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The art of giving As Directors of the National Gallery’s Foundation Board, Penelope Seidler and Andrew Lu have generously joined a collective of donors who have supported the Know My Name initiative.

Among the many acquisitions and programs you have supported, you are a generous donor to our Know My Name initiative. What motivated you to be part of this important collective of donors? I was pleased to support Know My Name to increase the prominence of women artists, particularly indigenous artists. The popular perception of the artist is a male, few women are ever in the top ten of the public’s top ten artists. Let’s hope Know My Name can reverse this perception! What is your favourite work of art in the NGA collection, and what does this work mean to you?

PENELOPE SEIDLER AM

I confess that my favourite work at NGA is a gift I made in memory of [late husband] Harry, the Theo van Doesburg Space-time construction #3, 1923; this De Stijl work hung in our house for several years. Harry had admired the work since he saw it at the Museum of Modern Art in 1946; we were excited to be able to purchase it in the 1990s. The NGA’s collection is the appropriate Gallery in Australia to house this seminal work of art as it joined a significant international European collection; I get a special thrill whenever I see it and know it will be treasured.

Penelope Seidler, an architect and visionary arts patron, was a Member of the NGA’s Governing Council from 1984 to 1990 and has been a Director of the Foundation Board since 2000. As a mark of her global art interests, Penelope has sat on the International Council of the Museum of Modern Art in New York since 1973. An inspiring supporter of artists, Penelope notably featured in the major film work Inverso Mundus by Russian artist collective AES+F that was displayed as part of the Gallery’s Hyper Real exhibition in 2017. What inspires you to continue your engagement with the Gallery as a member of its fundraising board? I was involved with the NGA before its opening; I visited the collection at Fyshwick when the art was stored waiting for the building to open. I was at the opening gala and have felt part of the Gallery ever since. I was a member of Council during the 80’s and I have continued my association as a member of the Foundation Board! I enjoy the breadth of collection, the amazing research facilities and the professionalism of the curators. I have been able to contribute and donate to the collection and hope to be able to continue; I am so pleased that its unique collection can be shared by us all.

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nga.gov.au

Above: National Gallery Director Nick Mitzevich with Foundation Board Director Penelope Seidler Left: Theo Van Doesburg, Space-time construction #3 1923, drawing, National Gallery of Australia, Canberra. Donated through the Australian Government’s Cultural Gifts Program by Penelope Seidler AM in memory of Harry Seidler AC in 2010 Right: Foundation Board Director Dr Andrew Lu


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THE ART OF GIVING Directors of the National Gallery’s Foundation Board

9min
pages 64-67

PARTNERSHIPS

6min
pages 62-63

GARDEN OF TREASURES The history and highlights of our Sculpture Garden

10min
pages 56-61

A CHAPTER IN PRINT Retiring Senior Curator Roger Butler reflects on helping founding Director James Mollison form the print collection

5min
pages 54-55

VALE JAMES MOLLISON, AO

11min
pages 50-53

POLES APART

1min
pages 48-49

LOANS IN LOCKDOWN What happens when an artwork on loan is temporarily stranded in lockdown?

5min
pages 36-39

COVID ON COUNTRY Coronavirus has left an economic, social and emotional impact on vulnerable Indigenous communities and their arts centres

5min
pages 32-35

OUT OF THE BLUE

10min
pages 40-47

WHEN VIRTUAL BECOMES REALITY Jess Johnson, in New York, and Simon Ward, in New Zealand, collaborated virtually during lockdown

6min
pages 30-31

CREATION IN ISOLATION From embracing TikTok and producing art on toilet paper to virtual galleries, how some Australian artists responded to the pandemic

7min
pages 26-29

NEW ACQUISITIONS

3min
pages 10-11

DIRECTOR’S WORD

4min
pages 6-7

HEART IN THE DARKNESS Bill Henson, who released new works of a pre-pandemic Rome during lockdown, talks isolation and artistic process

7min
pages 22-25

#MUSEUMFROMHOME

7min
pages 12-13

ART CLASS

3min
page 9

CHALLENGE ACCEPTED The Vincent family became an Instagram

3min
pages 14-15

EDITOR’S LETTER

3min
page 8

APPLAUSE Artist Angelica Mesiti, who spent the lockdown in her home studio in Paris, reflects on connection in isolation

3min
pages 18-19
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