Royal Selangor Club

METHODS OF DOCUMENTATION AND MEASURED DRAWINGS (ARC60305) ROYAL SELANGOR CLUB (OLD WING) 1, JALAN RAJA, CITY CENTRE, 52100 KUALA LUMPUR, SELANGOR, MALAYSIA.

9TH JANUARY – 9TH MARCH 2017

Group Members Name of Building

CHA YUN XIAN

0322048

Royal Selangor Club

CHONG KIT YEE

0319748

Address

MOHAMAD FAZRIE AIMAN BIN RAZAZEMI

0325594

1, Jalan Raja, City Centre, 52100 Kuala Lumpur, Selangor,

TAN CHIN YIN

0320080

AARON CHONG YU HO

0320270

CHAN KOON QI

0322000

DANICA GAN JIA-EN

0323708

SHREYA MARIA WILSON

0322173

AHMAD ASHRAF BIN MOHAMAD

0317744

ANG AVERLLEN

0321444

JACKY TING SIM MING

0325286

LEE SUK FANG

0323293

Malaysia.

This report is submitted for the subject ARC 1215 / ARC60305 Methods of Documentation and Measured Drawings to School of Architecture Building Design of Taylor’s University to obtain 5 credits for Practicum 1.

It is a group effort by: Leader TAN MIN CHUEN

0322938

MICHELLE SIAW WI WEE

0325883

DEENIE HYATT JUMAT

0319719

ADAM HARIZ SHAARANI

0325655

CLARE TSISIKA AYISI

0325787

THOMAS TING SHII KAI

0323962

ZOE LOW LI MIEN

0319444

Bachelor of Science (Honors) (Architecture) January 2015 Taylor’s University

Supervised by Dr. Sucharita Srirangam

interview to provide us a clearer understanding of the club and provide us with various data about the building.

The team would like to formally recognise and express our gratitude to the individuals and Royal Selangor Club that have helped us in accomplishing this project. We express our utmost appreciation to all parties that have helped us kindly.

We would like to take this opportunity to thank Dr. Nor Hayati Binti Ramli, the coordinator of this module for organising this site visit and preparing the project briefs.

We would also like to provide our sincere thanks to Professor Robert, lecturer from Taylor’s University who have been a member of the club since the 1980s for giving us an insight of the changes of the club ever since he first joined till today.

Last but not least, we are really grateful to the management of the Royal Selangor Club for granting us to measure, photograph and study about the club in detail. Without their permission, the research and documentation process would not be possible.

Not to forget, Ms Norma Jean and Shazreenee for making the necessary arrangements with our transport and liaise our visitation hours with the Royal Selangor Club.

Next, we would like to thank Dr. Sucharita Srirangam for her guidance throughout this project and constantly encouraging us to challenge ourselves.

We are also greatly thankful towards Mr. Sashi, the manager of the Royal Selangor Club whom willingly took some time away from his busy schedule to give us an insight of the club, have an

Figure 1.01 A picture of some of our group members, the lecturers, and Mr. Sashi.

One of the first findings that impressed us was that the buildings of the surroundings of the Royal Selangor Club was designed by many different architectural styles which includes Victorian This report is an outcome of an eight-week exercise

architecture, Moorish architecture, Neo-Renaissance architecture,

undertaken by 19 students from the School of Architecture,

Palladian architecture and many more due to its long history of

Building and Design, Taylor’s University, Malaysia. As part of a

being under the power of the British for many years. Based on

mandatory short semester course we, the students, measured

these evidences, we as a team realised that the design of the

the Royal Selangor Club in Kuala Lumpur with the objective of

Royal Selangor Club does not have a distinct architectural style to

learning methods of measuring and recording as well as to

its design.

research and report on the history and culture of the heritage building. Our team comprises students who had just completed their Semester 2 and Semester 3 of the Bachelor in Science (Hons.) Architecture programme, and was supervised by Dr. Sucharita Srirangam.

This report includes reduced copies of drawings (originally scaled to A1 sized) and written text from our research questions which themselves were derived from literature review, site visits, interviews and discussions among the members responding to the privilege given by the course module. The privilege was given to us to investigate both the history and the culture of the building.

Figure 2.01 A picture of Kuala Lumpur High Court which is influenced

by Palladian Architecture.

This report, thus, takes inspiration from this generating point,

Chapter 2, Architectural Design, explains about the durability of

entitling itself Fusion, and picks up on the metaphor to flesh itself

form function based on time and culture and how they play a role

out.

towards the design of the club internally and externally.

Part A of the introduction states our intention of this module and

Chapter 3, Poetics - Spatial Articulation and its Relationship,

the methodology which were in the main prescribed.

moves into an analysis of how the architectural spaces within

The

methodology led us to a guiding research question which is,

the

“How

contemporary

does

the

soul of the building

complement the

contemporary context?”

Royal Selangor Club values

of

are configured according perception.

to our

It uses the user

experiences and its 5 senses to describe a poetic experience that the user encounters when walking through the spaces.

With the clear research question, the report was naturally organized into seven different chapters.

Chapter 4 Tectonics - Construction Materials and Details, is a straightforward description of the materials used in the building

Chapter 1, Historical Background, records the founding and growth of the Royal Selangor Club till present time. It starts with the history of the city where the club is located. Then discusses

itself. It also discusses about the building’s components which are included within the architectural context which entails the necessary aspects of the building.

the value of this club to not only its adherents and devotees but also the neighbouring community and our multicultural nation.

The conclusion comprises a SWOT analysis of the whole project,

It also discusses where it started and developed and all the

matters related to the physical condition of the building, the future

challenges that it has faced throughout its 133 years trying to stay

of the club, a summary conclusion to the project and the learning

alive.

outcome of this assignment.

Following the preceding textual narratives are the references that we have used throughout this whole report, be it for the information or the pictures.

DESCRIPTION Declaration Acknowledgement Introduction on Research Table of Contents List of Figures, Plates and Illustrations Introduction

PAGE

1

1.1 Aims and Objectives

2

1.2 Methods of Measurements

3

1.2.1 Measuring Tape

3

1.2.2 GLM 80 + R60 Laser Measure with 24 inch Digital Level Attachment

3-4

1.2.3 30 Meter Nylon Measuring Tape

4

1.2.4 DSLR Camera with Tripod Stand and Drone

5

1.3 Equipment Used

6

1.3.1 Ladder

6

1.3.2 GLM 80 + R60 Laser Measure with 24 inch Digital Level Attachment

6

1.3.3 Paper

6

1.4 Literature Review

7

1.5 Significance of the Study

8

DESCRIPTION

PAGE

1.6 Research Methods 1.6.1 Primary data 1.6.2 Secondary data

9 9 9 - 10

1.7 Scope and Area Delineation

11

1.8 Limitations

12

1.9 Ownership

13 - 14

Chapter 1: Historical Background 2.1 History of Kuala Lumpur Malaysia 2.2 Local Culture and Heritage 2.2.1 People 2.2.2 Architecture 2.2.3 Games and Pastimes 2.2.4 Handicraft 2.2.5 Traditional Attire 2.2.6 Music 2.2.7 Dance 2.3 Purpose and History of the Building 2.3.1 The Early Years 2.3.2 Club Founding Members 2.3.3 Deconstruction 2.3.4 Period of Uncertainty 2.3.5 Rebuilding Chapter 2: Architectural Design 3.1 Architecture Style

15 16 - 18 19 19 - 21 22 - 23 24 25 26 - 27 28 29 - 30 31 31 - 33 34 - 35 36 37 38 39 40

DESCRIPTION 3.1.1 As Tudor – Revival 3.1.2 As Mock Tudor 3.2 Colonial and Architectural Influences 3.3 Design Intention 3.4 Club Spatial Planning 3.5 Massing 3.6 Entrance and Approach 3.7 Classification of Spaces 3.7.1 Dining 3.7.2 Hash Bar 3.7.3 Billiard Room 3.7.4 Squash Court 3.7.5 Ballroom 3.7.6 Gym 3.8 Form & Activity (Interactive, More Interactive, Private) 3.8.1 Time and Human Density 3.8.2 Public/ Private – Enclosure 3.9 Circulation 2.9.1 Main Circulation 2.9.2 Internal Movement 3.10 Design Principles 3.10.1 Datum 3.10.2 Harmony, Repetition and Unity 3.10.3 Balance and Symmetry 3.10.4 Asymmetrical: Form Roof Hierarchy 3.11 Fenestration 3.12 Culture 3.12.1 Lifestyle 3.13 Activities and Sports Interests

PAGE 40 - 41 42 43 44 - 46 47 - 48 49 50 51 51 52 53 54 55 56 57 57 - 58 59 - 60 61 61 62 63 63 64 65 66 67 68 68 - 71 72 - 73

DESCRIPTION 3.13.1 Cricket 3.13.2 Billiard 3.13.3 Squash Chapter 3: Poetics – Spatial Planning and Relationships 3.1 Isolated 3.2 Dining Area and Food Stalls 3.3 Lighting Strategy – Stained Glass 3.4 Linearity 3.5 Exclusive 3.6 Hierarchy 3.7 Ballroom 3.8 Verticality 3.9 Billiard Room Chapter 4: Tectonics – Construction Materials and Details 4.1 The Main Building 4.2 Building Materials 4.2.1 Glass: Windows, Doors and Walls 4.2.2 Timber: Columns, Beam, Railings, Doors, Ceiling, Flooring, Door Frames, Walls 4.2.3 Concrete: Concrete Stumps, Flooring, Staircase 4.2.4 Ceramics: Flooring 4.2.5 Metal: Railings, Louvers and Window Frames 4.2.6 Clay: Roofing 4.2.7 Plastering: Cornices and Walls 4.3 Architectural Features 4.3.1 Columns and Beams 4.3.2 Walls 4.3.3 Doors 4.3.4 Windows 4.3.5 Ceiling

PAGE 74 75 76 77 78 - 79 80 - 81 82 83 - 84 85 - 86 87 87 - 90 91 91 - 92 93 94 95 95 - 96 97 - 98 99 100 101 102 103 104 104 – 105 106 107 - 113 114 - 115 116 - 117

DESCRIPTION 4.3.6 Roof 4.4 Construction Details 4.4.1 Staircase 4.4.2 Flooring 4.5 Intricate Details 4.5.1 Cornices 4.5.2 Decorative Railing Conclusion 8.1 SWOT Analysis 8.2 Findings Related to the Physical Condition of the Building 8.3 Future of the Building 8.4 Summary 8.5 Learning Outcome References Appendix 1: Photo Book Appendix 2: Scaled Drawings

PAGE 118 - 120 121 121 122 - 124 125 125 126 127 128 129 - 131 132 133 134

ACKNOWLEDGEMENT PAGE Figure 1.01 A picture of some of our group members, the lecturers, and Mr. Sashi.

INTRODUCTION ON RESEARCH PAGE Figure 2.01 A picture of Kuala Lumpur High Court which is influenced by Palladian Architecture.

INTRODUCTION PAGE Figure 3.01 Photo of one us discussing our plans with Dr. Suchi.

2

Figure 3.02 Min Chuen and Natalie discussing about the facade.

2

Figure 3.03 Photo of one of our group mate using the measuring tape.

3

Figure 3.04 Various methods on how to use the laser measuring.

4

Figure 3.05 Photo of a 30 meter nylon measuring tape.

4

Figure 3.06 Picture of a DSLR camera and a drone.

5

Figure 3.07 Photo of a step ladder.

6

Figure 3.08 Photo of the GLM 80 laser measuring.

6

Figure 3.09 Photo of one of the drawings done on site.

6

Figure 3.10 Photo of the information that we have gotten from the Kuala Lumpur Library.

7

Figure 3.11 Photo of the interview with Professor Robert.

7

Figure 3.12 Rear elevation of the old wing.

8

Figure 3.13 An interview with the manager of the Royal Selangor Club, Mr. Sashi.

9

Figure 3.14 A book, entitled “An Icon of the Nation for 125 years� that was given to us by the Royal Selangor Club.

10

Figure 3.15 An example of parallax error.

12

Figure 3.16 The remaining 11 members out of 19 members.

12

INTRODUCTION PAGE Figure 3.17 Picture of Sultan Sharafuddin Idris Shah Al-Haj (Tengku Idris Shah).

13

Figure 3.18 Photo of us having our discussions in an “abandoned” squash court.

14

HISTORICAL BACKGROUND PAGE Figure 4.01 A picture of Yap Ah Loy.

16

Figure 4.02 A picture of Kuala Lumpur being flooded.

17

Figure 4.03 A picture of Sultan Abdul Samad Building, which housed the offices of the British colonial administration and Government Offices till 1974.

18

Figure 4.04 A picture of Orang Asli.

20

Figure 4.05 A picture of people of Kadazan Dusun.

21

Figure 4.06 A picture of the people of Bajau.

21

Figure 4.07 A picture of the people of Murut.

22

Figure 4.08 A picture of the people of Iban.

22

Figure 4.09 A picture of the people of Bidayuh.

23

Figure 4.10 A picture of the people of Melanau.

23

Figure 4.11 A picture of Orang Ulu at a wedding.

24

Figure 4.12 A Malay architecture influenced building.

25

Figure 4.13 Baba Nyonya house.

26

Figure 4.14 An Indian architecture influenced building.

26

Figure 4.15 Inside a longhouse.

27

HISTORICAL BACKGROUND PAGE Figure 4.16 Picture of how Sepak Manggis is being played.

28

Figure 4.17 Picture of a Labu Sayong.

30

Figure 4.18 Picture of a Belanga.

30

Figure 4.19 Picture of a Terenang.

31

Figure 4.20 Picture of a pattern of a Kerongsang.

32

Figure 4.21 Picture of a Cucuk Sanggul.

32

Figure 4.22 Picture of a Pending.

32

Figure 4.23 Picture of a traditional Chinese attire.

33

Figure 4.24 Picture of traditional Indian attire.

34

Figure 4.25 Picture of a traditional Baba Nyonya ladies wear.

34

Figure 4.26 Picture of a Rebana Ubi.

36

Figure 4.27 Picture of a Gambus.

36

Figure 4.28 Picture of a Sape.

37

Figure 4.29 Picture of people dancing the Malay Mak Yong dance.

38

Figure 4.30 Picture of people dancing the Kuda Kepang dance.

38

Figure 4.31 Picture of people dancing the Zapin dance.

39

HISTORICAL BACKGROUND PAGE Figure 4.32 Picture of people dancing the Joget dance.

39

Figure 4.33 Picture of people dancing the Lilin dance.

39

Figure 4.34 Picture of a person doing the Bharata dance.

40

Figure 4.35 Picture of a people doing the Bhangra dance.

40

Figure 4.36 Picture of a people doing the Ngajat dance.

41

Figure 4.37 Picture of a people doing the Datun Julud dance.

41

Figure 4.38 Picture of a people doing the Bamboo dance.

42

Figure 4.39 Picture of a people doing the Portuguese of Malacca Farapeira dance.

43

Figure 4.40 Picture of a people doing the Branyo dance.

43

Figure 4.41 Picture of the ‘attap’ roof Selangor Club.

44

Figure 4.42 Picture of a spotted dog.

45

Figure 4.43 Picture of the club house in the 1960’s.

45

Figure 4.44 Picture of the Royal Selangor Club Kiara Sport Annexe.

46

Figure 4.45 Picture of A.R. Venning.

48

Figure 4.46 Picture of the Royal Selangor Club being flooded.

49

Figure 4.47 Picture of the Royal Selangor Club on fire.

49

HISTORICAL BACKGROUND PAGE Figure 4.48 A news article on the Royal Selangor Club after the fire incident.

50

Figure 4.49 A news article on the reopening of the Royal Selangor Club.

51

ARCHITECTURAL DESIGN PAGE Figure 5.01 Royal Selangor Club’s cottage-like appearance.

40

Figure 5.02 High pitched triangular roofs.

40

Figure 5.03 Squarish symmetrical columns.

41

Figure 5.04 Timber Structure painted in black.

41

Figure 5.05 Round Arches borrowed from the Renaissance.

41

Figure 5.06 Opened courtyard built to refresh its spaces.

42

Figure 5.07 The Facade, extended and made as a drop-off to protect members from the rain.

42

Figure 5.08 A high pitch roof with an air vent, ventilating the dining room.

42

Figure 5.09 Royal Selangor Club and the Field.

43

Figure 5.10 The former field, Dataran Merdeka, which once belonged to the Royal Selangor Club.

43

Figure 5.11 Roof overhangs that serve as a drop off or pick up point for guests.

44

Figure 5.12 Illustration of the spaces design intention at the club.

45

Figure 5.13 Photo of the Billiard Room.

46

Figure 5.14 Image showing the Massive field at the Royal Selangor Club.

46

Figure 5.15 Illustration of the Public and Private spaces.

47

Figure 5.16 Main floor plan showing the planning of spaces at the Royal Selangor Club.

47

ARCHITECTURAL DESIGN PAGE Figure 5.17 Corridor from the dining area leading to other private spaces.

48

Figure 5.18 Massing of the building characterized by its front facade.

49

Figure 5.19 Illustration of Massing defined by roof of the club.

49

Figure 5.20 The lobby of the building.

50

Figure 5.21 Illustration of the entrance lobby through the front facade drawing.

50

Figure 5.22 Illustration of the dining from the main floor plan.

51

Figure 5.23 Interior view of the dining and kitchen area.

51

Figure 5.24 Illustration of the hash bar from the floor plan.

52

Figure 5.25 The Hash bar interior.

52

Figure 5.26 Illustration of the Billiard Room from the floor plan.

53

Figure 5.27 Image showing the Billiard Room and a snooker table in the room.

53

Figure 5.28 Seats arranged in the Billiard Room.

53

Figure 5.29 Illustration of the Squash court from the floor plan.

54

Figure 5.30 Photo of the Squash court.

54

Figure 5.31 Illustration of the Ballroom from the floor plan.

55

Figure 5.32 Image showing the interior of the Ballroom.

55

ARCHITECTURAL DESIGN PAGE Figure 5.33 Illustration of the gym room from the floor plan.

56

Figure 5.34 Image showing the interior of the gym.

56

Figure 5.35 Image showing average human density during first peak hour.

57

Figure 5.36 Picture of the dining area during peak hour.

58

Figure 5.37 Picture of hawkers stall during rush hour.

58

Figure 5.38 Shows the average human density during the evening peak hours.

58

Figure 5.39 Picture of hash bar.

58

Figure 5.40 Squash court during class time.

58

Figure 5.41 Public to private division seen using axis.

59

Figure 5.42 3-D representation of public and private.

59

Figure 5.43 Floor plan showing areas based on interaction level among people.

60

Figure 5.44 3-D view showing the spaces.

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Figure 5.45 Shows the main circulation path.

61

Figure 5.46 Shows the lobby which connects to internal areas.

61

Figure 5.47 Shows internal movement from main entrance to dining area.

62

Figure 5.48 Shows the internal movement within the hash bar, squash courts.

62

ARCHITECTURAL DESIGN PAGE Figure 5.49 Elevation showing the datum and movement.

63

Figure 5.50 Shows the floor plan of the dining area highlighting the datum.

63

Figure 5.51 Highlights the repetition of roof and patterns on the elevation.

64

Figure 5.52 Shows the repetition element.

64

Figure 5.53 Front and back elevation highlighting the protruding part creating balance.

65

Figure 5.54 Shows the symmetry line drawn middle of the dining plan.

65

Figure 5.55 Shows the overall roof plan.

66

Figure 5.56 Picture showing hierarchy of roof.

66

Figure 5.57 Shows the view at an angle highlighting its asymmetrical form.

66

Figure 5.58 Shows the window openings present.

67

Figure 5.59 Shows the light penetration during day time into the building.

67

Figure 5.60 Food Court Stall

69

Figure 5.61 Chinese Restaurant

69

Figure 5.62 Long Bar

70

Figure 5.63 Hash Bar

70

Figure 5.64 Picture of beer or wine bottles.

71

ARCHITECTURAL DESIGN PAGE Figure 5.65 Picture of Cocktail Bar.

71

Figure 5.66 Gym at the club.

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Figure 5.67 Snooker table at the club.

72

Figure 5.68 Squash court at the club.

73

Figure 5.69 Old photo of the cricket players

74

Figure 5.70 Old group photo of the cricket players.

74

Figure 5.71 Snooker Tables in the Billiards Room.

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Figure 5.72 Snooker Players.

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Figure 5.73 Squash Player.

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Figure 5.74 The Squash Court.

76

POETICS - SPATIAL PLANNING AND RELATIONSHIPS Figure 6.01 Shows the division of spaces which we would be focusing on.

PAGE 78

Figure 6.02 Floor plan.

78

Figure 6.03 Fencing that separates the dining area and walkway.

78

Figure 6.04 Separate pieces of fencing forms a visible partition between dining area and washing area.

79

Figure 6.05 The plan shows the location of entrance.

79

Figure 6.06 The appearance of the entrance and the elevated building.

79

Figure 6.07 Food stalls located right above dining area.

80

Figure 6.08 Floor steps create different levelling.

80

Figure 6.09 The plan shows the location of dining area.

80

Figure 6.10 The space of dining is wider than the entrance.

81

Figure 6.11 The plan of dining area is symmetrical and proportional. The dining plan follows a geometric order and axial symmetry.

81

Figure 6.12 The image shows the abundance of natural light.

82

Figure 6.13 The highlight parts show that the columns arranged with visual balance.

82

Figure 6.14 The image of the hawker stall where the stalls are facing each other.

82

Figure 6.15 Vertical lighting and hanging photographs in a row are leading users to walk along the corridor into different spaces.

83

Figure 6.16 Plan showing a sharp turning point along the corridor.

83

Figure 6.17 Toilet and gymnasium room located right after the turning at the corridor.

84

POETICS - SPATIAL PLANNING AND RELATIONSHIPS Figure 6.18 Hash bar with narrow circulation leading to squash courts.

PAGE 85

Figure 6.19 Circulation of hash bar getting narrow as it goes deeper into the end of the dead corner.

85

Figure 6.20 Some area is not accessible as the circulation of hash bar is narrow with some blockage in between.

85

Figure 6.21 Seating areas as one of the gathering space to hang out with each other.

86

Figure 6.22 Dart board games that existed over century to bring back the memory.

86

Figure 6.23 Lounge bar counter that is made from hardwood.

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Figure 6.24 Steps that leads people to the squash court.

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Figure 6.25 Ballroom area highlighted on plan.

88

Figure 6.26 Wooden podium.

88

Figure 6.27 Timber flooring and wooden framed window are spotted in Royal Selangor Club ballroom.

88

Figure 6.28 Plan locating use of artificial light in ballroom.

89

Figure 6.29 There are two types of artificial lighting being used in the ballroom.

89

Figure 6.30 Artificial lighting creates a romantic lighting on a dark ballroom.

89

Figure 6.31 Sunlight penetrating on window diffuse into the surroundings.

90

Figure 6.32 Artificial lighting as an enhancement to natural lighting during night time.

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Figure 6.33 Verticality in terms of height.

91

Figure 6.34 Shows that, users has to walk through the 16.22 meters long corridor before entering the billiard room.

91

POETICS - SPATIAL PLANNING AND RELATIONSHIPS Figure 6.35 The location of the billiard room.

PAGE 91

Figure 6.36 The light and shadow that appears in the billiard room.

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Figure 6.37 Rest area in the Billiard room.

92

TECTONICS – CONSTRUCTION MATERIALS AND DETAILS PAGE Figure 7.01 The Steel Structure of the Roof connected to the wall.

94

Figure 7.02 The Exterior the Building.

94

Figure 7.03 Timber 15 x 15 cm columns.

104

Figure 7.04 The rainwater gutter.

104

Figure 7.05 Some of these eye beams were supported by the brackets to the wall.

105

Figure 7.06 When the beams join with each other, it appears to be bolted, with a bracket and welded together as well.

105

Figure 7.07 Timber Panels on walls.

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Figure 7.08 Tudor Hardwood Elements

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Figure 7.09 The location of each door.

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Figure 7.10 The location of timber flush doors.

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Figure 7.11 The flush door connects the hash bar and the outdoor.

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Figure 7.12 The frame of the flush door.

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Figure 7.13 The door closer is added to flush door.

109

Figure 7.14 shows the round bar door handle with lock.

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Figure 7.15 The location of interior timber door with decoration.

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Figure 7.16 The interior timber door with decorations.

111

TECTONICS – CONSTRUCTION MATERIALS AND DETAILS Figure 7.17 The location of glass doors.

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Figure 7.18 The glass door that is located in the squash room.

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Figure 7.19 Door hinges and handles.

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Figure 7.20 Iron fittings on the glass wall and door.

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Figure 7.21 The location of casement window was shown through the exterior facade of the building.

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Figure 7.22 shows the window and decorated window sill.

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Figure 7.23 shows the stained glass window at the dining area.

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Figure 7.24 The stained glass window provide skylight to the dining area.

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Figure 7.25 shows the pattern of stained glass.

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Figure 7.26 Corridor ceiling with covings.

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Figure 7.27 The ceiling at the lobby area.

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Figure 7.28 Billiard room ceiling painted blue.

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Figure 7.29 Photo showing the squash court ceiling.

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Figure 7.30 Image showing the cathedral ceiling at the dining.

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Figure 7.31 The pitch rooves of Royal Selangor Club.

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Figure 7.32 Gable roofing has secondary gable also known as cross gable.

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TECTONICS – CONSTRUCTION MATERIALS AND DETAILS Figure 7.33 The Gable Roof.

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Figure 7.34 The Roof’s Interior.

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Figure 7.35 The Structural Roof.

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Figure 7.36 Steel trusses as main support roof structures.

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Figure 7.37 Steel spiral staircase behind the squash court.

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Figure 7.38 The Entrance staircase.

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Figure 7.39 Dining Area’s Majestic Marble floors.

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Figure 7.40 A close up of the Dining Area floors.

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Figure 7.41 Timber flooring in the Hash Bar.

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Figure 7.42 Timber flooring in the Hash Bar.

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Figure 7.43 Timber flooring in the Squash Court.

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Figure 7.44 Interior Decorations.

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Figure 7.45 Dining Room Railings

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Figure 7.46 Facade Railings

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CONCLUSION PAGE Figure 8.01 Faรงade showing its good condition and being well maintained.

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Figure 8.02 Tiles intact, cleaned and checked regularly.

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Figure 8.03 Columns present at the entrance.

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Figure 8.04 Vents used in toilet area providing natural wind circulation.

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Figure 8.05 Showing the roof tiles and gable roofing.

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3. Does the design achieve the purpose of the club?

4. How do the various types of materials reflects the purpose of each space?

The aim of this module is to help us develop an understanding of the fundamental building preservation and the practice of recording it by using various documentation methods. This project is an on-site exercise where students are required to execute fieldwork and hands-on measuring exercise that will help document information of the building. It also enables us to use different types of researching methods to make a report containing significance, historical and cultural information of the building, complementing the drawings to preserve an accurate record of

Figure 3.01 Photo of one us discussing our plans with Dr.Suchi.

historic properties that can be used in research and conservation activities. We were required to analyse the relationship between the architecture of the club, its context and its significance.

The research conducted aims to answer the following questions: 1. What is the purpose of the building and does the purpose still remains?

2. What are the user’s experiences by using their 5 senses?

Figure 3.02 Min Chuen and Natalie discussing about the facade.

We were required to fulfil our fieldwork through data collection, onsite investigation and measurement. Measurement of the building was carried out for 5 days which is on the 21st January 2017 and 23rd to 26th January 2017. In order to obtain measurements of the building, certain equipment were used.

Figure 3.03 Photo of one of our group mate using the measuring tape.

It was the most general tool used on site. Each of us brought our own measuring tape ranging from 3 meters to 8 meters. A minimum of 2 students is required to use this device when measuring long distances.

These laser measuring tools from Bosch was used to measure distance and heights of greater magnitude that are out of reach. It can also measure the angle of an object.

The 30 meter nylon measuring tape is used to measure curved surfaces such as columns, arches, curvy ornamentations and long distances to ensure the surface is properly measured due to its flexibility of the tape. A minimum of 2 students are required to use this device.

Figure 3.04 Various methods on how to use the laser measuring.

Figure 3.05 Photo of a 30 meter nylon measuring tape.

2 different types of cameras were used to capture images of the site to achieve measurements of places which are out of reach by using the proportion technique.

Figure 3.06 Picture of a DSLR camera and a drone.

us to only being able to use manual measuring tools to measure the facade and roof.

A ladder was used to help us reach spaces that are higher, such as the ceiling and wall ornamentations. However, some spaces are out of reach due to the limited height of the ladder.

Figure 3.08 Photo of the GLM 80 laser measuring.

Some of us chose to use normal paper for the drawings of the building. Due to the absence of guidelines that helps us to draw, some of the drawings were out of proportion and lines were not Figure 3.07 Photo of a step ladder.

straight causing confusion during the CAD-ing process.

The laser measuring tool couldn’t be used outdoors due to the bright sunlight which would affect the laser pointer. This constrains Figure 3.09 Photo of one of the drawings done on site.

Before the trip to the Royal Selangor Club, research was conducted by visiting our university’s library and through the internet in order to search for information regarding our building.

We had a chance to also interview a club member which was also a lecturer in Taylor’s University, Professor Robert on his experiences in using the club since the 1980s.

However our university’s library did not have the information needed.

We solely relied on information obtained from the internet till we visited the Kuala Lumpur Library which was situated just opposite the Royal Selangor Club and we managed to find some information regarding building.

Figure 3.10 Photo of the information that we have gotten from the Kuala Lumpur Library.

The Royal Selangor Club had also given us a book which was written by the club to commemorate their 125th anniversary which was written in the year 2009.

Personal communication was conducted with the manager of the club, Mr. Sashi to obtain more facts about the club. This information includes its location, materials, initiatives to improve the quality of the club and its future.

Figure 3.11 Photo of the interview with Professor Robert.

style, technology and the essential elements of the building.

The purpose of this project is to have a better understanding of the significance of the historical heritage and cultural values, while relating it back to the architectural style along with the social, economic, political and other influences to the design and concept of the Royal Selangor Club in the past as well as the site context.

The measurements, photography, videography, interviews and observations were the methods of documentation of the heritage building on site which also supports our understanding of the Royal Selangor Club. Furthermore, it promotes a sense of appreciation towards the cultural heritage and architectural style of

Overall, these methods of documenting provided us a greater understanding in every aspect as well as learning to appreciate the importance of conserving architectural heritage.

Accurate methods of measurement for the documentation are one of the main tasks of our study. However the culture and archaeological value of the site should not be neglected as they have to be explored. To ensure that the essence of this architectural wonder is expressed through the findings of our project, intensive studies were implemented to further document the building in relation to its long and rich history.

the building. This building was built over a century ago and today, it allows our team to see a glimpse of its past although part of it was demolished by a fire in the 1970 and rebuilt in a Mock Tudor style.

By documenting the overall information and history of the building, it creates a different perspective view for us since the building holds a lot of historical values in it that influences the architectural

Figure 3.12 Rear elevation of the old wing

These are the various research methods that we have used to gather information on the Royal Selangor Club heritage and its cultural background.

Primary Data:

Figure 3.13 An interview with the manager of the Royal Selangor Club, Mr Sashi.

Interviews We have done a few interviews with different people who are

Secondary Data:

directly and indirectly connected to the Royal Selangor Club. We interviewed Mr. Sashi, the manager of the club, for the background of the club and what was the club’s intention for the future of the club. Furthermore, we had also interviewed Mr Robert from Taylor’s University who have been a club member since the 80’s to get to know more about his personal experience in the club as it undergo changes.

Book references We have found a few books from various libraries which gives an insight of the Royal Selangor Club. The club had also given us a book which was written for their 125th anniversary.

Figure 3.14 A book, entitled “An Icon of the Nation for 125 years� that was given to us by the Royal Selangor Club.

Internet Resources The internet is a fascinating invention that has helped us find information that we were looking for when there was no information to be found on books. We have found several internet resources that are relatable to our research.

Group

Video

Report

Photobook

Leader

Tan Min Chuen

Danica

Tan Min Chuen

Members Involved

Chan Koon Qi Aaron Chong Thomas Ting

Shreya Michelle Zoe Low

Group

Model

Drawings

Leader

Tan Chin Yin

Ahmad Ashraf

Members Involved

Jacky Ting Cha Yun Xian Fazrie Adam Hariz

Chong Kit Yee Ang Averllen Deenie Hyatt Jumat Lee Suk Fang Clare Tsisika Ayisi

Table 1.01 Job scopes of the members Off Site.

Group

Video

External Elevation

Details

Leader

Tan Min Chuen

Cha Yun Xian

Michelle Siaw

Members Involved

Chan Koon Qi

Zoe Low

Cha Yun Xian

Group

Billiard Room and Hall

Lobby and Food Court

Leader

Ahmad Ashraf

Chong Kit Yee

Members Involved

Ang Averllen Mohamad Fazrie Adam Hariz

Shreya Maria Wilson Lee Suk Fang Clare Tsisika Ayisi

Group

Hash Club and Squash Court

Gymnasium

Leader

Jacky Ting Sim Ming

Thomas Ting

Members Involved

Deenie Hyatt Jumat Tan Chin Yin Danica Gan Jia-En

Aaron Chong

Table 1.02 Area Delineation of the members On Site.

Lack of Manpower Due to the festive season, some of the members had to be absent

Multiple limitations were faced throughout this assignment.

for the last few days as they have booked their tickets to return to their hometown for the Chinese New Year celebration.

Human Error Parallax error may occur during the measuring process as the eye level is not perpendicular to the reading of the measuring tool.

Besides

that, the

measurements

were

not

taken

Furthermore, the changing of weather had also caused some of the members to fall sick and unable to give their 100% in the measuring process.

several times to avoid random error thus it leads to the documentation of inaccurate measurements.

Figure 3.15 An example of parallax error.

Figure 3.16 The remaining 11 members out of 19 members.

Sharafuddin Idris Shah Al-Haj (Tengku Idris Shah). Due to its The club was founded as the Selangor Club in 1884 as a meeting point for educated and high-ranking members of British colonial society. Most of its early members were British, the founding members include H.C. Syers, the Superintendent of Selangor

Royal Connection with the club, the club membership has certain standards to it. First, a member would have to be able to afford a membership fee yearly, ranging from RM 5,000 - RM 25,000. Next, they would be required

State; A.R. Venning, Treasurer of Selangor and head of the

to undergo an interview with the membership committee, only then

Sanitation Board (who also created the Lake Gardens); A. C.

they would be entitled to the membership of the club.

Norman who designed some early buildings of Kuala Lumpur; and H.F. Bellamy who headed the Selangor Public Works Department.

Nevertheless, membership to the club is primarily determined by high educational standard or social standing, rather than race or citizenship; for example an original founding member was Thamboosamy Pillay and its first Secretary was a German, Count Bernstorff. Over the years, the club's membership increased and had also begun to include high-ranking Malaysian civil servants: judges, lawyers and important people in society.

The ownership of this place is currently taken by the Sultan of the Selangor state which is currently in the hands of Sultan

Figure 3.17 Picture of Sultan Sharafuddin Idris Shah Al-Haj (Tengku Idris Shah).

Due to its certain standards of membership and dress codes, we faced many difficulties during the site visit. There were many rules that we had to follow and some obstructed our work progress. For

example, we had to comply with the dress code by ensuring that we wear proper clothing namely, collared shirt, shoes and long pants or jeans.

Furthermore, we were have to make sure that only up to a group of 4 students are allowed to be at the lobby and food court during peak hours which is from 12 p.m. till 2 p.m.. This caused us some inconvenience as we normally only reach the club around 10 a.m. and would have to leave by 5 p.m. and it was such a large space with a lot of details to be measured.

Figure 3.18 Photo of us having our discussions in an “abandoned� squash court.

Preamble Question: What is the purpose of the building and does the purpose still remains?

In this chapter, we focus on the history of Kuala Lumpur, local culture and heritage of Malaysia, as these factors have played a large role in shaping the Royal Selangor Club. We also look into the challenges that the club has faced throughout its 133 years of history.

appointed period of duties, Yah Ah Loy stepped up to take the mantle.

Kuala Lumpur began life in 1857. It was then that a member of Selangor's royal family, Raja Abdullah, chose to open up a territory in the Klang Valley for tin prospectors. Miners from China soon arrived and despite pestilence that killed a large number of them, the Chinese miners thrived, attracting merchants and businesses. The commercial area of tin trading was located in the intersection of the Klang and Gombak rivers and it was here that Kuala Lumpur was established. Its name literally means 'muddy capital' in Malay, because of its establishment in the confluence of the Klang and Gombak rivers.

During this time, which was the British colonial period, the tin miners were often embroiled in gang warfare, disrupting the peace and stability of the tin trade. The British authorities decided to appoint a Chinese captain, called 'Kaptian' to administer the area and ensure its order. After two Kapitans had finished their

Figure 4.01 A picture of Yap Ah Loy.

It was this third Kapitan that truly changed and prospered Kuala Lumpur. Under his leadership, Kuala Lumpur transformed from a sluggish town into a prominent commercial hub in Selangor. It was likewise amid this time that gang warfare was at its peak. It erupted into a civil war between the two main Chinese gangs, the Hai San and Ghee Hin, of which the former that Yap Ah Loy was a part. Eventually, the Hai San won, and Yap Ah Loy then rebuilt the devastated town and repopulated it with more Chinese miners. He also brought in Malay farmers to settle near Kuala Lumpur to give nourishment to the miners. Under his administration, Yah Ah Loy

established Kuala Lumpur's first school and a shelter for the

occupied the city but they eventually surrendered in 1945 to the

homeless, besides building up commercial activities.

British after their loss in the War. However, when the Japanese forces had left and the British returned to the city, the inhabitants

Towards the end of the 19th century, the city was tormented by

of Kuala Lumpur were fed up with all the oppression. Gradually

disasters and adversity. Diseases, epidemics, fires and floods

however doubtlessly the British lost their influence in both Kuala

were at the order of the day. Yap Ah Loy replaced traditional ‘attap’

Lumpur and the entire nation. Malaysia was then open for new

houses with brick and tile as a safety precaution.

influences, and this happened unequivocally amid the ascent of communism. Despite the fact that the British got their authority back following a couple of years, it was at that point past the point of no return. The people wanted to manage themselves, they wanted independence.

In 1957, Malaysia gained independence from the British and it was announced and declared in Kuala Lumpur, making it a historicallysignificant city. Kuala Lumpur remained the capital of the nation, despite the fact that the city did not have its own administration

Figure 4.02 A picture of Kuala Lumpur being flooded.

and right. It was not up until 1972 that the city became independent and got its own government.

After his death, Frank Swettenham the British Resident of Selangor, took over the helm of duties and kept on prospering

Finally in 1974, Kuala Lumpur was formally removed from the

Kuala Lumpur until World War II. During the war, the Japanese

jurisdiction of Selangor state and made into a Federal Territory, as

Malaysia's booming economic capital. From that moment on the city grew rapidly. The new capital attracted individuals of a wide range of societies and the city soon became a melting pot of Asian cultures. Special areas were erected in the city, and in every area a different culture group lived. For instance, during that time, there were a Chinese district, and Indian district, a district in which Europeans (especially the English) lived and a district in which the local 'Malay' lived. Over time, Kuala Lumpur has advanced into becoming one of Southeast Asia's most prominent, modern and sophisticated cities, attracting visitors from all over the world.

Figure 4.03 A picture of Sultan Abdul Samad Building, which housed the offices of the British colonial administration and Government Offices till 1974.

came to the country during the British colonial rule. Lured by the prospect of breaking out of the Indian caste system, they came to Malaysia to build a better life.

Malaysia has a rich history dating back to the 13th century.

Certain states were a busy seaport for European and Far East

‘Orang Asli’

traders for hundreds of years. This has caused Malaysia to be a

The general term utilized for any of the indigenous groups that are

land of intriguing diversity.

found in Peninsular Malaysia. Some are fishermen, some farmers and some are semi-nomadic.

Malay The Malays, Malaysia's largest ethnic group, refers to a person who practices Islam and Malay traditions, speaks the Malay language and whose ancestors are Malays.

Chinese The second largest ethnic group are mostly descendants of Chinese immigrants during the 19th century. The Chinese are

Figure 4.04 A picture of Orang Asli.

known for their diligence and keen business sense.

Kadazan Dusun Indian

The largest ethnic group of Sabah, they consist of two tribes; the

The smallest of the three main ethnic groups, most of them are the

Kadazan and the Dusun. Kadazan’s are mainly inhabitants of flat

descendants of Tamil-speaking South Indian immigrants who

valley deltas, which are conducive to paddy field farming, while the

Dusun’s traditionally lived in the hilly and mountainous regions of

Murut

interior Sabah.

The third largest ethnic group in Sabah, they were the last of Sabah's ethnic groups to renounce headhunting. Now, they are mostly shifting cultivators of hill paddy and tapioca, supplementing their diet with blowpipe hunting and fishing.

Figure 4.05 A picture of people of Kadazan Dusun.

Bajau The second largest ethnic group in Sabah, a nomadic seafaring people that worshipped the Omboh Dilaut or God of the Sea, they are sometimes referred to as the Sea Gypsies.

Figure 4.07 A picture of the people of Murut.

Iban The largest of Sarawak's ethnic group, sometimes erroneously referred to as the Sea Dayaks because of their skill with boats. In the past, they were a fearsome warrior race renowned for headhunting and piracy. Traditionally, they worship a triumvirate of

Figure 4.06 A picture of the people of Bajau.

gods under the authority of Singalang Burung, the bird-god of war.

Melanau Believed to be among the first people to settle in Sarawak. They are found mainly along the rivers and coastal plains of central Sarawak.

Figure 4.08 A picture of the people of Iban.

Bidayuh They are mostly farmers and hunters. In their past headhunting days their prized skulls were stored in a 'baruk‘, a roundhouse that rises about 1.5 metres above the ground.

Figure 4.10 A picture of the people of Melanau.

Orang Ulu 27 of the inland tribal groups of Sarawak are collectively called Orang Ulu or upriver people. The aboriginal Penan people are also included as Orang Ulu by government census but the Penan are traditionally nomadic people living in small family groups constantly moving from place to place within the rainforest.

Figure 4.09 A picture of the people of Bidayuh.

Chinese Architecture In Malaysia, Chinese architecture is of two broad types: traditional Malay Architecture

Chinese and Baba-Nyonya. Examples of traditional architecture

Traditional Malay architecture utilizes sophisticated architectural

include Chinese temples found throughout the country such as the

processes ideally suited to tropical conditions, for example,

Cheng Hoon Teng that dates back to 1646.

structures built on stilts, which allows cross ventilation of breeze underneath the dwelling to cool the house whilst mitigating the effects of occasional flood. High-pitched roofs and large windows

Many old shop houses especially those that can be found in Melaka and Penang are of Baba-Nyonya heritage,

not only allow cross ventilation but are also carved with intricate organic designs. Traditional houses in Negeri Sembilan were built of hardwood and entirely free of nails. They are built using beams, which are held together by wedges.

Figure 4.12 Baba Nyonya house.

Figure 4.11 A Malay architecture influenced building.

Indian Architecture

Indigenous Peoples of Sabah & Sarawak

With most of Malaysian Hindus originally from Southern India,

Two unique architectural highlights of the indigenous peoples of

local Hindu temples exhibit the colourful architecture of that region.

Sabah and Sarawak are longhouses and water villages.

Built in the late nineteenth century, the Sri Mahamariamman

Homes to interior riverine tribes, longhouses are traditional

Temple in Kuala Lumpur is one of the most ornate and elaborate

community homes. These elongated and stilted structures, often

Hindu temples in the country. The detailed decorative scheme for

built of axe-hewn timber, tied with creeper fibre and roofed with

the temple incorporates intricate carvings, gold embellishments,

woven ‘attap’ or thatched leaves, can house between 20 to 100

hand-painted motifs and exquisite tiles from Italy and Spain.

families.

The Sikhs, although a small minority, also have their temples of

Rustic water villages built on stilts are also commonly found along

more staid design in many parts of the country.

riverbanks and seafronts. Houses are linked by plank walkways with boats anchored on the sides. Transport around the village is usually by sampan or canoe.

Figure 4.13 An Indian architecture influenced building.

Figure 4.14 Inside a longhouse.

Gasing A gasing is a giant spinning top that weighs approximately 5kg or Malaysians' strong sense of community is reflected in many of

10lbs. Traditionally played before the rice harvest season; this

their traditional games and pastimes.

game requires strength, coordination and skill.

Silat It is a form of Malay martial art is also an international sport and

Wayang Kulit

traditional dance form. It has mesmerising fluid movements that

Wayang kulit is a traditional theatre form of a puppet show, which

are used to dazzle opponents.

shows the elusive quality and charming simplicity of a shadow play. Wayang kulit usually dramatizes ancient Indian epics.

Sepak Takraw There are two main types of sepak takraw: bulatan (circle) and

Congkak

jaring (net). Sepak raga bulatan is the original form in which

Congkak is an oval solid wood block with two rows of five, seven,

players form a circle and try to keep the ball in the air for as long

or nine holes and two large holes at both ends called "home".

as possible. Sepak takraw jaring is the modern version in which the ball is passed across a court over a high net.

Sepak Manggis Forming a circle and facing each other, players aim to strike the

Wau

bunga manggis floral carrier that dangles from a 10-metre high

A wau is a traditional kite that is traditionally flown after the rice

pole. The winner will be rewarded with money, gifts or edibles,

harvest season; these giant kites are often as big as a man -

which are in the carrier.

measuring about 3.5 metres from head to tail.

Earthenware

Textiles

Popular items of traditional design include labu sayong, geluk,

Malaysia's traditional textiles include batik, songket, pua kumbu

belanga, terenang, Chinese dragon kiln ceramics and Sarawak-

and tekat. These textiles are made into all sorts of decorative

ian tribal motif pottery. Commonly used for storing water or

items, from haute couture, clothes to shoes, colourful curtains and

cooking.

delicate bed linen.

Wood Crafts

Kerongsang

Antique Malay-styled engraved panels, keris dagger handles,

A three-piece brooch set traditionally used to pin the lapels of the

Chinese containers, unique Orang Asli spirit sculptures, intricate

baju kebaya together.

walking sticks, kitchen utensils and carved scented woods are among the wood crafts found in Malaysia.

Metal Crafts Traditional brass casting, bronze and pewter has been used to produce decorative items, kitchen ware and traditional artefacts.

Cucuk Sanggul A traditional hairpin used to secure hair in a bun at the back of women's heads.

Pending A large, intricately ornamented belt buckle worn around the

Hand-woven Crafts

sampin, a skirt-like cloth worn by men, to complement their baju

Local plant fibres are coiled, plaited, twined and woven to produce

melayu, the traditional attire for men.

items such as bags, baskets, mats, hats, tudung saji and sepak raga balls.

The kurta is the traditional attire for men on formal occasions.

Malay Before the 20th century, Malay women still wore kemban. As Islam became more widely embraced, they started wearing baju kurung. The traditional attire for Malay men is the baju melayu.

Chinese The traditional cheongsam is also a popular contemporary fashion choice for ladies. Men would usually wear a chang pao.

Figure 4.16 Picture of traditional Indian attire.

Baba Nyonya Chinese immigrants who married Malay partners wore the elegant kebaya that can be described as traditional haute couture.

Figure 4.15 Picture of traditional Chinese attire.

Indian The saree is the world-renowned traditional Indian garment.

Popular with northern Indian ladies is the salwar kameez or Punjabi suit; a long tunic worn over trousers with a matching shawl.

Figure 4.17 Picture of a traditional Baba Nyonya ladies wear.

Portuguese-Eurasian Dominated by the colours black and red, men wear jackets and trousers with waist sashes whilst ladies wear broad front-layered skirts.

Sarawak Using a variety of designs and native motifs, common materials for the Orang Ulu or upriver tribes are hand-loomed cloths, tree bark fabrics, feathers and beads. Sarawak is known for the woven pua kumbu of the Iban tribe, songket of the Sarawak Malay, colourful beaded accessories, traditional jewellery and head adornments.

Sabah Each group adorns attire, headgears and personal ornaments with distinctive forms, motifs and colour schemes characteristic of their respective tribe and district.

Orang Asli Orang Asli of Peninsular Malaysia wore clothing made from natural materials such as tree barks like the terap, and grass skirts.

Ornaments include skilfully woven headbands with intricate patterns that are made from leaf fronds.

Played in a variety of styles in Malay folk music; primarily used as the lead instrument in Ghazal music.

Orchestra Malaysia has two traditional orchestras: the gamelan and the nobat. The gamelan is a traditional orchestra that plays ethereal lilting melodies using an ensemble of gong percussion and stringed instruments. The nobat is a royal orchestra that plays more solemn music for the courts using serunai and nafiri wind

Figure 4.19 Picture of a Gambus.

Sape

instruments.

The sape is the traditional flute of the Orang Ulu community or Rebana Ubi

upriver people of Sarawak. Once played solely during healing

Used as a musical instruments of various social performances.

ceremonies within longhouses, it gradually became a social instrument of entertainment. Typically, its thematic music is used to accompany dances such as the Ngajat and Datun Julud.

Figure 4.18 Picture of a Rebana Ubi.

Kompang Similar to the tambourine but without the jingling metal discs, this hand drum is most commonly played in large ensembles.

Gambus

Figure 4.20 Picture of a Sape.

Chinese Lion Dance Malay Mak Yong

Requiring perfect co-ordination, elegance and nerves of steel, the

Combination of romantic drama, dance, operatic singing and tales

dance is almost always performed to the beat of the tagu, the

of the golden age of the Malay.

Chinese drum, and the clanging of cymbals.

Kuda Kepang

Dragon Dance

Dramatizing the tales of victorious Islamic holy wars, dancers sit

The Dragon Dance is said to bring good luck and prosperity for the

astride mock horses moving to the hypnotic beats of percussion.

year to come. Usually requiring a team of over 60 people, it is a dazzling display of perfect co-ordination, skill and grace.

Zapin Performed to Islamic devotional chanting to spread knowledge

Indian Bharata Natyam

about the history of the Islamic civilisation.

This classical Indian dance is poetry in motion. Based on ancient Indian epics, this highly intense and dramatic dance form uses

Joget

over 100 dance steps and gestures.

A lively dance with an upbeat tempo performed by couples who combine fast, graceful movements with playful humour.

Bhangra Bhangra is a lively folk music and dance form of the Sikh

Tarian Lilin

community. Typically centred on romantic themes with singing and

Also known as Candle Dance, it is performed by women who do

dancing driven by heavy beats of the dhol, a double-barrelled

delicate dances while balancing candles in small dishes.

drum, the bhangra is engagingly entertaining.

Sabah & Sarawak Ngajat

Requiring great agility, dancers are required to jump over or

This dance is usually performed during Gawai Kenyalang or

between the poles without getting their feet caught.

'Hornbill Festival'. Reputedly the most fearsome of Sarawak's head hunters, the tribe's victorious warriors were traditionally

Orang Asli

celebrated in this elaborate festival.

Dances are commonly used by witch-doctors as rituals to communicate with the spirit world. Such dances include

Datun Julud

Genggulang of the Mahmeri tribe, Berjerom of the Jah-Hut tribe

Symbolises happiness and gratitude, it was once performed

and the Sewang of the Semai and Temiar tribes.

during communal celebrations that greeted warriors returning from headhunting raids or during the annual celebrations that marked

The Portuguese of Malacca Farapeira

the end of each rice harvest season.

The Farapeira is a fast, cheerful dance usually accompanied by guitars and tambourines, performed by couples dressed in

Sumazau

traditional Portuguese costumes.

Used to honour spirits for bountiful paddy harvests, ward off evil spirits and cure illnesses. Dancers perform this steady hypnotic

Branyo

dance with soft and slow movements imitating birds in flight.

Favoured mainly by the older Portuguese generation, compared to the Farapeira the Branyo is a more staid dance. Male dancers

Bamboo Dance

dressed in cowboy-like costumes and female dancers dressed in

Two long bamboo poles are held horizontally above the ground at

traditional baju kebayas with batik sarongs sway to the steady

ankle-height. They are clapped together to a high-tempo drumbeat.

rhythm of drums and violins.

The Royal Selangor Club was one of Asia’s oldest sporting institution which was founded with the name Selangor Club in 1884 as a meeting point for educated and high-ranking members of British colonial society. The club was initially based in a small wooden building with an ‘attap’ roof near the north eastern corner

Figure 4.21 Picture of the ‘attap’ roof Selangor Club.

of the padang and later was then replaced by a two-storey Tudor

The club was nicknamed "The Spotted Dog", one explanation is

style structure designed by A.C.A. Norman, a Government

that it referred to its mixed community membership and began

Architect, in 1890, at the present site of the club, on the west side

with a remark that "frequenters of The Spotted Dog pub must

of the padang.

accept the company as they find it". Another suggestion is that it refers to two Dalmatians that belong to the wife of H. C. Syers, one of the club founders and left to watch the entrance of the club whenever they visited the club. Yet another suggestion is that the first emblem club was supposedly a spotted leopard that was so badly drawn that some confused it for a dog. The club is also simply referred to as "The Dog".

The clubhouse was built with funds from the British colonial administration, and the British Resident of Selangor was ex officio the President of the club – the first three Presidents were John Pickersgill Rodger, William Edward Maxwell, and Frank Swettenham.

In 1910, the building was further enhanced with a Mock Tudor styling and included two additional wings on each side of the main building. The masterpiece was the inspiration of architect Arthur Figure 4.22 Picture of a spotted dog.

Benson Hubback, who was also credited for the design of the Kuala Lumpur Railway Station.

Most of its early members were British; the founding members include H.C. Syers, the Superintendent of Selangor Public Works Department; A.R. Venning, Treasurer of Selangor and head of the Sanitation Board; A. C. Norman who designed some early buildings of Kuala Lumpur; and H.F. Bellamy who headed the Selangor Public Works Department. Nevertheless, membership to the club is primarily determined by high educational standard or social standing, rather than race or citizenship.

Figure 4.23 Picture of the club house in the 1960’s.

The Padang was once leased by the government to the Selangor Club which was used for various sports such as cricket, soccer and rugby. However, in 1987 the Padang was taken back by the City Hall and in return the Selangor Club was given a piece of land in Bukit Kiara 5.5 kilometres away from the original clubhouse where the club build its second club house, called the Royal Selangor Club Kiara Sport Annexe.

Figure 4.24 Picture of the Royal Selangor Club Kiara Sport Annexe.

H.C. Syers (Superintendent of the Selangor Public Works Department) In search of a communal place far from home where perspectives can be shared, ideas could be exchanged and a place which bore



The founder of the first voluntary fire service in Malaysia



Member of the Kuala Lumpur Sanitary Board now known

some resemblance to life back home, the Selangor Club was

as

established. The following members were not only in charge for

establishment in the 1890

Dewan

Bandaraya

Kuala

Lumpur

from

its

founding this great club but also various other institution which conveyed significant changes to the social order in the country.

K. Thamboosamy Pillai (Businessman) 

Famous tin miner and operator



A Justice of Peace and a member of the prestigious Kuala Lumpur Sanitary Board now known as Dewan Bandaraya

J. P Rodger (Resident of Selangor) 

He was educated at Eton College and Oxford University



He was called to the English Bar in 1877



Sir John was the British resident of Selangor (1884 - 1885) and (1896 - 1902)



First British Resident of Pahang (1888 - 1896)

Kuala Lumpur 

One of the founders and one of the Trustees of Victoria Institution



Founder of the Sri Mahamariamman Temple, Kuala Lumpur

Captain Charles Syers (Commissioner of Selangor Police) 

Formed Kuala Lumpur’s first police force



Responsible for the establishment of Bukit Aman

A.R. Venning (Selangor Treasurer and Chairman of the Sanitary Board) 

An experienced planter in Ceylon prior to his arrival in Malaysia



Instrumental in the move to create Lake Gardens



He was also the President of the Perak Club (Taiping) between 1898 - 1900

Figure 4.25 Picture of A.R. Venning.

Fire On 20 December, 1970, the main section of the club was razed in Flood

a fire which was believed to have started from its kitchen at

The Royal Selangor Club was not spared from frequent flooding in

around 10.30 p.m. and was contained within an hour by 50 fire

Kuala Lumpur. Between the start of the 1910s and the 1930s, the

fighters. Property damage from the fire was estimated to cost

club was recorded to be hit by floods in 1911, 1917, December

more than RM 1.5 million, but there were no casualties. The then

1925 and December 1926. Later in 1971, the club was hit by yet

president of the club, Khir Johari, stated that the club was insured

another flood.

for RM 1 million.

Figure 4.26 Picture of the Royal Selangor Club being flooded.

Figure 4.27 Picture of the Royal Selangor Club on fire.

Besides the fire and frequent floods that affected the club, a period of uncertainty would see the club face the possibility of relocation, bankruptcy and even closure. Various complex issues would loom over the club during this difficult period of time.

Figure 4.28 A news article on the Royal Selangor Club after the fire incident.

officiated by the Yang Di-Pertuan Agong which was built in a similar Mock Tudor style as the rest of the club building, was After the fire, plans were made by the club to rebuild what was

constructed from 5 November, 1978 to December 1980 at a cost

damaged. Proposals were made on a new wing and submitted to

of RM 6 million.

the Kuala Lumpur City Hall in 1972. However, City Hall was suggesting the construction of a civic centre over the site of the club's field and club. The initial response by the club was to search for a new site in the surrounding area, including Jalan Duta, an area near the Houses of Parliament, an area near a polo club in Ampang, and Damansara but with little success.

Discussions were eventually made with City Hall to agree on the club's rebuilding. As a result, plans for the civic centre in the area were abandoned, and the City Hall granted the reconstruction of the club's new building in July 1978. The contractor, led by architect Fong Yung Leong, completed the refurbishment of the cellar (the club’s bar and discotheque) and this was opened by former president Datuk Justice Harun Hashim.

Massive renovation works were undertaken to upgrade the Selangor Club. Upon completion, the opening of the new wing was

Figure 4.29 A news article on the reopening of the Royal Selangor Club.

Preamble Question: Does the design achieve the purpose of the club?

In this chapter of architectural design we focus on concept that aims on a certain purpose which focuses on the components or elements that coherent and function as a whole, according to a particular approach in achieving the objective(s) under the given constraints or limitations. On the other hand how form and the style of the building come together to define its function for the building while time plays a crucial role on the activities and use of space.

Royal Selangor Club inhabits a Mock Tudoresque style that represents the British. It inherits this to portray their powerful growth as an empire, as the Tudor is their renowned portrayal of their culture.

Figure 5.01 Royal Selangor Club’s cottage-like appearance.

Tudor is a British Architectural Style that was used in the 16th Century. It has taken inspiration from the Renaissance style under the influence of the Romans. The British favoured it as a significant design that greatly portrayed their high class and posh society.

Figure 5.02 High pitched triangular roofs.

Figure 5.03 Squarish symmetrical columns.

Figure 5.04 Timber Structure painted in black.

Figure 5.05 Round Arches borrowed from the Renaissance.

The style had eventually became a Mock. It was reused in later years as the building was built, which was modified to its contextual humid climate. Inheriting a cottage appearance, constructed in an opened manner.

Figure 5.07 The Facade extended and made as a drop-off to protect members from the rain.

Figure 5.06 Opened courtyard built to refresh its spaces.

Figure 5.08. A high pitch roof with an air vent, ventilating the dining room.

The British favoured sports as their leisure activity, which influenced the context of the clubhouse. This is based upon their urban planning, which they often constructed clubhouses next to football fields. A form of accommodation convenient for them as they make use of the Football fields.

Figure 5.10 The former field, Dataran Merdeka that once belonged to the Royal Selangor Club.

Figure 5.09 Royal Selangor Club and the Field.

The design intention of the Royal Selangor Club revolves around the core purpose of a social club, which is for general social interaction as well as a broad range of activities ranging from sporting activities to social events etc. It had originally been designed to meet expectations of a ‘gentlemen’s club’ so it carries traits of both a social club and a gentlemen’s club. For instance, it is restricted to only the club members who ascend from a highranking group of people.

The roof at the front façade was designed with overhangs. It

Figure 5.11 Roof with overhangs that serves as a drop off or pick up

serves to provide shade and can serve as a pickup or drop off

point for guests.

point when guests are coming or leaving the building. For instance, when raining, it would be a convenient option, or when it is too sunny as well.

Upon entrance into the club, the members and visitors are greeted by an open front façade that displays the lobby area altogether with the dining area. However, the kitchen area is further hidden at

the backside, as it would not serve as a beautiful scenery for

The dining area is designed as an open area with columns aligned

receiving guests or rather for display to the public.

at specific points. The columns bring a sense of order/harmony in spaces.

The open spaces (public spaces), which are the dining and kitchen area, can be accessed by the general public. This is where most activity takes place. Hence, they were intentionally put right next to each other, separate from all the other rooms. Only club members are privileged to access all the other rooms in the club, such as the Billiard Room, the Hash Bar, Squash Court etc. The design intention was to draw a clear line between the public areas and the private areas.

The building layout follows the design of the old Gentlemen’s clubs for instance the White’s Club, which is among the most prominent gentlemen’s club. For instance, a room such as the Billiard room is held in such high esteem.

Figure 5.12 Illustration of the spaces design intention at the club.

Figure 5.13 Photo of the Billiard Room.

Figure 5.14 Image showing the massive field at the Royal Selangor Club.

The Billiard Room at the Royal Selangor Club is an aesthetic delight and a haven of serenity. The atmosphere within the room is typically different from other rooms.

A massive field that functions as a sport annex is stationed behind the building. Royal Selangor Club contains various sporting activities such as football, hockey, rugby and cricket. The field is therefore intended for practicing and also holding of tournaments against other clubs.

The building layout follows the design of many other social clubs Royal Selangor Club is generally a social club for high-ranking

but with rather extra facilities as per the club’s needs. General

people. The spatial planning is mainly categorized into either

spaces that are found in most social clubs are for instance the

public or private spaces. This draws a clear line between the

dining and kitchen, bar area, indoor games, and also the gym

members of the club and other normal guests visiting the club.

room.

Most activities are restricted only to the members of the club hence the commoners have restricted access to these areas.

Figure 5.16 Main floor plan showing the planning of spaces at the Royal Figure 5.15 Illustration of the public and private spaces.

Selangor Club.

A lobby is placed at the main entrance of the building. Right after it, there is an open dining area which is adjacent to the kitchen and food stalls, making food serving more efficient. These two spaces are rather left public and anyone can observe the activities that take place.

A corridor leads away from the dining area and makes easier access to other spaces in the club.

The other spaces, aside from the kitchen and dining are private.

However, members can easily manoeuvre from one room to another, as the rooms are closely placed to each other to allow easier movement and access.

Figure 5.17 Corridor from the dining area leading to other private spaces.

The overall massing of the Royal Selangor club follows the massing of Mock-Tudor style buildings in terms of the shape, form

The Royal Selangor club is characterized by asymmetrical

and the size. This is characterized mainly by its roof and front

massing which is primarily defined by the steep gabled roofs, and

facade. This form of the building makes it suitable for its functions.

a prominent front facade.

Aside that, the massing of the building is broken due to varying roof shapes having been used on the building i.e. gable and crosscable.

Figure 5.18 Massing of the building characterized by its front facade.

Figure 5.19 Illustration of Massing defined by roof of the club.

Upon entrance at the Royal Selangor Club, is a staircase that leads to a lobby. This is where members of the club and other visitors get access to the interior of the building. It is located right before the dining area at the club, and serves as a checkpoint before granted access into any other part of the building.

Figure 5.21 Illustration of the entrance lobby through the front facade drawing.

Figure 5.20 The lobby of the building.

The dining, located right after the entrance of the building, functions as the eating area. The room is merely designed as an open area and with columns placed at specific intervals from one another. Furthermore, it is situated adjacent to the kitchen for convenience in serving food.

Figure 5.23 Interior view of the dining and kitchen area.

Figure 5.22 Illustration of the dining from the main floor plan.

The hash bar is located right next to the Billiard room. Serving alcoholic beverages to the club members is the primary purpose.

Aside that, it could also serve as an appealing gathering or meeting place with friends, where there are seats adjacent to the bar counter. It is simply designed like any other bar, with a bar counter and high seats arranged along the counter.

Figure 5.25 The hash bar interior.

Figure 5.24 Illustration of the hash bar from the floor plan.

The room is exquisitely designed with rich colour orientation, aesthetic lighting and leather furnishing. Entrance to the billiard room is through a corridor that leads from the dining area. The entrance is located on the left side of the corridor. The club members can enjoy having a drink or two with their friends while playing snooker, or they can just go there to sit and hang out to pass time.

Figure 5.27 Image showing the billiard room and a snooker table in the room.

Figure 5.26 Illustration of the Billiard room from the floor plan.

Figure 5.28 Seats arranged in the Billiard room.

The squash court, situated outside the hash bar, serves as a recreational facility where members can play the racket sport. It follows a simple design of a squash court i.e. an open area with four walls, wooden flooring, adequate ventilation and proper lighting.

Figure 5.30 Photo of the squash court.

Figure 5.29 Illustration of the squash court from the floor plan.

From the dining area, one can access the room from the right side through a door. The Ballroom functions as a multipurpose hall which can be used to hold important meetings. It is designed as a wide, spacious area to accommodate a lot of people during functions. Warm lighting and nice decor have also been used in the room, bringing a sense of elegancy.

Figure 5.32 Image showing the interior of the Ballroom.

Figure 5.31 Illustration of the ballroom from the floor plan.

On the right side of the lobby, is a door that leads to the gym. It is a private gym room with complete facilities, used by the members for exercising and keeping fit.

Figure 5.34 Image showing the interior of the gym.

Figure 5.33 Illustration of the gym room from the floor plan.

With reference to the floor plan it can be observed that time plays a crucial role to determine the average human density of certain areas. For this case we compared two peak hours of the club i.e. the morning and evening hours. It is evident that the dining area has a greater human density compared to the others due to its main attraction of the banana leaf restaurant.

On the other hand, the bars, that were present in the activity areas have a larger density during evening hours thus can be concluded that time plays an important role in use of a certain space. It can be seen during the second peak hour that the inner part of the building rather has a larger human density compared to the morning peak hour.

Figure 5.35 Image showing average human density during first peak hour.

Figure 5.36 Picture of the dining area during peak hour.

Figure 5.38 Shows the average human density during the evening peak hours.

Figure 5.37 Picture of hawkers stall during rush hour.

Figure 5.39 Picture of hash bar. Figure 5.40 Squash court during dfdhhjyjkyukyukukytkjtyktkkedfdrggfh class time.

In the public area a common activity consists in which all the members indulge in, be it any age, gender, and race. Even if their The overall building can be divided into two major categories i.e.

sports or interests are different, they all come together here.

public and private area. However the whole building is only

Private as in based on certain usage of rooms and the interest of

accessed by private members thus we can still observe this

the person. Some rooms have restrictions for certain age groups

pattern in terms of the overall activity.

while others require supervision. The gym, long bar can’t be accessed by children while ladies need to be accompanied by their husbands to the long bar. Most members belong to certain sports teams who usually just come for practice thus are allocated activity rooms and then return back.

Figure 5.41 Public to private division seen using axis.

Figure 5.42 3-D representation of public and private.

By examining the circulation path of the members we were able to

After analysing we can conclude that the dining area is the space

locate the buildings rooms based on the activities conducted. This

which is accessible by all and is one of the most interactive

also includes the level of interaction between the two. It also

spaces whereas the event hall is used only on certain occasions

helped us in comprehending the hierarchy of spaces within the

and requires permission thus making it the least interactive spaces.

building.

Billiards room hash bar and squash court are slightly interactive due to its restrictions.

Figure 5.43 Floor plan showing areas based on interaction level among people.

Figure 5.44 3-D view showing the spaces.

By observing the circulation pattern we were able to explore more on the activities and its relation to space. It also helped us create hierarchy of spaces based on time and activity

Figure 5.45 Shows the main circulation path.

Figure 5.46 Shows the lobby which connects to internal areas.

Due to dining area being located at the entrance we can see most The circulation of space too depends on the event or activity

movement leading straight to the hawker stall and back to the

taking place and at what time it’s being done. For instance during

dining area for seating purposes. A to and fro movement

mornings major circulation area covered is the dining area along

especially during lunch hours and then the pattern either moves

with kitchen even though the restaurant is open the whole time

towards the inner part of the building where the toilets are located

maximum movement takes place between 11am to 3pm. The

or either seen exiting the building.

event hall on the other hand only functions during a gathering From the lobby either left movement where the long bar is located

occasion.

or right which leads to a narrow passage heading towards hash bar/ squash court/ gym/ billiards room depending on the activity needed to be done.

Figure 5.47 Shows internal movement from main entrance to dining area.

Figure 5.48 Shows the internal movement within the hash bar, squash court.

The entrance serves as a point of reference in terms of circulation The royal Selangor club has a lot of design principles which can be noticed. These principles include (need to add). The application of these primary principles help complement the club’s

and hierarchy of spaces. Its main role to divert the path to different parts of the building. From a main focal point to smaller areas of specific use.

exclusiveness factor, aesthetics and function use.

Figure 5.49 Elevation showing the datum and movement.

Figure 5.50 Shows the floor plan of the dining area highlighting the datum.

Repetition of element forms a pattern and provides a sense of harmony to the building together creating unity. Most cases a pattern or two are repeated throughout to create rhythm and movement visually.

This can be seen in the elevation of the building where railings, roof and pattern are repeated all around giving a style to the plane white block at the same time similarity gives a sense of one whole.

Figure 5.51 Highlights the repetition of roof and patterns on the elevation.

Figure 5.52 Shows the repetition elements of faรงade.

Both the front and the elevation of the dining area can form a

The buildings dining area plan is symmetrical and thus can be

symmetrical face if the axis is drawn can be clearly visible but

proved using the plans. The design principle symmetry and

when comparing to the whole building elevation in context to the

balance defines a volume of space making it identical from both

main faรงade you can see the dining area protrudes out. This can

sides and giving a sense of completion.

be seen from both sides elevation making it balanced.

Figure 5.53 Front and back elevation highlighting the protruding part creating balance.

Figure 5.54 Shows the symmetry line drawn middle of the dining plan.

The club inhabits an asymmetrical form, consisted of having rectangular blocks concealing the spaces and triangular roofs that contradict them. A combination of contrasting elements used to give a balanced and secure effect towards the club members.

The roof is consisted of a hierarchical composition. Rectangular elements repeated orderly based on the Facade as its starting point.

Figure 5.56 Picture showing hierarchy of roof.

Figure 5.57 Shows the view at an angle highlighting its asymmetrical Figure 5.55 Shows the overall roof plan.

form.

Openings in the dining area allow cool air to flow in and keep the area naturally cool. Ceiling fans help in the process and louvers acts as openings to filter warm air out thus a more velocity This part highlights the design placement and proportioning of

distribution giving the area pleasant cool and comfort condition.

doors and windows which strongly influence the style and the purpose of comfort based on the space and its usage.

The dining area next to the main entrance can be seen completely open with just a roof on top and as one slowly moves it way inside the building the load bearing walls block and windows are placed.

The gym area billiards room have maximum of 3-5 windows and as you move further inside it reduces to 1-3 per area.

Figure 5.59 Shows the light penetration during day time into the building.

Figure 5.58 Shows the window openings present.

drinks while Malaysians would normally hang out with each other by eating.

This has largely influenced the activities that exist in the club as nowadays, the club members are not only influenced by the local lifestyle but some would also prefer the British lifestyle.

Malaysia and Britain are two countries of approximately the same size. Neither country is very big. Both countries are divided into different regions. Britain is divided into England, Scotland and Wales, and Malaysia is made up of West Malaysia and East Malaysia. Another similarity is that both countries have a very long coastline. Furthermore, agriculture and fishing are important industries in both countries. In addition, English is widely spoken in the two countries, although in Malaysia it is a second language. The road systems are also similar in both countries. For example, cars drive on the left-hand side of the road.

Although there are many similarities, there are also a lot of differences. Both the British and Malaysians like to hang out with people. However their style of hanging out is different as the British would prefer to have conversations over alcoholic

The food court serves Banana Leaf Rice which is served according to the rice of your choice either parboiled rice or Biryani rice. It also comes with various kinds of vegetables and pickle.

Papadam is also served when eating the Banana Leaf Rice.

Customers can also choose various dishes such as fried squid, fried chicken, fish curry, chicken curry, mutton rendang, chicken

Figure 5.60 Food Court Stall

Figure 5.61 Chinese Restaurant

rendang and many more to add variety to their dish. Once done with the meal, the diner can express his or her satisfaction with the meal by folding the leaf towards him or her. Folding the leaf in the opposite direction means that the meal failed to hit the spot.

The customers that normally visit this restaurants are Indians.

They would often have small business talks or catch up with their friends at this place.

Another place where the club members would use for conversations over food is the Chinese Restaurant.

In the restaurant, the tables are all round in shape as the Chinese believes that after a long day at work or in school, the table is where the gathering of a family would be. Various local Chinese dishes are served with rice and normally people would order 2 to 10 dishes depending on the amount of people.

There are few bars for the members of the club to sit and indulge themselves with variety of drinks and special services provided from the bartenders. These two main bars are called the Long Bar and the Hash Bar. In the past, when the Royal Selangor Club has been established for more than 100 years, it is used as a meeting place for the high ranked and educated members of the British

Figure 5.63 Hash Bar

colonial society to gather. The club went over a facelift back in 1910 when Arthur Benison Hubback redesigned the club. Over the

Even though the bars have been regarded by the local as the

years, the membership has increased as many distinguished

‘oldest bar in the country’, it is still a favourite place for the

Malaysian civil servants started to join the club.

customers to chill and spend their weekends with friends and relatives. Besides, the bar operation hours is quite lenient which allows people to come anytime they want. This indirectly makes it more convenient for their customers to go there. Up until now, these bars are still well maintained and preserved as it is the main attraction of the club. After the invasion of the British, the adaptation of their culture can clearly be seen by where pubs and clubs are used as a place for people to get to know each other

Figure 5.62 Long Bar

and socialize among them. These cultures or lifestyle is still applied and continued until today.

Back in 1900s, the club was also used as a hall for theatrical performances as there were no available halls back then. Ever since the beginning, the Royal Selangor Club has been the host for many sporting events especially cricket. It is from the Long Bar there sporting events can be viewed from. Other attraction near the club is none other than Merdeka Square where declaration of independence took place back in 1957. There are many places around the club where you can visit to learn more about the

Figure 5.65 Picture of Cocktail Bar.

culture in Malaysia.

All in all, Royal Selangor Club has served greatly for their customers in many years up until now. It is also has been associated and accredited by most of beverages companies worldwide for their services through the years. This shows that the cultural and social activities of the people are still implied there. People would still go to the club not only seeking for pleasure and entertainment but also to maintain the elegancy of the Royal Selangor Club itself. For them, even though there are plenty of clubs and pubs in Kuala Lumpur, but still, the Royal Selangor Club has always been one of the greatest among all, and it will always be.

Figure 5.64 Picture of beer or wine bottles.

The club has organized various sporting activities since its early years, including cricket (where it has been a key player in the history of cricket in Malaysia). Rugby Union has also been played at the Club since 1894.

Sporting events at the club can be viewed from the Long Bar, a

Figure 5.66 Gym at the club.

portion of the club which has been off limits to women, purportedly because men "would drink and get very excited when they watched the games and they didn't want the ladies to see their exuberant behaviour, hence it was decided to ban women visitors from the Long Bar". Women are still prohibited from the bar area today, contrary to a 2007 report by The Star, a local English daily.

Figure 5.67 Snooker table at the club.

Members of the club is said to have been introduced hash running in 1938. Legend has it that some members of the Selangor Club decided that it would be a good idea to run to work after heavy drinking the night before so they could rid themselves of their hangovers, which apparently they did. As the club was once also called Hash House (so named because some of its members thought its food unpalatable) the members therefore named themselves Hash House Harriers. During the World Interhash in 1998, an exception was made to allow women into the Long Bar. The Royal Selangor Club Kiara Sport Annex is a branch of the Royal Selangor Club built over a piece of land in Bukit Kiara 5.5 kilometres away from the original clubhouse, which was given as compensation after the original club's field was acquired by the Kuala Lumpur City Hall in 1987. The facility was officially opened on 7 June, 1998 by then Yang di-Pertuan Agong Tuanku Jaafar.

The annex is laid out in a similar manner as the original club, with the main club building facing a large field and designed in a similar architectural style as the original club building. The annex also includes a swimming pool at the rear of the building.

Figure 5.68 Squash court at the club.

Cricket is one of the sports that have its own history, carved in the heart of Royal Selangor Club. Before the ‘Padang’ became Dataran Merdeka in 1987, the Club is like a home for all visiting teams.

Hosting its first ever game between the year 1884 and 1886, Malaya created its own history in cricket in the year 1927 when

Figure 5.69 Old photo of the cricket players.

they beat the famous visiting Australian team by 39 runs. Since that time, the RSC cricket club is always associated with Commonwealth Cricket Association and this gives them the opportunity to play around the world. On present day, cricket has been played at the Sport Annexe in Bukit Kiara, which has also played several thrilling and historical matches over the years.

Figure 5.70 Old group photo of the cricket players.

Royal Selangor Club has the first billiard tables in Malaya, imported from England in the early 1900s. This shows how billiard made its history in Malaysia, starting from the RSC. Until now, the number of tables in the billiard room has gone from 5 to only 2 tables, because of several destruction and renovations.

Apart from just being a place to spend leisure time, the billiard room has also been a training ground for numerous occasions for

Figure 5.71 Snooker Tables in the Billiards Room.

the national team in the early 90s. With a cozy atmosphere along with retaining and old style colonial charm, it is one of the best looking billiards room in the region.

Even till today, the RSC billiard room has maintained its reputation as a long standing tradition of pursuing snooker excellence

Figure 5.72 Snooker Players.

In 1980, the squash section started to promote squash among club members. Then, there was no court in the Royal Selangor Club so a fee of RM3 is charged every month so the club members can train at commercial courts.

Within 2 weeks of formation, the club was already participating in their first ever tournament, the Kuala Lumpur Area League Squash Competition at division 3. They managed to end at 8th

Figure 5.73 Squash Player.

place, a decent achievement for a new born club. 2 weeks later, the club already had affiliated with Squash Rackets Association of Malaysia (SRAM). This allows them to open up more opportunities for more activities and events.

In 1982, Royal Selangor Club finally have its own squash court, and over the years, many competitions were joined and held, one namely the RSC Annual Tiger Trophy. Until now, the section has 139 members and most of them use the court almost every day.

Figure 5.74 The Squash Court.

Preamble Question: How the 5 senses create the user experience?

In this chapter of the report we will be looking into the relationship each spaces have to its adjacent spaces and how its composition creates a different experience for the user either by its scale and proportion or its time of use.

The poetics of the building could be easy understood by dividing the spaces and understanding the transition from one to other and the experience the user carries along. At first a basic understand of space is explained after which the experience is followed along.

The entrance is identified by its staircase leading the user into the foyer. Foyer is a long horizontal walkway that is able to lead people into different spaces such as dining area, long bar and private indoor spaces. There is a fencing that separates between the dining area and the long bar as well as walkway. Red line indicated in Figure 6.02 illustrates the fencing that form a boundary between walkway (foyer) and long bar. Besides there is another separating piece of fencing as a visible partition to form a boundary between dining are from wash basin in Figure 6.04.

Figure 6.01 Shows the division of spaces which we would be focusing on.

Figure 6.2 Floor plan Figure 6.03 Fencing that separates the dining dfejfjgehfrujejdiweidowkediwejufhdg area and walkway.

Figure 6.04 Separate pieces of fencing forms a visible partition between dining area and washing area.

Figure 6.06 The appearance of the entrance and the elevated building.

The entrance gives an isolated feelings from the outside appearance. The entrance claims its territory and often sits on a plinth or other raised platform to separate itself from the ground (figure 6.06). It lost its connection from the ground which strives to be “timeless. “It is also the only one entrance that leads to the building which narrow and protruding entrance (figure 6.05) is giving users a preparation to go inside the building which full of Figure 6.05 The plan shows the location of entrance.

mysterious places.

Dining area is a 2000cm long by 1814 cm wide space, welcoming to the user, exposed to its surroundings. It also giving a direction towards food stalls that is located end of the dining area by guiding the user with the help of steps which can be seen in Figure 6.08.

Figure 6.08 Floor steps create different levelling.

Figure 6.07 Food stalls located right above dining area.

Figure 6.09 The plan shows the location of dining area.

Figure 6.11 The plan of dining area is symmetrical and proportional Figure 6.10 The space of dining is wider than the entrance.

The dining plan follows a geometric order and axial symmetry.

Upon entering the dining area, the space becomes wider where

As we venture into the dining area, we see an open dimmed

the entire width is 18.33meter compare to the entrance width, 4.8

space. Luxurious as the ceiling’s wood panels with illuminating

meter causing a sudden change in scale (figure 6.10)

blue stained glass. A reminiscent of the past colonial days. While gazing upon entering, a burst of sounds break through the void.

The plan is symmetrical and proportional as users can observe

Boisterous noises of clustering utensils, socializations and cookery

that the columns are aligned together orderly. With the elimination

spread everywhere.

of load bearing walls in the space, the dining area is cosier and allows people to gather at the space (Figure 6.11).

The space of dining area is harmony and peaceful compare to the other space of the building.

Figure 6.12 The image shows the abundance of natural light.

Warm daylight penetrates the stained glass which minimizes the

Figure 6.13 The highlight parts show that the columns arranged with visual balance.

usage of lighting. Moreover, the ceiling is made out of timber which brings cosiness to the space because timber is more familiar and localize to the public. The ceiling that similar with the pitched roof allows users glimpse and contemplate at the dining area. The load-bearing walls of the hawker stall are balance and proportional which creates a sense of orderliness together with the dining area. (Figure 6.14)

Figure 6.14 The image of the hawker stall where the stalls are facing each other.

As we enter into the corridor. It is enclosed into a passage, filled with simplistic majestic walls of timber frames, reddish passive The corridor is a 152 cm wide passage with vertical artificial

paint like a maze. We smell a strong sense of old timber, cosy as

lighting system as well as a row of photographs that hanging.

a cottage as we walk through. It was all silent apart from the sounds of our footsteps upon the smooth flooring

Figure 6.15 Vertical lighting and hanging photographs in a row are leading users to walk along the corridor into different spaces.

Figure 6.16 Plan showing a sharp turning point along the corridor.

The first part of the corridor comes to an end after 2000cm and meets at the turning point in figure 6.16 which give a clearer directory of the location of toilet and hidden gymnasium room besides the toilet which can be seen in figure 6.17. It allows user to stop at the corner and investigate other spaces that hidden behind. The corridor will lead the user to the next spaces (Hash bar).

Figure 6.17 Toilet and gymnasium room located right after the turning at the corridor.

Hash bar has a narrow circulation throughout the whole spaces. It can be represented by a geometry space with 986 cm wide to allocate bar counter, dart and seating area. It gets narrow as it enters the squash court which is a level down to the ground floor.

Hash bar is presenting through a narrow circulation on its plan to give direction for people to walk along the path until the end.

Besides, it is leading people to enter another space in different levelling such as squash court that located a level below and

Figure 6.19 Circulation of hash bar getting narrow as it goes deeper into the end of the dead corner.

storage that is located at upper level.

Figure 6.20 Some area is not accessible as the circulation of hash bar is narrow with some blockage in between.

Figure 6.18 Hash bar with narrow circulation leading to squash courts.

Similarly, timber is used as a main material in Hash bar which can be spotted on flooring, bar counter, build-in cabinets and so one as shown in figure 6.21-6.23. The material itself brings out the natural (originality) and pureness of the space. A comfortable environment, with its wooden passive colours encouraging us to build socializations, having drinks together at the bar. An illuminating room with a range of activities from clashing cups to shooting darts. Hence, it is still practices as its most original place

Figure 6.22 Dart board games that existed over century to bring back the memory.

to hang out with each other.

Timber representing pure and it plays an important role to enhance the reflection or flashback of the past and displaying it in the present. It illustrates the high status royal member with humble.

Figure 6.21 Seating area as one of the gathering space to hang out with each other.

Figure 6.23 Lounge bar counter that is made from hardwood.

Before entering the squash court area, located at different levelling, the user has to travel a few steps to reach the based. From this we can conclude that it plays an important role in hierarchy as the significant of every space is defined by different levelling.

Figure 6.24 Steps that leads people to the Squash Court.

As one enters into the squash court, screeches of shoes and steps upon the floor can he heard. High pitches in every move the player makes along with the rough filthy marks on the walls and floors can be experiences.

Royal Selangor club ballroom is located at the left handed-side of private indoor area right after entering the corridor. It is a ballroom that provided for any event or function to be carried out with reservations. It is a ballroom that displaying major use of timber in the space such as timber flooring, wooden framing window and wooden door with decorative ornaments on it as shown in figure 6.26.

Figure 6.26 Wooden podium

Figure 6.25 Ballroom area highlighted on plan.

Figure 6.27 Timber flooring and wooden framed window are spotted in Royal Selangor Club ballroom.

According to figure 6.27, the use of wood as the main material creates a sense of humbleness to the space. It is a solid material yet giving a relaxing ambience to the ballroom to make it a formal and standard place for event and function.

Artificial lighting is applied all over ballroom. Ballroom is filled with yellowish mild lighting diffusing into the environment making it a romantic place with no doubt. Besides, the lighting is dissolved on

Figure 6.29 Artificial lighting in the ballroom.

laminated timber flooring and furniture giving it an elegant outlook with shiny surfaces.

Figure 6.30 Artificial lighting creates a romantic lighting on a dark ballroom.

Figure 6.28 Plan locating use of artificial light in ballroom.

Hash bar is using applying both natural and artificial lighting in the

Meanwhile, artificial lighting system is found on the ceiling

space. Natural lighting that penetrate through the wooden window

randomly installed. It is function as enhancement for the lighting in

diffuse so natural lighting that penetrate through the wooden

hash bar during night time to replace the natural sunlight in the

window diffuse softly into the space which makes it an exotic

morning with artificial lighting system. Artificial lighting system with

ambiences in the morning.

low and dim lighting creates a smoky and romantic ambience that fits in the purpose of hash bar as a gathering space during night time.

Figure 6.31 Sunlight penetrating on window diffuses into the surroundings.

The mild lighting that penetrating on the window absorbed by the furniture inside and create a soft shadow on the ground giving it an energetic and natural feelings to the surroundings.

Figure 6.32 Artificial lighting as an enhancement to natural lighting during night time.

Hash bar has a specialty as it is not built up from solid wall as partition between squash court and the bar area. It is covered up with a row of vertical glass wall that allow people to see through the glass. The verticality of the glass wall creates transparency and enhances the elegancy contribute to the design. Besides, a row of vertical glass wall also allowed the space to look wider than before, it enhances on the sense of visual and make it a wider space with aesthetics look.

Figure 6.34 Shows that, users has to walk through the 16.22 meters long corridor before entering the billiard room.

Figure 6.35 The location of the billiard room.

Figure 6.33 Verticality in terms of height.

The users are enable to lead themselves go through the whole room by the presence of lighting where the lights are only focus on the snooker table.

This space is faded of its own history. Users can reminisce the past of the Royal Selangor Club, where the light focus on the Figure 6.36 The light and shadow that appears in the billiard room.

snooker, which the light represents the British culture and activities, while the shadow represents the high-ranking people

Before entering the billiard room, the users must go through a long

are not seeking for meeting in the past anymore.

corridor which the distance is 16.22meters. The corridor creates a threshold to people where they slowly adapt the ambience from public to private space (Figure 6.34 and Figure 6.35).

When they arrived the billiard room entrance, inside the space are totally lack of lighting which is more dominant in the aesthetic of light and shadow (Figure 6.36).

Infiltrating into the Billiards room, it was completely pitched in black. Cold as night within temptatious leisure of its refreshing cooling air. A silent night.

Figure 6.37 Rest area in the Billiard room.

Preamble Question: How do various materials reflects the purpose of each space?

This chapter consist of the materiality and construction details found upon the building externally and internally. By construction details is that it consist of the Architectural features, the details as mentioned along with intricate details. How the materiality is implemented upon these construction components to build the spaces within the club.

The main building appears to be constructed of load-bearing walls with steel beams and steel structure for the roof. Most of the internal walls are bricks and plastering.

Figure 7.01 The Steel Structure of the Roof connected to the wall.

Figure 7.02 The Exterior the Building.

.

AND

The timber structure uses timber columns sitting on top of the concrete stumps, with hardwood crowns, receiving the timber beam above. The joints between the columns and beams appeared to be nailed together and there is hardwood prop supporting the eaves of the building. The hardwood rafters sits on

Figure 7.03 Timber 15 x 15 cm columns.

top of the hardwood beam, whereby the roof tiles is laid on top of paytons nailed onto the hardwood rafters. The column and the beams are painted in black to reflect back the Tudor Style, giving a sense of Contrast from the roof and walls.

The ceiling are finished with fibrous plaster ceiling and painted white. The ceiling for the roof eaves appears to be cement board with hardwood lining, nailed against the hardwood fascia board, which in turns supports the brackets for the rainwater gutter.

Figure 7.04 The rainwater gutter

There appears to be some steel eye section used as a framing structural component at the courtyard.

Figure 7.05 Some of these eye beams were supported by the brackets

Figure 7.06 When the beams join with each other, it appears to be

to the wall.

bolted, with a bracket and welded together as well.

Generally the internal and external partitions consist of brick wall and plastering. The Tudor element on the external facades appears to be painted hardwood planks nailed onto the brick wall.

It appears to be brick wall with plastering in general, with the exception of some areas such as the bar, which consist of timber panels. These panels give a warmth experience as to feel comfort and cosy.

Figure 7.07 Timber Panels on walls

Figure 7.08 Tudor Hardwood Elements

From Figure 7.08, the most of the doors of the building are located The doors in the Royal Selangor Club, provides access to another

on the private part of the building. By private as the billiards room,

space. It also become an important partition for retain the privacy

the hash bar, squash court and the toilet in contrast to the public

of each space. There are 3 types of doors as listed below.

dining area, which has a few doors.

Timber flush door Interior timber door with decoration Glass door

Figure 7.09 The location of each door.

Timber flush door Figure 7.10 The location of timber flush doors.

Figure 7.11 The flush door connects the hash bar and the outdoor.

Majority of the doors in Royal Selangor Club are Flush doors.

This door connects the hash bar and the exterior. This timber door

They are made out of timber as to follow the timber structure of

needs to be shaded in order to reduce the maintenance need. It is

the building. They provide a sense of cosiness, as its warmth

suitable to be built for interiors.

brown colour gives a Cottage-like appeal.

Figure 7.12 The frame of the flush door.

Figure 7.13 The door closer is added to flush door.

The timber doors are coated with epoxy paint to prevent termite

Fire safety as door closers are most commonly installed on fire

attack and moisture. The door frame is also applied with the same

doors, which are needed to be closed in the case of fire. To

method as shown in Figure 7.35.

prevent the spread of fire and smoke. They also functioned as maintaining room temperatures, since the cold air does not vent out for longer periods.

Figure 7.14 shows the round bar door handle with lock.

The round bar door handles is made of aluminium, along with door locks which suits the building design. This is installed as the building requires privacy in each of its spaces.

The interior door located at the multipurpose hall, connecting the multipurpose hall to the dining area. It’s decorated with stain glass to provide an aesthetic and indicate a grand feeling within the space.

Interior timber door with decoration Figure 7.15 The location of interior timber door with decoration.

Figure 7.16 The interior timber door with decorations.

The glass doors are specifically located in the Hash Bar and Squash court. They are transparent enabling the members to view through the courts. Defining the space as freedom as their clear glass. These doors don’t require much maintenance but they have a higher cost than any other type of doors.

Glass doors Figure 7.17 The location of glass doors.

Figure 7.18 The glass door that is located in the squash room.

For a fixed security, the squash court doors are constructed with 3 hinges instead of 2 hinges (Figure 7.18). They’re made of Aluminium, which are ideal as they combine the required strength with a low weight. There are iron fittings that render the wall, making it heavier bulkier. (Figure 7.19).

Figure 7.19 Door hinges and handles.

Figure 7.20 Iron fittings on the glass wall and door

privacy within the spaces. This prevents people from viewing into the spaces externally. It also matches the black Tudor elements There are two types of windows in this building which are

upon its exterior, providing a mysterious effect upon the building

casement window and stained glass windows. They can be seen

when viewed.

through the elevation of the exterior building.

Figure 7.21 The location of casement window was shown through the exterior facade of the building.

Casement windows can be seen at the exterior of the building.

They usually located at the hash bar, gym room, and the billiards room. The windows are long, symmetrical balance and contain decorated window sills to represents their culture and architectural style. The windows are made of Black Tinted Glass to provide

Figure 7.22 shows the window and decorated window sill.

There are two stained glass windows, which is one located at the front and the other at the back of the dining area. The stained glass of this building brings out its European culture as well as providing skylight for the dining area. They illuminated the interior, providing a reminiscence of the past like the churches use of it.

Figure 7.24 The stained glass window provide skylight to the dining area.

Figure 7.23 Shows the stained glass window at the dining area.

Figure 7.25 Shows the pattern of stained glass.

The type of ceiling that has been used on majority of the rooms of Royal Selangor Club is the plasterboard ceiling. The ceiling gives out a simplistic design, as it is plastered and painted into white.

However, the ceilings in the other rooms such as the Billiards room including the corridor also have cornices that are decorated.

These cornices gave out a classical and reminiscent feel.

Figure 7.27 The ceiling at the lobby area

Figure 7.26 Corridor ceiling with covings.

Figure 7.28 Billiard room ceiling painted blue

Figure 7.29 Photo showing the squash court ceiling

Figure 7.30 Image showing the cathedral ceiling at the dining

The ceiling of the squash court is painted white, enabling the

The dining area has an opened ceiling that makes the space

players to spot the ball easily.

spacious. It is topped with wooden ceiling planks that bring warmth and elegance to the dining area.

Royal Selangor Club is featuring a steep gable roof for the whole roofing construction. It is a roof sloping downward from a central ridge to the both gable ends with steep decline of the roof.

A Cross gable is frequently found on gable with clay tiles roofing.

Figure 7.31 The pitch rooves of Royal Selangor Club.

Figure 7.32 Gable roofing has secondary gable also known as cross gable.

Gable roofing often ends with verge boards with simple decorative elements. Verges are known as the junction of the roof and verge board. Steep gable roof is sloping down from ridge tiles till the gable ends. For roofing on Royal Club Selangor, it features clay roofing tiles embedded and pointed with fibrous cement strip laid on top of verge board. These clay roofing tiles provide a rustic feel, making the building more nostalgic as it contrasts the walls.

Figure 7.34 The Roof’s Interior.

Figure 7.33 The Gable Roof.

Figure 7.35 The Structural Roof.

Royal club Selangor steep gable roofing is supported by steel truss as main structure based on Figure 7.34 and 7.35. It is composed of steel trusses that connected with Gusset plate at the end of each trust. Principal steel rafter is connected to each single trust to form a structural support for roofing in Figure 8.48. It is then covered by asbestos cement sheet with cleat in between and ridge holding both side of roof firmly. The load of the roofing is transferred down into base plate and foundation of wall of the buildings to increase its stability. The figure below shows the construction detail of steel truss structures for steep gable roofing.

Figure 7.36 Steel trusses as main support roof structures.

There are few types of staircase seen at the building. One of which are the spiral staircase, located behind the squash area.

The spiral staircase appears to be constructed using a steel structure. Timber planks, painted in black were screwed onto the metal support, which is welded to the pole.

Figure 7.37 Steel spiral staircase behind the squash court

The Hash bar staircase appears to use RC to construct it along with stone tiles placed onto the steps and a railing on the side for safety.

The entrance staircase seems to be constructed using RC along with a foundation. Marble stone tiles were placed upon the steps.

It’s also stain resistant, allowing it to achieve and provide a luxurious feel.

Figure 7.38 The Entrance staircase

In the Royal Selangor Club, its details are capable of invoking certain moods to the users in the building’s spaces. Marble flooring and timber flooring are mostly used in their interior spaces.

Marble flooring is commonly used in spiritual buildings such as

Figure 7.39 Dining Area’s Majestic Marble floors

temples, churches and mosques. It is also popular in buildings that are luxurious and have rich specifications. Marble is a high cost material, which gives out a high leisured effect. Marble tilling is a suitable material for a prestigious and historical place like RSC. Marble is a very decorative material because of its crystalline structure, which gives it a luminous and pleasing appearance. It is also stain resistant as it does not absorb particles easily. As a result of its low porosity and hardness to absorb moisture, it is a durable and strong material for flooring uses.

Figure 7.40 A close up of the Dining Area floors

In some certain rooms of the building, high featured grade timber flooring is used upon them. Apart from its cheap expenses, the impact of using this timber is that it brings out the cosiness and locality of the spaces inside Royal Selangor Club.

In a similar case for most timber floorings, they must be finished or beautified before it is used. In most cases, including the building’s interior, the timber floor is initially brushed with shellac for better colour and appearance after its sanding process. Then, the water shield membrane is added to ensure the flooring does not get damaged when water is absorbed. This is because timber is a water absorbent material. This entire processed are done to further enhance the appearance of the material, and making sure that the users are comfortable with using it.

Its colour provides the warmth and comfortable feeling towards the members, making the spaces cosy.

Figure 7.41 Timber flooring in the Hash Bar.

Figure 7.42 Timber flooring in the Hash Bar.

Figure 7.43 Timber flooring in the Squash Court.

The Cornices are located onto the ceilings of the Hash Bar, Corridor and the Billiards room. They are cement plastered with organic, leaf-like designs. A representation of the colonial classical era, providing a formal effect.

Figure 7.44 Interior Decorations

The railings are made of timber, consisting of repetitive, symmetrical planks aligned together. They consist of a linear design filled a unity of diamond shaped holes. The railings, follows the main Tudoresque timber structure of the building. As this is constructed in this manner, they provide a sense of harmony to the space. The timber brings out rejuvenating feel of the past as it is a warmth material.

Figure 7.45 Dining Room Railings

Figure 7.46 Facade Railings



Suitable environment for to spend leisure time



Complete with facilities



Membership ensure club integrity



Rich with culture and history due to the club persevered



Good finances ensure preservation



Open to expansion and renovation



Historical background can make a good national heritage



Located in the middle of the city may decrease comfort

for many decades





Anyone can join the club. An organization may not be

due to noise

of the same interest



Hard to circulate due to traffic jams

High membership fee may cause less interest in the future



Lack of security may harm the safety of the place

Being the face of the building, the faรงade is always important to give a good impression on how Royal Selangor Club is a prestigious building. Due to good care and preservation, the There is no doubt that the Royal Selangor Club has proven its

facade of the building remains iconic.

endurance over the years. The Selangor Club has survived two world wars, economic hardship, floods and a big fire. Other than the efforts by individuals and groups to preserve this national gem, it is also still where it is now because of its recognition as a national heritage. Due to that, and some renovations and remodelling, even though the building has been around for several decades, the physical condition of it is still in good shape

Figure 8.01 Faรงade showing its good condition and being well maintained.

Most of the flooring in Royal Selangor Club is finished by marble, which ascends the class of the club. Being a high quality material, it is also cleaned daily, making it consistently clean and beautiful.

Figure 8.03 Columns present at the entrance.

In RSC, many columns are made of timber. Being a strong but cheap material, it also enables the columns to be more versatile.

Carvings and ornaments are being able to be included, giving the aura of tradition and heritage to the place.

Figure 8.02 Tiles intact, cleaned and checked regularly.

Figure 8.04 Vents used in toilet area providing natural wind circulation.

All buildings need a proper ventilation system, to ensure the

Figure 8.05 Showing the roof tiles and gable roofing.

comfort of the people inside, and RSC is no exception. Combining mechanical ventilation and natural ventilation through the vent holes, the ventilation in the building ensures that everyone inside

The roof of the RSC is mostly gable roofs. The finishing is brick

the building able to experience maximum thermal comfort.

cladding so even though it deteriorates in terms of appearance, the strength and quality of it still stays the same

In terms of maintenance due to heavy rain a lot of leaks were formed on the ceiling, roof tiles and beds that were needed to be rectified. For the hash and squash area From the interview with Mr. Shashi it can be concluded that for future of the building no major changes would be brought, only some minor internal changes. For the club members as 20% belong to an older generation thus a new proposal for a passenger lift will be proposed on the new side of the building. The passenger lift will connect members from the basement to the cocktail lounge and other areas which were inconvenient for those who found it difficult to climb. As for the building minor changes

Instead of repairing the old timber roof the use of galvanized web roof trusts were proposed. Since the whole building consists of single air-conditioning units thus a change of centralized air-con will be installed.

would be brought to the interiors of the club. The outlooks of the

Rewiring of the whole building as the switchboards and tubes

cellar will further undergo maintenances to achieve an

located at the main office are old and prone to catching fire.

aesthetically pleasing look with better ambiance. On the other

Provide proper maintenance of the basement pump to avoid

hand other parts of the building such as the cocktail lounge, hash

floods during rains is also one of their main aims in future.

bar, billiards room and so on will remain the same with some minor touch ups. Furthermore new activities would be introduced based on the demand.

used to be played on the field had to be shifted to the club house in Bukit Kiara which causes the club to lose its identity.

To conclude the research conducted at the Royal Selangor Club,

This has caused the typology of the club to be changed, becoming

which is one the oldest buildings Located in the heart of Kuala

a place for people to do recreational activities and socialize with

Lumpur amongst many other colonial architecture influenced

other people. Although this place has lose its originality, members

buildings, the Royal Selangor Club is colonial building that

of the club continue to go the club as it shows the social status of

adopted various types of architecture styles - namely Tudor, Mock

the members as it marks the prestige of the person.

Tudor, Chinese and Malay elements. The building holds many tales of the past in its architecture and design.

As we carried out this project, we soon came to realize the importance of the conservation of historical sites and their va

Looking through the history and details of the Royal Selangor Club,

lue to the future generations. The presence of these historical

we can see a large change in the club’s history. Half the club’s

sites not only enriches the city in which they stand but are also a

originality has remained while the other half has been loss as the

valuable asset of significance to the entire country.

club grew. The club used to be a space where people would come to the club and look out of the windows facing the padang to watch people play cricket, football or rugby.

However, when the padang was taken back by the City Hall in 1987 and was given a land in Bukit Kiara, where all the sports that

Our task doesn’t only include the documentation of the building measurements but also of its architectural, culture and historical Throughout this module, we have been exposed to historical

values.

architecture of different styles within Malaysia during their preAs of such, we were also exposed to many research methods

Merdeka.

such as conducting interviews, research through online as well as Over our five-day field work in Kuala Lumpur, this assignment has

printed resources to get more information regarding our building.

given us an insight into conservation work as well as the job of an architect. During the period of this course, we have learnt several

Through our research, we were able to appreciate the buildings

standard architectural techniques used in producing a set of

construction, its diverse historical background and significance to

measured drawings to provide an accurate representation of

future generations. Thus, with the completion of this project we

historical structures.

hope to provide as close to an accurate documentation as possible that highlights the building’s importance and historical

Furthermore,

we

were

also

able

to

get

hands-

on experience in learning to record measurements and were introduced to a variety of measuring equipment as well as measuring methods that we had not been introduced to before this. We were able to translate the measured data that we obtained from our fieldwork, into scaled drawings.

significance.

`

ARCHITECTURAL DESIGN

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OWNERSHIP

PURPOSE AND HISTORY OF THE BUILDING

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