April 21 & 22 Spring Estates Auction by Neal Auction

Neal Auction Important Estates Auction April 21 & 22, 2012

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Front Cover (detail): Helen Maria Turner (American/New Orleans, 1858-1958), “Flowers,” oil on canvas, signed, 18 x 15 in. Back Cover (detail): Fine British Rococo Revival carved walnut triple wardrobe, mid 19th c. This Page William Aiken Walker (American/South Carolina, 1838-1921), “Cabin Scene with Trumpet Vine and Jasmine,” oil on board, signed, 12 x 9 in.

LOUISIANA SPRING ESTATES PURCHASE AUCTION AUCTION October April 216&&22,7,2012 2007 On Our Premises 4038 Magazine Street & 3923 Carondelet Street • FEATURING: • The Estate of Joseph A. Davenport III, Mer Rouge, LA • Property from the Estate of Pierrine Charlotte Claudine Cabral (1938-2009), Removed from the Barrow/Brandon/Bedgood House at Greenwood Plantation, Pinckneyville, MS • Important Property from the Collection of David and Pamela Harmon, Entire Contents of Everhope Plantation, Eutaw, AL • Part II, Estate of Renowned Architect and Artist, James R. Lamantia, Jr., FAAR, New Orleans and New York • Part II, Property Sold for the Benefit of the Dominican Sisters of Peace, New Orleans • Property from the Steven Cabot Barnes Harvey (1949-1993) Collection of Southern Art • Property from the Collection of a Natchez, MS Lady • Louisiana Paintings from the Collection of a Sportsman • Fine Art from the Collection of a Metairie, LA Gentleman • Chinese and Japanese Porcelain from the Irving and Bettie Redler Collection, New Orleans • Chinese Art from the Estate of Irene Sartor Chandler, New Orleans • Property Descended in the Family of Noted Antiquarian Carrie Wolford, Jeanerette, LA • And Property of Others

EXHIBITION beginning Monday, April 9, 10 a.m. to 5 p.m. Special Saturday Preview, April 14, 10 a.m. to 5 p.m. Evening Preview Reception, Thursday, April 19, 5 to 7 p.m. AUCTION SCHEDULE Saturday, April 21, 10 a.m., 4038 Magazine Street Sunday, April 22, 11 a.m., 3923 Carondelet Street

Neal Auction Company Auctioneers & Appraisers of Antiques & Fine Art 4038 Magazine Street, New Orleans, Louisiana 70115 • 504-899-5329

1-800-467-5329 • Fax: 504-897-3808 • www.nealauction.com La. Auc. Lic. , Neal Auction Co. #AB-107, Alford #797, LeBlanc # 1514, Hinshelwood #1715

The Collection of David and Pamela Harmon, Everhope Plantation, Eutaw, Alabama This historic plantation house was built in 1853 for Nathan Carpenter, who had served with the Eutaw Rangers in the Mexican-American War, and later served as captain of the Confederate Rangers (Company B of the 36th Regiment, Alabama Infantry). The house was known as the Captain Nathan Carpenter House for many years. The Harmons, antiquarians and avid preservationists, purchased the property in 2005 and restored it to its present state, renaming it Everhope Plantation, and filling it with beautiful period objects. Everhope is now on the National Register of Historic Places. Neal Auction Company is pleased to present the entire contents of Everhope Plantation.

Joseph A. Davenport III Joseph A. Davenport III (1937-2010) was a Mer Rouge, Louisiana planter and businessman whose family roots in the area go back to the 1806 arrival of Captain Josiah Davenport in what was then known as Prairie Mer Rouge in Orleans Territory.

An avid collector with discriminating taste, Joe Davenport selected antique furniture, paintings and decorations from exclusive purveyors over several decades, creating an elegant home and garden in his familyâ&#x20AC;&#x2122;s historic Southern setting. Neal Auction Company is pleased to offer the Davenport Estate Collection.

The Barrow/Brandon/Bedgood House at Greenwood Plantation, Pinckneyville, MS Greenwood Plantation has been in the same family since its acquisition by a Spanish land grant of 1790; the earliest part of the house itself dates to 1792. Notable family members include Gerard Chittocque Brandon (17881850), the first native Mississippian to be elected governor, and Confederate General William L. Brandon (1801-1890). Closely allied plantations in Wilkinson County, Mississippi and the adjoining Feliciana Parishes of Louisiana include Arcole, Columbian Springs, Desert, Cold Spring, Richland, Highland and Como.

The Barrow/Brandon/Bedgood Collection represents a layering of material culture by many generations of this important early family. When Pierrine Bedgood, an amateur historian and avid genealogist, returned to the family home in 1974, she studied and catalogued the collection. In 1992, in celebration of the 200 year history of Greenwood Plantation, Mrs. Bedgood organized the exhibit, â&#x20AC;&#x153;Brandons, Barrows and Bedgoodsâ&#x20AC;?, presented at the Wilkinson County Museum. Greenwood Plantation will be prominently featured in the forthcoming History of the Plantations of Wilkinson County by Stella Pitts and Ernesto Caldeira. Neal Auction Company would like to thank the authors for sharing their research. Neal Auction Company is pleased to offer Part I from this historic family collection. Ref. Floyd, William Barrow. The Barrow Family of Old Louisiana.

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Session One Saturday, April 21, 10 am 4038 Magazine Street

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3. An Antique Italian Carved Walnut Cupboard, 18th c., the whole with raised panels; dentil molded top above a center frieze drawer over two doors flanked by guilloche panels, molded base, bracket feet, height 43 1/2 in., width 53 1/2 in., depth 15 in. 1

$600/900 4. A Pair of Directoire Carved Fruitwood Side Chairs, early 19th c., rectangular back with lyre splat, conforming seat rail, square tapered legs, H stretchers, attractively upholstered. $1000/1500 Provenance: Henry Stern, New Orleans. 5. A Pair of Regency Sheffield Plate Candlesticks, early 19th c., tapered standard with beribboned swags, molded circular base, one stamped W705, height 9 1/2 in.

$200/400 Provenance: Robert Schwartz Gallery, Philadelphia.

2. A George III Mahogany Canterbury, c. 1790, four divided compartments, skirt fitted with drawer, square legs, brass ferrules, casters, height 20 1/2 in., width 20 in., depth 13 in. $700/1000

1. A Pair of Regency Ebonized and Gilt-Decorated Armchairs, early 19th c., tablet crest, scroll arms, caned seat on molded seat rail, on turned tapered legs, refreshed ebonization and gilt. $800/1200

Provenance: Thomas Livingston Antiques, San Francisco, CA, 1994.

6. A Charles II Silver Repoussé Tastevin, four marks on edge of rim, 1661 date letter, maker’s mark unknown, two wirework scroll handles, repoussé and punchwork motifs of the period on sides and bottom, marked, monogrammed, height 1 1/2 in., width 5 1/4 in. $150/250

7. A Georgian Silver Encrier, unmarked, probably late 18th c., oblong pierced stand with bright cut engraving and armorial raised on fluted supports; the quill holder and bottle holder with conforming decoration, secured by wire pins on underside; height 3 1/8 in., width 8 3/4 in., depth 4 5/8 in., weight 17.75 troy ozs.

$500/700 8. An Edward VII Sterling Silver Teapot, Martin Hall & Co., Birmingham, 1904, in the Art Nouveau taste, ebonized wood handle and finial, height 5 1/2 in., length 10 3/4 in., weight 17.90 troy ozs. $400/600 9. A Large Regency Sheffield Plate Tea Urn, early 19th c., lobed cover with floral finial, bulbous body, rectangular plinth, bun feet, acanthus decorated C scroll handles with ring mounts, retains heating element, height 17 in.

$600/800 10. John Butler Yeats (Irish, 18711957) Autograph Letter Illustrated and Signed, dated August 1906, from Cashlauna Shelmiddy, Strete, near Dartmouth, South Devon; to Lady Gregory regarding September travel arrangements to Coole Park, illustrated with a sketch of two figures riding a donkey, sight 9 1/4 in. x 7 in., presented in a two-sided frame.

Foresees His Death,” “In Memory of Major Robert Gregory,” and “Shepherd and Goatherd.” The letter reads: August 15 1906 Dear Lady Gregory, Thank you very much for asking us for the first 3 weeks in September. I wish very much we could be there by the first week. But I think I ought to go some where and paint a little first. As I wont be able to get away from here till nearly the last few days of August. So I thought we would go straight away to some where in Connemara some place near the sea and then come on to Coole for the second and third weeks of September if you will have us.

$1000/1500 Provenance: The Oriel Gallery, Dublin Ireland, c. 1996. Note: Irish painter and illustrator, John Butler Yeats, was the son of John Butler Yeats, a successful portrait painter, and younger brother of the distinguished Irish poet, William Butler Yeats. Isabella Augusta, Lady Gregory (1852-1932), was an Irish dramatist and folklorist. With William Butler Yeats and Edward Martyn, she co-founded the Irish Literary Theatre and the Abbey Theatre, and wrote numerous short works for both companies. Lady Gregory is primarily remembered for her work behind the Irish Literary Revival. Her home at Coole Park,

I am sorry I cannot have my speckled cloth. It was good of you to try and get it and so I thank you all the same. I should like very much to tour about Ireland as an advance agent or any kind of agent at all. But there would be no funds for an agentess as well unless we both went about on one little donkey and Jack could do some Bill hasting (?).

County Galway, served as an important meeting place for leading Revival figures.

With kind regards [illegible]

Gregory’s only child, Robert Gregory, was killed while serving as a pilot during the First World War, an event that inspired William B. Yeats’s poems: “An Irish Airman

[illegible] sincerely

and to Robert JACK B. YEATS

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12. A Patinated Bronze Figural Fountainhead, 19th c., in the form of a dolphin masque, height 13 in., width 12 3/8 in., depth 5 in. $700/900 12

13. A Pair of Classically-Inspired Antique Bronzes, Musician and Bagpiper, after Jean-Louis Grégoire (1840-1890), on rouge marble bases, ensemble height 16 in. $1000/1500

14. A Good Bronze Figure of Cupid Tying His Bow, after Charles-Gabinele-Sauvage Lemire (1741-1827), height 13 1/2 in., width 8 1/2 in.

11. A Pair of French Gilt Bronze Figural Lamps, marked “L.V.E. Robert”, each figural standard in the form of a Classically draped maiden carrying a bowl on a noir marble pedestal, overall height 31 1/2 in.

$800/1200

$1200/1800

15. A Very Fine Antique White Marble Figure, Nymph of Flowers, in the manner of Pittaluga of Carrara (Italian, active c. 1915), height 31 in.

16. A Louis XVI Carved Giltwood Mirror, c. 1790 and later, the floral crest centered by a roundel panel painted with a portrait of a beauty, rectangular later mirror plate, leaf carved sides, later gilt surface. $800/1200 17. A William IV Carved Mahogany Writing Table, c. 1820, galleried top above two drawers, reeded tapered legs, brass cuffs, casters, height 31 in., width 46 in., depth 24 1/2 in.

$700/1000 18. A Good Antique Black Tôle Peinte Tray, early 19th c., with polychrome figural scene, finely painted floral and fruited border, gilt highlights, on conforming later stand with chamfered legs, height 18 1/8 in., width 30 3/4 in., depth 22 3/8 in.

$700/1000 Provenance: Stair & Co., New York, 1979. 19. An Antique George III Carved Mahogany Architect’s Desk, 19th c., adjustable top, inset tooled leather writing surface, frieze with opposed drawers, bracketed chamfered legs, height 31 1/2 in., width 28 in., depth 24 1/2 in.

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20. An Antique Continental Parquetry and Marquetry Bouillotte Table, probably Northern Italy or Southern Germany, circular top, conforming skirt with candle slide, square tapered legs, casters, height 27 1/2 in., diameter 15 in.

$700/1000

$1000/1500

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21. German School, early 19th c., “Mother” and “Daughter”, pair of pastels on paper, unsigned, period handwritten and Sotheby’s Chicago labels en verso, each sight 15 1/2 in. x 12 1/2 in., framed.

$800/1200 22. Claude Marion the Younger (French, 18th c.), “A Parisien or Ilede-France Gateway to a Ducal Property”, 1771, ink, grisaille wash and watercolor on paper watermarked with fleur-de-lis in crowned cartouche, and with countermark of “D & C” Blaum” as papermakers, inscribed “Marion fils en 1771” at lower center, 18 1/2 in. x 26 1/8 in. $1000/1500

23. School or Follower of Claude Joseph Vernet (French, 1714-1789), “Shipwreck on the South Italian Coast”, grisaille watercolor on laid paper, watermarked with the classic “CCC” of standard Venetian 18th c. paper, unsigned, 13 3/4 in. x 19 in., in a modern mat with attribution, title and size in pencil en verso of mat and again on drawing.

$2000/3000 Provenance: James R. Lamantia, Jr., New Orleans and New York. Note: This superb drawing is very close to the magnificent “Shipwreck” of 1772 by Vernet at the National Gallery of Art in Washington (acc. no. 2000.22.1.), showing in reverse the same ships at sea and foundering on rocks, the same radiant sun, the same castellated shore, and very similar figures. A sometimes overregular idiosyncrasy in the draftsmanship, however, suggests that this example is perhaps more likely to be a version of Vernesque elements by a contemporary or even slightly posthumous hand. 24. Follower of Jean-Auguste-Dominique Ingres (French, 1780-1867), “Portrait of a Man, Facing Right”, mid-19th c., black chalk on cream-colored paper with ruled border, pierced along left edge, with faint but untranslatable watermark, unsigned, but initialed within bottom of image “J [or JA?]”; and inscribed in a 20th c. hand in pencil at bottom of mount, “Ingres—Esquisse d’album”, 5 x 3 7/8 in., in a mid-20th c. mount. $800/1200 23

Provenance: Probably H. R. Stirlin, Saint-Prez, Switzerland (sold by him, 1960); definitely art market, Rome, 1961; purchased there by James R. Lamantia Jr., New Orleans and New York.

W 25. Italian School, late

18th c., “Partial Elevation and Section of a Church Nave”, graphite on paper, inscribed in Spanish (?) en verso, 6 1/8 in. x 8 3/4 in., matted. $300/500 26. A Russian Orthodox Icon of the Prophet Elijah, 19th c., tempera on wood panel, central seated figure surrounded by scenes of his life, Christ enthroned above, pencil inscription in Cyrillic en verso, 12 3/8 in. x 10 1/8 in. $800/1200 Provenance: A La Vieille Russie Inc., New York, NY, 1996. 26

27. A Russian Orthodox Icon of the Madonna and Child, 19th c., tempera on wood panel, elaborate repoussé copper riza with cloisonné embellishments, 12 3/4 in. x 10 5/8 in. $1000/1500 28. A Greek Orthodox Icon of St. John the Baptist, 19th c., tempera on wood panel, surrounded by scenes of his life, God the Father above, 12 1/2 in. x 10 1/2 in. $800/1200 Provenance: A La Vieille Russie Inc., New York, NY, 1996. 29. An Antique Russian Orthodox Icon of Christ, tempera on wood panel, gilt riza, inscriptions in Cyrillic, 10 5/8 in. x 9 in. $500/700 30. Continental School, late 18th/early 19th c., “A Courtly Equestrian Couple Below a Castle, in an Extensive River Landscape”, oil on canvas, unsigned, 32 3/4 in. x 60 3/4 in., in a simple antique frame with 1961 English auction label en verso. $3000/5000

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32. Probably Italian School, late 17th/18th c., “An Antique Philosopher or Rabbi Holding an Instrument and Contemplating a Brazier of Embers”, oil on canvas, unsigned, 53 in. x 37 in., in a later frame. $2500/3500 W 33. An Antique Grand Tour Lekythos Pottery Figure, in the Attic

black-figure style, reserve of two classically draped figures and a pegasus figure, height 6 in. $300/500 34. A Set of Eight Darte Frères Gilt and Polychrome Porcelain Cabinet Plates, c. 1820, stamped in red “Darte Pal. Royal No. 21”, each reserved with a different flowering plant, diameter 9 in. $1500/2500 35. A Set of Eight Darte Frères Gilt and Polychrome Porcelain Cabinet Plates, c. 1820, stamped in red “Darte Pal. Royal No. 21”, each reserved with a different flowering plant, diameter 9 in. $1500/2500 31

31. Continental School, late 18th/early 19th c., “Portrait of a Lady Ready for the Hunt”, oil on canvas, unsigned, 22 1/2 in x 18 3/4 in. $600/800 Provenance: Speed Lamkin, Monroe, LA.

36. A Paris Porcelain Gilt and Polychrome Tea Service, 19th c., marked “Ed. Honoré/A Paris”, consisting of a teapot, covered sugar, creamer and ten cups with saucers, each with apple green ground and floral reserve, teapot height 5 1/2 in. (13 pcs). $500/800

37. An Anglo-Indian Carved Mahogany Center Table, 19th c., probably Calcutta, attributed to B.W. Lazarus or J.M. Edmond, variegated white marble top above pierced scrolling skirt, acanthus-carved tripodal support centered by an urn finial, scrolled feet, height 29 in., diameter 44 1/2 in. $800/1200 38. A Benchmade Regency-Style Library Step, Smith & Watson, New York, turned post, four radial steps, conforming base, height 65 3/4 in., width 20 1/2 in., depth 20 1/2 in.

$700/1000 Provenance: Lewis Graeber III & Associates, Jackson, MS. W 39. A Benchmade Regency-

Style Mahogany Bookstand, Smith & Watson, New York, adjustable book rest over two shelves, ring turned supports, brass ferrules, casters, height 38 in., with 27 in., depth 14 in.

41. An American Renaissance Inlaid, Bronze-Mounted, GiltIncised and Ebonized Cherrywood Music Cabinet, c. 1865, New York, lyre-mounted arched crest, beaded frieze, the door with marquetry bucolic scene, interior shelves and compartments, incised waist molding above a drawer, bronze-mounted capitals, turned fluted legs, incurvate stretcher shelf.

$400/600 Provenance: Lewis Graeber III & Associates, Jackson, MS. W 40. A Set of Chinoiserie Black

Lacquered, Hardstone and Gilt Quartetto Tables, each with figural scene under glass top, decorated skirt, square legs, height 26 1/2 in., width 20 1/2 in., depth 15 1/2 in.

$2000/3000

$200/400

Note: Music cabinets such as the lot offered here were universally important in wellappointed parlors of 19th century America. The materials, proportions and distinctive supports of this cabinet relate closely to those on a New York example conserved by the Munson Williams Proctor Institute (acc. 92.40). 41

Reference: D’Ambrosio. Masterpieces of American Furniture from the Munson Williams Proctor Institute. pp. 104-105, fig. 35.

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44. Circle of Jacques Antoine Vallin (French, 17601831), “River Landscape with Women Bathing”, gouache on paper laid on canvas, unsigned, 28 3/4 in. x 23 1/2 in., unframed.

42. Two American Egyptian Revival Bronze-Mounted Gilt-Decorated Rosewood Chairs, late 19th c., one with upholstered rolled crest flanked by mounted Egyptian heads, incised stiles, shell carved seat rail, tapered, fluted legs, the other conforming chair with a rectangular upholstered back. $800/1200 Note: The mounts on these chairs are identical to those on a walnut gentleman’s armchair illustrated in Dubrow. Styles of American Furniture 1860-1960. p. 56. 43. V. Varillaz (French, 19th c.), “Portrait of Napoleon”, 1839, oil on canvas, signed and dated center right, 23 7/8 in. x 19 3/4 in., in a period Empire-style giltwood frame. $4000/6000 Note: Napoleon is depicted here wearing the Legion d’Honneur Grande Croix, the Order de la Couronne en Fer, and probably the Grande Croix du Triomphe. The main church of Roscoff, France also houses a work by Varillaz.

$3000/5000 45. French School, 19th c., Follower of Jean-Marc Nattier (French, 1685-1766), “Portrait of Comtesse de Brac” 45 after Jean-Marc Nattier’s 1741 “Comtesse de Brac en Aurore” now at the Detroit Institute of Arts, oil on canvas, unsigned 16 3/4 in. x 13 3/8 in., inscribed “CME” on stretcher, unframed. $3000/5000 Reference: Xavier Salmon in the catalog of the exhibition Jean-Marc Nattier 1685-1766, Musée national de Châteaux de Versailles et de Trianon, 1999-2000, under entry 29 (Madame la Comtesse de Brac en Aurore), pp. 132 (listed in the notes as one of the replicas).

46 50 46. French School, 18th c., “Putti on a Cloud Playfully Writing Allegory of Literature”, grisaille oil on canvas, 21 3/4 in. x 31 1/4 in., later framed. $800/1200 47. A Continental Gilt BronzeMounted Bisque Porcelain Plaque of Napoleon, early 19th c., fine engine-turned decoration enclosing the relief-modeled classical portrait, diameter 6 1/8 in. $300/500

51. An Antique French ClassicalStyle Gilt BronzeMounted Marble Pedestal, c. 1890, revolving top, mounted with musical trophée, egg and dart and acanthine borders, tapered square column, stepped base, height 44 in., width 14 1/4 in., depth 14 1/4 in.

W 48. A Paris

Porcelain Gilt and Polychrome Campagna Vase, mid-19th c., floral decoration, loop and masque handles, molded plinth base, paw feet, height 9 5/8 in.

$700/1000

$300/500 47 W 49. A Pair of Paris Porcelain Gilt and

Polychrome Vases, c. 1855, yellow ground, reserved with Classical faces in black oval frames surrounded by black and gilt foliation, height 13 1/4 in., diameter 6 1/2 in. $500/700

50. A Pair of Patinated Bronze Recumbent Lions, after those modeled by Antonio Canova (Italian, 1757-1822) for the tomb of Pope Clement XIII in St. Peter’s Basilica, Vatican City, Rome, rectangular plinth, ball feet, height 11 in., width 8 in., length 21 in.

52. A Set of Napoleon III Gilt Bronze Figural Chenets, c. 1870, with cherubs sitting amongst foliate scroll standards, height 21 1/2 in., width 52 in., depth 6 in. $700/1000

$2000/3000

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55. A William IV Carved Mahogany Armchair, c. 1835, tablet crest terminating in lobed “ears”, scrolled reeded, bellflower carved arms, molded seat rail, turned reeded legs. $500/700 56. A Regency Inlaid Mahogany Sofa Table, 19th c., crossbanded top with drop leaves, single drawer and faux drawer on each side, trestle supports, sabre legs, brass feet, casters, height 28 5/8 in., width 51 1/2 in., depth 25 1/2 in.

$700/1000 57. A George III Carved Mahogany Sofa, c. 1780-1785, serpentine arched crest rail, curved uprights; on square, tapering fluted legs, rosette blocked feet, height 36 1/2 in., width 68 in., depth 33 in.

$1000/2000

53. A Pair of Antique Italian Lacca Povera Panels, 19th c., “a la chinois”, wood panels, molding enclosing genre scenes with figures and birds in a landscape, presented in carved, limed oak frames, height 36 1/2 in., width 44 1/2 in., depth 2 1/2 in. $1500/2500 54. A Pair of Regency Gilt Bronze and Cut Crystal Two-Light Candelabra, early 19th c., each with vasiform standard surmounted by foliate finial and prism hung pierced collar, scrolled arms with conforming collars, square base, ball feet, height 14 1/4 in. $600/800

58. A Large William IV Mahogany Partner’s Desk, c. 1835, inset tooled leather top, frieze with three paneled drawers on each side, turned and reeded tapered legs, casters, height 32 in., length 84 in., width 53 in. $4000/6000 59. Sir John Edward Poynter, P. R. A. (British, 1836-1919), Study for ‘Thrown’ Drapery, probably for a painting of Andromeda of 1872, graphite with black and white chalk, on green prepared wove paper, unsigned, but with studio stamp in the form of the artist’s monogrammed initials lower right, 13 15/16 in. x 9 7/8 in., in a modern mount, extensively inscribed.

$800/1200 Provenance: Colnaghi’s, London, 1961; James R. Lamantia, New Orleans and New York. Note: This drawing is inscribed on the mount “Study of ‘Thrown’ Drapery—painting Captive Andromache.” But the very famous painting of Captive Andromache (the widowed wife of Prince Hector of Troy) is not actually by Poynter, who is certainly the author of this stunning sheet. It is rather the acknowledged masterpiece of Frederic, Lord Leighton (1830-1896): it was painted in 1888, and is now at the Manchester City Art Gallery. More than a decade and a half earlier—in 1872/79—the increasingly prominent Poynter (though the younger of the two artists, and already deeply influenced by those of Leighton’s paintings which he had seen in Rome in 1853-54) had been commissioned by Edward Montagu Stuart Granville, 3rd Baron and 1st Earl of Wharncliffe, to produce four large canvases to decorate his billiard room at Wortley Hall in Yorkshire (all now unfortunately destroyed). One of these is Medievalizing in content, but the other three are classical; and it must have been the Perseus Rescuing Andromeda (of 1872) among these, to which a member of Colnaghi’s evidently meant to refer—apparently only orally—when he told Lamantia the origin of this splendid sheet. Those classical paintings for Wortley Hall did in fact incorporate the actively fluttering draperies and frieze-like arrangements of Leighton’s mature works (prefiguring those of the latter’s confusingly-named Andromache of sixteen years later); and indeed the windy sea-coast setting of Poynter’s lost Andromeda is in actual fact more likely as a context for this drawing’s magisterial wind-blown swirl than the elegiac quietness of Leighton’s great painting of 1888. In any event, the Wortley paintings did earn for Poynter his election as a member of the Royal Academy in 1876; he became Director of the National Gallery from 1894 to 1904, and President of the R. A. from 1896 to 1918. He was also knighted in 1896, and created a baronet in 1902; he is buried in St. Paul’s Cathedral.

W 60. English School, late 19th

c., “Architectural Detail”, 1881, black chalk on paper, initialed and dated lower left, sheet 28 in. x 12 1/2 in., matted and framed. $400/600 61. Robert Isaac Cruickshank (English, 1789-1856), “Hunting Flamingos”, ink and wash on paper, signed lower right, sight 3 3/8 in. x 5 1/4 in., matted and framed. $700/900 W 62. Jean-Baptiste Frenet

(French, 1814-1889), “Standing Male Nude”, c. 1834, black chalk, studio stamp lower left, 20 in. x 10 1/4 in., matted. $400/600 W 63. Jean-Baptiste Frenet

(French, 1814-1889), “Standing Male Nude”, c. 1834, black chalk, studio stamp lower right, sheet 24 3/4 in. x 9 3/4 in., unframed.

$400/600

References: Alison Inglis, “Poynter,” Grove Dictionary of Art, Jane Turner, ed., London, 1996, 34 vols., vol. 25, pp. 406-407; Stephen Jones, “Leighton,” ibid., vol. 19, pp. 103-104.

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65. Cecil Beaton (English, 1904-1980), “Theatre Set Design”, watercolor and pastel on paper, signed lower right, sight 14 in. x 18 in., unframed. $800/1200 W 66. Attributed to

Samuel De Wilde (British, 1751-1832), “Portrait of Charles Harley”, graphite on cardstock, inscribed en verso, 10 1/2 in. x 8 1/4 in., matted. $300/500 65 W 67. British School, 19th

64. Attributed to Sir Peter Lely (Dutch, working in England, 1618-1680), “Seated Male Figure Looking to His Right”, 1666, black chalk with white highlights (the latter applied selectively to drapery modeling and anatomy), on prepared brown wove paper without watermark, unsigned, but inscribed en verso “2 may 1666”; 22 7/8 x 15 3/4 in., colored in later purplishwhite paint (apparently on original paper) in a 1 1/2 /2-inch inverted L-shaped strip extending approx. 20 in. along left edge, ending in a similar 4 1/2 in.-long strip horizontally along edge of triangular repair at upper left. $1000/1500 Provenance: James R. Lamantia Jr., New Orleans and New York.

Note: This unusually large, powerful, and impressive drawing is dated on its verso in English; and the evident contemporaneity of that inscription is proven by its close similarity to the date of “1666” written at the bottom of the Ashmolean Museum’s portrait drawing of John Aubrey, by Lely’s almost exact contemporary William Faithorne (1616-1691). It happens that 1666 is the very year that Lely inaugurated his most celebrated series of portraits, the Admirals (or flag-officers who had served under the Duke of York at the Battle of Lowestoft, 1665), now in the National 69 Maritime Museum at Greenwich. There is no evidence that this is indeed one of Lely’s standard “posture drawings” that were offered to sitters, as aids to the selection of their attitudes in his portraits; but its style, technique and materials are intimately close to theirs— though this sheet is in fact unusual in showing at least parts of an entire figure, arranged in a pose that is manifestly more informal than either those of a studio pattern book, or probably than those others which were made for a sitter’s retention (in very large numbers, and widely diverse types, principally by Lely himself). Lely, who grew up in The Hague and was trained at Haarlem, came to London in the early 1640s and in 1661-62 became a naturalized British subject, as well as First Painter to the King (that is Charles II, who was restored to the throne after the English Civil War in 1660). Entirely by his own hand, Lely produced many hundreds of paintings of the raffish worthies of the Restoration; with the help of the large army of assistants whom he employed, the number of his studio works and replicas rises into the thousands. He became enormously rich, and used most of his income to acquire works of art: he owned some twenty-five capital paintings by his great predecessor Van Dyck, and also (according to the catalogue of a 1682 sale after his death) pictures and sculptures by such preeminent artists as Veronese, Correggio, Holbein, Claude Lorrain, and Bernini. His roughly 10,000 prints and drawings constituted probably the finest collection assembled to that time (it was catalogued in 1688 and 1694); the drawings included sheets by Leonardo, Raphael, Giulio, Polidoro, Parmigianino (some 100 studies), Primaticcio, Barocci, the Zuccari, the Carracci, and Rubens. The present sheet was thought by James Lamantia to bear some affinity to life studies by Guercino (1591-1666), and indeed the latter’s Reclining Nude Youth of 1618/19 in the Royal Library at Windsor Castle (inv. no. 01227, MS inv. A. 125)—as well as in three other nearly identical “academy drawings,” in Malibu, Saint Louis, and Genoa—are all similarly rendered in black and white chalk on brown paper close to the shade and size of this drawing. But the Guercino full-figure “academies” are discernibly different in the minutiae of their handling, in precisely those respects in which this figure is most characteristic of Lely and his circle. So the label in English on this sheet (which does not simply record Guercino’s death, since he died at Bologna on 22 December 1666) tends to confirm its production by—or in the studio of—Peter Lely, who might very well have used as a model one of the drawings by Guercino that he may himself have owned. References: John Woodward, Tudor and Stuart Drawings, London, 1951, pp. 30-35, 49-52, pls. 34-50; Sir Ellis Waterhouse, Painting in Britain, 1530 to 1790, Harmondsworth, 1969, esp. ch. 6, “The Age of Lely;” Oliver Millar, “Lely,” Grove Dictionary of Art, Jane Turner, ed., London, 1996, 34 vols., vol. 19, pp. 119-125; Nicholas Turner, Guercino: Drawings from Windsor Castle, Washington, 1991, pp. 30-32, no. 6.

c., “Allegorical Scene”, 1827, pencil on cardstock, pencil dated and dedicated lower right, poem in pencil lower center, sheet 6 3/4 in. x 7 3/8 in., matted. $300/500 Provenance: Acquired in Dublin, 1981. W 68. A Good Antique

Aesthetic Giltwood Frame; together with an antique engraving of “Roman Procession with Prancing Nubians”, print sight 23 1/4 in. x 34 1/4 in., exterior frame 42 1/2 in. x 53 3/4 in. $500/700 69. [French Old Master Engravings], a bound book containing various engravings, extracted from the following: Jean Cotelle (1607-1676), Livre de Divers Ornemens pour Plafonds, with 18 double-page plates; Nicolas Loire (16241679), Plafons a la Moderne, with 4 plates; and Jean Le Pautre (1638-1713), Grands Alcoves a la Romaine, with 10 plates; together with 15 loose engravings of vases and designs from Le Pautre, Percenet and Delafosse, all plates approx. 10 1/2 in. x 8 1/2 in. or larger, total of 47. $600/900

76. An English Gothic Revival Tortoiseshell Cigar Case, mid19th c., delicately carved with church spires and rose windows against textured backgrounds, silvered metal catch and monogram plaque, length 5 1/4 in.

70. A Pair of Fine Coalport Porcelain Vases, early 19th c., deep cobalt ground decorated with gilt leaves, scrolled handles, reserves painted with floral still lifes, one including fruit, the reverse gilded and displaying a stylized urn flanked by cornucopiae, spreading socle, plinth base, height 14 3/4 in., width 8 in., depth 5 1/2 in.

$300/500

$2000/3000

W 77. An English Leather Shot

W 71. A Pair of Spode Gilt and Polychrome Porcelain

Bucket, base marked B.H.&G. Ltd/12-1942, decorated with coat of arms, carrying handles, height 15 3/4 in.

“Imari” Pattern Sauce Tureens, mid-19th c., marked with red pattern number 1409; squat round baluster forms with stylized dolphin masque handles, leaf and berry finials, on dished underplates, tureen height 5 in., width 5 3/4 in., tray diameter 7 1/8 in.

$150/250

$600/900 76 W 72. A Chinese Export Canton Famille Rose Punch

Bowl, late 19th c., U-form body raised on a short foot ring, decorated throughout with alternating figural and bird-andflower panels on a gilt ground strewn with butterflies and scrolling vine, height 6 in., diameter 14 5/8 in. Note: Restoration to rim. $500/700 Provenance: Estate of Irene S. Chandler (1916-2010), New Orleans, LA. W 73. A Pair of Chinese Export Blue and White

Porcelain Foliate Rim Dishes, probably 17th/18th c., each well with a large roundel enclosing flowering plants, encircled by pendant ruyi heads around the cavetto and a diaper band along the rim, the first base with an Artemisia leaf mark, the second with a four-character Kangxi mark, height 1 3/8 in., diameter 10 7/8 in. and 11 in. respectively. $300/500 Provenance: Estate of Harry T. Howard III, New Orleans, LA.

W 74. A Chinese Export

Famille Rose Decorated Blue and White Porcelain Basket, 18/19th c., reticulated oval body with flared rim applied with upright flange handles, enameled to the well with children playing outside a stately country home, height 3 3/4 in., width 7 3/4 in., depth 6 5/8 in. $500/700

$2500/3500 W 79. A Set of Twelve

Silverplate Service Plates, marked “Royal Castle Sheffield EP” on reverse, circular with gadrooned rim and engraved anchor crests, diameter 12 1/4 in. $800/1200

W 75. A Pair of French

Bronze Plaques of Amorous Couples, each monogrammed “JGE”, with mounting holes at each corner, height 10 3/4 in., width 7 7/8 in. $200/400

78. A Monumental Continental .800 Silver Centerpiece, Germany, late 19th/early 20th c., shaped oval form on a spreading foot, oak leaf, acorn and scroll decoration on a hammered ground, gilt wash to interior, height 11 1/2 in., length 20 1/2 in., weight 78 troy ozs.

W 80. A French Gilt Bronze

Bouillotte Lamp, late 19th c., swan finial, columnar standard issuing three scrolled arms, black tôle peinte shade, electrified, height 25 1/4 in., diameter 13. $500/700

W denotes the lot is illustrated at www.nealauction.com

82. A George III Mahogany Bureau Bookcase, late 18th c., triangular pediment, octagonal glazed doors, adjustable shelves, slant front opening to a fitted interior, two drawers over three graduated drawers, molded plinth, shaped bracket feet, height 89 5/8 in., width 38 7/8 in., depth 22 5/8 in.

$4000/6000

83. An Edwardian Inlaid Satinwood Breakfront Bookcase, c. 1910, of Neoclassical inspiration, in two parts; upper case with serpentine crest surmounted by finials, three glazed doors below; lower case with three frieze drawers above three doors, blocked feet, height 89 in., width 57 1/2 in., depth 18 in. $2500/3500 84. A Fine Regency Carved Rosewood Work Table, c. 1815, drop-leaf top, two fitted drawers, reeded columnar uprights, incurvate stretcher, on reeded spherical feet, brass casters, height 29 1/2 in., width 18 in., depth 18 1/4 in.

81. A George III Mahogany Serpentine Chest, c. 1790, four graduated drawers, shaped base, flared French feet, height 32 7/8 in., width 42 1/4 in., depth 23 1/4 in. $2000/3000 84

$1500/2500

85. A Continental Gothic Carved, Gilded and Polychromed Armchair, probably mid-19th c., spired crest with busts, reticulated back with Renaissance inspired figures, scrolled arms terminating in grotesques, trapezoidal plank seat, molded blocked legs, H stretcher, the whole with original paint decoration, height 48 in. $800/1200 Note: Purchased from an heir to the R.H. Macy estate.

86. An English Regency Carved Giltwood and Ebonized Overmantel Mirror, early 19th c., blocked cornice, spherule-mounted cavetto, ebonized frieze with palmettes, sphinx head and reeded pilasters, height 39 1/2 in., width 52 1/2 in. $1200/1800 87. A Louis Philippe Gilt and Patinated Bronze Shelf Clock, c. 1840, surmounted by a Greek kylix, mounted with reliefs of an eagle attacking a serpent and a sword and olive branch trophée, height 12 in., width 6 1/2 in., depth 4 in. $600/900

88. An Associated Pair of Louis XVI-Style Giltwood Mirrors, each having an agrarian crest, beaded and bellflower border, later mirror plates, height 62 in., width 28 1/2 in. $1000/1500 89. William Barrett Brodie, R.S.A., (English, 1815-1881), “Bust of Prime Minister William Ewart Gladstone (1809-1898)”, 1868, marble, inscribed “Wm. Brodie, R.S.A., sc. 1868.”, height 28 in., width 18 in. depth 9 1/2 in. $1000/1500

88 (1 of 2)

W 90. A Louis XVI-Style Gilt Bronze

and Cut Glass Four-Light Hall Lantern, the corona over scrolling supports, hung with swags, monopodia candlearms flanking the frosted glass shade, height 27 in., diameter 18 in. $600/900

W denotes the lot is illustrated at www.nealauction.com

93. A Louis XVI Bronze-Mounted Kingwood and Marquetry Commode, later marble top above two drawers, serpentine case with scalloped skirt, cabriole legs with bronze sabots, height 33 1/2 in., width 50 in., depth 25 in.

94. A William IV Carved Oak Sarcophagus-Form Cellarette, 19th c., interior fitted for twenty-one bottles, scroll feet, height 22 1/2 in., width 46 in., depth 24 in.

$1000/2000

$1000/1500 95. A Late Regency Carved Rosewood Méridienne, c. 1830, shaped back, scrolled arms, blocked seat rail, turned and carved tapered legs, brass ferrules, casters, height 32 in., width 55 in., depth 26 1/2 in. $1200/1800

91. An American or English Gilt Lacquered Bronze Sinumbra Lamp, 19th c., floral and foliate standard, flared base with applied acanthus, period cut and etched glass shade, prism hung, electrified, overall height 35 1/4 in. $1500/2500 Note: The foliate decoration in this example relates to an advertisement for the British firm Messenger & Sons. In many cases makers in major American centers, such as New York and Philadelphia, incorporated designs from such advertisements in their own products. Illustration: Gowitt, Gerald, 19th Century Elegant Lighting, p. 147.

92. A Provinçial Carved Fruitwood Console in the Louis XV Taste, 18th c., later molded marble top above a shaped skirt centered with acanthus cartouche and scrolling leaves, cabriole legs ending in hoof feet, height 31 in., width 43 1/2 in., depth 25 in. $1500/2500

96. Guillaume Seignac (French, 1870-1924), “Portrait of a Gentleman with a Beard”, 1906, oil on canvas, signed and dated upper left, 18 in. x 15 1/2 in., in a fine period giltwood frame.

W 101. Jan Vredeman de Vries

(Dutch, 1527-1604), 20 engravings from Perspective, c. 1561, the separately published work by Hieronymus Cock (Flemish, 15101570), most signed, with hand and star watermark, sheets 11 1/4 in. x 7 3/4 in., bound together with 11 engravings of ornaments Cornelius Floris de Vriendt (Flemish, 15141575), c. 1560, some with monogram “I. F.”, with a variation of the hand and flower watermark, same sheet sizes, in full leather boards with gilt tooling.

$3000/5000 Provenance: Acquired from Waterhouse & Dodd, London. W 97. Flemish School, 19th c.,

“Classical Male Nude”, black and white chalk on light grey prepared wove paper, unsigned, 18 1/8 in. x 24 1/4 in., unframed.

$700/1000 Provenance: Purchased in Madrid, 1950, with the library stamp of “Marcos y Francisco Vinals, Madrid”.

$600/800 W 98. Attributed to Jan Baptist

Weenix (Dutch, 1621-1663), “Cavalier Mounting a Step”, black chalk with white highlighting on blue prepared paper, unsigned, 12 1/4 in. x 7 in., unframed.

Reference: The Getty Museum, Digital Archive; http:// archive.org/details/variaearchitectu00vred

W 102. [Architecture and

$600/800 99. Sir William Chambers (English, 1726-1796), Desseins des Edifices, Meubles, Habits, Machines, et Ustenciles des Chinois, 1757, printed by J. Haberlorn, to be sold by the author and Millar & Nourse, London, folio (20 1/2 in. x 14 1/4 in.), original boards, restored spine and corners, title and 19 pgs. of text in French, with 21 engravings, some colored, of Chinese houses, furniture, utensils, porcelain, boats, dress, etc. $1800/2500 Provenance: First pastedown with ex-libris from Conde de Sucena, the last pastedown with an old Portuguese auction label for the library of Silva Amado.

Note: Chambers was one of the most highly regarded architects of his time. Between 1757 and 1762 he erected several neoRoman temples and a number of Turkish and Chinese-inspired buildings at Kew, including the now-celebrated pagoda.

Ornament Books], four including: Ernst Plassmann, A Collection of Modern Gothic Ornaments..., 1875, New York, loose portfolio (17 3/4 in. x 14 in.), index, 33 plates, incl. frontispiece; Edward Adams, Architect, The Polychromatic Ornament of Italy, c. 1846, Nickisson, London & Wiley Putnam, NY; octavo (12 in. x 9 3/4 in.), loose, lacking board, 16 pgs. text, 11 chromolithographs (one dble. pg.); George Woodward & Edward Thompson, Architects, Woodward’s National Architect, (1869) New York, rebound, with 100 lithographic plates; and E.S. Child, Colonial Houses for Modern Homes, c. 1900, New York, loose, lacking boards, with 30 plates showing renderings of houses, floor plans and prices, 19 3/4 in. x 14 in. $500/700

100. Jean-Baptiste Joseph Wicar (French, 1762-1834), Tableaux, Statues, Bas-Reliefs et Camees de la Galerie de Florence et du Palais Pitti..., 1799-1803, Lacombe, Paris, four volumes, folio (21 in. x 13 3/4 in.), full red leather with elaborate gilt tooling, with 386 engraved plates on 200 sheets, each volume with large bookplate of “Thomas Baskerville Mynors-Baskerville, Esq., MP, Clyro Court, Co., Radnor”.

W 103. [Architecture

Books], Andrea Palladio, Il Quarto Libro dell’Architettura, 1570, quarto (11 3/ 8 in. x 8 in.), titlepage, only pages 11-114, no boards; together with 40 plates from Justus Danckers, Architectura Chivilis..., c. 1650, same plate size, loose in modern boards.

$4000/6000 100

$300/500 W denotes the lot is illustrated at www.nealauction.com

W 105. Antoine

Mongez, Tableaux, Statues, Bas-Reliefs, et Camees de la Galerie de Florence et du Palais Pitti, Dessines par Wicar, Peintre..., 1819, 3 vols. (of 4), folio (21 1/2 in. x 14 in.), with over 180 engravings. Note: Worn bindings. $500/700

106 (1 of 3)

108 (1 of 5)

106. [English Architecture Books], three books including; John Rutter Delineations of Fonthill & Its Abbey, 1823, printed by Knight, London, first edition, folio (14 in. x 11 1/2 in.), with 28 plates (3 handcolored, including title page), with fold-out map (26 in. x 20 in.), 1/4 leather; Alexander Pugin A Series of Ornamental Timber Gables..., 1831, published by the author, London, cloth (12 in. x 9 1/4 in.) and John Britton The Fine Arts of the English School..., 1812, boards lacking, 13 in. x 11 in. $500/700 W 107. [Antique

110

W 104. Hector d’Espouy, four volumes including Fragments

d’Architecture Antique d’apres les Releves & Restaurations..., c. 1905, Charles Schmid, Paris, Part I & II, folio (18 in. x 12 1/2 in.), loose as issued in red boards with ties, 200 heliogravures; also with Fragments d’Architecture..., 1905, Volume II, Schmid, 3/4 leather, 100 heliogravures; and also with Fragments...Moyen Age et de la Renaissance..., 1925, 80 plates. $600/900

108. [French Decorative Arts & Architecture], five folios including Henri Clouzot, La Ferronnerie Moderne, c. 1930, 3rd. series, by Moreau, Paris, folio (17 3/4 in. x 12 3/4 in.), with 29 (of 32), loose heliogravures of the work of Brandt, Prouve, Subes, Kiss and others; Georges Remon, Soixante Planches de Peinture Decorative, c. 1900, Paris, loose folio (20 1/2 in. x 14 in.), with 33 (of 60) colored lithographs; Le Mobilier National, Bois de Sieges, Vol. II, c. 1900, loose portfolio (17 3/4 in. x 12 3/4 in.), text, with 36 illustrations of furniture; Croquis d’Architecture, Intime Club, bound periodical for the “4th Year”, May 1869-April 1870, 21 1/4 in. x 14 in.; and La Construction Moderne en Italie, Recueil de Facades de Style Moderne Edifiees a Milan, c. 1890, pub. by Charles Schmid, Paris, loose portfolio (17 in. x 13 in.), with 60 photographic illustrated plates of buildings in Milan. $500/700 W 109. Thomas Fuller, The Church

History of Britain; from the Birth of Jesus Christ, Until the Year MDCXLVIII, 1655, printed for John Williams at the sign of the Crown in St. Paul’s Church-yard, London, folio (13 1/4 in. x 9 in.), bound by Hayday in full calf, with gilt tooling and raised bands, with copper-plate engraved plates including coat-of-arms, Lichfieldensis Cathedral and folding plate of a bird’s-eye-view of Canterbury.

Drawing and Perspective Books], three titles including: Jean Cousin, L’Art du Dessin..., c. 1780, Le Clere, Paris, folio (15 1/2 in. x 10 in.), titlepage, 12 pgs. text, 24 plates, paper wraps; Richard Brown, The Principles of Practical Perspective..., 1835, second edition, Leigh & Son, London, quarto (12 1/2 in. x 9 1/2 in.), 3/4 leather, with 50 plates: and J.G. Chapman, N.A., The American DrawingBook..., 1847, Redfield, NY, quarto (11 1/2 in. x 9 in.), cloth, 112 pgs.

$500/700

110. [Belgian Trade CatalogueOrnamental Iron Work], Album Batiments, Fonderie d’Ornements de J. G. Requile et Fils, c. 1870, Liege, octavo (10 1/2 in. x 8 in.), loose cloth boards, with 160 plates of balconies, staircases, garden furniture, vases, lamps, columns, etc. $400/600 W 111. [French Turning and

Lathe Prints], Tourneur et Tour a Figure, c. 1790, Diderot, Paris, folio (14 1/2 in. x 10 in.), 1/4 leather and paper boards, no title, 19 pgs. index, with 87 engravings of iron and woodworking lathes and tools.

112. An Antique Italian Carrara Marble of “Augustus of Prima Porta”, after the marble figure excavated in Rome in 1863, now in the Vatican Museums, height 25 1/2 in., width 23 in., depth 12 in. $3000/5000 Reference: Haskell and Penny, Taste and the Antique, pp. 118 and 124.

113. A Patinated Bronze Figure of “Narcissus”, probably late 19th c., after Vincenzo Gemito (Italian, 1852-1929), the Hellenistic original discovered in Pompeii in 1862 and preserved in the Museo Nazionale, Naples since that date, height 24 1/2 in., width 10 1/2 in., depth 9 in.

115

112

$800/1200

114

114. A Good Bronze Group of a Seated Female Figure and a Putto, labeled “Poesie Elegiaque”, a fallen capital initialed “D.C.”, otherwise unsigned, height 12 3/4 in., length 11 3/4 in. 113

$1200/1800 115. An Antique Italian Marble Bust of a Woman in Nineteenth Century Garb, wearing a starred diadem, scarf and ermine stole, height 17 1/8 in.

116

116. A Large Bronze Figure of a Classical Maiden, beside a column altar with doves, cast signature of Jean-Louis Grégoire (1840-1890), inscribed “Airain (Bronze) 60f.” height 19 in. $1200/1800

$500/750 W denotes the lot is illustrated at www.nealauction.com

119. A Suite of Four Louis XVIStyle Gilt Bronze Sconces, each beribboned back with five trumpet arms; electrified, later circular wall plates, height 26 1/2 in., width 15 1/2 in., depth 9 in. $2000/3000

118

117

120

117. An Attractive Neoclassical-Style Carved and Gilded Turquoise-Blue Salon Mirror, bronze rosette mounts, height 95 1/2 in., width 49 1/2 in., depth 3 in. $1500/2500

119

118. A Large Napoleon III Gilt Bronze and White Marble Mantel Clock, mid19th c., marked “A HOBLIN PARIS” and with foundry stamp; finely cast figures of Psyche and Amore flank the domical case, stepped rectangular plinth mounted with opposing swans and foliate drapery, the whole on dolphin feet, height 25 in., width 18 in., depth 6 in. $2500/3500

120. An Italian Crème Peinte and Faux Marbre Console Table, late 18th c., appears to retain the original striated aquamarine top; gilded carved frieze and tapering legs, height 35 1/2 in., width 51 1/2 in., depth 25 1/2 in. $4000/6000

121

122

123

121. A Good Pair of Italian Neoclassical Painted and Carved Benches, early 19th c., rectangular, gilt and verte frieze, on tapering fluted legs, height 18 in., width 20 1/2 in., depth 16 1/2 in. $1200/1800 122. A Continental Walnut and Marquetry Fauteuil, c. 1830, incurvate crest above vasiform splat, saber front legs, height 36 in., width 20 1/2 in., depth 18 in. $700/1000 123. An Italian Carved Walnut Credenza in the Neoclassical Style, probably 18th/19th c., rectangular top, frieze with two drawers, cupboard doors below flanked by caryatid busts and stop-fluted columns, molded plinth base, paw feet, height 46 1/2 in., width 74 in., depth 27 in. $3000/5000 124. A Charles X Bronze-Mounted Mahogany and Specimen Marble Center Table, circular top, columnar support, incurvate triangular base, casters, height 30 in., diameter 35 in.

124

$1800/2500

W denotes the lot is illustrated at www.nealauction.com

W 129. A Set of

Four Sheffield Plate Telescopic Candlesticks, early 19th c., marked and numbered inside candlecup, gadrooned borders, height 6 5/8 in. $400/600 W 130. A

Handsome Pair of Christofle Silverplate Covered Vegetable Tureens in the Régence Taste, 20th c., each cover with floriform finial, lobed body with foliate scroll handles, removable liner, height 6 1/4 in., width 11 1/2 in.

126

125. An Antique French Provinçial Fruitwood Armoire, later cornice above a carved frieze, a pair of scalloped paneled doors below, later shelf interior, fluted medial stile, fiche hinges, carved base, stepped block feet, height 81 in., width 58 in., depth 26 in. $1000/1500

$700/1000 125

126. An Empire Carved Mahogany Bergère, early 19th c., shaped rectangular back, sphinx head arm terminals, rounded seat rail, cabriole legs, paw feet. $1000/1500 127. An Irish Georgian Sterling Silver Hot Water Urn, maker JL, probably John Lloyd, Dublin, late 18th c., vasiform, domed cover with pineapple finial and engraved crest, elongated loop handles, shamrock banding, spout with fan handle, height 14 in., weight 34 troy ozs. $2500/3500 128. A Pair of Regency Sterling Silver Toast Racks, William Burwash & Richard Sibley, London, 1810, mark ent. 1805, each with shell 127 decorated oval openwork handle with arched frame, gadrooned base with engraved armorial, on scroll paw feet, height 6 in., length 7 1/2 in., weight 31.85 troy ozs. $1800/2500

128

W 131. A Tiffany “English King” Pattern Sterling

Silver Punch Ladle, pat. 1885, length 11 in.; together with a Gorham “Queen’s” pattern sterling silver salad serving fork and spoon, pattern c. 1870, length 8 3/4 in.; combined weight 15.45 troy ozs. $400/600 Provenance: A Natchez, MS Estate. W 132. A Pair of Antique English Silverplate Entree

Dishes, marked “Joseph Rodgers and Sons, Sheffield, EP”, and with firm trademarks, wc. 1860-1970, retains original removable openwork handles, with elaborate shell and foliate borders, height 7 in., length 12 in. $600/900 Reference: Matheau-Raen, The Identification and Dating of Sheffield Electroplated Wares, 18431943, pp. 168-169.

133. A Tiffany Sterling Silver Cake Basket in the Rococo Taste, late 19th/ early 20th c., shaped oval footed form with scroll feet and swing handle, elaborate scroll decoration throughout, length 14 1/4 in., weight 50.45 troy ozs. $2500/3500 W 134. A Pair of

Regency Sheffield Plate Wine Coasters, 19th c., reeded bodies with gadrooned rim, original turned hardwood bottoms, height 1 1/2 in., diameter 5 1/2 in.

133

138

$250/350 135. A Georgian Tôle Peinte Oval Tray, late 18th c., gallery with handles, reserve depicting pastoral scene beside the sea, height 30 in., width 22 1/2 in., depth 1 1/2 in.

137. A Pair of Empire Gilt and Patinated Bronze TwoLight Candelabra, c. 1800, each in the form of a Classical figure holding aloft twin branches, on white marble stepped base with fine moldings, height 21 in., width 7 in.

135

$700/1000 136. An Empire Verdigris Tôle Peinte and Gilt Bronze Carcel Lamp, early 19th c., labeled “N 13478/ PAR BREVET D INVENTION LAMP...S HYDROSTATEIQUES / DE THILORIER & SERRUROT / RUE DU BOULOY No. 4”, period cut and etched blown glass globe, electrified, overall height 26 3/4 in.

$1000/1500 138. An Antique Continental Carrara Marble Figure of “The Spinario (Boy 136 Removing a Thorn from its Foot)”, early 20th c., reduced replica after the Roman bronze figure in the Capitoline Museum, Rome, recorded as at the Lateran Palace from c. 1165, unmarked, height 24 in., width 15 in., depth 16 in.

$600/800

$2000/3000 Reference: Haskell and Penny, Taste and the Antique, New Haven and London, 1988, pp. 308-310.

137 W denotes the lot is illustrated at www.nealauction.com

139. A Continental Parcel Gilt, Carved and Inlaid Walnut Console Table, late 18th c., serpentine top, conforming frieze, cabriole legs, height 33 1/2 in., width 52 1/2 in., depth 24 1/2 in. Note: Retains original paint and parcel gilt. $4000/6000 140. A Pair of Egyptian Revival Travertine Sphinxes, height 14 in., width 29 in., depth 10 1/2 in. $2500/3500 141. A Fine Baltic Neoclassical Gilt Bronze and Cut Crystal Eight-Light Chandelier, c. 1800, bowknot corona, star-form gallery supporting candle arms ending in warrior masques, now electrified, height 36 in., diameter 40 in. $8000/12000 Provenance: Property of an Alabama Collector; Christie’s, Nov. 28, 2008, lot 137.

139

142. A Fine Antique Louis XVIStyle Gilt Bronze Twenty-Light Chandelier, urn-form standard mounted with floral swags and chains, the circlet with lion’s head masques, scrolled candlearms decorated with fluting, acanthus and fishscale, height 47 in., diameter 36 in. $6000/8000

140

141

142

143. A Continental Stained and Gilt Decorated Ivory Figural Group of the Madonna and Child, 19th c. or earlier, carved along the natural curve of the tusk, the Virgin modeled standing, wearing voluminous robes carrying the Christ child in her arms; the Christ child rendered in the pose of Salvator Mundi (Savior of the World) with his right hand raised in blessing and his left holding an orb (lacking cross), symbolic of Earth, height 16 in. $3000/5000 Provenance: Historic Veritas House, New Orleans, LA; sold for the Benefit of the Dominican Sisters of Peace. 144. A Fine French Bronze “Bust of Antinous as an Egyptian Deity”, after Victor Paillard (France, 1805-1886), bronze signed, foundry mark on right shoulder truncation, height 16 1/4 in. $4000/6000 145. A Monumental Royal Vienna Polychrome Porcelain Charger, depicting Christ with the crown of thorns, signed “H. Stadler”, marked with beehive, within a bleu royale and gilded border, diameter 24 in. $6000/8000

143

144

146. A Meissen Polychrome Porcelain Figural Group of a Couple Cradling a Baby, late 19th c., underglaze blue crossed swords mark, colorfully costumed in the Rococo taste, seated on a Louis XVI bench, on an oval base, height 9 1/2 in., width 6 in., length 7 in. $800/1200

146 145

W denotes the lot is illustrated at www.nealauction.com

147

148

151

149

150

147. A Meissen Polychrome Porcelain Figural Group of a Game of Cards, early 20th c., underglaze blue marks, seated at a triangular table on a floral-strewn base, in elaborate Rococo costume, height 5 1/2 in., length 8 in.

149. A Monumental German Gilt Porcelain Figural Group of Three Musicians in 18th-Century Costume, c. 1920, underglaze blue mark of Oldest Volkstedt Porcelain Factory, Thuringia, Germany, finely modeled in the Meissen style with female pianist, gentleman cellist, and standing flautist, decorated with elaborate floral designs, lace details, and Rococo elements, height 14 in., width 12 in., length 17 1/2 in.

$400/600

$1000/1500

148. A Monumental German Polychrome and Gilt Porcelain Figural Group of a Musical Family in the 18th-Century Style, c. 1920, underglaze blue mark of Oldest Volkstedt Porcelain Factory, Thuringia, Germany, finely modeled in the Meissen taste, depicting two couples and three children gathered around a piano and harp, all in elaborate floral and lace-embellished costume, with furniture, carpet, and strewn flowers on a Rococo base, height 13 in., width 15 in., length 21 in.

150. A KPM Porcelain Portrait Plaque of “Ruth”, late 19th/early 20th c., original paper retailer’s label, 9 in. x 6 1/2 in., in a carved gilt and gessoed frame.

$1000/1500

$2000/3000 151. Two German Polychrome Porcelain Figural Groups of “Courting Couples”, early 20th c., in colorful floral, Rococo-style attire on oval rustic bases, bearing blue Meissen-type marks, height 8 in., width 6 in., length 8 in. $500/700

152

156

152. Two Continental Polychrome Porcelain Figures of a Lady with Garlands and a Man Holding a Rose, late 19th c., unidentified mark, possibly Samson, in elaborate Rococostyle attire richly embellished with floral designs and gilt highlights, height 22 in., diameter 7 in.

156. A Paris Porcelain Apple Green and Gilt Partial Dinner Service, 19th c., consisting of four graduated platters, circular and oblong lidded tureens, lidded sauce tureen with undertray, sauce boat with undertray, reticulated corbeille, compote, three shaped dishes, 12 dinner plates, 10 salad plates, 8 bread plates, 5 soup plates, (approx. 45 pcs.)

$500/700

$1000/1500

W 153. An Antique

Meissen Gilt and Polychrome Porcelain Teapot, underglaze blue crossed swords mark, cornflower banded lid with floral finial, beribboned and floral spray decoration overall, height 4 3/4 in., width 7 5/8 in.

157

$300/500 W 154. A Meissen Gilt and

$700/900

Polychrome Porcelain Platter, 19th c., underglaze blue crossed swords mark, impressed marks, old accession number, scalloped gilt rim, finely painted with floral sprays, diameter 15 in.

158. Raphael Leon Leguilloux (French, 18711938), “Portrait of a Reclining Lady with Guitar”, 1900, oil on canvas, signed and dated lower right, oil sketch of a lady en verso, 22 1/2 in. x 30 1/2 in., period frame.

$400/600 W 155. A Set of Eight

Antique Minton for Tiffany Porcelain Cabinet Plates, c. 1900, apple green and gilt reticulated borders, raised gilt decoration, diameter 9 in.

157. A Pair of Paris Porcelain Gilt and Polychrome Campagna Urns, early 19th c., flared rim, reserved with Italianate landscapes, masque handles, now mounted as lamps, vase height 12 1/2 in., diameter 9 in., presented on fluted wood bases.

$1200/1800

158

$300/500

W denotes the lot is illustrated at www.nealauction.com

160. Continental School, 19th c., “Madonna and Child”, after Raphael Sanzio, oil on panel, unsigned, 29 1/2 in. x 29 1/2 in., antique giltwood frame. $2000/3000

159

161. Josef Israels (Dutch, 1824-1911), “Playtime”, watercolor and pencil on paper, signed lower right, label en verso from M. Knoedler & Co., New York, 9 in. x 11 3/4 in., matted and framed.

164

$1000/1500 162. Ferdinand Victor Leon Roybet (French, 1840-1920), “Cavalier Drawing His Sword”, oil on panel, signed lower left, 15 in. x 10 in., period frame. $2500/3500 163. A Fine Pair of French Polychrome Porcelain Jardinières, 19th c., probably Samson, in the Imari taste, applied handles, footed, height 8 in., diameter 10 1/2 in.

160

162

$1000/1500

161

159. Continental School, 18th/early 19th c., “A Noble Couple Offering Alms in a Religious Procession with Banner and Supplicants”, watercolor on paper, unsigned, 5 3/8 in. x 6 3/4 in. matted and framed. $300/500

163

164. A Pair of Empire Gilt Bronze Wall Sconces, early 19th c., each torch and wreath appliqué with ring supporting two candle cups, pineapple pendants, height 12 in., width 5 3/4 in., depth 4 1/8 in. $600/900

165. A French Empire Gilt Bronze ThreeLight Figural Candelabrum, c. 1800, standard in the form of a putto surmounted by three foliate scrolled arms ending in candle cups, centered by a finial, linked by chains, fluted marble base, height 23 3/8 in.

167

169. A Fine Beaux Arts Gilt Bronze TwentyLight Gasolier, c. 1880, cartouche-form corona, the standard with fluted and pierced spheres, shepherd’s crook supports, with acanthus and rosettes, height 47 in., diameter 43 in.

$500/750 166. A Pair of French RenaissanceStyle Patinated Bronze Figural Chenets, 19th c., each winged cherub atop dolphin feet, height 27 1/2 in.

165

$1500/2500

$7000/10000

166 167. A Fine French Gilt Bronze and Glass Table Garniture, mid19th c., stamped “H. Picard” for Henri Picard (wc. Paris, 1837-1864), consisting of a central tazza and four compotes, scrolled foliate bases, center tazza height 12 7/8 in. $400/600 168. A Fine Antique NeoclassicalStyle Rouge Marble and Gilt Bronze Pedestal, square top above Corinthian capital, tapered body plinth base, height 54 1/2 in., width 13 in., depth 13 in. $2500/3500

168

169 W denotes the lot is illustrated at www.nealauction.com

173

170. A Fine Pair of Green and White Marble Jardinières, in the 18th c. style, fluted bodies and flared circular rims; the tall paneled bases en suite, height 53 in., width 20 in., depth 20 in. 170

$5000/7000 171. An Antique Louis XVI-Style Carved, Painted and Gilded Salon Mirror, height 88 1/2 in., width 62 in., depth 2 1/2 in. $4000/6000 172. A Very Fine French Breccia Marble and Gilt BronzeMounted Urn, 19th c., foliate collar, mermaid handles, socle base, now mounted as a lamp, height 22 1/2 in., diameter 11 1/2 in. $2500/4500 173. A Pair of Napoleon III Patinated and Gilt Bronze Figural ThreeLight Candelabra, mid-19th c., the opposing putti holding lily-branch candlearms, on fluted rouge marble plinths with foliate border, now fitted for electricity, height 37 in., width 17 in., depth 8 in. $2500/3500

171

172

177

174

174. A Pair of French Patinated Metal Torchères in the Louis XVI Taste, probably early 20th c., the opposing courtiers holding urns issuing fivelight candelabra, on wellcast bases of Renaissance inspiration, height 85 1/2 in., width 31 in., depth 29 in.

178

$9000/12000 175. A Malachite Veneered and Bronze-Mounted Box, foliate handle, bracket feet, height 7 in., width 14 1/2 in., depth 10 1/2 in. $1200/1800

177. A Russian Orthodox Icon of an Archangel Flanked by St. Anne and a Deacon Saint, with Christ Pantocrator in Glory Above, 19th c., tempera and gold paint on wood panel, lengthy incised inscription in Cyrillic en verso, 12 1/4 in. x 9 3/4 in.

175

$600/900

W 176. A Decorative Gilt and Paint-Decorated

Blackamoor Candelabrum, composition on a rococo-style gilt base, height 70 in. width 13 1/2 in., depth 10 in. $500/750 Provenance: Nick McKinney.

178. A Gilt and Argenté Monstrance, late 19th c., the lunula amid sunbursts surmounted by a cross, standard atop plinth mounted with the Lamb opening the Book with Seven Seals, scrolled feet, height 18 1/2 in., width 10 1/2 in., depth 4 in. $700/900

W denotes the lot is illustrated at www.nealauction.com

183. GabrielPierre-Martin Dumont (French, 17201791), “Section Drawing of a Church Project, to be Built on a Greek-Cross Plan “ c. 1750s/1760s, ink, gray and light rose washes, on cream-colored laid paper, unsigned, 12 1/4 x 18 3/4 in., fixed to a mount of similar paper, 15 1/2 x 21 in., both without watermarks

181

W 179. A Pair of Italian Carved and Painted Putto

Candlesticks, each opposing figure holding a trumpet and kneeling on scroll base, height 10 3/4 in., width 5 3/4 in., depth 4 1/4 in. $500/750 W 180. A Gilt Decorated Black Lacquered

Chinoiserie Document Box, on brass stand, height 21 3/8 in., width 21 in., depth 15 1/2 in. Note: Old solder repairs to base, lid detached. $400/600 Provenance: Manheim Galleries, New Orleans, 1979. 181. A Good Napoleon III Gilt and Patinated Bronze Figural Mantel Clock, dial and movement marked “Raingo Frès/ Paris”, the classically draped maiden on a rocaille and foliate case, the elaborate base cast with gadrooned border, ribbons and garlands, on scroll feet, height 18 in., width 27 in., depth 8 1/2 in. $1200/1800 182. Alfred-Émile-Léopold Stevens (Belgian, active in France, 1823-1906), “Academy Study of a Male Nude”, May 11, 1844, graphite on white paper, signed and dated lower right, 23 5/8 in. x 15 in., float-mounted on an original French mat board inscribed by the artist at lower right D’aprés Nature atelier [Camille] Roqueplan 1844/AS [in monogram]. $800/1200 Note: It is a truism that in the case of nudes drawn at life classes in studios or at academic institutions, an artist’s mature style is often insufficiently emphasized (in favor of the generic manner endemic to such exercises). The pose of this heavily bearded figure seems to have left a permanent impression on Stevens - who in 1844 was only twenty-one years old. The attitude of this studio model (shown with his posing stick, a step support, and a hint of an isolating sheet set up behind him) is virtually identical with Stevens’ fine full-length ink portrait drawing of Madame Eugène Montrosier, inscribed and dated at Paris in 1878: the only substantive difference between them is that Mme. Montrosier’s right hand is brought up to her chest, to hold a muff. Such a congruence of pose, stretching across more than thirty years, is certainly unusual, and testifies to Stevens’ intense concentration in the rendering of this sheet. References: Jean-Luc Baroni and Stephen Ongpin, An Exhibition of Master Drawings, London and New York, Colnaghi’s, 1998, no. and pl. 47; Bernadette Thomas, “Alfred-Émile Léopold Stevens,” Grove Dictionary of Art, Jane Turner, ed., 34 vols., London, 1996, vol. 29, p. 645.

$400/600 182

Provenance: James R. Lamantia Jr., New Orleans and New York.

Note: This extremely fine drawing is clearly preparatory to an engraving intended to be published, perhaps in Dumont’s famous Recueil de Plusieurs Parties d’Architecture, probably in the penultimate section, devoted to “Les Églises” (1761/1767). A few of the prints included in that part of his celebrated compendium have 183 dates as early as 1751 and 1752, so that this exceptional sheet might have been drawn as early as mid-century. It shows—above and inside its uniform Tuscan order—an altogether original and exciting vaulting system, in which the barrel-vaults over the arms of the Greek cross, the central hemispherical dome (capped by a steeper pointed shell as a protection against the weather), and the great half-dome over the apse, are all isolated behind immensely high perimeter walls, articulated on the exterior with Tuscan pilasters, a full cornice, and attic (with a semicircular pediment over the façade). A Parisian, Dumont won the Prix de Rome and from 1742 to 1746 worked at the Académie de France there, being elected in the latter year to the Accademia di San Luca (as well as to the academies in Florence and Bologna). He returned to Rome in 1750 with his lifelong friend (and the famous architect of “le Panthéon” or Ste-Geneviève in Paris), Jacques-Germain Soufflot (1713-1780); the two made a pioneering visit to the Greek temples at Paestum near Naples, which Soufflot published with many of Dumont’s plates in 1764 (and of which the latter issued his own series in 1769). Such detailed, accurate, and highly finished images as this design set the standard for instruction—for example by Jacques-François Blondel (1705-1774), who used the three volumes of the Recueil in his courses—at the Académie d’Architecture in Paris, in which Dumont was also a Professor. References: Marie-Félicie Pérez, “Dumont,” Grove Dictionary of Art, Jane Turner, ed., London, 1996, 34 vols., vol. 9, pp. 389-390; Dora Wiebenson and Claire Baines, The Mark J. Millard Architectural Collection: vol. 1, French Books, Washington and New York, 1993, pp. 162-172, no. 66.

W 184. Continental School, 19th c.,

W 190. Attributed to Stefano della

W 194. Italian School, late 19th c., “A

“Drapery Study”, graphite, black chalk, and gouache on paper, 11 3/4 in. x 8 3/4 in., matted.

Bella (Italian, 1610-1664), “Study for a Ducal Cartouche”, ink and wash, unsigned, 4 in. x 2 1/2 in., matted.

$300/500

Maiolica or Terra Cotta Frieze”, watercolor, unsigned, 10 3/8 in. x 14 1/2 in.; together with two French illustrations, “Grille” and “Ceiling Design”, both watercolor and pencil, both inscribed, largest 25 in. x 19 1/2 in., unframed.

W 185. Adolf Hiremy-Hirschl

W 191. Regis Deygas (French, 1876-

(Hungarian, 1860-1933), “Drapery Study”, graphite and white chalk, unsigned, 13 1/2 in. x 10 1/2 in.; together with Adolph Roger (1800-1880), “Drapery Study”, ink wash, graphite and white chalk on paper, unsigned, sheet 12 1/8 in. x 9 1/2 in., both unframed.

1924), pair of academic male nudes, black chalk on paper, both with studio stamps with artist’s name lower left, sheet 13 in. x 9 1/2 in. and 23 1/2 in. x 16 3/4 in. $400/600

$500/700 W 195. Jeanne Garcin (French, late

19th c.), “Posing Male Nude”, charcoal on paper, initialed en verso, 23 in. x 16 3/4 in., unframed. $200/400

$400/600

Provenance: Estate of James R. Lamantia Jr. Note: Lamantia’s inscription, en verso, states that Mlle. Garcin was a pupil of Louis Guy. The presence of sheeting around the lower torso of this model explains how a woman artist came to be admitted to a life drawing class (an “academy”) in the presence of an otherwise nude male model.

W 186. Attributed to Paolo

Landriani (Italian, 1755-1839), “Theatre Set Design”, ink and ink wash on paper, unsigned, 5 7/8 in. x 7 7/8 in.; together with Italian School, 19th c., “South Side of Palatine Hill, Rome”, watercolor on paper, unsigned, 9 1/2 in. x 13 in., both unframed.

W 196. French School, 19th c.,

187. French School, mid-19th c., “Renaissance Revival Room Design”, gouache on cardstock, unsigned, sheet 11 7/8 in. x 17 3/4 in., matted; together with “Ceiling and Wallpaper Design”, gouache on cardstock, unsigned, sheet 11 1/4 in. x 16 3/4 in., matted.

four academic male nudes, each black chalk on paper, average 24 in. x 18 in., “Seated Male”, signed en verso, bearing École des Beaux Arts “Concours d’emulation” stamp upper left, inscribed en verso; “Standing Male”, signed “Delarivolliere” en verso; “Standing Male Nude in Three Quarter View”, signed “E.M. Maillard” and “C.H. Fauchon” en verso; “Standing Male with Clinched Fist”, attributed to Victor Favier (b. 1824), incomplete male nude en verso, all framed.

$500/700

$700/900

W 188. French School, 19th c.,

W 197. Delarivolliere (French,

$500/700 Provenance: Acquired from B. Rockman, New York, 1960 and at Drouot, Paris, 1983.

187 (1 of 2)

two drawings of Classical sculpture (probably from plaster casts), charcoal on paper, unsigned, both sheets approx. 22 in. x 16 1/2 in., matted.

19th c.), “Standing Male Nude from Rear”, graphite and black chalk on paper, unsigned, sight 23 1/2 in. x 16 1/2 in., framed.

199

$400/600 W 189. Wilhelm Kimbell (German,

19th c.), “Design for a Writing Desk” and “Design for a Factor’s Desk”, watercolor and pencil on paper, each signed lower left and inscribed lower center, sheet 14 1/2 in. x 11 1/2 in. and 11 1/2 in. x 14 3/4 in., respectively, together with eight illustrations for furniture designs from Schmit & Co., Paris, 1887, watercolors on paper, various sizes, some initialed and dated, unframed. $400/600

$300/500 W 192. Emile Friant (French, 1863-

1932), “Study of a Leg and Foot”, graphite on paper, unsigned, image 9 3/4 in. x 5 1/2 in., trimmed, unframed. $300/500

W 198. Delarivolliere (French, 19th

c.), “Drawing of a Plaster Cast - Supplicant Male Nude”, black chalk on paper, unsigned, sight 23 1/8 in. x 15 in., framed. $200/400

W 193. Francois Fortune Antoine

Ferogio (French, 1805-1888), “HorseDrawn Cart in a Wood” and “Une Thebaide (The Sacred Place)”, respectively black chalk; and graphite with sepia and white gouache, both signed, latter titled lower right, sheet 6 3/4 in. x 10 7/8 in. and 7 3/4 in. x 11 7/8 in., respectively, both matted. $400/600

199. Christian Johann Grabau (German, 1810-1874), “Man Driving Cattle”, 1856, pencil on paper, stamped “CHR. GRABAU/BREMEN” lower center, dated lower left, inscribed upper right and lower right, with a sketch en verso and inscribed “Grabau 1856” en verso, 8 in. x 11 in., unframed. $200/400

W denotes the lot is illustrated at www.nealauction.com

W 204. Leon-Philippe-

Victor Cuny (French, b. 1800), four drawings, “Drawing from a Cast of the Laocoon Group”, c. 1824, charcoal and white conte crayon, unsigned, each with inscription en verso, each 23 1/2 in. x 18 in. $400/600 W 205. Emil Axel

Krause (Danish, 1871-1945), “Castle by the Water’s Edge”, 1891, watercolor on paper, signed and dated lower left, sight 14 1/2 in. x 11 1/4 in., unframed.

200 (1 of 3)

$300/500 206 (1 of 5) 206. Continental School, early 19th c., five gouaches of citrus, melons and berries, some sheets with “J Whatman/1805” watermarks, sights 14 in. x 18 in. or the reverse, matted and framed alike. $800/1200 207

207. Yvonne KleissHerzig (French, 18951968), “Femmes Kabyles d’Algerir”, c. 1920, gouache, signed lower right, 11 1/2 in. x 13 1/8 in.

200. French School, 19th c., “Design for an Ornamental Cartouche”, gouache on paper laid down on cardstock, unsigned, 8 1/2 in. x 11 1/2 in.; together with two French illustrations of ornament, “Cornice Details” and “Ornament Detail with Squirrels and other Wildlife“, ink wash on paper and ink on tracing paper respectively, largest 9 1/4 in. x 8 1/2 in. (trimmed), unframed.

$600/900 208. A White Marble Bust of a Classical Female, height 18 in., width 10 1/2 in., depth 12 in.

$300/500 W 201. Dutch School, late 19th c., “The Last

Supper”, graphite on paper, “PL BAS” watermark, sheet 9 5/8 in. x 21 7/8 in., unframed.

208

$200/400 W 203. Albert Decaris (French, 1901-1988), W 202. Italian School, 19th c., “Madonna and

Child”, after Raphael’s “Madonna della Sedia” in the Palazzo Pitti, Florence, black chalk on paper, unsigned, sheet 19 1/4 in. x 13 in., unframed. $200/400

$1000/1500 W 209. British or

“Recumbent Male Nudes”, black and graphite on paper, unsigned, 18 in. x 22 in.; together with three academic male nudes, two in black crayon, signed “A. Lattes” en verso, largest 25 in. x 18 in., and one attributed to Elie Berteau (French, late 19th/early 20th c.), black crayon on paper, inscribed en verso, 24 1/4 in. x 19 in., all unframed. (5 pcs.)

American School, late 19th/early 20th c., “Study for Blind Man in Turban”, graphite on paper, unsigned with notes on colors, “VENEZIA” watermark, 12 3/4 in. x 9 5/8 in., matted.

$400/600

$300/500 Provenance: Acquired from Rickman, New York, 1963.

W 210. Fannie F.

MacPherson, Lady Holroyd (British, 1864/651924), two academic nude studies, “Standing Male Nude”, graphite on paper, initialed upper right, 23 5/8 in. x 10 1/2 in., and “Standing Female Nude”, graphite and modern color on paper, unsigned, 17 7/8 in. x 5 3/4 in.; together with John Flaxman, R.A. (17551826), “Illustration for ‘Oberon’”, graphite on paper, unsigned, 9 in. x 7 1/4 in., all unframed (3 pcs.)

211 (1 of 9)

$500/700 211. Jean Barbault (French, 1718-1762), nine engravings from Les Plus Beaux Edifices de Rome Moderne..., 1763, Bouchard and Gravier, Rome, laid paper, lion-in-shield watermark, titles in French and Italian, double-page prints include; “Vue des restes de l’Amphiteatre Flavien “, “Vue de la Place de la Colonne Trajane”, “Vue de la Place de la Rotonde”, “Vue de la Place Colonne” and others, plate 15 1/2 in. x 21 in., sheet 19 3/4 in. x 25 3/4 in.

212

$700/1000 212. Marc Chagall (French, 1887-1985), “Nice - Soleil Fleurs”, 1962, color lithograph, printed by Mourlot, Paris, signed in plate, sight 36 in. x 22 1/2 in., sheet 37 1/2 in. x 24 1/4 in., framed.

215

$800/1200 213. Jean Le Pautre (French, 1618-1682), 24 engravings from Trophies à l’Antique, 1680, showing designs for mantels, ceilings, alcoves, rinceaux and trophies, presented in a custom mustard cloth-covered portfolio, sheets 17 in. x 12 1/2 in.

213 (1 of 24)

$500/700 216. A Bronze Figure of “Narcissus”, after Vincenzo Gemito (Italian, 1852-1929), the Hellenistic original discovered at Pompeii in 1862 and preserved in the Museo Nazionale, Naples since that date, height 12 1/2 in., on a verde antico marble plinth.

W 214. An Antique Relief Carved and Gilt

Helmet, surmounted Prince of Wales plumes, on a symbolic “mountain” base, height 20 1/2 in. $200/300

$300/500 215. A Pair of Continental Patinated Bronze Figural Ewers, mid-19th c., each of typical form, the body with Bacchanal procession, handle surmounted by a seated putto, overall clustered grapevine and acanthus leaf decoration, height 21 7/8 in.

Reference: Haskell & Penny, Taste and the Antique, pp. 271-272, fig. 141.

216

$700/1000 W denotes the lot is illustrated at www.nealauction.com

220. A Pair of Carved and Gilt-Decorated Solomnic Columns, of Baroque inspiration, each with Corinthian capital above spiral turned column with foliate vines, height 47 1/2 in., diameter 11 1/2 in. $800/1200 221. A Pair of French Bronze Doré Two-Light Sconces, each backplate in the form of a putto issuing foliate branches with applied porcelain flowers, height 12 1/2 in., width 8 1/2 in.

218

$1000/1500

220

219

222

218. A French Doré and Patinated Bronze and Marble Encrier of Generous Size, c. 1830, possibly Maurin green marble, central figure after Michelangelo’s Lorenzo de Medici, Duke of Urbino, flanked by eagle clad inkwells, height 13 5/8 in., width 18 1/4 in., depth 10 in. 221

W 217. A Continental Carved and Polychromed

Processional Stand for a Reliquary, 19th c., possibly Spanish, square stand with shaped frieze and gilt scrolling leaves, the sides with shaped carrying handles, height 12 in., length 60 in., width 17 1/2 in. $300/500

219. A Pair of Italian Patinated Bronze Figural Andirons, 19th c., figures of Diana and Apollo atop rams’ head urns, base bearing the Medici shield of arms and a masque amid serpents, heights30 5/8 in. and 33 3/4 in. respectively.

222. A Fine Napoleon III Bronze-Mounted and Black Marble Clock Garniture, mid-19th c., the clock surmounted by a seated figure of a maiden reading, signed “Moreau”, for Mathurin Moreau (French, 1822-1912); together with a pair of figural nine-light candelabra, with maidens carrying urns, the bases of all three elements decorated with reliefs of classical figures, clock height 21 in., width 18 in., depth 18 1/2 in.; candelabra height 28 in., diameter 13 in.

$1200/1800

$2500/3500

$1000/1500

223

223. Adolphe Yvon (French, 1817-1893), “Prisoner’s Escort, A Scene from the Crimean War”, 1855, oil on canvas, signed and dated lower right, 43 1/2 in. x 66 3/4 in. $12000/18000 Provenance: Sotheby’s February 25, 1982 Important 19th c. European Paintings, lot 127. Note: An important French painter of the Second Empire, Yvon studied under Paul Delaroche, and was acclaimed for his battle scenes. Shortly after the end of the Crimean War in September 1855, Yvon was commissioned by the French government to paint a large picture of the capture of the Malakoff at Sevastopol. He sailed for the Crimea on February 19, 1856 where he spent six weeks compiling a portfolio of sketches, as well as visiting the battlefield of Inkerman. In 1857, the finished painting La Prise de la tour de Malakoff 8 septembre 1855 was shown at the Paris Salon, and two years later came La Gorge de Malakoff, and La courtine de Malakoff. La Prise was a massive piece measuring 6 metres by 9 metres and represented the moment when the fortification was captured around midday. In the succeeding years, Emperor Napoleon III began to admire Yvon’s battle scenes which glorified the carnage of Napoleon I campaigns. Yvon became an officer of the Légion d’Honneur in 1867, and painted Napoleon III’s portrait the following year (unlocated). Yvon was known as the leading teacher of drawing at the École des Beaux-Arts (1863-83).

224

224. Continental School, 19th c., “Ferrying Across the Harbor”, oil on canvas, unsigned, 28 in. x 50 in., antique frame $1000/1500

W denotes the lot is illustrated at www.nealauction.com

227

225

226. A Dutch Marquetry and Mahogany Bureau and Chaise, mid-19th c., profusely inlaid throughout with Neoclassical urns and flowers, desk superstructure with arched glazed doors flanking niche, fold-out leather writing surface, kneehole configuration of drawers, opposing spiral-turned legs. $2500/3500 227. A Pair of Empire-Style Gilt BronzeMounted Kingwood and Walnut Guéridons, circular malachite tops over frieze drawer, raised on tapering supports headed by a female mask, incurvate stretchers, bun feet, height 33 1/2 in., diameter 16 3/8 in.

226

$3000/5000

225. Circle of Willem Wissing (Dutch, 1656-1687, active in England), “Portrait of a Noble Lady”, oil on canvas, old NY gallery label en verso, 30 in. x 25 3/4 in., in a giltwood frame.

228

228. An Italian Walnut Bureau Bookcase, late 18th/early 19th c., boldly arched crest above mirrored doors, fall-front desk above serpentine case of three drawers, crossbanded inlay throughout, bracket feet, height 94 1/2 in., width 42 1/2 in., depth 21 in.

$2000/3000 Provenance: According to an old inscription on paper backing, formerly in the collection of Mrs. G. Q. Whitney, 2233 St. Charles Ave., New Orleans.

$2000/3000

228 (open)

Provenance: Butterfield & Butterfield, San Francisco, 1998.

229

229. A George III Mahogany Oval TwoPedestal Dining Table, c. 1790, reeded and satinwood banded top, reeded supports ending in brass paw feet, height 29 1/2 in., width 87 1/2 in., depth 46 in. $1500/2500 230

230. A Georgian-Style Chinoiserie Center Table, probably Edwardian, painted and lacquered surface; extensively decorated with gilt and scarlet mountainous landscape, cabriole legs ending in pad feet, height 30 in., width 43 1/2 in., depth 43 1/2 in.

233

$1000/1500 231. A Good George III Inlaid Mahogany Bowfront Chest of Drawers, c. 1790, in the Hepplewhite taste, banded top above an inlaid frieze centered by a bee patera, four graduated drawers, “French” feet, height 41 in., width 140 in., depth 21 1/2 in. $1500/2500

231

232

232. A George III Carved Mahogany, Ebony and Brass Inlaid Drop-Leaf Work Table, c. 1800-1810, drop-front case, turned legs with brass-mounted rings and brass ball feet, height 30 in., width 37 in., depth 15 in. $700/1000

233. A Rare English Mother-of-Pearl Inlaid, Polychromed and Black Lacquer Étagère, mid-19th c., with inset mirror and two tiers, serpentine base with painted reserve, fitted with a drawer, height 53 in., width 24 1/2 in., depth 20 in. $4000/5000

W denotes the lot is illustrated at www.nealauction.com

234

235

238. A Regency Rosewood and Mother-of-Pearl Inlaid Lap Desk, early 19th c., fitted satinwood interior. $400/600 W 239. Sir

Charles Holroyd (British, 18611917), three academic male nudes, graphite on paper, one initialed lower left, largest 22 in. x 14 1/2 in.; together with “Greek Sculpture”, 1883, graphite on paper with modern color, signed and dated lower right, 23 3/4 in. x 8 1/2 in., all unframed.

237

236

234. A Pair of English Ebonized, Gilt and Mother-of-Pearl Inlaid Chairs, mid-19th c., distinctive incurvate backs with plumed splats, restrained cabriole front legs, height 35 1/2 in., width 21 1/2 in., depth 20 in.

$400/600 W 240. Fannie F.

MacPherson, Lady Holroyd (British, 1864/5-1924), “Seated Male”, 1886, dated lower right, sheet 22 in. x 12 in., matted.

$1800/2400 235. A George III Carved Mahogany Games Table, c. 1760, fold-over top, gadrooned skirt, cabochon and volute cabriole legs, ball and claw feet, height 28 3/4 in., width 34 in., depth 16 in.

238

$300/500

236. A Regency Carved Mahogany Side Chair, early 19th c., tablet crest rail, reeded stiles, carved medial rail, reeded seat rail, ring turned legs.

237. A Very Fine Black Leather and Mahogany Metamorphic Library Ladder, early 20th c., oval hinged case, enclosing folding ladder, open height 145 in., width 13 in., depth 3 in.; closed height 156 in., diameter 3 in.

$200/400

$2000/3000

$1500/2500

W 241. Sir Charles Holroyd (British, 1861-

1917), “Standing Male Nude”, black chalk, unsigned, approx. sheet 18 in. x 12 in. (trimmed on left side and bottom); together with “Drawing from the Cast/Male”, black chalk and ink wash, unsigned, 20 1/2 in. x 11 in., unframed. $300/500

W 242. Sir Charles Holroyd

(British, 1861-1917), eight figure drawings, most pencil, charcoal or sanguine on paper, various sizes, the largest being 18 in. x 12 in., some initialed, unframed. $500/700 W 243. Attributed to

William Linnell (British, 1826-1906), “Posing Male Nude”, c. 1845, black chalk, unsigned, sheet 27 1/4 in. x 19 1/2 in., unframed. $500/700 W 244. Winifred Knights

(English, 1899-1947), three male figure studies, one with figure study en verso, graphite on paper, unsigned, Hari Gurung Picture Framing, Tunbridge Wells, UK stamp en verso of each mat, largest 15 3/4 in. x 10 in., each matted.

248

246

247. English or Continental School, late 18th/early 19th c., “An Angler and Peasant Figure Beside a Stream, in an Extensive Landscape”, oil on canvas, unsigned, 36 1/4 in. x 57 3/4 in., unframed. $1000/2000

$400/600 248. A Copeland Parian Bust of “Clytie”, inscribed 1868, after the Antique, impressed mark “Art Union of London, 1868”, socle base, height 13 1/4 in.

W 245. William

Wyld (British, 1806-1889), “Coastal Scene” and “River Scene”, pair of watercolors, one signed, 3 1/2 in. x 5 1/4 in. and 4 1/4 in. x 5 1/2 in. respectively, unframed.

$300/500

247

249. A Fine Pair of English Embroideries, 18th c., depicting figural scenes, in period carved and gilded frames, height 16 in., width 10 in., depth 2 in.

$800/1200

$1000/1500

246. English School, 19th c., “Portrait of a Distinguished Minister with Bible”, oil on canvas, unsigned, G. Morrill Liner, London stretcher stamp, 56 1/4 in. x 44 in., unframed.

W 250. An English Rosewood,

Parquetry and Marquetry Box, 19th c., shaped top with geometric reserve; stamped paper lining, height 2 1/2 in., width 10 in., depth 6 in. $300/500 W 251. A Regency Rosewood and

Satinwood Sarcophagus-Form Tea Caddy, two lidded interior compartments, tapering case, brass ball feet, height 6 1/4 in., length 4 1/2 in., width 7 5/8 in.

$2000/3000

$300/500

249 W denotes the lot is illustrated at www.nealauction.com

255. An English Sterling Silver Toast Rack, Henry Wilkinson & Co., Sheffield, 1838, openwork handle, acanthus base, splayed feet with shells, height 7 in., length 8 in., weight 11.40 troy ozs. $500/700 256. A Parian Portrait Bust of Benjamin Disraeli (1804-1881), uninscribed, height 21 1/2 in. $500/750 252

257. A Parian Bust of “The Apollo Belvedere”, 1861, after the antique prototype at the Vatican by Pierre Charles-Eugene Delpeche (French, active London, 19th c.), the Art Union London, signed, dated and noted Art Union of London, height 14 in.

255

$700/900 254

253

252. A George III Tôle Peinte Oval Tray, c. 1800, found in original state, reserve with neoclassical figures and urns, later stand with ring-turned legs, height 17 in., width 24 1/2 in., depth 19 in. $600/800 253. A George III Carved Mahogany Pole Screen, 18th c., retains framed needlework of flowers and urn, adjustable screen, acanthus carved pole with suppressed ball, arched acanthine legs, ball and claw feet, height 59 1/2 in., width 22 1/2 in., depth 17 in. $1200/1800

256

254. A Good Pair of George IV Sterling Silver Magnum Decanter Coasters, Sheffield, 1827, maker RH untraced; each rim with foliate scroll and shell border, reticulated body with intertwining scrolls of barley and grapes and grape leaves, turned hardwood bottom with silver button, fully marked, height 2 in., diameter 6 3/4 in. $1000/1500

257

W 258. A Pair of English Amber Cut

and Pressed Glass Lidded Urns, 19th c., allover diamond pattern, tapered bodies, square bases, height 15 1/2 in., diameter 6 in. $800/1200

259

260

261

261. A Regency Carved Mahogany Cheval Mirror, c. 1810, ring-turned and blocked frame with ebonized decoration, lion’s head cast brass knobs, trestle base with brass cup casters, height 53 in., width 24 in., depth 20 1/2 in. $800/1200

263

262. A French Provincial Tall Case Clock, early 19th c., paneled case, cabriole legs, height 96 in., width 17 in., depth 12 in. $800/1200 264

259. A Louis Philippe Carved Giltwood Barometer, c. 1840, the dial signed “Briol, Ingenieur/ Opticien de la Maison/ Imperiale des Loges/ 32 Rue au Pain, St. Germain”, the center painted with figures of the blowing winds, note: no mechanics, height 43 in. width 35 1/2 in. $800/1200

262

263. A Pair of Paris Porcelain Gilt and Polychrome Vases, mid-19th c., each with flared lip, floral reserve, applied foliate decoration, extensive gilt accents, height 17 3/4 in. $1000/1500

260. A William and Mary-Style Red Tortoiseshell Veneered Mirror, now with beveled mirror plate, height 43 in., width 35 1/2 in.

264. A Paris Porcelain Apple Green, Salmon and Gilt Partial Tea Service, 19th c., consisting of a teapot, lidded sugar, creamer, waste bowl, 14 cups with 20 saucers (in two sizes), (approx. 35 pcs.)

$1000/1500

$500/700

Provenance: Manheim Galleries, New Orleans, 1983. W denotes the lot is illustrated at www.nealauction.com

267. Hans Anderson Brendekilde (Danish, 1857-1942), “Hen, Rooster and Chicks”, 1922, oil on canvas, signed and dated lower left, 22 1/2 in. x 26 1/2 in., antique giltwood frame. $3000/5000 268. Amedée Bodin (French, b. 1825), “Mother and Child”, 1871, oil on canvas, signed and dated lower right, 11 in. x 18 1/4 in., antique giltwood frame. 266

$2500/3500 269. A Fine Anglo-Colonial Carved Hardwood Planter’s Chair, 19th c., pierced anthropomorphic figural crest, canted back, the arms carved with fish, swing-out boot rests, shaped seat rail, legs with Buddhistic figures, height 40 in., length 50 1/2 in., width 31 in.

265

$2500/3500

268

267

265. Bernard De Hoog (Dutch, 1867-1943), “Interior”, oil on canvas, signed lower left, 19 3/4 in. x 15 1/2 in., framed. $4000/6000 266. Henry Schouten (Flemish, 1857-1927), “Still Life with Roses and a Nautilus Shell Cup”, oil on canvas, signed lower left, 26 in. x 19 3/4 in., antique frame. $700/1000

269

270. An English Mahogany and Ebonized Library Table, mid-19th c., molded top with chamfered corners, shaped skirt, pendant drops, trestle base with arched supports, medial stretcher, casters, height 30 1/4 in., width 54 1/4 in., depth 29 1/4 in. $700/1000 271. A DirectoireStyle Mahogany Metamorphic Bench/ Library Steps, bearing “Fountainbleau...Bel Maison, John Wanamaker New York and Philadelphia” brass label, brass studded needlepoint upholstered fold-over top enclosing steps, height 21 in., width 24 in., depth 18 1/2 in.

270

272

$800/1200 272. A Set of Continental Inlaid and Ebonized Walnut Quartetto Tables, mid-19th c, height 30 1/2 in., width 18 in., depth 11 1/2 in. $1000/1500

271

271 (open)

273

273. A Fine Pair of Antique Louis XV/XVI Carved Walnut Fauteuils, each of generous size, later upholstery, height 40 in., width 28 in., depth 23 in. $1500/2500

274

274. A Fine Dutch Inlaid and Figured Walnut Chest of Drawers, late 18th/early 19th c., two short drawers over four long drawers, bracket feet, height 29 in., width 40 1/2 in., depth 23 1/2 in. $4000/6000 W denotes the lot is illustrated at www.nealauction.com

275

276

278

277

275. A Rare Anglo-Portuguese Games Table, probably 19th c., inlaid checkerboard top, interior well for backgammon, two fitted drawers, on barley-twist legs, shaped stretcher, height 28 in., width 41 3/4 in., depth 28 1/2 in.

277. A Continental Carved Walnut Slant-Front Bureau, 18th c. and later, probably Italy or Southern Germany, finely fitted stepped desk interior, serpentine bombé case, height 43 in., width 50 in., depth 27 1/2 in. $4000/6000

$2000/3000 276. An Antique Portuguese Rococo-Style Carved Mahogany Bombé Commode, serpentine case with molded top above three drawers, anthemion carved stiles, shaped apron centered by a pierced shell cartouche, cabriole legs, ball and claw feet, later rococo brasses. $4000/6000

278. A French Provincial Fruitwood Table à Ecran, late 18th/early 19th c., an end drawer, recessed paper peinte screen, with finely tooled cafe au lait leather top, height 35 in., width 23 1/2 in., depth 17 in. $1000/1500

279. A Swedish Rococo Carved Giltwood Mirror, 19th c., C and S scrolled pierced crest centering a basket of flowers, cornucopia brackets, rectangular mirror plate with reticulated rococo surround, height 80 in., width 35 1/2 in. $3000/5000 Provenance: Manheim Galleries, New Orleans, 1984. 280. An Antique George III-Style Carved Giltwood Girandole Mirror, height 46 in., width 22 in., depth 10 in. $1500/2500 281. A Good English Victorian Lacquered, Mother-of-Pearl Inlaid and Gilt Decorated Dressing Mirror, mid-19th c., arched crest with mother-ofpearl oval reserve, rectangular frame, scroll supports, shaped incurvate plinth with large mother-of-pearl panels, bun feet, the whole with polychrome and gilt decoration, height 35 in., width 28 1/2 in., depth 14 in.

280

279

$400/600 282 282. A Very Fine English Ebonized, Polychrome and Mother-of-Pearl Inlaid Tea Caddy, mid19th c., the hinged domical lid centering an extensive view of Windsor Castle, fitted interior of tea boxes and mixing bowl, shaped feet, height 9 in., width 16 in., depth 10 1/2 in.

281

$1200/1800 W denotes the lot is illustrated at www.nealauction.com

283

284

286

283. A Pair of French Painted Porcelain Campagna Urns, c. 1850, reserved with different floral bouquets and decorated with broad gilt bands, openwork handles with ram’s head mounts, height 9 3/4 in., diameter 7 in. $800/1200 284. A Decorative French Polychromed Papier-Mâché Ornamental Urn late 19th/early 20th c., the lobed bowl filled with fruit, height 28 1/2 in., width 49 in., depth 5 in. $700/900 285. Delphin Enjolras (French, 1857-1945), “Lady in Pink with Her King Charles Spaniels”, pastel on paper, signed lower right, sight 35 7/8 in. x 25 1/8 in., framed. $2500/3500 286. William J. Medcalf (English, 1879-1930), “Portrait of a Mother and Child”, oil on canvas, signed lower right, 50 1/2 in. x 33 in., giltwood frame. $3000/5000

285

289

287

288

290

287. Alfred Arthur Brunel de Neuville (France, 18511941), “Four Kittens Inspecting a Wasp”, oil on canvas, signed lower left, 21 1/2 in. x 26 in., framed. $1000/1500

291. A Regency Inlaid Maple and Rosewood Banded Work Table, c. 1820, generous proportions, square top with octagonal reserve, one deep fitted drawer above work basket; urn and “U” support, four carved legs, paw feet, height 31 1/2 in., width 23 in., depth 23 in.

288. A William IV Carved Oak Writing Table in the Gothic Style, c. 1840, inset tooled leather top above two frieze drawers, paired Gothic supports, trestle base, acanthus carved ball feet, casters, height 30 1/2 in., width 42 in., depth 25 in. $1000/1500 289. A George III-Style Inlaid Mahogany and Satinwood Dining Table, segmented octagonal top centered by a compass star, baluster support, four downswept banded legs, brass paw feet, casters, height 29 in., diameter 67 in. $1200/1800 290. A Suite of Eight American Classical Inlaid Mahogany Dining Chairs, 19th c., each with shaped crest rail, lozenge and sunburst inlaid slats, slip seats, saber legs.

$1500/2000 291

$1200/1800 W denotes the lot is illustrated at www.nealauction.com

295

292. A Pair of American Late Classical Carved and Gilded Pier Mirrors, early 19th c., wreath crest with birds, blocked shell carved frieze above divided mirror plates flanked by paired rope twist columns, height 63 in., width 29 1/4 in.

292

$1500/2500 293. An American Federal Mahogany and Parcel Gilt Banjo Clock, c. 1820, dial bears the signature of Aaron Willard, Boston, works unmarked, acorn finial, the églomisé tablets bordered by rope-carved giltwood, the lower tablet painted with reserve of Mount Vernon, height 41 in., width 10 in., depth 4 in. $1000/1500 294. An American or French Restauration Mahogany Dressing Table, c. 1830, mirror with scroll supports, original dished white marble top above an ogee frieze drawer, scrolled supports connected by a shaped stretcher shelf, height 56 in., width 32 7/8 in., depth 16 5/8 in. $700/1000 295. An American Classical Carved Mahogany Armchair, early 19th c., arched crest, padded arms with lappet and scroll carved uprights, turned reeded legs, cup casters. $1200/1800

293

294

297

296

296. A Good American Classical Carved Mahogany Chest of Drawers, c. 1830, indistinctly signed, blocked backsplash, outset configuration of three short above one long drawer, acanthus-carved half columns flanking three graduated drawers, acanthine paw feet. $1200/1800 297. A Fine American Classical Carved Mahogany Sideboard, early 19th c., Philadelphia, backsplash flanked by cove and torus molded plinth with drawers, Corinthian columns, beveled drawers, distinctive fan and cornucopia cupboard doors, foliate lobed feet, casters, height 58 1/2 in., width 72 1/2 in., depth 27 in. $3000/5000 Note: The distinctive fan carved panels on this sideboard relate directly to a design drawing by Anthony Quervelle conserved by the Philadelphia Museum of Art. The monumental carved capitals flanking the case are nearly identical to those on a pier table made by Quervelle for the Bowlby family of Philadelphia. Reference: Boor. Philadelphia Empire Furniture. p. 96; Smith. “The Furniture of Anthony Quervelle, The Pier Tables”, Magazine Antiques. (May 1973), p. 989, pl II.

298

298. An American Classical Carved Mahogany, Gilded, Stenciled and Ebonized Pier Table, early 19th c., New York, original marble top above ebonized, fruit and nut stenciled frieze with a basket of flowers at each corner and banded stenciled edge, gilded Doric columns to the front, mirrored back flanked by pilasters, incurvate banded plinth, bracketed acanthine paw feet, height 37 3/4 in., width 42 in., depth 18 1/8 in. Note: Marble inscribed with a name and “Pokepsie[sic], NY”. $4000/6000 299. An American Chippendale Carved Mahogany Bowfront Chest of Drawers, late 18th c., Philadelphia, molded top above four graduated drawers, molded base, ogee bracket feet, now with neoclassical brasses, height 35 in., width 44 1/2 in., depth 22 1/2 in. $2000/3000

299 W denotes the lot is illustrated at www.nealauction.com

300

301

300. An American Classical Finely Carved Mahogany Poster Bed, early 19th c., Philadelphia, paneled headboard with acanthus carved scrolled crest, complex, turned and acanthus carved posts with anthemion collars, conforming rails, height 94 in., length 77 in., width 58 1/2 in.

302. An Important American Rococo Walnut Library Chair, c. 1855, Charles H. White (Philadelphia, 1796-1876, active 18281855) bearing discovered stamp on top inside of proper right leg “C. W. and Co.”, the padded crest above an exuberantly carved splat of entwined dolphins and scrolling foliage; continuous back with animal mask terminals, foliate carved cabriole legs, ending in paw feet. $2400/4000 Note: The design for this library chair is well known, and a related carved walnut armchair conserved by the Carnegie Museum bearing a stenciled label for Charles White (Philadelphia, 1796-1876) is illustrated in Busch, et. al. Rococo, the Continuing Curve, p. 200, fig. 9. A chair nearly identical to this lot, also bearing a “C.W...” stamp, was sold at Neal Auction as lot 359 on July 12, 2008. Another example attributed to White was sold in these rooms as lot 135, June, June 27, 2009.

$4000/6000 Note: The carved and turned posts on this bed are nearly identical to those on a bedstead illustrated in Boor. Philadelphia Empire Furniture. p. 495, fig. 329.

302

301. An American Chippendale Carved Walnut Armchair, 18th c., Philadelphia, shell carved crest, scrolled ears, serpentine knuckle arms, trapezoidal slip seat, shell carved and molded seat rail, shell carved cabriole legs, ball and claw feet, in old black finish, height 41 in. $3000/5000

The form seen here appears as the frontice piece drawing of a library chair in Edward Strahan’s Mr. Vanderbilt’s House and Collection. Boston: George Barrie. A photograph of William Vanderbilt sitting in the chair is illustrated in Howe, et. al. Herter Bros., Furniture and Interiors for a Gilded Age, p. 201. An example of this design was installed in the library of the c. 1860 Asa Packer Mansion in Jim Thorpe, Pennsylvania illustrated in Kenneth Ames, Magazine Antiques, “George Henkels, Philadelphia Cabinet Maker” Oct. 1973, p. 645, fig. 9. Henkles’ large firm was at 172 Chestnut Street, blocks away from White’s workshop at 250 Chestnut Street.

303

303. A Rare American Inlaid Exotic Woods and Walnut Architectonic Pedestal, c. 1876, square top, geometric frieze, overall inset panels with Masonic symbols, the front panel displaying opposing American flags and monogrammed “G”, Corinthian columns at each corner, blocked base, height 34 1/2 in., width 36 1/4 in., depth 31 1/2 in.

304

$1000/1500 305. A Rare American Rococo Carved and Laminated Rosewood Armchair, c. 1850-60, attributed to John Henry Belter, New York, in the pattern most often referred to as “Henry Clay”, C scrolled back with floral crest, serpentine seat rail and cabriole legs with floral carving.

304. An American House of Representatives Carved Oak Desk, c. 1856, attributed to Doe Hazelton & Co., Boston, brass tag “No. 36”, stenciled “G1” under drawer; the galleried top centered by a Federal crest, slant front writing surface with lift top and bracket supports, trellised screen and low shelf, volute return feet, height 36 in., width 29 1/2 in., depth 20 1/2 in. $5000/7000 Note: This desk follows a design by Thomas Ustick Walter for the House of Representatives Chamber in use after 1857. Desks in the chamber were of two forms: a twocompartment desk and a single seat desk such as the lot featured here. Chairs for the U.S. House Chamber had already been ordered from the Bembe and Kimball firm of New York when Montgomery Meigs, who supervised the construction of the wings and dome of the Capitol from 1853 to 1859, sent images of the chair design to the Doe Hazelton firm of Boston for construction of 262 of the accompanying desks. The desks were in use until 1873 when they were gifted or sold to Congressmen.

$3000/5000 Note: A chair attributed to Belter from the Manney collection nearly identical to that seen here is illustrated in Schwartz, Stanek and True. The Furniture of John Henry Belter and the Rococo Revival, p. 45, fig. 10.

An illustration of the United States House Chamber in the March 1865 edition of Frank Leslie’s Illustrated News announcing the passage of the 13th Constitutional Amendment abolishing slavery depicts a desk like the one seen here in detail. Historic House of Representatives desks have been sold at Neal Auction including lot 686, sold June 11, 2005 and lot 321, sold January 30, 2010.

305

Reference: http://www.rarevictorian.com

W denotes the lot is illustrated at www.nealauction.com

306

308

308. A Set of Six Antique George III Carved Mahogany Dining Chairs, serpentine acanthus-carved crest rail above pierced splat, trapezoidal slip seat raised on square molded legs, H stretchers. $1500/2500 309. A Fine Pair of George III-Style Inlaid Satinwood Bow-Front Chests-of-Drawers, 19th c., each with molded top, three graduated drawers, light and dark wood stringing, flared “French” feet, height 34 1/2 in., width 41 1/4 in., depth 23 1/4 in. $4000/6000 307

309

306. An American Classical Carved Mahogany and Gilt Stenciled Drop-Leaf Table, c. 1825, New York, stenciled skirt and faceted bulbous stem, circular plinth, acanthus carved legs ending in paw feet, casters, height 29 1/4 in., width 39 in., depth 24 1/2 in. $1000/1500

307. An American Classical Carved Mahogany Two-Part Dining Table, early 19th c., Philadelphia, each D-end swivel top with drop leaf, acanthus carved stem ending in a lobed disc, acanthine collar, incurvate plinth, volute bracketed paw feet, casters, height 29 in., length 94 in., width 48 in. $3000/5000 Provenance: @Look for written provenance from Moore@.

310. A RegencyStyle Cut Glass and Brass 310 Hanging Light, circlet cast with palmettes, hung with prisms, not electrified, height 30 in., diameter 18 in. $600/800

311. An American Gilt Lacquered Brass and Bronze Solar Lamp, c. 1850, Cornelius & Co., Philadelphia, labeled font, scrolled acanthus standard, cut and etched glass shade, prism hung, overall height 30 1/4 in. $1200/1800 Note: This standard was used by many lighting companies and is illustrated as item No. 501 in the 1850 H.N. Hooper & Co. catalogue as well as item No. 47 in the Dietz catalogue. Reference: Gowitt, Gerald, 19th Century Elegant Lighting, pp. 32, 82.

312. Preston Powers (American, 1843-1931), “Bust of a Gentleman”, 1875, marble, signed and dated “No. 9/ P. POWERS/ Sculp. 1875”, socle with integral joint (but in a separate piece), height 29 1/2 in., width 20 in., depth 12 in. $4000/6000 311

312

314

313. A Large American Chippendale Carved Mahogany Looking Glass, c. 1770, Philadelphia, possibly John Elliott, Sr., arched crest, beveled mirror plate with gilt inner border, return corners, shaped base, height 63 1/2 in., width 32 in. $3000/5000 Note: An identical mirror form may be found at the Winterthur Museum, labeled John Elliott, Sr. (1768-1776). 314. A Fine Pair of American Classical Carved Mahogany Games Tables, 19th c., New York, banded foldover swivel top with canted corners, acanthus-carved vasiform stem, arched acanthus legs ending in paw feet, casters, height 29 1/2 in., width 36 1/4 in., depth 18 in. $4000/6000 313

W denotes the lot is illustrated at www.nealauction.com

315. A Large American Classical Carved Mahogany Secretary/ Bookcase, c. 1830, Baltimore, stepped cornice above glazed doors flanked by tapered columns; the lower case with two short drawers over well fitted escritoire drawer, bowfront doors flanked by columns, plinth base, turned feet ending in later brass spherules, height 98 in., width 48 in., depth 24 1/2 in. $4000/6000 Note: The form, proportion and ornament of this secretary relate closely to several examples associated with the workshop of John 315 Needles (Baltimore, active 1810-1852) including a labeled Needles secretary at the Baltimore Museum of Art (acc. 1977.36); and a labeled Needles sideboard conserved by the Maryland Historical Society (acc. 1992.38).

316

Reference: Weidman and Goldsborough. Classical Maryland, 1815-1845, Fine and Decorative Arts From a Golden Age, p. 122, fig. 147; Ibid. p. 118. fig. 143.

316. An American Chippendale Carved Walnut Highboy, late 18th c., probably Southeastern Pennsylvania, one drawer bears two old estate/owner script labels, one inscribed “... given me by Edith L.D. Howard (sic)”; the upper case with molded cornice over a configuration of short and long drawers; lower case with a long drawer above three short drawers, highly figured drawer fronts; scalloped skirt, cabriole legs, claw and ball feet, height 74 1/8 in., width 41 3/4 in., depth 24 1/4 in. $6000/8000 Note: The paper label indicates this highboy was given by an Edith L. D. Howard to the next steward of this early American piece. Ms. Howard, probably Mrs. Edith Lockwood Danielson Howard (1861-1953) of Providence, Rhode Island, was married to Mr. Elisha H. Howard (18561925), son of Rhode Island Governor Henry Howard (18261905). Her family is descended from Abraham Lockwood (1669-1747) of England.

317

317. Southern School, 19th c., “The Steamboat Bayou Belle on the Mississippi River, probably decorated for the American Centennial of 1876”, oil on canvas, unsigned, 24 in. x 36 in., original frame. $10000/15000

318

319

318. George Louis Viavant (American/New Orleans, 18721925), “Nature Morte: Two Quail”, 1921, watercolor, signed and dated lower left, sight 25 in. x 17 in., original frame.

319. William Aiken Walker (American/ South Carolina, 1838-1921), “Cabin Scene with Trumpet Vine and Jasmine”, oil on academy board, signed lower right, partial Devoe academy board label en verso, 12 in. x 9 in., framed.

$10000/15000

Provenance: Collection of Dr. D.A. Spring, Baton Rouge, LA.

$25000/35000

Note: Quail were a favored subject of George Louis Viavant. Examples are illustrated in George L. Viavant: Artist of the Hunt. What is most interesting about the painting offered here is that two quail are shown, one hanging above the other, and positioned so as to illustrate the breast of one and the back of the other. This large composition is finely executed and is a very good example of Viavant’s accurate depictions of the wildlife in southeast Louisiana.

Published: This rare work by Walker was the cover illustration for the first edition of William Aiken Walker, Southern Genre Painter by August Trovaioli and Roulhac Toledano, first published in 1972. The painting is also illustrated on p. 61 of that edition and p. 115 of the 2008 second edition by Pelican Press. Note: To be included in John Fowler’s forthcoming catalogue raisonné on William Aiken Walker. 320. William Aiken Walker (American/ South Carolina, 1838-1921), “Plantation Worker in a Cotton Field”, oil on academy board, signed lower left, 12 in. x 6 in., framed.

Reference: Jordan, George E., George L. Viavant: Artist of the Hunt, The Historic New Orleans Collection, 2003.

$10000/15000 Provenance: Collection of Dr. D.A. Spring, Baton Rouge, LA. Published: William Aiken Walker, Southern Genre Painter by August Trovaioli and Roulhac Toledano first published in 1972, p. 61 of first edition by LSU Press and p. 115 of the 2008 second edition by Pelican Press. 320

Note: To be included in John Fowler’s forthcoming catalogue raisonné on William Aiken Walker. W denotes the lot is illustrated at www.nealauction.com

322

321. William Aiken Walker (American/South Carolina, 1838-1921), “Negro Man in Cotton Field with Basket on Head”, oil on academy board, signed lower left, 12 in. x 6 in., framed. $10000/15000 Provenance: Dr. D.A. Spring, Baton Rouge, LA. Published: William Aiken Walker, Southern Genre Painter by August Trovaioli and Roulhac Toledano first published in 1972, p. 61 of first edition by LSU Press and p. 115 of the 2008 second edition by Pelican Press. Note: To be included in John Fowler’s forthcoming catalogue raisonné on William Aiken Walker. 322. Alfred Bryan Wall (American, 1861-1935), “Still Life with Rye Straw Basket and Apples”, oil on canvas, signed lower right, 22 in. x 30 in., period frame. $2500/3500 Note: The son of painter Alfred S. Wall and the nephew of William C. Wall, Alfred Bryan Wall was a second-generation member of the Scalp Level School, a regional group who painted the Pennsylvania landscape in which they lived and worked. Wall was not formally trained as a painter, but rather learned from his father and uncle. Like most of the Scalp Level School members, he primarily painted landscapes, and was known for his depictions of sheep at pasture, but sometimes also ventured into the territory of portraits or still lifes. His most well-known portraits are of Andrew Carnegie, Mrs. Henry Clay Frick, and Harry Darlington. The painting here depicts a coiled basket constructed from rye straw, as is the tradition brought to Pennsylvania by the German immigrants of the 18th and 19th centuries.

321

Following his father’s death, Wall took his place as a member of the Fine Arts Committee of the Carnegie Institute, where he helped select the pieces for the official collection. A friend of Thomas Eakins, Wall was painted by the notable artist in 1904 (portrait now located in the Bowdoin College Museum of Art). 323. Ferdinand Joachim Richardt (Danish/New York, 1819-1895), “Tropical Sunset”, 1890, oil on panel, signed and dated lower left, title plaque on frame, 14 in. x 24 in., period giltwood frame. 323

$4000/6000

324. Attributed to William M. Hart (American, 18231894), “Cow on the Bank of Creek”, oil on cardstock, unsigned, 12 1/2 in. x 10 in., unframed. $400/600 325. American School, mid-19th c., “A Mother and Child Waving to a Retreating Boat”, oil on canvas, prominently signed J.H. Smith (possibly a Hudson River School painter) on lower left, 12 in. x 16 in., in an antique frame.

325 324

$800/1200 326. John James Audubon (American, 1785-1851), The Birds of America, from Drawings Made in the United States and Their Territories, published by J.J. Audubon and J. B. Chevalier, 1842-1844, volumes 5, 6 and 7 only (of 7), octavo, full leather with gilt tooling, with 220 hand-colored lithographic plates (of 500), after the original watercolors and engravings by Audubon, including a majority of the most sought-after shore birds. $4000/6000 Provenance: Succession of Harry T. Howard III, New Orleans, LA.

326

327. John James Audubon (American, 1785-1851), The Quadrupeds of North America, by John James Audubon and the Rev. John Bachman, published by V.G. Audubon, New York, 1854-1856, three volumes, octavo, with 154 (of 155) lithograph plates after J.J. & J.W. Audubon, printed and handcolored by J.T. Bowen and Nagel & Weingaertner, uniformly bound in full tooled leather with gilt lettering. $5000/10000 327

Provenance: Family of John M. Parker (1863-1939), Governor of Louisiana 1920-1924.

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328

330

328. John James Audubon (American, 1785-1851), “Black-throated Diver”, Plate 346, hand-colored aquatint engraving from Birds of America, Havell edition, the elephantfolio paper watermarked “J. Whatman/ 1836”, sheet 25 1/4 in. x 38 in. $6000/9000 329. John James Audubon (American, 1785-1851), “White Ibis”, Plate 222, hand-colored aquatint engraving, from Birds of America, Havell edition, the elephant-folio paper watermarked “J. Whatman/ 1836”, sheet 25 2/8 in. x 38 in. $5000/7000 330. Henry Stull (American, 1851-1913), “An Arabian Thoroughbred Racehorse”, oil on canvas, signed lower right, 20 in. x 24 in., framed. $3000/5000 329

331. Harold Rudolph (American/Louisiana, 18501883/84), “Fishing on the Louisiana Bayou”, oil on canvas, signed lower right, W.E. Seebold, New Orleans canvas stamp en verso, 10 in. x 14 in., period gilded frame. $7000/9000 Note: Active in New Orleans in the 1870s and 1880s, Rudolph was praised for his portrait paintings and landscapes in local journals. Rudolph exhibited his work at the W.E. Seebold Gallery on Canal Street and kept a studio on the level above. Rudolph was most adept with sunsets and nocturnal skies; in this painting, the Louisiana landscape lies below approaching storm clouds. Two large live oak trees stand prominently along the edge of the meandering bayou. As often found in his work, a pirogue with three figures plies the water. Few of Rudolph’s Louisiana landscapes are extant. His work is in the collections of the New Orleans Museum of Art, LSU Museum of Art and the Ogden Museum of Southern Art.

331

333

333. Robert S. Duncanson (American/Ohio, 18211872), “Ohio River Valley Landscape”, oil on canvas, unsigned, 28 1/2 in. x 52 in., framed. $40000/60000 Provenance: Descended in the Williams family of Cincinnati, Ohio. Exhibition: Cincinnati Museum of Art, 1972. Publication: James Dallas Parks. Robert S. Duncanson: 19th c. Black Romantic Painter. Washington, DC.: Associated Publishers, 1908. Note: Robert Seldon Duncanson, who is often mistakenly called Robert Scott Duncanson, was a premier American landscape painter also known in Canada, England, and Scotland for his artistic talent. An African-American born into a family of house painters and carpenters, Duncanson had loftier goals and taught himself to paint still lifes and portraits, moving on to landscapes, for which he is best known, in the late 1840s.

332

332. Thomas Bigelow Craig (American, 1849-1924), “The Potomac, Near Sir John’s Run, Virginia, (now West Virginia)”, oil on canvas laid on wood, signed lower right, titled on label en verso, 4 1/2 in. x 9 1/2 in., original frame. $1000/1500

Duncanson created the majority of his Ohio River Valley landscape paintings in the 1850s, a period when he was also collaborating with the African-American photographer and abolitionist, James Presley Ball (18251904). These two artists exhibited their works together at Ball’s Cincinnati studio and also mentored younger artists, many of whom had immigrated to Cincinnati in order to learn more about the art trade. Duncanson clearly worked within the regional landscape tradition pioneered a generation earlier by John James Audubon (1785-1851) and Joseph Mason (1802-1842), making excursions in local rivers for inspiration and to gather precise records of topography, flora and fauna. Duncanson’s travels were by necessity confined to emancipated regions, specifically Ohio and Michigan. His works are typically monumental in scale and spiritual in tone, as seen in the canvas here. Duncanson also traveled and lived in Canada and England during the Civil War years, where his depiction of Tennyson’s The Lotus Eaters was highly praised, even delighting the poet himself. By the late 1860s and early 1870s, Duncanson’s fame had grown and he was known as “the greatest landscape painter in the west”. A resurgence of interest in Duncanson’s work has recently occurred; the National Gallery, Washington D.C. obtained their first Duncanson painting, an early still life scene from 1848 (acc. 2011.91.1) first on exhibition February 3, 2012. Reference: Moore, Lucinda. “America’s Forgotten Landscape Painter: Robert S. Duncanson,” Smithsonian.com, October 19, 2011, http://www. smithsonianmag.com/arts-culture/Americas-Forgotten-Landscape-Painter-Robert-Duncanson.html. Ketner, Joseph D. “Struggles many and great: James P. Ball, Robert Duncanson, and other artists of color in antebellum Cincinnati,” Magazine Antiques, December 4, 2011, http://www. themagazineantiques.com/articles/ketner-james-p-ball-robert-duncanson-antebellum-cinncinati.

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334

334. William Bradford (American, 1823-1892), “The Painter Entering the Unknown, Greenland”, oil on canvas laid on board, unsigned, titled en verso and bearing label “Gift Philip Claflin...”, 18 in. x 30 in. $20000/30000 Provenance: An albumen photograph and glass plate negative of this painting are conserved by the New Bedford Whaling Museum. The photograph is included in a scrapbook compiled and inscribed “Into the Unknown” by the artist’s daughter. A digital image of the negative is catalog number 2000.100.1893.20 at www. whalingmuseum.org. Note: Artist and explorer William Bradford often painted scenes from his travels. Journeying to Nova Scotia, Labrador, and Greenland in 1861, Bradford documented the land with both photographs and paintings in his book, The Arctic Region, displaying the photographs. Bradford also lectured on the region, using slides of his paintings. As the title suggests, this may be a painting commemorating Bradford’s first experience in the uncharted territory of Greenland. The dramatic scene, juxtaposing looming mountains of ice and hazy clouds, is characteristic of Bradford’s Romantic style. 335. John James Audubon (American, 17851851), “Flamingo”, Plate 318, from Birds of America, chromolithograph, Bien edition, sheet 38 in. x 26 in. $10000/15000

335

336. John James Audubon (American, 1785-1851), “American Robin”, Plate 131, from Birds of America, hand-colored engraving with aquatint, Havell edition, “J. Whatman/1832” watermark, sheet 37 1/4 in. x 25 1/2 in.

338

$10000/15000

338. John James Audubon (American, 1785-1851), “White-headed Eagle”, Plate 126, hand-colored aquatint engraving from Birds of America, Havell edition, the elephant-folio paper watermarked “J. Whatman/ 1934”, sheet 37 in. x 24 6/8 in.

336

$3000/5000

339

337

337. John James Audubon (American, 1785-1851), “American Avocet”, Plate 318, from Birds of America, hand-colored engraving with aquatint, Havell edition, “J. Whatman/ 1836” watermark, sheet 38 3/4 in. x 25 3/4 in. $2000/3000

339. John James Audubon (1785-1851), “Red-necked Grebe”, Plate 298, hand-colored aquatint engraving from Birds of America, Havell edition, the elephant-folio paper watermarked “J. Whatman/ 1836”, deaccessioned from the New York Society Library, with their stamp verso, sheet 26 1/8 in. x 39 3/8 in. $2000/3000

W denotes the lot is illustrated at www.nealauction.com

341. An American Federal Mahogany Chest of Drawers, c. 1800, probably Southern, fitted with original brass pulls, bails stamped “HJ” for Thomas Hands & William Jenkins, Birmingham, England; molded top above four graduated drawers, bracket feet, height 34 1/4 in., width 39 1/2 in., depth 20 in. $2500/3500 Note: Between 1791 and 1797 to 1805 Thomas Hand and William Jenkins formed a partnership in the manufacture of “commode handles”. 339A

341

Reference: Metalwork in Early America, 1996, Fennimore, Donald L., p.441.

339A. John James Audubon (American, 1785-1851), “American Crossbill”, Plate 197, from Birds of America, hand-colored engraving with aquatint, Havell edition, “J. Whatman/1834” watermark, sheet 30 in. x 24 1/2 in. $1200/1800 340. A Good Southern Cypress Cabinet, probably mid19th c., Mississippi, large plank top, paneled door, shaped skirt, bracket feet, old weathered surface, four interior shelves, old pencil inscription, “ J.N. Evans, Jr.” inside door, height 71 3/4 in., width 38 1/2 in., depth 14 1/2 in. $1500/2500 Provenance: Greenwood Plantation, Pinkneyville, Mississippi. Exhibited: “Brandons, Barrows, and Bedgoods” Wilkinson County Museum, Woodville, Mississippi, 1992.

340

Note: This rare cabinet may have been made in the wood shop at Greenwood. Hammered fasteners, and the iron box lock on this case are likely the same source as the cabinet itself. The case, with inset lock, tongue and groove backboards, cockbeaded panels, and 18th c. derived skirt, is influenced by Anglo-American cabinetmaking rather than French/Sainte Domingue traditions used downriver closer to New Orleans. The pencil inscription relates to John Nathaniel Evans, Jr. (1832-1883), grandson of the original owner of Greenwood. J.N. Evans, Jr. owned Greenwood c. 1865-1883.

342

342. An Antique American Mixed Woods Garde Manger, 19th c., flat top, paneled screen doors, paneled cupboard doors, bracket feet, shelved interior, height 69 in., width 34 1/2 in., depth 16 1/2 in. $1000/1500 Provenance: Greenwood Plantation, Pinkneyville, Mississippi. Exhibited: “Brandons, Barrows and Bedgoods”, Wilkinson County Museum, Woodville, Mississippi, 1992.

343. An American Federal Cherrywood Stand, c. 1800, top above a frieze drawer, on well turned tapered legs, height 27 in., width 22 in., depth 17 3/4 in. $500/750 344. An American Federal Inlaid Mahogany Pembroke Table, c. 1790, probably Maryland, D end inlaid top above a frieze drawer, on bellflower inlaid square tapered legs, marked bail pull, height 28 1/2 in., width 33 in., depth 21 in. $1500/2500 343

344

345

345. A Pair of American Federal Carved Mahogany Armchairs, late 18th c., probably Maryland, arched crest, pierced Gothicized splat, serpentine arms, trapezoidal slip seats, square chamfered molded legs, H stretcher, height 38 1/4 in. $1200/1800 346. An American Federal Cherrywood Linen Press, late 18th/early 19th c., Mid-Atlantic, cove molded cornice above paneled doors opening to shelf interior; lower case with four graduated drawers, shaped bracket feet, “estate” found, height 78 3/8 in., width 48 3/8 in., depth 20 3/4 in. $1000/1500 W 347. An American Gilt Lacquered Brass and Bronze Solar

Lamp, 19th c., attributed to H.N. Hooper & Co., identified as item No. 597 in the 1850 catalogue, period etched and cut shade, chimney and crystal prisms, overall height 20 3/4 in.

346

W 348. A Pair of American Gilt Lacquered Brass

Photophores, mid-19th c., possibly Cornelius & Co., Philadelphia, pierced foliate collar, columnar standard, marble base, period cut glass shades, prism hung, overall height 21 3/4 in. $500/800

$1000/1500 Reference: Gowitt, Gerald 19th Century Elegant Lighting, 2002, p. 30.

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349

352

349. Currier and Ives / Publishers, “Husking”, 1861, hand-colored lithograph, after the painting by Eastman Johnson (American, 1824-1906), drawn on stone by Charles Severin, sheet 23 7/8 in. x 29 6/8 in. $5000/7000 Note: In 1932, a jury of print enthusiasts selected “The Best Fifty” of the most artistic and popular Currier & Ives prints. The image above, “Husking”, was selected as number one. Fifty-six years later, in 1988, the American Historical Print Collectors Society revisited the list. After polling their members, “Husking” was voted #3. 350. A Pair of American Cast Iron Garden Chairs, mid-19th c., Hinderer’s, New Orleans, “Passion Flower” pattern.

350

$1500/2500 351. An American Cast Iron Garden Bench, mid-19th c., marked Hinderer’s Ironworks, New Orleans, “Passion Flower” pattern, found en suite with preceding lot. $1500/2500 352. A Pair of American Classical Cast Iron Armchairs, 19th c., lyre back with foliate scroll surround, geometric pierced seats, cabriole legs, X stretcher. $1500/2500

351

354

354. An American Rococo Carved Rosewood Single-Door Armoire, mid-19th c., New York, arched floral crest, molded cornice, floral frieze, arched mirrored door, shelf interior, shaped base with drawer, height 96 in., width 49 1/2 in., depth 26 in.

353

$3000/5000

353. An American Rococo Carved and Grained Rosewood Half-Tester Bed, mid19th c., New Orleans, stepped and beaded serpentine tester containing a very fine ruche and pleated inset, tapered posts, paneled headboard centered by a flower filled urn, cascading leaves and scrolls to the sides, footboard with cabochons, conforming low posts with adjustable poles for mosquito netting, shaped rails, height 122 in., length 78 1/2 in., width 70 in.

Note: The finely executed Rococo Revival style of this armoire typifies that of French immigrant cabinetmakers working in New York in the mid-19th c. The scale and form of this armoire indicates probable use in an ambitious Southern house. An armoire related to this lot and bearing the stenciled label of Alexander Roux (France/New York 1813-1886) was sold by Neal Auction Company November 1988 as lot 593.

$8000/12000 Note: Monumental Rococo Revival beds such as the example here were made for the Southern market and proportioned for the grand rooms of houses in the Ohio and Mississippi River valleys. Perhaps taking inspiration from European “State Beds”, these finely carved and ambitious 355 American tester beds not only functioned with mosquito nets in summer and insulating drapes in winter, but also conveyed the traditional oligarchic society where they were used. Contrasting with the “closet” scale furniture seen in New England bedrooms, American Rococo tester beds were designed for a more public admiration. Many details on the bed offered here appear in other known beds, including the prominent bed at Lansdowne, Natchez; Gallier House, New Orleans; and a bed from a White Castle, Louisiana Plantation sold as lot 294 October 11, 2008.

355. An American Classical Mahogany Center Table, c. 1835, New York, faceted marble top above conforming molded skirt and urn-form stem, scroll feet, casters, height 31 1/2 in., width 35 in., depth 35 in. $2000/3000

Reference: The Lansdowne bed is illustrated in Otto, American Furniture of the 19th Century, pl. 289.

W denotes the lot is illustrated at www.nealauction.com

356 (detail)

356. An Important American Rococo Carved and Laminated Rosewood Center Table, c. 1850, attributed to John Henry Belter, New York, the serpentine white marble top above a conforming pierced skirt with grapevine carving, each side centered by a Renaissance portrait bust; fruit carved cabriole legs connected by C scroll stretchers, centered by a floral and fruit urn, casters, height 28 in., width 40 in., depth 29 in.

356

$25000/35000 Note: The portrait busts on this table are executed similarly to examples from John Henry Belter’s oeuvre: the rounded physiognomy relates to the “Founding Fathers” busts on a sofa and an “Ancient Poets” parlor suite, attributed to Belter in the Manney Collection; Romantic poets on the legs of a library table offered by Neal Auction Company as lot 811 September 13, 2009; and Classical poets on a table sold by Christie’s as lot 129, October 3, 2007. This table is nearly identical to a table with the portrait busts sold by Neal Auction Company as lot 838 on December 3, 2005, realizing $67,500. Reference: Important “Bust Carved” furniture from Belter is illustrated in Schwartz, Stanek, True. John Henry Belter and the Rococo Revival, p. 48-49, figs. 13-16; p. 60, fig 34; p. 66, fig 41-42; p. 68, fig 47. Dubrow. American Furniture of the 19th c. 1840-1880.

357. An American Rococo Carved and Laminated Rosewood Méridienne, c. 1850-60, attributed to John Henry Belter, New York, in the pattern referred to as “Rosalie”, floral and grape carved crest, molded arm support and floral carved seat rail, cabriole legs, casters, height 39 in., width 38 in., depth 20 in. $5000/7000

357

Note: Though made in New York City, high style Rococo Revival furniture such as the méridienne seen here had particular historic appeal to plantation owners in the Deep South. Rococo style simultaneously evoked 18th-century estate living and robust 19th-century innovation that appealed to the agrarian society. This lot appears identical to a pair of méridiennes attributed to Belter illustrated in Dubrow. American Furniture of the 19th c., 1840-1880, p. 114.

358. An American Rococo Carved and Laminated Mahogany Armchair, mid19th c., attributed to John Henry Belter, New York, in the pattern known as “Fountain Elms”, reticulated scrolled back with floral crest, grapevine and cornucopia carving, serpentine floral carved seat rail and cabriole legs, casters. $4500/6000 359. An American Rococo Carved Rosewood Étagère, mid19th c., attributed to J. and J. W. Meeks, New York, domical top with pierced crest and lobed urn finials, segmented mirrored back, distinctively turned uprights; base with shaped top and conforming uprights, serpentine plinth, disc front feet, height 102 1/2 in., width 53 in., depth 18 1/2 in.

358

359

$3000/5000 360. An American Classical Carved Mahogany Piano Chair, early 19th c., New York, tablet crest, the acanthine medial rail centered by a rosette, reeded supports, trapezoidal slip seat, melon carved adjustable stem, acanthus carved and scrolled legs ending in paw feet. $1000/1500

360

361. An American Renaissance Ebonized, Inlaid and Burled Maple Guéridon, c. 1870, circular top with leaf banding, ebonized molded edge, four turned and inlaid supports, circular plinth with bronze pineapple finial, blocked outswept legs, ebonized disc feet, height 26 1/4 in., width 25 1/2 in., depth 25 1/2 in. $1000/1500

361

W denotes the lot is illustrated at www.nealauction.com

362

364

364. A Fine Pair of American or French Carved Mahogany Armchairs, mid19th c., scrolled vine carved crest centered by a feather carved cartouche, scrolled arms, acanthuscarved uprights, serpentine shell and vine seat rail, acanthus carved scroll legs ending in scrolled toes. 365

363

362. A Pair of American Rococo Carved and Laminated Rosewood Side Chairs, c. 1850-60, attributed to J.& J.W. Meeks, New York, in the pattern referred to as “Hartford”, arched crest with floral cartouche, reticulated scroll and grapevine carved backs, serpentine seat rail, cabriole legs, casters. $2000/3000

366

363. An American Classical Stenciled Mahogany Pier Table, early 19th c., New York, a white marble top, frieze fitted with a drawer, marble columnar supports, incurvate stretcher shelf, reeded feet, height 37 1/2 in., width 42 in., depth 19 in. $3000/5000

$2000/3000 365. A Good American Rococo Carved Rosewood Canterbury, mid-19th c., the case with divided compartments, pierced slatted sides, shaped skirt with drawer, cabochon carved cabriole legs, scroll toes, casters. $800/1200 366. An American Classical Carved Mahogany and Gilt Stenciled Games Table, early 19th c., New York, attributed to J. & J.W. Meeks, foldover swivel top with rounded corners, torus molded frieze, fruit and nut stenciled panels and acanthus molding, bulbous stem, circular plinth, arched acanthus carved legs, paw feet, casters, height 30 in., width 36 1/2 in., depth 18 1/2 in. $1200/1800

368

370. A Good Pair of Louis XV Carved Walnut and Needlepoint Fauteuils, 18th c., probably Lyon, found with attractive antique upholstery, height 40 in., width 26 in., depth 23 1/2 in. $2500/3500

367

367. An Antique American Chippendale Carved Mahogany Chest-on-Chest, the upper case with broken arch crest, flame finials, shell and foliate carved frieze above a configuration of graduated drawers, fluted quarter columns; the conforming lower case with two over two drawers, on two ogee bracketed ball and claw feet, height 98 in., width 43 1/2 in., depth 22 in.

369

$4000/6000 368. An Antique Irish Chippendale-Style Carved Mahogany Slab Table, now with a later fossilized grey marble top, pierced acanthus and floral carved skirt centered by a basket of flowers, acanthus and shell carved cabriole legs ending in paw feet. $4000/6000 369. A Dutch Figured Walnut Dressing Table, mid-18th c., of serpentine and blocked form, case with two deep drawers, four cabriole legs ending in pad feet, height 29 in., width 32 in., depth 18 in. $1500/2000

370

W denotes the lot is illustrated at www.nealauction.com

373

371

371. A Good Continental Neoclassical Inlaid Birch and Rosewood Banded Bureau, early 19th c., brass gallery, upper case with graduated banks of small drawers centering a pair of doors; foldover writing lid above four graduated drawers, height 50 in., width 35 1/2 in., depth 18 1/2 in. $2500/3500 372. An American or English Carved Giltwood Convex Mirror, 19th c., eagle and 372 leaf crest, circular frame mounted with spherules, ebonized rabbet, leaf carved pendant, height 46 1/2 in., width 25 1/2 in. $1500/2500

374

373. A Fine Monumental American Carved Giltwood Overmantel Mirror, c. 1870, in the Egyptian taste, crest surmounted by a relief carved bust of a Pharaoh, blocked columnar sides with papyrus and anthemion carving, molded base, height 74 in., width 69 1/2 in., depth 12 in. $2000/3000 374. Garstin Cox (English, 1892-1933), “A Haven of Rest, Cornwall”, 1919, oil on canvas, signed, titled and dated en verso, signed and inscribed on stretcher, 37 3/4 in. x 46 3/4 in., original frame. $3000/5000

375. John Ballantyne (English, 1815-1897), “A Grand Manner Portrait of a Young Woman in a Sack Back Gown” with a crimsonplumed hat at her feet, oil on canvas, signed upper left, 56 in. x 44 in., in a good antique frame. $2500/3500 376. John Smart, R.S.A. (Scottish, 1838-1899), “Seaside”, 1899, oil on canvas, signed and dated lower left, Edinburgh frame makers label en verso, 13 in. x 9 3/4 in. period frame.

376

$800/1200

375

378

377. A Polychromed and Carved Wood Figure of a Standing Saint, with inlaid eyes, probably Spanish Colonial, 18th or 19th c., the carved surface showing extensive traces of colored paint [missing both forearms and hands], height 30 1/4 in., (exclusive of later painted wood base. $1000/1500

379

377

378. An American Classical Carved and Giltwood Mirror, early 19th c., split baluster frame, rosette corner blocks, divided mirror plate, later gilt surface. $800/1200

379. An Antique Continental Carrara Marble Figure of the “Crouching Venus”, probably early 20th c., after the Hellenistic marble version of the pose in the Uffizi Museum, Florence (with ancient variations also in the Louvre, Paris and Musée delle Terme, Roma), unmarked, height 25 1/2 in., width 12 in., depth 14 in. $1500/2500 Reference: Haskell and Penny, Taste and the Antique, New Haven and London, 1988, pp. 321-323.

W denotes the lot is illustrated at www.nealauction.com

381. An American Classical Carved and Giltwood Overmantel Mirror, c. 1825, the divided mirror plate flanked by spiral reeded and foliate collared columns, cornice with blocked rosette corners, height 60 1/2 in., width 25 3/4 in., depth 3 1/2 in. $800/1200 382. Jules V. Guerin (American, 18661946), “Market Outside the Hagia Sophia”, oil and mixed media on linen laid on board, signed lower right, 30 in. x 20 in., framed: together with Robert Hitchens, The Holy Land, 1910, illustrated by Jules Guerin, published by Century Co. 381

$3000/5000 Provenance: Property from Estate of Kathryn Scholefield, Magnolia Springs, AL, niece of Jules Guerin. 383. William Merritt Chase (American, 1849-1916), “Still Life Studies”, 1874, three graphite on paper drawings laid down on card, one signed lower left, one signed and dated lower right, Christie’s NY label fragment en verso, each 2 5/8 in. x 4 1/2 in. $3000/5000 Provenance: From a Ville Platte, Louisianan physician; descended in a New Orleans family. 384. Paul Cornoyer (American/Massachusetts, 1864-1923), “Carnival in Venice”, oil on board, signed and titled lower left, 16 in. x 20 in., framed.

380

382

$4000/6000

383 (1 of 3)

380. A Fine Pair of French Patinated Figural Bronzes, late 19th c., each marked “HR”, numbered, winged Grecian classical beauties, on plinths, height 20 1/2 in., width 9 in., depth 7 in. $1500/2500

384

385. John Marin (American, 1870-1953), “Mills and Bridge, Meaux”, 1907, watercolor on paper, signed and dated lower right, Philadelphia Museum of Art label identifying Lender MarlboroughGerson Gallery; Cape Split Place Inc., Addison, Maine, label; and Kennedy Galleries, NY label on old backing board included with lot; 7 1/2 in. x 9 7/8 in., attractively matted and framed.

385

$5000/7000 Provenance: Estate of Richard Godchaux Hirsch, New Orleans.

386

386. Robert Henri (American, 18651929), “Paris Rooftops from My Studio, Rue Mazarine”, 1889, oil on mahogany panel, unsigned, inscribed “From 172 Rue Mazarine” and dated en verso, D. Wigmore Fine Art, NY label en verso, 8 1/2 in. x 6 1/4 in., Arts and Crafts-style frame. $5000/7000 Provenance: Estate of Richard Godchaux Hirsch, New Orleans.

387

387. Ralston Crawford (American, 1906-1978), “Nets, Croix de Vie”, 1955, lithograph, pencil-signed, dated and numbered “14/20”, sheet 23 1/4 in. x 19 1/2 in., image 23 in. x 18 in., matted.

388

$800/1200 388. George Wesley Bellows (American, 1682-1925), “Crucifixion of Christ”, 1923, lithograph, pencil signed, titled and signed by printer Bolton Brown, signed in plate, H.V. Allison & Co., New York label en verso, sheet 22 3/4 in. x 25 in., image 18 5/8 in. x 20 in., matted.

W 390. George Wesley Bellows (American,

$600/800

Provenance: The Estate of James R. Lamantia, Jr. (19232011), New Orleans and New York.

Provenance: The Estate of James R. Lamantia, Jr. (1923-2011), New Orleans and New York.

1882-1925), “Lychnis and Her Sons”, from the “Men Like Gods” series, lithograph, pencil signed, titled, numbered “4” and signed by printer Bolton Brown, sheet 23 3/4 in. x 18 3/4 in., image 16 1/2 in. x 13 1/2 in., matted. $400/600 389

Reference: George Wesley Bellows: His Lithographs, by Alfred A. Knopf, New York, 1927, plate 150.

Reference: George Wesley Bellows: His Lithographs, by Alfred A. Knopf, New York, 1927, plate 97.

W 391. John Taylor Arms (1887-1953), six

389. George Wesley Bellows (American, 1882-1925), “The Garden of Growth”, from “Men Like Gods” series, 1923, lithograph, pencil signed, titled, numbered “28” and pencil signed by printer Bolton Brown, sheet 21 3/4 in. x 17 1/8 in., image 18 in. x 14 1/2 in., matted. $600/800 Provenance: The Estate of James R. Lamantia, Jr. (1923-2011), New Orleans and New York.

etchings, including: “Destroyer in Wet Basin”, “Aspiration”, “Still Life-Crystal Vase and Jade Jar”, “From Knoedler’s Window”, “Calvaire du Seizieme Siecle”, and “Capital”, various sizes and states, all unframed. $600/800

Reference: George Wesley Bellows: His Lithographs, by Alfred A. Knopf, New York, 1927, plate 28.

W denotes the lot is illustrated at www.nealauction.com

W 397. American School, 19th c.,

392. George Wesley Bellows (American, 1882-1925), “Amour”, from the “Men Like Gods” series, 1923, lithograph, pencil signed, titled and signed by printer Bolton Brown, sheet 18 7/8 in. x 15 1/8 in., image 17 7/8 in. x 14 1/8 in.

“Icebergs”, 1818, pencil and gouache, monogrammed lower right, pencil-titled “From steamship....1818” lower right, 4 7/8 in. x 7 1/2 in., unframed. $300/500 Provenance: Purchased New York City, 1960s. Estate of James R. Lamantia, Jr. (1923-2011), New Orleans and New York.

$600/800 Provenance: The Estate of James R. Lamantia, Jr. (1923-2011), New Orleans and New York. Reference: George W. Bellows: His Lithographs, Alfred A. Knopf, New York, 1927 plate 93.

W 398. R.G. Skerrett (American,

(American, 1882-1925), “Head of Gregory”, 1924, lithograph, pencil signed, titled and signed in plate, sheet 13 in. x 11 3/8 in.

active 1897-1920), “Japanese Cruiser”, 1897, pen and ink, signed, dated and titled, 12 in. x 20 1/4 in.; and four gouaches illustrating World War I ships and naval scenes, each signed and dated, each titled en verso, largest 13 in. x 17 in., all matted. (5 pcs.)

$400/600

$800/1200

W 393. George Wesley Bellows

Provenance: The Estate of James R. Lamantia, Jr. (1923-2011), New Orleans and New York.

392

Reference: George W. Bellows: His Lithographs, Alfred A. Knopf, New York, 1927, plate 165

W 399. Richard Piccolo (American,

b. 1943), “Portrait of a Woman”, 1990, black, brown, and white chalk on paper, pencilsigned, dated and inscribed “Roma” lower left, 26 in. x 19 in., unframed.

W 394.

Alphonse Le Gros (French, 1837-1911), three etchings, including “L’Incendie, no. 2”, 1876, “Le Légende du bonhomme Misère”, and “Peasant Women in the Neighborhood of Boulenge”, the first and second pencil-signed lower right, the second and third signed in plate, all three inscribed lower center, images 9 in. x 10 1/2 in., 8 3/4 in. x 5 3/4 in., and 9 in. x 5 3/4 in. respectively, all matted. $500/700

$200/400 Provenance: Estate of James R. Lamantia, Jr. (1923-2011), New Orleans and New York. W 400. Jon

401

W 396. Marie Laurencin (French,

1885-1956), two etchings; “Nude” and “Ex-Libris”, each pencil-signed, Christie’s labels en verso, each sight 6 in. x 4 1/2 in., matted and framed alike. $400/600

W 395. Giuseppe Galli da Bibiena

(Italian, 1696-1756), seven engravings from Architettura e Prospettive, 1740, engraved by Johann Pfeffel, Augsberg, showing various views of imperial outdoor “theater” and altar designs, plate 12 in. x 19 1/2 in., sheet 15 1/4 in. x 23 1/2 in. $500/700

Note: This bookplate, “Ex-Libris”, was created during a visit to Laurencin’s studio by the American bibliophile Edward Wasserman. Seeing the artist at work on a small engraving, he asked if she would be willing to add his name; she agreed. This is the only known bookplate Laurencin produced.

DeMartin (American, b. 1955), four drawings on paper, “Posing Male Nude from Rear”, black and white chalk, signed lower right, 24 in. x 17 in.; “Discus Thrower: Study of a Classical Sculpture”, 1983, signed and dated lower left, 24 in. x 18 in.; and two of academic male nudes in Classical poses and landscapes, both black chalk, signed en verso, 17 3/4 in. x 12 in., unframed. $400/600 Provenance: Estate of James R. Lamantia, Jr. (19232011), New Orleans and New York. 401. A French Restauration Mahogany and Gilt Bronze-Mounted Lit de Repos, 19th c., cylindrical crest, paneled head and foot board, mounted columnar posts, shaped front rail, height 44 in., length 84 in., width 46 1/2 in. $1000/1500 Provenance: Royal Antiques, New Orleans.

402. A Provincial Louis XV Walnut Table á Thé, 18th c., molded top, shaped skirt, cabriole legs ending in pied de biche feet, height 26 1/2 in., width 28 1/2 in., depth 20 1/2 in. $800/1200 403. A RégenceStyle Carved Oak Commode, 19th c., of serpentine form, two drawers above two long drawers, paneled sides, height 32 1/2 in., width 45 1/2 in., depth 24 1/2 in.

402

403

$2000/3000 404. An Antique Continental Walnut Side Table, in the 18th c. style, fitted with one drawer, height 27 1/2 in., width 33 1/2 in., depth 23 in.

404

407

$800/1200 W 405. A Fine Pair of

Antique Italian Renaissance-Style Carved Walnut Armchairs, old tapestry upholstery, curule seat, scrolled legs and medial stretcher, height 45 in., width 29 in., depth 14 in. $2000/3000 W 406. Salvador Dali

(Spanish, 1904-1989), “Les Indolents” and “Les Orgueilleux” from the Divine Comedy series, two color lithographs, each signed and numbered, titled en verso, each sight 12 1/2 in. x 8 3/4 in., matted and framed alike. $800/1200

408

407. George Arthur Fripp (British, 1813-1896), “Figures on a Rural Road”, 1836, watercolor, signed and dated lower center, Thomas Agnew & Sons, London label en verso, sight 8 3/4 in. x 11 in., matted and framed. $1000/1500

409

408. A Bronze and Parcel-Gilt Group of the Huntress Diana with Infant Bacchus, a Deer, and Game Birds, cast signature and date of Victor Evrard (French, 1807-1877) below Diana’s hound, height 12 1/2 in., length 15 in. $1000/1500

409. A French Bronze of a Farm Girl Feeding a Cow, with cast signature of Emile Louis Truffot (18431895), on molded bronze base, height 10 in., length 10 in. $800/1200

W denotes the lot is illustrated at www.nealauction.com

410

412

411

410. An Antique Louis XV-Style Carved and Gilded Salon Table, 19th c., stamped “E. Rosenfeld Tappissier Decorateur 69 Rue St. Lazare, Paris”, molded variegated marble top, frieze with acanthus and foliate carving centered by a cartouche, acanthine cabriole legs with scrolled toes, height 32 in., width 62 1/2 in., depth 36 in. $2500/3500

413

$800/1200 413. A French Figured Mahogany Cutlery Box, early 19th c., slant lid, fitted interior, the sides with carrying handles, height 18 in., width 16 3/4 in., depth 12 in. $1000/2000 W 414. Two Italian Verde

Marble Pedestals, early 20th c., with circular swivel tops, one fluted, the other spiral-fluted, octagonal base, heights 48 in. and 43 1/8 in., widths 9 1/2 in., depth 9 1/2 in. $700/1000

415

411. A Pair of Louis XV-Style Crème Peinte Fauteuils, 20th c., possibly Jansen, shell and acanthus carved arched crest rails, shaped stiles, arched scroll arms, shell and acanthus carved seat rail, foliate-carved cabriole legs. $700/900

412. An Antique Empire-Style Mahogany and Gilt BronzeMounted Center Table, 19th c., dished top, bronze banded skirt with drawer, tapered columnar stem, incurvate plinth, disc feet, casters, height 31 in., diameter 26 1/4 in.

415. A Good Louis XVI-Style Gilt Bronze Fire Guard, probably 19th c., center piece height 4 1/2 in., width 31 in., depth 1 in.; each side piece height 20 in., width 11 1/2 in., depth 5 1/2 in. $2000/3000

416. A Louis XVI-Style Bronze Firescreen, stamped “LP”, oval with C-scroll and cornucopia crest, paired scroll feet, center festooned with ribboned swag and foliage, height 42 1/2 in., width 30 in., depth 8 1/2 in. $800/1200 417. A Pair of Antique French Cast Iron Urns, signed around rim “ANC M BODIN-DEQUENNE & CIE A GUISE-AISNE-NO 13”, flared rims, campagna form bodies, ram’s head handles, square bases, height 17 1/4 in., diameter 13 in. $500/750 Provenance: Lewis Graeber & Associates, 1998.

416

419

418. An Antique French Terracotta Olive Jar, height 39 in., width 27 in.

420. An Antique Georgian Oak Settle, c. 1780, raised panel back, scroll arms, straight seat rail, cabriole legs, pad feet, height 42 in., width 73 in., depth 26 in.

$1000/1500 419. An Antique Continental Porcelain Mirror in the Capodimonte Style, floral frame with candlearms, surmounted by a cherub playing the lute, height 39 in., width 25 in.

$1000/1500

$800/1200

417

418

420 W denotes the lot is illustrated at www.nealauction.com

421

423

421. A Georgian Carved Mahogany Games Table, c. 1760, rectangular foldover top, baizelined playing surface, cabriole legs, claw and ball feet, height 29 in., width 36 1/2 in., depth 19 in. $1500/2500 422. A Three Piece Suite of Antique Irish Chippendale Carved Mahogany and Upholstered Furniture, comprising a sofa and a pair of armchairs; eagle arm supports, Vitruvian scroll and gadrooned seat rail, distinctive cabriole legs ending in claw and ball feet, sofa height 40 in., width 75 in., depth 31 1/2 in. $5000/7500 423. A Queen Anne Carved Mahogany Tea Table, 18th c. and later, associated molded rectangular top, on bracketed shell carved cabriole legs ending in drake feet, height 28 1/4 in., width 30 in., depth 18 3/4 in. $700/1000

422

424. An English Carved Oak Dresser, late 18th c., rectangular molded top, three deep drawers, front cabriole legs ending in “Spanish” feet, height 32 1/2 in., width 70 in., depth 18 1/2 in. $1500/2500 425. A Pair of George III-Style Carved Mahogany Knife Boxes in the Manner of Thomas Chippendale, mid-19th c., turned covers with acanthus finials, fitted domed body with leaf banding, bellflower carved cabriole legs, scrolled toes, square plinth on acanthine bracket feet, height 29 1/2 in., diameter 13 1/2 in. $3000/5000 Provenance: Lake George, NY Estate.

424

426 (open)

425

426. A Very Fine William IV Carved Rosewood Cellarette, c. 1835, of cylindrical form, domed lid with acanthus finial, interior fitted with removable bottle case containing four original cut crystal decanters, two rectangular lidded bins below bottle case; brass carrying handles, raised on lotus feet, casters, height 36 in., diameter 20 in. $3000/5000

426

427. A Very Fine Regency Mahogany Beau Brummel, early 19th c., possibly Gillows & Co., Lancaster and London, rectangular hinged lid opening to original fitted interior, complete with adjustable mirror, bins, compartments and three bottles, the case with a deep lined basin drawer over a single drawer, and with a deep bottle drawer aside to the proper left, brass carrying handles, turned legs ending in casters, height 36 1/4 in., width 24 in., depth 20 1/2 in. $3000/5000

427 (open)

427 W denotes the lot is illustrated at www.nealauction.com

428

429

430. An Empire-Style Mahogany and Gilt Bronze Vitrine, early 20th c., verde antico marble top, oval door, mirrored back, shelves, on toupie feet, height 58 in., width 27 1/2 in., depth 16 in. $1400/1800 431. An Aesthetic Ebonized and Gilt BronzeMounted Étagère, c. 1880, in the manner of Gustave Viardot, Paris and New York, now with a colorful marble top above a well, the asymmetrical form within four scroll supports ending in paw feet, height 46 in., width 26 1/2 in., depth 14 in. $1000/1500 431 430

428. An Edwardian Burled Walnut KidneyShaped Desk, c. 1900, stamped Hobbs, London, inset tooled leather top, kneehole configuration of drawers, shell carved cabriole legs, pad feet, height 32 in., width 49 1/2 in., depth 26 in. $1000/1500

$400/600

429. A Fine English Burlwood Inlaid, Ebonized, Ivory and Bronze-Mounted Parlour Cabinet, c. 1875, London, in the Louis XVI taste, raised center plinth above a center door, flanked by mirrored niches above inlaid doors, turned feet, height 53 in., width 70 1/2 in., depth 14 1/2 in. $2500/3500

432. A Chinese Export Famille Verte Porcelain Dish, probably 18th c., large roundel enclosing multiple figures in a lake-side garden setting, encircled by a wide band with bird panels on a stippled lavender ground strewn with flowers and fruit, height 2 3/8 in., diameter 15 in. Note: Restoration.

432

433

437

434

433. A Pair of Chinese Export Famille Rose Porcelain Dishes, 18th/19th c., the wells strewn with floral sprays, the wide rims banded with foliage, fruit and floral sprays and diaper cartouches, diameter 9 1/8 in. and 9 1/4 in.

438

W 436. A Chinese Canton Famille Rose Porcelain

Oval Platter, 19th c., interior decorated with central bird-and-flower roundel encircled by alternating figural and bird-and-flower reserves on a gilt ground strewn with butterflies and scrolling vines, height 2 in., width 16 in., depth 13 in.

$300/500 434. Two Groups of Chinese Export Polychrome and Gilt Enameled Blue and White Porcelain Dishes, 18th and 19th c., the first comprised of two foliate rim dishes, each well with the monogram of “JJW” within a ribbon-tied, tassel-hung oval, blue and white diaper cavetto beneath a Fitzhugh-type molded and barbed rim, height 1 3/4 in. and 1 1/4 in., diameter 9 3/4 in. and 6 1/4 in.; the second comprised of a bowl and saucer dish, each with the monogram of “AME” within a ribbon-tied, garland-hung shield, bowl height 3 7/8 in., diameter 5 3/4 in; dish height 1 3/8 in., diameter 6 1/4 in., (4 pcs.)

$250/350 Provenance: Carter Family, Middleburg, VA.

435

437. A Pair of Chinese Famille Rose Porcelain Tea Caddies, 20th c., shaped rectangular bodies with domed covers, decorated with large shaped bird-andflower panels reserved on a pale blue ground, bases with apocryphal Kangxi marks, height 13 1/2 in., width 10 in., depth 7 in. $800/1200

435. A Chinese Export Armorial Porcelain Mazarine on Mahogany Stand, 19th c. and later, pierced oval dish set in an oval frame raised on four fauxbamboo legs, “X” stretcher, height 21 in., width 17in., depth 14 in. $300/500

438. A Pair of Antique Continental Carved and Polychromed Wood Figural Wall Prickets, in the form of putti, overall height 12 3/4 in., width 7 in., depth 3 3/4 in. $700/900

$500/700

W denotes the lot is illustrated at www.nealauction.com

439

441

439. Two Fine Engraved Uberti Reproduction Colt Pistols with Tiffany Grips, 20th c., comprising: a Model 1851 Navy 36 cal., top of barrel marked “Navy Arms Co. Ridgefield N.J. Made in Italy”; the side “Black Powder Only, Made in Italy” with Uberti logo; serial #53265, with gold-plated plunger, trigger and hammer, the barrel with engraved Naval battle scene, elaborate Tiffany-style silverplate grips; the other pistol a Model 1861 36 cal., serial #46155, same markings and grip, without goldplate, presented in custom glass and wood case. $2000/3000 Provenance: These guns were originally given as a gift to actor John Wayne by the Uberti Company in the 1970s. They were sold from the estate of his son Michael Wayne, head of John Wayne Enterprises. Accompanied by a copy of a letter from noted dealer Walter C. Earl, attesting to this provenance 440. A German Gobelin Tapestry of “The Night Sun”, 1981, Munich Gobelin Manufacturer, design by Carton von Dirk Holger, 69 1/2 in. x 50 1/2 in. $1000/2000 Provenance: Dirk Holger, 1983, Jos. Davenport. 441. A Hand-Woven Aubusson Gobelin Tapestry of “SunlitLeaves”, 20th c., design by Dirk Holger, signed lower left, by Munich Gobelin Manufacturer, 56 in. x 79 1/2 in. $1000/2000

440

Provenance: Jos. Davenport. 442. A Continental Carved Walnut Refectory Table, 19th c., rectangular top on paired trestle supports joined by straight chamfered stretcher, height 32 1/2 in., width 108 in., depth 27 1/2 in. $2500/3500

442

444

443

443. An Antique Louis XVI-Style Bronze-Mounted Parquetry Table de Malade, removable bed-table fitted with dressing mirror, compartments and writing slide, the serpentine base with inset marble above a drawer, raised on cabriole legs, height 30 in., width 26 3/4 in., depth 16 1/2 in. $500/750 444. A Pair of Italian Neoclassical-Style Ebonized, Fruitwood and Marble Top Pier Tables, 19th c., colorful rectangular tops, centurion busts above tapering front supports with sandaled feet, mirror back, the whole on blocked plinth, height 36 in., width 37 1/2 in., depth 16 in. $3500/5000

445

445. A Pair of Antique Venetian Polychromed Blackamoors, 19th c., each turbaned figure in elaborately painted and gilt costume holding a spear and standing upon a hexagonal molded stepped plinth, height 73 1/2 in., width 26 1/2 in., depth 20 in. $5000/7500 W denotes the lot is illustrated at www.nealauction.com

446. Francois Gall (French, 1912-1987), “Dieppe”, oil on board, signed and titled lower right, titled en verso, 15 in. x 18 in., framed. $2000/3000 447. George Vuillard (French, b. 1956), “Woman in White”, 1909, oil on wood panel, signed, dated, and inscribed “Paris” lower right, 23 3/4 in. x 19 1/4 in. $1000/1500 446

447 448. HenriJoseph Harpignies (France, 18191916), “Landscape: Tree, Bank and Field”, oil on wood panel, signed lower left, a G. Bennett (Wimbledon) Ltd. label en verso, 10 in. x 4 in., giltwood frame. $2500/3500

448

450

449. An American Late Classical Carved Mahogany Settee, 19th c., arched foliate and scroll crest, volute terminals, dolphin carved arm supports, molded seat rail, winged hairy paw feet, casters, height 46 in., width 68 in., depth 27 in. $1200/1800 450. An American Chippendale-Style Serpentine Carved Mahogany Chest of Drawers, in the manner of cabinetmaker Jonathan Gostelowe (Philadelphia, 1744-1795), molded top, chamfered corners, four drawers, fluted stiles, molded base, shaped ogee bracket feet, height 41 in., width 47 in., depth 26 1/2 in. $3000/5000

449

451. A Fine American Classical Carved Mahogany and Gilt Stenciled Work Table, c. 1820, the case with turreted corners, a pair of drawers, one fitted, and stenciled banding; paintdecorated support, circular collar, acanthus carved paw feet, casters, height 28 1/2 in., width 23 in., depth 17 in. $1200/1800 452. George Louis Viavant (American/New Orleans, 18721924), “Nature Morte: Woodcock”, 1921, watercolor and gouache, signed, dated and inscribed “N.O.” lower left, 20 in. x 16 in., framed.

451

452

$7000/10000 453. George Louis Viavant (American/New Orleans, 1872-1924), “Nature Morte: Snipe”, 1921, watercolor and gouache, signed, dated and inscribed “N.O.” lower left, 20 in. x 16 in., framed. $7000/10000 454. Clara Weaver Parrish (American, 1861-1925), “Portrait of a Young African American Woman in a Striped Headscarf”, and “Portrait of a Young African American Woman in a Green Headscarf”, a watercolor and a pastel on paper respectively, monogrammed, each sight 9 in. x 7 1/4 in., framed. (2 pcs.)

454 (1 of 2)

$1000/1500 455. American School, probably Pennsylvania, 19th c., “Portrait of President Andrew Jackson (1767-1845)”, c. 1828-1836, watercolor on paper, unsigned, titled lower center, sight 7 in. x 6 in., in a period split-spindle walnut frame.

453 455

$400/600 W denotes the lot is illustrated at www.nealauction.com

456. American School, late 19th c., “Seashore with Rocks”, oil on canvas, unsigned, 20 in. x 30 in., period giltwood frame.

W 458. A Large American Late Classical

Walnut and Pine Bedstep, mid-19th c., stenciled label “...Columbus, Miss...”, two steps with crewelwork and void interior compartment, turned legs, casters. $800/1200 459. An American Classical Carved Mahogany Pier Table, early 19th c., marble top above an ogee frieze, scrolled lyre support, beveled plinth, scroll feet, height 37 in., width 44 1/4 in., depth 17 1/4 in.

$2000/4000

$1500/2500 456

459

W 460. An

American Classical Gilded and Églomisé Mirror, c. 1820, with blocked rosette corners, split baluster frame reserved with an églomisé panel of a rural lake scene. $400/600

457

457. A Fine American Classical Carved Cherrywood Poster Bed, early 19th c., Lower Mississippi Valley, flared tester, acanthus carved and turned posts, paneled mahogany headboard with baluster turned and acanthus carved rolling pin crest, vasiform legs, later brass ball feet, height 107 in., length 79 1/2 in., width 55 in. $3000/5000 Note: Two well-known cherrywood tester beds from Louisiana collections incorporate rolling pin crests, proportionately turned posts and brass ball and ferrule feet similar to those seen here: one from the Tahvildari collection, the other sold as lot 129 at Bocage Plantation by Neal Auction Company, December 8, 2007. The carved posts and crest on this bed relate to the elements on a mahogany daybed of Louisiana origin, also sold from Bocage Plantation as lot 106. Reference: Holden, et. al. Furnishing Louisiana, Creole and Acadian Furniture. pp 384-385, fig. 10-11 and p. 389, fig. 20.

461. A Tennessee Coin Silver Julep Cup, John S. Britain, Nashville, wc. 1835-1836, or John S. Britton, Nashville, wc. 1855-1860; marked “J.S.B. & CO” and “COIN”, tapered form with reeded rim and foot rim, height 3 3/4 in., weight 4.65 troy ozs. 461

$1000/1500 Provenance: Collection of Steven Cabot Barnes Harvey (1949-1993); from Argentum, San Francisco, CA, 1990. Reference: Caldwell, Benjamin H. Tennessee Silversmiths, pp 42-43. A closely related cup (with handle) with identical marks is illustrated in plates 41c and 41d.

462. A Pair of American Coin Silver Julep Cups, probably George Griffin, Louisville, KY, wc. 1841-1858; marked “G. GRIFFIN” in rectangle and with pseudo hallmarks; slightly tapered form with reeded rim and foot rim, seamed construction, height 3 1/4 in., weight 9.20 troy ozs.

462

$1500/2500 Provenance: Collection of Steven Cabot Barnes Harvey (19491993); exhibited Telfair Academy of Arts and Sciences, Savannah, GA. Reference: Boultinghouse, Marquis. Silversmiths of Kentucky 1785-1900, p. 146.

463

463. An American Renaissance Coin Silver Pitcher, Wood & Hughes, New York, wc. 1845-1899, ret. Peschke, Macon, GA; marked “W & H”, “900/1000”, “E. PESCHKE” and “MACON GA.”, vasiform with scroll handle and stepped foot, floral and cabochon chasing, palmette banded foot rim, shieldshaped cartouche with presentation inscription “Lizzie’s/ SECOND ANNIVERSARY/April 16, 1870”, height (to top of handle) 13 in., weight 24.15 troy ozs.

W 466. An American Coin Silver Cup,

$1800/2500 Provenance: Collection of Steven Cabot Barnes Harvey (19491993).

464

$400/600 Provenance: Collection of Steven Cabot Barnes Harvey (1949-1993); from Argentum, San Francisco, CA, 1989.

464. Two New Orleans Coin Silver Forks, Jean-Noel Delarue (b. France 1776, d. New Orleans 1842), wc. New Orleans, 1802-1842; marked “de/Larue” in script letters in oval flanked by bees in octagonal cartouches; fiddle handle with upcurved terminal with midrib, back of handle engraved “JJW” in script, length 8 in., weight 4.95 troy ozs.

Reference: Hollan, Catherine B. Virginia Silversmiths, Their Lives and Marks, pp. 560561.

W 467. An American Coin

Silver Fish Slice, Wood & Hughes, New York, wc. 18451899, ret. John Veal, Columbia, SC, wc. 1827-1857, or possibly Joseph Veal, Madison, GA, wc. c. 1850; marked “W & H” and “J.VEAL” in rectangle, beaded handle, pierced blade with castellated landscape, length 11 3/4 in., weight 4.65 troy ozs.

$1000/1500 Provenance: Collection of Steven Cabot Barnes Harvey (1949-1993). Reference: Crescent City Silver, pp. 66-67 and 125.

465. An American Coin Silver Coffee Pot, Isaac Speer, Chicago, wc. 1842-1857, marked “PURE COIN”, “I SPEER” and “CHICAGO”, vasiform with stepped cover and foot, scroll handle and beaded banding, height 12 3/4 in., weight 30.90 troy ozs.

$500/750

$1000/1500 Provenance: Collection of Steven Cabot Barnes Harvey (1949-1993).

Solomon A. Myers & Albert F. Jahnke, Richmond, VA, wc. 1853-1858; marked “MYERS & JANKE” in rectangle and “COIN”; baluster form with floral repoussé; applied banding, C scroll handle and period script monogram, height 4 3/8 in., weight 4.05 troy ozs.

465

Provenance: Collection of Steven Cabot Barnes Harvey (1949-1993); exhibited Telfair Academy of Arts and Sciences, Savannah, GA.

Reference: Darling, Sharon S. Chicago Metalsmiths, p. 7.

W denotes the lot is illustrated at www.nealauction.com

468

468. A Gorham “Jefferson” Pattern Sterling Silver Flatware Service, ret. A.B. Griswold & Co. LTD, New Orleans, act. 19061924, including 16 dinner forks, 40 luncheon forks, 12 dessert spoons, 12 tablespoons, 10 bouillon spoons, 12 fruit spoons, 6 citrus spoons, 20 ice cream spoons, 11 iced tea spoons, 4 teaspoons, 12 flat butter spreaders, 3 salt spoons, and a fish serving fork and knife, combined weight 186.90 troy ozs., in a paintdecorated fitted case, (approx. 150 pcs.)

470

470. A Rare American Coin Silver Soup Tureen, Gale & Hayden, New York and Charleston, c. 1848, cover with finial in the form of a fruit-filled urn, repoussé decoration of fruit, flower and scrolls throughout, loop handles and scroll feet, height 16 1/2 in., weight 107.25 troy ozs.

$3500/4500

$8000/12000 Reference: Kovel’s American Silver Marks, p. 141.

469. A Monumental American Sterling Silver Trumpet Vase, Dominick & Haff, New York, wc. 1872-1928, chased Neoclassical decoration, handsome script monogram, weighted base, height 20 in. $2500/3500

469

471. A Good Antique French Mahogany Tallcase Regulator Clock, with a pinwheel movement, lyre-form pendulum, porcelain dial with Roman numerals, with molded brass bezel, height 83 in., width 21 in., depth 11 in. $2000/3000 Provenance: Descended in the family of noted

antiquarian Carrie Wolford, Jeanerette, Louisiana. Note: The dial, hands and brass bezel on this clock are exactly the same as the clock movements imported by noted New Orleans clockmaker Stanislaus Fournier. 471

473

W 472. Justinian Trudeau (American/New Orleans, 1827-1875),

“Portrait of a Young Boy with Curls”, 1851, plaster bust, incised signature and date en verso, height 17 in., width 10 in., depth 5 in. $800/1200 Note: Born in New Orleans, Trudeau was listed in City Directories as a sculptor from 1849 to 1868. In 1851, he shared a studio with the portrait artist Hortaire Guenard on Camp Street. The Maryland Historical Society holds a bronze bust of General Zachary Taylor by Trudeau in their collections. Reference: Mahe, John A. and Rosanne McCaffrey, eds., “Encyclopedia of New Orleans Artists, 1718-1918”, The Historic New Orleans Collection, 1987, p. 381.

473. William Aiken Walker (American/South Carolina, 1838-1921), “Two Cotton Pickers in the Field, Palm Trees and a Cabin in Background”, oil on academy board, signed lower left, Kennedy Galleries label en verso, 9 in. x 12 in., framed. $25000/35000 Note: To be included in John Fowler’s forthcoming catalogue raisonné on William Aiken Walker. 474. Hal Alexander Courtney Morrison (American/Georgia, 18481927), “Nature Morte: Largemouth Bass”, oil on canvas, signed lower left, Charleston Renaissance Gallery label en verso, 24 in. x 14 in., giltwood frame. $2500/3500 Provenance: Steven Cabot Barnes Harvey (1949-1993) Collection of Southern Art. Note: Canadian-born physician Hal Morrison moved to Atlanta in the 1880s to pursue a career in art. He painted landscapes and portraits but is best known for nature morte oils. In examples such as this largemouth bass, Morrison’s understanding of anatomy and academic training as a physician combine with his artistic training to successfully render the fish, fly and boards of the wall in perfect trompe l’oeil style.

474

Illustrated: The Steven Harvey Collection of Southern Art, The Charleston Renaissance Gallery, 2005, p. 14.

W denotes the lot is illustrated at www.nealauction.com

476

475. Alice Ravenel Huger Smith (American/South Carolina, 18761958), “Sunrise”, watercolor on artist board, signed lower right, 21 5/8 in. x 15 3/8 in., framed. $4000/6000 Provenance: Succession of Harry T. Howard III. The artist was a cousin of Mr. Howard’s mother, Elise Mason Smith Howard (1896-1990). Note: A founding member of the Charleston Etchers Club, Smith studied the Japanese woodblock collection of a cousin and built on those observations to produce a number of prints before giving up the medium to pursue watercolor full time. It was in this medium that Smith produced her best work, combining her study of Japanese art with her observations of the Lowcountry to create flowing tonalist watercolors, an excellent example of which is “Sunrise”, probably painted on a barrier island near her home. 476. William Henry Buck (American/New Orleans, 1840-1888), “A View in the Caribbean with a Rocky Cliff, ‘French’ House, and Palm Trees”, oil on board, unsigned, “French’s Artist Board, N.Y.” label en verso, 12 in. x 20 in.; together with two c. 1895 French language instruction books, both inscribed “Mina Buck”. $7000/10000 Provenance: Private estate collection, Birmingham, Alabama. Descended in the family of William Henry Buck.

475

100

Note: The painting offered here is distinctly rare in the oeuvre of William Henry Buck. Depicting a view of a Caribbean island, it shows a rocky cliff which slopes dramatically to an idyllic beach with a French colonial house surrounded by a glade of palm trees. As is often found in Buck’s work, boats containing several figures ply the waters. Whether the artist traveled to the Caribbean is not known. He was a successful merchant and cotton broker, so perhaps he did have occasion to make a visit and record what he saw.

477

477. William Henry Buck (American/New Orleans, 1840-1888), “A Coastal Inlet, in Maine”, 1887, oil on board, signed and dated lower right, “E.F. French’s Artist Board, N.Y.” label en verso, 12 in. x 20 in., period frame.

478. A Southern Walnut Campeachy Chair, early 19th c., arched crest with ball finials, scrolled arms with supports continuing to floor, curule supports with molded stretchers, presented in frame. $1500/2500 Note: The use of walnut, the demilune crest, shaped arms and the unadorned stretchers on this chair are likely indicative of a Virginia maker. A maple chair from Fluvanna County descended in the Gwathmey family has similar elements to those seen here.

$8000/12000 Provenance: Private estate collection, Birmingham, Alabama. Descended in the family of William Henry Buck. Note: The almost certain pendant to this painting is an oil on board, “Loading Ice, Bangor, Maine”, signed by Buck and sold as lot 804 by Neal Auction Company on December 4, 2005. In 1883, a Daily States newspaper article noted Buck’s New Orleans studio contained “...several fine canvases representing the Penobscot River, Maine and Canada”. The descent of this painting to the artist’s daughter, Wilhelmina (Mina) Buck (1870-c. 1930), makes this landscape a reference for the view in the 1883 newspaper article. Reference: H. Parrott Bacot, Louisiana Art from the Roger Houston Ogden Collection. exhibition catalogue, 1992, p. 27.

478

The campeche form has a distinctive history in North America. With origins in the “Butac” chair known in Campeche, a port city of the Yucatan Peninsula, scholars Cybele Gontar and Francis Puig posit that this Central American chair form evolved in the Lower Mississippi River Valley during Spanish rule of the late eighteenth century. A mahogany chair, now in the James Madison Museum, was given to Madison by Thomas Jefferson who used it as a model for “Campeachy” chairs made at the Monticello joinery.

The distinctive continuation of the arm support to the floor on this lot is a rare innovation that cleverly reinforces structural vulnerabilities known in the form. Reference: Holden, Bacot, Gontar, et. al. Furnishing Louisiana p. 358, fig. 20; Gontar. “The American Campeche Chair”, Magazine Antiques, (May 2009), pp. 88-95; Gontar. “The Campeche Chair in the Metropolitan Museum of Art” Metropolitan Museum Journal (Vol. 38, 2003), p. 184, fig. 1 and p. 190; www. thejamesmadisonmuseum.org

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481

480. An American Classical Carved Mahogany Library Armchair, early 19th c., arched crest, scrolled stiles, padded scrolled arms, lappet carved uprights, rounded seat rail, bulbous turned reeded legs, casters. 479

$1200/1800 481. An American Classical Rosewood and Gilt-Decorated Pier Table, early 19th c., New York, Egyptian marble top with rounded corners, conforming brass banded frieze, canted scrolled supports with classical mounts, tapered pilasters flanking a mirror plate to the rear, incurvate plinth, turned tapered cylindrical feet, height 37 in., width 46 5/8 in., depth 20 in. $5000/7000

480

479. An American Late Federal Carved Mahogany Plantation Desk, early 19th c., molded cornice, paneled lid, baize writing surface and interior fitted with cubbyholes and drawers, the lower case with two drawers, turned and reeded legs, button feet, height 63 1/2 in., width 36 in., depth 14 3/4 in. $1500/2500

482. An American Classical Mahogany Dressing Bureau, early 19th c., Boston, arched mirror on acanthus carved tapered supports over two short drawers, 482 lower case with two outset drawers over three graduated drawers flanked by columns with acanthus carved capitals, on bulbous ring turned feet, original gilt brass pulls, height 77 in., width 45 1/4 in., depth 22 1/8 in. $2000/3000

102

W 483. An

American Classical Cherrywood Work Table, early 19th c., dropleaf top, two drawers, turned legs, ball feet, height 29 in., width 16 1/2 in., depth 19 1/2 in. $300/500 W 484. A

Southern Cherrywood 485 and Walnut Washstand, early 19th c., vernacular scroll backsplash, top fitted for wash bowl, turned legs, stretcher shelf, turned feet, height 32 in., width 23 1/2 in., depth 23 in.

486

$400/600 485. An American Sheraton Mahogany Bowfront Chest of Drawers, early 19th c., probably Kentucky, the molded top above four graduated drawers retaining original star inlaid pulls, on turned and tapered reeded legs, height 41 in., width 41 1/4 in. $1500/2500 486. A Louisiana Cypress Table, mid-19th c., traces of old paint, rectangular top on turned tapering legs connected by stretcher, height 29 3/4 in., width 35 1/4 in., depth 21 3/4 in. $500/750 487. William Aiken Walker (American/South Carolina, 18381921, active New Orleans, 1876-1905), “Man, Woman and Child Picking Cotton”, oil on brass roundel, signed lower right, inscribed “Louisiana “ diameter 9 1/2 in.

487

$5000/7000 Note: To be included in John Fowler’s forthcoming catalogue raisonné on William Aiken Walker. 488. Clementine Hunter (American/Louisiana, 1886-1988), “All the Folks Kept Bee Martin Houses”, c. 1945, oil on board, signed “Clemence” lower right and initialed “CH” left center, titled on backing board, inscribed “FM98” en verso, 11 in. x 15 in., matted and framed. $10000/15000 Provenance: Acquired from the artist by Charmaine Noel; thence to her friend Carolyn Callahan; thence to the current owner. Note: The title of this painting, which was written on the original backing board, now conserved with the painting and included in the current lot, refers to the small birdhouse depicted center left. “Bee Martin” is a colloquialism for the common American kingbird, which has a reputation for eating honeybees. Reference: Gilley, Shelby. Painting by the Heart: The Life and Art of Clementine Hunter, Louisiana Folk Artist. Baton Rouge: St. Emma Press, 2000.

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490

491

489. A New Orleans Carved Walnut Steamboat Advertising Wall Clock by Stanislaus Fournier, c. 489 1870, branch-form crest, the frame incorporating a porcelain clock dial signed “S. Fournier/N’elle Orleans”; a mirror, and twenty four lithographed advertisements for New Orleans’ businesses, height 74 in., width 35 in., depth 3 3/4 in. $10000/15000 Provenance: Purchased from noted steamboat authority Ray Samuel, New Orleans. Mr. Samuel indicated that the clock came from the steamboat Wandering Wagoneer.

104

490. William Aiken Walker (American/South Carolina, 1838-1921), “Cabin Scene”, oil on academy board, signed lower left, inscribed en verso, partial Devoe academy board label en verso, 6 1/4 in. x 12 1/4 in., in a period giltwood frame. $12000/18000 Note: To be included in John Fowler’s forthcoming catalogue raisonné on William Aiken Walker. 491. William Aiken Walker (American/South Carolina, 1838-1921), “Cabin Scene, Laundry Day”, oil on academy board, signed lower left, 9 in. x 12 in., antique frame. $12000/18000 Note: To be included in John Fowler’s forthcoming catalogue raisonné on William Aiken Walker.

492. Rev. Johannes Adam Simon Oertel (American, 1823-1909), “Allegorical Scene”, 1905, oil on canvas, signed lower left, Charleston Renaissance Gallery label en verso, 25 3/4 in. x 20 in., unframed. $1500/2500 Provenance: Steven Cabot Barnes Harvey (1949-1993) Collection of Southern Art. Illustrated: The Steven Harvey Collection of Southern Art, The Charleston Renaissance Gallery, 2005, p. 9. 493. An American Carved Mahogany and Gilded Settee, probably mid-19th c., tubular crest rail, carved outscrolled arms, winged brackets, hairy paw feet, height 38 in., width 93 in., depth 27 in. $2500/3500

492 496

495. An American Classical Carved Mahogany Games Table, c. 1825, Boston, foldover swivel top, cove molded skirt, bulbous acanthus-carved support with drum plinth, hipped acanthus-carved sabre legs, brass paw feet, casters, height 28 1/4 in., width 36 in., depth 18 in. $1000/1500 496. An American NeoGrec Ebonized Pedestal, late 19th c., swivel top, molded frieze with spindles, rosette scroll brackets, intricately carved and turned stem, circular dentil molded plinth, bracket feet, height 39 5/8in., diameter 15 3/8 in.

493

$1500/2500

495

W 494. An American Carved Mahogany and

Gilded Settee, probably mid-19th c., found en suite with the previous lot, height 38 in., width 93 in., depth 27 in. $2500/3500

497. An American Carved Mahogany Games Table, after Duncan 497 Phyfe, top with canted corners above a conforming apron, distinctive spread wing American eagle support on domed plinth, acanthus carved sabre legs, paw feet, casters, height 30 1/4 in., width 36 in., depth 17 3/4 in. $1000/1500 W denotes the lot is illustrated at www.nealauction.com

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498. An American Longhorn Settee, 19th c., Texas, possibly Wenzell Friedrich, arched back decorated with deer antlers and various steer horns, seat rail with boar tusk decoration, splayed legs. $1500/2500 498

499

499. Alexander John Drysdale (American/New Orleans 1870-1834), “Evening on the Bayou with Cypress Trees”, 1914, oil wash on board, signed and dated lower right, sight 16 3/4 in. x 22 3/4 in., framed. $3000/5000 Provenance: The Dominican Sisters of Peace, Historic Veritas House, New Orleans, LA, sold for charitable benefit.

106

500

501

500. William Arthur Cooper (American/North Carolina, 18951974), “The Bathing Girl”, oil on canvas, signed lower right, Charleston Renaissance Gallery label en verso, titled on old exhibition label en verso, 36 in. x 30 in., original frame. $2500/3500 Provenance: Steven Cabot Barnes Harvey (1949-1993) Collection of Southern Art. Note: African-American painter and preacher William Arthur Cooper first began his art career as a means to illustrate his sermons. Born near Hillsborough, NC in 1895, Cooper’s talents led him to several careers including law and insurance brokerage. His art career flourished in the 1930s beginning with his inclusion in an exhibition sponsored by the Harmon Foundation in New York. His work became more secular and he focused on the everyday lives of the people in his Charlotte congregation. In the mid 1930s he toured the state speaking at both black and white colleges and schools. It was during this time he published his first book A Portrayal of Negro Life. The book was illustrated by twenty-seven of his paintings. Cooper left North Carolina in 1940 and moved to St. Louis where he preached and wrote several more books.

501. Clarence Millet, N.A. (American/New Orleans, 1897-1959), “New Orleans Courtyard”, oil on canvas board, signed lower left, signed and titled en verso, sight 14 1/2 in. x 17 1/2 in., original frame. $5000/7000

502. Alexander John Drysdale (American/ New Orleans 18701834), “Louisiana Bayou with Live Oaks”, oil wash on board, signed lower right, sight 9 in. x 28 3/4 in., framed. $2500/3000 Provenance: The Dominican Sisters of Peace, Historic Veritas House, New Orleans, LA, sold for charitable benefit.

502

503. A Newcomb College Art Pottery Vase, 1930, decorated by Sadie Irvine in the “Moon and Moss” design, semi-matte glaze with blue and green underglaze, base marked with Newcomb cipher, decorator’s mark, reg. no. SP58 and shape no. 86, h. 5 1/8 in. $2500/3500 504. A Newcomb College Art Pottery Vase, 1929, decorated by Anna Frances Simpson with the “Moon and Moss” landscape design, well modeled, semi-matte glaze with blue and green underglaze, base marked with Newcomb cipher, decorator’s mark, Jonathan Hunt’s potter’s mark, reg. no. RY8 and shape no. 500, h. 5 7/8 in., diameter 6 in.

503

504

$3000/5000 505. A Newcomb College Art Pottery High Glaze Jardinière, 1907, decorated by Marie de Hoa LeBlanc with a relief carved pine needle and cone motif, the base marked with Newcomb cipher, decorator’s mark, Joseph Meyer’s potter’s mark, “W” for white clay, and reg. no. BS64, height 8 1/2 in., diameter 10 in. $4000/6000 W 506. A Newcomb College Art Pottery Matte

Glaze Vase, 1922, decorated by Sadie Irvine with a relief-carved design of fruiting vines, the base marked with Newcomb cipher, decorator’s mark, Joseph Meyer’s potter’s mark, reg. no. MD60, and shape no. 1, height 3 5/8 in. $700/1000 Provenance: The Dominican Sisters of Peace, Historic Veritas House, New Orleans, LA, sold for charitable benefit.

505

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510

508. A George Ohr Humorous Tea Cup, stamped “G.E. OHR/Biloxi, Miss.”, in the form of a chamber pot and contents, with stilt, height 2 3/8 in., (3 pcs.) $800/1200 509. A Santo Domingo Native American Pottery Dough Bowl, c. 1920s, deep rounded sides painted in black over a creamy white slip ground, the exterior decorated with a broad band of star medallions above an unglazed base, the interior with a four-petal design beneath a thin scalloped band at the rim, height 8 3/8 in., diameter 16 in. 507

507. Helen Maria Turner (American/New Orleans, 18581958), “Flowers”, oil on canvas, signed lower left, inscribed “H. Turner” en verso, 18 in. x 15 in., in original Arts and Crafts frame with artist plaque that includes title and inscription: First Prize - 1934.

$800/1200

508 509

$10000/15000 Provenance: Previously in the Collection of Maplewood Woman’s Club, New Jersey; to present owner. Note: In Cragsmoor, New York, where Helen Maria Turner owned a house and spent most of her time after moving from New Orleans, gardening was a popular activity within the art community. Turner, an avid gardener, loved painting flowers and most likely gathered these particular blooms from her own garden. For which competition this painting won first prize is unknown. It is possible that Turner submitted it to an exhibition at a women’s art club. According to Turner scholar Kaycee Benton, this painting was also exhibited at the Grand Central Art Gallery in New York in 1931. To be included in Kaycee Benton’s forthcoming catalogue raisonné.

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510. A Newcomb College Art Pottery Matte Glaze Vase, 1919, decorated by Sadie Irvine with a relief-carved design of sapling oaks, the base marked with Newcomb cipher, decorator’s mark, Joseph Meyer’s potter’s mark, reg. no. KQ5, and shape no, 240, height 4 in. $1000/1500 Provenance: The Dominican Sisters of Peace, Historic Veritas House, New Orleans, LA, sold for charitable benefit.

511. Walter Inglis Anderson (American, 1903-1965), “Cecropia Moths, ‘The Heavenly Twins’”, c. 1960, watercolor with traces of graphite on paper, estate stamped with initials “WIA” lower right, Albers Fine Art Gallery, Memphis, TN label en verso, 11 in. x 8 1/2 in., floatmatted and framed. $8000/12000 Exhibited: Albers Fine Art Gallery, Memphis, Tennessee, October 22-November 24, 1993. Note: Walter Anderson spent long stretches of time on Horn Island painting colorful watercolors of the flora and fauna. Despite enduring the sometimes harsh elements of nature, he created a large group of watercolors during the last fifteen or so years of his life. Anderson’s best work from this period uses his technique of vivid colors set down separately, with the white ground of the paper used as part of the composition. The painting offered here depicts two cecropia moths. Unlike most of his work of the nature of Horn Island, this piece actually has a story behind the subject. Anderson found two cecropia moth cocoons, one on Belle Fontaine Beach near Ocean Springs and the other on Horn Island, which he placed in a large jar. They hatched the same day and were called “the heavenly twins”. He created a series of watercolors of the two moths, one of which is illustrated in The Art of Walter Anderson (p.219). The work offered here depicts the “twins” in an active state with their wings upraised. Reference: Pinson, Patricia, ed., The Art of Walter Anderson, University Press of Mississippi and the Walter Anderson Museum of Art, 2003.

512. Paul Ninas (American/New Orleans, 1903-1964), “Women of Bimini”, oil on paper, initialed lower center, titled en verso, 12 in. x 17 1/2 in., matted and framed. $2000/3000

511

Provenance: Purchased from the artist; thence by descent. 513. Paul Ninas (American/New Orleans, 19031964), “Where do we go From Here?”, ink and watercolor on paper, unsigned, titled lower center, 14 5/8 in. x 11 in., framed. $1200/1800 Provenance: Purchased from the artist; thence by descent. 512

513 W denotes the lot is illustrated at www.nealauction.com

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514

515

516. William Woodward (American, 1859-1939), “Live Oak with Moss - Biloxi River”, 1925, oil on canvas board, signed and dated lower right, signed and titled on exhibition labels en verso, labels from National Arts Club and Nashville Art Association, 16 in. x 20 in., original arts and crafts frame. $18000/25000 Provenance: Rita Beattie, Warwick, New York; Catherine Greenwood, Middleton, New York; Private Collection, Virginia, since c. 1970. Exhibited: Mississippi Artists Exhibit: Nashville Art Association and the Delgado Art Museum, New Orleans; National Arts Club, New York.

516

514. Clarence Millet, N.A. (American/ New Orleans, 1897-1959), “Live Oak, Louisiana Bayou”, oil on canvas board, signed lower left, 12 in. x 13 1/2 in., framed.

515. Clarence Millet, N.A. (American/ New Orleans, 1897-1959), “Along the Path, Mississippi Gulf Coast”, oil on canvas board, signed lower left, 8 1/2 in. x 9 1/8 in., framed.

$3000/5000

$2500/3500

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Note: Following his retirement from the Newcomb Art School in 1921, William Woodward and his family moved to Biloxi, MS. They bought a lot at 123 Benachi Avenue where they built a studio/home. Benachi Avenue was Biloxi’s “Avenue of Oaks” and provided much inspiration to Woodward. The painting offered here depicts a windswept moss-laden live oak tree before the meandering Biloxi River. A beautiful example of Southern Impressionism, Woodward employs a bright palette in his portrayal of the Gulf Coast landscape. The work contains an energy and sense of atmosphere and motion not often found in his work of this period. Importantly, Woodward himself thought highly of this painting as indicated by its extensive exhibition record.

517 519 517. Irving Ramsey Wiles (American, 1861-1948), “Still Life with Yellow Roses”, oil on panel, signed lower right, artist’s plaque on frame, 13 in. x 20 in., period giltwood frame. $5000/7000 518. American Impressionist School, early 20th c., “Orange Valley”, oil on canvas, unsigned, titled on stretcher, 30 in. x 36 in., antique giltwood frame.

518

520

$2000/3000 520. Alberta Kinsey (American/Louisiana, 1875-1952), “Pirate’s Alley”, oil on artist board, signed lower right, Farish Art Store, New Orleans label en verso, 12 in. x 10 in., original frame.

519. Marguerite Stuber Pearson (American/ Massachusetts, 18981978), “Still Life with Roses”, oil on canvas, signed lower right, 28 in. x 22 in., giltwood frame.

$1500/2500 521. Alberta Kinsey (American/Louisiana, 1875-1952), “Brulatour Courtyard”, oil on artist board, signed lower right, 12 3/8 in. x 10 in., original frame.

$1800/2500

$1200/1800

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522

525

524. George Bauer Dunbar (American/ Louisiana, b. 1927), “Copreus”, 2001, tan and black clay with palladium leaf, signed lower right, titled and dated on Galerie Simonne Stern label en verso, 48 in. x 55 in., framed. $5000/7000 Provenance: Estate of Richard Godchaux Hirsch, New Orleans.

523

525. George Bauer Dunbar (American/ Louisiana, b. 1927), “Coin du Lestin”, mixed media on masonite, signed lower center, 48 in. x 43 in. $3500/5500 Provenance: Estate of Richard Godchaux Hirsch, New Orleans. 526

524

522. L. Szwodry (American, 19th c.), “On the Road, Caribbean Plantation”, oil on board, signed lower right, 12 in. x 16 in., framed. $1200/1800

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523. George Bauer Dunbar (American/Louisiana, b. 1927), “Minimal Series #2”, red and black clay with gold leaf on board, unsigned, Galerie Simonne Stern label en verso, 36 in. x 43 in., framed. $4000/6000 Provenance: Estate of Richard Godchaux Hirsch, New Orleans.

526. Pat Trivigno (American/New Orleans, b. 1922), “Odyssey”, oil on canvas, signed lower left, signed and titled on label en verso, 54 in. x 27 in., period frame. $1200/1800

528

527

527. Johnice Parker (American/ Dallas, 20th c.), “Baptism”, pastel on paper, signed lower right, sight 37 in. x 27 in., matted and framed. $800/1200 529

528. Robert Gruppe (American, b. 1944), “Gloucester”, oil on canvas, signed lower right, 25 in. x 30 in., framed. $1000/1500 529. Robert Gruppe (American, b. 1944), “New England Shore, Gloucester”, oil on canvas, signed lower right, 30 in. x 36 in., framed.

530 531

$1500/2000 530. Colette Pope Heldner (American/New Orleans, 1902-1990), “Corner of Old Courtyard, Rue Royale, New Orleans”, 1936, oil on board, signed lower right, signed, titled and dated en verso, 17 3/4 in. x 11 in., framed. $3000/5000

531. Jack Meyers (American/New Orleans, 19301994), “Morning Gossip”, 1970, oil on canvas board, signed lower left, signed, titled and dated en verso, 5 in. x 7 in., framed. $1200/1800 W denotes the lot is illustrated at www.nealauction.com

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532

533

535

532. Jack Meyers (American/New Orleans, 19301994), “Watermelon Mischief”, 1979, acrylic on canvas board, signed lower left, signed, titled and dated en verso, 5 in. x 7 in., framed. $1200/1800 533. Theora Hamblett (American/Mississippi, 18931977), “See-Saw”, 1975, oil on canvas, signed and dated lower right, 16 in. x 20 in., original frame. $8000/12000 W 534. A Fine Persian Lilihan Carpet, cream and rose

ground, 4 ft. 2 in. x 6 ft. 6 in. $1000/1500

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535. A Persian Heriz Carpet, red ground, central medallion, overall stylized floral designs, 10 ft. 4 in. x 13 ft. 3 in. $4000/6000 536. A Fine Persian Lavar Kerman Carpet, pale blue and red ground, with overall vining floral motifs, 9 ft. 8 in. x 12 ft. 8 in. $5000/7000

538

538. A Tiffany Favrile Glass Bottle and Stopper, 1904, engraved “LCT U6354”, with dimpled body, height 10 1/4 in., diameter 4 1/2 in.

542. A Continental Iridescent Art Glass and PewterMounted Vase, late 19th/early 20th c., possibly by Loetz or Kralik, with polished pewter mount by Van Hauten, marked and with model number 1852, height 7 7/8 in.

$1000/1500

$600/900

537

537. A Large Persian Serapi Carpet, ochre ground, with stylized floral and geometric designs in teal, blue and yellow, 13 ft. 9 in. x 17 ft. $7000/9000

539. A Tiffany Favrile Glass Vase, 1905, engraved “LCT Favrile Y6563”, pulled feather design, height 3 in., diameter 3 1/2 in. $500/700 W 540. A Group of Tiffany Favrile Glass Vessels, 19th

c., each engraved “LCT”, comprising 5 small glasses, height 1 3/4 in. to 2 1/2 in.; an ice dish, height 1 1/2 in., diameter 6 1/4 in.; a “Queen” finger bowl, height 2 1/4 in., diameter 4 3/4 in.; a “Queen” compote, height 3 in., diameter 4 1/2 in.; and a vase, “R6842”, height 4 in., diameter 2 1/4 in. $700/900 541. A Loetz Creta Formosa Iridescent Glass Vase, c. 1900, having green ground with meandering blue threading, of interesting shape with square base and a body twisted to a round shoulder and opening, height 10 1/2 in., diameter 4 in.

541

539

Note: The Van Hauten pewter mounts appear on many known Loetz and Kralik art glass vases. The firm is known to be a regular supplier for Loetz as early as 1893. Van Hauten had an exhibition in Dusseldorf in 1902 and participated in the 1904 World’s Fair in St. Louis.

542

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543. A Continental Neoclassical Inlaid Carved Mahogany, Ebonized and Parcel Gilded Side Table, 19th c., oval top with patera, skirt with drawer, lyre support terminating in paired dolphins, conforming incurvate plinth, blocked feet, height 29 1/2 in., width 19 in., depth 14 1/2 in. $700/1000

543

544. A Pair of Antique Brass Griffin Andirons and Fireplace Tools, c. 1870, stamped with registration number “Rd. No.75774”, with a pair of tongs, also with griffins, a poker and an ash shovel, height of andirons 19 in., width 8 in., depth 14 in.

544

$600/900 Note: Interestingly, a dragon-form andiron, now conserved at the British National Museum, Mount Stewart, County Down, Northern Ireland, has the same registration number on its wings. 545. A Fine Pair of French Art Deco Bronze Figural Andirons, c. 1925, attributed to Edgar Brandt (French, 18801960), finely cast as horned owls, their talons gripping entwined snakes, raised on blocked and molded base, retain remnants of gilt, height 20 1/4 in., width 14 in., depth 4 in. $2000/3000 Note: An identical pair sold at Sotheby’s, NY, December 6, 1996, lot 304. A single, signed, unmounted version of this andiron sold at Sotheby’s, Monte Carlo, March 11, 1984, lot 343. 546. Léonard Tsuguharu Foujita (French/Japanese, 1886-1968), “Male Nudes”, ink and ink wash on paper, signed middle right, 16 1/8 in. x 23 1/8 in., gilded oak frame. 545

$5000/7000 W 547. Paul Jacoulet (French, 1902-1960), two

woodblock print holiday cards, “Les Jades: Mandchoukuo” and “Nuit de Neige: Coree”, each sight 6 in. x 4 1/8 in., each tipped in folded booklet, inner page reading “Merry Christmas and a Happy New Year”, overall 7 in. x 4 3/4 in.; together with a 1912 woodblock print calendar, twelve sheets, each 7 3/8 in. x 4 in. $200/400 Provenance: Estate of noted artist, architect and antiquarian, James R. Lamantia, Jr. (1923-2011). W 548. A Japanese Pattern Book, probably early-to-mid

20th c., comprised of 100 woodblock prints in vibrant colors with metallic highlights, saddle bound, overall height 9 1/2 in., width 6 1/4 in., depth 5/8 in. $150/250 Provenance: Estate of noted artist, architect and antiquarian James R. Lamantia, Jr. (1923-2011). 546

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549. A Japanese Design Book, probably 19th c., black ink on paper with designs for combs, tsuba, animals, birds, fish, insects, figures and landscapes, saddle bound, height 4 3/4 in., width 6 7/8 in., depth 1/4 in. $250/350 Provenance: Estate of noted artist, architect and antiquarian, James R. Lamantia, Jr. (1923-2011). 550. Katsushika Hokusai (Japanese, 17601849), “Pouring Wine from a Cask”, surimono print with gauffrage embellishments, 8 1/2 in. x 7 1/2 in.

549

$500/700 Provenance: Estate of noted artist, architect and antiquarian, James R. Lamantia, Jr. (1923-2011). 551. Japanese School, probably Edo Period (1615-1868), “Portrait of Yoshitsune Minamoto as One of the Thirty-Six Immortal Poets”, ink and color on paper, sealed lower right, with poetry cartouche upper right, ink and gold on paper, 9 3/8 in. x 13 1/4 in., mounted as a hanging scroll. $200/400 Provenance: Estate of noted artist, architect and antiquarian, James R. Lamantia, Jr. (1923-2011).

550

551

552. A Japanese Arita Ware Kakiemon-Style Porcelain Shaped Dish, Edo Period, probably 18th/19th c., squared sides raised on a short foot ring, the cavetto relief-molded with scrolling vine, the well and exterior polychrome painted with floral sprays on a white crackle ground, iron brown rim, height 1 3/4 in., width 6 1/8 in. $500/700 Provenance: The Irving and Bettie Redler Collection, New Orleans, LA.

552

553 553. A Japanese Shigaraki Stoneware Storage Jar, probably MomoyamaEdo Period, 16th/17th c., ovoid body with cylindrical neck and rolled rim, height 26 in. $1000/1500 Provenance: New Orleans, LA Collection, acquired Shibui Antiques, Santa Fe, NM.

W 554. A Japanese Bronze Covered

Incense Burner, Koro, Meiji Period (18681912), bowl form body with ram’s mask handles raised on three tapering knob feet, tiered top with a shishi lion finial, height 3 3/4 in., width 4 5/8 in. $300/500 W denotes the lot is illustrated at www.nealauction.com

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555

557. A Japanese Folio of Kimono Patterns, Kimono no moyo, probably Edo Period (16151868), 10 full-length black ink images, 2 covers, each sheet 15 in. x 10 5/8 in., note: one cut; each cover 15 1/4 in. x 10 5/8 in. $300/500 Provenance: Estate of noted artist, architect and antiquarian, James R. Lamantia, Jr. (19232011).

557

Reference: Compare Take Hiratsugi (fl. c. 1690) Fashionable Kimono Patterns from Gozen Hiinagata British Museum #1979 0305 0.36.

W 558. Utagawa

555. A Fine Pair of Japanese Arita Ware KakiemonStyle Porcelain Lobed Dishes, Edo Period, probably late 17th c., lobed bodies raised on short foot rings, each polychrome decorated with a shishi lion beside a peony spray, iron brown foliate rims, height 1 1/2 in., diameter 5 7/8 in. $1200/1800 Provenance: The Irving and Bettie Redler Collection, New Orleans, LA, acquired Henry Stern Antiques, New Orleans, LA, November 24, 1970. W 556. A Pair of Japanese Mixed Metal Baluster

Vases, Meiji Period (1868-1912), each tapering ovoid body with sloping shoulder and banded flared neck raised on an intrinsic tripod base, incised and inlaid around the body with cranes wading in water amid water reeds, each signed along the side, each base inscribed, height 4 7/8 in. $200/400 Provenance: Estate of Harry T. Howard III, New Orleans, LA.

118

Kunisada/Utagawa Toyokuni III (Japanese, 1786-1865), three woodblock prints, including: “Champion Sumo Wrestler”, sheet 14 in. x 9 7/8 in.; “Courtesan with Two Suitors”, sheet 14 3/8 in. x 9 7/8 in.; and “A Couple in Front of Narita Actor’s Shrine”, sheet 14 1/2 in. x 9 7/8 in. $400/600 Provenance: Estate of noted artist, architect and antiquarian, James R. Lamantia, Jr. (19232011).

W 559. Utagawa Kunisada/

Utagawa Toyokuni III (Japanese, 1786-1865), two woodblock prints, including: “Samurai with Dagger and Fan”, sheet 14 1/4 in. x 9 3/4 in.; and “Courtesan with Fan Viewing Arrows”, sheet 14 1/4 in. x 9 3/4 in. $300/500 Provenance: Estate of noted artist, architect and antiquarian, James R. Lamantia, Jr. (19232011). W 560. Utagawa Kunisada/

Utagawa Toyokuni III (Japanese, 1786-1865), a group of woodblock prints, including: “Samurai before a Gate”, sheet 13 7/8 in. x 9 1/4 in.; “Two Samurai”, sheet 14 in. x 9 1/4 in.; “Kabuki Actor as Samurai”, sheet 12 1/2 in. x 9 3/4 in.; and “Behind the Scenes at a Ryokan: ‘Man Preparing Fish’ and ‘Dog Causing Trouble’”, two parts of a triptych, each sheet 14 in. x 9 7/8 in., (5 pcs.) $400/600 Provenance: Estate of noted artist, architect and antiquarian, James R. Lamantia, Jr. (19232011). W 561. Utagawa Kunisada/

Utagawa Toyokuni III (Japanese, 1786-1865), two woodblock prints, including a triptych depicting female bathers, sight 13 3/4 in. x 28 in.; and an actor print, 13 1/2 in. x 9 1/2 in., each double matted and framed. $400/600

562

562. Zuda Rokashi, Priest Hotan (Japanese, 1654-1738), “Nansenbushu Bankoko Shoka No Zu (Outline Map of All Countries in the Universe)”, Kyoto, 1710 (Hoei 7), woodcut folding map of the world, twelve sheets joined on paper, 45 1/2 in. x 56 1/4 in. $8000/12000 Provenance: Estate of noted architect, artist and antiquarian, James R. Lamantia, Jr. (1923-2011). Note: Known as the first Japanese printed map of the world from a Buddhist perspective, the present lot represents the rare fusion of Japanese and European cartography. The map centers on China, with Japan to the east, America to the north of Japan, and Europe to the far west, represented as a group of islands.

W denotes the lot is illustrated at www.nealauction.com

119

W 571. A Large

“Waterfall Landscape”, ink on silk, signed and sealed lower left, 42 in. x 15 3/4 in., mounted as a hanging scroll.

Japanese Imari Porcelain Barbed Rim Bowl, Meiji Period (1868-1912), U-form body raised on a short channeled foot ring, the interior with a dragon and pearl roundel encircled by radiating petal panels beneath aquatic plants, shells and fish, banded along the rim with floral and geometric designs, height 4 in., diameter 11 1/2 in.

$200/400

$500/700

W 567. Japanese School, 19th/20th c.,

W 572. A Japanese Kutani Porcelain

“Landscape with Mount Fuji in the Distance”, ink on paper, signed and sealed lower right, 42 3/4 in. x 13 3/8 in., mounted and framed.

Rectangular Covered Box, raised on four bracket feet, decorated with alternating figural and floral panels, pierced square cover with branch finial, base with Kutani mark, height 3 5/8 in., width 2 1/4 in., depth 2 1/4 in.

569

W 566. Japanese School, probably 19th c.,

$600/800 Provenance: By descent in the family of U.S. Army Captain C. Caruthers Sullivan, Jr. (1924-1988), who lived and worked in Korea and Japan from 1945-1955.

568

W 563. A Japanese Arita

Kakiemon-Style Porcelain Vase, probably Meiji Period (1868-1912), square lower body with prunus, pine and bamboo roundels on a red brocade ground, base with Fuku mark, height 10 5/8 in. $300/500 W 564. A Japanese Arita

Porcelain Bowl, Meiji Period (1868-1912), U-form body raised on a short channeled foot ring, polychrome decorated with sea-dragon design beneath a banded rim of alternating brocade and flower head panels, height 5 1/4 in., diameter 11 1/4 in.

568. Japanese School, probably 19th/20th c., “Portrait of a Bijin Holding a Fan”, ink, color and gold on silk, signed and sealed lower left, 54 1/4 in. x 19 1/8 in., mounted as a hanging scroll. $300/500 Provenance: Estate of noted artist, architect and antiquarian, James R. Lamantia, Jr. (1923-2011). 569. A Pair of Japanese Imari Porcelain ‘Black Ship’ Bowls, probably 18th c., steep rounded sides vibrantly enameled to the exteriors in iron red, green, aubergine, black and gilt with eight Dutchmen on a rich red ground beside a three-master on a white ground, interior with underglaze blue central medallion and trellis diaper rim, bases with ribbon wrapped double scrolls, height 2 5/8 in., diameter 4 3/4 in. $800/1200

$300/500

Provenance: The Irving and Bettie Redler Collection, New Orleans, LA, acquired Cserno Kunst en Antiekhandel, Amsterdam, October 12, 1976.

W 565. A Japanese Polished

W 570. A Japanese or English Imari

Bronze Mirror in a Gilt Decorated Lacquered Wood Case, Meiji Period (1868-1912), circular body relief modeled with a floral medallion encircled by pine, bamboo, cranes and a tortoise, inscribed, bamboo wrapped handle, height 13 1/2 in., diameter 9 1/2 in., gilt decorated black lacquer box, height 15 1/4 in., width 10 1/2 in. $300/500

120

Porcelain Barbed Rim Dish, 18th/19th c., central willow, rock and floral medallion encircled by radiating textile patterns along the cavetto and wide lobed rim, height 1 1/4 in., diameter 9 1/4 in. $300/500 Provenance: The Irving and Bettie Redler Collection, New Orleans, LA.

$200/300 W 573. A Group of Japanese Oribe

Stoneware Tea Items, 19th/20th c., comprised of a lidded teapot, five tea bowls, a waste bowl and a shaped bowl, each signed, teapot height 3 1/2 in., width 5 1/2 in., tea bowl height 2 in., diameter 3 7/8 in., (8 pcs.) storage box. $400/600 Provenance: New Orleans, LA Collection, acquired Shibui Antiques, Santa Fe, NM. W 574. Kason Susuki, aka Kwasson

Susuki (Japanese, 1860-1919), a collection of 11 woodblock print scenes from The Battles Between Japan and China, including: plate I, vol. 5, “Count Hirobumi Ito”; plate III, vol. 5, “A Brave Soldier Plundering one of the Enemy’s Boats”; plate IV, vol. 5, “Wading of the Song Chun River”; plate V, vol. 7, “The Patriotic Sailor Protecting the Powder Store”; plate V, vol. 5, double sheet, “Bombardment of Botan Dai”; plate VII, vol. 7, “Bold Admiral Kabayama”; plate VII, vol. 5, “Harada Jukichi Opened the Gemmu Mon Gate”; plate VIII, vol. 5, “General Tatsumi”; plate X, vol. 7, “Brave Battle of the Akagi”; plate XI, vol. 7, “A Gallant Lieutenant”; and plate XIII, “General Tatsumi’s March to Wiju”; each sheet approx. 9 1/4 in. x 6 3/8 in.; together with various loose sheets of text from volumes 5 and 7. $400/600 Provenance: Estate of noted artist, architect and antiquarian James R. Lamantia, Jr. (1923-2011).

W 575. Two Japanese Woodblock War

W 579. A Group of Five Japanese

W 581. Japanese School, 19th/20th c.,

Triptychs, Meiji Period (1868-1912), including Kobayashi Kiyochika (1847-1915), “The Second Army’s Assault on Port Arthur”, each sheet 14 3/8 in. x 9 3/4 in.; and another, unidentified, depicting a naval battle, each sheet 14 in. x 9 1/2 in.; together with a color lithograph titled “The Illustration of the Siberian War, No. 3 The Battle of Usri [Ussuri], Siberia. Captain Konomi died in the Battle, Fighting”, 1919, Shobido & Co., sheet 15 1/2 in. x 21 1/2 in., (7 pcs.)

Ivory Figural Netsuke, including an old man with a camel, signed, height 1 3/4 in.; a man dressed in robes with swords hung from his belt, signed, height 2 1/8 in.; a man holding a mask atop a lion’s head, signed, height 1 5/8 in.; a man crouching over a basket, signed, height 1 3/4 in.; and a man carrying a mask wrapped around his shoulders, signed, height 2 in.

“Bird on a Trellis”, ink and color on silk, signed and sealed middle right, 44 1/2 in. x 16 1/4 in., mounted as a hanging scroll.

$500/700

$300/500

$500/700 582. Japanese School, probably 20th c., “Cranes in Flight before a Setting Sun” and “Cranes in Flight above a Waterfall”, each ink and color on silk, signed and sealed lower left and lower right respectively, 47 7/8 in. x 16 1/8 in., mounted and framed alike. $1000/1500

Provenance: Estate of noted artist, architect and antiquarian, James R. Lamantia, Jr. (1923-2011).

Provenance: By descent in the family of U.S. Army Captain C. Caruthers Sullivan, Jr. (1924-1988), who lived and worked in Korea and Japan from 19451955.

W 576. Ogata Gekko (Japanese, 1859-

1920), a collection of 20 woodblock prints depicting “Heroic Episodes from the 1894 Sino Japanese War”, each scene having two joined sheets, plus cover page, overall sheet sizes 13 5/8 in. x 9 1/4 in., (21 pcs.)

W 583. A Japanese Arita Porcelain

Vase, ovoid body with molded waisted flared neck, decorated overall in the Chuji Fukagawa iris pattern, base with Fukagawa sei mark beneath Mount Fuji and a stream, height 11 7/8 in.

$600/800 Provenance: Estate of noted artist, architect and antiquarian, James R. Lamantia, Jr. (1923-2011).

$400/600

W 577. A Collection of Four Japanese

Woodblock War Triptychs, Meiji Period (1868-1912), including: Getsuzo (act. 19041905), “A Fight at the Yalu River”, joined sheets, overall 13 5/8 in. x 27 1/2 in.; Ikeda Terukata (1883-1921), “Japanese Army Capturing Fenghuangcheng”, joined sheets, overall 13 5/8 in. x 27 1/2 in.; Yoshikuni (fl. c. 1897-1906), “Naval Battle”, joined sheets, overall 13 7/8 in. x 27 3/4 in.; Kobayashi Kiyochika (1847-1915), “Naval Battle”, joined sheets, overall 13 5/8 in. x 27 1/2 in., each mounted alike; together with another, unidentified, depicting a naval battle, joined sheets, overall 14 1/8 in. x 27 1/2 in., (5 pcs.)

W 584. Toyohara Kunichika

$600/800

Woodblock Prints, including: Utagawa Kuniyasu (1794-1832), “Courtesan on a Terrace Viewing Calligraphy”, sheet 14 1/2 in. x 19 3/4 in.; Utagawa Kuniyoshi (1798-1861), “Otsu-e”, the right panel of a woodblock triptych depicting an artist drawing otsu-e, sheet 14 1/2 in. x 9 7/8 in.; attr. Kikugawa Sencho (fl. c. 1830-1850), “Women’s Procession on Bridge”, sheet 15 in. x 10 1/4 in.; Utagawa Sadahide (1807-1873), “Warriors Dispelling Demons by a Lake”, sheet 14 3/4 in. x 10 in.; and a shini-e memorial print depicting portraits of two seated officials, sheet 14 1/2 in. x 9 7/8 in.

(Japanese, 1835-1900), three woodblock prints, including: “Portrait of an Actor in Ceremonial Robes Wearing a Headdress”, sheet 14 1/2 in. x 9 1/2 in.; “Portrait of an Actor Carrying a Sword”, sheet 14 1/4 in. x 9 1/4 in.; and “Scene Involving a Man Falling Through a Fence with a Sword in His Chest”, sheet 14 in. x 9 1/2 in. $300/500 Provenance: Estate of noted artist, architect and antiquarian, James R. Lamantia, Jr. (1923-2011). W 585. A Group of Five Japanese

Provenance: Estate of noted artist, architect and antiquarian, James R. Lamantia, Jr. (1923-2011). W 578. A Group of Five Japanese

Ivory Animal Netsuke, including a sleeping cat with a rat clambering up its back, signed, height 1 in., length 1 5/8 in.; a recumbent tiger, signed, height 1 3/8 in., length 1 1/2 in; a recumbent dog with a puppy on its back, signed, height 3 4/ in., length 3/4 in.; and a seated monkey, height 1 1/4 in., length 1 1/4 in. $500/700

582 (1 of 2)

W 580. Two Japanese Ivory Figural

Okimomo, including an “amorous couple”, carved in two parts as a man and woman making love, signed, height 2 1/2 in., width 3 7/8 in.; note small loss to man’s right foot; and a “doctor’s lady”, naked recumbent figure wearing shoes, length 3 3/8 in.

$400/600 Provenance: Estate of noted artist, architect and antiquarian, James R. Lamantia, Jr. (1923-2011).

$400/600

W denotes the lot is illustrated at www.nealauction.com

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588 (2 of 8)

589. Asian School, 18th/19th c. or earlier, “Landscape with Boat”, ink on paper, signed and sealed upper right, 8 1/8 in. x 12 1/8 in., mounted as a hanging scroll. Note: Restored with paper strips to backside.

589

$200/400 Provenance: Estate of noted architect, artist and antiquarian, James R. Lamantia, Jr. (1923-2011). W 590. Asian School,

probably 19th c. or earlier, “Calligraphy”, ink on paper, two seals middle left, sealed upper right, 39 in. x 14 in., mounted as a hand scroll. $75/125 Provenance: Estate of noted architect, artist and antiquarian, James R. Lamantia, Jr. (1923-2011). 592

W 586. Four Japanese

Black Ink Woodblock Scenes, 18th/19th c., including: Nishikawa Sukenobu (1671-1750), “Figures Playing Go before a Hanging Scroll” and “Figures Celebrating in a Boat”, each scene comprised of two joined sheets, overall 8 3/4 in. x 591 10 3/4 in., and Yoshitaki (Osaka School, 19th c.), “Figure in a Kimono with a Fan” and “Figure with Swords”, sheet 10 in. x 7 in. and 10 1/4 in. x 7 in. respectively. $300/500 Provenance: Estate of noted artist, architect and antiquarian, James R. Lamantia, Jr. (1923-2011). W 587. A Korean White Glaze Porcelain Bottle Vase, Choson

Dynasty, 19th c., globular body, flared cylindrical neck, slightly tapering foot ring, height 9 3/8 in. $200/300 Provenance: The Irving and Bettie Redler Collection, New Orleans, LA, probably acquired Tappit Hen Antiques, Vancouver, Canada, August 27, 1981.

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588. Asian School, a set of eight album leaves, including “Orchid”, inscribed and sealed upper left; “Butterflies”, inscribed and sealed upper left, sealed lower right; “Mouse”, inscribed and sealed upper right; “Lobster”, inscribed with two seals upper left; “Figures in a Boat Beside a Grassy Bank”, inscribed and sealed upper center; “Unidentified”, inscribed and sealed upper center; “Winter Branch”, inscribed and sealed upper left; and “Bamboo and Gourd”, inscribed and sealed upper left, each ink on paper, each 11 in. x 8 1/2 in. $800/1200 Provenance: Estate of noted architect, artist and antiquarian, James R. Lamantia, Jr. (1923-2011).

591. Asian School, probably 18th/19th c., “Landscape with Birds”, ink and color on paper, signed and sealed middle center, 35 in. x 16 1/8 in., mounted and framed. $600/800 Provenance: By descent in the family of U.S. Army Captain C. Caruthers Sullivan, Jr. (1924-1988), who lived and worked in Korea and Japan from 1945-1955. 592. A Collection of Ten Chinese Pottery Figures, Ming Dynasty (1368-1644) and earlier, male and female figures, eight modeled standing, two seated, height 4 7/8 in. to 13 1/2 in. $1000/1500 Provenance: With self-taught artist Ellen Montgomery (1922-2007), New Orleans, LA; thence as a gift to current owner.

W 593. A Collection of Eight

597. A Chinese Pale Blue Qingbai Porcelain Bowl, probably Song Dynasty (9601279), delicate conical body raised on a short foot ring, carved to the interior with a profusion of floral sprays, unglazed rim, height 2 7/8 in., diameter 7 1/2 in., storage box.

Chinese Pottery Animals Figures, Ming Dynasty (13681644) or earlier, grey and red pottery figures including: a recumbent ox, height 2 7/8 in., width 6 in; a recumbent boar, height 2 1/8 in., width 4 3/4 in.; a recumbent camel, height 2 1/4 in., width 5 in., a recumbent pig, height 2 1/4 in., width 4 1/4 in.; two recumbent rams, height 2 1/4 in., widths 2 3/4 in. and 3 in.; a standing cockerel, height 2 5/8 in., width 4 1/4 in.; and a seated dog, height 4 3/8 in.

$1200/1800 Provenance: New Orleans, LA Collection. 597 W 598. A Chinese Longquan

Celadon Bowl, Ming Dynasty (1368-1644), U-form body raised on a tall foot ring, carved to the interior well with a swirling leafy vine, the exterior loosely carved with ruyi scrolls beneath a key-fret rim, height 3 in., diameter 6 1/4 in.

$800/1200 Provenance: With self-taught artist Ellen Montgomery (1922-2007), New Orleans, LA; thence as a gift to current owner. W 594. Chinese School, Qing

$150/250

Dynasty (1644-1911), three paintings including: “Three Immortals, an Attendant, and an Ox”, ink on silk, inscribed lower right, sealed throughout, artist identified on a loose label as “Kuan Ton”, 11 1/8 in. x 8 3/4 in.; “Figures in a Seaside Landscape Viewing the Setting Sun”, ink and color on silk, inscribed lower right, sealed lower right, lower left and upper right, artist identified on a loose label as “Long Men”, 10 1/8 in. x 7 5/8 in.; “Calligraphy”, ink on paper, sealed upper right and lower left, 11 1/2 in. x 9 3/8 in.

Provenance: The Irving and Bettie Redler Collection, New Orleans, LA. W 599. A Chinese Longquan

Celadon Vase, Ming Dynasty (1368-1644), sturdily potted ovoid body with splayed foot and short molded neck, carved with a basket weave pattern between floral vines and a combed foot, thick translucent sea green glazed, unglazed burnt orange foot ring, height 7 5/8 in.

600

$300/500 Provenance: The Irving and Bettie Redler Collection, New Orleans, LA.

$500/700 Provenance: Estate of noted architect, artist and antiquarian, James R. Lamantia, Jr. (1923-2011).

600. A Chinese Longquan Celadon Barbed Rim Dish, Ming Dynasty (13681644), carved central floral spray encircled by a wide band of scrolling vine and a petal-barbed rim, height 2 1/4 in., diameter 13 3/8 in.

W 595. A Chinese

Glazed Pottery Bowl, Song Dynasty (9601279), conical body, carved to the interior with floral scrolls above chrysanthemum petal lappets, height 2 1/4 in., diameter 6 3/8 in., storage box. $200/300 Provenance: The Irving and Bettie Redler Collection, New Orleans, LA.

601

$1000/1500 W 596. A Chinese Dingyao Pottery

‘Twin Fish’ Bowl, Song Dynasty (9601279), conical body, carved to the interior with twin fish, ivory crackle glaze, unglazed foot and rim, height 2 1/8 in., diameter 6 3/8 in. $400/600 Provenance: The Irving and Bettie Redler Collection, New Orleans, LA.

Provenance: The Irving and Bettie Redler Collection, New Orleans, LA. 601. A Chinese Longquan Celadon Deep Dish, Ming Dynasty (1368-1644), carved central floral medallion encircled by a lobed petal-band around the cavetto and a wide upturned rim, height 3 in., diameter 12 5/8 in. $1000/1500 Provenance: The Irving and Bettie Redler Collection, New Orleans, LA.

W denotes the lot is illustrated at www.nealauction.com

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605. A Chinese Celadon Porcelain Dish, Qing Dynasty (1644-1911), freely carved to the interior with a central floral medallion encircled by a wide band of scrolling leafy floral vines, height 2 in., diameter 14 1/2 in. $800/1200 Provenance: New Orleans, LA Collection, acquired Arch Angels Antiques, Hong Kong. W 606. A Chinese

Fahua Glazed Pottery Figure of an Immortal, Ming Dynasty (1368-1644), male figure modeled seated on a tall throne, his hands resting on his knees, height 7 7/8 in., width 4 1/2 in. Note: Small scattered losses.

603

$400/600

W 602. A

604

Chinese Celadon Vase, Qing Dynasty (1644-1911) or earlier, pear form body issuing a wide flared neck with mask and faux-ring handles raised on a splayed foot ring, height 8 1/4 in.

607. A Chinese Turquoise Glazed Cizhou Pottery Vase, Ming Dynasty (1368-1644) or earlier, slender ribbed body with a waisted neck, painted with a phoenix beneath a towering tree, height 12 3/4 in., not drilled; now mounted as a lamp with wiring to the exterior.

$300/500 Provenance: The Irving and Bettie Redler Collection, New Orleans, LA. 603. A Chinese Longquan Celadon Jar, Ming Dynasty (1644-1911), broad baluster body with lobed sides carved with lotus sprays above upright leaf tips, height 8 3/4 in., not drilled; now mounted as a lamp with wiring to the exterior.

$800/1200 605

604. A Chinese Longquan Celadon Yen Yen Vase, Ming Dynasty (1368-1644), heavily potted globular body rising from a splayed base, issuing a tall trumpet neck, freely carved throughout with leaf tips, floral vines and concentric bands, height 19 3/8 in., fitted wood stand, overall height 21 in. 607

$1500/2500 Provenance: The Irving and Bettie Redler Collection, New Orleans, LA, acquired J.C. Chang Oriental Antiques, Montreal, Canada, April 5, 1976.

124

$3000/5000 Provenance: Estate of Irene S. Chandler (1916-2010), New Orleans, LA, acquired in Hong Kong, 1953-1954. Note: A May 27, 1960 Detroit Times article titled “East Meets West in Home Decor” by Vera Nolan discusses the placement of Chinese Art in Irene Chandler’s home in Bloomfield Hills, Michigan. The article describes the current “500 year old” lot as Chandler’s “pride and joy”.

Provenance: The Irving and Bettie Redler Collection, New Orleans, LA, acquired Henry Stern Antiques, New Orleans, LA, December 1, 1972.

W 608. A Chinese Turquoise Glazed

W 614. A Chinese Greenish White

W 617. A Chinese Carved and Stained

Water Pot, Ming Dynasty (1368-1644), tapering hexagonal form with flange handles supporting a loop bridge, short scroll spout, circular lid with finial, height 8 in., width 7 1/2 in.

Jade Archaistic Pendant, 19th c., pale greenish white stone intricately carved in openwork pierced design with incised details, height 2 1/4 in., width 1 1/4 in., depth 3/8 in.

$400/600

$500/700

Bamboo Scholar’s Mountain with the Eight Immortals, the Immortals carved at various pursuits among fruit laden peach trees and old pine, surrounded by mountains and cliffs, raised on a separate bamboo stand carved in the form of turbulent waves, overall height 7 1/4 in., width 13 in.

Provenance: The Irving and Bettie Redler Collection, New Orleans, LA, acquired Adriaans Antiques, New Orleans, LA, March 9, 1976.

$800/1200 Provenance: Florida Collection, acquired London, England.

W 609. A Chinese Archaistic

Bronze Ritual Wine Vessel, Jue, probably 19th c., deep cup form body raised on three splayed blade feet, the long spout and handles separated by two rectangular posts with cap finials, height 6 3/4 in., length 6 in.

W 618. A Chinese Bronze ‘Three

Visits to the Thatched Hut’ Wine Pot, Qing Dynasty, probably 19th c., squat globular body and domed finialed cover, relief modeled around the sides with scenes depicting Liu Bei’s visit to Zhuge Liang at the thatched hut, inscriptions flanking spout “Three Visits to the Thatched Hut”, base relief sealed “Ma Qiangshui zhi”, height 3 1/4 in., width 5 1/4 in., weight 13.15 troy ozs.

$150/250 610. A Chinese Celadon and Russet Jade Figure of a Mythical Beast, modeled in a crouching stance with its neck and head turned over its back side, the pebble carved along the division of the beast’s bifurcated tail cleverly exposing the celadon on one side and the gold-flaked russet skin on the other, height 3 1/2 in., width 4 3/8 in.

610

$800/1200 Provenance: Jackson, MS Collection. W 619. A Pair of Chinese

Silver Wire Inlaid Black Lacquer Bamboo Wrist Rests, 19th c., each of curved rectangular form, the tops with wire inlaid characters, height 1 in., width 8 1/4 in., depth 2 in.

$3000/5000 Provenance: New Orleans, LA Collection, acquired c. 1990 from a West Coast Japanese art dealer.

$300/500 Provenance: Dallas, TX Antiquarian.

W 611. A Group of Four

Chinese Archaistic Jades, two of tubular form, height 4 3/8 in. and 2 3/4 in.; another of pierced bi form, height 3 in., width 2 1/4 in., the last of crescent fish form, height 4 in.

W 620. A Chinese Bamboo

621

$1000/1500 W 612. A Pair of Chinese White Jade

W 615. A Chinese Pale Celadon Jade

$400/600

‘Boy and Goose’ Toggle, 19th c., carved in the form of a boy riding a goose, the boy carrying a large lotus leaf across his back, the goose with a lingzhi spray in its beak, height 1 3/4 in.

Provenance: Dallas, TX Antiquarian.

$400/600

W 613. A Chinese Green Jade Tripod

W 616. A Chinese Bamboo Brush Pot,

Wine Cups, 19th c., bell-form bodies raised on tall foot rings, height 2 1/2 in., diameter 3 1/4 in.

Censer, 19th c., squat U-form body with waisted rim and flat loop handles raised on three tapering feet, height 3 in., diameter 3 3/4 in., wood tripod stand, overall height 3 7/8 in. $400/600

19th c., decagonal faceted form with an oval aperture, deeply carved to five sides with figures and animals in landscapes, height 4 1/2 in.

‘Eight Immortals’ Brush Pot, Qing Dynasty (1644-1911), rectangular form with wide flat rim and conforming base raised on four triangular feet, relief carved to each of the four sides with two of the eight Immortals, height 10 3/4 in., width 4 5/8 in., depth 4 5/8 in. $500/700 Provenance: Kansas City, KS Collection. 621. Chinese School, 19th c., an album of seven leaves, each ink and color on paper, six leaves painted with insects and flowers, the seventh with calligraphy, each 10 1/2 in. x 7 3/8 in., cloth bound cover, overall 13 1/2 in. x 9 3/4 in. $800/1200

$150/250

Provenance: Dallas, TX Antiquarian.

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125

623. A Chinese Ivory Figure of Su Mu, bearded standing male figure carved wearing voluminous robes and a cowl draped over his head, carrying a shepherd’s staff in one hand and a bunch of chrysanthemum sprigs in the other, height 9 3/4 in., wood stand, overall height 11 3/8 in. $2500/3500 Provenance: Dallas, TX Antiquarian. 624. A Pair of Antique Chinese Huanghuali Wood Square Stools, square frames enclosing flat panel tops above wide aprons with linked-ring struts supported on straight circular legs, mitered mortise and tenon construction; the underside retaining traces of clay and drill holes for soft-seat construction, height 20 1/2 in., width 23 1/2 in., depth 23 1/2 in. $10000/15000 Provenance: Estate of Irene S. Chandler (1916-2010), New Orleans, LA, acquired S.Y. Ma, Hong Kong, 1953-1954. Note: The present panel tops possibly replaced an original woven soft-seat construction. For closely related examples, see Ellsworth, Robert Hatfield. Chinese Furniture: Hardwood Examples of the Ming and Early Ch’ing Dynasties. pp. 199 and 203, and Ecke, Gustav. Chinese Domestic Furniture in Photographs and Measured Drawings. pp. 93-97.

622

623

622. A Chinese Ivory Figure of Dongfang Shuo, bearded standing male figure carved wearing voluminous robes and a cap on his head with another cap strung over his back, carrying a gnarled dragon staff in one hand and cradling a large blossom in the other, height 10 in., wood stand, overall height 11 1/2 in. $2500/3500 Provenance: Dallas, TX Antiquarian.

624

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For a discussion on items acquired by Irene Chandler during her stay in Asia from 1953-1954, see: Nolan, Vera, “East Meets West in Home Decor”, Detroit Times, May 27, 1960. The article states: “Irene Chandler had no idea how deeply her love of the Far East would penetrate her spirit. Nor did she dream it would whet her appetite to such a degree for the fine furniture she acquired and later brought home.”

W 625. An Antique Chinese

W 629. A Chinese Blue and White

Incised Red Lacquer Kang Table, rectangular top carved with boys in a landscape playing with a goose, raised on a waisted shaped apron on arched legs ending in inward-curving feet, height 10 1/2 in., width 31 1/2 in., diameter 18 1/8 in.

Porcelain Foliate Rim Dish, early Qing Dynasty (1644-1911), the well with a central crane-in-flight medallion, encircled by a figural waterside village scene extending up to the cavetto, further encircled by stylized clouds, height 1 1/4 in., diameter 7 1/4 in. $300/500

$300/500 Provenance: New Orleans, LA Collection.

W 630. A Chinese Gilt Decorated

Black Lacquer Carved Wood Covered Display Stand, late 19th c., cover opening to a galleried openwork plinth on a pierced freeze atop a shaped platform with Buddhist lion feet, conforming base, height 8 in., width 14 in., depth 5 in. $300/500

628

631

W 626. Chinese School, Qing Dynasty

(1644-1911), “Ancestor Portrait of a Qing Official” and “Ancestor Portrait of His Wife”, each ink and color on paper with gilt highlights, sight 42 1/4 in. x 24 3/4 in., framed alike. $800/1200 Provenance: Memphis, TN Collection.

628. A Chinese Blue and White ‘Kraak’ Porcelain Foliate Rim Bowl, late Ming Dynasty, probably Wanli Period (1573-1619), steep well with everted barbed rim, decorated to the interior with a central cricket-on-rock roundel, height 1 7/8 in., diameter 6 in.

W 627. Chinese School, Qing Dynasty

$500/700

(1644-1911), “Boys Playing”, ink and color on paper mounted to board, sight 9 3/4 in. x 11 1/2 in., framed.

Provenance: The Irving and Bettie Redler Collection, New Orleans, LA.

$400/600

631. A Near Pair of Chinese Blue and White Porcelain Foliate Rim Bowls, Kangxi marks and probably Period (1662-1722), each well similarly decorated with a lady being shielded from the sun by her servant holding a parasol beside a female rider in a fenced garden, each cavetto and wide rim with alternating figural, long Eliza, and flower-and-rock panels, each base with six character Kangxi mark and label identifying it as “Ex lonides Collection”, each height 3 in., diameter 13 5/8 in. Note: hairlines. $1500/2500 Provenance: The Irving and Bettie Redler Collection, New Orleans, LA.

Provenance: Estate of Leone Simon Marks, New Orleans, LA.

W denotes the lot is illustrated at www.nealauction.com

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W 637. A

635 632

632. A Chinese Blue and White Porcelain Dish, Kangxi Mark and probably Period (16621722), sloping sides rising from a short foot ring to an everted rim, interior with figures in a boat beneath a willow tree, birds and moon above, base with six character Kangxi mark, height 1 in., diameter 6 1/4 in.

Collection of Five Chinese Yixing Pottery Teapots, including a lobed, melon-form pot with conforming fitted lid, probably antique, unmarked, height 3 1/4 in., width 4 1/5 in.; a gourdform pot with blue highlights from the studio of master potter Xiu Xiutang, contemporary, marked on base and underside of lid, height 3 3/4 in., width 4 1/8 in.; and three others, each contemporary, each marked, height 4 in., 3 1/4 in. and 4 in., width 4 1/2 in., 6 1/4 in. and 3 3/4 in. respectively. $300/500 Provenance: New Orleans, LA Collection, acquired as gifts in 2001 and 2005, Shanghai and Yixing, China.

$600/800 Provenance: The Irving and Bettie Redler Collection, New Orleans, LA.

638. Chinese School, probably 19th c., “Landscapes”, ten album leaves, each ink and color on paper, each sealed, each 10 in. x 11 1/2 in.

W 633. A Chinese Blue and White

Porcelain Bowl, 18th/19th c., U-form body rising from a tall foot ring, the exterior decorated with lotus flowers and leafy tendrils above overlapping petal tips, the interior with a narrow band of vining leaves, base with double circles in underglaze blue, height 3 3/4 in., diameter 7 3/4 in.

$400/600 Provenance: Estate of noted architect, artist and antiquarian, James R. Lamantia, Jr. (1923-2011).

$500/700

W 639. Chinese School, late

Provenance: New York Collection.

19th/early 20th c., “Ancestral Portrait of a Married Couple”, ink and color on paper with gilt highlights, 45 1/2 in. x 35 3/4 in., mounted as a hanging scroll. Note: “Estate” condition.

W 634. A Chinese Blue and White

Porcelain Covered Bowl, Chenghua mark but probably 19th c., the bowl with steep flared sides rising from a wide foot ring to an upright rim, decorated with scenic landscape vignettes, the fitted domed cover decorated with a mountainous landscape with figures and boats, the top with a cylindrical ring bearing apocryphal Chenghua mark, height 6 5/8 in., diameter 9 7/8 in. $200/400 Provenance: Pennsylvania Collection. 635. A Chinese Pewter Clad Yixing Pottery Teapot, squat globular body and domed cover encased in pewter, jade mounted spout, handle and finial, body incised with calligraphic inscription, base marked, height 4 1/8 in., width 6 3/4 in. $1200/1800

128

638 (2 of 10)

W 636. A Chinese Yixing Pottery

Teapot, squat domed body and cover with leafy bamboo-form handles, spout and finial, inscribed at base of handle and inside lid, base marked, height 3 1/8 in., width 7 1/4 in. $600/800

$300/500 W 640. Chinese School, 20th c.,

“Birds, Blossoms and Rocks”, ink and color on paper, inscribed and sealed upper right, 35 in. x 15 3/4 in., mounted as a hanging scroll. $400/600

W 641. A Pair of Chinese Creamy

W 647. A Pair of Chinese Bamboo

White Crackle Glazed Stoneware Bottle Vases, probably Qing Dynasty (1644-1911) or earlier, each globular body with a cylindrical flared neck molded with mask and faux-ring handles, height 6 1/2 in.

Hat Stands, 19th c., each cylindrical body relief-carved in mirror image of the other with a single crane standing upon a rock outcropping, height 11 1/2 in., diameter 4 5/8 in. and 4 3/4 in.

$300/500

Provenance: Dallas, TX Antiquarian.

$800/1200

Provenance: The Irving and Bettie Redler Collection, New Orleans, LA. W 642. Two Chinese ‘Dragon and

Bat’ Kesi Sleeve Band Fragments, 19th c., each worked in slit-weave technique, one with couched metallic thread highlights, each ribbon “framed”, height 3 3/4 in. and 3 1/2 in., width 10 1/2 in. and 10 1/4 in., textile mounted and framed alike.

644

$5000/7000 Provenance: Dallas, TX Antiquarian.

$400/600 Provenance: Estate of Leone Simon Marks, New Orleans, LA.

W 649. A Pair of Chinese

Ivory Figures of Horses, each animated figure carved in mirror image of the other, height 4 1/2 in., width 4 1/8 in., wood stands, overall heights 6 in.

W 643. A Chinese Bamboo

Wrist Rest, curved rectangular form profusely incised to the top, length 10 1/2 in., width 3 in.

$800/1200

$300/500 644. A Chinese Mother-ofPearl Inlaid and Carved Wood Hexagonal Brush Pot, 19th c., possibly Jichimu, each facet mother-of-pearl inlaid with a seasonal branch set in a shaped vase, brassmounted corners, height 7 3/8 in., width 7 1/4 in.

648. Two Chinese Ivory Figures of Scholars, each bearded standing male figure carved wearing voluminous robes and a scholar’s cap; one carrying an umbrella cradled in his arms, the other lifting a wine cup above his head, height 9 1/8 and 9 1/4 in. respectively, wood stands, overall heights 10 3/4 in.

Provenance: Dallas, TX Antiquarian.

645

W 650. A Chinese Celadon

Jade ‘Three Rams’ Group, pale greyish green stone carved as a recumbent mother ram nestled beside two baby rams, carrying a long lingzhi spray in her mouth, height 2 3/4 in., width 3 1/2 in. $300/500

$800/1200

Provenance: Dallas, TX, Antiquarian.

645. A Chinese Celadon Jade Figure of a Recumbent Mythical Beast, carved lying in a slight curve with its feet neatly tucked beneath its body and its head resting on its forepaws, length 3 1/2 in.

W 651. A Chinese Celadon

Jade Figure of the Buddha Shakyamuni as an Ascetic, 19th/20th c., the bearded figure carved with his hands resting on one raised knee, his expression serene and contemplative, height 3 5/8 in.

$1000/1500

$400/600

W 646. A Chinese

W 652. A Chinese White

Soapstone Pebble, carved to one side with two figures seated beneath a tall pine tree, inscribed, the other side carved with plantains and rocks, height 3 3/4 in., width 2 1/2 in., wood stand, overall height 4 1/4 in.

Jade ‘Lotus Pond’ Pebble, carved as pierced lotus pod borne on lotus leaves and surmounted by fish, height 1 1/8 in., width 2 3/8 in. $200/400

$500/700 648 W denotes the lot is illustrated at www.nealauction.com

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W 653. A Chinese

659. Two Chinese Mirrors, the first with a bronze panel lacquered on one side and polished on the other with a stained ivory and huanghuali wood handle, height 9 5/8 in., presented in an embroidered silk sleeve; the second with a double sided mirror panel with a gilt metal surround and a stained tusk handle, height 10 1/4 in.

White and Russet Jade ‘Mao Die’ Cat and Butterfly Group, 19th c., openwork carving of a cat reclining on a leaf with a butterfly at its side, length 1 7/8 in.

$1000/1500

$250/350

Provenance: Dallas, TX Antiquarian.

659

660

W 654. A Chinese White Jade Plaque

W 656. A Chinese Pale Celadon Jade

Pendant, rectangular form, reliefdecorated to one side with a monkey in a peach tree with another monkey beneath, and a bat overhead, the reverse carved with lotus blossoms beneath an inscription, height 2 1/2 in., width 1 5/8 in., depth 1/4 in.

Double Brush Washer, carved as two curled leaves borne on blossoming prunus branches, length 3 5/8 in., width 2 in.

$500/700

the first carved as a figure standing beneath two peach laden branches with a bat perched overhead, height 7 3/8 in.; the second in naturalistic forking branch form, height 4 1/4 in.

660. A Set of Eight Chinese Stained Ivory Figures of the Eight Daoist Immortals, each standing figure carved with its attribute: He Xiangu with a lotus flower, Cao Guojiu with castanets, Tieguai Li with an old crutch, Lan Caihe with a flower basket, Lu Dongbin with a sword, Han Xiang with a flute, Zhang Guo with a fish drum, and Zhongli Quan with a fan, heights 10 in. to 10 1/4 in., each raised on a wire inlaid cloisonné enamel embellished carved wood stand, overall heights 12 1/4 in. to 12 1/2 in.

$600/800

$3000/5000

W 655. Two Chinese White Jade

Pendants and a Pale Celadon Jade Plaque, the first relief-carved with a Buddhist figure, height 2 1/8 in., width 1 5/8 in.; the second relief-carved with a figure of Shoulao, height 2 5/8 in, width 2 in.; the third, openwork carving with figures in a landscape with a pagoda, height 2 3/4 in., width 2 1/4 in. $600/800

$800/1200 W 657. Two Chinese Coral Carvings,

W 658. A Chinese Bamboo ‘Lotus’

Cup, late 19th/early 20th c., formed of a curled lotus leaf rising from turbulent waves, relief carved around the sides with aquatic animals and plants, height 3 1/4 in. $300/500 Provenance: Dallas, TX Antiquarian.

Provenance: Estate of Jewell Younger Graeber (1923-2011), Marks, MS. W 661. A Chinese Rosewood Display

Stand, tiered stepped shelves with reticulated galleries and corner brackets, bracket feet, height 27 3/4 in., width 17 3/8 in., depth 7 1/2 in. $800/1200

130

662. A Chinese ‘Dreamstone’ Marble Inset Hardwood Table Screen, rectangular white, grey and green variegated marble panel depicting an imaginary landscape of tall cliffs partially covered in drifting grey clouds, sight height 21 1/2 in., width 16 1/4 in., framed and set within a carved hardwood stand, overall height 32 in., width 16 1/4 in., depth 10 in. Note: Marble restored. $1000/1500

662

665

663

666

663. A Pair of Chinese BrassMounted Hardwood Folding Horseshoe Back Armchairs, 20th c., each with a sweeping round crest rail, carved splat, X-form legs, foot rest, height 42 1/2 in., width 30 in., depth 29 in.

665. A Pair of Chinese Blue and White Porcelain Yen Yen Vases, Qing Dynasty (1644-1911), each decorated with sinuous dragons amid a profusion of scrolling chrysanthemum vines, each base with double circles in underglaze blue, each height 10 1/4 in. $4000/6000

$1200/1800

Provenance: The Irving and Bettie Redler Collection, New Orleans, LA, acquired Cserno Kunst en Antiekhandel, Amsterdam, October 12, 1976.

664. Chinese School, 20th c., “Mountainous Landscape with Two Figures Contemplating a Waterfall”, bearing signature of Fu Baoshi (19041965), ink and color on paper, inscribed and sealed upper right, sealed lower left, 27 1/4. x 13 1/2 in., mounted as a hanging scroll, lacking one roller end.

666. A Pair of Chinese Famille Verte Porcelain Covered Vases, Qing Dynasty (1644-1911), faceted ovoid bodies with straight necks and everted rims, faceted domed covers with triangular finials, decorated to the six sides with bird-and-flower panels, bases with six character Kangxi marks, heights 12 1/2 in. Note: Small restoration to one cover. $4000/6000

$1200/1800

Provenance: The Irving and Bettie Redler Collection, New Orleans, LA.

Provenance: Houston, TX Collection.

664 W denotes the lot is illustrated at www.nealauction.com

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W 670. A

Chinese Dehua Porcelain Molded ‘Blancde-Chine’ Beaker Vase, 17th/18th c., flared neck, raised central band and spreading foot, molded around the center with floral heads between shou characters above and fruiting and flowering prunus beneath, height 7 3/4 in. $500/700

671 667 W 668. [Philatelic/China] A

Collection of 251 Chinese Stamps, including Imperial, ROC, Liberation and PRC, mint and used. $1200/1800 Provenance: Washington Collector; acquired by descent in the family of Zhao Xiwu (19182001), well-known herbal medical practitioner in Beijing. 669. A Chinese Carved Red Lacquer and Hardstone Applied Four Panel Floor Screen, late 19th/early 20th c., recessed red lacquer surface incised with diaper and wave patterns, relief-applied with jade, quartz and other hardstones to depict Beauties in garden landscapes set with pavilions, trees and seasonal plants, reverse lacquer surface with painted floral sprays, height 75 1/4 in., width 77 1/2 in. $2000/4000 669

Provenance: Estate of Irene S. Chandler (1916-2010), New Orleans, LA, acquired S.Y. Ma, Hong Kong, 1953.

667. A Chinese Yellow Jade Tripod Covered Censer, Qing Dynasty (1644-1911), squat globular body with dragon handles raised on three mask head feet, domed cover surmounted by a coiled dragon, relief-carved throughout, height 5 1/4 in., width 7 3/4 in., elaborate custom carved wood stand, overall height 6 7/8 in.

Note: A May 27, 1960 Detroit Times article titled “East Meets West in Home Decor” by Vera Nolan discusses the placement of Chinese art in Irene Chandler’s home in Bloomfield Hills, Michigan. The article describes the current lot: “A screen of incised red lacquer, inlaid with jade, marble and feldspar, is a conversation piece”.

$8000/12000 Provenance: Florida Collection.

132

671. A Chinese Sang-de-Boeuf Porcelain Ovoid Jar, Qing Dynasty (1644-1911), ovoid body covered in a rich ‘ox-blood’ red glaze, height 12 3/4 in., now drilled and mounted as lamp. $500/700 Provenance: Estate of Joseph A. Davenport, Mer Rouge, LA, acquired Henry Stern Antiques, New Orleans, LA, 1980. W 672. Two

Chinese ‘Geldermalsen’ Type Blue, White and Biscuit Glazed Female Figures, 18th c., each elegant figure raised standing on a biscuit plinth, one carrying a cup, the other a fan, white glazed bodies with robes washed in blue, height 6 3/4 in. and 6 1/4 in. respectively. $800/1200 Provenance: The Irving and Bettie Redler Collection, New Orleans, LA.

W 673. A Chinese Famille

Rose Biscuit Glazed Porcelain Figural Group, 18th/19th c., modeled as a robed female carrying a child in her arms standing beside a young male attendant on an intrinsic plinth, height 6 3/4 in, width 3 1/4 in, together with a polychrome decorated porcelain figure of a seated Sage holding a wine cup in his hands, 20th c., impressed factory mark to base, height 4 5/8 in., width 4 1/2 in. $400/600 Provenance: Dallas, TX Antiquarian. 675 674. A Chinese Gilt Bronze and Cloisonné Enamel Figure of a Luohan, Qing Dynasty (1644-1911), figure modeled seated on a separately cast tapering drum form base grasping one upraised knee, the enameled robes falling around his waist and revealing an exposed and emaciated torso, base with four character Qianlong mark, height 13 3/8 in., width 6 1/2 in.

W 678. A Pair of Chinese Ivory Emperor and

Empress Figures Astride Horses, Qianlong marks but probably early 20th c., each intricately detailed figure carved in mirror image of the other seated on a horse holding a sword, raised on a crescent shaped ivory plinth, each base incised with two character Qianlong mark, Emperor’s sword with four character Qianlong mark, height 10 3/8 in. and 9 7/8 in. respectively, fitted wood stands, overall heights 11 3/4 in. and 11 1/8 in., storage boxes. Note: Small breaks and glue repair to feet and legs of Empress’s horse.

674

$2000/3000 Provenance: Florida Collection, acquired Christie’s, South Kensington.

$1000/1500 Provenance: Natchez, MS Collection, acquired Rothschild’s Antiques, New Orleans, LA, November 1970.

675. A Chinese Cinnabar Lacquer Circular Box and Cover, relief carved to the domed cover and bowl form body with two hunting scenes spanning tiered diaper grounds representing Earth and Sky, the sides encircled by rocks and trees, height 3 1/8 in., diameter 7 1/8 in.

W 679. A Group of

Four Chinese Opera Puppets, late 19th/early 20th c., including three figures and one animal.

$2500/3500

$200/400

W 676. An Antique Chinese Gilt

Decorated Red Lacquered Storage Trunk, hinged top opening to reveal a painted interior, back panel with six character seal mark, brass mounts, height 12 1/4 in., width 30 1/2 in., depth 20 1/4 in., carved wood stand, overall height 17 1/4 in. $1000/1500

Provenance: With Benjamin Franklin March, Jr. (18991934), Curator of Asiatic Art, Detroit Institute of Arts (1927-1931); thence by descent in his family.

677

677. A Pair of Chinese Ivory Emperor and Empress Figures, Qianlong marks but probably early 20th c., intricately detailed male and female figures carved seated respectively upon a dragon and phoenix throne, raised on four webbed feet terminating in lion masks atop a shaped waisted pedestal, each base incised with two character Qianlong mark, heights 9 in., fitted wood stands, overall heights 10 1/2 in. $1500/2500 Provenance: Natchez, MS Collection, acquired Rothschild’s Antiques, New Orleans, LA, November 1970. W denotes the lot is illustrated at www.nealauction.com

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681

680

680. A Chinese Blue and White Porcelain Covered Meiping, Qing Dynasty (16441911), probably 18th/19th c., elongated baluster body with splayed foot, molded foot ring, and tapering cylindrical neck, overall bird, peony and rock design, domed cover with a waisted knop finial, base with label reading “The Karl-Johan Thornander Collection 160”, height 15 3/4 in. $1000/1500 Provenance: The Karl-Johan Thornander Collection, Number 160; to Christie’s Amsterdam, May 2, 2007, lot 126; to a Florida Collector. 681. A Chinese Blue and White Carved Porcelain Yen Yen Vase, Qing Dynasty (1644-1911), carved around the sides with shaped panels enclosing floral and figural landscape scenes, base with double circles enclosing an artemisia leaf in underglaze blue, height 9 3/8 in. $1000/1500

684

134

Provenance: The Irving and Bettie Redler Collection, New Orleans, LA, acquired from Cserno Kunst en Antiekhandel, Amsterdam, October 12, 1976.

682

682. A Chinese Turquoise Glazed Porcelain ‘Lantern’ Vase, Qing Dynasty (1644-191), ovoid body with waisted neck raised on a short foot ring, base with Chait Galleries/New York label identifying the vase “Ch’ien Lung”, height 8 in. $800/1200 Provenance: The Irving and Bettie Redler Collection, New Orleans, LA, acquired Chait Galleries, New York, NY. W 683. A Chinese Flambé Glazed Porcelain

‘Lantern’ Vase, Qing Dynasty (1644-1911), tapering cylindrical body with a waisted neck and a splayed foot ring, covered in a thick glaze streaked with pale blue, lavender and red, height 10 in. $300/500 Provenance: The Irving and Bettie Redler Collection, New Orleans, LA, acquired Henry Stern Antiques, New Orleans, LA, November 9, 1979. 684. A Chinese Flambé Glazed Porcelain Bottle Vase, Qing Dynasty (1644-1911), globular body issuing a tall tapering cylindrical neck, rich red crackle glaze gradually thinning to white along the rim, height 15 1/2 in. $1000/1500 Provenance: The Irving and Bettie Redler Collection, New Orleans, LA, acquired Adriaans Antiques, New Orleans, LA, March 9, 1976.

W 685. A Pair of Chinese

Turquoise Blue, Aubergine and Biscuit Glazed Buddhist Lion Joss Stick Holders, 17th/18th c., each lion-dog modeled seated on a rectangular floral molded plinth with baby pups clambering up its side, each with Chait Galleries/New York label identifying it as “K’ang Hsi Period”, height 6 1/8 in., width 5 7/8 in. $1000/1500 Provenance: The Irving and Bettie Redler Collection, New Orleans, LA, acquired Chait Galleries, New York, NY. 686. A Pair of Chinese Famille Verte and Gilt Decorated Powder Blue Ground Rouleau Vases, Qing Dynasty, 19th c., decorated throughout with famille verte bird-and-flower, butterfly-and-flower and insectand-flower panels reserved on a powder blue ground enriched with gilt floral scrolls, heights 18 in.

689. A Chinese Famille Verte Porcelain Foliate Dish, 17th/18th c., delicate petal molded U-form walls raised on a short foot ring, decorated to the interior with a bird, rock and peony medallion, encircled by petal-shaped panels enclosing floral sprays on a pale iron red ground, gilt decorated barbed rim, base with double rings in underglaze blue, Henry Stern Antiques label, height 1 1/4 in., diameter 6 1/8 in. $400/600 Provenance: The Irving and Bettie Redler Collection, New Orleans, LA, acquired Henry Stern Antiques, New Orleans, LA.

686

$2000/3000 687. Chinese School, 20th c., “Locked Door”, oil on canvas, bearing signature of Li Kai (b. 1947), lower right, 37 in. x 29 3/4 in., unframed. $1000/1500 Provenance: Seattle, WA Collection. 689

W 688. A Chinese Blue,

White and Copper Red Decorated ‘Café au Lait’ Porcelain Bowl, 19th/20th c., U-form body decorated to the white interior in underglaze blue and copper red with a male figure tossing a hat on the ground, the exterior with café au lait glaze, base with Yi Shan Tang Zhi (Hall of Complete Goodness) mark, height 4 3/8 in., diameter 9 1/8 in. $800/1200

687

690. A Chinese Famille Verte Porcelain Dish, 17th/18th c., slightly flared sloping walls raised on a short foot ring, decorated to the interior with a bird-on-rock roundel encircled by shaped floral panels, height 1 3/8 in., diameter 8 3/4 in. $400/600 Provenance: The Irving and Bettie Redler Collection, New Orleans, LA.

690

W denotes the lot is illustrated at www.nealauction.com

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W 693. A Chinese White Slip Decorated

Porcelain Dish, 18th c., thinly potted bowl-form body raised on a short foot, decorated to the interior with a profusion of flowers and leaves in white slip, height 1 1/2 in., diameter 8 in. $300/500 Provenance: The Irving and Bettie Redler Collection, New Orleans, LA, acquired Cserno Kunst en Antiekhandel, Amsterdam, October 12, 1976. 694. A Chinese Carved Turquoise Blue-Green Beijing Glass Bottle Vase, Qianlong mark but probably early 20th c., globular body relief-carved with an incised ribbon wrapping its sides, the cylindrical neck encircled by a sinuous qilong dragon, base with incised four character Qianlong mark within a double square, height 9 3/8 in. 691

$2000/4000 Provenance: Florida Collection.

694

691. A Chinese ‘Verte-Imari’ Porcelain ChrysanthemumForm Dish, 17th/18th c., petal lobed sides raised on a short foot ring, decorated to the interior with a bird, rock and flower medallion, encircled by radiating floral panels, base marked within underglaze blue double rings, height 1 5/8 in., diameter 8 1/4 in. Note: glaze frits along rim. $400/600 Provenance: The Irving and Bettie Redler Collection, New Orleans, LA. W 692. A Chinese Imari Porcelain Chrysanthemum-Form

Dish, probably 18th c., central floral basket medallion encircled around the lobed cavetto with flowering branches, base with double circles in underglaze blue, height 1 3/4 in., diameter 10 1/2 in. Note: Restoration. $200/300

136

695

696

695. A Chinese Yellow Beijing Glass Faceted Bottle Vase, Qing Dynasty (1644-1911), fluted globular body with tall cylindrical neck and slightly flared rim raised on a short decagonal foot, height 8 7/8 in. $1200/1800 Provenance: Florida Collection, acquired London, England. 696. A Chinese Famille Rose Porcelain Bottle Vase, Qianlong mark but probably early 20th c., ovoid body with a tall flared neck with applied dragon-tongue handles, raised on a tapering foot ring, decorated with a wide band of boys at play within a garden setting, base with apocryphal Qianlong mark, height 12 1/2 in. $2000/3000 Provenance: Florida Collection, acquired Connecticut, c. 1990s.

697. A Fine Chinese Polychrome Decorated Inkcake, Qianlong Mark and probably of the Period (1736-1795), curved rectangular form, the convex top with a recessed panel intricately relief carved with a landscape set with a temple exhibiting a sculpture on a table beside a flaming candle inside, the concave side carved with confronting dragons in a turbulent sea, with a raised four character Qianlong nianzhi mark, also raised inscriptions for Peng Yuanrui (1731-1803) and for Yi He Qian Cang Mo, height 4 7/8 in., width 3 1/8 in., depth 7/8 in., carved wood storage box.

W 702. A Chinese Famille Rose Porcelain Lotus-Form Brush

Washer, early 20th c., faceted lotus blossom body supported on a veined leaf, height 3 1/4 in. $300/500 Provenance: Dallas, TX Antiquarian. W 703. A Chinese Famille Rose Porcelain Wine Cup,

Qianlong mark but probably 19th/20th c., bell-form body on short foot ring with gilt rim, decorated to the exterior with four qilong dragons amid a profusion of flower scrolls on a lime green ground above turbulent waves, interior with five iron red bats, base with Qianlong mark, height 2 3/8 in., diameter 4 1/4 in.

$2000/3000 Provenance: New Orleans, LA Collection. W 698. Two Chinese Ink

Stones, early 20th c. or earlier, the first of rectangular form, carved to the front with a vase, the mouth forming the crevice, the reverse inscribed, height 6 7/8 in., width 4 5/8 in., depth 1 1/8 in.; the second of square form, carved with an inner raised square surrounded by a well, the reverse with archaistic cash motifs, two sides inscribed, height 5 1/4 in., width 5 3/8 in., depth 1 1/4 in.

$400/600 Provenance: Kansas City, KS Collection. W 704. A Pair of Chinese

Yellow-Ground GrisailleDecorated ‘Dayazhai’ Porcelain Dishes, late 19th/ early 20th c., each painted in the Empress Dowager style with flowering branches, an iron-red Dayazhai mark inscribed beside a tian di yi jia chun oval seal, the base with iron red Yong qing chang chun mark, diameter 5 5/8 in.

$200/300 Provenance: With Benjamin Franklin March, Jr. (1899-1934), curator of Asiatic Art, Detroit Institute of Arts (1927-1931); thence by descent in his family.

$600/800

W 699. A Chinese Famille

Rose Porcelain Pillow, late 19th/early 20th c., of shaped rectangular form with pierced sides, height 7 in., width 8 7/8 in., depth 6 1/4 in., custom fitted wood stand, overall inverted height 10 5/8 in. $300/500

W 705. A Chinese Pale

Celadon Jade Plaque, carved in rectangular openwork form with a figure and bird amid flowering branches, height 2 1/4 in., width 2 in., depth 1/4 in.

697

$200/400 W 700. A Pair of Chinese

Pink Sgraffito Ground Famille Rose Porcelain Bowls, Guangxu marks but probably 20th c., each delicately enameled to the exterior with three alternating bird-and-flower and insect-and-flower medallions on a pink ground incised with foliate scrolls, each base with Guangxu mark in iron red, height 2 1/2 in., diameter 5 1/8 in. $200/400 W 701. A Pair of Chinese Famille Rose Porcelain Vases,

Qing Dynasty (1644-1911), each of squared baluster form with lion mask and faux-ring handles, decorated to the four facets with flowers of the four seasons, height 18 3/8 in., not drilled, now mounted as lamps with wiring to the exterior. $1000/1500 Provenance: Estate of Samuel Goldstein, Shreveport, LA, acquired Henry Stern Antiques, New Orleans, LA, August 31, 1988.

W 706. Two Chinese Spinach Green Jade Rectangular

Plaques, the first deeply carved to one side with a figure riding a mule up a stair beneath a blossoming prunus, set in an incised white jade ‘frame’, height 4 in., width 2 in., raised in a reticulated wood stand, overall height 6 in.; the second carved to one side with plantain growing from rocks bedside a gilt incised inscription, the reverse with an insect and flowers, height 3 in., width 1 3/8 in. $500/700 Provenance: Dallas, TX Antiquarian. W 707. A Group of Five Chinese Soapstone Figures of

Beauties, each elegantly attired figure carved standing or dancing on a shaped soapstone plinth, overall heights 5 3/4 in. to 6 1/8 in. $600/800 Provenance: Estate of Irene Sartor Chandler (1916-2010), New Orleans, LA.

W denotes the lot is illustrated at www.nealauction.com

137

708. A Pair of Monumental Chinese Ivory Phoenix Birds, each magnificent bird depicted in mirror image of the other with a peony spray in its beak standing on a naturalistic rockwork base issuing an intricate profusion of peony blossoms, heights 38 3/4 in., mounted to wood plinths, overall heights 42 1/2 in. Note: scattered losses.

W 714. A Chinese Jadeite Figure of Budai, carved as a seated

$10000/15000

W 715. Two Chinese Paktong Handwarmers, 19th c., one of

laughing Budai exposing a large belly and holding a pearl in one hand, height 1 7/8 in. $50/100

oval form, the other of rectangular form, each with a floral-pierced domed cover, heights 3 3/4 in., widths 4 1/4 in. and 4 1/2 in. respectively.

Provenance: New Orleans Collection, acquired at a Minnesota Estate auction during the early 1990s.

$400/600 W 709. A Chinese Hardstone ‘Elephant and Boy’ Group,

large grey-green and russet stone carved in the form of a striding elephant with a young boy grasping a large lingzhi spray lying on its back, height 6 in., width 7 1/4 in.

W 716. A Chinese

Enameled Paktong Box, late 19th/early 20th c., of rounded rectangular form, relief decorated to the cover with a raised panel enclosing leafy branches and a spider, the sides incised with floral roundels on a geometrically patterned blue enamel ground, height 2 3/4 in., width 3 1/4 in.

$700/900 W 710. A Chinese

Soapstone Finger Citron, carved as a finger citron borne on a leafy branch surmounted by a cat, height 2 1/4 in.

$150/250 Provenance: With Benjamin Franklin March, Jr. (1899-1934), Curator of Asiatic Art, Detroit Institute of Arts (1927-1931); thence by descent in his family.

$150/250 W 711. A Sino-Tibetan

Jade Inset White Metal Gua Pendant-Hung Necklace, 19th c., the prayer box of lobed ruyi form repoussé decorated with boys at play amid bats and lotus, inset with a reticulated crescent shaped celadon jade plaque carved with a central beetle flanked by figures, height 3 3/4 in., width 4 3/4 in., suspended with chains from a lingzhi and squirrel pendant, the chain necklace hung with turquoise, coral, agate, and wood beads and jadeite bi disks.

W 717. A Set of Three

Chinese Cloisonné Enamel Small Dishes, late 19th/early 20th c., circular bodies with steep walls and concave wells, raised on tapering circular feet, decorated throughout in rose colored wire with a profusion of scrolling vines and scattered flower heads, height 7/8 in., diameter 3 1/8 in. $150/250 Provenance: With Benjamin Franklin March, Jr. (1899-1934), Curator of Asiatic Art, Detroit Institute of Arts (1927-1931); thence by descent in his family.

708

$600/800 W 712. Two Chinese Jadeite Carvings, the first carved in the

round as a cabbage, its intricately detailed leaves furling at the edges, height 5 1/4 in.; the second carved as an iris and moon group, height 6 in., width 8 1/4 in. $1000/1500 W 713. A Chinese Jadeite Monkey Group, mottled green stone

carved as a seated monkey with another monkey climbing its back and holding a peach in one hand, height 2 7/8 in. $300/400

138

W 718. A Chinese Cloisonné Enamel ‘Lotus Pond’ Baluster

Vase, probably 19th c. or earlier, powder blue body with wire wave design, decorated with various birds in flight, wading and swimming amid lotus blossoms, height 12 1/2 in., wired to the exterior and mounted, but not drilled, as a lamp, bearing Henry Stern Antiques. $300/500 Provenance: Estate of Samuel Goldstein, Shreveport, LA; acquired by descent from the Estate of Melanie Goldstein (d. 1969); acquired as a gift from Irving and Bettie Redler, New Orleans, LA; acquired through Henry Stern Antiques, New Orleans, LA.

719. Chinese School, 20th c., “Carp Swimming amid Water Reeds”, ink and color on paper, inscribed and sealed upper left, 41 5/8 in. x 13 1/8 in., mounted as a hanging scroll. $400/600 Provenance: Estate of noted architect, artist and antiquarian, James R. Lamantia, Jr. (1923-2011). W 720. A

Collection of Four Chinese and Japanese Paintings, the first, Chinese “Watery Landscape with a Figure in a Boat”, ink on paper, inscribed and sealed upper right, 50 1/2 in. x 11 3/4 in., mounted as a hanging scroll; the second, Chinese, “Egret and Bamboo”, ink on paper, bearing signature of Li Kuchan (18981983) and sealed upper left, 52 in. x 26 1/2 in., mounted as a hanging scroll; the third, Chinese, “Scholars in a Garden beneath a Pine Tree”, ink and color on paper, inscribed and sealed upper right, 50 1/2 in. x 26 5/8 in.; the fourth, Japanese, “Winter Ducks”, ink and color on paper, signed and sealed middle left, 51 in. x 20 in., mounted as a hanging scroll. $800/1200

723

723. A Chinese Lapis Lazuli Figure of a Beautiful Maiden, standing figure carved wearing long windswept robes and carrying a cup in each hand, height 9 3/4 in., mounted in a wood stand, overall height 11 3/8 in. $300/500 719

W 721. A Chinese Silver Wire

and Ivory Inlaid Carved Wood Fan, delicately carved and reticulated body with a central shaped panel enclosing on either side ladies at leisurely pursuits: viewing a hanging scroll and playing the qin, and reading and playing go height 15 1/8 in., width 8 1/2 in., presented in a conforming carved wood stand, overall height 19 1/2 in., width 10 in.

Provenance: Estate of Jewell Younger Graeber (1923-2011), Marks, MS. W 724. A Pair of Chinese Lapis

Lazuli Figures of Beautiful Maidens, each standing figure carved in mirror image of the other wearing a long robe and carrying a large blossoming and fruiting prunus branch, heights 6 in., mounted in wood stands, overall height 7 1/8 in.

726. A Chinese Polychrome Decorated Porcelain Vase, Qianlong mark but probably Republican Period (1911-1949), baluster body with cylindrical neck and flared steep mouth raised on a short waisted foot, decorated with a continuous scene of figures boating in a landscape set with mountains, trees and a pavilion, inscribed to one side, base with apocryphal Qianlong seal mark, height 10 1/4 in. $300/500 Provenance: Washington Collector, acquired by descent in the family of Zhao Xiwu (1918-2001), well-known herbal medicine practitioner in Beijing.

$300/500 Provenance: Estate of Jewell Younger Graeber (1923-2011), Marks, MS.

$600/800 W 725. Chinese School, 20th c.,

of a Beautiful Maiden, standing figure carved wearing long robes and carrying flower blossoms in her hands, height 6 7/8 in., wood stand, overall height 8 3/8 in.

“Mountainous Landscape with Figures”, ink and color on paper, bearing signature of Zhang Daqian (1899-1983) and sealed upper left, 50 in. x 22 1/8 in., mounted as a hanging scroll.

$600/800

$500/750

Provenance: Estate of Jewell Young Graeber (1923-2011), Marks, MS.

Provenance: Washington Collection.

W 722. A Chinese Ivory Figure

726

W 727. A Pair of Chinese

Miniature Wucai Meiping Vases, Chenghua marks but 20th c., enameled with fruiting and flowering branches encircling the sides, bases with apocryphal Chenghua marks, height 3 3/4 in. $200/400

W denotes the lot is illustrated at www.nealauction.com

139

W 733. A Chinese ‘Blanc-

de-Chine’ Porcelain Rectangular Narcissus Pot, steep walls on bracket feet, banded around the exterior rim with key-fret design, base with impressed mark, height 2 1/2 in., width 11 3/4 in., depth 8 in. $200/300 W 734. A Chinese Famille

729

Rose Porcelain Figure of Shoulao, early 20th c., modeled standing on an intrinsic base carrying a staff in one hand and a peach in the other, height 8 3/8 in., wood stand, overall height 9 3/4 in.

730

$200/300 W 735. A Chinese Famille Rose Porcelain

Covered Stem Bowl, Duo, 20th c., globular body with four mask handles set with an inner bowl, raised on a splayed foot with a domed cover surmounted by a Buddhist lion finial, height 7 3/4 in. $300/500

737

W 728. A Pair of Chinese

Polychrome Decorated Porcelain Garlic Mouth Bottle Vases, Qianlong marks but probably mid 20th c., each painted in mirror image of the other with two ponies beneath a pine set in a watery landscape, each inscribed and sealed, each base with apocryphal Qianlong mark, height 6 1/4 in. $400/600 Provenance: Dallas, TX Antiquarian. 729. A Chinese Famille Rose Porcelain Bowl, Daoguang mark but probably 20th c., finely enameled to the well with a figure of a celestial goddess holding a child beside her attendant amid clouds, the wide everted rim with a profusion of flower heads, base with Daoguang mark, height 1 7/8 in., diameter 8 1/4 in. $500/700 Provenance: Kansas City, KS collection.

730. A Chinese Famille Rose Porcelain Bowl, Yongzheng mark but 20th c., finely enameled to the interior well with three ladies playing go, base with apocryphal Yongzheng mark, height 2 in., diameter 7 3/4 in. $500/700

Quartz Crystal “Vases”, 20th c., baluster bodies with flared necks and splayed feet, decorated to the interior with boys at play, inscribed, drilled, height 13 in. $700/900 737. A Pair of Chinese Translucent Blue Beijing Glass Bowls, 20th c., bell-form bodies raised on a short foot rings, height 5 1/2 in., diameter 11 3/4 in. $600/800

W 731. A Chinese Famille Rose

Porcelain Brush Pot, Qianlong mark but probably mid-20th c., steep flared sides enameled with the Eight Immortals walking upon a turbulent sea, base with apocryphal Qianlong mark, height 3 in., diameter 6 1/4 in.

W 738. A Pair of Chinese Red Beijing Glass

Faceted Bottle Vases, 20th c., globular bodies issuing tall necks raised on short foot rings, height 7 1/2 in., diameter 4 in. $600/800

$400/600 W 739. A Chinese Gilt Decorated Red W 732. A Chinese Famille Rose

Porcelain ‘Mille Fleur’ Bowl, Yongzheng mark but 20th c., U-form body raised on a tall foot ring decorated to the exterior with a profusion of flower heads, base with apocryphal Yongzheng mark, height 2 7/8 in., diameter 5 5/8 in. $100/200

140

W 736. A Pair of Chinese Reverse Painted

Lacquer Carved Wood Panel, 19th c., deeply relief-carved with a central panel enclosing figures in a garden landscape with a pavilion, 16 3/4 in. x 16 in., framed. $300/500 Provenance: Estate of Leone Simon Marks, New Orleans, LA.

W 740. A Chinese

Fresco Painting, Qing Dynasty (1644-1911), pigment on plaster mounted to board depicting an elegantly attired court Lady holding a ruyi scepter beside a pavilion, height 32 1/4 in. x 22 in. Note: condition. $300/500 Provenance: Memphis, TN Collection. 741. A Monumental Chinese Carved Wood Screen, reticulated circular panel carved with the three star gods, Fu Star with a child, Lu Star with a ruyi scepter, and Shou Star with a peach, standing beside Xi Wangmu, the Queen Mother of the West, with pairs of deer, children and crane beneath and bats and clouds above, set in a reticulated wood frame set into a carved wood stand as a floor screen, height 86 1/4 in., width 66 1/2 in., depth 31 1/2 in.

747

W 746. A Chinese Blue and

White Porcelain Bulb Vase, lobed body with five apertures issuing a tall neck with a garlic head mouth, figural decoration throughout, height 12 in.

741

$200/300 747. A Chinese Famille Noire Porcelain Vase, probably early 20th c., urn-form body with applied mask and faux-ring handles, decorated in verte enamels with battling figures, height 15 1/4 in., now drilled and mounted as a lamp.

$2500/3500 W 742. A Chinese Polychrome and

Gilt Decorated Carved Wood Architectural Element, carved in the form of a recumbent Buddhist lion, its head turned over its backside toward its bushy tail carrying a large floral spray within its mouth, height 8 1/2 in., width 16 1/2 in.

$300/500 Provenance: Estate of Joseph A. Davenport, Mer Rouge, LA, acquired Bany Chan Oriental Art, New York, NY, 1982.

$200/400

748. A Pair of Chinese Famille Noire Porcelain Hexagonal Beaker Vases, Kangxi marks but 20th c., raised waist with trumpet neck above and splayed foot beneath, each facet decorated in verte enamels with flowering plants and trees, recessed bases with apocryphal Kangxi marks, height 16 1/2 in.

W 743. Two Chinese Blue and White

Porcelain Jars, 19th c., squat ovoid bodies banded around the mid-section with flower heads and shou characters, heights 3 5/8 in., and 3 3/4 in., later wood covers, overall heights 4 1/8 in. and 4 3/8 in.

748

$200/400 W 744. A Pair of Chinese Sang-de-

W 745. A Pair of Chinese Blue and White

$1000/1500

Boeuf Porcelain Bottle Vases, Kangxi marks but probably 20th c., each globular body with a tall cylindrical neck covered overall in an even thick red glaze thinning to white at the mouth and pooling toward the foot, each base with apocryphal Kangxi mark, height 13 1/4 in.

Porcelain Candlestands, handled columnar bodies between two bowls, pea vine decoration, height 5 1/2 in.

W 749. A Chinese Bronze

$200/400

$200/300

Baluster Vase, recessed panels relief molded with Shoulao seated on a deer, a peach bearing attendant and Queen Wangmu at his side, a bat overhead, height 12 in., drilled and mounted as a lamp. $300/500

W denotes the lot is illustrated at www.nealauction.com

141

W 750. Chinese

W 754. A Chinese Painted Wood Hanging Display Case, glass paneled

W 760. A Chinese

School, 20th c., “Ancestor Portrait of a Civil Official” and “Ancestor Portrait of His Wife”, each ink and color on silk with gilt highlights, 23 1/2 in. x 15 3/8 in., framed alike.

door opening to shaped shelves, “Made in People’s Republic of China” label, height 25 in., width 17 1/8 in., depth 5 in.

Canton Enamel Snuff Bottle, Qianlong mark but 20th c., flaskform body raised on an oval foot ring, decorated to one side with a figural roundel, to the other with a calligraphy roundel, recessed base with apocryphal Qianlong mark, height 2 7/8 in., stopper lacking spoon, overall height 3 1/8 in.

$400/600 Provenance: New Orleans, LA Estate. W 751. Chinese

$300/500 W 755. A Group of Three Chinese Amber or Amber-Like Snuff

Bottles, each of flattened ovoid form raised on a circular foot ring, the first of orange color, carved to one side with two horses beneath a pine and to the other with an ox beneath a willow, stopper lacking spoon, height 2 5/8 in.; the second of cherry color, carved to the sides with birds and butterflies amid flowers and bamboo, sealed, stopper lacking spoon, height 2 3/4 in.; the third of cherry color, carved with figures of Budai surrounded by children, two seals, stopper lacking spoon, height 2 3/4 in. $300/500

$300/500

School, probably 20th c., “Warrior Returning Home to the Farm”, ink and color on silk, inscribed and sealed upper left, 21 3/4 in. x 15 1/2 in., mounted as a hanging scroll.

W 761. Two Chinese

$300/500 W 752. A Chinese Cin-

nabar Lacquer Circular Box and Cover, Qing Dynasty (16441911), globular body raised on a circular foot ring, the domed cover with a central roundel enclosing three figures beneath a tree amid mountains and rocks, height 4 in., diameter 7 in. Note: Condition. $200/300 Provenance: With Benjamin Franklin March, Jr, (18991934), Curator of Asiatic Art, Detroit Institute of Arts (1927-1931); thence by descent in his family. W 753. A Set of Chi-

nese Gilt Bronze and Cloisonné Enamel Figures of the Three Star Gods, 20th c., each standing, bearded male figure wearing long robes and carrying his attributes: Fu Star modeled with a child, Lu Star with a ruyi scepter and a scroll, and Shou Star with a peach and staff, height 13 1/4 in. and 14 in., raised on tiered rouge marble inset carved wood stand, overall height 20 in., width 19 in., depth 6 1/2 in. $1000/1500

142

763

W 756. Two Chinese Glass Snuff Bottles, the first of spade form carved

through the yellow-orange overlay to a bubble-suffused clear glass ground, stopper, height 2 3/4 in. Note: Small chip to rim; the second of transparent amber glass, stopper, height 2 5/8 in.; together with three enameled white glass snuff bottles, 20th c., each of flattened globular form with a tall flared neck and waisted oval foot ring, one with apocryphal Guyue Xuan mark, the other two with apocryphal Qianlong marks, each with stopper, heights 3 1/4 in., (5 pcs.) $500/700 Provenance: First acquired New York City, c. 1996; second acquired Chicago, c. 2003. W 757. A Chinese Polychrome Decorated White Glass Snuff Bottle,

Guyue Xuan mark but 20th c., spade form body with tall neck raised on an oval foot ring, enameled around the sides with butterflies, grasses and flowers, recessed base with apocryphal Guyue Xuan mark, height 2 1/2 in., lacking stopper. $500/700 W 758. A Chinese Polychrome Decorated White Glass Snuff Bottle,

Qianlong mark but 20th c., pear-form body with tall neck raised on an oval foot ring, painted on each side with seated figures, inscription cartouches, recessed base with Qianlong mark, height 2 1/8 in., stopper, overall height 2 1/4 in. $500/700 W 759. Two Chinese Snuff Bottles, the first, bottle form, of clear glass with

yellow overlay, height 2 1/4 in., stopper, overall height 2 1/2 in.; the second, figural form, of quartz, height 2 5/8 in., stopper, overall height 2 7/8 in. $300/500

Canton Enamel Covered Jars, probably early 20th c., ovoid bodies with tall cylindrical necks raised on slightly splayed foot rings, domed covers, each with figural landscape reserves on floral strewn yellow grounds, heights 7 1/4 in. and 7 3/4 in., wood stands, overall heights 8 1/2 in. and 9 in. $600/800 W 762. A Chinese

Reverse Glass Painting, 19th c., pigment on glass depicting a Beauty seated at a table holding a qin on her lap, sight 29 1/2 in. x 19 5/8 in., original carved wood frame. $500/700 Provenance: Memphis, TN Collection. 763. A Pair of Chinese Blue and White Porcelain Jardinières, early 20th c., reserve decorated with bamboo on a mottled blue ground, tin inserts, height 7 1/4 in. $300/500 Provenance: Estate of Joseph A. Davenport, Mer Rouge, LA, acquired Henry Stern Antiques, New Orleans, LA, 1969.

764. A Pair of Chinese Blue and White Porcelain Baluster Jars and Covers, 20th c., ovoid bodies with short strait necks and splayed feet applied at the shoulders with mask-loop handles, domed covers with Buddhist lion finials, decorated with figures in outdoor landscapes, height 22 1/2 in., diameter 12 in.

764

765

$1200/1800 765. A Pair of Chinese Blue and White Porcelain Faceted Baluster Vases, 20th c., flat faceted bodies issuing tall necks with square tubular handles raised on tall splayed feet, decorated to the midsection with vining flowerheads, height 19 1/2 in., width 10 1/2 in., depth 7 in.

768

769

$1000/1500 W 766. A Set of Six

Chinese Famille Rose Porcelain Butterfly Bowls and Dishes, early 20th c., three small bowls with gilt foliate rims, the exteriors decorated with multiple butterflies, interiors with floral sprays and peaches, plates en suite, each base with four character Heng Chang xun zhi mark, bowl diameter 4 1/8 in., plate diameter 7 in., (6 pcs.) $200/300

W 767. A Chinese Famille Rose Porcelain Vase,

20th c., ovoid body with a waisted neck and flared rim, decorated throughout with birds on flowering branches, height 9 in., now drilled and mounted as a lamp. $150/250 768. A Pair of Chinese Famille Rose Porcelain Vases, 20th c., globular bodies with tall flared necks raised on splayed circular feet, decorated throughout with precious antiques, auspicious emblems and bird-onbranch cartouches, porcelain height 13 1/8 in., now drilled and mounted as lamps. $200/300 769. A Pair of Chinese Famille Rose Porcelain Baluster Vases, Kangxi marks but 20th c., squared tapering bodies with flared necks and everted flat rims, raised on waisted square feet, decorated throughout with figural landscapes on a sky-glue ground, recessed bases with apocryphal Kangxi marks, height 17 1/2 in. $800/1200

770

770. A Pair of Chinese ‘Blanc de Chine’ Porcelain Covered Jars, 20th c., double gourd bodies and domed covers with branch finials, relief decorated throughout, height 14 1/2 in. $700/900

W denotes the lot is illustrated at www.nealauction.com

143

W 771. A Pair of Chinese Iron Red

Decorated Porcelain Vases, 20th c., baluster bodies, waisted necks with applied confronting lion-dog handles, and flared upright rims, boldly decorated with Buddhist lions amid cloud scrolls and flying bats, height 23 in. $800/1200 W 772. A Pair of Chinese ‘Blanc de

Chine’ Porcelain Figures of Guanyin, 20th c., each figure modeled in mirror image carrying a lotus blossom, each base stamped “Made in China”. Note: Each figure lacking one removable hand. $100/200 Provenance: Estate of Joseph A. Davenport, Mer Rouge, LA, acquired Petit Musée, Montreal, Canada, 1994. W 773. A Chinese Famille Rose

Porcelain Vase, 20th c., decorated with floral and geometric roundels on a coral ground, height 14 in., now drilled and mounted as a lamp.

W 777. A Japanese Brown Ground

Embroidered Silk Wedding Robe, Furisode, Meiji Period (1868-1912), dyed and embroidered in satin stitch and gold couched threads to the brown silk ground with designs of fans, pine and clouds, height 69 in. $600/800 Provenance: Estate of Mark J. Scearce (1918-1993), Shelbyville, KY, acquired New York, NY, c. 1960s; thence by descent. W 778. A Japanese Red Ground

Embroidered Silk Wedding Robe, Furisode, Meiji Period (1868-1912), dyed and embroidered in satin stitch and gold couched threads to the red silk ground with designs of fans, pine and clouds, height 69 in. $800/1200 Provenance: Estate of Mark J. Scearce (1918-1993), Shelbyville, KY, acquired New York, NY, c. 1960s; thence by descent.

W 781. A Group of Japanese

Porcelain, including a blue and white transfer decorated celadon ground octagonal platter, height 1 1/2 in., length 12 1/4 in., width 9 3/8 in; an Imari dish, diameter 8 3/8 in.; and a blue and white foliate bowl, height 4 in., diameter 9 3/4 in.; together with a blue and white oval platter, length 12 3/8 in., width 9 1/2 in, (4 pcs.). $300/500 W 782. A Group of Japanese

Porcelain Table Ware, Meiji Period (1868-1912), including an Imari circular dish, diameter 12 1/4 in.; an Imari octagonal dish, width 11 3/4 in.; a blue and white lozenge shaped dish, width 11 1/4 in.; a polychrome dish, width 8 1/4 in.; an Imari/Kutani bowl, height 3 in., diameter 9 3/4 n.; and an Arita Kakiemon-style bowl, height 3 3/4 in., diameter 7 3/4 in. (6 pcs.) $600/800 W 783. A Japanese

Imari Porcelain Vase, Meiji Period (1868-1912), ovoid body with waisted flared neck and splayed foot, decorated with shaped figural panels depicting a scene from the Tale of Genji, height 14 3/4 in., now drilled and mounted as a lamp.

$150/250 W 774. Two Chinese

Porcelain Cylindrical Brush Pots, 20th c., one with overall teadust glaze, height 4 1/2 in., diameter 3 1/2 in.; the other blue and white crackle with molded café-au-lait decoration, height 5 1/4 in., diameter 5 1/2 in.

$400/600 Provenance: Estate of Joseph A. Davenport, Mer Rouge, LA, acquired Henry Stern Antiques, New Orleans, LA, 1968.

$300/500 776 W 775. A Chinese

Powder Blue Glazed Porcelain Tripod Censer, 20th c., cylindrical body raised on three cabriole legs, overall pale blue glaze with hints of lavender thinning to a mushroom around the edges, height 3 3/4 in., diameter 5 1/2 in. $300/500

W 779. A Japanese White Ground

Embroidered Silk Wedding Robe, Furisode, Meiji Period (1868-1912), dyed and embroidered in satin stitch and gold couched threads to the white silk ground with designs of fans, pine and clouds, height 69 in. $800/1200

776. A Chinese Blue Ground Kesi Dragon Robe, Jifu, Qing Dynasty (16441911), woven in slit-weave technique with nine golden dragons on a blue ground amid ruyi clouds, bats and the bajixiang, above a terrestrial diagram and a wide lishui hem, height 54 in., width 88 in. $4000/6000 Provenance: Estate of Mark J. Scearce (1918-1993), Shelbyville, KY, acquired New York, NY, c. 1960s; thence by descent.

144

Provenance: Estate of Mark J. Scearce (1918-1993), Shelbyville, KY, acquired New York, NY, c. 1960s; thence by descent.

W 784. A Group of

Four Japanese Satsuma Pottery Wares, Meiji Period (1868-1912), comprising a tripod koro with a pierced domed cover, base marked, height 4 3/4 in.; a pair of baluster vases with figural landscape panels on a gilt ground strewn with brocade panels, bases marked, height 6 3/8 in.; together with a dish, 20th c., with figural decoration, diameter 8 3/8 in., (4 pcs.) $400/600 W 785. A Japanese Sumidagawa-

W 780. A Japanese Kano School Style

Four Panel Screen, 20th c., depicting “Winter Pine”, ink, color and gold leaf on paper, signed and sealed lower right, 31 3/4 in. x 66 1/2 in., mounted, overall height 36 in., width 70 5/8 in. $300/500

Style Pottery Vase, shaped cylindrical body with molded and applied decoration of figures, trees and birds on a flambé ground, base with impressed four character seal mark, height 21 in. $300/500

W 786. Three Japanese

Cloisonné Vases, 20th c., each decorated with floral sprays, the first ginbari with a red foil ground, base stamped “Sato Cloisonné”, height 7 1/2 in.; the second with a pale blue ground, height 14 1/4 in.; the third with a black ground, height 12 1/4 in. $200/300 787. Three Japanese Cloisonné Enamel Dishes, Meiji Period (1868-1912), the first with a large central medallion of a crane in flight above peony blossoms, blue ground, height 1 3/8 in, diameter 11 3/4 in.; the second with a large central medallion of cockerels beneath prunus blossoms, blue ground, height 1 3/8 in., diameter 11 3/4 in.; the third with a small central medallion of birds in flight at night over a turbulent sea, gold-flecked black ground, height 1 3/4 in., diameter 11 3/4 in.

787 (1 of 3)

792

792. Indian School, probably 19th c., “The Elegant Courtier”, miniature painting, gouache on paper heightened with gold, inscribed lower right, 7 3/8 in. x 4 3/8 in., mounted on marbleized paper, overall 9 5/8 in. x 6 1/4 in.

$600/800 W 788. Two Japanese Cloisonné

Enamel Dishes, Meiji Period (1868-1912), each similarly patterned with concentric bands encircling a central medallion, one well with butterflies on a jet black ground, the other with a phoenix bird on a pale blue ground, height 1 in., diameter 8 1/4 in.

$400/600 Provenance: Estate of noted architect, artist and antiquarian James R. Lamantia, Jr. (1923-2011).

$200/300

793. Indian School, probably 19th c., “Painting a Portrait”, drawing, ink on paper heightened with color, inscribed, 9 1/4 in. x 6 1/2 in.

W 789. A Japanese Silk Robe, probably

early 20th c., black silk crepe ground colorfully decorated along the interior and exterior hem with a garden scene with seasonal trees, plants and grasses set with cocks and a dragon boat, length 64 in.; together with a vintage Chinese padded jacket with flowering branch design on an ivory yellow ground, label reading “Peony Brand / Shanghai China”, (2 pcs.)

$400/600 Provenance: Estate of noted architect, artist and antiquarian James R. Lamantia, Jr. (1923-2011).

793

W 794. Indian School, probably 19th c., five works on paper,

each ovoid body relief molded with a shishi lion above a seal cartouche, domed covers, height 10 1/4 in., now drilled and mounted as lamps.

including four sketches, each ink on paper heightened with color, with further sketches or inscriptions recto, including: “Seated Female and Baboon”, 6 1/8 in. x 7 5/8 in.; “Two Male Right Facing Torso Portraits and Male Head”, 6 3/4 in. x 4 3/8 in.; “Male Torso Portrait Facing Left”, 5 in. x 4 3/4 in.; and “Three Figures, Two Riding Donkeys”, inscribed lower right, 5 5/8 in. x 8 1/4 in.; and a miniature album leaf, “Figures beneath a Tree”, gouache on paper heightened with gold, inscribed, 6 1/2 in. x 9 3/4 in, (5 pcs.).

$300/500

$600/800

$200/300 W 790. A Pair of Japanese Painted Metal Covered Jars,

W 791. An Indian or Southeast Asian Gilt Bronze Figure of

Avalokitesvara, probably 19th c., the Bodhisattva of Compassion modeled standing in a slightly swayed stance, holding in his four hands a lotus bud, a water pot, a scroll, and a rosary, his hair held high and crowned by a figure of the seated Amitabha Buddha, height 12 1/4 in. $400/600

Provenance: Estate of noted architect, artist and antiquarian James R. Lamantia, Jr. (1923-2011). W 795. Indian School, probably late 19th c., two watercolors

on paper, the first a design for a fan, height 9 1/8 in., width 11 1/2 in.; the second an architectural design, sheet 7 1/2 in. x 13 1/4 in. $300/500 Provenance: Estate of noted architect, artist and antiquarian James R. Lamantia, Jr. (1923-2011). W denotes the lot is illustrated at www.nealauction.com

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W 802. Two Pre-

Columbian Copper Ear Ornaments, c. 700-1500 A.D., Cost Rica or Panama, cylinder bodies with flat rim terminals, pierced scrollwork bands, height 3 5/8 in., diameter 1 3/4 in. $600/800 Provenance: Acquired Charles Craig, Santa Barbara, CA.

800 798

W 796. A Middle Eastern Copper Ewer

Converted to an Oil Lamp, probably 19th c., ewerform body with domed finialed cover, scroll handles and curved spout, soldered to a reticulated splayed base, height 16 3/8 in.

W 804. A Pre-Columbian Bone

Implement with Carved Finial, possibly Chimu, finialed shaft carved with a pair of parrots above an incised zoomorphic band, length 7 3/4 in.

W 797. A Turkish Ottoman Silvered Copper

Tombak Ewer, probably late 18th/19th c., lobed globular body with waisted flared neck and splayed foot ring, curved upright spout, height 8 1/2 in.

$400/600

$300/500

805. A Pre-Columbian Figural Pottery Vessel, c. 1900-1400 A.D., Chancay, ovoid body with relief molded neck with legs in shallow relief suggesting a seated position, height 17 3/8 in., custom metal mount, overall height 19 1/2 in.

798. A Southeast Asian Teak Grinding Wheel, solid oval body with upturned sides, a central deep bowl and four square holes, height 33 1/2 in., width 38 in., custom metal stand, overall height 37 in. $100/200 805

806. A Pre-Columbian Stirrup Spout Pottery Vessel, c. 300-700, Moche, stepped domed body surmounted by a rectangular edifice with flaring roof gables and domed, knife-like central section with a serpent coiling through the front entrance, height 7 1/2 in., width 6 in.

$500/700 Provenance: The Dominican Sisters of Peace, Historic Veritas House, New Orleans, LA, sold for charitable benefit. 800. A Southwest Black on White Pottery Bowl, Anasazi or Mimbres, thin warped walls painted to the interior with bold geometric designs on a striped ground, height 4 5/8 in., width 11 1/4 in.

$350/450

$400/600

Provenance: Acquired Bonhams & Butterfields, San Francisco, June 9, 2003, lot 5075.

W 801. A Pre-Columbian Female Pottery Figure,

Costa Rica, seated figure modeled with hands resting on outstretched legs, feet with curled toes, height 5 in.

146

$800/1200 Provenance: Acquired Bonhams & Butterfields, San Francisco, December 8, 2003, lot 3041.

Segment, found 1895, curved body naturally hollowed to a taper within, old label reading: “Brought to San Francisco 1895 by a whaler. Was found in the ice at the head of the (illegible) river B.A. The whole tusk was bought but the rest was sold. Worth $1.50 a pound without cracks as it is .35 a pound”, height 11 3/4 in.

$100/200

Columbian Figural Pottery Vessel, Chimu, tiered circular body with strap handle joining spout and male figure with conical headdress holding a gourd, height 7 3/4 in. $600/800

$200/400

W 799. An Ancient Mastodon Ivory Tusk

W 803. A Pre-

806

W 807. A Pre-

Columbian Copper Atlatl, c. 100-600 A.D., Moche, tubular shaft with elaborate thumb hook in the form of an armed warrior, length 12 3/4 in., custom metal stand. $200/300 Provenance: Acquired Splendors of the World, Haiku, HI.

808

808. A Group of Three Pre-Columbian Atlatls and a Woven Cotton Case, c. 400-1000 A.D., probably Huari, first with wood shaft and bone thumb hook, length 19 1/2 in.; second with bone shaft and wood thumb hook, length 18 3/4 in.; third with wood shaft and carved wood effigy thumb hook with copper weight in the form of a male figure, length 18 1/4 in.

811

$1800/2200 Provenance: Acquired Bonhams & Butterfields, February 16, 2009, lot 5147. W 809. Two Pre-Columbian

Pottery Vessels, Chorrera, including a bottle-form whistle vessel, globular body surmounted by a crouching anteater issuing a cylindrical neck with a strap handle, height 8 1/4 in.; and a U-form bowl, molded beneath the wide everted rim with animal masks, incised detailing throughout, height 4 1/2 in., diameter 6 1/8 in. $400/600 Provenance: Collected during the early 1950s by George Zalesky, avocational archaeologist, exhibited Curtis Hill Indian Museum, Swisher, Iowa; to current owner, acquired Midwest Auctions, 1995.

812

811. A Pre-Columbian Pottery Stirrup Spout Portrait Vessel, head-form body molded with realistic facial features, height 11 3/8 in. $400/600 812. A Pre-Columbian Double Chambered Single Spout Pottery Vessel, c. 600-100 B.C., Salinar, rectangular front section modeled with an arcaded top with the head of a dignitary peeking out from under a flat roof, ovoid back section raised on a circular splayed foot, arched spout, height 7 3/8 in., width 4 in., depth 8 in. $600/800

W 810. A Pre-Columbian Painted

Pottery Effigy Vessel, c. 200 B.C., Olmec, globular body with loop handles (one broken) and a cylindrical head-form neck with ear spools, height 6 3/4 in.; accompanied by a 1976 Certificate of Authenticity from Ellenda Wolfestieg. $150/250

Provenance: Acquired Bonhams & Butterfields, San Francisco, June 9, 2003, lot 5076.

813

W 814. A Pre-Columbian Pottery

Vessel, c. 1100-1400 A.D., Lambayeque or Chimu, cross-legged male figure seated within an open structure supported by columns, an offering bowl at his feet, height 8 1/2 in. $600/800

813. A Pre-Columbian Pottery Figure of a Capuli Coquero, c. 800-1500 A.D., male coca leaf chewing figure on open platform with hands on thighs, pleated sash over right shoulder, height 7 1/4 in., width 3 5/8 in., depth 5 1/4 in. $800/1200

Provenance: Acquired Bonhams & Butterfields, San Francisco, 9 June 2003, lot 5088. W 815. A Pre-Columbian Stone Hacha,

Maya, porous igneous rock carved as a male figure wearing an animal headdress seated on a mythical beast with a crouching figure behind, height 8 1/4 in., width 4 1/4 in., depth 7 in. $400/600

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818

W 816. Three Pre-

Columbian Pottery Objects, the first, a square form relief molded fragment, height 3 1/2 in., width 4 1/4 in.; the second, an animal figure, height 1 1/4 in.; the third, a figural fragment, height 1 3/4 in.

822

820. A Pre-Columbian Pottery Vessel with Figural Cover, Veracruz, globular body raised on a split foot ring, applied bosses overall, domed cover of male head form, height 14 in., length 11 in., width 11 in.

$100/150 W 817. A Collection

of Pre-Columbian Objects, including two bone implements, one carved with a bird-head finial, length 7 1/2 in.; wood snuff tray, length 5 1/2 in.; and a reed pan flute wrapped with colored thread, length 6 1/8 in (4 pcs.).

$1200/1800 W 821. A Pre-Columbian Pottery

820

$800/1200 818. A Group of Three Pre-Columbian Hardstone Objects, Teotihuacan and Sinú, including a standing jade figure of flat rectangular form with carved facial features, robe and headdress, height 5 1/4 in., width 2 in.; and two gold working implements, height 3 in. and 1 3/4 in. $1200/1800 Provenance: The figure acquired David Walley, Pontotoc, MS.

Anthropomorphic Bowl, squat U-form body raised on three zoomorphic feet, relief molded to the sides with human facial features, height 3 1/2 in., diameter 6 3/4 in.; together with two Pre-Columbian style vessels, including a bowl raised on three loop feet, height 2 3/4 in., and a spouted tripod vessel, molded to the globular sides with three animal masks, height 6 1/2 in. (3 pcs.) $400/600 Provenance: Acquired in the Yucatan, c. 1960s. 822. A Pre-Columbian Textile Tunic, Nazca, overall geometric design in blue, red and yellow pigment, length 68 in., width 44 in., cotton backing. $2000/3000

W 819. A Pre-Columbian Pottery Bird Whistle, spherical whistle body with

bird head at each end covered with incised geometric patterns, height 2 1/2 in., length 3 3/4 in. $200/300

148

823

823. A Large Pre-Columbian Textile Mantle, c. 100-400 A.D., Sihuas, blue, green, yellow and red pigments depicting a zoomorphic spider-like figure on a white ground, length 54 in., width 76 in., cotton backing. $3000/5000 Provenance: Acquired Bonhams & Butterfields, San Francisco, 25 March 2002, lot 5036. W 824. A Pre-Columbian Textile Panel, c. 300-100 B.C., Paracas, burgundy

colored textile embroidered about the edges with a band of flying shaman figures, length 86 in., width 18 in., cotton backing. $300/500 Provenance: Acquired Bonhams & Butterfields, San Francisco, June 9, 2003, lot 5132. W 825. An African Wood Figure, Nigeria, female figure with elongated ribbed

neck carved standing with hands resting on protruding belly, height 16 1/4 in. $400/600 Provenance: Acquired by the present owner from a Missouri estate. W 826. Two African Carved Wood Masks, the first with long horns and tall

ears, height 18 1/2 in; the second with tall striated coiffure, height 9 1/2 in. $200/300 W 827. An African Bead Apron, probably Zambezi Region, Tanzania, glass

beads strung in geometric pattern, bead fringe, height 15 1/4 in., width 32 1/2 in., mounted to cloth covered board, overall height 18 1/2 in., width 35 in. $50/100

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149

Notes

150

Session Two Sunday, April 22, 11 am 3923 Carondelet Street

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151

W 833. A

Giltwood and Marble Top Console, antique and later, the shaped top above a stepped molded apron, shell and acanthus carved bracket supports, height 24 1/2 in., width 52 in., depth 18 in. $500/700 W 834. An Art

Nouveau Bentwood Rocking Chair, late 19th c., caned back and seat. 828

$600/800

829

W 835. A

828. An Etched Blown Glass Hurricane Shade, 19th c., body encircled by two bands of floral motifs, height 22 1/2 in., diameter 9 1/2 in. $800/1200 829. A Federal Cast Iron and Gilt Bronze Mounted Partial Mantel, 19th c., with cast mark of “Geo. Hastings/ Colerain Mss” [Massachusetts], central flower basket, flanked by fluted columns, the corners with gilt bronze rosettes, height 44 1/4 in., width 56 in., depth 1 3/4 in. $500/700 W 830. A Continental Impressionistic Style

Patinated Metal Figure of a Man, after Mariano Jose Maria Bernardo Fortuny y Carbo (Spanish, 1838-1874), with cast signature “Fortuny”, height 22 1/2 in. 831

$500/700 831. An Antique French Patinated Metal Figural Mantel Clock, late 19th c., after Coustou, sculpture modeled as “Chevaux de Marli”, on rockwork base, height 15 1/2 in., width 12 in., depth 6 in. $800/1200 W 832. An Ottoman Brass-

837

Mounted Carved Teak Dowry Chest, 19th c., lock clasp stamped “M.A.R.”, dovetailed construction, interior fitted with lidded compartment, height 13 7/8 in., width 36 in., depth 15 1/4 in. $300/500

152

Putnam Oak Telephone Ladder, early 20th c., angled steps with right hand rail, steal track mounts, labeled “Manufactured by the Putnam Rolling Ladder Co.” and incised “Western Electric”, ladder height 103 in.; height with mounts 114 in. Note: base shortened. $300/500 W 836. An Antique French

Hand-Colored Lithograph, 19th c., “La Correspondance”, after Destouches, sight 21 in. x 16 in., attractively matted and framed. $150/250 837. [Antique French Medical Prints], Jean Baptiste Marc Bourgery (17971849), Traite complet de l’anatomie de l’homme..., 1831, pub. by Delaunay, Paris, folio (17 in. x 13 in.), Tome II (Volume 2 only), 1/4 leather and paper boards, with 100 lithographic plates (uncolored) of muscles, complete with text; together with 24 loose colored lithographs (one fold-out) from the same, possibly later edition. $500/700

838. John Edwards Holbrook, North American Herpetology; or, a Description of the Reptiles Inhabiting the United States, 1836-1840, published by J. Dobson, Philadelphia, folio (12 in. x 10 in.), Volumes 1, 2 and 4 (lacking 3), paper boards, leather title at spine, with 81 hand-colored lithographs of snakes, turtles, frogs and salamanders; interestingly, volume II has an addendum with two reworked prints of snakes from the first volume, whose color rendition was not deemed worthy enough.

838

844

$1000/1500 Note: The first edition of this work is scarce; volume IV is extremely rare. The fourth volume of the first edition was issued in 1840, but at about the same time Holbrook became dissatisfied with the entire edition and recalled it. Since volume IV had just been issued, it was the easiest to recall, and, indeed only a small portion of the stock may have been released at all. (Richard & Patricia Worthington, ‘John Edward Holbrook, Father of American Herpetology’, Society for the Study of Amphibians and Reptiles, 1976, pgs. xxii-xxiii). 839. Rev. F. O. Morris, B.A., A History of British Birds, 1865, Groombridge and Son, London, six volumes, octavo, gilt-decorated cloth, with 358 hand-colored engravings.

839

W 841. A Pair of English Satirical

Engravings, late 18th c., “A Peep Behind the Curtain at Drury Lane” and “A Bravura at the Hanover Square Concert”, 1789, hand-colored, sight 7 3/4 in. x 7 in. and 10 1/2 in. x 7 1/2 in. respectively, framed.

845

$250/350

Engraving, late 18th c., “Confucius the Second, or A New Sun Rising in the Asiatic World”, hand-colored, sight 10 1/2 in. x 13 1/4 in., framed.

844. A George Jones Pâte-sur-Pâte Vase, late 19th c., olive green ground, decorated with cavorting putti within beribboned morning glory wreaths, gilt decorated rim, base with gilder’s number “5665” and incised “X”, height 5 1/2 in.

$200/400

$400/600

W 843. A Contemporary Italian

845. A Chinese Cloisonné Enamel Covered Jar, late 19th/early 20th c., barrel form body with finialed cover decorated with fruiting and flowering prunus branches on a white ground, height 6 1/2 in., diameter 5 1/2 in.

W 842. An English Satirical

$600/900 W 840. Two Antique English Hand-

Colored Architecture Prints, c. 1860, “New Palace Yard” and “Entrance to the House of Lords”, lithographs, depicting the work of architect T. Hopper, sight 20 in. x 29 in., framed.

Pewter-Mounted Ceramic Center Bowl, labeled “Match”, height 6 3/8 in., diameter 17 in. $150/250

$300/500

$700/900

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848. A Decorative Pair of Tôle Peinte Palm Trees, in black and gilt cachepots, height 33 3/4 in., diameter 21 1/4 in. $500/750 Provenance: Lewis Graeber Architects, Jackson, MS, 1998. W 849. An Art Deco Mirrored

Humidor, in the form of a house, height 7 1/4 in., width 10 1/2 in., depth 8 1/2 in. $200/400 850. A Tiffany Favrile Glass and Patinated Bronze Candle Lamp, c. 1910, base marked “Tiffany Studios, New York”, shade with etched signature “LCT”, floriform shade fitted on an urn form standard with an open quadripartite reeded shaft, ending in paw feet, on an incurvate plinth, not electrified, height 17 1/4 in.

846

$1500/2500

850

848

851. A Loetz Astartig Iridescent Glass Vase, c. 1900, of golden color and high-waisted shape, with pulled rim and characteristic dimples with protrusions throughout, height 8 in., diameter 5 1/4 in. $700/1000 W 852. A Continental Gilt and

Cut Glass Epergne, central bowl amid eight bud vases in circular frame, on four legs with paw feet, height 7 in., diameter 14 3/4 in. $500/750 W 853. An Art Nouveau Brass

and Tôle Coal Hod, pierced stylized floral design, carrying handle, turned feet. $150/250 W 854. Two Italian Green Marble

851

Pedestals, early 20th c., circular swivel top, fluted columnar octagonal base, height 38 1/2 in. and 41 1/2 in., width 12 in., depth 12 in. $700/1000

855

846. Two Bronze and Cut Crystal Candlesticks, 19th c., with elaborate engine-turned decoration, height 6 3/4 in. $300/500

154

W 847. A Thuyawood,

Ebonized, Brass and Motherof-Pearl Inlaid Gaming Box, rosewood grained interior fitted with slots, lift-out trays and pieces, implements, height 4 in., width 12 3/8 in., depth 9 1/8 in. $500/700

855. A Pair of Louis XVI-Style Gilt and Patinated Bronze EightLight Candelabra, 19th c., opposing putti holding aloft scrolled foliate arms, central arm with flame finial, shaped base, acanthus feet, height 30 1/4 in. $1200/1800

856

864

865

856. A Monumental Royal Bonn Porcelain Covered Urn, c. 1900, fully marked, foliate design, gilt highlights, with scroll finial and handles, height 30 in., width 16 in., depth 11 in.

W 862. A Good Group of

Antique American Sterling Silver Objects, including a Tiffany & Co. bowl, 1870-1874, with prunus decoration, the handles surmounted by birds, period strapwork monogram, height 3 in., width 5 1/2 in.; a pair of master salts mounted with deer heads, height 3 1/4 in., width 5 in.; and two pair of salt and pepper casters, heights 4 in., and 4 1/2 in., combined weight 17 troy ozs.

$700/1000 W 857. A Monumental Royal

Bonn Porcelain Vase, c. 1900, fully marked, cream ground, paint decoration, with raised gilt highlights, height 31 1/4 in., diameter 7 in.

$400/600

$500/750 W 858. A Good Group of

American Sterling Silver Tableware, 20th c., including a Kiddush cup, Eastern Sterling Co., New York, with engraved Star of David; a sugar and creamer and pair of floriform nut dishes, Reed & Barton, Taunton, MA; and a pepperette, Gorham, Providence, RI; approx. combined weight 22 troy oz.

859

W 863. A Group of Gorham

W 860. A Group of American Sterling

Silver Dressing Table Accessories, including a Tiffany glove stretcher, 1892, design patented 1876; a hand mirror and hairbrush by R. Wallace & Sons, 1920; a repoussé child’s hairbrush and a reticulated dish, hand mirror length 13 3/4 in., total weight (weighable) 4.65 troy ozs. (5 pcs.) $400/600

$700/1000 W 861. Three Victorian Sterling Silver

859. An American Sterling Silver Centerbowl, Barbour Silver Co., Hartford, CT, part of International Silver Co. from 1898; in the Neoclassical taste, reeded rim with Greek key details, chased border, molded stepped foot, engraved with period script monogram and “May 8, 1913”, height 6 in., diameter 9 3/8 in., weight 28 troy ozs. $800/1200

Small Bowls, including an English example, London, 1880, maker CG/JL untraced, overall chased decoration; a Whiting Art Nouveau dresser bowl, lily of the valley motif; and an Alvin dresser bowl, rose and scroll decoration; diameter 3 3/4 in., 5 3/4 in., and 5 1/2 in., weight 8.65 troy ozs. $300/500 Provenance: A Natchez, MS Estate.

“Grecian” Pattern Coin Silver Serving Pieces, pat. 1861, including a pie trowel, a gravy ladle and a master butter knife, length 8 1/4 in., 8 in. and 7 1/2 in. respectively, combined weight 5.55 troy ozs. $200/300 864. An American Brass and Glass Hanging Lantern, late 19th c., glass font, shade ring suspended by chains, cut and etched glass shade, chimney, prism hung, electrified. $500/800 865. A Tiffany Favrile Iridescent Glass Candlestick Lamp, early 20th c., the ruffled shade and twistform base marked “LCT”, height 12 1/2 in., diameter 7 in. $800/1200

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869. A Pair of Continental Wrought-Iron and Turned Walnut Torchères, electrified, on dramatic scrolled legs, height 65 in., diameter 26 in. $700/900

870 866

870. A Rare American Eastlake Carved and Incised Walnut Chest of Drawers, c. 1875, New York, four drawers flanked by shaped outset stiles, vine-carved skirt, height 38 in., width 49 1/4 in., depth 22 3/8 in. $500/750 Note: Charles Eastlake’s design for this chest appears in his 1876 opus, Hints on Household Taste. Eastlake’s prescription for moldings to lend a “picturesque character”, sides that project beyond the drawer faces, usage of ring pulls, and drawers no deeper than six inches, are all Eastlake elements fulfilled in this example. Reference: Eastlake. Hints on Household Taste, The Classic Handbook of Victorian Interior Decoration. New York: Dover, p.215.

869 871

866. An Eastlake Gilt Metal and Brass Six-Light Gasolier, c. 1890, tiered standard, scrolled supports, hung with spear prisms, with period-style cut and etched shades, electrified, height 37 in., diameter 29 in. $1000/1500 W 867. A Pair of Aesthetic Gilded Brass

Mirrored Wall Sconces, late 19th c., with pierced backplate, beveled mirror, scrolled candlearms, height 16 in., width 12 in., depth 6 in. $250/350 W 868. A Handel Patinated Bronze Floor Lamp,

c. 1900, retains “Handel Lamps” fabric label, weighted base, height 56 in., width 14 in. $500/700 872

156

871. A Good American Rococo Carved and Gilded Overmantel Mirror, mid-19th c., foliate pierced crest, acanthus and garland sides, beaded base, height 79 in., width 65 in. $2000/3000 872. An American Carved Walnut Metamorphic Chair, mid-19th c., stamped “A. Eliaers Patent”, Augustus Eliaers, Boston, fl. 1853-1865, scrolled back, arms with knuckle terminals, seat with foot rest, folding mechanism with brass latch control, splayed legs. $800/1200

873. An American Renaissance Carved and Burl Walnut Bedroom Suite, c. 1860, Mitchell & Rammelsberg, Cincinnati, Ohio, comprising a bedstead and princess dresser; the bedstead and mirror with cartouche crest, floral and burl panels and headboard, bracketed rails; arched rounded footboard; the dresser with pendant drops and candle shelves, marble top center above two drawers flanked by marble top pedestal ends containing four drawers, carved foliate pulls, blocked base, back of mirror stamped; cast iron hardware stamped, dresser height 101 in., width 57 in., depth 22 in.; bed height 109 in., length 80 in., depth 60 in. $5000/7000 Note: The interplay of burl veneers, boldly carved adornments, and large proportions on this suite are typical of bedroom furniture known from Mitchell and Rammelsberg in the years surrounding the Civil War. Scholar Ulysses Dietz notes that midwestern furniture makers worked on a “larger than life” scale to appeal to the less tradition-bound society of the West. A bedroom suite consisting of bedstead, dresser and armoire with a Mitchell and Rammelsberg label identical to that offered here was sold as lot 435 by Neal Auction Company, February 11, 1991. Reference: Dietz, A Century of Revivals, p. 37, pl. 29. and Dubrow. American Furniture of the 19th c. 1840-1880, p 210.

873

874. An American Rococo Carved Rosewood Settee, mid-19th c., arched foliate carved molded crest rail, serpentine arms and seat rail, cabriole legs, height 36 in., width 62 in., depth 29 in. $300/500 875. An American Rococo Carved Mahogany Bedstead, mid-19th c., floral carved crest and foot rail, scrolled and paneled uprights, bracketed carved rails, blocked feet, height 51 in., length 76 in., width 60 in.

874

$1000/1500 Provenance: Greenwood Plantation, Pinckneyville, Mississippi; acquired from Henry Stern, New Orleans, 1943.

875 W denotes the lot is illustrated at www.nealauction.com

157

876

878

879. A Continental Carved Walnut Window Seat or Bench, 19th c., fanciful pelt upholstery, height 28 1/2 in., width 28 in., depth 24 in. $800/1200

879 877

876. A Fine American Rococo Carved Rosewood Center Table, mid-19th c., probably New Orleans, serpentine top, conforming skirt, acanthus carved C scroll legs ending in scrolled toes, connected by shaped stretchers centering a turned and acanthus carved finial, height 29 in., width 51 in., depth 32 in.

$1200/1800 W 881.

Continental School 19th c., “Portrait of a Young Girl”, oil on canvas, unsigned, 16 in. x 13 in., framed.

$1000/1500 877. An American Gothic Carved Mahogany Mixing Table, c. 1840-50, Baltimore, original marble top above a shaped skirt on turned legs ending in casters.

$500/800

$800/1200 878. A Pair of French Restauration Fruitwood Stools, early 19th c., square upholstered seats, conforming rail, sabre legs. $300/500 Provenance: Henry Stern, New Orleans, LA, 1977.

158

880. American School, mid19th c., “Portrait of a Father and Son, Holding a Riding Whip”, oil on canvas, unsigned, 30 in. x 24 in., ebonized and faux rosewood frame.

880

882

883

888

882. Continental School, 19th c., “Still Life with Fish”, oil on canvas, signed lower right, 25 1/2 in. x 21 1/4 in., antique giltwood frame. $1000/1500 883. French School, late 19th c., “French Countryside”, 1886, oil on canvas, signed “J. Claude Durande” lower right, 50 in. x 30 in., framed. $1200/1800 884. An Antique Spanish Colonial Gilt and Polychromed Wall Bracket, elaborate carved crown-form canopy, its curtains held open by cherubs, paint-decorated mirror plate, over cherub-carved shelf, height 37 in., width 18 in., depth 7 in. $600/800 885. A Brass-Bound and Hardwood Birdcage, finialed domed top, octagonal form, on conforming wrought iron stand, height 78 in., width 25 in., depth 25 in.

884

$1000/1500 885

W 886. A Regency-Style Carved Rosewood

Floor Lamp, 19th c., with two sockets, on pad feet, height 65 in. $400/600 Provenance: Marvin Alexander Inc., New York, 1996, through Lewis Graeber.

W 887. A Decorative Brass and

Painted Metal Telescope on Stand, 20th c., marked “Jergens”, the leather-wrapped tube with small spotter scope, on adjustable stand, with platform base, height 59 in., telescope length 38 in.

888. An Antique French Carved Walnut Barometer, 19th c., dial marked “Bourgeois, Rue De Pyramides, Paris”, flanked by carved doves and ram’s heads, the lower case incorporating a thermometer (lacking tube), height 44 in., width 19 in., depth 3 1/2 in. $1000/1500

$300/500

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889

892

893

891. After Hippolyte Moreau (French, 1832-1927), “Song of the Lark”, bronze figure, cast signature, with integral bronze plaque on molded back reading “Chant de L’Alouette\par Hte Moreau.\Medaille an Salon”, height 17 1/2. $700/900 892. A Napoleon III Gilt Bronze Figural Mantel Clock, c. 1865, surmounted by a maiden holding a dove, porcelain dial marked “Lay & Cherils, Aine”, with cobalt numerals, molded case with floral swags, height 16 1/2 in., width 14 in., depth 7 in. 890

893. An Empire-Style Gilt Metal Figural Mantel Clock, the allegorical figure holding a cornucopia, the porcelain dial with serpent border, a zodiac globe floating on a cloud, raised plinth base with cavorting putti frieze, on scroll feet, height 26 in., width 16 in., depth 5 1/2 in.

891

889. A Pair of Continental Gilt and Enameled Green Glass Lustres, 19th c., scrolled acanthus decoration, prism hung, height 12 1/2 in.

$700/1000 894. An English Carved Mahogany and Mirrored Dressing Screen, late 19th c., the three-paneled frame finely carved and molded, height 65 1/2 in., width 60 in., depth 1 in.

$400/600 890. A Bronze Group of Cupid Restraining a Setter from a Game Bird, 19th c., with worn signature inscription below bird, height 14 in., length 16 1/2 in.

$700/1000

$300/500 894

160

$600/900

895. An Antique Empire-Style Carved Mahogany, BronzeMounted and Parcel Gilt Bergère, rectangular back, shaped arms, gilded swan’s neck supports, sabre legs. $800/1200 896. A Pair of Louis Philippe Carved Mahogany and Mirrored Console Tables, c. 1850, each with arched acanthus carved mirror frame, molded stiles, original mirror plate, serpentine top with floral shaped apron, S shaped legs, scroll toes, leaf carved incurvate stretcher, height 87 1/4 in., width 29 in., depth 12 1/2 in. $1000/2000 895

897. A Napoleon III Walnut Marquetry Serpentine Lady’s Writing Desk, mid-19th c., inset tooled leather top banded with floral reserves, skirted drawer, bronzemounted cabriole legs, height 29 in., width 37 1/2 in., depth 21 in. $800/1200 898. A Highly Carved Rosewood Sofa, mid-19th c., probably English, serpentine crest rail centered by a rocaille shell, scroll arms, serpentine shell carved seat rail, cabriole legs, casters, height 44 1/2 in., width 84 in., depth 24 in. $800/1200

897

896 (1 of a pair)

898

899. An Italian Inlaid Walnut Secretary Desk, 19th c., fall front opening to fitted interior, two drawers below, cabriole legs, height 39 in., width 35 in., depth 17 1/2 in.

899

$700/1000 W denotes the lot is illustrated at www.nealauction.com

161

900

905

901. A French Bronze Mounted Parquetry Bureau Plat, late 19th c., inset tooled leather top, three frieze drawers to one side, cabriole legs, height 31 in., width 48 in., depth 24 1/2 in. $1000/1500 W 902. An Antique English Brass-Bound Rosewood Lap Desk on

Stand, early 19th c., lift top, fitted interior, on conforming later mahogany stand, total height 22 in., width 19 1/2 in., depth 10 in. $200/400

901

903. An Antique English Inlaid Mahogany Pembroke Table, in the Hepplewhite taste, banded drop leaf top, frieze drawer, raised on tapering legs ending in casters, height 27 3/4 in., open width 37 3/4 in., depth 31 1/4 in. $700/1000 Provenance: Henry Stern, New Orleans, LA, 1980. 904. An Antique English Inlaid Walnut Chest of Drawers, 19th c., two short over three long drawers, bracket feet, height 40 3/8 in., width 36 5/8 in., depth 19 in. $800/1200 Provenance: Henry Stern, New Orleans, LA, 1971.

903 904

900. A Neoclassical-Style Inlaid and GiltDecorated Beechwood Center Table, segmented top centered by a compass star, skirt with applied stars, scroll legs, paw feet, stretchers centered by a star, height 30 in., width 48 in., depth 48 in. $1500/2500

162

905. A Continental Painted Leather Damascene Four Panel Screen, early 20th c., arched crests, foliate and floral panels, tack head trim, height 71 1/2 in., width 76 in. $1000/1500

906. An Interesting George III Carved Mahogany Tilt-Top Tea Table, 19th c., probably Irish, shaped dished top with carrying handles, spiral carved vasiform stem, acanthus carved arched legs, ball and claw feet, height 30 in., width 30 1/2 in., depth 29 1/2 in. $1000/1500 907. An Antique Louis XVI-Style Carved Walnut and Needlepoint Fauteuil, 19th c., ribbon and trophée carved crest, leaf carved stiles, acanthine arms, shaped seat rail, turned, fluted and tapered legs. $600/900

906

907

909

908. A NeoclassicalStyle Carved, Painted and GiltDecorated Sleigh Bed, late 19th c., probably French, the rectangular headboard, contained by incurvate swans, scrolled rails, the whole on bracketed paw feet, height 47 in., width 56 1/2 in., depth 87 in.

909. A Pair of French Beaux Arts Painted and Carved Trumeau Panels, late 19th c., each with Rococo crème peinte frame enclosing figures within Romantic landscape, height 49 in., width 56 in., depth 4 1/2 in. $3000/5000

$2000/3000

908 W denotes the lot is illustrated at www.nealauction.com

163

911. A French Empire Mahogany and OrmoluMounted Commode, early 19th c., grey marble top above deep frieze drawer, three long drawers flanked by columns, height 35 in., width 51 in., depth 23 3/4 in. 910

911

$1200/1800 912. A Directoire Carved and Verte Peinte Canapé, early 19th c., Scalamandre damask upholstery, molded crest rail and stiles, padded arms, shaped seat rail, reeded, turned and tapered legs, height 36 1/4 in., width 43 1/2 in., depth 24 in. $1000/2000 Provenance: Uptowner Antiques, New Orleans, LA.

912

910. A Continental Carved Walnut Commode, early 19th c., serpentine molded top above three long drawers, restrained cabriole legs, height 31 1/2 in., width 30 1/2 in., depth 21 1/2 in. $1800/2500

913

913. Léon Herbo (Belgian, 18501907), “Cleopatra”, oil on canvas, signed lower right, 31 1/4 in. x 22 1/2 in., in an ornate period frame. $4000/6000

914

914. Flemish School, 18th/19th c., “A Noble Party Setting Out from a Castellated Manor” and “A Pair of Cavaliers Giving Alms, before a Wayside Cottage”, oils on panel, unsigned, each 15 1/2 in. x 21 3/4 in., matching period giltwood frames. $3000/5000

164

915. Continental School, late 19th c., “Alpine Mill and Stream”, oil on canvas, signed lower left, 37 in. x 30 1/2 in., giltwood frame. $2000/3000 916. English School, 19th c., “Girl with Basket”, oil on canvas, unsigned, partial label on stretcher reading “Carver, Gilder & Printseller to the Queen, Manchester”, 44 in. x 34 1/2 in., framed. $1500/2500

915

916

917. An Aubusson Carpet, light brown and rose ground, central rosette medallion, floral borders, 10 ft. 2 in. x 14 ft. $3000/4000 W 918. An

Aubusson-Style Tapestry, depicting herons in a lake, a chateau in the background, sight 38 in. x 40 in., framed. $800/1200 919. A Fine Belle Époque Gilt and Patinated Bronze Thirteen-Light Figural Chandelier, c. 1890, foliate corona issuing bowknots, putto terms holding torch-form lights, central torch with goat’s head masques, fruit pendant, flame-form shades, height 47 in., diameter 54 in. $4000/6000

919

917

920. A Fine Pair of Napoleon III Gilt Bronze Sconces, mid-19th c., each scrolled and foliate backplate issuing three arms, height 20 in., width 19 in., depth 14 in. $1500/2500

920 W denotes the lot is illustrated at www.nealauction.com

165

924

921

923 (1 of a pair)

921. A White Marble Bust of a Young Peasant Girl, in the manner of “Marcello” (the Duchessa di Castiglione Colonna, Swiss, 1836-1879), socle base; together with a Neoclassical style rouge and black marble tapered pedestal, height 67 in., width 18 in., depth 10 in.

925

923. A Pair of Queen Anne-Style Walnut and Parcel Gilt Mirrors, gilded shell crest flanked by eagle heads and scrolling foliate carving, rectangular mirror plate, the base with central shell and scrolling foliate carving along edge, height 62 1/2 in., width 23 1/2 in. Note: Shrinkage, separation and refreshed gilt. $1500/2500

$2500/3500

Provenance: John Doughty Antiques, San Francisco, CA, 1999.

922. A Continental Carved and Gilded Mirror, late 18th/early 19th c., height 44 in., width 30 1/2 in., depth 3 in.

924. A French Restauration Mahogany Commode, c. 1830, original Prussian marble top above frieze drawer and three graduated drawers, pillar feet, height 38 in., width 51 in., depth 22 1/4 in.

$1800/2500

$1400/1800 925. A Belle Époque Painted Iron and Inlaid Marble Console Table, serpentine top above extensive reticulated scrolls and acanthine ornament, height 35 in., width 58 1/2 in., depth 21 in.

922

166

$1500/2000

926. Gustave Villebesseyx (French/ Flemish, 1838-1898), “Le Cours de la Rëyne (A Royal Carriage on an Avenue)” and “L’Eglise de St. Pierre (A Hilltop Church above a Town)”, oils on canvas, each signed lower right and titled lower center, each 101 in. x 43 1/2 in., unframed. $10000/15000 Note: An accomplished architect and landscape painter, Villebesseyx made his first debut at the Salon of 1870. These large panels most likely were created as installations for the interior of a grand Beaux Arts house or other project. The artist combines both aspects of his training to create trompe l’oeil architectural motifs to frame the two broad landscapes.

929

926

927

928

927. A Dutch Carved and Turned Oak Side Table, 18th c., one long drawer, molded top, turned and block legs, conforming stretcher, height 29 in., width 35 in., depth 23 1/2 in.

928. A Pair of Antique Louis XV Painted Beech Fauteuils, traces of old cream and pale green paint, loose seat cushions, height 34 1/2 in., width 24 in., depth 20 in.

929. An English Inlaid Mahogany Telescopic Desserte, c. 1835, three serpentine tiers, faceted stem, scrolled pierced legs, scroll toes, closed height 29 in., width 27 in., depth 17 1/2 in.

$800/1200

$1400/1800

$800/1200 W denotes the lot is illustrated at www.nealauction.com

167

934. A Fine French Carved Beech and Caned Canapé, late 19th c., incurvate form, double caned back, cushioned seat with bolsters, height 39 in., width 67 in., depth 34 in. $1200/1800 W 935. A Louis XV-Style

Carved Walnut and Needlepoint Stool, early 20th c., serpentine seat rail, cabriole legs, scrolled toes, height 18 1/2 in., width 20 in., depth 13 in. $300/500 931

932

934

931. A Georgian Carved Oak Chest of Drawers, late 18th/early 19th c., molded top, two short above three graduated drawers, shaped bracket feet, height 38 1/4 in., width 38 1/4 in., depth 21 1/4 in. $700/1000

W 936. An Antique Italian Carved

Fruitwood Lady’s Writing Desk, 19th c., shaped slant front opening to inset writing surface and bank of drawers, shaped skirt with three drawers, slender cabriole legs, height 36 in., width 27 in., depth 16 in. $600/900

933

W 930. An Antique English Mahogany

Étagère, three tiered square shelves raised on tapering legs, height 48 5/8 in., width 18 in., depth 18 in.

932. An English Carved Walnut Corner Chair, late 18th c., molded crest rail, reticulated vasiform splats, columnar uprights, square legs, turned stretchers. $700/1000 Provenance: Henry Stern, New Orleans, LA, 1969.

168

Bouillotte Table, having a brass galleried marble top, two frieze drawers and two candleslides, fluted tapering legs, height 28 1/2 in., diameter 25 in. $500/750 W 938. A Louis XV-Style Chinoiserie

$500/750 Provenance: Henry Stern, New Orleans, LA, 1967.

W 937. A Louis XVI-Style Fruitwood

933. A Pair of Edwardian Inlaid Mahogany Fitted Pedestal Bookcases, height 89 1/2 in., width 17 in., depth 13 in.

Painted Chest of Drawers, colorful variegated rose marble top, serpentine case fitted with two deep drawers, height 35 in., width 51 1/2 in., depth 23 in.

$1500/2500

$1200/1800

939 940

942

939. French School, 18th/19th c., “Fête Galante: Three Couples with Musician in the Sculpture Park of a Château”, oil on canvas, unsigned, inscribed “Lady Cecilia Des Vieux” on label en verso, 31 in. x 39 in., period giltwood frame. $6000/8000 940. A George III Carved and Gilded Mirror, late 18th c., arched voluted crest, shaped frame flanked by ho-ho birds and brackets mounted with finialed urns, foliate carved base, later gilt, height 49 in., width 36 in.

941

$3000/5000 941. A Pair of Large Napoleon III Gilt Bronze Seven-Light Candelabra, 19th c., in the Empire style, columnar standards on tripodal paw feet, incurvate plinth base, height 34 in., diameter 13 1/2 in. $2000/3000

942. Four Art Nouveau-Style Fruitwood and Walnut Side Chairs, mid-20th c., stylized lotus back, bamboo turned legs, height 35 1/2 in., width 18 in., depth 17 in. $800/1200 W 943. A Nest of Contemporary Brass and

Beveled Glass Tables, height 22 in., width 19 in., depth 14 in. $700/900 W denotes the lot is illustrated at www.nealauction.com

169

944. An Antique Empire-Style Mahogany Columned and Gilt BronzeMounted Table, height 30 1/2 in., diameter 30 in. $1400/1800

951 944 W 945. An Aesthetic Carved Oak Thebes Stool, late

19th c., square concave seat, spindled frieze, ring turned tapered legs, retaining original finish, height 13 3/4 in., 17 in. square. $300/500 W 946. An Antique English Bamboo Canterbury, early

20th c., of typical form with two compartments and carrying handle, height 24 in., width 22 in., depth 12 in. $150/250 W 947. A Danish Modern Rosewood and Chrome

Desk, 20th c., Ganddal Mobelfabrikk, Norway, labeled and stenciled “7 74”, rectangular top fitted with three frieze drawers on X form base, height 28 3/4 in., width 55 1/4 in., depth 26 1/2 in. $700/1000 948 948. A Set of Six Biedermeier-Style Maple Side Chairs, arched crest centering an ebonized fan pendant, height 36 1/2 in., width 20 in., depth 17 1/2 in. $800/1200 W 949. Joseph Aaron (American, b. 1959),

“Desert Sunset” and “By the Lake”, oils on board, each signed, Sparrow Fine Art, Solana Beach, CA labels en verso, 9 in. x 12 in., framed together. $800/1200 950. Jean Pierre Serrier (French, 1934-1989), “Noah’s Ark”, 1975, oil on canvas, signed and dated lower right, 45 in. x 63 1/2 in., framed. $3000/5000

950

170

951. Paul Renard (French, 1941-1997), “Paris”, oil on canvas, signed lower right, 31 1/2 in. x 39 1/2 in., framed. $3000/5000

952. Pola Aivazian-Rossi (Armenia, 1914-1967), “Floral Still Life”, oil on canvas, signed, 24 in. x 18 in., framed. $800/1200 W 953. Charles Nicholls

Woolnoth, RSW (Scottish, 1815-1906), “Gulnac”, watercolor on paper, signed lower left, inscription in pencil en verso, 12 1/4 in. x 9 1/4 in., antique frame. $300/500 Note: From the 1814 poem “The Corsair” by George Gordon, Lord Byron. W 954. English School, late

19th/early 20th c., group of five botanical watercolors, unsigned, several with inscriptions and notes, 20 3/4 in. x 16 1/4 in., each framed. $800/1200

952

W 955. English School, late

19th/early 20th c., four botanical watercolors, unsigned, largest 9 1/2 in. x 7 in., all framed. $400/600 W 956. An Art Nouveau Four-Handled

961

Ceramic Vase with Green Eosin Glaze, early 20th c., probably Zsolnay, globular body with waisted neck, four handles, multi-colored iridescent glaze overall, height 5 3/4 in., diameter 4 in.

961. A Louis XVI-Style Patinated Iron and Gilt Bronze Six-Light Candelabrum, 19th c., standard in the form of a Classically draped woman holding aloft foliate candlearms, pedestal base, bracketed paw feet, height 41 in.

$200/400 W 957. A Large Mother-of-Pearl Inlaid

$800/1200

Lacquered Tray, floral reserve, 20 1/2 in. x 30 1/4 in. $250/350

W 962. A Decorative Cut Glass

Centerpiece, prism hung, faceted spherule stem, octagonal plinth, height 9 in., diameter 12 in.

W 958. A Pair of Cold Painted Bronze

Figures of Fairies, on variegated marble plinths, height 12 in.

$200/400

$300/500 W 963. A Large Baluster-Form Cut

Glass Vase, 20th c., height 16 1/2 in.

959. A Large Amethyst Geode, probably Brazilian, halved and polished, height 46 in., width 13 in., depth 10 in., weight over 100 kilo.

$200/400

$1400/1800

W 964. An Art Nouveau Emerald

Green Glass and Silver Overlay Vase, floral and foliate decoration, height 8 in.

W 960. A French Gilt Bronze Tapered

Vessel, late 19th c., of Art Nouveau inspiration, signed Robert Frères, overall floral decoration, probably a lamp standard, height 15 in.

$300/500 959

$300/500 W denotes the lot is illustrated at www.nealauction.com

171

973 965 965. Walt Disney Studios “Fantasia” Hand-Painted Animation Cel, 1940, with Courvoisier background, WDP stamp, showing Mickey Mouse as the Sorcerer’s Apprentice, Courvoisier label en verso, sight 7 1/2 in. x 8 in., original frame. $800/1200 W 966. Walt Disney Studios

“Donald’s Penguin” Hand-Painted Animation Cel, 1938, with wood veneer Courvoisier background, Courvoisier label en verso, sight 6 in. x 7 1/2 in., original frame. $500/700 W 967. Walt Disney Studios

972

“Fantasia” Hand-Painted Animation Cel, 1940, showing baby Pegasus from the Pastoral Symphony segment, with Courvoisier background, WDP stamp, Courvoisier label en verso, sight 8 1/2 in. x 7 in., original frame. $500/700 W 968. Walt Disney Studios “Snow

White & the Seven Dwarfs” HandPainted Animation Cel, 1937, showing bluebirds on a branch, with Courvoisier background, hand-lettered mat, Courvoisier label en verso, sight 4 3/4 in. x 5 1/2 in., original frame. $500/700

W 970. A Group of Four Walt

Disney Studios “Bambi” HandPainted Animation Cels, 1937, two showing Thumper, one showing Friend Owl, and one with Bambi and the Large Green Frog, each with Courvoisier backgrounds with WDP stamps, Courvoisier labels en verso, sight from 5 in. x 5 1/2 in. to 6 1/2 in. x 8 1/4 in., original frames. $600/900 W 971. After Walter Inglis

Anderson (American/ Mississippi, 1903-1965), “Three Billy Goats Gruff”, c. 1980, silkscreen, hand-colored by Adele Anderson Lawton, 77 in. x 21 in., framed. $700/900 972. Philippe Halsman (American, 1906-1979), “Andy Warhol”, chromogenic print, stamped and signed by Yvonne Halsman en verso, sheet 17 in. x 14 in., unframed. $800/1200 972A. Philippe Halsman (American, 1906-1979), “Portrait of Andy Warhol”, chromogenic print, stamped and signed by Yvonne Halsman en verso, sheet 17 in. x 14 in., unframed. $800/1200

W 969. Walt Disney Studios

“Pinocchio” Hand-Painted Animation Cel, 1939, showing Figaro holding on to the tail of a fish, with Courvoisier background, Courvoisier label en verso, sight 5 1/8 in. x 4 1/2 in., original frame. $500/700

972A

172

973. Al Federico (American/New Orleans, 20th c.), “Carnivale”, oil on canvas, signed lower left, 23 1/2 in. x 47 in., framed. $1000/1500

974. Augusta Denk Oelschig (Petressen) (American/ Georgia, 19182000), “Four Sombreros”, c. 1947, oil on canvas, signed lower right, Charleston Renaissance Gallery label en verso, 14 in. x 18 in., framed. $1200/1800 Provenance: Steven Cabot Barnes Harvey (1949-1993) Collection of Southern Art. Note: Savannah-born artist Augusta Oelschig studied under Lamar Dodd at the University of Georgia in the late 1930s. She returned to Savannah, which was bustling not only with artists, but also with a successful group of female painters including Hattie Saussy, Emma Cheeves Wilkins and Mary Comer Lane. Oelschig’s career flourished and in 1947 she married James Petressen whose name she used until their divorce in the early 1960s. The couple visited Mexico City for most of 1947. It was during this time that she most likely painted Four Sombreros employing the same empathetic eye she used to depict the residents of Savannah. Upon their return to the US, the couple settled in New York where Oelschig was represented by several important galleries. She returned to Savannah after her divorce and lived there until her death in 2000. W 975. Emery Clark (New Orleans, b.

974

976

977. Noel Rockmore (American/New Orleans, 1928-1995), “Coney Island Corporation”, 1955, pen ink on paper, signed and dated lower right, 11 5/8 in. x 16 3/8 in., framed. $1000/1500 W 978. Sallie George Fulilove Doke (Texas/

Louisiana, 1872-1953), “Doke Home”, 1935, oil on canvas, signed lower left, dated on label en verso, 11 in. x 7 in., framed.

977

$800/1200 979. Laurence Christie Edwardson (American/ New Orleans, 1904-1995), “New Orleans at Night Cabildo and St. Louis Cathedral”, oil on masonite, signed lower left, signed, titled with Max Hill, The French Quarter Frame Shop label en verso, 24 in. x 48 in., period frame. $1000/1500 979 W 980. Laurence Christie

976. Hunt Slonem (American/ Louisiana, b. 1951), “Macaws”, 2002, oil on canvas, signed, titled and dated en verso, 40 in. x 30 in., framed.

Edwardson (American/ New Orleans, 1904-1995), “Gently into the Gentle Night”, oil on masonite, signed lower left, signed and titled en verso, 24 in. x 20 in., framed. $500/700

$2500/3500

1950), “Gulf Sunset Storm”, 1987, mixed media, unsigned, Galerie Simonne Stern label en verso, sight 15 in. x 23 in., framed. $300/500 W denotes the lot is illustrated at www.nealauction.com

173

981

981. Palmer Schoppe (American/New Orleans, 1912-2001), “Mississippi Paddlewheelers at the New Orleans Levee”, 1984, oil on canvas laid on masonite, signed and dated lower right, 41 1/2 in. x 91 in., framed. $5000/8000 982. George Rodrigue (American/ Louisiana, b. 1944), “The Flowers of Susan”, 1991, acrylic on canvas, signed lower left, signed, titled and dated en verso, 24 in. x 20 in., framed. $8000/12000 Note: The woman represented in this painting is inspired by the iconic Acadian heroine Evangeline, made famous by Henry Wadsworth Longfellow’s poem of 1847. Rodrigue often painted her, with the typical “black eyes” and “brown tresses” from the poem. While he used several models, sitting most often was Diane Bernard Keogh, the daughter of friends of the artist. The figure here is depicted here with her basket of roses, as narrated in Longfellow’s poem, and the model’s melancholy expression adds to the romantic sadness of the story of the star-crossed lovers Evangeline and Gabriel. Reference: Rodrigue, Wendy. “A History of Evangeline in Rodrigue’s Paintings”, Musings of an Artist’s Wife, November 10, 2009, http://www. wendyrodrigue.com/2009/11/there-are-enough-rodrigue-evangelines.html.

982

174

983. John Tarrell Scott (American/New Orleans, 19402007), “Abstract Kinetic Sculpture”, oxidized metal and wire, height 20 in., width 37 in., depth 19 in. $4000/6000 983

984

988

W 985. Arthur Silverman (American/New

Orleans, b. 1923), “Abstract Sculpture”, 1992, on a wood plinth, height 7 1/8 in., width 5 in., depth 4 in. $150/250 W 986. A Continental Patinated Bronze Figural

Group of “Two Parrots on a Branch”, 20th c., on an ovoid white veined black marble base, height 23 in. $500/750

984. Arthur Silverman (American/New Orleans, b. 1923), “Abstract Sculpture”, 1991, signed and dated, height 20 in., on a wood plinth.

$500/750 Note: The female torso in this group is a model Rodin used repeatedly, Adele Abruzzezzi.

Connecticut, known active 1966) Bronze Sculpture of “A Nereid on a Wave”, signed with initials on front of base “C.L. [?] ‘66”, height 13 3/4 in., width 7 1/4 in., depth 9 1/8 in., on black base, with artist’s name handwritten on bottom.

989. A French Monumental Bronze of “Reine des Pres”, after Auguste Moreau (French, 1855-1919), title plaque on base, height 64 1/2 in.

$500/800

$2000/3000

W 987. A Connie Naitove (American/

989

988. A Patinated Bronze of “Eternal Springtime”, after Auguste Rodin (French, 1840-1917), modeled in 1884 and cast 1916-17 after the original now in the Musée Rodin, Paris, spurious cast signature, height 15 in., width 17 in., depth 11 in.

Provenance: Purchased in Vermont.

$500/700

W denotes the lot is illustrated at www.nealauction.com

175

993

990

991. An Antique French Cast Iron Baker’s Table, late 19th c., marble top above a pierced foliate skirt, pendant corners, scrolled rosette supports, stretcher base with brass spherules, height 31 in., width 43 in., depth 23 1/2 in. $1200/1800 992. A Pair of Antique Napoleon III Carved Giltwood Fauteuils, in the Louis XV Taste, floral crest centered by a crown, medallion back, padded arms, cabriole legs. $2000/3000 Provenance: French Antique Shop, New Orleans, LA, 1985.

991

993. A Louis XV-Style Giltwood Center Table, 19th c., shaped rouge marble top over foliate carved apron, raised on cabriole legs ending in scroll feet connected by scroll stretchers, height 30 1/8 in., width 58 3/4 in., depth 29 in. $1200/1800 Provenance: French Antique Shop, New Orleans, LA, 1979. W 994. A Regency-Style Carved Mahogany Window Bench,

scrolled arms, outswept feet, height 33 in., width 64 in., depth 22 in. $500/1000 W 995. An Antique Louis XV-Style Carved Walnut and

Needlepoint Fauteuil, late 19th c., arched acanthine molded crest rail, molded stiles, serpentine arms and seat rail, cabriole legs. $400/600 W 996. French School, early 20th c., “An Orientalist Scene”,

charcoal on paper, unsigned, 15 1/2 in. x 20 1/2 in., matted and framed. $300/500 992

W 997. Friedrich Ernst Morgenstern (German, 1853-1919),

“Ship in Harbor”, oil on canvas, signed lower left, 11 1/4 in. x 16 3/4 in., framed. 990. A Pair of Neoclassical-Style Gilt Bronze Granite Guéridons, inset grey variegated tops, on four turned and paired columned supports, height 28 1/2 in., diameter 23 1/2 in. $2000/3000

176

$500/700

998. L. von Gayling (German, late 19th c.), “Blooming Oleander with Roses”, oil on canvas, signed lower right, inventory tag of Mainau and “crown V” estate stamp en verso, 29 5/8 in. x 12 5/8 in., framed. $800/1200 Provenance: Obtained at the Count Lennart Bernadotte of Wisborg 2004 sale of items from Schloss Mainau, Island Mainau in Lake Constance, Germany (Nagel auction house, Stuttgart); the estate stamp and inventory number on this lot is for the Collection of Victoria, Queen consort of Sweden (1862-1930). W 999. Continental School, late 18th/early 19th

c., “Insects and Flower”, six gouaches on laid paper, unsigned, largest sight 12 1/8 in. x 6 1/2 in., each matted and framed alike. $500/700 1000. Italian School, 19th c., “Man with Helmet”, oil on canvas, after Giorgione (Italian, 1477-1510), unsigned, inscribed en verso of canvas, 20 1/8 in. x 16 in., framed.

1000

$500/700 Provenance: An Indianapolis, Indiana, Estate. 998 1001. Italian School, 19th c., “Prophet”, oil on canvas, after Rembrandt van Rijn (Dutch, 1606-1669), signed, inscribed, and dated en verso of canvas, 20 1/8 in. x 16 in., framed. $600/900 Provenance: An Indianapolis, Indiana, Estate. W 1002. After Albrecht Durer

(German, 1471-1528), “Christus”, engraving on paper, unknown edition, sheet 5 in. x 4 in., matted and framed. $300/500 1001 1003. A Large Antique Continental Majolica Urn on Stand, late 19th c., marked in script “4136”, the shaped lobed vessel with griffin handles, cartouche, conforming base, glazed in yellow, blue, green and brown, height 49 in., width 29 1/2 in., depth 21 1/4 in.

W 1006. A Meissen Polychrome

Porcelain Figure, late 19th c., depicting a monkey playing a violin, marked with underglaze blue cross swords, height 5 1/2 in.

$1200/1800 W 1004. A Sèvres Porcelain Lidded

Urn, 19th c., blue underglaze mark, apple green banding, polychrome flowers, with raised gilt scrolled acanthus, applied ring handles, socle base, marked, height 13 1/2 in. Note: Lid restored, lacking finial. $300/500 W 1005. A Meissen Polychrome Porcelain Figure, c. 1870,

after the model by F.E. Meyer, marked with underglaze blue crossed swords, height 12 3/8 in. $700/900

$300/500

1003

W 1007. A Continental Polychrome

Porcelain Figural Group, late 19th/early 20th c., possibly Dresden, depicting a courting couple with lute, underglaze blue mark to base, height 9 1/4 in., width 9 in., depth 5 3/8 in. $500/700 W 1008. A Set of 10 Capodimonte Gilt and Polychrome

Porcelain Service Plates, molded rim of Bacchanal procession, reserve with monogrammed “N” amid hand-painted flowers, marked in underglaze blue, diameter 10 1/2 in. $600/900 W denotes the lot is illustrated at www.nealauction.com

177

W 1016. A Group of Small Antique and Vintage American

1009. A Pair of Paris Porcelain Gilt and Polychrome Urns, c. 1835, each with green ground, flared lip, opposing reserves of courting couples and floral sprays, branch handles, molded base, height 10 5/8 in.

Sterling Silver Dishes, including an Art Nouveau lily motif dish by Whiting, a repoussé dish by S. Kirk & Son, an oblong dish by Wallace, an oval dish and a footed sauce boat by Woodside; total weight 21.30 troy ozs.

$700/1000

$400/600 W 1010. A Pair of Continental Brass Push-Up Candlesticks, W 1017. A Group of Small American Sterling Silver Dishes,

19th c., labeled, cut and etched glass bell form glass shade, overall height 21 3/8 in.

including a Tiffany shell dish, a Gorham shell dish, a Gorham footed bowl and two lozenge shaped dishes, combined weight 24.20 troy ozs.

$300/500

$400/600 W 1011. An Ebonized W 1018. A Group of

Pedestal, 19th c., turned vasiform body, height 36 in., diameter 15 in.

Serving Tray, oval with scroll border and celluloid handles, length 25 1/2 in.

Baltimore Sterling Silver Repoussé Tableware, including 9 S. Kirk & Son butter pats, 4 salt cellars, salt spoons and pepperettes, Baltimore Sterling Silver Co. and Stieff; and 4 S. Kirk & Son matchbook covers; combined weight 31.40 troy ozs.

$300/500

$500/750

W 1013. A Group of Reed

W 1019. A Group of

and Barton “Francis I” Sterling Silver Flatware, pat. 1907, including a berry spoon, cake knife, 3 tablespoons, 2 cold meat forks, gravy ladle, master butter knife, 6 demitasse spoons, iced tea spoon, cocktail fork and flat butter spreader, total weight (weighable) 25.05 troy ozs. (18 pcs.)

Baltimore Sterling Silver Repoussé Tableware, including a Stieff circular tray, diameter 10 in.; 2 S. Kirk & Son wine coasters, diameter 6 1/4 in.; and 4 S. Kirk & Son coasters, diameter 4 in.

$200/400 W 1012. A Silverplate

1009

$400/600 W 1020. An Antique American

Silverplate Tea Tray, c. 1875, loop handles and border with straight gadrooning, length 29 in., width 19 1/2 in.

$400/600 W 1014. A Group of American

Sterling Silver Flatware, Frank Smith Silver Co., “Federal Cotillion” (formerly “Edward VII”) pattern, pat. 1901, including 4 dinner forks, 3 salad forks, 4 cocktail forks, 4 dinner knives, 4 butter knives (fh), 4 iced tea spoons, 3 dessert spoons, 2 teaspoons and an associated Towle serving fork, total weight (weighable) 32.55 troy ozs. (29 pcs.) $500/750 W 1015. A Group of Antique and Vintage American

Sterling Silver Flatware Serving Pieces, including a 3 piece carving set, Gorham, “Marguerite” pattern, pat. 1901; a salad serving fork and spoon, Gorham, “Imperial Chrysanthemum” pattern, pat. 1894, length 10 1/8 in.; 2 berry spoons, Whiting, “Louis XV” pattern, pat. 1891, lengths 9 1/8 in. and 7 1/2 in.; a sauce ladle, Wallace, “Waverley” pattern, pat. 1890, length 6 in.; and a berry spoon, S. Kirk & Son, “Rose” pattern, pat. 1937, length 9 1/4 in.; combined weight (weighable) 18.50 troy ozs. $400/600 Provenance: A Natchez, MS Estate.

178

$400/600 1021. An American Sterling Silver Repoussé Small Teapot, c. 1890, Wood & Hughes, New York, NY, wc. 1845-1899, height 5 1/2 in., width 7 1/2 in., weight 9.70 troy ozs.

1021

$400/600 W 1022. A Group of American Sterling Silver Handled

Knives, 63 dinner and luncheon knives in various patterns by various manufacturers including Gorham, Reed & Barton and Christofle, and 1 Queen’s pattern fruit knife, (64 pcs.) $600/800 W 1023. A Group of Four American Sterling Silver Ladles

and a Continental Silver Aspic Knife, including a Wallace “Lily” gravy ladle, a Gorham “Chantilly” gravy ladle, a Sterling Silver Mfg. Co. gravy ladle, and a Wallace “French Regency” sauce ladle; the aspic knife .800 silver, Neupest, German, c. 1890; combined weight (weighable) 16.50 troy ozs. $300/500

1026

1028

W 1024. An Art

Nouveau Sterling Silver Baby Cup, Bixley Silver Co., Providence, RI, c. 18961909; together with a sterling silver baby cup, Towle, Newburyport, MA, c. 1920; Art Nouveau height 3 in., Towle height 2 1/4 in., combined weight 6.95 troy ozs. $300/500 1033

W 1025. An American

Sterling Silver Child’s Feeding Cup, Mermod, Jaccard & Co., St. Louis, wc. 18451905, presentation inscription, height 2 3/8 in., width 5 in., weight 3.65 troy ozs. $200/400 1026. A Good Group of English and American Sterling Silver Miniatures, including a pair of Gorham vermouth shakers; an English figural match safe in the form of Mr. Punch, London, maker DAB untraced; a castor in the form of a milk pail, Newcastle; and a candlestick, unmarked, vermouth shaker height 3 1/2 in., total weight 3.75 troy ozs. (5 pcs.) $300/500

1031

W 1030. A Pair of Continental

W 1027. Three Sterling Silver Tea Infusers, including an

Art Deco tea kettle, a Japanese .900 silver strainer with stand and a ball-shaped by Paye & Baker, combined weight 3.75 troy ozs.

Silverplate Cafe au Lait Pots in the Neoclassical Taste, c. 1910, hallmarked, each urn form with chased swag decoration and turned wood handle, height 7 3/4 in. $500/750

$250/350 1028. An American Sterling Silver Flatware Service, International Silver Company, “Wild Rose” pattern, pat. 1948, including 14 dinner forks, 14 salad forks, 12 cocktail forks, 14 dinner knives, 14 butter knives (fh), 14 soup spoons, 20 teaspoons, 14 ice tea spoons, 9 demitasse spoons, 5 tablespoons, berry spoon, sugar shell and master butter knife; together with 11 teaspoons, Lunt, “Monticello” pattern, pat. 1908; 2 Alvin demitasse spoons, a Frank M. Whiting tea strainer, a sauce ladle, a Frank M. Whiting lemon fork, a Webster Company jelly server, a bottle opener and a silver plate and mother-of-pearl serving spoon; 152 pcs., total weight (weighable) approx. 144 troy ozs.

1031. A Monumental Silverplate Punch Bowl, marked “Royal Castle / Sheffield / EP”, scalloped rim, massive lion’s mask openwork handles, pedestal base, height 14 1/2 in., width 21 in. $800/1200 W 1032. A Group of Four English

Sterling Silver Sugar Tongs, London, 19th c., by various makers, weight 5.35 troy ozs. $200/400

$1200/1800 Provenance: Descended in the family of noted antiquarian Carrie Wolford, Jeanerette, Louisiana. W 1029. A Pair of Vintage Silverplate Three-Light

Candelabra, height 18 1/4 in. $300/500

1033. A Good English Silverplate Biscuit Box, Barker Brothers Silver Co., Inc., Birmingham, England and New York, early 20th c., straight-sided oval form, hinged cover, lion mask ring handles, flatchased and engraved foliate swags, raised on four shell and foliate scroll supports, height 8 in., width 8 1/4 in., depth 6 1/4 in. $150/250

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1039

1037

W 1034. An English

Victorian Silverplate Epergne, c. 1875, sinuous frame with applied lotus leaves, removable trumpet vases, height 11 1/4 in. $250/350 W 1035. Two Irish William

IV Sterling Silver Tablespoons, Dublin, 1833, maker S N untraced, crested fiddle typt, length 9 in.; together with 6 Continental .800 silver tablespoons, length 8 1/2 in., combined weight 20 troy ozs.

1041

$300/500

W 1037A. An American Gilt Lacquered Brass and

W 1036. A Decorative

Bronze Solar Lamp, 19th c., molded font, tapered fluted standard, stepped marble base, cut and etched glass shade, chimney, prism hung, overall height 22 1/2 in.

Silverplate Citrus Press, serpentine arm, lobed base, wheel-mounted hardwood press, mounted on variegated marble base, height 12 in. $600/900 1037. An American Gilt Lacquered Brass Solar Lamp, c. 1843, Cornelius & Co., Philadelphia, labeled font atop columnar standard, marble base, cut and etched glass shade, prism hung, now electrified, overall height 22 1/2 in. $500/700

180

$500/700 W 1038. A Pair of Gothic-Style Gilt Metal

Lanterns, fitted with frosted glass panels, height 32 in., diameter 13 in. $600/900 1039. A Pair of German Figural Porcelain Lamps, early 20th c., with oval lithophane panels inset into domed floral-strewn shades, each circular base supporting a central tree with two couples dancing beneath, elaborate finials (one repaired), each marked by Von Schierholzsche, height 25 in., diameter 13 in. $800/1200

1040

1040. An American Renaissance Carved and Gilded Pier Mirror, c. 1870, anthemion and shell crest, blocked corners, strapwork sides, shaped mirror plate with conforming marble top base, anthemion supports, height 89 in., width 33 in. $800/1200 1041. An Antique American or English Carved and Gilded Mirror, 19th c., in the Rococo taste, ebonized backboard, shell and floral surround, laurel and bead inner frame, later mirror plate, height 32 1/4 in., width 26 1/4 in. $600/800

1045 1047

W 1046. An Antique

American ChippendaleStyle Carved Walnut Upholstered Stool, 19th c., molded scalloped frame with inset upholstery, shell carved cabriole legs, ball and claw feet, shaped stretchers, height 21 in., width 20 in., depth 17 in. $500/700

1049

1048

W 1042. A Tall Pair of Antique French Glass

Candlesticks, c. 1860, probably Baccarat, spiral pattern throughout, retaining most of the original “Albert” prisms, height 18 1/2 in. $200/400 W 1043. A Gilt Bronze and Porcelain Mounted Clock,

open escapement, calendar dial, height 22 in., width 16 1/2 in., depth 7 1/2 in. $800/1200 W 1044. A Continental Bronze and Enameled Double

Carriage Clock , height 7 in., width 8 1/2 in., depth 3 3/4 in.

1045. A Pair of Gilt Bronze-Mounted Japanese Imari Covered Jars, 18th/19th c., ovoid bodies with domed covers decorated with potted plant design, jar and cover, height 9 1/4 in., now drilled and mounted as lamps. Note: “Estate” condition. $300/500

1047. An American Rococo Carved and Laminated Rosewood Settee, c. 1850-60, attributed to John Henry Belter, New York, in a variation of the pattern commonly referred to as “Rosalie”, undulating grapevine and floral crest, serpentine seatrail and cabriole legs with floral carving, casters, height 39 1/2 in., width 57 in., depth 19 1/2 in. $2000/3000 1048. An American Late Classical Figured Mahogany Armoire, c. 1835, flared cornice, coved frieze, pair of paneled doors, fitted interior of three drawers and shelves; engaged faceted columns, scroll feet, height 89 1/2 in., width 72 in., depth 27 in. $1500/2500

Provenance: Estate of Joseph A. Davenport III, Mer Rouge, LA.

1049. An American Classical Carved Mahogany and Gilt Piano Stool, early 19th c., circular swivel seat on acanthuscarved base, paw feet. $500/700

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1051. An American Late Classical Mahogany Center Table, c. 1835, serpentine black marble top above a conforming frieze, on incurvate faceted stem, gothicized trefoil feet, casters, height 29 1/2 in., width 38 1/2 in., depth 30 1/2 in. $1000/1500 1052. An American Late Classical Carved Mahogany Sofa, mid19th c., tubular acanthus scroll crest, blocked and torus molded seat rail, paw feet with scrolling fruit and nut brackets, casters, height 35 in., width 65 1/2 in., depth 24 1/2 in. $1200/1800

1050

1054

1052

1051

1050. An American Late Classical Carved Mahogany Armoire, mid19th c., flared and molded ogee cornice with chamfered corners, paired Gothicized paneled doors, divided interior, two drawers below, scalloped base, bracket feet, height 94 in., width 71 in., depth 29 in.

1053. An American Classical Carved Mahogany Work Table, early 19th c., two drawers, foliate carved and turned legs, brass ferrules, casters, original brasses, height 32 in., width 22 1/2 in., depth 17 in.

$1200/2000

$1200/1800]

$500/700 1054. Edwin Harleston (American/Charleston, 1882-1931), “Portrait of a Man”, oil on canvas, signed upper left, Charleston Renaissance Gallery label en verso, 25 in. x 22 in. unframed. Provenance: Steven Cabot Barnes Harvey (1949-1993) Collection of Southern Art. Illustrated: The Steven Harvey Collection of Southern Art, The Charleston Renaissance Gallery, 2005, p. 21. 1053

182

1055. An American Classical Mahogany and Gilt Painted Dressing Chest, c. 1825, New York, rectangular mirror with scroll supports above a superstructure of three small drawers; base with torus molded frieze drawer, two deep drawers flanked by columns, gilded paw feet, height 64 1/2 in., width 36 1/2 in., depth 24 in. $800/1200 1057 1056. Two American Classical Carved Mahogany Klismos Chairs, early 19th c., Philadelphia, one having paneled crest rail with flared reeded tablet, pierced shellcarved medial rail, deep slip seat, molded rail, saber legs with bosses; the other of identical form without tablet.

1055

$500/750 1057. A Good American Federal Figured Mahogany Games Table, early 19th c., Philadelphia, Haines-Connelly school, reeded foldover top above conforming skirt; ring-turned, reeded and tapered legs ending in button feet, height 29 1/2 in., width 36 in., depth 17 1/2 in. $800/1200 1058. An American Federal Figured Mahogany Games Table, early 19th c., Philadelphia, found en suite with preceding lot, height 29 1/2 in., width 36 in., depth 17 1/2 in. $800/1200 W 1059. An American Classical

Mahogany Sleigh Bed, c. 1835, New York, scrolled head and foot boards, shaped rails, block feet, height 44 3/8 in., interior width 56 3/8 in. and length 74 1/2 in. $500/750

1058

1056

1060. An American Restauration Carved Mahogany Secretary Bookcase, early 19th c., stepped molded cornice, a pair of glazed doors with Gothic arch mullions, adjustable shelves, two molded drawers flanked by scrolled stiles, the base with pull out writing surface above a pair of paneled doors, scrolled stiles ending in scrolled feet, height 91 in., width 47 in., depth 22 1/2 in. $2000/3000 Provenance: An old shipping label found with this lot reads “Mr. Edward R. Finch, 860 Park Avenue, New York City/ dining room, 2nd floor.

1060

W denotes the lot is illustrated at www.nealauction.com

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1063

1062. A Pair of American Classical Carved Mahogany Gondola Armchairs, early 19th c., rounded crest rail, vasiform splat, scroll arms, slip seats, curved rail, saber legs. $500/700 1063. An American Carved Mahogany Plantation Desk, mid-19th c., the drop front enclosing pigeonholes and drawers, frieze drawer raised on later turned, tapering legs, height 57 1/2 in., width 33 1/4 in., depth 21 5/8 in.

1061

$500/750

1062 1064 1061. A Very Rare American Late Classical Mahogany Youth Bed, c. 1845, probably New Orleans, flared tester, scroll headboard centered by fan, octagonal posts, shaped rails, height 96 1/2 in., width 40 1/4 in., length 76 1/4 in. $2500/3500

184

1064. An American Southern Late Federal Cherrywood Sugar or Storage Chest, 19th c., molded hinged lid, divided interior, drawer below, turned feet, height 33 in., width 38 1/2 in., depth 20 3/4 in. $800/1200

1065

1066

1065. Alexander John Drysdale (American/ New Orleans, 18701934), “Bayou Teche, Louisiana”, 1931, oil on canvas board, signed and dated lower left, signed, titled and with Devoe & Reynolds Co. label en verso, 16 in. x 19 7/8 in., framed. $2500/3500 1066. Alexander John Drysdale (American/ Louisiana, 18701934), “Live Oak, Louisiana Bayou”, oil wash on board, signed lower right, 15 1/4 in. x 19 3/4 in., period frame.

1067

1069

$2000/3000 1067. Marie Therese Bernard de Jaham (American/New Orleans, 1869-1916), “Peddler traveling in the Louisiana Countryside”, oil on board, signed lower right, 8 in. x 11 in., antique gilt frame.

1068. Christopher Patrick Hussey Murphy (American/Georgia, 1869-1939), “Savannah Harbor”, oil on board, unsigned, authenticated by artist’s daughter on section of old backing, Charleston Renaissance Gallery label en verso, 10 in. x 14 in., period frame. $1000/1500 Provenance: Steven Cabot Barnes Harvey (1949-1993) Collection of Southern Art.

1068

$800/1200 Note: A student of George David Coulon and Andres Molinary, Marie Therese Bernard de Jaham was an accomplished woman artist working in New Orleans at the turn of the century. In 1910, she earned a painting commission from St. Augustine, an African-American church in the Faubourg Tremé. Known for her religious paintings, de Jaham painted a copy of Murillo’s famed “Assumption of the Virgin” and life-size figures of the four evangelists that were installed on the ceiling of the church. Here de Jaham depicts a peddler and his mule drawn cart as he roams through southern Louisiana selling his wares.

1069. Southern School, 19th c., “Portrait of a Man, Possibly Georgia State Representative John Burdin of Morgan County” oil on canvas, unsigned, inscribed on stretcher “John Burdin”, 30 in. x 25 1/4 in., original yellow pine frame. $800/1200 Provenance: Steven Cabot Barnes Harvey (1949-1993) Collection of Southern Art.

Reference: Mahe, John and Rosanne McCaffery, eds., Encyclopaedia of New Orleans Artists, 1718-1918, The Historic New Orleans Collection, 1987, p. 103.

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1072. Robert Rucker (American/Louisiana, 19322001), “Pirate’s Alley” and “French Quarter Street”, watercolors on paper, each signed lower right, sight 14 in. x 5 in., matted and framed. $800/1200 W 1073. Lionel Heymann, APSA, FPSA (American/

Chicago, mid-20th c.), collection of 11 vintage silver gelatin photographs of Southern Louisiana and New Orleans, c. 1950s, most signed in pencil, “Row Boats” photographers stamp and Monthly Award, Camera Club of Atlantic City label en verso, sizes from 16 in. x 13 in. to 13 1/2 in. x 10 1/2 in., most mounted on board, all unframed. $500/700 1070

1071

1070. William O. Golding (American/ Savannah, 18471943), “Ship”, oil on canvas laid on board, signed lower right, Charleston Renaissance Gallery and Mason Murer Fine Art, Atlanta labels en verso, 6 1/2 in. x 13 1/2 in., artist-made traystyle frame.

1076

W 1074. Eugene Delcroix (American/

New Orleans, 1891-1967), “Old Brulatour Patio, French Quarter”, two vintage hand-colored photographs, both signed lower right, one with title label en verso, sight 6 1/2 in. x 4 1/2 in. and 5 in. x 3 1/2 in., framed. $300/500 W 1075. Southern School, early 20th

c., “Rich Neck Farm, Robert Ruffin House, Surry County, (Tidewater) Virginia”, handcolored silver gelatin print, inscribed en verso, sight 4 1/8 in. x 6 1/2 in., antique frame.

$1000/1500 Provenance: Steven Cabot Barnes Harvey (1949-1993) Collection of Southern Art. 1071. James Ralph Wilcox (American/ Florida, 18661915), “Florida Cabin Scene”, watercolor, signed lower right, 3 3/4 in. x 10 3/4 in., framed. $700/900

186

$150/250 Note: The extensive inscription reads “...for any information re. the Ruffin house, ask Miss Mary Penfield, 8428 Pritchard Place, New Orleans, La...” Reference: www.dhr.virginia.gov

1072

1076. American School, 19th c., “Portrait of a Young Boy”, miniature watercolor on ivory, unsigned, 1 3/8 in. x 1 1/8 in., in the original 18 kt. gold case with integral necklace loop and baize-lined skin case. $600/900 Provenance: Descended in a Mobile, Alabama family from New Orleans/Charleston.

1077. A Pair of American Gilt Lacquered Brass Girandoles, mid19th c., probably Cornelius & Co., Philadelphia, each figural standard issuing three acanthus arms ending in candle cups, marble base, prism hung, height 18 7/8 in.

1077

1081

$800/1200 1078. A Fine American Gilt Brass Figural Girandole Garniture, mid-19th c., attributed to H.N. Hooper & Co., Boston, consisting of a three-light centerpiece with standard of a recumbent woman with fruit, marble base, prism hung, flanked by two singlearm fixtures with standards of Roman centurions, centerpiece height 18 3/8 in. $400/600 Note: The standards of the single light girandoles are illustrated in the 1850s H.N. Hooper & Co. catalog as item No. 318. Reference: Bacot, H. Parrott, Nineteenth Century Lighting, pp. 194195.

W 1079. George Overbury “Pop” Hart

(American, 1868-1933), “Mammy”, 1923, drypoint, pencil signed and inscribed, plate 9 3/5 in. x 7 1/8 in., framed. $400/600 Provenance: Steven Cabot Barnes Harvey (19491993) collector of Southern Art. W 1080. A Large American Federal

Brass and Iron Fireplace Insert, late 18th/early 19th c., iron grate at center flanked by stepped, outset columns, square bases, height 41 1/2 in., width 46 in., depth 11 1/2 in. $300/500 1081. An American Folk Cherrywood Box, mid-19th c., divided interior, turned feet, height 6 1/2 in., width 9 1/4 in., depth 8 3/4 in. $300/500

1078

1082. A Small American Folk Art Carved Pine Hanging Cupboard, mid19th c., probably Pennsylvania German, stipple decoration of flowers and stylized acanthus, height 19 in., width 10 1/4 in., depth 6 in. $300/500 W 1083. A Pair of American or

1082

English Brass Spring-Loaded Candlesticks, 19th c., with glass baluster-form storm shades with ruffled rims, circular foot with floriform decoration, height 13 1/2 in. $200/400 1084. An American Classical Coin Silver Teapot, J.B. McFadden & Co., Pittsburgh, c. 1840, marked “JNo B McFADDEN & Co” in serrated rectangle and “PITTSBURG” in serrated rectangle; with floral finial, S scroll handle, lobed pyriform body with die-stamped banding and stepped foot, height 11 in., weight 35 troy ozs. $1000/1500

1084

Provenance: Collection of Steven Cabot Barnes Harvey (1949-1993).

W denotes the lot is illustrated at www.nealauction.com

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1088. An American Coin Silver Ice Cream Set, George Sharp, Philadelphia, wc. 1844-1874, including an ice cream spade and 10 ice cream spoons, each with floral and foliate handle, retaining traces of original gilding; spade length 11 1/2 in., total weight 11.40 troy ozs.

1088

$400/600 Provenance: A Natchez, MS Estate.

1085

1089. A Pair of American Aesthetic Sterling Silver Master Salts and Salt Spoons, Whiting Mfg. Co., New York, wc. 18661926, heron and bamboo decor, monogrammed “CCB”, height 1 1/2 in., diameter 2 1/2 in., weight 6.15 troy ozs.

1089

$250/350 Provenance: A Natchez, MS Estate. 1091

W 1086. An American Coin Silver

Cordial Glass, with presentation inscription to the Rt. Rev. J.J. Williams, Bishop of Boston, 1866; together with a coin silver wine cup, c. 1850. 1090

1085. An American Coin Silver Pitcher, John Chandler Moore, NY, wc. 1827-1848, ret. John & James Cox, NY, wc. 1817-1853, paneled vase form with chased cartouches and floral decoration, scroll handles, height 12 1/4 in., weight 30.05 troy ozs. $2000/3000

$400/600 Note: John J. Williams (1822-1907) was consecrated the fourth Bishop of Boston in 1866, and would become the first Archbishop of Boston in 1875. W 1087. Two American “Medallion”

Coin Silver Collectibles, c. 1860, including a cased berry spoon by Albert Coles, New York, act. 1835-1875, Minerva profile, twist handle and engraved berries in bowl, length 8 1/2 in.; and a small folding fruit knife/nut pick, with Classical female profile, length 3 1/4 in., combined weight 3.15 troy ozs. $400/600

188

1090. An American Coin Silver Repoussé Pitcher, Jones, Ball & Poor, Boston, wc. 1846-1852, footed vase form with floral and scroll decoration, scroll handle, weight 26.90 troy ozs. $1500/2500 1091. An American Sterling Silver Coffee and Tea Service, International Silver Company, “Prelude” pattern, mid20th c., comprised of a teapot, coffee pot, sugar, creamer and waste bowl, teapot height 9 1/2 in., coffee pot height 11 in., combined weight approx. 66.5 troy ozs; with an associated oval silverplate tea tray, Wilcox International Co., length 26 in. $1500/2500

W 1092. A

Miscellaneous Group of Antique and Vintage Silver, coin examples including a dessert spoon, Samuel Cockrell, Natchez, MS, wc. 1838-1893; 2 unmarked master salts and a mustard ladle; sterling silver by makers including Tiffany, Gorham, Frank M. Whiting, and S. Kirk & Son, teaspoons and small serving pieces; silverplate including a fish serving knife and fork, 6 Christofle (fh) butter knives, and 6 cocktail forks; approx. 40 pcs., total weight (weighable) approx. 19.35 troy ozs. $350/450 W 1093. An American

Coin Silver Presentation Cup, mid-19th c., unmarked, paneled octagonal form with engine turned engraving, S scroll handle, presentation inscription “To/ Katie Boyd/ from/ her Godmother/ L.A.H.”, height 4 3/4 in., weight 6.40 troy ozs.

1098 1100

W 1097. An American Ebonized and Painted

Overmantel Mirror, late 19th c., beveled oval mirror plate, upper motif of two painted swans, storks on each spandrel, height 40 in., width 22 in., depth 3 3/4 in.

$150/250

$500/700

Provenance: A Natchez, MS Estate.

1098. An Antique Louis XV-Style Carved and Gilded Mirror, 19th c., floral crest surmounted by a wreath, bird and crossed torches, deeply molded oval frame, height 51 in., width 32 in.

W 1094. [Antique Insurance Maps of

New Orleans], 1940s, Vols. 3, 6 and 10, published by Sanborn Map Co., NY, handcolored maps of the University area, MidCity and the French Quarter, sheets 25 in. x 20 in., one volume loose.

$1000/1500 1099. A Good Antique Federal-Style Mahogany and Églomisé Banjo Clock, c.1915, dial signed “Chelsea Clock Co”, works marked “Chelsea Clock Co./ Boston, USA” and with serial # 109199, acorn finial, églomisé tablets bordered by rope-turned borders, fluted bracket with spherules, height 41 in., width 10 1/2 in., depth 3 1/2 in.

$600/800 W 1095. [Antique Insurance Maps of

Lake Charles, LA], 1919, published by Sanborn Map Co., NY, hand-colored maps showing real estate details, presented in 29 segments, sheets 25 in. x 20 in.

$1000/1500

$500/700 W 1096. [Antique Insurance Maps of

Covington, LA], 1921, published by Sanborn Map Co., NY, hand-colored maps, showing real estate details, presented in 9 sections, sheet 25 in. x 20 in. $400/600

1099

1100. An Antique American Carved Mahogany Chest on Chest, partially 18th c., in two parts; the upper case with molded cornice over a configuration of graduated drawer; lower case with four graduated drawers, front ball and claw feet, rear bracket feet; oval brasses, height 68 in., width 41 in., depth 20 in. $800/1200

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1103 1101

1104

1102. An American Late Classical Carved Mahogany Secretary Bookcase, c. 1835, molded cornice, glazed doors flanked by columns, shelf interior; lower case with four torus molded drawers over an escritoire drawer with fitted interior of drawers and cubbyholes, paneled doors below flanked by columns, paw feet, height 101 in., width 51 1/2 in., depth 23 1/2 in. $1800/2500

1102

1101. An American Classical Carved Mahogany Butler’s Desk, c. 1830, rectangular top above fitted sécrétaire drawer, pair of paneled cupboard doors flanked by columns, plinth base, acanthine paw feet, height 46 5/8 in., width 47 3/4 in., depth 25 3/4 in. $1200/1800

190

1103. An American Classical Carved Mahogany Sideboard, c. 1835, of architectonic form, flattened pediments containing removable trays, molded frieze fitted with two drawers, pedestal cabinets flanked by Ionic columnar supports, aedicule with mirrored back, massive plinth raised on suppressed paw feet, height 45 in., width 79 in., depth 28 in. $800/1200

1104. An American Classical Carved Mahogany Settee, early 19th c., Boston, rectangular upholstered back, rounded arms, arched foliate and volute terminals, deeply reeded seat rail, volute blocked feet, casters, height 34 in., width 60 in., depth 28 in. $800/1200 Note: This settee, with its rectilinear form and boldly carved embellishments, is part of a well-known group of Boston seat furniture influenced by English designers Peter and Michelangelo Nicholson and Thomas King. A number of seating examples by Boston makers, also using the bold juxtaposition of box form and carved surface as seen here, are illustrated in Talbot. “Seating Furniture in Boston, 1810-1835”, Magazine Antiques (May 1991), pl. X, XXII and XXV. See also a mahogany sofa sold in these rooms as lot 197 on July 15, 1995, and a mahogany sofa sold as lot 91 on February 23, 2008.

1105. An American Classical Carved Mahogany Center Table, early 19th c., New York, faceted top, conforming ogee molded skirt, bulbous flared stem with beveled molding, incurvate plinth, scroll feet, height 29 in., width 34 1/2 in., depth 34 1/2 in. $800/1200 1106. An American Late Classical Mahogany MultiForm Table, c. 1840, banded foldover swivel top, incurvate columnar support, shaped plinth, disc feet, height 30 in., width 41 in., depth 41 in.

1105

$700/1000 1107. An American Late Classical Rosewood Commode, c. 1840, J. & J.W. Meeks, New York, stenciled label, later marble top above drawer and door, shaped base, height 29 in., width 24 in., depth 19 in.

1107

$500/750 W 1108. An American

Classical Mahogany Ottoman, early 19th c., square ogee molded frame, ogee bracket feet, height 14 3/8 in., depth 19 in., depth 19 in.

1106

$300/500 1109. An American Rococo Carved and Gilded Overmantel Mirror, mid-19th c., arched pierced crest with scrolls and floral garlands, ebonized base board, later “antiqued” gilt, height 64 in., width 60 in. $1200/1800

1110

1109

1110. An American Late Classical Mahogany Cheval Mirror, 19th c., pedimented crest, square columnar supports, scroll feet, casters, height 74 3/4 in., width 35 1/2 in., depth 21 in. $500/750

W denotes the lot is illustrated at www.nealauction.com

191

1112. American School, 19th c., “Portrait of Albert John Ochsner (1858-1925)”, c.1915, oil on canvas, unsigned, 36 in. x 30 in., unframed. $1000/1500 Note: This portrait depicts medical practitioner Albert John Ochsner, a leader in the development of modern surgical techniques and a founding member of the American College of Surgeons, of which he was president, 1112 1923-24. Born on April 3, 1858 in Wisconsin, he spent much of his professional life in Chicago. He attended the University of Wisconsin in 1881 and completed the four year course in three years, graduating with honors and a B.S. He decided to pursue a career in medicine and received his degree from Rush Medical College of Chicago in 1886. Among his many honors, he served as President of the Clinical Congress of Surgeons of North America 1920-12; the American Surgical Association, 1924; and as editor of the journal Surgery, Gynecology, and Obstetrics. Ochsner played the role of mentor to his younger cousin, Dr. Alton Ochsner (1896-1981), who followed in his footsteps. Clinics in several cities including New Orleans still bear the Ochsner name.

1111

1113

1111. A School Girl Album by Mary Washington Rose (American/ Mississippi, 1819-1883), Grandniece of General George Washington, c. 1833, Copiah County, Mississippi, watercolor on paper bound with cotton wove paper, 10 in. x 8 in., containing eleven vibrant watercolor drawings, principally of flora, a rich still life, and a full-length figure of a young girl, each set above an intriguing range of verses; together with a draft letter by her father William Pinckney Rose. $500/700 Note: William Pinckney Rose (1787-1861) was a veteran of the Battle of New Orleans, and a member of the Mississippi Constitutional Convention.

192

1113. Southern School, late 19th c., “By the Cotton Fields: Wash Day at Sharecropper’s Cabin”, 1889, oil on academy board, initialed and dated lower left, 17 1/4 in. x 23 3/4 in., in an antique gilded frame. $1000/1500 W 1114. Lalla Walker Louis

(American/Mississippi, b. 1912), “Mississippi Cabin by the Cotton Field”, 1982, oil on canvas board, initialed lower left, signed and dated en verso, 8 in. x 10 in., in an antique frame.

1115

$800/1200 Provenance: According to handwritten note en verso, the painting was purchased from the artist. 1115. Alexander John Drysdale (American/New Orleans, 18701934), “Louisiana Bayou”, 1923, oil wash on board, signed and dated lower left, sight 9 1/2 in. x 19 1/2 in., in a period frame. $2000/3000

1116. Colette Pope Heldner (American/New Orleans, 19021990), “Swamp Idyll (Louisiana Bayou Country)”, oil on canvas, signed lower left, signed and titled en verso, 48 in. x 24 in., framed. $3000/5000 Provenance: Acquired from the artist by the current owner.

1118

1117. Colette Pope Heldner (American/New Orleans, 19021990), “Swamp Idyl, Louisiana Bayou”, oil on artist board, signed lower left, titled and signed en verso, 16 in. x 20 in., original frame. $1500/2500

1116

1119

1117

1120

1118. Charles Reinike (American/New Orleans, 1906-1983), “Home at Day’s End, Louisiana”, watercolor on paper, signed lower right, sight 10 1/4 in. x 14 1/2 in., matted and framed.

1119. Rolland Harve Golden (American/Louisiana, b. 1931), “Pere Antoine’s Garden”, 1962, watercolor on paper, signed and dated lower right, 22 in. x 30 in., matted and framed.

1120. Warree Carmichael LeBron (American/Alabama, 1910-1998), “Rockford, Alabama Cotton Gin”, 1964, oil on canvas, signed and dated lower right, 30 in. x 40 in., framed.

$500/700

$1200/1800

$2000/3000 W denotes the lot is illustrated at www.nealauction.com

193

1124. Arnold Turtle (American/ Louisiana, 1892-1954), “Woman in Red”, oil on masonite, signed lower right, 20 in. x 16 in., original frame. $1500/2500 W 1125. Ryland

Warriner Green (American/New Orleans, b. 1934, active Newcomb College, 1960-62, 1964-69), “Seascape at Dusk”, “Shells and Tall Grass by the Shore”, and “Shells and Rocks on the Beach”, watercolors, all signed lower right, sight 11 in. x 15 in., 17 in. x 22 1/2 in., and 11 in. x 15 in. respectively, framed.

1123

1121

1121. Glenna Montague Latimer (American/Virginia, 1898-1981), “Victorian Arrangement”, 1938, oil on canvas, signed lower right, Charleston Renaissance Gallery label and inscribed on stretcher en verso, 39 in. x 25 1/2 in., original frame.

$800/1200 Note: Upon receiving his M.F.A. degree from Newcomb College, Ryland Greene joined the faculty at the University of Manitoba School of Art in Winnipeg, Canada. When New Orleans artist and teacher, Ida Kohlmeyer, went on sabbatical from Newcomb College in 1964, Greene was invited back to the school as a teacher.

$1500/2500 Provenance: The Virginia Museum of Fine Arts, c. 1939 until 1966; later acquired by Steven Cabot Barnes Harvey (1949-1993) Collection of Southern Art. Illustrated: The Steven Harvey Collection of Southern Art, The Charleston Renaissance Gallery, 2005, p. 28. Note: Born in Newport News, VA in 1898, Glenna Latimer studied with Daniel Garber and Hugh Breckenridge at the Pennsylvania Academy of Fine Art. She returned to Virginia and settled in nearby Norfolk where she worked as a painter and a children’s book illustrator. Her work was exhibited at the 1939 World’s Fair in New York, The Corcoran Gallery, Virginia Museum of Fine Arts, and in several of the PAFA Annual Exhibitions.

1124

Reference: Bonner, Judith H., Newcomb Centennial, 1886-1986: An Exhibition of Art by the Art Faculty, New Orleans: Newcomb Gallery in association with New Orleans Museum of Art, 1987, p. 29.

W 1122. Helen Hunt Bencker Hoie

1126. Morris Henry Hobbs (American/ New Orleans, 1892-1967), “Courtyard of the Maison Brulatour, Old New Orleans”, 1948, and “St. Ann St. from Royal, Old New Orleans”, 1948, two etchings, both pencilsigned and titled, dated in plate, edition of 200, plate 9 in. x 5 7/8 in. and 7 in. x 5 1/2 in. respectively, both in original mat folders.

(American 20th c., active New Orleans, 1930-1940), “Guilt: Sketch for New Orleans Judicial” and “Mass: Religious New Orleans”, two charcoals on paper, both signed and titled on mat board, both bearing Feb. 3, 1933 Carnegie Institute of Technology Exhibition stamp en verso, 19 in. x 25 in. and 24 in. x 18 7/8 in. respectively, unframed. $800/1200

$400/600

1123. Arnold Turtle (American/Louisiana, 1892-1954), “Boats at Shore”, oil on masonite, signed lower left, 16 in. x 20 in., original frame. $1500/2500

194

While in New Orleans, Greene’s artistic career flourished and he exhibited at the Orleans Gallery, Newcomb Gallery, Lowe Art Gallery in Miami and won an award from Florida’s Society of Four Arts.

1126

1127. Morris Henry Hobbs (American/New Orleans, 1892-1967), “Atchafalaya Swamp, Louisiana”, 1944, etching, pencil-signed, plate 12 in. x 9 in., framed. $400/600 W 1128. Morris Henry

Hobbs (Louisiana, 18921967), three etchings, “Dolores”, 1935, pencil-signed, numbered “Ed/25” and titled, image 5 3/4 in. x 4 in.; “Lassitude”, pencil-signed, numbered “Ed/10” and titled, image 8 in. x 10 in.; and “Piquante”, pencil-signed, numbered “Ed/250” and titled, image 7 1/4 in. x 5 in., all unframed.

1127

1134

$600/800 Provenance: Descended in the family of the artist. W 1129. Morris Henry Hobbs

(Louisiana, 1892-1967), “Tristeza”, 1944-45, drypoint and aquatint on paper, signed and titled, image 8 in. x 6 in., unframed. $300/500 Provenance: Descended in the family of the artist. 1133 W 1130. Roland Scherman

(American, b. 1939), “Walls of San Miguel”, two fine art prints, signed and numbered 1/35, 22 in. x 30 in., framed. $400/600 W 1131. Paul H. Smith (American, b. 1894),

“Pirate’s Alley”, “The Old Spanish Mint”, “Mississippi Ferry”, and “Vicksburg”, four miniature etchings, all pencil-signed and titled, editions of 100, 2 in. x 1 1/2 in., 2 in. x 1 5/8 in., 1 1/2 in. x 1 7/8 in., 1 1/2 in. x 1 3/4 in. plates respectively; and “Pirate’s Alley”, etching, pencilsigned and titled, numbered 30/75, 8 in. x 6 in. plate; together with W. Stuart Archibald (American/New Orleans, 20th c.), “New Orleans Patio”, watercolor, signed lower right, 5 3/4 in. x 5 3/4 in., all unframed, (6 pcs.) $400/600 Provenance: Estate of Morris Henry Hobbs, Mandeville, Louisiana. Paul H. Smith and Morris Henry Hobbs were both members of the Chicago Society of Etchers and participated in the miniature print revival of the 1930s and 1940s.

1133. A Fine Framed Needlework, “The American Shield”, c. 1876, depicting the American eagle amid stars and stripes, shield and flags, olive branches and arrows, thirteen stars above and ribbon with “E Pluribus Unum” below, height 28 in., width 31 1/2 in., depth 1 1/2 in.

1135

$600/800 1134. An Antique American Carved Mahogany Kneehole Desk, c.1890, probably Sypher and Co., New York, serpentine molded top, blocked long drawer above shell carved kneehole cupboard flanked by three drawers on each side, molded base, shell carved cabriole legs, ball and claw feet, height 31 1/8 in., width 37 3/4 in., depth 20 1/4 in. $1000/1500 Note: This desk exhibits many similar features to a partially labeled Sypher & Co. desk from the Stanley Weiss Collection (acc. No. 01279). Reference: http://www.tildenthurber.com/stanleyweiss/pages/items12/sw01279.html

W 1132. Morris Henry Hobbs (American, 1892-

1967), “Nereida”, 1945, etching, signed and numbered, sheet 15 in. x 12 1/4 in., plate 10 in. x 8 in., unframed. $300/500

1135. An American Gothic Rosewood Grained Hall Chair, mid-19th c., crocketed crest, oval padded back, turned stiles with finials, low scroll arms, serpentine seat, turned legs, casters. $300/500 W denotes the lot is illustrated at www.nealauction.com

195

W 1137. An American Late

Classical Carved Mahogany Table, mid-19th c., foldover swivel top above a molded apron, shaped supports, stepped trestle base, scroll feet, connected by a shaped stretcher, height 28 1/2 in., width 47 1/4 in., depth 23 3/8 in. $500/700

1138

1138. A William IV Mahogany and Marble Top Pedestal Cabinet, 19th c., stenciled “From H. LAWSON, Upholsterer & r. William Street WINDSOR”, inset marble, single door opening to shelf, plinth base, height 28 in., diameter 15 in.

1139

$500/750 1139. A William IV Carved Oak Pier Table, mid19th c., molded top, plain frieze, acanthus carved scroll supports, ending in block feet, height 34 7/8 in., width 49 1/2 in., depth 20 1/2 in. $700/900 1140. A George III Mahogany Corner Cabinet, late 18th/early 19th c., cornice with pendant drops above a glazed door, shelf interior, the base with three drawers, height 43 in., width 34 in., depth 17 in.

1141

$1000/2000 1140

1142

1141. An Antique Georgian Oak Mule Chest, late 18th/early 19th c., lift top, wrought iron hinges, raised panel front, two low drawers below, molded base, blocked feet, height 38 in., width 53 7/8 in., depth 21 1/2 in. $1000/1500

W 1136. An American Classical Mahogany Washstand, 19th

c., associated marble top, long drawer, over a pair of doors, chamfered engaged columns, conforming blocked feet, height 28 1/2 in., width 30 1/8 in., depth 16 5/8 in. $400/600

196

1142. A George III Mahogany Sideboard, early 19th c., shaped crossbanded top, center drawer flanked by two drawers and a door faced as drawers, square tapered legs, spade feet, height 34 7/8 in., width 49 1/4 in., depth 21 5/8 in. $1200/1800

1143. A Fine British Rococo Revival Incised and Burl Walnut Bedroom Suite, mid-19th c., comprising a wardrobe, washstand, dressing table, and quilt rack; the wardrobe with three doors and central mirrored panel, the expansive washstand and dressing table with kidney-form tops, frieze drawers and trestle bases, all with fine carvings, “damascene” incised surfaces and finely figured burl veneers, (4 pcs.), wardrobe height 115 in., width 59 in., depth 33 in. $8000/12000 Note: This remarkable bedroom suite exhibits vivid “damascened” carved surfaces and fine burl veneers worthy of a special commission. A suite of drawing room furniture in the collection of Restall, Brown and Clennell, Ltd. and probably from the same cabinet shop as the suite offered here is illustrated in Symonds and Whineray. Victorian Furniture. pp. 117-118, figs, 134-138.

1143

W denotes the lot is illustrated at www.nealauction.com

197

1144

1148

1145. A Fine ChippendaleStyle Carved Mahogany and Inlaid Three Pedestal Dining Table, 20th c., figured top with banded inlay and foliate edge, urn form pedestals on arched acanthine legs, claw and ball feet, height 30 1/2 in., length 144 in., width 54 1/2 in. $4000/6000

Provenance: Purchased Manheim Galleries, New Orleans. 1146. An Antique English Carved Oak Dresser, the associated plate rack above two drawers, square legs, stretcher shelf, height 69 in., width 68 in., depth 19 1/2 in. $1400/1800

1145

1147. A French Provinçial Carved Walnut Bonnetière, early 19th c., Normandy, molded cornice over a paneled door embellished with grape clusters, above a vine and floral carved drawer, shaped apron, bracket feet, height 81 1/8 in., width 42 1/2 in., depth 21 5/8 in. Note: Later shelves. $800/1200 1148. A Continental Inlaid Mahogany Work Table, c. 1825, hinged top, opening to divided interior, one drawer below, standard on incurvate plinth, height 30 in., width 17 1/2 in., depth 14 1/2 in. $800/1200

1146

1144. An Antique George III-Style Carved Mahogany Sideboard, serpentine top with rosette and ribbon edge, conforming case with center drawer over patera-carved deep drawer, flanked by door and bottle drawer, bellflower stiles, square molded tapered legs, spade feet, height 36 in., width 72 in., depth 26 1/4 in. $1500/2500

198

1147

W 1149. An

Antique Louis XV-Style Carved Walnut Mirrored Three Panel Dressing Screen, late 19th/ early 20th c., each panel with arched crest, crossed arrow etched mirror plates, shaped raised panels, shaped legs, height 71 3/4 in., width 60 in. $600/900

1150

1150. A Continental Inlaid Walnut Games Table, c. 1785, indented rectangular top, interior top wellveneered “a quatre face”, square tapering legs ending in spade feet, height 29 1/2 in., width 30 1/2 in., depth 15 1/2 in.

1151 (1 of 2)

1152. A Pair of Napoleon III Gilt and Patinated Bronze Six-Light Candelabra, mid-19th c., the finial modeled as a crane on a turtle’s back, the standards as water-bearing maidens, socle signed “L.V.E Robert” for Louis Valentine Elias Robert (French, 1821-1874), molded black marble base inset with a gilt relief of classical figures and gods in procession, height 34 1/4 in., diameter 11 1/2 in.

$1000/1500 1151. An Attractive Pair of Louis XVIStyle Gilt Bronze and Beaded Crystal Chandeliers, 12 scrolling arms, prism hung, pineapple pendant, foliate corona, molded circlet surmounted by urns, height 48 in., diameter 35 in.

1152

$4000/6000

$5000/7000

1153

1153. A Bronze Figure of a Classical Maiden Emblematic of Flora, after Eutrope Bouret (French, 18331906), height 16 in. $1000/1500

1154

1154. A Bronze Surmount Figure of a Seated Female Orientalist Musician, in the style of Jean Pradier (French, 1790-1852), unmarked, height 12 3/4 in., length 20 in. $500/750

W denotes the lot is illustrated at www.nealauction.com

199

1158. William Frederick Witherington, R.A. (English, 1785-1865), “Children Boating”, 1844, oil on canvas, signed and dated lower left, inscribed on old label en verso, 24 in. x 36 in., framed. $2000/3000 1157

1155

1156 1158 1155. A Pair of Finely Carved Marble Lions in the Neoclassical Style, on plinths and presented on pedestals, height 37 in., width 25 1/2 in., depth 12 in.

1159. A KPM Porcelain Plaque of “The Penitent Magdalene”, late 19th c., after Pompeo Batoni (Italian, 1708-1787), impressed mark en verso, height 6 3/8 in., width 9 3/8 in., carved and ebonized frame.

$2500/3500 1156. A French Empire-Style Mahogany and Bronze-Mounted Commode, 19th c., gris de St. Anne marble top, height 39 1/2 in., width 43 1/2 in., depth 23 in. $1500/2000

$2500/3500 1157. F.W. Roscoe (English, active 1890s), “Still Life with Melons and Grapes”, c. 1898, oil on board, signed lower right, signed, titled and dated on original section of tacking margin mounted en verso, 16 in. x 12 in., period frame. $1000/1500

200

1159

1161

1162

W 1160. English

School, late 19th/early 20th c., “A Boating Party”, oil on canvas, unsigned, 11 1/2 in. x 20 3/4 in., period frame. $700/900 1161. A Pair of Rock Crystal and Filigree Covered Urns, ovoid bodies with bejewelled gilt filigree, height 6 in., diameter 4 1/2 in. $2000/3000 1162. A Whimsical Gilt Bronze Centerpiece in the Louis XV Style , height 31 in., width 24 in., depth 10 1/2 in. $2000/3000

1163 1164 1163. A Persian Serapi Carpet, cream, rose and blue ground, with stylized floral motifs, 8 ft. 6 in. x 12 ft. 3 in. $3000/5000

1164. A Persian Sarouk Carpet, cream ground, stylized floral motifs in blues, rose and browns, 9 ft. 8 in. x 16 ft. 2 in. $3500/4500

W denotes the lot is illustrated at www.nealauction.com

201

1166. A Semi-Antique North Western Persian Carpet, blue and cream ground, with intricate allover floral motifs, 8 ft. 10 in. x 12 ft. 2 in. $3000/5000 1167. A Pair of French Patinated Bronze Torchères, probably early 20th c., in the style of Ferdinand Barbedienne, each columnar standard surmounted by pricket on sphinx, tripartite support, circular plinth, height 82 in., diameter 20 1/2 in. $3500/5000 W 1168. William

Bradley (English, act. 1872-1889), “Abbey in the Lake Region”, oil on canvas, unsigned, 8 in. x 10 in., giltwood frame. $800/1200 1167

1165

W 1169. Charles

Henry Passey (English, 18181895), “A Cornfield, Shere, Surrey”, oil on canvas, signed and titled en verso, 20 in. x 30 in., in a period frame. $400/600 1170. P. Mellini (French, 19th c.), “Courting Couple”, oil on panel, signed lower right, 17 5/8 in. x 13 3/8 in., framed. $1000/1500

1170

1166

1165. A Persian Heriz Carpet, red, brown and cream ground, with stylized geometric and floral design, 9 ft. 6 in. x 13 ft. 10 in. $3500/4500

202

1171. Wilhelmus Cornelius Chimaer van Oudendorp (Dutch, 18221873), “Portrait of Jan Luurdeeg”, 1862, oil on wood panel, signed and dated above right book spine, sitter identified in old script en verso of panel, 20 in. x 17 in., in a period carved wood frame. $1500/2500

1172 1171

1174 1176

1172. Madeleine Avril (French, b. 1951), “The Cafe”, oil on canvas board, signed lower right, 16 3/4 in. x 15 in., framed. $1000/1500 W 1173. Cornelius Muller (Dutch, b.

1941), “The Flower Seller”, oil on wood panel, signed and inscribed “Paris” lower right, 12 in. x 9 1/2 in., framed.

1175. Karl Otto Gotz (German, b. 1914), “Untitled #2”, 1953, gouache on board, signed and dated lower right, sight 8 in. x 8 3/4 in., matted and framed. $1000/1500

1174. Karl Otto Gotz (German, b. 1914), “Untitled #1”, 1953, gouache on board, signed and dated lower right, sight 7 in. x 7 1/2 in., matted and framed.

1176. A Louis XVI-Style Mahogany, Parquetry and Gilt Bronze-Mounted Bureau Plat, tooled red leather top, three frieze drawers, caryatid-mounted cabriole legs, height 29 1/2 in., width 52 1/2 in., depth 29 1/2 in.

$1000/1500

$1400/1800

$1000/1500

1175

W denotes the lot is illustrated at www.nealauction.com

203

1179. A Georgian Carved Oak Demilune Table, 18th c., foldover double hinged top with deep well, swing leg, turned legs, pad feet, height 27 1/2 in., width 30 in., depth 14 1/2 in. $700/1000 1180. An Antique George IIIStyle Inlaid Mahogany Bookcase, two glazed doors enclosing shelves; lower case with doors with figured veneers, ogee feet, brass handles, height 87 3/4 in., width 37 7/8 in., depth 12. $1000/2000 W 1181. An Irish Chippendale-

Style Carved Mahogany Armchair, 19th c. and later, foliate shell crest rail, reticulated splat, scrolled arms, cabriole legs ending in claw and ball feet. $400/600 Provenance: B. Manheim, New Orleans, 1966.

1178

W 1182. An Antique Georgian-

1180

Style Mahogany Bookcase, molded cornice, paired glazed doors, shelf interior, two drawers below, bracket feet, height 87 in., width 64 in., depth 14 in. $800/1200

1179

W 1177. A Swedish Painted

Wood Commode, mid-19th c., three deep drawers, decorated with rose garlands on a pale green ground, height 32 1/2 in., width 42 1/2 in., depth 21 in. $800/1200

1183

1178. An English Carved and Inlaid Mahogany Sécrétaire, 19th c., molded cornice, Gothic arched glazed doors, adjustable shelves, the base with fall front drawer, satinwood interior of drawers and cubby holes, drawers to the right side above three graduated drawers on flared “French” feet, overall stringing, height 97 in., width 57 1/2 in., depth 21 1/2 in. $2000/3000

204

1183. A Fine English Inlaid and Figured Walnut Loo Table, mid-19th c., oval top with conforming Neoclassical inlays, quadrupedal turned and scroll carved base, height 27 in., width 51 1/2 in., depth 40 in. $1000/1500 W 1184. A Large English Mahogany

Lap Desk, early 19th c., brass carrying handles, height 7 in., width 21 1/2 in., depth 11 1/2 in. $400/600

W 1185. A

Neoclassical-Style Crème Peinte Console Table, top with blocked corners and scroll carved frieze, square tapered blocked legs, height 34 in., width 64 5/8 in., depth 15 1/2 in. $800/1200 1186. An Antique English Inlaid Mahogany Games Table, 19th c., demilune foldover top with inset tooled leather, square legs, height 30 in., width 49 in., depth 24 in.

1186

$700/1000 1187. An Antique Faux Bois Petite Corner Cabinet, 19th c., verte faux marbre top, glazed doors, plinth base, rosewood graining overall, height 66 in., width 18 in., depth 19 in.

1188

$800/1200 1188. An Antique George III-Style Carved Mahogany Chest-on-Chest, dentil molded cornice, cove-molded frieze, two over three graduated drawers, fluted chamfered stiles; the base with three graduated drawers, shaped bracket feet, height 70 in., width 21 1/2 in., depth 21 in. $800/1200 W 1189. A Good English Satin Birch

Backrest, c. 1880, hinged adjustable winged back support, arched frame with bosses, turned stretchers, height 22 in., width 21 1/2 in., depth 21 3/8 in.

1187

1192

$300/500 1190. An English Beechwood Invalid’s Chair, late 19th c., partial label of John Ward, London, caned back and seat, turned legs. $500/1000 Note: An example of this chair is illustrated in the Kelly’s Post Office Directory for London, 1879, Vol. II and noted as being “the simplest and best constructed chair for carrying invalids up or down stairs”.

1192. A Diminutive Antique English Iron Mounted Walnut Food Safe, early 18th c., slanted top with small hinged opening, case carved with geometric stars and chip moldings, turned feet, height 20 in., width 22 in., depth 13 in. $300/500

W 1191. An Antique Queen Anne-

Style Carved Walnut Armchair, 19th c., slightly arched back, rounded rail, serpentine scrolled terminals, shell carved cabriole legs, pad feet. $300/500

1190 W denotes the lot is illustrated at www.nealauction.com

205

1196. An Antique Louis XVI-Style Walnut Commode, marble top above three long drawers, reeded columnar stiles continuing to conforming toupie feet, height 35 in., width 48 1/2 in., depth 24 in. $1000/1500 W 1197. A Set of

Louis XVI-Style Mahogany Nesting Tables, all with inset marble tops, larger having a gallery rail, smaller have a single drawer, fluted tapered legs ending in brass feet, height 23 in., width 22 in., depth 14 1/2 in.

1194

$400/600 1198. A Louis XV-Style Bronze Mounted Parquetry Side Table, oval top on cabriole legs joined by shaped stretcher shelf, height 29 in., width 29 in., depth 19 1/2 in.

1193

1196

$400/600

1198

1193. An Antique French Provincial Carved Oak Bonnetière, in two parts, the upper case with molded cornice above a paneled door; lower case with a single drawer over cupboard door, plinth base, block feet, height 73 in., width 34 in., depth 22 in. $800/1200 1194. An Antique Louis XV/XVI-Style Bronze-Mounted Rosewood Commode, of bombe form, marble top above two drawers, height 35 in., width 45 in., depth 20 in. $800/1200

206

1199

W 1195. A Continental

Rosewood and Marquetry Sécrétaire à Abattant, 19th c., marble top above frieze drawer, a fall front with writing surface, fitted interior, doors below, plinth base, bracket feet, height 57 1/2 in., width 38 in., depth 17 1/2 in. $400/600

1199. A Regency-Style Mahogany Three Pedestal Dining Table, having reeded edge D ends and drop-leaf center section, vasiform supports, arched outswept reeded legs, brass paw feet, height 30 in., length 120 in., width 45 in. $1000/1500

1202 1201

1203

1204

1201. A Continental Finely Carved Mahogany Bench, mid-19th c., serpentine back, small applied crest, short cabriole legs, height 35 in., width 48 in., depth 24 1/2 in. $700/1000

1205

1202. A Pair of Louis XV-Style Inlaid Mahogany and Marble Top Petite Commodes, probably 20th c., cream variegated marble top, three fitted drawers, height 25 in., width 23 in., depth 13 in. $800/1200

W 1200. A Pair of Neoclassical-Style Vitrine Cabinets,

early 20th c., each with Beacon Hill Collection label, triangular pediment, glazed door, shelf interior, plinth base, blocked feet, height 79 1/2 in., width 16 in., depth 7 1/2 in. $300/500

1203. Henry Schouten (Flemish, 18571927), “Herd of Cows in a Landscape”, oil on canvas, signed lower left, 23 5/8 in. x 35 1/4 in., period giltwood frame.

1204. Edward Percy Moran (American, 1862-1935), “After the Hunt-A Hunters Toast”, oil on canvas, signed lower right, 14 in. x 20 in., original giltwood frame. $2500/3500 1205. Heinrich Burkel (German, 18021869), “Scene in a Horse Stable”, oil on board, signed lower right, 14 in. x 18 in., framed. $1500/2500

$2500/3000

W denotes the lot is illustrated at www.nealauction.com

207

W 1211. A French Gilt and

Polychrome Porcelain Fish Service, c. 1900, Limoges, France, consisting of a platter, 12 plates and one sauceboat with undertray (note: loss), each with fish reserve, signed Dupont, platter length 24 3/4 in., plate diameter 9 1/2 in.; together with 6 associated Limoges fish plates. $600/900 1207

W 1212. A Pair of Royal

Copenhagen Blue and White Porcelain Covered Jars, each stamped, basket weave molded bodies with floral sprays, height 11 3/4 in., diameter 8 in., presented on carved bases. $200/300 1206 W 1213. A Pair of Chinese

1206. Frederick J. Chatterton (English, late 19th/early 20th c.), “Black Leghorn Cock”, watercolor on paper, signed lower right, titled lower left, inscribed on mat “Utility Poultry Club...Six Month’s Laying Competition 1908-9, Winner: Mr. William Burton”, sight 12 in. x 8 1/2 in., framed.

Blue and White Porcelain Tea Caddies, 20th c., diamond form bodies and covers, decorated throughout with figural landscapes, height 12 in., width 12 in., depth 9 in.

1215

$700/900 W 1214. An American Mahogany Plateau, c. 1860, molded surround, glazed reserve of floral beadwork, turned feet, length 21 1/2 in., width 11 in.

$700/900 1207. James Abbott Mc Neill Whistler (American, 18341903), “Fulham”, 1879, etching, on woven paper, sheet 14 1/2 in. x 21 1/4 in., plate 5 1/4 in. x 8 1/2 in.

$150/250

$700/1000

1215. A Fine Austrian Sterling Silver and Enameled Card Case, marked “H&S 935/6035/Made in Austria/Sterling”, decorated with 18th century figures in a landscape, vermeil interior height 1/2 in., width 3 1/2 in., depth 2 3/8 in.

W 1208. Three Antique Hand-

Colored Botanical Engravings, late 18th/early 19th c., “Amomum Curcuma”, “Amomum Zerumbet”, and “Costus Arabicus”, approx. sight 23 in. x 12 in., attractively matted and framed.

1216

$400/600

$500/700 W 1209. A Pair of Paris Porcelain Gilt and

Polychrome Portrait Vases, c. 1840, each of campagna form, reserves with portraits of women opposite floral sprays and scrolled cartouches, masque handles, socle base, height 10 1/2 in., diameter 7 1/2 in. $300/500 Provenance: Descended in the family of noted antiquarian Carrie Wolford, Jeanerette, Louisiana.

208

W 1210. A Pair of Paris

Porcelain Gilt and Polychrome Vases, 19th c., reserves of Italianate landscapes and figural scenes, swan handles, socle base, height 10 in. $300/500 Provenance: Descended in the family of noted antiquarian Carrie Wolford, Jeanerette, Louisiana.

1216. A Pair of Continental Gilt Bronze-Mounted Cobalt Porcelain Urn-Form Lamps, early 20th c., in the Sèvres style with curving foliate handles and acanthus-decorated footed base, height 24 in., width 6 in., length 9 in. $500/800

1220

1222

1224

1222. Charles Francis Fuller (English, 18301875), “Portrait of a Woman in a Ruffled Collar “ marble, signed at back, height 24 1/2 in. $800/1200 1223. An Italian Bronze of Silenus Holding aloft a Serpent-Entwined Circlet, 19th c., after the c. 100 BC standard found at Pompeii and now in the Naples Museum, mounted as a lamp, height 23 1/2 in., diameter 12 1/2 in. $1000/1500

1225 1223 W 1217. A Painted Metal and Glass Hall

Lantern, molded corona, smoke bell, cut and etched glass bell suspended by chains, electrified. $400/600 W 1218. A Set of Six Carved Giltwood Tiebacks,

late 19th c., each with boss face, diameter 6 in. $300/500 W 1219. A Group of Four Continental Art Glass

Vases, early 20th c., including a vase with snake, an iridescent lobed vase, a vase mounted with grape-leaf collar, and a bulbous ink spot vase with flower collar, tallest height 7 in. $600/900

1220. Continental, probably early 20th c., “A Mounted Horseman and Hounds Attacking a Boar”, patinated metal relief, apparently unsigned, in an original pine frame with patinated metal corner mounts, representing two hounds and two hunting trophies, main relief 17 1/4 in. x 16 in.; overall, 27 1/2 in. x 26 1/4 in. $700/900

1224. A Carved and Polychromed Wood Santos Figure of “The Good Shepherd”, old painted surface, visible loss, height 17 3/4 in. $400/600 1225. A Contemporary Black Painted Cushion Mirror, height 43 in., width 35 in. $400/600

W 1221. A Miniature Marble Bust of

a Child, in an imagined Renaissance style, uninscribed, height 9 in.

Provenance: Manheim Galleries, New Orleans, 1984.

$300/500 W denotes the lot is illustrated at www.nealauction.com

209

1227. Claude-Marie Buford (French, b. 1946), “At the Beach”, oil on board, signed lower left, 20 in. x 24 in., framed. $800/1200 1228. Emilie der Bois (French, b. 1966), “Terrace”, oil on canvas, unsigned, 39 1/4 in. x 39 1/4 in., framed. $800/1200 1229. A Near Pair of Chinese Famille Rose Porcelain Rouleau Vases, 19th/20th c., cylindrical bodies and necks decorated in imitation of cloisonné enamel with floral baskets and shou on gilt diaper grounds, the sloping shoulders and tapering circular feet with stylized floral sprays and C scrolls, bases with Qianlong seal marks, height 9 1/2 in. $400/600 1226

1227

1229

1230. A George III Carved Mahogany Tallcase Clock, early 19th c., the painted dial signed “Cordingley Leeds”, scrolled pediment, the case with spiral-carved quarter columns, scalloped pendulum door on molded plinth base, height 87 in., width 23 in., depth 10 in. $1000/1500 W 1231. An English Arts and

Crafts Bamboo Hanging Shelf, c. 1900, rounded embossed papered shelf above mirror flanked by small shelves, open work crest and back, height 39 1/2 in., width 33 in. $300/500 1228 W 1232. A Regency Mahogany

Bowfront Side Table, c. 1820, molded top, conforming drawer, square tapered legs, height 31 in., width 39 1/4 in., depth 20 1/2 in.

1226. A Suite of Six Art Moderne Black Lacquered Armchairs, late 20th c., concave backs, downswept arms, slip seats on tapered square legs. $300/500

210

$600/900 1230

W 1233. A

George III Mahogany Slant-Front Bureau, late 18th c., fall front with fitted interior of drawers and cubbyholes, four graduated drawers, later bracket feet, height 43 3/8 in., width 42 in., depth 22 1/8 in. $700/1000 1235

W 1234. A

French Provincial Carved Oak Armoire, cornice with canted corners, conforming case, paneled doors, shelf interior, fiche hinges, scrolled feet, height 86 in., width 61 in., depth 25 in. $800/1200 1235. A Pair of Antique Louis XV-Style Gris Peinte Bergères, arched back, padded arms, cabriole legs. $800/1200 1236. An English Carved Mahogany Tall Case Clock, mid19th c., bonnet with broken arch pediment centered by urn finial, painted dial signed “Shannen Perth”, waisted body, height 86 in., width 18 1/2 in., depth 10 1/2 in. $1200/1800 1237. A Continental Carved, Painted and Gilded Trumeau Mirror, 19th c., oval reserve of seated ladies, the carved ornament and molding retaining partial original gilding, height 75 1/2 in., width 32 in., depth 1 1/2 in.

1236

W 1240. A Swiss Carved Wood

Display Cabinet, 19th c., molded frieze above two glazed doors, small marquetry door below flanked by drawers, now on a molded base, height 59 in., width 61 1/2 in., depth 14 1/2 in.

$1500/2000 1237

W 1238. A Decorative Venetian-

Style Paint Decorated Bookcase Cabinet, 20th c., molded crest, shaped doors with honeycomb brass mesh panels, base with fold out writing surface, three drawers, turned feet, well painted arabesques, rosettes and urns, height 78 1/2 in., width 31 in., depth 12 5/8 in. $700/900

$700/1000 W 1239. A Louis XV-Style Carved Walnut

Bench, 20th c., cane seat with needlepoint cushion, shell carved apron; cabochon carved cabriole legs, scrolled toes, height 22 1/2 in., width 34 in., depth 16 in. $200/400

Provenance: From the Maggi-Spaulding Estate, Sotheby’s Amsterdam. W 1241. Marguerite Delgobe-Deniker

(French, 20th c.), “Priest Surveying the Mongolian Plains”, oil on canvas, signed lower right, 47 in. x 77 in., framed. $700/1000

W denotes the lot is illustrated at www.nealauction.com

211

W 1247. A Pair

of Antique Empire-Style BronzeMounted, Giltwood and Carved Mahogany Bergères, early 20th c., shaped crest rail, acanthus carved arms terminating in swan’s heads, winged supports, shaped seat, legs ending in paw feet.

1244

$800/1200 W 1248. A Greek

1242

1245

or Russian Orthodox Icon of Christ Pantokrator Flanked by St. John the Baptist and the Virgin Mary, 19th/20th c., tempera on wood, edged in embossed silver, 6 3/4 in. x 5 3/4 in. $200/400 W 1249. A Continental

Icon of a Saint, 20th c., oil and gold paint on board, 8 1/4 in. x 6 3/4 in., framed. $100/200

1250 1251

1242. An Antique Polychrome Painted and Carved Wood Figure, probably Santiago de Compostela, Spain, 19th c., uninscribed, height 21 1/2 in., width 8 in., depth 14 in. $500/700 W 1243. A Pair of Tôle Peinte Trays,

gilt-decorated scalloped rims, reserved with pheasants and floral bouquets, fitted with wall mounts, height 21 1/2 in., width 29 1/4 in. $300/500

1244. A French Gilt Bronze Figural Fire Guard, late 19th/early 20th c., opposing satyrs blowing on a flaming urn, fruit, acanthus and shell plinths with bronze mounted medial bar, height 10 in., width 36 in. $600/900 1245. A Pair of French Renaissance Revival Gilt Bronze Three-Light Sconces, late 19th c., the backplates cast with classical maidens and grotesque masques, scrolled candle arms, fitted for electricity, height 17 1/2in., width 12 1/2 in., depth 8 in. $800/1200 W 1246. A Pair of Argenté Four-Light Sconces, of

Renaissance inspiration, urn and columnar standards, electrified, overall height 39 in. $400/600

212

1250. A Pair of English Tôle Peinte Tea Canisters, green ground, chinoiserie decoration, turned bases, now mounted as lamps, height 27 in., diameter 12 1/2 in. $500/750 1251. A Pair of Antique Empire-Style Grey Marble Pedestals, late 19th/early 20th c., each with swivel top, column with molded collar, square base, height 42 in., width 11 in., depth 11 in. $800/1200

W 1252. A Louis XV-Style

Gilt and Ebonized Overmantel Mirror, 19th c. and later, arched foliate crest, tripartite mirror plate, shaped base, later gilt and ebonization, height 76 1/2 in., width 51 in. $600/900 W 1253. An Antique

Vienna Carved Rosewood and Walnut Regulator Clock, 19th c., enamel dial with Roman numeral chapter ring, flanked by half-columns, glazed on three sides, striking gong movement, height 30 in., width 13 3/4 in., depth 6 1/4 in.

1258

$300/500 W 1254. Myron

1259

Lechay (American/New Orleans, 18981972), “Table Top Still Life”, 1931, oil on canvas, signed and dated lower right, 39 1/8 in. x 35 1/4 in., in a period frame. $500/700 1260 W 1255.

Attributed to Arnold E. Turtle (British/ New Orleans, 1892-1954), “Live Oaks, City Park”, oil on canvas board, unsigned, 19 3/4 in. x 22 3/4 in., in a period frame.

1258. Daniel Webster Whitney (American/ New Orleans, 1898-1965), “Mary Magdalene”, oil on canvas, signed lower right, Williams Frame Shop, 505 Bourbon St., New Orleans label en verso, 32 1/2 in. x 34 in., original frame.

$400/600

$800/1200 1261

W 1256. American School,

late 20th c., “Paddlewheeler Star”, watercolor on paper, signed “Marshall Smith” lower right, sight 14 1/2 in. x 19 1/2 in., framed. $300/500 W 1257. Laszlo De Nagy

(American, 1906-1944), “French Quarter Courtyard”, oil on masonite, signed lower right, 5 in. x 4 in., framed. $300/500

1259. Mary Louise Fairchild (American, 1858-1946), “Blind Woman (Still Life en verso)”, 1935, watercolor and gouache on paper, signed and dated lower right, handwritten note en verso, 15 1/4 in. x 11 1/4 in., framed. $800/1200

1260. American School, 19th c., “Apples on the Branch - Still Life”, oil on artist board, unsigned, partial artist board label en verso, 11 1/8 in. x 17 3/4 in., period frame.

Provenance: Handwritten note references Terra Museum of American Art, Chicago.

$800/1200

Note: Mary Fairchild, the American-born, French-trained artist from Connecticut, is best known for her mural, Primitive Woman, the companion work to Mary Cassatt’s Modern Woman for the World’s Columbian Exposition in Chicago in 1893. Sometimes known as Mary MacMonnies (wife of sculptor Frederick MacMonies) she eschewed her first husband’s name after their divorce. She is generally known for her bright, impressionistic palette; Fairchild occasionally painted in darker hues for portraits, as is evidenced in the current lot.

1261. Bessie Jeannette Howard (American/ Massachusetts, 1890-1962), “Church, Rockport, MA”, oil on canvas, signed lower left, inscribed “Rockport, Mass” en verso, 17 in. x 14 in., antique giltwood frame. $500/700

W denotes the lot is illustrated at www.nealauction.com

213

1265

W 1273. An American

1262

Leaded Slag Glass and Bronze Table Lamp, c. 1910, threesocket base, unsigned, height 23 in., diameter 18 in.

1262. Leonid Gechtoff (Russia/ Pennsylvania, 1883-1941), “Winter, Pennsylvania”, oil on artist board, signed and titled en verso, 19 1/2 in. x 21 3/4 in., framed.

$700/1000

$400/600 W 1274. An Antique W 1263. American School, mid-20th c.,

“Male Nude”, oil on cardstock, unsigned, sight 21 in. x 14 1/8 in., framed. 1271

$400/600 W 1264. Anna Mary Richards Brewster

(American/New York, 1870-1952), “Hay Bales, Ural Mountains”, oil on canvas, unsigned, estate stamp en verso, 4 3/4 in. x 6 7/8 in., attractive gilt frame. $300/500

W 1268. Jules Pascin (French, 1885-1930), “Nude

Study”, watercolor and pencil on paper, unsigned, 7 1/8 in. x 4 in., framed; together with memorabilia from the estate of Joanna Taub Steichen, NY. Provenance: Joanna Taub Steichen, wife of noted photographer Edward Steichen, NY.

American, 1864-1924), “Portrait of a Child”, gouache on cardstock, signed lower right, 15 in. x 12 1/2 in., framed.

$600/800

$400/600

W 1266. Thomas Paquette (American, b.

W 1270. Enrico Nardi (Italian, 1864-1947, active

1958), “Overlooking Blue Mountain Lake” and “Across Tupper Lake”, 2008, each gouache on paper, signed, D. Wigmore Fine Art, New York, NY label en verso, 2 in. x 3 1/4 in. and 2 1/2 in. x 3 5/8 in. respectively, each framed.

$500/750

W 1267. Rene Rambert (French, 20th c.),

“Parisian Street Scene”, oil on wood panel, signed lower right, 24 in. x 20 in., framed.

W 1269. John Giovanni Califano (Italian/

Rome), “Afternoon Stroll”, watercolor on paper, 40 in. x 33 in., framed.

W 1275. A Large

American Cast Plaster Chandelier, c. 1915, metal tag marked “Eye Comfort System/ National X-Ray Reflector Co., Chicago”, cast with Empire designs, held with chains, with 2 (of three) remaining patented light reflectors, height 62 in., diameter 35 in. $800/1200 W 1276. An American

1271. A Southwestern American or Mexican Tooled Saddle Leather Trunk, early 20th c., domed lid, open interior, laced edges, floral tooling, probably made by a saddle maker, height 18 1/4 in., width 26 1/2 in., depth 16 in. $500/750

$800/1200 W 1272. An American Rococo Walnut Hanging

Shelf, 19th c., with two tiers and acanthus carved scroll supports, height 24 in., width 48 1/4 in., depth 16 1/2 in. $300/500

214

$600/900

$300/500

1265. Samuel Colman (American, 18321920), “Just Before Sunset, a Sketch from Nature”, pastel on paper, signed and titled on original mat, Kennedy Galleries, New York, NY label en verso, 4 in. x 10 1/4 in., matted and framed.

$300/500

American Brass TwoLight Billiard Chandelier, c. 1880, each scrolled arm supporting font and green over white glass shade, electrified, height 63 in., width 57 in., depth 13 in.

Gilt Lacquered Brass and Bronze Solar Lamp, 19th c., molded font, tapered fluted standard, stepped marble base, cut and etched glass shade, chimney, prism hung, overall height 22 1/2 in. $500/700

W 1277. An American

Gilt Brass ThreePiece Girandole Garniture, mid-19th c., marked “Cornelius & Co., December 5, 1848”, in the “LeatherStocking” pattern, comprising a central three-light girandole and two single light side fixtures, hung with broad spear-tip and snowflake prisms, on white marble bases, three-light height 17 1/2 in., width 17 1/2 in., depth 4 in.

1279

$200/400 1281

W 1278. An American

Gilt Brass ThreeLight Girandole, mid19th c., marked “Cornelius & Co., December 5, 1848”, in the “Leather-Stocking” pattern, height 17 1/2 in., width 17 1/2 in., depth 4 in. $150/250 1279. An American Rococo Carved Mahogany Center Table, mid-19th c., serpentine white marble top, conforming floral carved skirt, shaped support, C scroll foliatecarved legs, casters, height 30 in., width 39 in., depth 28 1/2 in. $700/1000 1280. An American Renaissance Carved Mahogany Sideboard, mid-19th c., crest centered by clustered fruit, two shelves with turned supports, mirrored back, D-shaped marble top on conforming case, paneled doors with trophées, height 93 in., width 68 1/2 in., depth 23 in. $1000/1500 Provenance: Descended in the family of noted antiquarian Carrie Wolford, Jeanerette, Louisiana.

1280

1282

1281. An American Carved Mahogany Centennial Corner Chair, c. 1880, pierced vasiform splats, columnar uprights, cabriole legs, claw and ball feet. $400/600 1282. An American Late Classical Innovative Mahogany Barber’s Chair, mid-19th c., probably New York, adjustable headrest, lever operated tilting mechanism, swan neck arms, saber legged base, cast iron stretcher, height 45 in. $500/700

W 1283. An American Renaissance Carved

and Burled Walnut Fall-Front Desk, c. 1870, galleried top, paneled fall front writing surface, interior with compartments; four drawers below, plinth base, height 57 in., width 30 in., depth 19 in. $400/600 W 1284. Louisiana School, mid-20th c.,

“Fountain and Residence among the Palm Trees and Live Oaks with Spanish Moss”, oil on wood, signed illegibly “J. Bure...” lower left, 9 1/2 in. x 12 1/4 in., framed. $500/750

W denotes the lot is illustrated at www.nealauction.com

215

1285

W 1286. Southern School,

mid-to-late 19th c., “Portrait of a South Carolina Lady”, oil on canvas, unsigned, 24 in. x 20 in., original oval gilt frame.

1288

$600/800 Note: The painted textured lace and elaborate yellow and black bow with “Etruscan” brooch enliven this portrait of a South Carolina matriarch.

1287

1287. American School, early 19th c., “Portrait of a Woman in White with Jewelry”, oil on canvas, unsigned, Sotheby’s label en verso, 18 5/8 in. x 16 in., antique frame. $800/1200

1285. William Frye (German/Alabama, 1822-1872), “A Pair of Kentucky Pendant Portraits of a Husband and Wife”, oils on canvas, the man signed en verso “W. Frye/Pinxit/1866”, 16 7/8 in. x 13 7/8 in., and 15 5/8 in. x 12 3/4 in., period frames. $1500/2500 Provenance: Private Collection Clinton, Kentucky. Note: William Frye was among the most successful and prolific painters working in Kentucky and Alabama during the mid-19th century. Born in Reslau, Germany, Frye studied art at Heidelberg University. Intrigued by the American Indian stories of James Fenimore Cooper, he immigrated to America in the early 1840s. By 1845 he had moved to Louisville, Kentucky, where he opened a portrait studio. Frye opened a second portrait studio two years later in Huntsville, Alabama. In 1865 the Kentucky legislature commissioned Frye to paint a posthumous portrait of Henry Clay. Frye’s career was cut short by mental and physical health problems. Eventually he was committed to the Alabama Insane Hospital, where he died at the age of 50. Reference: Adams, E. Bryding “William Frye, Artist”, Alabama Heritage, University of Alabama, spring 1994.

216

1288. Samuel Adams Hudson (American, 18131894), “Rocky Beach”, 1884, oil on canvas, initialed and dated lower right, Devoe Academy Board label en verso, 18 1/2 in. x 12 in., original frame.

1289

$800/1200

W 1290. An American

1289. William Garl Brown, Jr. (American/ Virginia, 1823-1894), “Portrait of a Gentleman”, oil on canvas laid down on masonite, sight 35 in. x 28 in., giltwood frame.

$300/500

$800/1200 Provenance: Hill family of Eastern North Carolina and later Texas; Smith and Welder families of Texas. Note: Originally signed and dated en verso, the inscription has been covered up by the lining material. A photo of the original inscription and a letter from the conservator dated 1967 are affixed en verso.

Classical Mahogany and Giltwood Ogee Mirror, 19th c., retaining old mirror plate, height 34 1/2 in., width 24 1/2 in.

W 1291. A

Rococo-Style Gilt Mirror, elaborate foliate crest with acanthine finial, fluted border, height 47 in., width 26 in. $500/750 1301 W 1292. A

Napoleon III Carved Black Marble Mantel Clock, c. 1860, striking bell movement marked “Japy Fils”, porcelain dial with visible escapement, the chamfered case with fluting and bead molding, height 14 in., width 12 3/4 in., depth 6 3/4 in.

1299

$500/700

1303

W 1293. An

American 54 Cal. “Kentucky” Percussion Rifle, 20th c., maple stock, with 54 cal. octagonal barrel marked “GR Douglas, 54 Cal”, brown finish, scrolled trigger guard, barrel length 34 in. $600/900

1300

c. 1900, etched on blade “William C. Rowland” and “MA”, with original scabbard, blade length 31 1/2 in.

1299. Clementine Hunter (American/Louisiana, 1886-1988), “Baptism”, oil on board, monogrammed mid-right, J. Raymond Samuel, Ltd., New Orleans label en verso, 15 7/8 in. x 24 in., framed; accompanied by Dixie Magazine from April 14, 1985, with an article: “Clementine Hunter: Visions from the Heart”.

$100/200

$1500/2500

W 1295. A U.S. Military Academy Cadet Sword,

W 1296. An Antique American Oak Disc Music

Box, c. 1900, probably Regina, with 30 15 1/2 in. disks, height 8 1/2 in., width 21 in., depth 19 in. $500/700 Provenance: Descended in the family of noted antiquarian Carrie Wolford, Jeanerette, Louisiana.

W 1294. A U.S.

Hospital Corpsman Bolo Knife, stamped SA over flaming bomb over 1909, the other side “US 9225”, brass S-form guard and pistol grip, the sheath with brass throat (now detached), stamped “State of Texas” and “wc”, length 17 in. $150/250

W 1297. An Antique American Oak Advertising

Calendar Clock, c. 1905, marked on dial “Sessions Clock Co., Forestville, Ct.”, the pendulum glass painted with advertising for the Crawford brand of cigar, sold by Hummel & Co., Binghamton, NY, height 34 in., width 18 in. depth 5 in. $400/600 W 1298. An Antique American Carved Walnut

and Gilt Metal-Mounted Mantel Clock, c. 1890, dial marked “NeHaveb Clock Co., New Haven, Conn.”, striking gong and bell movement with faux mercury pendulum, canted mirrors reflecting cherubs, height 24 in., width 15 1/2 in., depth 5 1/2 in. $300/500

Provenance: J. Ray Samuel (New Orleans) to a Baton Rouge Collector, c. 1985. 1300. Grace T. Granger (American/New Orleans, 20th c.), “Madame John’s Legacy”, oil on canvas, signed lower left, titled and inscribed on stretcher en verso, 24 in. x 32 in., framed. $700/900 1301. [Mardi Gras], King’s Scepter, Twelfth Night Revelers, 1897, ball theme “Chrysanthemum”, Queen: Lydia Winship. $800/1200 W 1302. [Mardi Gras], a Rex ball invitation envelope,

February 18th, 1890, designed by Bror Anders Wikstrom (American/New Orleans, 1854-1909), “Rules of Ancient Times”, framed. $200/400 1303. Emmitt Thames (American/Mississippi, b. 1933), “Landscape”, 1970, watercolor, signed and dated lower right, sight 21 1/2 in. x 29 1/4 in., matted and framed. $1200/1800 W denotes the lot is illustrated at www.nealauction.com

217

W 1310. William

Normand Arnold (American/ Louisiana, 1902-2006), “On the Bayou”, 1997, watercolor and gouache on paper, signed and dated lower right, sight 16 in. x 20 in., matted and framed.

1304 1309

$400/600 1311. John Reed Campbell (American/New Orleans, 19251997), “Picking Cotton”, oil on canvas, signed lower right, 12 in. x 16 in., framed. $800/1200 W 1312.

1305

1311

W 1306. David Sinclair Nixon (American/New

Orleans, 1904-1967), “Three Harlequins”, oil on wood panel, unsigned, 19 3/4 in. x 9 in., unframed. $400/600 W 1307. Mose Ernest Tolliver (American/

Alabama, 1920-2006), “Larger Man”, oil on plywood, signed lower right, 26 3/8 in. x 20 in., unframed. $500/700

1308

1304. Emmitt Thames (American/Mississippi, b. 1933), “Coastal Scene”, 1970, watercolor, signed and dated lower right, sight 14 1/4 in. x 21 1/2 in., matted and framed. $800/1200 1305. Marilyn Conrad (American/Louisiana, b. 1923), “Louisiana Landscape”, oil on masonite, signed lower right, titled on Orleans Gallery label en verso, 36 in. x 47 3/4 in., framed. $600/800

218

1308. Jack Meyers (American/New Orleans, 1930-1994), “Saturday Bath”, 1970, acrylic on canvas board, signed lower left, signed, titled and dated en verso, 5 in. x 7 in., framed. $1200/1800 1309. Jack Meyers (American/New Orleans, 1930-1994), “Catfish and Cotton”, 1970, acrylic on canvas board, signed lower left, signed, titled and dated en verso, 5 in. x 7 in., framed. $1200/1800

Louisiana School, 19th c., “Portrait of a Gentleman, Louisiana”, oil on canvas, unsigned, inscribed “L.T. Wolford, Jeanerette, Louisiana” en verso, 30 1/4 in. x 25 1/4 in., original gilt frame. $800/1200 Provenance: Descended in the family of noted antiquarian Carrie Wolford, Jeanerette, Louisiana. W 1313. Charles

Oglesby Longabaugh (American, 1885-1944), “A Day to Remember”, watercolor, signed lower right, titled on mat, sight 8 1/2 in. x 11 1/2 in., framed. $600/800

1314. Southern School, early 20th c., “Male Cotton Picker with Pipe”, oil on canvas, unsigned, 40 in. x 35 in., framed. $1000/1500 Provenance: Descended in the McCanless Family of Tennessee, acquired from a Middleburg, VA estate. 1315. J. Pellegrino (Missouri/Charleston, late 19th/early 20th c.), “The Old Pipe and Rocking Chair”, oil on canvas, signed upper right, 28 in. x 18 in., period frame. $800/1200

1314 1320

W 1316. J. McLean

(American, 20th c.), “Tropical Cove” and “Palms Trees along the Shore”, two oils on canvas, each signed lower left and en verso, 32 in. x 24 in., and 24 in. x 32 in. respectively, unframed. $300/500 W 1317. American School,

late 19th/early 20th c., “Marshes Near Bourne, Mass.” and “Fog Scene, Study”, two pastels on paper, each unsigned, titled lower right, sight 8 1/4 in. x 18 in., framed. $800/1200 W 1318. Elizabeth Mack

(American, late 19th/early 20th c.), “The Valley” and “The Cabin”, two watercolors on paper, the former signed lower right, each 9 3/4 in. x 14 in., period frames.

1321 1315 1320. American School, 19th c., “Little Girl with Beaded Necklace”, oil on canvas, unsigned, 24 in. x 20 in., framed.

$700/900

$800/1200

W 1319. American

School, 20th c., “Crescent Head, Maine”, 1949, watercolor on paper, signed and dated lower right, titled lower left, sight 20 5/8 in. x 28 3/4 in., matted and framed.

1321. American School, early 20th c., “Landscape along the River“, oil on canvas, signed lower right “snow”, 30 in. x 24 in., original frame. $1000/1500 1322. J. Ambrose Pritchard (American, 1858-1905), “Autumn Day”, oil on canvas, signed lower left, 25 in. x 30 in., framed.

$400/600

$1500/2500

1322 W denotes the lot is illustrated at www.nealauction.com

219

W 1330.

American School, 20th c., “Ducks in the Bayou”, acrylic on canvas, signed “S.S. Fisher” lower right, 16 in. x 19 1/2 in., giltwood frame.

1325

1334

1325. Paul Valentine Lantz (American, 1908-2000), “Coming in from the Fields: the End of the Day”, 1946, oil on canvas, signed and dated lower right, 30 in. x 48 in., in a period frame. $1500/2500 W 1326. American School, 20th

c., “Flowers”, oil on canvas, unsigned, 48 in. x 36 in., framed. $500/750

$400/600 W 1331. Two Thai Illuminated

Manuscript Leaves, ink, color and gilt on paper, each sight 13 in. x 10 in., matted and framed alike. $200/300 1332. A Japanese Carved Elm Wood Stepped Cabinet, Tansu, 19th c., stepped construction fitted with various sized drawers and sliding cupboard doors, height 65 1/2 in., width 63 in., depth 18 1/2 in. $800/1200

W 1327. American School, 19th

1332

c., “The Lost Greenhorn”, after Alfred Jacob Miller (American, 1810-1874), oil on canvas, unsigned, House of Heydenryk, New York and Frost & Adams, Boston labels en verso, 18 in. x 24 in., framed. $600/800 W 1328. Lorenz E. Griffith

1333

(American/North Carolina, 1889-1968), “Lake Summit, Western North Carolina” and “The Evening Camp”, each oil on canvas, signed lower right and lower left, respectively; 16 in. x 28 in. and 16 1/8 in. x 32 in. respectively, each in giltwood frames. $600/900

W 1323. Maurice Fromkes (Polish/American,

1872-1931), “Lyndent, The Village Street Cleaner”, 1914, oil on board, signed upper left, titled en verso, 22 1/2 in. x 17 in., framed.

W 1329. Southern School, mid-

$800/1200

19th c., “Portrait of a Young Girl in a Blue Dress”, oil on canvas, unsigned, 30 1/8 in. x 25 in., framed.

W 1324. American School, 19th/20th c., “Nature

Provenance: Descended in a New Orleans family.

Morte: Pigeon”, oil on canvas, unsigned, 24 in. x 18 in., in a modern giltwood frame. $300/500

220

$400/600

Provenance: Acquired Hong Kong, 1992. 1333. A Pair of Chinese Carved Hardwood Plant Stands, inset marble tops, height 19 in., diameter 15 in. $500/750 1334. A Korean White-Metal Mounted Persimmon Wood Mori-Jang Headside Chest, 19th c., rectangular top above four frieze drawers and a cupboard surrounded by further panels, detachable plinth base with square scrolled feet, height 36 5/8 in., width 38 3/4 in., depth 17 in. $600/800 W 1335. An Indonesian Bamboo

Daybed, the frame made from giant bamboo, with split bamboo surface, height 30 1/2 in., length 83 5/8 in., width 43 1/2 in. $600/900 Provenance: Purchased in Jakarta, 1984.

W 1336. Two Asian

Yixing-Style Moriage Decorated Pottery Vases, 20th c., one of baluster form with foliate mouth, the other of cylindrical form, each with polychrome painted raised floral decoration, on a red clay ground, heights 12 1/8 in., and 12 1/4 in. respectively. $300/500 1337. Noel Rockmore (American/New Orleans, 1928-1995), “Rockmore Paints Rockmore”, 1960, oil on canvas, signed, dated and inscribed “New Orleans” lower left, titled en verso, 10 1/8 in. x 8 1/8 in., framed.

1338

1337

$500/700 1338. Noel Rockmore (American/New Orleans, 19281995), “Five Fishermen”, 1981, oil on board, signed and dated lower left, 12 in. x 16 in., in a period frame.

1341

W 1343. James

1341. Charles Whitfield Richards (American/New Orleans, 1906-1992), “Reclining Odalisque”, oil on masonite, signed lower left, 36 in. x 71 3/4 in., unframed.

Louis Steg (American/ Louisiana, 1922-2001), “The Great Society”, 1965 and “Picnic Scene”, 1964, linocut and collograph respectively, each pencil-signed, titled and dated, image 22 in. x 24 in. and 23 1/2 in. x 34 in. respectively, each framed.

$500/700

$250/350

1342. Noel Rockmore (American/New Orleans, 19281995), “Saki”, 1966, oil on canvas, signed, dated and inscribed “New Orleans” upper left, titled upper midleft, 48 1/4 in. x 24 in., framed.

W 1344. An

$700/1000 1339. Charles Whitfield Richards (American/New Orleans, 1906-1992), “Blair Ziegler”, oil on canvas, signed upper right, with an E.L. Borenstein Collection, New Orleans label en verso, sight 24 in. x 20 in., in a giltwood frame.

1339

$600/900 W 1340. Noel Rockmore

(American/New Orleans, 1928-1995), “Mail From Home”, 1986, pastel on paper, signed, dated and inscribed “NO” lower left, inscribed “For Pop” lower right, sight 25 in. x 19 in., matted and framed. $1000/1500

$1000/1500 Reference: For more on the sitter, see John Ed Bradley, “The Tomb of Noel Rockmore”, Garden and Gun, Feb/ March, 2011, pp. 2-11.

Antique American Patinated Metal Transfer 1342 and Paint Decorated Lamp, c. 1900, marked “PLB & G Co.” and model # 2049 (Pittsburgh Lamp Brass & Glass Company), with landscape decorated shade, height 21 1/2 in. diameter 13 1/2 in. $200/400 W denotes the lot is illustrated at www.nealauction.com

221

W 1345. An American Rococo

W 1353. A Pair of American Cast Iron

W 1357. A Kashmar Carpet, crimson

Carved Giltwood Mirror, mid-19th c., molded frame, outset anthemion corners, beaded oval mirror surround, floral corners, height 33 in., width 38 in.

Garden Urns, early 20th c., everted egg and dart molded lip, fluted and lappet molded bowl, on a fluted stem, square plinth base, height 32 1/2 in., diameter 19 in.

and navy ground, central geometric medallion, overall vase motif pattern, 12 ft. 8 in. x 9 ft. 5 in.

$500/750

$600/900

W 1346. An Antique French Bronze

W 1354. A Kashan Kashmar Carpet, light

“Marly Horse” Figure, 19th c., after Guillaume (the Elder) Coustou (French, 1677-1746), height 13 in.

salmon ground, pictorial scene depicting the life of mystic Hodja’uddin, foliate motif border, 11 ft. x 7 ft. 11 in.

$400/600

$600/900

$600/900 W 1358. A Kirman Rug, rose, cream

and pale blue ground, central medallion, allover floral design, floral vine border, 11 ft. 9 in. x 8 ft. $800/1200 W 1359. A Suite of Antique

1347. Clark Bronson (American, b. 1939), “Escape to the High Country”, 1975, bronze, inscribed “Clark Bronson NSS, NAWA, SAA”, titled, dated and numbered “26/50”, height 14 1/2 in., width 18 in., on a wooden base.

Decoupage Doll Furniture, late 19th/early 20th c., floral and avian decoration, comprising a sofa, bookcase, side cabinet, dressing mirror, 2 tables, and 4 side chairs, (10 pcs.)

$1000/1500

Provenance: A Natchez, MS Estate.

1348. Bob Guelich (American/ Texas, b. 1944), “Early Arrival”, 1979, bronze, signed, dated, titled, and numbered 3/43 on base, wood pedestal, height 23 in.

W 1360. A Chinese Polychrome

$400/600

Painted ‘Wedding’ Basket, three tiered barrel form with domed cover held by strap handle with circular finial, the cover painted with auspicious bats, the body with floral decoration, height 27 in., width 16 3/4 in.

$1000/1500 1347

W 1349. Greg Glasson (South

Provenance: Acquired Hong Kong, 1992.

Africa/New York, b. 1950), “Mule Skinner”, 1977, bronze, cast signature, dated and numbered “12/275” at back, on a square wood base, height 9 in.

W 1361. Two Chinese Polychrome

Painted Wood Chests, each of rectangular form with hinged top and short feet, height 13 in., width 23 1/2 in., depth 11 1/2 in. and height 13 3/4 in., width 26 1/4 in., depth 11 7/8 in.

$200/400 Provenance: From the Estate of Gayle M. Batt, New Orleans.

$150/250

W 1350. Steve Martin (American/

New Orleans, 20th c.), “Angel”, twisted wire sculpture, height 13 in., width 9 in.

W 1362. Two Chinese Hardstone

$200/400 Provenance: From the Estate of Gayle M. Batt, New Orleans. 1348

W 1351. A Pair of American

Patinated Iron and Steel Gates, 20th c., arched form, decorated in scrolls, handles and latches on both sides, mounted with wheels, height 99 in., total width 166 in., depth 3 in. $700/1000

W 1355. Kashmar Carpet, crimson and cream

ground, traditional Persian motifs including vases, stylized animals and geometric floral patterns, floral vine border, 13 ft. x 9 ft. 10 in. $600/900

$600/900

Figures of Beauties, each modeled standing carrying a blossoming branch, the first bowenite, the second of lavender agate or quartz, heights 6 1/2 in. and 6 3/4 in. respectively, wood stands, overall height 8 in. Note: Condition of second figure. $300/500

W 1352. A Pair of Cast Iron Glazed

Garden Planters in the Classical Taste, urn-form bodies with gadrooned bowl, everted egg and dart molded lip, square plinth, height 24 in.

$200/300

1363. A Chinese Soapstone Scholar’s Mountain, intricately carved with figures and a donkey in a grotto surrounded by flower blossoms and leafy foliage, height 6 3/4 in., width 7 1/8 in. $800/1200

W 1356. A Persian Hamadan Carpet, red

ground, stylized floral design. $600/800

W 1364. A Chinese Agate Bowl,

oblong form with flared rim, the interior with two large Koi fish in high relief, height 3 in., width 9 in., depth 6 in. $600/800

222

Notes

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Notes

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UPCOMING AUCTIONS Summer Estates Auction June 30 & July 1 Autumn Estates Auction September 8 & 9 Louisiana Purchase Auction™ November 17 & 18

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Important Bidding Information All Absentee/Telephone bids for the Saturday and Sunday auction sessions must be received by Friday, April 20 at 5 P.M. C.S.T. For a Telephone Bid each item must have a minimum low estimate of $500. Visit www.nealauction.com

GLOSSARY OF TERMS Please note that all of the terms and descriptions used in this catalogue are intended as qualified opinions only and are subject to the Conditions of Sale and Limited Warranty set forth elsewhere. Neal Auction Company assumes no express or implied warranty with respect to these terms and descriptions, and they shall not be construed to be a warranty, representation or assumption of liability. Subject to the foregoing, with respect to authorship of works of art, the following terms shall have the following meanings:

Signed “George Inness” - In our qualified opinion, the signature, monogram or other indication of authorship is a signature of the artist.

George Inness - In our qualified opinion, we believe the work is by the artist named.

After George Inness - In our qualified opinion, the work is a copy of a known work of the artist named.

Attributed to George Inness - In our qualified opinion, we believe the work may be ascribed to the artist named on the basis of style and period, but our opinion is less certain than in the previous category.

Bears signature “George Inness” In our qualified opinion, although the work bears the signature or monogram of the artist, the work most likely is not that of the artist.

226

School of George Inness - In our qualified opinion, the work is of the period of the artist named, by a student or a follower of the artist, but not by the artist. Manner of George Inness - In our qualified opinion, although the work is in the style of the artist named, it is actually of a later period.

WIRE TRANSFER INFORMATION: Capital One 313 Carondelet Street New Orleans, LA 70130 504-533-7223 ACCT# 026223628 ROUTING #065000090 International Swift #HIBKUS44

John Ballantyne, 375 Jean Barbault, 211 Cecil Beaton, 65 Stefano della Bella (attr.), 190 George Wesley Bellows, 388, 389, 390, 392, 393 Marie Therese Bernard de Jaham, 1067 Amedee Bodin, 268 Emilie der Bois, 1228 William Bradford, 334 William Bradley, 1168 Hans Andersen Brendekilde, 267 Anna Mary Richards Brewster, 1264 British School, 67, 209 William Brodie, 89 Clark Bronson, 1374 William Garl Brown, Jr., 1289 Alfred Arthur Brunel de Neuville, 287 William Henry Buck, 476, 477 Claude-Marie Buford, 1227 Heinrich Burkel, 1205

John Giovanni Califano, 1269 John Reed Campbell, 1311 Marc Chagall, 212 Sir William Chambers, 99 William Merritt Chase, 383 Frederick J. Chatterton, 1206 Chinese School, 621, 626, 627, 638, 639, 640, 664, 687, 719, 720, 725, 750, 751, Emery Clark, 975 Samuel Colman, 1265 Marilyn Conrad, 1305 Continental School, 30, 31, 159, 160, 184, 206, 224, 247, 881, 882, 915, 999, 1249 William Arthur Cooper, 500 Paul Cornoyer, 384 Garstin Cox, 374 Thomas Bigelow Craig, 332 Ralston Crawford, 387 Robert Isaac Cruickshank, 61 Leon-Philippe-Victor Cuny, 204 Currier and Ives, 349

Salvador Dali, 406 Albert Decaris, 203 Bernard De Hoog, 265 Delarivolliere, 197, 198 Eugene Delcroix, 1074 Marguerite Delgobe-Deniker, 1241 Jon DeMartin, 400 Laszlo De Nagy, 1257 Hector d’Espouy, 104 Samuel De Wilde (attr.), 66 Regis Deygas, 191 Sallie George Fulilove Doke, 978 Alexander John Drysdale, 499, 502, 1065, 1066, 1115 Gabriel-Pierre-Martin Dumont, 183 George Bauer Dunbar, 523, 524, 525 Robert S. Duncanson, 333 Albrecht Durer, 1002 Dutch School, 201

Laurence Christie Edwardson, 979, 980 English School, 60, 246, 247, 916, 954, 955 Delphin Enjolras, 285

Mary Louise Fairchild, 1259 Al Federico, 973 Francois Fortune Antoine Ferogio, 193 Flemish School, 97, 914 Leonard Tsuguharu Foujita, 546 French School, 45, 46, 187, 188, 196, 200, 883, 909, 939, 996 Jean-Baptiste Frenet, 62, 63 Emile Friant, 192 George Arthur Fripp, 407 Maurice Fromkes, 1323 William Frye, 1285

Francois Gall, 446 Giuseppe Galli da Bibiena, 395 Jeanne Garcin, 195 L. von Gayling, 998 Leonid Gechtoff, 1262 Ogata Gekko, 576 Vincenzo Gemito (after), 216 German School, 21 Greg Glasson, 1349 Roland Harve Golden, 1119 William O. Golding, 1070 Karl Otto Gotz, 1174, 1175 Christian Johann Grabau, 199 Grace T. Granger, 1300 Greek School, 28, 1248 Ryland Warriner Green, 1125 Lorenz E. Griffith, 1328 Robert Gruppe, 528, 529 Bob Guelich, 1348 Jules V. Guerin, 382

Philippe Halsman, 972, 972A

Theora Hamblett, 533 Edwin Harleston, 1054 Henri-Joseph Harpignies, 448 George Overbury “Pop” Hart, 1079 William M. Hart (attr.), 324 Collette Pope Heldner, 530, 1116, 1117 Robert Henri, 386 Leon Herbo, 913 Lionel Heymann, 1073 Adolf Hiremy-Hirschl, 185 Marie de Hoa LeBlanc, 505 Morris Henry Hobbs, 1126, 1127, 1128, 1129, 1132 Helen H.B. Hoie, 1122 Katsushika Hokusai, 550 Dirk Holger, 440, 441 Charles Holroyd, 239, 241, 242 Lady Holroyd, 210 Bessie Jeannette Howard, 1261 Samuel Adams Hudson, 1288 Clementine Hunter, 488, 1299

Indian School, 792, 793, 794, 795 Jean-Auguste-Dominque Ingres (foll.), 24 Sadie Irvine, 503, 506, 510 Josef Israels, 161 Italian School, 25, 32, 194, 202, 216, 1000, 1001

Elizabeth Mack, 1318 Fannie F. MacPherson (Lady Holroyd), 210 John Marin, 385 Claude Marion, the Younger, 22 Steve Martin, 1350 J. McLean, 1316 William Medcalf, 286 P. Mellini, 1170 Jack Meyers, 531, 532, 1308, 1309 Clarence Millet, 501, 514, 515 Edward Percy Moran, 1204 Friedrich Ernst Morgenstern, 997 Hal Alexander Courtney Morrison, 474 Cornelius Muller, 1173 Christopher P. H. Murphy, 1068

Connie Naitove, 987 Enrico Nardi, 1270 Jean-Marc Nattier (foll.), 45 Paul Ninas, 512, 513 David Sinclair Nixon, 1306

Augusta Oelschig, 974 Rev. Johannes Adam Simon Oertel, 492 George Ohr, 508 Wilhelmus Cornelius Chimaer von Oudendorp, 1171

Paul Jacoulet, 547 Japanese School, 551, 568, 581, 582, 586, 720

Wilhelm Kimbell, 189 Alberta Kinsey, 520, 521 Kobayashi Kiyochika, 575, 577 Yvonne Kleiss-Herzig, 207 Winifred Knights, 244 Emil Axel Krause, 205 Toyohara Kunichika, 584 Utagawa Kunisada, 558, 559, 560, 561 Utagawa Kuniyasu, 585 Utagawa Kuniyoshi, 585

Paolo Landriani (attr.), 186 Paul Valentine Lantz, 1325 Glenna Montague Latimer, 1121 Marie Laurencin, 396 Warree Carmichael LeBron, 1120 Myron Lechay, 1254 Alphonse Le Gros, 394 Raphael Leon Leguilloux, 158 Sir Peter Lely, 64 Jean Le Pautre, 213 William Linnell (attr.), 243 Charles Oglesby Longabaugh, 1313 Lalla Walker Louis, 1114 Louisiana School, 1284, 1312

Victor Paillard (aft.), 144 Andrea Palladio, 103 Thomas Paquette, 1266 Jules Pascin, 1268 Charles Henry Passey, 1169 Johnice Parker, 527 Clara Weaver Parrish, 454 Marguerite Stuber Pearson, 519 J. Pelligrino, 1315 Richard Piccolo, 399 J. Ambrose Pritchard, 1322 Preston Powers, 312 Sir John Edward Poynter, 59

Rene Rambert, 1267 Charles Reinike, 1118 Paul Renard, 951 Charles Whitfield Richards, 1339, 1341 Ferdinand Joachim Richardt, 323 Noel Rockmore, 977, 1337, 1338, 1340, 1342 George Rodrigue, 982 Zuda Rokashi, 562 F.W. Roscoe, 1157 Mary Washington Rose, 1111 Ferdinand Victor Leon Roybet, 162 Robert Rucker, 1072 Harold Rudolph, 331 Russian School, 26, 27, 29, 1248

Utagawa Sadahide, 585 Roland Scherman, 1130 Palmer Schoppe, 981 John Tarrell Scott, 983 Henry Schouten, 266, 1203 Guillaume Seignac, 96 Kikugawa Sencho, 585 Jean Pierre Serrier, 950 Arthur Silverman, 984, 985 Anna Frances Simpson, 504 R.G. Skerrett, 398 Hunt Slonem, 976 John Smart, 376 Alice Ravenel Huger Smith, 475 Paul H. Smith, 1131 Southern School, 317, 1069, 1075, 1113, 1284, 1286, 1312, 1314, 1315, 1329 James Louis Steg, 1343 Alfred-Émile-Léopold Stevens, 182 Henry Stull, 330 Kason Susuki, 574 L. Szwodry, 522

Emmitt Thames, 1303, 1304 Mose Tolliver, 1307 Pat Trivigno, 526 Justinian Trudeau, 472 Helen Maria Turner, 507 Arnold Turtle, 1123, 1124, 1255

Jacques Antoine Vallin (cir), 44 V. Varillaz, 43 Claude Joseph Vernet (aft), 23 George Louis Viavant, 318, 452, 453 Gustave Villebesseyx, 926 Jan Vredeman de Vries, 101 George Vuillard, 447

Walt Disney Studios, 965, 966, 967, 968, 969, 970 William Aiken Walker, 319, 320, 321, 473, 487, 490, 491 Alfred Bryan Wall, 322 Jan Baptist Weenix (attr.), 98 James McNeill Whistler, 1207 Daniel Webster Whitney, 1258 Jean-Baptiste Joseph Wicar, 100 Irving Ramsey Wiles, 517 James Ralph Wilcox, 1071 Willem Wissing (circle of), 225 William F. Witherington, 1158 William Woodward, 516 Charles Nicholls Woolnoth, 953 William Wyld, 245

✹

Joseph Aaron, 949 Pola Aivazian-Rossi, 952 American School, 209, 325, 317, 397, 455, 456, 518, 880, 1076, 1112, 1256, 1260, 1263, 1287, 1317, 1319, 1320, 1321, 1324, 1326, 1327, 1330 Walter Inglis Anderson, 511, 971 John Taylor Arms, 391 William Normand Arnold, 1310 Asian School, 588, 589, 590, 591 John James Audubon, 326, 327, 328, 329, 335, 336, 337, 338, 339, 339A Madeleine Avril, 1172

April 21 & 22, 2012 ✹ artist index ✹ artist index ✹ artist index

John Butler Yeats, 10 Adolphe Yvon, 223

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Neal Auction Company Auctioneers & Appraisers of Antiques & Fine Art 4038 Magazine Street, New Orleans, Louisiana 70115 504.899.5329 • Fax: 504.897.3808 • www.nealauction.com

Auction Date: April 21 & 22, 2012

Condition Report Request Form Please Review Guidelines For Condition Report Requests:

1. Items must have a minimum low estimate of $500. 2. Condition Reports will not be given verbally. 3. The Condition Reports Department is available to take requests two weeks prior to every auction. 4. Photo requests will only be processed for items not illustrated in our catalogue or on our website at www.nealauction.com. Detail photos provided upon discretion. 5. Condition Report Requests should be submitted by facsimile to 504-897-3808 or via the online request form by Wednesday, 4/18/12. 6. All property is sold “AS IS”. No statement regarding condition of any item, whether it is made orally at the auction or any other time, or in writing in the catalogue or elsewhere, shall be deemed to be a warranty, representation or assumption of liability.

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Date

Fax Form on or before Friday, 4/20/12 to 504-617-6431 or 504-617-9990

CONDITIONS OF SALE Placing a bid at auction constitutes buyer’s acceptance of and agreement to these Conditions of Sale. 1. WAIVER OF WARRANTY: All lots are sold “AS IS”. No statement regarding condition, kind, value, or quality of a lot, whether made orally at the auction or at any other time, or in writing in this catalogue or elsewhere, shall be construed to be an express or implied warranty, representation, or assumption of liability. Any such warranty is WAIVED. Regarding works of art, Neal Auction Company does not make any express or implied warranty as to authorship. No statement in the catalogue or elsewhere, orally or in writing, shall be construed as an express or implied warranty, representation or limitation of liability as to authorship. Any such warranty is WAIVED. Buyer agrees and acknowledges that: (a) buyer is not relying on Neal Auction Company’s skill or judgment in selecting to purchase any lot; (b) no oral or written statements in the catalogue of Neal Auction Company or elsewhere regarding condition, attribution, kind, quality, value or authorship are the cause of or reason behind buyer’s purchase of any lot; (c) buyer would have incurred the purchase of any lot regardless of any oral or written statements about condition, attribution, kind, quality, value, or authorship made in the catalogue or elsewhere; (d) Neal Auction Company did not know and could not have known that condition, attribution, kind, quality, expressed value, or authorship is the cause or reason why buyer decides to purchase any lot; (e) buyer’s purchase of any lot is not intended to gratify a nonpecuniary interest; and (f) Neal Auction Company did not know, nor should it have known, that any oral or written statement about a lot in the catalogue or elsewhere would cause a nonpecuniary loss to buyer. Notwithstanding the foregoing WAIVER OF WARRANTY, agreements and acknowledgements, Neal Auction Company may in its sole discretion, but shall not be obligated to, consider any reasonable request for rescission of a sale on the basis of authenticity of authorship of a work of art under the following terms and conditions only, all of which must be met: A. Neal Auction Company shall not grant rescission regarding lots identified by Neal Auction Company by the terms “attributed to,” “school of,” “manner of,” “after,” or “signature of.” B. Neal Auction Company shall not grant rescission regarding any lot unless the buyer notifies Neal Auction Company in writing within a reasonable time from the date of the auction, and returns the lot to Neal Auction Company in the same condition that the lot was in at the time of sale. C. Neal Auction Company shall not grant rescission regarding any lot unless the buyer presents to Neal Auction Company a written document signed by a recognized art expert acceptable to Neal Auction Company that the lot in question is a forgery. D. Neal Auction Company shall not grant rescission to any person (including but not limited to the original buyer’s heirs, legatees, assigns, transferees, or subsequent purchasers) other than the original buyer, and any rights of the original buyer are not transferrable or assignable. E. Neal Auction Company shall not grant rescission when: (i) there is a conflict of expert opinion as to the authorship; (ii) expert opinion supported authorship at the time of sale, although expert opinion may have changed after the date of sale; and (iii) scientific processes that were unavailable, expensive or impractical at the time of sale have revealed since the time of sale that the author or period Neal Auction Company believed to be accurate at the time of sale was inaccurate. F. In any dispute between Neal Auction Company and buyer regarding authorship of a work of art, it is stipulated that rescission of the sale and refund of the price paid shall be the buyer’s sole recourse or remedy, if any is available, and Neal Auction Company shall not be responsible or obligated for any damages (including compensatory, general, incidental, exemplary or special damages), non-pecuniary losses, costs, expenses, injury, mental anguish, lost profits, attorney’s fees, or any other monetary or injunctive relief. 2. The auctioneer shall have absolute discretion in determining the successful bidder. At the fall of the auctioneer’s hammer, title to the offered lot will pass to the bidder acknowledged by the auctioneer. The bidder thereupon assumes full risk and responsibility and will pay full purchase price for the said lot.

3. The auctioneer may decide that any original bid is not commensurate with the value of the article offered, or that any advance thereafter is not of sufficient amount, he may reject the same. 4. The auctioneer reserves the right to withdraw any item at any time before the sale of the item. 5. No merchandise will be released before the end of the auction. 6. If the buyer fails to comply with any of the conditions of sale, Neal Auction Company reserves the right to hold such defaulting buyer liable for the purchase price; to cancel the sale, retaining as liquidated damages any payment made by the buyer; resell the property without reserve at public auction or privately on seven days’ notice to the buyer or, take such other actions available by law as deemed necessary or appropriate. If Neal Auction Company resells the property, the original defaulting buyer shall be liable for the payment of any deficiency in the purchase price and all costs and expenses, including warehousing, the expenses of both sales, reasonable attorneys’ fees, commissions, incidental damages and all other charges due hereunder. ABSENTEE/TELEPHONE BIDS 1. All absentee bids and/or telephone bids must be in our gallery by 5 P.M. CST the Thursday prior to the auction. 2. All arrangements for bidding should be made as early as possible. Telephone bidding will be taken at the discretion of the Neal Auction Company. Each item must have a minimum low estimate of $500. 3. We assume no responsibility for failure to execute bids for any reason whatsoever. 4. We reserve the right to require that advance bids be accompanied by a 25% deposit. PAYMENT 1. The successful bidder agrees to pay a buyer’s premium in the amount of 22% of the hammer price on each lot up to and including $200,000, plus 10% of the hammer price greater than $200,000. For purchases made by cash, check or wire transfer, the buyer’s premium shall be discounted 2.5% of this 22%. 2. Unless exempt by law, the purchaser will be required to pay Louisiana and local taxes, and, if applicable, any federal luxury or other tax, on the total purchase price. 3. Documentation of tax exemption must be provided upon registration. 4. Payment in full must be made by the successful bidder within ten days of the auction date. Interest charges will apply to invoices paid after this period expires. We reserve the right to require payment in full of the sales price at the moment of the successful bid. 5. VISA, MasterCard, Discover and American Express are accepted for invoices up to $25,000 per customer. LIVE INTERNET BIDDING Live internet bidding is available through Live Auctioneers at a buyer’s premium in the amount of 23% of the hammer price. See www.liveauctioneers.com TERMS Any customer not accredited by Neal Auction Company must present a letter of reference from their bank or other suitable source acceptable to Neal Auction Company. Neal Auction Company requests that the merchandise be held on premises until the check clears or money can be wired into the Neal Auction Company account. SHIPPING We will assist buyers in making shipping arrangements by furnishing information on packers and shippers. Handling of purchased lots by us is at the risk of the purchaser. Final shipping arrangements and agreements are strictly between the buyer and the shipper. STORAGE We will be glad to store certain items purchased at auction until transportation is arranged. Unless other arrangements are made and confirmed in writing, all items must be removed within one week of the auction. On the first business day following that time period, merchandise remaining in the gallery will be turned over to a storage facility. The owner will be responsible for handling and storage costs. Handling costs will be a minimum of $50. Storage rates will carry a minimum charge of $15 per month. For a list of our storage charges by item category, please ask our customer service personnel at the front desk area. All items handled or stored will be at the purchaser’s risk. Storage charges are billed monthly and must be paid before merchandise is released. We are not liable for any damage to merchandise after the sale. W denotes the lot is illustrated at www.nealauction.com 231

Auction Results for February 2012 0001-$358 0002-$836 0003-$399 0004-$836 0005-$896 0006-$836 0008-$10157 0009-$6273 0010-$9261 0011-$239 0012-$956 0013-$3965 0015-$305 0016-$1912 0017-$2868 0019-$10755 0020-$1912 0021-$4481 0023-$2987 0024-$3585 0026-$1314 0027-$1792 0028-$3286 0029-$1792 0030-$1912 0031-$3346 0032-$1342 0033-$956 0034-$2031 0035-$1342 0037-$4481 0038-$7468 0039-$4302 0040-$4481 0041-$597 0042-$1792 0043-$9261 0044-$657 0045-$1195 0046-$358 0047-$1599 0048-$1314 0050-$915 0052-$4421 0053-$2337 0054-$836 0055-$2952 0056-$956 0057-$597 0058-$209 0060-$418 0061-$2390 0062-$567 0063-$2509 0064-$418 0065-$537 0066-$1912 0067-$717 0068-$1098 0069-$2629 0070-$3286 0071-$8365 0072-$179 0073-$1075 0074-$418 0075-$5078 0076-$1075 0077-$1464 0078-$1220 0079-$3883 0081-$2390 0082-$3883 0083-$4575 0084-$2031 0085-$553 0086-$1037

232

0087-$478 0088-$717 0089-$492 0090-$478 0091-$1075 0092-$184 0093-$478 0094-$369 0095-$776 0097-$597 0098-$1135 0099-$1135 0101-$1314 0102-$1553 0103-$4182 0104-$478 0105-$3585 0106-$549 0107-$1037 0108-$1553 0109-$3416 0110-$3690 0111-$8962 0112-$9455 0113-$7380 0114-$2562 0115-$1314 0116-$4481 0117-$20315 0118-$10980 0119-$12200 0120-$5377 0121-$9532 0122-$2748 0123-$2390 0124-$1912 0125-$1792 0126-$2270 0127-$3883 0128-$2031 0129-$4305 0130-$2337 0132-$9532 0135-$399 0136-$492 0137-$305 0138-$5377 0140-$239 0141-$1353 0142-$1476 0144-$8962 0146-$478 0147-$1314 0148-$492 0149-$1195 0150-$2390 0151-$1195 0152-$4148 0153-$1673 0156-$597 0157-$4481 0159-$1353 0160-$2688 0161-$3585 0162-$984 0163-$3997 0164-$1912 0165-$657 0166-$1673 0167-$3997 0168-$8365 0169-$3050 0170-$1314 0171-$4575 0172-$4575 0173-$6710

0174-$2031 0175-$1220 0176-$1220 0178-$597 0179-$2270 0180-$239 0181-$1314 0182-$488 0183-$5078 0184-$1968 0185-$10157 0186-$4305 0187-$3824 0188-$1434 0189-$1434 0190-$7170 0193-$2748 0194-$369 0195-$836 0196-$1220 0197-$1195 0198-$2390 0199-$2135 0200-$717 0201-$776 0203-$854 0204-$369 0205-$1314 0206-$836 0207-$717 0209-$239 0210-$478 0213-$369 0214-$738 0215-$3107 0216-$183 0217-$861 0218-$246 0219-$244 0220-$239 0221-$1434 0222-$861 0223-$239 0224-$1230 0225-$896 0226-$1673 0227-$1314 0228-$298 0230-$488 0231-$298 0232-$1434 0234-$478 0235-$298 0236-$305 0238-$369 0239-$5975 0241-$11950 0242-$23900 0246-$1845 0247-$1230 0249-$13742 0250-$4612 0256-$2509 0257-$244 0258-$1792 0259-$3997 0260-$478 0261-$1722 0264-$3965 0265-$836 0266-$1015 0267-$1195 0268-$246 0269-$358 0270-$358 0271-$307

0272-$307 0359-$2390 0273-$358 0360-$1792 0275-$2684 0361-$1673 0276-$610 0362-$12200 0277-$776 0363-$10157 0278-$358 0364-$3585 0279-$3943 0365-$20315 0280-$8235 0366-$3585 0282-$4575 0367-$2390 0286-$1792 0369-$4575 0287-$30750 0370-$2460 0288-$2091 0371-$537 0289-$7767 0373-$2091 0290-$3075 0374-$478 0291-$16730 0375-$537 0292-$3883 0376-$597 0293-$1476 0377-$657 0294-$956 0378-$836 0295-$488 0379-$179 0296-$1230 0380-$738 0297-$1464 0381-$418 0298-$3965 0382-$732 0299-$2440 0383-$597 0301-$7767 0384-$4780 0302-$5078 0385-$776 0303-$1792 0386-$119 0304-$2031 0387-$298 0305-$1673 0389-$3286 0306-$956 0390-$1314 0307-$2440 0391-$836 0308-$22705 0392-$492 0309-$956 0393-$33460 0310-$1434 0394-$1464 0311-$2748 0395-$4421 0313-$1230 0397-$8365 0314-$3107 0398-$47800 0315-$3346 0399-$1195 0316-$984 0400-$4541 0317-$3824 0401-$15250 0318-$4182 0402-$4270 0319-$3585 0403-$1952 0321-$1792 0404-$1912 0322-$2509 0405-$1195 0323-$553 0406-$2509 0324-$366 0407-$5975 0325-$1015 0409-$1075 0326-$2151 0410-$3107 0327-$1045 0411-$11950 0328-$657 0412-$418 0329-$896 0413-$366 0330-$418 0414-$2987 0332-$5078 0416-$4920 0333-$537 0418-$1075 0334-$657 0419-$793 0335-$836 0420-$2390 0336-$1708 0421-$1075 0337-$657 0422-$2629 0338-$2583 0424-$3172 0339-$2031 0425-$2270 0340-$5124 0426-$4421 0341-$206137 0427-$1314 0342-$98587 0428-$1075 0343-$2091 0429-$1434 0344-$9858 0430-$2767 0345-$9760 0431-$1912 0346-$5975 0432-$4780 0347-$4481 0433-$9261 0348-$2390 0434-$2270 0349-$1553 0437-$7170 0350-$836 0440-$2987 0351-$1434 0441-$4302 0352-$3346 0442-$1673 0353-$5975 0443-$2390 0354-$9560 0444-$836 0356-$7767 0445-$7015 0357-$4182 0446-$956

0447-$854 0448-$836 0449-$1673 0450-$3965 0451-$2688 0452-$1107 0453-$2583 0454-$358 0455-$239 0456-$488 0457-$399 0458-$836 0459-$956 0460-$1230 0463-$3883 0464-$1075 0465-$4182 0468-$1098 0470-$1075 0471-$717 0472-$597 0473-$896 0474-$1195 0475-$3585 0477-$1673 0478-$2987 0479-$1098 0480-$3585 0481-$956 0482-$3585 0484-$717 0485-$1673 0486-$418 0487-$1314 0488-$1830 0489-$956 0490-$3465 0491-$3286 0492-$244 0493-$776 0494-$239 0495-$2629 0496-$3050 0497-$3585 0498-$307 0499-$1314 0500-$1314 0501-$738 0502-$4780 0504-$956 0505-$836 0506-$1434 0507-$3321 0508-$1792 0510-$597 0511-$597 0512-$418 0513-$4780 0515-$738 0516-$1230 0517-$2031 0518-$717 0520-$2390 0522-$1792 0523-$8365 0528-$3585 0530-$984 0531-$956 0532-$1015 0534-$2748 0536-$1434 0538-$244 0539-$1586 0540-$610 0541-$1220 0542-$239

0544-$2091 0547-$2987 0548-$836 0549-$861 0550-$1037 0551-$3585 0552-$7170 0553-$597 0554-$4780 0555-$1792 0557-$1792 0558-$1912 0559-$776 0560-$239 0562-$836 0563-$1553 0564-$488 0565-$2214 0567-$793 0568-$3346 0570-$244 0572-$5377 0573-$239 0575-$478 0576-$4305 0577-$2748 0578-$1599 0579-$2214 0580-$2460 0581-$4780 0582-$1230 0583-$2214 0584-$1135 0585-$615 0586-$597 0587-$687 0588-$2214 0589-$1708 0590-$123 0592-$369 0593-$3904 0596-$776 0597-$492 0598-$553 0601-$615 0602-$956 0604-$179 0605-$239 0606-$1230 0607-$956 0608-$1353 0609-$610 0610-$366 0611-$149 0612-$119 0613-$358 0614-$1195 0616-$430 0617-$4899 0618-$776 0620-$358 0621-$799 0626-$1599 0627-$1135 0628-$610 0629-$274 0631-$1220 0632-$956 0633-$657 0635-$388 0636-$1195 0637-$184 0640-$1464 0641-$1230 0642-$976 0643-$239

0644-$152 0645-$597 0648-$836 0649-$478 0650-$1015 0653-$246 0654-$244 0655-$369 0656-$246 0657-$119 0658-$122 0659-$358 0660-$396 0661-$338 0662-$244 0665-$179 0667-$239 0670-$153 0673-$1168 0674-$183 0676-$492 0677-$1107 0678-$123 0679-$478 0680-$478 0681-$776 0682-$388 0683-$369 0685-$369 0686-$1434 0687-$492 0689-$239 0692-$1015 0694-$239 0696-$1342 0697-$369 0700-$366 0701-$246 0702-$584 0703-$478 0708-$627 0709-$861 0710-$418 0711-$358 0712-$492 0713-$717 0714-$358 0715-$492 0716-$298 0717-$369 0718-$717 0719-$430 0721-$298 0723-$1135 0726-$179 0727-$615 0728-$246 0729-$246 0731-$597 0732-$246 0733-$388 0735-$956 0736-$1434 0737-$956 0738-$358 0739-$358 0740-$369 0741-$615 0742-$246 0744-$246 0745-$179 0746-$298 0747-$246 0748-$239 0749-$298 0750-$615

0751-$369 0752-$597 0753-$179 0754-$123 0755-$246 0756-$246 0757-$1168 0758-$369 0759-$153 0760-$246 0761-$537 0762-$799 0764-$1195 0765-$537 0766-$738 0767-$369 0768-$732 0770-$4920 0771-$1195 0772-$2390 0773-$2031 0774-$1353 0775-$1792 0776-$537 0777-$657 0778-$1195 0779-$244 0782-$1464 0783-$492 0784-$123 0785-$246 0786-$1464 0787-$307 0788-$328 0789-$122 0790-$239 0791-$149 0792-$1168 0794-$488 0796-$2031 0797-$1434 0798-$4780 0800-$1314 0801-$3585 0802-$2151 0803-$1434 0805-$2829 0806-$984 0807-$597 0809-$4481 0810-$1673 0811-$488 0812-$1195 0813-$1464 0814-$1673 0815-$738 0817-$244 0818-$1195 0819-$492 0822-$854 0823-$3107 0824-$1553 0825-$244 0826-$246 0827-$976 0829-$1314 0830-$478 0831-$553 0832-$2151 0833-$2509 0834-$717 0835-$984 0836-$2748 0838-$492 0839-$976 0840-$984

0841-$1195 0842-$1314 0843-$184 0844-$3660 0845-$1314 0846-$1722 0848-$4063 0849-$1195 0850-$1195 0852-$298 0853-$553 0854-$1722 0855-$298 0856-$179 0858-$298 0859-$358 0860-$597 0861-$478 0862-$358 0863-$478 0865-$246 0866-$427 0868-$478 0869-$597 0870-$597 0872-$239 0873-$246 0874-$179 0875-$239 0876-$956 0879-$418 0880-$298 0881-$1673 0882-$1075 0883-$956 0884-$2091 0885-$2440 0886-$1314 0887-$2390 0888-$2031 0889-$956 0890-$1673 0891-$2151 0892-$1845 0894-$4481 0895-$956 0896-$427 0897-$358 0899-$956 0899A-$119 0900-$2091 0901-$1075 0902-$2091 0904-$1353 0906-$478 0907-$956 0908-$1673 0909-$836 0910-$984 0911-$1464 0912-$478 0913-$1553 0916-$358 0918-$717 0919-$1195 0920-$956 0921-$239 0922-$307 0923-$836 0924-$42700 0925-$1168 0926-$1434 0927-$4481 0928-$1553 0929-$4780 0929A-$836

0930-$738 0931-$1434 0932A-$738 0933-$1195 0934-$717 0935-$478 0936-$836 0937-$246 0938-$956 0939-$1434 0940-$657 0941-$358 0942-$6871 0943-$4920 0944-$657 0945-$507 0946-$1434 0947-$9560 0948-$244 0949-$298 0951-$776 0953-$597 0955-$1135 0956-$1015 0957-$836 0959-$2629 0960-$478 0961-$244 0962-$597 0963-$5676 0964-$3107 0965-$22107 0966-$3050 0967-$1195 0968-$1075 0969-$3050 0970-$2151 0971-$2214 0972-$1314 0973-$2987 0974-$1075 0975-$239 0976-$597 0977-$1015 0978-$717 0979-$2460 0980-$2987 0981-$956 0982-$597 0984-$4612 0985-$2952 0986-$3567 0990-$5078 0991-$3585 0992-$1075 0993-$1476 0994-$1195 0995-$418 0999-$179 1000-$418 1001-$239 1002-$418 1003-$1708 1003A-$553 1004-$239 1007-$369 1008-$1314 1009-$358 1010-$358 1012-$717 1013-$358 1014-$537 1015-$358 1016-$553 1017-$246 1019-$366

1020-$246 1021-$597 1022-$358 1023-$776 1024-$1599 1025-$369 1026-$244 1027-$4481 1031-$2151 1032-$369 1036-$298 1037-$657 1038-$478 1039-$1353 1040-$1220 1041-$478 1042-$915 1043-$246 1044-$179 1045-$369 1046-$369 1047-$358 1048-$246 1049-$149 1050-$179 1051-$717 1052-$615 1053-$984 1054-$149 1055-$1912 1056-$836 1057-$369 1060-$2460 1061-$358 1062-$717 1063-$597 1064-$305 1065-$478 1066-$244 1067-$358 1068-$358 1069-$956 1072-$488 1073-$956 1075-$717 1077-$836 1078-$861 1079-$239 1081-$1075 1082-$1314 1083-$1553 1084-$657 1085-$239 1086-$179 1087-$597 1088-$836 1089-$836 1090-$366 1092-$239 1093-$478 1094-$239 1095-$1912 1096-$861 1097-$239 1098-$836 1099-$358 1100-$1195 1101-$3538 1103-$1464 1104-$1434 1105-$298 1108-$3883 1111-$549 1113-$239 1114-$119 1115-$537

1116-$358 1118-$179 1119-$418 1120-$478 1121-$298 1122-$732 1123-$1075 1124-$717 1128-$369 1129-$478 1130-$1673 1131-$478 1135-$537 1136-$657 1137-$358 1138-$492 1141-$657 1142-$307 1143-$369 1144-$244 1145-$676 1146-$610 1147-$358 1150-$488 1151-$246 1152-$8663 1153-$246 1155-$369 1156-$239 1157-$396 1159-$246 1160-$153 1161-$717 1162-$793 1165-$1220 1166-$671 1167-$1792 1169-$91 1171-$615 1172-$246 1173-$478 1175-$799 1176-$1845 1177-$488 1179-$239 1181-$1553 1182-$246 1183-$2390 1184-$610 1185-$358 1186-$358 1187-$1912 1188-$2706 1189-$732 1191-$610 1192-$776 1193-$358 1194-$369 1201-$5138 1204-$657 1205-$488 1206-$3075 1207-$3075 1209-$89

Neal Auction Company John R. Neal Chairman

Neal Alford President

Katherine Hovas Senior Vice President

Michelle LeBlanc, CAI Vice President

ADMINISTRATION

CONSIGNMENTS

Director of Administration & Finance Michelle LeBlanc, CAI Database Manager/Assistant to Director Jackie Hernandez Client Services Johanna Darilek Database/Administrative Assistant Lisa Weisdorffer

Director of Furniture & Decorative Arts Neal Alford; Reid Hinshelwood Director of Research Douglas Lewis, Ph.D., F.A.A.R. Director of Consignments, Books & Manuscripts Marc Fagan Director of Paintings, Prints & Photography Rachel Weathers; Thomas Crowther Associate Director of Consignments Reid Hinshelwood Consignments Administrator Michele Carolla Silver & Decorative Arts Katherine Hovas Inventory Coordinator Steven G. Rutledge European Paintings & Decorative Arts Michele Carolla American Paintings & Decorative Arts Amie Strickland Asian Arts Bettine Field Carroll

GENERAL MANAGER

Jason Leckert

GRAPHICS Art Director Emory Nolan Catalogue Design Carolyn Finnell Photography Jason Leckert Tom Simpson Terry Thibeau Reneé Gautreaux

OPERATIONS Director of Operations Charles Lee Operations Staff Sol Carter Charlie Clay Leroy Hubbard Kelvin Gibson Jerry Majors

EXHIBITION STAFF

Sybil Lawson Carolyn Wogan Cammie Mayer Clare Stewart Karolyn Westervelt Cecile Ballard Mimi Abbott

AUCTIONEERS

Neal Alford #797 Michelle LeBlanc #1514 Reid Hinshelwood #1715

AUCTION SERVICES Director of Business Development Bettine Field Carroll Trust & Estates Advisor Henry G. McCall Senior Appraiser Fine Arts Amanda Mantle Winstead Appraisals Rachel Weathers Marc Fagan Museum Services Douglas Lewis, Ph.D., F.A.A.R.

CATALOGUE CONSULTANTS Paintings and Fine Arts Claudia Kheel Furniture & Decorative Arts Doris Mollenkopf Newcomb Pottery & Decorative Arts Sally Main Silver Carey Mackie-Alsobrook Decorative Arts & Victoriana Ann M. Masson

W denotes the lot is illustrated at www.nealauction.com