MAY 4–19
MINNESOTA ORCHESTRA M U S I C TO G E T H E R
JUL 6 -AUG 3
SOMMERFEST 2019
C E LE BR AN DO L A MÚS I CA DE L ATINOAM É R I CA (C E LE BR ATING THE MUS IC OF L ATIN AM E RICA )
Disney Pixar’s Coco in Concert
Complete Film with Live Orchestra
Film with Live Orchestra (World Premiere) © Disney
Vänskä Conducts Villa-Lobos and Ginastera
Goitsemang Lehobye
Sat Jul 6 7pm / Sun Jul 7 2pm
Vänskä Conducts Villa-Lobos and Ginastera Fri Jul 12 8pm
Lift Every Voice Sat Jul 13 8pm
Karen Gomyo Plays Piazzolla’s Four Seasons
Roderick Cox
Fri Jul 19 8pm
A Musical Feast
Roderick Cox Conducts Beethoven Sat Jul 20 8pm
A Musical Feast with Sarah Hicks Fri Jul 26 8pm
The Prodigious Life of Clara S.
Celebrating the Americas: Gershwin, Márquez and More
Gabriel Campos Zamora
Karen Gomyo
Featuring The Moving Company
Sat Jul 27 8pm SENSORY-FRIENDLY
Family Concert: Joyful Rhythms, Joyful Sounds Sun Jul 28 2pm
Celebrating the Americas: Gershwin, Márquez and More Thu Aug 1 7:30pm
MUSI C ON THE PL A Z A RETURNS! A R E I NVI GOR ATE D AN D VI BR ANT PE AVE Y PL A Z A I S SC H E DULE D TO OPE N JUST I N TI M E FOR SOM M E R FE ST 201 9.
O N SA LE N OW
La Pasión según San Marcos
(The Passion According to St. Mark)
Fri Aug 2 & Sat Aug 3 8pm
TI C KE T S START AT $20
minnesotaorchestra.org/sommerfest | 612-371-5656 | Orchestra Hall |
#mnorch
The Movies & Music series is made possible by U.S. Bank. Family concerts are sponsored by PNC Bank. PHOTOS: A Musical Feast: Courtney Perry; Campos Zamora: Travis Anderson Photo.
FINALE CONCERT The Rose Ensemble’s farewell performance. Don’t miss your chance to attend this historic event at the Basilica of Saint Mary, where it all began 23 years ago. Saturday, June 15 | 8 pm Basilica of St. Mary, Minneapolis Tickets: $38/$28/$15 $10 Students with ID Children 12 and under FREE
Standing ovation for The Rose Ensemble’s 20th Anniversary Concert at the Ordway
RoseEnsemble.org 651.225.4340
Final performance of The Rose Ensemble!
MISSION
Minnesota Opera changes lives by bringing together artists, audiences, and community, advancing the art of opera for today and for future generations.
VISION
Minnesota Opera will sing every story.
VALUES
Innovation, Inclusivity, Collaboration, Purpose
© Darin Kamnetz
Our Annual Gala opens the season on October 5, 2019. This year’s proceeds will support our youth education programs including Music Out Loud, a long-term after school music curriculum that utilizes the multimedia operatic art form as the foundation for learning.
Classical MPR will feature a live broadcast of this production of La Traviata on May 9, 2019. Through this partnership, several operas each season are broadcast live and often rebroadcast, making opera accessible for all Minnesotans to enjoy.
MINNESOTA OPERA MNOPERA.ORG
© Cory Weaver for San Francisco Opera
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MN Opera recently announced a new commission of The Song Poet, based on the awardwinning book by HmongAmerican writer and St. Paul, MN resident Kao Kalia Yang. The opera will be presented as part of our Project Opera program, premiering in May 2021.
WELCOME
RYAN TAYLOR PRESIDENT AND GENERAL DIRECTOR
W
F E A T U R E S
elcome to La Traviata, Minnesota Opera’s final production of our 56th season. With winter behind us and spring in full force, there’s no better way to encourage summer’s warm embrace than with Giuseppe Verdi’s romantic tragedy, filled with steamy passion, heart-wrenching sacrifice, and a soaring score. Often considered the inspiration for films like Pretty Woman and Moulin Rouge!, and a story as timeless as opera itself, La Traviata tells the tale of an ill-fated romance from the giddy blush of first love to the crushing heartbreak of love’s loss. We are thrilled to bring this illustrious production back to the Ordway with a cast full of talented familiar faces and renowned newcomers. Looking ahead to next season, Minnesota Opera’s bold lineup is teeming with laughs, tears, and beauty. Subscriptions are now available! Thank you for joining us and we hope to see you again this October when Richard Strauss’ one-act epic, Elektra, opens our 57th season.
CO N T E N TS 8 La Traviata 10 Synopsis 11 Giuseppe Verdi 12 Director’s Notes 13 Meet MN Opera
Director’s Notes • 12 La Traviata’s stage director Louisa Muller shares her fresh perspective on one of the most revered operas of all time.
14 Cast and Creative Team 16 O rchestra, Chorus, and Supernumeraries 17 M eet the Artists: Nicole Cabell and Cecilia Violetta López 18 MN Opera in Residence 19 Summer Opera Camps 20 2019–2020 Season 22 M N Opera Board of Directors, Staff, and Volunteers 23 Upcoming Events 23 MN Opera Information
Meet the Artists • 17 Sopranos Nicole Cabell and Cecilia Violetta López give us their insights into bringing one of opera’s most beloved and tragic heroines to life.
24 Individual Giving 26 Special Giving 27 Share the Joy of Opera 28 Institutional Giving
LARGE-PRINT AND BRAILLE PROGRAMS ARE AVAILABLE AT THE PATRON SERVICES OFFICE.
MN Opera in Residence • 18 In February, MN Opera’s Education staff and Resident Artists braved the ice and snow in order to bring opera to residents of Alexandria, MN.
@MNOPERA
F L X : I I
CANDIDe onde BERNSTEIN
+ Cuneg
xoxo
47TH SUMMER FESTIVAL JUNE 28 - JULY 21
LA BOHÈME CANDIDE starring Deanna Breiwick WOZZECK BON APPÉTIT!
DES MOINES METRO OPERA DESMOINESMETROOPERA.ORG 515-961-6221
Meet Dr. Jaime Davis. Born in the Bahamas, she now calls Minneapolis her home. She's a graduate of the Mayo Medical School, the caretaker of beloved rescue dogs, an avid art collector, a certified scuba diver, a former Miss Northern Bahamas body building champion, and a huge fan of her new Spectacle Shoppe glasses.
Uptown, New Brighton, and Grand Avenue
The Italian Cultural Center is a nonprofit organization dedicated to promoting the best of Italian life and culture to all people in Minnesota. The ICC offers Italian language classes for adults and children at all levels of proficiency. Our instructors, born and raised in Italy, bring first-hand experience and cultural background of Italian life and current traditions to the classroom. The Center also sponsors cultural events, including an annual film festival.
JUST STEPS FROM THE ORDWAY
After the show, enjoy a specialty dessert and wine pairing for two for just $15. HERBIE’S ON THE PARK
Your new favorite place in downtown Saint Paul! herbiesonthepark.com | 651-726-1700
ICC Services
Language Classes | Educational Travel to Italy Cooking Classes | Wine Tastings | Lectures Conversation Opportunities
Vi aspettiamo! For more information, please visit
theitalianculturalcenter.org
JUL 23–AUG 11 ORDWAY.ORG 651.224.4222 Broadway Series sponsored by
Generous support for Ordway Originals is provided by Marcia L. Morris
MUSIC BY
LIBRETTO BY
Giuseppe Verdi
Francesco Maria Piave
WORLD PREMIERE AT TEATRO LA FENICE, VENICE, MARCH 6, 1853 SUNG IN ITALIAN WITH ENGLISH TRANSLATIONS PROJECTED ABOVE THE STAGE
CAST VIOLETTA VALÉRY
•
NICO L E CAB EL L CECILIA VIO LET TA LÓ PE Z ■
ALFREDO GERMONT
•
JES ÚS L EÓ N ST EPH EN MA RT IN ■+
GIORGIO GERMONT
•
JO O WO N KA N G YO UN G JO O AN ■
GASTONE DE LETORIÈRES
CH RIST IA N SAND ER S+
BARON DOUPHOL NICH O LAS DAVI S+
MARQUIS D’OBIGNY CH RIST IA N T H URSTON +
DOCTOR GRENVIL
WM. CLAY T H O MPS O N +
FLORA BERVOIX
B ERG EN BAK E R
ANNINA
MINNESOTA OPERA MNOPERA.ORG
DANIEL L E BECKVERMI T+
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GIUSEPPE
DARRIUS MO RTO N
MESSENGER
CREATIVE TEAM CONDUCTOR
C HR I STOP HE R F R A N K L I N A N D R E W W HI TF I E L D ■ Ruth and John Huss Chair
•
STAGE DIRECTOR LOU I SA M U L L E R
SCENIC & COSTUME DESIGN I SA BE L L A BYWATE R
LIGHTING DESIGN M A R C U S D OSHI
HAIR AND MAKEUP DESIGN DAV I D Z I M M E R M A N
CHOREOGRAPHER
HE I D I SP E SA R D - N OBL E
INTIMACY DIRECTOR
D OU G SC HOL Z- C A R L SON
CHORUS MASTER
A N D R E W W HI TF I E L D
ASSISTANT DIRECTOR A DA M DA R OS+
RÉPÉTITEURS
M A RY BOX+ , A N D R E W SU N +
STAGE MANAGER JA M I E K . FU L L E R
TO N Y POT TS
FLORA’S SERVANT JO EL MAT H I AS
•APPEARS MAY 4, 9, 11, 14, AND 19 ■ APPEARS MAY 12, 16, AND 18
+ MINNESOTA OPERA RESIDENT ARTIST
SEASON SPONSOR
PRODUCTION CO-SPONSORS
Jeannie Holmes Diane and Paul Jacobson Gayle and Tim Ober William White
ESTIMATED RUNNING TIME
TO LIVE AND DIE FOR LOVE
LA TRAVIATA 2018–19
The scenery and costumes were originally created for The Glimmerglass Festival.
Minnesota Opera is a nonprofit charitable organization that relies on your support. • mnopera.org/donate
is 2 hours and 45 minutes. There is one intermission, occurring approximately 75 minutes into the opera.
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SYNOPSIS
ACT I Violetta’s house in Paris Violetta, a courtesan under the protection of Baron Douphol, is entertaining guests in her salon, when she is introduced to a new admirer, Alfredo Germont. After Alfredo leads a spirited toast to his hostess, the guests depart. Violetta remains behind, overcome by a bout of coughing; Alfredo also stays behind and declares his love for her, which Violetta gently discourages. After the party has finally broken up, Violetta wonders if Alfredo could be her true love; in the end, however, she believes that her death must come in the ‘vortex’ of hollow pleasures that make up her life. Pause
ACT II
SCENE ONE A country house near Paris, three months later Violetta and Alfredo are now living together in the country. When he learns from her maid, Annina, that Violetta has sold her possessions to pay their debts, Alfredo leaves for Paris to raise the necessary money. In his absence, Violetta receives an unexpected call from his father. He begs her to break off the attachment; otherwise, his daughter’s marriage into a respectable family will be threatened. Violetta finally
to
agrees, and when Germont leaves, writes a farewell note. When Alfredo returns and reads it, he refuses the consolation of his father and rushes off to Paris to avenge himself for what he believes to be a betrayal. Intermission SCENE TWO Flora’s House in Paris, the same night A party is in progress. Alfredo appears alone, followed by Violetta escorted by Baron Douphol. The two men play cards and Alfredo wins. When she has the chance, Violetta sees Alfredo alone and begs him to avoid a duel. Alfredo summons the guests to witness the repayment of his debts and flings his winnings in her face. The Baron challenges him. Germont enters in time to witness his son’s outburst and reproaches him for it. Pause
ACT III Violetta’s bedroom, a few months later Dr. Grenvil tells Annina that her mistress is dying. Violetta reads a letter from Germont that says Alfredo has learned of her sacrifice and is on his way to her to ask her forgiveness. The lovers are reunited and Germont arrives to give his blessing; but it is too late and Violetta dies.
liveand for
COSTUME RENDERINGS BY ISABELLA BYWATER
COMPOSER
Giuseppe Verdi
Encouraged by his benefactor, Verdi applied to the Milan Conservatory, his tuition to be funded in part by a scholarship for poor children and the balance to be paid by Barezzi. The Conservatory rejected his application because of his age and uneven piano technique, but Verdi remained in Milan under the tutorship of Vincenzo Lavinga, a maestro concertatore at La Scala. After making a few useful contacts in Milan, writing a number of small compositions and some last-minute conducting substitutions, Verdi was offered a contract by La Scala for an opera, Rocester. It was never performed, nor does the score appear to exist. It is commonly believed that much of the music was incorporated into his first staged opera, Oberto. Oberto achieved modest success and Verdi was offered another commission from La Scala for a
Italian theaters at this time were in constant need of new works. As a result, competent composers were in demand and expected to compose at an astonishing rate. Both Rossini and Donizetti had set the standard and Verdi was required to adapt to their pace. These became his “anni di galera” (years as a “galley slave”) — between 1842 and 1853, he composed eleven new operas, often while experiencing regular bouts of ill-health. His style progressed from treating grandiose historical subjects (as was the custom of the day) to those involving more intimate, personal relationships. This transition is crowned by three of his most popular works: Rigoletto, Il trovatore, and La traviata. Only six new works were composed over the next 18 years. His style began to change as well, from the traditional “numbers opera” to a more free-flowing, dramatically truthful style. Some of his greatest pieces belong to this era (Simon Boccanegra, Un ballo in maschera, La forza del destino, Don Carlos), which concluded with what most thought was his swan song, the spectacular grand opera Aida.
Following Aida, Verdi firmly stated he had retired for good. He was now devoted to revising and remounting several earlier works, pausing briefly to write a powerful Requiem (1874) to commemorate the passing of Italian poet and patriot Alessandro Manzoni. Coaxed out of his retreat by a lifelong love of Shakespeare, the septuagenarian composer produced Otello and Falstaff to great acclaim.
❝
Verdi’s final years were focused on two philanthropic projects, a hospital in the neighboring town and a rest home for aged and indigent musicians in Milan... Verdi’s final years were focused on two philanthropic projects, a hospital in the neighboring town and a rest home for aged and indigent musicians in Milan, the Casa di Riposo. Verdi’s passing several years later was an occasion of national mourning. One month after a small private funeral at the municipal cemetery, his remains were transferred to Milan and interred at the Casa di Riposo. Two hundred thousand people lined the streets as the “Va, pensiero” chorus from Nabucco was sung by an eight-hundred-person choir led by conductor Arturo Toscanini. GIUSEPPE VERDI | PORTRAIT BY BICE LOMBARDINI
Minnesota Opera is a nonprofit charitable organization that relies on your support. • mnopera.org/donate
G
comedy. Unfortunately, by this time, the composer had suffered great personal loss — in the space of two years his wife and two small children had all died. Verdi asked to be released from his contract, but La Scala’s impresario, Bartolomeo Merelli (probably with good intentions) insisted that he complete the score. Written under a dark cloud, Un giorno di regno failed in the theater, and Verdi withdrew from any further engagements. It was due to a chance meeting with Merelli (with a new libretto in tow) that led to his return to the stage. Nabucco was a huge success and catapulted Verdi’s career forward.
LA TRAVIATA 2018–19
iuseppe Verdi was born in Le Roncole, a small village in the Duchy of Parma. Contrary to the composer’s claim that he was of illiterate peasants, Carlo and Luigia Verdi both came from families of landowners and traders — together they ran a tavern and grocery store. As a youth, Verdi’s natural fascination with music was enhanced by his father’s purchase of an old spinet piano. By the age of nine, he was substituting as organist at the town church, a position he would later assume and hold for a number of years. Carlo Verdi’s contact with Antonio Barezzi, a wealthy merchant and music enthusiast from nearby Busseto, led to Giuseppe’s move to the larger town and to a more formalized music education. Lodging in his benefactor’s home, Verdi gave singing and piano lessons to Barezzi’s daughter, Margherita, who later became the composer’s first wife.
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DIRECTOR'S NOTES
L
a traviata is the story of a woman fighting desperately to determine her own fate in the face of insurmountable obstacles. When we meet Violetta, she is throwing a party to celebrate her re-entry into the world after recovering from a long illness. She senses already that death will come soon, and she knows what the end of her life will look like: she will die alone and destitute, without friends or family to provide comfort. She has resolved to live out her last days at high speed, lost in a whirl of parties and pleasure, in a feverish attempt to distract herself from (and perhaps hasten) her impending death. When Alfredo confesses his love for her, a door opens to the possibility of a different kind of life, and for the first time she allows herself to entertain a secret dream of love and happiness. If she gives up her hard-won independence for a life of real intimacy with Alfredo, can she dare to hope for an escape from her past?
MINNESOTA OPERA MNOPERA.ORG
If only it were that simple. She defiantly leaves her old life behind for a chance at true love, but the happiness she finds with
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❝
In the opera world, there is an exciting movement afoot to question and re-examine the ways in which we approach the works in the canon, particularly with regard to the portrayal and treatment of women and people of color. This is important work that is vital to the survival of our art form. Alfredo is short-lived. Financial realities intrude on their idyllic life in the country even before Alfredo’s father arrives demanding her enormous sacrifice. Ultimately, she cannot escape either death or the specter of her past, but through personal sacrifice she can find redemption and, in her last moments, some measure of peace.
In the opera world, there is an exciting movement afoot to question and re-examine the ways in which we approach the works in the canon, particularly with regard to the portrayal and treatment of women and people of color. This is important work that is vital to the survival of our art form. It can be tempting to either excuse or dismiss our beloved standards as museum pieces from another time and place, but when we look at La traviata with fresh eyes we find at its center a truly modern heroine. Violetta is victimized by her society and her circumstances, but she is no victim. While an audience today is unlikely to find a so-called “fallen woman” acting with great strength of character and moral integrity as shocking as Verdi’s audience did, we are no less in need of this story. At its best, opera has the power to move us to empathy and remind us of our own humanity. I cannot imagine anything more timely or necessary. LOUISA MULLER
STAGE DIRECTOR
SET RENDERING BY ISABELLA BYWATER
MEET MN OPERA
JULIA GALLAGHER ASSISTANT PRODUCTION DIRECTOR
What I do:
Why I’m excited about La Traviata:
I support all aspects of production including scenery, props, costumes, and stage management by tracking budgets, contracting, and performing other general administrative tasks. I am the lead production liaison to the Project Opera program as well as our new Technical Theater training program. In addition, I serve as the chair of MN Opera’s Diversity Council.
The music! I’m relatively new to opera so am still checking off the “blockbusters” from my list, and I’ve developed a particular fondness for Verdi. This particular production originated at The Glimmerglass Festival and I was particularly struck by its delicate beauty. I am excited to see how Louisa and her team interpret the piece within its environment.
MALLORY ROBERTS What I do:
Why I’m excited about La Traviata:
I oversee the Annual Support Campaign, estate giving, and the MN Opera Legacy Circle, as well as the administrative operations of the Development Department. Connecting individuals to the art they love through philanthropy is my greatest daily joy.
La Traviata is my absolute favorite opera! As a classically trained singer myself, Violetta has always been my dream role. The arias Verdi wrote for her and her character development across the three acts are to die for (no pun intended).
GREGORY CAMPBELL PATRON SERVICES DIRECTOR
What I do:
Why I’m excited about La Traviata:
Along with the entire Patron Services Department, I aim to provide our patrons with outstanding customer service in our ticket office. I also serve as system administrator of Tessitura, our ticketing and development database, and a variety of related technologies like the scanners used to scan your ticket.
La Traviata was the first opera I saw at the Metropolitan Opera when I was 18 years old! I had gone to New York with my grandmother to audition at Juilliard and she got us amazing seats. I was just a young kid from rural Kansas, so it was a pretty amazing experience that I will always treasure.
Minnesota Opera is a nonprofit charitable organization that relies on your support. • mnopera.org/donate
DEVELOPMENT DIRECTOR
LA TRAVIATA 2018–19
Meet MN Opera
Minnesota Opera’s dedicated staff of artists, craftspeople, and administrators are passionate about bringing worldclass opera and opera education programs to Minnesota. Recently, we sat down with three of them to learn more about what they do at the Opera and why they’re excited for this production of La Traviata.
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C A S T + C R E AT I V E T E A M
YOUNGJOO AN
NICHOLAS DAVIS
SEOUL, SOUTH KOREA
PETERSBURG, TENNESSEE
GIORGIO GERMONT Minnesota Opera Debut Past
BARON DOUPHOL
Minnesota Opera Resident Artist Past
La Gioconda, New Jersey Verismo Opera
The Fix, Minnesota Opera
La traviata, Cincinnati Opera
Silent Night, Minnesota Opera
Future Recital Tour, South Korea
Fellow Travelers, Minnesota Opera Porgy and Bess, Seattle Opera
Future Blue, The Glimmerglass Festival
BERGEN BAKER
MARCUS DOSHI
MINNEAPOLIS, MINNESOTA
WATERBURY, CONNECTICUT
FLORA BERVOIX
Minnesota Opera Debut Die Zauberflöte, 2014
Past
LIGHTING DESIGN
Minnesota Opera Debut Past Elektra, Seattle Opera
Carmen, Minnesota Opera
Don Giovanni, Santa Fe Opera
Rusalka, Minnesota Opera
La bohème, Boston Lyric Opera
Carmen, Lakes Area Music Festival
La traviata, Houston Grand Opera
As One, Skylark Opera Theatre
Future
Future Indecent, Oregon Shakespeare Festival
Tienda, Schubert Club
DANIELLE BECKVERMIT
CHRISTOPHER FRANKLIN
KINGSTON, NEW YORK
SAN FRANCISCO, CALIFORNIA
ANNINA
Minnesota Opera Resident Artist Past The Italian Straw Hat, Minnesota Opera
CONDUCTOR
Minnesota Opera Debut La Cenerentola, 2010
Past
Silent Night, Minnesota Opera
Turandot, San Francisco Opera
Falstaff, Crested Butte Opera
Peter Grimes, Palau de les Arts
The Rake’s Progress, Mannes Opera
I Puritani, Teatro Liceu
Future,
Future
La bohème, Santa Fe Opera
Hänsel und Gretel, San Francisco Opera
Jenůfa, Santa Fe Opera
Macbeth, Teatro Verdi
The Thirteenth Child, Santa Fe Opera
Die Fledermaus, New National Theatre (Tokyo)
Les pêcheurs de perles, Santa Fe Opera
ISABELLA BYWATER
JOO WON KANG
LONDON, UNITED KINGDOM
WALNUT CREEK, CALIFORNIA
SCENIC AND COSTUME DESIGN Minnesota Opera Debut Past
GIORGIO GERMONT
Minnesota Opera Debut Past
Lucia di Lammermoor, Danish National Opera
La traviata, Opera Theatre of St. Louis
La bohème, San Diego Opera
Die Zauberflöte, Utah Opera
A Midsummer Night’s Dream, Mariinsky Theatre
L’Oracolo, Wexford Festival Opera
L’elisir d’amore, English National Opera
Turandot, San Francisco Opera
Future Eugene Onegin, Seattle Opera
Future La bohème, Arizona Opera
MINNESOTA OPERA MNOPERA.ORG
Cinderella, Seattle Opera
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NICOLE CABELL
JESÚS LEÓN
VENTURA, CALIFORNIA
HERMOSILLO, MEXICO
VIOLETTA VALÉRY
Minnesota Opera Debut L’elisir d’amore, 2015
Past
ALFREDO GERMONT Minnesota Opera Debut Past Nabucco, Opéra de Toulon
La bohème, Minnesota Opera
Roméo et Juliette, Opera de Nice
La bohème, Pittsburgh Opera
Les pêcheurs de perles, Korea National Opera
Porgy and Bess, English National Opera
Rigoletto, Oper im Steinbruch
Carmen, Atlanta Opera
Future Roméo et Juliette, Cincinnati Opera Don Giovanni, Michigan Opera Theatre
Future Roméo et Juliette, Oper Graz The Tales of Hoffmann, Palacio de Bellas Artes
C A S T + C R E AT I V E T E A M
CECILIA VIOLETTA LÓPEZ
TONY POTTS
RUPERT, IDAHO
FARGO, NORTH DAKOTA
VIOLETTA VALÉRY
MESSENGER
Minnesota Opera Debut Past
Minnesota Opera Debut Silent Night, 2018
Past
West Side Story, Opera Idaho La traviata, Opera Colorado
The Italian Straw Hat, Minnesota Opera
L’elisir d’amore, Virginia Opera
La Rondine, Minnesota Opera
Faust, Opera Omaha
Pépito, Dallas Opera La bohème, Miami Music Festival
Future La traviata, Madison Opera Il Postino, Opera Southwest I Pagliacci, Opera Colorado Turandot, Austin Opera
STEPHEN MARTIN
CHRISTIAN SANDERS
ROCHESTER, MICHIGAN
WESTCLIFFE, COLORADO
ALFREDO GERMONT
GASTONE DE LETORIÈRES
Minnesota Opera Resident Artist Past
Minnesota Opera Resident Artist Past
Silent Night, Minnesota Opera
The Fix, Minnesota Opera
La Rondine, Minnesota Opera
Silent Night, Minnesota Opera
Silent Night, The Glimmerglass Festival
La Rondine, Minnesota Opera
La traviata, Sarasota Opera
West Side Story, The Glimmerglass Festival
Future The Ghosts of Versailles, The Glimmerglass Festival The Ghosts of Versailles, Château de Versailles Spectacles Flight, Minnesota Opera Harvey Milk, Opera Parallèle
JOEL MATHIAS
HEIDI SPESARD-NOBLE
WHITE BEAR LAKE, MINNESOTA
SHELBYVILLE, ILLINOIS
FLORA’S SERVANT
CHOREOGRAPHER
Minnesota Opera Debut
Minnesota Opera Debut
Un ballo in maschera, 2007
The Merry Widow, 2002
Past
Past
The Fix, Minnesota Opera
The Fix, Minnesota Opera
The Italian Straw Hat, Minnesota Opera
Thaïs, Minnesota Opera
The Consul, Arbeit Opera Theatre
The Shining, Minnesota Opera
Silent Night, Minnesota Opera
Legally Blonde, Artistry Theater
Future
Future
Così fan tutte, Mill City Summer Opera
Footloose, Artistry Theater
La belle Hélène, Lakes Area Music Festival
Bright Star, Lyric Arts Theater
DARRIUS MORTON
WM. CLAY THOMPSON
CLYDE, OHIO
LEXINGTON, KENTUCKY
GIUSEPPE
DOCTOR GRENVIL
Minnesota Opera Debut
Minnesota Opera Resident Artist Past
Le nozze di Figaro, 2017
Past
Silent Night, Minnesota Opera
Amelia al Ballo, St. Olaf Lyric Theatre
Thaïs, Minnesota Opera The Cunning Little Vixen, The Glimmerglass Festival
Future
Future
Messiah, Rochester Symphony Orchestra The Abysinnian Mass, Jazz at Lincoln Center
La traviata, The Glimmerglass Festival The Ghosts of Versailles, Château de Versailles Spectacles Don Giovanni, Minnesota Opera
LOUISA MULLER
CHRISTIAN THURSTON
WESTERLY, RHODE ISLAND
ROTORUA, NEW ZEALAND
STAGE DIRECTOR
MARQUIS D’OBIGNY
Minnesota Opera Debut Past
Minnesota Opera Resident Artist Past
Don Carlo, Los Angeles Opera
The Fix, Minnesota Opera
La bohème, Lyric Opera of Chicago
Silent Night, Minnesota Opera
The Ghosts of Versailles, Wolf Trap Opera
Madama Butterfly, New Zealand Opera
Madama Butterfly, Houston Grand Opera
Le nozze di Figaro, Minnesota Opera
Future
Future The Turn of the Screw, Garsington Opera
Flight, Minnesota Opera
Tosca, Opera Colorado
Minnesota Opera is a nonprofit charitable organization that relies on your support. • mnopera.org/donate
The Fix, Minnesota Opera
Thaïs, Minnesota Opera
ANDREW WHITFIELD CONDUCTOR AND CHORUS MASTER BOSTON, MASSACHUSETTS
Minnesota Opera Debut
Past
Future
Falstaff, Opera San José
Il barbiere di Siviglia, Minnesota Opera
Tosca, Opera San José
Don Giovanni, Minnesota Opera
Der fliegende Holländer, Opera San José La bohème, Opera San José
LA TRAVIATA 2018–19
Madama Butterfly, Lyric Opera of Chicago
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ORCHESTRA, CHORUS, + SUPERNUMERARIES MINNESOTA OPERA ORCHESTRA VIOLIN I Allison Ostrander Concertmaster Natalia Moiseeva, Assistant Concertmaster Julia Persitz David Mickens Colin McGuire Angela Waterman Hanson Heidi Amundson Conor O’Brien Maisie Block Huldah Niles
VIOLIN II Laurie Petruconis* Elizabeth Decker Melinda Marshall Elise Parker Emilia Mettenbrink Emily Saathoff David Block Carol Lebovic
VIOLA Emily Hagen* John+ and Nina Archabal Chair Susan Janda Laurel Browne Jenny Lind Nilsson Thomas Bandar Matthew Mindeman
CELLO
HORN
Teresa Richardson* Sally Gibson Dorer Rebecca Arons Kirsten Whitson Diane Tremaine Rosa Thompson Viera
Charles Hodgson* Michael Alexander Timothy Bradley Jenna McBride-Harris
BASS John Michael Smith * Kenneth and Peggy Bonneville Chair Constance Martin Jason C. Hagelie Michael Watson
FLUTE Michele Frisch* Bethany Gonella (double piccolo)
OBOE Michael Dayton* Jeffrey Marshak
CLARINET Karrin Meffert-Nelson* Nina Olsen
TRUMPET John G. Koopmann* Christopher Volpe
TROMBONE Phillip Ostrander* John Tranter David Stevens
CIMBASSO Jacob Grewe*
TIMPANI Kory Andry*
PERCUSSION Matthew Barber* Paul Hill
OFFSTAGE HARP Min Kim*
BASSOON Coreen Nordling* Eric and Celita Levinson Chair Laurie Hatcher Merz
CHORUS SOPRANO Corissa Bussian Carolyn Cavadini Hannah Green Michelle Hayes Aliese Hoesel Victoria Pace Sandra Partridge Lindsay Sessing Kristie Tigges MEZZO Karen Bushby Emma Carpenter Cecile Crozat-Zawisza Jennifer Eckes Anna Hashizume Yun Kyong Lee Cathy Schmidt Anne Todey Eryn Tvete TENOR Phinehas Bynum Wesley Frye Michael Mayer Darrius Morton Mario Perez Adam Smith Phillip Takemura-Sears Jake Thede Trevor Todd Colyn Tvete Clark Weyrauch
BARITONE/BASS Joe Allen Alex Barnett Matt Christoff Ben Crickenberger Gary Kubert Joel Mathias Tony Potts Niko Simmons Eric Sorum Grant Scherzer Alessio Tranchell
SUPERS Stephen Hage Gary Pye Brandon Sieck
DANCERS Berit Ahlgren (Dance Captain) Hannah Benditt Juliana Johnson Abby Magalee
KEY * principal + in memoriam
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MEET THE ARTISTS
MeettheArtists
&
NICOLE CABELL
(LEFT)
AS VIOLETTA VALÉRY
CECILIA VIOLETTA LÓPEZ
(RIGHT)
AS VIOLETTA VALÉR Y
NC Passionate, generous, and tragic. CVL Strong, selfless, and hopeful.
What are some of the joys and challenges of performing this role? CVL The joy of singing this role is being able to share Violetta’s realness with audiences. Violetta has real human characteristics and faces challenges that many of us experience on a daily basis. Violetta's story of love—her longing to be loved, her sacrifices and hardships— is incredibly moving. I’m certain anyone who watches La Traviata will be able to relate to Violetta in more than one way. NC Some say you need three different voices to sing this opera! But this is also a joy, as accomplishing this feat is very gratifying. Another joy is, of course, inhabiting the beautiful, tragic character of Violetta, arguably one of the greatest in the operatic repertoire. She requires everything of an artist, and I look forward to giving my all during this run.
PHOTO © BRENT DUNDORE AT SPOON AND STABLE
NC The music in La Traviata is so incredible that is has easily stood the test of time and will continue to do so. The story is also well known and beautifully executed alongside the music. If done right, the audience is taken on a powerful emotional journey that few operas can match. CVL Musically, the opera is truly one of
Verdi’s masterpieces, but I believe it’s Violetta story—her longing to be loved, her illness, her sacrifice, her hanging on to hope in the end—married with the music that makes the opera so beautiful and timeless.
What is the strangest or most surprising thing that has ever happened to you during a performance? CVL I choked on grape juice during a performance of La bohème. It was right before singing the “I lost the key” bit with Rodolfo. I managed to clear my throat and avoid choking, all while looking for the key and trying to actually sing! NC I luckily have a surprising lack of weird onstage moments, but a funny incident happened in 2017 when performing the role of Gemmira in Cavalli's Eliogabalo with the Dutch National Opera. My character is witness to the assassination of the Emperor
Eliogabalo and while, holding his severed head, recounts the story of his death. At the end, I am to throw his severed head on the floor, and it then rolls into the orchestra pit. However, the head was made of rubber, and every night, no matter how softly I set it on the ground, it bounced, a bit like a basketball, sending the audience into laughter at exactly the wrong moment. Oops!
What do you think audiences would be most surprised to learn about the life of an opera singer? NC While very glamorous at times, there are many, many unglamorous moments. I spent three months washing my clothes by hand in the kitchen sink of a small, French apartment in Nantes last year. We also travel so much it's often very difficult to get on a normal sleeping schedule and we are also expected to find our ways around foreign countries completely on our own. Regardless, it's rewarding in so many other ways, not the least of which is being immersed in some of the world's greatest music. CVL I think audiences would be surprised to know that we don’t always listen to opera. We like all different kinds of music. I grew up singing mariachi music with my mom, and I can still belt out a couple of rancheras with her when I go home. That said, considering my upbringing and my career’s trajectory, I'm definitely proof that opera—both in its stories and music—is for everyone.
Minnesota Opera is a nonprofit charitable organization that relies on your support. • mnopera.org/donate
Describe Violetta in three words…
What is it about La Traviata that makes it such an enduring audience favorite?
LA TRAVIATA 2018–19
Why have just one Violetta, when you can have two? We’re thrilled to have both soprano Nicole Cabell (left) and soprano Cecilia Violetta López (right) joining us onstage for our production of the timeless romance, La Traviata. Both ladies were kind enough to sit down with us to answer a few questions about themselves and share what it’s like to tackle this most iconic of roles:
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MN OPERA IN RESIDENCE
Neither rain nor heat nor an especially snowy Minnesota winter can stop MN Opera from bringing the joy of music to people around the state.
I
t’s a frigid, bitter-cold day in early February. Traffic is hardly inching forward, and snow is blowing across Interstate-94. Three cars packed with singers, pianists, and a stage director from the Minnesota Opera Resident Artist Program head toward Alexandria, Minnesota, where they have been tasked with the tall order of presenting the first act of La Traviata and other opera hits with the Central Lakes Symphony Orchestra — all in just two rehearsals.
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MINNESOTA OPERA MNOPERA.ORG
The idea was to bring the highest quality arts experiences to a community that might be just out of reach of the resources available in the Twin Cities.
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This was the capstone presentation to a week-long community residency put together by MN Opera Teaching Artist Pablo Siqueiros and the director of the Central Lakes Symphony Orchestra, Brad Lambrecht. Siqueiros and Lambrecht had been planning this residency for close to a year and it finally came to fruition the second week in February. The idea was to bring the highest quality arts experiences to a community that might be just out of reach of the resources available in the Twin Cities. Alexandria is a community that has invested deeply in the arts and culture, and it’s evident in the recent creation of a state-of-the-art performing arts center at Alexandria Area High School, which not only serves the school but also functions independently for community arts programming. This, along with the 10th anniversary of the Central Lakes Symphony Orchestra, set the stage for an immersive collaboration with MN Opera. Throughout the week, Siqueiros and Lambrecht visited schools in the Alexandria School District to introduce the art form of opera to young students. “Opera is simply stories told through singing,”
says Siqueiros. That explanation eliminates many barriers people might have about what opera is supposed to be, or even what it has been in the past. Residents from Grand Arbor Senior Living found that explanation equally satisfying as they engaged in a discussion with Siqueiros about opera’s history and its future. A similar discussion ensued at the restaurant La Ferme, where community members gathered to learn more about the art form in a more casual setting. The week closed with the final presentation of La Traviata and more, featuring the MN Opera Resident Artists and the Central Lakes Symphony. In their two rehearsals together, the singers and the orchestra performed this ambitious program for an audience who had just been exposed to a new understanding and appreciation of opera as an art form. This collaborative residency shows that communitybuilding, learning, and highquality arts experiences are never truly out of reach.
PHOTO, TOP RIGHT: ROSS EVAVOLD FOR ALEXANDRIA ECHO PRESS | REMAINING PHOTOS: KAREN TOLKKINEN FOR ALEXANDRIA ECHO PRESS
O P E R A E D U C AT I O N
SU MMER OP ERA CAMP S
“
KEEP
SIN GI NG
I N
T H E
S U MME R!
It was amazing how much I learned about my voice and opera in just one week. It was an awesome experience and I highly recommend it all interested singers.” NATALIE HARRISON
VOCAL ARTIST PROGRAM ALUM
“
Opera Artist + is a wonderfully unique program that was incredibly beneficial for me as a young, aspiring professional musician. I highly recommend this program for anyone who wants to know more about what it takes to make it in this unique and spectacular community of artists!” NICHOLAS SWANSON
JUNE 16–22 | GRADES 9–12
Immerse yourself in opera. Vocal Artist Program brings talented high school singers from around the country together for an inspiring week of performing. Improve your skills with daily vocal coaching and stage movement training. Participants gain valuable experience working in a professional and nurturing environment preparing and performing incredible repertoire with other advanced musicians.
OPERA ARTIST +
JUNE 16–21 | COLLEGE UNDERGRADUATES
21st century artistry. Opera Artist + (Plus) is a week-long residential camp for college-aged vocal performance and music education majors designed to refine their craft and explore what it means to be an opera artist in the 21st century. Sessions include
daily one-on-one vocal coaching and movement sessions, round-table discussions with professional artists and a mock audition. Other sessions will look at the increasingly important and diverse role of Teaching Artistry, including teaching opportunities both in and out of the classroom and the growing field of Creative Aging.
SINGOUT CHILDREN’S CHORUS CAMP JULY 22–25 | GRADES 3–6
The perfect mix of fun and music! Campers will sing great children’s chorus music, learn healthy vocal technique and the fundamentals of acting in this day camp. Get a taste of being in the Minnesota Opera’s Children’s Chorus. For more information, go to mnopera.org/camps or call 612-342-9573.
LA TRAVIATA 2018–19
VOCAL ARTIST PROGRAM
Minnesota Opera is a nonprofit charitable organization that relies on your support. • mnopera.org/donate
VOCAL ARTIST PROGRAM ALUM
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THE 2019–2020 SEASON ELEKTRA THE BARBER OF SEVILLE FLIGHT EDWARD TULANE DON GIOVANNI
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La Rondine, 2018 © Cory Weaver
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B O A R D , S TA F F, + V O L U N T E E R S
BOARD OF DIRECTORS OF F ICE RS Chair | H. Bernt von Ohlen President and General Director | Ryan Taylor Vice Chair | Nadege Souvenir Secretary | Sharon Bloodworth Treasurer | John Junek
Jeninne McGee Michael McNamara Fayneese Miller Leni Moore Kay Ness Jose Peris Bart Reed Mary H. Schrock Linda Roberts Singh David Smith Nadege Souvenir Gregory Sullivan Norrie Thomas Missy Staples Thompson Wendy Unglaub H. Bernt von Ohlen Craig Walvatne William White Margaret Wurtele
PR ES I D E N T ’ S COU NC I L Karen O. Bachman John A. Blanchard, III Rachelle D. Chase Burton Cohen Julia W. Dayton John Huss
Ruth Huss James E. Johnson Lucy Rosenberry Jones Kevin H. Smith Mary W. Vaughan
HONO RA RY D I REC TO R S Dominick Argento* Philip Brunelle
ADMI N I ST RAT IO N President and General Director | Ryan Taylor Creative Advisor | Dale Johnson Board Relations Director | Theresa Murray Chief Financial Officer | Steve Matheson Chief of Human Resources | Jen Thill Staff Accountant | Aicha Belemkoabga Facility Manager | Steve Mittelholtz Systems Administrator | Tony Ngonekeo
AR T I ST IC
DIRECTORS Vanessa Abbe Rebecca Bernhard Sharon Bloodworth Shari Boehnen Alberto Castillo Jane Confer Jay Debertin Terrance Dolan Sidney W. Emery Maureen Harms Mary IngebrandPohlad Philip Isaacson J Jackson Diane Jacobson John C. Junek Christl Hutter Larson Mary Lazarus Robert Lee Natalie Volin Lehr
STAFF
Liz Kochiras
TEMP O L I A I SON Kara Eliason Dorsey
Chief Artistic Officer | Priti Gandhi Head of Music | Allen Perriello Company Manager | Roxanne Stouffer-Cruz Assistant Conductor and Chorus Master | Andrew Whitfield Associate Conductor | Jonathan Brandani Resident Artists | Danielle Beckvermit, Mary Box, Adam Da Ros, Nicholas Davis, Stephen Martin, Lisa Marie Rogali, Christian Sanders, Andrew Sun, Wm. Clay Thompson, Christian Thurston
VOLUNTEERS Nina Archabal Renee Brown-Goodell Michelle "Squeeky" Cadieux Aiden Campbell Ann Drivas Siri Drontle Judith Duncan David Earp Rihab FitzGerald Joan Gacki Diane Gerlach Ryan Gilmer Jessica Grams Merle Hanson
E DU C AT IO N
Tim Jones
Chief Learning Officer | Jamie Andrews Teaching Artist | Pablo Siqueiros Project Opera Music Director | Matthew Abernathy Project Opera Accompanist | Kathy Kraulik Music Out Loud Teaching Artists | Rebecca Blackwell, Sara Sawyer
Ryan Kantor
DE V E LOPME NT
Mary Lach
Chief Development Officer | Carley M. Stuber Sr. Major Gifts and Campaign Director | John Kupris Development Director | Mallory Roberts Institutional and Major Gifts Director | Diana Konopka Associate Events Director | Anthony Diaz Development Officer | Nickolas Sanches Development and Corporate Sponsorship Manager | Jeremie Bur Development Operations Coordinator | Jonathan Lundgren Development Coordinator | Charlotte Summers
Jerry Lilquist
MA R K ET ING /CO MMU NICAT IO NS
Candyce Osterkamp
Chief Marketing Officer | Darby Lunceford Marketing Director | Katherine L. Castille Associate Marketing Director | Kristin Matejcek Marketing Manager | Amanda Rodriguez Relationship Marketing Associate | Paige Reynolds Associate Communications Director | Eric Broker Design Manager | Kristin Backman Communications Manager | Rocky Jones Web and Digital Associate | Anthony Iverson Graphic Designer | Daniel Ringold Patron Services Director | Greg Campbell Patron Services Manager | Kevin Beckey Associate Patron Services Manager | Karl Annable Patron Services Representatives | Ronnie Allen, Emma Carpenter, Kianna Carter, Carol Corich, Henry Dykstal, Mara Lane, David Merz, Elijah Saiger, Emily Sasik
Robin Keck Bebe Keith Kathleen Kitchen Alana LaBissioniere
Joyce Lilquist Tom Logeland Mary McDiarmid Barbara Moore Nicole Murray Doug Myhra Heidi Pagano Pat Panshin Laura Schaubschlager Kari Shultz Mary Sheehy Wendi Sott Gina Weiner Barbara Willis
P R O DUCT IO N
TEMPO BOARD MINNESOTA OPERA MNOPERA.ORG
OF F ICE RS
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Chair | Kara Eliason Dorsey Vice Chair | Katie Eiser Secretary | Emily Engel Treasurer | Julia M. Wilcox Audience Development Chair | Sarah Fowler Programming Co-chair | Liz Brenner Programming Co-chair | Aimee Tritt
M EMBERS Carrie Anderson Liz Brenner Marjahn Golban Laura Green Chaffee Heber Gurrola Sarah Fowler Emily Engel Aimee Tritt
Kara Eliason Dorsey Julia M. Wilcox Katie Eiser Alison Jarzyna Luke Olson Kate Smith KT Thompson
Chief Production Officer | Karen Quisenberry Assistant Production Director | Julia Gallagher Production Stage Manager | Kerry Masek Stage Manager | Jamie K. Fuller Assistant Stage Managers | Jake Fedorowski, Jerry K. Smith Technical Director | Josh Peklo Properties Master | Jenn Maatman Lighting and Video Coordinator | Raymond W. Steveson Jr. Tech Lighting Assistant | Kit Baumer Production Carpenter | JC Amel Scene Shop Foreman/Supervisor | Mark Maurer Master Carpenters | Nate Kulenkamp, Eric Veldey Staff Carpenter | Max Gilbert Carpenters | Madelyn Smith Lead Scenic Painter | Erica Zaffarano Costume Director | Corinna Bakken Assistant Costume Director | Beth Sanders Tailor | Yancey Thrift Drapers | Katrina Benedict, Chris Bur First Hands | Helen Ammann, Sara Huebschen, Rebecca Karstad Stitchers | Brigid Borka, Ann Friese, Jeanie Jordan, Jadie Nelson, Rachel Oestreich, Dana Shepard Design Assistant/Wardrobe Supervisor | Molly O’Gara Hair/Makeup Supervisors | Priscilla Bruce, Manuel Jacobo Hair/Makeup Crew | Lianna Colestock, Corrie Dubay, Emma Gustafson
Minnesota Opera is a proud member of The Arts Partnership with the Ordway Center for the Performing Arts, The Saint Paul Chamber Orchestra, and the Schubert Club. * in remembrance
UPCOMING EVENTS
M I N N E S OTA O P E R A I N F O Minnesota Opera Patron Services 620 North First Street, Minneapolis, MN 55401 612-333-6669
Flight
Watch as a professional opera singer gives a new perspective on reading as Minnesota Opera presents an innovative program bridging traditional storytelling and music. A MN Opera Teaching Artist will use songs and tools from the stage to enhance, inspire, and help children engage in reading. Children and families will have a chance to sing along during this interactive hour as a book comes to life through the power of opera.
JANUARY 25–FEBRUARY 2, 2020
Thursday, May 9 at 11:30am West 7th Library, St. Paul, MN
MNOPERA.ORG/FLIGHT
Eight complete strangers find they have more in common than they think. Stranded overnight at an airport, they meet a refugee forced to call the terminal his home and soon realize they need each other to get to their destinations. Inspired by a true story, Jonathan Dove’s Flight is a touching, charming, and deeply human dramedy all about what it means to make a real connection.
Tuesday, May 14 at 10:30am Hayden Heights Library, St. Paul, MN Tuesday, May 21 at 10:30am Arlington Hills Library, St. Paul, MN
Edward Tulane
Thursday, May 23 at 10:30am Dayton's Bluff Library, St. Paul, MN
Edward Tulane is a toy rabbit whose world is upturned when he is separated from his loving family. Based on the best-seller by Minnesota author Kate DiCamillo, Edward Tulane is perfect for the young and young at heart, showcasing something truly miraculous—that even lost hearts can find home again.
Friday, June 28 at 10:30am Galaxie Library, Apple Valley, MN MNOPERA.ORG/LEARN
MARCH 21–28, 2020
MNOPERA.ORG/EDWARD-TULANE
Elektra OCTOBER 5–13 After her mother has her father murdered, Elektra is hell-bent on revenge. Though she thirsts for justice, her fury brings her to the brink of madness in this stark and shadowy, reimagined Greek tragedy. As intense and gripping as opera gets, Strauss’ Elektra unfolds in a thrilling single act of rare vocal and orchestral power that aims straight for the jugular. MNOPERA.ORG/ELEKTRA
The Barber of Seville NOVEMBER 9–16 Rossini’s beloved and irresistible rom-com is a cut above. Figaro, Seville’s quickwitted barber, helps a young woman flee an unsuitable suitor and find true love. Naturally, nothing goes according to plan, and Figaro must think on his feet to save the day. Instantly recognizable music sparkles in this masterpiece. MNOPERA.ORG/BARBER
Don Giovanni MAY 2–12, 2020 Don Giovanni is an egotistical and infamous womanizer, brazen in his shameless seductions. But his betrayals soon catch up to him when divine retribution exacts the ultimate price. From the world’s most well-known composer, Mozart’s opera seamlessly blends dark comedy with biting social commentary in this smart and otherworldly story of a man who dares to defy hell itself. MNOPERA.ORG/DON-GIOVANNI
mnopera.org Visit mnopera.org to watch behind-thescenes videos, read synopses, browse digital programs, and more. Join our e-club to receive special offers and opera news. Ticket Policies Tickets are not refundable. Subscribers may make exchanges for a different performance or opera up to one hour prior to curtain. Any ticket may be turned back for a tax-deductible donation up until curtain. Call Minnesota Opera Patron Services at 612-333-6669. Parking Prepaid parking is available for opera patrons at the Lawson Commons Ramp. Call 612-333-6669 or visit mnopera.org to purchase passes. Accessibility For patrons with disabilities, wheelchairaccessible seats are available. Audio description will be available for select performances. Please call 612-333-6669 for details and indicate any special needs when ordering tickets. At the Ordway, accessible restrooms and other facilities are available, as well as Braille or large-print programs and infrared listening systems. For more information, please visit mnopera.org/access. Ordway Policies Ordway is a smoke-free facility. Latecomers will be seated at an appropriate break. Please have all cell phones and pagers turned to silent mode. Children under six are not permitted in the hall. Cameras and recording equipment are strictly prohibited in the theater. Please check these items with an usher. Food and beverages are available for purchase prior to the show and during intermission. Water and other beverages are allowed in the theater (hot beverages require lids), but food is strictly prohibited. The phone number for emergencies is 651-224-4222. Please leave seat locations with the calling party. Lost and Found is located at the Stage Door. Call 651-282-3070 for assistance.
Minnesota Opera is a nonprofit charitable organization that relies on your support. • mnopera.org/donate
Stories Sing!
Regular Hours: Monday – Friday, 10am – 5pm. Performances: Weekdays — phones open until curtain. Weekends — phones open at 2pm for evening performances and at 10:30am for matinee performances. Minnesota Opera staff will be available at the Ordway’s Box Office 90 minutes prior to curtain.
LA TRAVIATA 2018–19
Upcoming events
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INDIVIDUAL GIVING
I T I S W I T H D E E P A P P R E C I AT I O N that Minnesota Opera recognizes individual donors who have made gifts to our Annual Fund, Fund-A-Dream, and Opera Innovate Now Campaign between March 31, 2018 and April 1, 2019. Thank you for making exceptional art come to life.
BEL CANTO CIRCLE The following lists donors who have made leadership gifts of $10,000+. For more information on Bel Canto Circle membership, please contact John Kupris, Sr. Major Gifts & Campaign Director, at 612-342-9595. PLATINUM Anonymous Julia W. Dayton Vicki and Chip Emery Ruth and John Huss Lucy R. Jones and James E. Johnson John and Kathleen Junek George Sparks The Wurtele Foundation Wayne Zink and Christopher Schout
CAMERATA CIRCLE The following lists donors who have made gifts of $2,500 to $9,999. For more information on Camerata Circle membership, please contact Nickolas Sanches, Development Officer, at 612-342-9550.
MINNESOTA OPERA MNOPERA.ORG
GOLD Vanessa Abbe Wendy Bennett and Kendall J. Powell Michael Birt Maureen and Mike Harms Sharon Hawkins Erwin and Miriam Kelen Robert Kriel and Linda Krach Harvey Thomas McLain Constance and Lewis Remele Nadege J. Souvenir and Joshua A. Dorothy Natalie Volin Lehr Drs. Craig S. and Stephanie R. Walvatne
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PATRON CIRCLE The following lists donors who have made gifts of $250 to $2,499. While space limitations allow us to list only those donors of $250 or more, we sincerely appreciate every gift. GOLD Anonymous (2) Mary Abbe ADA Artist Management LLC Emin and Britny Aklik Jamie Andrews and Jane Kolp-Andrews
Alberto Castillo and Judith Garcia Galiana Jane and Ogden Confer Mrs. Susan Denuccio Mr. and Mrs. William Frels Beverly Grossman Jeannie Holmes Kimberly and George Hudachek Diane and Paul Jacobson Patty and Warren Kelly Leni and David Moore Jr./Moore Family Fund for the Arts of The Minneapolis Foundation Jose A. Peris and Diana Gulden James Richardson and Dorothy J. Horns Mary and Christian Schrock Linda and Jesse Singh Greg Sullivan and Annie Frazer Dr. Norrie Thomas Bernt von Ohlen and Thomas Nichol William White
GOLD Allegro Fund of the Saint Paul Foundation Patricia Beithon Alexandra O. Bjorklund Mary and Gus Blanchard Susan Boren Darlene J. and Richard P. Carroll Family Fund of The Minneapolis Foundation Terrance and Susan Dolan Sara and Jock Donaldson William I. and Bianca M. Fine Charitable Trust Mary Ingebrand-Pohlad Mr. and Mrs. Philip Isaacson Mary and Barry Lazarus David and Diane Lilly Jeninne McGee Kendrick B. Melrose Donor Advised Fund of The Minneapolis Foundation Elizabeth Redleaf Mary Vaughan Elaine J. Wold
SILVER Anonymous Nina Archabal Sharon Bloodworth and Barrett Johnson Shari and David Boehnen Will and Margee Bracken Ann and Glenn Butterman Susan Calmenson and Vince Leo Ellie Crosby – The Longview Foundation Jay and Rebecca Debertin Kay Ness and Chris Wolohan Luis Pagan-Carlo and Joseph Sammartino Paul and Mary Reyelts Mahlon and Karen Schneider Missy Staples Thompson and Gar Hargens
SILVER Martha and Bruce Atwater Fund of The Minneapolis Foundation William Biermaier and David Hanson Jan Conlin and Gene Goetz Jay and Page Cowles Gail Fiskewold Dr. Richard Gregory Susanne Haas and Ross Formell Arthur W. Kaemmer Anna Kokayeff Kyle E. Kossol and Tom Becker Ilo and Peggy Leppik Diana Lee Lucker Alfred and Ann Moore C. Robert and Sandra Morris Rolf and Sarah Peters Margaret Poyner Galbraith Barton and Kimberly Reed Ken and Nina Rothchild David Smith Julie Steiner Ryan Taylor Dr. Andrew J. Thomas Stephanie C. Van D'Elden Charles Allen Ward Fund of The Saint Paul Foundation
BRONZE Anonymous (2) Richard Allendorf Dan and Martha Goldberg Aronson Thomas and Ann Bagnoli Michelle Blaeser Rachelle Dockman Chase Rusty and Burt Cohen Gisela Corbett and Peter Hyman Thomas and Mary Lou Detwiler Ralph D. Ebbott Dr. Mary Anne Ebert and Paul Stembler Joyce and Hugh Edmondson Ann Fankhanel Patricia R. Freeburg Michele Harris and Peter Tanghe Alfred and Ingrid Lenz Harrison Linda and John Hoeschler Jean McGough Holten Dr. Arthur and Fran Horowitz Mr. J. David Jackson Hubert Joly Janet N. Jones Robert and Susan Josselson Lyndel and Blaine King Robert and Venetia Kudrle Kenyon S. Latham
Robert L. Lee and Mary E. Schaffner Eric and Celita Levinson From the Family of Richard C. and Elizabeth B. Longfellow David MacMillan and Judith Krow Dorothy and Roy Mayeske Velia R. Melrose Fayneese Miller Betty Myers Sally and Thomas Patterson Kay Phillps and Jill Mortensen Mrs. William S. Phillips Peter and Rita Reed John and Sandra Roe Foundation Thomas D. and Nancy J. Rohde James and Andrea Rubenstein Bill and Janet Schaeder Frederick and Gloria Sewell Frank and Lynda Sharbrough John and Jill Thompson Debra R. Ting Drs. Gregory Weber and James Barnett Ellen M. Wells Nancy and Ted Weyerhaeuser Woessner Freeman Family Foundation
Ruth and Dale Bachman Christopher Beaudet Carl and Joan Behr David Bjork and Jeff Bengtson Ed and Mimi Bohrer Al Bradley Gerald Bradley Drs. Eli and Jan Briones Debra Brooks and James Meunier Stephen Bubul and Lee S. Lewis Scott Cabalka Steve Coleman Barb and Jeff Couture Mike and Stacey Crosby – The Longview Foundation Jean Deatrick and Eldon Feist Cy and Paula DeCosse Fund
Charles M. Denny Jr. and Carol E. Denny Fund of The Minneapolis Foundation Maureen and John Drewitz Joan Duddingston Laura and Tim Edman Salvatore Silvestri Franco Dayna and Ember Frank William W. and Susan G. Gerberich James and Rene Gesell Heidi and Howard Gilbert Marsha and Richard Gould Mrs. Myrtle Grette Thomas and Mary Gross Bruce and Jean Grussing Roger and Karen Hale Marion and Donald Hall
Nancy A. Harris Donald Helgeson and Sue Shepard Elfrieda Hintze Shirley Hogan Jill Irvine Crow H. H. Irvine Barbara Jenkins Bryce and Paula Johnson Julie Steiner Jane and Jim Kaufman Fund of The Minneapolis Foundation Margaret V. Kinney Andrea M. Kircher Sally and Bill Kling Mrs. James S. Kochiras Constance and Daniel Kunin James and Gail LaFave
BRONZE Karen Bachman Stephen and Margaret Blake Kenneth and Peggy Bonneville
SILVER Anonymous (4) Barbara Agard Thomas O. Allen Arlene and Tom Alm Katherine Anderson August Aquila and Emily Haliziw Orn and Margret Arnar Steve and Sharon Bachman Jo and Gordon Bailey Family Fund of the Catholic Community Foundation Rebecca D. Arons and Thomas J. Basting Jr Mr. and Mrs. Judson Bemis, Jr. Gerald and Phyllis Benson John and Cindy Beukema Patricia and Martin Blumenreich Larry Brandts Cheryl Brown Thomas and Joyce Bruckner Julie Bucknam Katherine L. Castille Ann Marie and Jim Collins Susan and Richard Crockett Helen and John Crosson Stephen Davis and Murray Thomas David C. Dudycha and Dorothy E. Vawter
Rondi Erickson and Sandy Lewis* Kathryn Fernholz Brian M. Finstad Mark Gilberstadt Billie Glade Jennifer Gross Jerold and Kathleen Hahn Rehael Fund – Roger Hale/Nor Hall of The Minneapolis Foundation Russell and Priscilla Hankins Laurie Hansen Burton and Sandra Hoverson Charlie Johnson Dale A. Johnson Nancy Jones Beverly Kasper Mary L. Kenzie Foundation Joseph and Carole Killpatrick Robert and Barbara Kueppers Anita Kunin Beatrice H. Langford Paula Leahy Cynthia and Lawrence Lee William and Gloria Levin Steve and Agnes Matheson Laura McCarten Kris and Bill McGrath Jon and Deb McTaggart John L. Michel and H. Berit Midelfort Virginia Miller Steven J. Mittelholtz Dede Ouren Marge and Dwight Peterson Walter Pickhardt and Sandra Resnick Lawrence M. Redmond Ann Richter Scott and Courtney Rile Bryn Roberts and Marcy Jefferson Ann M. Rock Bob Rose Liane A. Rosel Marian R. Rubenfeld and Frederick G. Langendorf Mary Savina Richard and Carol Seaberg Doris Jean Seely Madeline Simon Jon Spoerri and Debra Christgau Brian Staufenbiel Warren Stortroen Craig and Janet Swan Shoshana and Robert Tancer Josephine Trubek Marcelo Valdes Kenneth and Kathryn Valentas Elizabeth Wexler Barbara White Jeff Wiemiller and Joe Anderson Michael R. Wigley Frank and Frances Wilkinson John M. Williams James and Barbara Willis BRONZE Anonymous (2) Paul and Valerie Ackerman Rolf T. Anderson Susanne and Johan Bakken Gail and James Bakkom Thomas and Jill Barland Donald and Naren Bauer Longine Beck Sharla and Mark Beithon
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Barbara S. Belk Bender Vocal Studio Kenneth J. Berglund Sharon Bigot David and Diane Blake Judith and Paul Brandon Roger and Ronnie Brooks Jimmy W. Burnett Deborah Carlson Alan and Ruth Carp Herbert Colwill Michael Connaughton and Marya Teutsch-Dwyer Jeanne E. Corwin Doug and Ruth Crane Shana Crosson and John Gisselquist Mary Davidson Thomas B. Doran Sean and Kara Dorsey Dr. Donald A. Duncan Holli and Stefan Egerstrom Noah Eisenberg Leah and Ian Evison George A. Ferguson III Steven and Mimi Fisher Michael and Carol Garbisch Greta Garmers Nancy and Clyde Gerber Mark Giga Walt and Raeanna Gislason James and Jo Glasser James Glazier Laura Green David Groth Kathleen Hannon Lowell Hanson Stefan and Lonnie Helgeson John and Rosmarie Helling Arthur and Joan Higinbotham Cliffton and Sharon Hill Judith and Clayton Hovda Kathleen and Robert Humphrey Guillermo Irisarri Ray Jacobsen Mark and Jeanne Jacobson Ronald and Deborah Jans Jeanne And John LeFevre Charitable Fund Clayton Jelinek Erika Kahler Ed and Martha Karels James and Kathleen Karges Michael and Sheue Keenan Barry and Cheryl Kempton Robert Kieft Katharine Kragh Nathan Kulenkamp Sandra Larson David and Darlene Lee Darby Lunceford and Todd Wright Holly MacDonald and John Orbison Marsha Macey Stuart MacGibbon Dr. Joan E. Madden Donald and Rhoda Mains Vaciela Manos Kristin and Jim Matejcek Ehren McGeehan Mary Ann and John Mecom Adele Mehta John P. Miller James Miner Diana Mini and David Carroll
Karen Moline Jodi and Michael Mooney William and Imelda Muggli William Myers and Virginia Dudley Richard and Nancy Nelson Merritt C. Nequette Jay and Helen Newlin Patricia A. O'Gorman Ann Ormond Fennell Scott J. Pakudaitis Julia and Brian Palmer Allen Perriello John and Margaret Perry Jane M. Persoon Carol Peterson Judith Pettit Anne and John Polta Kevin Puts Joel D. Rainville and Kyle Olson Mallory A. Roberts Robert E. Rocknem Ronald Roed Michael and Tamara Root Michael Ryan Julia Sand Terry Sandven Kate Saumur Joan Semmer Jerald and Leona Shannon Daniel and Emily Shapiro Kathleen K. Simo David and Sheila Southwick Donna and Kenneth Speake Biruta and Andris Spruds Dr. David M. Steinhaus Anne and Nick Stukas Erika and Dan Tallman Charlott Taylor Katharine E. Thomas Marie J. Thomas Valerie Thompson Susan Truman Catherine Vesley John Vilandre Elaine Walker Stephanie Wexler Gregory and Ellen Weyandt John and Sandy White J. Andrew and Gary S. Whitford Holey Wendy Wildung Ann Wilhelmy James Wire Ruth Wood Ron Zweber and Peter Scott * in remembrance
and bring innovative opera productions to life. Visit mnopera.org/support to give online.
THANK YOU!
LA TRAVIATA 2018–19
Christl and Andrew Larson Laurence and Jean LeJeune Natalie Levin and Stephen Gilberstadt Benjamin Y. H. and Helen C. Liu Margery Martin and Dan Feidt Barbara McBurney Helen McCrossan Patricia N. and Samuel D. McCullough Gina and Sean McDermott Judith and James Mellinger Thomas P. Murtha and Stefanie A. Lenway Lucia Newell and Steven Wiese Joan and Richard Newmark Brandon and Melissa Novy Ahmad and Ruth Orandi Kelly and Michael Palmer Derrill Pankow James A. Payne Suzanne and William Payne Milo Pinkerton Mary and Roberts Price Sarah Rockler Leland T. Lynch and Terry Saario Fund of The Minneapolis Foundation Christine Sagstetter Sampson Family Charitable Foundation Fred and Gloria Sewell Cherie and Robert Shreck Kevin and Lynn Smith Daniel J. Spiegel Family Foundation Dana and Stephen Strand Sharon and Thomas Stoffel Ruth Stricker Dayton Carley, Bill, Kirsten, and Carolyn Stuber Jennifer and David Thomas Wendy and Paul Unglaub Joanne Von Blon David L. Ward John W. Windhorst Jr.
Minnesota Opera is a nonprofit charitable organization that relies on your support. • mnopera.org/donate
INDIVIDUAL GIVING
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SPECIAL GIVING LEGACY CIRCLE The following lists donors who, through their foresight and generosity, have included the Opera in their wills or estate plans. Anonymous (4) Norton Hintz* and Mary Abbe Paul and Val Ackerman Thomas Allen Cordelia Anderson and John Humleker Dr. and Mrs. Rolf Andreassen* Mary A. Andres Anonymous Karen Bachman Thomas and Ann Bagnoli Randolph G. Baier* Mrs. Harvey O. Beek* Patricia Beithon Barbara and Sandi Bemis* Dr. Lee A. Borah, Jr.* Susan S. Boren Al Bradley C.T. Bundy II Margaret M. Carasik Joan and George Carlson
NAMED ENDOWMENT FUNDS The following endowment funds, created by visionary and generous donors, continue the work of Minnesota Opera for future generations. Barbara White Bemis Fund for Artistic Enhancement
To enhance the quality of performances by providing funds to engage singers who have received awards through the Metropolitan Opera National Council Auditions. The appearances of Danielle
COMMEMORATIVE GIFTS The following lists donors who have made gifts in honor or in memory of a loved one between January 1, 2018 and December 31, 2018 IN HONOR OF:
Matthew Abernathy Dale Borgeson
Floyd R. Anderson Nina Archabal Karen Finseth
David Bjork and Jeff Bengston David W. Schwarz
Alexandra Bjorklund Elaine J. Wold
Corinna Bohren and the MN Opera Costume Department
MINNESOTA OPERA MNOPERA.ORG
Anonymous
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Shelli Chase
Luis Pagan-Carlo and Joseph Sammartino
Jane Confer
Ruth and John Huss
Ann Friese
Tess Habermann
Eric John Halvorson Sandra M. LeBlanc
Dale A. Johnson
Jamie and Jane Andrews Lisa Butcher Mark Campbell Katherine L. Castille Rachelle Chase and John Feldman Sara and Jock Donaldson Karen Finseth Brenda A Harris
Robin J. Carpenter* Darlene J. and Richard P. Carroll Julia and Dan Cross Julia W. Dayton Charles M. Denny Jr. and Carol E. Denny George* and Susan Doty Rudolph Driscoll* Anne P. Ducharme Rondi Erickson and Sandy Lewis Ester Fesler Daniel Freeman Dr. Paul Froeschl Katy Gaynor Nettie Grabscheid* Robert* and Ellen Green Dr. Ieva M. Grundmanis* Michelle Hackett Russell and Priscilla Hankins Julia Hanna* Frederick J. Hey, Jr.* Elfrieda Hintze Jean McGough Holten Charles J. Hudgins* Ruth Jones* Charles and Sally Jorgensen Robert and Susan Josselson Charlotte* and Markle Karlen Mary H. Keithahn
Beckvermit, grand finalist; Nicole Cabell and Joo Wan Kang, national semifinalists; Cecilia Violetta López and Christian Sanders, regional finalists; Stephen Martin, Wm. Clay Thompson and Christian Thurston, district finalists of the Metropolitan Opera National Council Auditions are made possible by this fund.
Daniel E. Freeman Endowment Fund To support Minnesota Opera’s education programs.
Dolly Fiterman Fund for New Production Opera Design
To support the creation of new productions by proving funds to engage designers and create new sets.
Ruth and John Huss Mary Ingebrand-Pohlad Diane and Paul Jacobson Lucy Rosenberry Jones and James E. Johnson Janice and William* Kimes Robert and Venetia Kudrle Mary and Barry Lazarus Dawn M. Loven Kristin and Jim Matejcek Leni and David Moore Theresa and Jim Murray Kay Ness Jose Peris and Diana Gulden Joel Puckett Kevin Puts Barton and Kimberly Reed Andrea and James Rubenstein Mahlon and Karen Schneider Roxanne Stouffer Cruz Carley and Bill Stuber Jennifer Thill Bernt von Ohlen and Thomas Nichol Andy Wilkowske Lani Willis and Joel Spoonheim Margaret Wurtele Adriana J. Zabala
Warren and Patty Kelly Margaret Kilroe Trust* Lyndel and Blaine King Gretchen Klein* Sally and Bill Kling Gisela Knoblauch* Liz and Jim Krezowski Robert Kriel and Linda Krach Robert and Venetia Kudrle Helen L. Kuehn* Robert "Jim" J. Lawser, Jr. Jean Lemberg* Joyce and Jerry Lillquist Dawn M. Loven David Mayo Barbara and Thomas* McBurney Mary McDiarmid Mildred McGonagle* Mary Bigelow McMillan* Sheila McNally* Mrs. Walter Meyers* John L. Michel and H. Berit Midelfort Susan Molder* Edith Mueller* Kay Ness Richard and Joan Newmark Scott J. Pakudaitis Derrill Pankow
Mrs. William S. Phillips Phyllis Price Brian and Trish Huberty Prokosch Richard G.* and Liane A. Rosel Ken and Nina Rothchild Mary Savina Josef Schermann Frank and Lynda Sharbrough Robert Shearer and Joan Gustafson Drew Stewart Gregory Swinehart and Mitra Walter Anthony Thein Stephanie C. Van D'Elden Mary Vaughan H. Bernt von Ohlen and W. Thomas Nichol Jean C. Wirsig* Richard Zgodava* William White Philip Oxman and Harvey Zuckman
Founders Endowment Fund
Valerie and Paul Ackerman Endowment Fund
To support new and innovate opera performances that honor the spirit, energy, and creativity of the founders in the beginning days of the Center Opera.
Joan Jacobs Rubenfeld Memorial Fund To support the attendance of high school students at MN Opera performances.
Minnesota Opera Center Preservation Fund
To support Opera Center building improvements. The Preservation Fund recognizes the legacies of Judson Bemis and Kevin Smith, who through their leadership created the Opera Center.
Ruth and John Huss
Fr. Michael Tegeder Carol C. Dittberner
J. & I. Zerhusen
Kirsten Zerhusen
IN MEMORY OF:
Connie Barnett
Joan Knudtson
Arlene B. Bryant
Maureen and John Drewitz
Dr. Nathan H. and Blanche Camm Barbara Leslie Camm
Maria M. Donovan Carolyn Mayo
Harold and Winnie Doran A. Brian Doran
Velia Melrose
Helen Hines
Brian and Jane Grivna
Charlotte J. Prentice
Dr. Azizollah Arabkhazaeli Faezeh and Khalid Effendi Carol Garcia Mervyn and Margiolina Hough Reza and Suzette Foroozan Yazdani
William Randolph Hearst Endowment for Education and Outreach Programs
To support Minnesota Opera’s education and outreach programs
Tim Leahy
Edward Foreman, bass
Coreen Nordling
To support the Resident Artist Program. The appearance of the Resident Artists in this production is made possible this endowment fund.
Ryan Taylor
Winston Kaehler
Kendrick B. Melrose Family Foundation
Virginia L. Stringer Endowment of the Minnesota Opera Resident Artist Program
Herbert Kahler
Sarah L. Irwin
Lucas Ernst
Peter and Anne Wildenborf
To support the attendance of youth at Minnesota Opera performances.
Scott and Courtney Rile
Kelly Kaduce Dan Morris
For more information on making estate plan arrangements, please contact Mallory Roberts, Development Director, at 612-342-9566.
George Ferguson Dr. Gilliam Horrocks
Maureen and John Drewitz
Martha Kaemmer
Cheryl Brown Art and Marther Kaemmer Fund of the HRK Foundation MAHADH Fund of the HRK Foundation Jeffrey Masco
Nicholas Butler Pamela Brophy Mary Finstad Mary Flowers Annie Foley Rick Gilmore Daniel Hollihan Judith A. Johnson Dennis M. Leahy Paula Leahy Mark Mallander Edward Ophelan Laurel Pohtilla June Rodysill Gretchen Shanight
Jerry LeFevre
Jennifer Gross
Sara Livshitz
Mikhailenko Family
Diana E. Murphy
Emily Brower Sara and Jock Donaldson Miriam and Erwin Kelen Judy Lebedoff and Hugh Klein Mary Krska Edward Kuske Paul A. Magnuson United States District Court of Minnesota Mary Vaughan Dan Weiner Ann C. Williams
Jon L. Schasker
Debbie Carlson
Audrey Stottler Lila Olson
Ruth Wallentine
Maureen and John Drewitz
Ann M. Wilhelmy Anonymous
* in remembrance
SHARE THE JOY OF OPERA AND CONSID ER A S PONSORSH IP! Calling all super-fans and opera fanatics! Everyone has their own unique opera story. Perhaps your first date with your partner was a performance of Don Giovanni, or you listened in awe as Kelly Kaduce's voice soared throughout the Ordway. Perhaps you spent hours practicing and performing the violin in college. Minnesota Opera offers exciting opportunities to sponsor a mainstage production, principal artists, and players in MN Opera's orchestra. A sponsorship can be a wonderful way to celebrate a milestone event, anniversary, birthday, or pay tribute to a very special person in your life. For more information on the unique benefits and the array of sponsorship opportunities for the 2019-20 season, please contact Nickolas Sanches at nsanches@mnopera.org or 612-342-9550.
❝
...there’s an indescribable feeling that I get when I experience opera. It feeds my soul. I’m so happy to give to Minnesota Opera.”
— Jeannie Holmes, La Traviata Sponsor
“Sometimes it feels like the opera is a chance for big kids to dress up in play clothes and listen to great music, but in truth, I support, because this artform brings me such joy, and I want to share that joy with others. I believe that no matter who you are or where you’re from, there’s always a place for you in the arts. I also want to do my part to preserve history; whether it be the original architecture of my home or filling it with art that inspires me. One of my favorite painting depicts a woman dancing in a red dress. To me, there’s music to this painting. It sings. It makes
me feel good. It reminded me of how I felt when I experience Rusalka at Minnesota Opera. It inspired me to help recreate that experience through La Traviata, share it with others, and preserve this historic artform. Finally, I want to set an example and show the joys of philanthropy to my daughter, Johannah. It’s so important that we all give back, and especially as single women, it feels empowering to make our own decisions and to contribute to what is important to us. My daughter has chosen the environment, and I have chosen the arts.” — Jeannie Holmes
“We have enjoyed Minnesota Opera for nearly twenty years, and for most of these years, we have been proud “local parents” for Resident Artists. We were fortunate to host Siena Forest during her RAP tenure and, then have followed her career ever since. It was a great joy to sponsor her return to the Ordway in The Italian Straw Hat.” photo © Nate Haustein
—Chip and Vicki Emery
“Over the last 16 years, we’ve found ourselves lucky to find good company and friendship among those who make up the MN Opera family. Recently, we’ve had the honor of sponsoring the orchestra chair held by bassist John Michael Smith. Through this sponsorship, we’ve had the chance to become better acquainted with one of the many fine artists who contribute to the quality of every MN Opera performance. The company’s productions are of a consistently high standard, entertaining, and thought-provoking. MN Opera elevates and entertains the community and we’re proud to give it our financial support.” —Kenneth and Peggy Bonneville
INSTITUTIONAL GIVING MINNESOTA OPERA G R A T E F U L LY A C K N O W L E D G E S ITS MAJOR INSTITUTIONAL SUPPORTERS: $ 1 0 0,0 0 0 +
This activity is made possible by the voters of Minnesota through a Minnesota State Arts Board Operating Support grant, thanks to a legislative appropriation from the arts and cultural heritage fund.
Art and Martha Kaemmer Fund of the HRK Foundation THE ANDREW W.
MELLON FOUNDATION
$ 50,0 0 0 – $ 9 9, 9 9 9
$ 2 5,0 0 0 – $ 49, 9 9 9
$ 1 0,0 0 0 – $ 24, 9 9 9
Rahr Foundation
Fred C. and Katherine B. Andersen Foundation
MAHADH Fund of the HRK Foundation
MINNESOTA OPERA MNOPERA.ORG
$5,0 0 0 – $9,999
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The Aaron Copland Fund for Music Inc. Boss Foundation Curtis L. Carlson Family Foundation Dellwood Foundation Ernst & Young Faegre Baker Daniels Anna M. Heilmaier Charitable Foundation Hutter Family Foundation
Hardenbergh Foundation
Mayo Clinic Rahr Corporation RBC Wealth Management Schwegman, Lundberg & Woessner P.A. St. Paul Cultural STAR Thomson Reuters Travelers Foundation Twin Cities Opera Guild Xcel Energy
$ 2 , 50 0 – $ 4, 9 9 9
$ 2 50 – $ 2 , 49 9
Anonymous Amphion Foundation Kitselman Foundation Margaret Rivers Fund Peravid Foundation The Elizabeth C. Quinlan Foundation Tennant Foundation
Anonymous Ernst & Young LLP Enterprise Holdings Foundation Great River Energy McVay Foundation Onan Family Foundation Romanaggi Foundation USI Insurance Services
For more information about making a corporate or foundation contribution to Minnesota Opera, please contact Diana Konopka at dkonopka@mnopera.org or 612-342-9565.
MINNESOTA OPERA SPONSORS SEASON SPONSOR
OFFICIAL MAKE-UP PARTNER
OFFICIAL HOTEL OF MINNESOTA OPERA
IN-KIND
MEDIA PARTNER
MEDIA PARTNER
FASHION PARTNER
repre sent
For advertising in Minnesota Opera programs, or with other arts partners we represent:
WORSHIP
mary-kate@artsink.org 612.791.3629
The creative agency for the arts
artsink.org
MUSIC
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Sunday mornings at 10 a.m. Or visit hohchurch.org to learn more.
LA TRAVIATA 2018–19
FRONTIERS
Minnesota Opera is a nonprofit charitable organization that relies on your support. • mnopera.org/donate
MISSION
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JULY 2019
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