Artonview 102

Page 18

Applause Australian artist Angelica Mesiti spent the COVID-19 lockdown in her home studio in Paris. Here, she reflects on connection in isolation.

Applause is not an action that is at its best in the singular. It’s much better

Europe - where residents applaud the healthcare workers and other

in a group when it relies on consensus. Then it is an affirmation and a

frontline essential service people from their apartment windows in a

reply. It says: ‘YES!! Thank you! And well done!’ to whoever its message is

show of solidarity, gratitude and encouragement. But I would have never

for. It also says: ‘I agree with you and let’s assertively agree that this thing

anticipated the effect of this nightly act.

is good’. It says: ‘I’m going to join you and give sound to my agreement,

In the first few days of confinement, when everything was full of

and when my sound joins with your sound we will be making it larger

uncertainty, anxiety and fear, this 8pm ritual of applause was a moment

and louder and stronger’.

of unexpected relief. At the end of a day of isolation, to open the windows

When more people join in making this sound a new effect begins,

and see neighbours - who we’d never seen before - wave at us and each

we become a collective in agreement and our sound swells then returns

other, and smile and share a collective moment, was like medicine. We

energy back to us. Because the energy is producing vibrations that are

didn’t speak; we relied on gesture and signals to affirm to each other we

now waving their way between us and entering our diaphragms, raising

were still there, connected in our shared isolation and knowing that gave

the hairs on our arms and bouncing off the walls of the buildings, this

us relief.

thing that is swelling takes on shape and form and becomes an entity and it has power and force. Every night at 8pm since the beginning of confinement (34 days at

It is a small act and it only lasts a few minutes each day, but it reinforces something essential that we didn’t know we needed. It gives us a way to give sound and action to our existence, to our physical self and

the time of writing) this is what happens on our street. You will have

our connectedness to each other. Even while we are closed away, staying

heard of the ritual that came into being seemingly spontaneously across

home, staying safe.

Angelica Mesiti, ASSEMBLY 2019, three-channel video installation. Stills and installation views. National Gallery of Australia, Canberra, purchased 2019 A Know My Name project

16

nga.gov.au


Turn static files into dynamic content formats.

Create a flipbook

Articles inside

THE ART OF GIVING Directors of the National Gallery’s Foundation Board

9min
pages 64-67

PARTNERSHIPS

6min
pages 62-63

GARDEN OF TREASURES The history and highlights of our Sculpture Garden

10min
pages 56-61

A CHAPTER IN PRINT Retiring Senior Curator Roger Butler reflects on helping founding Director James Mollison form the print collection

5min
pages 54-55

VALE JAMES MOLLISON, AO

11min
pages 50-53

POLES APART

1min
pages 48-49

LOANS IN LOCKDOWN What happens when an artwork on loan is temporarily stranded in lockdown?

5min
pages 36-39

COVID ON COUNTRY Coronavirus has left an economic, social and emotional impact on vulnerable Indigenous communities and their arts centres

5min
pages 32-35

OUT OF THE BLUE

10min
pages 40-47

WHEN VIRTUAL BECOMES REALITY Jess Johnson, in New York, and Simon Ward, in New Zealand, collaborated virtually during lockdown

6min
pages 30-31

CREATION IN ISOLATION From embracing TikTok and producing art on toilet paper to virtual galleries, how some Australian artists responded to the pandemic

7min
pages 26-29

NEW ACQUISITIONS

3min
pages 10-11

DIRECTOR’S WORD

4min
pages 6-7

HEART IN THE DARKNESS Bill Henson, who released new works of a pre-pandemic Rome during lockdown, talks isolation and artistic process

7min
pages 22-25

#MUSEUMFROMHOME

7min
pages 12-13

ART CLASS

3min
page 9

CHALLENGE ACCEPTED The Vincent family became an Instagram

3min
pages 14-15

EDITOR’S LETTER

3min
page 8

APPLAUSE Artist Angelica Mesiti, who spent the lockdown in her home studio in Paris, reflects on connection in isolation

3min
pages 18-19
Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.