Mohsen Khanmohamadi - Architecture Portfolio - Oct 2020 by Mohsen Khanmohamadi

Mohsen Khanmohamadi Architecture Portfolio 2013 2020

CONTENTS CV

ACADEMIC 01. Urban Farm 02. EmulCITY 03. Valiasr Culture House

08 12 16

PROFESSIONAL 04. Darband Event Hall 05. Chenaran Commercial 06. Dehghan Garden-House 07. Lybra Cafe 08.Eilkhaneh Apartment 09. Juan Apartment

20 24 28 32 36 40

COMPETITION 10. Bamian Cultural Center

MISCELLANEOUS Rendering Model Making

50 56

RECOMMENDATIONS

MORE PROJECTS

Mohsen Khanmohamadi 15.05.1990, Tehran, Iran

Goerzallee 135, 12207 Berlin, Germany +49 17647175284

mohsen.khanmohamadi@gmail.com www.linkedin.com/in/mohsenkhanmohamadi

EDUCATION 2019 - Present Berlin, Germany

M.Sc. Architecture-Typology

2008 - 2012 Tehran, Iran

B.Sc. Architecture

TU-Berlin IAUCTB

WORK EXPERIENCE Nov 2018 - Aug 2019 Tehran, Iran

Hadi Teherani Architects

Apr 2016 - June 2017 Tehran, Iran

Beta Studio

Jul 2015 -Jan 2017 Tehran, Iran

Freelance

Apr 2014 - Jun 2015 Tehran, Iran

Shift Process Practice

Dec 2012 - Jan 2014 Tehran, Iran

L.E.D Architects

Project Architect Architect / Co-founder Architect / CG artist Project Architect Junior Architect

EXTRACURRICULAR ACTIVITIES Apr 2019 Tehran, Iran Nov 2017 Isfahan, Iran Apr 2015 - Sep 2015 Tehran, Iran Sep 2014 - Feb 2015 Tehran, Iran

Tehran Urban Innovation Center Workshop Tutor - WeBridge Workshop - Activating the leftover spaces under the intracity bridges in Tehran

Maane Memaran Workshop Tutor - Solving sanitation problems for villagers of Aliakbar village in the poor area of Systan in Iran

Contemporary Architects Association Teacher Assistant - Architecture Without Pre-Conception Design Studio - Prof. Nashid Nabian

IAUCTB Teacher Assistant - First-year graduate design studio Profs. Nashid Nabian, Rambod Eilkhani

HONORS AND AWARDS Oct 2016 Tehran, Iran

1st place in Memar Award

Oct 2016 Tehran, Iran

2nd place in Memar Award

Oct 2016 Tehran, Iran

Honorable mention in Memar Award

Oct 2015 Tehran, Iran

Honorable mention in Memar Award

Oct 2014 Tehran, Iran

2nd place in Memar Award

Sep 2012 Tehran, Iran

2nd place in Designing the monument of martyrs

Apr 2012 Tehran, Iran

1st prize in Mirmiran Concept Design - Wind and Architecture

Public category for White Gallery, as a member of Shift Process Practice Residential category: individual dwellings for In/Exterior Falahatian Yardhouse, as a member of Shift Process Practice Residential: Apartment Buildings category Apartment, as a member of L.E.D Architects

for

Juan

Renovation category for Lybra Cafe, In co-operation with Hoya Studio Residential: Apartment Buildings category for Eilkhaneh Apartment, as a member of Shift Process Practice office In cooperation with Mohamadali Khanmohamadi and Hosein Khanmohamadi

In cooperation with Alaleh Sakhaeifar and Mahdi Ghotbi Dec 2011 Tehran, Iran

Honorable mention in Designing Mashhad Cityâ&#x20AC;&#x2122;s Entrance Gate Cooperated with Mahdi Ghotbi, Siavash Ghorbani, and Shahab Towliat

PUBLICATIONS Jun 2011

New Year In Historical Districts of Tehran Journal of Architecture and Urbanism (pp. 97-100), Great Tehran Municipality

LANGUAGES English Fluent German Basic (A2) Farsi Motherâ&#x20AC;&#x2122;s tongue Azerbaijani Basic

COMPUTER SKILLS CAD, 3D Modeling Rendering Graphics Micorsoft Energy Analysis Other

Autocad, Revit, 3Ds Max, Rhino, Sketchup, T-Splines, Vray, Corona Renderer, Lumion Photoshop, Illustrator, Indesign Word, Excel, Powerpoint Sefaira QGIS, Grasshopper

INTERESTS

CG art, Photography, Origami, Yoga, Running, Biking, Podcasts, Music, Travelling

ACADEMIC

CV ACADEMIC 01. Urban Farm 02. EmulCITY 03. Valiasr Culture House

PROFESSIONAL 04. Darband Event Hall 05. Chenaran Commercial 06. Dehghan Garden-House 07. Lybra Cafe 08.Eilkhaneh Apartment 09. Juan Apartment

COMPETITION 10. Bamian Cultural Center

MISCELLANEOUS Rendering Model Making

RECOMMENDATIONS MORE PROJECTS

01 URBAN FARM Academic project, Berlin, 2020 Design Studio 01, M.Sc. Typology, TU-Berlin Supervisors: Finn Geipel, Germain Chan, Ali Saad Design team: Galina Grinberg, Weronika Kessler, Mohsen Khanmohamadi, Hanieh Norouzzadeh

Typology-finding process

Conceptual diagram

X3 Vertical Production

Existing Typology

Underground Operational Zone

Recreation

2 Commerce

Workshops

4 Glass towers as light sources

Labs

Sticking Tower

Lifting the Mass

Offices School Production Showcase

Open Ground Floor

Circulation isometric

Program isometric

30.00

20.00 +16.00 +12.00 +8.00

Âą0.00

Isometric view

Section B-B

Isometric view

Green Column Stacker crane technology

Restaurant

Fully automated picking and retrieving Culinary School

ProductionTowers Vertically stacked Compact and modular Tailored climate control

Labs

Rooftop Farm

Workshops

Lobby Living Walls

Plantation distribution

Main entrance view

Âą0.00

+8.00

Âą0.00 B

Ground floor plan

First floor plan A

The unremitting trends of increasing population, urbanization, diminishing water supply, continuing climate change, and declining stocks of arable land per person force us to rethink the way we grow and produce food, and seek new solutions for ensuring future food security. The project is situated on the edge of an industrial district. The existing typology in the area is land-consuming, monofunctional, non-permeable, and non-sustainable. Urban Farm proposes a diverse program that integrated a clean industry with

various services for the neighborhood, providing new jobs, education opportunities, recreation, and commerce facilities. Three farm towers are places within the programmatic cluster and serve as light wells for the rest of the site. They are operating on the underground level and thus releasing the ground floor for the public. The project exposes the public to the different facets and stages of food production and brings back this basic human practice into the city.

Lobby view

South view

02 EmulCITY Academic project, Berlin, 2020 Bio-Inspired Modular Morphologies, Master of Typology, TU-Berlin Supervisor: Liss C. Werner, Valmir Kastrati Team: Mohsen khanmohamadi, Joanna kowalik, Hanieh Norouzzadeh, Sebatian von Stosch

Neighborhoods

Emulsion experiment

Side view

Gordon Pask in his article “The architectural relevance of cybernetics” writes: “[…] the structure of a city is not just the carapace of society. On the contrary, its structure acts as a symbolic control programme on a par with the ritual constraints which are known to regulate the behaviour of various tribes and which render this behaviour homeostatic rather than divergent.“ Our proposal is an ever-growing and ever-changing organism which follows a set of rules that regulate its growth but also informs the workings of the society within it. It tackles the problem of water deficit and pollution in the area of Bayiang lake by introducing algae water treatment, sustainable energy, and food production for the inhabitants of CityX. Inspiration: Emulsion and Algae Our two inspirations come from the organic world of algae and from experiments with oil, water, and turmeric. During those experiments, we discovered that the density of turmeric influences the behaviour of oil and creates fascinating

top view

Floating bubbles

morphologies subjected to opposing forces of gravity and buoyancy. In the side view, the emulsion grows and changes, forming landscapes of tower-like blobs and bubbles. From the top, it forms circle packing geometry. The algae we have researched are: volvox algae, with its circular shape and hexagonal surface; and water net algae, which is characterised by a penta- and hexagonal network of filaments. CityX The area of CityX is characterised by vast wetland areas around Bayiang lake. A common inhabitant of this environment is algae, one of the two inspirations to our project. Algae (volvox) reproduce by building up cell colonies inside of a specimen and releasing them into the waters around it. Algae bloom on the border between water and land and gradually spreads further into the water. Similarly, our urban spread starts on the coastline and around the existing towns. Hexagrid The hexagonal grid system we chose originates from the geometry of cell connections within an algae unit. Each side of a single hexagon is 1 kilometre long and its diameter is 2 km.

Emulsion sinks to the Force of buoyancy push- Trunk of the droplet nar- Droplet releases the top Remaining emulsion eibottom of the vessel es a droplet up rows down bubble which travels up ther follows to the top or to the surface sinks back down 12

water existing towns Masterplan of the area

INSPIRATION: OIL + WATER

circle packing

REQUIREMENTS: CITYX

blobs and bubbles

non-capital functions

research research

FUNCTION: ALGAE

ecological protection

water treatment

bio-power

QUESTION: how do we provide a sustainable supply of fresh water and clean enegry?

area limit

hexagrid hexagrid

URBAN AREA

park

wetland

neighbourhood

service

nature

forest

food

power supply

cell cell

clean water

size size

service cell service cells

molecule molecule comunity center community center

Process diagram

community center

min

max

community center

II size

IIIIwater

size -● accessibility accessibility (pedestrian & bicycle) -● population population densitydensity -● functions functions community -● human human community

IIIIIIexisting towns existing towns

water

always >2 service cells

Neighbourhood

Each neighbourhood is divided into blocks by a network of streets inspired by water net algae. Within each circular neighbourhood, there is a selection of functions, rendering the district as a (partially) self-sustaining entity. The cells fill out one by one, similarly to the reproduction process of the volvox algae- when one cell matures (or a neighbourhood densifies), it releases the daughter colony (or the main attractor- public space) into the neighbouring district. Each neighbourhood has a service cell (or multiple) attached to itself that contains an algae farm fueling the

URBAN SCALE URBAN SCALE 1 km

URBAN SCALE

ARCHITECTURAL SCALE ARCHITECTURAL SCALE ARCHITECTURAL SCALE

1 km 1 km

1 km 1 km 1 km city blocks city blocks

city blocks city blocks community center community city blocks center

habitats

community center Urban Scale

Droplet-inspired habitat development

water treatment through service cells - through service cells

neighbourhood with food, power and clean water, or a natural biotope area (Fig. 12). Habitats The smallest building unit consists of a living space for a single human. It is also a building module for the large habitat clusters. The clusters consist of a hexagonal or pentagonal framework inspired by water net algae, made up of filaments that branch out and create intricate networks, filled with algae and constantly providing clean water and shading for the habitants. The framework is constantly expanded and updated by AI analysing the density of each urban cell, creating towerlike structures inspired by the emulsion geometries. The morphologies derived from those geometries are translated into functional typologies and mixed together to create a rich and diverse urban fabric of each district.

habitats habitats

city blocks

Regional Scale

V water treatment V

- always more than 2 service cells

This is also the size limit of neighbourhoods that originate on the coastline and populate the area, following the geometry of circle packing. The initially regular hexagon contains one circle which outlines a single administrative district of CityX (neighbourhood).The size of the circle is then affected by one or few of the rules of urban organization (Fig. 13).

GSEducationalVersion

IV IVneighborhood molneighbourhood molekule ecule

Architectural Scale

Section cut

Plan

View towards a neighborhood

EmulCITY bird-eye view

03 Valiasr Culture House Academic project, Tehran, 2016 Thesis, B.Sc. Architecture, IAUCTB Supervisor: Behrouz Mansouri Design team: Mohsen Khanmohamadi

Design process

Circulation flow

1- Making an entrance from Valiasr metro station by an underground ramp.

2- Hight of the buinding harmonized with the surronding buildings importantly Vahdat Teather Hall.

3- Continuing the local streets into the site to make a better access to the site.

4- Cutting in the building for getting various views towards the interior streets.

5- Moving the building edges in the main elevation.

6- Impacting shiftings in the site to make different open areas in different levels.

7- Adding Openings

8- Linear green areas and benches along the side to give the sense of movement of the sorrounding streets.

01 Foyer 02 Cafe 03 Blackbox 04 Backstage 05 Amphitheatre 06 Cinema Tech 07 Terrace 08 Gallery

09 Chappel 10 Lobby 11 Restaurant 12 Birds Garden 13 Inner Yard 14 Storage 15 Men’s Washroom 16 Women’s Washroom

First underground floor Multiple gathering and open spaces are provided in the front yard to attract the maximum number of people into the cultural complex. These people are invited to see inside by providing multiple entrances to the complex at different levels. It was a trial to contain the coherence of the complex while making openings to have paths to the neighborhood located behind the project. So that habitats of the behind houses can access houses through the complex and it does not block the path. Meanwhile, they may be interested in taking a visit from the galleries.

‫دﯾﺎﮔﺮام ﻫﺎی ﺗﺤﻠﯿﻠﯽ‬

Circulation flow

Valiasr St., firstly made as to the main connection between south and north parts of the city, is one of the most historically and culturally important streets of Tehran. And Enghelab St. is hosting many universities including the first universities in Iran. This project is located in the interjunction of the two mentioned streets. This area is for many decades gathering point for artists, students, political activists, writers, and so on. Keeping in mind the strong history and role of the neighborhood, the main aim in this project was to increases the sense of belonging to the cultural complex and to the neighborhood by the use different spacial qualities. This goal is accomplished by maximizing natural light, providing crossing accesses for neighbors, importing plants and animals to the complex to increase itâ&#x20AC;&#x2122;s livelihood, choosing the corresponding program to the target group.

Bird view

Section A-A

04 Darband Event Hall Professional Project, Tehran, 2019 Hadi Teherani Architects, Architecture, Interior

Cooporated in: Interior design, planning, drawing technical plans and layouts, production of mood boards, co-ordination with 3rd parties and vendors.

Roof-terrace restaurant 370

Knauf Ceiling, Coated RAL 9003 matt

The project is an event hall, mostly being used for the existing plans. Therefore we took one step back and started Bending rebar weddings and related ceremonies. However, these halls are rethinking space and made Steel Profile 80x80x3 mm horizontal about the quality of every interior Corian stripes, Ral 9003, 50x20 mm Glued on stainless sheet planning hosting other kinds of ceremonies and parties as well. significant wallssteeland Steel Profile 80x80x3 mm vertical changes in the location of inner M8 of Wiremesh the whole complex. This process was going onsteelparallel to 2mm polished stainless sheet Hardware cloth After finishing the architecture design stage, the client MEP design and the consideration of the municipality and Painted Plaster Ral 9003 decided to hand over the interior design to Hadi Teherani financial issues. These factors were considered in interior Steel L-Profile 40x40x3 mm vertical Architects. The building was a four-story building on design during several meetings with clients and third parties. Handrail niche top of two parking floors, almost 5000mÂ˛ overall. according to the detail Explanation Construction of the structure and main walls were almost done. View 2- Contractor has to co View 3 mechanical, electrica However, the interior design team realized major problems in 050135 specifications to che 20

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17.8

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Bending rebar

Steel L-Profile 40x30x3 mm horizontal

Steel Profile 80x80x3 mm horizontal

370

27 Steps of stair: Width=Var. Length=220cm Height 17.8cm

Knauf Ceiling, Coated RAL 9003 matt

Bending rebar Steel Profile 80x80x3 mm horizontal Steel Profile 80x80x3 mm vertical

Corian stripes, Ral 9003, 50x20 mm Glued on stainless steel sheet

Wiremesh M8

2mm polished stainless steel sheet

17.5

FFL +1

17.5

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17.5

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Project Neme:

Steel L-Profile 40x30x3 mm horizontal

Wiremesh M8

27 Steps of stair: Width=Var. Length=220cm Height 17.8cm

375

17.5 17.5

Drawing:

Bending rebar

12 11

Recheck Explain:

2mm polished stainless steel sheet

39 17.8

Corian stripes, Ral 9003, 50x20 mm Glued on stainless steel sheet

Steel Profile 80x80x3 mm horizontal

17.8

17.5

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FFL +2

Darband Eve

Hardware cloth

Client:

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17.5 17.5

15 FFL GF 17

17.5

Knauf Ceiling, Coated RAL 9003 matt

Contractor:

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MTD Group

17.5

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17.5

Wiremesh M8

375

490

17.5

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17.5

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Mrs. Zohreh

FFL +1

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Fastener assembly

Situation

Tit

Corian stripes, Ral 9003, 50x20 mm Glued on stainless steel sheet

Concept

Phase 1-1

Phase 1-2

Ele

Phase 2

As Built

Int

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Painted Plaster Ral 9003

28 Steps of stair: Width=Var. Length=220cm Height 17.5cm

2mm polished stainless steel sheet

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Steel L-Profile 40x40x3 mm vertical Knauf Ceiling, Coated RAL 9003 matt

Bending rebar

Section A-A Central staircase enlargement

Layout 03

Fastener assembly

Corian stripes, Ral 9003, 50x20 mm Glued on stainless steel sheet 2mm polished stainless steel sheet Steel L-Profile 40x40x3 mm vertical

Ci Title:

Central Stair Enla

Date:

Section A-A View 1

Sep. 02, 2019

Dwg. Scale:

Dwg. No.:

124 Proj. Code 1:50 1:10

Main lobby

Wedding hall no.2

Special ceremonies room

T2-23 T1-23 T2-23 T1-23 T2-23

T1-23

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Width

Quantity

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Quantity

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Quantity

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1-35

T2-79Darband E

Phase 2 As Built Other

Ground floor plan

Title: Ground Floor Pl Date:

Sep. 02, 2019

Dwg. Scale:

Dwg. No

124

Proj. Code 1:100

05 Chenaran Commercial Professional Project, Tehran, 2017 Beta Studio, Renovation, Reinforcement Cooporated in: Architecture design, planning, 3D modeling, rendering, presentation

This building was an apartment, not being used for decades, therefore faced lots of architectural destruction, it had also an inefficient structure system. During the time the neighborhood has changed and turned into a high demand commercial zone. Therefore the goal was to change the apartment into a commercial floor and two administrative floors. Also by changing the floor heights a floor dedicated to stores has changed the function to parking. Because it was not clear which company or organization is going to take over the building after renovation, the idea was to designed open-plans that can host a wide range of different kinds of programs. West facade

Isometric

Commercial access, after renovation

Main access, before renovation

Office access, after renovation

Back access, before renovation

By relocating the staircase the facade facing the main street is allocated for commercial purposes and it also provides second access for the upper floors. By removing the souther wall and replacing it with flower boxes the private backyard has changed into pleasing access for the office entrance.

New location of staircase

Previous location of staircase

+11.93

3.48 0.27 0.27 0.62 0.33 0.33 0.62 0.330.470.330.470.33 0.33

0.27 0.57 0.33 0.33 0.57 0.33

2.43

2.34

0.35 0.33 0.59 0.33 0.59 0.33 0.590.33

0.35 0.530.33 0.33

0.33 0.73

0.35 0.35 0.37 0.27 0.35 0.33 0.730.33 0.81 0.33 0.81 0.33 0.33 0.92 0.33 0.92 0.33 0.33 0.88 0.33 0.88 0.33 0.33 0.88 0.33 0.88 0.33

1.73

0.27 0.27 0.330.64 0.330.64 0.33 0.33

0.27

2.47

2.15

3.37

1.33

2.65

2.97

3.05

2.83

2.93

1.95

0.31

+3.73

1.73 6.89

0.27

+6.73

0.27 0.40

+10.33 +9.73

Âą0.00

0.16

1.62

-0.50

west facade

1.60

1.50

0.74 -0.78

-1.03 -0.98

round corner facade

-1.11

South facade Unwrapped facade-west and south facades

West-south view from the main street We wanted to make a modern-looking building, with the most possible visibility from the street. This could improve the commercial floorâ&#x20AC;&#x2122;s value (GF) and provide light and view to the nice surrounding neighborhood and trees for the upper floors. Therefore, a high percentage of the facade is made of a doubleheight curtain wall. By doing so the two upper administration floors are grouped together. It also makes the whole building looks higher and proportionally better.

The Interior concept was to make the space in a way that it can respond to different programs, from office to gallery or a place to hold seminars or gatherings. To achieve that, it has the main necessities and infrastructures everywhere, but no further architectural decision has been made to have a flexible space.

Possible scenarios for open-office floor

Administration

Gathering

Game and recreation

Workshops

Seminars

Gallery

Open-office interior

Ground floor plan (commercial)

First floor plan (open-office)

06 Dehghan Garden-House Professional Project, Tehran, 2016 Beta Studio, Renovation, Reinforcement Cooporated in: Architecture design, interior design, 3D modeling, rendering. This building is was a small building at the corner of a 10.000m2 garden, unused for a long time. Because of architectural damages and the old structural system, it was not in an operating condition. To give a new life to the building, the first step was to reinforce the structure, then apply changes to the plan and facade, according to the new program, home-office. And lastly to design the landscape. It turned into a place for holding private meetings, or to spend some hours in when the client is visiting the garden.

Executive vent grill detail

Frist floor

Executive vent grill detail

View from garden

Ground Floor Plan

First Floor Plan

Stairs

07 Lybra Cafe Professional Project, Tehran, 2015 Freelance architect, collaboration with Sarvenaz Kalhornia, Saman Yamini Construction management, Design development, drawings, presentation. Shortlisted project in Memar Award 2016

Lybra Cafe is a renovation project. In this project we turned an unprofitable restaurant, built inside an old building into a cafe. The building is located in a cultural zone, surrounded by lots of universities and cultural spaces, as well as commercials and residentials. Therefore the aim was to make a gathering point for every kind of customer. We were seeking a modern project, still cozy and cool-looking to attract its main target group, university students. Flower pots on the entrance areaâ&#x20AC;&#x2122;s wall

mixing the concrete

Filling the molds

Adding a mesh palte to concrete

Adding hole hoders

Letting the panels dry

Installing concrete panels on wall, same method used for installing stone on wall

KITC

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Circulation

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Circulation

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First floor

HEN

Lybra is a very low budget project, the client could not spend so much on the materials and highly skilled construction forces and workers. Never the less design team and client wanted to meet high standards and were not eager to satisfy the quality. To cut the prices design team decided to make some materials at the site and by ourselves. Therefore we invented some techniques to make a kind of prefabricated concrete panels. By inventing this new material we could make it at the site by teaching how-to to our workers and by providing the very initial instruments. Later we installed the panels on walls by

using the common method for installing stones in Iran. All of these factors ended up having a considerably cheap material and construction, compared to buying panels and hiring someone from the providing company to install them. To make it more interesting some of the wall panels are flower pots and electricity sockets. The same idea applied for rusty iron on the facade. Itâ&#x20AC;&#x2122;s done by first learning the technique by ourselves, and then transferring this knowledge to workers and doing it at the site by our team.

Costly services

Free of charge services

Costs

KITC

HEN

Variation of activities happening in different spaces

Entrance

Lybra is designed in a way that can respond to the variable needs of different customers. By constructing different zones in the cafe; each with a different purpose. The majority of consumers are students from nearby universities. therefore, the first floor is dedicated to them; offering a variety of different accommodations. They can enjoy free electricity and are welcome to bring their laptops here and do their work for as long as they want and they will not be charged for being in the free zone unless they order something.

The entrance is allocated to takeaway customers. They can order a cup of coffee and take it with them or instead have a short rest on the exterior bench and enjoy their time. They wonâ&#x20AC;&#x2122;t be charged for using this bench as well. This zone can also be a stage for street musicians; mostly students of art schools in the neighborhood. The upper floor is the smoking area for the people who want to smoke while eating food or having a drink. They can also use the beautiful view of the balcony if they wish.

KITC

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HEN KITC HEN KITC HEN

Entrance and facade is designed in a way that grabs attention of the passing people. They can have a take-away coffee.

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KITC HEN KITCH EN

People or musicians can have a short rest in the triangular entrance zone while drinking their coffee.

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HEN KITC HEN KITC HEN

Those who donâ&#x20AC;&#x2122;t want to spend much time in the cafe but would like to enjoy interior atmosphere of cafe can sit here

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HEN KITC H KIT EN CHEN

First floor is dedicated mostly to students who want to sit and work on personal project in their free time or between classes.

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Circulation

Upper floor is the smoking area and contains a big table for Circulation bigger gatherings which require more time. Circulation Circulation

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08 Eilkhaneh Apartment Professional Project, Tehran, 2014 Shift Process Practice Cooporated in: Developing drawings, presentation, graphics

2nd place in Memar Award 2014

Eilkhaneh is a four-story building that houses three residential units for members of one big family. Eilkhaneh examines the possibility of designing for real homes within the framework of erecting an infill apartment. Certain traditions in conception and erection of domestic space was lost in this process, including the connection of the house with the garden, and the intrinsic complexity of interior spaces that was the product of well-crafted sectional and planar connections. South-west facade

First floor plan

Second floor plan

Apartment House Eilkhaneh in Comparision between common apartments and section

Third floor plan

Fourth floor plan

Comparision between scenarios of living in aHouse common apartApartment ments and Eilkhaneh

Fourth floor living room and kitchen

In the southern faรงade, the volumetric composition of a series of spatial pockets that are the result of localized extrusions and intrusions of the structural roof plates has created a series of connected balconies. Most of the interior spaces that are located at the southern part of the building look into these balconies laterally as opposed to opening up to the street. Theses connected balconies are envisioned as little green pockets. In parts of the southern faรงade, a semi-transparent and porous brick wall functions as a second skin. The brick shades are partially operable, allowing for transformation of the faรงade composition, in terms of access to view and natural light, based on desires of the occupants. The northern faรงade is punched with a series of openings with installed flower boxes that creates a vegetated view for the inner lot in the north. This punched green wall is the only view that the residence of the inner lot have from the outside world. The punched northern faรงade also allows for ample natural light for the staircase of the building.

Different methods to increase privacy in Eilkhaneh

Eilkhaneh is a try in re-evaluating the lost values of Iranian domestic space. During the twentieth century, Iranians were rapidly modernized without actually understanding or going through the essential steps of modernity. Certain paradigms of domestic life was lost in this transition. In the capital, the city of Tehran, the city was rebuilt substantially in the span of a century. The two-story homes were substituted with four to five-story apartment buildings and urban life style was modified accordingly. In the design of the southeastern corner of the project, a series of extrusions and protrusions, allow for lateral access of the interior to the somewhat prime view in the east, which is the view of one of the urban parks. Since the building is considered an infill and is not allowed to have openings in the east, the volumetric composition of the southeastern corner allows to get partial access to this view laterally. In section, the project is a composition of continuous folded structural slabs as well as disconnected hanging surfaces. The sectional composition of the project allows of in-between spatial pockets and vertical surfaces to become partially inhabitable. In maximizing the inhabitable surfaces of the project and including the vertical architectural surfaces in the programing of the daily-life of the inhabitants, the western interior surface is designed as a composition of shelves that is produced based on exact dimensions of the day-to-day objects of the domestic life in its contemporary version. Some of the shelves are to house ordinary domestic appliances such as the TV set and the Stereo, while the others are to be used as work stations and even childrenâ&#x20AC;&#x2122;s bed. In staircase, located in the northern part of the building enjoys ample natural light due to indirect accesses from northern and western sides. Hence, unlike many apartment buildings, in Tribe House the staircase is the social nucleus of the building where residents meet and greet. The interior space that are located in the northern part, look at this social space as well.

Isometric section

South facade

Third floorâ&#x20AC;&#x2DC;s kitchen

Section B-B

Staris enlargement

09 Juan Apartment

Professional Project, Tehran, 2013 L.E.D. Architects Cooporated in: Design development, Drawings, 3D modeling, Physical modeling

Shortlisted project in Memar Award 2016 Unit A Unit B Unit C Central staircase

Ground floor plan

First floor plan

Second floor plan

Third floor plan

South facade Juan is a family apartment in 3 stories, located in a middle-class district of Semnan city. Instead of an ordinary apartment block of three separate floors, this apartment houses one triplex, one duplex, and one small flat to make a unique atmosphere and also to separate private and public zones. Living rooms in all units located adjacent to the

south facade to get more light. A central void in the middle of the triplex unit is providing vertical access and visual connection. It also separates the public and private zones in duplex and triplex units. to emphasize on the stair box it is made out of wood and the rest of the building is made out of white gypsum. From central void to skylight

Section prespective

Third floor

10 Bamian Cultural Center for UNESCO Competition, Tehran, 2015 Shift Process Practice Cooporated in: Developing design and drawings, presentation, diagrams, 3D modeling and rendering

View to bamian monuments 2

Plan Sc:1/200

1. Classrooms 2. Workshop Studio Plan Sc:1/200 3. Storage 1. Classrooms 4. W.C. 2. Workshop Studio 5. Room 3. Storage 6. Research 4. W.C. 7. RoomPlan Sc:1/200 5. Room 8. Library 6. Research 1. Classrooms 9. Study 7. Room 2. Workshop Studio 10. Conference Room 8. Library 3. Storage 11. Performance Hall 4. W.C. 9. Study 12. Dressing 5. RoomRoom 10. Conference Room 13. Lobby 6. ResearchHall 11. Performance 14. Kitchenette 7. RoomRoom 12. Dressing 15. Administration Offices 8. Library 13. Lobby 16. Retail Store 9. Study 14. Kitchenette 17. Mechanical Room 10. Conference Room 15. Administration Offices 18. Collection Storage 11. Performance Hall 16. Retail Store 12.House Dressing Room 19. Tea 17. Mechanical Room 13. Lobby 20. Lobby 18. Collection Storage 14. Kitchenette 21. Storage 19. Tea House 15. Administration Offices 22. Office 20. Lobby 16. Retail Store 23. Permanent Collection 21. Storage 17. Mechanical Room 24. Temporary Collection 22. Office 18. Collection Storage 23. Permanent Collection 19. Tea House 24. Temporary 20. LobbyCollection 21. Storage 22. Office 23. Permanent Collection 24. Temporary Collection

2 5 4 3 5

10 2

10 18

7 19 19

21 22

6 13

19 15

D 1

19 15

19 15 24

C 12

Ground floor plan

Temporary support for

Reinforced concrete fou Temporary support for Reinforcing bar

Reinforced concrete fou

bar Temporary Reinforcing support for erection of t

Reinforced concrete foundation bas Reinforcing bar

SEC-A Sc:1/100

SEC-B Sc:1/100

SEC-A Sc:1/100

SEC-B Sc:1/100

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Section Prespectives

SEC-D Sc:1/100 SEC-D Sc:1/100

SEC-E Sc:1/100 SEC-E Sc:1/100 SEC-E Sc:1/100

South view

View from landscape

On High-Level Concept: The Extruded Space and the Positively Charged Void. For over fourteen centuries, the two colossal Buddhas of Bamiyan had been the objects of religious devotion of pilgrims and shared fascination of visitors. By the end of the twentieth century, they had endured more than a millennium of natural degradation and human neglect, but, they were still exceptionally impressive monuments. Yet, they were not allowed to remain untouched for ever. With the catastrophic events of March 2001, for many of us, the story of these enigmatic statues, began at the end.

Bamian statues

Bamian statues void

Representation of the voids

Section of the voids

This brought the subject of their existence to the front line of the collective consciousness of the world: One may think that they are even more alive in the mindset of the global community now that they do not physically exist anymore. What none of us now have the opportunity to do is actually experience the Buddhas of Bamiyan in person! Yet, the remaining vast voids, towering over their remote mountain valley, amaze and mystify the visitors. The disturbing presence of these two empty niches, contributes to an arresting sight and an almost intense religious experience of what can only be characterized as a â&#x20AC;&#x153;positively charged void!â&#x20AC;?

Finding volumes based on combination of different sections

Section catalogue

View from landscape

MISCELLANEOUS

CV ACADEMIC 01. Urban Farm 02. EmulCITY 03. Valiasr Culture House

PROFESSIONAL 04. Darband Event Hall 05. Chenaran Commercial 06. Dehghan Garden-House 07. Lybra Cafe 08.Eilkhaneh Apartment 09. Juan Apartment

COMPETITION 10. Bamian Cultural Center

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Dear Sir/Madam, This is to cerrfy that Mr. Mohsen Khanmohamadi had been working for us from Dec 2012 to Jan 2014 as Junior Architect. During his collaboraaon with our company, he was responsible for design development, physical model making, 3D modeling and concept development. Yours faithfully, Prof. Shahab Mirzaean Mahabadi C.E.O at L.E.D Architects Cellphone : 0098 912 198 7432 Email: info@arch-led.com 09 Sep 2018

Scanned with CamScanner 66

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