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CONTRIBUTORS

ART CLASS From virtual art classes to specially-commissioned activity sheets and live Instagram Q & As between curators and collection artists, the Gallery used innovative ways to educate and connect with audiences during lockdown. By Celeste Aldahn.

ANGELICA MESITI Angelica Mesiti’s videos are portraits that consider how communities are formed through shared movement and communication. The artist represented Australia at the 58th Venice Biennale with the threechannel video installation ASSEMBLY 2019, which was acquired for the national collection. Read Paris-based Mesiti’s essay about the importance of connection during a time of isolation on page 16.

EVELYN ARALUEN Evelyn Araluen is an award-winning poet, researcher and educator working with Indigenous literatures at the University of Sydney and represented by the Red Room Poetry organisation. She is a co-coordinator of Black Rhymes Aboriginal Poetry Night celebrating local First Nations voices in Redfern. Born, raised and writing on Dharug country, she is a descendant of the Bundjalung nation. Read Evelyn’s poem Stutter, a response to a work by Pixy Liao from The Body Electric, on page 18.

JANE ALBERT Journalist Jane Albert has spent the past two decades writing about arts and culture for publications including The Weekend Australian, Good Weekend and Vogue Australia. Jane wrote Loans in Lockdown on page 34. “I had no idea the pandemic would effect so many artworks, worldwide,” she says. “And was fascinated (and relieved) to hear of the strict regulations in place to ensure they’re all being appropriately looked after until it’s safe for them to be returned.”

Art IRL digital programs Audiences enjoyed a glimpse into the life

Artist activity sheets The Gallery commissioned a series of activity

of artists and industry professionals, as Art IRL

sheets in collaboration with artists from across

– the Gallery’s program for young audiences –

the country. These sheets enabled audiences

hosted weekly intimate Q & A sessions live on

to create art from home during the lockdown

Instagram. Led by the Gallery’s Teen Council,

with simple everyday materials. The innovative

the in-conversations provided insights into

initiative – which will continue in the coming

career pathways while highlighting ideas at the

months – was developed by the Gallery’s

heart of the national collection. Interviewees

Programs and Learning team who worked

included artist Abdul Abdullah and Gallery

closely with artists including Daniel Boyd

curator Anja Loughhead. According to Teen

(above), Jenny Kee, Julie Rrap and Noŋgirrŋa

Council representative Sophie: “Talking with

Marawili.

professionals, especially young experts, is a very real way to demystify the industry.” During the April school holidays, Art IRL

The Gallery also created a new online suite of activities for 0-5 year olds. Art Family includes a set-by step instructional video

also held Online Art Labs. These included AR

and an associated activity sheet. This series is

Face Filters with digital artist Jess Herrington

inspired by works in the collection by artists

(above, inspired by Jess Johnson and Simon

such as Andy Warhol, Cordula Ebatarinja, Grace

Ward’s immersive work of art Terminus)

Crowley, Sidney Nolan and Sonia Delaunay.

and a session with Wiradjuri-Scottish digital

  Celeste Aldahn is Teen Programmer,

artist and illustrator April Phillips. Twenty

Curatorial and Education

participants joined the virtual classroom NOELLE FAULKNER Noelle Faulkner interviewed Australian artists about how they were affected by COVID-19 for Creation in Isolation on page 24. Noelle specialises in writing “with a wider cultural lean” from art to music, travel, automotive and futurist ideas. “Galleries are a place of worship for me and artists have shaped the way I think about a lot of things,” she says. “The way art surpasses language to timelessly communicate and provoke ideas is a dragon I am forever chasing as a writer.”

chaired by April and received a crash-course in digital art and creative critique. Last month audiences from around Australia also tuned in as Art IRL went live with

Follow: @nationalgallery.artirl @nationalgallery.learning nga.gov.au/learn/artfromhome

an after-hours digital event featuring a feed of music and performance by young creatives and a suite of free Online Art Labs inspired by the national collection.

Left: AR face filters by Jess Jerrington inspired by Jess Johnson and Simon Ward’s Terminus Right: Artist Daniel Boyd and young creatives at work on his Artist Activity sheet. An interpretive response to Daniel Boyd’s Artist Activity

WINTER 2020

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Articles inside

THE ART OF GIVING Directors of the National Gallery’s Foundation Board

9min
pages 64-67

PARTNERSHIPS

6min
pages 62-63

GARDEN OF TREASURES The history and highlights of our Sculpture Garden

10min
pages 56-61

A CHAPTER IN PRINT Retiring Senior Curator Roger Butler reflects on helping founding Director James Mollison form the print collection

5min
pages 54-55

VALE JAMES MOLLISON, AO

11min
pages 50-53

POLES APART

1min
pages 48-49

LOANS IN LOCKDOWN What happens when an artwork on loan is temporarily stranded in lockdown?

5min
pages 36-39

COVID ON COUNTRY Coronavirus has left an economic, social and emotional impact on vulnerable Indigenous communities and their arts centres

5min
pages 32-35

OUT OF THE BLUE

10min
pages 40-47

WHEN VIRTUAL BECOMES REALITY Jess Johnson, in New York, and Simon Ward, in New Zealand, collaborated virtually during lockdown

6min
pages 30-31

CREATION IN ISOLATION From embracing TikTok and producing art on toilet paper to virtual galleries, how some Australian artists responded to the pandemic

7min
pages 26-29

NEW ACQUISITIONS

3min
pages 10-11

DIRECTOR’S WORD

4min
pages 6-7

HEART IN THE DARKNESS Bill Henson, who released new works of a pre-pandemic Rome during lockdown, talks isolation and artistic process

7min
pages 22-25

#MUSEUMFROMHOME

7min
pages 12-13

ART CLASS

3min
page 9

CHALLENGE ACCEPTED The Vincent family became an Instagram

3min
pages 14-15

EDITOR’S LETTER

3min
page 8

APPLAUSE Artist Angelica Mesiti, who spent the lockdown in her home studio in Paris, reflects on connection in isolation

3min
pages 18-19
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