ANNUAL REPORT ACADEMIC YEAR 2016-17 MUSEUM OF THE UNIVERSITY OF NAVARRA
45 ANNUAL REPORT / 1
MĂBIUS, LUIS GONZĂLEZ PALMA, 2015
ANNUAL REPORT ACADEMIC YEAR 2016-17 MUSEUM OF THE UNIVERSITY OF NAVARRA
COLLECTIONS AND EXHIBITIONS 4 - 11
PERFORMANCE ARTS AND MUSIC 12-17
CINEMA AND PUBLIC PROGRAMMES 18
NEW MASTER IN CURATORIAL STUDIES 20
OTHER ACTIVITIES IN THE ACADEMIC SPHERE 21
EDUCATION AREA 22
PUBLICATIONS
24
FRIENDS 28
VISITS
25 MEETINGS AND CONFERENCES
26
FINANCIAL INFORMATION 29
COLLECTION AND EXHIBITIONS
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ESTUDIO DE ELOGIO DEL AGUA I, EDUARDO CHILLIDA, 1985
SĂPTIMO CIELO, SERIES OF CARLOS CANOVAS EXHIBITION EN EL TIEMPO
THE COLLECTION CONTINUES TO GROW ARTISTS THAT HAVE BEEN ADDED TO THE MUSEUMâS COLLECTION THANKS TO DONATIONS AND ACQUISITIONS Antoni Arissa Elena Asins Josep BrangulĂ Charles Clifford Marc Chagall MartĂn Chambi Eduardo Chillida Alphonse De Launay Cristina de Middel Pere Formiguera Pierre Gonnord Luis GonzĂĄlez Palma Carlos Irijalba Manolo Laguillo Inge Morath Josep Sala Rafael Sanz Lobato JoaquĂn Sorolla RuïŹno Tamayo Javier Viver
JOSEP BRANGULĂ, FIESTA DE LAS MODISTAS. BARCELONA, 1934 JAVIER VIVER, MICROSCOPIO MEDUSA AURELIA IMMORTAL, 2017
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EXHIBITIONS OF THE COLLECTION
ANTONI TĂPIES, MATALĂS, 1987. ©FUNDACIĂ TĂPIES
JOSĂ ORTIZ ECHAGĂE, REMERO VASCO 3, 1931
5 EXHIBITIONS FROM THE COLLECTION IN THE ACADEMIC YEAR 2016-2017
NEW ADDITIONS TO THE COLLECTION Nuevas lecturas en torno a la ColecciĂłn: TĂ pies âAlmas Gemelasâ
Lynne Cohen (Work done for the Artistic Creation Project Tender Puentes) Josep BrangulĂ. 1909-1935 New espacio JosĂ© Ortiz EchagĂŒe
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ANTONI TĂPIES, DIES DÂŽAIGUA, 1987. ©FUNDACIĂ TĂPIES JOAQUĂN SOROLLA, LA RED
NEW ESPACIO ORTIZ ECHAGĂE A new space was opened on the main ïŹoor of the building displaying photographs by JosĂ© Ortiz EchagĂŒe, representing his main photographic series: âEspaña tipos y trajesâ (Spain: types and suits), âPueblos y paisajesâ (Villages and landscapes), âCastillos y alcĂĄzaresâ (Castles and fortresses) and âEspaña mĂsticaâ (Mystic Spain), along with the developing techniques he used.
JOSEP BRANGULĂ, GLOBO AEROSTĂTICO EN EL PARQUE DE ATRACCIONES TURĂ PARK. BARCELONA, 1914 LYNNE COHEN, RED. CHAIRS, 2009
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TEMPORARY EXHIBITIONS
NEW ADDITIONS TO THE COLLECTION
Nuevas lecturas en torno a la ColecciĂłn: Antoni TĂ pies Constelaciones de lo intangible, Luis GonzĂĄlez Palma âAlmas Gemelasâ, Lynne Cohen
Josep BrangulĂ 1909-1935 Sikka Ingentium, Daniel Canogar En el tiempo, Carlos CĂĄnovas Aurelia Immortal, Javier Viver
NEW ADDITIONS TO THE COLLECTION BETWEEN SEPTEMBER 2016 AND JANUARY 2017 A COHERENT SELECTION OF WORKS THAT WERE ADDED TO THE MUSEUMâS COLLECTION THANKS TO DONATION AND ACQUISITIONS OVER THE LAST YEAR WERE PUT ON DISPLAY ARTISTS: MARC CHAGALL, JOAQUĂN SOROLLA, RUFINO TAMAYO, EDUARDO CHILLIDA, ROBERT DELAUNAY, ANTONI ARISSA, JOSEP SALA, RAFAEL SANZ LOBATO, JOSĂ MANUEL AIZPURĂA, MARTĂN CHAMBI MARC CHAGALL, HOMME FLEURIE, 1976
COLLABORATIVE EXHIBITIONS âOriente al Sur: el calotipo y las primeras imĂĄgenes fotogrĂĄïŹcas de la Alhambra (18511860)â, with the support of the Board of Patrons of the Generalife de la Alhambra. This exhibition displayed sixty original works from the museumâs collection, along with Louis DeClerqâs album âVoyage en Espagneâ, which contains 51 albumin prints made from wax paper negatives.
Bleda y Rosa. GeografĂa del tiempo. Inaugural exhibition of Bombas Gens Centre dâArt, a new artistic space opened in Valencia. The coproduction of the FundaciĂł Per Amor a lâArt of the Comunitat Valenciana, Centro Galego de Arte ContemporĂĄneo and the Museo Universidad de Navarra. The exhibition can be visited in Pamplona in the spring of 2018. âEn el tiempoâ, by Carlos CĂĄnovas, a coproduction of the FundaciĂłn ICO which will be on diplay in 2018 at the Museo ICO (Madrid).
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CARLOS CĂNOVAS, PAMPLONA, 1983 (EXTRAMUROS)
TENDER PUENTES ARTISTIC CREATION PROGRAMME PARTICIPATING ARTISTS 2016-17 Luis GonzĂĄlez Palma Javier Viver Carlos CĂĄnovas Daniel Canogar y Juan Ugalde
Tender Puentes is a curatorial project that has been promoted by the Museum since 2002. As part of the project contemporary artists engage with other authors and works from the museumâs collection, creating new productions. A collection that traces the history of photography in Spain, form its origins right up to today, looking at photography from its documentary aspect in relation to the real and the imaginary.
PUBLICATIONS
ROOM: TOWER OF THE MUSEUM. JAVIER VIVERâS EXHIBITION: AURELIA IMMORTAL
Aurelia Immortal, by Javier Viver Las provincias, by Manolo Laguillo Books in production on the works of: Cristina de Middel, Carlos Irijalba, Daniel Canogar and Juan Ugalde
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RESTORATION AND DIGITALISATION
The works have been restored «Mousquetaire TĂȘte», by Picasso «Sin tĂtulo», by Vasily Kandinsky The database of works belonging to the Collection and advancing with the catalogue of same. http://museo.unav.edu/coleccion/obras
RAFAEL SANZ LOBATO, BERCIANOS DE ALISTE. âVIERNES SANTOâ, 1971
DIGITALISED:
15,000 POSITIVES 5,000 NEGATIVES BELONGING TO DOLCET AND SANZ LOBATO
14,000 NEGATIVES FROM THE ESPACIO ORTIZ ECHAGĂE
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WERE LOANED TO OTHER MUSEUMS AND ART GALLERIES IN SPAIN
Centro Centro (Ayuntamiento de Madrid) EXHIBITION
El borde de una herida. MigraciĂłn, exilio y colonialidad en el Estrecho Museo del Carlismo (Estella-Lizarra) EXHIBITION
LUIS GONZĂLEZ PALMA, MĂBIUS, 2014
Museo de Bellas Artes de Bilbao
Museo de San Telmo (San SebastiĂĄn)
EXHIBITION
EXHIBITION
1937. Sobre Gernika. Guerra y civitas
Una modernidad singular
FundaciĂČ TĂ pies (Barcelona) EXHIBITION
Antoni Tà pies. Col·lecció Museo Cristóbal Balenciaga (Getaria) EXHIBITION
CarbĂłn y terciopelo. Miradas sobre el traje popular de Ortiz EchagĂŒe y Balenciaga
A travĂ©s de la cĂĄmara oscura: tĂ©cnicas fotogrĂĄïŹcas en el entorno del carlismo. Sala Kubo Kutxa (San SebastiĂĄn) EXHIBITION
Museo Nacional Centro de Arte Reina SofĂa.
Rafael Ruiz Balerdi
EXHIBITION
Centro de Arte y Naturaleza (FundaciĂłn Beulas, Huesca)
El arte español de posguerra. Colección 2. ¿La guerra ha terminado? Arte en un mundo dividido (1945-1968) Centro cultural La Nao (Universidad de Valencia) EXHIBITION
El triunfo de la imagen. El daguerrotipo en España
EXHIBITION
El borde de una herida. MigraciĂłn, exilio y colonialidad en el Estrecho Patronato de la Alhambra y Generalife EXHIBITION
Oriente al Sur: el calotipo y las primeras imĂĄgenes fotogrĂĄïŹcas de la Alhambra (1851-1860)
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PERFORMANCE ARTS AND MUSIC
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VĂCTOR ULLATE BALLET, PASTORAL FROM L.V. BEETHOVEN, 4TH MOVEMENT. IN THE PICTURE, MARLEN FUERTE AND JOSUĂ ULLATE.
SHOWS AND TRAINING ACTIVITIES IN THEATRE, MUSIC AND DANCE The Museum closes a season in which the performing arts and music have seen the attendance ïŹgures rise 24% on the previous year. During the year, 44 activities which attracted over 7,000 spectators 32 shows were represented: 13 of these were musical, 10 dance and 9 theatre. This offering was completed with the following training activities: 2 urban dance workshops (one with Dani Panullo and another with BluPrint), 3 conferences, 3 cinema screenings and 2 wine tastings dedicated to characters from Don Quixote in collaboration with the University of Navarra Golden Age Research Group (GRISO).
BIGGER AUDIENCE INCREASE OF 24% IN NUMBER OF SPECTATORS COMPARED TO LAST YEAR
NEW AUDIENCES
OREKA TX, «PAISANAJE» DANI PANNULLO DANCETHEATRE CO, «AVALANCHE» QUICO CADAVAL & MOFA&BEFA, «SHAKESPEARE PARA IGNORANTES»
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THEATRE
«EL SASTRECILLO VALIENTE», COMPAĂĂA ETCĂTERA «EL BURGUĂS GENTILHOMBRE», MORBORIA TEATRO «HAMLET», DRAMATIZED READING IN EUSKERA
Homage to Don Quixote on the 400th anniversary of the death of Cervantes
SECOND EDITION OF âCLASICOS EN EL MUSEOâ, COMMISSIONED BY LIUBA CID
WORKS PERFORMED
A re-reading and contemporary interpretation of the classics. âMisterios del Quijoteâ, Rafael Alvarez âEl Brujoâ âEl Burgues gentilhombreâ, Morboria Teatro
âShakespeare para ignorantesâ, Quico Cadaval and Mofa&Befa âLa ultima sesiĂłn de Freudâ, directed Tamzin Townsend âMoi, ma mere me racontaitâ, Marta Saenz de la Calzada
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âEl sastrecillo valienteâ, Compania Etcetera âHamletâ, dramatized reading in Basque, written and directed by Liuba Cid
âLa Celestinaâ, monologue with Carolina Calema, Ctc Producciones. Literary Tastings: El vino y los personajes del Quijote. With the participation of the Golden Age Research Group of the University of Navarra (GRISO) and Bodega Otazu.
MUSIC
MAPAS SONOROS. «FOR THE BELENE OF SAN CERNIN», INTERPRETED BY ANNA SIWEK
THIRD EDITION OF THE âCARTOGRAFĂAS DE LA MĂSICAâ CYCLE From the traditional music of the txalaparta, through the technology up to the peak, with J.S. Bach. âHomenaje a Teresa CatalĂĄnâ. Conversation with the composer Teresa CatalĂĄn, Alberto GonzĂĄlez Lapuente and Patxi Larrañaga. Mario Prisuelos on piano. âGravity 0Âșâ Dance solo. Choreography by Jean Philippe Dury (EBB Dance Company). Bailarina Valentina Pedica âPaisanaje JendARTEAâ, Oreka TX and Thierry Biscary âConciertos de Brandemburgoâ by J. S. Bach, Baroque Orchestra of Seville âTechnicsâ, Nou Ensemble âMĂșsica del siglo XX para dos pianosâ, Ufur and Bahar DördĂŒncĂŒ. âGoyescasâ, homage to Granados, by Rosa TorresPardo (National Prize for Musical Performance 2017) âTaller Sonoroâ, concert dedicated to Luis de Pablo âOnceâ, Abe RĂĄbade TrĂo.
PUBLICATIONS:
«CONCIERTOS DE BRANDEMBURGO», ORQUESTA BARROCA DE SEVILLA ENCUENTRO HOMENAJE CON TERESA CATALĂN, (NATIONAL PRIZE FOR MUSICAL COMPOSITION 2017)
BOOK WITH DVD/BLU-RAY PRESENTING THE CREATIVE PROCESS OF âOPERA SIN VOCES: SIEMPRE/ TODAVIAâ, BY ALFREDO ARACIL AND ALBERTO CORAZON. A PRODUCTION OF THE UNIVERSITY OF NAVARRA AND THE CENTRO NACIONAL DE DIFUSION DE LA MUSICA (CNDM)
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DANCE
MĂNICA RUNDE E INĂS NARVAEZ, PERFORMANCE: «BOCETO EFĂMERO NO. 1» COMPAĂĂA ANTONIO RUZ, «DOUBLE BACH» VIRGILIO SIENI, «SOLO GOLDBERG IMPROVISATION»
THIRD EDITION OF THE âCODA EN MOVIMIENTOâ CYCLE, UNDER THE TITLE âBACH Y LA DANZAâ, COMMISSIONED BY ROGER SALAS âSolo Goldberg Improvisationâ, Virgilio Sieni âThe Lambâ, Korâsia, (coproduction with the Fondazione Musica per Roma) âPerformance: Boceto efĂmero No. 1â, MĂłnica Runde and InĂ©s Narvaez
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âAvalancheâ, Dani Pannullo Dance Theater Company BluPrint Animation Dance âTierra Madreâ and âPastoral de L. V. Beethovenâ, VĂctor Ullate Ballet âDouble Bachâ, CompañĂa Antonio Ruz PROYECCIONES Mi nombre es Bach,
Dominique de Rivaz CrĂłnica de Anna Magdalena Bach, Jean-Marie Straub and DaniĂšle Huillet El silencio antes de Bach, Pere Portabella
THE CHOREOGRAPHER DURING A WORK SESSION WITH THE PIANO PLAYER OLEG KARAVAICHUK
JAVIER MARTĂN WITH A GROUP OF MEDICINE AND SCIENCES STUDENTS AT CLASS.
THE CHOREOGRAPHER IN A WORK SESSION WITH THE PIANIST OLEG KARAVAICHUK THIS PUBLICATION SHOWS THE RESULT OF THE CREATIVE PROCESS OF JAVIER MARTĂN AND INAUGURATES A NEW LINE OF ARTISTIC PRODUCTION WORK IN THE PERFORMANCE ARTS AND MUSIC. JAVIER MARTĂN IN A CLASS WITH STUDENTS OF THE FACULTY OF MEDICINE AND SCIENCES THE COLLABORATION BETWEEN THE MUSEUM OF THE UNIVERSITY OF NAVARRA AND THE CHOREOGRAPHER HAS SEEN THE CREATION OF A RESEARCH AND CREATIVE PROCESS THAT CONTRIBUTES TO DEVELOPING THE RELATIONSHIP BETWEEN THE UNIVERSITY COMMUNITY AND ARTISTIC ACTIVITY. AN INTERDISCIPLINARY GROUP WAS ORGANISED TO EXPLORE, DEEPEN AND DISCOVER NEW RELATIONS BETWEEN ART AND SCIENCE. IT IS MADE UP OF RESEARCHERS FROM THE AREAS OF PEDAGOGY, CHEMISTRY, COMPUTATION AND DESIGN, ANTHROPOLOGY, PERFORMING ARTS AND MUSIC, ARCHITECTURE, AUDIO-VISUAL MEDIA, CONTEMPORARY ART, NEUROSCIENCE, NEUROLOGY, CHILD AND ADOLESCENT PSYCHIATRY AND PSYCHOLOGY.
CREATIVE PROCESS IN THE MUSEUM BY CHOREOGRAPHER JAVIER MARTĂN
THIS PUBLICATION SHOWS THE RESULT OF THE CREATIVE PROCESS OF JAVIER MARTĂN AND INAUGURATES A NEW LINE OF ARTISTIC PRODUCTION WORK IN THE PERFORMANCE ARTS AND MUSIC.
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CINEMA The Museumâs cinema programme of the included ïŹlm premieres, reruns and remastered versions of classics, curatorial cycles and masterclasses. This year, ïŹlm makers Pedro Costa, Mauro Herce, AndrĂ©s Duque and SalomĂ© Lamas will give a masterclass in the Museum. Whatâs more, two works by director King Hu have been recovered thanks to the collaboration of the Economic and Cultural OfïŹce of Taipei in Madrid. And the group Mamut Cinema provided live music for a screening of the chronophotographic ïŹlms of Jules Marey (1830-1904). COMMISSIONED BY
Rafael Llano and Manuel AsĂn SCREENINGS
GRUPO GAUR CINEMA CYCLE
Caballo dinero, Pedro Costa La venganza de una mujer, Rita Azevedo Gomes Atlas Marey, Mamut Cinema Oleg y las raras artes, AndrĂ©s Duque Dead Slow Ahead, Mauro Herce El Dorado XXI, SalomĂ© Lamas Dersu Uzala, Akira Kurosawa El Espejo, Andrei Tarkovski Ikairie XB-1, Jindr Ëich PolĂĄk La muerte de Louis XIV, Albert Serra Le ïŹls de Joseph, EugĂšne Green DĂas color naranja, Pablo Llorca Dragon Inn, King Hu A Touch of Zen, King Hu Retrospectiva: varias obras, Michael Dudok de Wit La sustancia, LluĂs Galter
The Museum collaborated with the symposium organised by the Chair of Basque Language and Culture of the University of Navarra with a ïŹlm cycle which included screenings of: Ama Lur, by Fernando Larruquert and NĂ©stor Basterretxea, 1968 Uts cero, by Javier Aguirre, 1970 Impresiones en la alta atmĂłsfera, by JosĂ© Antonio Sistiaga, 1988 Homenaje a TarzĂĄn, by Rafael Ruiz Balerdi, 1971 Kuska 9 (1980), Chillida. Retrato en casa (1983), Nagel (1985), Three Basque Sculptors (1984) y Dunbots, by Gerardo Armesto, 1982 Nortasuna, by Pedro de la Sota, 1975
CINEMA AND PUBLIC PROGRAMMES
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PUBLIC PROGRAMMES The Museum organises congresses, seminars, conferences and activities for all audiences with the objective of bringing art closer to the general public. This course included: 45th anniversary of the Encuentros de Pamplona 1972 Cycle âEl artista estĂĄ en el campusâ 2nd edition of the ïŹrst novel writing workshop with AndrĂ© Barba, the International Photography and Architecture Congress with the School of Architecture of the University of Navarra (ETSAUN), the Photography and Modern Architecture in Spain Research Project (FAME) âTV Series Loversâ cycle of conferences on television series with the Faculty of Communication.
ABOVE: JOSĂ LUIS ALEXANCO AND LUIS DE PABLO AT THE ENCUENTROS DE PAMPLONA 72. PHOTOGRAPHY BY PĂO GUERENDIĂIN BELOW: FROM LEFT TO RIGHT: LUIS DE PABLO, EDUARDO MOMEĂE, JOSĂ LUIS ALEXANCO, RAFAEL LLANO AND XAVIER MORRĂS
45th ANNIVERSARY OF THE ENCUENTROS DE PAMPLONA DEL 72
âTV SERIES LOVERSâ TELEVISION SERIES CONFERENCE CYCLE WITH THE FACULTY OF COMMUNICATION
In the words of the Museumâs Director, Jaime Garcia del Barrio, âthe Museum of the University of Navarra has a lot in common with the Encuentros of 72: both are current and promote artistic creation with an interdisciplinary approach and an international vocation. Thatâs why, for us, the Encuentros are more than just an event; they are our inspiration, part of our DNA and our origin, given that this museum was also set up thanks to the donation from the Maria Josefa
Huarte Collectionâ. The Museum is celebrating the 45th anniversary of the Encuentros de Pamplona of 1972, coordinated by Rafael Llano, who has dedicated two years to the research work involved. The commemorative acts were attended by Jose Luis Alexanco, Luis de Pablo, Xabier Morras and Eduardo Momene. They closed with a concert in the theatre where the Taller Sonoro ensemble recited the chamber production of composer Luis de Pablo.
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NEW MASTER IN CURATORIAL STUDIES
In October 2018 the Master in Curatorial Studies will be taught in the Museum. Directed by the lecturer Nieves Acedo, responsible for the Museumâs academic activities, it represents the introduction in Spain for the ïŹrst time of an ofïŹcial university qualiïŹcation for the training of curators, an essential profession in contemporary cultural environments.
THE FIRST SPANISH MUSEUM TO OFFER ITS OWN OFFICIAL MASTER
FIRST EVER MASTER FOR ART CURATORS
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The faculty stands out, with professionals of international prestige like Vicente TodolĂ, Gerardo Mosquera, Gabriel PĂ©rez Barreiro, Sergio Rubira, Katya GarcĂa AntĂłn and Tania Pardo. This also contributes to the international reputation of the Master which will be taught in Spanish and English and will include a curatorial trip and internships at different institutions around the world. During the classes period, students will learn about the different departments of the Museum while becoming involved in its activity.
OTHER ACTIVITIES IN THE ACADEMIC SPHERE
In addition to this course, the following academic events have also taken place at the Museum: Third graduating class of the Diploma in Curatorial Studies, which the Museum offers in collaboration with the Faculty of Philosophy and Letters, in which students of Philosophy and Letters, Education and Psychology and Communication and Architecture participate; the second class of the Performing Arts Production Programme, which the Museum organises with the Faculty of Communication with the participation of 55 students;
The module âIntroduction to Contemporary Art: the Museum of the University of Navarra Collectionâ offered by the Instituto Core Curriculum for students in the Faculties of Education and Economics; The âCommunication and Critical Cultureâ is also in collaboration with the Faculty of Communication and sees the participation of several critics and journalists from the cultural sector.
The Museum has begun to participate in the Educational Innovation Projects of the University of Navarra. Projects for 8 subjects have been submitted and approved, which will be taught in the facilities of Education and Psychology, Institute of Languages, Law, Communication, Sciences and Medicine in the academic year 20172018.
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EDUCATIONAL AREA The educational are of the Museum promotes education in society through artistic resources. It organises many activities for schoolchildren, families, teachers and different groups.
434 FAMILIES have enjoyed family workshops
9.35 / 10 2nd EDITION OF THE PAINTING COMPETITION âLA VIDA SECRETA DE UN CUADROâ in collaboration with the Fundacion Morras Cebrian. The Museum organises this painting competition open to schoolchildren and all school and academy levels. This edition saw the participation of 37 centres (17 more than the previous year).
26 SCHOOL PROGRAMS OFFERED (6 more than the previous year) 47 PRIMARY SCHOOLS AND 15 NURSERY SCHOOLS have carried out some of the programmes 80 GROUPS AND 3,338 STUDENTS 5 LANGUAGES Spanish, Basque, English, French and German 2 NEW INITIATIVES âProyecto Museoâ AND âEl Museo de los pequesâ
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average satisfaction
3,338 CHILDREN have participated in the school programmes
9.38 / 10 average satisfaction
PEOPLE WITH SPECIAL NEEDS also joined in the activities
389 GUIDED TOURS with a total of 2,919 participants
8.87 / 10
GUIDED TOURS This year also saw the introduction of the Guided Tour Procedure, which includes a new welcome plan, support and training for the Museumâs guides. This system is aimed at ensuring the quality of the contents and the exhibitions at the Museum for visitors. This training plan includes sessions with artists whose work is exhibited in the Museum. Thus, as part of this course there were tours guided by Daniel Canogar, Javier Viver, Luis GonzĂĄlez Palma and Carlos CĂĄnovas.
satisfaction
231 CHILDREN have attended the 8 urban childrenâs camps organised
FAMILY WORKSHOPS based on temporary exhibitions: An experiment with time, inspired by the exhibition âCamouïŹ agesâ, by Joan Fontcuberta El dĂa inmortal, in âAurelia Immortalâ, by Javier Viver Taller de Daniel Canogar and Urban creativity workshop on the exhibition âSikka Ingentiumâ, by Daniel Canogar Family workshop on urban creativity with the Association of Communities of the County of Pamplona and close to 100 participants
Enjoying Christmas, the urban childrenâs camp which takes place during the Christmas holidays saw participant prepare Christmas decorations for the NGO Andi Junior. They prepared costumes and a script to close the camp with a creative nativity play. During Easter Week, participants enjoyed a performance of the musical Mary Poppins; the children came up with creative ideas for costumes and songs that were later performed in the up-stage space of the Theatre. At the Hi artist! summer camps, children created their own jellyïŹsh, learning the story of the immortal jellyïŹsh, visited exhibitions and carried out activities in the workshops and on the campus.
INTERNATIONAL MUSEUM DAY From 18 to 21 May the Museum joined in the activities to mark International Museum Day, hosting four open days and many different group activities. The number of guided tours was increased and speciïŹc workshops were held for people with special needs. OTHER ACTIVITIES In addition to all the activities described, the educational area carried out many other activities in collaboration with other centres and associations. Among them were the âCrear en atenciĂłnâ programme, aimed at children with ADHD, organised in collaboration with the University of Navarra Clinic and the Faculty of Education and Psychology. Arteterapia was also involved in the second of these summer courses. Workshops and guided tours also took place with different groups including Syrian refugees, different groups of Spanish and international students of the University of Navarra and the students of the University de Navarra Music Conservatory. They hosted several workshops in collaboration with different teachers and centres of the University of Navarra. PUBLICATIONS This year, the Educational Area published the book âLos cuentos del Museoâ.
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PUBLICATIONS This year, seven new books were published; two as part of the âTender Puentesâ Collection, three relating to Exhibitions and one in the area of the Performing Arts and another in the area of Public Programmes: Los Encuentros de Pamplona en el Museo Universidad de Navarra, Rafael Llano. Gibraltar (1888). FotografĂa y usos militares, Fernando de la Puente et al. Aurelia Immortal, Javier Viver. En el tiempo, Carlos Canovas. Möbius, Luis Gonzalez Palma. Coleccion Tender Puentes. Alquimia: Granada y Sevilla, Manuel Brazuelo. Ăpera sin voces Siempre/ TodavĂa, Alfredo Aracil and Alberto Corazon. Collection pamphlet, by Javier Martin Whatâs more, as was done last year, eight free gallery information sheets on the collection were published with information on the latest exhibitions.
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VISITORS TO THE MUSEUM
106,869 VISITS to exhibitions
12,828 SPECTATORS at theatre and cinema events
35.132 ATTENDEES at other events, congresses and meetings
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MEETINGS, CONGRESSES AND EVENTS The Museum of the University of Navarra hosted 153 meetings or events organized by the University of Navarra itself or by other external organisations including companies and professional associations
24,411 PERSONNES participated in meetings and events
SOME EVENTS ORGANISED BY COMPANIES AND PROFESSIONAL ASSOCIATIONS » ACCIONA » ASOCIACIĂN DE LA INDUSTRIA DE NAVARRA (AIN) » COLEGIO OFICIAL DE INGENIEROS DE NAVARRA » INTERNATIONAL FAMILY NURSING CONGRESS » FUNDACIĂN CAJA NAVARRA » GAMESA » EUROPEAN HUMAN RESOURCES CONFERENCE » OBRA SOCIAL LA CAIXA » RUTA XACOBEA AND AC HOTELS BY MARRIOT AMONG OTHER
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SOCIAL IMPACT
WEBSITE
NEWSLETTER
312,576 PAGE VIEWS
10,071 subscribers to monthly newsletter (63% more than last year) 52% engagement with the newsletter, above the average for the sector (according to Mailchimp)
858 NEWS STORIES PUBLISHED IN THE MEDIA 49% more than the previous year 71.5 impacts per month 324 news stories on Exhibitions 220 news stories on performing arts programme 126 news stories on the project
SOCIAL NETWORKS
14,517 FOLLOWERS in Twitter +25.64% growth in Twitter community +2.07% engagement on Twitter compared to 0.9% in the sector
+72.24% Instagram (compared to last year) 6.31% engagement (participation of users in our content) on Instagram compared to 3-6% for the sector + 31% growth of community on Facebook (compared to last year) 1.39% engagement on Facebook compared to 0.94% for the sector
YOUTUBE CHANNEL
41 VIDEOS
PRODUCED
+22.5% on last year 98,795 plays of our videos 173,859 minutes dedicated to our YouTube channel. Subscriptions o YouTube channel up 18%. The most seen video: âSikka Ingentiumâ, by Daniel Canogar.
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FRIENDS OF THE MUSEUM During this course, an increased participation on the part of the familyformat Friends in the MuseumĂą€™s activities was recorded and the advantages for Friends of the Museum were improved, which has helped increase the frequency of service and satisfaction.
823 FRIENDS OF THE MUSEUM +25% on last year 78% from Navarra 20% from other Autonomous Communities in Spain 2% from other countries in Europe and America
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FINANCIAL INFORMATION
The budget of the Museum of the University of Navarra in included in the budget of the University of Navarra. Nevertheless, its management is the responsibility of the Governing Body of the Museum, whose objective is the correct administration of resources in achieving objectives.
The Museum submits accounts to the aforementioned governing bodies of the University of Navarra once a year.
DISTRIBUTION OF SPEND Y ACTIVITY
The total budget of the University, including all centres of the University of Navarra, is audited by KPMG. This report is found in the transparency portal of the University of Navarra.
ORIGIN OF FINANCING OF ACTIVITIES
53%
40%
EXHIBITIONS 751,667
SPONSORSHIP AND ASSISTANCE 579,700
38%
17% PUBLIC, TEACHING AND RESEARCH PROGRAMMES 242,601
30% PERFORMING ARTS 436,952
OWN FUNDS 541,022
22% ACTIVITY 310,498
ANNUAL REPORT / 29
CORPORATE MEMBERS OF BOARD OF PATRONS MAIN CORPORATE PATRONS
OTHER PATRONS
DL NA 1614-2016 / ISBN 978-84-8081-586-4
SPONSORS
MEMORIA ANUAL / 31
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