Visitors will have a unified arrangement of balanced elegolden opportunity to become familiar ments. Together, they project a curiouswith an expressive vision that once ly mysterious depth of feeling that enjoyed considerable status at the sumabsolutely defies simplistic explanation. mit of the country’s esteemed aesthetic An entirely different state of reality hierarchy. animates the selection titled “Big Inch.” Kent’s graphic accomplishments Here, the picture represents several were collected with assiduous dedicalaborers out of doors guiding the placetion by Carl Zigrosser, the founding ment of a massive length of pipe that curator of the Department of Drawings might be intended for the potential and Prints at the Philadelphia Museum shipment of natural gas or refined of Art. Consequently, the exhibition petroleum products. The scene offers a consists of a comprehensive assortment focus on an everyday, down-to-earth of works on paper in various drawing situation in which the need of functionmedia and examples of original graphic al harmony between industrial technolprints including lithographs and wood ogy and the guiding hand of human engravings. labor is necessary and desirable if “Godspeed,” a small wood engravsound social outcomes are to emerge. ing from the period of 1931-1932, is a Another lithograph in the exhibifanciful interpretation of a pale figuration, titled “Lunar Disintegration,”
depicts the collision of a huge spheroidshaped object (perhaps an asteroid or a space vehicle) impacting the surface of the moon. It’s fascinating to see how Kent could give his imagination free rein in the area of science fiction back in 1937. Perhaps his own experiences, wandering far and wide on planet Earth, motivated him to wonder what it would be like to travel beyond the limits of the world he had already touched with his own feet. Along these lines, one of the most haunting items in the show is a woodengraving titled “Voyaging (Self Portrait) or Wayfarer.” It offers an image of the artist contemplating a setting in which vague flying forms seek to break free of Earth’s gravity. Clearly, the possibility of unlimited travel, beyond the planet’s orbit, was a topic to which Kent dedicated considerable thought. His belief in unbounded possibilities for human exploration — physically, spiritually, intellectually, politically and creatively — gave his best work a flavor of moral strength in the service of reaching for goals situated beyond one’s immediate grasp. Without question, his was a vision devoted to the pursuit of idealized human growth and ever more meaningful personal achievement.
Page 8 • Art Matters May 2012
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PENNSYLVANIA
* 201 Washington St. Reading, PA 610.374.4600 Hrs: Mon-Sat 9am-9pm, Sun 11am7pm. First Thurs 5pm-8pm. 2nd Sun 11am-4pm | % % email: ) % Cohen Galler y - VANI TY FARE: ART I nspir ed by FASHI ON. Exhibition May 4 June 3, 2012. Opening reception First Friday, May 4 5:30-7:30pm. Following in the footsteps of Philadelphia Museum of exhibit and the Metropolitan Museum McQueen exhibit, Goggleworks presents its 2012 juried exhibit VANITY FARE. This show features over 80 works of art by more than 40 artists & includes painting, sculpture, fiber art, couture, dĂŠcor and installations. Jur or s: Lyn Godley and Pam Ptak of Season 7 of Project Runway. Schmidt Galler y - Bruce Becker presents a collection of oil paintings by 21 students, enrolled at his Warehouse Studio. Their passion, dedication and talent is extraordinary; this is a celebration of light, beauty and color by Marissa and Eric Bluestone, Marg Wolf, Crystal Domino, Susan Goodling, Polly Betsh, Susan Grabert, Sherri Dauphinais, Sylvia Umberger, Ruth Sager, Mary Burke, Merl Zodel, Lois Dieffenbach, Audrey A. Bordonaro, Kris Miller-Siple, Jo Frable, Michele Kulp, Bev Bansner, Bonnie Boyer, Madelyn Huber and Ray Smith. Gr een Wall - WYSO M onk and Fr iar Exhibit - May 1 June 28, Opening reception First Friday, May 4 5:30-7:30pm. Frank Wysochansky, also known as WYSO (1915-1994), was a self-taught artist with a unique style of painting used mixed-media. He found humor in life, and his art reflects that attitude. Two of his brothers and nephew were monks, and he respected their spiritual monastic life. His creativity led him to explore an imaginary, humorous side of his subjects. This exhibition is made possible through a partnership with the WYSO Foundation and in collaboration with Yocam Institute for Art Education, Wyomissing PA,
Art Matters
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Art Matters
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PHILADELPHIA SKETCH CLUB 235 S. Camac St. between 12th & 13th,Locust & Spruce Sts. Mon., Wed., Fri - Sun 1 - 5pm www.sketchclub.org
215-545-9298 Where artists grow. May 4 to May 19 2012 PSC MEMBERS SHOW An annual exhibition featuring the best works pf Sketch Club members. Reception: Sunday, May 6, 2 to 4pm. May 1 to May 31 Works by Patrick Conners June 1 to June 16 PHILLUSTRATION Reception: Sunday, June 3, 2 to 4pm. Visit above website for life, clothed model and print workshop schedules.
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Page 12 â&#x20AC;˘ Art Matters May 2012
0 + 5345 May 2012 Listings
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