What's On at the Faculty of Music, Lent Term 2016 by Faculty of Music, University of Cambridge

WHATâ&#x20AC;&#x2122;S ON

at the Faculty of Music Lent Term 2016 Volume 3, No. 2

CONTENTS Academy of Ancient Music 3 Britten Sinfonia 4 The Endellion String Quartet 6 Instrument Awards Scheme 7 Cambridge University Collegium Musicum 7 Cambridge University Musical Society 8 Cambridge University Lunchtime Concert Series 11 Kettle’s Yard 12 Cambridge University Symphony Orchestra 13 Cambridge University Opera Society 13 Practising Performance 14 Cambridge Centre for Performance Studies (CMPS) 15 Composers’ Workshops 16 Faculty of Music Colloquia 18 Cambridge University Music Outreach 19 College Events 20 Events Listings by Date 27

Faculty of Music University of Cambridge 11 West Road Cambridge CB3 9DP W: mus.cam.ac.uk E: facultyevents@mus.cam.ac.uk Cover image: © mkm3

This brochure is published by the Faculty of Music and its main purpose is to promote Faculty events. If you think your event should be included in next term’s brochure, please email facultyevents@music.cam.ac.uk with details of your event. All event information for next term’s brochure must be submitted to the editor, Sarah Williams, by Friday 11th March 2016.

ACADEMY OF ANCIENT MUSIC Saturday, 26 March 2016 7.30pm, West Road Concert Hall

Thursday, 14 April 2016 7.30pm, West Road Concert Hall

Lenten and Passiontide Cantatas

Vivaldi in Dresden

J.S. Bach Cantata No. 127: Herr Jesu Christ, wahr’ Mensch und Gott J.S. Bach Cantata No. 39: Brich dem Hungrigen dein Brot J.S. Bach Cantata No. 182: Himmelskönig, sei willkommen

J.S. Bach Brandenburg Concerto No. 1 in F major Vivaldi Concerto in G minor: per l’Orchestra di Dresda Telemann Concerto for three oboes and three violins in B flat major Vivaldi Concerto for violin, two oboes and two horns in D major J.S. Bach Brandenburg Concerto No. 4 in G major

Bernard Labadie, conductor Choir of the AAM Over the course of his lifetime Johann Sebastian Bach composed more than 200 sacred cantatas, a staggering body of work which remains to this day at the very heart of the composer’s most significant and celebrated output. Writing for congregations in Mühlhausen, Weimar, Köthen and Leipzig between 1707 and 1745, Bach would often complete a new cantata each week for performance (directing from the keyboard) as part of the Sunday liturgy. But while Bach’s cantatas are numerous, they are anything but homogeneous, displaying a remarkable variety of forms and forces. AAM is delighted to welcome back celebrated Canadian conductor Bernard Labadie in a programme of cantatas written for the Lenten and Passiontide observations, showcasing the acclaimed Choir of the AAM. Free pre-concert talk at 6.30pm TICKETS: £15, £25, £30 (£3 for AAMplify members) with a £2 discount for concessions. Available from Cambridge Live Tickets. Tel: 01223 357851; email: tickets@cambridgelivetrust.co.uk; web: www. cambridgelivetrust.co.uk/tickets

Richard Egarr, director & harpsichord Although Vivaldi never visited Dresden, his dedication of a series of concertos for the Hofkapelle there, whose 40-plus players made it one of the largest orchestras of its time, had a profound influence on a generation of German musicians. Composers such as Bach and Telemann were challenged and delighted by these works, whose flamboyance and playful exuberance constituted a truly innovative, new sound. Directing from the harpsichord, Richard Egarr explores the cross-continental connections of this incredibly fruitful age in concertos embracing the violin, recorder, oboe, horn and trumpet. Free pre-concert talk at 6.30pm TICKETS: £15, £25, £30 (£3 for AAMplify members) with a £2 discount for concessions. Available from Cambridge Live Tickets. Tel: 01223 357851; email: tickets@cambridgelivetrust.co.uk; web: www. cambridgelivetrust.co.uk/tickets

BRITTEN SINFONIA Tuesday, 19 January 2016 1.00pm, West Road Concert Hall

Britten Sinfonia At Lunch Two 2015–16 J.S. Bach Gott versorget alles Leben from Cantata BWV187 J.S. Bach Seufzer, Tranen, Kummer, Not from Cantata BWV21 Ligeti Continuum Anna Clyne This Lunar Beauty (world premiere tour) Pärt Fratres (for string quartet) Scarlatti (arr. Sciarrino) Due arie notturne dal campo Julia Doyle, soprano Marios Argiros, oboe Jacqueline Shave and Miranda Dale, violins Clare Finnimore, viola Caroline Dearnley, cello Maggie Cole, harpsichord

A pre-occupation with texture permeates this programme, beginning with two arias from the grand master of counterpoint, J. S. Bach. Ligeti’s Continuum tests not only the limits of the soloist but also the exhilarating knife-edge between hearing individual notes and continuous sound. A world premiere from Grammy-nominated composer of acoustic and electro-acoustic music, Anna Clyne (1), whose music seeks to explore resonant soundscapes and propelling textures, completes the journey from the baroque to present day. 2.15pm, Foyer of the West Road Concert Hall

In Conversation The composer Anna Clyne talks about her new piece This Lunar Beauty with Tim Watts (Faculty of Music, University of Cambridge) and performers from Britten Sinfonia in a post-concert discussion. Free to ticket holders.

Tuesday, 23 February 2016 1.00pm, West Road Concert Hall

Tuesday, 12 April 2016 1.00pm, West Road Concert Hall

Britten Sinfonia At Lunch Three 2015–16

Britten Sinfonia At Lunch Four 2015–16

Debussy Syrinx Donatoni Small II Daníel Bjarnason New work (world premiere tour) Donatoni Marches Debussy Sonata for flute, viola and harp

Bartók Selection of Duos Bryce Dessner New work (world premiere tour) Schumann Piano Quartet in E flat major, Op. 47

Emer McDonough, flute Clare Finnimore, viola Lucy Wakeford, harp The combination of flute, viola and harp may not be the most familiar trio ensemble, but it is one that certainly lends itself to the rich exploration of colour and harmonies that is typical of Debussy’s output. A deeply expressive curiosity in soundscapes and association with visual art also features in the compositions of Icelandic composer Daníel Bjarnason (2), whose new work features alongside Debussy in this programme. 2.15pm, Foyer of the West Road Concert Hall

In Conversation Performers from Britten Sinfonia join a member of the Faculty of Music, University of Cambridge for a post-concert discussion. Free to ticket holders.

Thomas Gould, violin Clare Finnimore, viola Caroline Dearnley, cello Huw Watkins, piano Bryce Dessner (3), known to many as the guitarist from The National, has been leading a double life as a prolific composer and curator in the realm of creative new music. His music, marked by a keen sensitivity to instrumental colour and texture, features in this hour-long programme alongside Bartók’s folklore-inspired pedagogical Duos and Schumann’s ever-popular Piano Quartet. 2.15pm, Foyer of the West Road Concert Hall

In Conversation Tim Watts (Faculty of Music, University of Cambridge) joins performers from Britten Sinfonia for a post-concert discussion. Free to ticket holders.

TICKETS: £9, £3 (student, under 16s) available from Cambridge Live Tickets. Tel: 01223 357851; email: tickets@cambridgelivetrust.co.uk; web: www.cambridgelivetrust.co.uk/tickets

THE ENDELLION STRING QUARTET

The Endellion String Quartet is represented by Hazard Chase hazardchase.co.uk

Andrew Watkinson, violin Ralph de Souza, violin Garfield Jackson, viola David Waterman, cello Wednesday, 27 January 2016 7.30pm, West Road Concert Hall Haydn Quartet in F, Op. 77 No. 2 Beethoven Quartet in A, Op. 18 No. 5 Dvořák Piano Quartet No. 2 in E flat, Op. 87 (with Gülsin Onay, piano) We start with Haydn’s last complete quartet, wonderfully joyous and serene, and then play an early Beethoven quartet in which, for once, Mozart’s influence is stronger than Haydn’s. After the interval our friend, the pianist Gülsin Onay, joins us for Dvořák’s delightful piano quartet. TICKETS: £27, £25 (OAP), £13 (reg. disabled), £6 (students, under 16s) available from Cambridge Live Tickets. Tel: 01223 357851; email: tickets@cambridgelivetrust.co.uk; web: www. cambridgelivetrust.co.uk/tickets

Wednesday, 24 February 2016 7.30pm, West Road Concert Hall Mendelssohn Quartet in A minor, Op. 13 Webern Five Movements for String Quartet, Op. 5 Beethoven Quartet in F, Op. 59 No. 1: Razumovsky The Op.13 is one of Mendelssohn’s most extraordinary and moving works – written at the age of eighteen with Beethoven constantly looking over the young man’s shoulder (metaphorically)! Webern’s five pieces are a miracle of brevity and expressiveness – they last just eight minutes. And in the second half we play the first of Beethoven’s quartets dedicated to Count Razumovsky – a symphony in all but name. TICKETS: £27, £25 (OAP), £13 (reg. disabled), £6 (students, under 16s) available from Cambridge Live Tickets. Tel: 01223 357851; email: tickets@cambridgelivetrust.co.uk; web: www. cambridgelivetrust.co.uk/tickets Wednesday, 20 April 2016 7.30pm, West Road Concert Hall Haydn Quartet in D minor, Op. 76 No. 2: Fifths Mozart Quartet in A, K. 464: Drum Tchaikovsky Quartet No. 2 in F, Op. 22 Drama and intensity abound in this late Haydn quartet. We follow it with the Mozart quartet which would seem to be the inspiration for the Beethoven we played in January – listen out for the stroke of genius towards the end of the variation movement. Tchaikovsky’s hugely rich and dark second quartet is perhaps his most satisfying chamber music work. TICKETS: £27, £25 (OAP), £13 (reg. disabled), £6 (students, under 16s) available from Cambridge Live Tickets. Tel: 01223 357851; email: tickets@cambridgelivetrust.co.uk; web: www. cambridgelivetrust.co.uk/tickets

CAMBRIDGE UNIVERSITY COLLEGIUM MUSICUM

INSTRUMENT AWARDS SCHEME The intercollegiate Instrumental Awards Scheme enables gifted musicians to reach a high standard of performance in chamber music. Successful students are award-holders for a year, and they receive professional coaching of their ensemble, masterclasses, recital opportunities and a subsidy for instrumental lessons.

Thursday 28, January 2016 4.45pm, West Road Concert Hall

Academy of Ancient Music and Cambridge University Collegium Musicum Side-by-side Workshop

Instrumental Awards Scheme Concert

An introduction to seventeenth-century Italian repertoire and the techniques needed to be able to approach and play this type of music from an historically informed perspective. The repertoire will include Ritornelli from Monteverdi operas, and sonatas by Buonamente, Gabrieli and Marini.

TICKETS: Admission free

Sunday, 7 February 2016 1.15pm, Fitzwilliam Museum

Tuesday, 9 February 2016 8.00pm, West Road Concert Hall

Instrumental Awards Scheme Showcase The finest chamber musicians in the University present a varied programme of chamber works. For full programme details visit www.westroad.org TICKETS: £10; concessions: £8; students: £3; available from ADC Box Office. Tel: 01223 300085; web: www.adcticketing.com Tuesday, 1 March 2016 1.10pm, West Road Concert Hall

Instrumental Awards Scheme Concert Performances by musicians from the Cambridge University Instrumental Award Scheme to celebrate the music of Sir William Sterndale Bennett. TICKETS: Admission free

Tuesday, 16 February 2016 1.10pm, Old Divinity School, St John’s College

A Grand Tour Cambridge University Collegium Musicum Margaret Faultless, director (Director of Performance Studies and co-leader of the Orchestra of the Age of Enlightenment) Suites and Sonatas from across Europe performed on period instruments including Brandenburg Concerto No. 1 and Handel’s Water Music. TICKETS: Admission free

CAMBRIDGE UNIVERSITY MUSICAL SOCIETY

Saturday, 16 January 2016 8.00pm, King’s College Chapel

Saturday, 27 February 2016 8.00pm, West Road Concert Hall

Verdi's Otello in King's

Beethoven Symphony No. 4

Debussy La Mer Verdi Otello Act I

R. Strauss Overture and Dance scene from Ariadne auf Naxos Chris Mortlock (CUMS Composer in Residence 2015–2016) New Work Ibert Flute Concerto Beethoven Symphony No. 4

Richard Farnes (1), conductor Ronald Samm (2), tenor Olafur Sigurdarson, baritone Giselle Allen, soprano David Butt Philip, tenor Joel Williams, tenor Nicholas Mogg, baritone Cambridge University Chamber Orchestra Members of CUMS Symphony Orchestra Choirs of Jesus, Selwyn and Trinity Colleges Members of CUMS Chorus Cambridge University Chamber Choir TICKETS: £35, £30, £20; students: £31, £26, £16; available from ADC Box Office. Tel: 01223 300085; web: www.adcticketing.com Some £5 tickets will be available on the door

Cambridge University Chamber Orchestra Gerry Cornelius (3), conductor Rosalind Ridout (4), flute (CUMS Concerto Competition 2015 prize-winner) TICKETS: £20, £14, £10; concessions: £18, £12, £8; students: £5; available from ADC Box Office. Tel: 01223 300085; web: www.adcticketing.com

Wednesday, 2 March 2016 1.00pm, West Road Concert Hall

Friday, 4 March 2016 7.30pm, LSO St Luke’s, London

Cambridge University Wind Orchestra Schools Concert

Spohr, The Last Judgement

Bernstein Candide Overture Dukas (arr. Winterbottom) Sorcerer’s Apprentice Hesketh Danceries Set 1 Giancchino (arr. Bocook) Music from The Incredibles Cambridge University Wind Orchestra Adam Hickox, conductor

CUMS Chorus Faust Chamber Orchestra Mark Austin, conductor Rosalind Coad, soprano Anna Harvey, mezzo-soprano Bradley Smith, tenor Adam Green, baritone

TICKETS: Open to schools by invitation – if your school would like to attend please contact Matthew Kemp at mk775@cam.ac.uk. The concert welcomes home-schooled children

A rare performance of Spohr’s oratorio, hugely popular with audiences in the nineteenth century until the First World War. Spohr was a leading musician of his age – virtuoso violinist, a friend of Beethoven, the first conductor to use a baton, and the inventor of rehearsal letters. His unique blend of Romanticism and Handel-like choral writing is now being rediscovered by performers and audiences alike.

Thursday, 3 March 2016 8.00pm, West Road Concert Hall

TICKETS: £25, £21, £18; students: £10; available from LSO St Luke’s Box Office. Tel: 020 7638 8891; web: www.barbican.org.uk or lso.co.uk/whats-on

A varied and playful programme aimed at sparking the imagination of children whilst teaching them about music.

Beethoven Piano Concerto No. 1 Beethoven Egmont Overture Vaughan Williams English Folk Song Suite Beethoven Piano Concerto No. 1 CUMS Concert Orchestra Rees Webster, conductor Nina del Ser, piano (CUMS Concerto Competition 2015 prize-winner) TICKETS: £10; concessions: £8; students: £3; available from ADC Box Office. Tel: 01223 300085; web: www.adcticketing.com

Please note: this concert will also be performed on Sunday, 6 March at West Road Concert Hall, Cambridge (see p. 10 for details)

Saturday, 5 March 2016 7.30pm, Robinson College Chapel

Shakespeare 400

Beethoven, the first conductor to use a baton, and the inventor of rehearsal letters. His unique blend of Romanticism and Handel-like choral writing is now being rediscovered by performers and audiences alike.

Cambridge University Chamber Choir Tim Brown, conductor Stephen Varcoe, baritone Daniel Pailthorpe, flute

TICKETS: £20, £14, £10; concessions: £18, £12, £8; students: £5; available from ADC Box Office. Tel: 01223 300085; web: www.adcticketing.com

Shakespeare in music – a programme of solo songs and part songs, to mark the 400th anniversary of the death of William Shakespeare and the 70th birthday of Giles Swayne.

Saturday, 12 March 2016 5.30pm, King’s College Chapel

Solo songs from Purcell to Dankworth, and choral music by Vaughan Williams, George Shearing and a new work by CUMS Composer in Residence, Chris Mortlock.

Beethoven Violin Concerto Beethoven Mass in C

King's Foundation Concert

TICKETS: £12; students: £5; available from ADC Box Office. Tel: 01223 300085; web: www.adcticketing. com

King’s Choral Scholars, past and present Cambridge University Chamber Orchestra Stephen Cleobury, conductor Krysia Osostowicz, violin

Sunday, 6 March 2016 7.30pm, West Road Concert Hall

TICKETS: £40, £30, £22, £15; students: £5; available from The Shop at King’s. Tel: 01223 769340; web: www.shop.kings.cam.ac.uk

Spohr, The Last Judgement CUMS Chorus Faust Chamber Orchestra Mark Austin, conductor Rosalind Coad, soprano Anna Harvey, mezzo-soprano Bradley Smith, tenor Adam Green, baritone A rare performance of Spohr’s oratorio, hugely popular with audiences in the nineteenth century until the First World War. Spohr was a leading musician of his age – virtuoso violinist, a friend of

Saturday, 12 March 2016 8.00pm, West Road Concert Hall

Brahms Violin Concerto Brahms Violin Concerto Rimsky-Korsakov Scheherazade CUMS Symphony Orchestra Carlos Izcaray (5), conductor Julia Hwang (6), violin (CUMS Concerto Competition Winner) TICKETS: £20, £14, £10; concessions: £18, £12, £8; students: £5; available from ADC Box Office. Tel: 01223 300085; web: www.adcticketing.com

CAMBRIDGE UNIVERSITY LUNCHTIME CONCERT SERIES Tuesday, 26 January 2016 1.10pm, West Road Concert Hall

Tuesday, 16 February 2016 1.10pm, Old Divinity School, St John’s College

Debussy Syrinx Fauré Fantaisie, Op. 79 Ian Clarke Hypnosis Beethoven Piano Trio in C minor, Op. 1, No. 3

A Grand Tour

Jack Mainwaring, flute (CUMS Concerto Competition prize-winner) Huey Lai, violin Aidan Haslam, cello Katie Wong, piano

Cambridge University Collegium Musicum Margaret Faultless, director (Director of Performance Studies and co-leader of the Orchestra of the Age of Enlightenment) Suites and Sonatas from across Europe performed on period instruments including Brandenburg Concerto No. 1 and Handel’s Water Music.

TICKETS: Admission free

Tuesday, 2 February 2016 1.10pm, St John’s College Divinity School

Tuesday, 1 March 2016 1.10pm, West Road Concert Hall

Love’s Fire; Love’s Ashes

Instrumental Awards Scheme Concert

The Art of Claudio Monteverdi: Madrigals from books 4, 5 and 6 Cambridge University Chamber Choir Nicholas Mulroy, director TICKETS: Admission free Tuesday, 9 February 2016 1.10pm, West Road Concert Hall

CUMS Concerto Competition Final Performances by the CUMS Concerto Competition Finalists TICKETS: Admission free

Performances by musicians from the Cambridge University Instrumental Award Scheme to celebrate the music of Sir William Sterndale Bennett TICKETS: Admission free Tuesday, 8th March 2016 1.10pm, West Road Concert Hall

Ensemble Pro-Victoria

co-directed by Toby Ward and Humphrey Thompson Music for Passiontide: Eight-piece vocal ensemble, performing works by Taverner, Byrd, Tallis & Parsons TICKETS: Admission free

KETTLE’S YARD

Thursday, 28 January 2016 8.00pm, Old Divinity School, St John’s College

Thursday, 18 February 2016 8.00pm, Old Divinity School, St John’s College

Schubert Fantasie in C major, D. 934 Ravel Violin Sonata No. 2 Copland Two pieces for violin & piano Sarasate Zigeunerweisen, Op. 20

Beethoven Piano Sonata No. 1 Beethoven Violin Sonata No. 2 Peter Ash A Major Chase Beethoven Violin Sonata No. 7 Philip Venables Beethoven Bars 107–112

Rachel Lee Priday (1), violin Michael Dussek, piano TICKETS: £16, £6 (students); available from http://onlinesales.admin.cam.ac.uk Thursday, 4 February 2016 8.00pm, Old Divinity School, St John’s College

Schubert Ensemble Martinů Piano Quartet Jonathan Dove Piano Quintet Brahms Piano Quintet Simon Blendis, Annabelle Meare, violins Douglas Paterson, viola Jane Salmon, cello William Howard, piano TICKETS: £16, £6 (students); available from http://onlinesales.admin.cam.ac.uk

Krysia Osostowicz (2), violin Daniel Tong, piano TICKETS: £16, £6 (students); available from http://onlinesales.admin.cam.ac.uk Thursday, 25 February 2016 8.00pm, Old Divinity School, St John’s College Schumann Liederkreis, Op. 39 Vaughan Williams Songs of Travel Schumann Dichterliebe James Gilchrist, tenor Anna Tilbrook, piano TICKETS: £16, £6 (students); available from http://onlinesales.admin.cam.ac.uk Thursday, 10 March 2016 8.00pm, Old Divinity School, St John’s College Simón Bolivar String Quartet Schubert Quartettsatz Ginastera String Quartet No. 1 Mendelssohn String Quartet No. 2 Alejandro Carreño, Boris Suárez, violins Ismel Campos, viola Aimon Mata, cello TICKETS: £16, £6 (students); available from http://onlinesales.admin.cam.ac.uk

CAMBRIDGE UNIVERSITY SYMPHONY ORCHESTRA Monday, 29 February 2016 8.00pm, West Road Concert Hall

Dvořák, Grieg and Mendelssohn Mendelssohn Hebrides Overture, Op. 26 Grieg Piano Concerto, Op. 16 Dvořák Symphony No. 9, Op. 95: New World Edward Reeve, piano Rees Webster and Bertie Baigent, conductors CUSO will begin the evening with Mendelssohn’s beautiful Hebrides Overture, followed by the Grieg’s Piano Concerto, conducted by Bertie Baigent and played by our fantastic soloist, Edward Reeve. After the interval we will perform the wonderful New World Symphony No. 9 by Dvořák, conducted by Rees Webster. Come and join us for a night you’ll thoroughly enjoy. TICKETS: £12 (adults), £8 (concessions), £5 (students/children); available online (from 01/02/2016) at http://buytickets.at/ cambridgeuniversitysymphonyorchestra/ A limited number of tickets will be available on the door from 7.30pm on the night of the concert.

CAMBRIDGE UNIVERSITY OPERA SOCIETY Thursday, 18 February – Saturday, 20 February 2016 7.30pm (also 1.30pm matinee on 20 Feb), West Road Concert Hall

A Midsummer Night's Dream Benedict Kearns, conductor George Kan, director This year the Cambridge University Opera Society will be performing Benjamin's Britten enchanting adaptation of the well-known Shakespeare play. The fully-staged production will include some of the university's finest singers and instrumentalists. TICKETS: £21, £17 (concessions), £8 (students); available from ADC box office. Tel: 01223 300085; web: www.adcticketing.com

PRACTISING PERFORMANCE Saturday 13 – Sunday 14 February 2016 10.00am –17.30pm each day, McGrath Centre at St Catharine's College

Friday, 22 January 2016 2.00pm, Recital Room at the Faculty of Music

Nicholas Cleobury

Women Conductors @ Morley

Following his successful workshop with conductors exploring Copland last term, Nicholas Cleobury (1) returns to work with conductors, repetiteurs and singers. The repertoire will be the accompanied recitatives from Mozart’s Marriage of Figaro and Don Giovanni. These key moments in the operas provide challenges for all and are crucial to the flow of the drama. Nicholas is one of the UK’s most experienced opera conductors and will share his insights with both the student performers and the audience.

Women Conductors @ Morley is a series of comprehensive conducting workshops that have attracted widespread acclaim, designed specifically for young women wanting to explore the maledominated arena of conducting. Led by Alice Farnham, participants will work with professional pianists and instrumental ensembles. For further information see www.morleycollege.ac.uk/ womenconductors TICKETS: Fully funded places available to participants (female) through generous scholarships from the Faculty of Music (normal cost £150). Please contact mf413@cam.ac.uk to apply. Observer places (female students) £5 per session. Saturday afternoon is open to all.

TICKETS: Admission free

CAMBRIDGE CENTRE FOR MUSICAL PERFORMANCE STUDIES (CMPS) Launched in April 2015, CMPS plays a leading role in musical performance studies close to home and across the globe. It supports a programme of masterclasses, workshops, Side-by-Side events, and other ‘talk-andplay events’ such as lecture-recitals and open rehearsals. Events like these shed light on the knowledge that is created and conveyed in performance, and on how musical performance takes shape over time. During Lent Term 2016, the Centre will host public seminars, ‘Practising Performance’ events, and post-concert ‘Conversations’ with composers and performers in conjunction with the Britten Sinfonia. CMPS also runs a reading group for postdoctoral and postgraduate researchers featuring presentations from visiting scholars. The Cambridge Centre for Musical Performance Studies is directed by John Rink, working in collaboration with Margaret Faultless, Martin Ennis and Abigail Dolan.

CMPS/IMR Performance/Research Seminars These seminars are organised by CMPS in conjunction with the Institute of Musical Research, University of London. They are intended to present work on musical performance and to foster dialogue and debate between musicians, musicologists and others across a broad range of interests and backgrounds. Special attention is given to practice-led research and collaborative work within the field of music and with other art forms. Monday, 25 January 2016 5.15pm, Room 261, Senate House, University of London, Malet Street, London WC1

Dr Freya Jarman

Monday, 8 February 2016 5.15pm, Room 261, Senate House, University of London, Malet Street, London WC1

Professor Elaine Keillor

University of Liverpool

Carleton University

‘The challenges of teaching undergraduate music students without using Western notation: performance analysis as a partial solution’

‘Bringing Canada’s First Peoples’ musical performances into the twenty-first century’ Monday, 22 February 2016 5.15pm, Room 261, Senate House, University of London, Malet Street, London WC1

Mieko Kanno

Royal Conservatoire of Scotland ‘Quiet is beautiful: the aesthetics of softness in new music today’

COMPOSERS’ WORKSHOPS

The Faculty’s series of Composers’ Workshops is open to students in all years of the undergraduate music course as well as masters and doctoral students, indeed anyone with an interest in the creation of new music. Because space is limited, please email John Hopkins (jeh40@cam.ac.uk) if you are not a Faculty member and wish to attend.

Tuesday, 19 January 2016 2.00pm, Recital Room at the Faculty of Music

Jeremy Thurlow Jeremy Thurlow (1) studied music under the direction of Tim Brown and composition with Alexander Goehr at Clare College, Cambridge, before spending a year at the Guildhall School of Music and Drama studying composition and music-theatre with Peter Wiegold. His compositions include music for orchestra, choir, solo voice, and chamber ensembles and have been performed by the BBC Philharmonic Orchestra, Matthew Schellhorn, the Fitzwilliam String Quartet, the Aronowitz Ensemble, Rolf Hind, Sequitur, Endymion, Peter Sheppard Skaerved and the BBC Singers, among others. In 2007 he won the George Butterworth Award for Composition with his videoopera A Sudden Cartography of Song, composed in collaboration with writer Alistair Appleton. He is a Fellow of Robinson College, University of Cambridge, where he teaches and lectures in music and composition.

90th birthday to be performed by the Ensemble Intercontemporain at the Lucerne Festival, a work for large ensemble to be recorded by Klangforum Wien and performed by the Tokyo Sinfonietta in Tokyo and a 10' composition for symphony orchestra for the Radio-France programme, Alla Breve, which will be recorded by the Orchestre National de France. Christian has also been commissioned to write a work for percussion ensemble for the opening of the new Asian Arts Theatre in Gwangju, Korea in the 2015/2016 season: a project curated by Unsuk Chin. Tuesday, 2 February 2016 2.00pm, Recital Room at the Faculty of Music

Ph.D. Composers This presentation will feature music from some more of the Faculty’s current Ph.D. composition students. Since the introduction of this doctoral course, and the appointment of Richard Causton to the Faculty, the number of students applying has increased in quality and quantity. Tuesday, 9 February 2016 2.00pm, Recital Room at the Faculty of Music

Tuesday, 26 January 2016 2.00pm, Recital Room at the Faculty of Music

Christian Mason A 2015 winner of an Ernst von Siemens Musikstiftung Composer Prize, Christian Mason (2) is enjoying a prolific career with an array of forthcoming commissions from prestigious institutions. This includes a piece for Pierre Boulez's

Ed Hughes Ed Hughes (3) studied at Pembroke College, Cambridge, with Robin Holloway and Alexander Goehr, and at Southampton University with Michael Finnissy. His work has been described as ‘polyphonic, clear and unique’ by the pianist, Richard Casey. Commissions include the City of London Festival (for an opera, The Birds, to a libretto by Glyn Maxwell),

Brighton Festival, I Fagiolini, Glyndebourne, Tacet Ensemble and the London Sinfonietta. He is currently Senior Lecturer and Head of the Music Department at Sussex University. Tuesday, 16 February 2016 2.00pm, Recital Room at the Faculty of Music

M.Phil. Composers Our new crop of highly talented M.Phil. composers will present and discuss their current work at this meeting of the Workshop. Tuesday, 23 February 2016 2.00pm, Recital Room at the Faculty of Music

Marty Regan Marty Regan (4) has composed over 70 works for traditional Japanese instruments and since 2002 has been affiliated with AURA-J, one of Japan's premiere performance ensembles of contemporary-traditional Japanese music. He graduated from Oberlin College in 1995 with a B.M. in Composition and a B.A. in English and East Asian Studies. From 2000 to 2002 he studied composition and took applied lessons on traditional Japanese instruments as a Japanese government-sponsored research student at Tokyo College of Music. He is currently a visiting scholar at the Faculty of Music in Cambridge. Tuesday, 1 March 2016 2.00pm, Recital Room at the Faculty of Music

Susie Self Susie Self (5) studied as a singer, composer and conductor at the Royal College of Music where she gained an ARCM in singing performance. She later gained an M.Phil. in composition at Cambridge

University. She won scholarships from the Royal Society of Arts to study in Germany and from The Banff Centre, Canada. Her composition professors include Stephen Dodgson, Edwin Roxburgh and Jeremy Thurlow, and she studied singing with Josephine Veasy. Her conducting mentor is David Parry and her composing mentor is Michael Finnissy. Saturday, 5 March 2016 10.00amâ&#x20AC;&#x201C;5.00pm, Recital Room at the Faculty of Music

Britten Sinfonia Composersâ&#x20AC;&#x2122; Workshop Five shortlisted student composers will have their pieces rehearsed, discussed and performed by an ensemble consisting of members of the Britten Sinfonia, together with some of the finest student instrumentalists, under the direction of the eminent young composer-conductor Ryan Wigglesworth. This is an annual opportunity to hear some new works by the next generation of composers, with informed feedback from experts and the chance to witness the progress from score to sound. Tuesday, 8 March 2016 2.00pm, Recital Room at the Faculty of Music

Undergraduate Composers The final meeting of the Workshop this term enables some of our many talented undergraduate composers to present their work, and to receive feedback and comment from the other members.

FACULTY OF MUSIC COLLOQUIA The Colloquium series provides an important opportunity for members of the Faculty, researchers from other departments and the general public to come together and hear papers on all aspects of music research, given by distinguished speakers from the UK and abroad. Colloquia are held on Wednesday evenings in the Recital Room at the Faculty of Music, West Road. Admission is free and all are welcome. Please arrive at 4.50pm for a 5.00pm start. Papers are followed by a discussion and a drinks reception with the speaker. Wednesday, 20 January 2016 5.00pm, Recital Room at the Faculty of Music

Wednesday, 17 February 2016 5.00pm, Recital Room at the Faculty of Music

Nicholas Cook (1) 1684 Professor of Music, University of Cambridge

Anahid Kassabian (5)

‘The imaginary African: race, identity, and Samuel Coleridge-Taylor’ Wednesday, 27 January 2016 5.00pm, Recital Room at the Faculty of Music

Laudan Nooshin (2) Senior Lecturer, City University London ‘Re-Imagining Musical Difference: Creative Process, Alterity and ‘Improvisation’ in Iranian Music from Classical to Jazz’

Research Fellow, Royal Holloway, University of London Wednesday, 24 February 2016 5.00pm, Recital Room at the Faculty of Music

Julian Anderson (6) Professor of Composition and Composer in Residence, Guildhall School Wednesday, 2 March 2016 5.00pm, Recital Room at the Faculty of Music

Derek Scott (7)

Professor of Critical Musicology, University of Leeds

Wednesday, 3 February 2016 5.00pm, Recital Room at the Faculty of Music

‘Cosmopolitan Musicology’

Laura Tunbridge (3) Associate Professor, University of Oxford

Wednesday, 9 March 2016 5.00pm, Recital Room at the Faculty of Music

‘Stockpiling Schubert’

Tomas McAuley (8)

Wednesday, 10 February 2016 5.00pm, Recital Room at the Faculty of Music

Gavin Williams (4)

Research Fellow, University of Cambridge

British Academy Postdoctoral Fellow, University of Cambridge ‘What is music and philosophy (or: what does music mean?)?’

CAMBRIDGE UNIVERSITY MUSIC OUTREACH

Thursday, 17 March 2016 4.00pm, West Road Concert Hall

The Mind Behind the Music

Do animals make music? Can we see what we hear? How do we know what music might be doing to us? We shall explore all these questions – and more – in an afternoon of music and science activities. This event is suitable for young people aged 12 and above. TICKETS: Available from the Cambridge Science Festival website: www.sciencefestival.cam.ac.uk

COLLEGE EVENTS Saturday, 23 January 2016 7.30pm, Senior Combination Room, Trinity Hall

Music for Epiphany

Odysseus Piano Trio

Clare College Choir (1) perform a programme of music for Epiphany, including works by Arnold Bax, Judith Bingham, Palestrina and Lassus

Haydn Trio No. 25 in G minor: Gypsy Rondo Martinů Cinq pièces brèves, H. 93 Brahms Piano Trio No. 1 in B major, Op. 8

TICKETS: Admission free

Concert will finish c. 8.45pm at which point drinks will be served.

Friday, 8 January 2016 1.00pm, Clare College Chapel

TICKETS: £15, £10 (concessions), £5 (students) available from tel: 01223 332550; email: arts@ trinhall.cam.ac.uk

Saturday, 30 January 2016 7.30pm, Clare Hall

Intimate Engagements: Cross Currents of France and Spain 1

Friday, 22 January 2016 6.00pm, Pavilion Room, Hughes Hall

Margaret Wileman Concert Series – Goldberg Variations Returning by popular demand, and with his own inimitable style, Ian de Massini performs Bach’s iconic Goldberg Variations from memory, on the college Steinway piano. TICKETS: Free admission, with Ian’s complimentary, personal and comprehensive programme notes available at the door. To reserve tickets, email: seniortutors.pa@hughes.cam.ac.uk. Further details at www.hughes.cam.ac.uk/about-us/music/

Debussy ‘Puerto del vino’ from Préludes (book two) Debussy ‘Soirée dans Grenade’ from Estampes Ravel ‘Alborada del gracioso’ from Miroirs De Falla Hommage to Debussy De Falla Fantasia Baetica Albeniz ‘Granada’ and ‘Asturias’ from Suite Espagnole Albeniz ‘Cordoba’ from Chants d’Espagne Mompou Impresiones Intima Paul Roberts, piano TICKETS: £15, £10 (Clare Hall members), £5 (students); available from email: music@clarehall. cam.ac.uk, or available at the door

Friday, 5 February 2016 6.15pm, Queenâ&#x20AC;&#x2122;s Building, Emmanuel College

Saturday, 6 February 2016 6.30pm, Pavilion Room, Hughes Hall

Burnaby recital: The Conchord Ensemble (2)

Music In The Pavilion: The Mifune Tsuji Trio

Smyth Two French folk melodies for flute, oboe and piano Mozart Andante in C major, K. 315 FaurĂŠ Fantaisie, Op. 79 Dring Trio for flute, oboe and piano

Evan Chambers Come Down Heavy Michio Miyagi Haru no Umi Percy Grainger Colonial Song Eugene Bozza Aria Russell Peterson Trio Astor Piazzolla Libertango Astor Piazzolla (arr. Jin Theriault) Concierto para Quinteto

Daniel Pailthorpe, flute Emily Pailthorpe, oboe Julian Milford, piano

Mifune Tsuji, violin Paul Jackson, piano Jin Theriault, saxophone

TICKETS: Admission free, no tickets required

TICKETS: To book, email seniortutors.pa@hughes. cam.ac.uk. All welcome to turn up on the night, with first priority going to reservations. Further details at www.hughes.cam.ac.uk/about-us/music/ Friday, 12 February 2016 6.15pm, Recital Room at Churchill College 2

Christina McMaster, piano recital On the back of her first solo album release, Pinks and Blues, Christina McMaster brings a characteristically fascinating programme to Churchill College, featuring works by Scarlatti, Satie, Debussy, Crawford-Seeger, Gotham, and Ives. TICKETS: Admission free, retiring collection

Friday, 12 February 2016 8.00pm, West Road Concert Hall

Saturday, 13 February 2016 8.00pm, Jesus College Chapel

Clare College Music Society (3)

A Forqueray Portrait

Hummel Wedding Cantata for Napoleon (UK première) Elgar Cello Concerto Brahms Geistliches Lied, arranged for string orchestra and chorus

Justin Taylor (5), harpsichord The French harpsichordist Justin Taylor, winner of the Bruges Harpsichord Competition 2015, performs on the celebrated Bruce Kennedy doublemanual harpsichord after a 1728 instrument by Christian Zell, drawing a compelling portrait of Antoine Forqueray with a series of pieces by, and in hommage to, the eighteenth-century French composer. Part of the Piccola Accademia Montisi Jesus College series.

Toby Hession, Naomi Woo, Michael Papadopoulos, conductors Joel Sandelson (4), cello with Clare alumni soloists TICKETS: £12, £10 (concession), £5 (students), £4 (members of Clare College)

TICKETS: £5 (£2 students) available on the door or reserve in advance on 01223 339699 or email choir@jesus.cam.ac.uk

Saturday, 20 February 2016 9.00pm, Pembroke College Chapel

Kenderdine Consort Giacomo Carissimi Jepthe Claudio Monteverdi Lamento d’Arianna (madrigal for 5 voices) Andrea Gabrieli Canzoni Dr Sam Barrett, director 6

Sunday, 14 February 2016 2.30pm, Stanley Library, Girton College

GCMS Piano Recital: Miyuki Kato Having recently graduated from the Royal Welsh College of Music and Drama and London’s Royal College of Music, Pianist Miyuki Kato will be performing a programme including works by Mozart, Chopin, Liszt and Prokofiev. TICKETS: Admission free with retiring collection Saturday, 20 February 2016 6.30pm, St John’s College Chapel

Bach Cantata Evensong J.S. Bach Cantata No. 131: Aus der Tiefe Durante Magnificat J.S. Bach Cantata No. 159: Sehet, wir gehn hinauf gen Jerusalem Choir of St John’s College, led by Andrew Nethsingha St John’s Sinfonia, led by Margaret Faultless (6) TICKETS: Admission free. Please note that this service will not finish until approximately 7.45pm

TICKETS: Admission free, retiring collection Tuesday, 23 February 2016 7.00pm, Auditorium, Fitzwilliam College

Yehudi Menuhin: A Centenary Celebration presents In Conversation with the Master: Humphrey Burton Fitzwilliam College begins its celebration of former Honorary Fellow Yehudi Menuhin’s centenary with a discussion and presentation from Humphrey Burton CBE, one of the College’s most distinguished alumni and Menuhin’s official biographer, on Yehudi Menuhin’s life and career. TICKETS: This event is free and all are welcome. Book online via the College events website or email music@fitz.cam.ac.uk

Friday, 26 February 2016 6.00 pm, McGrath Centre, St Catharine’s College

Saturday, 5 March 2016 6.00pm, St John’s College Chapel

The London Uyghur Ensemble

A Meditation on the Passion of Christ

The London Uyghur Ensemble (7) is a London-based group playing traditional and popular music of the Central Asian Uyghurs. Singer Rahima Mahmut is accompanied by an ensemble of long-necked lutes, spike fiddle and frame drum. Deeply imbued by the Sufi ethos, with its limping rhythms and ecstatic poetry this eastern-most example of maqam traditions opens the door to a new musical world.

Robinson Jesu, grant me this, I pray Ireland Ex ore innocentium Byrd Ne irascaris – Civitas sancti tui Stainer God so loved the world Morales O Crux, ave, spes unica Bruckner Christus factus est Lotti Crucifixus etiam pro nobis

TICKETS: £6, £4 (concs), £2 (students), available from web: www.caths.cam.ac.uk/about-us/music/ kellaway-concerts

Choir of St John’s College Andrew Nethsingha, director Organ music will be played by Joseph Wicks and Glen Dempsey from 5.15pm TICKETS: To guarantee a seat in the main body of the Chapel please apply for tickets by Friday 12 February from www.joh.cam.ac.uk/chapel_and_choir. However, we anticipate that there will still be spare seats available on the day. This service will end at approximately 7.40pm Saturday, 5 March 2016 6.00pm, Auditorium, Fitzwilliam College

Sunday, 28 February 2016 5.30pm, Girton College Chapel

Festal Evensong in celebration of George Herbert On the weekend in which Britain celebrates the poetry of George Herbert, Girton Chapel Choir presents a Festal Evensong featuring settings of Herbert by Kenneth Leighton and Judith Weir, as well as music by Howells and Wilson. TICKETS: Admission free, retiring collection

Yehudi Menuhin: A Centenary Celebration presents the Fitzwilliam String Quartet (8) Mozart String Quartet in C, K465: Dissonance Haydn String Quartet in D minor, Op. 76 No. 2 Haydn The Seven Last Words (selection) Now well into its fifth decade, the Fitzwilliam String Quartet is amongst the longest established string quartets in the world. The current line-up combines founding member violist Alan George with a new generation of performers: violinists Lucy Russell and Marcus Barcham-Stevens, and cellist Heather Tuach. TICKETS: £10, £5, £3; available at the door or can be reserved by email: music@fitz.cam.ac.uk

Sunday, 6th March 2016 4.30pm, Emmanuel College Chapel

J.S. Bach: St John Passion (sung in German)

Saturday, 5 March 2016 7.30pm, Clare Hall

Intimate Engagements: Last Thoughts

Simon Wall, Evangelist Robert Rice, Christ Charmian Bedford, soprano David Martin, countertenor David Webb, tenor Samuel Evans, Pilate and bass arias The Choir of Emmanuel College Cambridge The Little Baroque Company (11), Helen Kruger (leader) Christopher Whitton, continuo Richard Latham, director TICKETS: Admission free, no tickets required

Schubert Sonata in B flat major, No. 21 D. 960 Brahms Four Klavierstücke, Op. 119 Beethoven Sonata No. 32 in C minor, Op. 111 Martin Roscoe, piano TICKETS: £15, £10 (Clare Hall members), £5 (students); available from email: music@clarehall. cam.ac.uk, or available at the door

Sunday, 6 March 2016 5.00pm, Corpus Christi College Chapel

Messiah by G.F. Handel Choir of Corpus Christi College Cambridge (9) Cambridge Baroque Camerata Handel’s masterpiece Messiah is performed by the College Choir and renowned professional earlyinstrument ensemble Cambridge Baroque Camerata. The candlelit Gothic chapel provides a beautifully intimate setting for this most celebrated of Handel’s oratorios. TICKETS: £15, available from the Porters’ Lodge from 1 February

Thursday, 17 March 2016 7.00pm, Jesus College Chapel

J.S. Bach: St John Passion (sung in German)

The Choirs of Jesus College Cambridge (10) The Saraband Consort Ed Lyon, Evangelist Katy Hill, Anna Harvey, Jaliya Senanayake, Michael Mofidian, soloists Mark Williams, conductor

TICKETS: £20 (sighted seats in the Nave and Transept), £10 (unsighted seats in the choir stalls), £10 (sighted, student discount), £5 (unsighted, student discount); available from tel: 01223 300085; web: www.adcticketing.com

EVENTS LISTING JANUARY 8

1.00pm

Music for Epiphany

Clare College Chapel

8.00pm

Verdi's Otello in King's

King's College Chapel

1.00pm

Britten Sinfonia At Lunch Two 2015–16

West Road Concert Hall

2.00pm

Composers' Workshop: Jeremy Thurlow

Recital Room, Faculty of Music

5.00pm

Colloquium: Nicholas Cook

Recital Room, Faculty of Music

6.00pm

Margaret Wileman Series – Goldberg Variations

Pavilion Room at Hughes Hall

7.30pm

Odysseus Piano Trio

Senior Combination Room, Trinity Hall

5.15pm

CMPS/IMR Seminar: Dr Freya Jarman

Senate House, University of London

1.10pm

Lunchtime Concert: chamber music

West Road Concert Hall

2.00pm

Composers' Workshop: Christian Mason

Recital Room, Faculty of Music

5.00pm

Colloquium: Laudan Nooshin

Recital Room, Faculty of Music

7.30pm

Endellion String Quartet

West Road Concert Hall

4.45pm

Side by Side with the Academy of Ancient Music

West Road Concert Hall

8.00pm

Kettle's Yard: Violin and piano

St John's Divinity School

7.30pm

Intimate Engagements: Cross Currents of France and Spain Clare Hall

FEBRUARY 2

1.10pm

Lunchtime Concert: Chamber Choir

St John's Divinity School

2.00pm

Composers' Workshop: Ph.D. Composers

Recital Room, Faculty of Music

5.00pm

Colloquium: Laura Tunbridge

Recital Room, Faculty of Music

8.00pm

Kettle's Yard: Schubert Ensemble

St John's Divinity School

6.15pm

Burnaby recital

Queen’s Building, Emmanuel College

6.30pm

Music In The Pavilion: The Mifune Tsuji Trio

Pavilion Room at Hughes Hall

1.15pm

Instrumental Awards Scheme

Fitzwilliam Museum

5.15pm

CMPS/IMR Seminar: Prof Elaine Keillor

Senate House, University of London

1.10pm

Lunchtime Concert: CUMS Concerto Final

West Road Concert Hall

2.00pm

Composers' Workshop: Ed Hughes

Recital Room, Faculty of Music

8.00pm

Instrumental Awards Scheme Showcase Concert

West Road Concert Hall

5.00pm

Colloquium: Gavin Williams

Recital Room, Faculty of Music

6.15pm

Christina McMaster, piano recital

Recital Room at Churchill College

8.00pm

Clare College Music Society

West Road Concert Hall

10.00am

Practising Performance: Women Conductors

McGrath Centre, St Catharine's

8.00pm

A Forqueray Portrait

Jesus College Chapel

10.00am

Practising Performance: Women Conductors

McGrath Centre, St Catharine's

2.30pm

Girton College Music Society Piano Recital: Miyuki Kato

Stanley Library at Girton College

1.10pm

Lunchtime Concert: Collegium Musicum

St John's Divinity School

2.00pm

Composers' Workshop: M.Phil. Composers

Recital Room, Faculty of Music

5.00pm

Colloquium: Anahid Kassabian

Recital Room, Faculty of Music

7.30pm

CUOS: A Midsummer Night's Dream

West Road Concert Hall

8.00pm

Kettle's Yard: Violin and piano

St John's Divinity School

7.30pm

CUOS: A Midsummer Night's Dream

West Road Concert Hall

1.30pm

CUOS: A Midsummer Night's Dream

West Road Concert Hall

6.30pm

Bach Cantata Evensong

St John’s College Chapel

7.30pm

CUOS: A Midsummer Night's Dream

West Road Concert Hall

9.00pm

Kenderdine Consort

Pembroke College Chapel

2.00pm

Practising Performance: Nicholas Cleobury

Recital Room, Faculty of Music

5.15pm

CMPS/IMR Seminar: Mieko Kanno

Senate House, University of London

2.00pm

Composers' Workshop: Marty Regan

Recital Room, Faculty of Music

1.00pm

Britten Sinfonia At Lunch Three 2015–16

West Road Concert Hall

7.00pm

Yehudi Menuhin: A Centenary Celebration

Auditorium, Fitzwilliam Col

5.00pm

Colloquium: Julian Anderson

Recital Room, Faculty of Music

7.30pm

Endellion String Quartet

West Road Concert Hall

8.00pm

Kettle's Yard: Tenor and piano

St John's Divinity School

6.00pm

The London Uyghur Ensemble

McGrath Centre, St Catharine's

8.00pm

Cambridge University Chamber Orchestra

West Road Concert Hall

5.30pm

Festal Evensong in celebration of George Herbert

Girton College Chapel

8.00pm

Cambridge University Symphony Orchestra

West Road Concert Hall

MARCH 1

1.10pm

Lunchtime Concert: IAS Concert

West Road Concert Hall

2.00pm

Composers' Workshop: Susie Self

Recital Room, Faculty of Music

1.00pm

Wind Orchestra Schools Concert

West Road Concert Hall

5.00pm

Colloquium:Derek Scott

Recital Room, Faculty of Music

8.00pm

CUMS Concert Orchestra

West Road Concert Hall

7.30pm

CUMS Chorus: Spohr, The Last Judgement

LSO St Luke's, London

10.00am

Britten Sinfonia Composers' Workshop

Recital Room, Faculty of Music

6.00pm

A Meditation on the Passion of Christ

St John’s College Chapel

6.00pm

Fitzwilliam String Quartet

Auditorium, Fitzwilliam College

7.30pm

Shakespeare 400

Robinson College Chapel

7.30pm

Intimate Engagements: Last Thoughts

Clare Hall

4.30pm

J.S. Bach: St John Passion

Emmanuel College Chapel

5.30pm

Messiah by G.F. Handel

Corpus Christi College Chapel

7.30pm

CUMS Chorus: Spohr, The Last Judgement

West Road Concert Hall

1.10pm

Lunchtime Concert: Ensemble Pro-Victoria

West Road Concert Hall

2.00pm

Composers' Workshop: Undergraduate Composers

Recital Room, Faculty of Music

5.00pm

Colloquium: Tomas McAuley

Recital Room, Faculty of Music

8.00pm

Kettle's Yard: Simón Bolivar String Quartet

St John's Divinity School

5.30pm

King's Foundation Concert

King's College Chapel

8.00pm

CUMS Symphony Orchestra

West Road Concert Hall

4.00pm

The Mind Behind the Music

West Road Concert Hall

7.00pm

J.S. Bach St John Passion

Jesus College Chapel

7.30pm

AAM: Lenten and Passiontide Cantatas

West Road Concert Hall

1.00pm

Britten Sinfonia At Lunch Four 2015–16

West Road Concert Hall

7.30pm

AAM: Vivaldi in Dresden

West Road Concert Hall

7.30pm

Endellion String Quartet

West Road Concert Hall

APRIL