Moises Reyes | Architecture Collection | Portfolio v2

A recent graduate currently seeking roles in architectural design, architectural curation, new and adaptive reuse designs, with a passion for innovative designs that meet and exceed client expectations. Highly commended for being organized, attentive as well as contributive. Capable of working both collaboratively as well as autonomously.

Education

AUG 2023 - APR 2024

University of Detroit

Mercy SACD

Master of Architecture

AUG 2019 - APR 2023

University of Detroit

Mercy SACD

Bachelor of Science in Architecture

MAY 2023 - APR 2024

Business Manager for Dichotomy Student Journal

AUG 2022 - AUG 2023

Treasurer for NOMAS at UDM SACD

Proficient In:

Modeling

Revit

AutoCAD

SketchUp Pro

Rhino 3D

Rendering

Lumion

V-Ray

Creating

Adobe Photoshop

Adobe Illustrator

Adobe InDesign

Adobe Premiere Pro

Tasking

Google Workspace

Microsoft Office Suite

Languages

Spanish (Native)

English (Native)

linkedin.com/in/moireyes

SEPT 2023 - DEC 2023

Architecture

Research Assistant

Involved in creating drawings, digital models, physical models, archival research, and writings.

MAY 2022 - PRESENT

Marusich Architecture

Design Associate

Involved in schematic design, design development, and construction documents phases.

SEP 2021 - APR 2022

Architecture Plot Lab Associate

Experience Awards

2023

Involved in providing and documenting plotter printing services.

Gold + Bronze PID Studio

Design Excellence Award

GOLD Faculty Choice Award for Public Interest Design project. BRONZE Student Choice Award for Public Interest Design project.

2023

NOMAS Student Design

Competition BGL

Honorable Mention: Captivating Presentation

GOLD FACULTY CHOICE AWARD BRONZE STUDENT CHOICE AWARD

Garage Cultural is an organization that has fulfilled its mission statement for 12 years since its founding in 2011 by Ismael “Bandolero” Duran. As Architects, it is now our turn to transform their new site into a place that inspires and welcomes people of all ages intriguing them to explore and pursue goals concerning arts, culture, and beyond, because

“Pueden cortar las flores, pero no pueden parar la primavera” - Pablo Neruda

“They can cut the flowers, but they can’t stop the spring” - Pablo Neruda

Chadsey Condon is a community with the odds stacked against it due to historical redlining labeling the community “undesirable.” Garage Cultural is looking to change that old narrative, and we are here to help! While others may overlook Chadsey Condon, Garage Cultural saw a community with a rich history and talent that can serve as an anchor within Southwest Detroit.

Learning new skills, enjoying live performances, and admiring local creative murals and artworks are just some activities Garage Cultural offered in their past location on Livernois in Detroit. Garage Cultural has moved to Junction Avenue in Detroit, meaning more land and possibilities.

CULTURAL GARAGE

MULTIFUNCTIONAL + MARKET SECTION AXON

PHYSICAL MODEL AXON VIEW

HQ GLETA

The Great Lakes Engineered Timber Association (GLETA) head office building aims to showcase the capabilities of mass timber as a structural, facade, and finish material. This building strives to maximize views of Detroit and relate to the Dequindre cut through its massing. As well, passive strategies such as stack ventilation, active strategies such as radiant heating and cooling, and renewable strategies such as PV panels allow GLETA HQ to become a net positive building. This not only allows the building to produce all of the energy it needs in a renewable way but can also produce additional energy that can be given to the Rivertown community. Looking inside the building, adaptable office space allows businesses lay out offices in a way that suits their needs, with a collaborative space that emphasizes the best views on the respective level and allows occupants to take breaks from their personal desks and enjoy the space. Further, an atrium rises through the center of the building, uniting the floors as well as allowing daylight to enter the office spaces to maximize the comfort of those working in the spaces.

4” CONCRETE TOPPING

W/ RADIANT TUBING

7 LAYER CLT AT 9”

27” GLULAM BEAM

FLOOR ASSEMBLY RADIANT CEILING PANELS

WALL ASSEMBLY CEDAR BOARDING

ON VERTICAL BATTEN

AIR GAP

RIGID INSULATION

WEATHER BARRIER

SHEATING

LIGHT METAL FRAMING

INTERIOR FINISH

Ms. Jenkins: Mm, yes, I’m Ms. Jenkins. I’ve lived in Albina my whole life, mhmm. What I love most about this place is the movement it has. There’s a good energy here, and that comes from the people. You can see it along the main strip of Vertebrae; it’s good people-watching. There’s all kinds of folks that come in people playin’ jazz for our festivals, people setting up events outside and inside, and people coming and selling good selling. I’ve even seen some young families move into the cohousing on the east border. Setting up for the future of Albina, but they bringing i n these crazy kids running up and down the strip.

Damien Starks: Uhh, I’m Damien, and uhh, I live about 12 mins of walking away from my friends who live in the weird triangle building. I’d come over after school sometimes alone or with my friends in their car, and my dad brings me on the weekends, mostly because he gets free time to himself and gets to hang out at the music restaurant. I see all kinds of people, people with instruments, people selling fruit, old people playing in the grass and plants, and all kinds of people. And, uh, ooo theres gardens and trees on the roof, I don’t know how they grow that tall but my dad does. He’s pretty cool because he takes me on the roof and we can play basketball up there and play in those plants on the roof, and I can see the other plant roofs. And my dad told me about the salad panels on the triangle roof and they power the building with the sun and that’s really cool. But I like coming here with for my friends too. When I’m here with my friends we are in my friend Derrick’s house until his mom kicks us out. But I love it when she kicks us out because we just go play in the wet grassy

sidewalk. There’s a ton of frogs there and my friends try to catch em so we can make frog legs. We chase them around and run through the grass so much that this mean old lady always yell at us to stop running through it. She’s like the president or captain of something, she lives in the tallest building here. Then we go get ice cream sometimes too on Saturdays from the funny man with the cart that comes on Saturday. And I have even more fun on the weekends with my dad. We come here and go to the community center for clubs and stuff. I’m on the baseball team with my friend Derrick and we go play at this big park nearby. I like growing up here, it’s lots of fun.

Ms. Jenkins: I live way up in the apartment building, but you can still hear them rascals playing in the swales from there. It’s alright, though. I like to move around too much anyway, it’s good for my feet to exercise. I take my morning strolls around the area, looking at the birds that come around. I also head up to our community garden, pick some cucumbers and peppers for free ‘cause this old girl loves a deal, haha! Oh that reminds me, when my kids visit, they love the jazz here. There’s a young local band that plays during the evenings, and there’s the jazz bar in the corridor that has good food. During the day they sell the best turnovers, mm mmm mm! When my girlfriends come over, that’s where we head to catch up, talk about the old days when this lil’ ol’ place was the Hill Block. This place allows us of the black community to reestablish what was lost for a while. It’s a place I hope my grandkids continue to grow in, learn more about who they are, and keep on the culture that was always meant to be right here in Albina.

VERTEBRAE, A JUST & JOYFUL FUTURE

VERTEBRAE

The primary intention behind the creation of this intriguing installation was to incite viewers to reflect on their emotions and thoughts when entering a space inhabited by a complete stranger . This concept, the ability to transform a stranger into an acquaintance or perhaps even a friend, fascinated me deeply. But the pivotal question that loomed was, how could this transformation be achieved? To tackle this challenge, I meticulously identified a scenario and handpicked an interaction that would encapsulate a moment where the viewer would engage with a complete stranger.

In the development of this installation, I embarked on the task of crafting an environment that would encapsulate the essence of potential interactions with a stranger. This journey demanded a thoughtful curation that would replicate the sensations of encountering an unfamiliar person . To faithfully replicate this experience, I sought to introduce the presence of a stranger within the installation. To accomplish this, I embarked on brainstorming various methods, eventually settling on the creation of a plastic wrap sculpture , remarkably resembling myself. This lifelike plastic wrap sculpture effectively assumed the role of the stranger within the installation and possessed the potential to elicit human-like emotions and responses in the participants.

VISIBLE STRANGER

In the intricate act of people-watching , we silently observe others to unravel the layers of their identity, preferences, emotions, and our potential affinity. The unspoken exchange is typically one-sided, but what transpires when the subjects of our scrutiny turn the gaze back on us? A fascinating interplay unfolds as the dynamics shift , prompting questions about our reactions. Do we maintain unwavering eye contact or hastily avert our eyes? The specter of embarrassment may even elicit a blush, warming our cheeks. As we redirect our attention, returning to our surroundings, the revelation that someone was alongside us all along adds an unexpected twist to this voyeuristic ballet, blurring the lines between observer and observed in the captivating theater of human interaction.

DON’T LOOK AT ME

YOU GET CLOSE

DON’T LOOK

In the intricate act of people-watching, we silently observe others to unravel the layers of their identity, preferences, emotions, and our potential affinity. The unspoken exchange is typically onesided, but what transpires when the subjects of our scrutiny turn the gaze back on us? A fascinating interplay unfolds as the dynamics shift, prompting questions about our reactions. Do we

A ISABELLA VIRGILIO + MOISES

LOOK AT ME !

MOISES REYES INSTALLATION maintain unwavering eye contact or hastily avert our eyes? The specter of embarrassment may even elicit a blush, warming our cheeks. As we redirect our attention, returning to our surroundings, the revelation that someone was alongside us all along adds an unexpected twist to this voyeuristic ballet, blurring the lines between observer and observed in the captivating theater of human interaction.

I’ve been involved in schematic design, design development, and construction documents phases during my internship turned part-time position at Marusich Architecture. The following drawings shown were my responsibility to complete for the according projects. Fully produced by myself with the help and direction of John Marusich the Principal and Director of Design.

WORK PROFESSIONAL