荒謬 謬思 即
這是一個 everything 也是 nothing 的時空氛圍，是荒謬也是充滿謬思的。
This is a moment of everything and nothing. It is absurd while full of muses.
目
錄
序 李政勇 6 Foreword Andre Lee 7
不被時間管束的畫家 陳璽安 9 An Artist Untamed by Time Zian Chen 13
不斷更新的創作之路—鍾江澤談「謬思牆」 郭怡孜 16 An Ever Renewing Path of Artistic Creation — Jhong Jiang-Ze on Wall of Muses Isabelle Kuo 23
謬思牆 33 Wall of Muses 33
荒謬劇 49 Theatre of the Absurd 49
醚 113 Trance 113
禪園 153 Zen Garden 153
大肉身 167 Self-Incarnation 167
藝術家簡歷 188 Artist's Brief Biography 190
序
Foreword
by Andre Lee
文／李政勇 最初知道鍾江澤是2011至2012年間透過藝術家好友黨若洪的推薦，而我
The first time I heard of Jhong Jiang-Ze was through the recommendation of my good artist friend, Tang Jo-
真正看到江澤的作品，則是在他2012年的「夢飛鳥」個展，當時覺得這
Hung, around the turn of 2011 to 2012; and it was in Jiang-Ze’s 2012 solo exhibition, Flying Birds in the
個年輕藝術家的技巧不錯，畫面散發一股濃厚的文人氣息，可以持續的
Dream, that I really saw his works. The solid techniques of this young artist and the cultivated humanistic
關注。直到2013年初，實地走訪江澤於下圭柔的工作室後，進一步完整
air in the images he created convinced me that he would be an artist worth following. In early 2013, I visited
看完他從北藝以來的作品，發現江澤於2012年後的創作質量有著明顯的
Jiang-Ze’s studio in Xiaguirou, Taipei and had a full review of his works created since his time as a student at
上升曲線，又因感動於他在極度刻苦的生活環境中仍堅持創作，當下即 邀他加入安卓2013年初的聯展「春遊」，並於第一次的合作後與江澤簽 下五年的全球獨家經紀合約。
2012, and touched by his persistence in artistic creation despite the discomfortable living conditions, I invited him Immediately to join the 2013 MSAC group exhibition, Spring Trip. That was our first collaboration, after which I signed a five-year global exclusive representation contract with him.
從2013年初開始經紀鍾江澤算起，一晃眼已有兩年半，這段日子以來我
Two and a half years have passed swiftly since we started representing Jhong Jiang-Ze in 2013. During this
們持續與他進行各種合作，鼓舞藝術家嘗試不同的挑戰和展覽呈現，在
time, we have continuously collaborated with Jiang-Ze in different ways, encouraging him to take on various
江澤於安卓推出的首檔展覽「荒謬劇」和動態項目「謬思牆」中，細心
challenges and try out new forms of exhibition. In his first solo exhibition at MSAC, Theatre of the Absurd,
的觀眾都發現到他與安卓藝術合作以來的不同轉變，而這也是我們最為
and the following dynamic project, Wall of Muses, perceptive visitors may have detected his changes over the
快樂滿足並鼓舞團隊繼續前行的最大動力。
time working with MSAC, and this has been the greatest fulfillment that motivates us to carry on.
我們非常開心於跨越五周年後，出版鍾江澤的首本作品集《鍾江澤2003-
We are immensely pleased to publish Jiang-Ze’s first album : Jhong Jiang-Ze 2003-2015, right after the
2015》，這也是安卓藝術持續為台灣藝術家梳理出的第四份作品集。此 書選錄了藝術家從2003年來的創作，以創作主題和項目分成五大類， 其中包含鍾江澤於2014年在安卓呈現的兩檔展出「荒謬劇」及「謬思 牆」，展現鍾江澤從學生階段到專職藝術家的成熟轉化，而在限時限地 的計畫「謬思牆」中，鍾江澤把藝術創作與觀看進一步地拓展至畫框之
5th anniversary of MSAC. This is also the fourth album that MSAC has steadfastly organized for Taiwanese artists. The book includes a selection of Jhong’s works since 2003 under five sections based on creative themes. It also covers his two exhibitions at MSAC in 2014, Theatre of the Absurd and Wall of Muses, displaying his maturing and transformation from being a student artist to a professional one. In the time-sensitive and site-specific project, Wall of Muses, Jiang-Ze has expanded artistic creation and the viewing of art out of the painting frames, allowing clues and connections of artistic inspiration to subtly take up the entire site-specific
外，讓飽含藝術家靈感的種種線索與聯結藏身於整個現地創作的空間，
project. This approach has further accentuated his thinking and execution of artistic creation, which has been
更突顯出鍾江澤對於藝術創作如醚一般的思考與實踐。
like in a trance.
台灣畫廊產業的經紀與代理機制向來不甚健全，也一直存在藝術家與畫
The mechanism of artist representation in the art industry in Taiwan has always been unsound, and discords
廊合作間的齟齬，安卓雖然是一家年輕畫廊，但我們很早就開始與藝術
between artists and galleries happen all the time. Despite been a relatively young gallery, MSAC have
家發展獨家經紀或代理的關係，我們非常清楚必須培植自己的藝術家，
represented exclusively or regionally with artists at an early stage. It is understood very well that the gallery
才能在國際市場上有進一步的競爭。和江澤合作以來，很開心我們彼此
must nurture and support its own artists to become more competitive in the globalized market. To our
都能持續地進行自我超越，而這本作品集的出版想必會讓藝術家的創作 受到學術與市場上更完整的認識，協助安卓把這位優秀藝術家推廣到更 廣的區域。
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Taipei National University of the Arts. Impressed by the distinct improvement in the quality of his works after
delight, both Jiang-Ze and MSAC have kept surpassing themselves since working together. The publication of this album would definitely foster a more comprehensive understanding of Jhong Jiang-Ze’s artistic endeavor, both in the academic circle and the commercial market, enabling MSAC to promote and introduce this outstanding artist to more regions.
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聖殤星空 Starry Sky of the Pietà 62
油彩、壓克力彩、畫布｜Oil and acrylic on canvas｜160x125cm (Framed)｜2014
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