NOV 26-27
Sarah Hicks, conductor BIG BAND HOLIDAYS: JAZZ AT LINCOLN CENTER ORCHESTRA*
NOV 30
Jazz at Lincoln Center Orchestra Dianne Reeves, vocals Samara Joy, vocals EL MESÍAS (THE MESSIAH)
DEC 9-10
Ahmed Anzaldúa, conductor Minnesota Orchestra Border CrosSing, chorus and Andean ensemble MERRY & BRIGHT*
DEC 11
Charles Lazarus, trumpet A HOLIDAY EVENING WITH KRISTIN CHENOWETH
DEC 13
Mary-Mitchell Campbell, conductor Kristin Chenoweth, vocals ELF IN CONCERT WITH THE MINNESOTA ORCHESTRA
DEC 17-18
Sarah Hicks, conductor GEORGE WINSTON* DEC 19
George Winston, piano
DEC 31-JAN 1
Marin Alsop, conductor Awadagin Pratt, piano
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CONDUCTOR EMILY SENTURIA STAGE DIRECTOR MO ZHOU SCENIC DESIGNER DOTS COSTUME DESIGNER TYLER M. HOLLAND LIGHTING DESIGNER MARIE YOKOYAMA HAIR AND MAKEUP DESIGNER EMMA GUSTAFSON INTIMACY AND FIGHT DIRECTOR ALESSANDRA BONGIARDINA MUSICAL PREPARATION MARIO ANTONIO MARRA, Head of Music & Assistant Conductor CELESTE MARIE JOHNSON° Principal Coach and répétiteur ERICA GUO+, répétiteur ASSISTANT STAGE DIRECTOR MARGARET JUMONVILLE* PRODUCTION STAGE MANAGER EMILY BUTZI CREATIVE TEAM GOFFREDO CHRISTINA HAZEN+ RINALDO PATRICK TERRY HERALD EFRAÍN CORRALEJO+ ARGANTE CHARLES H. EATON+ ARMIDA KEELY FUTTERER+ ALMIRENA SYMONE HARCUM* ° SIREN VICTORIA KOROVLJEV PSYCHIC JEREMIAH SANDERS+ in order of vocal appearance CAST WORLD PREMIERE AT THE QUEEN’S THEATRE IN LONDON ON FEBRUARY 24, 1711 SUNG IN ITALIAN WITH ENGLISH CAPTIONS PROJECTED LIBRETTO BY Giacomo Rossi MUSIC BY George Frideric Handel + MN OPERA RESIDENT ARTIST * MN OPERA COMPANY ARTIST ° MN OPERA RESIDENT ARTIST ALUM 4 MINNESOTA OPERA MNOPERA.ORG
ESTIMATED RUNNING TIME
2 hours and 30 minutes with a 20-minute intermission approximately 60 minutes into the show.
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Minnesota Opera
ACT I
Goffredo, the head of a hugely successful business owned by his old-money family, is leading his entourage to a meeting with his competitors to discuss a merger. Goffredo is joined by Rinaldo, his daughter’s (Almirena) fiancé. As Goffredo sings joyously of the impending acquisition, Rinaldo declares his passion for Almirena. Goffredo confirms he will give the young couple his blessing if Rinaldo proves helpful in finalizing the merger. An intern announces the arrival of his boss Argante, the figurehead of the opposing new-money venture. Argante requests a three-day extension before the deal is finalized to which an amused Goffredo agrees. After Goffredo leaves, Argante waits for his business partner and mistress, Armida — the real decision-maker in the business — to arrive. She arrives furious, realizing she missed the meeting, and informs Argante that the only way to avoid merging is to smear Rinaldo’s good name — a task that she is prepared to undertake.
On vacation in the Hamptons, Rinaldo and Almirena relax by the pool and blissfully daydream about their upcoming wedding. Suddenly, they are interrupted by Armida and her employees who abduct Almirena from Rinaldo’s embrace. Goffredo arrives to find Rinaldo in distress.
Rinaldo tells his soon-tobe father-in-law what has happened, and the pair decides to visit a psychic who may have the power to eliminate Armida and rescue Almirena.
On the riverbank, Goffredo and Rinaldo draw closer to the psychic, when suddenly a beautiful woman appears. She promises Rinaldo that she can take him to Almirena, and he impulsively follows her, much to his companion’s dismay. Fighting despair, Goffredo makes a desperate pact with himself to save his business empire and find his daughter.
ACT II
Almirena is being held captive in Armida’s apartment. She is guarded by Argante who, overcome by her beauty and vulnerability, confesses that he has fallen in love with her. He promises to defy Armida’s commands and free Almirena if she, in turn, promises to return his love. Meanwhile, Rinaldo is brought before Armida. He angrily demands that Almirena be set free. Armida, drawn to Rinaldo’s noble spirit, finds herself falling for the daring young man. She attempts to seduce him by using her powers to assume Almirena’s form. Rinaldo quickly snaps out of Armida’s hypnotic spell and breaks free. As Armida grapples with Rinaldo’s rejection, Argante appears. He mistakes Armida (still in Almirena’s form) for the beautiful captive he professed his love to only moments before, and repeats his earlier promise of love and freedom. Armida swiftly resumes her own form and denounces her partner’s infidelity, vowing vengeance as she departs in fury.
Goffredo has found the psychic and is told that Almirena is being held captive in Armida’s apartment. As the psychic leads Goffredo to his daughter, Goffredo vows to rescue Almirena and take revenge on Armida.
Back at Armida’s apartment, Armida is threatening to kill Almirena when Rinaldo returns, begging Armida to spare his fiancée. Suddenly, Goffredo and the psychic arrive and aid the couple’s escape. The four friends celebrate their reunion.
Argante and Armida are reconciled by imminent danger from their common enemy. They rekindle their flame and prepare for the coming market manipulation battle on the stock exchange floor. A sizzling market battle ensues. When the dust clears Goffredo’s team emerges victorious and Rinaldo and Almirena celebrate their love. Armida, after reckoning with her losses upon market close, realizes the merger will be beneficial to all involved. The two companies make a toast and prepare to join forces so that they may continue to manipulate the market, growing their fortunes at the expense of their new enemy, the working class.
MINNESOTA OPERA MNOPERA.ORG 6 SYNOPSIS
COSTUME RENDERING BY TYLER HOLLAND
People often chuckle in disbelief when I tell them Rinaldo is my favorite opera. Indeed, this exuberant gem of Baroque opera has uplifted and soothed me throughout many ups and downs of life — especially the character of Armida. For years, I have used her “Vo' far guerra” as my alarm clock — waking up to her glorious music somehow always gives me the drive to stand up and fight for the battle I need to face each day.
In retrospect, I can understand why I resonate so much with this opera. Rinaldo was Handel’s first opera written for London, composed to Aaron Hill’s scenario, based on Torquato Tasso’s Gerusalemme liberata, given its first performance at the Queen’s Theatre, Haymarket, in 1711. Despite his popularity in Hanover, Handel was an unknown foreign artist to London audiences. In a way, the music of Rinaldo reflects his determination to prove and
❝Handel was an unknown foreign artist to London audiences. In a way, the music of Rinaldo reflects his determination to prove and conquer as an ‘outsider.’”
conquer as an ‘outsider.’ Like Handel, I am a foreigner who has spent the past decade trying to prove myself in the field of opera in America — maybe that’s why I pick up so many emotional undercurrents within this opera.
Yet, from a critical analysis perspective, Rinaldo has its problems — most evidently, the original plot was based in biased and problematic portrayals of Muslims, which we find unacceptable. Therefore, I was especially mindful and cautious when I was offered to direct Rinaldo at Minnesota Opera. Our conductor, Emily Senturia and I reviewed the libretto of the opera and edited out antiquated and offensive expressions from the original texts. Moreover, through my research on the First Crusade, I notice that people tend to forget that opening the trade market also plays a pivotal role in this saga.
With this notion in mind, I decided to transform the story into a fantasized corporate world in mid-1980s on Wall Street. Differing from the original plot, our production has no absolute saint or villain; Goffredo, Rinaldo, and Almirena represent the ‘Old Money’ family in America, whereas Argante and Armida are the stock aristocrats who have amassed huge fortune thanks to the long bull market. Each side is fighting for monetary control of the market. Moreover, I am really interested in examining the parallel trajectories between Almirena and Armida — how do those two women, who
come from drastically different backgrounds, carve out a place for themselves in a maledominant business world. It is not about one hero who saves the world. Rather, I want to explore the gray areas in the intertwined world of those characters.
Some friends have dubbed this concept as the opera version of Working Girl while others referred to it as the classical music version of Succession Whatever references you can relate to, I hope you get to enjoy this production of Rinaldo as an eerily fascinating corporate carnival. As a society, we have progressed so much in finetuning our value system — what used to be overlooked in classical canons cannot be ignored, which is indeed a blessing for creative workers at this moment. Yet, in some respects, I find we still get entrapped in a similar cycle — thinking about the soaring inflation and rollercoasters of the stock market right now, have we really learned our lesson? I look forward to exploring this together with you all in this production.
MO ZHOU STAGE DIRECTOR
❝
DIRECTOR'S NOTES
mnopera.org/donate RINALDO 2022–23 7
It is not about one hero who saves the world. Rather, I want to explore the gray areas in the intertwined world of those characters.”
Minnesota
Opera
is a nonprofit charitable organization that relies on your support. •
ALESSANDRA BONGIARDINA
INTIMACY AND FIGHT DIRECTOR
BROOMFIELD, CO
Minnesota Opera Debut
Carmen, 2022
Notable Engagements
Vietgone, Guthrie Theater
The Tempest, Guthrie Theater
Romeo & Juliet, University of Minnesota
Airness, Park Square Theatre
Circle Mirror Transformation, Thunder River Theater Company
EFRAÍN CORRALEJO
HERALD
LEON, GUANAJUATO, MEXICO
Minnesota Opera Debut
Edward Tulane, 2022
Notable Engagements
Don Giovanni, Minnesota Opera*
Eugene Onegin, Highlands Opera Studio
Davide Penitente, Palace of Fine Arts – Mexico City
The Barber of Seville, Curtis Institute of Music
DOTS
SCENIC DESIGNER
BOGOTA, COLOMBIA / JOHANNESBURG, SOUTH AFRICA / TOKYO, JAPAN
Minnesota Opera Debut Rinaldo, 2022
Notable Engagements
The Sign in Sidney Brustein’s Window, BAM
Harvey Theater*
La traviata, Wolf Trap Opera
Kate Berlant is KATE, Connelly Theater
You Will Get Sick, Roundabout Theater Company tick, tick...Boom!, Portland Center Stage
CHARLES H. EATON
ARGANTE
STORRS, CT
Minnesota Opera Debut
Silent Night, 2018
Notable Engagements
Don Giovanni, Minnesota Opera*
The Daughter of the Regiment, Minnesota Opera*
Carmen, Minnesota Opera
The Ghosts of Versailles, Royal Opera Versailles
Showboat, The Glimmerglass Festival
A Little Night Music, Madison Opera
KEELY FUTTERER
ARMIDA
DOVER, AR
Minnesota Opera Debut
Edward Tulane, 2022
Notable Engagements
Tenor Overboard, The Glimmerglass Festival
Così fan tutte, Opera Memphis
At the Statue of Venus, Opera Memphis
The Companion, Opera Memphis
La fille du régiment, Opera Saratoga
EMMA GUSTAFSON
HAIR AND MAKEUP DESIGNER
NORTH BRANCH, MINNESOTA
Minnesota Opera Debut
Thaïs, 2018
Notable Engagements:
Hello, Dolly!, Theater Latte Da*
Cambodian Rock Band, Jungle Theater
The Anonymous Lover, Minnesota Opera
Thunder Knocking On The Door, Ten Thousand Things
Annie, Children's Theatre Company
SYMONE HARCUM
ALMIRENA
BALTIMORE, MD
Minnesota Opera Debut
The Anonymous Lover, 2022
Notable Engagements
Don Giovanni, Minnesota Opera*
The Factotum, Lyric Opera of Chicago* Carmen, Minnesota Opera
Carmen, The Glimmerglass Festival
Le nozze di Figaro, Virginia Opera
CHRISTINA HAZEN
GOFFREDO
LOVELAND, CO
Minnesota Opera Debut
Rinaldo, 2022
Notable Engagements
Don Giovanni, Minnesota Opera*
The Pirates of Penzance, Cincinnati Opera
Messiah, Dayton Philharmonic Orchestra
The Hours, Cincinnati Opera/Opera Fusion
La traviata, Dayton Opera
Le nozze di Figaro, Cincinnati CollegeConservatory of Music Opera
TYLER M. HOLLAND
COSTUME DESIGNER
BROOKLYN, NY
Minnesota Opera Debut Rinaldo, 2022
Notable Engagements
Contradict This!, La Mama Theatre, NYC Midsummer, A Banquet, Cafe Fée, NYC
Peter Pan, Xié Dao, Beijing
Culture/Shock, Brassaii Noir, Toronto Christmas in Hell, The York Theatre, NYC
VICTORIA KOROVLJEV
SIREN CLINTON, MI
Minnesota Opera Debut
La rondine, 2018
Notable Engagements
Die Zauberflöte, Indianapolis Opera*
Gallantry, Indianapolis Opera*
The Pirate’s Daughter, Romanza Lyric Opera*
Stinney: An American Execution, Opera Grand Rapids
Pippin, Northern Light Opera Company
JEREMIAH SANDERS
PSYCHIC
MARION, IN
Minnesota Opera Debut
Edward Tulane, 2022
Notable
Engagements
The Daughter of the Regiment, Minnesota Opera*
Ariadne auf Naxos, Lakes Area Music Festival
Porgy and Bess, Des Moines Metro Opera
Three Decembers, South Bend Lyric Opera
The Tales of Hoffmann, Union Avenue Opera
EMILY SENTURIA
CONDUCTOR
SAN FRANCISCO, CA
Minnesota Opera Debut Rinaldo, 2022
Notable Engagements
Il barbiere di Siviglia, Houston Grand Opera
Fellow Travelers, Boston Lyric Opera
Sky on Swings, Opera Saratoga
Ariadne auf Naxos, Wolf Trap Opera
Semele, Opera Santa Barbara
Denis & Katya, Opera Philadelphia
MN OPERA COMPANY ARTIST MN OPERA RESIDENT ARTIST MN OPERA RESIDENT ARTIST MN OPERA RESIDENT ARTIST MN OPERA RESIDENT ARTIST MN OPERA RESIDENT ARTIST MINNESOTA OPERA MNOPERA.ORG 8 CAST + CREATIVE TEAM
PATRICK TERRY RINALDO
JANESVILLE, WI
Minnesota Opera Debut
Silent Night, 2011
Notable Engagements
Hamlet, Bayerische Staatsoper* Alcina, Opera North
Berenice, Royal Opera House
Rinaldo, Glyndebourne Festival Opera Phaedra, Royal Opera House
MARIE YOKOYAMA
LIGHTING DESIGNER
TOKYO, JAPAN
Minnesota Opera Debut Rinaldo, 2022
Notable Engagements
HER: alive/un/dead, Guerilla Opera, Boston* note to a friend, Tokyo Bunkakaikan, Japan*
Kim's Convenience, Westport Country Playhouse, CT
Do You Feel Anger Vineyard Theatre, NY Testmatch, A.C.T., San Francisco
MO ZHOU
STAGE DIRECTOR
NANJING, CHINA
Minnesota Opera Debut Rinaldo, 2022
Notable Engagements
The Big Swim, Houston Grand Opera*
Iphigénie en Tauride, Boston Baroque*
Gianni Schicchi & Buoso’s Ghost, Florida Grand Opera* Don Giovanni, Florida Grand Opera
The Diaries of John Rabe, Staatsoper Berlin, Elbphilharmonie Hamburg, National Centre of Performing Arts in China
MINNESOTA OPERA ORCHESTRA
VIOLIN I
Allison Ostrander Concertmaster Natalia Moiseeva Assistant Concertmaster
Julia Persitz David Mickens
VIOLIN II
Laurie Petruconis* Elise Parker+ Emily Saathoff
VIOLA
Emily Hagen* Laurel Browne+
CELLO
Teresa Richardson* Sally Gibson Dorer+
BASS John Michael Smith* Nadja Gale+
OBOE Michael Dayton* Jeffrey Marshak
BASSOON Laurie Hatcher Merz*
TRUMPET
John G. Koopmann* Christopher Volpe
THEORBO Phillip Rukavina
TIMPANI Kory Andry*
HARPSICHORD Erica Guo°
* Denotes
+ Denotes
°
SUPERNUMERARIES Justin Michael Cooke Krystle Igbo-Ogbonna Anissa Lubbers
Principal
Assistant Principal
Minnesota Opera Resident Artist
Meet the team of Architects and Designers who helped transform The Luminary. 275 Market Street #292 | Minneapolis, MN 55405 | shelterarchitecture.com
RINALDO 2022–23 9 CAST + CREATIVE TEAM + ORCHESTRA + SUPERNUMERARIES
PHOTO BY DAN NORMAN
Minnesota Opera is a nonprofit charitable organization that relies on your support. • mnopera.org/donate
STAFF BOARD OF DIRECTORS
OFFICERS
Chair | Nadege Souvenir
President and General Director | Ryan Taylor
Vice Chair | Mark Gordon
Secretary | Barton Reed
Treasurer | Jeninne McGee
DIRECTORS
Joelle Allen
Patricia Beithon
Meg Blake
Sharon Bloodworth
Sosha Brink
Jane Confer
Roma CalatayudStocks
Terrance Dolan
Gayle Fuguitt
Dorothy Horns, M.D. Amy Hoffman Mary IngebrandPohlad Philip Isaacson
Diane Jacobson, Ph.D. Deborah Jiang-Stein
Anna Kokayeff, M.D. Mary Lazarus Robert Lee
Natalie Volin Lehr Rachelle McCord
Fayneese Miller, Ph.D. Kay Ness James Powell
Elizabeth Redleaf Cris Ross Mary Schrock
Missy Staples Thompson William White Margaret V.B. Wurtele Wayne Zink
EXECUTIVE
President and General Director | Ryan Taylor Executive Manager | Andrew Sun
ADMINISTRATIVE
Vice President, Administration and Board Relations | Theresa Murray Human Resources Director | Jen Thill
Luminary Arts Center Director | Julia Gallagher Front of House Manager, Luminary Arts Center | Zachary Staads
ADVANCEMENT
Vice President, Advancement | Lani Willis
DEVELOPMENT
Associate Institutional Giving Director | Esther Blevins
Development Director | Jeremie Bur Strategic Growth Director | Erin Flannery
Associate Individual Giving and Fundraising Events Director | Leila Keïta
Development Associate |
Jonathan Lundgren
Associate Patron Relations Director | Kristin Matejcek
Campaign and Annual Giving Manager |
Charlotte Summers
MARKETING AND
COMMUNICATIONS
Marketing and Communications Director | Eric Broker
Marketing Manager | Essie Lash Communications Manager | Severin Lier Graphic Designer | Genie Hien Tran
Digital Marketing Associate | Daniel Bynum Interim Marketing and Communciations Associate | Thomas Bryant
PATRON SERVICES
IMPACT
Vice President, Impact | Lee Bynum
Equity, Diversity, and Inclusion Director | Rocky Jones
Access and Civic Engagement Director | Samuel A. Phillips
Access & Civic Engagement, Assistant Director | Frankie Charles
Creative Development Program Director | Daniel Fung
Creative Development Program Manager | Yuanfei Chen
Equity, Diversity, and Inclusion Coordinator | Emilia Mettenbrink Youth Programs Music Directors | Sara Sawyer, Jared Miller, Rick Hoops
PRODUCTION
Vice President, Production | Karen Quisenberry
PRODUCTION AND FACILITIES
Associate Production Directors | Genoveva Castañeda, Kerry Masek
Technical & Facilities Director | Josh Peklo
Costume Director | Corinna Bakken
Assistant Technical & Facilities Director | Jerry K. Smith
Facilities Manager | Steve Mittelholtz
Lighting Coordinator | Ray Steveson Jr.
Production Operations Coordinator & COVID Safety Manager | Sarah Lockwood Tech Lighting Assistant | Jeff Bartlett
STAGING STAFF
Production Stage Manager | Emily Butzi
Assistant Stage Managers | Patricia Garvey, Jes Harris, Kelani Mueller
Company Artist Assistant Stage Director | Margaret Jumonville
SCENERY AND PROPERTIES
Production Carpenter | Max Gilbert
HONORARY DIRECTORS
Philip Brunelle
Liz Kochiras
PRESIDENT’S COUNCIL
Karen O. Bachman
John A Blanchard, III
Susan Boren King
Burton Cohen
Ellie Crosby
John Huss Ruth Huss
James E. Johnson
Lucy Rosenberry Jones
Gale Sharpe
Kevin H. Smith Virginia Stringer Mary W. Vaughan
Patron Services Manager | Karl Annable Tessitura Administrator | Kevin Beckey Patron Services Coordinator | Alexis Alcala Patron Services Representatives | Carol Corich, Evy Johnson, Walid Keïta, Emily Ross
ARTISTIC
Vice President, Artistic | Joseph Li Head of Music | Mario Antonio Marra Company Manager | Roxanne Stouffer Cruz Artistic Administrator | Salvatore S. Vasta III
Principal Coach & Chorus Director | Celeste Marie Johnson Company Artist | Symone Harcum Resident Artists | Efraín Corralejo, Charles H. Eaton, Keely Futterer, Erica Guo, Christina Hazen, Jeremiah Sanders
FINANCE
Vice President, Finance | Janelle Erickson Controller | Patty Wilber System Administrator | Tony Ngonekeo Staff Accountant | Chris Olsen
TEMPO COUNCIL
MEMBERS
Sosha Brink
Marjahn Golban
Raegan Henderson
Alison Jarzyna
Elijah Saiger
Jon Tollefson
Senior Carpenter | Eric Veldey
House Technician, Luminary Arts Center | Ren Effertz
Carpenters | Grant Bowen, Ella Egan
Scenic Painter | Erica Zaffarano
Properties | Ursula Bowden, Karen Jenson, Rachel Krieger, Kellie Larson, Jenny Moeller
COSTUMES
Costume Administrator | Molly O’Gara
Tailor | Yancey Thrift
Drapers | Katrina Benedict, Chris Bur
Costume Crafts and Dye Head | Danielle Jordan
First Hands | Helen Ammann, Sara Huebschen, Rebecca Karstad
Stitchers | Brigid Borka, Ann Friese, Brandi Mans
Hair and Makeup Designer and Supervisor | Emma Gustafson
Hair and Makeup Run Crew |
Krystyana Campbell, Alex Xiong
VOLUNTEERS
Ann Drivas
David Earp
Julie Karlson
Hilary Smith Norman Tiedemann
Minnesota Opera is a proud member of The Arts Partnership with the Ordway Center for the Performing Arts, The Saint Paul Chamber Orchestra, and Schubert Club
MINNESOTA OPERA MNOPERA.ORG 10 BOARD + STAFF
LEGACY CIRCLE
The following lists donors who, through their foresight and generosity, have included Minnesota Opera in their wills or estate plans.
Anonymous Mrs. Mary Abbe Paul and Valerie Ackerman
Thomas O. Allen
Dr. and Mrs. Rolf Anderassen* Mary A. Andres
Ms. Karen O. Bachman
Thomas and Ann Bagnoli Patricia Beithon
Al Bradley
Susan S. Boren King
C.T. Bundy II
Margaret M. Carasik
Debbie Carlson
George and Joan Carlson Richard and Darlene Caroll Julie and Dan Cross Mary L. Davidson*
NAMED ENDOWMENT FUNDS
The following endowment funds, created by visionary and generous donors, continue the work of Minnesota Opera for future generations.
Art of Singing Endowment Fund
To support exceptional training for Resident Artists by providing learning opportunities with leading artists and experts.
Julia W. Dayton*
Charles Denny*
Ms. Susan Doty Anne P. Ducharme
Margaret E. Durham*
Dr. Mary A. Ebert and Paul Stembler
Rondi Erickson and Sandy Lewis* Mrs. Ester L. Fesler
Salvatore Silvestri Franco
Daniel E. Freeman
Charles J. Frisch Dr. Paul Froeshl Katy Gaynor Mrs. Ellen Green Michelle Hackett Russell and Priscilla Hankins Elfrieda Hintze*
Mrs. Jean M. Holten John Humleker and Cordelia Anderson
Steven J. Johnson*
Dr. Charles and Sally Jorgensen Dr. Robert and Susan Josselson John and Kathleen Junek Dr. Markle Karlen Mary H. Keithahn
Patty and Warren Kelly Blaine and Lyndel King Sally and Bill King James and Liz Krezowski
Dr. Robert L Kriel and Dr. Linda E. Krach Robert and Venetia Kudrie
Jim Lawser and Duane Bandel
Gerald and Joyce Lillquist Dawn M. Loven
David Mayo
Barbara McBurney
Mary McDiarmid
Mary Bigelow McMillan*
Mrs. Walter Meyers Estate
John L. Michel and H. Berit Midelfort
Karla Miller
Kay Ness and Chris Wolohan Richard and Joan Newmark Scott J. Pakudaitis
Derrill Pankow
Mrs. Sydney Phillips Ms. Phyllis Price Brian and Patricia Prokosch Mrs. Liane A. Rosel Ken and Nina* Rothchild Mary Savina
Barbara White Bemis Fund for Artistic Enhancement
To enhance the quality of performances by providing funds to engage singers who have received awards through the Metropolitan Opera National Council Auditions.
Daniel E. Freeman Endowment Fund
To support Minnesota Opera’s education programs.
Dolly Fiterman Fund for New Production Opera Design
To support the creation of new productions by providing funds to engage designers and create new sets.
Founders Endowment Fund
To support new and innovative opera performances that honor the spirit, energy, and creativity of the founders in the beginning days of the Center Opera.
Joan Jacobs Rubenfeld Memorial Fund
To support the attendance of high school students at MN Opera performances.
Minnesota Opera Center Preservation Fund
To support Opera Center building improvements. The Preservation Fund recognizes the legacies of Judson Bemis and Kevin Smith, who through their leadership created the Opera Center.
Jon L. Schasker*
Josef Schermann
Mary H. and Christian G. Schrock
Dr. Frank and Lynda Sharbrough
Robert Shearer and Joan Gustafson
Mr. Drew Steward and Ms. Anna Hargreaves
Mr. Gregory C. Swinehart and Ms. Mitra Walter
Dr. Anthony Thein
Stephanie C. Van D’Elden Mary W. Vaughan
H. Bernt von Ohlen and W. Thomas Nichol
William White
Mr. Harvey Zuckman and Mr. Phillip Oxman
For more information on making estate plan arrangements, please contact Jeremie Bur at jbur@mnopera.org
* in remembrance
COMMEMORATIVE GIFTS
The following lists donors who have made gifts in honor or in memory of a loved one between July 1, 2021–October 1, 2022.
IN MEMORIAM
lan Klevit
Anonymous
Alyda Mini Diana Mini and David Carroll
Arthur and Judith Brindley Eric Brindley
Daniel Gacki Boren Family Fund
Daniel Prins Janet Johanson
Dean and Karin Phillips Jan and Janet Phillips
Elfrieda Hintze
Linda King
Elisabeth and John Heefner Elisabeth and John Heefner
Enrique Rotstein Timothy and Susanna Lodge
Eva Csathy Eva Weyandt
Irene Browning Paul Zerby and Ann Browning Zerby
Joan Jacobs Rubenfeld Marian Rubenfeld
Joan and Joe Nagle Ms. Sarah Nagle
Jon Schasker Deborah Carlson
Joy Smiley Zabala Adriana Zabala
Judy Anderson Brindley Arthur and Judith Brindley Ruth and John Huss
Judy Dayton Christine and Jon Galloway Rachelle Chase and John Feldman
Judy Lear David Ward
Marilyn Johnson Christopher Peterson
Mark Lindblad Ms. Kathleen S Lindblad
Michael Birt Ms. Maria Eggemeyer
Mr. Gordon Ray Travis Susan Travis
Mr. Robert E. Rocknem Ann Kristen Rocknem
Mrs. Myrtle Grette IvaNell Monson
My Parents who were lovers of opera Mr. Peter Douglas
Neal Viemeister
Virginia Kirby
Paige Duncan Miss Caroline Foster Duncan
Ruth Bader Ginsburg Ms. Liz Lew
Scott Krenz Emerson L Williams
Jack Lewis Mary Kathleen Quinn Sue Nelson
IN HONORARIUM
Anne Mollerus Michael and Judith Mollerus
Clara Osowski Barbara Brown John A. Michel
Coreen Nordling John and Sibylle Miller
Darlene Mueller Tamera Bisping
Diana Whitecross Mr. Peter William Riola, Sr
Dr. Everett Vern Sutton Donald Helgeson and Sue Shepard
Eleanor Crosby Rudolph and Susan Rauch
Eva and Peter Weyandt Michael Weyandt
Jenn Maatman
Jeffrey Gigler
Jon and Anna McVittie Szafranski Frances W McVittie
Judy Lear Barbara Kelly
Julie Greif
Anne E Susag
Lani Willis and Joel Spoonheim Katherine Magy
Valerie and Paul Ackerman Endowment Fund
To support the attendance of youth at Minnesota Opera performances.
Virginia L. Stringer Endowment of the Minnesota Resident Artist Program
To support the Resident Artist Program. The appearance of the Resident Artists in this production is made possible by this endowment fund.
William Randolph Hearst Endowment for Education and Outreach Programs
To support Minnesota Opera’s education and outreach programs.
MN Opera Costume Department
Maria Ramirez
Mr. Dale A. Johnson Brian Staufenbiel
Mrs. Elizabeth Kochiras Kochiras Family Fund
Mrs. Theresa A. Murray Schmiechen Charitable Fund
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RINALDO 2022–23 11 SPECIAL GIVING
Minnesota Opera is a nonprofit charitable organization that relies on your support. •
Anonymous (6)
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MINNESOTA OPERA RECOGNIZES INDIVIDUAL DONORS WHO HAVE MADE GIFTS TOTALING $250 OR MORE TO OUR ANNUAL FUND, FUND-A-DREAM, OR SPECIAL INITIATIVES BETWEEN JULY 1, 2021 – OCTOBER 1, 2022. THANK YOU FOR SUPPORTING ART AND THE ARTISTS WHO CREATE IT.
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Minnesota Opera is a nonprofit charitable organization that relies on your support. • mnopera.org/donate INDIVIDUAL GIVING
Richard and Margaret Woellner
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Wayne Zink and Christopher Schout Felix Zwiebel RINALDO 2022–23 13
MINNESOTA OPERA GRATEFULLY ACKNOWLEDGES ITS MAJOR INSTITUTIONAL SUPPORTERS:
Anonymous (2)
Best Buy Foundation Boss Foundation Dellwood Foundation The Elizabeth C. Quinlan Foundation
Faegre Drinker Hutter Family Foundation Margaret Rivers Fund Mayo Clinic McVay Foundation
This activity is made possible by the voters of Minnesota through a Minnesota State Arts Board Operating Support grant, thanks to a legislative appropriation from the arts and cultural heritage fund.
Onan Family Foundation Pachel Foundation Peravid Foundation RBC Foundation Romanaggi Foundation
Schwegman, Lundberg, & Woessner P.A. Tennant Foundation Travelers
For information on making a corporate or foundation contribution to Minnesota Opera, please contact Esther Blevins, Associate Institutional Giving Director, at eblevins@mnopera.org.
MINNESOTA OPERA SEASON SPONSOR
Fred C. and Katherine B. Andersen Foundation
MINNESOTA OPERA MNOPERA.ORG 14 INSTITUTIONAL GIVING
Art and Martha Kaemmer Fund of the HRK Foundation
CELEBRATE THE SEASON WITH THEATER LATTÉ DA THEATER LATTÉ DA THEATER MUSICALLY 2022-2023 Season | latteda.org | 612-339-3003 Theater Latté Da, 345 13th Avenue NE, Minneapolis 55413 CELEBRATING From world premieres, to the classics you know and love... there’s something magical waiting for you this holiday season!
CHRISTMAS AT THE LOCAL Nov 29 - Jan 1, 2023 WORLD PREMIERE HELLO, DOLLY! Feb 1 - Mar 19, 2023 Single Tickets On Sale Tuesday, November 15th, 2022 Contact our Box Office today to celebrate the holiday spirit all season long with Theater Latté Da! MNOpera_Rinaldo_FullPage_TheaterLatteDaHolidayAd.indd 1 11/7/2022 11:01:29 AM
Featuring
Dylan Thomas’ A Child’s Christmas in Wales Composed by Cerys Matthews and Mason Neely and “The Longing for Amazing Peace”* Music by Chastity Brown and Lyrics by Dr. Maya Angelou Directed by Larissa Kokernot and Peter Rothstein Music Direction by Jason Hansen Featuring Phinehas Bynum, Joy Dolo and Bradley Greenwald
*Copyright
© 2022 Caged Bird Legacy (ASCAP) Book by Michael Stewart Music and Lyrics by Jerry Herman Based on the play The Matchmaker by Thornton Wilder
Directed
and Choreographed by Kelli Foster Warder Music Direction by Sanford Moore Starring Reed Sigmund, Regina Marie Williams and Sally Wingert
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