N A OY A Y OS H I KA W A
ARCH ITE CTURE PORTFOLIO
Profile
PERSONAL
NAME
INFORMATION
Naoya Yoshikawa
DATE OF BIRTH
08/2017
Jyun-Meiten-Award, “Collecting Rooms” , with Sotaro Kikuchi
09, April, 1992
07/2017
Design Space Award,” Forms of prehistory” , with Lab members.
NATIONALITY
Japan
09/2016
Meiten-Award(1st Prize), “Thinking about space”
CONTACT
naocvsmvsosvv@gmail.con
03/2016
Sendai Design League Best 100 works(30),” REMEMBRANCE”
http://archibeambibibibibi.tumblr.com
02/2016
Aoba-Incentive award, ” REMEMBRANCE”
09/2015
JIA Tohoku Student Award 2nd prize,” Propaganda in the Wave Back”
07/2015
Design Practice Studio,Best works, ” Visible Invisible Office”
02/2015
Tonchiku-Cup ,First prize ” Propaganda in the Wave Back”
AWARDS
https://twitter.com/cvsmvsosvv
EDUCATION
EXTRA
LANGUAGES
04/2016-now
Architecture Design and Theory course, IGARASHI Taro Lab, Tohoku Univ.
10/2014
Kenchiku-Shinjinsen,Best 100 ,” Tunnel School”
03/2016
Bachelor of Architecture(Engineering), Tohoku Univresity, Miyagi
07/2014
JSCA Tohoku Student Award,First Prize, ” Sign”
04/2011-03/2012
Morioka Chuo Zemi, Iwate
04/2008-03/2011
Morioka Dai-ichi High School, Iwate
08/2017
Summer School X-lab, Kivi Sotama Studio, Tokyo
HANDS
Hand-Drawing
Advanced
09/2016-03/2017
Creek(Art School), Miyagi
Model-Making
Advanced
Photography
Good
Indesign
Beginner
Sakura-Kawa-Brain-Aida(ZINE), 08/2017
Illustrator
Advanced
Taiwan Architecture (Diploma Exhibition in Taiwan) 2016, 08/2017
Photoshop
Good
Diploma Project 2016, 06/2016
AutoCad
Beginner
Rhinoceros
Beginner
PUBLISHMENT
Zero-good-life(Essay), Gekkan-Nihachi(Monthly Magazine), 11/2017-
SKILLS
SOFTWARES
JAPANESE
Native
Sketchup
Good
ENGLISH
Basics
Premiere
Beginner
GERMAN
Beginner
MS Office
Good
TABLE OF CONTENTS
T H E PRO PAGANDA IN TH E WAV E BACK
Academic Work,2015
RE ME MBE RANCE
Diploma Project, 2016
TH E FO RMS O F PRE H ISTO RY
Exhibition(Lab),2016
MO DE L WO RL D
Exhibition(Lab),2017
PROPAGANDA IN THE WAVE BACK ARCHITECTURE and MOVIE and CITY To make a model from my feelings of the movie "stoker" and space-ize and architecturize the model. (Storker: The Soviet movie in 1979 by Andrei Tarkovsky)
When people design form(When you think that you have find new form),they should challenge to transform with using every ideas and every tools.To consider the meaning of making form different from simple cube volume.To know the difference.You will find coolness of the form. You decide the direction of design.The form generates not only negative spaces, but also shadow and transformed shadow’ s shape. And imagine the flow of air, rain and sound. Things has thickness. Considering conbination of these thicknesses, you have to design how to realize The movie is representing a fear during all times of the movie. A fear comes something we can find, so to
it, and remember pure fascination
design consept model that is balanced by white blocks and curved thin wood. Some strings is tangled.
of the forms.
7500 6000 3000 6000 7500
ROOF PLAN
12000
8000
16000
60000
16000
8000
Equipment
7
2
8
Existence building
8 3
PLAN A 1
2
8
3
A’ 4
5
6
8 9
N
7
EV
A roof with a continuous wavy film structure captures light from the
2
1. Children's Book
6. Staff Room
outside and shadows the roof itself. A smooth space connection and a
2. Rest Space
7. Bookcases along the waves
dramatic space break. Simple and repeating wave type roof. The
3. Courtyard
8. Bookshelf turning around the waves
4. Newly published
9. WC
5. Cashier counter
bookshelf that surrounds the pillar coming down from the ceiling creates various places inside.
To be continued......
Hyper arChitECturE COMiCs
What is that? Wow.... there is a strange roof.
Story1:Wave
drawing and story : Naoya Yoshikawa
SECTION
1500
8000
A-A’ Section
4
3
2
5
3000
1
8000
8000
8000
8000 48000
m
8000
8000
SECTIONAL DETAIL
Flap Film Outside Film Fluorine coated glass fiber cloth + Titanium oxide photocatalyst coat
Steel pillar 200×200×8
Inside Film PVC coarting polyester fiber cloth
Guide Pipe Outside Film Rainwater gradient 1/50
Inside Film Floor: Concrete polished mirror finish Deck plate
Rain water stand pipe small caliber PVC 65 A (From the horizontal projected area of the roof surface)
To rainwater drainage To air conditioning equipment Existing Yomiuri Building RC Frame
5〔m〕
1 3
photo:Izuru Echigoya
REMEMBRANCE WRITING TO REACH YOU
Cities are made while being influenced by many factors such as history, the natural environment, relationships with the surroundings.If there is a form in people 's philosophy (in other words, personality), what is it? How will it be shaped? People make their own philosophy with their own experiences and knowledge. It is in the ocean of the memory of the spirit world. Based on the remembered memory, I make 40 pictures and stories.Classify them and accumulate formed objects. This is not architecture that protects the body as a shelter. By imagining, by admitting its existence, This is an architecture that protects our mind.
PROCESS
Draw
Picture of 40 and story
RE-drawing
Analysis and classification
▲
▲
▲
Modeling
▲
▲
▲
Remembrance
To the spirit world
Accumulation Construction-ization
WRITING DRAWING MODEL-MAKING RE-DRAWING
Living room , TV That same day as usual, the boy was watching the baseball live broadcast on TV with his father. But even though the boy was not interested in baseball at all, he thought that he wanted to see variety of counterprograms, and picked up dinner Drawing Frame
grilled fish at the tip of chopsticks. Whether the favorite team is superior or inferior, when an extreme difference games, He always changed the channel.
-size
ina Imag
om ry-ro
Apparently he seemed not to like baseball in particular. While pretending to support the team he will patronize, the boy was cheering on the offensive team for inner and inner table and back. It was good if it got a lot of points and the channel's right of the TV turned around.
ANALYSIS
View area Conscious area
Object, (= human, thing ) View point
Room
Infinite View(Landscape)
DESIGN Object-ization
Disappearance of the scale and equalization Wall clock and Wristwatch
When the main part of the thing being drawn is a thing or a person, it is converted into an object. Deform the shape and design the surface. A stationary object integrates the depth. An object with movement connects the surface of each moment with a wire rod.
Modelizing Inside space
Metamorphosis by perspective
When the meaning and the situation are drawn in the picture, I make the space the subject of modeling. The inside is made.
When modeling it, the identical room which was drawn from a different viewpoint will be the different shape.
Infinite things sculpture-ization
When remembering with an image as the head, its scale difference disappears. the scale of the model disappears from this thing
Model Expression
I have noticed it when I tried to draw a landscape. The landscape continues infinitely everywhere. It is very difficult to express it in a limited model. The collection of countless things is a landscape. There is neither inside nor outside. Therefore, sculpture is shown by engraving objects whose inside is dense. Colored only inside
Colored on all surfaces
The boy always thought that baseball was a mysterious competition. The pitcher is thrown to a place where it is easy to strike, although he would not want to be hit by a ball, and the catcher is hanging his finger near the crotch. When asking about that, the man always smiled.
Room Model
The boy got sleepy after dinner, so he lay down beside the cabbage. He looked at the TV, He looked at the ceiling and the wall.
Object
ag
(Im
m Roo
l
ode
y) M inar
Room(hideout) Model
On the wall there was a round clock and a picture of a big sunflower. The boy continued his thinking that he knew that he should be asleep if he had something of circle and square, he knew whether he was going to bed or not. While watching TV, the man told the boy he took a baseball game ticket. It is a gift to the elder. The boy jumped up. Surely the boy thought that the elder should now be watching baseball with a hideout.
The man took down the remote control of the TV, lowered the volume slightly, and made a phone call.
Object Model
Room Model
It is the elder who is talking over the phone.At the telephone mouth, it seemed that only the fact that he went to the elder's retreat soon to be told was reported. The boy changed the TV channel in this time.
Infinite View Model Room Model
The boy and his father visited the elders' hideout with a car. It was a very old house, the floor was tilted in some places, and the ceiling was surprisingly low.
me
ng Fra
Drawi
Room Model-Entrance
The man told me he had jumped and hit his head against the beam. A lot of people seemed to have lived in a hideout in the past, and some of the rooms remained untouched. Immediately after entering the entrance, above the shoe box on the left wall was a decorated colored paper with a fine rain reading. That was the elders motto.
Fishing and snakes There was a small river in front of the hideout. The river width is at most 4 and 5 meters, and the depth is 5, 60 centimeters. On the riverbank, people living in other nearby hideouts, like their garden, planted flowers and raised vegetables without permission. The boy decided to fish in the river. I had never seen any other person fishing, but ducks were often flying, so I thought that there were fish as well.
Infinite View Model
O
bj
ec
t
Object
The boy attempted to feed the needle and threw the fishing rod thread to the river. The boy had no knowledge of fishing. Even after waiting for 1 hour, waiting for two hours, the boy could not catch fish. However, as it came fishing, leaving behind a hideout, small boys' little self-esteem did not allow for returning without catching a single fish. The riverside ground was wet with weeds and was damp. The boy does not want his ass getting wet. He can not sit down either. He stood standing looking up at the river.
m Roo
del
Mo
When I was thinking about my stupidity that I had forgotten to bring a bucket, I suddenly heard a loud voice. Snake!!!!!! Someone who kept the garden was running to the boy. It seems there was a snake. The boy got scared and instantly stopped fishing and returned to the hideout. Elders and men seemed to be talking about something, but stopped talking when the boy came. The boy told the elders and the man "There are snakes, so I stopped fishing."
Country perfume The elders often farted. He stood up from the seat chair he always sits, left the living room, and he often returned straight away.The boy thought that the elder was too early to go back and that time would be too short for a walk. He tried to follow after the elder when the elder took off his seat.
Object
The boy witnessed the truth. The elder was flirting on the corridor as soon as he left the living room. The elder said a word "It is a country perfume."
Object
ag Im ina size m-
roo ryje
Draw
ing Fr
Ob
Dra
win
g Fr
am
e
The elders wanted the hideout to be poorer. Before going to bed at night, arranged the beer cases, plywood boards and garbage boxes placed outside the hideout place purposely around the windows. The elders told the boy to show it to be poor. The boy thought that there might be a thief in this country town, but I kept it silent.
ame
del
o ct M
A few days later, the man and the boy decided to go home. A man has to go back to work and a boy has a school. It was an elder who almost never went outside the hideout except when closing the gate of the house and building blocks, but when the boy returned home he came out to the outside to see me off. Both men and boys open the door of a car stored in a narrow garage a little bit and slide the body sideways and slide into the car.
Object
Elders go out on the road and check that there are no cars coming, while lightly raising the hands raised to the shoulder back and forth, we are sending a sign with Alright. The car slowly got out of the garage to the road.
Object
Room Model
Drawing
Frame
In a hideout, the elder were fidgeting. He was wondering whether the man and the boy had arrived safely. The outside
Im
became dark and the elder made excessive lock-ups of the daily
ry na
i ag
routine. A man said that they arrived home safely on the
ze
-si
om
-ro
phone. The elder relaxed and entered the bath.
Room Model
e
-siz
om
-ro
ary
to see the next day. The boy was watching TV.
gin
He said he was not feeling well. The man told me that he will go
Drawing Frame
Ima
One evening after a few months the phone came from the elders.
In the next morning, when the man rushed, the elders did not move anymore. Ro
om
He left for heaven while sleeping.
Mo
de
l
The boy has known it by telephone from a man. The boy was surprised by sudden Ro
om
M
things, but he was not so sad for some reason. od
el
Everyday, I get lost. I get lost in vain. At that time I listen to someone's voice whispers in me. I certainly can hear that someone is whispering in me, maybe an angel and a devil, a god and a Buddha, or someone different? What on earth are these guys. In order to explore this identity, And to understand it, we dive into the spirit world to give shape. What was there was a pillar of my spirit, made up of numerous memories.
THE FORMS OF PREHISTORY
Usually, the pottery we see is organized and displayed in an academic framework such as excavated place and type. This is a project that tried to express the appeal of earthenware by removing such framework of invisible information and relying only on visible <shape>. By classifying the form of pottery and replacing the degree of the difference in shape with the distance of the space, 135 pieces of pottery form a gradational arrangement.We named this as <chain> and designed a plane that goes around between chains of chains. The exhibition stands represent the chain of pottery in the dimension of space. Beyond the framework of "pottery" as an exhibit and "exhibition stand" to support it, or "archaeological material" to be exhibited and "architecture" to give exhibition space, we aimed the space that people move back and forth between <form>.
Site:Aobayama campus, Tohoku Univ.(Miyagi) Session:September-October, 2016 Sponsor:Frontier Research Institute for Interdisciplinary Sciences, Tohoku University/School of Engineering ,Tohoku University/Graduate School/Faculty of Arts and Letters Tohoku University Director:IGARASHI Taro, AKOSHIMA Kaoru, TOKI Ayano, ARIMATSU Yui Cooperation:SAIDA Jyunji, HUJISAWA Atsushi, TAMURA Kohei Space design/Production:TOKI Ayano,KUNUGIZA Motomichi, KIKUCHI Sotaro, OIKAWA Kenta,KATO Kenichi, CHIBA Dai, YOSHIKAWA Naoya Booklet design:SHIRATORI Daiki, TANAKA Ryohei,HONMA Shuhei, KINOSHITA Jumpei, GOTO Yuto, MATSUKAWA Sonomi, KIKUCHI Tatsuya Invited Artist:AONO Fumiaki, ONOZAWA Michiko Photo:Sakurai Sonoko,Tanaka Ryohei,Naoya Yoshikawa
photo:Sakurai Sonoko
A-1-North 1050x1050 A-1-West 700x1050
A-4-West 700x900
A-1-South 700x1050
A-4-North 700x900
A-3-North 800x900
A-4-East 700x900
A-1-East 700x1050 A-2-West 350x900 A-2-South 350x900 A-2-East 600x900
A-5-South 200x750 A-3-East 500x900 A-3-South 500x900
photo:Tanaka Ryohei
H-2-西 1650x1050
B-4-西 550x1200
B-1-北 550x1200
B-4-北 550x1200
B-1-西 550x1200 B-1-南 550x1200
B-4
B-4-南 1000x1200
B-1
C-1-南 250x1050 C-1-東 250x1050
H-1-南 700x750 C-3-南 550x1050
C-1-西 250x1050
C-1
C-3-西 550x1050
C-1-北 1050x1050
B-4-東 550x1200
C-3-北 11 5 0 x 1 0 5 0
C-3
C-3-東 1450x1050
C-5-西 950x1200
C-5-南 550x1200
C-5
C-2 B-2-東 550x1050
B-3-南 700x900
B-2-南 11 5 0 x 1 0 5 0
B-3
B-3-東 700x900
H-2-南 550x1050
C-6 C-6-北
C-5-北 550x1200
A-1-南 700x1050
A-3-北 800x900
G-1-北 1000x600
A-1-北 1050x1050
A-4-東 700x900
A-1
A-1-東 700x1050
D-2
D-2-東 450x750
A-2-東 600x900
A-2
A-2-南 350x900
A-4 A-3
A-2-西 350x900 A-3-南 500x900 A-3-東 500x900
A-5-南 200x750
A-5
A-5-東 350x750
A-6-南 350x750
A-7-南 350x600
A-5-北 200x750
A-6
J-2-西 850x1200
J-3-南 400x900
J-2 J-3
J-2-北 850x1200
J-2-東 1550x1200
F-3-東 11 5 0 x 6 0 0 L-1-西 400x1200
F-1-西 1400x750
A-8-北 1700x600
A-8 F-1-南 1000x750
A-10- 西 350x600
F-2
F-2-北 400x750
K-1-南 1200x900
K-2-南 400x750
A - 11 - 西 350x600
A-11
A - 11 - 東 350x600 A-12- 南 700x750 A-12- 東 350x750
A-12- 西 350x750
A-12
L-2-西 288x1200
K-1-東 850x900
K-2
L-1-北 1250x1200
L-2
L-2-南 400x1200 L-2-東 400x1200
K-2-東 400x750
F-1-東 1000x750
N-3-西 400x900 N-3-南 950x900
A-13
A-13- 東 350x900
M-3
N-2-西 288x600
A-13- 北 350x900
A-13- 南 450x900 A-13- 西 350x900
K-1
K-2-西 400x750
L-1
L-1-東 288x1200
K-1-北 850x900
F-1-北 400x750
F-1
L-1-南 400x1200
K-1-西 850x900
F-2-西 400x750
A-10
M-2-西 1050x1200
M-1-西 550x900
M-1-南 550x900
M-1-北 550x900
N-1
M-2-南 550x1200
N-2
M-4-西 288x1200
N-3 M-2-北 550x1200 M-4-南 850x1200
N-4
N-1-西 11 0 0 x 9 0 0
N-4-東 1200x1600
M-2
N-1-南 700x900
M-1
M-4-北 400x1200
N-1-東 700x900
N-3-北 400x900 N-3-東 400x900
N-2-南 400x600
M-3-西 400x900
M-3-南 400x900
M-2-東 1400x1200 O-2-東 612x750
J-1-東 438x1050
A-7
A-8-西 2100x600
J-2-南 1900x1200
F-3
F-2-南 1800x750
A-10- 北 450x600
O-2
J-1
J-3-西 400x900
A-9-北 550x600
O-1-西 485x900
O-2-南 11 8 8 x 7 5 0
J-1-南 550x1050
G-5-北 550x900
F-3-北 11 5 0 x 6 0 0
A-10- 東 350x600
O-1-東 730x900
G-5
G-5-南 850x900
E-1-南 1000x600
A-9
A-7-北 1700x600
O-1
J-1-西 550x1050
G-5-西 550x900
G-5-東 550x900
A-9-西 550x600
A-7-東 288x600
O-1-北 1003x900
G-4-東 350x900
G-1-東 1000x600
A-9-南 550x600
A-8-東 1600x600
A-6-東 450x750
G-4
F-3-西 11 5 0 x 6 0 0
A-4-西 700x900 A-6-北 350x750
G-4-西 350x900
J-3-北 400x900
D-3-東 350x600
A-4-北 700x900
G-3
G-3-東 350x750
G-4-南 450x900
E-1-北 1000x600
E-1
G-3-西 350x750
I-2-北 1200x1500
I-2-東 550x1200
D-3-北 350x600
D-3
D-3-南 350x600
G-2
G-1
D-1-東 450x900
E-1-東 1000x600
I-2
G-2-北 700x750
E-1-西 1000x600
D-2-北 350x750
I-1-北 1450x1200
I-1-東 550x1200
G-2-西 400x750 G-2-南 400x750
D-1-北 350x900
D-2-南 350x750
I-1
I-2-西 550x1200
G-1-南 1000x600
A-1-西 700x1050
I-1-南 550x1200
H-3-東 700x900
B-3-西 700x900
D-1
H-3 H-3南 700x900
G-2-東 1300x750
D-1-南 350x900
I-1-西 550x1200
H-3-北 700x900
H-2-東 1200x1050
H-1-東 700x750
C-4-東 700x900
D-1-西 350x900
H-2
C-4-北 700x900
C-2-東 850x900
H-2-北 550x1050
C-5-東 1200x1200
C-4
C-2-北 850x900
H-1
C-6-西 1050x1800
235x900
B-2
B-1-東 11 5 0 x 1 2 0 0
C-6-南 235x900
H-1-北 700x750
N-1-北 700x900
photo:Sakurai Sonoko
photo:Sakurai Sonoko
MODEL WORLD THE COLLECTION OF FORMS TO EXPLORE
The model used in the process of academic research has various purposes. To understand the structure and structure of the form, in order to reproduce colors and shapes as they are like genuine, to touch invisible things and concepts.Model which is indispensable for research sometimes has beauty beyond its role and tells us the passion of innovation to explore wanting to understand the world. In this exhibition, We wanted to express the world where you can experience the spread of academics through models. It would be greatly appreciated if you could find new possibilities in the academic world from unique model groups collected from academic materials produced in the Meiji Era to modern.
All Photo:Sakurai Sonoko
Folding Furniture For Mobile Museum
〈壁〉
〈開口壁〉 〈ﾌﾚｰﾑ〉
900x450 ：天板ｻｲｽﾞ H 750 ：天板高さ W +1050 ：天板からの立上り ﾀﾞｰｸｸﾞﾚｰ ：布仕上げ色
600x600 H 900 W +450 ﾀﾞｰｸｸﾞﾚｰ
750x450 H 1200 W +600 ﾚｯﾄﾞ
600x450 H 900 W +300 ﾀﾞｰｸｸﾞﾚｰ
壁 1800
750x450 H 1200 W ＋300 ﾗｲﾄｸﾞﾚｰ
900x450 H 750 W +1050 ﾀﾞｰｸｸﾞﾚｰ
500
1000
750x450 H 1200 W +600 ﾚｯﾄﾞ
450x450 H 1200 W ＋300 ﾗｲﾄｸﾞﾚｰ
2000 (mm)
450x750 H 900 W +300 ﾗｲﾄｸﾞﾚｰ
750x450 H 300 W +1200 ﾚｯﾄﾞ
1200x750 H 900 W +600 ﾀﾞｰｸｸﾞﾚｰ
1200x1200 H 600 W +900 ﾀﾞｰｸｸﾞﾚｰ
600x600 H 750 W ＋150 ﾀﾞｰｸｸﾞﾚｰ
750x750 H 900 W +600 ﾀﾞｰｸｸﾞﾚｰ 450x450 H 1050 ﾚｯﾄﾞ
450x450 H 450 W +1350 ﾗｲﾄｸﾞﾚｰ 750x750 H 750 W +1350 ﾗｲﾄｸﾞﾚｰ
900x900 H 750 W +750 ﾀﾞｰｸｸﾞﾚｰ
182x493 H 900 W +900 ﾀﾞｰｸｸﾞﾚｰ
600x600 H 1050 ﾚｯﾄﾞ
900x450 H 750 ﾀﾞｰｸｸﾞﾚｰ
0
600x900 H 1050 W +600 ﾀﾞｰｸｸﾞﾚｰ
1200x1050 H 750 W +1050 ﾀﾞｰｸｸﾞﾚｰ
1500x750 H 600 W +900 ﾚｯﾄﾞ
450x750 H 900 W ＋300 ﾀﾞｰｸｸﾞﾚｰ
450x450 H 900 W ＋150 ﾀﾞｰｸｸﾞﾚｰ
壁 1500
N
450x450 H 900 W +750 ﾗｲﾄｸﾞﾚｰ
450x450 H 450 W +1050 ﾗｲﾄｸﾞﾚｰ
750x450 H 900 W ＋300 ﾗｲﾄｸﾞﾚｰ
750x450 H 1200 W ＋300 ﾗｲﾄｸﾞﾚｰ
600x600 H 600 W +1200 ﾗｲﾄｸﾞﾚｰ
750x450 H 1050 W +300 ﾗｲﾄｸﾞﾚｰ
750x450 H 900 W ＋300 ﾀﾞｰｸｸﾞﾚｰ
750x450 H 1200 W ＋300 ﾗｲﾄｸﾞﾚｰ
600x300 H 1200 W +600 ﾚｯﾄﾞ
562x518 H 900 ﾀﾞｰｸｸﾞﾚｰ
900x300 H 1050 ﾗｲﾄｸﾞﾚｰ
600x600 H 1050 W +750 ﾗｲﾄｸﾞﾚｰ
600x600 H 1050 W +750 ﾗｲﾄｸﾞﾚｰ 450x750 H 750 W +1050 ﾗｲﾄｸﾞﾚｰ 450x750 H 900 W ＋750 ﾗｲﾄｸﾞﾚｰ
315x496 H 900 W +900 ﾀﾞｰｸｸﾞﾚｰ
900x900 H 900 ﾀﾞｰｸｸﾞﾚｰ 578x115 H 1050 ﾀﾞｰｸｸﾞﾚｰ
600x600 H 600 W +1200 ﾗｲﾄｸﾞﾚｰ
750x450 H 1200 W +450 ﾀﾞｰｸｸﾞﾚｰ
300x300 H 1050 ﾗｲﾄｸﾞﾚｰ
450x450 H 900 ﾗｲﾄｸﾞﾚｰ 1050x450 H 1050 W +600 ﾚｯﾄﾞ 900x300 H 1200 W +450 ﾚｯﾄﾞ
Naoya Yoshikawa naocvsmvsosvv@gmail.com