2012 Dancing in Autumn by Dylan Hsu

國家戲劇院

National Theater

CONTENTS

實驗劇場

Experimental Theater

台灣 Taiwan

9/13, 9/15, 9/18-9/22 [Thu., Sat., Tue-Sat.] 19:45 9/14 [Fri.] 19:45 國泰金控五十周年專屬場 9/16, 9/23 [Sun.] 14:45 雲門舞集《九歌》 Cloud Gate Dance Theatre of Taiwan Nine Songs 票價/ 400 600 900 1200 1600 2000 2400

義大利 Italy

11/23-11/24 [Fri.-Sat.] 19:30 11/25 [Sun.] 14:30 艾德現代芭蕾舞團《婚禮》《戀戀羅西尼》 Fondazione Nazionale della Danza Aterballetto

Les Noces & Rossini Cards 票價/ 500 700 900 1200 1600 2000

台灣 Taiwan

9/27-9/29 [Thu.-Sat.] 19:30 9/29- 9/30 [Sat.-Sun.] 14:30 黃翊‧胡鑑《雙黃線》 HUANG Yi & HU Chien

Double Yellow Lines 票價/ 500

法國 France

10/4-10/6 [Thu.-Sat.] 19:30 10/7 [Sun.] 14:30 克里斯汀‧赫佐《伽里尼1545在楓丹白露》 Christian Rizzo

b.c, janvier 1545, fontainebleau 票價/ 500

台灣 Taiwan

10/19-10/20 [Fri.-Sat.] 19:30 10/20- 10/21 [SAT.-SUN.] 14:30 一當代舞團蘇文琪《身體輿圖》 YiLab.

Off the Map 票價/ 500

2012 舞蹈秋天

兩廳院每隔年舉辦的「舞蹈秋天」，是結合國際舞團與國內舞蹈菁英的系列節目，今年邀請了雲門舞集、義大利艾德現代芭蕾舞團 (Fondazione Nazionale della Danza Aterballetto)、法國舞蹈家克利斯汀 ‧ 赫佐 (Christian Rizzo)，以及國內舞蹈新銳黃翊、蘇文琪，一共推出五檔節目，對值得期待！

雲門舞集今年將重演林懷民 1993 年在國家劇院首演，已成雲門經典的《九歌》，這個被《紐約時報》譽為「華美如畫的驚人奇觀」的作品，結合了董陽孜的屈原辭章書法和美國劇場泰斗李名覺脫胎於畫家林玉山荷花畫作的舞台設計。尤具意義的是，2008 年雲門遭祝融浩劫，《九歌》面具在劫後現場被發現，費時四年才完成了重建。而在兩廳院的《九歌》重演也正好是迎接雲門第 2000 場演出的時刻，諸神復甦的盛宴，在滿場荷花的舞台上展開，您

不可錯過！

義大利艾德現代芭蕾舞團在 1997 年由國際知名編舞家馬羅 ‧ 比戈哲堤 (Mauro Bigonzetti) 接任藝術總監後，即展現新穎獨特的舞蹈風格，舞者的身型與技巧極具美感，服裝設計亦展現了義大利出色的時尚品味，本次將演出斯特拉溫斯基《婚禮》與羅西尼《戀戀羅西尼》兩支舞碼，以熱情濃烈的義大利風格，帶給台灣觀眾耳目一新的觀舞經驗。

此外，2010 年丹麥國際編舞比賽亞軍黃翊與舞者胡鑑將帶來全新作品《雙黃線》，透過純粹的雙人舞，帶出豐富的肢體境界。「一當代舞團」則推出第八屆台新獎評審團特別獎蘇文琪的新作《身體輿圖》，是與台灣重量級聲音創作藝術家王福瑞，及入圍 2006 年世界藝術獎（Artes Mundi）視覺藝術家吳季璁的共同創作。《伽里尼 1545 在楓丹白露》則是法國編舞家克里斯汀．赫佐為前里昂歌劇院芭蕾舞者茱莉 ‧ 吉柏 (Julie Guibert) 編創的獨舞，舞作以緩慢的主調，風格華麗的舞台空間，呈現出抽象迷離的綺麗世界。

2012「舞蹈秋天」從 9 月 13 日登場，至 11 月 25 日，五檔精采演出，五種風情、五樣個性，歡迎大家到劇場來，與我們一同體驗當代舞蹈眩目多元的創造力！

國立中正文化中心藝術總監

2012 Dancing in Autumn

“Dancing in Autumn”, which is a dancing series program held every other year by the NTCH that gathers international dance companies as well as domestic dance artists. This year the series invites the Cloud Gate Dance Theatre of Taiwan, Fondazione Nazionale della Danza Aterballetto, French artist Christian Rizzo and Taiwanese artists HUANG Yi and SU Wen-chi. The ﬁve programs are deﬁnitely worth your expectations!

The Cloud Gate will restage LIN Hwai-min’s Nine Songs, which was premiered at the National Theater in 1993 and has become the company’s classic repertoire. Praised by the New York Times as an “elegantly picturesque marvel,” Nine Songs combines the dance with DONG Yang-zi’s calligraphy and the internationally renowned theatrical set designer LEE Ming-cho’s stage design out of LIN Yu-shan’s famous painting The Lotus. More significantly, when the Cloud Gate’s warehouse was burn down by fire in 2008, the masks of Nine Songs were found miraculously at the site afterwards and took four years to reconstruct. The restaging of the work at the NTCH happens to be the 2000th performance of Could Gate. You should not miss the feast where gods wake up to a stage full of lotus flowers!

After the distinguished choreographer Mauro Bigonzetti took over the position of Artistic Director of Fondazione Nazionale della Danza Aterballetto in 1997, the company has expressed novel and unique dance style and the costume design also represents the outstanding taste of Italian fashion. This time the company will perform Igor Stravinsky’s Les Noces and Gioachino Rossini’s Rossini Cards. The passionate, strong Italian style will surely bring about a new experience for dance lovers in Taiwan.

In addition, the runner-up of the 2010 Copenhagen International Choreography Competition HUANG Yi and dancer HU Chien will present their new work Double Yellow Lines. The pristine duet will elevate body movement to the next level. YiLab will stage the 8th Taishin Arts Award/Jury’s Special Award winner SU Wenchi’s Out of Maps, which is a joint work with heavyweight sound artist WANG Fu-jui and visual artist WU Chi-tsung, a 2006 Artes Mundi candidate. b.c, Janvier 1545, fontainebleau, is a solo dance created by French choreographer Christian Rizzo for Julie Guibert, a former ballerina at the Lyon Opera House. The dance showcases an abstract, mysterious world through a slow melody and a splendid stage space.

The 2012 “Dancing in Autumn” will present five amazing programs with five different styles and characteristics from September 13th to November 25th. You are all invited to come to the theater to experience these dazzling, versatile creativity of contemporary dances!

HUANG Pi-twan Artistic Director, National Chiang Kai-Shek Cultural Center

諸神復甦

雲門舞集

九歌

林懷民華麗浪漫的經典跨越古今的當代啟示錄屈原九歌新唱一場綿延兩千多年的神鬼傳奇

藝術總監─ 林懷民燈光設計─ 林克華舞台設計─ 李名覺

9/13, 9/15, 9/18-9/22 19:45 Fri. 9/14 19:45 國泰金控五十周年專屬場 Sun. 9/16, 9/23 14:45

Thu., Sat., Tue-Sat.

國家戲劇院

票價：400 600 900 1200 1600 2000 2400 演出長度約120分鐘，含一個中場休息林懷民答客問：9月13日演後於國家戲劇院舞台大揭密：9月19、20日演後於國家戲劇院雲門舞集第2000場：9月18日活動詳情請見雲門網站 http://www.cloudgate.org.tw/2012fall/cg2000.html

香港南華早報 ── 這齣輝煌的長篇，將林懷民這位亞洲巨人，提升到瑪莎．葛蘭姆、摩斯．康寧漢等少數人所佔有的層級：二十世紀偉大編舞家之一。

法蘭克福彙報 ── 這個時代最重要的舞蹈作品之一…觀眾起立熱烈致賀。

屈原的九歌，敬天地祭鬼神，歌頌愛情悼念國殤，是萬民的禱告。林懷民從楚地借來祭典的形式，移植水澤與蘭芷，21 世紀劇場裏水光粼粼的荷花池畔，戴著面具的神祇與凡人共舞。紗幕浮現董陽孜狂草的屈原詩句，遠方傳來鄒族、日本、西藏、印度和爪哇的樂音，劇場設計泰斗李名覺用滿台荷花景象鋪陳出歌劇式的恢宏氣派，八百盞油燈蜿蜒流向繁星的夜空，令人興奮低回。巡演多年之後林懷民決定封箱。然而 2008 年雲門排練場火災，當灰燼沾污的雲中君面具，有如復活的象徵，從冒煙火場的道具箱浮現時，眾人歡呼！ 2012 年，眾神復甦，林懷民重啟這場綿延兩千多年的神鬼傳奇。

林懷民與雲門舞集 1973 年林懷民以中國最古老的舞名，雲門，作為台灣第一個職業舞團的名字。這也是所有華語世界的第一個當代舞團。雲門舞作多由傳統文化取材，以現代的觀點，獨特的形式呈現。《薪傳》、《紅樓夢》、《九歌》、「行草三部曲」等作品，備受歡迎，成為台灣社會三代人的共同記憶。雲門經常應邀赴海外演出，是國際重要藝術節的常客。紐約、倫敦、柏林、莫斯科、東京、雪梨都是舞團例行公演的城市。倫敦泰晤士報說，雲門是「亞洲第一當代舞團」。歐洲舞蹈雜誌表示：「雲門之舞舉世無雙。它呈現獨特，成熟的中國編舞語言。這項亞洲舞蹈進化的重要性，不亞於威廉 ‧ 弗塞的法蘭克福芭蕾舞團對歐洲古典芭蕾的影響。」2003 年，《水月》被紐約時報選為「年度最佳舞作」。2006 年，歐洲重要舞評家票選，將「行草三部曲」選為歐洲年度最佳舞作。林懷民也獲獎無數，包括里昂舞蹈節的「最佳編導」，紐約洛克菲勒三世獎，法國文化部的騎士文藝勳章，時代雜誌的「亞洲英雄」，鳳凰衛視的「影響世界華人獎」。2009 年，林懷民繼法國編舞大師莫里斯 ‧ 貝扎，獲歐洲舞動藝術節頒贈終身成就獎。2012 年，林懐民受邀擔任「勞力士創藝師徒計畫」舞蹈類大師，將在 2012/2013 年度指導全球遴選出來的巴西編舞家 Eduardo Fukushima。

Taiwan

Cloud Gate Dance Theatre of Taiwan

Nine Songs

9/13, 9/15, 9/18-9/22 19:45 Fri. 9/14 19:45 (sold out) Sun. 9/16, 9/23 14:45

Thu., Sat., Tue-Sat.

National Theater Ticket Price: 400 600 900 1200 1600 2000 2400 Duration: 120 minutes with one intermission Post Talk: 9/13 by Lin Hwai-min Behind the Scene Talk: 9/19-20 after performances The 2000th Performance of the Cloud Gate: 9/18. Please visit http://www.cloudgate.org.tw/2012fall/cg2000.html for more information.

South China Morning Post, Hong Kong ─ This brilliant new full-length work will take the modern dance world by storm. It will also elevate Lin Hwai-min, unchallenged giant in Asia, to the ultimate level occupied by only a tiny handful including his early mentors, Martha Graham and Merce Cunningham: one of the great choreographers of the 20th century.

Frankfurter Allgemeine Zietung, Germany ─ One of the most important dance works of our time.

Nine Songs, a cycle of poems written by Qu Yuang some 2300 years ago, is considered a pinnacle

of classical Chinese literature. Drawing on the ancient imagery and sensibilities, Lin Hwai-min creates a thoroughly contemporary ritual, in which distant and recent pasts collide. Masked shamans, playing the roles of Gods and Goddesses enact otherworldly rites to music from India, Tibet, Java, Japan and indigenous tribes of Taiwan. Their dances are interspersed with appearances of people in contemporary dress: a man in a modern-day suite with luggage calmly crosses the stage; young men on bicycles dash through the crowd; scores of protesters scurry for cover from blazing searchlights. Received to great acclaim at the Vienna International Dance Festival, the Next Wave Festival in New York, the Kennedy Center in Washington D.C., the Sydney 2000 Olympic Arts Festival, and major cities in Germany, Canada and the United States, Nine Songs was hailed by dance critics around the world.

Lin Hwai-min & Cloud Gate Dacne Theatre According to legend, Cloud Gate is the name of the oldest known dance in China, a ritual dance of some 5,000 years ago. In 1973, choreographer Lin Hwai-min adopted this classical name for the ďŹ rst contemporary dance company in any Chinese speaking community: Cloud Gate Dance Theatre of Taiwan. Cloud Gate's rich repertoire has its roots in Asian myths, folklore, and aesthetics, but it brings to these age-old beliefs and stories a contemporary and universal perspective. The company is made up of two dozen dancers whose training includes chi kung, meditation, internal martial arts, modern dance, ballet, and calligraphy. Cloud Gate has been on extensive overseas tours throughout the continents of Europe, Asia, Australia, North America, and South America, including engagements at New York's Next Wave Festival, the Sydney 2000 Olympic Arts Festival, Lyon Biennale de la Danse, Melbourne International Arts Festival, Adelaide Festival, Berlin Festival, Sadler's Wells Theatre and Barbican Centre in London, Deutsche Oper Berlin, the Kennedy Center, and Internationales Tanzfest NRW directed by Pina Bausch. In 2003, Cloud Gate opened the Melbourne International Arts Festival with Cursive II, winning both the Age Critics' Award and the Patrons' Award; while in New York, Moon Water was named the best dance of the year by the New York Times. In 2006, Cursive: A Trilogy was chosen as the best dance choreography of the year as a result of critics' poll by Ballet-Tanz and Theaterheute.

義大利

國際知名編舞家馬羅˙比戈哲堤(Mauro Bigonzetti)領軍義大利國寶級舞團首度來台濃烈、愛戀、義式經典

艾德現代芭蕾舞團

婚禮 & 戀戀羅西尼英國《觀察家》雜誌 ── 比戈哲堤詮釋的《婚禮》，引出了斯特拉溫斯基音樂中充滿力量與慾望的動機，比戈哲堤向舞團一流舞者群提出技術上與敘事上的挑戰。舞作的節奏快速，熱力十足，非常引人入勝...

義大利 La Prealpina ── 展現羅西尼音樂中的『酒神魔力』，所有的音調，連最細微難辨的，都被動作提昇了，肢體語彙被用來凸顯每顆音符的色彩...好似風景明信片被點綴了幽默明快的色調，肢體技巧加入這樣的遊戲中，動作變得更輕盈，充分展現羅西尼音樂的生命力。

11/23-11/24

Fri.-Sat. 19:30

11/25 14:30 Sun.

國家戲劇院

演出長度：上半場《婚禮》約30分鐘，下半場《戀戀羅西尼》約50分鐘。中場休息20分鐘。演前導聆：11/23-25演出前30分鐘於國家戲劇院大廳 ◎ 本節目有部分裸露片段，請斟酌欣賞。

演後座談：11/25演後於國家戲劇院大廳

票價：500 700 900 1200 1600 2000

《婚禮》

交換了戒指交換了誓言在我們名為新郎與新娘說出願意之前請別讓責任和習慣取代了愛和感覺重新詮釋斯特拉溫斯基名曲《婚禮》中質樸強勁的生命力。精準嚴謹的肢體語彙，使舞作散發出一種莊嚴高貴、好似完美雕像的光芒。重探學院的、美學的觀點。設計上大量使用黑白等「無色」，並以一點紅色形成對比。皺褶繁複的服裝，設計得一絲不苟，精緻有型。而乾淨俐落的動作，則凸顯了婚禮這項儀式的生命力。編

舞 ─ 馬羅 ‧ 比戈哲堤 MAURO BIGONZETTI

音

樂 ─ 斯特拉溫斯基 IGOR STRAVINSKY

戲劇指導 ─ NICOLA LUSUARDI 舞台設計 ─ FABRIZIO MONTECCHI 服裝設計 ─ KRISTOPHER MILLAR, LOIS SWANDALE 燈光設計 ─ CARLO CERRI

《戀戀羅西尼》

臣服於光輝的浪漫音符之下身體就要唱出熱情的生命頌歌從溫柔至縱情快與我舞出酒神的狂歡抽象不帶敘事性的舞作。沒有單一故事，有的是各種風景、影像、代表人物、滑稽情境的並置交錯。詮釋羅西尼音樂中執著、對稱、精準的節奏，以及酒神狂歡般的盈滿生機。編

舞 ─ 馬羅 ‧ 比戈哲堤 MAURO BIGONZETTI

音

樂 ─ 羅西尼 GIOACHINO ROSSINI

鋼

琴 ─ LUCA POPPI

音樂顧問 ─ BRUNO MORETTI 服裝設計 ─ HELENA MEDEIROS 燈光設計 ─ CARLO CERRI

義大利艾德現代芭蕾舞團 1979 年成立的義大利艾德現代芭蕾舞團，是義大利首屈一指的重要舞團，在前史卡拉歌劇院舞星 Amedeo Amodio 十八年領軍下，確立了其在義大利頂尖舞團的地位，演出風格橫跨古典與現代。1997 年至 2007 年間，國際知名編舞家馬羅 ‧ 比戈哲堤 (Mauro Bigonzetti) 任藝術總監，將舞團名聲推向國際，2008 年至今則由托斯卡尼芭蕾舞團 (Balletto di Toscana) 創辦人暨知名舞星克莉斯堤娜 ‧ 波佐里尼 (Cristina Bozzolini) 擔任藝術總監，並仍繼續邀請比戈哲堤編創新作。比戈哲堤編在位期間，推出諸多作品，包括 2002 年為斯特拉溫斯基音樂所作的《婚禮》(Les Noces)、2004 年為羅西尼音樂所作的《戀戀羅西尼》(Rossini Cards)、2006 年的《

對自由》

(Absolutely Free) 等。他近期為艾德現代芭蕾舞團所編的舞作則有 2010 年的 H+、2011 年為斯特拉溫斯基音樂所作的《春之祭》（Les Sacre）、2012 年為斯特拉溫斯基音樂所作的《間奏曲》（Intermezzo）。艾德現代芭蕾舞團的精神是在堅實的芭蕾舞技巧上，不斷探索動作與動力上新的可能，重新定義當代，舞團除了與比戈哲堤合作外，也和其他義大利或國際知名編舞家合作，如季利安 (Jiri Kylian)、威廉 ‧ 佛賽 (William Forsythe)、歐哈 ‧ 納哈林 (Ohad Naharin) 等，展現千變萬化的現代舞蹈風格。

Italy

Bigonzetti’s new version of Les Noces relies on and elicits the powerful erotic drive embedded in Stravinsky’s score, offering the first-rate dancers of the company a unique blend of technical and interpretative demands. The danced action is captivatingly fast-paced and temperature-raising.

La Prealpin ─ si fanno espressione del “fascino dionisiaco” della musica rossiniana: così come ogni accento, persino il più impercettibile, viene esaltato dal movimento, anche il gesto è pensato per esaltare il colore di ogni nota. …Cartoline tratteggiate con i toni accesi dell’umorismo, dove anche la pura tecnica si presta al gioco e il movimento diventa più arioso, interpretando appieno il vitalismo rossiniano.

Managing Director ─ GIOVANNI OTTOLINI Artistic Director ─ CRISTINA BOZZOLINI

Fondazione Nazionale della Danza Aterballetto

Les Noces & Rossini Cards

11/23-11/24

Fri.-Sat. 19:30

11/25 14:30 Sun.

National Theater Ticket Price: 500 700 900 1200 1600 2000 Duration: Les Noces 30 minutes, Rossini Cards 50 minutes. With a 20 minutes intermission. Pre Talk: 11/23-25, 30 minutes before the performance. Venue: Lobby of National Theater. Post Talk:11/25 after the performance. Venue: Lobby of National Theater. ◎ The Performance contains partial nudity. Audience discretion is advised.

The Spectator, London ─

Les Noces

Les Noces is an abstract, formal ballet with precise, rigid movements which give the piece an almost statuesque aspect. It explores an academic and aesthetic vision of beauty. Color is absent in order to highlight an accurate black and white with just a slight touch of red. The movement is formal, clean and disciplined underlining the strength of the rite. The refined costumes are almost stylized, precise in their myriad folds.

Rossini Cards

An abstract creation, without a dramaturgic framework. Not a story, but scenes from parallel lives: images, cards, dramatic icons and comic situations. An expression of Gioacchino Rossini's music, of its pressing, geometric and precise rhythm and, in the end, of a Dionysian vitalism.

Fondazione Nazionale della Danza Aterballetto Aterballetto is the principal producing and touring dance company in Italy. It is also the ﬁrst permanent ballet-producing organisation apart from Opera House companies. Founded in 1979, it is composed of solo dancers capable of performing in various dance styles. Aterballetto has gained wide recognition on the international scene. After almost 18 years of direction by Amedeo Amodio, the artistic direction was entrusted to Mauro Bigonzetti from 1997 to 2007. Bigonzetti, a notable international choreographer, renewed the artistic identity of the Company giving it an international proﬁle. In February 2008, Mauro Bigonzetti left the artistic direction to dedicate more time to his creative talent and became Aterballetto’s principal choreographer. The artistic direction was entrusted to CRISTINA BOZZOLINI, a former prima ballerina of the Maggio Musicale Fiorentino. Aterballetto has taken the profile of a contemporary ballet company. The founding element of its artistic identity is the commitment to supporting and developing the art of choreography and the absolute language of dance, intended as dynamics and forms in space, an embodiment of expressive and aesthetic reverberations, and as a dialectic with music. Throughout its recent history, thanks to the valuable contribution of Mauro Bigonzetti and of Italian and international choreographers who have collaborated with the Company – including Jiri Kylian, William Forsythe, Ohad Naharin, Iztik Galili, Fabrizio Monteverde, Jacopo Godani, and Eugenio Scigliano, Francesco Nappa this commitment has become stronger and the artistic decisions have been motivated especially by the need and curiosity of exploring the various expressions of contemporary choreographic language. Aterballetto believes in research - that begins from a‘disciplined’ body that has a strong ballet technique - to discover the potentials of movement and dynamics and to make them an expression of contemporary reality, by means of the original vision of choreographers who interpret today’s reality through their imagination, taste, experiences, and human vision. It is a unique and original experience for the choreographer and the performers, which arrives directly to the audience. All this has been made possible thanks to the insight of the Municipality of Reggio Emilia, of the Emilia-Romagna Region and of A.T.E.R. (Association of Theaters in Emilia-Romagna).

台灣 Taiwan

黃翊‧胡鑑

雙黃線 HUANG Yi & HU Chien

一架鋼琴與一桌日用品二位表演者與一位音樂家完成一檔在這數位時代已經好久不見的不插電演出誠摯的邀請您在雙黃線的另一端，聽聽、看看。

2012年台灣第三屆數位藝術表演獎首獎 2010年丹麥國際編舞比賽亞軍林懷民口中「可怕的孩子」黃翊

9/27-9/29 19:30

Thu.-Sat.

9/29-9/30 14:30

Sat.-Sun.

Experimental

實驗劇場 Theater

票價 Ticket Price：500 演出長度：約60分鐘，無中場休息。 Duration: 60 minutes without intermission. 演後座談：9月27日演後於實驗劇場編舞暨演出─ 黃翊

Post Talk: 9/27 after the performance. Venue: Experimental Theater.

共同創作暨演出─ 胡鑑

作曲、演奏─ 越裔法籍作曲家孫仕安（An Tôn Thất）

燈光科技─ 歐衍穀

《雙黃線》象徵兩個平行的抽象主題，在同一時間軸中各自發展至相互碰撞。在看似冰冷的主題與人物之互動下，編織出深刻的生命體驗，透過純粹的雙人舞，帶給人豐富的感受。邀請孫仕安作曲與演奏，純粹原音現場演奏，讓觀眾回想起舞蹈本身的豐富與無限，去除眩目科技的過多調味，讓我們好好品嚐舞蹈的原味。 One piano, a table covered by groceries, two dancers and one musician, let’s go back to the basic element of dance, an un-plugged concert of dance. HUANG Yi, the runner-up in 2010 Cross Connection Ballet International Choreography Competition, created this new production with dancer HU Chien and composer An Tôn Thất to present the pure essence and abundant quality of dance. Double Yellow Lines is about two parallel abstract topics, the development and the collision. The alienated topics with the interactions between the characters intertwined and revealed the profound experience of life by the simplicity of the pas de deux.

黃翊極富潛力的年輕編舞家，編舞之外，錄像、攝影、裝置創作，都是他涉獵的領域。擅長結合層次豐富的影像與細膩的肢體展現，「在影像和舞蹈的穿梭中展示出深不可測的底蘊和舞蹈潛力，」是林懷民口中「可怕的孩子」。2004 年首次編舞，以《自己》初試啼聲，獲得「舞躍大地」舞蹈創作比賽銀牌，同年應邀於兩廳院「新點子舞展」發表新作。2005 年獲菁霖基金會獎學金赴美，於美國舞蹈節編作《Messed》，獲舞評家譽為「舞蹈節最佳舞作」。2007 年由羅曼菲舞蹈獎助金補助的舞蹈影像作品《轉 -SPIN》，獲國立台灣美術館推薦，應邀於法國 Enghien-Les-Bains Centre des Arts 國際科技藝術節演出。同年與驫舞劇場合作製作《速度》獲台新藝術獎。2010 年以作品《低語》獲丹麥跨界連結舞團舉辦之第 3 屆國際編舞大賽第 2 名。2010 年《交響樂計畫 - 壹 ‧ 機械提琴》獲台北數位藝術節數位藝術表演獎首獎。《SPIN 2010》入圍台新藝術獎年度十大表演藝術作品。2011 年在許芳宜推薦下，獲美國舞蹈雜誌選為「25 to Watch」。

HUNAG Yi HUANG Yi is a young choreographer with much potential. In addition to choreography, he is also involved in video recording, photography and art installation. He is adept at incorporating multi-layered images and delicate body movement. LIN Hwai-min, founder of the Cloud Gate Dance Theatre, once said, "HUANG is an appalling kid who reveals his unlimited potential in the interweaving of image and dance." His ﬁrst work Self in 2004 was an instant success which won the silver medal of Taiwan's National Creative Dance Competition. In the same year, he was invited by the NTCH's New Idea Dance to present his new work. While chosen to attend the American Dance Festival in 2005 by the ChinLin Foundation for Culture and Arts as a representative from Taiwan, his work Messed was showcased in the student concert, and earned the praise of the Independent Weekly's writer Byron Woods. His 2007 work SPIN, sponsored by the LO Man-fei Dance Scholarship, was recommended by the National Taiwan Museum of Fine Arts to present at Enghien-Les-Bains Centre des Arts in France. In the same year, he collaborated with the Horse Dance Theater to produce Velocity, which was recognized by the Taishin Arts Award. His 2010 work Whisper won the Second Prize of the third Cross Connection Ballet International Choreography Competition in Copenhagen. His Symphony Project-I. Violin in 2010 won the First Prize of the Digital Art Performance Award of the Digital Art Festival, Taipei. His SPIN 2010 was shortlisted in the annual top ten performing art works by the Taishin Arts Award. In 2011, by the referral of HSU Fang-yi, he was selected as 25 to Watch by Dance Magazine in the US.

法國

France

《伽里尼 1545 在楓丹白露》是克里斯汀．赫佐為前里昂歌劇院芭蕾舞星茱莉 ‧ 吉柏 (Julie Guibert) 編創的獨舞，作品深入探討「緩慢」的概念，以燈光建構出的舞台空間呈現巴洛克的華麗風格，幻化為抽象迷離的綺麗世界。舞台、服裝及物件設計 ─ 克里斯汀 ‧ 赫佐 Christian Rizzo 演出者 ─ 茱莉 ‧ 吉柏 Julie Guibert 現場音樂 ─ 傑弘 ‧ 諾克斯 Gerome Nox 燈光裝置 ─ 凱瑟琳 ‧ 奧利佛 Caty Olive

克里斯汀‧赫佐

伽里尼1545在楓丹白露 Christian Rizzo

b.c, janvier 1545, fontainebleau 以緩慢如詩的動作風景向前衛致敬我們未曾閱讀過文藝復興一名雕刻家與他言不由衷的憂鬱我們經常閱讀女人的身體一位被兔子吸引的芭蕾名伶從前從前，楓丹白露女神的花園舞會又譬如說，我們總是來不及前衛跨領域怪傑編舞家克里斯汀．赫佐低限書寫的動作雕塑光與身體的空間密語一支重探跨領域藝術史的綺幻獨舞

10/4-10/6 Thu.-Sat. 19:30 Sun. 10/7 14:30 實驗劇場 Experimental Theater 票價 Ticket Price：500 演出長度：約60分鐘，無中場休息，遲到觀眾謝絕入場。演後座談：10月7日演後於實驗劇場 Duration: 60 minutes without intermission. Any latecomer will not be admitted. Post Talk: 10/7 after the performance. Venue: Experimental Theater. Special thanks to

b.c, janvier 1545, fontainebleau For b.c, janvier 1545, fontainebleau, Christian Rizzo has reunited with his favorite cohorts, Caty Olive who creates the lighting environment of the piece, and Gerome Nox who creates its sound score – all focusing on a singular project. The choreographer also reprises his talent as a model maker, creating a speciﬁc universe, shaped, custom-ﬁt to Julie Guibert, a classical dancer he met at the Lyon Opera Ballet when he created ni fleurs, ni ford mustang there in 2004. Ms. Guibert has danced with many companies, ranging from the Ballet du Nord to the Ballet Cullberg, where she worked for several years, and more recently the companies of Russell Maliphant and Yves-Noel Genod. She has experienced the creative universes of many different choreographers, among them Maguy Marin, Trisha Brown, William Forsythe, Mats Ek and Philippe Decouflé. Rizzo is both fascinated by what he calls her “incredible intelligence onstage,” and inspired by her personality. He decided to continue working on the connection he felt to Ms. Guibert in creating this solo, in which he asks himself, “how do we look at a woman alone on stage, outside her own community?” He imagines a dance projected into space, nocturnal, carved by the lighting to“delve into the idea of slowness, shaping the calligraphic dimension of the movement.” In the background we intuit the questions revealed by these enigmatic images, of the links between memory and vision, of the ritual dimension of performance, and what it means to write, to create for another person.

克利斯汀‧赫佐克利斯汀 ‧ 赫佐是出身法國坎城的全才型跨界藝術家，同時擁有藝術家、策展人、編舞家、舞台設計師、舞蹈服裝設計師、表演工作者等多重身分。他曾經在杜魯斯 (Toulouse) 成立過搖滾樂團並創立服飾品牌，轉往舞蹈領域發展後，曾是許多當代知名編舞家的合作舞者，更曾擔任過多項時尚或藝術展的策展人。赫佐創作的舞作曾在里昂歌劇院芭蕾舞團發表，並多次受邀參加亞維儂等大型藝術節演出，也受到巴黎國家裝飾藝術博物館的邀請，為「裝飾藝術協會」(l'UCAD) 及愛瑪仕 (Hermès) 的皮包大展規劃整體展場設計。跨界的創作才能，讓他廣受各界的肯定。赫佐 1996 年成立了 l'assoiation fragile，除了編創藝術表演，也與其它團體合作交流計畫，或是接受時裝界與造型藝術的委託，至今已累積了 30 多個融合視覺藝術、舞蹈，音樂，燈光、劇場設計與服裝造型等多樣元素的製作，建構了一個巨大創作能量的場域。

Christian Rizzo Christian Rizzo was born in 1965 in Cannes. His artistic career began in Toulouse, where he started a rock band and designed a line of clothing, after which he studied ﬁne arts at the Villa d'Arson in Nice, then unexpectedly branched out into dance. In the 90s he performed with a number of contemporary choreographers including Mathilde Monnier, Herve Robbe, Mark Tompkins and Georges Appaix, and sometimes created soundtracks and costumes for them as well. He also worked with choreographers with a different artistic approach, such as Vera Mantero, Catherine Contour, Emmanuelle Huynh and Rachid Ouramdane. In 1996 he founded l'association fragile and began presenting events, dancing objects, solos and group pieces, as well as various projects and commissioned work in fashion and the visual arts. Since then, over thirty projects have borne fruit, not counting his pedagogical activities. Christian Rizzo teaches on a regular basis in art schools in France and abroad, as well as in establishments devoted to contemporary dance. Production : l association fragile Coproduction : Montpellier Dance Festival – Centre National de la Danse de Pantin (creation in residency) with the support of la Passerelle, scene nationale de St Brieuc. l association fragile receives the support of DRAC Nord Pas de Calais, Ministere de la Culture et de la Communication.

台灣 Taiwan

一當代舞團蘇文琪

身體輿圖 YiLab.

蘇文琪台灣重量級聲音創作藝術家王福瑞 2006年世界藝術獎（Artes Mundi）入圍視覺藝術家吳季璁旅歐新銳編舞家第八屆台新獎評審團特別獎

聯手鋪展身體輿圖

10/19-10/20 19:30

Fri.-Sat.

10/20-10/21 14:30

Sat.-Sun.

票價 Ticket Price：500 演出長度：約60分鐘，無中場休息，遲到觀眾謝絕入場。本節目有部分裸露片段及噪音效果，請斟酌觀賞。演後座談：10月21日演後於實驗劇場 Duration: 60 minutes without intermission. Any latecomer will not be admitted. ◎ This production contains partial nudity and special noise effects. Audience discretion is advised. Post Talk: 10/21 after the performance. Venue: Experimental Theater.

Experimental

實驗劇場 Theater

失焦成為新的樣態，失衡成為下一個立足點難分辨自然與人工穿梭於真實和虛擬失焦的迷離失衡的空間和那些流動的記憶反覆消長是否在無法避免的存在騷動後尋回可能的片段明亮？第八屆台新獎評審團特別獎蘇文琪，延續 2011 年《城市微幅》(W.A.V.E) 的創作議題，與台灣重量教父級聲音創作藝術家王福瑞，及入圍 2006 年世界藝術獎（Artes Mundi）視覺藝術家吳季璁共同創作，企圖面對當代生命樣態中，自然與人工空間、真實存在與虛擬幻象、時間記憶與感官經驗的對映、以及身體在這些轉變之間的相互消長關係。

一當代舞團 2005 年成立於台灣桃園，團隊負責人為蘇文琪，團隊成員皆為台灣各領域活躍的藝術家。團隊理念為：一個作品中沒有唯一的中心媒介，只有看似相同卻又互相衝擊的概念；每位受邀參與的藝術家都是一個獨立的個體，皆可獨立創作，自由提出各種觀點以深入作品命題之核心。現今致力於新媒體和表演藝術的實驗與結合，嘗試從新媒體的思維中，重新探索表演藝術的可能性，延伸當代藝術面對數位時代衝擊所帶來的提問與省思。

YiLab. Founded in 2005 by SU Wen-Chi. YiLab. is currently working on integrating new technology with performing arts, and seeking to present new performing formats. YiLab.'s philosophy is: in a work, there is not just one dominant media, only concepts that appear similar but actually have impact with one another; every artist involved is an independent entity who can create their own work, freely put forward different viewpoints and undertake in-depth exploration of the core signiﬁcance of theme.

概念、編舞、舞者 ─ 蘇文琪舞台設計 ─ 吳季璁

聲音創作 ─ 王福瑞

創作協力 ─ Arco Renz

燈光設計 ─ Jan Maertens

劇照攝影 ─ 陳又維、陳長志

兩廳院售票系統 www.artsticket.com.tw 02-3393-9888 兩廳院之友預購 8 折：7/25-31 ‧ 全面啟售：8/1 ‧ 兩廳院之友 9 折，學生 8 折

舞蹈秋天「愛情成雙」套票優惠 8/1 起，凡一次購買義大利艾德現代芭蕾舞團《婚禮》《戀戀羅西尼》1200 元以上（含）票券兩張，即可享 8 折優惠（限同場次）。