Honey: September 2021 Issue

MODA

YOUR GUIDE TO Hair Masks

COTTAGECORE: What you need to know

Trend Report: Parisian chic

ON THE COVER Sagit Nachmias photographed by Annika Ide

EDITOR IN CHIEF

Allyson Konz

DEPUTY EDITOR

Katherine Lawless

ART DIRECTOR

Channing Smith

WUD PRESIDENT

Lily Miller

WUD PUBLICATIONS COMMITTE DIRECTOR

Evanka Annyapu

WUD PUBLICATIONS COMMITTE ADVISOR

Robin Schmoldt

ART CURATOR

Keely Bradish

PHOTOGRAPHY DIRECTOR

Annika Ide

CREATIVE DIRECTORS

Kate Colby Maria Daneko

FASHION DIRECTOR

Sarah Troy

FASHION EDITOR

Corbin Woessner

LIFESTYLE EDITOR

Shelby Evans

CULTURE EDITOR

Gabrielle Gronewold

ARTS EDITOR

Ella Warren

SOCIAL MEDIA AND MARKETING DIRECTOR

Jade Christensen

SPECIAL EVENTS COORDINATOR

Talia Abbe

WRITERS

Shelby Evans

Jade Christensen Annika Ide

Jessica Katz Gabrielle Gronewold Allyson Konz Arella Warren Corbin Woessner Sarah Troy Kate Colby

MODELS

Ruth Steinhouse Sagit Nachmias Monika McCarthy Sarah Troy Audrey O’Neill

ART Keely Bradish Channing Smith Allyson Konz Arella Warren Jade Christensen

PHOTOGRAPHY

Jessica Tenenbaum

Annika Ide

Emma Gray Sarah Troy

table of contents

FASHION

8 How to achieve Parisian style

The ultimate guide to Parisian styling tips

10

A string of pearls

Parisian style in action

30 Not your grandma’s floral

How to incorporate high fashion florals into your street style

CULTURE

21

Making veganism for all

The whitewashing and elitism of plant-based diets

22 Co-opting the movement

Sustainable fashion must be intersectional and inclusive

ARTS

42 The rebellion of the PRB

How the Pre-Raphaelite Brotherhood revolutionized art by referencing nature

LIFESTYLE

6 Natural solutions

Is your complicated skincare routine not working? Honey is the simple solution

18 The sweet escape

An exploration of the cottage core aesthetic and its community

20

Guide to honey hair masks

Why honey is the best ingredient for your next DIY hair care project

29 Fresh faced

Moda’s guide to highlighting your natural beauty

FEATURED

34 Green Gables

As seen on the cover

24 Model Citizen

An interview and shoot with Monika McCarthy

ear Readers,

When the editorial board first began planning Honey, we wanted to create an issue that embodied self care and self awareness. In the midst of a global pandemic that has completely uprooted our lives, it has been hard for many of us to feel optimistic about our ability to connect with others in the upcoming year. Simultaneously, we are in the middle of a civil rights movement that calls on each of us to examine our individual behaviors and biases. In light of this moment in history, we asked our staff what they learned this summer: whether about themselves, others or society as a whole.

This year has been filled with abrupt changes, stress and uncertainty, so our Lifestyle content focuses on the importance of indulging in simple pleasures and self-love. Lifestyle Editor Shelby Evans wrote about the benefits of using Honey as part of your skincare routine. Jade Christensen, our Social Media and Marketing Director, chose to write about the emergence of the cottagecore aesthetic and its community.

For others, Honey was an opportunity to explore norms set by others and the power of redefining the boundaries of inclusion in art and life. Our Arts Editor, Ella Warren, wrote about revolution in the art community and how ideas of what beauty and art should be should always be challenged. Gabrielle Gronewold, our Culture Editor, asks readers to consider the classism and whitewashing of the current vegan movement.

Our Photography, Creative and Fashion Directors visualized Honey through shoots that emphasized simplicity, softness and warm tones. While each of the shoots share visual similarities, the contradiction of high fashion aesthetics in A String of Pearls, our Fashion spread, and Model Citizen, our creative spread, represent the balance and beauty in both indulgence and selflessness.

As I enter my final year of college, it would be easy to grieve what could have been. As much as I would love to greet Moda’s full staff in person and foster the inclusive community that makes Moda so unique, we will have to be creative and intentional in how we support our team and our readers this year. I know we can do it, because time and time again Moda’s staff goes above and beyond to show up for not only this magazine, but for one another.

Our September issue is named Honey because we all need a reminder to be kinder and sweeter to ourselves and others. It will not be an easy year, but how we treat ourselves during moments of stress and uncertainty is critical to our wellbeing. Honey is a return to authenticity, simplicity and reflection, and I hope this year you do just that.

ALLYSON KONZ EDITOR IN CHIEF

Natural solutions

Is your complicated skincare routine not working? Honey is the simple solution.

By Shelby Evans, Lifestyle Editor

Photographed by Emma Gray, Staff Photographer

Honey has been used in many different ways for thousands of years. Ancient Egyptians used honey as a sweetener and as a sign of royalty for the Pharaohs. Even Cleopatra was known to have taken honey and milk baths to keep her skin glowing. Ancient Greeks used it for its medical healing powers and early Christians used it with beeswax in their candles.1 I used it to cure my acne.

Honey’s viscous properties make the substance seem like more of a nuisance to work with than a healing solution. However, I’ve taken to putting honey directly on my skin, stickiness and all, to help with my dry skin and cystic acne.

Honey has naturally occurring hydrogen peroxide and methylglyoxal, giving honey antibacterial properties. When applied to a surface, it kills harmful bacteria or pathogens. Honey soothes inflammatory breakouts and helps the skin naturally speed up its healing process after coming in contact with bacteria on the skin.2

When it comes to skincare, Manuka honey is the best option. Because Manuka honey is unpasteurized, it has many of

1 User, Super. “A Brief History of Honey.” The Honey Association - Home. 2 Ginta, Daniela. “Manuka Honey for Acne: Does It Work?” Healthline.

these antibacterial properties still intact. Using honey to help hydrate skin and fight bacteria has become so popular with acne treatment that many skincare companies now feature honey-based products.

Buying products that advertise real honey can be a game of desirable marketing and little truth. When I was dealing with my cystic acne, I made a point to buy the ingredients for my skincare ethically and directly from the sources. That way, I could mix my own treatment and know exactly what was going on my face.

One thing that worked wonders for me were different variations of a honey and oat mask. Both substances are moisturizing and gently exfoliate the skin. There was a couple of months where I simply mixed milk and honey together before using it to wash my face.

Now that either the honey (or my age) has cleared my acne, I still turn to it in the depths of winter to heal my cracking skin. The simple fix was just adding a layer of honey to sit on my face for a few minutes. There are recipes on the internet that mix honey with yogurt, or even avocado’s, but Manuka honey was all I needed.

Sometimes the simplest solution is the best one. I, like many in their twenties, struggled with changes to my skin. It can be hard to deal with acne on top of everything else that comes along with being a young adult. In a crowded skincare market where companies try to sell us the latest “miracle” products, sometimes we need to step back and try what has been working for people for thousands of years. Just add honey! ■

Parisian chic:

A GUIDE TO A TRÈS CHIC WARDROBE

Written by Sarah Troy, Fashion Director

We all know the aesthetic: beautiful flowy curtains, vintage gold framed mirrors, and those crazy charcuterie boards overflowing with fresh fruit and pastries. This trend of warm nudes, silky fabrics, exquisite details and pearls you might know as “Parisian Chic”. Despite how difficult it may look to achieve this grandeur trend, it is much easier than you would think! In this article I will provide you with some key necessities to add to your wardrobe that will give you that Parisian aesthetic.

Corsets

All you need is one good corset! Dress it down with some baggy ripped jeans and sneakers, or dress it up with a mini skirt and a pair of stilettos.

Urban Outfitters

An Oversized Blazer

When the weather gets chilly, even the Parisians need to cover up. An oversized blazer is always recommended as an addition to your Parisian chic wardrobe. For a more risque look, style with lingerie.

“Cherrelle

Jewelry

Keep it Gold! With Parisian style, the accessories are key. Even a minimalistic gold necklace paired with these items takes your style up a notch. And don’t forget the pearls! That’s right, your grandma’s pearls are back in style. Layer multiple necklaces to make a statement or stick with one simple go-to.

Strappy Heels

A staple in the Parisian wardrobe is the strappy A low chunky heel stiletto will do the with the silky slip jeans with a corset more straps the better!

“Out From Under Lucy Dot Mesh Corset”

Urban Outfitters

“Lato Dress”

“Image Gang Rose Chain Necklace”

Aritzia Parisian strappy heel. heel or full on the trick. Pair slip dress or corset top. The better!

Silk Slip Dresses

One of the easiest items to add to your shopping list is a minimalistic silk slip dress. They are everywhere! Pair your dress with some strappy heels and gold jewelry, and you are ready for pastries and coffee! Or pair with some white sneakers, ankle socks, and a bucket hat, and you are ready for a casual shopping spree.

Flowy White Blouse

Playful sleeves can take this look to another level. Wear a lace bralette underneath and let it peak out. Pair with your gold jewelry and some cute jeans. Don’t forget your mini purse!

Minimalist Tiny White Top

This one you probably already have in your closet. A tiny white top is easily paired with almost everything! If corsets and lingerie is not your vibe, stick to the basics! Try to find a top that has a unique twist to it that makes you stand out. Time to go to the farmers market for a fresh baguette!

Styled Lingerie

The Parisians are known for their confidence and independence, so why not wear your lingerie on the outside? You paid heaps for that cute lacy bra anyways! Wear your bra underneath your blazer with high waisted jeans, or a silk slip skirt. You could even wear your garter belt over your blazer or white flowy blouse. Don’t be afraid to take a risk! Fashion is all about experimentation.

“Magnolia Longline Underwire Bra” $120 Cosabella

Trusty Trench Coat

When the leaves start to fall and the weather gets cold, a trusty trench coat is the Parisian go to. Bundle up with your trench coat, some tiny sunglasses and heeled booties. Spice it up with some heels and a statement necklace.

“Relaxed Button Up” $138 Aritzia

“Motel Satin Puff Sleeve Cropped Top” $54 Urban Outfitters

“Lauren front twist top” $44 Superdown

A string of pearls

Directed and modeled by Sarah Troy, Fashion Director Edited by Annika Ide, Photography Director

The sweet escape

AN EXPLORATION OF THE COTTAGECORE AESTHETIC AND ITS COMMUNITY

By Jade Christensen, Marketing and Social Media Director Photographed by Jessica Tenenbaum, Staff Photographer Modeled by Ruth Steinhouse

In recent months, the cottagecore lifestyle and fashion aesthetic has reemerged, and in a time like this, there is no questioning why. With coronavirus cases soaring and the end of the pandemic far from near, the days in quarantine can feel mundane and dull. In an attempt to find peace in a time of crisis, individuals have turned to the idyllic fantasy of the cottagecore lifestyle.

Cottagecore’s origins date back to the early twentieth century due to its subservient nature and prairie-like location.1 The aesthetic also includes pastimes like baking, sewing and gardening— activities traditionally associated with women’s domestic duties. However, its current connotation is anything but that.

Many modern-day cottagecore enthusiasts are from the queer community because of the aesthetic’s modernized, non-binary perspective. The LGBTQ+ community faces constant oversexualization within the media and were drawn to cottagecore as an outlet to freedom from a judgmental society. Cottagecore serves as a space in which the queer community can express their identity without explanation or judgement.2

1 “Cottagecore Clothing, Soft Aesthetic,” Vintage Dancer, accessed August 11, 2020.

2 Sarah Woolley, “Cottagecore Is the

This simplistic aesthetic translates over to its clothing style. cottagecore pieces are flowy and fairy-like, allowing the wearer to not be restricted by their clothing. Popular patterns include florals and gingham, and many pieces embody fairytale-like fantasies. Since many cottagecore pieces are long, intricate dresses, most wearers accessorize with their hair in braids and wicker baskets or bags. Cottagecore tops include lace, ruffles, and beautiful collars which can be layered with long sleeve undergarments and paired with long, flowy skirts.

Cottagecore’s simple nature also explains why the aesthetic has become wildly popular in 2020. Given the current state of the world, it’s no wonder individuals are turning to cottagecore for some peace of mind and a sense of escapism. The lifestyle focuses on finding beauty in everyday activities. Individuals also claim that cottagecore is a type of selfcare due to its self-loving aura. The traditional activities and hobbies that are associated with the aesthetic can be soothing and overall, beneficial to one’s mental health.

However, the cottagecore aesthetic is not everyone’s fantasy. The trend has received online backlash because of the way it can encourage complacency.3 Some critics argue that the escapist nature of cottagecore can signify ignorance, lacking recognition of our harsh reality. Cottagecore fanatics have been criticized for ignoring the current political landscape, especially that of the Black Lives Matter movement.

The tranquility and simplicity the cottagecore lifestyle emits is something that will stick with individuals through the rest of the pandemic. Even the clothing style brings a sense of peace. Although cottagecore seems harmless to fantasize about, it is important to not let the aesthetic delude the current reality. While escapism may be necessary for the healing of some marginalized groups, it can also be detrimental to the message of action for other marginalized groups. As long as individuals continue to actively practice antiracism and fight for a better reality for all, the appreciation of the aesthetic is here to stay.■

Pastoral Fantasy Aesthetic Taking over TikTok,” I, February 12, 2020.

3 Tanya Gold and Matthew Goodwin, “The Wicked Truth about Cottage Core,” UnHerd, May 4, 2020.

a guide to honey hair masks

We all know honey has plenty of health benefits as a food, but did you know it’s great for your hair? Whether you’re looking to deep condition or repair damaged hair, honey hair masks are an inexpensive, easy-to-make saving grace. When using a honey hair mask, be sure to apply the mask on wet hair for the easiest application.

Deep conditioning: Because honey is an emollient, it’s a great, natural alternative for deep conditioning. Try mixing two tablespoons of coconut oil with one tablespoon of honey, popping it in the microwave for a few seconds and massaging it into your scalp. Wash it out 30 minutes later for smooth and luscious locks.1

Repairing: To repair damaged hair, try blending together a banana and one tablespoon of honey until smooth, applying the mask to your hair (especially damaged ends) and rinsing thoroughly after 20 minutes.2

Scalp Cleansing: If you’re looking to cleanse your scalp, a honey, yogurt and coconut oil hair mask is right for you. Mix three to four tablespoons of honey, two tablespoons of coconut oil, half a cup of plain, full fat yogurt and apply the mixture to your hair. Rinse it off after 40 minutes and follow with your shampoo and conditioner for a revitalized scalp.3

Dandruff Fix: To help dissolve excess oil from the scalp and eliminate dandruff, mix one tablespoon of honey with one tablespoon of jojoba oil (feel free to include a drop or two of your favorite essential oil, as well). Massage this hair mask into your scalp and roots and wash it out after 30 minutes. This hair treatment will leave your scalp feeling moisturized yet refreshed and clean.

There are so many ways to take advantage of all the nourishing properties of honey and incorporate them into your hair routine. Next time your hair feels dry or damaged, try a DIY honey hair mask.

■

1 Vaughan, A., 2020. Honey Hair Mask {7 Homemade Recipes}. Homemade for Elle.

2 Watson, K., 2020. Banana Hair Mask Ben efits, Plus Recipes For Dry Hair And Dan druff. Healthline.

3 Nall, R., 2020. Honey Hair Mask: Benefits, DIY Recipes, And How To Use. Healthline.

By Annika Ide, Photography Director Photographed and modeled by Audrey O’Neill, Staff Photographer

why honey is the best ingredient for your next DIY hair care project

Veganism for all

THE WHITEWASHING AND ELITISM OF PLANT-BASED DIETS

Written by Gabrielle Gronewold, Culture Editor Illustrated by Keely Bradish, Arts Curator

practice of factory farming, the viability of veganism is both a personal and moral departure from current agricultural practices.

but the vegan alternatives found in this (and many similar dishes) originate from communities of color without credit.

Tofu, quinoa, chia seeds, jackfruit and collard greens all originated from communities of color and have been used for centuries prior to being duped by white people into trendy meat-alternatives. These so-called trendy superfoods are used with no acknowledgment of their origin, serving as a form of cultural erasure.1

Principles of veganism can be found in many modern and ancient lifestyles across many cultures and countries. Vegetarianism originated from Greece in 500 BCE and can continuously be seen throughout history.2 Today 40% of North Americans are making efforts to incorporate vegan ingredients into their diets.3

Veganism is “a philosophy and way of living which seeks to exclude—as far as is possible and practicable—all forms of exploitation of, and cruelty to, animals for food, clothing or any other purpose; and by extension, promotes the development and use of animalfree alternatives for the benefit of animals, humans and the environment,” according to the Vegan Society.4

The influx of plant-based choices has taken the media and society by storm. By becoming vegan or simply making more plant-based choices, consumers are playing into a conscious decision that in many ways has become politicized.

The virtue that is attributed to veganism is unique compared to other diet fads or consumption habits in that it often takes a moral stance on the consumption of animal products. In light of the unethical

1 K, Shah. “Vegan Race Wars.” Thrillist. January 26, 2018

2 C, Suddath. “History of Veganism.” Time. Octo ber 30, 2018.

3 B. Slabakova. “The Age of Veganism.” Health Careers. January 7th, 2020

4 “Definition of Veganism.” The Vegan Society.

While there are vast environmental, health and communal benefits of plantbased diets, there is also a kind of elitism and ethical righteousness that has put veganism on a pedestal that ignores the groups they leave out. While vegans are (without a doubt) making efforts to live a conscious, ethical lifestyle, they must also be aware of the intersectional faults of their community.

The vegan image has become predominantly white. In fact, searching “vegan person” on Shutterstock doesn’t include a single image of a person of color, until the end of the third page.6 The lack of representation is a clear example of how mainstream, popular veganism leaves out people of color.

According to a 2016 Pew Research Center survey, only 3% of all U.S. adults identified as vegan compared to 8% of Black U.S. adults.7 If this is the case, why wouldn’t the Shutterstock search represent that?

Advocacy groups, such as Vegan Voices of Color, attribute white veganism to excluding vegans of color from many of their conversations and discourse.8 Leaving BIPOC vegans out of the larger conversations causes them to feel isolated and alone as a marginalized group within a marginalized group.9

Lauren Ornelas, founder of the Food Empowerment Project shared with Thrillist that many vegan donors overlook their organization for not being “vegan enough”. Much of the Food Empowerment Project’s goals center around making vegan options

5 J, Castricano, R, Simonsen. “Critical Perspec tives on Veganism. The Palgrave Macmillan. 2016.

6 K, Shah. “Vegan Race Wars.” Thrillist. January 26, 2018

7 “The New Food Fights: U.S. Public Divides Over Food Science.” Pew Research. December 1, 2016.

8 “Why Vegan Voices of Color?” Vegan Voices of Color. January 24, 2016.

9 K, Shah. “Vegan Race Wars.” Thrillist. January 26, 2018

and have access to fruits and vegetables, and options. A grave injustice is taking place that communities that do not have the same access to healthy foods that everybody else does,” Ornelas stated in an interview.11

Beyond exclusion, white veganism also does not acknowledge that many animal food products are rooted in colonialism. The unethical industrial farming practices we see today are a direct result of the colonizer’s implication of capitalism. Prior to colonialism, many indigenous people practiced hunting and gathering, and any animal consumption did not include the unethical fast farming we see today.12

Colonialism also introduced cattle to many indigenous communities which caused an increase of animal products used in dishes.13 When you think of a cheesy taco, for example, the cheese didn’t exist in that dish prior to the introduction of dairy from colonizers.14 By not acknowledging the emergence of animal products and fast farming by white people, white veganism is choosing to ignore a major part of animal cruelty’s history.

While the morals behind ethical consumerism and no animal cruelty may be just and valid, there are still disparities that make veganism not accessible for all. If plant-based eaters want to celebrate their beautiful lifestyle and values, they must acknowledge their peers who are not accounted for or represented by the vegan community and question how to make the movement more accessible to all groups.

■

10 Ibid.

11 Ibid

12 J, Yazbeck. “The Problem with White Vegan ism.” Medium. November 1, 2018

13G, Bowling. “The Introduction of Cattle into Co lonial North America.” Journal of Dairy Science. 14 Z, Johnston. “Why the History of the Taco is Vital to the Current Food Conversation.” Uproxx. October 28, 2019.

Co-opting the movement:

SUSTAINABLE FASHION MUST BE INTERSECTIONAL AND INCLUSIVE

Written and Illustrated by Allyson Konz, Editor in Chief

In 2012, Lauren Singer caught national attention by collecting all of her trash and storing it in a 16 oz mason jar. Today, over eight years later, that jar is still not full.

While her enthusiasm and work has empowered millions of people to reduce their waste, her (previously held) ideas of sustainability had blind spots. In 2018, Singer claimed that ‘anyone can live ‘zero waste’ via Claiming that anyone, irrespective of their background, can begin going plastic-free is an oversimplification of the barriers that many Americans face.

This is especially true of sustainable fashion. Our perceptions of sustainability and what influencers project those messages cannot just be white, rich individuals. The narrative that the future of sustainability requires individuals to live a zero waste lifestyle or owning $400 Reformation dresses is classist and gentrified. Sustainability is inclusive and intersectional

If I were to ask you to conjure an image of a sustainable blogger, what would they look like to you? Would it be a skinny white woman living in LA or NYC, sporting eco-friendly luxury brands like Reformation and being a brand ambassador for an expensive avocado-based

This image, this sort of sustainable lifestyle, is a privilege.

Yet frugality and sustainability were originally born out of necessity. As Celine Semaan wrote for The Cut in 2018, “...Sustainability is a movement and a culture that has been around long before the West became aware or interested in the concept. Poverty and war create necessity. Let’s look to cultures in the Middle East, North Africa, Africa, and Asia that have practiced sustainability since long before it became a status symbol.” 2

Consider thrift shopping. Second hand stores are great for numerous reasons: They are affordable, seek to reduce waste and keep the cash flow in the second

However, thrift stores have recently become popularized to the point where some bloggers will purchase a large number of clothes and resell them at a higher price.3 This hurts not only non-profit thrift shops

Willow, Francesca. “Intersectionality Is Important For Environmental Activism Too.” ETHICAL UNICORN. Semaan, Celine. “Understanding Sustainability Means Talking About Colonialism.” The Cut. “Exploring the Gentrification of Thrift Stores.” The Varsity.

such as Goodwill or Salvation Army, but the individuals that rely on second hand stores as a necessity and not a hobby.

As a result, some thrift stores have been accused of raising their prices. Some of this may be due to the influx of new consumers, but the market’s also changed as well. The introduction of curated thrift shops such as Plato’s Closet or Depop have threatened competitors, sometimes to the point of closing.

It’s important to note that thrift shopping as a middle-class American is not an inherently bad thing. However, if you are committing to be a more ethical shopper, you cannot look at sustainability in a vacuum. Consider the effects that your hobbyism has on the people that rely on these stores and only buy when you need something.

On the other side of the spectrum are the overpriced, eco-friendly clothes. When I first discovered Reformation a few years ago, I was instantly impressed by the metrics they used to measure the carbon dioxide, water and waste saved in making their products.

That enthusiasm deflated after looking at the price tags. I remember thinking to myself, how can everyday people afford this if they are trying to stop buying fast fashion? This is the crux of the issue: Shaming individuals that cannot afford these clothes while actively gentrifying thrift stores and second hand markets is not environmental activism.

Reformation also made headlines this past June when a previous employee shared that Reformation’s upper management was toxic and exclusive to Black employees.4 For a company that champions itself in sustainability and progress, this news was a disappointing reality check that their practice of sustainability was far from intersectional.

So where do you draw the line between fast fashion brands that exploit their employees, overcrowding second-hand stores and eco-friendly, high-fashion brands that are too expensive for the average consumer?

There is no easy answer, but there is one thing that is clear: There is no “right” way to be sustainable. Practicing sustainability varies for each individual. Personally, I like to bring a reusable mug when I get coffee (iced and hot), only throwing food away when it is absolutely necessary (au revoir to my hummus that was completely mold ridden after a week of opening) and using alternatives to Amazon when I need to online shop.

Not everyone can afford luxury “eco-friendly” dresses and live a practically plastic free life. Influencers, especially white influencers, must be cognizant and reflective of these issues when co-opting sustainability as part of their brand and image.

Sustainability doesn’t have to be glamorous, expensive, trendy or unattainable. It’s truly considering and practicing how you reuse the things you own, reduce what you buy, and recycle what you no longer need. ■

4 “The Rise and Fall of Reformation.” Glossy.

Influencers, especially white influencers, must be cognizant and reflective of these issues when co-opting sustainability as part of their brand and image.

Model Citizen

Interview and photography by Kate Colby, Creative Director Edited by Annika Ide, Photography Director

Monika McCarthy is a case manager for a nonprofit organization focused on helping homeless individuals and their families. She demonstrates being a model not only on the outside, but also what it means to be a model citizen. Caring, beautiful and hardworking are a few of the things that describe Monika. Here, she’ll give her perspective on the meaningful work of her nonprofit.

Moda Magazine: Can you tell us a little about what the organization does, offers people, and your role in it?

Monika McCarthy: “We are a nonprofit organization geared towards ending the cycle of homelessness by providing clients with shelter, case management, and linking them to various resources in the community. I work as a case manager for families who are headed by young parents (24 and younger). Case management includes help with budgeting, building credit, gaining and maintaining employment, parent ing skills, and providing overall support.”

Moda: What drove you to work with this organization?

MM: “I started out at the organization as an intern for my BSW (Bachelor of Social Work) program. I enjoyed seeing all the amazing changes the organization and staff helped make in the lives of the clients they serve and watching the clients reach their goals. At the end of my internship I applied for a full time position at the agency. I always knew I wanted to.”

Moda: What’s your biggest takeaway from your experience working with the organization?

MM: “It is humbling to see how motivated and hardworking our clients are when they are faced with such difficult situations. I see how much I take for granted ev ery day and I feel compelled to help people who have experienced trauma and homelessness.”

Moda: What’s something you wish the public understood better about the topic?

MM: “Homelessness can happen to anyone. Common causes are domestic violence, loss of job, divorce, death in the family, injury or illness.”

Moda: How can people help? What gets overlooked that organizations like this need more help with?

MM: “People can help by donating items we need, volunteering, and advocating. I think advocating for the rights of homeless families and children is extremely im portant because that is something that can make a lasting impact.”

Moda: What does success in this program look like?

MM: “While our main goal is for client’s is to move into permanent housing, they are able to accomplish many goals during their time with us. We help our clients with budgeting, employment, continuing education, life skills, and more.”

Moda: Do you have any favorite memories?

MM: “I always enjoy seeing the children and families I work with everyday. It is really great to see them accomplish their goals, whether it be getting a new job, getting their GED and furthering their education, or moving into permanent housing. My favorite memories all include special events that we do with the children in our pro gram. I have always been really passionate about working with kids.”■

Fresh faced

MODA’S GUIDE TO HIGHLIGHTING YOUR NATURAL BEAUTY WITH THIS FALL’S MAKEUP TRENDS.

By Jessica Katz, Staff Writer Illustrated by Channing Smith, Art Director

The no-makeup makeup trend has made a re-appearance. When Alicia Keys first announced a #nomakeup movement in 2016, many celebrities such as Kim Kardashian and Gwyneth Paltrow, joined in this movement, flaunting their fresh-faced selfies.

By 2017, this trend made its way to runways, including Burberry, Alexander Wang and Calvin Klein. And by 2020, no-makeup trend has spread to social media on platforms such as YouTube and TikTok.

In the humidity of the summer, many rely on no-makeup makeup for a fresher, more natural, lighter coverage look. Here are some easy, low maintenance makeup looks that will keep you cool and refreshed this upcoming fall!

FAUX FRECKLES

Freckles are quite adorable and really accentuate a person’s face. It’s easy to highlight natural freckles using a lowcoverage foundation, tinted moisturizer or BB cream.

Faux freckles, on the other hand, started whirling around the internet around the summer of 2019. These artificial freckles can range anywhere from natural to colorful and have been spotted on Doja Cat as well as TikToker Emmy Hartman.

One easy way to achieve the freckled look is by using Freck OG; with this pen, create a cluster of dots on your face, and tap them out throughout your face. This product is realistic, yet buildable and long-lasting.

Another way to create faux freckles is with a brown makeup pencil, such as the Anastasia Beverly Hills Perfect Brow Pencil. Simply use the pencil to draw on little dots, then use the brush to give more precision.

NATURAL FLUSH

Apply blush beyond the apples of your cheeks, blending the product onto your nose, forehead and/or chin, for a soft “sunburnt” look. Influencer Addison Rae, actor Madelaine Petsch as well as French model Camille Rowe have been spotted with this rosy look.

Cream blush, as opposed to powder, tends to give a natural flush with a pretty sheen. The formulas are typically more hydrating and lightweight, giving a dewy look when applied. One example is the Glossier Cloud

Paint; simply dab this gel-cream blush to apply and tap it

A personal favorite is the Jane Iredale Just Kissed Lip and Cheek Stain. This product adjusts to your own chemistry to enhance your skin’s natural coloring. Simply swipe the product on your face and use your fingers to blend.

SUNKISSED GLOW

Even with lighter-coverage products, it is easy to achieve beautiful, radiant skin.

For an overall face glow, use a face gloss or oil. The new Morphe 2 Gloss Pop Face & Eye Gloss is a clear, non-sticky gloss that can be applied anywhere on the skin, with or without makeup. Swipe this product on the skin for subtle illumination.

On the other hand, the Supergoop Glow Oil SPF 50 is a

Not your grandma’s floral

HOW TO INCORPOROATE HIGH FASHION FLOALS INTO YOUR STREET STYLE

Written by Corbin Woessner, Fashion Editor

Graphic by Jade Christensen, Social Media and Marketing Director

At the start of 2020, many designers had one trend in common for the upcoming fashion season—floral patterns. However, these are not the outdated florals that you’d see your grandma wearing. Instead, these modern florals are bold, abstract and make summery patterns into a daring statement.

Three types of floral patterns appeared to dominate the runways of New York Fashion Week: big florals, delicate florals, and vintage florals. This trend was the focal point of many designers’ runway shows including Rodarte, Tory Burch, Anna Sui, and Moschino.

As part of the floral trend for the Fall 2020 fashion season, big floral prints are seen covering the bodies of models all over the runaways. Rather than looking underwhelming and basic, these big floral prints give off a bold, yet feminine charm.

In Rodarte’s Fall 2020 Runway Show, florals of all sizes were showcased, but it was large and brightly colored florals that were most intriguing. Rodarte also incorporated autumnal florals which were seen amongst delicate and figure-hugging, caped, silk dresses.1 Since bold florals were the main focus of Rodarte’s fall collection, we knew the finale look had to be a showstopper. The model wore a cream-colored floral gown that was inspired by bridal fashion and the Virgin Mary. Trailing behind the model was several feet of blue satin, and atop her head she wore a headpiece made of real orchids. Rodarte’s extravagant finale look was nothing short of showstopping.2

If you’re looking for something bold to wear this fall, like Rodarte’s Fall 2020 Collection, go for a floral printed silk blouse or maxi dress. Style the outfit with strappy leather heels and a limited amount of accessories, keeping the floral garment the center of attention. To make even more of a statement, add in a padded headband or oversized pearl hair clips.

For those that don’t want to make quite as much of a loud statement, more delicate florals are an alternative option for the fall fashion season. Though the pattern does not appear to fit as well with colder seasons, designers such as Tory Burch and Anna Sui have made it work. A large part of Tory Burch’s collection inspiration came from artist Francesca DiMattio who designed most of the floral prints. The collection’s prints were rustic chic with a feminine twist, decorating a number of flowy skirts and dresses, along with a tight-fitting suit.3

1 Advivi, “Fall/Winter 2020-2021 Print Trends,” Glowsly, 2020.

2 McCall, “Rodarte’s Darkly Romantic Fall 2020 Runway Was Set Inside a Church,” Fashionista, 2020.

3Tschorn, “What you’ll be wearing this fall, according to New York

Anna Sui was another designer to take inspiration from delicate florals. Unlike Tory Burch’s feminine approach, Anna Sui’s collection proved to be much darker, combining bohemian and gothic aesthetics with delicate floral prints. Her prints are seen across everything from structured twopiece sets to silky blouses. Anna Sui’s gothic inspiration is nothing new, but this year, critics gave her unique collection a new name, the modern nature witch.4

If you’re going for a more effortless look, style a delicate floral printed dress or skirt with a chunky knit sweater or a leather jacket, making it more appropriate for the cooler fall weather. To make the look even more feminine and chic, similar to Tory Burch’s Fall 2020 Collection, pair with knee high slouch boots and finish with any desired accessories.

Vintage florals are also making a strong comeback for this year’s fall fashion season. Vintage florals are historically known for their romantic appeal, but designers like Moschino have put their own modern touch on the print, making it more abstract and wearable. Creative director of Moschino, Jeremy Scott, took inspiration from the French Revolution and Marie Antoinette, with an 80’s twist for Moschino’s Fall 2020 Runway Show. Moschino incorporated copious amounts of vintage floral prints into their collection, mixing them with uncommon materials such as PVC and denim.5 These unique floral prints covered the silhouettes of frilly mini dresses and mini skirts, waistcoat jackets, and denim suits. It was clear that Scott’s muse for the collection’s pieces was an amped up version of Marie Antoinette.6

If you’re wanting to make a French Revolution inspired fashion statement this fall like Moschino’s Fall 2020 Collection, reach for a vintage floral printed suit, or structured dress. ASOS and Alice + Olivia offer more affordable options than designer tags if you’re looking to replicate this look. To take your outfit to the next level, incorporate other garments made from contrasting materials such as velour and PVC.

Unlike other trends that come and go every fashion season, floral print’s enduring beauty and versatility has proven it to be timeless. Next time when you’re out shopping for your fall wardrobe, keep an eye out for a trendy floral piece to help spice up your existing style.

■

Fashion Week,” Los Angeles Times, 2020.

4 Advivi, “Fall/Winter 2020-2021 Print Trends,” Glowsly, 2020.

5 Advivi, “Fall/Winter 2020-2021 Print Trends,” Glowsly, 2020.

6 McCall, “Jeremy Scott Puts Models in Marie Antoinette Cosplay for Moschino Fall 2020,” Fashionista, 2020.

Wisconsin’s General Election is on November 3. October 14 is the deadline for online registration but in-person registration is available on election day. Absentee ballots must be postmarked by October 14. Campus polling centers, such as Memorial Library are open from 7 AM to 8 PM.

Register to Vote

GreenGables

By Annika Ide, Photography Director Assisted by Sam Starks, Creative Team Makeup by Katie Hayes Modeled by Sagit Nachmias

THE REBELLION OF THE

Pre-Raphaelite Brotherhood

Written and illustrated by Ella Warren, Arts Editor

When we think of rebelling against the system, we tend to think of political dissent from a corrupt governmental body. For example, we might think of the counterculture protests of the ‘60s, which rejected old cultural standards in favor of race relations, sexuality, women’s rights, and self-expression. These issues are memorable because they’ve been highly politicized and affect all areas of life. But long before modern generations were bringing the good fight to the man, the Pre-Raphaelite Brotherhood was doing the same thing in their own way.

The Pre-Raphaelite Brotherhood, traditionally dubbed the PRB, consists of a group of Victorian artists and authors who banded together in 1848 in rejection of the period’s aesthetic ideals.1 At the time, the Royal Academy of Arts had decided that Raffaello Sanzio da Urbino, more commonly known as Raphael,

dominant ideology of the century and forged a way that was more sincere and true to nature.

The Royal Academy upheld that it was the artist’s job to make aesthetic improvements to the commonplace in order to perfect human grandeur in art. The Pre-Raphaelites, on the other hand, sought a return to the natural scene through their hyper-realistic compositions, elaborate attention to detail, intense color schemes, and honest depictions of people. The PRB portrayed their characters as they truly were, rather than creating overly-romanticized versions.

In John Everett Millais’ “Ophelia,” for example, the viewer is confronted by a pale young woman, secluded in a lush, opulent forest full of ornate details as the girl gives in to her dying breath. Though the girl lies dying, “Ophelia” lives on for its eerie yet enchanting exploration of youth

the PRB was composed of men and women alike, including a wide and eclectic range of painters, authors, poets, illustrators and designers.4 Rather than idolizing their subject matter as Raphael and the Neoplatonists did, the PreRaphaelites drew inspiration from Renaissance art, Biblical figures and the various muses and models who consistently appeared throughout this body of artwork.5 In fact, Rossetti and Jane Burden Morris more or less revolutionized our idea of “the angel.”

When one thinks of Pre-Raphaelite art, it is common to think of Rosetti’s “Proserpine,” featuring a young portrayal of the Greco-Roman Goddess Proserpine, or Persephone, as is more commonly heard. Modeled after the Arts & Crafts artist Jane Morris, Proserpine’s features gradually became the new prototype for Victorian art.6

was an artistic genius.2 This meant that a large community of European Victorian artists were instructed to create work reminiscent of Raphael’s iconic style.

Nonetheless, the masters of the PRB found Raphael’s style to be bland and artificial. So, as any unconventional artist does, they rebelled against the

1 Dinah Roe, “The Pre-Raphaelites,” The Brit ish Library, May 15, 2014.

2 The Editors of Encyclopaedia Britannica, “Raphael,” Encyclopaedia Britannica, April 2, 2020.

and mortality. It survives not only as one of the Brotherhood’s most famous works to date, but as one of the best-known pieces of the 19th century, as this work embodies the “zeitgeist of the era” as well as the PRB’s accomplishment of breathing timelessness into art.3

Fronted by Millais, Dante Gabriel Rossetti, and William Holman Hunt,

3 Balasz Takac, “Why We Love the Ophelia Painting by Sir John Everett Millais,” Widewalls, March 31, 2019.

In the past, angelic characters in art had been depicted with golden tresses of hair and perfect symmetry. However, Proserpine appears with dark red curls and androgynous looking features, something that was viewed by much of mainstream

4 Dinah Roe, “The Pre-Raphaelites,” The British Library, May 15, 2014.

5 Ibid.

6 Roger Homan, “Jane Burden: How a Pre-Raphaelite model changed our image of angels,” The Social Affairs Unit, October 14, 2005.

AS ANY UNCONVENTIONAL ARTIST DOES, THEY REBELLED AGAINST THE DOMINANT IDEOLOGY OF THE CENTURY AND FORGED A WAY THAT WAS MORE SINCERE AND TRUE TO NATURE.

society as undesireable.7 Moreover, this look, based on Morris’ unusually striking features, became the standard for Pre-Raphaelite artwork and caused a great deal of controversy in the sophisticates’ community.

The PRB and its vision for bringing back a more authentic voice in art was considered radical for the time. In 1850, renowned author Charles Dickens voiced a strong opinion about Millais’ “Christ in the House of His Parents,” stating that the painting was “hideous” and that the Virgin Mary bore likeness to a “Monster.”8

7 Ibid.

8 John Simkin, “Pre-Raphaelite Brother

The more authentic and natural redheaded depiction of the Virgin Mary— and other angels and characters alike—in Pre-Raphaelite art was widely criticized and gawked at. However, this opposition did not put an end to the PRB’s creative brilliance, and neither should any social standards ever stifle our own passions and pursuit of the unconventional.

During a time when beauty and goodness was defined through perfection, and any “good” artist was expected to conform to these strict standards, the PRB rebelled. hood,” Spartacus Educational, September 1997.

This rebellion expanded upon and forever transformed society’s notions of beauty by returning to the unique and idiosyncratic imagery of nature.

Perhaps it is time for our society to return to our roots, celebrating the beauty found in the natural world and in each other, rather than suppressing it. Perhaps then we could facilitate a more peaceful and harmonious community, instead of one segregated by appearances, classes, political agreements and arbitrary differences overall.

■