AUGUST/SEPTEMBER 2019 METROSOURCE LA
METROSOURCE
TREAT YOURSELF
TO AMSTERDAM
MEASURING UP
SHORTER AUGUST/SEPTEMBER 2019
MEN’S STYLE
STRICTLY BALLROOM
LIVE FROM THE SET OF POSE
MEN EN POINTE WHEN BALLET IS A DRAG
WELLNESS
DAVEY WAVEY WHAT MAKES MEN CLICK
IMPORTANT FACTS FOR BIKTARVY®
This is only a brief summary of important information about BIKTARVY and does not replace talking to your healthcare provider about your condition and your treatment.
(bik-TAR-vee)
MOST IMPORTANT INFORMATION ABOUT BIKTARVY
POSSIBLE SIDE EFFECTS OF BIKTARVY
BIKTARVY may cause serious side effects, including:
BIKTARVY may cause serious side effects, including: } Those in the “Most Important Information About BIKTARVY” section. } Changes in your immune system. Your immune system may get stronger and begin to fight infections. Tell your healthcare provider if you have any new symptoms after you start taking BIKTARVY. } Kidney problems, including kidney failure. Your healthcare provider should do blood and urine tests to check your kidneys. If you develop new or worse kidney problems, they may tell you to stop taking BIKTARVY. } Too much lactic acid in your blood (lactic acidosis), which is a serious but rare medical emergency that can lead to death. Tell your healthcare provider right away if you get these symptoms: weakness or being more tired than usual, unusual muscle pain, being short of breath or fast breathing, stomach pain with nausea and vomiting, cold or blue hands and feet, feel dizzy or lightheaded, or a fast or abnormal heartbeat. } Severe liver problems, which in rare cases can lead to death. Tell your healthcare provider right away if you get these symptoms: skin or the white part of your eyes turns yellow, dark “tea-colored” urine, light-colored stools, loss of appetite for several days or longer, nausea, or stomach-area pain. } The most common side effects of BIKTARVY in clinical studies were diarrhea (6%), nausea (6%), and headache (5%).
} Worsening of Hepatitis B (HBV) infection. If you
have both HIV-1 and HBV, your HBV may suddenly get worse if you stop taking BIKTARVY. Do not stop taking BIKTARVY without first talking to your healthcare provider, as they will need to check your health regularly for several months.
ABOUT BIKTARVY BIKTARVY is a complete, 1-pill, once-a-day prescription medicine used to treat HIV-1 in adults. It can either be used in people who have never taken HIV-1 medicines before, or people who are replacing their current HIV-1 medicines and whose healthcare provider determines they meet certain requirements. BIKTARVY does not cure HIV-1 or AIDS. HIV-1 is the virus that causes AIDS. Do NOT take BIKTARVY if you also take a medicine that contains: } dofetilide } rifampin } any other medicines to treat HIV-1
BEFORE TAKING BIKTARVY Tell your healthcare provider if you: } Have or have had any kidney or liver problems,
These are not all the possible side effects of BIKTARVY. Tell your healthcare provider right away if you have any new symptoms while taking BIKTARVY.
including hepatitis infection. } Have any other health problems. } Are pregnant or plan to become pregnant. It is not known if BIKTARVY can harm your unborn baby. Tell your healthcare provider if you become pregnant while taking BIKTARVY. } Are breastfeeding (nursing) or plan to breastfeed. Do not breastfeed. HIV-1 can be passed to the baby in breast milk.
You are encouraged to report negative side effects of prescription drugs to the FDA. Visit www.FDA.gov/medwatch, or call 1-800-FDA-1088. Your healthcare provider will need to do tests to monitor your health before and during treatment with BIKTARVY.
HOW TO TAKE BIKTARVY
Tell your healthcare provider about all the medicines you take:
Take BIKTARVY 1 time each day with or without food.
} Keep a list that includes all prescription and over-the-
counter medicines, antacids, laxatives, vitamins, and herbal supplements, and show it to your healthcare provider and pharmacist.
} BIKTARVY and other medicines may affect each other.
Ask your healthcare provider and pharmacist about medicines that interact with BIKTARVY, and ask if it is safe to take BIKTARVY with all your other medicines.
Get HIV support by downloading a free app at
MyDailyCharge.com
GET MORE INFORMATION } This is only a brief summary of important information
about BIKTARVY. Talk to your healthcare provider or pharmacist to learn more.
} Go to BIKTARVY.com or call 1-800-GILEAD-5. } If you need help paying for your medicine,
visit BIKTARVY.com for program information.
BIKTARVY, the BIKTARVY Logo, DAILY CHARGE, the DAILY CHARGE Logo, KEEP LOVING, LOVE WHAT’S INSIDE, GILEAD, and the GILEAD Logo are trademarks of Gilead Sciences, Inc., or its related companies. Version date: December 2018 © 2019 Gilead Sciences, Inc. All rights reserved. BVYC0102 01/19
KEEP LOVING.
Because HIV doesn’t change who you are. BIKTARVY® is a complete, 1-pill, once-a-day prescription medicine used to treat HIV-1 in certain adults. BIKTARVY does not cure HIV-1 or AIDS.
Ask your healthcare provider if BIKTARVY is right for you. To learn more, visit BIKTARVY.com.
Please see Important Facts about BIKTARVY, including important warnings, on the previous page and visit BIKTARVY.com.
THE DAY HER HEART STOOD STILL
VIEWS
EDITOR’S LETTER
YOU KNOW WHAT’S NOT A GREAT TIME TO RECEIVE A PHONE
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call that your homophobic Mom has been taken to the hospital? Just as a waitress is delicately setting down a full-to-brimming martini in front of you at a gay bar. First, there came that moment of urgent panic that people often experience when they hear something bad has happened. It’s as though we tell ourselves that if we can respond fast enough, we just might be able to go back in time and fix whatever has gone wrong. In fact, I remember instinctively jumping to my feet — jostling the table and nearly spilling the cocktails I’d been sipping al fresco with friends in the West Village. By that point, my mother had already been saved by both her own quick thinking and that of her then-neighbor, Joe. When she began to feel overcome by the effects of the heart attack she was having, she managed to stumble out into our front yard. There Joe had noticed her in distress. He called medical help for her as quickly as possible and stayed by her side until the EMTs arrived. My second reaction was fear. But this was not fear about my mother’s health or that I might not reach her in time to say goodbye. This was pure, unadulterated fear of returning home. After many years of feeling like an outsider in my suburban NJ community, I had moved to NYC and begun to blossom in new and different ways. I could finally be openly gay and was almost constantly surrounded by people knew that I was. (It has been said that anyone with the ability to see and hear knew that I was.) Though my apartment was admittedly unglamorous, I knew that I was free to bring a guy home (if I ever found one who would come). That would not have been okay with my mom. My budget was strictly limited, but nobody judged how much of it ended up in the cash registers of boy bars — as I knew my mother would have. The crowded streets and constant thrum of the subway felt like freedom compared to the loneliness I’d left behind in the land of lawns and culs-de-sac. How, I wondered, had my mother had managed to take me away from all that in a heartbeat (or lack thereof)? Could this be part of a master plan to do so? At some level, I was aware that I was not feeling things one is supposed to feel when one’s mom has a heart attack. Instead, I was flashing back to years of pain and judgment and suspicion — feeling I thought I’d left far behind. I tried to collect myself and explain the situation to my friends, who were surprised, but supportive. I briefly considered leaving the drink on the table. Instead, I brought the glass to my lips and drained it in one long painful gulp. It didn’t help. Much. I followed the instructions I was given and got on a train to Jersey. One of my mother’s friends picked me up at the station in a minivan. I wondered if she could smell gin on my breath. And I wondered if she knew what was going through my head. I provided ID at the hospital entrance, wondering why they make people stop for such beauracracy in the middle of an emergency. Eventually, I found my way through labyrinthine halls to her room. And there she was - looking more pale and tiny than I had ever seen her. There was a tube in her throat and machines that were whirring and beeping. And suddenly I was feeling the things I’d expected to feel all along. This, after all, was my mommy, who sang to me and studied with me and hand-sewed my costumes for school plays. All that fear of going home melted away. But it was replaced by a new fear — that she wouldn’t wake up. I sat by Mom’s bed. I held her hand. I talked softly to her even though she was unconscious. Finally, she opened her eyes. At first she looked alarmed — both by the breathing tube and the fact that her son seemed to have somehow appeared from the next state over. “Don’t try to talk,” I said. “You’re going to be okay. I’m here.” And I knew that, no matter what else I’d felt earlier, in that moment — I was exactly where I was supposed to be. ■ AUGUST/SEPTEMBER 2019
METROSOURCE.COM
FOUNDER Rob Davis ASSOCIATE PUBLISHER Evelyn Vayner EDITORIAL DIRECTOR Paul Hagen CREATIVE DIRECTOR Jiyon Son ASSOCIATE EDITOR Kevin Phinney SENIOR DESIGNER Jayson Mena COPY EDITOR Kevin Phinney PROOFREADERS Erin Jordan, Mary Mele CONTRIBUTING WRITERS Jennifer Day, Matt Gross,
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CHIEF EXECUTIVE OFFICER David Miller EXECUTIVE DIRECTOR | Thomas K. Hanlon GENERAL MANAGER DIRECTOR | OPERATIONS MGMT Ray Winn DIRECTOR | ORDER MGMT Heather Gambaro MANAGER | MARKETING Erin Jordan SERVICES MANAGER | OPERATION MGMT Leonard Porter COORDINATOR | OPERATIONS Elvins Cruz MANAGEMENT ASSISTANT MARKETING Kristine Pulaski MANAGER CHIEF FINANCIAL OFFICER David Friedman DIRECTOR | EVENTS MGMT Rebecca Stolcz MANAGERS | CREDIT & Rosa Meinhoffer COLLECTIONS Dan Finnegan For national advertising inquiries, call: 212.691.5127. Subscriptions: One year (6 issues): $19.95; 12 issues: $34.95. Reproduction of any article, listing or advertisement without the written permission of the publisher is strictly prohibited. The people, businesses and organizations appearing in Metrosource are supportive of the gay community. Mention of any person, business or organization is not a reflection of their sexual orientation. ©2019 Davler Media Group LLC. All rights reserved. Metrosource is a registered trademark of Davler Media Group LLC. Printed in the USA. Metrosource Davler Media Group 213 West 35th St., Suite 12W New York, NY 10001 212.691.5127 metrosource.com
THIS PAGE: PHOTO COURTESY OF PETER MANNING • COURTESY DAVEY WAVEY • LES BALLETS TROCKADERO DE MONTE CARLO PHOTO BY ZORAN JELENIC
August/September 2019 | VOLUME 30, NO. 4
40 28 GET SHORTY IN A WORLD WHERE “BIG AND TALL” options are everywhere, these entrepeneurs are crafting express-yourself fashion for guys closer to the ground.
34 LES BALLETS TROCKADERO DE MONTE CARLO WHAT HAPPENS WHEN DRAG MEETS BALLET? We discuss with people who’ve been
asnwering this question in a company that’s been around for 45 years!
28 34
ON THE COVER COURTESY DAVEY WAVEY
CONTENTS
40 DAVEY WAVEY WE TALK TO THE INTERNET PHENOMENON about how he became a YouTube
superstar and why he’s using that power to help gay men love each other better.
52 THE ART OF LIVING IN LYON AND AMSTERDAM ONE IS A FRENCH CITY WITH A LIGHT FESTIVAL you can see from space. The other is a
Dutch city that’s famous for freedom and entering a new golden era.
DEPARTMENTS
44
5
52 culture
5 the scope Celebrate Fire Island, Pierre Cardin, Queen, Bisexuality, American Horror Story and more... in scope!
14 screen Queer teens, a murdered gay auteur and Trixie Mattel!
22 TECH The ultimate app to keep track of your meds.
23 FINANCE What you could learn from living off only cash...
24 music The latest from Dionne, Carly Rae and Madonna.
50 books Eye-opening work from photographers and chefs.
Body
Exclusively LA
12 metro hiv
57 LA Scope
What happens when two miracle workers join forces?
44 HEALTH Meet the gay yoga guru who is teaching the next generation of teachers.
views 13 POV Kevin spends one too many nights helping straight people get laid.
49 diary Wade and Gary struggle through each other’s fave fitness routines. 68 LAST CALL Three stars of Pose offer behind-the-scenes dish.
Check out comedy, mystery, movies and Manilow.
58 hot shops La Jolla is a gem.
60 weddings Clock unique venues.
62 restaurant Review Museum-quality dining.
63 restaurant bites Where to chow down...
64 bar source ... and where to drink up.
65 business directory Our exclusive list of businesses catering to the LGBT community.
67 Community resources Organizations and resources for LA’s LGBTs.
This Page: Image courtesy of Alex Geana/Glitterati Editions from “Fire Island Photographs” • Photo courtesy sacred fig • Place des Jacobins - FDL 2018 ©Brice Robert for Only Lyon
wellness
August/September 2019 | VOLUME 30, NO. 4
THESCOPE
THE
CURATED BY SEBASTIAN FORTINO, PAUL HAGEN, AND SYRA TAUB
THIS PAGE: IMAGES COURTESY OF ALEX GEANA/GLITTERATI EDITIONS FROM “FIRE ISLAND PHOTOGRAPHS”
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CULTURE
SCOPE INK SPOTTED
A MAGICAL, GAY PLACE MANY BEACH TOWNS THAT STILL ATTRACT AND WELCOME THE
LGBTQ community began as secluded artists’ colonies in the last century. But in Fire Island: Photographs ($50, Glitterati Editions) by Alex Geana, we see what the island means to a new generation of gay men. “I was following a long list of artists who used the community as a safe haven from the city to find inspiration, connection and love,” Geana said of his work. “I wanted to share the respect, fun and happiness and as well as heartbreak that one experiences here, in addition to focusing on how climate change is affecting this special place.”Yes, there are pictures of beautiful men on beaches and dance
floors.You’ll find elegant nudes, sun-drenched poolsides and exquisitely costumed drag performers. But, there are also images to induce thoughts of solitude and reflection. In one, a lone figure poses against a stark backdrop - what appears to be a dry swimming pool. You can’t help wonder if the subject feels alone despite the summer revelers surely nearby. In another, a blond stands among the ruins of a fire like a phoenix inside the ashes. It’s a potent reminder of the Fire Island staples that have been lost to actual fire. However you interpret its images, Fire Island: Photographs is an invitation to a very magical gay place indeed. alexgeanaphotography.com METROSOURCE.COM AUGUST/SEPTEMBER 2019
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From Left: Pierre Cardin “Computer” coats, 1980.; Pierre Cardin “Cardine” dress, 1968.; Pierre Cardin (French, born 1922). Sketch for a “Cardine” minidress,1968. Photos: Courtesy of Archives Pierre Cardin. © Archives Pierre Cardin
the future is now If you’re able to visit Pierre Cardin: Future Fashion at the
culture
thescope
Brooklyn Museum, you’ll be treated to a view of more than 170 pieces related to this gay fashion titan. Among the wonders, you’ll find archival images of Cardin and examples of his work ranging from fashion sketches to designs for television and film. These works - largely sourced from the atelier and personal archives of the designer - reveal him to be a futuristic iconoclast. His designs favor geometric shapes - even when building bespoke gowns. They reference influences ranging from Japanese origami to American football uniforms. This allowed him to create new forms for the
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Tour Thing
Yasss, Queen! With the success of the movie Bohemian Rhapsody, Queen is
back for a whole new generation, and they’re making the most of it. The band formed in 1970, and is widely regarded one of the most important and influential rock groups in history. Now the British hitmakers behind “You’re My Best Friend” and “We Are the Champions” continue their North American Rhapsody tour throughout the month of August. Each Queen tour typically features a rotating cast of music notables, and this outing is no different. Led by founding members Brian May and Roger Taylor,
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modern era. They include synthetic unisex jumpsuits; vests, illuminated garments — and even those broad-shouldered jackets that became so ubiquitous in 1980s fashion. There will also be a selection of 1964’s Cosmocorps collection, which streamlined menswear with minimalist details and tailoring. Cardin is still working today and recently launched a line of menswear. Some 20 years ago, he purchased the ruins of the Marquis de Sade’s chateau in Lacoste, France where he still hosts exhibitions and musical events. So there’s something for all fashion lovers. The exhibit opened in July and runs through January of 2020. brooklynmuseum.org
august/september 2019
metrosource.com
The Rhapsody Tour will feature Adam Lambert on vocals, taking on the legacy left by the late Freddie Mercury.” The tour will certainly feature such audience favorites as“Somebody to Love,” “Don’t Stop Me Now” and “We Will Rock You.” Lambert brings a new and unique energy to Queen, while continuing to impress audiences and celebrate the band’s ‘70s and ‘80s heyday. Queen will appear in the New York area on August 6 and 7. They’ll also be making stops throughout the U.S., including Houston, TX; Washington, D.C. and Tampa, FL. queenonline.com
this page: Queen and Adam Lambert Photo Courtesy CBS
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ART BEAT
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CAN’T MISS
THERE’S SOMETHING ABOUT EMMY
THOUGH WE’VE STILL GOT MONTHS BEFORE THE BIG SCREEN’S AWARD
season gears up again, television gets its big night in the limelight September 22. Some of last year’s big LGBTQ-themed winners included The Assassination of Gianni Versace: American Crime Story for Outstanding Limited Series and RuPaul’s Drag Race for Outstanding Reality-Competition Program. This year’s show will air live starting at 8pm on Fox, and there’s plenty to root for. Killing Eve stars Sandra Oh as a British investigator and Jodie Corner as an assassin with whom she shares a perpetual cat-and-mouse game — and a deeply complicated infatuation.
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The show could be a candidate for Outstanding Drama Series or for acting awards recognizing the performances of Oh and Corner. Another show with the potential to make an impact this year is Pose, with its largest recurring cast of LGBTQ actors ever for a scripted series, including Metrosource cover gent Billy Porter. And LGBTQ-beloved backstage drama Fosse/Verdon will almost certainly compete for some statuettes, especially considering the white hot performance of Michelle Williams as Gwen Verdon. As of press time, no host had been announced, leading some to speculate whether the ceremony will go hostless. emmys.com
DRINK UP
ALL BOTTLED UP WHEN CAMERON HUGHES WINE RELEASED A “WINE-BOW” FEATUR-
THIS PAGE: RUPAUL EMMY WINE PHOTO COURTESY PAUL DRINKWATER/NBC
ING six of their most popular wines in a rainbow-splashed six
pack for Pride, they certainly attracted our attention. We decided to turn to them on a topic that always gets trotted out when it comes to wellness: whether wine is actually good for you. In turn, they referred us to their very reliable source. The Mayo Clinic. So what did the #No. 1 hospital on the U.S. News and World Report Honor Roll have to say about whether raising a glass of vino can help you stay healthy? According to its staff, while wine is often thought of as heart-healthy, they don’t completely understand the link between the beverage and decreased heart attacks. That said, a substance found in red wine called resveratrol may be the hero: It’s an antioxidant that helps prevent damage to blood vessels, reduces bad cholesterol and prevents dangerous blood clots. Since resveratrol is found in grape skins which ferment in red wine longer, red is ostensibly the healthier tipple. For example, Cameron Hughes Wine recommended their “Lot 643 - Paicines Cabernet Sauvignon.” Even better news? When consumed in moderation, the alcohol in wine also has health benefits. So you have something extra to feel good about next time you toast with friends. Now if only we could do something about that seductive cheese platter...
METROSOURCE.COM AUGUST/SEPTEMBER 2019
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Circuit Shakers
It’s time to book your flights and get to
GOOD THING
the perfect time to bi
Everyone is getting ready for Celebrate Bisexuality Day this September 23! The
culture
thescope
holiday aims to bring the bisexual community into the spotlight and observe bisexual history. Also known as Bi Visibility Day, it was first celebrated in 1999 by three bisexual rights activists concerned that the bisexual community was still largely invisible compared to other components of the LGBTQ community. In 2014, the seven days surrounding Celebrate Bisexuality Day were declared Bi Awareness Week. During this time, allies and community members alike are encouraged to discover the history, culture and priorities of the bisexual community. Many choose to refer to the holiday as Bisexuality+ Day in an effort to include those who identify as pansexual, polysexual and omnisexual. Now in its 21st year of celebration, Celebrate Bisexuality Day is a great occasion to bring attention to the fact that some of our favorite folks are bi. These include Sara Ramirez (of Spamalot, Grey’s Anatomy and Madame Secretary), Michelle Rodriguez (of Avatar, Resident Evil, and the Fast and Furious franchise), Miley Cyrus, the late David Bowie, Shannon Purser (of Stranger Things and Riverdale), Janelle Monáe, Drew Barrymore, and the Queen of them all, Freddie Mercury. bivisibilityday.com
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TV Set
when roberts met kenworthy we didn’t know exactly what to expect going into
American Horror Story: Apocalypse. However, at least we knew it would be a mash-up of the characters from Coven and Murder House. The next chapter, American Horror Story: 1984 has been even more shrouded in mystery in the lead-up to its release. The show’s creators have revealed that Emma Roberts (pictured here at the premiere of Ugly Dolls) will return. What’s more, Olympian Gus Kenworthy will join the series playing her boyfriend. However, Evan Peters, who has appeared in all eight of the show’s other seasons, will not be returning this time. Nor will Person We Love Billy Eichner, who had roles in both Cult and Apocalypse. Apparently this season’s title refers to famous late-20th century slasher film franchises like Halloween, Friday the 13th and A Nightmare on Elm Street. However, conspiracy theorists have guessed that the specific choice of 1984 - which is also the title of George Orwell’s novel about a dark, dystopian future - may also offer some hints about what’s in store. We’ll start getting answers when the show premieres September 18. fxnetworks.com
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august/september 2019
metrosource.com
Barcelona Circuit Festival August 8 - 18 There’s never a bad time to go to Barce-
lona. But, if you want 10 days of non-stop beats from 40 international DJs, this is the ideal moment for you to dance all night, and siesta all day while enjoying the Catalan experience. The event hosts 16 parties, so there’s sure to be something for everybody. circuitfestival.net/barcelona/about-us/ Chicago Market Days August 10 - 11 Since 1980, Northalsted Chicago Market
Days has attracted thousands of hip DJs, hot musicians, dancers and music lovers of all stripes. It’s also a street festival,with more than 200 unique vendors, so you can browse and nosh between sets. chicagoevents.com/ events/northalstedmarketdays/ P-Town Carnival August 15 - 24 Idyllic Provincetown knows how to
throw events with the LGBTQ community in mind. This year, with Stonewall 50 to celebrate, it’s gonna be an extra hot time in Ye Olde Towne! There’ll be a costume ball, local artists selling their wares, and a parade Thursday, August 22nd bearing the spellbinding theme of “Enchanted Forest.” ptownevents.com/provincetown-carnival/ Austin Splash Days August 30 - September 1 Austin Splash days offers four hot par-
ties over four hot Texas days. And you know what they say about everything being bigger in Texas, so expect this event to be no exception to the rule. As an added bonus, you can feel good knowing that 100% of the profits earned go to AIDS Services of Austin. Headlining DJs include LA’s Roland Belmares and J. Warren from Dallas. splashdays.com
this page: Sara Ramirez Photo by David Needleman/CBS • By Eric Charbonneau courtesy STX Films
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these hot parties in August and September. Remember, even though it’s no longer June, we’re still celebrating 50 years of gay liberation since the Stonewall Uprising. Their fight led to your right to party!
this page: Downton Abbey photo courtesy focus features • The Inheritance Photos by photo by Simon Annand courtesy the british production at the Young Vic
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SCREEN IT
return to the Abbey When the last episode of Downton Abbey aired in 2015, many
viewers felt as if they were losing old friends. So it shall be quite the lovely reunion when the Crawleys and company return on the big screen September 20. Returning characters include Lady Cora (Elizabeth McGovern), Lady Mary (Michelle Dockery), “poor Lady Edith”(Laura Carmichael), and most importantly, the Dowager Countess of Grantham (Dame Maggie Smith). Our friends downstairs are also in residence, including mercurial cook Mrs. Patmore (Lesley Nichol), Anna (Joanne Froggat) and her husband Mr. Bates (Brendan Coyle); kindhearted Mrs. Hughes (Phyliss Logan) now married to Mr. Carson (Jim Carter). And if you were
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a fan of the smolderingly sexy Thomas (Rob James-Collier) who was outed as gay in the series — he’s back too. It seems he’ll have a chance for romance (the trailer shows him sharing a kiss with another gent). One of the film’s central plotlines revolves around a royal visit by King George V and wife Queen Mary of Teck. And if you don’t know Mary of Teck (the current queen’s grandmother), Google her immediately. She knew her bling, and exactly how to flash it. Otherwise, series creator Julian Fellowes has kept mum about what his rabid followers might expect from the film. However in related news, his long-awaited follow-up series The Gilded Age recently moved to HBO. focusfeatures.com
STAGE ADVICE
heir it comes
Clear your schedule for Broadway’s next LGBTQ masterpiece.
“The Inheritance”is a play focused on several contemporary gay lives. And its smash hit production is traversing The Pond to NYC from London this fall. The play was written by Matthew Lopez and directed by the renowned Stephen Daldry (of Billy Elliot fame). Among the accolades already received: the 2019 Olivier Award for Best New Play. The piece, which is loosely inspired by E. M. Forster’s Howards End, is set in 21st century NYC, a full generation after the HIV/AIDS crisis of the 1980s. It follows a trio of gay men as they struggle to connect to the past and find their place in the world. Over two performances, the show examined more than 40 years of the gay experience, encountering loss, changing relationships and oppression in politics. Critics have hailed The Inheritance as a “moving” and “inspirational” piece. The two-part play, which runs for a total of six hours, was first premiered at London’s Young Vic, where it starred such talents as Vanessa Redgrave. Now New York City audiences will have the chance to experience this slice of LGBTQ history at the Ethel Barrymore Theatre. Previews begin September 27 and the play is scheduled to open November 17. theinheritanceplay.com metrosource.com august/september 2019
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Important Facts About DOVATO
Tell your healthcare provider about all of your medical conditions, including if you: (cont’d) This is only a brief summary of important information about • are breastfeeding or plan to breastfeed. Do not breastfeed if you DOVATO and does not replace talking to your healthcare provider take DOVATO. about your condition and treatment. ° You should not breastfeed if you have HIV-1 because of the risk of passing What is the Most Important Information I Should HIV-1 to your baby. Know about DOVATO? One of the medicines in DOVATO (lamivudine) passes into your breastmilk. ° If you have both human immunodeficiency virus-1 (HIV-1) and Talk with your healthcare provider about the best way to feed your baby. ° hepatitis B virus (HBV) infection, DOVATO can cause serious side Tell your healthcare provider about all the medicines you take, effects, including: including prescription and over-the-counter medicines, vitamins, and • Resistant HBV infection. Your healthcare provider will test you for HBV herbal supplements. infection before you start treatment with DOVATO. If you have HIV-1 and Some medicines interact with DOVATO. Keep a list of your medicines and show hepatitis B, the hepatitis B virus can change (mutate) during your treatment it to your healthcare provider and pharmacist when you get a new medicine. with DOVATO and become harder to treat (resistant). It is not known if • You can ask your healthcare provider or pharmacist for a list of medicines that DOVATO is safe and effective in people who have HIV-1 and HBV infection. interact with DOVATO. • Worsening of HBV infection. If you have HIV-1 and HBV infection, your • Do not start taking a new medicine without telling your HBV may get worse (flare-up) if you stop taking DOVATO. A “flare-up” is when healthcare provider. Your healthcare provider can tell you if it is safe your HBV infection suddenly returns in a worse way than before. Worsening to take DOVATO with other medicines. liver disease can be serious and may lead to death. What are Possible Side Effects of DOVATO? Do not run out of DOVATO. Refi ll your prescription or talk to your ° DOVATO can cause serious side effects, including: healthcare provider before your DOVATO is all gone. • Those in the “What is the Most Important Information I Should ° Do not stop DOVATO without first talking to your healthcare Know about DOVATO?” section. provider. If you stop taking DOVATO, your healthcare provider will need • Allergic reactions. Call your healthcare provider right away if you to check your health often and do blood tests regularly for several months develop a rash with DOVATO. Stop taking DOVATO and get medical to check your liver. help right away if you develop a rash with any of the following signs What is DOVATO? or symptoms: fever; generally ill feeling; tiredness; muscle or joint aches; DOVATO is a prescription medicine that is used without other antiretroviral blisters or sores in mouth; blisters or peeling of the skin; redness or swelling of medicines to treat HIV-1 infection in adults: who have not received antiretroviral the eyes; swelling of the mouth, face, lips, or tongue; problems breathing. medicines in the past,and without known resistance to the medicines dolutegravir • Liver problems. People with a history of hepatitis B or C virus may have an or lamivudine. HIV-1 is the virus that causes Acquired Immune Deficiency increased risk of developing new or worsening changes in certain liver tests Syndrome (AIDS). It is not known if DOVATO is safe and effective in children. during treatment with DOVATO. Liver problems, including liver failure, have Who should not take DOVATO? also happened in people without a history of liver disease or other risk factors. Do Not Take DOVATO if You: Your healthcare provider may do blood tests to check your liver. • have ever had an allergic reaction to a medicine that contains dolutegravir Tell your healthcare provider right away if you get any of the or lamivudine. following signs or symptoms of liver problems: your skin or the • take dofetilide. white part of your eyes turns yellow (jaundice); dark or “tea-colored” urine; What should I tell my healthcare provider before using DOVATO? light-colored stools (bowel movements); nausea or vomiting; loss of appetite; and/or pain, aching, or tenderness on the right side of your stomach area. Tell your healthcare provider about all of your medical conditions, • Too much lactic acid in your blood (lactic acidosis). Lactic acidosis including if you: • have or have had liver problems, including hepatitis B or C infection. is a serious medical emergency that can lead to death. Tell your healthcare • have kidney problems. provider right away if you get any of the following symptoms • are pregnant or plan to become pregnant. One of the medicines in DOVATO that could be signs of lactic acidosis: feel very weak or tired; unusual (not normal) muscle pain; trouble breathing; stomach pain with nausea and (dolutegravir) may harm your unborn baby. vomiting; feel cold, especially in your arms and legs; feel dizzy or lightheaded; ° You should not take DOVATO if you are planning to become and/or a fast or irregular heartbeat. pregnant or during the first 12 weeks of pregnancy. Your • Lactic acidosis can also lead to severe liver problems, which can healthcare provider may prescribe a different medicine if you are planning lead to death. Your liver may become large (hepatomegaly) and you may to become pregnant or become pregnant during treatment with DOVATO. develop fat in your liver (steatosis). Tell your healthcare provider right ° If you can become pregnant, your healthcare provider will perform a away if you get any of the signs or symptoms of liver problems pregnancy test before you start treatment with DOVATO. which are listed above under “Liver problems.” You may be ° If you can become pregnant, you should consistently use effective birth more likely to get lactic acidosis or severe liver problems if you control (contraception) during treatment with DOVATO. are female or very overweight (obese). ° Tell your healthcare provider right away if you are planning to become pregnant, you become pregnant, or think you may be pregnant during treatment with DOVATO. ©2019 ViiV Healthcare or licensor. DLLADVT190009 June 2019 Produced in USA.
Learn more about Leo and DOVATO at DOVATO.com
SO MUCH GOES INTO WHO I AM HIV MEDICINE IS ONE PART OF IT. Reasons to ask your doctor about DOVATO: DOVATO can help you reach and then stay undetectable* with just 2 medicines in 1 pill. That means fewer medicines† in your body while taking DOVATO
You can take it any time of day with or without food (around the same time each day)—giving you flexibility
DOVATO is a once-a-day complete treatment for adults who are new to HIV-1 medicine. Results may vary. *Undetectable means reducing the HIV in your blood to very low levels (less than 50 copies per mL). † As compared with 3-drug regimens. LEO‡ Living with HIV
What are Possible Side Effects of DOVATO (cont’d)? • Changes in your immune system (Immune Reconstitution Syndrome) can happen when you start taking HIV-1 medicines. Your immune system may get stronger and begin to fight infections that have been hidden in your body for a long time. Tell your healthcare provider right away if you start having new symptoms after you start taking DOVATO. • The most common side effects of DOVATO include: headache; diarrhea; nausea; trouble sleeping; and tiredness. These are not all the possible side effects of DOVATO. Call your doctor for medical advice about side effects. You are encouraged to report negative side effects of prescription drugs to the FDA. Visit www.fda.gov/medwatch, or call 1-800-FDA-1088. Where Can I Find More Information? • Talk to your healthcare provider or pharmacist. • Go to DOVATO.com or call 1-877-844-8872, where you can also get FDA-approved labeling. Trademark is owned by or licensed to the ViiV Healthcare group of companies.
Compensated by ViiV Healthcare
‡
Could DOVATO be right for you? Ask your doctor today.
Lounge at StandUp Harlem House One bedroom unit at StandUp Harlem House
Charles King
Daniel Tietz
joining forces
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It was a meeting of the minds and missions when Housing Works and
Bailey House, two of New York City’s most respected organizations in the HIV/AIDS healthcare arena, began to contemplate how to turn obstacles into opportunities. The result: after significant strategic planning, the two organizations merged to become one of the region’s largest health and human services providers. “Integrating housing and care coordination in a seamless way becomes the vision that we are working toward,”said Charles King, cofounder and CEO of Housing Works,“and if we do it well, it brings an infusion of Medicaid dollars into what was always seen as a separate service model.” Such mergers are becoming more common as healthcare providers on the frontlines of HIV/AIDS services look to control costs, expand their footprint and provide a wider range of services amid uncertain federal funding. In his report, “Mergers as a Strategy for Success,” by the Metropolitan Chicago Nonprofit Merger Research Project, Professor Donald Haider said the key to success is identifying the right partner. “It’s like a successful marriage. Finding the right organization is having the right advocates on the board, doing due diligence so you know each other’s organizations, being open and transparent with all stakeholders and having a pre-merger plan,” Haider says.“I identified 10 keys to successful mergers, but the most important was trust between the organizations to hold everything together.” Haider adds, “It’s important in a successful merger that all parties are clear about their overall goals and what they’re going to do to achieve those goals.” Those factors were evident as Housing Works and Bailey House began working to join forces. The process began three years ago when Bailey House’s longtime leader, Gina Quattrochi (who later died in December 2016), proposed that Bailey House find a strategic partner which would be able to provide clients with primary health care. Both nonprofits initially emerged amid the AIDS epidemic to address the need of patients for stable housing. Since its founding in 1990, Housing Works had grown into one of the nation’s largest HIV/AIDS service organizations, serving nearly 10,000 people annually, operating four fedaugust/september 2019
metrosource.com
erally qualified health centers and a harm reduction-based outpatient drug treatment program. They also provided health home care management, behavioral health and syringe exchange programs (as well as running bookstores, cafés and thrift shops). Meanwhile, Bailey House - the nation’s first HIV/AIDS supportive housing provider - was assisting those with HIV/AIDS and other chronic illnesses. They operate a center offering behavioral health clinics and provide a variety resources of their own. The merger creates a new housing operations and development unit, which will retain the Bailey House name. Additionally those served by Housing Works and Bailey House now have access to such expanded service offerings as primary medical care. Housing Works is also extending its federally qualified health center to include Bailey House’s behavioral health program located in New York City’s East Harlem neighborhood. Daniel W. Tietz, CEO of Bailey House, said the evolving Medicaid system puts funding at risk amid a time of desperate need for affordable housing. “Direct managed care contracting put organizations like Bailey House and other not-for-profits at essential risk,”he says.“The most sensible way to do this wasn’t the old ‘let-me-go-get-a-certificate-of-need.’ It was that we look around and see who is in this business already. But the first driver of this merger was mission, vision, culture and values.” Experts say there is no one template that works best for organizations seeking to replicate a successful merger. “There’s a lot of give and take and imagination that goes into looking at the possibilities of what can’t happen if folks driving the process are invested in doing things the way they’ve always been done or to holding onto turf,” King says. “[From] what I’ve seen of other merger efforts that failed, they generally foundered on those kinds of points. This merger would have never happened had it not been for Dan and his skill in helping folks look at things differently.” Adds Tietz, who plans to step down after an initial integration period, “I took this job without knowing what comes next. But what happens to me can’t be the thing. You just have to trust that you are going to be okay. The driver has to be the mission and the needs of the folks you’re serving, and when you set aside your own anxiety, a lot of interesting things can happen.” ■
this page: photos courtest housing works/bailey house
body
metroHIV
Backyard at StandUp Harlem House
Two of New York City’s most essential providers of services to people living with HIV/AIDS are reaping the benefits of working together. By Jeff Simmons
crash of the wingman
metrosource.com august/september 2019
views
I was never the most popular and always the least toasted (lest I betray the urge to kiss one of guy in school. It always seemed those handsome unsuspecting guys). a dubious honor at best, and one One night, I ended up alone with a girl I had been dating that carries far too much pres- socially. With no one else to hide behind, I surrendered my Golden sure. You have to spend time Gay card then and there. It was either that or out myself to a girl with people who share only a few I knew would not deal well with the newsflash that she’d been of your interests and engage in a dating a gay dude for an entire semester. degree of brown-nosing I generAfter college, I moved to Austin and slowly emerged from ally find disagreeable. my straight cocoon. And over time, I outgrew the need to be in But I am a people person. And anyone’s shadow (Cue the Whitney.) For the better part of 10 years, growing up in a swirl of alcohol I co-hosted a drive time radio show called “Kevin & Kevin in the and chaos, I envied the popular Morning, from 5:30 to 9am Mondays through Fridays. We played kids. They had shiny cars, letter rootsy music called “Americana” (the station is now known as jackets and ‘60s sitcom-perfect “Austin City Limits Radio”), while our neighbors down the hall parents. Being a closeted gay teen, I longed to bask in the glow offered up shock jocks, classic rock and Rush Limbaugh wannabes. radiating from my neighborhood heroes, but not so evidently that On a break one day, I dashed out during a commercial break to I’d get clocked as a homo by anyone looking too closely. hit the restroom and a young woman stepped out from her booth My accidental alternative was to become besties with the most where she was spinning techno and house music for breakfast. popular guys in school. Age-wise, I fell right between two brothers, She looked me up and down. “You’re Kevin,” she said. I nodded. one a year older, one a year younger. We met when I was nine and “So you’re gay, right? a friend introduced us while trading comic books — Me, Marvel. Unsure of where this was headed, I affirmed that indeed, I Them, DC. We were a multi-culti Jonas Brothers. was. “Do you know any straight guys?” Bewildered and bemused, For the next ten years, we were more together than apart. We I allowed that I have many straight friends. She said, “Oh, good. came from military families, and since they are black and I am Can you fix me up? I sure could use a date.” white, we were all minorities in 80% Hispanic El Paso. We were “Well,” I asked her, “what’s your criteria?” practicing Catholics too, and served mass together as altar boys. “I’m not fussy,” she confided. “He just has to be J-O-B positive.” I became more a part of their family than my own. When visitors Some weeks passed and before long, I introduced her to a came to their home, I was often introduced as “the white sheep young medical intern friend of my then-husband-to-be. She of the family.” seemed um, very into him during the happy hour where we David and Don were the coolest guys in their respective classes. handed them off to each other. I was able to dwell in the vicinity of their mojo just because I had We never heard from the aspiring doctor about how their always been there. When their fancies turned to music, I followed encounter went. But I did run into my female deejay co-worker, suit. They learned guitar; I joined the choir. They landed gigs, and who had all but forgotten his name by that point — even though I took up writing about pop artists in the school paper. only two weeks had passed since she was in his lap, kissing him. That’s where I quickly learned that the perks of writing about “You two really seemed to hit it off,” I said, sure that I had done entertainment included free tickets to concerts, movies, musicals, my Wingman best. “What happened?” plays and after-parties. I had no car, but there was always some She shrugged. “Two-pump chump,” was all she said before preppy hunk who did. It became the perfect subterfuge to date throwing all her weight against the door to her studio. guys I found attractive without anyone knowing. Not even them. I’m pretty sure that in that moment I lost any desire to facilitate So began my career as a Wingman. someone else’s happy hook-up, as a wingman or otherwise. I still Once out of high school and into college, I honed my craft. I wake up occasionally with that poor kid’s tombstone illuminated became the ideal guy to hang out with at discos, nightclubs or in a flash of lightning like something out of Ebenezer Scrooge’s rough joints where cowboys still two-stepped to the “Cotton-Eyed Christmas Carol nightmare. Joe”. The way I put the ladies at ease in conversation always made “Here he lies,” it says for all eternity: “Two-Pump Chump.” ■ my buddies feel like they could focus on getting drunk and laid - secure in the fact that their girls never quite seemed to be “my have you ever played wingman or matchmaker? share type.” I wasn’t the best dancer, but I was often the most willing your story in “gay voices” at metrosource.com.
POV
After a lifetime of helping his friends get laid to cover up his closetedness, Kevin’s final flight as a wingman goes down over No Man’s Land. By Kevin Phinney
13
TO BE HONEST
CULTURE
SCREEN
A queer-positive story about saying goodbye to high school; an artistic take on the murder of a gay Italian iconoclast; and some quality time with a Drag Race star who’s been dealing with a world of hurt all along. BY JONATHAN ROCHE
JEFF GOLDBLUM GLOWS WITH A DARK AND EERIE CHARisma against the stark backdrop of director Rick Alverson’s The Mountain. When Andy loses his father (Udo Kier), he ends up working for the man who years ago lobotomized his mother. Dr. Wallace Fiennes (Goldblum) travels the United States hammering metal spikes around the eyes and into the frontal lobes of anyone whose doctors and family will pay him for it. Meanwhile, Andy hefts the luggage and takes their patients’ pictures afterwards. Goldblum’s powers are on full display here as somehow his considerable charms seem not much diminished by the loathsome labors of his character. In fact he seems like a pretty nice guy, giving a job to the lost puppy of a man he helped to orphan. Andy witnesses the good doctor chisel the spirit out of patients, mostly powerless women, who range from the manic to the simply depressed. However, he lacks the will to do anything about it. Goldbulm’s character is based on an ac-
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tual doctor who pushed lobotomies on the ignorant long after medicine had begun to widely question the practice. As a reminder of this not-so-long ago era (the 1950s), The Mountain is both fascinating and haunting. But beneath the insidious mutilations we see on screen lies an even deeper layer of horror in the story. Audiences will surely feel its desolation and promise of a broken future. Young Andy is played by Tye Sheridan (Mud, Tree of Life) who costarred in Alverson’s anti-comedy Entertainment. Dynamic French actor Denis Levant (Holy Motors, Beau Travail) is thrown into the mix as a desperate father who offers up his wild-eyed daughter (Hannah Gross - Mindhunter) to the doctor for his savage cure-all. THE WORD: Alverson’s films are certainly an acquired taste, and the pacing will test many viewers. But if you can make it up the mountain (Goldblum’s presence really helps), there is singular vista awaiting at the summit. COMING TO: Theaters
THIS PAGE: THE MOUNTAIN ART COURTESY KINO LORBER
THE MOUNTAIN
THIS PAGE: BOOKSMART PHOTOS BY FRANCOIS DUHAMEL COPYRIGHT ANNAPURNA PICTURES • BRITTANY RUNS A MARATHON PHOTO COURTESY AMAZON STUDIOS
BOOKSMART IT’S CLEAR THAT ACTOR/DIRECTOR OLIVIA WILDE (HOUSE, Tron) and a group of four female writers have done their homework about how to make a crowd-pleasing high school coming-of-age story loaded with silly and smart humor. However, if they were metaphorically sharing a classroom with 2007’s Superbad, any observant teacher might accuse Booksmart of copying off its neighbor’s work. Both Booksmart and Superbad can accurately be described as ‘school’s-outforever’ odysseys. Each follows fiercely loyal misfit friends on quests to punctuate their high school experience by finally making it to the big party and seeing nascent crushes reach some level of fulfillment. The film also matches Superbad in many specific ways — too many to list. Suffice it to say that while Kaitlyn Dever does something of a Michael Cera impression, Beanie Feldstein could believably pass as Jonah Hill’s younger sister. That said, the category of ‘high school
comedy’ is certainly a well-worn form; so perhaps it’s not surprising that there should be so many similarities. However, Feldstein (Lady Bird, What We Do in the Shadows) and her co-star Dever (Short Term 12, Beautiful Boy) make Booksmart clever in a way that transcends the genre. It’s not necessarily in the writing (which is winning but often precious). Nor is it fully to be found in the characters (which are pleasing but not believable under scrutiny). Yet its cast, which also includes Diana Silvers (Glass, Ma), Molly Gordon (I Am Sam), and Billie Lourd (Star Wars: The Last Jedi, American Horror Story: Apocalypse) — supported by cameos from veterans Jason Sudeikis, Lisa Kudrow, and Will Forte — handily fulfill the film’s comedic promise. THE WORD: This film is like popcorn, delicious but primarily empty calories. Still the Booksmart’s main message is positive and queer-friendly, and stars have bright futures in Hollywood. COMING TO: Video on Demand
BRITTANY RUNS A MARATHON THIS IS A FILM THAT’S MUCH FUNNIER AND FRESHER THAN its title and premise might suggest. Brittany is fabulous, funny, friendly, fat and pretty much makes sure that she is always the life of any party. But when she visits a doctor in the hope of scoring some Adderall, she gets slapped with a prescription that she never wanted. At the tender age of 27, her late night adventures and early morning walks-of-shame are starting to catch up with her, and it’s time to shape up. Thus Brittany (Jillian Bell - Rough Night, 22 Jump Street, Workaholics) begins a long trek towards self-improvement. She risks losing some old friends in the process, like her instagram obsessed roommate (Alice Lee - Wish Upon). But she will also gain some unexpected new ones amongst her new running crowd, (Michaela Watkins - Casual, In A World; Micah Stock - Escape at Dannemora). Brittany also needs to focus on her non-existent career. And soon, working as a professional house/dog sitter, she ends up in an awkward state of cohabitation with her co-worker, Jern (Utkarsh Ambudkar - Pitch Perfect), after they both illegally move into the fancy New York apartment they’re taking care of. What makes this film by award-winning playwright Paul Downs Colaizzo (making his directorial debut) substantial is that the story rings true in so many ways. There’s a predictable dip into self-doubt and self-destruction just as Brittany is
starting to make things work. It’s a necessary counter-beat that’s been known to slow many other stories, but here it’s meaningful and well done. However, what really makes this film worthwhile is Jillian Bell, who - whether fat or fit - is very, very funny. The same can be said of all the actors named in this review, in addition to Lil Rel (Get Out) who plays Brittany’s brother-in-law. THE WORD: Brittany may learn to have a life, instead of just a succession of wild nights, but it’s still wicked fun. COMING TO: Theaters METROSOURCE.COM AUGUST/SEPTEMBER 2019
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!&4%2 (%2 #/-%$)# 4!,%.43 helped make Crazy Rich Asians such a hit, rapper and actress Awkwafina finds herself back in the East. This time, she’s in China with some less opulent Asians. Billi (Awkwafina) has a life and career in New York that aren’t going so well. That’s when she gets some distinctly bad news: her beloved grandma back in China is dying. Already Billi’s family have a plan. They’re not going to tell grandma about the stage-four cancer in her lungs. Instead Billi’s dad (Tzi Ma - The Arrival, Mulan) and his brother in Japan are conspiring to bring both their families for one last visit their ailing mother. They plan to use a cousin’s hastily assembled and entirely forced wedding as a cover to avoid making grandma suspicious at this sudden influx of family. Apparently keeping knowledge of terminal illness from the elderly (at least until the very end) is commonplace in China. Why? As Billi’s mother puts it patly, “When people get cancer, they die.” Deceptive as it may seem (and tangled as it may become) there may be some wisdom in the tradition. However, it mostly seems cruel to Billi — whose family
doesn’t even want her to come. (They fear that her special bond with her grandma will cause her to spill the beans.) Nevertheless, Billi buys a ticket she can’t afford and goes anyway. The story that unfolds as the family surrounds a still vivacious and utterly adorable matriarch is a pitch perfect mix of true-to-life comedy and well observed pathos. The blend is so smooth that audiences are likely to feel both elated and a little sad at the same time. THE WORD: The cast is excellent, but grandma (Shuzhen Zhou) and Awkwafina (who was raised by her own grandmother after her mother died when she was only four years old) carry the award-worthy, well-balanced film that easily crosses all barriers of culture and language to touch the heart. COMING TO: Video on Demand
0!3/,).) 7),,%- $!&/% 0/242!93 )#/./#,!34 &),- $)2%#4/2 0)%2 0!/,/ Pasolini in the final days before his murder in 1975. It’s immediately uncanny how much Dafoe resembles the 53 year old Italian director. (Dafoe was 60 when the film was shot in 2014.) Why is the film only just reaching American audiences now? The delay isn’t so surprising given how European, intellectual, and non-linear this tribute to the
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legendary artistic and political provocateur is. Pasolini is perhaps best known for his controversial and graphically sexual film Salò, or the 120 Days of Sodom. The auteur liked to challenge a society he believed was heading down a bad road. Consumerism was a particular concern of his, as was corrupt Christian democracy which he saw as similar to Italy’s fascist past. From the perspective of our current global political climate, Pasolini’s views appear prescient. What’s more, his belief that post-industrial culture was being degraded by consumerist and bourgeois values anticipates the dissolution of individual will into the media slurry we now inhabit. His opinion: ”We are all in great danger, we are not real people any more.” Pasolini was a communist, but primarily an independent and outspoken thinker whose violent death sparked serious outcry within Italy. Was he murdered in a homophobic panic by the young man who was found driving his car? Or was his death an organized assassination by right wing forces? Director Abel Ferrara (Bad Lieutenant, King of New York) faithfully serves both Pasolini’s essential character and brutal murder with a clear and unblinking eye. Wisely, he does not attempt to copy Pasolini’s style, even as he mixes scenes of what would have been Pasolini’s unfinished final film. THE WORD: A good watch if you’re up for something intellectual that also features explicit gay sex. COMING TO: Video on Demand
4()3 0!'% 4(% &!2%7%,, 0(/4/ #/524%39 /& ! s 0!3/,).) !24 #/524%39 +)./ ,/2"%2
CULTURE
SCREEN
THE FAREWELL
TRIXIE MATTEL: MOVING PARTS
4()3 0!'% 42)8)% -!44%, -/6).' 0!24??.)#+?:%)' /7%.3?? ?7"?,2?5"' s $)!-!.4)./ 34,,3 #/524%39 +)./ ,/2"%2
4()3 !"./2-!,,9 7%,, 4)4,%$ $/#5-%.4!29 $)6%3 deep into the character of both drag superstar Trixie Mattel, and (more compellingly) the less-often-witnessed person behind the character: Brian Michael Firkus. In truth there doesn’t seem to be that much of a divide between the two personas. Brian comes across as a rather emotionally healthy and stable person. He’s almost surprisingly so for a wildly successful performer whose mother can still barely be bothered to come to one of his events (even as he helps pay her bills). There’s a gentle sadness in Brian about this, and about a childhood spent being the family black sheep back in Wisconsin. His abusive stepfather used to call him ‘Trixie’ when he acted feminine. The fact that Brain used this as part of his stage name evidences that he is the sort of entertainer who takes pain and turns it into laughter. Like the great clowns of old, he leaves a hint of the original sorrow in his act. That’s part of makes him great and why he draws so many kindred misďŹ ts to seek shelter in the shadow of his massive wig. Another apparent source of joy and sadness for Brian is his frequent comedy partner, friend and Drag Race alumni, Katya (Brian Mc-
Cook). Their YouTube’s series (UNHhhh) was so popular it got picked up to be a bigger series on Viceland. Katya’s subsequent meltdown before the end of the ďŹ rst season is something Moving Parts sheds some light on. The situation’s impact on Firkus, who again smiles and sings through the hurt, speaks volumes about his personal strength of character. Documentarian Nicholas Zeig-Owens achieves a level of behind-the-curtain intimacy that’s not easy to come by. He even lived on Trixie’s couch for a time. As a result, Owens doesn’t just capture Trixie in motion, but also the parts of this talented and terriďŹ cally real person are genuinely moving. THE WORD: Also worth seeing for Trixie’s music - she’s a legit singer/songwriter! COMING TO: Video
$)!-!.4)./ 4()3 )3 ! #!-09 '%.$%2 "%.$).' 0/245'5%3% &2/,)# It intertwines international soccer, mad science, government conspiracy, refugee crises and stampedes of mammoth, uffy puppies. If that sentence doesn’t make you want to see this ick, then you probably shouldn’t. But if you do, you’ll have fun time watching the titular Diamantino (Carloto Cotta - Tabu) playing a sort of burlesque version of Christiano Ronaldo. He’s the world’s most famous soccer player, a man as chiseled as he is childlike. The secret of his genius on the soccer ďŹ eld, he tells us, is the gigantic lap dogs that he perceives running with him through ďŹ elds of pink mist. However, after a day of pleasure boating with his elderly father/coach and his two bossy/ busty sisters ends in Diamantino rescuing a raft of desperate refugees from Africa, everything changes. As when young Sid-
dhartha ďŹ rst learned there was suffering in the world, so the princely Diamantino cannot get the event out of his mind. Quickly this distraction leads to him blowing the ďŹ nal game of the World Cup and retiring in disgrace. Yet Diamantino has a new purpose now, to help the “‘fugeesâ€? and hopefully adopt one for himself. Here the plot gets really thick as government agents investigating him for money laundering use his bleeding heart as an undercover way into his home. Meanwhile his wicked materialist sisters make a secret deal with forces seeking to spark a nationalist surge to leave the EU using a team of Diamantino clones! Also: the mad science involved may cause Diamantino develop breasts. THE WORD: This wild romp isn’t high art, but does make good points about global politics and the dire need for more uffy puppies. COMING TO: Theaters METROSOURCE.COM AUGUST/SEPTEMBER 2019
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IMPORTANT FACTS
This is only a brief summary of important information about DESCOVY and does not replace talking to your healthcare provider about your condition and your treatment. ®
(des-KOH-vee) MOST IMPORTANT INFORMATION ABOUT DESCOVY
POSSIBLE SIDE EFFECTS OF DESCOVY
DESCOVY may cause serious side effects, including: • Worsening of hepatitis B (HBV) infection. DESCOVY is not approved to treat HBV. If you have both HIV-1 and HBV, your HBV may suddenly get worse if you stop taking DESCOVY. Do not stop taking DESCOVY without first talking to your healthcare provider, as they will need to check your health regularly for several months.
DESCOVY can cause serious side effects, including: • Those in the “Most Important Information About DESCOVY” section. • Changes in your immune system. • New or worse kidney problems, including kidney failure. • Too much lactic acid in your blood (lactic acidosis), which is a serious but rare medical emergency that can lead to death. Tell your healthcare provider right away if you get these symptoms: weakness or being more tired than usual, unusual muscle pain, being short of breath or fast breathing, stomach pain with nausea and vomiting, cold or blue hands and feet, feel dizzy or lightheaded, or a fast or abnormal heartbeat. • Severe liver problems, which in rare cases can lead to death. Tell your healthcare provider right away if you get these symptoms: skin or the white part of your eyes turns yellow, dark “tea-colored” urine, light-colored stools, loss of appetite for several days or longer, nausea, or stomach-area pain. The most common side effect of DESCOVY is nausea. These are not all the possible side effects of DESCOVY. Tell your healthcare provider right away if you have any new symptoms while taking DESCOVY. Your healthcare provider will need to do tests to monitor your health before and during treatment with DESCOVY.
ABOUT DESCOVY • DESCOVY is a prescription medicine that is used together with other HIV-1 medicines to treat HIV-1 in people who weigh at least 77 lbs (35kg). DESCOVY is not for use to help reduce the risk of getting HIV-1 infection. • DESCOVY does not cure HIV-1 or AIDS. Ask your healthcare provider about how to prevent passing HIV-1 to others.
BEFORE TAKING DESCOVY Tell your healthcare provider if you: • Have or had any kidney or liver problems, including hepatitis infection. • Have any other medical condition. • Are pregnant or plan to become pregnant. • Are breastfeeding (nursing) or plan to breastfeed. Do not breastfeed if you have HIV-1 because of the risk of passing HIV-1 to your baby. Tell your healthcare provider about all the medicines you take: • Keep a list that includes all prescription and over-the-counter medicines, vitamins, and herbal supplements, and show it to your healthcare provider and pharmacist. • Ask your healthcare provider or pharmacist about medicines that should not be taken with DESCOVY.
GET MORE INFORMATION • This is only a brief summary of important information about DESCOVY. Talk to your healthcare provider or pharmacist to learn more. • Go to DESCOVY.com or call 1-800-GILEAD-5 • If you need help paying for your medicine, visit DESCOVY.com for program information.
HOW TO TAKE DESCOVY • DESCOVY is a one pill, once a day HIV-1 medicine that is taken with other HIV-1 medicines. • Take DESCOVY with or without food.
DESCOVY, the DESCOVY Logo, LOVE WHAT’S INSIDE, GILEAD, and the GILEAD Logo are trademarks of Gilead Sciences, Inc., or its related companies. All other marks referenced herein are the property of their respective owners. Version date: September 2017 © 2017 Gilead Sciences, Inc. All rights reserved. DVYC0085 11/17
my heart belongs to daddy
photos courtesy daddyhunt
The Daddyhunt app and website have become one of the fastest
growing social networks for men seeking a different approach to meet guys of disparate generations. The site now boasts more than a million members. But unlike other dating sites, Daddyhunt has employed a new tactic to engage a broader audience: storytelling. The founders created Daddyhunt: The Serial, a three-season series revolving around the budding relationship between a middle-aged man and his younger admirer. Through ongoing vignettes – each with its own juicy cliffhanger – the series captures the promise and pain of relationships and romance. And, with each new season, the videos have begun to sprinkle in public health messages about HIV and AIDS, safe sex and sexually transmitted diseases. “I recognize that people are turned off by safe sex public service announcement messages,”says Carl Sandler, CEO of Daddyhunt.“In today’s day and age, people have to get something for their time, and entertainment is a wonderful way to educate — if it’s done right.” In the first season, neighbors Ben and Graydon meet and share a mutual attraction which quickly hits some humorous obstacles. Season Two subtly inserts a public health component into the storyline with messages about condoms, undetectable viral loads, PrEP, the importance of routine testing and safe sex practices. Daddyhunt GM and executive producer Casey Crawford says that the next season is more diverse than ever. It will discuss how HIV disproportionately affects African American men, and addresses partner notification and PrEP. “It was important for us to touch on those topics in a way that was authentic,” says Crawford. “We want the Daddyhunt community to be accepting, but we also want people to be more accepting in the gay community at large,” explains the exec. He hopes audiences will learn to “not stigmatize people“based on being short or tall, skinny or fat, black, Asian, Latino,
HIV positive or negative.“We want this to be an all-inclusive community.” Dan Wohlfeiler, Director and Co-Founder of Building Healthy Online Communities (BHOC) sought to help Crawford drive those messages home. Call it a public/private partnership between dating sites and apps and HIV and STD prevention organizations. “We were talking with Carl and said,“Why don’t we try to incorporate a plotline into a second season where Graydon and Ben are clearly building a relationship, and Graydon wants to use condoms and Ben wants to use PrEP. And how do they work that out?”Wohlfeiler says. “What’s a better place to reduce risk than where guys are meeting, and that’s online, and taking advantage of the apps?” When the actors were assembled to shoot the series, they also taped short PSAs in which they spoke directly to the camera to discuss such topics as dating someone who is positive, condom use, partner notification, navigating relationships, undetectable viral loads and making safe sex choices. Jim Newman, who plays daddy Graydon, was captivated by the beauty of the budding relationship.“It struck a chord,”he says.“We all just want to meet a nice guy who respects us and fall in love.” At 54, Newman recently joined the ever-fluctuating lineup of the Village People (as the cowboy). When he was called in to audition for this Daddyhunt serial, he learned they wanted him for the older partner.“Now I’m a daddy,” he laughs. Just the same, he says,“I get a lot of messages from kids who say this helped them come out. Because of this series, we have reached a lot of people who didn’t have positive images of gay men.” The series strives not to be preachy, but to educate through entertainment.“The reality is it’s very hard to tell a story in a few minutes,” Sandler says, “People see themselves in the characters and perhaps they change their behavior as a result.” ■ metrosource.com august/September 2019
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metroHIV
Intergenerational Relationships? Messages about safe sex, race and shaming? This is how one dating app is shaking up the world of hooking up. By Jeff Simmons
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NEVER MISS A DOSE Concerned about forgetting to take pills, refill prescriptions or note drug interactions? Now there’s an app for that. BY DUSTIN CHARLES YOUNG 10 REASONS MEDISAFE IS A LIFESAVER
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EFFECTIVE HIV THERAPY DEPENDS ON
medication adherence. That means taking your medication at the same time each day. Strict adherence to one’s HIV regimen will reduce the risk of HIV transmission and treatment failure due to drug resistance. Medication nonadherence in the US costs more than $100 billion annually. It doesn’t make sense to gamble with one’s health trying to remember when to take your prescription. The newest tech to help LGBTQ patients manage their medication regimens and improve their prescription adherence is medication adherence apps. The intuitive Medisafe Pill Reminder app removes the stress associated with remembering to take medications on time. This prescription adherence app touts itself as the fastest, most secure and most accurate helpmate on the market. It reminds when it’s time to take a medication while also keeping track of all the medications you might be taking. The Medisafe app is currently the top-ranked pill reminder app in the world with an estimated 5 million-plus registered users. The app has a 4.7 out of 5-star rating by more than 200,000 reviewers. In 2016, Medisafe received awards as the“Most Innovative Healthcare & Life Sciences Technology” and “Best UX” from the Massachusetts Innovation and Technology Exchange (MITX). MITX Award winners are meant to represent the best innovations in New England. In 2017, the Journal of Medical Internet Research (JMIR) published a study by a research team that compared medication adherence apps by assessing their features, functionality, and health literacy of the 100 highest-ranking adherence apps. After analyzing the data, the research team ranked Medisafe the best app for medication management, connectivity, general features and health literacy. AUGUST/SEPTEMBER 2019
METROSOURCE.COM
medications and vitamins, you’ll receive personalized reminders for each medication and/or vitamin. The feature supports even complicated medicine dosing schedules. 2. INTERACTION CHECKER—Contains over 30,000 severe drug interaction warnings, preventing harmful drug interactions that your doctor or pharmacist might possibly overlook. This can be critically important for patients with more than one physician. 3. CAREGIVER SUPPORT—If you list your caregiver as a Medifriend, the app will send them a notification should you accidentally miss a dose/medication. 4. DEPENDENTS—Have family members taking medications? With Medisafe, you can also manage all your family members’medications from one convenient app using the Dependents feature. 5. VITAL TRACKING—This Medisafe feature also keeps you on top of your blood pressure, weight and glucose levels. 6. ADHERENCE REPORTS—Create empowering reports that show you weekly and monthly medication adherence to create a picture over time. 7. NOTIFICATION RINGTONE LIBRARY—Select your favorite ringtone reminder from the app library, or add your own. Examples include “Star Wars”,“Morgan Freeman”,“Gandalf”, and even “Finding Nemo’s”Dory. 8. DIARY—Document symptoms, health events, or other important medical information to later share with your doctor. 9. PRESCRIPTION REFILL REMINDERS—Ever go to your medicine cabinet only to discover that you’ve run out of medication? The Prescription Refill reminder notifies you well in advance so that you never run out. 10. COUPONS—Keeping a stock of lifesaving prescription drugs can be costly. With the Medisafe app, you can receive budget-saving coupons and discount cards accepted by many U.S. drug stores including CVS, Rite-Aid and Walgreens. Other app features include a “weekend mode,” schedule of appointments, a store of doctor’s information, pharmacist tip videos, and the extras don’t end there. Most of the Medisafe Pill and Medication Tracker features are available cost-free. However, access to all of the app’s features requires a $4.00 per month or $39.99 per year subscription. Medisafe is also compliant with HIPAA regulations in order to safeguard your medical information.
MEDISAFE APP SUPPORTED DEVICES The Medisafe app can be used on your smartphone, tablet and smartwatches including Apple Watch, LG Style, LG Sport, LG G, Moto 360 (both first and second generation), Moto 360 Sport, Samsung Gear Live, Huawei Watch, ASUS ZenWatch 2 and others). The app is available in the Google Play and Apple app stores or online at Medisafeapp.com. ■
THIS PAGE: IMAGES COURTESY OF THE MANUFACTURER
METROSOURCE
TECH
1. MEDICATION REMINDERS—After adding or importing all your
WHAT IT’S LIKE TO
LIVE OFF CASH
(FOR AN ENTIRE MONTH)
tence is perfect. If I’m splitting dinner with friends, I drop my debit card in the center of the table like I’m dropping a mic. Even for a $2 pack of gum at CVS, I swipe without a second thought. Handing my card over to the bartender at the end of the night is second-nature. It’s not really hard to live a paper currency-free life. Especially in NYC, it’s often not necessary to carry cash anymore. Venmo, PayPal and other money-sharing apps make it easy to reimburse a friend or tip your piano player or favorite mixologist. And Apple Pay has come in handy too — especially when I realize I’ve left my wallet at home and had to buy coffee or groceries. Sweden actually has a goal of becoming a cashless society by 2023. In my humble opinion, the future is cash-free. But before dollar bills go the way of the dinosaur, I decided to live the entire month of June without using my credit or debit cards once. As it was Pride month (and WorldPride, to boot) I knew that I would be hanging out with many of my friends, attending events and generally celebrating all things LGBTQ. But, I wondered, would putting away my plastic put a crimp in my Pride plans?
THE EXPERIMENT: AN ALL-CASH DIET
STOCK PHOTO COPYRIGHT: ALIASCHING
When starting my cash-only test, I turned off Venmo, hid away my Apple Pay and stashed my credit cards in my underwear drawer. Not only was my rule that I would pay for everything with cash, but I was also determined not to take out money from anywhere other than my own bank’s ATMs. I set myself a budget of $125 a week. That allowance was meant to covered everything aside from my fixed costs. (Among those were included rent, streaming services, internet, phone and insurance.) I’d pay for groceries, bars and restaurants, laundry, and transportation all in cash. A FEW MORE SPECIFIC GUIDELINES: 1. I’d withdraw $125 every Sunday. That’s all I would have for the week. 2. If I didn’t spend my full weekly allotment, I would allow extra money to roll over to the next week. 3. I’d carry one credit card for emergencies. And by emergencies, I meant an actual crises — not merely the desire for one more cocktail.
SO HOW DID IT GO? Admittedly I had weeks where $125 wasn’t enough. Dinners out, toasts to Pride: it was probably the wrong month to try my experiment. But the biggest takeaway was how much more mindful I became of what I was spending. Handing over $80 in cash for dinner and drinks is more meaningful
than using Venmo to pay a friend. You really think about what those four $20-dollar bills mean — and how hard you worked to get them. I walked more. The convenience of taking a Lyft had become secondnature to me, but living on a cash budget forced me to walk or take public transportation whenever possible. And when I was home, I ordered from Seamless less and cooked for myself more. As an added bonus, I lost weight. The combined walking and cooking for myself managed to shave off around 10 pounds. I’m sure it would have been more if I hadn’t devoted much of my cash budget to Fireball shots and vodka sodas. But it was Pride, so I forgave myself.
OTHER LESSONS LEARNED Using a cash-only budget during the week is a great way to save for a big purchase. In your case, that could be a vacation to Mykonos, a new home, or a summer rental on Fire Island. If you are more mindful of what you are spending your cash on, you might be compelled to save more. One budgeting method to try is the 50/20/30 budget rule that Senator Elizabeth Warren popularized in her book All Your Worth: The Ultimate Lifetime Money Plan. The basic rule is to divide after-tax income, spending 50% on needs and 30% on wants while allocating 20% to savings:
CULTURE
I NEVER CARRY CASH. NEVER. I’M A FIRM BELIEVER THAT A CASHLESS EXIS-
FINANCE
Here’s what happens when you choose paper in a world of plastics. BY JENNIFER DAY
• NEEDS: Needs are those bills that you absolutely must pay and are necessary for survival. These include rent or mortgage payments, car payments, groceries, insurance, health care, minimum debt payments and utilities. Fair warning: the “needs” category does not include certain items that may feel like needs, such as premium cable,Venti lattes and dining out. • WANTS: Wants are all the things you spend money on that are not absolutely essential. Here’s where staying cash-only can make you think twice about splurging. Wants include visits to bars and restaurants, tickets to shows, new outfit and shoes. Basically, it’s all those little extras you buy that make life more enjoyable and entertaining. Using cash here will definitely make you think before you empty out your wallet at the register. • SAVINGS: Finally, allocate 20% of your income to savings and investments. This includes adding money to an emergency fund in a bank savings account, making IRA contributions to a mutual fund account, and investing in the stock market. By the end of June, I learned to appreciate how much money I was spending almost every time I went shopping or out for a night on the town with friends. Being mindful of my spending may just be my mantra for the rest of 2019. And just maybe that means: I’ll see you in Mykonos. ■ METROSOURCE.COM AUGUST/SEPTEMBER 2019
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grand madames music
Carly Rae Jepsen is no one-trick pony; Madonna can still stir controversy; and Dionne Warwick serves up some vintage soul. by matt gross
Madonna
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On the diva’s 14th release, Madonna examines the current state of the world while imagining a peaceful, harmonious way to move it forward. Of the anthemic “I Rise,” Madge says the track gives “voice to all marginalized people who feel they don’t have the opportunity to speak their minds.” It features a spoken-word intro from Emma Gonzalez, the young social activist, gun control advocate and survivor from the Parkland school shooting in early 2018. Earlier this summer in Israel, Madonna performed another Madame X track, “Future” at the Eurovision Song Contest — and stirred up some controversy: While telling her audience to “never underestimate the power of music to bring people together,” her set featured two male dancers walking arm-in-arm with Israeli and Palestinian flags on their respective backs. When she’s not pushing the envelope in a political sense, Madame X includes some notable bangers, including the pulsating lead single,“Medellin,” a duet with the gorgeous Colombian reggaeton singer Maluma. Another collaboration, “Crave” with rapper Swae Lee, is a desiretinged pop gem. This Queen won’t be passing her crown along anytime soon. august/september 2019
metrosource.com
this page: madonna courtesy interscope
culture
Madame X (Interscope Records)
DIONNE WARWICK
She’s Back (E-One Records / Kind Music)
THIS PAGE: DIONNE WARWICK COURTESY OF THE ARTIST • CARLY RAE JEPSEN 2019 BY MARKUS & KOALA
The legendary chanteuse returns with an impressive new release comprised entirely of covers. It’s her first collection of new music in five years. Produced by her son, Damon Elliott, Dionne’s 36th album includes duets with singer-songwriter Kenny Lattimore (“What Color is Love”) as well as revered R&B crooner Musiq Soulchild (“Am I Dreaming?”). And that’s only two of the many soulful heavy hitters on this parade of ballads and slow jams. The lead single of She’s Back is her updated heart-wrenching version of the Burt Bacharach / Hal David classic,“What the World Needs Now,” which she originally recorded in the ‘60s. With an array of synthesizers, a steady in-the-pocket bass line and a touch of modern production, She’s Back is clearly meant to inject some modern vitality into the singer’s familiar easy-listening sound, and the album succeeds greatly in doing so. Warwick sounds weathered on certain tracks — which is to be expected at 78 with a six-decade career under her belt. But there’s also no denying it still possesses unparalleled warmth and sweetness.
CARLY RAE JEPSEN
Dedicated (School Boy / Interscope Records) In 2015, Carly Rae’s last release, EMOTION, proved that she’s much more than a one-trick pony (anyone remember her 2011 earworm “Call Me Maybe”?). Now, Dedicated proves she might be one of her generation’s more enduring popsters. Dedicated is the kind of catchy summer album that begs to be turned up full blast while roaring down the highway with the convertible top down. Admittedly Carly’s lyrics have never been particularly deep or introspective. However, her cleverly crafted tunes chronicling crushes, first kisses and the sparkle of new love have never sounded stronger than they do on Dedicated. Highlights include the sultry opener “Julien,”“Now That I Found You,” (cat people are advised to watch the accompanying video immediately), and the deliciously funky “Want You in My Room.” She’s never sounded more self-assured, spirited or direct. METROSOURCE.COM AUGUST/SEPTEMBER 2019
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LIVING BY OPRAH’S WORDS THE WORDS OF OPRAH WINFREY FUEL KALVIN LEVEILLE’S PASSION AND PURPOSE
BODY
METROHIV
every day, motivating him to share his most personal trials to create positive change in the lives of others.“Oprah says we have two things we have to do in life; one is learning why you were born, and the other is learning what you are going to do about it,”Leveille says. Those words are his mantra and his mantle. “As I’m getting older - I’m 32 years old now - I realize I have a responsibility to help people,” says Leveille, a proud New Yorker. “Maybe I can’t give someone a million dollars, but I can give someone hope. That’s what I feel like I was born to do.”
Leveille serves on the frontlines of educating others about HIV and AIDS, and is among those selected by the State of New York to champion the U=U or “Undetectable equals Untransmittable” initiative, which focuses on sexual health and safe sex. As Metrosource reported, the campaign in a simple and direct way explains how to protect yourself without surrendering to a life of celibacy. And it addresses how people living with HIV can bring their viral loads under control to the point that they too can become undetectable. As a longtime leader in health education, Leveille has shared his life’s journey with more than 50,000 people in the greater New York City area, visiting college and high school classrooms to discuss his multiple comings out – as a gay man, and later as HIV positive.“Coming out,”he says,“is not just about coming out to your family or the world. It really starts in your heart and learning to love and accept yourself.” Born in Jamaica, Queens, Leveille was the first in his family to be born in the states after his family relocated from Haiti. Raised by a single parent, he recognized his same sex attraction early on and came out when he was 17 years old. While he had familial support, he nevertheless felt alienated by not having a mentor to turn to or resources that would, in his words, “help me figure things out.” A few years later, during his undergraduate studies, he learned he was HIV positive. This was a period he considers the most challenging of his
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life. He felt alone, fearing stigma and estrangement.“It’s crazy that I didn’t think about my health. I thought about whether I would be alone for the rest of my life,”he says. As he came out to those close to him as a person living with HIV, Leveille found his way into advocacy. He became the Director of HIV Prevention Services at The Long Island LGBT Services Network. Then he joined Columbia University’s Mailman School of Public Health. As a Health Educator for“Love Heals, the Alison Gertz Foundation”for the last decade, he has led more than 150 workshops populated most often by teenagers and young adults. He speaks about judgment, stigma and validation. “I tailor my story and experience to really target the issue and to bridge a gap and let people know, regardless of HIV status, that we are all in those together to make better decisions and make change,”Leveille says. He also served three years as Co-Chair for the New York State Department of Health’s Statewide AIDS Services Delivery Consortium, and was then appointed as the youngest member and Prevention Committee Co-Chair to New York Governor Andrew Cuomo’s Ending the Epidemic Task Force to reduce HIV infections in the state, taking on other prominent additional roles in healthcare initiatives. If he’s ever doubted his impact, he needs to look no further than his Facebook inbox, where Leveille regularly receives messages from those who’ve heard his words. They write, “’You don’t remember me, but five years ago you came to my school and I just want to tell you that you changed my life’,” he says with satisfaction. Another man connected with him on an LGBTQ dating app and commented, “’You told me to always love and respect myself.’Those moments mean the world to me.” Now, as he focuses professionally on his creative side – acting, modeling and consulting – he remains on the HIV/AIDS advocacy frontlines, most prominently in his role as U=U spokesperson. “U=U is hope. It is hope for people who are HIV positive and it is hope for individuals who are HIV negative,” he says.“In the HIV prevention toolbox, it is hope because it encourages people who are HIV positive to take their medication. So not only are they able to live longer and be healthier and in control and able to manage their HIV diagnosis, but [also] so they can ensure that they are reducing the chances of infecting their sexual partners.” Taking on such a public persona has reshaped his mindset as well — about what it means to be HIV positive and to be an advocate. Leveille notes that as an advocate, he is not only educating but also becoming a beacon for change, using his positions to generate broader awareness, combat stigma and elicit life-changing conversations. “I want to use my experiences, my triumphs, dealing not just with me being HIV positive but me being a black gay male,” Leveille says.“I want to be able to help the generation that’s coming after me in particular. ... I always say that the H in HIV stands for ‘Human’ and we need to pay attention to that. One of the core things about being human is that we are all seeking validation. I was seeking validation, acceptance and love.”He’s embodying the words of his role model, Oprah, who said: “There is no greater gift you can give or receive than to honor your calling.” ■
THIS PAGE: JAY WALKER - INSTAGRAM: @JUST_CALLMEJ
“Oprah says we have two things we have to do in life. One is learning why you were born, and the other is what you are going to do about it...“ BY JEFF SIMMONS
fashion is a part of many gay men’s identity — often compromised by height. we found designers giving them reasons to live. by Kevin Phinney were the third tallest in the world: at 5’7”. Less than four percent of the population
was six feet tall or more. On average, males have grown more than an inch a century since record keeping began, with
Founder Steven Mazur says, “It’s always been frustrating to
walk into a store and find plus and petite sizes for women and big and tall sections for men, but nothing for people like me. My partner and I could never find any clothes that fit people who are 5’8” and under. You had to either get lucky, find something in the kid’s department or take what you’ve bought to a tailor. And even that doesn’t quite work.” Most short men know how the routine. Buy a button-down? The sleeves are too long, there’s a big gap under each armpit, and your shirt now billows around the trunk. Take it to be altered, and the tailor will show you just how much of the sleeve placket you’ll lose in order to move the cuffs to your wrists. “People tend to think that it’s all about length,” muses Mazur. “But as we got more and more into the design process, we found that it’s not so much about cutting a few inches off the pants or the shirt sleeves. There are a variety of details to take into consider-
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variations across the globe attributed to such factors as nutrition and genetics. As men sprouted in stature, fashion
ation. In pants, that includes everything from where the zipper and the belt loops actually belong to the wash and taper of the leg. If those are in the wrong place — for example, a wash that highlights the knee — it’s clear they’re altered and not constructed to fit your body. And you can see that right away.” Ash & Erie launched in 2015 (as Ash & Anvil) and got an unexpected push into the limelight on TV’s Shark Tank when entrepreneur Mark Cuban (who inhabits a different ecosystem at 6’3”) decided to partner with Mazur and co-founder Eric Huang. “We went on the show in 2017,” Mazur recalls. “It was a once-in-a-lifetime opportunity to pitch what we do, and we were looking for funding to continue to grow. We thought, ‘Why not?’ The worst case scenario is that nothing changes. The best is that you walk away with funding and exposure and the help of a new partner.” Mazur and Huang entered the tank seeking $100,000 for 12 1/2 percent of their company. “Then the deal took a dramatic turn
this page: ABC/Michael Desmond) MARK CUBAN, STEVEN MAZUR, ERIC HUANG (ASH & Erie nee ANVIL)
A hundred years ago, American men
and clothing manufacturers instinctively followed suit. Now nearly every department store in the country has a “big and tall” men’s section and boutiques catering to their needs have popped up to compete. All but shut out in the rush to keep pace with the largest segment of the market? Men under 5’10” — though one in three American males is still under 5’8”. That’s roughly 40 million men. During their exile, gays, straights and everyone between have been forced to
wear severely altered clothes created for our big bros — or found themselves scouring kids’ departments in chain stores. To make matters worse, anyone who didn’t maintain a 30-inch waist had to choose garments meant for much taller men that were simply chopped off by tailors (who after all, aren’t miracle workers). Boxy and ill-fitting formalwear became commonplace. Those who could afford it, like late funk fashionplate Prince, had every outfit made specifically for him.
Now, with online sales demonstrating that there was actually an underserved market for the vertically challenged, change is in the air. And a handful of entrepreneurs are willing to gamble that men will show up to buy menswear created with them in mind. We spent time with three clothiers targeting shorter men and found that while each business seeks to serve the market they’ve identified, no two share the exact same business model for reaching them.
rie.com
r igned fo lly des a c ifi c e es sp ay cloth Everyd eights. h great f o n e m
THIS SECTION: ALL PRODUCT IMAGES COURTESY OF THEIR RESPECTIVE MANUFACTUERERS
E Ashand
where Mark was out, then came back again. Ultimately we got $150,000 for 25 percent. And there’s a photo of me with my head craned up just to look at him.” The company changed names in 2017. “The first part comes from Detroit, where we’re located,” Mazur explains. “It’s the city motto: ‘We will arise from the ashes.’ And Erie is a tribute to the region we’re proud to be from.” We thought that Ash & Erie better represented our brand, but we’re the same company, people and clothes.” The Ash & Erie line was created after interviewing and working with hundreds of men to not only identify where to place pockets and zippers, but to discover what wardrobe pieces they most longed for in their own sizes. Sure, says Mazur, there are slim and classic fits, “but it’s not just shorter guys. It’s men at a variety of waist sizes who now have an alternative to having everything in their wardrobe be sent through a tailor. Whatever size you are, we have perfect sizes for you, as long as you’re with-
in our height range.” For now, the company serves online customers exclusively. And while they make every effort to help clients find the right fit the first time, they know that having an easy and streamlined returns policy also makes shopping more adventure than chore. “We keep in close contact with the people we serve,” Mazur says. “And that starts from the very first time we hear from you. For us, customer feedback is vital and something we take into consideration as we’re trying to fill their needs. Not being a brick-and-mortar outlet and being able to see our customers all the time, it’s essential that we know what they’re responding to in what we provide.” WEBSITE: AshandErie.com STANDOUTS: Lower-rise jeans with just enough spandex to create a slimming silhouette rather than suggest you’re dressing out of your generation. A plethora of button-downs to keep you looking on point, even in a casual setting. METROSOURCE.COM AUGUST/SEPTEMBER 2019
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“I like seeing people come out of our dressing rooms
saying, “’This is the first time I haven’t had to have pants tailored.’ Sometimes their significant others will have to drag them in to check us out. But then you see that expression of satisfaction on their faces when they try on one piece after another and go, ‘Yeah. This is right. This fits. Finally.’” So says Zach Fields, product and marketing manager for Peter Manning, a menswear brand for customers they refer to with fraternal bonhomie as “not so tall men.” Fields says Peter Manning debuted in 2011 with “a kind of everyday shirt” they call the weekend untucked shirt. That success led to a full line that now includes pants, sweaters, sport jackets, suits and their own take on the classic Baracuta jacket made immortal by Steve McQueen back in the 1960s. Their styles, like those of their competitors, intentionally telegraph that this is the way young professionals dress in 2019. That’s not wrong. A young techie named Al Faiella appeared during our interview to shop and left after spending $1000 on wardrobe upgrades. “I did a lot of market research,” he confessed between changes. “I don’t shop until I can find a spot where I can really find things for guys like me. I had basically just given up, because I very rarely buy clothes anyway. But that’s what really led me here today.
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PeterMa
nningN
YC.com Classic C lothing F or Not-S o-Tall™ Guys. I was thinking about what I was looking for, and the biggest surprise moment for me was just now trying on a pair of pants on for first time that completely fit everywhere. And because I couldn’t do that before, I really didn’t care as much how I looked all the time. But as I’m getting older and making more money, dressing well is more meaningful. Why did I spend so much? Because everything I just tried on worked. So I bought it all.” Fields jumped from a full-time career as an attorney to join Peter Manning a year and a half ago because he was convinced as a customer that this market was going through the roof. “Even though something like 90 percent of our business now comes from online traffic,” he says, “here you have the advantage of trying things on. So you have some expectation of what the fit and feel of each garment is like, and that saves a lot of time in terms of returning things until you have every purchase exactly the way you want.” While almost all clothiers take pride in their designs, have clients raving about them on social media, and are vying for brand loyalty, what sets all these purveyors apart from most retailers is how passionate they are about what they do. They’re aware they’re selling much more than clothes. Each one is selling confidence and customer satisfaction. “Being not so tall myself,” says Fields, “it helps you understand that what’s different here is all the details — where the pocket should be on a shirt, for example. I can remember trying on suits in department stores and having the sales guy say, ‘That looks great,’ when you know the coat is too long, and everything else is completely out of proportion. That’s why I hate those guys,” he says. “Because they haven’t been there and they know nothing about what it’s like. They’re just trying to make a sale.” Could this trend all suddenly go away? Is it some kind of fad or flirtation? Or are shorter men permanently back on the industry’s radar? “There’s definitely still a long way to go,” says Fields. “It often takes me back to when I was shopping for a tux for my high school prom. I had to get a rental and I had no idea how bad the fit was back then. Now I know.” WEBSITE: PeterManningNYC.com STANDOUTS: A pair of jeans so black you could wear
them to a funky formal dinner. The übercool Baracuta jacket. Their new puppy-soft sweatshirt. METROSOURCE.COM AUGUST/SEPTEMBER 2019
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10.com
ed for design s d n ra thing b that fit! ality clo inally clothes F Best qu . 0 der 5’1 men un
under5
ELIE ROBINSON, THE FOUNDER OF UNDER 5’10, HAS DONE HIS HOMEWORK.
He says standard sizing began during the Civil War so that uniforms could be made in bulk. “General size buckets were created in order to make it easier for manufacturers to mass produce clothing,” he explains. “And getting uniforms fast that fit good enough was . . . well, good enough. Before clothiers could execute their work, they needed standard sizes (what we know today as XS, S, M, L and XL). “They were crudely created by sampling sizes from soldiers and finding obvious patterns that came up over and over again. When the war ended, standard sizing was adopted by the public market and has only changed slightly since then.” As average male height in America increased over time, he says, mass manufacturers continually updated their sizing charts to accommodate “the natural evolution of men getting taller and heavier. And while this was happening, a new evo-
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lution of ‘Big & Tall’ began, leaving shorter men even further behind.” No more, says Robinson. “At Under 5’10, we believe that the 32 million men in America who are 5’8” and under have simply been forgotten along the way.’ Like his colleagues, he decided that at 5’7”, he deserved more and better options. Robinson’s company was born “out of my personal need for off the rack clothing that fit well,” he says. “My entrepreneurial curiosity recognized the opportunity for a niche buildout for a seemingly ignored market.” The credo at Under 5’10 is simple: “We believe that men of all heights should have the opportunity to buy great clothing off the rack. Ours are engineered to fit men under 5’10 and without having to pay a premium for it. Men shouldn’t have to shop at the same stores as their children, be forced to buy custom or have to pay for extensive tailoring.”
Because theirs is such a narrow market and smaller batches make each item more expensive to produce individually, clothing can cost more than what shoppers are used to finding at The Gap or J. Crew. Opening a brick-and-mortar store in Cedarhurst, NY helped to keep those costs under control. And with a less expensive space, Under 5’10 is also able to keep more of its inventory in house. Translation: You can walk in, try on clothes and walk out the door with them. “But our price points are probably the biggest differentiator,” maintains Robinson. “We firmly believe that if we are to succeed in outfitting our customers and to stop them from buying ill-fitting clothing from mass manufacturers, price cannot be a factor in their decision making.” The company began with button-down shirts, then diversified into jeans, ties and polos. The company now even offers a first foray into footwear with their vegan sneaker. “Ultimately,” says Robinson, “we plan to offer a full line of men’s clothing and accessories as a one-stop shop for men.”
Everyone exploring this untapped market wants to make a profit, says Robinson, but the biggest winners will be those customers who wandered so long in the wilderness. “In the end, the more companies that get involved, the more that will benefit consumers looking for more options,” he concludes. “We are thrilled to be on the ground floor of this clothing revolution. Now that we have entered into the marketplace along with a few competitors, we also foresee a shift in the way shorter men shop. What started out as my desire to have off the rack clothes made for men under 5’10 and serve that demographic is evolving into a lifestyle brand specifically created for the shorter man.” He’s certain of one thing: “The customer’s relationship with their local tailor will never be the same.” Website: Under510.com Standouts: Slim, stretchy jeans in hypnotically deep indigo. A
gingham button down that would work at a Broadway opening or over a truck stop plate of biscuits and gravy. ■ metrosource.com august/september 2019
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we visit the world’s premiere drag ballet company just as an alum’s drag race success garners them fresh attention. by paul hagen similarities. Creatures of impossible beauty take to the stage, where they create art through stylized movement and eye-catching costumes. Yet in other key ways, they diverge. Ballet requires years of rigorous formal training, in which adhering to rules earns opportunities to exhibit one’s skills. Meanwhile, the path to a drag career often involves experimenting - to find venues, audiences and styles that best suits the performer. They may join forces with colleagues and mentors to learn and grow, though rarely in something as formal as a school. And often a drag queen’s biggest success comes from breaking the rules. Yet for decades, there has been a place where drag and ballet meet: Les Ballets Trockadero de Monte Carlo (affectionately nicknamed “the Trocks” ). We spoke to their Artistic Director Tory Dobrin and dancer Duane Gosa about where the company has been and where it’s going. They revealed the unique triumphs and challenges of a career in drag ballet — from losing toenails to losing partners, and how they’ve kept on dancing through it all.
ALONG CAME BROOKE Forty-five years ago, a group of ballet enthusiasts came together to form a dance experience unlike any other. Over time, they’ve seen extraordinary changes in how society regards LGBTQ rights, drag and dance. Then this year, along came RuPaul’s Drag Race Season 11. The fact that Trocks alum Brock Hayhoe (a.k.a. Brooke Lynn Hytes) was the season’s runner-up has shone a new light on the company’s special place in the world of drag. “Brock was a great guy and he danced with us [until] he didn’t want to tour anymore and he started doing drag in clubs,” remembers Dobrin, who joined the dance troupe as a performer in 1980 before going on to become artistic director. “We were super-thrilled,” he adds. “He comes across as very nice and chill and that’s exactly who he is.” “I think that it’s kind of cool that she has brought
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something that we do to a mainstream audience,” says Gosa - who joined the Trocks at 27 and has been dancing with them for six years now. “A couple of episodes when she mentioned the company on the show, I got so many messages from people that I met all over the world.” How would Gosa judge Brooke’s performance? “She really did well on the show — very impressive drag queen, very talented — which I think really helped for people to be even more excited about what we do.”
WHO ARE THE TROCKS? For those unfamiliar with the Trocks, let’s get some basics out of the way: Male dancers perform all the roles, both male and female. They embody all the grace and athleticism of classical dance and blend it with a comic sensibility that makes the combination instantly accessible. “It’s classical ballet and it’s parody of classical ballet,” Gosa explains. “So you get to see classic works that are famous throughout history like Swan Lake and Don Quixote, and parody of even more contemporary works like some Merce Cunningham and George Balanchine. But you get to see it with a twist and you get to laugh at it.” “You will go home astounded by the dancing and super happy about the comedy,” says Dobrin.“I would just say it’s a really great show, time well spent in the theater, basically not that expensive ticket-wise.” He emphasizes that although they have an enthusiastic gay audience, their fans include straight people, too. It’s a show where, for example, a woman who loves ballet can take her husband who hates ballet and both leave having had a good time.“That’s part of our longevity and popularity.”
NOT FEMALE IMPERSONATION Though Trocks must be many things, Dobrin is firm in his insistence that they are not female impersonators. He notes that hey were born just five years after the Stonewall Uprising as the community sought to throw off straight
background stock photo credit: Ghenadie Pascari
the arts of Ballet and drag share some surface
This Page: Photo By Zoran Jelenic
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Esmeralda The Art of Partnering
ONE NIGHT IN MONTE CARLO Dobrin likes the use the word “dynamic” in discussing the balance between dance and comedy that goes into any given performance by the Trocks. “You try to mix it up so that the balance comes out right,”he explains. In a typical three-act evening, they’ll begin with what he calls a “white ballet” — something grand like Swan Lake or Les Sylphides — and really camp it up. They begin act two with something more on the serious side and then close it with high
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THIS PAGE: PHOTO BY EMMA KAULDHAR • PHOTO BY ZORAN JELENIC • PHOTO BY MARCELLO ORSELLI. PHOTO USED WITH KIND PERMISSION OF FONDAZIONE TEATRO CARLO FELICE DI GENOVA (ITALY)
Pas de Deux
misconceptions about gays and girls.“In the ‘60s, the thing about the straight world … everything was always about: ‘What do you want to be - a girl? Is that why you’re a gay?’” recalls Dobrin. “We’ve gone way past that. But back then it was really trying to prove to the world that no, we don’t’want to be girls. We’re men who fall in love with other men. That’s what makes us gay.” Instead, Dobrin traces their philosophy to Charles Ludlam and the Theater of the Ridiculous. Ludlam, Dobrin explains, would create adaptations of great female roles from Camille to Cleopatra and play the characters without the pretense of feigning womanhood. He points to Glenda Jackson in King Lear as a recent similar example.“The point of Trockadero is not that the audience thinks that we’re women. We’re men doing these roles in these costumes for comedic effect. Whether we’re gay or straight is immaterial, even though we’ve had maybe two straight people in the company in the past 40 years.” “I don’t ever feel like I’m dancing as a woman,” Gosa offers. “I enjoy dancing with qualities that are more identified with women dancing . . . soft or lyrical … or demure or coquettish.” Nor does he feel bound by traditional masculinity when dancing men’s roles. “I was never really interested in men’s roles in ballet, so I have tried to find a way to play these characters in a way that’s interesting for me,” Gosa adds. “I do Prince Siegfried in Swan Lake and for me, trying to be a prince is kind of a joke because I don’t see myself as being this strong, big, cavalier type.” Instead, Gosa makes it fun. “I’m really puffing my chest up, and I’ve always got the one eyebrow raised. And you know I put on this wig that has like a really big kind of like pompadour in the front. I just try to make it like a Disney character.”
camp again, for example: Dying Swan. And then they’ll close the evening with a big ballet like Don Quixote or Raymonda’s Wedding which brings the entire cast onstage. Dobrin says that the company’s aesthetic evolved in response to other companies abandoning some of ballet’s more grand trappings. “I guess it was in the early ‘90s when I started becoming the director, I would go to ballets,” he remembers. “A lot of other ballet companies were coming into New York and they were doing nothing but spandex. No tutus at all. Classical ballet companies were doing this, and I thought: ‘That’s ridiculous. You’re going to see a big ballet company.You want to see a tutu.You want to see the classical canon. And we’re not seeing that.’ So I said: we’re going to go in the opposite direction.” They started working with a woman in New York named Elena Kornikova, who staged classics for them seen rarely outside Russia. At the comedy end of the spectrum, Dobrin points his dancers back to the Marx Brothers “with Margaret Dumont, how she’s reacting to Groucho Marx,”he says. “The use of her eyes, the use of her faux shock. Or Gracie Allen responding to George Burns, or even Lucille Ball.”
already been dancing for a little bit longer,” says Gosa. In addition to the rigors of dancing en pointe, another major challenge was makeup.“You kind of pick up things here and there as you go. I got a lot of tips from some people in the company. There’s some pretty fierce makeup artists that are there like Bobby [Robert Carter] and Albie [Alberto Pretto].” “If you haven’t been in drag and then you get into a tutu, a wig and a headpiece and pointe shoes, you feel a little bit like you’re mummified, so it’s a little disconcerting for the first time,” says Dobrin.“It usually takes two or three performances before they start becoming comfortable. The audience hopefully doesn’t realize that they’re not comfortable, but certainly I do.” Dancers also get Trock names: one female and male, often hilarious. Gosa is Helen Highwaters and one of the Legupski Brothers. “When we come in, they have a stock of names that they pick from,” Gosa explains. To him they traditionally correspond to certain aspects of a dancer’s personality or appearance. “The Helen Highwaters, for me, were tall, lanky black girls,” he says. So he’s part of a line of Highwaters?“Yes,”Gosa says with a laugh,“of the Manhattan Highwaters.”
This Page: Photo By Zoran Jelenic
GETTING THE POINTE “Usually in the audition process – we assume everybody who is auditioning is really more interested in doing the pointe work and the drag roles,” says Dobrin. The trick is that male ballet dancers are not traditionally trained in this. “When I joined in 1980, no open class teacher would let me take class en pointe,” remembers Dobrin. Nevertheless, he says,“when the teachers would give the corrections to the girls en pointe, it’d be like, if you - as a music comedy person - you’re not necessarily interested in opera,” Dobrin explains. “And then you’re in a class and they talk about opera, and you would listen because you’re interested in the voice.” “I always felt this way,” Gosa admits. “Any guy in ballet class who sees that, you’re definitely interested and curious about it, especially the homosexual ones.” Gosa had additional reason to focus on the females. “I was never that good at the male roles. I wasn’t really strong in my upper body. My legs are strong but I couldn’t lift or press anything; so I struggled a lot with partnering, which is the man’s main role. … I convinced the faculty to let me take pointe class a couple of semesters so that I could ‘see what’s going on in the shoe’ — so I could understand better how to partner.” Dancing professionally en pointe took some getting used to for Gosa.“I was only doing it like three times a week for an hour,”he recalls.“So then once I got to the Trocks and having to do it for five plus hours out of a day, every day of the week, it’s a different kind of strength and challenge. I lost my first toenail actually last year which I was pretty proud of.”
A TROCK IS BORN “When I first started with Trockadero, I was 27; so I had
THE PHYSICAL CHALLENGE But even once you’re an official Trock, it’s not all tutus and applause. “I’ve had like bunion pain, which I don’t wish upon anybody. I had a stress reaction [which comes] just before a stress fracture a few years ago, which was pretty painful.”Whether or not a dancer has had pointe training, it’s trial by fire. “You’re going to make mistakes, and until you learn how to do it correctly – injuries make you stronger.” Gosa has learned how to help his body cope. “I got my certification in Pilates ten years ago, and that has really helped my body and helped me understand how to use my body and how to take care of my body if an injury or some kind of stress happens. So that’s probably been my saving grace for a lot of my dance career.” Disinterested in weightlifting since childhood, Gosa found other ways to strengthen his body, including jumping rope and doing push-ups. In terms of diet, he has experimented with intermittent fasting, but
Les Sylphides
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TROCK AROUND THE WORLD “The greatest thing about being in the company is getting to travel. We see a lot of the world, and we get to do something gay and take it around the world and show people and make people laugh and entertain, which is the most amazing gift,” says Gosa. He also admits that it’s one of the hardest parts of the job, too. “Traveling and touring definitely is exhausting and is a skill that you have to develop. And being able to rehearse all day and then do an evening show and then go back to the hotel and not even have eight hours of sleep to recover. And you’re up with your bag packed on the bus at six in the morning flying to the Duane Gosa next city.” This goes on for weeks,
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and presents additional challenges like finding healthy eating options and balancing the need to rest with a desire to get out and see the world.”These days in my free time, I’m happy to do anything that involves sitting.” Dobrin remembers moments when the Trocks met hostility on the road.“We were in Mexico City,”he recalls.“1980 I think, and someone stood up and accused us of causing the explosion of Mt. St. Helen’s. We were picketed in Medford Oregon. We were in Owensboro Kentucky, and it was after the show, and I was waiting on a street corner. Some guy was talking on the telephone, and he said ‘I don’t know what they were doing up there, but they definitely were all lost in sin.” “And then in 1994, we were in Russia and we went to Novosibirsk, which is in Siberia in the middle of nowhere. And it was a really interesting kind of town. We went to the train station and it felt a little bit like in Star Wars when they go into the bar with all these weird characters. Anyway, I was the director already at that point, and it’s polite to go to the theater director and introduce yourself and say hello. So I went. And the guy was an old Stalinist type,” Dobrin remembers. “He said, ‘Well, you’re on our stage tonight, but last year you all would have been arrested.”
BEING CAREFUL “The little thing that I worry about now is that our young gay guys are so comfortable and they don’t realize that when we go to Birmingham in the UK and they’re walking around holding hands…” Dobrin says with a sigh.“Unless you know your environment and you know it’s safe, you really still have to be careful in a lot of places that we go. And a lot of the young gay guys don’t have that DNA. And I’m happy that they don’t have that DNA, but I worry about the caution that is still necessary.” “Even a few years ago when we were in London, some of
PHOTOS BY MARCELLO ORSELLI. PHOTO USED WITH KIND PERMISSION OF FONDAZIONE TEATRO CARLO FELICE DI GENOVA (ITALY) • PHOTO BY ZORAN JELENIC
says he generally burns enough calories dancing to not make extreme dieting necessary. And then there’s dealing with the drag.“As far as my skin is concerned, I think moisture is key. Always moisturizing will save your face or any part of your skin. I swear by coconut oil. I can literally take a jar and just pour it over the top of my head and let it run down,” Gosa says with a laugh. “I think it’s great for everything. Oils have really saved my skin or at least preserved it. I think as far as with the makeup,” he says, “I think one thing that I get more of an issue with is shaving so often. That’s one thing I struggle with. So I have found that I can’t use these razors with seven or eight blades on them. I use the disposable, the two blade razor and it’s much better for my skin.”
the guys smoked,”Dobrin remembers.“They can’t smoke anywhere in the buildings anymore, so they were standing at the stage door, which was on a street, and three of them were attacked, right before the show. So, yeah, it still can happen. So I worry. And I also worry they’ll go out in drag at night after the performance. Some of them do and I say: you gotta be careful.” Gosa says he hasn’t personally experienced this kind of confrontation. “I have not usually wanted to go out in drag as much as everyone else does. I’ve gone out a few times in drag, and we usually go to a gay bar or something and everyone is pretty excited for us to be there and really enjoying it. So I haven’t really experienced anything threatening or hostile,” he says. But he knows what it’s life to feel the danger of being different.“I grew up a black boy in white suburban America, so I’ve felt uncomfortable. I know that feeling. And I was gay too.” However, he also points out that most of the places they tour tend to be pretty accepting — or else they wouldn’t be booking a drag show.
Swan Lake
This Page: Photos By Sascha Vaughan • Photo By Zoran Jelenic
WHAT’S NEXT? “I’ve been at Ballets Trockadero almost 40 years,” says Dobrin. “This has been my entire adult life.” He says he does not miss dancing. “I was with somebody. I had a partner in the company. Even though we had broken up as a couple, we were still very close as family members, as gay people do, and he died of AIDS. And so after he passed away — I’m talking about in the mid-’90s — I just said, ‘Okay, I don’t want to do this.’” These days, Dobrin says he does not have ambitions beyond keeping the Trocks in good standing. “If I were ever to leave, I would probably go sit on a beach and just look at the ocean and a tree,” he says. “And I would be very happy to do that.” Conversely, Gosa will be 34 this year. “I’ve thought about going into something other than dance,”muses Gosa.“I think I maybe want to take a break from dance being my full time job and explore different things after this.” “I don’t really think there’s a set expiration date on it,” Gosa says. “It’s just kind of how you feel and what you want to get out of the career. I feel great about my career so far, and I just I want to leave it on a good note,” he adds.”But I think I’ve got a little bit more time here.” Learn more about Les Ballets Trockadero de Monte Carlo — and when they will be coming to a theater near you — at trockadero.org. ■
Raymondas Wedding
The Trocks Out of Costume
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CRUISE DIRECTOR IF YOU’RE GAY AND ONLINE, AVOIDING DAVEY WAVEY IS LIKE
avoiding the weather: Sooner or later, you’re going to get wet. At the moment, he presides over a million-plus subscribers from more than 150 countries who have seen his YouTube videos more than 300 million times. Add to that another 662,000 Facebook followers and an additional 12,000 fans who keep up with his exploits on Instagram. And they’re ravenous. Chatrooms lit up with soap opera curiosity in 2015 when he sold his LA apartment. How much did it cost? What does it mean for his boyfriend? Fans hang on every word, and his relationship with them is symbiotic. In him, they see an idealized version of themselves and Wavey, the marketing manager-turnedinternet influencer, never strays far from his boy-next-door roots. Don’t know Davey Wavey? Well, to paraphrase Rat Pack crooner Dean Martin’s description of Frank Sinatra, “It’s Davey’s world. We’re just living in it.” For all the attention he gets and seeks, he exhibits nary a hint of celebrity attitude. A description that better fits him is evangelical. He is an unapologetic zealot for more mindful and connected encounters between men, which he believes will in turn foster a more loving, more inclusive community of gay brethren. His New England preppy good looks and rigorous fitness regimen haven’t hurt his cause. Wavey (who does not use his birth name online) grew up in Rhode Island in a conservative Catholic family. He still splits his time between there and Palm Springs, although he says with a chuckle, “My family is no longer conservative or Catholic.” Maybe one of the reasons Wavey is so comfortable in his own skin is that his earliest memories are entirely free of homophobia. “When I was young,” he recalls, “I thought that all the boys felt about other boys like I did. I would make out with my classmates. And it wasn’t until that ended in middle school that I realized no one was like me. There wasn’t any internet or YouTube then. And then I met a family friend who my Mom explained to me later had a
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husband. She said, ‘And that’s called being gay.’” At 16, Wavey came out to his friends. A year later, he told his parents. “It wasn’t the greatest experience,” he says with a wince.“My mom sent me to our Catholic priest, and I remember thinking, ‘Oh, this is gonna end well.’ I gave my folks a few years to come around, and they did. I figured the only thing that could get them to change their point of view was their love for me. And that’s exactly what it took.” At college, Wavey spent time as a resident assistant — a garden-variety undergrad deputized as the dorm’s amateur authority figure and counselor. “I guess I’m a glutton for punishment,” he laughs. “I went from Catholic high school to a Catholic college as an RA. I saw a lot of incident reports about things the school didn’t like or want to recognize. Long story short, it awakened an interest in supporting people like me. I got hired as a marketing manager by an LGBTQ rights group called the Family Equality Council to create community, so I started making YouTube videos, not thinking it would mean much. And then my seventh video was about my masturbating neighbor, and suddenly that video had several million views.” Knowledge is power, so they say, and Wavey knew he had washed ashore on some uncharted isle of the cyberverse. “Honestly,” he admits, “I had a moment thinking to myself that I didn’t want any of this: seeing my life exposed online and having people comment on it. I was really put off by the whole idea. But I very quickly realized it was also an opportunity, if not a responsibility, to help other people like me. Shortly after that, Google bought YouTube and started monetizing content, and it became my full time job.” Unlike many of his contemporaries — straight or LGBTQ — Wavey says he’s never pursued fame as an end unto itself. Instead, he says, “I’ve always created content about things I’m passionate about. Since I started at 23 years old, I’ve been driven by my passions and created videos about coming out and self-acceptance. That’s what my journey has been. And the stuff I’m interested in is different than a lot of what you see online. It’s honest and empowering at the same time.”
ALL PHOTOS THIS PIECE COURTESY DAVEY WAVEY
HOW DAVEY WAVEY BECAME A YOUTUBE SENSATION AND WHY HE’S USING THAT POWER TO CHANGE HOW GAY MEN LOOK AT EACH OTHER. BY KEVIN PHINNEY
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True, he’ll allow, the audience he’s amassed has provided a livelihood “in a world driven by metrics. But I don’t think about the numbers, because I don’t want to be some package in the world. It’s never been a numbers game for me, and if enough tune in that I can make a living, that’s great. I don’t want to fall into the trap of chasing likes and clicks. That doesn’t seem like a particularly healthy perspective.” What some might consider a lack of killer instinct, others regard as integrity. “I was in WeHo for two years,” he says, “and one of the reasons I only lasted there as long as I did is that so many people there look at fame as the end goal. The people I look up to didn’t do what they did to be famous. They were doing something they’re passionate about. So I’ve never asked myself, ‘What can I do to be famous?’ It’s a very disempowered approach. Doing what it is I love and making people laugh and smile and maybe learn something? I think people tune in because of that.” Since he doesn’t deal in celebrity gossip or post every time a hot button issue starts to trend, the question arises: What does Davey Wavey have in common with the superstars of social media? “That’s the big question, right?” he says with a twinge of mischief in his voice. “I think about this all the time when I’m evaluating myself. ‘Are you a good witch or a bad witch? Are you using your power to help people or to build your brand? I really measure myself by the content. You know, I’m not entirely sure what confluence of talents makes an influencer. Maybe they can take a sexy picture; maybe they have a message worth delivering. Me, I’m decent at a number of things. I’m not great at editing, filming or marketing. But I think that I’m decent at all of them. So I wear a lot of hats.”
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In 2017, he added to those responsibilities by launching HimerosTV.com, a website where Wavey gets to deliver his mantra of mindful exploration of intimacy between men. The concept is meant to both expand and replace the template that the entertainment industry plants in the minds of almost every gay man: that sex is transactional. That people are archetypes meant to be used and discarded like products. That bringing 100 percent of who you are into your own sex life is something to fear. Videos on the site turn that idea inside out. They include a man well into his 80s sharing a hot tub with men in their prime. A quadriplegic is shown having the time of his life, and viewers can choose from an assortment interracial and daddy/boy scenes. Subscribers will even find guided meditations (set to steamy visuals) on how to make even the most casual encounters into something beautiful that connects men to same-sex impulses that are as old as time. “It’s authentic and joyful, the way we portray men interacting,”he says. “And it resonates deeply with my own experience. What most people watch is certainly designed to get you off, which is fine. But as gay men, it’s also served as our sex education, so a lot of us try to emulate what we see on our screens in our bedrooms. Porn is very good at getting you off, but it does nothing to create intimacy or connection. All of these things are important to living your best life. So I wondered: ‘Can I use the same formula as my YouTube videos, and instead of goofiness and humor, can I package this so that we create content that is instructive rather than destructive?’” Not being licensed in the field himself, Wavey partnered with tantric instructors, mental health experts and sexologists to create
videos that enhance men’s experience of what’s possible. “So on our site, maybe the guy you see has a belly, or maybe he’s 83, or he might be in a wheelchair. We have our share of what the industry would call traditional guys on the site, too. But our community is so very siloed: young with young, older with older, and so forth. We’re trying to incorporate more of the range of guys we all experience in the real world, because they’re all hot in their own way. We want to open hearts and minds at the same time.” Wavey believes that because we live in a youth-obsessed culture — especially when it comes to sex — people forget that experience has its advantages. “We filmed a scene with three generations of gay men,” he says. “Younger guys and guys in their 50s, 60s and 70s. And you can see what happens. The older men were so in their bodies with sound and movement; really inhabiting the moment. Yet it’s the 20-somethings we tend to collectively celebrate, even though they’re just starting out.” Wavey is careful not to call more generic erotica obsolete. “I think it’s a combination,” he muses, “but the apps we use have brought us to a place where sex is very transactional today. So I say, if you want to hook up, do it mindfully. Still connect with your partner in a way that’s real and present and intentional, not just mindless.” Essentially, he says, “Our site is serving broccoli coated in something irresistible. And you can fool people into trying the good stuff. It’s a really good vehicle for pushing positive messages. We also host a deep-dive podcast, so it’s an opportunity to really have, like a gay dirty book club. We gather round and chat about it, like a bunch of queens. And we have a conversation which becomes very interactive.“ When Himeros conducted research, Wavey reports, 48 percent of his viewers wanted to see men over 50 rather than only models who share similar aesthetics, whether they were smooth, furry or otherwise.“Over time, archetypes become interchangeable,” he says. “It’s the same thing over and over. What I believe, especially when you’re measuring yourself against what you’re watching, it’s validating and empowering to see people who look like you do. People of color, people with disabilities, men of different shapes and sizes, all showing off the ecstasy and erotic connection that is our birthright.” It’s an unusual calling for a boy who grew up conservative and Catholic, he’ll admit. But trying to enable men to reach out with their hearts and minds as well as their hands has given him a sense of purpose, as well as an opportunity to challenge his own imagination. For the moment, that’s enough. “Ultimately, I’m not really worried whether people remember me or not,” says Wavey. “I hope people remember the message of what we’re doing. That they’re worthy, deserving and lovable. And sex can be an amazing vehicle for learning about life and the world around you.” ■ METROSOURCE.COM AUGUST/SEPTEMBER 2019
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THIS IS HOW YOU GROW
A SACRED FIG
ANYONE WHO BELIEVES THE PHRASE, “THOSE WHO CAN’T DO, TEACH”, HAS
clearly never met Anton Brandt. His preternatural ability to jump into gravity defying handstands or intertwine body parts (“binding” in yoga parlance) attests otherwise. Positions that would evoke fear or discomfort in most people are places of repose for the veteran yogi, who — after years of participating in others’ training programs decided to found The Sacred Fig — a roving school for international yoga students and certified teachers. Tall and lean, Brandt has one of those bodies that appears to bend into any shape with relative ease. His calm vocal tone and clear eyes impart an energetic wisdom that extend well beyond his years. After a short amount of time in his presence, it appears Brandt was almost pre-ordained to become an instructor. Long before Brandt set foot into a studio (or even knew what yoga was, for that matter) he was drawn to key elements of the practice. And though the outcome in retrospect seems inevitable, his destiny had to find him first. “During college, I’d smoke a joint, then go up to my dorm room, lay on my back and put my legs on the wall in what I now know is plow pose,”Brandt confides with a smile in his voice.“I would use that technique to draw inward, and did so for years before I learned that other people did the exact same thing - only they paid to do so in a class setting.” Years after graduation and several spliffs later (but who’s counting?), Brandt found himself hiking at Joshua Tree in his home state of California. During this same camping trip, a friend suggested
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the two start their day off with a DIY yoga session.“We pulled out our sleeping mats and went through some poses,” he recalls.“I remember doing a Warrior 2 and realizing that was a huge access point for me - when I got into my breath and body, I knew it was what I had been seeking all along.” From that moment on, Brandt couldn’t get enough. His passion for yoga led him to an ashram in India where he completed his first 200-hour yoga teacher training certification. Upon receiving his initial certificate, he immediately signed up for a second 200-hour course. “The day I finished that, I sat in Vipassana - a silent form of meditation - for 10 days,” he shares. “I completed months of teacher training before going straight into that. And then I never really came home.” After embarking on a third training program in Bali, Brandt landed in New York City where he taught at studios like Equinox and Sky Ting. Eventually his ambitions would put him back on the road. “I never wanted to become a full-time studio instructor. I knew my dharma was to facilitate trainings,” he says with certainty. “My ultimate goal was to build a community so I could organize and lead more intensive training programs.” And he did just that. Catching up with Brandt now, he’s just finished leading yet another 200-hour teacher training session in Coastal Alentejo, a city off the beaten path in Portugal, where he resides part time. “I’ve always wanted to create the extraordinary, to give my students adventures and experiences that they’d never be able to find on their
ALL PHOTOS THIS SPREAD COURTESY SACRED FIG
BODY
HEALTH
Anton Brandt isn’t simply teaching yoga. He’s deeply invested in how to better embody its lessons - like LGBTQ inclusivity. BY MEGAN VENZIN
own,” he allows.“My farm in Portugal sits on the untouched Atlantic Coast. Here you can walk for miles along the beach without seeing another person — and that’s a good thing.” Bringing students to these less trammeled locations in regions of Bali, India, Italy and Portugal are signatures of The Sacred Fig model, which has churned out more than 1,000 teachers since the company’s inception some five years ago. The 200-hour and 75-hour advanced trainings are fully immersive, starting with meditations every morning followed by rigorous asana and class lectures. All are delivered in intimate remote settings with the world’s leading voices in yoga instruction at the fore. Brandt’s handpicked destinations each possess unique qualities that complement his end goal of providing a sense of transformation within students. That means not only a physical transformation, as they deepen their practice and nosh on plant-based diets, but in their minds and spirits as they enter nature and disconnect from common distractions like technology (Remember: no cell phones in public spaces before asana!). Also key to the Sacred Fig’s ethos is inclusivity. “I’m such a huge fan of inclusivity in yoga classes and studios. [Classes] should be as accessible for my mother as they are for my nephew,” he says. “There must be room for everyone, because we all need these tools. They are a practice in embodiment.” When prospective students fill out their applications to participate in a teacher training, they’re then asked to provide their preferred pronouns. Brandt no longer assigns roommates based on gender, either.“As a faculty, we’ve cut out phrases like ‘you guys’,” he adds.“It’s just one way we are collectively working toward becoming a more conscious organization.” Being part of the LGBTQ community himself, Brandt feels it’s his responsibility to uphold his core values both inside the shala and out. “I love being the leader of a strong community, and also being gay,” says Brandt.“I’m thrilled that I can be open with my sexuality and also serve as a role model for people who may want to become leaders in their own communities, whether those be in wellness or any other work they do. Growing up, I didn’t have gay mentors or role models; I had to find that for myself.” Now Brandt is giving students what he never had. And he’s spreading those positive messages from one continent to another. In the same way someone’s yoga journey is considered unending, so too is the trajectory for The Sacred Fig. Soon, Brandt and his partner (yoga instructor Tony Lupinacci) will open a Wellness Retreat Center in Puglia, located along the southern tip of Italy’s “boot”. The wellness center will serve as a new location for Brandt to demonstrate that he has the capacity to“do”as much as he does to“teach.” The site will also join the growing list of places he reverently refers to as “home”. “That’s the joy of having a practice,” he says matter-of-factly. “When I’m eating, speaking and moving with intention; when I’m surrounded by others who are also doing the work — I’m living into my dharma. I’m at home.” ■
Anton’s classes are known for their potent combination of movement, breath and beat. Search “Anton Brandt” to peruse dozens of his yoga playlists on Spotify. Some of his favorite artists to move to include: s &EATHERED 3UN s ,UCHS s 'ARTH 3TEVENSON s 3OL 2ISING s $* 4AZ 2ASHID s 0ORANGUI s 0ARRA FOR #UVA s .ICOLA #RUZ s 2ODRIGO 'ALLARDO You can learn more by following @thesacredfig on Instagram and Facebook or visiting them online at thesacredfig.com.
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FINDING FITNESS
Having trouble finding a workout routine that’s right for you? Check out these apps —
BODY
HEALTH
all designed to point you in the right direction. BY JEFFREY JAMES KEYES IT SEEMS LIKE EVERY LGBTQ PERSON WE TALK TO IS OBSESSED WITH FITNESS. BUT WHEN THERE ARE SO MANY OPTIONS AVAILABLE, FINDING WHAT WORKS
for you can seem overwhelming. In April 2019, Wellness Creative Co. published Gym Market Research & Industry Stats 2019. The report shared that more than one in five Americans belongs to at least one U.S. health club or studio. That means in 2018 there were 62.5 million gym members in the United States. But what about the rest of us? In a survey conducted by ClassPass last December, 59% of respondents said their 2019 resolution was to exercise more. We’re well into 2019 at this point, but it’s never too late to recommit: If you are new to fitness, new to your town, or simply trying to pump some new energy into your fitness routine, how do you find options to start or upgrade your workouts? Tech companies ClassPass and MINDBODY are two great resources for finding something just right for you.
MINDBODY MINDBODY, which describes itself as the leading technology platform for the wellness industry, is one of the top resources for finding both fitness and gym classes (plus local spa and salon treatments). The app even states,“We get it; the struggle is real. But finding & booking wellness services doesn’t have to be. There are no memberships or commitments, so you can drop in at a nearby gym or try a new fitness class at a great price.” If MINDBODY sounds familiar, that may be because it’s been around since 2001. Rick Stollmeyer founded the company in his garage in San Luis Obispo, California and over the years the company has grown to roughly 2,000 employees. MINDBODY offers a wide variety of classes, including barre, CrossFit, Pilates, Yoga, Tai Chi, Bootcamp, Dance, Interval Training, Aerial, Gymnastics and more. You can filter classes by location, date and fitness category in order to ensure you’ll find the right fit. Or, if you’re in a mood to pamper yourself, you can opt to search for local salons and spas. Just how popular is MINDBODY? Well, they process some 5.5 million classes each day. In addition, the company recently introduced something long in the works: The MINDBODY Wellness Index, a statistical ranking of the overall health of the metropolitan areas in the United States. Their studies found that Austin-Round Rock, TX; San Francisco-Oakland-Hayward, CA; Raleigh, NC; Denver-Aurora-Lakewood, CO; Boston-Cambridge-Newton, MA-NH, Los Angeles-Long Beach-Anaheim, CA; Tampa-St. PetersburgClearwater, FL; San Jose-Sunnyvale-Santa Clarita, CA; Salt Lake City, UT; and San Diego-Carlsbad, CA make up the 10 Strongest Wellness Markets in America. Are you in one of those cities? Jump into a class! Not in one of these cities? MINDBODY most likely still has some classes in your neck of the woods. Download their app and see for yourself.
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CLASSPASS Looking to find a local gym or studio, but can’t decide where to go? ClassPass can help you to sample a few local options and allow you the flexibility to search and try out various local classes. The company was founded in 2013 by Payal Kadakia, who was struggling to find a good dance class to join after work. Now, it’s a“monthly subscription service providing access to the world’s largest network of boutique fitness studios and gyms.” In less than a decade, ClassPass has grown to claim that it’s the world’s leading fitness membership and largest fitness network. ClassPass has more than 15,000 partners in 80 cities worldwide. Whether you prefer Pilates, yoga, cycling, barre, running, strength training, dance, sports or videos, they have you covered. Are you a jet setter? They’ve got that covered, too. In fact, ClassPass recently acquired GuavaPass, an aggregator of fitness experiences operating in Asia and the Middle East (including cities like Abu Dhabi, Bangkok, Beijing, Dubai, Hong Kong, Mumbai, Shanghai and Singapore). Recently, the company also launched an option they call “ClassPass Getaways.” It’s a series of experiential events exclusively available to members. Getaways transports fitness enthusiasts to luxurious locations for carefully curated adventures, including one-of-a-kind fitness programming from boutique studios, complementary treatments and an assortment of special treats.“At ClassPass we aim to provide stepping stones toward an active and inspired lifestyle, and ClassPass Getaways will do just that. We’re thrilled to give members the opportunity to take a mini-escape from their day-to-day to try new things and explore unfamiliar places. It’s our hope that attendees will leave feeling energized and empowered to continue living life to their
absolute fullest,” said Payal Kadakia. Interested in a Class Pass free trial? Check out their Instagram Page for a link in their profile. Book a spot and get yourself moving today. ■
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feeling the burn spend inordinate amounts of time together. We run our own business. I write books, and he assists the publisher with all of my author marketing, touring, speaking engagements and social media efforts. We manage two households. We even eat nearly every meal together. What’s more, we travel together. Often, we end up in the same car for days and weeks at a time. We are not merely coworkers and business partners. I like to term what we are as “gleefully codependent.” Mostly, we are best friends. However, when it comes to working out, we have very different routines. I go solo, while Gary goes group. I like to run long distances or work out at the gym. Gary thrives in a class environment. He goes to yoga nearly every day. He loves any class that has choreography — from spin to cardio funk. I thought that this was working out well for us. We were not only taking care of ourselves, but also getting a mini-break from one another every day. Even our timing was staggered. Gary loved to work out in the morning, while I preferred to go after lunch. And yet, for years, Gary begged me to do yoga with him. “I feel like you’re missing out on a big part of who I am,” he told me. “I think you’d love yoga, too. You run so much. You need to stretch more.” I didn’t disagree with that conclusion. But Gary also knows that I don’t do well in group classes. Not only do I not feel the need to be motivated by a stranger, but I am also visually dyslexic. I simply cannot follow someone doing a routine backward. For a brief time, Gary taught Zumba and kickboxing. I distinctly recall that when I attempted Zumba, I looked like Elaine dancing on Seinfeld. And when I tried kickboxing, I struck a woman in her hoo-ha with my foot. Nevertheless, after a week of endless begging, I finally caved and went to yoga with Gary. It didn’t go well. Gary didn’t warn me that they chanted and sang in the beginning of class. This is another thing I hate about group work. Gamely, I mouthed “banana” until they were done. Next, they began to maneuver into positions my body didn’t
particularly enjoy at eight in the morning. I fell over once, kicked Gary’s water bottle like I was trying to hit a field goal, cursed him (not under my breath), and did every pose in the exact opposite direction of what the instructor wanted. She said my name so many times, I felt as if we were dating. Yet I am also one of the most competitive humans on the planet. A bunch of teenagers tried to pass me at the end of a 10k once, saying, “Let’s take the old guy.” I nearly lost a spleen just to spite them. So, after a determined hour of yoga, I finally began to understand the poses. And by the end of the hour and a half class, I even did a butterfly pose that was praised by the instructor. “Showoff,” Gary said at the end of the class. “Didn’t you have fun, though? Isn’t it fun to work out with me?” I looked at him. “Now it’s your turn,” I said. “What do you mean?” “I mean, now it’s your turn to work out with me. Quid pro quo.” “I don’t know what that means,” he said. He soon found out. That weekend, I made Gary run six miles with me. Gary despises running. He finds it even more horrific than Fox News. I took him on my favorite run along a trail overlooking Lake Michigan. It’s beautiful, but hilly. Gary moved at the pace of a turtle. With a truck on its shell. What would have taken me 45 minutes to complete seemed to take Gary a week. I’d run way ahead and circle back to make sure he was alive. “You’re like a vulture!” Gary finally screamed. “Stop circling!” “Stop asking me to do classes with you!” I yelled. Gary stopped. “You don’t like working out with me?” “Do you like working out with me?” Ultimately, Gary and I came to a complementary agreement after I resuscitated him. While we still generally adhere to our own fitness routines, we also use each other’s regimens as learning tools. He’ll take walks and hikes with me. I will stretch and even do some yoga with him. These days we couldn’t be healthier. Or happier. ■
views
My husband Gary and I
diary
After years of embracing decidedly contrasting fitness routines, husbands Wade and Gary attempt to embrace one another’s regimens of choice. BY WADE ROUSE
Check out Wade’s latest novel under the pen name Viola Shipman, The Summer Cottage, and visit him online at waderouse.com. has anyone taken a risk to show their love for you? share your story in “gay voices” at metrosource.com. metrosource.com august/september 2019
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A photographer exhibits flair for both the ordinary and the extraordinary, while chefs celebrate international fusion. Plus, tennis anyone? By sebastian fortino
SKREBNESKI DOCUMENTED: 1948 - 2018 By Victor Skrebneski; Rizzoli New York; $150.00 Some photo books bring to mind Hemingway’s recollections of
Paris in the 1920s: they are “a moveable feast.” The work of American famed photographer Victor Skrebneski, who was born in 1929, easily captures those ideas of the sacred and the profane. Across the 325 images collected here is something for anyone who appreciates art. Skrebneski is renowned for his stylish glamorous fashion and advertising photography. The artist is also noted for his profoundly sensuous and sculptural nude studies as well as for casually elegant portraits of friends and the famous. The latter includes a veritable cavalcade of one-name stars: Minnelli, Warhol, Hepburn, Bowie, Ross. In terms of noted American celebrities, Skrebneski’s images of Orson Welles loom larger than life — as Welles most certainly did. A bearded face with the elan of a childlike curiosity looms over the darkly shrouded temple of his body. Bette Davis, captured in later
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years (but almost certainly long before her strokes and later ill health) is instantly recognizable — indelible as she ever appeared on the silver screen. Skrebneski is also known for snapping numerous photos of the legendary Audrey Hepburn in her prime. While there isn’t as much of her in this book as you’d expect, there is a fitting homage to the actress and humanitarian. Appropriately, some of the shots capture the image of a Givenchy label and, later, Hepburn seated next to Hubert de Givenchy. But the photographer’s subjects vary. One wonders: Who is the plain woman who recurs in multiple shots from the 1950s? Did Skrebneski make an act of contrition after photographing the French church advertising “connfesseurs”? Why is the woman ordering a drink with her dog at a bar so very happy? Did he have his fortune read by Gina, the fortune teller, staring out her shop window? We may never know for sure, but the images invite us to happily conjure up our own answers.
this page: images from Skrebneski Documented: 1948-2018 byVictor Skrebneski. courtesy Rizzoli New York, 2019.
culture
books
more to love
Press • “Steven würth: Tennis Fan” images courtesy steven würth/artbook|dap this page: Images from “A Place at the Table” courtesy Prestel
A Place at the Table: New American Recipes from the Nation’s Top Foreign-Born Chefs Edited by Gabrielle Langholtz & Rick Kinsel; Prestel Press; $40.00 despite rabid xenophobia on the part of some of our elected officials,
the U.S. traditionally regards itself as a melting pot of people and ideas. Perhaps this is best represented in our vast variety of culinary experiences. Luckily for foodies and hungry people everywhere Americans have a long rich tradition of adopting the cuisines of newcomers. Consider what a night in would be without options like pizza, pad thai, tacos or sushi. In A Place at the Table: New American Recipes from the Nation’s Top Foreign-Born Chefs editors Gabrielle Langholtz and Rick Kinsel have collected recipes from chefs who came to our shores with unique takes on (and taste in) food. This volume was created in partnership with the Vilcek Foundation, an organization which celebrates the contributions of immigrants to American society. Some 40 chefs are represented, including Dominique Crenn of France and San Francisco and Marcus Samuelsson with his Ethiopian/Swedish influences. Emma Bengsston, who brought her Western Swedish to NewYork is also celebrated along with rising stars.
Consider Scallops with Ponzu-Poached Butternut Squash by Colombian-born, French-trained chef Cesar Gutierrez for your next pescatarian guest. Open a fine wine to pair with chef Joseph Sukhendra’s Rosemary-Roasted Leg of Lamb and Mint Chutney. Sukhendra was born in New Zealand of Fijian and Indian heritage, and his recipe celebrates both savory influences. Charles Olalia offers up a dessert based on a dish from his native Philippines using a staple found in American fruit bowls and larders all over the country: it’s a Banana Bibingka cake sweetened partially by coconut milk. “Moving stateside has allowed me to gain valuable experience I could not have gained if I stayed in the Philippines,” Olalia states simply. That sentiment is echoed by the chefs over and over again. They treasure the food cultures they came to and from. And they each celebrate creating something exciting and new. As American eaters, we are lucky to have such international fare on our menus and on our lips.
Stephen Würth: Tennis Fan By Stephen Würth; Distributed by ARTBOOK | D.A.P.; $40.00 Sports photography is a genre which has to capture the action
going on at any given moment. But that of course tells only part of the story. In Tennis Fan, by German-born photographer and tennis enthusiast Stephen Würth, we see well past what’s happening while the balls are in the air. In fact, this tome delivers much more of what goes on beyond the sidelines and baselines - and all the way off the court - with a confidence that what exists out of bounds is just as important. From the very start, readers will be able to tell they are in for a different kind of sporting experience: The bold red cover displays the title and author name in a refreshing 1970s font, prompting them to wonder: Is that when this artist first fell in love with tennis? Würth goes on to capture dramas of life on and off the court. He
catalogues empty arenas, hard-pressed cameramen, and of course ecstatic fans. The photos - all in black and white - starkly capture both the energy of actual matches and the way players and the sport are represented in the media. There is a quiet, almost sacred love of the game revealed in these photos. Even a small item, such as a tool used to mark court lines, takes on the sculptural quality of an object whose purpose lies in motion, deserves contemplation while momentarily at rest. Whether his lens finds a location is a rooftop in Manhattan, a match in Palm Springs, a billboard featuring a three-dimensional tennis racket, or a snapshot of an a Nike ad taken on a gritty subway platform, Würth chooses not to simply record the sport, but its hold on him and his world as an artist and tennis fan. metrosource.com august/september 2019
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Hotel-Dieu-Fotolia
IN LYON, THERE IS A STREET NAMED FOR SISTER BOUVIER, WHO DELIVERED
more than 100,000 babies during her decades-long tenure as a member of the hospital order at Hôtel-Dieu (or “hostel of God”). One of the most historic buildings in France, Hôtel-Dieu de Lyon was the hospital where nearly two-thirds of all Lyonnais were born. It’s an imposing structure along the Rhône with a 1,300-foot façade built by Soufflot, the architect who designed the Pantheon in Paris. For more than 800 years, this magnificent structure has been a symbol of Lyon’s beneficence — first as a refuge for travelers and clergy in the 12th century and later for ex-prostitutes who, once they were coaxed off the streets by priests, formed the hospital’s nursing staff. What a testament to Lyonnais humanity: to be delivered into the world by former street-walking ladies of the night. Much of this rich history is evident throughout Grand HôtelDieu, a brand-new hospitality and gastronomic complex that has transformed Lyon’s premier hospital into a dynamic center of luxury and well-being. Medicinal plants and botanical herbs bloom throughout the cloister gardens and courtyards. They now house restaurants and lounges such as Buddha Bar and L’Officine, as well as the fivestar InterContinental Lyon-Hotel Dieu. In a nod to the historic hospital’s fabled 70-ingredient theriaca (a cure-all panacea comprised primarily of opium poppies), the apothecaries fronting the Rhône in Soufflot’s original 18th-century design are now boutiques devoted to 21st-century health and wellness. Nestled in the heart of Lyon’s UNESCO World Heritage Site, Grand Hôtel-Dieu is also home to Lyon’s Cité Internationale de la Gastronomie: an interactive laboratory that focuses on food as a source of both pleasure and health. Designated“the world capital of gastronomy” by the famed 19th-century French food author Curnonsky, Lyon remains the spiritual home of Paul Bocuse, the beloved chef of chefs whose nouvelle cuisine revolutionized French cuisine with its focus on lighter,
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seasonal fare. And it was “Monsieur Paul” (as he’s affectionately known throughout the city) who founded the Bocuse d’Or, Lyon’s biennial cooking competition that has become the gastronomic equivalent of the World Cup. In part, Lyon’s culinary prowess is a consequence of its optimal location at the confluence of the Rhône and Saône rivers where it is surrounded by several illustrious wine regions, including Beaujolais and Côte du Rhône AOC. Even during the Middle Ages, spiritual travelers would attest to Lyon’s gastronomic excellence, which is reflected today in the city’s 23 Michelin stars and a staggering 4,000 restaurants. Beloved for its bouchons (cozy inns serving the traditional Lyonnais cuisine often associated with grandmothers), Lyon has been cited by UNESCO for its rich foodie heritage. At Le Bistrot d’Abel, one of the city-certified Les Bouchons Lyonnais, guests can descend into a Proustian reverie induced by French comfort food such as pâté en croûte and pillowy quenelles, followed by baba au rhum. Amidst such plenitude, it’s relatively easy to succumb to gluttony —particularly when confronted with a buffet laden with Lyon’s signature tartes aux pralines: rose-colored almond confections that melt in the mouth like cotton candy. Equally addictive are the regional cheeses and oysters shucked by the bushel at Halles de Lyon-Paul Bocuse. Home to more than 50 purveyors of Lyonnais delicacies, the market first opened in 1859 and has remained Lyon’s culinary centerpiece. Both locals and visitors commingle around the comptoir to sip and slurp side by side. Further gastronomic temptations await at Le Grand Réfectoire, housed in the former refectory of the sisters of the hospital —complete with the pulpit from which the mother superior read aloud from her Bible during the sisters’ silent meals. Certainly those times have changed and the spectacular vault-ceilinged room now thrums with energy behind the guidance of Michelin-starred chef Marcel Ravin, who comple-
THIS PAGE: HOTEL-DIEU BY FRÉDÉRIC PROCHASSON PHOTOGRAPHE
SLEEP IN AN ANCIENT HOSPITAL, EAT WHERE THE CULINARY WORLD CUP TAKES PLACE, AND SEE A LIGHT SHOW LIKE NO OTHER ON EARTH. BY MARK A. THOMPSON
This page: Vieux Lyon de nuit by www.b-rob.com • Opera Lyon by Stofleth • Cells - théâtre des Célestins by Brice Robert for Only Lyon • You and the night - Place des Jacobins by Brice Robert for Only Lyon • Une petite place pour de grands ràves 2 Place Bellecourby Brice Robert for Only Lyon • Reflets - Colline de Fourviäre -by Brice Robert for Only Lyon
Vieux Lyon de nuit
ments traditional Lyonnais cuisine with indigenous ingredients from his native Martinique. Yet even in the face of overindulgence, Lyon retains its reputation for health and well-being. Bicycles are as abundant as baguettes — with more than 4,000 shareable Vélo’v bikes available for traversing the city’s 300 miles of cycling routes. At Tête d’Or Park, which flanks the city’s contemporary art museum (known as MAC), nearly 400 acres of verdant meadows and rose gardens surround a vast 40-acre boating lake. Redeveloped river banks provide endless enclaves of relaxation with barge restaurants and floating bars that morph into moon-kissed clubs. Maybe it’s something in the water, but innovation has been an integral part of the city’s reputation since Lyon’s dominance of the silk industry began in the 16th century. It is to Lyon that we trace the development of the Jacquard weaving loom, which is considered a forerunner to the computer. At the former Hôtel-Dieu, the Lumière brothers also pioneered the use of X-rays to treat cancer. And fun fact: the local duo also invented modern cinema and color photography. Equally inventive is the city’s annual light festival known as Fête des Lumières, which illuminates the city with such a glow that French astronauts photograph it from the international space station. More than 30 international artists create scores of spellbinding installations throughout the city’s squares and parks. As Lyon Mayor Gérard Collomb states,“Few Opera Lyon
You and the night - Place des Jacobins
events are better positioned than Fête des Lumières, with its universal symbol of light, to showcase the soul of Lyon: its values of unity, sharing and solidarity.” In keeping with the city’s sense of inclusiveness, Lyon hosts various annual LGBTQ events, including France’s second-largest Pride Parade each June. The event concludes with a massive festival on Place Bellecour, the largest pedestrian square in Europe. Biennial de la Danse occurs in September. In October, that’s followed by Lumière Festival, a celebration of film curated by the Institut Lumière with nearly 200 offerings shown on screens throughout the city. Often listed as one of the world’s most livable cities, Lyon is home to no less than 29 bridges which straddle the rivers and make the city one of the most pedestrian-friendly in Europe. At Okko Hotels Lyon Pont Lafayette, premium rooms front onto the Rhône, with sweeping skywide vistas that lend veracity to the hotel’s tagline: Four stars and no clouds. Behind the hotel’s traditional 19th-century Haussmann façade exists a sleekly urbane all-inclusive property that functions as a private club for guests, complete with a lounge and living spaces that are impeccably outfitted for 21st-century comfort. In the evenings, an Italian-style apéritivo is served with a focus on local products and regional wines. By that point, you’ll have plenty of reasons to toast l’art de vivre in Lyon. And you can always bike away that butter tomorrow. ■ Cells - Théâtre des Célestins
Une petite place pour de grands ràves 2 Place Bellecour
Reflets - Colline de Fourviäre
Waldorf Astoria Amsterdam
Studio Phylicia
Exterior De L’Europe (1) - High Res-Hotel De L’Europe-Redactioneel
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BACK IN THE 1980S, AMSTERDAM WAS THE SIN CITY OF EUROPE. IT WAS THE CITY
where my boyfriend and I traveled whenever we needed respite from the Biblebleating hegemony of the United States. Grittier than New York, Amsterdam celebrated sex with abundant boys and brothels. Around every corner were cannabis coffeeshops. And when those clubs closed, there was Indonesian rijsttafel — a munchies-sating feast imported from colonial Dutch culture back when the Netherlands ruled much of the known world. As UNESCO noted in 2010 when designating the city a World Heritage Site, Amsterdam’s tolerant and cosmopolitan culture evolved alongside its maritime trading empire. It also reflects the spirit of the Calvinist Reformation which made the city a refuge for generations oppressed by religious persecution. It’s unlikely that John Calvin anticipated Amsterdam’s ongoing popularity for stag and hen parties or the enduring appeal of its red light district. Nonetheless, and similar to Las Vegas, Amsterdam has always cultivated a laissez-faire attitude that has proven alluring to nearly 18 million annual visitors. And just as Vegas has polished its brassy image over recent years, Amsterdam has done the same to usher in a 21st-century renaissance that replicates the prosperity and cultural prowess of its Golden Age. Throughout the 17th century, Amsterdam was the hub of global trade and the world’s most formidable economic power. As the majority shareholder in the world’s first multinational corporation, the Dutch East India Company, Amsterdam was renowned for its wealth, which was made manifest in art, architecture and haute cuisine. At the Rijksmuseum, there is a genre of Golden Age painting known as pronkstilleven. It is famed for depictions of “ostentatious still life” — ornate canvases resplendent with abundance of flora, fruits and fauna that represented the patron’s affluence. Similarly, patrons at the museum’s Michelin-starred RIJKS restaurant are now fêted with new Dutch cuisine in a room reflective of the timeless grandeur of its recently-restored museum. In honor of one of the Golden Age’s most remarkable artists, Rijksmuseum has designated 2019 as the Year of Rembrandt with an exhibition of the world’s largest collection of the artist’s works, including Rembrandt’s masterpiece The Night Watch.
ALL PHOTOS COURTESY THEIR RESPECTIVE ESTABLISHMENTS AND MRNY.COM
Waldorf Astoria Lobby
THE CITY, LONG CONSIDERED THE ULTIMATE DESTINATION FOR INDULGING EVERY DESIRE, IS EXPERIENCING ITS OWN SPECIAL RENAISSANCE. BY MARK A. THOMPSON
Bijenkorf
Rijksmuseum
Not long after the Rijksmuseum opened in 1885, an unknown painter named Vincent Van Gogh wrote his brother declaiming, “It is with justice that they call Rembrandt ‘magician.’” Less than a hundred years later, the Van Gogh Museum opened near Rijksmuseum on Museumplein where it has become the most visited museum in the entire country. The world’s largest collection of works by Van Gogh is housed in a spectacular structure that also offers private dining experiences within view of Van Gogh’s self-portraits. In another prescient letter,Van Gogh mused,“I’d like to do a decoration for the studio. Nothing but large sunflowers.”Today, those immortal sunflowers are also on view at the museum — including a reproduction that invites touch for the blind and partially sighted. On the floral front, Amsterdam is also renowned for its tulips, which contributed to the city’s speculative wealth as a coveted luxury item during the 17th century. Guests at Waldorf Astoria Amsterdam are granted access to one of Amsterdam’s largest private gardens with more than 7,000 tulips. The hotel’s six adjoining UNESCO-listed canal palaces face the Herengracht, home to the city’s most illustrious citizens. Inspired by the Waldorf Astoria flagship in Manhattan, the hotel’s marble lobby leads onto Peacock Alley where afternoon tea is served daily, augmented by musical accompaniment. For those guests who cherish their privacy, the garden’s octagonal 18th-century teahouse provides a perfect setting for private dining. It is particularly coveted for marriage proposals, but would be appropriate for almost any occasion involving the presentation of diamonds. In the 17th century, nearly all of the world’s cut diamonds came through the ports of Amsterdam — and today the city remains a diamond capital. That’s due in part to Royal Coster Diamonds, the world’s oldest diamond polishing company. Equally prestigious, Gassan Diamonds hosts nearly half a million annual visitors at its factory and showroom. The Diamonds & Champagne package assures one lucky guest will leave with a cut diamond at the bottom of their champagne flute. Given that Amsterdam was the Queen Bee of the mercantile world during its Golden Age, it’s fitting that the city’s premier department store, de Bijenkorf, is named for the Dutch word for beehive. That’s an accurate analogy for navigating the Netherlands’ most eye-popping emporium. A haven of luxury since its founding in 1870, de Bijenkorf offers various dining options, beauty treatments and a personal shopping lounge for couture consultations. In keeping with the city’s esteem for arts and culture, de Bijenkorf inaugurated its artist-in-residence project in 2015 — which includes a panoramic rooftop studio apartment in the store’s historic tower to house accepted artists. And while you’re buzzing about, you’ll note Amsterdam is a city of cyclists with more bicycles than residents. They peddle by the city’s 62 miles of canals, lined with 7,000 monuments. Built in 1987 as the world’s
Peacock Alley Spectrum - Zwarte Truffel
first LGBTQ memorial, Amsterdam’s Homomonument commemorates those persecuted throughout history — and especially during WWII. Equally inspiring are the denizens of Rapido, Amsterdam’s long-running party at the legendary Paradiso. What was once an 18th-century church building now houses a polyglot congregation of party people pounding floorboards previously trod by Lady Gaga, Madonna, Patti Smith and scores of other entertainers. More than 180 nationalities are represented in Amsterdam’s population — and a night at Rapido serves as a reminder of Amsterdam’s diversity and tolerance. For after all, it was in Amsterdam that the first same-sex marriage occurred after the Netherlands became the first country in the world to legalize same-sex marriage in 2000. While it’s entirely possible to party all day and night in Amsterdam — particularly during ADE, the five-day annual autumn dance music festival that has become the largest club-based festival in the world — it’s equally restorative to return to the Waldorf Astoria Amsterdam and check into the hotel’s Guerlain Spa for an afternoon of Champagne and hydrotherapy. Before the bubbles go to your head, be sure to raise a glass to Amsterdam's new Golden Age. ■ metrosource.com august/september 2019
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Can’t smile without you LGBTQ comedy, drag queen mystery, nightlife-inspired art, queer cinema potpourri, 1980s flashbacks and the man who writes the songs... by christopher lisotta Drunk on Stage
Fly Chica Fly
August and September Silver Lake neighborhood oasis Akbar hosts Drunk on Stage, a weekly stand-up comedy night presented by out comedian Bruce Daniels. Drunk on Stage has made a name for itself in LA for its revolving slate of women, people of color, and queer comedians who dominate this very funny lineup. Past performers include Sam Pancake, Fortune Feimster, Drew Droege, Erin Foley and Billy Francesca. akbarsilverlake.com
August 1-4
CineArte 2019: A LatinX Queer Festival August 2-3 The Los Angeles LGBT Center hosts its annual showcase of domestic and international shorts, full-length films and art installations that showcase LGBTQ, twospirited, Latin@, Chican@, Indigenous and Afro-Latin@ identities through film and video. The festival also includes a category for inspired high schoolers producing shorts. lalgbtcenter.org/culture-education
ONE Gallery – Liberate the Bar! August and September The West Hollywood LGBTQ+ art space is hosting a new exhibition with the amazing title, “Liberate the Bar! Nightlife, Activism and Spacemaking.” This multimedia presentation profiles how bar venues, parties and other late-night establishments served as catalysts for community protests and activism, with a focus on underrecognized contributions of queer and gender-variant artists and activists. onearchives.org
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(Frieda Laye), and Ray Garcia (Chita Parol), are back in Burbank’s Colony Theater with Fly Chica Fly, a whodunnit surrounding the mysterious disappearance of young flight attendants. Expect laughs aplenty and hunky shirtless boys to help the Angels when things get spicy. chicosangels.com
Rooftop Move Night If you haven’t seen unsolved crimes cracked by Latin drag queens, you’re in suerte. Chico’s Angels, the drag comedy trio of Oscar Quintero (Kay Sedia), Danny Casillas
August 25 The celebrated wax museum Madame Tussauds is opening up its Hollywood roof one last time this summer for a sunset screen-
this page: Barry Manilow Photo Courtesy of the LA Philharmonic Association. • fly chica cly courtest chico’s angels
LA scope los angeles
Barry Manilow
Lost 80’s Live September 6 The Greek Theatre goes totally day-glo for Lost 80’s Live [sic], featuring a slate of New Wave and early ‘80s performers, including Flock of Seagulls, Missing Persons, The Tubes, The Vapors, The Escape Club, Farrington and Mann, Bow Wow Wow and Boys Don’t Cry performing their biggest hits. Leg warmers and parachute pants encouraged. lagreektheatre.com
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ing of that hunkiest of popcorn movies: Magic Mike. The roof opens at 6pm for crowds to enjoy the views, but the biggest bonus of the night is a post-screening performance by real-life exotic dancers Hollywood Men. Bring plenty of dollar bills. madametussauds.com/hollywood
this page: courtesy cinearte
Barry Manilow September 6-7 Rolling Stone called him “The Showman of Our Generation.” Now, with dozens of unforgettable songs under his stylish belt, Manilow will fill the Hollywood skies with his comforting, joyous tunes. He’ll be backed by the Hollywood Bowl Orchestra. And (as if the night wasn’t gay enough already), Manilow will be joined by his good pal Lorna Luft. hollywoodbowl.com ■
CineArte CineArte
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Grande Colonial: The Jewel of La Jolla Thinking about La Jolla for some R&R? We’ve got places for you to stay, comestibles for you to enjoy and even a yoga studio where you can release all that tension. By steve gottfried Grande Colonial 910 Prospect St. La Jolla, CA 92037 858-454-2181 thegrandecolonial.com
ocean while showering. The beds are comfortably cloud-like and accoutered with divine linens. I could deduct a few points for some street traffic noise in the morning, but if I’ve learned one thing from my travels, it’s that even the most luxe accommodations have tiny flaws — just like diamonds.
La Jolla translates as “the jewel,” and it is, indeed a gem of a town. It makes an ideal
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vacation haven for SoCal residents looking to get away from LA for a change of scenery and a little rest and relaxation. The trick for me has always been about finding an ocean view hotel within a reasonable price range with a certain Old World charm. The Grande Colonial is just such a spot. It offers the ambience of a European style hotel with the charm of a seaside beach cottage. I’ve been coming to the Grande Colonial for many years, so when I heard the hotel was undergoing a major renovation, the news got my attention. And the results are impressive: the Colonial boasts new carpeting, drapes, furniture and light fixtures, updated bathrooms and more. The owners have given this grand dame a complete makeover while retaining the qualities that made it so charming in the first place.
Another draw of the Colonial is the personalized service — and that runs the gamut, from the front desk to the housekeeping staff and the restaurant. What more could you want? Upon arrival, I took advantage of the guest bicycles and went pedaling through town to reacquaint myself with the charming ambience of this seaside town. What’s more, when I realized that I’d gotten bike grease on my pant legs, the hotel took swift action and had them dry-cleaned within 24 hours.
A Room with an Ocean View I stayed in the Ocean View Junior Suite, a spacious fifth floor corner suite with five windows to fully take in sweeping ocean views and the village below. There’s even a peek-a-boo window in the bathroom, in case you miss the
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Dinner Is Served If this spot is indeed the jewel of La Jolla, then Nine-Ten (the in-house restaurant) would be its pearl. While there are no shortage of fine dining options in La Jolla, there’s an added convenience of simply being able to head downstairs and dine in the on site, particularly when the food is as delicious as it is here. I started with the braised artichoke salad which was delightfully light and refreshing. My main beef with artichokes is that they’re usually canned and soaked in citric acid. Not so at the Nine-Ten. The culinary team prepares
them fresh and that makes all the difference. The artichokes were served thinly sliced, which allows the lemon artichoke vinaigrette to assert itself and the other ingredients (arugula, shaved fennel, celery, mint and armesan) a chance to breathe. My only quibble is with the portion size, because I finished it lickety split and was left wanting more. But maybe that’s as it should be when it comes to a starter. For the main course, I tried the Ora King Salmon with spring vegetables. The salmon was baked to perfection with a side of farm-fresh vegetables, which included fava beans, asparagus and several stalks of curlicue green garlic, which looked like something out of a Dr. Seuss book. An added bonus was how gracefully they honored a few requested modifications.
The Icing on the Cake Seeing as how I was “on assignment,” I knew I would be remiss if I didn’t explore the dessert options. I went with the humorously named “Half-Baked Chocolate Cake.” Rest assured, this delicacy was in fact fully baked, and would be more aptly described as a molten lava chocolate cake. It’s served with house-made vanilla bean ice cream and caramel sauce. I told myself I would just have a few bites, (to better inform the Metrosource reader, of course). But one thing led to another and before I knew it, I was literally scraping the molten chocolate from the inside of the dish to get every last morsel. Throughout the meal, the service was attentive and accommodating.
all images this piece courtesy the grande colonial
los angeles
LA hotshops
Grande Colonial Hotel La Jolla
Vegan Delights at Trilogy Sanctuary My other exciting find in the La Jolla area was a vegan restaurant/yoga studio called Trilogy Sanctuary. But this is neither your average vegan restaurant, nor is it your typical yoga studio. The ambience manages to be both decidedly retro and yet fresh and new all at once. Located on the rooftop of a fairly nondescript building in the heart of La Jolla Village, it may takes a little sleuthing to find this sanctuary, but it’s well worth the effort. An elevator brings you to the penthouse level. That in turn leads to the yoga boutique, where you can browse a wide range of jewelry, clothing, yoga paraphernalia, healing crystals, elixirs and potions. It’s also where you can sign up for a variety of classes that include aerial yoga. In addition, take note of special events featuring Fire Spinning performers and New Moon Cacao Ceremonies. You can find a full list of otherworldly and woke events on their website at trilogysanctuary.com. But for a quasi-vegan foodie like me, the main draw was their 100 percent organic and C plant based café. You’ll find a bevy of nutritious and delectable meals, salads, smoothies M and desserts. Y My biggest challenge was deciding what CM to order from among the voluminous menu MY options. Ultimately, I settled on the Perfect Tacos which lived up to their name. The dish CY includes two housemade corn tortillas filled CMY with quinrizo (quinoa with a chorizo seasonK ing), avocado, eggplant bacon, pico and their signature, somewhat-spicy almond “love” sauce. Choosing from a chalkboard menu of 12 tantalizing smoothie options with names like Magic Matcha, Tropical Pitaya and Lust, I again had my work cut out for me: I went with the Nature Smoothie because I was in the mood for something healthy and refreshing. The listed ingredients included coconut water, apple, cucumber, celery, kale, spinach, fennel, avocado, parsley, ginger, lemon and lime. Full disclosure —at my request they subbed mint for a few of the ingredients, earning them additional points for the ability to accommodating dislikes and dietary restrictions. The meal was so good I went back the next day to try a few more menu options, then headed out for the drive home feeling fully fortified. ■
Grande Colonial Main Building Bathroom
NINE-TEN Main Dining Room
6 Harbor Park Drive, Port Washington, New York 11050
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THE CAROUSEL OF TIME
Consider unusual venues from a merry-go-round to a museum; then join your author as he gets married at the Jersey Shore.ce BY JEFFREY JAMES KEYES
AISLE ADVICE THERE'S A PLACE FOR US Gone are the days when weddings need to be traditional church events followed by French style service on crisp white linens. Couples have been branching out to locations like beaches, vineyards, museums, farms and gardens for this year's trend in weddings: unique venues
Love in the Stacks Sex and the City fans gasped when Carrie Bradshaw and Mr. Big planned nuptials at the spectacular New York Public Library, but weddings have been taking place at bookish spaces for years. The New York Public Library’s legendary Stephen A. Schwarzmance Building is a quintessential New York City venue. The Beaux-Arts building hosts weddings in the Bartos Forum for up to 500 guests, Astor Hall for up to 750, Salomon Room for up to 325, McGraw Rotunda for up to 300, and the Trustees Room and Celeste Auditorium for smaller ceremonies. The Boston Public Library also offers a literary backdrop for the well-read couple with a variety of ceremony, cocktail, and dinner options in the courtyard, Bates Hall, Courtyard Restaurant, Map Room Cafe, Guastavino Room, Boylston Room, Deferrari Hall and Abbey Room. If you’re set on the West Coast, LA's The Last Bookstore might be
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just the ticket. With a capacity of 300 people (150 seated), the independent downtown bookstore was founded in 2005.
that can accommodate up to 60 guests as well as venues like their Fireside Lounge for an intimate reception of up to 80 guests, and the Poolside Verandah for 150 inside their lush garden.
Under the Sea Looking for an emphasis on something blue? Consider an aquarium wedding. Long Beach’s Aquarium of the Pacific offers a variety of event spaces including their three-story Blue Cavern exhibit, an outdoor Shark Lagoon, or a catered dinner in their Grand Hall. NY Aquarium at Coney Island can accommodate up to 2,000 of your dearest (plus sea lions and sharks) for your big day. Connecticut's Mystic Aquarium throws a party even their beluga whales get into — or have guests head to the Roger Tory Peterson Exhibit for above-and-below water viewing with some 35 resident African penguins. Mystic Aquarium can host up to 350 for dinner or up to 700 for an outdoor reception.
Lucky in Love Take a chance on a wedding at a resort and casino. Foxwoods Resort Casino is operated by the Mashantucket Pequot Tribal Nation in Ledyard, Connecticut. Foxwoods boasts extraordinary restaurants, pools, nightclubs and activities to entertain your party all weekend long. ARIA Las Vegas offers an exclusive wedding chapel
Gather Around the Carousel Metrosource Editorial Director Paul Hagen just married his partner of eight years at the Bear Mountain Inn in NY's Bear Mountain State Park. The storybook Merry-Go-Round Wedding (pictured) took place in the 7,800-square-foot pavilion that features a menagerie of 42 handcarved native animals to ride. Once they sealed it with a kiss, the new husbands climbed aboard for a romantic first ride with family and friends.
Got It Bad for You, Darling The New Orleans Pharmacy Museum calls itself the “perfect prescription for your wedding ceremony.” Located in the heart of the French Quarter, the Pharmacy Museum offers a spectacular 19th century tropical courtyard inside a truly New Orleans venue. Louis J. Dufilho was America’s first licensed pharmacist. The location, listed on the National Register of Historic Places, is a historic building displaying an extensive collection in Dufilho’s former shop, which is where he set up business in 1823. The museum can seat up to 130 guests for a wedding ceremony, 150
THIS PAGE: PHOTO BY KELLY PRIZEL
WEDDINGS LOS ANGELES
Bear Mountain
Porta Asbury Park
Jeffrey and Desmond
guests for a cocktail reception and 70 guests for a seated dinner. The best part of having a wedding at the New Orleans Pharmacy Museum? It’s said to be haunted. Be on the lookout for any unexpected guests, and make sure you save an extra seat at the table.
this page: Porta Credit Twisted Oaks Studio • Keyes Patton Wedding Credit JJ Mack • Porta Credit Twisted Oaks Studio
destination weddings Jersey? Sure! My fiance Desmond and I wanted a destination wedding close to our home in NYC and came across a few pictures of the Abbot Room at Porta (pizzaporta.com), a pizza place, Neapolitan restaurant and dance club in Asbury Park, NJ. Springsteen fans know Porta as the spot where The Boss first met late bandmate Clarence Clemons. We looked on the 'gram: 2500 square feet of space with a 20-foot ceiling and stained concrete floor, a private entrance, outdoor space, full bar and private restrooms. The dance floor boasts a crystal canopy, an art installation that doubles as a DJ booth and state-of-the-art sound and lighting systems. The Abbot Room can hold 50 -175 guests comfortably, with a 120-guest maximum for sit-down dining. Lovebirds plotting a more intimate soiree can reserve the quaint Monk Room, a 1,000 square foot space with a 20-foot stacked wood wall installation, full bar, and two large-screen TVs for embarrassing baby pictures and other happy memories. When Desmond and I went down to scope out the area, we took a convenient NJ Transit train down to a room at the ultra gay Empress Hotel (asburyempress.com). I opened our hotel window to spy a wedding reception across the street at Watermark (watermarkap.com). To our right was Stella Marina Bar & Restaurant (stellamarinarestaurant.com), which seemed to hold yet another wedding group. In the distance rose the remains of the former Asbury Park Casino and
Carousel House, a vacant yet glorious BeauxArts backdrop featuring an elaborate art installation by HOTTEA with gorgeous pop culture murals on the exterior for wedding pictures. The Boardwalk had a nice crowd of diverse, happy people; rainbow flags hung in and outside of most shops, stores and watering holes. One of our first stops was the historic Berkeley Hotel (berkeleyhotelnj.com), just steps off the Boardwalk. Designed by Whitney Warren, the Berkeley offers Victorian charm with upgraded amenities. The Crystal and Versailles Ballrooms were equally impressive, and on our way our, we passed a bride being helped into a horsedrawn carriage with her two bridesmaids. While we loved the sweeping grandeur, we wanted to something more intimate. The Asbury Hotel (theasburyhotel.com), combined the glitz of Asbury Park’s Victorian history with its rock 'n' roll present. With 4,800 square feet of indoor and outdoor space, The Asbury Hall & Terrace is a breezy spot for an elegant wedding in one of the most happening places in town. While the terrace offered an incredible view, the venue was booked for the dates we were considering. Still, we headed up to enjoy the breeze at the hip rooftop lounge Salvation. We went to Porta next, and like Cinderella's glass slipper, it was our perfect fit. They had inhouse packages that immediately took decor, flowers and cake off our to-do list. We locked in a date, and paid a deposit that day. In the months before our wedding, we were able to secure a block of rooms at the Berkeley, set up a rehearsal brunch nearby at The Robinson Ale House, got our marriage license at the local city hall, had a delicious lunch at Stella Marina Bar & Restaurant and walked the Boardwalk picturing our wedding. Lisa, my sister from another mister, flew in
Porta Asbury Park
from Milwaukee to help me out with last minute wedding details and kick the pre-celebration off with me in Manhattan. We made a detour to Atlantic City for a bachelor party experience at The Borgata Hotel & Casino (theborgata.com). We arrived in AC then made a beeline to Spa Toccare for massages, followed by hot tub mischief at Borgata Indoor Pool & Gardens. I hadn’t finished my vows yet, so I put some thought into them at Iron Chef Geoffrey Zakarian's Sun Room over nibbles and a martini. When I told my server what I was up to, she congratulated me and promptly brought me a second drink. We convened in Asbury Park the next morning. Guests who arrived early on Friday assembled in the new lounge on the main floor of the Berkeley. Our families met for the first time and after a few rounds, we headed out to the Boardwalk to The Silverball Museum Arcade (silverballmuseum.com) which features 600 playable pinball and video games in rotation. After brunch the next day, we found a sunny spot on the beach, then gathered with our wedding partiers for a night out on the town. The laid-back and casual Georgie's Bar was first on the list. Later that evening, we ended our night dancing at Club Paradise, the premiere gay club in town. The sound of the ocean lulled me to sleep, and the next morning, we dressed in matching blue suits from Indochino and joined our guests for pictures with nightlife photographer JJ Mack near the old Conference Center. When the time was right, our mothers walked us in from the patio at Porta to vocalist Erica Taylor singing Brian McKnight’s “Never Felt This Way.” My eyes teared up as I turned the corner and saw my future husband Desmond across the room, surrounded by some of the most special people in our lives. We said “I do” in Asbury Park. ■ metrosource.com august/september 2019
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Not so long ago, The typical museum Res-
taurant was little more than a glorified café where patrons clustered to discuss current exhibitions over uninspired salads or lukewarm cappuccinos. Leave it to LA to turn that convention on its head. Pioneers-turned-mainstays like the Patina Group’s Ray’s & Stark Bar at the Los Angeles County Museum of Art and chef Timothy Hollingsworth’s Otium at The Broad proved that Angelenos have an appetite for both art and fine dining at the same locale. Now comes Audrey at The Hammer Museum in Westwood. The eatery has turned the museum’s inner courtyard into one of the city’s most swank alfresco dining destinations. The restaurant’s launch is part of the museum’s $180 million multi-year transformation and expansion. The boundary-pushing institution is also incorporating newly acquired spaces and works, which in turn attract larger crowds. So it makes sense that it has opened a showcase restaurant to boot. Chef Lisa Giffen is in the kitchen after experiences at some of New York’s most recognizable restaurants, including Blue Hill, Daniel, Adour,
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and Sauvage in Greenpoint. Her partner is restaurateur Soa Davies Forrest, whose resumé is impressive in its own right and includes stints at Le Bernardin, The Mercer and Chateau Marmont. Audrey embraces a decidedly SoCal vibe with an indoor-outdoor layout to make maximum use of the museum’s expansive courtyard. While the outdoor tables and bar seating are pleasant enough, the smaller interior dining room is an eye-catching endroit for your next date night. Noted Cuban-American artist Jorge Pardo has created a striking tile installation on the back wall that provides a cheerful frame for the intimate booths with olive-colored banquettes and ochre chairs. Pardo also designed the pendant lanterns overhead, which lend the space its soft glow in tones of red, orange and white. The overall aesthetic feels like a cross between midcentury Palm Springs sophistication and French Riviera refinement. The cocktail list is inspired by California’s seasonal produce and flavors: Start with a refreshing Briar Patch Bloom that blends dill-infused aquavit, carrot juice, black lime and fino sherry; or sip on the Sage Advice, which comes on the rocks in a highball glass and contains rye whiskey, tangy rhubarb bitters, lime and a sprig of sage. The wine list is a nice mix of glasses and bottles from California, France, Italy and Spain. Giffen’s menus are inspired equally by the bounty of California and the flavors of Europe. Among the starters are bracingly fresh oysters with tongue-tingling cucumber-ginger mignonette; delicate carta di musica crackers spread with briny bottarga, Persian lime and chives; and earthy fried artichokes served with a sauce of smoked green goddess, mint and sorrel.
There are lighter dishes for those with smaller appetites, including delicate strips of Baja kampachi crudo garnished with a near-mirepoix of kiwi drizzled with a lemongrass vinaigrette and fermented chili oil. Tender grilled octopus is served with savory almond gremolata, paprika and pickled shallots. A slice of toasted pumpernickel is piled high with luscious burrata, pickled green strawberries and assorted early summer stone fruits as a decadent alternative. The creamy celery soup with a toast point smothered in crème fraîche and trout roe is a hearty taste of Nordic summer, while the toothsome cavatelli with creamy ricotta, tangy Sungold tomatoes, green garlic and mouthwatering Iberico ham jus conjures up seaside suppers in Sorrento. If meat is your passion, options include a bone-in ribeye for two and a reliably relatable burger with SunFed Ranch beef, sharp Prairie Breeze cheddar, smoked onion aioli, crisp lettuce and the inevitable side of fries. However, the tender cut of halibut in a flavorful and bright saffron nage with summer squash, garden-fresh herbs and flowers is nothing short of a midsummer celebration plated to perfection. You’ll likely also notice a small section at the bottom of the menu touting “Garden Things” if you’re seeking a side like their asparagus spears with pickled red walnuts, lemon and sumac — or the slightly bitter Swiss chard with anchovy vinaigrette and preserved lemon. Don’t over-order though, because you don’t want to skip dessert. The rich torta of bittersweet chocolate with crème fraîche and pistachio is already a crowd favorite, but the recently introduced peach-plum crostata with vanilla ice cream and spicy candied ginger is sure to please palates throughout the summer months. Also providing a pleasant aftertaste? Solicitous but not overbearing service from a staff who are clearly enthusiastic about both the victuals and the venue. ■ 10899 Wilshire Blvd., Los Angeles, CA 90024; 310-443-7037; audreyatthehammer.com
This page: photos courtesy audrey at the hammer
Part of the museum’s multi-million dollar expansion has resulted in art that you can eat. BY ERIC ROSEN
los angeles
Restaurant Review
The Art of Cooking: AUDREY AT THE HAMMER
RESTAURANT BITES Edited by Eric Rosen
WEST HOLLYWOOD ANIMAL Still going strong after 10 years, this meat-centric restaurant from chefs Jon Dotolo and Vinny Shook’s is still a mainstay for upscale comfort food prepared with seasonal, local ingredients — and just a bit of flair to keep things interesting. 435 N. Fairfax Ave., 323-782-9225
CONNIE & TED’S Chef Michael Cimarusti has been dazzling LA palates since he opened his fine-dining redoubt, Providence. But he takes a more casual approach with this genial restaurant, which is an ode to the simple seafood shacks of his Rhode Island childhood - with one of the best lobster rolls in town. 8171 Santa Monica Blvd., 323-848-2722
GRACIAS MADRE The folks behind vegan-raw mainstay Café Gratitude have brought the folks of West Hollywood this Mexican-inspired eatery where the plant-based cuisine is just as delicious but without the affirmationheavy menu names. The totopos with salsa de arbole and cashew crema are a standout. 8905 Melrose Ave., 323-978-2170
JON & VINNY’S If you love their grilled meat at Animal and seafood at Son of a Gun,then it is time to try Jon Shook and Vinny Dotolo’s take on neighborhood Italian at this friendly Fairfax trattoria. Come on carb day to try the handmade pasta and seasonal pizzas along with a Dolcetto from the wine shop at the back. 412 N. Fairfax Ave., 323-334-3368
KITCHEN 24 Spacecraft Group brings a futuristic all-day-all-night diner concept to the heart of West Hollywood with this always-bustling eatery whose front patio is perfect for people-watching. You can expect the same greasy spoon-inspired plates with a bit of attitude thrown in — perfect for a late-night gluttony on your way back from Boystown’s bars. 8575 Santa Monica Blvd., 424-777-0959
MILK BAR LA Chef Christina Tosi has brought her nostalgic American bakery west with the opening of this new location on Melrose. If you can handle waiting in a line around the block, you’ll be rewarded with soft-serve ice cream, cookies and her signature “crack pie.” 7150 Melrose Ave., 323-297-3250
RONAN Head to Melrose’s restaurant row for flavorful Neopolitan wood-fired pizzas, sizzling seasonal specialties and some of the best cocktails in West Hollywood, all courtesy of a chef who’s done time in other notable LA kitchens like Sotto and Alimento. 7315 Melrose Ave., 323-917-5100
SPARTINA If you think LA didn’t need another Italian restaurant, think again. This hotspot from chef Stephen Kalt has a fabulous patio fronting Melrose for prime people-watching, and some of the best woodfired pizzas and handmade pastas in town. Try the grilled avocado with Calabrian chile and ricotta salata then feel your eyes roll into the back of your head with the burrata-stuffed ravioli with sea urchin and shiso-basil. 7505 Melrose Ave., 323-782-1023
TENDER GREENS With a selection of made-to-order salads, sandwiches and hot entrees, there’s something for everyone at this ultra-fresh, healthy eatery with a prime patio that sits on one of Weho’s best peoplewatching corners. See tendergreensfood.com for other locations. 8759 Santa Monica Blvd., 310-358-1919
TORTILLA REPUBLIC The folks behind Taste turned their sights on Mexican cuisines with this taqueria in the heart of West Hollywood. Tortilla Republic takes all your favorite Mexican dishes and makes them using farm-fresh ingredients and organic produce. Healthy Mexican food? Si si! 616 N. Robertson Blvd., 310-657-9888
HOLLYWOOD AND MID-CITY GWEN Aussie chef Curtis Stone has done it again with this fine-dining spot (and butcher shop!) in the heart of Hollywood. Guests can come for cocktails at one of the two bars, stay for a five-course prix-fixe in the swanky dining room, or drop by the gleaming meat counter for cuts of dry-aged beef and charcuterie. 6600 Sunset Blvd., 323-946-7500
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ROSSOBLU
This Koreatown eatery has won plaudits right and left thanks to former Animal chef Jonathan Whitener’s menu, which is a mélange of flavors from Latin America, Vietnam and right here in the US, all cooked to perfection over custom-made grills. There are just 50 seats total, so make your reservations (way) in advance or take your chances on a walk-in seat at the bar. 3901 W. 6th St., 213-568-3573
Sotto’s chef Steve Samson serves up rich dishes inspired by the cuisine of Italy’s Emilia-Romagna region. Try the signature tagliatelle with Bolognese ragu. If you’re lucky, you’ll snag a seat on the expansive patio when the weather is nice. 1124 San Julian St., 213-749-1099
PROVIDENCE Chef Michael Cimarusti has long been lauded as one of LA’s best chefs thanks to his fabulous seafood feasts. Taking sustainability one step further, he formed the West Coast chapter of Dock to Dish, which promotes eco-conscious local seafood by directly connecting California fishermen with chefs. 5955 Melrose Ave., 323-460-4170
RÉPUBLIQUE Chef Walter Manzke made a name for himself behind the stoves of some of LA’s best-loved French restaurants including Bastide and Church & State, and he brings his continental technique and flair for combining the best seasonal ingredients from local farmer’s markets to this La Brea bistro that’s housed in Charlie Chaplin’s former office building. 624 S. La Brea Ave., 323-362-6115
EASTSIDE/LOS FELIZ/SILVER LAKE/ ECHO PARK HIPPO Highland Park’s newest neighborhood hangout comes courtesy of James Beard Award-winner chef Matt Molina. Expect appetizing, approachable dishes like Hamachi crudo with Meyer lemon and cedar-smoked ocean trout with sweet corn succotash. 5916 ½ N. Figueroa St., 323-545-3536
MA’AM SIR Rice Bar’s Charles Olalia hits a home run at his recently opened Filipino spot in Silver Lake. The gorgeous, plant-filled space has a retro-homey vibe, as does a menu of updated South Asian sizzlers, including a rich beef oxtail kare kare and finger-licking hangover fried rice with lop cheung sausage. 4330 Sunset Blvd., 323-741-8371
OTOÑO Another Highland Park greenhorn, this atmospheric, brick-walled Spanish restaurant from chef Teresa Montaño serves an ambitious array of contemporized classic dishes like patatas bravas churros and a wild mushroom and sunchoke paella in green tea broth. 5715 N. Figueroa St., 323-474-6624
SQIRL Ever wonder why there’s always a line around the corner at this East Hollywood eatery for breakfast and lunch? It’s because of chef Jessica Koslow’s famous sorrel-pesto bowl with feta and poached egg. Though her menu features plenty of other mouthwatering specialties, that’s the dish that put her on the map…and got her into the New York Times and Vogue. 720 N. Virgil Ave., 213-394-6526
DOWNTOWN/STUDIO CITY/ SHERMAN OAKS
THE WESTSIDE/SANTA MONICA/ VENICE CASSIA The folks behind beloved eateries such as Rustic Canyon and Spice Table teamed to meld Californian seasonality with Vietnamese tradition at Cassia. Start with crab legs from the raw bar. Then ease into bigger dishes, such as scallops with hazelnuts and curry leaf; and a hearty Vietnamese pot au feu with short rib and bird’s-eye chile. 1314 7th St., 310-393-6699
ELEPHANTE Wood-fired pizzas and house-made pastas, including spaghetti with saffron and lobster, plus seasonal salads and luscious crudo round out the menu at this new Westside watering hole. The food is the main draw, but uninterrupted views of the Pacific are a close second. 1332 2nd St., 424-320-2384
FELIX The former Joe’s space on Abbot Kinney is looking fabulous after a makeover, as are the pastas from chef Evan Funke’s (formerly at Bucato) kitchen. Try the strascinati with ceci, cavolo nero greens, pangrattato and wild fennel. 1023 Abbot Kinney Blvd., 424-387-8622
GJELINA Though it originally opened in 2008, it’s still one of Venice’s most sought-after reservations. Gjelina serves a Mediterranean-inspired menu: fresh salads, wood-oven specialty pizzas and fresh seafood. You can plan a party at the private dining room upstairs, but if you’re dining casually, opt for a seat in the back garden. 1429 Abbot Kinney Blvd., Venice, 310-450-1429
N/NAKA You might recognize chef Niki Nakayama from her episode of Netflix’s Chef’s Table. But even fame hasn’t changed the way she meticulously prepares spectacular tasting menus at her hole-in-thewall restaurant right on Sawtelle’s sushi row. 3455 Overland Ave, Los Angeles, CA 90034, (310) 836-6252
BEVERLY HILLS AVRA This sprawling, casual fine-dining hotspot is like a little piece of Greece that’s been transported into the heart of Beverly Hills. The West Coast outpost of this East Coast favorite serves up farm-fresh salads, platters heaped with whole grilled fish and share plates of classic Mediterranean spreads that are perfect for occasions from a working lunch to a romantic dinner. 233 N. Beverly Dr., 310-734-0841
SPAGO
ALTA San Francisco chef Daniel Patterson brings his signature restaurant, Alta, to Los Angeles. More specifically, West Adams, and there’s probably no more perfect spot in the city for his winning fusion of California soul food, such as skillet-fried chicken, collard greens with smoked oil and black eyed pea fritters. 5359 W. Adams Blvd., 323-571-4999
BAVEL The latest venture from the husband-wife chef team behind Bestia, Bavel skews Israeli, with pan-Mediterranean accents, like flatbreads topped with savory lamb, duck nduja hummus, and chicken-leg confit with an earthy turmeric sauce. 500 Mateo St., 213-232-4966
GUERRILLA TACOS The taco truck that the late Jonathan Gold made famous with his inimitable encomiums now has a brick-and-mortar location downtown so fans don’t have to wait out in the cold (or hot) for favorites like the octopus quesadillas or fish tacos with tempura Baja cod. Plus, you can now have a drink with them! 2000 E. 7th St.
MAJORDOMO Chef David Chang of New York’s Momofuku recently made his West Coast debut with this Chinatown eatery. The menu skews Korean with delicious dishes like smoked bone-in short ribs with shiso rice paper and ssamjang. 1725 Naud St., 323-545-4880
You can usually find celebrity chef Wolfgang Puck hanging out at his original temple to California cuisines, and you’re guaranteed to enjoy classics like the smoked salmon “pizza” with crème fraiche and caviar. 176 N. Canon Dr., 310-385-0880
PALM SPRINGS BIRBA Neapolitan-style thin-crust pizzas (that can be made with gluten-free and cauliflower crusts), Italian-inspired meat dishes, and homemade gelato are all draws. Live DJs spinning on the weekends to give your night an energetic start. 622 N. Palm Canyon Dr., 760-327-5678
CANTALA The Riviera Resort brings to mind Palm Springs’ bygone glamour, and Cantala evokes the Italian Riviera with Mediterranean classics like whole-roasted branzino and rib-eye fiorentina in an indoor-outdoor dining room that’s equal parts supperclub and sumptuous garden party. 1600 N. Indian Canyon Dr., 760-778-6659
WORKSHOP KITCHEN + BAR Though Palm Springs hasn’t always been known for its cuisine, that doesn’t mean you still shouldn’t expect a good meal here. Making that goal a little easier is this stylish, airy restaurant specializing in updated chophouse cuisine like juicy 18-day prime aged rib-eye and house-cured gravlax tartines with horseradish cream. 800 N. Palm Canyon Dr., 760-459-3451
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BAR SOURCE Edited by Eric Rosen
WEST HOLLYWOOD ABBEY WeHo’s most famous – and crowded – spot, The Abbey draws sexy guys and gals from near and far, even in winter when you’ll find folks frolicking by the roaring fireplace. Strong cocktails, model-handsome bartenders, and an over-the-top interior all add to the venue’s allure. Food is best enjoyed in the daytime. 692 N. Robertson Blvd., 310-289-8410
BEACHES BAR & GRILL Despite the loud décor and a focus on spiked slushies, this bright, bubbly spot actually has some serious cred since its backers were some of the folks behind downtown cocktail den, The Edison, back in the day. Think “Love Boat” meets “Miami Vice.” 8928 Santa Monica Blvd., 310-360-0395
EMPLOYEES ONLY One of New York’s most celebrated speakeasies landed on the West Coast in April and opened in the former Baby Blues BBQ space on a prime stretch of Weho turf. Like the original, this one serves handcrafted cocktails and seasonal share plates. 7953 Santa Monica Blvd., 323-536-9045
FIESTA CANTINA Thanks to 2-for-1 drink specials at two different happy hours (4pm8pm and 10:30pm-12:30am) the crowd at this festive Mexicanthemed bar swells all evening long, especially on the patio fronting Santa Monica Boulevard and the second floor deck overlooking the strip. 8865 Santa Monica Blvd., 310-652-8865
FLAMING SADDLES Save a horse, ride a cowboy at the West Coast outlet of this slightly kitsch (but still fun) Wild West-themed franchise serving up cocktails and cowboys in equal measure. The boys come for strong drinks, hijinks and plenty of eye candy in skin-tight muscle tees and leather boots to cruise. 8811 Santa Monica Blvd., 310-855-7501
FUBAR The wild, sexy energy here has an East Village New York bar feel with a Silverlake twist. Preps, jocks, hipsters and alternative guys have turned Fubar into one of the city’s sultriest and most popular venues, especially late at night. Thursday’s Big Fat Dick is a can’tmiss experience. 7994 Santa Monica Blvd., 323-654-0396
GYM SPORTS BAR
ST. FELIX
THE WOLVES
TIGERHEAT
This Parisian-inspired bar might just be Downtown’s most dapper drinking den thanks to vaulted stained-glass ceilings, deep leather booths, pressed-tin wall panels and a menu of sensational sips like a gin martini spiked with sake, fig vermouth and goji liqueur with hinoki wood fragrance. 519 S. Spring St., 213-265-7952
A cozy restaurant and lounge enjoyed by flirty singles, romantic couples and groups, St. Felix’s selection of wines, beers, and playful cocktails are a great way to start your evening (and maybe even meet someone). 8945 Santa Monica Blvd., 310-275-4428 Relive your “Teenage Dream” at this 18-and-over weekly event for pure pop music (beatboxing to ballads) in Hollywood every Thursday from 9:30pm on. Energetic go-go dancers, worldrenowned DJs and celebrity nights make this one of the most fun dance parties in town. Visit clubtigerheat.com for venue information and other Tigerheat events around town.
TRAMP STAMP GRANNY’S
What’s in a name? Fabulous irony and a soupçon of sauciness, if we’re talking about this Hollywood hotspot, that is. The sophisticated Art Deco décor belies a congenial vibe fueled by live piano playing and super-strong cocktails. 1638 N. Cahuenga Blvd. 323-498-5626
THE BULLET BAR
Forget image-conscious gay bars and visit this hipster venue frequented by skater punks, East Side studs and indie-loving gays. There are two bars, a packed dance floor in the back, an eclectic jukebox and low-priced drinks: everything you need for the perfect East Side night out. 4356 W. Sunset Blvd., 323-665-6810
APOTHEKE
It might have just gotten a facelift, but Mother Lode is still the same delightful, divey Boystown landmark without the attitude that distinguishes other establishments here. Neighborhood gays come for the pool tables, karaoke nights and a truly fun night out. This is definitely the place to start the evening before hitting the other nearby bars. 8944 Santa Monica Blvd., 310-659-9700
RAGE Two stories packed with a dance-loving crowd who can’t get enough of the potent cocktails being served at three bars. Multiple theme nights, go-go dancers, and a party atmosphere 365 days a year. 8911 Santa Monica Blvd., 310-652-7055
REVOLVER One of West Hollywood’s more gentrified options, Revolver gets packed on weekends, when go-go dancers arrive inside and hotties congregate on the front patios. The drinks aren’t cheap, but at least they’re strong, all the better to match the well-muscled gym boys you’ll come across. 8851 Santa Monica Blvd., 310-694-0430
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This leather and Levi’s joint stands out for having a no-attitude, cruise-friendly vibe. Karaoke, drink specials and theme nights are part of the fun and make this one of the swinging-est scene in NoHo. 10522 Burbank Blvd, 818-762-8890
LONG BEACH
Like its New York City sister, the Chinatown Apotheke has medicinal-themed cocktails whipped up by bartenders dressed like old-timey pharmacists that are certain to cure what ails you. Try the Il Tabarro with lapsang souchong-infused gin, Campari, vermouth and orange zest. If the stylish interior is crowded there’s a breezy back patio. 1746 N. Spring St., 323-844-0717
THE FALCON
BIBO ERGO SUM
An all-American menu, a no-attitude environment and enormous drinks all make this Long Beach classic perennially popular. Cute boys pack the lively bar and resto for its hot bartenders, hopping dance floor, and expansive back patio. 330 Pine Ave., 562-436-7900
This cozy Art Deco-inspired watering hole off Robertson is one of the town’s best kept secrets and the keeper of one of its best cocktail lists whose drinks all have names that are nods to magic. You might even feel like doing some tricks of your own after drinking a few. 116 N. Robertson Blvd., 424-323-0066
The Sunday beer bust is legendary, as is the Thursday underwear party, but the bar is also great for spotting leather daddies, Levi’sclad hotties and bears most days of the week. Drink specials, theme nights and good times await. 4216 Melrose Ave. 323-660-0889
MOTHER LODE
MISTER O’S
AKBAR
HI TOPS
Micky’s sexy interior, multiple dance areas, and party-ready patio are only the icing on the cake at this long-running venue. The barechested bartenders are just the eye-candy you need to get your engines revved, and the tight go-go boys are the flirtiest guys you’ll meet in Weho. 8857 Santa Monica Blvd., 310-657-1176
Though it’s been open over 40 years, this classic Valley gay bar is still going strong. Locals and visitors alike find a home on the range here, with strong but inexpensive drinks, a rotating roster of evening events, and even line dancing where making new friends is a certainty. 11502 Ventura Blvd., Studio City, 818-760-9749
EASTSIDE/SILVERLAKE/ DOWNTOWN
EAGLE LA
MICKY’S
OIL CAN HARRY’S
This Studio City spirits spot has a swinging mid-century vibe Don Draper would dig. Ask for a Forbidden Garnet with hibiscus-infused vodka, tamarind and Ancho Reyes chili liqueur, and if any of the ingredients on the list are new to you, there’s a glossary in the back of the menu. 11838 Ventura Blvd., 818-358-3839
Butch, athletic types and their admirers inhabit this inviting and energetic space. The outdoor patio is fun for people watching, while the flat-screen televisions are tuned to the latest games. Come on Saturday afternoons when the boys from the area’s sports leagues come for drinks after their games to celebrate or drown their sorrows. 8737 Santa Monica Blvd., 310-659-2004 This rather recent entrant actually comes by way of San Francisco, though the locker-room concept somehow still feels fresh. Order classic bar bites and settle in for a strong sports-themed cocktail or on-tap beer. 8933 Santa Monica Blvd., 323-332-6445
STUDIO CITY/SAN FERNANDO VALLEY/INLAND EMPIRE
A notoriously dark den for men who love uniforms, leather, latex and kink. Multiple theme nights dedicated to bears and other fetishes make for some down-and-dirty fun. 4219 Santa Monica Blvd., 323-669-9472
FAULTLINE
MERMAID
After a night drinking at this Little Tokyo redoubt, you might have a whale of a tale or two to tell yourself. Try the Ship of Fools with tequila, house-made hibiscus syrup, lime juice and cucumber bitters. 428 E. 2nd St.
PRECINCT DTLA
At over 10,000 square feet, this much-loved bar is one of the largest in LA. It occupies pride of place on the second floor of a historic 1902 brick building. Though the dance floor is a draw, the main attraction is a semi-open patio with plenty of windows for street views and people-watching. 357 S. Broadway, Los Angeles, 213-628-3112
REDLINE
The name is a nod to LA’s growing rapid-transit system, but there’s nothing pedestrian about this Downtown hotspot. It’s on the small side, but that just makes this industrial-chic space a tad cozier (and easier to talk to your neighbors). The happy hour runs a good three hours from 5-8pm. 131 E. 6th St., 213-935-8391
SPIRE 73
LA’s bar scene doesn’t always inspire superlatives, but this is the exception. Located on the top floor of the Intercontinental Hotel, Spire 73 is the highest open-air bar in the Western Hemisphere. It boasts prime views, slick private cabanas and flickering fire pits, and an extensive menu of cocktails and other drinks to enjoy while taking in the skyline. 900 Wilshire Blvd., 213-688-7777
AUGUST/SEPTEMBER 2019 METROSOURCE.COM
Pulse-pounding DJ sets and affordable drinks attract an eclectic, good-looking crowd. The space gets packed, but with twinks, bears, and everything in between filling it up, no one complains. 1435 E Broadway, 562-432-4146
HAMBURGER MARY’S
THE MINESHAFT One of the most popular gay bars in town thanks to friendly service and cheap drinks not to mention a healthy mix of regulars and newcomers alike as well as DJs on Friday nights and live bands on Saturdays. Bring cash because cards aren’t accepted, though you won’t need much thanks to $2 happy-hour specials. 1720 E. Broadway, 562-436-2433
THE SILVER FOX Long Beach’s long-running gay bar is still going strong thanks to fun weekly events like karaoke on Wednesdays and Sundays and 2-for-1 Tuesdays. Though the patio is a popular spot, once the crowd warms up to the music, you’ll find everyone inside on the dance floor. 411 Redondo Ave., 562-439-6343
PALM SPRINGS HUNTERS One of Palm Springs’ most popular clubs, the inclusive vibe, thumping dance floor, packed bars and a game area with pool tables, as well as prime cruising on the front patio, all keep this bar at the top of everyone’s must-hit list. 302 E. Arenas Rd., 760-323-0700
STREET BAR Right next door to Hunters, the vibe here is more laidback and friendly – just what you’d expect from Palm Springs’ oldest gay bar. You’re sure to make new friends among the locals while enjoying sing-alongs or karaoke as well as regular local art exhibits. 224 E. Arenas Rd., 760-320-1266
TOOL SHED This Palm Springs staple still packs in the leather lovers and skin-tight jeans-clad hotties. Early birds get the drink specials, and a good time is practically guaranteed. 600 E. Sunny Dunes Rd., 760-320-3299
TOUCANS TIKI LOUNGE A veritable landmark, this campy joint brings the tropics to the desert. Come for the cabaret or the renowned drag shows, and stay all night for great drinks and dancing at this nostalgic oasis in the heart of Palm Springs. 2100 N. Palm Canyon Dr., 760-416-7584
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1111 Baker St Unit A Costa Mesa ���������������������������������800 951-0735 www.lotusplacerecovery.com
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BAKERIES Cake and Art 8709 Santa Monica Blvd West Hollywood �������������������������310 657-8694 www.cakeandart.com
BANKS US Bank Toll Free ��������������������������������������800 720-2265 www.usbank.com/checking
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EMPLOYMENT
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Los Angeles Fire Department (LAFD) 1700 Stadium Way LA �����������������������������������������������213 847-LAFD www.joinlafd.org
Los Angeles Police Department (LAPD)
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HAIR SALONS Blades
700 E Temple St, B-38 LA �����������������������������������������������866 444-LAPD www.joinlapd.com
801 N. Larrabee St, Ste #1 West Hollywood �������������������������310 659-6693
EVENT PLANNING & EVENT SPACE/RENTALS
755 N Fairfax Ave West Hollywood �������������������������323 297-0554 www.shortysbarbershop.com
Celebrities Nightclub 1022 Davie St Vancouver, BC, Canada www.celebritiesnightclub.com
Shorty’s Barber Shop
HOTELS Aqua-Aston Hospitality
The Cultch Vancouver East Cultural Centre 1895 Venables St Vancouver, BC, Canada ���������������604 251-1766 www.thecultch.com
8818 W Sunset Blvd West Hollywood �������������������������310 659-3110
FRAMING
Crossroads Books
8527 Santa Monica Blvd West Hollywood ������������������������310 657-6904
1196 E Walnut St Pasedena ������������������������������������626 795-8772
West Village: 40 8th Ave, NYC Greenwich Village: 162 Bleecker St, NYC Grand Central: 43rd & Lexington, NYC Chelsea Market: 75 Ninth Ave, NYC Industry City: 68 35th St, Brooklyn NYC ��������������������������������������������212 924-2280 www.li-lacchocolates.com
Hawaii ����������������������������������������855 945-4092 www.aqua-aston.com
Elan Hotel Modern
8435 Beverly Blvd, LA �����������������323 658-6663 www.elanhotel.com
Opus Hotel Vancouver
Framing Gallery
322 Davie St Vancouver, BC, Canada ���������������604 642-6787 www.opushotel.com
Preferred Hotels & Resorts
www.preferredpride.com/metrosource
CATERING
FITNESS/GYMS/PERSONAL TRAINERS
Li-Lac Chocolates
Body Builders Gym
8585 Santa Monica Blvd �������������800 845-8585 www.ramadaweho.com
West Village: 40 8th Ave, NYC Greenwich Village: 162 Bleecker St, NYC Grand Central: 43rd & Lexington, NYC Chelsea Market: 75 Ninth Ave, NYC Industry City: 68 35th St, Brooklyn NYC ��������������������������������������������212 924-2280 www.li-lacchocolates.com
Ramada Plaza West Hollywood Hotel
2516 Hyperion Ave Silverlake ������������������������������������323 668-0802
Fired Up Athletics 8474 W 3rd St, Ste 208 LA �����������������������������������������������213 608-9425 www.firedupathletics.com
Sandman Suites on Davie
1160 Davie St Vancouver, BC, Canada ���������������604 681-7263 www.sandmanhotels.com HOTELS CONT. NEXT PAGE �
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HOTELS (CONTINUED) – WEDDING SERVICES Sheraton Vancouver Wall Centre Hotel Cienega Pharmacy 1088 Burrard St Vancouver, BC, Canada ��������������� 604 331-1000 www.sheratonvancouver.com
99 N La Cienega Blvd, Ste 104 Beverly Hills ���������������������������������310 360-9969 www.uniteddrugs.com
Sunset Marquis
PHYSICIANS & MEDICAL SERVICES
Viceroy
Family Medicine & Mental Health 3324 W Sunset Blvd, LA ��������������323 660-2400 www.hsfreeclinic.org
1200 Alta Loma Rd West Hollywood ������������������������� 800 858-9758 www.sunsetmarquis.com 415 South Belardo Rd Palm Springs ������������������������������� 760 320-4117 www.viceroypalmsprings.com
VIVE Hotel Waikiki
2426 Kuhio Ave Honolulu, Hawaii ������������������������ 808 687-2000 www.vivehotelwaikiki.com
INSURANCE HealthSherpa
Toll Free �������������������������������������� 844 346-9476 www.metrosource.healthsherpa.com
Marc Berton Insurance
LA ����������������������������������������������� 323 872-0482 San Fernando Valley �������������������� 818 365-9449 Toll Free �������������������������������������� 800 924-4459 www.marcberton.com
INTRODUCTION SERVICES
Hollywood Sunset Free Clinic
REAL ESTATE/PALM SPRINGS Hammond, Joe & Howell, Gary
Coldwell Banker Hammond: Palm Springs �������������760 275-6597 Howell: Palm Springs ������������������760 275-4792 www.palmspringsgary.com
ROOFING Reliable Roofing By Todd Gregory Young
Palm Springs/Rancho Mirage �������760 323-2705 Palm Desert/Indian Wells �������������760 568-1673 Joshua Tree/Yucca Valley �������������760 365-0072 Desert Hot Springs ����������������������760 251-9495 Cathedral City �����������������������������760 323-2705 www.reliableroofingbytgy.com
TATTOO Body Electric Tattoo and Piercing
Bespoke Matchmaking
LA ����������������������������������������������� 888 422-6464 www.bespokematchmaking.com
7274 1/2 Melrose Ave LA �����������������������������������������������323 954-0408 www.bodyelectrictattoo.com
LEATHER
TAX SERVICES
665 Leather & Fetish Co.
Greg Cash TaxPlus
8722 Santa Monica Blvd West Hollywood ������������������������� 310 854-7276
Rough Trade
3915 W Sunset Blvd Silverlake ������������������������������������ 323 660-7956 www.roughtradegear.com
MARKETING SERVICES Brand2Fly
Cash, Gregory D., EA, MST 5150 E Pacific Coast Hwy, Ste 350 Long Beach ���������������������������������562 597-4300 www.gregcash.com
THRIFT SHOPS Berda Paradise Thrift Store
3506 W Sunset Blvd LA �����������������������������������������������323 661-8246
San Jose �������������������������������������� 408 763-7924 www.brand2fly.com
TRAVEL/GETAWAYS
GayVan.com Travel Marketing
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www.gayvan.com
NUTRITION & FITNESS Power Zone
8578 Santa Monica Blvd West Hollywood ������������������������� 310 289-1125 www.powerzoneonline.com
Aqua-Aston Hospitality
VIVE Hotel Waikiki
2426 Kuhio Ave Honolulu, Hawaii ������������������������808 687-2000 www.vivehotelwaikiki.com
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1400 S Grand Ave, Ste 801 Downtown LA ���������������������������� 213 741-5271 1300 North Vermont Ave Hollywood ���������������������������������� 323 661-0643 www.ahfpharmacy.com
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LIFE THROUGH THE LGBTQ LENS
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ATHLETIC ARRIBA SKI & SNOWBOARD CLUB PO Box 69611 West Hollywood, CA 90069 www.arribaski.org BIKE OUT 2811 Pico Boulevard Santa Monica, CA 90405 310 453-5040 CHEER LA 1223 Wilshire Blvd #1580 Santa Monica, CA 90404 www.cheerla.org DIFFERENT SPOKES OF SOUTHERN CALIFORNIA P.O. Box 2466 Hollywood, CA 90078 www.differentspokes.com GOLDEN STATE GAY RODEO ASSOC - GLAC P.O Box 2407 Long Beach, CA 90801 562 498-1675 www.larodeo.com GREATER LA IGBO LEAGUES www.igbo.org LA BLADES ICE HOCKEY PO Box 4346 Laguna Beach, CA 92652 310 288-3632 www.bladeshockey.com LA POOL LEAGUE PO Box 2227 Los Angeles, CA 90078 818 426-2171 www.lapl8ball.org LA TENNIS ASSOC. (LATA) PO Box 481226 Los Angeles, CA 90048 www.lataweb.com OUTSPORTS www.outsports.com PALM SPRINGS FRONTRUNNERS PO Box 2184 Palm Springs, CA 92263 760 318-8809 www.psfr.org SHORELINE FRONTRUNNERS OF LONG BEACH PO Box 90774 Long Beach, CA 90809 562 252-0218 www.shorelinefrontrunners.org SOCAL GIRL GOLF 714 391-3615 www.socalgirlgolf.com SOUTHERN CALIFORNIA WRESTLING CLUB (SCWC) www.geocities.com/scwc2002 SURF & SUN SOFTBALL www.surfandsunsoftball.com TINSELTOWN SQUARES www.iagsdc.org VOLLEYBALL ASSOCIATION IN LOS ANGELES (VOILA) www.gayvolleyball.org WEST HOLLYWOOD AQUATICS www.wh2o.org WEST HOLLYWOOD SOCCER CLUB www.gaysoccer.com
CULTURAL, ETHNIC & SOCIAL
PACIFIC PRIDE FOUNDATION 126 East Haley, Ste A-11 Santa Barbara, CA 93101 805 963-3636 www.pacificpridefoundation.org
ASIAN PACIFIC AIDS INTL TEAM 6501 West Olympic Blvd Ste 610 Los Angeles, CA 90015 213 553-1830 www.apaitonline.org
THE POINT FOUNDATION 5757 Wilshire Blvd. Suite 370 Los Angeles, CA 90036 866 33-Point www.pointfoundation.org
BEST FRIENDS ANIMAL SOCIETY 5001 Angel Canyon Rd Kanab, UT 84741 435 644-2001 www.bestfriends.org
VALLEY PERFORMING ARTS CENTER 18111 Nordhoff St Northridge, CA 91330 818 677-2488 818 677-3000 valleyperformingartscenter.org
BEST FRIENDS PET ADOPTION & SPAY/NEUTER SERVICES 15321 Brand Blvd Mission Hills, CA 91345 818 643-3989 www.bestfriends.org/la CHRISTOPHER STREET WEST/GAY PRIDE 8235 Santa Monica Blvd West Hollywood, CA 90046 323 969-8302 www.lapride.org DIVERSE & INCLUSIVE VISIONARY ARTISTS (DIVA) 8581 Santa Monica Blvd #220 West Hollywood, CA 90069 www.queerdiva.com GAY & LESBIAN ALLIANCE AGAINST DEFAMATION (GLAAD) 5455 Wilshire Blvd, #1500 Los Angeles, CA 90036 323 933-2240 www.glaad.org GAY MENS CHORUS OF LA 9056 Santa Monica Blvd, #300 West Hollywood, CA 90069 800 636-7464 www.gmcla.org I LOVE ME FOUNDATION 6444 Fountain Ave Hollywood, CA 90028 323 467-6444 www.chazdean.com KIDSAVE 11835 W Olympic Blvd #295 Los Angeles, CA 90064 310 479-5437 www.kidsave.org LA GAY & LESBIAN CENTER The Village at Ed Gould Plaza 1125 N McCadden Place Los Angeles, CA 90038 323 860-7302 www.laglc.org LA GAY & LESBIAN CENTER McDonald/Wright Building 1625 North Schrader Blvd Los Angeles, CA 90028 323 993-7400 www.laglc.org LA YOUTH SUPPORTIVE SERVICES 8111 Beverly Blvd #306 Los Angeles, CA 90048 877 465-2977 www.la-youth.org
THE TREVOR PROJECT 9056 Santa Monica Blvd #100 West Hollywood, CA 90069 310 271-8845 www.thetrevorproject.org VALLEY COMMUNITY HEALTHCARE 6801 Coldwater Canyon Ave North Hollywood, CA 91605 818 301-6314 - HIV testing 818 301-6390 - Medical Services www.smarthealthla.com
GAY & LESBIAN CENTER Orange County 1605 N Spurgeon St Santa Ana, CA 92701 714 953-5428 www.thecenteroc.org HEALTHSHERPA 844 346-9476 www.metrosource. healthsherpa.com
LEGAL LAMBDA LEGAL DEFENSE & EDUCATION FUND INC. Western Regional Office 3325 Wilshire Blvd #1300 Los Angeles, CA 90010 213 382-7600 www.lambdalegal.org
WORLD HARVEST FOOD BANK 1014 Venice Blvd. Los Angeles, CA 90015 213-746-2228 www.worldharvestfoodbank.org
HOLY FAMILY SERVICES, ADOPTION & FOSTER CARE 840 Echo Park Ave Los Angeles, CA 90026 213 202-3900 www.holyfamilyservices.org
HEALTH/ COUNSELING
INLANDS AIDS PROJECT (AIP) 3756 Elizabeth St Riverside, CA 92504 951 346-1910 www.inlandaidsproject.org
NATIONAL G & L TASK FORCE 5455 Wilshire Blvd #1505 Los Angeles, CA 90036 323 954-9597 www.thetaskforce.org
LA FREE CLINIC • 5205 Melrose Ave Los Angeles, CA 90038 323 653-1990 – appts 323 653-8622 – admin www.lafreeclinic.org • 6043 Hollywood Blvd Los Angeles, CA 90028 • 8405 Beverly Blvd Los Angeles, CA 90048
LESBIANS
AID FOR AIDS AFA 8235 Santa Monica Blvd #200 West Hollywood, CA 90046 323 656-1107 www.aidforaids.net AIDS HEALTHCARE FOUNDATION/MENS WELLNESS CENTER • 6255 W Sunset Blvd, 21st Fl Los Angeles, CA 90028 888 AIDS CARE • 1300 N Vermont Ave, Ste 407 Los Angeles, CA 90027 866 339-2525 800 367-2437 www.inspotla.org AIDS HEALTHCARE FOUNDATION PHARMACY 8212 Santa Monica Blvd The David Geffen Center West Hollywood, CA 90046 323 654-0907 www.ahfpharmacy.org AIDS PROJECT LA (APLA) Client & Community Services The David Geffen Center 611 South Kingsley Drive Los Angeles, CA 90005 866 679-0958 213 201-WALK (9255) www.apla.org www.aidswalk.net AIDS RESEARCH ALLIANCE 1400 S Grand Ave Ste 701 Los Angeles, CA 90015 310 358-2429 www.hopetakesaction.org www.aidsresearch.org AIDS WALK LA 3550 Wilshire Blvd, #800 Los Angeles, CA 90010 213 201-9255 (WALK) www.aidswalk.net AMERICAN CANCER SOCIETY 3333 Wilshire Blvd #900 Los Angeles, CA 90010 800 227-2345 www.cancer.org
LONG BEACH LESBIAN & GAY PRIDE PO Box 2050 Long Beach, CA 90802 562 987-9191 www.longbeachpride.com
BEING ALIVE PEOPLE WITH HIV/AIDS ACTION COALITION 621 N San Vincente Blvd West Hollywood, CA 90069 310 289-2551 www.beingalivela.org
OUTFEST THE LA GAY & LESBIAN FILM FESTIVAL 3470 Wilshire Blvd #1022 Los Angeles, CA 90010 213 480-7088 www.outfest.org
DESERT AIDS PROJECT Palm Springs, CA 1695 North Sunrise Way Palm Springs, CA 92262 760 323-2118 www.desertaidsproject.org
TO ADVERTISE CALL 818 762-1955
GAY & LESBIAN ARMENIAN SOCIETY (GALAS) 8721 Santa Monica Blvd Ste 654 West Hollywood, CA 90069 310 203-1587 www.galasla.org
LESBIAN LAWYERS ASSOC OF LA PO Box 480318 Los Angeles, CA 90048 213 486-4443 www.lgla.net
LA GAY & LESBIAN CENTER Health Education & Prevention 13210 South Figueroa Los Angeles, CA 90061 310 327-0590 LA PUBLIC HEALTH www.reallycheckyourself.org LA YOUTH SERVICES McDonald/Wright Building 1625 North Schrader Blvd Los Angeles, CA 90028 323 993-7450
WOMAN ON A ROLL PO Box 5112 Santa Monica, CA 90409 310 578-8888 www.womenonaroll.com
PROFESSIONAL
LIFEWORKS www.lifeworksmentoring.org 310 724-6300 PENNY LANE CENTERS 15305 Rayen St North Hills, CA 91343 818 892-3423 www.pennylane.org OUT OF THE CLOSET AIDS Healthcare Foundation 6210 West Sunset Los Angeles, CA 90028 323 860-5200 OUT OF THE CLOSET THRIFT SHOPS • 8224 Santa Monica Blvd West Hollywood, CA 90046 323 848-9760 • 3500 East Pacific Coast Hwy Long Beach, CA 90804 562 494-0340 • 1726 East Colorado Blvd Pasadena, CA 91106 626 440-1719 • 360 North Fairfax Ave Los Angeles, CA 90036 323 934-1956 PROJECT ANGEL FOOD 922 Vine St Los Angeles, CA 90038 323 845-1800 www.angelfood.org
POWER UP 419 North Larchmont Blvd, #283 Los Angeles, CA 90004 323 463-3154 www.power-up.net
LOS ANGELES GAY AND LESBIAN CHAMBER OF COMMERCE P.O. Box #57555 Sherman Oaks, CA 91413 888 552-4522 www.balaweb.org THE QUEER LOUNGE PO Box 69887 West Hollywood, CA 90069 www.queerlounge.org
REFERRALS/ SWITCHBOARDS LA GAY & LESBIAN CENTER Jeff Griffith Youth Center 7051 Santa Monica Blvd Los Angeles, CA 90038 TOLL FREE: 800 773-5540 LA GAY & LESBIAN CENTER MacDonald/Wright Bldg 1625 North Schroder Los Angeles, CA 323 933-7400 www.angelfood.org THE TREVOR PROJECT 9056 Santa Monica Blvd #100 West Hollywood, CA 90069 310 271-8845 www.thetrevorproject.org THE VILLAGE AT ED GOULD PLAZA 1125 North McCadden Place Los Angeles, CA 90038 323 860-7328 prevention@laglc.org www.laglc.org
RELIGIOUS ALL SAINTS PARISH 504 North Camden Dr West Hollywood, CA 90036 310 275-0123 BETH CHAYIM CHADASHIM 6000 West Pico Blvd Los Angeles, CA 90035 323 931-7023 www.bcc-la.org GLORY TABERNACLE CHRISTIAN CENTER 3215 East Third St Long Beach, CA 90804 562 438-7758 www.glorytabernacle.com OPEN DOOR MINISTRIES 4101 Willow St 562 925.3533 www.open-door-ministries.org ST. JANE FRANCES CATHOLIC CHURCH G & L OUTREACH 12930 Hamlin St North Hollywood, CA 91606 818 985-8600 WEST HOLLYWOOD CHURCH 916 North Formosa Ave West Hollywood, CA 90069 323 656-2400
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Call 212-692-5127 METROSOURCE.COM AUGUST/SEPTEMBER 2019
67
such posers
views
last call
On an overcast and blustery spring day in New York, filming
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continues on the fourth episode for Season 2 of Pose. A warehouse the size of a city block contains most of the world depicted in the series. There’s Blanca’s House of Evangelista apartment at one end, the renowned twostory ballroom a short walk away and Elektra’s S&M hotspot — Hellfire — tucked well out of sight. Since we live in the Age of the Spoiler Alert, it’s a rare event for a journalist to see any of this in real time. But the principals of Pose — Mj Rodriquez (Blanca), Indya Moore (Angel) and Dominique Jackson (Elektra) — have all agreed to provide a tantalizing glimpse into the realness they’ll be serving up this season. Metrosource: Three years have gone by since the conclusion of the first season. Plot points off the table, can you provide any insights into how your character has grown? Mj Rodriquez: I feel like Blanca is more established, you know? She’s more sure of herself as a mother now. She has her feet planted on the ground. I think she’s more aware of what her kids have, what their talents are, and how she can utilize them to make sure they flourish the way they’re meant to flourish. And that’s for her. She is her kids. She’s still dealing with her diagnosis for sure, but she’s also finding ways to cope. Indya Moore: Actually, I wanted to go for Blanca. I didn’t know what the characters were going to be, but I related with her feeling like she wasn’t as pretty as the other girls in the ways that she felt. And I related to her not feeling comfortable or happy with the dynamics in the house too, because I had that experience myself in the ballroom scene; not feeling that it was family enough. So I thought I’d love to contribute to that character. Metrosource: We now know that like you, Angel aspires to be a model. Do you think your experience modeling has given the writers a different perspective on Angel? Indya Moore: Well, I think they had a vision of what Pose would look like before I came in. I won’t take away the possibility that in some way I may have influenced some of what they were inspired to write, or the way they developed our characters to be. But I already related to a lot of what Angel’s story had been. I’m dabbling in the fashion modeling world, and Angel’s aspiring to do that. I think to some degree I may have inspired that. But I also believe Tracey Africa has inspired that, because Tracey Africa was the first trans woman to do that around the same time that the show takes place. She’s also black and really important. She was the first trans person to be on the Clairol box in the pharmacy. Metrosource: So you must have some sense of how empowering this show could be for young people growing up feeling like no one understands them or shares their experience. Dominique Jackson: I come from ballroom. And the journey in ballroom is so amazing because it provided family — support that, being a woman of color and being trans and being from a religious background and a West Indian background, people don’t appreciate or accept any of that. august/september 2019
metrosource.com
They don’t realize that being trans is something that needs to be respected, not approved. Metrosource: Do you find it remarkable that people were able to create such beauty in the middle of poverty and an epidemic? Dominique Jackson: In ballroom, I found this place — this space — where talent was just abundant. People more mature than I am, the pioneers of ballroom, would sit in their little apartments, eight people in one place, like how I came into ballroom, with eight in one house. And we would sit and construct things for the ball. And that helped to bring us together and helped us function as a family. So when you see the artistry and the fashion on Pose, you have to remember that they are being extremely authentic. Indya Moore: Actually, those of us who were lucky enough to find a space or a group of people that were there for one another no matter what: that helped them to survive. Metrosource: It seems like the first season was devoted to whether creating a family of spirit was even a possibility, and the second zeroes in on what that kind of bond can generate. Mj Rodriquez: Blanca has always been very street and very tomboyish. Now, as a mother, she’s growing up and she’s like,‘Okay, no more time for being a child anymore. I gotta be a grown-ass woman. I have to make sure I take care of these three kids in an apartment and the other sisters I have outside of here.’ I think she’s establishing her womanhood and her adult life. Granted, she was an adult when she was in the House of Abundance, but she was still a child of Elektra. I feel like she’s definitely at a point where she’s figuring herself out and saying,“I’m finally settled into who I am. Now it’s time to take on the next chapter.” Metrosource: Once the series airs its last episode, becomes history and gets put into a vault, what do you hope its legacy will be? Dominique Jackson: Well, hope that Pose is never put into a vault. However, the one thing that I want people to understand is that we’re human beings. I think in society we have this thing where we suffer in silence and we don’t speak out. But we’re in an era where everyone is starting to come forward and say,“I matter. My life matters.” It’s high time we started to remove ourselves from this taught toxicity where women believe that they are subservient and men believe that they are the ones in power and trans people believe that the only thing they can do is sex work. We have a lot of myths and stigmas that we have to continue to debunk. So if Pose were to be put into a vault, I hope that people would understand that it is for us to be human beings to each other. That is our foundation. Right now, we have to know what your body parts look like before we can approve you or feel comfortable with you. We have to start learning to lead with kindness and to believe in respect for one another. We’re all fighting – ■ not for privilege, but for true equality.
this page: Indya by Pari Dukovic-FX • Dominique by Macall Polley courtesy FX • Mj by Pari Dukovic-FX
Mj Rodriguez, Indya Moore and Dominique Jackson fling open the doors of the Pose set to say that Season 2 has only begun: “You haven’t seen anything yet, darlings!” By Kevin Phinney
MY SHELTER PETS ARE MY BEST FRIENDS
OLIVIA MUNN WITH FRANKIE AND CHANCE: ADOPTED 2016 AND 2014.
They’re a little bit of a lot of things, but they’re all pure love.
THESHELTERPETPROJECT.ORG