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#MuseumFromHome As the National Gallery remained closed to the public due to COVID-19, staff quickly adapted to running the institution while working from home, writes Keren Nicholson.

On a Friday in March, many Gallery staff loaded

Annie O’Hehir Curator of Photography

Wayne Duroux

the contents of our desks onto trolleys, departed through the staff entrance and headed home

I’ve worked at the NGA for … too long possibly!

to set up our new temporary offices: on dining

I’ve worked at the NGA since … January 2019.

I worked in the Library years ago which I loved.

tables, in lounge rooms, on balconies. Some

I wanted to work for the NGA because …

I used to come to the Gallery in the early days.

I wanted to be part of an organisation that is

Seeing a Diane Arbus photo for the first time,

highly respected and to undertake a role that is

it blew my socks off.

challenging.

My daily #WFH routines are … I am keeping

My daily #WFH routines are … not that

regular working hours a bit more successfully than

different. I am actually still on site at the Gallery

I might have thought. I wander around the garden

to undertake essential work. My work entails

then get straight to work. I have more time for

ensuring that the Gallery is maintained and

doing things I like — yoga and my Zen Chi machine.

ready to accept visitors and those staff who have

behind our closed doors – to keep the national

My COVID-19 isolation buddies are … the

been working from home upon re-opening.

collection secure, to conduct major conservation

Gallery’s Exhibitions Designer Jing and her

I’m currently working on … reviewing the slate

treatments on works that rarely come off display

husband Kevin are staying with me while their

and concrete areas that surround the building

and to continue to build new public spaces for

house is getting built. Their Cavalier King Charles

and Sculpture Garden to ensure they are clean

you to enjoy in the future.

Spaniel McKinley is here too. We think he might

and safe for access when the Gallery reopens.

be needing some ‘me time’. Last night he slept in

The pandemic has taught me … not being able

borrowed library books, and those of us who were really on our game borrowed office chairs. The IT department became our new best friends. Since then the Gallery has been (mostly) delivered to you from our homes in various parts of the country, including Canberra, Sydney, Adelaide and Darwin. Some staff remained; essential personnel continued to work

We adapted to a new normal: we shifted exhibitions to online, we educated our children while managing full-time work, and we physically worked alongside

to a dog all day to hug and talk to is excellent.

our families and of course our beloved pets.

The pandemic has taught me … that our need

Importantly, for all of us, we know that these times

to control the world doesn’t always work out.

will change us. We are both challenged and

The knowledge that so many people are suffering

enlightened – we’ve stretched our communication

in so many ways is confronting. Hopefully, it is the

muscles, our work processes are altered forever and

beginning of a big change in how we are on this

our relationships have been tested.

planet so that we can heal it and ourselves.

Here, five staff talk about their experience.   Keren Nicholson is the Social Media Manager

10

the loungeroom by himself. Having access

nga.gov.au

General Maintenance Officer

to visit family members in person and the effect of the social isolation rules in regards to funerals and weddings has impacted on me. When this is over, I’m looking forward to… visiting my family members, and those who are elderly and vulnerable.


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THE ART OF GIVING Directors of the National Gallery’s Foundation Board

9min
pages 64-67

PARTNERSHIPS

6min
pages 62-63

GARDEN OF TREASURES The history and highlights of our Sculpture Garden

10min
pages 56-61

A CHAPTER IN PRINT Retiring Senior Curator Roger Butler reflects on helping founding Director James Mollison form the print collection

5min
pages 54-55

VALE JAMES MOLLISON, AO

11min
pages 50-53

POLES APART

1min
pages 48-49

LOANS IN LOCKDOWN What happens when an artwork on loan is temporarily stranded in lockdown?

5min
pages 36-39

COVID ON COUNTRY Coronavirus has left an economic, social and emotional impact on vulnerable Indigenous communities and their arts centres

5min
pages 32-35

OUT OF THE BLUE

10min
pages 40-47

WHEN VIRTUAL BECOMES REALITY Jess Johnson, in New York, and Simon Ward, in New Zealand, collaborated virtually during lockdown

6min
pages 30-31

CREATION IN ISOLATION From embracing TikTok and producing art on toilet paper to virtual galleries, how some Australian artists responded to the pandemic

7min
pages 26-29

NEW ACQUISITIONS

3min
pages 10-11

DIRECTOR’S WORD

4min
pages 6-7

HEART IN THE DARKNESS Bill Henson, who released new works of a pre-pandemic Rome during lockdown, talks isolation and artistic process

7min
pages 22-25

#MUSEUMFROMHOME

7min
pages 12-13

ART CLASS

3min
page 9

CHALLENGE ACCEPTED The Vincent family became an Instagram

3min
pages 14-15

EDITOR’S LETTER

3min
page 8

APPLAUSE Artist Angelica Mesiti, who spent the lockdown in her home studio in Paris, reflects on connection in isolation

3min
pages 18-19
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