Olomouc Museum of Art 1951-2011. From Titian to Warhol

Olomouc

Museum of Art 1951–2011

Pavel Zatloukal editor

Olomouc 2012

Exhibition

From Titian to Warhol

Olomouc Museum of Art ����–���� �� October ���� – �� March ���� Olomouc, Denisova Street 47 – Václavské Square 3

�. Old art Olomouc Archdiocesan Museum

�. Fine arts of the ��th century Museum of Modern Art

3. Fine arts ����–���� Museum of Modern Art

4. Fine arts ����–���� Museum of Modern Art

5. Documentation Museum of Modern Art

Conception and curators Ivo Binder, Ladislav Daněk, Gabriela Elbelová, Kateřina Gabrhelíková, Jana Hrbáčová, Martina Potůčková, Nikolas Proksch, Michal Soukup, Ondřej Zatloukal, Pavel Zatloukal Cooperation Hana Bartošová, Štěpánka Bieleszová, Marta Perůtková, Jakub Potůček, Gina Renotière, Anežka Šimková, Helena Zápalková Restoration and preservation of exhibits Marie Dočekalová, Ivan Houska, Jiří Látal, Karel Říhovský, Dalibor Sedlák, Karel Stretti, Radomír Surma, René Tikal, Eva Trajlinková, Libuše Vybíralová, Ondřej Žák Exhibition design Marek Novák Graphic design Beata Rakowská, Petr Šmalec Installation Vlastimil Sedláček, Filip Šindelář, Ondřej Žák Promotion Petr Bielesz

Book

Olomouc Museum of Art 1951–2011 Editor Pavel Zatloukal Translation Jaroslav Peprník Texts Ivo Binder, Ladislav Daněk, Gabriela Elbelová, Kateřina Gabrhelíková, Jana Hrbáčová, Martina Potůčková, Nikolas Proksch, Michal Soukup, Ondřej Zatloukal, Pavel Zatloukal Photographs Vladimír Bittner (1, 356), Lumír Čuřík (53, 111, 114, 126, 129, 131, 139, 145, 150–151, 153, 155, 161–162, 165–166, 168�–�170, 172–173, 175�–�178, 180, 185–186, 188, 190�–�194, 197, 199, 205, 207�–�211, 214, 216�–�219, 221–222, 224�–�228, 231, 236, 239, 241, 245�–�248, 250, 253–254, 257�–�259, 261�–�263, 265�–�274, 279�–�281, 283, 287–288, 290�–�303, 305�–�307, 309�–�313, 315�–�318, 320, 322�–�327, 329�–�331, 333, 338�–�347, 365–366, 368�–�371, 374�–�377, 407), Ladislav Daniel (9), Design�function s.r.o.

(33–34), Ester Havlová (363), Tomáš Jemelka (25), Jaroslav Juryšek (350–351), Muzeum umění Olomouc (3, 5, 11, 14, 21, 40, 46, 49, 57, 63, 103, 107, 110, 125, 143, 148, 167, 171, 182, 189, 201, 220, 223, 237, 242, 256, 308, 321, 352�–�354, 379 – 406),

Jan Navrátil (355), Markéta Ondrušková (28, 31–32, 37, 55, 60–61, 73, 82–83, 85, 87, 89, 94, 96–97, 104, 141, 147, 158, 160, 164, 361, 373), Ivo Přeček (12, 26, 27, 54, 65, 70–71, 74, 84, 90, 92–93, 95, 106, 108–109, 115, 117–118, 122, 146, 149, 159, 163, 174, 179, 181, 183–184, 187, 195–196, 198, 200, 202�–�204, 206, 212–213, 215, 229–230, 232�–�235, 238, 240, 243–244, 249, 251–252, 255, 260, 264, 275�–�278, 282, 284–285, 289, 314, 319, 328, 332, 334�–�336, 357�–�359, 362), private property (15–16, 18), Jiří Putta (304), Dalibor Sedlák (81), Zdeněk Sodoma (7, 8, 10, 17, 22, 29, 30, 35–36, 38–39, 41�–�45, 47–48, 50�–�52, 56, 58–59, 62, 64, 66�–�69, 72, 75�–�80, 86, 88, 91, 98�–�102, 105, 112–113, 116, 119�–�121, 123–124, 127–128, 130, 132�–�138, 140, 142, 144, 152, 154, 156–157, 286, 364, 367, 372, 378), Soprintendenza per i Beni Artistici e Storici di Roma (360), Státní okresní archiv Olomouc (2, 13, 20), Aleš Veselý (337), Vlastivědné muzeum v Olomouci (6, 19, 23, 24, 348, 349), Zemský archiv v Opavě (4)

Bibliography Marek Perůtka, Pavel Zatloukal Edition, index Marek Perůtka Technical editor Michal Soukup Cover, graphic layout, pre-press Petr Šmalec Printing EPAVA Olomouc, a.�s.

Print run 500 Published by Muzeum umění Olomouc, Denisova 47, 771 11 Olomouc 1st edition Olomouc 2012 ISBN 978-80-87149-66-9 © Muzeum umění Olomouc, 2012

Acknowledgements of selfless collaboration Jan Březina — Tomáš Černoušek — Ladislav Daniel — Karel Dolák — Antonín Dufek — Pavel Herynek — Josef Chloupek — Rudolf Kopečný — Čestmír Kučera Ivan Langer — Valdemar Macharáček — Lubor Machytka — Martin Novotný — Milan Obenaus — Jiří Pelcl — Miroslav Střelec — Ludvík Ševeček — Milan Togner Jiří Valoch — Leoš Viktorin — Radomil Zapletal — Jiří Žlebek

Works of art, books, documentation and archivalia were donated to the Museum over the past sixty years by David Adamec — Karel Adamus — Alena Andrová-Hoplíčková — Irena Armutidisová — Otto Babler — Božena Bajáková — Blažej Baláž — Mária Balážová Marie Bartoňková-Drábková — Otto Bébar — Stanislav Běhal — Věra Josefa Běhalová — František Bělohlávek — Aljo Beran — Zdeněk Beran — Josef Bieberle Štěpánka Bieleszová — Silvia Billeter — Vladimír Birgus — Marie Blabolilová — Vlastimil Blaťák — Milan Bočkay — Klára Bočkayová — Yvonna Boháčová Helena Bochořáková-Dittrichová — Christl Bolterauer — Jindřich Boška — Véronique Bourgoin — Dagmar Brichcínová — Eugen Brikcius — Veronika Bromová Pavel Büchler — Jakub Cigler — Václav Cigler — Sophie Curtil — Miloš Cvach — Tomáš Černoušek — Ludmila Černoušková — Emil Černý — Ladislav Daněk Mária Danielová — Jiří David — Hugo Demartini — Ferdinand Dobeš — Milan Dobeš — František Dörfl — Luděk Dohnal — Ivo Dostál — Antonín Drábek — Kamil Drabina Eva Droppová — Antonín Dufek — Emilie Dvorská — Petr Dvořáček — Jiří Emler — Marie Ermlová — Anna Fárová — Rudolf Fila — Martin Findeis — Agneša Fojtíková Eva Frýdlová — Eva Fuková — Tomáš Fürst — Alena Gállová — Gino Gandini — Milan Grygar — Štěpán Grygar — Terry Haass — Paula Haičmanová — Jan Hajn Olaf Hanel — Jiří Hanke — Detlef Hartung — Jiří Hastík — Jarmila Havlíčková — Vladimír Havlík — Vladimír Havrilla — Pavel Hayek — Jana Hebnarová — Vlastimil Helcl Marina Herrmann — Jan Herynek — Pavel Herynek — V. V. Hlava — Eva Hliněnská — Ivo Hlobil — Rudolf Hocke — Luc Hoenraet — Táňa Hojčová — Miloslav Holec Pavel Holouš — Helena Hoplíčková — Bohuslav Horák — Františka Houžvičková — Růžena Hrbková — Miroslav Hucek — Otakar Hudeček — Jiří Hůla — Roland Huter Zdeněk Hynek — Šárka Hynková-Huser — Dalibor Chatrný — Josef Chloupek — Marie Chmelíková — Marie Chrástecká — Adéla Imreczeová — Jozef Jankovič Lubomír Jarcovják — Lukáš Jasanský — Pavel Jasanský — Jan Jemelka — Václav Jirásek — Boris Jirků — Alice Johnová — Petr Jochmann — György Jovánovics Helena Kalábová — Michal Kalhous — Jan Kaplický — Karel Kašpařík — Michal Kern Jr. — Karel Kinský — Martin Klimeš — Svatopluk Klimeš — Lenka Klodová Jan Knap — Milan Knížák — Jan Koblasa — František Kobza — Jiří Hynek Kocman — Vladimír Kodovský — Július Kodrík — Walther König — Vladimír Kokolia Bohumír Kolář — Jiří Kolář — Běla Kolářová — Pavel Konečný — Viktor Kopasz — Vladimír Kordoš — Pavel Kosek — Inge Kosková — Zdena Kotíková — Miroslav Koupil František Koutek — Simona Koutníčková — Miroslav Koval — Anežka Kovalová — Márta Kovalovszky — Jiří Kovanda — Jaroslav Kovář — Marek Kovařík Slavoj Kovařík — František Kozák — Milan Kozelka — Vladimír Kozlík — Ivan Krajíček — Oldřich Králík — Heda Krásná — Radoslav Kratina — Libuše Kratochvílová Zdenka Krausová — Jaroslav Krbůšek — Jana Krejčová — Petr Krejzek — Jiří Krtička — Jiří Křenek — Josef Kšír — Vlasta Kubátová — Jan Kubíček — Jiří Kubový Jaroslav Kučera — Zdeněk Kučera — Bruno Kuhlmann — Josef Kulička — Bohumír Kupka — Petr Kutra — Radoslav Kutra — Dana Kyndrová — Ladislav Lamač Dáša Lasotová — Tobias Ledergerber — Anselmo Legnani — Otakar Lenhart — Bohumila Lenhartová — Zdeněk Lhoták — Jiří Lindovský — Michal Macků Zdeněk Macháček — Valdemar Macharáček — Ludmila Machytková — Václav Malina — Petr Mareš — Kateřina Marková — Cecilie Marková — Jan Maršálek Přemysl Martinec — Drahomíra Martinková — Jiří Mašín — Jarmila Matulová — David Medek — Juraj Meliš — Otylie Menšíková — Jan Merta — Růžena Mertová Jan Měřička — Ondřej Michálek — Igor Minárik — Jan Mlčoch — Jiří Mrázek — Matthias Mücke — Roman Muselík — Miroslav Myška — Alena Nádvorníková Evženie Navrátilová — Michal Nesázal — Günter Nosch — Blanka Nováková — Karel Novosad — Morgan O’Hara — Nora Obrtelová — Leonid Ochrymčuk Bohuslava Olešová — Jiří Olič — Libuše Olšáková — Evžen Opatrný — Blanka Országová — Maria Magdalena Otamendi de Olaciregui — Ivan Ouhel — Eduard Ovčáček Josef Pacík — Ludmila Padrtová — Jaromír Palas — Marian Palla — Markéta Paurová — Radoslav Pavlíček — Géza Perneczky — Walter Persché — Pavel Piekar Sándor Pinczehelyi — Ivan Pinkava Jr. — Jan Placák — Ellen Plháková — Václav Podestát — Jan Pohribný — Jaroslav Pokorný — Alena Polášková — Miroslav Pospíšil Vladimír Pospíšil — Zdeněk Pospíšil — Ladislav Postupa — Jakub Potůček — Eleonóra Pražáková — Rainer Pretzell — Zdenek Primus — Dagmar Prudičová Ivo Přeček — Lubomír Přibyl — Zdeněk Přikryl — Jiřina Příleská — Dana Puchnarová — Kamila Puklová — Jaroslav Rampouch — Emanuel Ranný — Ludmila Reitmayerová Mirko Riedel — Michael Rittstein — František Rudl-Španiel — Pavel Rudolf — Ladislav Rusek — Miroslav Řepa — Jan Ságl — Zorka Ságlová — Victor Sanovec Jan Saudek — Ivo Sedláček — Milena Sedláková — Vladimíra Sedláková — Kristine Sekal — Alfred Schlossnikel — Walter Schlossnikel — Věra Schmidtová Jiřina Schneiderová — Oldřich Schnabl — Petr Schulhof — Leo Schwarz — Dietmar Siegert — Vladimír Sigmund — Rudolf Sikora — Jaromír Sirotek — Jan Slavotínek Evžen Sobek — Zdeněk Sokol — Vladimír Spáčil — Michaela Spurná — Wolfgang Sternling — Miloslav Stibor — Eva Stiborová — Václav Stratil — Miroslav Střelec Jiří Surůvka — Aleš Svoboda — Jan Svoboda — Marie Svolinská — Karel Svolinský — Miroslav Sychra — Zdeněk Sýkora — Lenka Sýkorová — Erszébet Szűcs Miloš Šejn — Oldřich Šembera — Jiří Šigut — Anežka Šimková — Patrik Šimon — Miroslav Šimorda — Adriena Šimotová-Johnová — Marcela Škvařilová-Korhoňová Čestmír Šlapeta — Vladimír Šlapeta — Miroslav Šnajdr Jr. — Miroslav Šnajdr Sr. — Marta Šolcová — Petr Štembera — Miroslav Štolfa — Jindřich Štreit — Bohumil Šula Rostislav Švácha — Jiří Teichmann — Laco Teren — Jitka Teubalová — Ivan Theimer — Marie Tilleová — Jitka Tláskalová — Eugen Točík — Jiří Toman — Dezider Tóth Judith Turner — Karel Tutsch — Jaroslav Tylich — Carl Unger — Robert Urbásek — Zdeněk Vacek — Jiří Valoch — Rostislav Valušek — Milena Valušková György Várkonyi — Vladimír Vašíček — Jana Vážanová — Petr Velkoborský — Aleš Veselý — Ladislav Villányi — Tomáš Vosolsobě — Bohumila Vranová — Jindřich Vybíral Jan Vyleťal — Miroslav Wagner — František Wawerka — Milan Weber — Ladislav Werkmann — Otto Wichterle — Jan Wojnar — Zdenka Wurmová — Štěpán Zákravský Ondřej Zatloukal — Pavel Zatloukal — Terezie Zemánková — Petr Zlamal — Jasan Zoubek — Vladimír Židlický — Jiří Žlebek Aulík Fišer Architekti s.�r.�o. — Galerie Bayer & Bayer Praha — Galerie Caesar Olomouc — Divadlo hudby Olomouc — Dům umění města Brna Galerie Fiducia Frýdek-Místek — Galerie města Plzně — Galerie Jiřího Jílka Šumperk — Galéria Komart Bratislava — Galerie Magnum Ostrava — Galerie Patro Olomouc Janus Pannonius Muzeum Pécs — Klub konkretistů 2 Olomouc — Listy – Dvouměsíčník pro kulturu a dialog — Międzynarodowe centrum kultury Kraków Mužský pěvecký sbor Nešvera Olomouc — Múzeum Milana Dobeša Bratislava — Nadace evropská kulturní společnost Bratislava — Nadace Lidé výtvarnému umění – výtvarné umění lidem Ústí nad Labem — Nakladatelství M.U.K.L. Ostrava – Olomouc — Nakladatelství Votobia Olomouc — Město Reggio Emilia — Studio 6.15 Zlín Stavoprojekt Olomouc — Szent István Király Múzeum Székesfehérvár — TT klub výtvarných umělců a teoretiků Brno — Unie výtvarných umělců Olomoucka

Contents

11

About the Museum of Art, about collecting and exhibiting fine art in the Olomouc region

Collections administered

by Olomouc Museum of Art Old art

Pavel Zatloukal

Gabriela Elbelová – Ondřej Zatloukal 28

Princely nobility

Collection of Karl von Lichtenstein-Castelkorno 34

Glory and honour

Representation, portrait, medal 40

Golden Age

Tradition of the Antiquity culture, mythological stories 48

His Name is sacred

Old Testament stories 54

Tidings of joy

New Testament stories 60

Love of God

Devotionalia, saints, liturgy 68

Microcosmos and the labyrinth of the world

Prophane themes

Fine arts of the ��th century Jana Hrbáčová – Martina Potůčková – Pavel Zatloukal 76

By noble simplicity towards quiet grandness

Enlightenment, Classicism 80

Back to nature!

Parks and garden culture 84

Restored beauty of Christian art

Historicism 88

Melancholic conciliation

Romanticism and Biedermeier 92

Late flowers of the aristocracy

Portraits, residences of the nobility 94

Art of the Third Estate

Barbizon School, academic painting 98

An Elf’s funeral

Symbolism, fairy-tale and mythical painting

Fine arts ����–����

185

Kateřina Gabrhelíková

Ivo Binder – Michal Soukup 102

Child above the everyday

201

Art of the Jugendstil era, Symbolism 110

Prey to one’s senses

Generations of The Eight and The Hard-Headed 116

122

Flowers of the sleep

Surrealism 132

The world we live in

Art groups of the forties, art of the solitaires

Fine arts ����–���� Ladislav Daněk 140

The Spirit and the light

Reflection of faith 148

The painter’s soul

Inner models of vision 154

Stories of lines, shapes and colours

Resurrection of the avant-garde 160

The life of things

Strange still lifes 164

Forest of oblivion

Returns to nature 168

Anxieties of the times

Man in the wheels of modern society 178

Fascination with technology and modern civilization

Visions of the future

From the exhibition From Titian to Warhol, Olomouc Museum of Art ����–���� Museum publications in ����–���� Nikolas Proksch

212

Abbreviations

212

Selected bibliography

216

Awards won by the Olomouc Museum of Art

217

Name index

Searching for a new order

Avant-garde, constructive trends 128

204

Columbus’ ship

Art of the twenties

List of exhibitions in ����–����

Dedicated to Jaromír Lakosil (����–����), founder of the Fine Art Gallery in Olomouc – nowadays Olomouc Museum of Art Jaromír Lakosil on the right (with the painter Vladimír Tesař) in ����

This volume would not be possible without the generous support by the Ministry of Culture of the Czech Republic, the Region of Olomouc, and the Statutory City of Olomouc.

Special thanks are due to the Archbishop of Olomouc, Mons. Jan Graubner, for his permission to reproduce the collection items owned by the Olomouc Archbishopric and for making them available for this exhibition.

I am fortunate in having been able to spend my late university years in Olomouc. In a beautiful ancient town full of historical monuments, a town with a rich cultural and social life.

Part of my study was a�ending art exhibitions. When time and duties allowed it, I also enriched myself by visits in the Olomouc Museum of Art. Thus for the whole five years I witnessed, with increasing wonder, its activity – and I know I am not alone in this. The Museum staff residing in their vast building in the middle of the historical town every year opened new exhibition halls, with exhibitions surpassing in interest one another. I admired their range, the emphasis on high quality, as well as the exemplary installation and the care paid to visitors in each age category. With equal pleasure I attended from time to time the Lecture Hall, where interesting lectures on themes of culture and select chamber music concerts were given. I said to myself they won’t be able to do any be�er. And still… When many years later I revisited Olomouc in order to see the newly opened Archdiocesan Museum, I could not help admiring again the grand scale, the tenacity, and the good taste with which they managed to reconstruct one part of the Přemyslid Castle in Olomouc for the display of a selection of their collections of old art. This art emerged from a long oblivion in order to delight the Museum visitors by its beauty as well as by the realization of the ancient character and spiritual wealth of what was the centre of Moravia in those days. And last but not least it was a reminder of the fact that Europe has its roots in Antiquity and in Christianity. I need to add that from my town of Vizovice it is not far to Kroměříž, where one year later a second Archdiocesan Museum was opened in the Chateau, again wide-ranging in visual arts, music, books, and garden art.

I believe – and it is my firm belief – that the staff of the Olomouc Museum have done so much for Czech culture over the two decades since 1989 that it can be hardly rivalled in the Czech lands. With equal enthusiasm as in the preceding cases they have been developing for years the project of the Central European Forum and its bold stepping outside, “into the world”.

I would like to thank the Olomouc Museum staff, on behalf of the entire Ministry of Culture and all art-loving citizens in this country, and tell them how proud we are of their work and that we congratulate them sincerely on their respectable jubilee of sixty years.

The Museum of Art, this year celebrating the 60th anniversary of its foundation, has for some time been also our museum. By that I do not mean its predecessors, the founders of the valuable collections now administered and exhibited by the Museum, or the church dignitaries taking part in the foundation of the museum in Olomouc, whose part the Gallery formerly was before it became independent. I am referring to the foundation of the Archdiocean Museum Olomouc and the Archdiocean Museum Kroměříž, which for several years have been part of the Museum of Art. I am thinking of the splendid cooperation which provides professional care to the collections, gives enjoyment to the collaborators, and brings benefit to the general public, which now can see the many art treasures previously hidden away from it.

The precious collections contain not only rare evidence of the thoughts, tastes and life in various epochs, the ways of viewing things, and artistic expression of many masters but they are also extraordinary tools for cultivation of arts in the present generation. It will help people discover that real art is not a mere expression of one’s own emotions but is a truly creative activity inspired by the Holy Spirit. The noble beauty, the harmony of contrasts, and the play of lights and shadows, the humble receding into the background to make the other stand out, the strength of life, the power of life and the pellucidity of pure innocence, the persistent faithfulness or fearless courage emerge from many works of art and offer themselves both for admiration and for their introduction into the life of the contemporary people. They give inspiration for new art and a new culture of life. While hatred and unrestrained passions warn of destruction, poverty arouses compassion and leads to help. I am grateful that the Museum is not content with exhibition activities but endeavours to teach people to read and understand art, to develop a relationship with it, and then make them, with their own life, continue in its creation under the influence of the best.

May the Olomouc Museum of Art for many more years bring blessed fruit by its share in the raising of the culture of life in future generations.

Mgr. Alena Hanáková

Mons. Jan Graubner

Minister of Culture of the Czech Republic

Archbishop of Olomouc, Metropolitan of Moravia

Dear Friends, in your hands is a book documenting the jubilee sixty years of Olomouc Museum of Art in a wider context. Besides valuable information on the history of the Museum and presentation of a selection from its collections it will guide you through the history of collecting and exhibiting art in the Olomouc region from the 16th century to the present days. You will be told about the origin of the Museum and the development of its activities and about its orientation throughout the centuries and thus you will get a be�er idea of how deep the roots are of the importance of culture and fine arts in the Olomouc region.

I am very happy and proud that there is an institution with such a rich and varied past as the Olomouc Museum of Art – the more so that its collections, exhibitions and educational activities continue determining the trends in cultural events in our region. The Olomouc Museum of Art and the Archdiocesan Museum are traditionally among the most frequent targets of visitors arriving from other regions of the Czech Republic and from abroad.

On this occasion may I wish the Museum that the contemporary period also enters its history with the visitors’ interest, expansion of the Museum’s collections and exhibitions, and participation in education and experience of the next generation. It is my belief this book will contribute to it, too.

Ladies and gentlemen, friends of the Olomouc Museum of Art, allow me to greet you in this form.

Sixty years – that is the age when people mostly retire and balance their life. The Olomouc Museum of Art is sixty too and it balances its achievements. It definitely is not going to retire, however, and personally I am glad about it. I am happy to have in our town an institution which in its category is among the most notable in the Czech Republic, both in the number of its collection items and in its professional range and the exhibition programme.

I highly appreciate the work of the staff of the Museum of Art, headed by Professor Pavel Zatloukal, and I wish for them, over the next sixty years, many pleased visitors.

Ing. Martin Tesařík

Martin Novotný

President of the Olomouc Region

Mayor of the City of Olomouc

10�—�11

About the Museum of Art, about collecting and exhibiting ďŹ ne art in the Olomouc region Pavel Zatloukal

12�—�13

About the Museum of Art, about collecting and exhibiting fine art in the Olomouc region Pavel Zatloukal

Olomouc Museum of Art was founded sixty years ago.

Still it cannot be said to have originated through a single, unambiguous act. Its development was gradual with many peripeteias. This holds in particular for its very substance, the state-owned, ecclesiastic and private collections of which it takes care now. Their origin, their local concentration but also dispersion, go back into a rather distant past. Let me remind you briefly of its story.

The royal town of Olomouc lost, due to the Thirty Years’ War, the status of the capital of Moravia but as the seat of the Moravian bishopric and of the university it remained a spiritual center of the country. Its visual culture developed over the next centuries in two

1

parallel streams. The first one was associated with the bishopric and ecclesiastic institutions, the other one was the product of the town dwellers.

Although the beginnings of collecting art in Olomouc may be traced back to the early 16th century, the time when a major centre of Transalpine Renaissance and humanism arose here, the real foundations of collecting are only linked with the episcopate of Karl von Lichtenstein-Castelkorno (1624/1664–1695). The goals of the Bishop’s grand programme were conclusion of the country’s return to the Catholic faith and material reconstruction of the country ravished by the long war, as well as the “resurrection of art”. His activities were both versatile and well thought-out. He launched

Martin Engelbrecht after Friedrich Bernhard Werner, Olomouc, around ����, MUO

About the Museum of Art, about collecting and exhibiting fine art in the Olomouc region

12

13

Ladislav Eugen Petrovits, A View of Olomouc – detail, ����, City Olomouc

From the permanent exhibition of the Municipal Archive and the History Museum of Olomouc in st Hieronymus Chapel in the Town Hall, SOkAO

In the interwar years, too, art exhibiting in Olomouc was mostly in the hands of art societies. Klub přátel umění (The Club of Friends of Art) and later also the Skupina olomouckých výtvarníků (Group of Olomouc Artists) brought together Czech artists. The local Germans and Jews continued holding their exhibitions 18�—�19

under the Gesellscha� der Kunstfreunde in Olmütz and the newly founded branch of the national association Metznerbund – naturally only up to the occupation of Czechoslovakia in 1939. The tragedy of the holocaust affected the collecting in Olomouc, and several major art collections of European art disappeared from the town.

A�er the Second World War, the museums in Olomouc underwent significant changes. As early as 1924, the three Olomouc museums were merged into a single Museum hlavního města Olomouce (Museum of the Capital City of Olomouc). The sphere of competence of the new (since 1951 Vlastivědné muzeum Olomouc – Regional Museum Olomouc) was the whole region, and within its framework Galerie výtvarného umění (Gallery of Art) was founded in Olomouc. Its collections increased during the whole first half of the 1950s, being made up from collections of the Museum of the Capital City of Olomouc, from works confiscated from the Germans expelled from Olomouc, from some nationalized ecclesiastic property, and from the collections of art societies in Olomouc – The Club of Friends of Art and the Group of Olomouc Artists. The first exhibitions and permanent exhibitions took place in the Regional Museum, but the gallery soon acquired the building of the House of Art and many years later the small Kabinet grafiky (Cabinet of Graphic Art). In 1954 the first permanent exhibition of Czech visual art of the 20th century was opened and in later years was several times reorganized. It was complemented by a permanent exhibition of 19th century painting at the nearby chateau Náměšť na Hané.

Collections administered

by Olomouc Museum of Art

Abbreviations AO AMK AMO MKO MUO PP

Olomouc Archbishopric (Arcibiskupství olomoucké) Kroměříž Archdiocesan Museum (Arcidiecézní muzeum Kroměříž) Olomouc Archdiocesan Museum (Arcidiecézní muzeum Olomouc) Metropolitan Chapter Olomouc (Metropolitní kapitula Olomouc) Olomouc Museum of Art (Muzeum umění Olomouc) private property

26�—�27

Old art Gabriela Elbelovรก, Ondล ej Zatloukal

Collections administered by Olomouc Museum of Art

35

Tiziano Vecellio, kn. Titian, Apollo and Marsyas, (����–����), cat. no. 9

28�—�29

Old art

Tidings of Joy

New Testament stories

116

120

Giovanni Battista Bertucci (1487– 1553), Virgin and Child, with St John the Baptist and St Francis of Assisi,

Italian painter from the first half of the ��th century, Angel from the Annunciation, (first half of the

(around 1516), oil (?) on poplar wood, 165.5×131 cm, unsigned, AO, AMO, A 664, acquired in 1932

16th�century), oil tempera on walnut wood, gilding, 76×42 cm, unsigned, MUO, O 382, acquired in 1951–1953

117

121

Baldassare Peruzzi (1481–1536), Birth of the Virgin, (around 1525), washed

Italian painter from the first half of the ��th century, The Virgin from the Annunciation, (first half of the

drawing in pen in brown tone, lightened with zinc white on brown-coloured paper, 303×210 mm, unsigned, AO, AMK, KE 4525, acquired in 1673

16th�century), oil tempera on walnut wood, gilding, 76×42 cm, unsigned, MUO, O 383, acquired in 1951–1953

118

122

Pieter Coeck d’Alost (1502–1550), Last Supper, 1528, oil on canvas,

Italian painter from the first half of the ��th century, St John the Baptist,

112×164 cm, marked: “ANNO 1528”, AO, AMK, O 377, acquired in 1673

(second half of the 16th century), oil tempera on wood, 119.5×51.5 cm, unsigned, MKO, AMO, acquired before 1900

119

Joos van Cleve (1485–1540/1541) – workshop circle, The Virgin and Child, (1st third of the 16th century), tempera on oak (?) wood, 33×25 cm, unsigned, MUO, O 2388, acquired in 2003

88

Albrecht Dürer – follower, Virgin and Child with the Animals, (after ����), cat. no. 114

112

114

Master of the Kroměříž Marian Altar (last quarter of the 15th century), Adoration of the Magi, (around 1495

Albrecht Dürer (1471–1528) – follower, Virgin and Child with the Animals,

or after 1495), oil tempera on wood, 73×44 cm, unsigned, AO, AMK, O 256, acquired before 1750

(after 1503), oil on linden wood, 91×66.5�cm, unsigned, AO, AMO, II3C1– 1123, acquisition date unknown 115

113

Anonymous, Madonna, (1500–1510), lime wood, h. 110 cm, unsigned, MUO, P 27, acquired in 1951–1953

Jörg Breu Sr. (1475–1537) – workshop, Christ Carrying the Cross, (around or after 1506), tempera on spruce wood, 105×84 cm, unsigned, AO, AMK, O 266, acquired at the latest 1904

89

Joos van Cleve – workshop circle, The Virgin and Child, (�st third of the �� th century), cat. no. 119

Collections administered by Olomouc Museum of Art

164

167

Anonymous, Biblia bohemica (Bohemian Bible known Prague Bible), 1488, Prague, paper, non-original

Lucas Cranach Sr. (1472–1553), Beheading of St John the Baptist,

brown wooden binding, 325×210�mm, unsigned, AO, AMK, 21 426, A2 04, acquisition date unknown

1515, tempera, finished as oil painting on lime wood, 84×58 cm, signed: “1515”, AO, AMK, O 267, acquired before 1691 168

165

Anonymous, Missale Olomucensis (Olomouc Missal), 1505, paper, leather binding, 32×22 cm, unsigned, AO, AMK, D/c/2 II/3 32, acquired in 1505

Lucas Cranach Sr. (1472–1553), Beheading of St Catherine, (1515), tempera, finished as oil painting on lime wood, 84×58 cm, unsigned, AO, AMK, O 268, acquired before 1691

166

Ambroggio Foppa (1452–1527), Laying of the Foundation Stone for Peter’s Church in Rome, Cast medal issued by Pope Julius II, 1506, bronze, 56.3 mm, 58.418 g, unsigned, AO, AMK, Papal medals (61) 7250, acquired in the 2nd half of the 19 th century

101

Duchek (Dušek) of Mníšek, Duchek’s Bible, ����, cat. no. 161

161

Duchek (Dušek) of Mníšek

(15th century), Duchek’s Bible, 1433, parchment, light leather binding on wooden panels ornamented with blind blocking, mounting, 345×240 mm, unsigned, AO, AMK, 21 133, O/c V 3, acquired in 1893 162

Anonymous, Liber precum (Prayer Book), (middle of the 15th century), parchment, cardboard binding covered with red leather, gilt edges, 110×75 mm, unsigned, AMK, 21 084, O/c VIII 20, acquired in 1853–1892 163

Anton Koberger (1440/1445–1513), Biblia germanica (German Bible), 1483, paper, cardboard binding covered with leather, 390×271 mm, unsigned, AO, AMK, 21408, A2 II 6, acquisition date unknown

62�—�63

102

Lucas Cranach Sr., Beheading of St Catherine, (����), cat. no. 168

Old art

Microcosmos and the labyrinth of the world Prophane themes

189

Hartmann Schedel (1440–1514), printer: Anton Koberger (1440/1445– 1513), Die Schedelsche Weltchronik (Schedel’s Chronicle of the World), 1493, Nuremberg, paper, leather binding, 409×305 mm, unsigned, AO, AMK, 21 273, A2 II 45, acquisition date unknown 190

Heinrich Aldegrever (1502 – 1555 or 1561), Mars, from the cycle The Gods Who Rule Seven Planets, (1533), copper engraving, paper, 97×63 mm, 219×142 mm, signed: “MARS I, AG”, MUO, G 9512, acquired in 1970

113

Anonymous, Mamluc Carpet, (��th century), cat. no. 187

187

Anonymous, Mamluc Carpet, (15th century), wool, diameter 270 cm, unsigned, AO, AMK, acquisition date unknown 188

Anonymous, Fasiculus Medicinae (Medical Writing), 1491, Venetiis, paper, leather binding, 316×215 mm, unsigned, AO, AMK, 21 418, A2 II 14, acquisition date unknown

114

Heinrich Aldegrever, Mars, ����, cat. no. 190

Collections administered by Olomouc Museum of Art

212

214

Melchior Küssel (1626–1683) after Johann Wilhelm Baur (1607–1642), Allegory of Envy, folio 9 from the cycle Sinn- und Lehreiche Emblemata mit schönen Carminibus stat einem Erklährung gezieret, (1703),

Johann Christoph Volkamer (1616– 1693), Nürnbergische HESPERIDES, Oder Gruendliche Beschreibung Der Edlen Citronat (Citronen und Pomerantzen-Früchte)..., 1708,

etching, paper, 207×217 mm, 220×226 mm, 233×280 mm, signed: “Wer kennt die Vnhold nicht? Die schädlich, Braut der Höllen / Dei so vil Vbels pflegt auff Erden an zue stellen? / Es ist der blasse Neid, so Feür auff bläst und schürt / Verleumbdet, lästert, liegt, die beste Freünd verwürt // Sein Frucht ist: Hadern, Zaneck, Krieg, balgen, rauffen, schlagen / Mord, Vngerechtigkeit, verfolgen, marteren, plagen / Vnd was dess Zeuges mehr, ia sein Zanck=Apffel kan / Bey einem Götter=Mahl auch Händel richten an.”, AO, AMK, G 15926, acquisition date unknown 213

Franz Werner Tamm (1658–1724), Still Life with Dead Birds, 1707, oil on canvas, 53×75�cm, signed: “Fran. V. Tam f.

1707”, AO, AMK, O 366, acquisition date unknown

124

Vincenzo Maria Coronelli, Stellar Globe, (����–����), cat. no. 210

210

Vincenzo Maria Coronelli (1650–1718), Stellar Globe, (1688–1695), wood, paper, leather, metal, h. 172.7 cm, diameter 107 cm, unsigned, AO, AMK, KE 2396, acquired in 1694 211

Vincenzo Maria Coronelli (1650–1718), Earth Globe, (1688–1695), wood, paper, leather, metal, h. 172.7 cm, diameter 107 cm, unsigned, AO, AMK, KE 2397, acquired in 1694

74�—�75

125

Franz Werner Tamm, Still Life with Dead Birds, ����, cat. no. 213

Nuremberg, paper, leather binding, 355×235 mm, unsigned, AO, AMK, 5504, I/2 II 8, acquisition date unknown 215

Jan Kryštof Handke (1694–1774), Design for the Front Wall of the Horologe in Olomouc, 1746, washed drawing in pen, sepia and pencil, paper, 551×290 mm, unsigned, MUO, K 1384, acquired in 1951–1953

Fine arts of the ��th century Jana Hrbáčová, Martina Potůčková, Pavel Zatloukal

Collections administered by Olomouc Museum of Art

126

76�—�77

Angelika Kauffmann – attributed, Mourning Calypso, (around ����–����), cat. no. 219

Fine arts of the ��th century

Through noble simplicity towards quiet grandness Enlightenment, Classicism

216

220

Joseph Vernet (1714–1789) – attributed, Old Fort above the Harbour, (after

Ludvík Kohl (1746–1821), Astrologers,

1753), pen drawing, sepia, washed with water colour, paper, 173×292 mm, unsigned, MUO, K 3519, acquired in 1963

(around 1780), red chalk, paper, 225×325 mm, signed: “Ludwig Kohl del.”, PP, MUO, D 503 (K 16), loaned in 1993 221

217

Joseph Vernet (1714–1789) – attributed, Square Beneath the Town Walls, (3rd quarter of the 18 th century), pen drawing, sepia, washed with water colour, paper, 172×293 mm, unsigned, MUO, K 3520, acquired in 1963 218

Wolfgang Amadeus Mozart (1756–1791), Concerto for Two Pianos,

Ottavio Bertotti Scamozzi (1719–1790), Le Terme dei Romani disegnate da Andrea Palladio e ripubblicate con la giunta di alcune osservazioni da Ottavio Bertotti Scamozzi giusta l’esmplare de lord Co. di Burlingthon impresso in Londra l’anno ���� (Roman Baths), 1785, paper, leather binding, 495×360 mm, unsigned, AO, AMK, 8399, m/3 I 20b, acquisition date unknown

(1767), manuscript, paper, 280×320 mm, unsigned, AO, AMK, A 4529, acquired in the first half of the 19 th century 219

Angelika Kauffmann (1741–1807) – attributed, Mourning Calypso, (around 1775–1778), oil on canvas, oval shape, 27×21 cm, unsigned, MUO, O 304, acquired in 1951–1953

128

Anonymous, Female Bust, (end of the ��th century), cat. no. 223

222

Thomas Burke (1749–1815) after Angelika Kauffmann (1741–1807), The Younger Pliny Reproved, 1794, engraving, watercolour wash, paper, 363×456 mm, 430×504 mm, 445×523 mm, signed: “Angelica Kauffman pinx. / Burke sculp. / THE YOUNGER PLINY REPROVED. / LONDON: Publisher Jan, 20 th 1794 by Tho. Macklin, Poets Gallery, Fleet Street / THO. MACKLIN”, PP, MUO, D 535, loaned in 1993 223

Anonymous, Female Bust,

127

Joseph Vernet – attributed, Old Fort above the Harbour, (after ����), cat. no. 216

(end of the 18 th century), white marble, h. 41.5 cm, unsigned, AO, AMK, KE 3014, acquired in 1870

Collections administered by Olomouc Museum of Art

150

88�—�89

Josef Mánes, Family Portrait, ����, cat. no. 290

Fine arts of the ��th century

Melancholic conciliation Romanticism and Biedermeier

272

Franz Richter (1774–1870), A Site at Františkov in Brno, (1829), coloured lithograph, paper, 330×444 mm, 452×589 mm, signed: “Nach der Natur gez, von Fr. Richter. No 10. / Lith. bey Jos. Trentsensky in Wien. / AUSSICHT VON PLATEAU DES FRANZENSBERGES / gegen die Abendseite.”, AO, AMK, G 12700, acquisition date unknown 273

Antonín Mánes (1784–1843), Waterfall, (1820s to 1830s), oil on cardboard, 30×36.5 cm, unsigned, MUO, O 2291, acquired in 2001 274

Josef Navrátil (1798–1865), Mountain Landscape with a Cottage, (1830s), oil on canvas, 30×51 cm, signed: “Jos. Nawratil.”, MUO, O 2131, acquired in 1989 275

Josef Danhauser (1780–1829), Lady’s Writing Desk, (1830), turned wood, veneered and polished, 68×122×138 cm, unsigned, AO, AMK, KE 2226, acquisition date unknown

151

Josef Navrátil, Mountain Landscape with a Cottage, (����s), cat. no. 274

269

271

Maria Cosway (1760–1838), Girl in an Interior, (1820s to 1830s), tempera,

Carl August Richter (1770 –1848) after Vincenc Morstadt (1802–1875), Prague Castle and the Royal Pavillion, (1829), coloured etching, paper,

nacre, 8.4×6.4 cm, signed: “Cosway”, MUO, O 2199, acquired in 1998 270

Antonín Mánes (1784–1843), Study of a Willow Tree and a Shepherdess, 1827, lithograph, paper, 112×283 mm, 328×242 mm, signed: “A Manes / 1827”, MUO, G 10483, acquired in 1976

302×477 mm, 373×513 mm, 456×650 mm, signed: “Nach der Natur gezeichnet von V. Morstadt (Radirt von Profesor C. A. Richter) Mallerische Darstellung von Prag 3 tes Blatt. / Hradschin / Ansicht von Nordost. / Verlegt von A. Borrosch’s Buchhandlung”, AO, AMK, G 12656, acquisition date unknown

152

Josef Danhauser, Lady’s Writing Desk, (����), cat. no. 275

Collections administered by Olomouc Museum of Art

169

Luděk Marold, Funeral on the Embankment of the Seine, (����), cat. no. 335

333

338

340

Jan Zachariáš Quast (1814–1891), The Three Graces, 1888, painting,

Hanuš Schwaiger (1854–1912), The Knight and the Death, 1893, pencil,

Eduard Veith (1858–1925), Wahrheit und Lüge (The Truth and the Lie),

porcelain, diameter 17.8 cm, signed: “Johann Quast / 1888.”, PP, MUO, D 548, loaned in 1993

watercolour, paper, 305×302 mm, signed: “HS 93”, MUO, K 13 729, acquired in 1991

(early 20 th century), oil on canvas, 49×69 cm, unsigned, MUO, O 2238, acquired in 1998

334

339

341

James Ensor (1860–1949), Triomphe romain (Roman Triumph), (1889),

Karel Liebscher (1851–1906), On the Wild Orlice River, (1901), oil on wood,

etching, dry-point, (handmade) paper (Van Gelder), 170×231 mm, 280×375 mm, signed: “Ensor”, MUO, G 13428, acquired in 2005

50×35 cm, signed: “K. Liebscher.”, MUO, O 1224, acquired in 1983

Mikoláš Aleš (1852–1913), The Devil as the Cook in the Emaus Convent, illustration for the book The Old Legends of Prague (Staré pověsti pražské) by Adolf Wenig, 1905, drawing in pen and Indian ink, paper, 248×166 mm, signed: “A. 1905.”, MUO, K 6480, acquired in 1983

335

Luděk Marold (1865–1898), Funeral on the Embankment of the Seine, (1889), pastel, oil on canvas, 94,5×177 cm, signed: “Na památku L. Marold”, MUO, O 1503, acquired in 1975 336

Beneš Knüpfer (1844–1910), The Sea, (1890s), oil on canvas, 89×177 cm, signed: “B. Knüpfer”, MUO, O 2449, acquired in 2006 337

Hanuš Schwaiger (1854–1912), The Rat-catcher, 1891, washed 170

Hanuš Schwaiger, The Rat-catcher, ����, cat. no. 337

drawing, Indian ink, cardboard, 302×132 mm, signed: “1891 / HS”, MUO, K 11077, acquired in 1987

171

Eduard Veith, Wahrheit und Lüge (The Truth and the Lie), (early ��th century), cat. no. 340

100�—�101

Fine arts ����–���� Ivo Binder, Michal Soukup

Collections administered by Olomouc Museum of Art

172

102�—�103

Jan Štursa, Before the Bath, (����), cat. no. 369

Fine arts ����–����

Child above the everyday Art of the Jugendstil era, Symbolism

174

Jan Preisler, Easter, triptych, (����), cat. no. 345

342

346

Joža Uprka (1861–1940), Pilgrimage at St Anthony’s, 1893, oil on canvas,

Stanislav Sucharda (1866–1916), Willow Tree, (1897), relief, bronze,

42×77 cm, signed: “J. Uprka 93”, MUO, O 1064, acquired in 1963

62×17 cm, signed: “Sucharda”, MUO, P 447/a, acquired in 1971

343

347

Alfons Mucha (1860–1939), Rusalka (Summer), (1896), tempera, wood,

Stanislav Sucharda (1866–1816), Treasure, (1898), relief, bronze,

56×30 cm, signed: “Mucha”, MUO, O 1371, acquired in 1972

60.4×18.8 cm, signed: “Sucharda”, MUO, P 447/b, acquired in 1971

344

348

Alfons Mucha (1860–1939), Design for a Poster for XX. Salon des Cents,

Otakar Lebeda (1877–1901), Birch Trees, (1897–1898), oil on plywood,

(1896), drawing, pen, Indian ink, paper on cardboard, 288×212 mm, signed: “Mucha”, MUO, K 179, acquired in 1959

43.5×33 cm, unsigned, MUO, O 2296, acquired in 2001

345 173

Alfons Mucha, Design for a Poster for XX. Salon des Cents, (����), cat. no. 344

Jan Preisler (1872–1918), Easter, triptych, (1896), coal, paper, 540×430 mm, unsigned, MUO, K 2696, acquired in 1959

Collections administered by Olomouc Museum of Art

191

110�—�111

Heinrich Maria Davringhausen, Christ, ����, cat. no. 403

Fine arts ����–����

Prey to one’s senses

Generations of The Eight and The Hard-Headed

193

Otakar Kubín (Coubine), Sand Miners, (����), cat. no. 395

393

Václav Špála (1885–1946), The Road in Sobotka, (1907), oil on canvas, 51.5×71.5 cm, unsigned, MUO, O 2033, acquired in 1984 394

Emil Filla (1882–1953), Red Seven Cabaret (Kabaret Červená sedma), (1908), oil on canvas, 78.5×59.5 cm, signed: “Emil Filla”, MUO, O 433, acquired in 1956 395

Otakar Kubín (Coubine) (1883–1969), Sand Miners, (1908), oil on cardboard, 192

Emil Filla, Red Seven Cabaret (Kabaret Červená sedma), (����), cat. no. 394

72×74 cm, unsigned, MUO, O 364, acquired in 1955

Collections administered by Olomouc Museum of Art

213

Josef Čapek, Summer Holidays, ����, cat. no. 434

214

432

Rudolf Mather (1891–1975), A Peasant Woman, (1929), etching, paper, 210×160 mm, 350×243 mm, signed: “Bauerin Rudolf Mather”, MUO, G 6614, acquired in 1951–1953 433

František Drtikol (1883–1961), Untitled (A Small Figure), (1930), bromoil, paper, 292×390 mm, unsigned, MUO, F 4058, acquired in 2007 434

Josef Čapek (1887–1945), Summer Holidays, 1931, oil on canvas, 60.5×68.5 cm, signed: “J. Č. 31”, MUO, O 632, acquired in 1960 435

Pravoslav Kotík (1889–1970), A Group of Men, 1931, oil on canvas, 61.5×50.5 cm, signed: “P. Kotík 31”, MUO, O 587, acquired in 1960

120�—�121

215

Jan Zrzavý, Rembrandt’s Motif, ����, cat. no. 437

Cyprián Majerník, A Group, ����, cat. no. 436

Fine arts ����–����

Searching for a new order Avant-garde, constructive trends

219

Vít Obrtel, Villa I, (����), cat. no. 442

442

Vít Obrtel (1901–1988), Villa I, (1921), pencil, Indian ink, watercolour, paper, 244×373 mm, signed: “V. Obrtel”, MUO, 144/2006, acquired in 2006 443

Pavel Janák (1882–1956), The Haná Theatre in Olomouc, (1920–1922), drawing in pencil and washed drawing in pen, Indian ink, paper on cardboard, 427×725, 575×798 mm, signed: “M”, MUO, A 243/11, acquired in 1981 444

Jaromír Funke (1896–1945), Composition – Glass and a Ball (Still Life with a Little Ball), (1923), black-and-white photograph, paper, 143×216 mm, unsigned, MUO, F 4060, acquired in 2007

220

Jaromír Funke, Composition – Glass and a Ball (Still Life with a Ball), (����), cat. no. 444

Collections administered by Olomouc Museum of Art

456

Vít Obrtel (1901–1988), Office Buildings in Olomouc, (1931), print in black, paper mounted on carton, 725×1000 mm, unsigned, MUO, A261/16, acquired in 1979 457

Vít Obrtel (1901–1988), Design for a Villa, (1931–1934), pencil, Indian ink, watercolour, paper, 244×373 mm, signed: “V. Obrtel”, MUO, P105/2008, acquired in 2008 458

Arne Hošek (1895–1941), Realization of the Quartet “From My Life” by B.�Smetana, �st Movement, 1934, Indian ink, watercolour, paper, 370×455 mm, signed: “A. Hošek 1934 Realizace Kvarteta B. Smetany Z mého života, I. věta”, MUO, K 15367, acquired in 2003

225

Vít Obrtel, Design for a Villa, (����–����), cat. no. 457

454

Jindřich Halabala (1903–1978), Springy Tube Chair H-��, (1930–1931), bent-steel tube, textile (manufacturer UP plant), 85×52×62 cm, unsigned, MUO, UŽ 78, acquired in 2001 455

Marcel Breuer (1902–1981), Springy Tube Chair B��, (1931), bent-steel tube, wood, beech, varnish, rattan weave, 85×39×50 cm, (manufacturer Slezák, Bystřice pod Hostýnem) signed: “Slezák”, MUO, UŽ 75, acquired in 2002

126�—�127

226

Arne Hošek, Realization of the Quartet “From My Life” by B. Smetana, �st Movement, ����, cat. no. 458

Fine arts ����–����

Flowers of the sleep Surrealism

231

Alén Diviš, Untitled (Composition), ����, cat. no. 464

233

Vincenc Makovský, Girl’s Dream, (����), cat. no. 467

464

Alén Diviš (1900–1956), Untitled (Composition), 1927, oil on canvas, 51×49.5 cm, signed: “Diviš 1927”, MUO, O 2444, acquired in 2006 465

František Hudeček (1909–1990), Into Space, 1931, tempera, canvas, 58×52 cm, signed: “Hudeček 31”, MUO, O 1153, acquired in 1965 466

Toyen (Marie Čermínová) (1902–1980), Flowers of the Sleep, 1931, oil on canvas, 116×81 cm, signed: “Toyen 31”, MUO, O 2045, acquired in 1984 467

Vincenc Makovský (1900–1966), Girl’s Dream, (1932), bronze, h. 65 cm, unsigned, MUO, P 362, acquired in 1966

232

František Hudeček, Into Space, ����, cat. no. 465

Collections administered by Olomouc Museum of Art

234

Hana Wichterlová, The Bud, (����), cat. no. 468

468

471

Hana Wichterlová (1903–1990), The Bud, (1932), Kosoř marble, h. 98 cm,

Josef Šíma (1891–1971), Landscape with Clouds, 1933, oil on canvas,

unsigned, MUO, P 1074, acquired in 1989

24×33 cm, signed: “Šíma 1933”, MUO, O 1126, acquired in 1964

469

František Matoušek (1901–1961), Untitled, (1930–1933), oil on canvas, 54×51 cm, signed: “Matoušek”, MUO, O 2395, acquired in 2003

472

František Muzika (1900–1974), Standing Figure, 1934, oil on canvas, 160.5×80 cm, signed: “F. Muzika 34”, MUO, O 615, acquired in 1960

470

František Janoušek (1890–1943), Homesick Ulysses, 1933, oil on canvas, 89×115.5 cm, signed: “F. Janoušek 33”, MUO, O 617, acquired in 1960

130�—�131

473

Emil Filla (1882–1953), Head, (1934), plaster with patina, h. 50,5 cm, unsigned, MUO, P 1000, acquired in 1986

235

František Muzika, Standing Figure, ����, cat. no. 472

Fine arts ����–����

The world we live in

Art groups of the forties, art of the solitaires

240

František Tichý, Commedia dell’arte, ����, cat. no. 481

479

482

Josef Wagner (1901–1957), Wave,

Václav Hejna (1914–1985), Inclining Man, 1937, oil on cardboard, 71×50 cm, signed: “V. Hejna 1937”, MUO, O 1083,

(1929), tin, h. 18 cm, l. 64.5 cm, signed: “Josef Wagner No 1”, MUO, P 323, acquired in 1964

acquired in 1984

480

483

Václav Bartovský (1903–1961), Blue Interior, 1933, oil on canvas,

Emil Filla (1882–1953), Song about Polednice (the Noontide Woman Spectre), 1939, oil on canvas, 146×114 cm,

94.5×82 cm, signed: “Bartovský 33”, MUO, O 1070, acquired in 1963

signed: “Emil Filla 39”, MUO, O 1499, acquired in 1975

481

František Tichý (1896–1961), Commedia dell’arte, 1935, gouache, cardboard, 64×94 cm, signed: “Tichý 35”, MUO, O 897, acquired in 1960

484

Kamil Lhoták (1912–1990), Green Balloon, (1940), oil on canvas, 36,5×25,5 cm, signed: “L. K.”, MUO, O 1140, acquired in 1965

241

Václav Hejna, Inclining Man, ����, cat. no. 482

Collections administered by Olomouc Museum of Art

248

Oscar Domínguez, Rhinoceros, ����, cat. no. 499

250

Jaromír Šolc (����–����), A Couple I, ����, cat. no. 502

498

501

Miroslav Hák (1911–1978), (The Gasometer in Libeň), (1945), black-and-

Alén Diviš (1900–1956), New York City,

white photograph, paper, 296×397 mm, unsigned, MUO, F 10, acquired in 1966

(1947), tempera, canvas, 90.5×60 cm, signed: “Alén Diviš / 318 East 73 S”, MUO, O 2249, acquired in 1998

499

502

Oscar Domínguez (1906–1957), Rhinoceros, 1946, oil on canvas,

Jaromír Šolc (1911–1987), A Couple I, 1947, pencil, pastel, paper, 295×190 mm, signed: “JŠ / 47”, MUO, K 11099, acquired in 1987

16×24 cm, signed: “Dominguez 46”, MUO, O 2182, acquired in 1994 500

Jiří Toman (1924–1972), (Elections),

249

Alén Diviš, New York City, (����), cat. no. 501

136�—�137

(1946), black-and-white photograph, 331×298 mm, unsigned, MUO, F 5244, acquired in 2010

Fine arts ����–���� Ladislav Daněk

Collections administered by Olomouc Museum of Art

257

140�—�141

László Fehér, Italian Scene with White Angel, ����, cat. no. 525

Fine arts ����–����

Spirit and light Reflection of faith

510

Karel Havlíček (1897–1988), Archangel, 1948, oil pastel, paper, 300×230 mm, signed: “Archanděl 48”, MUO, K 15716, acquired in 2008 511

Bohuslav Reynek (1892–1971) Pietà behind the Garden, (1949), drypoint, monotype, paper, 155×246 mm, 300×463 mm, signed: “Reynek”, MUO, G 14077, acquired in 2011 512

Vlasta Kodríková (Wanderer) (1929–2011), Untitled, 1951, crayon, paper, 227×305 mm, signed: “7. 12. 51. / Tulák”, MUO, K 15644, acquired in 2008 513

Věra Nováková (*1928), Job, 1954, oil, cardboard, 102×71.5 cm, signed: “Job V.N. 1954”, MUO, O 2410, acquired in 2004 514

Jaroslav Šerých (*1928), Study for a Whipped Horse, 1956, washed Indian ink, paper, 312×430 mm, signed: “J. Šerých 56”, MUO, K 5758, acquired in 1978 515

Jan Zrzavý (1890–1977), Illustration for the Krkonoše Pilgrimage no. �, (1959), coal, paper, 370×250 mm, 565×383 mm, unsigned, MUO, K 4721, acquired in 1975

258

Věra Nováková, Job, ����, cat. no. 513

259

Jaroslav Šerých, Study for a Whipped Horse, ����, cat. no. 514

Collections administered by Olomouc Museum of Art

265

Vladimír Kokolia, Corridor – Untitled, diptych, (����), cat. no. 533

531

Michal Gabriel (*1960), Czech Madonna, 1988/1991, poplar wood, acrylic, bronze, h. 181.5 cm, signed: “Sochu Česká madona jsem dokončil 31. 8. 1988 M. Gabriel”, MUO, P 1100, acquired in 1991 532

Vladimír Havlík (*1959), Wroclaw, Cathedral, Chapel of the Virgin, 1989, pencil, paper, 893×580 mm, signed: “Vratislav, dóm, kaple P. Marie / V. Havlík 1989”, MUO, K 15568, acquired in 2007 533

Vladimír Kokolia (*1956), Corridor,

264

Michal Gabriel, Czech Madonna, ����/����, cat. no. 531

144�—�145

1st part of a diptych, (1989), oil on canvas, 80.5×145.5 cm, unsigned, MUO, O 2255, acquired in 1995 Vladimír Kokolia (*1956), Untitled, 2nd�part of a diptych, (1989), acrylic, canvas, 145×80 cm, unsigned, MUO, O 2186, acquired in 1995

Fine arts ����–����

Spirit and light / Reflection of faith

270

Václav Boštík, Beginning I, (����), cat. no. 537

534

Fraternity / Martin Findeis (*1967), Love like a Tear Is Born in the Eyes and Falls Towards the Heart, 1991, black-and-white photograph, paper, 181×127 mm, 240×175 mm, signed: “Bratrstvo”, MUO, F 3716, acquired in 2003 535

Bratrstvo (Brotherhood) / Václav Jirásek (*1965), Wandering Souls…, 1991, black-and-white photograph, paper, 177×130 mm, 286×243 mm, signed: “»Bludné duše…« / 1/20 / Václav Jirásek 1991”, MUO, F 3717, acquired in 2003 536

Adriena Šimotová (*1926), From the cycle Touch with Colour – Assumption, (1992–1993), pastel, paper, 970×1800 mm, unsigned, MUO, K 15516a–d, acquired in 2006 537 266–269

Adriena Šimotová, From the cycle Touch with Colour – The Assumption, (����–����), cat. no. 536

Václav Boštík (1913–2005), Beginning I, (1992), oil on canvas, 132×132 cm, signed: “Boštík”, MUO, O 2181, acquired in 1994

Collections administered by Olomouc Museum of Art

299

160�—�161

Běla Kolářová, Untitled, from the cycle Dishes, (����), cat. no. 633

Fine arts ����–����

Life of things Strange still lifes

624

Josef Sudek (1896–1976), A Glass, (1950–1954), coalprint, paper, 171×124 mm, illegible marking, MUO, F 4071, acquired in 2007 625

Josef Sudek (1896–1976), Shell, (1953), coalprint, gelatine varnish, paper, 180×240 mm, unsigned, MUO, F 4069, acquired in 2007 626

Jiří Toman (1924–1972), Untitled, (1955–1959), 2 black-and-white photographs, paper, 239×180 mm (2×), unsigned, MUO, F 3900–3901, acquired in 2004 627

Jiří John (1923–1972), Window, (1957–1959), oil on canvas, 110×78.5 cm, unsigned, MUO, O 948, acquired in 1960 628

Jan Hajn (1923–2006), At the Warehouse Keeper, from the cycle From the Factory, 1959, black-andwhite photograph, paper, 268×382 mm, signed: “DOFO / »U SKLADNÍKA« / r. 1959”, MUO, F 201, acquired in 1994

301

300

Josef Sudek, Shell, (����), cat. no. 625

Jiří John, Window, (����–����), cat. no. 627

Collections administered by Olomouc Museum of Art

306

164�—�165

Antonín Kybal, My Sweetheart Played with a Dove, ����, cat. no. 648

Fine arts ����–����

Forest of oblivion Returns to nature

647

651

Otto Rotmayer (1892–1966), Garden Chair, (1950–1953), roxor (armour wire),

Josef Šíma (1891–1971), Forêt oublieuse (Forest of Oblivion), 1964,

varnish, 73×43×57 cm, unsigned, MUO, UŽ 23, acquired in 1998

oil on canvas, 64×91,5 cm, signed: “J. Šíma 64”, MUO, O 2525, acquired in 2007

648

652

Antonín Kybal (1901–1971), My Sweetheart Played with a Dove,

Eva Kmentová (1928–1980), A Woman and a Star, (around 1964), asbestos

1956, woven tapestry, 328×197 cm, signed: “Kybal 56”, MUO, UŽ 46, acquired in 2001

cement, h. 74 cm, unsigned, MUO, P 315, acquired in 1964

649

653

Jaromír Kohoutek (1905–1976), Thorn-apple, 1967, black-and-white

Rupert Kytka (1910–1993), Torso (Tree), 1965, black-and-white

photograph, paper, 591×496 mm, signed: “JAROMÍR KOHOUTEK / durman / 1967”, MUO, F 303, acquired in 1994

photograph, paper, 299×234 mm, unsigned, MUO, F 3923, acquired in 1994

650

Jiří John (1923–1972), Minerals, 1963, oil on canvas, 87×130 cm, signed: “John 63 / Nerosty 63”, MUO, O 2188, acquired in 1995

307

Josef Šíma, Forêt oublieuse (Forest of Oblivion), ����, cat. no. 651

308

Rupert Kytka, Torso (Tree), ����, cat. no. 653

Collections administered by Olomouc Museum of Art

674

Ivan Sobotka (1927–2008), Corpses of People, (1954), oil on canvas, 66×48 cm, unsigned, MUO, O 2580, acquired in 2008 675

Zbyněk Sekal (1923–1998), Todtes Kopf (Dead Head), (1957), bronze, 23×36×18 cm, unsigned, MUO, P 1210, acquired in 2004 676

Běla Kolářová (1923–2010), Emila Medková, 1963, derealization, black-andwhite photograph, carton, 220×245 mm, signed: “Emila Medková, 1963 / derealizovaný portrét / B. KOLÁŘOVÁ: EMILA MEDKOVÁ, 1963 / FOTO: JIŘÍ KOLÁŘ / DEREALIZACE: B. KOLÁŘOVÁ”, MUO, F 3999, acquired in 2006 677

Věra Janoušková (1922–2010), Blue Figure, (around 1964), enameled welded plate, h. 142 cm, unsigned, MUO, P 342, acquired in 1965 678

Ivan Theimer (*1944), With One’s Head Against the Wall, 1966, 317

Ivan Sobotka, Corpses of People, (����), cat. no. 674

polychromous wood, h 38 cm, l 50 cm, signed: “1966 Hlavou proti zdi”, MUO, P 1123, acquired in 1996 679

Jiří Balcar (1929–1968), Brightcoloured Week, paper, 620×430 mm, 790×615 mm, signed: “15/20 / Jiří Balcar 67”, MUO, G 9175, acquired in 1968 680

Karel Nepraš (1932–2002), Everything is in the Ball, 1967, Indian ink, paper, 605×425 mm, 605×425 mm, signed: “Karel Nepraš / »Všechno je v kouli« II. 1967”, MUO, K 3954, acquired in 1968 681

Jana Želibská (*1941), She, 1967, combined technique, sololit, 240×120 cm, signed: “J. Želibská 1967”, MUO, O 2559, acquired in 2007 682

Vladimír Janoušek (1922–1986), Modern Man, (1967), iron, h. 189 cm, unsigned, MUO, P 3181, acquired in 1968 683

Alex Mlynárčik (*1934), Untitled, triptych from the cycle Pocta, (1967),

318

Ivan Theimer, With One’s Head Against the Wall, ����, cat. no. 678

170�—�171

silk-screen printing, photocanvas, 70×70 cm (3×), unsigned, MUO, O 2399, 2418, 2419, acquired in 2005

Fine arts ����–����

Anxieties of the times / Man in the wheels of modern society

694

Jan Mlčoch (*1953), Hanging Up – Big Sleep, 1974, black-and-white photograph, paper sealed in foil, 301×398 mm, typescript, paper sealed in foil, 307×219 mm (description of an event), signed: “JAN MLČOCH / ZAVĚŠENÍ – VELKÝ SPÁNEK / PRAHA / 1974”, MUO, F 3504 a,b, acquired in 2002 695

Magdalena Abakanowicz (*1930), �� Seated Figures, 1974–1976, installation, jute, resin, metal construction, 104×51×66 cm (12×), signed: “SEATED FIGURES / ABAKANOWICZ / 1974”, MUO, P 1310, acquired in 2011

319

Karel Nepraš, Dialogue, around ����, cat. no. 686

684

689

Květa Válová (1922–1998), I Know Nothing about Tomorrow, 1968, oil on

Jan Saudek (*1935), Road, 1970,

canvas, 135×162 cm, signed: “K. Válová 68”, MUO, O 1156, acquired in 1969

black-and-white photograph, paper, 348×496 mm, signed: “Jan Saudek / 1970”, MUO, F 51, acquired in 1971

685

690

Slavoj Kovařík (1923–2003), Interests,

Rudolf Fila (*1932), Camouflage, 1971,

(1968), decollage, collage, oil on canvas, 137.5×176.5 cm, signed: “Slavoj Kovařík: Zájmy”, MUO, O 2264, acquired in 2000

oil on canvas, 130×85 cm, signed: “Rudolf Fila »Kamufláž« olej 1971”, MUO, O 2587, acquired in 2009

686

691

Karel Nepraš (1932–2002), Dialogue,

Géza Perneczky (*1936), Antireflection, from the cycle Concept like Commentary, 1971, black-and-

(around 1968), combined technique, h. 78 cm, w. 85 cm, unsigned, MUO, P 383, acquired in 1968 687

Jiří Anderle (*1936), Comedy no. ��, 1969, two-colour etching, paper,

white photograph, paper, 295×417 mm, signed: “Perneczky / 1971”, MUO, F 3787, acquired in 2003 692

484×630 mm, 650×768 mm, signed: “Komedie No 12, 10/30 Jiří Anderle 1969”, MUO, G 11600, acquired in 1983

Jiří Žlebek (*1946), Portable Hero, (1971), varnished wood, h. 73 cm, unsigned, MUO, P 1279, acquired in 2008

688

693

Jozef Jankovič (*1937), Great Fate, (1969), polyester and metal,

Kurt Gebauer (*1941), Head-stand,

200×400×150 cm, unsigned, MUO, P 1281, acquired in 2008

1972–1975, polychromous polyester, h. 60.5 cm, signed: “Kurt Gebauer, Stojka, 1972–75”, MUO, P 849, acquired in 1981

320

Magdalena Abakanowicz, �� Seated Figures, ����–����, cat. no. 695

Abbreviations AMK

Kroměříž Archdiocesan Museum (Arcidiecézní muzeum Kroměříž), Sněmovní Square 1, Kroměříž (since ����)

AMO Olomouc Archdiocesan Museum (Arcidiecézní muzeum Olomouc), Václavské Square �, Olomouc (since ����) DU

House of Art (Dům umění), Hynaisova ��, Olomouc (����–����)

KG

Cabinet of Graphic Art (Kabinet grafiky), Dolní Square �, Olomouc (����–����)

MMU Olomouc Museum of Modern Art (Muzeum moderního umění Olomouc), Denisova ��, Olomouc (od ����) PS

Memorial Halls of Bohumír Dvorský, Vladimír Navrátil and Karel Svolinský (Pamětní síně Bohumíra Dvorského, Vladimíra Navrátila a Karla Svolinského), Wurmova ��, Olomouc (����–����)

VMO

Regional Museum in Olomouc (Vlastivědné muzeum v Olomouci), Republiky Square �, Olomouc (����–����)

184�—�185

List of exhibitions in ����–���� Kateřina Gabrhelíková

1951

Mladí výtvarníci (Young Artists), DU

Vlastislav Hofman, VMO

Kresby a grafika současných malířů (Drawings and Prints by Contemporary Painters), Přerov

1952 Čína včera a dnes (China Yesterday and Today), VMO Mikoláš Aleš a Josef Mánes (Mikoláš Aleš and Josef Mánes), VMO Ludmila Horáková-Helclová, VMO Hilar Václavek, DU Umělci v boji za mír (Artists in the Struggle for Peace), VMO Julius Mařák, VMO Cestou inženýrů Hanzelky a Zikmunda (Travels with Engineers Hanzelka and Zikmund), DU Státní památková péče (State Heritage Care), DU Letní motivy v dílech členů SČVU (Summer Motives in the Works of SČVU Members), DU Lidová umělecká tvořivost (People’s Artistic Creativity), DU Členská výstava Krajského střediska SČVU (Membership Exhibition of the SČVU Regional Centre), DU

1953 Antonín Mánes, VMO Česká kresba 19. století (Czech Drawing of the 19th Century), DU Výtvarní umělci moravských krajů (Artists of Moravian Regions), DU Členská výstava Krajského střediska SČVU (Membership Exhibition of the SČVU Regional Centre), DU

1955 V. členská výstava obrazů, soch, grafiky a užitého umění (Fifth Membership Exhibition of Paintings, Sculpture, Prints and Applied Art), DU Alois Kučera, Práce z let 1950–1955 (Works from 1950–1955), DU Výstava obrazů a soch J. Grmely, M. Jemelky, R. Kutry, I. Příleského, J. Sedláčka, O. Peče (Exhibition of Paintings and Sculpture by J. Grmela, M. Jemelka, R. Kutra, I. Příleský, J. Sedláček, O. Peč), DU Akvarely Jana Smitala (Watercolours

by Jan Smital), DU

České výtvarné umění XIX. století – reprodukce (Czech Visual Art of the 19th Century – Prints), Bruntál, Hranice

Česká krajina (Czech Landscape), Jeseník, Prostějov, Přerov

Mikoláš Aleš – reprodukce (Prints), Rýmařov, Bruntál

Praha v grafice (Prague in Prints), DU, Jeseník

Bohumír Dvorský, Z cesty po Rumunsku (From a Journey in Romania), DU

Moderní česká grafika (Modern Czech Prints), DU, Zábřeh

Akvarely Jana Smitala (Watercolours by Jan Smital), Prostějov, Hluk

České výtvarné umění XIX. století (Czech Visual Art of the 19th Century), Rýmařov

Vladimír Pukl, DU

Stálá expozice českého výtvarného umění XX. století (Permanent Exhibition of Czech Visual Art of the 20th Century), DU Umělecká fotografie LUT (Art Photography LUT), DU

1956

Kresby a grafiky Maxe Švabinského (Drawings and Prints by Max Švabinský), DU

Italská náměstí, fotografie a kresby A. Liebschera (Italian Squares, Photographs and Drawings by A. Liebscher), DU

Předvolební výstava, Rozvoj kraje Olomouc (Pre-Election Exhibition, Development of the Olomouc Region), VMO Karel Vik, K 70. narozeninám umělce (For the 70th Anniversary of the Artist), Zábřeh, Přerov, Jeseník

From the permanent exhibition in the House of Art, ����

Kresby a studie Adolfa Liebschera, 1857–1919 (Drawings and Sketches by Adolf Liebscher, 1857–1919), DU

1954

Adolf Kašpar, DU, Zábřeh, Loštice, Bludov, Prostějov, Přerov

348

Výstava přírůstků z r. 1952–1955 (Exhibition of New Acquisitions from 1952–1955), DU Ruské umění 18. a 19. století – reprodukce (Russian Art of the 18th and 19th Centuries – Prints), Hranice, Rýmařov, Bruntál, Prostějov

České hrady a zámky (Czech Castles and Chateaus), Úsov Soudobá česká ilustrace (Contemporary Czech Illustration), Olomouc, Jeseník Japonský dřevoryt (Japanese Woodcut), DU Současné české malířství (Contemporary Czech Painting), Prostějov, Jeseník Výstava děl absolventů a posluchačů speciální grafické školy prof. Vladimíra Pukla AVU v Praze (Exhibition of Works by Graduates and Students from the Class of Professor Vladimír Pukl, the Graphics School of the Academy in Prague), DU Souborná výstava obrazů Jindřicha Lenharta a soubor plastik Karla Lenharta (Comprehensive Exhibition of Paintings by Jindřich Lenhart and Sculpture by Karel Lenhart), DU Rembrandt van Rijn – reprodukce (Prints), Olomouc

1957 Karel Wellner (1875–1926), DU Soudobá česká ilustrace II (Contemporary Czech Illustration II), Olomouc, Prostějov, Přerov, Dolní Lipová, Zábřeh na Moravě České umění XIX. století (Czech Art of the 19th Century), Šumperk, Zábřeh, Přerov Ruské umění 18. a 19. století – reprodukce (Russian Art of the 18 th and 19th Centuries – Prints), Prostějov Rembrandt van Rijn – reprodukce (Prints), Přerov Indické umění – reprodukce (Indian Art – Prints), Olomouc Jindřich a Karel Lenhartovi (Jindřich and Karel Lenhart), Ostrava, Prostějov Výstava žákovských prací posluchačů a absolventů ÚVV (Exhibition of Works by ÚVV Students and Graduates), DU Julius Pelikán – František Hoplíček, DU Francouzské umění XIX. a XX. století – reprodukce (French Art of the 19th and 20 th Centuries – Prints), Olomouc, Velké Losiny Bohumír Dvorský, DU Kresby a akvarely soudobých českých malířů (Drawings and Watercolours

by Contemporary Czech Painters), Mohelnice, Jeseník

List of exhibitions in ����–����

Lovec obrazů, Fotograf Jaroslav Vávra, 1920–1981 (Hunter of Pictures, Photographer Jaroslav Vávra,1920–1981), MMU Andrej Balco, Antracit (Anthracite), AMO Vladimír Kopecký, Linie (Line), MMU Magdalena Abakanowicz, Život a dílo (Life and Work), MMU Josef Ignác Sadler (1725–1767), AMO Karel Říhovský, První dotek (The First Touch), MMU Pro tentokrát nesedat, Sbírka užitého umění Muzea umění Olomouc (This Time Do Not Sit Down, Collection of Applied Art in Olomouc Museum of Art), MMU Slavné vily Čech, Moravy a Slezska (Famous Villas in Bohemia, Moravia and Silesia), MMU 369

From the exhibition “Olomouc Baroque”, ����

Zbožných duší úl, Náboženská bratrstva v kultuře raněnovověké Moravy (The Beehive of Pious Souls, Religious Confraternities in the Culture of Early Modern Moravia), AMK Lenka Jakubčáková, V odloučení (In Seclusion), AMO Akt pod palmou (Nude under a Palm Tree), MMU Pařížský zlomek Dalimilovy kroniky, Gobelínová replika Věry Mičkové (Paris Fragment of Dalimil’s Chronicle, Tapestry Replica by Věra Mičková), AMO Středoevropské forum Olomouc IV, Slovensko, Slovenské umění ze sbírek Muzea umění Olomouc (Olomouc Central European Forum IV, Slovakia, Slovak Art from Olomouc Museum of Art), MMU Jiří Antonín Heinz (1698–1759), AMO

370

From the exhibition of Magdalena Abakanowicz “Life and Work”, ����

Zasunutí / Právěpodobně (Insertion / Rightbably) (Eva Pospěchová – Martin Hlavica – David Mužík), AMO Dalibor Chatrný, Tak, teď, tu / So, Now, Here, MMU Ivana Lomová, Kavárny (Cafés) (2009– 2011), MMU Jiří Doležel, Stopy paměti (Traces of Memory), AMO Spojeni křížem, Umělecké poklady Městských muzeí v Žitavě a sbírka Wolfganga Sternlinga (Touched by the Cross, Art Treasures from the Municipal Museums in Zittau and the Wolfgang Sternling Collection), MMU

371

From the exhibition “This Time Do Not Sit Down, Collection of Applied Art in Olomouc Museum of Art”, ����

200�—�201

From the exhibition From Titian to Warhol / Olomouc Museum of Art ����–����

376

From the exhibition “From Titian to Warhol / �. Fine arts ����–����”, Olomouc Museum of Modern Art, ����

377

From the exhibition “From Titian to Warhol / �. Documentation”, Olomouc Museum of Modern Art, ����

Museum publications in ����–���� Nikolas Proksch

1952 Jan Andrys, Hilar Václavek.

1955 Rudolf Chadraba, Alois Kučera. Obrazy a grafika z let 1950–1955 (Paintings and Prints 1950–1955).

František Dvořák – Alois Rečka, Jan Smital.

Akvarely 1931–1955 (Watercolours 1931–1955).

Bohumil Babánek, Adolf Liebscher (1857– 1919). Professor Ing. Dr. Adolf Liebscher.

1956 Výstava absolventů a posluchačů speciální grafické školy prof. Vladimíra Pukla AVU v Praze (Exhibition of Graduates and Students of Vladimír Pukl, Professor of the Graphic School of the Academy of Art in Prague).

Ivo Krsek, Jindřich Lenhart. Souborná výstava obrazů (Comprehensive Exhibition of Paintings).

Jaroslav Ryška, Studie a kresby Martina Benky (Sketches and Drawings by Martin Benka). Šimáček. Scénické a kostýmní návrhy z let 1954–1959 (Stage and Costume Designs from 1954–1959).

Jan Andrys, Výstava díla malíře Augustina Mervarta (Exhibition of the Work of Painter Augustin Mervart).

1960 Michal Plánka, Vladimír Hroch.Výstava obrazů (Exhibition of Paintings).

Jaromír Lakosil, Jan Bauch. Obrazy a kresby (Paintings and Drawings) 1957–1960.

Rudolf Rouček, Soudobé české malířství 1945–1960 (Contemporary Czech Painting 1945–1960).

Rudolf Chadraba, Marta Rožánková-Drábková.

378

1961 1957 Jaromír Lakosil, Karel Wellner. 1875–1926.

Jaromír Lakosil, Julius Pelikán. František Hoplíček. Výběr z díla (Selection from Work).

Jaromír Lakosil, Marta Rožánková-Drábková.

Jaroslav Pacák – Alois Rečka, Aljo Beran.

Josef Baják. Výběr z díla (Selection from Work).

1958 František Dvořák, Jaroslav Kovář. Pastely a grafika (Pastels and Prints).

Vincent Hložník, Miloš Alexander Bazovský.

Stanislav Křupka, Výstava výtvarných prací učitelů a výchovných pracovníků (Exhibition of Works by Art Teachers and Educators).

Jaromír Lakosil, Současné české malířství (Contemporary Czech Painting).

Jaromír Zemina, Rakouské umění XX. století (Austrian Art of the 20th Century).

Václav Zykmund, Antonín Gribovský.

Fotografie 1959–1960 (Photography 1959–1960).

Jan Baleka, Antonín Hudeček.

Alena Adlerová, Domov a vkus (Home and Taste).

Jaroslav Ryška, Stanislav Lolek.

Jaroslav Uiberlay, Miloslav Jemelka.

Ludvík Páleníček, Max Švabinský. Výstava monumentálních děl a grafiky (Exhibition of Monumental Works and Graphic Art).

Jan Šafařík, Obrazy a kresby (Paintings and Drawings).

Jaromír Lakosil, Šestá členská výstava (The Sixth Membership Exhibition).

1959 Josef Weiser, 1. výstava prací učitelů výtvarné výchovy Olomouckého kraje (The first Exhibition of Works by Art Teachers in the Olomouc Region).

204�—�205

Foundation Charter of the Kroměříž Chateau library, Karl von LichtensteinCastelkorno and the Kroměříž Chapter, Kroměříž, 14 May 1694

Jaroslav Ryška, Z tvorby současných českých malířů (From the Work of Contemporary Czech Painters).

(Paintings, Sculpture, Prints: From New Acquisitions in the Regional Gallery Olomouc in 1961 and 1962).

Václav Zykmund, Skupina DOFO (The DOFO Art Group).

Václav Formánek, Bohumír Dvorský.

Krajiny z let 1957–1963 (Landscapes from 1957–1963).

Tvůrčí skupina SMĚR (The SMĚR Art Group).

František Dvořák, Klasikové české karikatury 30. let (Classics of Czech Caricature in the 1930s). České výtvarné umění 20. století (Czech 20 th-century Art).

Jaroslav Ryška, Otakar Hubšil.

Jiřina Vydrová, Květiny v díle Ludviky Smrčkové (Flowers in the Work of Ludvika Smrčková).

Jaroslav Ryška, Otakar Hubšil.

Antonín Kolek, Vietnamská tradiční lidová grafika (Vietnamese Traditional Folk Prints).

1962

Jan Baleka, Josef Wagner. Kresby, sochy (Drawings, Sculpture).

Antonín Grůza, Joža Uprka.

Miloslava Holubová, Umění a domov (Art and Home).

Stanislav Šich, Karikatura bojující (Caricature Fighting) – K. Štětkář.

František Dvořák, František Tichý. Kresby a grafika (Drawings and Prints).

Jiří Hlušička, Bohdan Lacina.

Václav Procházka, Karel Černý. Soubor obrazů (Paintings).

Miloslav Stibor, Výtvarný obor LŠU (The Visual Art Section of the People’s School of Art).

Václav Zykmund, Výtvarná skupina PARABOLA (The PARABOLA Art Group).

1964 Otakar Štorch-Marien, František Ketzek.

Jaromír Lakosil, Josef Sudek.

Jaromír Lakosil, Jaroslav Paur.

1963

František Dvořák, Jaroslav Kovář.

Jaromír Lakosil – Jaroslav Ryška, Obrazy, sochy, grafika. Z přírůstků sbírek Oblastní galerie Olomouc v letech 1961 a 1962

Helena Kusáková, Z moravské grafiky ve 30. letech (From Prints in Moravia in the 1930s).

Ondřej Zatloukal – Pavel Zatloukal (eds), Luk & lyra. Ze sbírek Arcidiecézního muzea Kroměříž (The Bow and the Lyre. From Collections of the Kroměříž Archdiocesan Museum).

2010

2009

Stephan von Weise, Milan Kunc. Portréty / Portraits.

Ondřej Jakubec – Pavel Zatloukal (eds), Arcidiecézní muzeum Olomouc (Olomouc Archdiocesan Museum).

Ondřej Jakubec – Pavel Zatloukal (eds), Olomouc Archdiocesan Museum.

402

Petr Šmalec, Cover of the catalogue “No Cage for Me! Czech and Slovak Art of 1970–1989 from Olomouc Museum of Art”, 2008

Ondřej Jakubec – Pavel Zatloukal (eds), Das Erzdiözesische Museum Olmütz (Olomouc Archdiocesan Museum).

Ondřej Jakubec – Pavel Zatloukal (eds), Muzeum archidiecezjalne w Ołomuńcu (Olomouc Archdiocesan Museum).

Franc Štěpánek, Duchovní křesťanské katolické jádro všech modliteb (The Spiritual Christian Catholic Core of All Prayers).

Anežka Šimková – Ondřej Jakubec (ed.), Růžová zahrádka. Rukopisné modlitební knížky 18. a 19. Century. Sbírka Jana Poše (The Rose Garden: Manuscript Prayer Books of the 18 th and 19th Centuries. The Jan Poš Collection).

Ondřej Jakubec (ed.), Stanislav Pavlovský z Pavlovic (1579–1598).

Biskup a mecenáš umírajícího věku (Bishop and Maecenas of a Dying Era).

403

Petr Šmalec, Cover of the catalogue “Glasshouse: Chapters from the History of Olomouc Visual Culture 1969–1989”, 2009

Libuše Šlezarová – David Voda (eds), Voyeur před branou věčnosti. (Voyeur before the Gate to Eternity). Miroslav Urban. Práce z let 1973–2008 (Works 1973–2008).

Ladislav Daněk (ed.), Umění pro ulici i sběratele. Plakáty k výstavám fotografa Miloslava Stibora z let 1967–2007. (Art both for the Street and the Collector.

Posters for Exhibitions of Photographer Miloslav Stibor in 1967–2007).

Martina Kostelníčková (ed.), Olomoucká obrazárna III. Středoevropské malířství 16. – 18. století z olomouckých sbírek (Central European Painting of the 16th – 18th Centuries from Olomouc Collections).

Martina Kostelníčková (ed.), Olomouc Picture Gallery III. Central European Painting of the 16th – 18th Centuries from Olomouc Collections.

Nikolas Proksch (ed.), Listování.

Moderní knižní kultura ve sbírkách Muzea umění Olomouc. / Turning Pages.

Modern Book Culture in the Collections of the Olomouc Museum of Art. Helena Zápalková – Simona Jemelková (eds), Ondřej Zahner. 1709–1752.

Vladimír Maňas – Zdeněk Orlita – Martina Potůčková (eds), Zbožných duší úl. Náboženská bratrstva v kultuře raněnovověké Moravy. (The Beehive of Pious Souls. Religious Confraternities in the Culture of Moravia in Early New Age).

Ondřej Jakubec (ed.), Arcidiecézní muzeum na Olomouckém hradě. (The Archdiocesan Museum in the Olomouc Castle).

Rostislav Švácha (ed.), Sial.

(Ondřej Jakubec), Olomoucké baroko.

Výtvarná kultura let 1620–1780. Průvodce.

(Olomouc Baroque. Visual Culture in 1620–1780. Guide).

Petr Šmalec, Cover of the catalogue “Turning Pages: Modern Book Culture in the Collections of Olomouc Museum of Art”, 2009

405

Petr Šmalec, Cover of the catalogue “This time do not sit down: Collections of Applied Art in the Olomouc Museum of Art”, 2011

406

Petr Šmalec, Cover of the catalogue “Civilised Illusions: Photography Collection of the Olomouc Museum of Modern Art”, 2012

Martin Elbel – Ondřej Jakubec (eds), Olomoucké baroko I. Proměny ambicí jednoho města. (Olomouc Baroque I: Transformations of Ambitions of a Town).

Ondřej Jakubec – Marek Perůtka (eds), Olomoucké baroko II. Výtvarná kultura let 1620–1780. (Olomouc Baroque II: Visual Culture in 1620–1780).

2011 Ondřej Jakubec – Marek Perůtka (eds), Olomoucké baroko III. Výtvarná kultura let 1620–1780. (Olomouc Baroque III: Visual Culture in 1620–1780).

Ladislav Daněk, Lovec Obrazů. Fotograf Jaroslav Vávra (1920–1981). (Hunter of Pictures. Photographer Jaroslav Vávra, 1920–1981).

Jiří Kroupa – Martina Miláčková – Leoš Mlčák (eds), Josef Ignác Sadler. 1725–1767.

Helena Zápalková (ed.), Kristus z Litovle.

Restaurování 2007–2010. (Christ from Litovel: Restoration 2007–2010).

Helena Zápalková (ed.), Milostný obraz Panny Marie Zašovské.

Restaurování 2007–2008 (The Gracious Picture of the Virgin of Zašová: Restoration 2007–2008).

Ondřej Zatloukal (ed.), Arcibiskupský zámek a zahrady v Kroměříži. Průvodce.

(Archbishop’s Chateau and Gardens in Kroměříž. Guide).

Jiří Olič, Antimodernisté (Antimodernists).

Ondřej Zatloukal (ed.), Archbishop’s Chateau and Gardens in Kroměříž. Guide.

Jana Hrbáčová (ed.), Jindřich Zdík (1126–1150). Olomoucký biskup uprostřed Evropy (The Bishop of Olomouc in the Middle of Europe).

Ondřej Zatloukal (ed.), Štěpánka Bieleszová – Gina Renotière (red.), Magdalena Abakanowicz. Život a dílo / Life and Work.

Pavel Zatloukal, Středoevropské forum Olomouc 2009 (Olomouc Central European Forum 2009).

Anežka Šimková (ed.), Pro tentokrát nesedat. Sbírka užitého umění Muzea umění Olomouc. (This Time do not Sit Down. Collection of Applied Art in Olomouc Museum of Art).

Ladislav Daněk – Pavel Zatloukal (eds), Skleník. Kapitoly z dějin olomoucké výtvarné kultury 1969–1989.

(Glasshouse. Chapters from the History of Visual Culture in Olomouc in 1969–1989).

404

Helena Zápalková, Jiří Antonín Heinz.

1698–1759.

Ondřej Jakubec (ed.), Spojeni křížem (Touched by the Cross).

Abbreviations

Selected bibliography

AMK

Baetjer 2005

Bieleszová 2012

Breitenbacher – Dostál 1930

Kroměříž Archdiocesan Museum (Arcidiecézní muzeum Kroměříž)

Katharine Baetjer, About Mäda.

Metropolitan Museum Journal 40, 2005, pp 131–150.

Štěpánka Bieleszová (ed.), Civilizované iluze. Fotografická sbírka Muzea umění Olomouc. / Civilised Illusions.

Photography Collection of the Olomouc Museum of Art. Exhibition Catalogue.

Olomouc 2012.

Antonín Breitenbacher – Eugen Dostál, Katalog arcibiskupské obrazárny v Kroměříži. Kroměříž 1930.

AMO Olomouc Archdiocesan Museum (Arcidiecézní muzeum Olomouc)

Bartocha 1934

Olomouc Archbishopric (Arcibiskupství olomoucké)

Rostislav Bartocha, Půlstoletí Vlasteneckého spolku muzejního v Olomouci 1883 až 1933. Časopis Vlasteneckého spolku musejního v Olomouci 47, 1934, pp 1–43.

DU

Bartocha 1936

AO

House of Art (Dům umění), Olomouc

KG Cabinet of Graphic Art (Kabinet grafiky), Olomouc

MKO Metropolitan Chapter Olomouc (Metropolitní kapitula Olomouc)

MMU Olomouc Museum of Modern Art (Muzeum moderního umění Olomouc)

R. B. [Rostislav Bartocha], Slavnostní otevření musea VSMO. Věstník hlavního města Olomouce 2, 1936, no. 8, 18. May, pp 88–89.

Bartocha 1951 Rostislav Bartocha, Na závěr činnosti VSM. Časopis Vlastivědné společnosti muzejní v Olomouci 60 (1), 1951, nos 2–3, pp 141–148.

Beranová 1989

Olomouc Museum of Art (Muzeum umění Olomouc)

Věra Beranová, K výtvarnému životu olomouckého regionu mezi dvěma válkami. In: Historická Olomouc a její současné problémy VII. Olomouc 1989, pp 153–163.

PS

Bieberle 1983

MUO

Memorial Halls of Bohumír Dvorský, Vladimír Navrátil and Karel Svolinský (Pamětní síně Bohumíra Dvorského, Vladimíra Navrátila a Karla Svolinského), Olomouc

PP private property

SOkAO State District Archives in Olomouc (Státní Okresní archiv v Olomouci)

VKO Research Library in Olomouc (Vědecká knihovna v Olomouci)

VMO Regional Museum in Olomouc (Vlastivědné muzeum v Olomouci)

ZAO Land Archives in Opava, Branch Olomouc (Zemský archiv v Opavě, pobočka Olomouc)

212�—�213

Kolektiv pracovníků olomoucké galerie [= Josef Bieberle], Autorský rejstřík českých výtvarných umělců ke sbírce užité grafiky v OGVU v Olomouci I (UG 1–12000). Zprávy Krajského vlastivědného muzea v Olomouci, 1983, no. 223, pp 21–26.

Braun – Smetana 1943 Edmund Wilhelm Braun – [Robert Smetana], Tausendjähriges Olmütz.

Führer durch die Ausstellung im erneuerten Festsaale des Rathauses anlässlich der Olmützer Kulturwochen.

9. – 23. Jänner 1943. Olmütz n. y. [1943].

Breitenbacher 1925 Antonín Breitenbacher, Dějiny arcibiskupské obrazárny v Kroměříži.

Kroměříž 1925.

Breitenbacher 1927a Antonín Breitenbacher, Dějiny arcibiskupské obrazárny v Kroměříži II. Archivní studie. Kroměříž 1927.

Breitenbacher 1927b Antonín Breitenbacher, Museum v arcibiskupském zámku v Kroměříži. Časopis Vlasteneckého Spolku musejního v Olomouci 38, 1927, separate.

Breitenbacher 1929 Antonín Breitenbacher, Antonína Pettera obraz sv. Václava. Památky archaeologické a místopisné 36, 1929, pp 78–88.

Bieberle 1987

Breitenbacher 1930

Kolektiv pracovníků OGVU v Olomouci [= Josef Bieberle], Užitá grafika s olomouckou tematikou ve sbírce olomoucké galerie. Zprávy Krajského vlastivědného muzea v Olomouci, 1987, no.

245, pp 1–13.

Antonín Breitenbacher, Die Sammlung Imstenraed in der Gemäldesammlung des Erzbistums in Kremsier und Olmütz. In: Jahrbuch des Kölnischen Geschichtsvereins XII, Köln 1930, pp 206–216.

Bieleszová 1999

Breitenbacher 1932

Štěpánka Bieleszová (ed.), „… a co sbírky“.

Exhibition Catalogue. Olomouc 1999.

Antonín Breitenbacher, K dějinám arcibiskupské obrazárny v Kroměříži.

Seznam obrazů Františka von Imstenraed z r. 1667. Časopis Vlasteneckého spolku musejního v Olomouci 45, 1932, pp 1–47.

Bieleszová 2008 Štěpánka Bieleszová (red.), Nechci v kleci! České a slovenské umění 1970– 1989 ze sbírek Muzea umění Olomouc. / No Cage for me! Czech and Slovak Art 1970–1989 from Collections of Olomouc Museum of Art. Exhibition Catalogue.

Olomouc 2008.

Breitenbacher 1935 Antonín Breitenbacher, Přehledný inventář arcib. grafické sbírky a text o ní. Manuscript. Kroměříž 1935. [AMK].

Butulová-Vlčková 1967–1968 Iva Butulová-Vlčková, Karel z Lichtenštejna-Kastelkornu (1624–1695) a založení zámecké knihovny v Kroměříži.

In: Příspěvky ke starší české literatuře na Moravě. Blansko 1967–1968, pp 28–31.

Butulová-Vlčková 1970 Iva Butulová-Vlčková, Dr. Antonín Breitenbacher a Kroměříž. Vlastivědný věstník moravský 52, 1970, pp 321–332.

Černá 2009 Kateřina Černá, Památkářský Oscar do Olomouce. Art & Antiques, October 2009, pp 7–8.

Chadraba 1971 Rudolf Chadraba, K programu olomouckých barokních kašen.

In: Sborník památkové péče v Severomoravském kraji I. Ostrava 1971, pp 17–35.

Daněk – Zatloukal P. 2009 Ladislav Daněk – Pavel Zatloukal (eds.), Skleník. Kapitoly z dějin olomoucké výtvarné kultury 1969–1989. Exhibition Catalogue. Olomouc 2009.

Daniel 1995 Ladislav Daniel, Mezi erupcí a morem.

Malířství v Neapoli 1631–1656. Exhibition Catalogue. Praha 1995.

Daniel 1999 Ladislav Daniel, Arcidiecézní muzeum v Olomouci, Architekt 45, 1999, no. 3, pp 57–63.

Daniel – Perůtka – Togner 2009 Ladislav Daniel – Marek Perůtka – Milan Togner (eds.), Arcibiskupský zámek & zahrady v Kroměříži. Kroměříž 2009.

Ladislav Daniel – Marek Perůtka – Milan Togner (eds.), Archbishop’s Chateau & Gardens in Kroměříž. Kroměříž 2009.

Daniel – Pujmanová – Togner 1996 Ladislav Daniel – Olga Pujmanová – Milan Togner, Olomoucká obrazárna I. Italské malířství 14. – 18. století z olomouckých sbírek. Ed. Michal Soukup. Olomouc 1996.

Ladislav Daniel – Olga Pujmanová – Milan

Awards won by the Olomouc Museum of Art

Michal Soukup, The World of Jan Saudek Award: 1996 Photographic Publication of the Year Contest: 1996 Photographic Publication of the Year Organizer: Photography magazine Pavel Zatloukal, Stories from the Long Century.

Moravian and Silesian Architecture 1750–1918 Award: 2003 Book of the Year, First Prize in the Category of Non-Fiction Contest: Magnesia Litera Organizer: Litera Civic Association Libor Gronský – Marek Perůtka – Michal Soukup (eds.), Flashback. Czech and Slovak Film Posters 1959 –1989 Award: Typo Design Club Award (for the catalogue graphic design – Zdeněk Ziegler) Contest: The Most Beautiful Czech Book of the Year 2004 Organizer: The Museum of Czech Literature Anežka Šimková – Ondřej Jakubec (ed.), Rose Garden. Handwritten Prayer Books from the 18 th and 19 th�Centuries. Jan Poš’s Collection Award: 2009 Special Prize in the category of Museum Publications Contest: Gloria Musaealis 2009 Organizer: Czech Association of Museums and Galleries Nikolas Proksch (ed.), Turning Pages. Modern Book Culture in the Collections of the Olomouc Museum of Art Award: 2009 The Most Beautiful Catalogue of the Year Contest: The Most Beautiful Czech Book of the Year 2009 Organizer: The Museum of Czech Literature Ladislav Daněk – Pavel Zatloukal (eds.), Glasshouse. Chapters from the History of Art Culture in Olomouc, 1969 –1989 Award: 2009 Prize for the Deed of the Year Contest: Award of the City of Olomouc Organizer: The City of Olomouc Theodor Mojžíš – Pavel Zatloukal, House for an Art Lover (documentary) Award: First Prize in Architecture and Design category Contest: 6 th�International Film Festival on European Art ARTS�&�FILM 2010 Organizer: The Town of Telč Ondřej Jakubec (ed.), Olomouc Baroque. I – III Award: Gloria musaealis – Museum Publication of 2010 Contest: Gloria musaealis 2010 Organizer: The Ministry of Culture of the Czech Republic and the Czech Association of Museums and Galleries Olomouc Baroque Award: 2nd prize - Museum Exhibition of 2010 Contest: Gloria musaealis 2010 Organizer: The Ministry of Culture of the Czech Republic and the Czech Association of Museums and Galleries

216�—�217

Olomouc Baroque Award: Prize for an Exceptional Deed in the Protection and Promotion of Cultural Heritage Contest: The Olomouc Region Prize 2010 Organizer: The Olomouc Region

Reconstruction of the Olomouc Archdiocesan Museum Award: Construction Project of the Year�2007 Contest: Construction Project of the Year�2007 Organizer: ABF (Foundation for the Development of Architecture and Building Industry)

Rostislav Švácha (ed.), SIAL Award: 1st prize – Professional and Scientific Literature Contest: The Most Beautiful Czech Book of 2010 Organizer: The Museum of Czech Literature and the Ministry of Culture of the Czech Republic

Reconstruction of the Olomouc Archdiocesan Museum Award: EMF nomination (Top�10) Contest: 2008 European Museum of the Year Award Organizer: European Museum Forum

Series of restoration exhibitions and catalogues Award: Europa Nostra Award Contest: European Union Prize for Cultural Heritage / Europa Nostra Awards 2009 Organizer: European Union The Olomouc Archdiocesan Museum Award: Nomination for European Museum of the Year Award 2008 Contest: European Museum of the Year Organizer: Council of Europe, European Museum Forum Reconstruction of the Olomouc Museum of Art Award: First Prize and the title Construction Project of the Decade in the Olomouc Region Contest: Construction Project of the Decade in the Olomouc Region 1999 Organizer: Omnis Expo Reconstruction of the Olomouc Archdiocesan Museum Award: Nomination of the Czech Chamber of Architects Contest: Mies van der Rohe Award 2005, 2007 Organizer: European Union Prize for Contemporary Architecture – Mies van der Rohe Award 2005, 2007 Reconstruction of the Olomouc Archdiocesan Museum Award: Prize for an Exceptional Deed in the Area of Protection and Promotion of Cultural Heritage Contest: The Olomouc Region Prize 2006 Organizer: The Olomouc Region Reconstruction of the Olomouc Archdiocesan Museum Award: Museum Deed of 2006, 2nd Prize Contest: Gloria musaealis Organizer: Czech Association of Museums and Galleries Reconstruction of the Olomouc Archdiocesan Museum Award: 1st Prize Contest: The Olomouc Region Construction Project of the Year 2006 Organizer: The Olomouc Region and the Czech Chamber of Authorised Engineers and Technicians in Building Industry

407

Ivan Theimer, Testa di bimbo con cappello / Boy’s Head with a Hat, 2006, so far the last gift to Olomouc Museum of Art dated October 2012