Katy Perry teenage dream
teenage dream You think I’m pretty without any make-up on/You think I’m funny when I tell the punch line wrong/I know you get me/ So I let my walls come down, down/Before you met me I was alright/But things were kinda heavy/You brought me to life, now every February/ You’ll be my Valentine, Valentine/pre-chorus Let’s go all the way tonight/No regrets, just love/We can dance until we die/You and I, we’ll be young forever/chorus You make me/Feel like I'm livin' a/Teenage dream/The way you turn me on/I can't sleep/ Let's run away/And don't ever look back/Don't ever look back/My heart stops/ When you look at me/Just one touch/Now baby I believe/ This is real/So take a chance/ And don't ever look back/ Don't ever look back/We drove to Cali and got drunk on the beach/Got a motel and built a fort out of sheets/I
finally found you, my missing puzzle piece/I'm complete/ pre-chorus/chorus/I’ma get your heart racing/In my skin tight jeans/Be your teenage dream tonight/Let you put your hands on me/ In my skin tight jeans/Be your teenage dream tonight/chorus/I’ma get your heart racing/ In my skin tight jeans/Be your teenage dream tonight/Let you put your hands on me/In my skin tight jeans/ Be your teenage dream tonight Produced by Dr. Luke and Benny Blanco for Kasz Money Productions, Inc. and Max Martin for Maratone/Engineered by Emily Wright and Sam Holland at Conway Recording Studios, Los Angeles, CA/Assisted by Aniela Gottwald/ Mixed by Serban Ghenea/Mixed at MixStar Studios, Virginia Beach, VA/ Engineered by John Hanes/Assisted by Tim Roberts/Vocals by Katy Perry and Snoop Dogg/Drums, Keyboards and Programming by Dr. Luke, Max Martin and Benny Blanco/ Bieperaphone by Tamra Natisin/ Snoop Dogg appears courtesy at Doggy Style/Priority Records Snoop Dogg’s Production Coordination by Ted Chung/Wirriten by Katy Perry, Lukasz Gottwald, Max Martin, Benjamin Levin, Bonnie McKee and
Calvin Broadus © 2010 When I’m Rich You’ll Be My Bitch (ASCAP) administered by WB Music Corp./Maratone AB (ASCAP) administered by Kobalt Songs Music Publishing, Inc./Matza Ball Music/ Where Da Kasz At? (BMI) administered by Kobalt Songs Music Publishing, Inc./ Bonnie McKee Music/Where Da Kasz At? administered by Kobalt Songs Music Publishing (BMI)/My Own Chit/EMI Blackwood Music, Inc. (BMI). All Rights Reserved. Used by Permission.
LAST FRIDAY NIGHT (T.G.I.F) There’s a stranger in my bed/There’s a pounding in my head/Glitter all over the room/Pink flamingos in the pool/I smell like a mini-bar/ DJs passed out in the yard/ Barbies on the barbecue/This a hickey or a bruise/pre-chorus Pictures of last night/Ended up online/I'm screwed/Oh well/It’s a blacktop blur/But I’m pretty sure/It ruled/Damn/ chorus Last Friday night/Yeah, we danced on tabletops/And we took too many shots/Think we kissed but I forgot/Last Friday night/Yeah, we maxed our credit cards/Then got kicked out of the bar/So we hit the boulevard/Last Friday night/We went streaking in the park/Skinny dipping in the dark/Then had a ménage ã trois/Last Friday night/ Yeah, I think we broke the law/Always say we’re gonna stop/But this Friday night/ Do it all again/This Friday night/Do it all again/Trying to
connect the dots/Don’t know what to tell my boss/Think the city towed my car/Chandelier is on the floor/Ripped my favorite party dress/Warrants out for my arrest/Think I need a ginger ale/That was such an epic fail/pre-chorus/ chorus/T.G.I.F.(x7)/chorus Produced by Dr. Luke for Kasz Money Productions, Inc. and Max Martin for Maratone/Engineered by Emily Wright and Sam Holland at Conway Recording Studios, Los Angeles, CA and Playback Recording Studios, Santa Barbara, CA/ Assisted by Tucker Bodine and Tatiana Gottwald/Mixed by Serban Ghenea/ Mixed at MixStar Studios, Virginia Beach, VA/Engineered by John Hanes/Assisted by Tim Roberts/Vocals by Katy Perry/ Drums, Keyboards and Programming by Dr. Luke and Max Martin/Saxophone by Lenny Pickett/Production Coordination by Irene Richter, Vanessa Dilberman and Megan Dennis/Written by Katy Perry, Lukasz Gottwald, Max Martin, and Bonnie McKe © 2010 When I’m Rich You’ll Be My Bitch (ASCAP) administered by WB Music Corp./Maratone AB (ASCAP) administered by Kobalt Songs Music Publishing, Inc./ Bonnie McKee Music/Where Da Kasz At? administered by Kobalt Songs Music Publishing, Inc./CYP Two Publishing (BMI). All Rights Reserved. Used by Permission.
California Gurls Greetings, loved ones/ Let’s take a journey/I know a place/Where the grass is really greener/Warm, wet and wild/There must be something in the water/Sippin’ gin and juice/Laying underneath the palm trees (undone)/The Boys break their necks/Trying to creep a little sneak peek (at us)/pre-chorus You could travel the world/But nothing comes close to the golden coast/ Once you party with us/You’ll be falling in love o o o o/ chorus California girls/We’re unforgettable/Daisy Dukes, bikinis on top/Sun-kissed skin so hot/Will melt your popsicle/ Oh oh oh oh/California girls/ We’re undeniable/Fine, fresh, fierce/We got it on lock/ West Coast represent, now put your hands up/Oh oh oh oh/ Sex on the beach/We don’t mind sand in our stilettos/We freak in my Jeep/Snoop Doggy Dogg on the stereo oh oh/ You could travel the world/ snoop
But nothing comes close to the golden coast/Once you party with us/You’ll be falling in love/pre-chorus/chorus/snoop Toned tan fit and ready/Turn it up ‘cause it’s getting heavy/ Wild Wild West Coast/These are the girls I love the most/I mean the ones, I mean like she’s the one/Kiss her, touch her, squeeze her buns/The girl’s a freak, she drive a Jeep and live on the beach/I'm okay, I won’t play/I love the bait just like I love LA/Venice Beach and Palm Springs/Summertime is everything/Homeboys bangin’ out/All that ass hangin’ out/ Bikinis, zucchines, martinis, no weenies, just a king and queenie/Katy my lady (yeah)/ Lookie here, baby/I'm all up on ya/'Cause you’re representin’ California/chorus/California/ California/snoop California girls man/California/California
Produced by Dr. Luke and Benny Blanco for Kasz Money Productions, Inc. and Max Martin for Maratone/Engineered by Emily Wright and Sam Holland at Conway Recording Studios, Los Angeles, CA/Assisted by Aniela Gottwald/Mixed by Serban Ghenea/Mixed at MixStar Studios, Virginia Beach, VA/Engineered by John Hanes/ Assisted by Tim Roberts/Vocals by Katy Perry and Snoop Dogg/Drums, Keyboards and Programming by Dr. Luke, Max Martin and Benny Blanco/Bieperaphone by Tamra Natisin/Snoop Dogg appears courtesy at Doggy Style/Priority Records Snoop Dogg’s Production Coordination by Ted Chung/ Written by Katy Perry, Lukasz Gottwald, Max Martin, Benjamin Levin, Bonnie McKee and Calvin Broadus © 2010 When I’m Rich You’ll Be My Bitch (ASCAP) administered by WB Music Corp./Maratone AB (ASCAP) administered by Kobalt Songs Music Publishing, Inc./Matza Ball Music /Where Da Kasz At? (BMI) administered by Kobalt Songs Music Publishing, Inc./Bonnie McKee Music/Where Da Kasz At? administered by Kobalt Songs Music Publishing (BMI)/My Own Chit/EMI Blackwood Music, Inc. (BMI). All Rights Reserved. Used by Permission.
FIREWORK Do you ever feel/Like a plastic bag/Drifting through the wind/ Wanting to start again/Do you ever feel/Feel so paper-thin/ Like a house of cards/One blow from caving in/Do you ever feel/Already buried deep/ Six feet under/Screams but no one seems to hear a thing/Do you know that there’s/Still a chance for you/‘Cause there’s a spark in you/You just gotta/ pre-chorus Ignite the light/And let it shine/Just own the night/Like the Fourth of July/chorus ‘Cause baby, you’re a firework/Come on show ‘em what you’re worth/ Make ‘em go, “Aah, aah, aah”/ As you shoot across the sky/ Baby, you’re a firework/Come on let your colors burst/Make ‘em go, “Aah, aah, aah”/You’re gonna leave them all in awe, awe, awe/You don’t have to feel/Like a wasted space/You’re original/Cannot be replaced/If you only knew/What the future holds/After a hurricane/Comes a rainbow/Maybe a reason why/
All the doors were closed/ So you could open one/ That leads you to the perfect road/Like a lightning bolt/ Your heart will glow/And when it’s time you’ll know/ You’re just gotta/pre-chorus/ chorus/Boom, boom, boom/ Even brighter than the moon, moon, moon/It’s always been inside of you, you, you/And now it’s time to let it through/ chorus/Boom, boom, boom/ Even brighter than the moon, moon, moon/Boom, boom, boom/Even brighter than the moon, moon, moon Produced by Stargate for 45th & 3rd Music LLC and Sandy Vee for Empire Artist Management/Recorded by Mikkel S. Erikson and Miles Walker for Milk Money Consulting, Inc. at Roc The Mic Studios, New York, NY/Additional Engineered by Carlos Oyanedel and Damien Lewis/ Assisted by Josh Houghkirk/Mixed by Sandy Vee at The Bunker Studios, Paris and Phil Tan for RiotProof Productions at Soapbox Studios, Atlanta, GA/Vocals by Katy Perry/ All Instruments by Mikkel S Eriksen, Tor Erick Hermansen and Sandy Vee /Stargate managed by Tim Blacksmith & Danny D./ Written by Katy Perry, Mikkel S. Erikson.
PEACOCK I wanna see your peacock, -cock, -cock,/Your peacock, -cock/Your peacock, -cock, -cock,/Your peacock/I wanna see your peacock, -cock, -cock,/Your peacock, -cock/ Your peacock, -cock, -cock,/ Your peacock/Word on the street you got something to show me, me/Magical, colorful, Mr. Mystery/I’m intrigued for a peek, heard it’s fascinating/Come on baby let me see/What you hiding underneath/What’s up your sleeve/Such a tease, wanna see the show/In 3-D, a movie, heard it’s beautiful/I’ll be the judge and my girls gonna take a vote/Come on baby let me see/What you hiding underneath/pre-chorus I want the jaw-dropping, eye-popping, head-turning, body-shocking/I want my heart throbbin, ground shaking, show stopping, amazing/chorus Are you brave enough to let me see
your peacock/Don’t be a chicken boy, stop acting like a bee-otch/I’ma peace out if you don’t give me the payoff/ Come on baby let me see/ What you hiding underneath/ Are you brave enough to let me see your peacock/ Whatcha waiting for, it’s time for you to show it off/Don’t be a shy kinda of guy, I bet it’s beautiful/Come on baby let me see you/What you hiding underneath/I wanna see your peacock, -cock, -cock,/Your peacock, -cock/ Your peacock, -cock, -cock,/ Your peacock/I wanna see your peacock, -cock, -cock,/ Your peacock, -cock/Your peacock, -cock, -cock,/Your peacock/Skip the talk, heard it all, time to walk the walk/ Break me off, if you bad, show me who’s the boss/ Need some Goose, to get loose, come on take a shot/ Come on baby let me see/ What you hiding underneath/
my God, no exaggeration/Boy, all this time was worth the waiting/I just shed a tear/I am so unprepared/You got the finest architecture/End of the rainbow-looking treasure/ Such a sight to see/And it’s all for me/chorus pre-chorus/chorus/Oh
Produced by Stargate for 45th & 3rd Music LLC/Recorded by Mikkel S. Erikson and Miles Walker for Milk Money Consulting, Inc. at Roc The Mic Studios, New York, NY/Mixed by Serban Ghenea/Mixed at MixStar Studios, Virginia Beach, VA/ Engineered by John Hanes/Assisted by Tim Roberts/Vocals by Katy Perry/All Instruments by Mikkel S Eriksen and Tor Erick Hermansen/Stargate managed by Tim Blacksmith & Danny D./Written by Katy Perry, Mikkel S. Erikson, Ton Erik Hermansen and Ester Dean © 2010 When I’m Rich You’ll Be My Bitch (ASCAP) administered by WB Music Corp./EMI Music Publishing (ASCAP)/Peermusic III Ltd./Peermusic III Ltd. obo Dat Damn Dean Music (BMI). All Rights Reserved. Used by Permission.
Circle the drain This is the last time, you say/ After the last line you break/ It’s not even a holiday/ Nothing to celebrate/You give a hundred reasons why/ And you say you’re really gonna try/If I had a nickel for every time/I’d own the bank/ Thought I was the exception/I could have re-write your addiction/You could’ve been the greatest/But you’d rather get wasted/chorus You fall asleep during foreplay/’Cause the pills you take are more your forté /I’m not sticking around to watch you go down/Wanna be your lover/ Not your fucking mother/ Can’t be your saviour/I don’t have the power/I’m not gonna stay/And watch you circle the drain/Watch you circle the drain/Watch you circle the drain/You say you have to write your rhymes/ Whatever helps you sleep at night/You’ve become what you despise/A stereotype/You
think you’re so rock and roll/ But you’re really just a joke/ Had the world in the palm of your hands/But you fucking choked/Should’ve been my teammate/Could’ve changed your fate/You say that you love me/You won’t remember in the morning/chorus x2/ Watch you circle the drain/ Watch you circle the drain/ You’re going down x4/You fall asleep during foreplay/’Cause the pills you take are more your forté/I’m not sticking around to watch you go down Produced by C. “Tricky” Stewart for RedZone Entertainment/ Engineered by Brian “B-LUV” Thomas, Andrew Wooper and Chris “TEK” O’Ryan at Stadio at the Palms, Las Vegas, NV, Triangle Sound Studios, Atlanta, GA, The Boom Room, Burbank, CA, Henson Recording Studios, Atlanta, GA and Silent Sound Studios, Atlanta, GA/ Additional Engineering by Pat Thrail/ Assited by Luis Navarro, Steven Dennis, Mark Gray, Randy Urbanski, Kory Aaron, Nicolas Essig, Charles Malone, Travis Harrington and Justin Roberts/ Mixed by Jaycen-Joshua for the Penua Project/Innersound Mgmt. at Larrabee Studios, Universal City, CA/ Assisted by Giancario Lino/ Vocals
by Katy Perry/ Vocals Produced by Kuk Harrell/ Vocal Sound by Andrew Wuepper/ Guitars by Charles Malone, Julio Miranda and Daniel Silvestri/ Guitar Tracking and Sounds by Nick Chahwala/ Guitar and Bass Recorded and Engineered by Nick Chahwala/ Bass by Daniel Silvestri/ Drum Programming by C. “Tricky” Stewart and Pat Thrail/ Live Drums by Josh Frees/ Live Drums Engineered by Steve Churchyard/ Special Tweaking and Electronic Breaks by C. “Tricky” Stewart, Mike Green and Chris “TEK” O’Ryan/ Written by Katy Perry, Christopher Stewart and Monte Nueble © 2010 When I’m Rich You’ll Be My Bitch (ASCAP) administered by WB Music Corp./ RZE Music Publishing/ Universal Music Corp. (ASCAP)/ OSS Music/ Songs Of Universal, Inc. (BMI). All Rights Reserved. Used by Permission.
That One that got away Summer after high school/ When we first met/We'd make out in your Mustang/To Radiohead/And on my 18th birthday/We got matching tattoos/Used to steal your parent's liquor/And climb to the roof/Talk about our future/Like we had a clue/ Never planned that one day/I'd be losing you/chorus In another life/I would be your girl/We'd keep all our promises/Be us against the world/In another life/I would make you stay/So I don't have to say/You were the one that got away/The one that got away/I was june and you were my Johnny Cash/Never one without the other/We made a pact/Sometimes when I miss you/I put those records on/Someone said you had your tattoo removed/Saw you downtown/Singing the blues/ It's time to face the music/I'm no longer your muse/chorus/ The one/The one/The one/
The one that got away/All this money/Can't buy me a time machine, no/Can't replace you with a million rings, no/I should've told you/What you meant to me, whoa/'cause now I pay the price/chorus/ The one (the one)/The one (the one)/The one (the one)/ In another life/I would make you stay/So I don't have to say/You were the one that got away/The one that got away Produced by Dr. Luke for Kasz Money Productions, Inc. and Max Martin for Maratone/Engineered by Emily Wright and Sam Holland at Conway Recording Studios, Los Angeles, CA/Assisted by Tatiana Gottwald/Mixed by Serban Ghenea/Mixed at MixStar Studios, Virginia Beach, VA/Engineered by John Hanes/Assisted by Tim Roberts/ Vocals by Katy Perry/Drums, Keyboards and Programming by Dr. Luke and Max Martin/Production Coordination by Irene Ritcher, Vanessa Silberman and Megan Dennis/ Written by Katy Perry, Lukasz Gottwald and Max Martin © 2010 When I’m Rich You’ll Be My Bitch (ASCAP) administered by WB Music Corp./ Maratone AB (ASCAP) administered by Kobalt Songs Music Publishing, Inc. All Rights Reserved. Used by Permission.
E.T. You’re so hypnotizing/ Could you be the devil/ Could you be an angel/Your touch, magnetizing/Feels like I am floating/Leaves my body glowing/They say/ Be afraid/You’re not like the others/Futuristic lover/ Different DNA/They don’t understand you/pre-chorus You’re from a whole ‘nother world/A different dimension/ You open my eyes/And I’m ready to go/Lead me into the light/chorus Kiss me, kiss me/ Infect me with your loving/ Fill me with your poison/Take me, take me/Wanna be your victim/Ready for abduction/ Boy, you’re an alien/ Your touch so foreign/It’s supernatural/Extra-terrestrial/ You’re so supersonic/Wanna feel your powers/Stun me with your laser/Your kiss is cosmic/Every move is magic/ pre-chorus/chorus/This is transcendental/On another level/Boy, you’re my lucky
star/I wanna walk on your wavelength/And be there when you vibrate/For you, I’ll risk it all/chorus/Extraterrestrial/Extra-terrestrial/ Boy, you’re an alien/ Your touch so foreign/It’s supernatural/Extra-terrestrial Produced by Dr. Luke and Ammo for Kasz Money Productions, Inc. and Max Martin for Maratone/Engineered by Emily Wright and Sam Holland at Conway Recording Studios, Los Angeles, CA/Assisted by Aniela Gottwald/ Mixed by Serban Ghenea/Mixed at MixStar Studios, Virginia Beach, VA/ Engineered by John Hanes/Assisted by Tim Roberts/Vocals by Katy Perry/ Drums, Keyboards and Programming by Dr. Luke, Max Martin, and Ammo/ Production Coordination by Irene Ritcher, Vanessa Silberman and Megan Dennis/ Written by Katy Perry, Lukasz Gottwald, Max Martin and Joshua Coleman © 2010 When I’m Rich You’ll Be My Bitch (ASCAP) administered by WB Music Corp./Kasze Money Publishing (ASCAP)/Maratone AB (ASCAP) administered by Kobalt Songs Music Publishing, Inc./Each Note Counts/ Prescripition Songs (ASCAP). All Rights Reserved. Used by Permission.
WHO AM I LIVIVING FOR I can feel a phoenix inside of me/As I march alone to a different beat/Slowly swallowing down my fear/I am ready for the road less traveled/Suiting up for my crowning battle/This test is my own cross to bear/But I will get there/pre-chorus It’s never easy to be chosen/ Never easy to be called/ Standing on the front line/ When the bombs start to fall/ And I can see the heavens/ But I still hear the flames/ Calling out my name/chorus I can see the writing on the wall/I can’t ignore this war/ At the end of it all/Who am I living for/I can feel this light that’s inside of me/Growing fast into a bolt of lightning/I know one spark will shock the world/So I pray for favor like Esther/I need your strength to handle the pressure/I know there will be sacrifice/But that’s the price/pre-chorus/ chorus x2/At the end, at the
end/Who am I living for/ At the end, at the end/Who am I living for/Heavy is the head that wears the crown/ Don't let the greatness get you down/Heavy is the head that wears the crown/Don't let the greatness get you down/ chorus x2/At the end, at the end/Who am I living for/At the end, at the end/Who am I living for Produced by C. “Tricky” Stewart for RedZone Entertainment/Engineered by Brian “B-LUV” Thomas and Andrew Wooper at Stadio at the Palms, Las Vegas, NV, Triangle Sound Studios, Atlanta, GA, and The Boom Room, Burbank, CA/ Additional Engineering by Pat Thrail/ Assited by Luis Navarro, Steven Dennis, Mark Gray, Jason Sherwood and Randy Urbanski/Mixed by Jaycen-Joshua for the Penua Project/Innersound Mgmt. at Larrabee Studios, Universal City, CA/ Assisted by Giancario Lino/Vocals by Katy Perry/Vocals Produced by Kuk Harrell/ Vocal Sound by Andrew Wuepper/Guitars by Brent Paschke and Michael Thompson/ Guitar Recorded by Chris “TEK” O’Ryan and Andrew Wuepper/Keyboards by C. “Tricky” Stewart and Monte Neuble/ Drum Programming by C. “Tricky” Stewart and Brian “B-LUV” Thomas/Written by Katy Perry, Christopher Stewart, Monte
Nueble and Brian Thomas © 2010 When I’m Rich You’ll Be My Bitch (ASCAP) administered by WB Music Corp./RZE Music Publishing/Universal Music Corp. (ASCAP)/OSS Music/Songs Of Universal, Inc. (BMI)/OSS Creations/Universal Music, Corp. (ASCAP). All Rights Reserved. Used by Permission.
Pearl She is a pyramid/But with him she’s just a grain of sand/This love’s too strong/Like Mice and Men/Squeezing out the life/That should be let in/She was a hurricane/But now she’s just a gust of wind/She used to set the sails of a thousand ships/Was a force to be reckoned with/pre-chorus She could be a Statue of Liberty/ She could be a Joan of Arc/ But he’s scared of the light that’s inside of her/So he keeps her in the dark/chorus Oh, she used to be a pearl/Yeah, she used to rule the world/ Can’t believe she’s become a shell of herself/‘Cause she used to be a pearl/She was unstoppable/Move fast just like an avalanche/But now she’s stuck deep in cement/ Wishing that they never ever met/pre-chorus/chorus/Do you know that there’s a way out/ There’s a way out, there’s a way out, there’s a way out/You don’t have to be held down/
Be held down, be held down, be held down/‘Cause I used to be a shell/Yeah, I let him rule my world, my world/But I woke up and grew strong/And I can still go on/And no one can take my pearl/You don’t have to be a shell, no/You’re the one that rules your world/You are strong/ And you’ll learn/ That you can still go on/And you'll always be a pearl/She is unstoppable Produced by Greg Wells/Recorded by Lewis Tozour at Rocket Carousel Studio, Los Angeles, CA/Mixed by Serban Ghenea at MixStar Studios, Virginia Beach, VA/ Mix Engineered by John Hanes/Assisted by Tim Roberts/Vocals by Katy Perry/Drums, Synths, Piano and Programming by Greg Wells/Synths and Programming by Fabien Waltmann/Written by Katy Perry, Greg Wells and Christopher Stewart © 2010 When I’m Rich You’ll Be My Bitch (ASCAP) administered by WB Music Corp./Firehouse Cat Music (ASCAP). All rights administered worldwide by Kobalt Music Group, Ltd./ RZE Music Publishing/Universal Music Corp. (ASCAP). All Rights Reserved. Used by Permission.
Hummingbird Heartbeat You make me feel like I’m losing my virginity/The first time every time when you’re touching me/I’ll make you bloom like a flower that you’ve never seen/Under the sun we are one buzzing energy/Let’s pollinate to create a family tree/This evolution with you comes naturally/Some call it science, we call it chemistry/This is the story of the bird and the bees/pre-chorus And even when seasons change/Our love still stays the same/chorus You give me that hummingbird heartbeat/Spread my wings and make me fly/The taste of your honey is so sweet/When you give me the hummingbird heartbeat/Hummingbird heartbeat/Hummingbird heartbeat/Hummingbird heartbeat/I’ve flown a million miles just to find a magic seed/A white flower with the power to bring life to me/ You’re so exotic, get my whole
body fluttering/Constantly craving for a taste of your sticky sweet/Always on the brink of a heart attack/You keep me alive and keep me coming back I see the sun rise in your eyes, your eyes/We’ve got a future full of blue skies, blue skies/ pre-chorus/chorus/You love me, you love me/Never love me not/When we’re in perfect harmony/You make me sound like/Like a symphony/chorus x2/Hummingbird heartbeat x3 Produced by C. “Tricky” Stewart for RedZone Entertainment/Engineered by Brian “B-LUV” Thomas and Andrew Wooper and Chris “TEK” O’Ryan at Stadio at the Palms, Las Vegas, NV, Triangle Sound Studios, Atlanta, GA, and The Boom Room, Burbank, CA and Henson Recording Studios, Los Angeles, CA/Additional Engineering by Pat Thrail/Assited by Luis Navarro, Steven Dennis, Nicolas Essig and Randy Urbanski/Mixed by Serban Ghenea/Mixed at MixStar Studios, Virginia Beach, VA/ Engineered by John Hanes/Assisted by Tim Roberts/Vocals by Katy Perry/Vocals Produced by Kuk Harrell/Vocal Sound by Andrew Wuepper/Guitars by Brent Paschke and Michael Thompson/Guitar Recorded by Brian “B-LUV” Thomas, Andrew Wuepper and Chris “TEK” O’Ryan/Keyboards by C. “Tricky” Stewart and Monte Neuble/
Bass By Michael Thompson/Drum Programming by C. “Tricky” Stewart and Pat Thrall/Live Drums By Josh Freese/Live Drums Engineered by Steve Churchyard/ Written by Katy Perry, Christopher Stewart, Stacy Barthe and Monte Nueble © 2010 When I’m Rich You’ll Be My Bitch (ASCAP) administered by WB Music Corp./RZE Music Publishing/Universal Music Corp. (ASCAP)/Satcy Songs/Universal Music Publishing (ASCAP)/OSS Music/Universal Music, Corp. (ASCAP). All Rights Reserved. Used by Permission.
Not Like The Movies He put it on me, I put it on/Like there was nothing wrong/It didn’t fit, it wasn’t right/Wasn’t just the size/ They say you know when you know/I don’t know/I didn't feel the fairy-tale feeling, no/ Am I a stupid girl/For even dreaming that I could/chorus If it’s not like the movies/ That’s how it should be, yeah/ When he’s the one, I’ll come undone/And my world will stop spinning/And that’s just the beginning, yeah/ Snow White said when I was young,/“One day my prince will come”/So I wait for that date/They say it’s hard to meet your match/Gotta find my better half/So we make perfect shapes/If stars don’t align/If it doesn’t stop time/ If you can’t see the sign/Wait for it/One hundred percent/ With every penny spent/He'll be the one that finishes your sentences/chorus/‘Cause I know you’re out there/And
you’re, you’re looking for me, oh/It’s a crazy idea that/ You were made perfectly for me, you see/Just like the movies/That's how it will be/ Cinematic and dramatic/ With the perfect ending, ooh/ It’s not like the movies/But that's how it should be, yeah/ When he’s the one, you'll come undone/And your world will stop spinning/And it’s just the beginning Produced by Greg Wells/Recorded by Lewis Tozour at Rocket Carousel Studio, Los Angeles, CA/Mixed by Serban Ghenea at MixStar Studios, Virginia Beach, VA/Mix Engineered by John Hanes/Assisted by Tim Roberts/Vocals by Katy Perry/Drums, Synths, Piano and Programming by Greg Wells/ Written by Katy Perry and Greg Wells © 2010 When I’m Rich You’ll Be My Bitch (ASCAP) administered by WB Music Corp./Firehouse Cat Music (ASCAP). All rights administered worldwide by Kobalt Music Group, Ltd. All Rights Reserved. Used by Permission.
Executive Producers: Dr. Luke & Max Martin Original Painting by Will Cotton. Courtesy of Mary Boone Gallery. Direct Management Group, Inc./Bradford Cobb, Martin Kirkup & Steve Jensen Mastered by Brian “Big Bass” Gardner at Bernie Grundman Mastering, Hollywood, CA A&R: Chris Anakute/Aditional A&R: rob Stevenson/Marketing: Bob Semanovich/Creative Direction: Angelica Cob-Baehler/Photography: Will Cotton/Art Direction: Jo Ratcliffe/ Design: An Art Service/A&R Adimin: Ronette Bowie/A&R Adimin. Coordinator: Liz Isik/Album Coordinator: Ngoc Hoang I believe that when talent meets preparation meets opportunity, you can breed success. For the talent, I thank God and the unique DNA of my wonderful, hilarious family. for the preparation, I thank the brilliant people who have helped me grow musically and personally. We are a team and one to be damm proud of. Finally, for the opportunity… to meet you. YOU are fundamental to my existence, and I will never take that for granted. We will do great things together - you wait, watch and listen. I hope this record will help spark a firework in you to fulfill your dreams, no matter what the obstacles - your pure, true, teenage dreams. From my California cotton candy clound. Love, the new & improved Katy Hudson-Perry-Brand. © 2010 The copyright in this sound recording is owned by Capitol Records. © 2010 Capitol Records. © 2010 Capitol Records. This label copy information is the subject of copyright protection. All rights reserved. © 2012 Capitol Records. All rights of the producer and of the owner of the recorded work reserved. Unauthorised copying, public performance, broadcasting, hiring or rental of this recording prohibited. Printed in EU. SDRM/Biem lLC00148
www. katyperry.com www.myspace.com/katyperry www.capitolrecords.com www.emi.com.br
01. TEENAGE DREAM 02. LAST FRIDAY NIGHT (T.G.I.F.) 03. CALIFORNIA GURLS 04. FIREWORK 05. PEACOCK 06. CIRCLE THE DRAIN 07. THE ONE THAT GOT AWAY 08. E.T. 09. WHO AM I LIVING FOR 10. PEARL 11. HUMMINGBIRD HEARTBEAT 12. NOT LIKE THE MOVIES
www. katyperry.com www.myspace.com/katyperry www.capitolrecords.com