混沌劇場 Chaos

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當界線不再清晰 文 / 郭朝淵

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When boundaries are clear no more Text / Dean Kuo

傅饒 Rao Fu

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鍾江澤 Jhong Jiang-Ze 黨若洪 Tang Jo-Hung

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當界線不再清晰

文 / 郭朝淵

這是最好的時代，也是最壞的時代。 —狄更斯《雙城記》 混 沌 既 是 開 始， 也 將 是 終 結。 希 臘 神 話 中 的 創 世 天 神 卡 俄 斯 （Chaos）從混沌的世界中創造了天地，孕育了萬物。到了 2018 年的今天，資訊爆炸的時代中，國家與國家的界線正逐漸消失，歷 史的遺緒與未來的想像也融為一體；在象徵與符號充斥於洶湧產出 的藝術作品之時，人們輕易地挪用它們，也總是任性地遺棄。這個 看似自由的時代，各種秩序、習俗與制度如同看不見的絲線，而身 不由己的人們如傀儡般，在人生的劇場上演出一幕幕難以言說的劇 碼。「混沌劇場」中的三位藝術家：傅饒、鍾江澤、黨若洪，在將 明而未明的混沌中，以繪畫形塑荒謬怪誕的眾生百態。

穿越幽暗的混沌之光 長年定居德國的中國藝術家傅饒，著迷於德國浪漫主義所呈現的 畫面氛圍。自幼學習書法與水墨的他，經常運用極為單純的構圖和 相近的色調，藉由瀝青顏料的潑灑和點染，讓紙面呈現富有墨韻的 暈染效果；有些作品則具有細膩的空間安排，場景大多是烏雲壟罩 的大地或幽微陰暗的鐘乳石洞中，藉由空間景深和多重視點的開展 下，畫面有如劇場一般地呈現出人與物之間的多重層次。 傅饒的作品大多來自於對內心的描寫或是夢境的轉化，他希望透 過作品中神秘又曖昧的筆觸，帶領觀者從晦暗魅影中體會混沌的巨 大能量。這些作品看似隨性，卻充滿著精心的鋪陳與安排。如《酒 屋》之中，有著抽象的表現性筆觸，也有理性的敘事結構。在荒蕪 的大地與陰鬱的天空之下，前景是一個醉倒的男子腿部，中景有一 對擁吻的男女，而遠景則是荒涼的酒吧、正在清掃的人和呼嘯而過 的列車。透過藝術家的安排，這些仿若末日般的景象，在強烈的戲 劇性中烘托出浪漫主義式的幻境。 「 中 美 國 」（Chimerica） 一 詞 於 2008 年 由 美 國 學 者 佛 格 森 （Niall Ferguson,1964-）提出，用以闡釋中國、美國的經濟共同

體的概念，同時這個新創的詞彙亦十分近似於希臘神話中的怪獸 「凱美拉（Chimera）」。身處德國的傅饒，在一次偶然的閱讀中， 被這個融合兩種文化而生的「怪獸」給深深吸引，也開始以此為名 的繪畫系列，創造他風格獨具的怪誕奇觀。《Chimerica 20》營造 了嘉年華般的歡娛氣氛，喧囂的場面中，盡是難以辨識的魅影，而 橫跨畫面對角線的樓梯，隔開了上下的空間，也分別出遠近之間不 同角色的距離。傅饒將混沌視為一切的開端，創造了一種難以言說 的魅影異境。

不安的身體，吶喊的靈魂 相對於傅饒畫作中場景與人物之間存在的豐富聯結，鍾江澤的繪 畫更為著重於狀態的呈現，也更加直觀地運用身體，以畫布來重現 身體的知覺與感受。總是不安於肉身框架的他，經常以混沌的畫面 景象與扭曲變形的人體來突破束縛，他將身體的感知，透過油彩投 射到畫布之中。藉由奔放的筆觸與時空的拆解，鍾江澤重塑了一個 具有獨立運行的世界，在紛亂破碎的畫面裡顯示出錯置與矛盾，它 們像是內心深處永遠不安的吶喊，既映照著現實的荒謬，也迸發出 無盡的可能與想像空間。 《角色扮演（Cosplay）》一作，反映了鍾江澤身為一位資訊爆 炸時代的藝術家，「萬物皆我註腳」的創作態度。作品畫面裡的多 重人體疊影，彷彿舞台上的各種角色，而不同的色塊、筆觸、造 型與符號，則像是藝術家採集而來的補丁，透過極具穿透與流動性 的構圖與筆法，在畫面中縫合出一列身體所組成的生命長河。新作 《蛹》更進一步地呈現藝術家對於身體與意識的探索，畫中只露出 下半身的人體，輝映著上半部無法辨識的面容，宛若置身虛無混沌 的天地漩渦，沒有支撐又無可避免的落入一種漂浮、茫然的處境… 鍾江澤的創作雜揉著過去與當代的元素，他自由自在地運用各種 素材，並且藉由其中不斷發現的線索，延伸創作的靈感。就像一位 當代藝術的祭師，藉著一種身體的儀式和迸發出的速度與力量，在 變形的肢體、破碎的物件與歷史文件的匯聚中，創造出一種強烈的 衝突，而這些衝突最終成為混沌，也成為藝術家突破平面繪畫與身 體限制的刺點（Punctum）。

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城市漫遊與異國奇觀 作為一名城市的漫遊者，黨若洪的繪畫創作擅長以精采的色彩鋪 陳，以及率性、流暢且多變的筆觸，描繪出當代生活中難以歸位卻 夾帶幽默的處境，他透過一種異鄉人的視野，在輕鬆有趣的形式中 生成一種充滿個人即興風格的藝術語言。 近作中，黨若洪持續其漫遊者的姿態，描繪出更多介於真實與幻 想之間的角色：不論是充滿自信的魔術師、配戴噴射背包探險的人 們，或是手執拐杖的男子，藝術家在畫布上創造出一座人間馬戲團， 以繪畫向我們展現一種幽默而獨特的樣貌，回應了觀者的窺探與獵 奇想像。作品《驕傲的行走》中怡然自得的魔術師角色，誇張的長 手臂、多出的手指，彷彿暗示身分的西裝與面具，在粉墨登場的瞬 間，同時展示著創作者與畫中角色的傲氣。而《持拐棍的青年》裡 的蓄鬍男子，身穿灰藍色西裝與淺白黑條紋的長褲，再加上白色長 靴的帥氣

樣，同樣在簡潔優雅的畫面中透露著自信。畫中角色採

用由下而上的視角，讓人物顯得更加巨大，宛若某種幻想的支配者， 或是一名演出的指揮者。 不談議題，不談美學，將網路訊息與生活的狀態融入作品後，黨 若洪畫筆下的人物正以一種恰如其分的姿態引領我們一起漫遊，進 入那座真實與想像界線消解的世界。而這種閒適生活裡的漫遊或漂 浮狀態，也回應他一直以來在創作上所信仰與追求的「輕鬆」哲學。

混沌作為一種表現方法 誠如荒木經惟所言：「曖昧不清或混沌不明的地方，可說是人類 最大的魅力了！」傅饒、鍾江澤與黨若洪這三位藝術家，在「混沌 劇場」中彷彿三幕劇裡的不同篇章，以混沌作為一種貫穿的表現方 法，在截然不同的人物群像中，呈現一個將明未明的世界。他們也 將自我的生命經驗投射在這些看似扭曲、詭異的圖像中，讓細瑣的 事件與片段的記憶衍生滋長，跨越教條和主義的界限，最終形成一 場自由盛大的混沌劇場。

When boundaries are clear no more

Text / Dean Kuo

It was the best of times, it was the worst of times. - Dickens' A Tale of Two Cities Chaos is both the beginning and the end. In Greek mythology, Chaos, one of the primordial deities, first came to be when the heaven and earth separated to form a world that gave birth to everything. Fast forward to 2018, when today's era of information explosion is gradually blurring the boundaries between countries, where the legacy of history and the imagination of the future are somehow integrated into one, it is a time when signs and symbols are flooding over the vast stream of artworks being created every minute. People are misappropriating them so easily and always abandoning them without giving it much thought. In this era of seeming freedom, all kinds of order, customs and institutions are like invisible silk threads, tucking on people who are involuntarily being manipulated like a puppet playing an indefinable drama in the theater of life. The three artists in Chaos—Rao Fu, Jhong Jiang-Ze, and Tang Jo-Hung—use paintings to depict the absurdity and grotesque of sentient beings caught in this unfathomable chaos.

A beam of light through the chaotic gloom Rao Fu, a Chinese artist now based in Germany, is fascinated by the atmosphere of German romanticism. Having trained in calligraphy and Chinese ink paintings since childhood, he often uses extremely simple composition and similar colors by splashing or point dying of bitumen on the paper surface to render the ink wash charms reminiscent of ink paintings. Some of his works are treated to meticulous spatial arrangements. Scenes are often an expansive land shadowed by dark clouds or inside dark cavernous stalactite caves. By opening up the spatial depth of field and multiple viewpoints, his paintings deliver multi-layered relations between people and objects.

Fu's works mostly arise from the portrayal of the inner mind or the transformation of dreams.

He hopes to guide viewers to experience the massive energy of chaos enveloped amidst the gloomy shadows. Seemingly casual, these works are actually elaborately orchestrated and arranged. For example, Biergarten is depicted in abstract expressive brushstrokes, yet there are rational narrative structures. Under the bleak and somber heaven and earth, the foreground is a drunk man's leg, the midground sees a couple intertwined in a kiss, while in the distance sits a desolate bar, a sweeping person and a passing train. Through these ingenious arrangement by the artist, the romanticist dreamscapes are accentuated in the Armageddon-like scenes.

The term “Chimerica” was first coined by American scholar Niall Ferguson (1964-) in 2008 to describe the economic symbiosis between China and the United States. This new portmanteau is an incidental reference to the legendary monster chimera in Greek mythology. During Fu's long residence in Germany, he became deeply intrigued by this “monster” born out of the fusion of two cultures after he came across this word in a casual reading. Hence Fu began to create

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his painting series named after Chimerica to fashion his unique and strange bizarre spectacle.

Chimerica 20 conveys a carnival-like atmosphere of joy, as the boisterous scene is filled with indiscernible phantoms. The diagonal staircase stretches across the entire scene, separating the upper and lower space and differentiating the near-far distances of the various characters. Fu sees chaos as the beginning of everything and creates an indescribable chimerical presence.

Body trying to break free, soul trying to scream in between Compared with the copious connection between the scenes and characters in Rao Fu's paintings, Jhong Jiang-Ze's paintings are more gravitated towards the presentation of "state", where he uses the body more intuitively to reproduce the body's perception and feelings on the canvas. Always dissatisfied with the confines boxing in the physical body, he breaks the bondage with chaotic scenes and distorted bodies, as he projects the body's perception onto the canvas through oil paint. Through the unrestrained brushstrokes and the dismantling of space-time, Jhong recreates a world that runs independent of everything. The misplaced and contradictory images in the fragmented scenes are like unceasing cries from the inside, reflecting the absurdity of reality. But at the same time, they evoke endless possibilities and infinite imaginations.

Cosplay is a work that mirrors Jhong's creative attitude—"all things are my footnotes"—as an artist in the information explosion age. The multiple overlaid images of the human body in the artwork are as if various characters on stage, where the different color blocks, strokes, shapes, and symbols are patches collected by the artist. The composition and brush techniques convey a sense of fluidity and transmittance, sewing together a long flow of life woven together by a series of bodies. His new work Pupa further illustrates the artist’s exploration of the body and consciousness. Only the lower body is exposed, calling upon the unidentifiable face in the upper part. Like being caught in a swirl of chaos between the heaven and earth, there's no support and no escape, but only the inevitable fall into a hovering, hazed state...

Jhong's creations blend the elements of the past and the present, where he uses various materials at will and extends the creative inspiration through clues that he encounters during his on-going exploration. Like a priest of contemporary art, he creates a strong conflict in the convergence of deformed limbs, broken objects and historical documents, all through some sort of physical body ritual and the speed and power that come bursting out. These conflicts eventually become chaotic—a punctum through which the artist breaks from planar paintings and bodily physical constraints.

Roaming in cities, soaking in exotic wonders As a city wanderer, Tang Jo-Hung's paintings are known for their mesmerizing splendid colors, as well as his casually fluid and varied brush strokes. Depicting situations in modern life that are difficult to put a finger on, while infusing them with a humorous spin, he sees things from the eyes of a stranger on a foreigner land. This light-hearted and amusing art form produces an

artistic language brimming with personal improvisational style.

In his recent works, Tang continues his wanderer's journey by rendering characters that are walking the fine line between reality and fantasy. Whether it is a confident magician, an adventurous person wearing a jetpack, or a man with a walking stick, the artist creates a human circus on the canvas and presents a humorous and unique semblance that plays to the viewer's prying eyes and imagination. In Walking with Pride, the magician is walking on cloud nine, with his exaggerated long arms and extra fingers, wearing suits and masks suggestive of his identity, ready to make an entrance, all the while demonstrating the beaming pride of the character in the painting and the creator. The man in Youth with a Walking Stick is wearing a gray-blue suit and a pair of black-white striped trousers, looking dashing with his white boots, exuding confidence in the simple and elegant scene. The character is seen from a low angle, which makes the person appear even bigger, bringing to mind a dominant player in some fantasy or the conductor of a performance.

Setting aside the issues under discussion or the aesthetics aspect of the paintings, Tang infuses the life in the Internet age into his works, in which the characters under his brush are leading us to roam a world where the border between the real and the imagined are disintegrated. The wandering or floating state in this leisurely life also reflects the "relaxed" philosophy he has always believed in and pursued in his creation.

Chaos as a way of expression As famed photographer Nobuyoshi Araki puts it: “The place where unknown ambiguity or chaos exists is the greatest charm of mankind!� In Chaos, the three artists Rao Fu, Jhong Jiang-Ze, and Tang Jo-Hung are like the different scenes in a three-act play, in which chaos is the overarching expression. Among the distinctively different character groups, they present a world that is vaguely familiar yet faintly strange. They also project their own life experiences in these seemingly distorted and bizarre images. Trivial things and fragments of memories flourish and transcend across the boundaries of dogmas and doctrines, eventually forming a grand chaos without limits.

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Oil on paper 65 x 95 cm

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Oil on paper 65 x 95 cm

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Oil on board 50 x 40 cm

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Oil on paper framed in canvas 175 x 240 cm

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Oil on canvas 60 x 50 cm

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Oil on canvas 60 x 50 cm

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Oil on paper 70 x 100 cm

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Bitumen and oil on paper 44 x 50 cm

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傅饒

學歷

個展

聯展

博覽會

公共收藏

獲獎

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Rao Fu 1978

Born in Beijing, China Lives and works in Dresden and Leipzig

Education: 2008

Studied painting, Academy of Fine Arts, Dresden, Germany

2008-10 Master student of Prof. Ralf Kerbach 2010-12 Studied art therapy

Solo Exhibition 2017

Coxcomb, Galerie Irrgang, Berlin, Germany Follow Wind, Galerie Heissingsart, Lübeck, Germany

2016

Chimerica, Projektraum Neue Galerie, City Art Gallery Dresden, Germany Open Studio, HALLE 14, Baumwollspinnerei Leipzig, Germany

2015

Plankton, Gellery Irrgang, Leipzig, Germany

2014

Follow Wind, Kunstverein Junge Kunst, Wolfsburg, Germany

2013

Mirage, Gallery Grafikladen, Dresden, Germany

2012

Chimerica, Kunstverein Göttingen, Germany

2011

Arbeiten, Kunst bei Gericht, Ständehaus, Dresden, Germany

2010

Chimäre, Gallery Ling, Berlin, Germany

2009

Qi Nian / Sieben Jahren, Gallery Elly Brose Eiermann, Dresden, Germany

Group Exhibition 2018

Chaos: Rao FU, JHONG Jiang-Ze, TANG Jo-Hung, Mind Set Art Center, Taipei, Taiwan

2015

Das muss mann gesehen haben, 10 Jahren Städtische Galerie Dresden - Erwerbungen und Schenkungen, City Art Gallery Dresden, Germany Pushing Hands, with Andreas Sachsenmaier, Gallery Ursula Walter, Dresden, Germany

2014

DaDa Ty, Hellerau - Europäisches Zentrum der Künste Dresden, Germany Kooperation, Galerie Ursula Walter, Dresden, Germany

2013

trozt alledem..., Galerie Modul 8, Dresden, Germany jetzt hier, Gegenwartskunst. Aus dem kunstfonds, Kunsthalle im Lipsiusbau, Dresden, Germany Hommage to Asia, Chinesischer Pavillon, Dresden, Germany

2012

Dresdner Biennale des 20. Kunstfestivals Ornö, Dresden, Germany Die unsichtbaren Städte, 2025 Kunst und Kultur e.V., Hamburg, Germany Fu: Leyh, mit Stefan Leyh, Gallery cCe Kulturhaus, Leuna, Germany

2010

Frühjahrssalon, Gallery ZANDERKASTEN, Dresden, Germany

2009

60 V.R. China, Chinese Culture Center, Berlin, Germany Meisterschüler, Oktogon, Hochschule für Bildende Künste, Dresden, Germany

2007

Nebel, HypoVereinsbank, Chemnitz, Germany Chinakohl, Galerie op-nord, Stuttgart, Germany

2006

Telling Surface, Senatssaal, Hochschule für Bildende Künste, Dresden, Germany

2005

Niemandsland, Motorenhalle Dresden, Germany Junge chinesische Kunst, New Galerie Landshut, Germany Meisterschüler HfBK Dresden, Kunstverein Burgwedel / Isernhagen, Germany

Art Fair 2016

Amsterdam Drawing, Amsterdam PAN Amsterdam, Amsterdam

2014

Cologne Paper Art, Cologne, Germany

2009

SCOPE Basel, International Contemporary Art, Basel

Public Collection Art Fund of the State Art Collections Dresden Dresden City Art Museum National Museum of History and Art

Award and Grant 2016

Heimspiel - Leipziger Baumwollspinnerei, scholarship of Kulturstiftung des Freistaates Sachsen

2014

Project funding, Kulturstiftung des Freistaates Sachsen

2008-12 Scholarship of the Heinrich-Böll-Fondation 2006

DAAD-price

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Oil on canvas 120x120 cm

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Oil on canvas 91x72.5cm

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Oil on canvas 170x140 cm

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Oil on canvas 170 x 140 cm

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鍾江澤

學歷

個展

聯展

收藏

獲獎

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Jhong Jiang-Ze 1981

Born in Taipei, Taiwan, where he currently

Figurescape, Art Philippines, Mind Set Art

works and lives

Center, Makati,Philippines Dialogue with Nature, Mind Set Art Center,

Education 2009

2017

Self-Portrait, Mind Set Art Center, Taipei, Taiwan

MFA, Taipei National University of the Arts, Taiwan

2006

Taipei, Taiwan

2016

Underground Adventure, The Pier-2 Art Cen-

BFA, Taipei National University of the Arts,

ter, Kaohsiung, Taiwan

Taiwan

Asian Students and Young Artists Art Festival, Seoul, Korea The Road Not Taken Ch.1, Mind Set Art Cen-

Solo Exhibition 2016

Figurative Illusion, Mind Set Art Center, Tai-

2015

ReVision: MSAC 5th Anniversary Special Pre-

pei, Taiwan

sentation, Mind Set Art Center, Taipei, Tai-

Lightless Zone, Formosa 101 Art Fair, Mind

wan

Set Art Center, Taipei, Taiwan 2014

ter, Taipei, Taiwan

2015

Taiwan

Wall of Muses, Studio on the scene, Mind Set Art Center, Taipei, Taiwan

ART TAINAN, Mind Set Art Center, Tainan,

2014

2014 ART TAIPEI, Mind Set Art Center, Taipei,

Theatre of the Absurd, Mind Set Art Center,

Taiwan

Taipei, Taiwan

Body and Narrator, Silverlens, Manila, Philip-

2013

Ether, A Gallery, Taipei, Taiwan

pines

2012

Endless Dream, In River Gallery, Taipei, Tai-

2011 2009

2013 ART TAIPEI, Mind Set Art Center, Taipei,

wan

Taiwan

Flying Birds in the Dream, PiaoPiao Gallery,

Cha-Cha ‘s good, travel , amba Hotels , Tai-

Taipei, Taiwan

pei, Taiwan

Overflow / Singular Muse, Artyart Gallery,

Worlds Apart Fair, Cnrad Cntennial, Singa-

Tainan, Taiwan

pore

More than Body, Houth Shan Arts Center,

Spring Trip, Mind Set Art Center, Taipei, Tai-

Taipei, Taiwan

wan

Dance on Forest, Chuan Tuo Museum, Taic2007

2013

2012

Cha-Cha, One Year Gallery, Taipei, Taiwan

hung, Taiwan

Art home plans: these people - Shoreline

On the Road from the Tree to Nature, Island-

Arts Network Opening Exhibition, Tamsui

ers-studio, Tamsui, Taiwan

Culture Park, Tamsui, Taiwan Private Domain - Dulan Sugar Factory Art Vil-

Group Exhibition

lage, environment and artistic creation, Du-

2018

Chaos, Silverlens, Manila, Philippines

Taiwan

Chaos, Mind Set Art Center, Taipei, Taiwan

Beyond the Words-Group Exhibition of Art-

lan Sugar Factory Art Village, Dulan, Taitung,

ists’ Books, Zspace, Taichung, Taiwan

Group Exhibition, Kuandu Art Center, Taipei,

Look 101: New Year’s Eve Pocket Art Exhibi-

Taiwan

tion, Etat Living Space, Taipei, Taiwan

2003

The 11th International Biennial Print and

100th Anniversary of Taipei - the story of the

Drawing Exhibition, National Taiwan Muse-

time, Taipei Cultural Center, Taipei, Taiwan

um of Fine Arts, Taichung, Taiwan

Jing Point Contemporary, A Gallery, Taipei, Taiwan Hot painting, A Gallery, Taipei, Taiwan Measure/Space, Ho Chao Feng Digital Art

Selected Award 2008

Center, Tamsui, Taiwan 2010

Latent Painting Layer, Ever Spring Museum

Scholarship, Taiwan 2005

of Fine Art, Taichung, Taiwan Hot painting, Zspace, Taichung, Taiwan

2008

Winner, Outstanding Art Prize of Fine Arts, Taipei National University of the Arts, Taiwan

2004

Winner, 1st Zhang Xin-Long’s Scholarship

Art Stars of the Embankment, Industrial Bank

Competition, Taipei National University of

of Taiwan, Taipei, Taiwan

the Arts, Taiwan

Young Art Taipei, Sunworld Dynasty Hotel, 2009

First Prize, Long Yen Foundation: The 7th Art

2003

Honorable Mention Award (Drawing Cate-

Taipei, Taiwan

gory), 11th International Biennial Print and

2009 Ke-Yuan New Stars, Ke-Yuan Gallery,

Drawing Exhibition, Taiwan

Taichung, Taiwan

Winner (Watercolor Category) / Runner-up

Asian Students and Young Artists Art Festival,

(Oil Painting Category), Fine Arts Exhibition,

Seoul, Korea

Taipei National University of the Arts, Taiwan

Contemporary Art in Taiwan and China, Kar-

2002

Winner (Oil Painting Category), Fine Arts Ex-

en Jeng Art Space, Taipei, Taiwan

hibition, Taipei National University of the

Taoyuan Creation Award, Taoyuan County

Arts, Taiwan

Department of Cultural Affairs, Taoyuan, Taiwan 2007

2006

Cathay Art 2007, Cathay Conference Hall,

Residency

Taipei, Taiwan

Dulan Sugar Refinery Residency, Taitung, Taiwan

New Perspective Art Show, Taichung City

Artstock 20, Taichung, Taiwan

Seaport Art Center, Taichung, Taiwan

Collection

Sight 2006, Huashan 1914 Creative Park, Tai-

National Taiwan Museum of Fine Arts, Taiwan

pei, Taiwan

Art Bank, Taiwan

Fine Art Graduate Exhibition, Taipei National

Long Yen Foundation, Taiwan

University of the Arts, Taipei, Taiwan 2005

Creation Award 2005, Kuandu Museum of Fine Arts, Taipei, Taiwan New Perspective Art Show, Taichung City Seaport Art Center, Taichung, Taiwan

59

61

Oil on masonite 94x 122 cm

63

Oil on masonite 150x 110 cm

65

Oil on masonite 150 x 110 cm

67

69

Oil on masonite 122x 94 cm

71

Oil on masonite 120x62 cm

73

Oil on masonite 122 x 185 cm

75

黨若洪 聯展

學歷

個展

獲獎

公共收藏

77

Tang Jo-Hung 1975

Born in Taipei, Taiwan, where he currently

2018

lives and works

Chaos, Silverlens, Manila, Philippines Chiang Hsun’s Vision of Art Education: Dadu Studio in 1983, Asia University Museum of

Education

Modern Art, Taichung, Taiwan

1998

BFA, Department of Fine Arts, Tung-Hai Uni-

Center, Makati,Philippines

versity, Taichung, Taiwan

Chaos, Mind Set Art Center, Taipei, Taiwan

MFA, Department of Fine Arts, Universidad

Dialogue with Nature,Mind Set Art Center,

de Salamanca, Salamanca, Spain

Taipei, Taiwan

2002

Figurescape, Art Philippines, Mind Set Art

2017

Solo Exhibition

wan 2016

2018 Hat Boots Striped Pants Three Pieces for

2017 2014

2011

2009

2008

Taiwan

ter, Taipei, Taiwan

The Outsider, Mind Set Art Center, Taipei,

The Pioneers of Taiwanese Artists, 19711980, National Taiwan Museum of Fine Arts,

Journey Ends - In Dignified Throes, Tosee Art

Taichung, Taiwan 2013

Cha-Cha ‘s good, travel, Amba Hotels, Taipei,

Where has he been? Tang Jo-Hung’s Portfolio

Taiwan;

of 10 years and paintings on view, Mind Set

Duo Exhibition of TANG Jo-Hung and DUAN

Art Center, Taipei

Cun-Zhen, Tunghai University Gallery, Taic-

The Remolded Self, Mountain Art, Beijing,

hung, Taiwan 2011

10 Years On : Liao Chi-Chun Oil Painting

Self Modification, Tosee Art Agency, Taipei,

Awards, Taipei Fine Arts Museum, Taipei, Tai-

Taiwan

wan

Tang Jo-Hung, The Eighth Liao Chi-Chun Oil

2010

Utopia - Asian Contemporary Art Group Exhi-

Painting Award in 2008, Taipei Fine Arts Mu-

bition, Mind Set Art Center, Taipei, Taiwan

seum, Taipei, Taiwan

Feeling and Form, Sakshi Gallery, Taipai, Tai-

Consciousness Patterns, Julia Gallery, Taipei,

wan 2009

Tang Jo-Hung, Gallery 41, Taipei, Taiwan Black Peach in Vases, Ovada Gallery, Oxford,

2005

2015

Taiwan

Taiwan 2007

Taipei, Taiwan The Road Not Taken Ch.1, Mind Set Art Cen-

China 2010

Taipei Arts Awards, Taipei Find Art Museum,

Travel, Kuandu Museum of Fine Art, Taipei,

Agency, Taipei, Taiwan 2012

Self-Portrait, Mind Set Art Center, Taipei, Tai-

Contemporary Value: a Processing History, Ever Harvest Gallery, Taipei, Taiwan

2008

Cosmopoli Sostenibile: Sustainable Cosmop-

UK

olis Eco-container Art Project, organized by

Self-Dog, Taipei Fine Arts Museum, Taipei,

Kaohsiung Museum of Fine Arts, Genoa, Ita-

Taiwan

ly The Second Vision, National Taiwan Museum

Group Exhibition

of Fine Arts, Taichung, Taiwan

2005

Tokyo International Mini-Print Triennial, Tokyo, Japan Art of the “E” Generation in Taiwan, National Taiwan Museum of Fine Arts, Taichung, Taiwan

2004

The 11th International Biennial Print & Drawing Exhibition, National Taiwan Museum of Fine Arts, Taichung, Taiwan

Award 2016

First Prize, Taipei Arts Awards

2008

The Liao Chi-Chun Oil Painting Award, Taipei Fine Arts Museum, Taipei, Taiwan

2005

Top prize of Kaohsiung Awards”, the 22nd Kaohsiung Municipal Fine Arts Exhibition, Kaohsiung

2004

Honorable Mention in Print, the 11th International Biennial Print and Drawing Exhibition, Taichung

2002

1st Premio San Marco, Universidad de Salamanca, Salamanca, Spain

Public Collection Taipei Fine Arts Museum, Taiwan Art Bank, Taiwan Council for Cultural Affairs, Taiwan National Taiwan Museum of Fine Arts, Taiwan Kaohsiung Museum of Fine Arts, Taiwan CMC Art Museum, Taiwan Universidad de Salamanca, Spain

79

混沌劇場：傅饒、鍾江澤、黨若洪 Chaos: Rao FU, JHONG Jiang-Ze, TANG Jo-Hung

Author

Rao Fu, Jhong Jiang-Ze, Tang Jo-Hung

Co-Author

Dean Kuo

Publisher

Andre Lee Mind Set Art Center 7F., No.180, Sec. 1, Heping E. Rd., Da’an Dist., Taipei City 106, Taiwan tel: +886-2-23656008 fax: +886-2-23656028 www.art-msac.com / info@art-msac.com

Editor

Isabelle Kuo, Tony Yeh

Translator

Jason Lee

Proofreader Queena Chu Designer

Marco Liu

Printed by

Kiwi Printing Co., Ltd.

Price

NTD 400

Copyright © 2018 Mind Set Art Center.

All images © of the artist.

All essays © of the authors.

All rights reserved.

Printed in Taiwan, October, 2018.