Porec 50. Annale by NerminStudio

NOBODY’S SAFE

SADRŽAJ / SUMMARY

PREDGOVOR / FOREWORD - NITKO NIJE SIGURAN/NOBODY’S SAFE Slaven Tolj 5

VRIŠTANJA / SCREAMINGS Kata Mijatović 25

TIMELINE / TIMELINE Ervin Babić 8

IZMIŠLJENI PUTOPIS / FICTIOUS TRAVELOGUE Ana Opalić 26

BEZ NAZIVA / UNTITLED Pasko Burđelez 9 PLAKATI / POSTERS Ben Cain 10

ZAMIŠLJENA / PENSIVE Zoran Pavelić 28

TRIGLAV NA JADRANSKOM MORU / TRIGLAV ON ADRIATIC Nemanja Cvijanović

DU TV 10:02:57, 17. 2. 2010. Ivana Pegan Baće 30

210 DANA / 201 DAYS Boris Cvjetanović 14

ŠTO JE U VALOVIMA ? / WHAT IS IN THE WAVES? Luko Piplica 32

LANJSKI SNIJEG / LAST YEAR’S SNOW Tanja Dabo 15

TEMPORARY AUTONOMOUS TERRITORY II. MEXICO CITY /PRIVREMENI AUTONOMNI TERITORIJ II, MEXICO CITY Tadej Pogačar 34

VIRTUALNA GEOGRAFIJA 1990-2010 / VIRTUAL GEOGRAPHY 1990-2010 Nermin Duraković 16 GOTOVAC NAKON GOTOVCA / GOTOVAC AFTER GOTOVAC Grupa ABS / ABS Group 17 BESKONAČNA EKSPOZICIJA / INFINITE EXPOSURE Tina Gverović 18 RUČAK / LUNCH Ana Hušman 19 APSTRAKCIJA : UMJETNIK PRODAJE SVOJU KOŽU / ABSTRACTION: AN ARTIST SELLING HIS SKIN Siniša Labrović

BEZ NAZIVA / UNTITLED Ines Matijević Cakić 22 ANTIBIOTIK / ANTIBIOTIC Medika Antibiotik 24

NITKO NIJE SIGURAN / NOBODY’S SAFE Zoran Pavelić 29

BEZ NAZIVA / UNTITLED Ivona Vlašić

ISTRAGA / INVESTIGATION Kvart - Udruga za suvremenu umjetnost iz Splita / KVART - Association for Contemporary Art 37 MUZEJ KVARTA / NEIGHBOURHOOD MUSEUM Udruga mladih muzeologa Kontraakcija / COUNTERACTION - The Association of Young Museologists

VOLIM PULU / I LOVE PULA Građanska inicijativa za Muzil: Volim Pulu / Citizens’ Initiative For Muzil: I LOVE PULA 43 PRAVO NA GRAD / RIGHT TO THE CITY Pravo na grad i Zelena akcija / Right to the City and Green Action 46 Popis autora 1961. - 2009. / List of Authors 1961 - 2009

SADRŽAJ / SUMMARY

PREDGOVOR / FOREWORD - NITKO NIJE SIGURAN/NOBODY’S SAFE Slaven Tolj 5

VRIŠTANJA / SCREAMINGS Kata Mijatović 25

TIMELINE / TIMELINE Ervin Babić 8

IZMIŠLJENI PUTOPIS / FICTIOUS TRAVELOGUE Ana Opalić 26

BEZ NAZIVA / UNTITLED Pasko Burđelez 9 PLAKATI / POSTERS Ben Cain 10

ZAMIŠLJENA / PENSIVE Zoran Pavelić 28

TRIGLAV NA JADRANSKOM MORU / TRIGLAV ON ADRIATIC Nemanja Cvijanović

DU TV 10:02:57, 17. 2. 2010. Ivana Pegan Baće 30

210 DANA / 201 DAYS Boris Cvjetanović 14

ŠTO JE U VALOVIMA ? / WHAT IS IN THE WAVES? Luko Piplica 32

LANJSKI SNIJEG / LAST YEAR’S SNOW Tanja Dabo 15

TEMPORARY AUTONOMOUS TERRITORY II. MEXICO CITY /PRIVREMENI AUTONOMNI TERITORIJ II, MEXICO CITY Tadej Pogačar 34

BEZ NAZIVA / UNTITLED Ines Matijević Cakić 22 ANTIBIOTIK / ANTIBIOTIC Medika Antibiotik 24

NITKO NIJE SIGURAN / NOBODY’S SAFE Zoran Pavelić 29

BEZ NAZIVA / UNTITLED Ivona Vlašić

50. Annale / Nitko nije siguran - Nobody’s safe

Ivana Pegan AnaABS Opalić Boris Cvjetanović ABS Kvart Baće Ines Matijević Ben Cain Ivona Vlašić Luko Piplica Kata Mijatović Medika Siniša Labrović Građanska inicijativa za Muzil “Volim Pulu” Nemanja Cvijanović Cakić Nermin Duraković Pasko Burđelez Pravo na grad Tadej Pogačar Tanja Dabo Tina Gverović Zoran Pavelić

NITKO NIJE SIGURAN /NOBODY’S SAFE Slaven Tolj

U trenutku kada sam počeo pisati ovaj tekst umro je Tomislav Gotovac U vrijeme kada sam tekst trebao predati za tisak policija je privela 142 prosvjednika koji su svojim tijelima željeli spriječiti nastavak radova u Varšavskoj ulici u Zagrebu. Nakon performansa «Volim Zagreb» Toma je privela policija, sada s ulice odnose mirne građane koji demonstriraju svoj otpor divljanju krupnog kapitala i politike koja je to omogućila. Izložba nosi naslov NITKO NIJE SIGURAN prema radu Zorana Pavelića. Izložba «Nitko nije siguran» okuplja umjetnike koji se svojim osobnim umjetničkim gardom i svjetonazorom suprostavljaju gubitku mjere, tako štiteći integritet života umjetnosti i nastojanja inicijativa i kampanja građanskog aktivizma za očuvanje javnog prostora koja su na izložbi predstavljena dokumentacijom. Umjetnici, umjetničke udruge i građanske inicijative koje sudjeluju svojim angažmanom na ovoj izložbi ne parazitiraju na tuđoj nesreći, ne crpe snagu na «atraktivnosti» teških socijalnih i društvenih tema, već žive i rade svoju umjetnost i angažman na način kako jedino mogu i znaju djelujući svakodnevno u neposrednoj životnoj okolini dijeleći sudbinu svoje zajednice. Ova izložba reflektira stanje. Ugrožene su prije svega socijalne vrijednosti. Drugi odlučuju o našim sudbinama. Dosta nasilju nad javnim i privatnim prostorom. Dosta nam je superhik kulture i red carpet umjetnosti. Za ovu izložbu dobili smo javni prostor i imamo obavezu govoriti o dramatičnom kontekstu u kojem se ova izložba održava. Nitko nije siguran.

Around the time I started writing this text Tomislav Gotovac died. On the due date for submitting the text for print police arrested 142 activists who tried to stop continuation of construction works in Varšavska Street in Zagreb with their bodies. After his ‘I love Zagreb’ performance Tomo was arrested. Now peaceful citizens are being apprehended, for simply demonstrating their resistance to raging capital investments and politics which makes them possible. Exhibition is titled ‘NOBODY’S SAFE’ – after the piece by Zoran Pavelić. Exhibition ‘Nobody’s safe’ is a joint exhibition of artists who, through their personal artistic stance and point of view, resist the loss of moderation, thus protecting the integrity of art life and efforts present in initiatives and campaigns of citizen activism for preservation of public space, which are documented and presented in the exhibit. Artists, art associations, and civil society initiatives participating in this exhibit are not parasites on misfortunes of others, they do not feed of ‘attractiveness’ of burdensome social issues – they live and do their art and engage in the only way they can and know – by operating every day in their immediate environment, by sharing the fate of their community. This exhibit is a reflection of the current state of affairs. Social values are what is primarily at stake. Others are deciding what our fate will be. Enough - to the violence against public and private space. We are fed up with superhik culture and red carpet art. For this exhibit we attained public space and we have an obligation to speak up about the dramatic context in which it is held. Nobody’s safe.

50. Annale / Nitko nije siguran - Nobody’s safe

NITKO NIJE SIGURAN /NOBODY’S SAFE Slaven Tolj

50. Annale / Nitko nije siguran - Nobody’s safe

SUDJELUJU / PARTICIPATING

Ervin Babić Pasko Burđelez Ben Cain Nemanja Cvijanović Boris Cvjetanović Tanja Dabo Nermin Duraković Grupa ABS Tina Gverović Ana Hušman Siniša Labrović Ines Matijević Medika - Antibiotik Kate Mijatović Ana Opalić Zoran Pavelić Ivana Pegan Baće Luko Piplica Tadej Pogačar Ivona Vlašić Udruga za suvremenu umjetnost Kvart iz Splita Muzej Kvarta – Udruga mladih muzeologa Kontraakcija Zagreb Građanska inicijativa za Muzil «Volim Pulu» Pravo na grad i Zelena akcija iz Zagreba.

“Dosta nam je superhik kulture i red carpet umjetnosti.” “We are fed up with superhik culture and red carpet art.”

50. Annale / Nitko nije siguran - Nobody’s safe

SUDJELUJU / PARTICIPATING

“Dosta nam je superhik kulture i red carpet umjetnosti.” “We are fed up with superhik culture and red carpet art.”

50. Annale / Nitko nije siguran - Nobody’s safe

TIMELINE

BEZ NAZIVA

Ervin Babić Fotografija / Photography / 70 x 50 cm 2010.

Pasko Burđelez Fotografije / Photgraphs 10 x 15 cm 2010.

/TIMELINE

Born 1983. in Foča, Bosnia and Herzegovina. Graduated at the Academy of Fine Arts in Sarajevo. A multimedia artist based in Sarajevo (BiH) and Dubrovnik (Croatia). In his often intimate works he uses his body, the space, and simple objects to draw attention to what he sees as the primary problems of society; existence, identity and contemporary values. His work defines issues affecting the contemporary artist. He works with a performance, video, photography, installation, drawings and objects.

/UNTITLED

Pasko Burđelez rođen je 1969. godine u Dubrovniku. Završio je srednju Poljoprivrednu školu u Dubrovniku. Multimedijalni je umjetnik, bavi se videom, instalacijama, izvodi performanse. Po zanimanju je vrtlar. Živi i radi u Dubrovniku.

Rođen 1983. u Foči, Bosna i Hercegovina. Diplomirao na Akademiji likovnih umjetnosti u Sarajevu. Multimedijalni umjetnik, živi u Sarajevu (BiH) i Dubrovniku (Hrvatska). U svojim često intimnim radovima koristi vlastito tijelo, prostor i jednostavne objekte kako bi privukao pažnju na ono što vidi kao primarne probleme društva; egzistenciju, identitet i suvremene vrijednosti. Njegov rad definira probleme koji utječu na suvremenog umjetnika. Bavi se performansima, videom, fotografijom, instalacijom, crtežima i objektima.

Pasko Burđelez was born in 1969 in Dubrovnik. He completed the Agricultural High School in Dubrovnik. He is a multimedia artist, pursuing video, installations and performances. He lives and works in Dubrovnik.

50. Annale / Nitko nije siguran - Nobody’s safe

TIMELINE

BEZ NAZIVA

Ervin Babić Fotografija / Photography / 70 x 50 cm 2010.

Pasko Burđelez Fotografije / Photgraphs 10 x 15 cm 2010.

/TIMELINE

/UNTITLED

50. Annale / Nitko nije siguran - Nobody’s safe

PLAKATI /POSTERS

Ben Cain Plakati (9 komada) / Posters (9 pieces) 70 x 50 cm 2007. - 2010.

Ben Cain rođen je 1975. u Leedsu, a živi i radi u Londonu i Zagrebu. Prvenstveno se bavi produkcijom video instalacija, skulpturom i audio radovima, performansima i tiskanim materijalima, koji obrađuju konvergenciju teatra i dokumentarne informacije, s osobitim interesom u omogućavanju i osvjetljavanju uloge gledatelja u nastajanju subjekata i objekata. Njegov rad ima tendenciju formirati se kroz međuigru riječi i činova, produkcije i deskripcije, akcije i imaginacije, dok specifični ishodi ostaju nestabilni i izmiču. Skorašnji Cainovi radovi pojačano su fokusirani na vid, govor i tjelesni pokret, u procesu razvoja rada koji oscilira između vidljivog i nevidljivog, fizičkog i zamišljenog. Od 2002. Ben Cain izrađuje plakate bilo kao popratni materijal za galerijske instalacije, bilo kao samostalne radove koji se izlažu u javnim prostorima, ali i privatnim i domaćinskim postavima. Locirani negdje između “agitpropovske” formalne i visoko funkcionalne javne najave, te intimnije i pokatkad poetske forme adresiranja, ovi plakati često od publike traže da preispita svoju percepciju i utjecaj neposrednog okoliša. Adresiranje čitatelja kao nekoga tko možda pripada potencijalno efektivnoj grupi, uz nježan poziv da razmotri implikacije svog statusa kao člana “javnosti”, čini čestu temu u njegovim posterima, ali i u drugim radovima. Ben Cain prisutan je na međunarodnoj izložbenoj sceni više od deset godina. Posljednje je godine izlagao na različitim mjestima, uključujući Slought Foundation, Philadelphia; Garanta Perform, Istanbul; Wiels, Bruxelles; ICA, London; te Lenbachhaus u Minhenu.

(b.1975 Leeds) lives and works in London and Zagreb. He is primarily involved in the production of video installations, sculpture, audio work, performances and printed matter, which deal with the convergence of theatre and documentary information, with a particular interest in facilitating and highlighting the viewers’ role in the emergence of subjects and objects. The work tends to be formed through interplay of saying and doing, production and description, action and imagination; where specific outcomes remain unstable and illusive. Recent work has increasingly focused on sight, speech and bodily movement in the process of developing work that oscillates between the visible and non-visible, the physical and the imagined. Since 2002 Ben Cain has been making posters that either accompany gallery installations, or exist as stand-alone works that are displayed in public space as well as private and domestic settings. Positioned somewhere between the ‘agitprop’-style formal and highly functional public announcement, and a more intimate and sometimes poetic form of address, these posters often ask their audience to re-assess their perception and influence on the immediate surroundings. Addressing the reader as one who might belong to a potentially effective group, gently urging them to consider the implications of their status as a member of ‘the public’ is a theme that’s often present in the posters, but is also one which frequently emerges in other work. Ben Cain has been exhibiting internationally for over ten years. In the last year he has exhibited in various places including the Slought Foundation, Philadelphia; Garanta Perform, Istanbul; Wiels, Brussels; the ICA, London; and Lenbachhaus in Munich.

50. Annale / Nitko nije siguran - Nobody’s safe

PLAKATI /POSTERS

Ben Cain Plakati (9 komada) / Posters (9 pieces) 70 x 50 cm 2007. - 2010.

50. Annale / Nitko nije siguran - Nobody’s safe

TRIGLAV NA JADRANSKOM MORU

/ TRIGLAV ON ADRIATIC Nemanja Cvijanović Performans / Performance 2010.

Triglav na Jadranskom moru svojevrsan je nastavak na tri umjetničke akcije povijesnih i suvremenih slovenskih umjetnika koje su se bavile idejom o Triglavu kao alegoriji geografskog, nacionalnog i državnog simbola s pripadajućom povijesnom konstrukcijom identiteta. Živuću skulpturu Triglav izveli su David Nez, Milenko Matanović i Drago Dellabernardina - članovi najvažnijeg slovenskog neo-avangardnog pokreta OHO - u ljubljanskom Parku Zvijezda 30.prosinca 1968. godine Grupa IRWIN, rekonstruirala je istu akciju godine 2004., a 2009. godine umjetnici Janez Janša, Janez Janša i Janez Janša, realizirali su ovu akciju nazvanu Triglav na Triglavu rekonstruirajući OHO-ov i IRWINOV rad s ciljem nastavljanja tradicije konceptualne umjetnosti u Sloveniji, te problematizirajući ideološku vezu događaja iz recentne i prošle povijesti. Sva četiri rada utemeljena su na zahvatima dekonstrukcije i rekonstrukcije umjetničke tradicije i ideoloških sistema. Kao i Triglav za Slovence tako se i Jadransko more u Hrvata alegorijski izjednačuje sa simbolima vezanom uz naciju i državu kroz umjetno iskonstruirani identitet. Triglav na Jadranskom moru nastoji dekonstruirati te identitete i dovesti u pitanje isključivost prava novonastalih susjednih nacija na korištenje spomenutih simbola. Akciju Triglav na Jadranskom moru, koja je izvedena 2. srpnja 2010. u sklopu festivala DOPUST na legendarnoj splitskoj plaži Bačvice, a u znak zahvalnosti hrvatskog naroda slovenskom, na razboritom ishodu Referenduma o arbitražnom Sporazumu o granici s Hrvatskom.

Triglav on Adriatic is a peculiar continuation of the artistic actions by historical and contemporary Slovenian artists that pursued or pursue the idea of Triglav as an allegory of geographic, national and state symbol, along with the attached historical construction of identity. David Nez, Milenko Matanović and Drago Dellabernardina, members of the most important Slovenian neo-avant-garde movement OHO, created a living sculpture titled Triglav in Ljubljana’s park Zvezda on 30 December 1968. IRWIN group reconstructed the same action in 2004, while in 2009 artists Janez Janša, Janez Janša and Janez Janša realized this action under a name Triglav on Triglav, reconstructing OHO’s and IRWIN’s works, aiming to continue the tradition of conceptual art in Slovenia and to problematize the ideological connection between events from recent and more remote history. All four works are founded on reconstructive and deconstructive interventions into art traditions and ideological systems. What Triglav is to Slovenians, Adriatic is to Croatians. Both are allegorically equalled with the symbols linked to nation and state, through an artificially construed identity. Triglav on Adriatic endeavours to deconstruct those identities and challenge the exclusiveness of rights of newly risen neighbouring nations to use the mentioned symbols. Triglav on Adriatic action was performed on 2 July 2010 during DOPUST festival at a legendary Split’s Bačvice Beach. The action was performed as a token of gratitude of Croatian people to Slovenians, actually for the reasonable result of Slovenian referendum on arbitration agreement concerning the border with Croatia.

Nemanja Cvijanović rođen je 1972. u Rijeci u obitelji različitih južnoslavenskih narodnosti. Živi i radi u Rijeci. Član je Hrvatske udruge slobodnih umjetnika, HDLU Rijeka, HDLU Zagreb, Udruge Drugo more rijeka te Talijanske komunističke partije Rifondazione Comunista. Na suvremenom umjetničkom tržištu prisutan je u sklopu T293 iz Napulja (Italija), ŠKUC iz Ljubljane (Slovenija) te Kooperative SIZ iz Rijeke. Diplomirao je slikarstvo 1998. na Akademiji likovnih umjetnosti u Veneciji (Italija), a 2010. magistrirao projektiranje i proizvodnju likovne umjetnosti na Fakultetu arhitekture pri Sveučilištu I.U.A.V. u Veneciji (Italija).

Nemanja Cvijanović was born in 1972 in Rijeka, Croatia, into the mixed family of South Slavic nations. Lives and works in Rijeka. A member of the Croatian Freelance Artists’ Association and the Croatian Associations of Artists - Rijeka and Zagreb, Association Drugo more from Rijeka, and Italian Communist Party Rifondazione Comunista. Present on the contemporary art market under the emblem of T293 from Naples (IT), ŠKUC from Ljubljana (SLO) and SIZ Cooperative from Rijeka. In 1998, he graduated in Painting at the Accademia di Belle Arti di Venezia, Venice, and in 2010 he received MA in Projecting and Production of Visual Art from the Architecture University I.U.A.V., Venice (Italy).

50. Annale / Nitko nije siguran - Nobody’s safe

TRIGLAV NA JADRANSKOM MORU

/ TRIGLAV ON ADRIATIC Nemanja Cvijanović Performans / Performance 2010.

50. Annale / Nitko nije siguran - Nobody’s safe

210 DANA

9. 11. 2009. 9. 06. 2010.

/210 DAYS

/LAST YEAR’S SNOW

Tanja Dabo Instalacija (10 kugla sa snijegom, 20 fotografija) / Installation (10 balls with snow, 20 photographs)

Boris Cvjetanović Fotografije / Photographs / 44 x 62 cm 2009. - 2010.

9. 11. 2009.

LANJSKI SNIJEG

Boris Cvjetanović rođen je 1953. u Zagrebu. Završio je Školu primijenjene umjetnosti (odjel kiparstvo i dizajn) 1973., te Pedagošku akademiju (likovni smjer) 1976. godine, obje u Zagrebu. Od 1976. do 1984. radio je kao kipar-restaurator u Restauratorskom zavodu Hrvatske. 1981. počeo je objavljivati fotografije u Studentskom listu, gdje je bio urednik fotografije 1987. i 1988. godine. Od 1984. profesionalno se bavi fotografijom. Izlagao je na više skupnih i samostalnih izložaba. Boris Cvjetanović was born in 1953 in Zagreb. He completed the Zagreb School for Applied Arts (Department for Sculpture and Design) in 1973 and graduated from The Visual Arts Department at The Pedagogic Academy in Zagreb. From 1976 to 1984 he worked as a sculptor-restaurateur at The Restoration Institute of Croatia. In 1981 he begun publishing photographs in Studentski list magazine, acting as its photography editor from 1987 to 1988. He has been a professional photographer since 1984 and exhibited at many group and solo exhibitions.

Rođena 1970. godine. 1989. Završava Školu za primijenjenu umjetnost i dizajn u Zagrebu. 1997. Završava studij Likovne kulture na Pedagoškom fakultetu u Rijeci. 2003. magistrira na Akademiji likovnih umjetnosti u Ljubljani. Radi na Akademiji likovnih umjetnosti u Zagrebu. Od 1993. godine izlaže na brojnim samostalnim i skupnim izložbama, kustoskim projektima i festivalima u Hrvatskoj i inozemstvu, natječajnog i pozivnog karaktera. Autorica je brojnih grafičkih i multimedijalnih radova i projekata. Vodila je brojne radionice za studente i mlade umjetnike. Pohađala je brojne stručne radionice u Hrvatskoj i inozemstvu. Svoj rad je predstavila na više javnih izlaganja i seminara u Hrvatskoj i inozemstvu. Bila je selektorica nekoliko filmskih festivala. Radovi su joj uvršteni u više zbirki i muzeja u Hrvatskoj i inozemstvu. Objavila je više tekstova u stručnim publikacijama, a o njenom radu objavljeni su brojni osvrti, kritike i publikacije. Dobitnica je više nagrada za svoj rad. Born 1970. In 1989 she completed The School for Applied Arts and Design in Zagreb. In 1997 she graduated from The Visual Culture Department at the Pedagogical Faculty in Rijeka. In 2003 she acquired M.A. degree from The Academy of Fine Arts in Ljubljana. She is employed at The Academy of Fine Arts in Zagreb. Since 1993 she has been exhibiting at numerous solo and group exhibitions, curatorial projects and festivals in Croatia and abroad, including those of competitive and invitational character. She led numerous workshops for students and young artists. She presented her work at several public talks and seminars in Croatia and abroad. She acted as a selector at several film festivals. Her works are part of several private and museum collections in Croatia and abroad. She published texts in specialized publications and her work has been the subject of many reviews, critiques and publications. She is a recipient of many awards for her work.

50. Annale / Nitko nije siguran - Nobody’s safe

210 DANA

9. 11. 2009. 9. 06. 2010.

/210 DAYS

/LAST YEAR’S SNOW

Tanja Dabo Instalacija (10 kugla sa snijegom, 20 fotografija) / Installation (10 balls with snow, 20 photographs)

Boris Cvjetanović Fotografije / Photographs / 44 x 62 cm 2009. - 2010.

9. 11. 2009.

LANJSKI SNIJEG

50. Annale / Nitko nije siguran - Nobody’s safe

GOTOVAC NAKON GOTOVCA

VIRTUALNA GEOGRAFIJA 1990 - 2010

/GOTOVAC AFTER GOTOVAC

/ VIRTUAL GEOGRAPHY 1990-2010

Grupa ABS / ABS Group Video / 5 ’50’’ 2010.

Nermin Duraković Video / 3’5’’ 2010.

Članovi grupe ABS su Alen Alebić, Ivica Blažić i Ivan Skvrce. Diplomirali su na smjeru slikarstva na zagrebačkoj Akademiji likovnih umjetnosti 2003. godine. Studenti su završne godine magistarskih studija na Akademiji za likovnu umjetnost in oblikovanje u Ljubljani. Žive na relaciji Zagreb-Rijeka-Krk. “… Grupa ABS je formirana kao kritička platforma unutar materijalne prakse i političkih kontradikcija hrvatskog suvremenog slikarstva, umjetnosti i potencijalnosti tranzicijske kulture i društva. Grupa je formirana pokretanjem kritičkog potencijala “slikarskog rada”, tj. pokretanjem “simptoma” un-

Nermin Duraković rođen je 1979. u Bosni i Hercegovini. Trenutno je danski državljanin. Od 2000. – 2005. studirao je na The Funen Academy of Fine Arts. Živi i radi u Kopenhagenu. Nermin Duraković, born 1979 (BA), current nationality Danish (DK). Studied at The Funen Academy of Fine Arts 2000-2005 Odense/Denmark. Living and working in Copenhagen (DK)

utar suvremenog hrvatskog društva… … Slikarstvo Grupe ABS je realizirano i prikazano slikamakao-simptomima koji sugeriraju neprijatnu i otuđenu atmosferu kritičkih ili kriznih situacija unutar konfliktne političke suvremenosti.” … Miško Šuvaković The members of ABS Group are Alen Alebić, Ivica Blažić and Ivan Skvrce. They have graduated painting from The Academy of Fine Arts in Zagreb. in 2003. Presently they are senior students at The Academy for Fine Arts and Design in Ljubljana. They share time between Zagreb, Rijeka and Krk. “... The ABS Group was formed as a critical platform within material practice and political contradictions of Croatian contemporary painting, art and the potentiality of transitional culture and society. The Group was formed by initiating the critical potential of “painting work” i.e. by initiating the “symptoms” within contemporary Croatian society... ... The painting of ABS Group has been realized and presented in paintings-as-symptoms that suggest unpleasant and alienated atmosphere of critical or crisis situations within the conflicting political contemporaneity.” Miško Šuvaković

50. Annale / Nitko nije siguran - Nobody’s safe

GOTOVAC NAKON GOTOVCA

VIRTUALNA GEOGRAFIJA 1990 - 2010

/GOTOVAC AFTER GOTOVAC

/ VIRTUAL GEOGRAPHY 1990-2010

Grupa ABS / ABS Group Video / 5 ’50’’ 2010.

Nermin Duraković Video / 3’5’’ 2010.

50. Annale / Nitko nije siguran - Nobody’s safe

BESKONAČNA EKSPOZICIJA /INFINITE EXPOSURE

RUČAK /LUNCH Ana Hušman Video / 16’40’’ 2010.

Tina Gverović Dia projekcija / Projection of diapositives 2010.

Diplomirala slikarstvo na Akademiji Likovnih Umjetnosti (Zagreb, 1997). Završila poslijediplomski studij na Jan van Eyck Akademiji (Maastricht, Nizozemska, 2000). Trenutno je na Doktorskom studiju na Middlesex Sveučilištu (London, UK). Dobitnica je nekolicine nagrada od kojih su: Gabrielle Parker (2008), Radoslav Putar (2006), Siemens (2006), Arts Link (2006), HDLU za mladog umjetnika (2005), Art Council England (2002), UNESCO (1998).

Graduated painting from The Academy of Fine Arts in Zagreb in 1997. Completed the postgraduate study at Jan van Eyck Academy (Maastricht, Netherlands, 2000). Presently working towards her PhD at Middlesex University (London, UK). She is a recipient of several awards including: Gabrielle Parker (2008), Radoslav Putar (2006), Siemens (2006), Arts Link (2006), Croatian Association of Visual Artists’ Award for Young Artist, Art Council England (2002), UNESCO (1998).

Pravila lijepog ponašanja na koja nailazimo u priručnicima - bontonima za sebe kažu da pomažu ljudima u boljem međusobnom razumijevanju i olakšavanju komunikacije, te nam omogućuju da se lakše i sa više samopouzdanja krećemo u društvu. Njima nas uče od rođenja što je ujedno i jedini način da ih u potpunosti usvojimo. Svoj izvor oni imaju u zapadnoj kulturi, a prema njihovom poštivanju lako je znati tko je civiliziran a tko nije. Film se bavi običajima pri jelu i pilu -specifično situacijom ručka, jer zajedničko je jedenje centralno mjesto na kojem drugima pokazujemo svoju uglađenost i civiliziranost.

The rules of correct behaviour found in books of etiquette present themselves as aiding communiction and helping people understand each other. They also claim to help us engage socially with greater ease and self confidence. These rules are learnt from birth which is the only way for us to completely internalise them. Their model is found in western civilisations, and compliance with them makes it easy to discern who is civilised and who is not. the film deals with customs of eating and drinking - specifically with the lunch situation, as communal eating is the central site of showing others our breading and finesse.

Ana Hušman rođena je 1977 u Zagrebu. 2002. godine diplomirala je na Odjelu za multimedije i nastavnički smjer Akademije likovnih umjetnosti u Zagrebu. Sudjelovala je na brojnim domaćim i inozemnim izložbama i festivalima. Od škol. god. 2006/2007 radi kao viša asistentica na Akademiji likovnih umjetnosti u Zagebu.

Born in Zagreb in 1977. Studied multimedia and art education department graduating in 2002 from the Academy of Fine Arts Zagreb, Croatia. Attended numerous Croatian and International festivals and shows. A the moment working on Academy of fine arts department of animated film and new media.

50. Annale / Nitko nije siguran - Nobody’s safe

BESKONAČNA EKSPOZICIJA /INFINITE EXPOSURE

RUČAK /LUNCH Ana Hušman Video / 16’40’’ 2010.

Tina Gverović Dia projekcija / Projection of diapositives 2010.

50. Annale / Nitko nije siguran - Nobody’s safe

APSTRAKCIJA :

UMJETNIK PRODAJE SVOJU KOŽU / ABSTRACTION: AN ARTIST SELLING HIS SKIN Siniša Labrović Koža na ulju na platnu / Skin on oil on canvas Dimenzije slika / Dimensions of paintings 60x60 cm Dimenzije kvadrata na platnu / Dimensions of square on canvas 1,7x1,7 cm Dimenzije trokuta na platnu / Dimensions of triangle on canvas 2,7x2,7x2,7 cm Promjer kruga na platnu / Diameter of circle on canvas 3,1 cm

Materijal kvadrata, trokuta i kruga / Making of material of square, triangle and circle: umjetnikova koža / artist’s skin Dodatak / Addition: video dokumentacija operacije skidanja kože / video documentation of the skin-removing surgery 10’48 ’’

Rođen je u Sinju 12.02.1965. Izlaže od 2000. godine na dvadesetak samostalnih i nekoliko desetaka skupnih izložbi u Hrvatskoj i inozemstvu. Radovi mu se nalaze stalnom postavu Muzeja suvremene umjetnosti u Zagrebu i Galerije umjetnina u Splitu. Sudjelovao na XI. Istanbulskom bijenalu 2009. godine. Born in Sinj on 12 February 1965. Since 2000 he had around 20 solo and participated at several dozens of group exhibitions in Croatia and abroad. His works are part of the collections of The Museum of Contemporary Art Zagreb and Split Art Gallery. He participated at the 11th Istanbul Biennial in 2009.

50. Annale / Nitko nije siguran - Nobody’s safe

APSTRAKCIJA :

50. Annale / Nitko nije siguran - Nobody’s safe

BEZ NAZIVA /UNTITLED

Ines Matijević Cakić Crtež kloncem na platnu / a drawing sewn on canvas / 5 X 2 m 2009. Ljubaznošću, Okolje consulting Art Collection / Courtesy of Okolje Consulting Art Collection

Rođena 1971. u Doboju. Diplomirala kiparstvo na ALU u Zagrebu 1996. godine. Članica je Hrvatske zajednice samostalnih umjetnika i Hrvatske zajednice likovnih umjetnika. Živi i radi u Dubrovniku.

50. Annale / Nitko nije siguran - Nobody’s safe

BEZ NAZIVA /UNTITLED

Ines Matijević Cakić Crtež kloncem na platnu / a drawing sewn on canvas / 5 X 2 m 2009. Ljubaznošću, Okolje consulting Art Collection / Courtesy of Okolje Consulting Art Collection

Rođena 1971. u Doboju. Diplomirala kiparstvo na ALU u Zagrebu 1996. godine. Članica je Hrvatske zajednice samostalnih umjetnika i Hrvatske zajednice likovnih umjetnika. Živi i radi u Dubrovniku.

50. Annale / Nitko nije siguran - Nobody’s safe

ANTIBIOTIK

VRIŠTANJA

Medika Projekcija/ video instalacija (s materijalima iz projekta / izložbi u galeriji Antibiotik u Mediki (Zagreb) i performans bez naziva / Projection / video installation (with materials from the projects / exhibitions at Antibiotic Gallery in Medika Center, Zagreb) and an untitled performance

Kata Mijatović Audio-video instalacija / Audio-video installation / 60’’ loop 2009.

/ANTIBIOTIC

Projekt iz Medike koji predstavljamo se zove Antibiotik a kreirale su ga Nives Sertić i Iva Cepanec, a performans izvode Nives Sertić, Iva Cepanec i Alexander Masters

A project from Medika that is presented here is titled Antibiotic. It was created by Nives Sertić and Iva Cepanec, while the performance is performed by Nives Sertić, Iva Cepanec and Alexander Masters.

/SCREAMINGS

1956 rođena u Branjini, Hrvatska. 1981. diplomirala na Pravnom fakultetu u Osijeku. 1988/1991 članica umjetničke grupe Močvara. 1991/1993 studij slikarstva na Accademia di belle arti u Firenci, Italija. 1993/1996 studij slikarstva na Akademiji likovnih umjetnosti, Zagreb. 1997. diplomirala na ALU Zagreb/klasa prof. Đure Sedera. Živi i radi u Zagrebu kao slobodna umjetnica.

Kata Mijatović was born in 1956 in Branjina, Croatia. In 1981 she graduated from the Law School in Osijek. From 1988 to 1991 she was a member of art group Močvara. In 1991 she enrolled the study of painting at the Academy of Fine Arts in Florence, Italy. In 1993 she transferred to Zagreb where she continued her study at The Academy of Fine Arts, graduating in 1997 in a class of professor Đuro Seder. She lives and works in Zagreb as a freelance artist.

50. Annale / Nitko nije siguran - Nobody’s safe

ANTIBIOTIK

VRIŠTANJA

Kata Mijatović Audio-video instalacija / Audio-video installation / 60’’ loop 2009.

/ANTIBIOTIC

Projekt iz Medike koji predstavljamo se zove Antibiotik a kreirale su ga Nives Sertić i Iva Cepanec, a performans izvode Nives Sertić, Iva Cepanec i Alexander Masters

/SCREAMINGS

50. Annale / Nitko nije siguran - Nobody’s safe

IZMIŠLJENI PUTOPIS

/FICTIOUS TRAVELOGUE Ana Opalić Fotografije / Photographs / 12 x 15 cm 2009.

Rođena je 1972. godine u Dubrovniku. 1997. Diplomirala je Tv i filmsko snimanje na Akademiji dramskih umjetnosti u Zagrebu. Iste godine nagrađena je kao najbolja mlada fotografkinja na izložbi Hrvatska fotografija ’97. Fotografije samostalno izlaže od 1991. godine. Kao stipendistica UNESCOAschbers stipendije gostovala je 1997., 1998. u Centre d’Art i Natura u Kataloniji te u Tyrone Guthrie centru u Irskoj. Od 2000. članica je Hrvatske Zajednice Samostalnih Umjetnika. 2003. (zajedno sa Borisom Cvjetanovićem) predstavljala je Hrvatsku na 50. venecijanskom bijenalu. 2008. dobitnica je II nagrade na natječaju T-HT award @ msu.hr Izlagala je na brojnim samostalnim i skupnim izložbama u Hrvatskoj i inozemstvu. Fotografije su joj u kolekciji Muzeja suvremene umjetnosti u Zagrebu, Galerije umjetnina Split, Centra d’Art i Natura-Katalonija, Tyrone Guthrie centra-Irska, Heinz Bossert galerije – Koln, Centro Culturale Teresa Orsola Bussa de RossiItalija, te u nekoliko privatnih zbirki. Born in Dubrovnik, 1972. Graduated Film and TV Cinematography at the Academy of Dramatic Arts in Zagreb in 1997. Was awarded best young photographer at the Croatian photography exhibition in ’97. Exhibits photography since 1991. As the winner of the UNESCO-Aschbers scholarship, was a guest at the Centre d’Art i Natura in Catalonia in 1997 and 1998, and at the Tyrone Guthrie Center in Ireland. Has been a member of the Croatian freelance artist’s association since 2000. Represented Croatia at the 50th Venice bienalle (together with Boris Cvjetanović) in 2003. competition in 2008. Exhibited at numerous solo and group exhibitions in Croatia and abroad. Her photographs are a part of the collection of the Museum of contemporary art in Zagreb, Art Gallery Split, Centre d’Art i Natura - Catalonia, Tyrone Guthrie Center-Ireland, Heinz Bossert gallery – Koln, Centro Culturale Teresa Orsola Bussa de Rossi-Italia and a few private collections.

50. Annale / Nitko nije siguran - Nobody’s safe

IZMIŠLJENI PUTOPIS

/FICTIOUS TRAVELOGUE Ana Opalić Fotografije / Photographs / 12 x 15 cm 2009.

50. Annale / Nitko nije siguran - Nobody’s safe

ZAMIŠLJENA /PENSIVE

NITKO NIJE SIGURAN /NOBODY’S SAFE

Zoran Pavelić Natpis crnim slovima na bijeloj podlozi, bijeloj tkanini ili transparentu / Inscription consisting of black letters on a white surface, white fabric or banner / 30 X 500 cm 1998. - 2010.

Zoran Pavelić Akril na platnu / Acrilic on canvas / 30 X 40 cm 1998. - 2010.

Rad se zasniva na optičkom efektu koji se postiže koncentriranim nefokusiranim gledanjem slike postavljene na bijeli zid. Na slici su u vodoravnom nizu zelena, crna i narandžasta boja. Skretanjem pogleda sa slike na bijelinu zida, pojavljuje se zamišljeni optički efekt – slika u njenim komplementarnim bojama (crveno, bijelo, plavo), bojama hrvatske zastave.

The work is based on an optic effect achieved by the concentrated unfocused observation of a painting upon a white wall. The painting features a horizontal range comprising green, black and orange colour. By diverting the gaze from the painting onto the wall’s whiteness, an imaginary optic effect rises – a painting in its complementary colours (red, white, blue), which are the colours of Croatian flag. Kako je nastala rečenica ‘’Nitko nije siguran’’

The origin of sentence “Nobody’s safe”:

1) Home/Spirit, 1998-2001, instalacija (36. zagrebački salon – galerija PM, 2001) sastojala se od stola sa crnim stoljnjakom i cipelom (postavljenom ispod jedne noge stola), i crno/ bijele fotografije koju sam snimio u svojoj sobi prilikom prvog povratka u Baranju 1998. Snimio sam sobu u kojoj sam na ugašenom televizoru aplicirao bijelim papirom rečenicu ‘’ Nitko nije siguran’’. 2) Nitko nije siguran, instalacija, 2007, Dűusseldorf, sastojala se od jednog bijelog stola i cipele podmetnute ispod noge stola, – rečenicu sam upotrijebio kao naziv za instalaciju 3) Nitko nije siguran , 1998-2010, transparent na ulazu u Istarsku sabornicu, Poreč / rečenica se prvi put izdvaja kao samostalan rad.

1) Home/ Spirit, 1998-2001, installation (36th Zagreb Salon – PM Gallery, 2001) comprised a table with a black cloth and a shoe (set beneath a table’s leg) along with a black/white photography that I’ve taken in my room when I first returned to Baranja in 1998. I have photographed the room with a turned off TV set, over which I applied white paper to form a sentence saying “Nobody’s safe.” 2) Nobody’s Safe, installation, 2007, Dusseldorf, comprised a single white table and a shoe stuck under a leg’s table. This time the sentence was used as the installation’s title. 3) Nobody’s Safe, 1998-2010 – a banner over the entry into the Istrian Parliament in Poreč. This was the first time the sentence was extrapolated as an independent work.

Zoran Pavelić, 1961. rođen u Osijeku. 1988. do 1991. osnivač i član neformalne umjetničke skupine Močvara - Baranja 1998. diplomirao je slikarstvo na Akademiji likovnih umjetnosti u Zagrebu. Radi u različitim medijima; site-specific radovi, fotografija, video, slike, crteži, nevidljive akcije i performansi, instalacije..... Živi i radi u Zagrebu kao samostalni umjetnik.

Born in Osijek in 1961. From 1988 to 1991 active as a founding member of The Swamp, an informal art group from Baranja. Graduated painting from The Academy of Fine Arts, Zagreb in 1998. Employs various media: site specific works, photographs, video, paintings, drawings, invisible actions and performances, installations... Lives and works in Zagreb as an independent artist.

50. Annale / Nitko nije siguran - Nobody’s safe

ZAMIŠLJENA /PENSIVE

NITKO NIJE SIGURAN /NOBODY’S SAFE

Zoran Pavelić Akril na platnu / Acrilic on canvas / 30 X 40 cm 1998. - 2010.

The origin of sentence “Nobody’s safe”:

50. Annale / Nitko nije siguran - Nobody’s safe

DU TV 10:02:57, 17. 2. 2010. Ivana Pegan Baće Uv print na pleksiglasu / UV print on Plexiglas / 60 x 80 cm 2010.

Rođena 1971. u Doboju. Diplomirala kiparstvo na ALU u Zagrebu 1996. godine. Članica je Hrvatske zajednice samostalnih umjetnika i Hrvatske zajednice likovnih umjetnika. Živi i radi u Dubrovniku. Born in 1971 in Doboj. Graduated sculpting from the Academy of Fine Arts in Zagreb in 1996. A member of the Croatian Association of Freelance Artists and Croatian Association of Visual Artists. Lives and works in Dubrovnik.

50. Annale / Nitko nije siguran - Nobody’s safe

DU TV 10:02:57, 17. 2. 2010. Ivana Pegan Baće Uv print na pleksiglasu / UV print on Plexiglas / 60 x 80 cm 2010.

50. Annale / Nitko nije siguran - Nobody’s safe

ŠTO JE U VALOVIMA ? / WHAT IS IN THE WAVES? Luko Piplica Video / 9’ 21” 2009.

50. Annale / Nitko nije siguran - Nobody’s safe

Ovaj video rad rukuje istovremeno sa postupcima performansa i filmske forme. U njemu je zbog toga imperativ stvarnosti svjesno kontaminiran uprizorenjem, montažom. Element prirode, valovi, nadopunjuju se umjetnim udarcima, a snimljena vremenska crta, sa pripadajućim zvukovima, reže se i reproducira po potrebi. Stvarni, «nađeni» glasovi pušteni unatrag, slučajem postavljeni u filmskom vremenu, čuju se kao novi jezik, koji preveden titlovima sugerira i drugu kulturu, novu stvarnost.

This video work simultaneously handles the procedures of performance and a film form. Therefore, the imperative of reality is consciously contaminated with staging and editing. Waves, as the element of nature, are supplemented with artificial blows, while a recorded timeline, with its associated sounds, is cut and reproduced as required. The real, “found” voices are reproduced backwards, accidentally set within filmic time, heard as a new language, whose titled translation also suggests another culture, a new reality.

Luko Piplica rođen je 16. 1. 1969. u Dubrovniku. Diplomirao je na Akademiji likovnih umjetnosti u Zagrebu 1994. godine. Na izložbama od 1992. godine predstavljao je radove u medijima slikarstva, fotografije, videa.

Born 16 January 1969 in Dubrovnik. Graduated from The Academy of Fine Arts in Zagreb in 1994. Since 1992, his exhibitions have been showcasing painting, photography and video.

50. Annale / Nitko nije siguran - Nobody’s safe

ŠTO JE U VALOVIMA ? / WHAT IS IN THE WAVES? Luko Piplica Video / 9’ 21” 2009.

50. Annale / Nitko nije siguran - Nobody’s safe

Born 16 January 1969 in Dubrovnik. Graduated from The Academy of Fine Arts in Zagreb in 1994. Since 1992, his exhibitions have been showcasing painting, photography and video.

50. Annale / Nitko nije siguran - Nobody’s safe

TEMPORARY AUTONOMOUS TERRITORY II. MEXICO CITY

/PRIVREMENI AUTONOMNI TERITORIJ II, MEXICO CITY Tadej Pogačar 2003.

Da li je u našim gradovima (ili tranzicijskoj ekonomiji) preostao ikakav javni prostor? Javni prostor se prvenstveno koristi kao izlog koji stimulira potrošački životni stil, postajući rezerviran za komercijalne poruke i pretvarajući se u veliku medijsku pozornicu. Društveni život se otud reducira na shopping, dok kapital progresivno privatizira javni prostor – i to nije vijest dana. Privremeni Autnomni teritorij II, Mexico City, je praktično istraživanje na polju low-tech i neplanirane arhitekture, blisko povezan sa svakodnevnim životom i njegovom transformacijom. Neplaniranje reflektira koncepte i prakse svakodnevnog života, praktičnu utopiju, igru komunikacije i ideju sudjelovanja. Ovi procesi otvaraju mogućnosti za redefiniranje institucionalne participacije u stvaranju rubnih prostora. Neplaniranje promovira pojam arhitekture kao događaja i situacije. Tadej Pogačar (1960) je umjetnik i umjetnički direktor ljubljanske Galerije P74 i projektnog prostora KAPSULA, također situiranog u Ljubljani. 1984. diplomirao je etnologiju i povijest umjetnosti na Sveučilištu u Ljubljani. 1988. diplomirao je slikarstvo

na Akademiji likovnih umjetnosti pri Sveučilištu u Ljubljani, gdje je 1990. završio i postdiplomski studij. Osnivač je i direktor Muzeja suvremene umjetnosti P. A. R. A. S. I. T. E., virtualne organizacije i kritičkog modela osnovanog 1993. (www.parasite-pogacar.si). Također je urednik Magazina za antropologiju i novi parazitizam. 1991 započeo je dugoročni, kolaboracijski projekt pod imenom CODE:RED koji raspravlja i istražuje modele neformalne ekonomije, samoorganizacije, globalne industrije seksa i trgovanja ljudima. U svojim najskorijim projektima, Tadej Pogačar istražuje, kroz kontekst dominacije i moći, svakodnevnicu suvremenih gradova, participacijski urbanizam i ekonomiju urbanih manjina. Sudjelovao je na mnogobrojnim izložbama od kojih u skorije vrijeme valja izdvojiti 10. Istanbulski Bijenale; San Francisco Art Institute; 49. Bijenale u Sao Paolu; NGBK, Berlin; 3. Bijenale u Tirani; ZKM Karlsruhe; Stedelijk Museum; Sparwasser HQ, Berlin; Oyo Atomico, Madrid; Museo de Arte Carillo Gil, Mexico City; Središnja umjetnička kuća, Moskva, itd. Godine 2001. dobio je stipendiju Franklin Furnace, a 2004. stipendiju Shrinking Cities.

Is there any public space left in our cities (of transitional economy)? Public space is primarly used as a showcase that stimulates lifestyle of consumption. Public space become reserved for commerce messages and it turns into huge media stage. Social life is therefore reduces into shopping and capital progressively privatisise public space - this is not a news of a day. Temporary Autonomous Territory II. Mexico City is a practical investigation in the field of low-tech and non-planed architecture, closely connected to everyday life and its transformation. Non-plan reflects the concepts and practices of everyday life, practical utopia, game of communication and idea of participation. These processes open possibilities for redefining institutional participation in creating of urban spaces. Non-plan promote the notion of architecture as an event and situation. Tadej Pogačar (1960) is an artist and the artistic director of the P74 Gallery and the project space KAPSULA, both based in Ljubljana. In 1984 he graduated with a degree in Ethnology and the History of Art from the University of Ljubljana. In 1988 he graduated with a degree in painting from the Academy of Fine Arts, University of Ljubljana where he also finished his postgraduate studies (1990). He is the founder and director of the P. A. R. A. S. I. T. E. Museum of Contemporary Art, a virtual organization and a critical model established in 1993 (www. parasite-pogacar.si). He is also the editor of the Journal for Anthropology and New Parasitism. In 1991 he initiated the longterm, collaborative project CODE:RED which discusses and researches models of informal economy, self-organization, global sex work and human trafficking. In his most recent projects Tadej Pogačar through the context of dominance and power, explores the everyday of contemporary cities, participatory urbanism and the economy of urban minorities. He exhibited widly, recently on the 10. Istanbul Biennial, San Francisco Art Institute, 49th Sao Paulo Biennial, NGBK, Berlin, 3rd Tirana Biennial, ZKM Karlsruhe, Stedelijk Museum, Sparwasser HQ, Berlin; Oyo Atomico, Madrid; Museo de Arte Carillo Gil, Mexico City; Central house of Artist, Moscow etc. He has been recipient of the Franklin Furnace grant in 2001 and Shrinking Cities Grant in 2004.

50. Annale / Nitko nije siguran - Nobody’s safe

TEMPORARY AUTONOMOUS TERRITORY II. MEXICO CITY

/PRIVREMENI AUTONOMNI TERITORIJ II, MEXICO CITY Tadej Pogačar 2003.

50. Annale / Nitko nije siguran - Nobody’s safe

BEZ NAZIVA

ISTRAGA

Ivona Vlašić Video / 7’ 30” 2007.

Kvart - Udruga za suvremenu umjetnost iz Splita / KVART - Association for Contemporary Art Utemeljena / founded 2006

/UNTITLED

Born on 14 December 1968 in Dubrovnik. From 1992 to 1994 she attended the Department of Painting, at the High Technical School, Graz, Austria, in a class of professor Gerhard Lojen. She pursues painting and video art.

/INVESTIGATION

“Udruga Kvart utemeljena je kao odgovor na potrebu jasne artikulacije kritičkog govora u odnosu prema problematici lokalne zajednice (gradski kotar Trstenik), ali svojom aktivnošću zadire i u šire polje relacija u kojima lokalno određenje služi kao odraz situacije u koje je zašlo hrvatsko društvo u cjelini. Dislocirajući se iz strogog gradskog središta i koristeći se strategijama umjetničkog aktivizma - Kvart propituje specifične probleme određenog gradskog prostora, naslanjajući se na permanentnu ideju ovisnosti i konflikta periferije i centra.” (Dalibor Prančević) “Kvart je mitski i egzistencijalni topos odrastanja, stanovanja, druženja, utjelovljenja brige oko subjektivne i ekonomske pozicije marginaliziranih umjetnika u danom društvenom uređenju....” (Branko Cerovac) Na porečkom Annalu sudjeluju Boris Šitum, Milan Brkić, Rino Efendić, Marin Zorić, Duška Boban i Ivan Svaguša.

Rođena 1971. u Doboju. Diplomirala kiparstvo na ALU u Zagrebu 1996. godine. Članica je Hrvatske zajednice samostalnih umjetnika i Hrvatske zajednice likovnih umjetnika. Živi i radi u Dubrovniku.

Kvart was founded as the response to a need for clear articulation of critical speech in relation to the problematics of local community (The Municipal District of Trstenik). However, its activity reaches into the wider field of relations, where the local definition serves as a reflection of situation faced by the Croatian society in general. By dislocating from the strict city centre and by applying the strategies of art activism, Kvart questions the specific issues of city spaces, relying on a permanent idea of dependence and conflict between periphery and centre. “ (Dalibor Prančević) “Kvart is a mythical and existential topos of growing up, tenancy, socializing, the embodiment of care about the subjective and economic position of marginalized artists in a given social order...” (Branko Cerovac) Poreč Annale is participated by Boris Šitum, Milan Brkić, Rino Efendić, Marin Zorić, Duška Boban and Ivan Svaguša.

50. Annale / Nitko nije siguran - Nobody’s safe

BEZ NAZIVA

ISTRAGA

Ivona Vlašić Video / 7’ 30” 2007.

Kvart - Udruga za suvremenu umjetnost iz Splita / KVART - Association for Contemporary Art Utemeljena / founded 2006

/UNTITLED

/INVESTIGATION

Rođena 1971. u Doboju. Diplomirala kiparstvo na ALU u Zagrebu 1996. godine. Članica je Hrvatske zajednice samostalnih umjetnika i Hrvatske zajednice likovnih umjetnika. Živi i radi u Dubrovniku.

50. Annale / Nitko nije siguran - Nobody’s safe

MUZEJ KVARTA /NEIGHBOURHOOD MUSEUM Udruga mladih muzeologa Kontraakcija / COUNTERACTION - The Association of Young Museologists 2010.

Kontraakcija većinom okuplja studente i mlade znanstvenike koji se bave različitim granama poput umjetnosti, arhitekture, urbanizma, arheologije i sociologije, prezentirajući ih kroz suvremenu muzeološku teoriju i praksu. Svoje puno ime temelji na ideji afirmacije muzeološke struke i muzeja kroz suvremene teorije kao društveno relevantnog subjekta u službi razvoja. Projekt Muzej kvarta nastao je kao direktna posljedica potrebe za istraživanjem i razumijevanjem identiteta lokalnih zajednica unutar društveno-urbanističke specifičnosti novozagrebačkih kvartova. Identitet, proizašao iz baštine, temelj je društvenog i kulturnog, pa i gospodarskog razvoja neke zajednice, te bi ga valjalo uključiti u živote stanovnika pojedinih kvartova preko nekog oblika socijalno-kulturnog dijelovanja. Specifična socijalna situacija Novog Zagreba leži u njegovoj odsječenosti od centraliziranog društveno-kulturnog života Grada, koja stvara osjećaj marginaliziranosti i drugorazrednosti bez stvarnog shvaćanja vlastite vrijednosti. Manjak svijesti o samome sebi i nedostatak osjećaja pripadnosti manifestira se, stoga, kroz povezivanje sa prostorno-kulturno neutemeljenim, uvezenim obrascima ponašanja. Nedostatak nekakvog subjekta ( kulturnog doma, muzeja ili bilo kakve kulturne institucije), koji bi poticao komunikaciju stanovnika kvarta i aktivno uključivanje u istraživanje o povijesti i sadašnjosti zajednice, nerijetko ima za posljedicu apatiju i nebrigu stanovnika prema vlastitoj okolini, te stoga i stagnaciju razvoja zajednice na svim poljima. Projekt je mobilnog karaktera. Putuje od kvarta do kvarta, te u svakom od njih pokušava ostvariti konkretne akcije ojačavanja specifičnog lokalnog identiteta. Unutar dva mjeseca, svakom kvartu se pristupa kroz tri faze: Preliminarna/istraživačka faza uključuje različite pripremne radove poput istraživanja i upoznavanja s kvartom, te kontaktiranja relevantnih subjekata (pojedinaca, aktivsta, udruga) koji su često presudni u ostvarivanju dobre komunikacije s

ostalim stanarima; Radionička faza zasniva se na mjesec dana aktivne suradnje sa što različitijim pripadnicima pojedine urbane cjeline, u svrhu što boljeg upoznavanja kako prošlosti, tako i sadašnjosti života unutar kvarta. Ova faza nerijetko također uključuje i kontaktiranje struke koja se na bilo koji način interesira za ovo polje djelovanja, te koja bi mogla svojim idejama pomoći stanarima u poboljšavanju njihove svakodnevice. U sam proces komunikacije sa stanovništvom i formiranja specifične slike o kvartu uključujemo i različite, društveno-angažirane umjetnike. Intervencijama (tj. projektima) oni oplemenjuju dijelove kvarta i modeliraju svoj izričaj prema specifičnom vizualitetu i problematici svake pojedine zajednice Faza prezentacije, kada s pomoću multimedijalne i interdisciplinarne izložbe predstavljamo rezultat istraživanja i radionica prvenstveno lokalnom stanovništvu, ali i gostima. Osim spomenutih angažiranih umjetničkih radova, na izložbi želimo prezentirati različite (kulturne, arheološkoheritološke, društvene) akcije zasnovane na suvremenim poimanjima baštine. Svaki pojedini kvart moguće je upoznati i putem tzv. Rute kvarta s osnovnim punktovima i audio vodičem dostupnim na internet stranici Kontraakcije. Punktovi predstavljaju raznolike točke identiteta i specifičnosti izrasle iz istraživačkog i spoznajnog rada u kvartu. Upravo Ruta kvarta pretvara kvart u slobodan, spoznajni prostor. Prostor muzeja bez zgrade i radnog vremena. Na izložbi su po prvi put prezentirani rezultati dvaju inicijativa urbanističkih jedinica Središća i Travnog. Ovom prilikom iskušavamo jumbo plakat kao mogući medij u komunikaciji stečenih spoznaja prvenstveno s matičnim zajednicama, ali i posjetiteljima pojedinih kvartova. Široj publici omogućeno je javno praćenje i sudjelovanje u ovom i sličnim projektima putem internet stranice www.kontraakcija.hr.

50. Annale / Nitko nije siguran - Nobody’s safe

MUZEJ KVARTA /NEIGHBOURHOOD MUSEUM Udruga mladih muzeologa Kontraakcija / COUNTERACTION - The Association of Young Museologists 2010.

50. Annale / Nitko nije siguran - Nobody’s safe

Counteraction gathers mostly students and young scientists involved with various branches such as art, architecture, urbanism, archaeology and sociology, altogether presented through contemporary museological theory and practice. Its full name is based on the idea of affirmation of museological profession and museum through contemporary theories, as a socially relevant subject in the service of development. Neighbourhood Museum has emerged as a direct consequence of a need to explore and understand the identity of local communities within social-urbanist specifics of new Zagreb neighbourhoods. Identity, emerging from the heritage, is a foundation of social and cultural, as well as economical development of a community, and should be included in the lives of neighbourhood’s tenants through a form a social-cultural action. A specific social situation of New Zagreb lays within its being cut off from a centralized social-cultural life of the City, which then creates a sense of being marginalized and second-rated, deprived of true understanding of one’s own value. The lack of self-awareness and a lack of feeling of belonging is hence manifested through a connection with socially and culturally ungrounded, imported behavioural patterns. The lack of any subject (Culture House, museum or any kind of cultural institution), that could stimulate communication of neighbourhood tenants and active inclusion in researching the community’s past and present, frequently results in apathy and tenants’ uncaring attitude towards their own environment, therefore the stagnation of communal development in all the fields. The project is mobile in character. It travels from a neighbourhood to a neighbourhood, where it respectively attempts to realize concrete actions of strengthening the specific local identity. Within a two months period, each neighbourhood is approached in three phases: - preliminary / research phase includes various preparatory works such as research and learning about the neighbourhood, as well as contacting relevant subjects (individuals,

50. Annale / Nitko nije siguran - Nobody’s safe

activists, associations) that are often crucial in realizing good communication with other tenants; - workshop phase is based on a month of active collaboration with the members of particular urban whole, as diverse as possible, all with the aim of learning, as much as possible, on both past and present of the life in neighbourhood. This phase frequently includes contacting the professionals that in any manner take interest in this field of action, whose ideas could help the tenants to improve their everyday life. Various socially engaged artists are included in the actual process of communication with the population and in forming the specific image of neighbourhood. By their interventions (i.e. projects) they ennoble various parts of neighbourhood and model their expression according to specific visuals and issues of each particular community; - presentation phase, where, with the aid of multimedia and interdisciplinary exhibition, we present the result of researches and workshops, primarily to the local population, and the guests as well. Besides the mentioned engaged artworks, the exhibition aims to present various (cultural, archeological-heritological, social) actions based on the contemporary notions of heritage. One can learn about each particular neighbourhood through the Neighbourhood Route containing basic posts and audio guide available at Counteraction website. The posts present various identity points and particulars, grown from research and cognitive work in the neighbourhood. The Neighbourhood Route transforms the neighbourhood into a free, cognitive space. The space of museum without building and working hours. For the first time, this exhibition presented the results of two initiatives from the urban units of Središće and Travno. On this occasion, we are testing jumbo poster as a possible medium in communicating the acquired insights, primarily to the domicile communities, but also to the visitors of particular neighbourhoods. The wider audience can follow and participate in this and similar projects through our website www.kontraakcija.hr

VOLIM PULU Građanska inicijativa za Muzil: Volim Pulu / Citizens’ Initiative For Muzil: I LOVE PULA 2009. -

Građanska inicijativa za Muzil “Volim Pulu” je mreža pojedinaca stvorena 2009. godine s namjerom upoznavanja Muzila, njegova otvaranja i javnog korištenja te raspravljanja o njegovoj budućnosti. Inicijativu čine zainteresirani pojedinci, a ne grupe, udruge, institucije ni stranke. Cilj inicijative nije sudjelovati u vlasti, nego u planiranju budućnosti Muzila. Osnovni zahtjev inicijative je “MUZIL TREBA PRVO OTVORITI PA UPOZNATI PA PLANIRATI.”

I LOVE PULA, Citizens’ Initiative for Muzil is a network of individuals created in 2009 with the intention to learn about Muzil, to open it and use it publicly, as well as to discuss its future. The Initiative gathers concerned individuals rather than groups, associations, institutions or parties. The initiative’s aim is not to partake in the government but to plan the future of Muzil. Initiative’s basic demand is: “OPEN MUZIL FIRST, THAN LEARN ABOUT IT, THAN MAKE PLANS.”

50. Annale / Nitko nije siguran - Nobody’s safe

VOLIM PULU Građanska inicijativa za Muzil: Volim Pulu / Citizens’ Initiative For Muzil: I LOVE PULA 2009. -

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PRAVO NA GRAD / RIGHT TO THE CITY

Pravo na grad i Zelena akcija / Right to the City and Green Action 2009.

Pravo na grad je inicijativa i kampanja usmjerena protiv prekomjerne ekonomske eksploatacije prostora, upravljanja prostorom na štetu javnog interesa, neodržive prostorne politike i isključivanja građana iz odluka o prostornom razvoju Zagreba. Pokrenuta je kao neformalna platforma organizacija nezavisne kulture i mladih. Ishodište javnog djelovanja Prava na grad bilo je nezadovoljstvo ignorancijom zagrebačke gradske vlasti prema nedostatku prostora i sredstava za djelovanje nezavisne kulture i mladih. U ljeto 2006., isprovocirani političkom samopromocijom Milana Bandića putem Salona mladih, aktivisti su izveli tajnu noćnu akciju križanja jumbo plakata s njegovom slikom kojima se ta manifestacija reklamirala. Ubrzo je postalo jasno da je pitanje prostora i položaja nezavisne kulture i mladih u Zagrebu samo mali dio mnogo šireg problema u politici grada: netransparentnog pogodovanja građevinskom biznisu na uštrb svih drugih interesa i potreba. Povezavši se sa Zelenom akcijom, krajem iste godine inicijativa je započela jednu od najvidljivijih i najpoznatijih civilnodruštvenih kampanja u novije vrijeme, kampanju protiv izgradnje shopping centra i javne garaže Hoto grupe u unutrašnjosti bloka na Cvjetnom trgu. Riječ je o projektu koji zahtijeva ukidanje dijela pješačke zone u Varšavskoj ulici, rušenje zaštićenih povijesnih zgrada, povećava izgrađenost unutar bloka za više od 100 posto te privlači količinu automobila koja će u potpunosti onemogućiti odvijanje javnog prometa u tom dijelu grada. U trenutku kada je predstavljen javnosti, takav je projekt prema važećim pravilima bilo

nemoguće izvesti. No nizom pogodovanja, usprkos snažnom protivljenju javnosti, gradska ga je vlast omogućila. Najvažnije obilježje zajedničkog djelovanja Prava na grad i Zelene akcije vezano za slučaj Cvjetnog trga i Varšavske, ali i drugih slučajeva devastacije prostora je pristup temeljen ne samo na priopćenjima, konferencijama za medije i javnim skupovima, već prije svega na javnim akcijama koje svojom atraktivnošću odgovaraju na zatvorenost i populizam mainstream medija. Od prekriženog gradonačelnika, preimenovanog trga i zgrade prekrivene natpisom “Totalna rasprodaja” do dopisnica s 55 tisuća potpisa građana protiv projekta, bučnog masovnog prosvjeda s porukom “Odustanite” ili postavljanja velikog drvenog trojanskog kona u Varšavskoj ulici, prizori su putem kojih su poruke došle do najšire javnosti. Zahvaljujući tome, slučaj Cvijetni trg i Varšavska ulica su postali stvarno, ali i simboličko mjesto otpora korumpiranoj prostornoj politici, ne samo za građane Zagreba. Proglas: “NE DAMO VARŠAVSKU” Proteklih godina svjedoci smo sve veće uzurpacije i devastacije javnih prostora i drugih zajedničkih dobara. Uzurpacija prostora postala je pravilo a ne izuzetak: naša obala, zelene površine, ulice i trgovi ostali su nezaštićeni. Danas se u središtu Zagreba, kao i širom Hrvatske, građanima oduzima javni prostor koji se ustupa pojedincima i interesnim skupinama po načelu – korist i profit su privatni, a troškovi i

štete su javni. Varšavska je samo jedan primjer takve prakse. Primjer koji je postao simbolom građanskoga otpora prema vlasti koja ne djeluje u javnom interesu. U slučaju Varšavske institucije vlasti četiri godine ignoriraju građane koji peticijama i kontinuiranim prosvjedima jasno upozoravaju kako rušenje zaštićenih zgrada i devastacija pješačke zone nisu javni interes. Ignorira se mišljenje kako građana i stanara, tako i neovisnih stručnjaka i znanstvenika – arhitekata, urbanista, povjesničara umjetnosti, prometnih stručnjaka, sociologa i pravnika. Nebriga vlasti za javni prostor pogubna je za sve građane jer je upravo prostor jedan od naših posljednjih zajedničkih resursa i o njegovoj zaštiti ovisi budući razvoj Hrvatske. Zbog toga je Varšavska postala simbol. Simbol Zagreba i Hrvatske. Zbog toga je borba za Varšavsku borba protiv političke bahatosti i uzurpacije. Borba civilnog društva za pravnu i pravednu državu. Borba za načelo koje brani javni interes, a ne korist povlaštenih pojedinaca. Zbog toga je Varšavska mjesto na kojem hrvatsko društvo i njegove institucije mogu i moraju zaštititi svoje vrijednosti te pokazati zrelost, odgovornost i brigu za građane i opće dobro. Stoga zahtijevamo od svih institucija vlasti da počnu uvažavati stavove građana i spriječe uzurpaciju javnoga prostora, kao

i uništavanje kulturne baštine i prirodnih dobara u cijeloj Hrvatskoj. U slučaju Varšavske zahtijevamo od institucija na lokalnoj i nacionalnoj razini da zaustave izgradnju javne garaže i ulazno-izlazne rampe. Pravo na grad / Right to the City is the initiative and campaign directed against excessive economic exploitation of space, managing the space to the detriment of public interest, unsustainable public policy and the exclusion of citizens from the decisions on Zagreb’s spatial planning and development. It started as an informal platform of organizations of independent culture and youth. The origin of public action of Right to the City was dissatisfaction with Zagreb’s city government which kept ignoring the lack of space and funds for the activities of independent culture and youth. In the summer of 2006, provoked by the political self-promotion that Milan Bandić, mayor of Zagreb, was exercising via Youth Salon, activists took a secret night action. They crossed jumbo posters with the mayor’s photo that were advertising the aforementioned art event. Soon it became clear that the issue of space and position of independent culture and youth in Zagreb is but a small part of a much bigger problem in the city politics: the non-

50. Annale / Nitko nije siguran - Nobody’s safe

PRAVO NA GRAD / RIGHT TO THE CITY

Pravo na grad i Zelena akcija / Right to the City and Green Action 2009.

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transparent favouring of construction business to the detriment of all the other interests and needs. After joining forces with Zelena akcija / Green Action, by the end of the same year the initiative begun one of the Croatia’s most visible and publicized civil-social campaigns recently, directed against the construction of a shopping centre and a public car garage that was planned by Hoto Group in the interior of a building block on Cvjetni Square in Zagreb. This is a project demanding removal of a part of pedestrian zone in Varšavska street, along with demolishing the protected historical buildings. The project also plans to increase built capacity within the block for more than 100% . Further on, the project will also attract the number of cars that is going to completely disable public traffic in this part of the city. In the moment of its presentation, such a design was unfeasible according to the rules in force. However, city government enabled this project through a series of favours, despite the strong public opposition. The most important feature of joint action by Right to the City and Green Action in the case of Cvjetni Square and Varšavska Street, as well as in the other cases of spatial devastation, is the approach based not solely on communiqués, press conferences and public gatherings, but primarily on public actions whose attractiveness presents a response to the restrictedness and populism of mainstream media. The crossed mayor, a renamed square and a building covered by inscription “Total Sale”, postal cards with the signatures of 55.000 citizens against the project, a noisy mass protest with a message saying “Give Up”, setting of a big wooden Trojan horse in Varšavska Street, all of these are scenes that have made it possible for messages to reach the general public. Thanks to that, the case of Cvjetni Square and Varšavska Street have become both real and symbolic place of resistance to the corrupt spatial policy, and not for Zagreb citizens only. Manifesto: WE SHALL NOT GIVE UP VARŠAVSKA STREET! In recent years we have witnessed the increasing usurpation and devastation of public spaces and other common goods. Spatial usurpation became a rule rather than exception: our coast, green zones, streets and squares were unprotected. Today, in the centre of Zagreb, as well as throughout Croatia, citizens are dispossessed of public space which is than handed over to individuals and interest groups. This is done by following the principle that benefits and profits are private, while the costs and damages are public. Varšavska street is but an example of such a practice. The example that became a symbol of civic resistance to the government that does not act in the public interest. In the case of Varšavska, over last four years, government institutions have been ignoring citizens whose petitions and continued protest clearly warn that demolishing the protected

buildings and devastating the pedestrian zone are not in the public interest. The government ignored the opinions of citizens and tenants, as well as that of independent experts and scientists – architects, urbanists, art historians, traffic experts, sociologists and lawyers. Government’s lack of concern for the public space is detrimental for all the citizens, since actually the space is one of our last common resources and the future development of Croatia depends on its protection. Therefore Varšavska Street became the symbol. The symbol of Zagreb and Croatia. For that reasons the fight for Varšavska is a fight against the political arrogance and usurpation. The fight of civil society for a legal and just state. The fight for the principle of defending public interest rather than the benefits of privileged individuals. For that reason Varšavska Street is a place where Croatian society and its institutions can and have to protect their values and demonstrate maturity, responsibility and care for citizens and public good. Therefore we demand that all the governmental institutions begin acknowledging citizens’ opinions and prevent the usurpation of public space as well as the destruction of cultural heritage and natural resources in whole of the Croatia. In the case of Varšavska Street we demand that the institutions on local and national level stop the construction of a public garage and a ramp.

50. Annale / Nitko nije siguran - Nobody’s safe

POPIS AUTORA 1961. - 2009. A Abadžić, Stanko 2005 Ač, Jozef 1988 Adamović, Dubravko 1985 Ajanović, Ismet 1983 Alavanja, Nada 1991 Alebić, Josip 1991 Alviani, Getulio 2001 Amižić, Jure 1972, 1974 Anastasov, Rodoljub 1974, 1981, 1988, 1989 Angeli Radovani, Kosta 1966, 1970, 1976, 1984, 1986 Antolić, Davor 2004 Antonović, Momčilo 1972, 1982 Apollonio, Zvest 1968, 1972, 1978, 1984, 1987 Arman 2002 Arsić, Miroslav 1979, 1988 Artuković, Lovro 1998, 1999, 2008, 2009 Augustinčić, Antun 1969 Azinović, Renata 1992

Beader, Srđan 1977 Becić, Branko 1962, 1963 Bedrač, Boris 1995 Beecroft, Vanessa 2002 Begić, J. 1990 Bek, Angela 1983 Belković, Dragica 1983 Berber, Mersad 1971, 1972 Berber, Omer 1972 Berbuč, Milan 1972, 1977 Berko, 1981, 1984 Beuys, Joseph 2002 Bešlić, Ana 1971 Bićanić, Josip 1983 Bifel, Josip 1987 Binički, Stevo 1962 Bizjak, Martin 1974 Bjelobrajić, Ivan 1977 Bobanović-Ćolić, Emil 1975, 1977 Bogdanović, Vladimir 1981 Bogojević – Narath, Simon 2008 Bokšan, Kosa 1982 Boljka, Janez 1967, 1979, 1982, 1986 Borčić, Bogdan 1988 Bošnjak, Hrvoje 1975 Bourek, Zlatko 1979 Božičković-Popović, Vera 1967 Božić, Đanino 1987, 1990, 1993, 1994, 1995, 1996, 1998, 1999 Brajnović, Marčelo 1973 Brešić, Vjekoslav 1963 Brusić-Kovačica, Maria 1983 Bućan, Boris 1974, 1985, 2008, 2009 Budicin, Egidio 1975, 1980, 1993 Budić, Dubravko 1976 Buntak, Tomislav 2003, 2009 Buren, Daniel 2002 Bursać, Ema 1962, 1972 Butala, Daniel 1988

B Babić, Ljubo Babić, Antun Babić, Dubravka Baće, Josip Bahorić, Belizar Bahunek, Branko Bakić, Vojin Balan, Maria Balić, Antonija Banić, Marina Baranji, Katalin Baretić, Biserka Barišić, Nela Barišić, Petar Basanić, Quintino

C Castellani, Enrico 2001 Cattelan, Maurizio 2002 Cetinić, Nataša 1993 Christen, Andreas 2001 Cihlar, Jure 1977 Ciuha, Jože 1974, 1986, 1988 Cmelić, Milan 1981 Cross, Dorothy 2008 Crtalić, Marijan 2002, 2003 Cruz-Diez, Carlos 2001 Cuenca-Ramirez, Carlos 2001 Cvek, Srećko 1976 Cvek-Jordan, Dragica 1971 Cvetković, Aleksandar 1980, 1981, 1986, 1987 Cvjetanović, Boris 1996, 1999

/ LIST OF AUTHORS 1961 - 2009

1969 1982 1985 1997 1967 1983 1964, 1965 1983 1992, 1994 1992, 1994 1983 1978 1984 1995 1961, 1962, 1971, 1977, 1980, 1986,1988, 1993

50. Annale / Nitko nije siguran - Nobody’s safe

/ LIST OF AUTHORS 1961 - 2009

1969 1982 1985 1997 1967 1983 1964, 1965 1983 1992, 1994 1992, 1994 1983 1978 1984 1995 1961, 1962, 1971, 1977, 1980, 1986,1988, 1993

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Č Čemerski, Gligor Čerimagić, Ragib Černe, Peter Čizmić, Sead Čular, Zlatko Čurić, Koraljka Čvrljak, Mate

1973 1983 1978 1984, 1987 1982 1993 1977

Ć Ćerimagić, Muradif Ćorović, Milorad Ćurčić, Petar

1982, 1984 1967 1981, 1982, 1988

D Dabo, Tanja 2003, 2010 Daldon, Viktor 2003 Damjanovski, Božidar 1980, 1981, 1985, 1986 Debeljuh, Armando 1974 Delimir, Vlasta 1994, 1997, 2002 Demirović, K. 1990 Demnievska, Evgenija 1980, 1987 Demur, Boris 1988, 1989, 1996, 1998 Denda, Marko 1983 Depope, Anton 1980, 1986 Diminić, Josip 1968, 1971, 1974, 1976, 2006 Dimitrijević, Vojo 1970 Dimovski, Cvetan 1978, 1988 Dobeš, Milan 2001 Dobrović, Juraj 1976 Dodig-Trokut, Vladimir 1976 Dogan, Boris 1967, 1970 Dokmanović, Ranko 2005 Dolenec, Francina 1970 Dorazio, Piero 2001 Dorogy, Ivan 1976 Došen, Drago 1980 Dračić, Sebastijan 2009 Drempetić, Hrčić Zorislav 1985 Drinković, Slavomir 1995 Duart, Angel 2001 Dučak, Danilo 1984 Dugonjić, Tomislav 1971, 1977 Dugonjić, P. 1990 Dulić-Kasiba, Cilika 1983 Dumanić, Zlatan 2003 � �ak, Živko �elosević, Gordana �ikić, Sadeta �orđević, Petar �orđević, Miroslav Đurković, Šućrija

1973 1983 1983 1981 1989 1988

DŽ Džafo, Nikola Džamonja, Dušan

1987 1965, 1967, 1970

E Eterović, Joško

1990

F Fatur, Jadranka 1981 Ferretton, Paolo 2005 Filipović, Ilija (Filip) 1983 Fischer, Vera 1972, 1977, 1984 Floričić, Alen 2002, 2009 Florjančić, Pavel 1980, 1987 Fluksi, Josip 1975 Frangovski, Nove 1974 Franke, Ivana 2001 Frankl, Amela 1987 Frankl, Karmen 2008 Friščić, Ivo 1972, 1979 G Galeta, Ivan Ladislav Galić, Mladen Garbin, Aleksandar Garčević, Milun Gaži, Dragan Generalić, Josip Generalić, Mato Generalić, Milan Gerić, Tomo Gjivan, Dubravko Glavnik, Marjan Gliha, Oton Goldoni, Raul Golob, Zdenka Goričin, Viktor Gotovac, Tomislav Grabovan, Irina Gračan, Stjepan Gračko, Slavko Gradiš, Zdenko Grbić, Olivera Grgić, Zdenko Grubišić, Dražen Gudac, Vladimir Gudlin Zanoški, Đurđa Gvardjančič, Hreman

1976 1966 1996, 1997 1985 1983 1983 1983 1983 1973, 1975 1976 1975 1967, 1970, 1976, 1980 1970, 1974 1978 1964, 1965 1996, 1997 2004 1974, 1981, 1982 1981 1962, 1963 1980 1974 1993, 1994 1976 1982 1971, 1980

H Hadži Jovanović, Nevenka Hadži-Boškov, Petar Hajon, Maja Haler, Antun

1988 1967, 1970 1980 1968

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Č Čemerski, Gligor Čerimagić, Ragib Černe, Peter Čizmić, Sead Čular, Zlatko Čurić, Koraljka Čvrljak, Mate

1973 1983 1978 1984, 1987 1982 1993 1977

Ć Ćerimagić, Muradif Ćorović, Milorad Ćurčić, Petar

1982, 1984 1967 1981, 1982, 1988

1973 1983 1983 1981 1989 1988

DŽ Džafo, Nikola Džamonja, Dušan

1987 1965, 1967, 1970

E Eterović, Joško

1990

H Hadži Jovanović, Nevenka Hadži-Boškov, Petar Hajon, Maja Haler, Antun

1988 1967, 1970 1980 1968

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Hasanefendić, Seid Hdžihasanović, Sadko Hegedušić, Željko Hegedušić-Brajnović, Zvijezdana Herman, Oskar Hiršl, Radovan Horvat, Vlatka Horvat-Jaki, Joža Hozić, Arfan Hozo, Dževad Hruškovec, Tomislav Hrvacki, Drago

1986 1987 1973 1973 1969 1986 2004 1967 1974 1972 1964, 1965, 1990 1971

I Iljovski, Bora Ivan, Josip Ivančić, Hari Ivančić, Ljubo Ivančić, Nina Ivančić, Pino Ivandić, Boro Ivanjicki, Olja Ivanovski-Karadare, Aleksandar Ivanovski-Mende, Metodija Iveković, Sanja Ivezić, Nikolina Ivković, Dragoljub

1970, 1989 1973 1992 1963, 1982, 1986 1995, 1996, 1999, 2009 1991 1976 1978, 1979, 1982 1973 1977 1976 2004, 2009 1981

J Jahešević, Nenad Jakelić, Vlado Jakša, Lado Jamec, Andrej Jančevski, Trajče Jančić, Olga Janeš, Želimir Janjić, Ratko Jobo Jazvić, Paulina Jejčić, Danilo Jelavić, Dalibor Jelenc, Marjan Jerković, Josip Jerković, Anto Jerman, Željko Jeršovar, Marijan Jesih, Boris Jocić, Gordana Jokanović, Toumin Dean Jordan, Vasilije Jovanovski, Žarko Jovičević, Mihajlo Jović, Dragan (Lisac) Jurak, Drago Jurić, Duje Jurišić, Mira

1980 1981 2005 1966, 1970, 1980, 1989 1977 1966 1987 1979, 1987 2009 1977 1976 1975 1990, 1995 1990, 1995, 1996, 1998, 1999 1996, 1997, 2003, 2007 1996 1971, 1974 1980, 1985 1995 1978, 1979, 1985 1994 1982 1973 1983 1995, 1999, 2001 1971

K Kalijić, Dragoš Kalina, Ive Kallay, Ljerka Kapusta, Janusz Karan, Mladen Karanović, Boško Karanović, Branimir Karina, Ljubomir Kaštelančić, Ante Kauzlarić, Tomislav Kauzlarić-Atač, Zlatko Kavurić-Kurtović, Nives Keser, Ivana Keser, Zlatko Kinkela, Ivan Kipke, Željko Klepo, M. Klopotan, Franjo Knežević, Joko Knežević, Stevan Knežević, Vesna Knifer, Julije Koco, Dimče Kokot, Eugen Kolar, Gabrijela Končić Badurina, Božena Koneski, Branko Kopač, Slavko Kopljar, Zlatko Koprivica, Marija Kos-Paliska, Vera Košković, Marija Branka Kovač-Balent, Lucija Kovačević, Edo Kovačević, Zoran Kovačić, Bojan Kovačić, Mijo Kovačić, Kuzma Kovačić, Gordana Kovačić, Vesna Koydil, Nikola Kozyra, Katarzyna Kožarić, Ivan Kožič, Vesna Kožul, Kristian Kragulj, Radovan D. Krajina, Ivan Kramer, Martina Krašković, Denis Krašovec, Metka Kregar, Stane Krivić, Nenad Krković, Momčilo

1979, 1985 1968 1989, 1992 2001 1987 1988 1976 1977 1967, 1970 1967 1971, 1982, 1984, 1985 1967, 1978, 1982 2002 1978, 1979, 1984, 1993 1968 1996, 1997, 2008, 2009 1990 1983 1965 1978, 1979 1988 1976, 1989, 1996, 1999, 2001 1985 1968, 1974, 1977, 1980, 1986 1968 2007 1974 1979 1994 1987 1977 1972 1983 1962 1995 1976 1983 1987 1994 1995, 2001 1987, 1993 2008 1964, 1976, 1981, 1994, 1996, 1997, 2007 1976 2004, 2009 1981 1973, 1975 1987 1993 1971 1966 1961, 1962, 1963, 1964, 1965, 1966 1971

50. Annale / Nitko nije siguran - Nobody’s safe

1986 1987 1973 1973 1969 1986 2004 1967 1974 1972 1964, 1965, 1990 1971

1970, 1989 1973 1992 1963, 1982, 1986 1995, 1996, 1999, 2009 1991 1976 1978, 1979, 1982 1973 1977 1976 2004, 2009 1981

50. Annale / Nitko nije siguran - Nobody’s safe

Krsmanović, Marko Krstulović, Maksim Kršić, Bogdan Kršinić, Frano Krypa, Fatmir Kučukalić, Alija Kućanski, Boško Kuduz, Igor Kuduz, Ante Kuduz, Ivan Kuliš, Vatroslav Kulmer, Ferdinand Kulunčić, Andreja Kumbatović, Mila Kusanić, Andrija Kusik, David Branimir Kutleša, Mirna

1978 1961, 1962, 1963, 1964, 1965, 1966 1978 1969, 1970 1981 1974, 1986 1974, 1980, 1986 2004 1973, 1976, 1988, 1993 1994 1976 1965, 1966, 1970, 1972, 1982, 1985, 1986, 1987, 1989 2002 1979, 1991 1983 1976 2009

L Labaš, Rudolf 1974, 1979 Labaš, Jure 1982 Lacković, Ivan Croata 1978, 1979, 1983 Ladović, Petra 2009 Ladović, Renata 1993 Lah, Milena 1962, 1963, 1968, 1970, 1972, 1974, 1977, 1991 Lahovsky, Stjepan 2005 Lalić, Ratko 1989 Landi, Eduardo 2001 Lapuh, Željko 1985 Leko Fritz, Kristina 1996, 2003 Lenassi, Janez 1972, 1977, 1980 Leontić, Jasenka 1985 Lepen, Branko 1995, 1998 Lerotić, Tomislav 1998 Lesiak, Ivan 1973, 1979, 1982, 1984, 1985, Likar, Franjo 1967, 1984, 1985 Lipovac, Vasko 1979, 1986, 2006 Logo, Oto 1966, 1979 Lončarić, Zvonimir 1976 Lošić, Dubravka 1987, 1994 Lovak, Branko 1983 Lovrenčić, Ivan 1984 Lovrić, Mirko 1974 Lowe, Peter 2001 Lozica, Lujo 1963, 1964 Luketić, Stevan 1966, 1991, 1994 Lulovski, Tanas (Tane) 1972 Lušić, Tahir 1991 M Macolić, Mladen Macolić, Slaven Majkus, Siniša Makuc, Vladimir Malidanov, Dimitar

1974 1994 1990,1992, 1997, 1998 1980 1977

van Mannen, Bertien Mandić, Pero Manevski, Stefan Manevski, B. Maračić, Antun Marassi, Emanuela Maraž, Adriana Maretić, Jasna Marinović, Ante Martek, Vlado Martinis, Dalibor Martinoski, Nikola Matelič, Janez Matevski, Đoko Matić, Zora Matić, Slobodana Mavignier, Almir Meljnjak, Zvonimir Melnjak, Zvonko Merz, Mario Mesarič, Franc Michelli, Valerije Midžor, Aleksandar Saša Mijakoski, Risto Mijić, Matko Mikac, Nedeljko Mikulić, Tomislav Milenković, Bane Milić, Zdravko Miljuš, Branko Milutin, Erika Mincheva, Penka Minić, Branimir Misirlić, Bekir Mišković, Mario Mlinar, Jadranka Mogin, Ksenija Mojak, Petar Mojović, Dragan Molnar, Marijan Monas-Plejić, Alieta Morellet, Francois Motika, Antun Možar, Antun Mračević, Danica Muhaxheri, Halil Mujezinović, Ismar Muljević, Marjana Munger, Marcela Muriqi, Nebih Murtić, Edo Muslim, Mulliqi

2004 1983 1977 1990 1994, 1996, 1997, 1999, 2003 2004 1974 1968, 1972, 1980, 1987 1994, 1997 1976, 2002 1970 1976 1973 1968, 1979 1978, 1984, 1985 2001 1962 1963 2002 1981 1963, 1969 1987 1977 1986, 1988, 1991 1994 1976 1987, 1993, 1994 1980, 1984, 1986, 1987, 1993, 2005 1966, 1985 1993 2004 1972 1987, 1988, 1989 2003 1995, 1996 1995 1982 1980, 1987, 1991 1995 1984, 1988 2001 1962, 1963 1983 2004 1982 1979 1981, 1987, 1988, 1991, 1993, 1996 1994 1982 1964, 1965, 1966, 1970, 1972, 1975, 1982 1986

N Nagorni, Miodrag

1987

50. Annale / Nitko nije siguran - Nobody’s safe

1974 1994 1990,1992, 1997, 1998 1980 1977

N Nagorni, Miodrag

1987

50. Annale / Nitko nije siguran - Nobody’s safe

Naletinić-Penavuša, Sofija Naumovski, Vangel Nešić, Milija Nešković, Predrag Neziri, Erol Nikolovski, Blagoja Niolov, Dimče Novinc, Franc Numankadić, Edin

1983 1983, 1987 1967, 1979 1967, 1970, 1980, 1989 2005 1977 1980 1980, 1987 1989, 1990

NJ Njerš, Ljerka Njurić, Nikola

1973 1977

O Obralić, Salim Obrovac, Ivan Obsieger, Ivan Oefelein, Rainer Omčikus, Petar Opačić, Nenad Oreb, Izvor Ostoja, Tomislav Otašević, Dušan

1987, 1991 1974 1974, 1982 2005 1982 1991 1978 1971, 1984 1967

P 1970, 1975, 1982, 1986, 1987, 1989, 1993 Paček, Ana Marija Paladin, Bruno Parać, Dalibor Pavić, Jakov Pavić, Predrag Pavlović, Nada Pavlović, Ružica Beba Pavlović, Zoran Pavlović, Milan Pečnik, Greta Peladić, S. Pengov, Lado Peranić, Mladen Percan, Renato Perčinlić, Ljubomir Perić, Šime Perić, Jelena Petercol, Goran Petković, Stojadin Petković, D. Petranović-Rvat, Tomislav Petrić, Mario Petrić, Ratko Petrić, Tonka Phillips, Peter Picelj, Ivan Pintarić, Josip Puco

2009 1983, 1991, 1993 1986, 1989 1987 2009 1977 1981 1982 1993 1983 1990 1986 1980 1972, 1978, 1984 1977 1972, 1989 1990, 1995, 1996, 1999, 2001 1995, 2001, 2009 1968 1990 1983 1971 1978, 1991, 1998 1979 2002 1999, 2001 1983

Pirnat, Vladimir Planinc, Štefan Plemelj, Anton Pliskovac, Zvonimir Pokas, Vesna Paliska, Karlo Pongrac, Marijan Poposki, Dragan (Dada) Popović, Mića Popović, Dimitrije Popović, Ljubo Popović, Zoran Postružnik, Oton Potočnjak, Vlado Požar, Ana Prica, Zlatko Prstec, Željko Puletta, Robert

1977 1967 1983 1976 1995, 1997 1977, 1980 1995 1973, 1977 1966 1978, 1979, 1984, 1985 1984 1976 1962, 1969, 1970 1968 1993 1962, 1964, 1966, 1970, 1975, 1982, 1986, 1987, 1989, 1993 1983 1996, 1998, 2009

R Rabuzin, Ivan 1983 Radauš, Vanja 1964, 1970 Radić, Davorin 1985 Radić, Nika 1992, 1994 Radoičić, Vojo 1981, 1987, 1992, 2006 Radošević, Marija 1973 Radović, Zoran 1976 Rainer, Arnulf 2002 Ramljak, Helena 1993 Rašić, Milan 1983 Reljić, Radomir 1966 Repac, Milomir 1993 Repnik, Anton 1983 Restek, Josip 1975 Režek, Ivo 1962, 1963, 1970 Richter, Vjenceslav 2001 Risteski, Aleksandar 1973 Roje, Arsen 1964 Roldanus, Ulric 2003 Rončević, Igor 1996, 1998, 1999, 2009 Rotar, France 1966 Rotella, Mimmo 2002 Rušinović, Goran 1992 Ružić, Branko 1965, 1970, 1972, 1976, 1980, 1982, 1986, 1989, 1993, 1994 S 1998, 1999 Sablić, Rudolf Sabolić, Ivan Salavarda, B. Sambolec, Duba Sammer, Luis Savić, Gecan Tomo Schubert, Edita Sedej, Maksim ml.

1972 1963, 1969 1990 1981 1987 1996 1995 1986, 1991

50. Annale / Nitko nije siguran - Nobody’s safe

Naletinić-Penavuša, Sofija Naumovski, Vangel Nešić, Milija Nešković, Predrag Neziri, Erol Nikolovski, Blagoja Niolov, Dimče Novinc, Franc Numankadić, Edin

1983 1983, 1987 1967, 1979 1967, 1970, 1980, 1989 2005 1977 1980 1980, 1987 1989, 1990

NJ Njerš, Ljerka Njurić, Nikola

1973 1977

O Obralić, Salim Obrovac, Ivan Obsieger, Ivan Oefelein, Rainer Omčikus, Petar Opačić, Nenad Oreb, Izvor Ostoja, Tomislav Otašević, Dušan

1987, 1991 1974 1974, 1982 2005 1982 1991 1978 1971, 1984 1967

1972 1963, 1969 1990 1981 1987 1996 1995 1986, 1991

50. Annale / Nitko nije siguran - Nobody’s safe

Seder, Đuro 1972, 1982, 1989 Segulin, Janez 1974 Sekulić, Sava 1983 Sikimić, Mirko 1984 Sikirica, Stipe 1963 Skračić, Mile 1978, 1979, 1991 Skurjeni , Matija 1983 Sliuk, Ron 2004 Slovinić, Slobodan 1982 Smerdu, Mojca 1982, 1986 Sminderovac, Drago 1983 Sobočan, Ivka Goranka 1983 Sokić, Damir 1976, 1995, 1996, 1997, 2009 Solis, Mate 1968 Sošić, Robert 1996 Spasojević, Predrag 1992 Srnec, Aleksandar 1966, 1967, 1976, 2001 Stahov, Ljubomir 1980 Stajčić, Tihomir-Cuco 1976 Stamenkovska, Biljana 1993 Stanić, Marijana 2009 Stanisavljević, R. Dragiša 1983 Stanisavljević, Milan 1983 Stanojev, Milan 1974 Starčević, Ante 1963 Staudt, Klaus 2001 Stein, Joël 2001 Stepanović, Radmila 1980 Sterle, Sandra 2003 Stewart, Melissa 2005 Stilinović, Mladen 1994, 1996, 1997 Stipanov, Mauro 1998 Stojić, Mirko 1974 Stojkov, Dragan 1988 Stupar, Slobodanka 1987 Suhy, Branko 1977 Š 1972, 1975 Šafrani,ć-Macolić Nevenka Šaina, Vinko Šalamun, Andraž Šarić, Silvo Šebalj, Ivo Šeferov, Vilko Šefran, Gorazd Šejka, Leonid Šeler, Lidija Šercar, Hrvoje Šeremet, Ivan Šestić, Ljudevit ml. Šijaković, Đorđe Šikanja, Jasna Šikuti Machine Šimarak, Robert Šimunović, Frano

1974, 1982 1977 1976 1995, 1998, 1999, 2009 1984 1961, 1963, 1969, 1970, 1972, 1975 1974 1967 1992, 1994 1978, 1981, 1984, 1985 1997 1975, 1976, 1977 1983 1995 2002 1992, 1994, 1999 1963, 1969

Šimunović, Zlatko Šipek, Helena Šiško, Ivica Škrbović, Miloš Škrnjuk, Ljubo Šolman, Dario Šošterić, Ladislav Španzel, Rudi Štefanec, Josipa Štimac, Goran Šukalo, Jasna Šulentić, Zlatko Šumonja, Bojan Šutej, Miroslav Švaljek, Antun Boris Švertasek, Bojana Švrljuga Milić, Sanja

1987 1971 1978, 1979 1988 1962 2003 1979 1977, 1984 2009 1994, 1998 1994 1962 1994, 2009 1970, 1976, 1979, 1994 1979, 1980, 1981 1986 1994, 1998

T fra Testen, J. Ambroz Tabaković, Ivan Tadić, Marko Tanay, Emil-Robert Tarandek, Sanja Tartaglia, Marino Tasić, Zorica Taškovski, Vasko Tikveša, Halil Todorović, Dušan Todosijević, Dragoljub Raša Tolj, Slaven Tomasello, Luis Tomić, Vladimir Torresin, Giovanna Tratanov, Slavoljub Trbuljak, Goran Trebotić, Matko Trogrlić, Dražen Tršar, Drago Tršar, Dušan Tuk , S. Turčić, Ksenija Turković, Josip Twombly, Cy

1982 1966 2009 1973 2009 1961, 1962, 1964, 1965, 1970 1986 1977 1978, 1980, 1984, 1986, 1987 1980 1976 1997, 2004 2001 1988 2004 1984 1976,1995, 1996, 1997, 1999 1978, 1979, 1984, 1987 1991 1970 1980 1990 1995, 1998, 2004 1975 2002

U Udatny, Vladimir Uglješić, Nebojša Ujević, Marija Ukić, Nikola Ukrainčik, Tamara Unkovska, Biljana Uzur, Branka

1968 1971, 1985 1963, 2008 2009 1991, 1993 1984 1986

V Vaić, Fedor 1962 Vaništa, Josip 1985 Varat, Đuro 1983 Vasilev, Vasil 1972, 1977

50. Annale / Nitko nije siguran - Nobody’s safe

1974, 1982 1977 1976 1995, 1998, 1999, 2009 1984 1961, 1963, 1969, 1970, 1972, 1975 1974 1967 1992, 1994 1978, 1981, 1984, 1985 1997 1975, 1976, 1977 1983 1995 2002 1992, 1994, 1999 1963, 1969

1987 1971 1978, 1979 1988 1962 2003 1979 1977, 1984 2009 1994, 1998 1994 1962 1994, 2009 1970, 1976, 1979, 1994 1979, 1980, 1981 1986 1994, 1998

U Udatny, Vladimir Uglješić, Nebojša Ujević, Marija Ukić, Nikola Ukrainčik, Tamara Unkovska, Biljana Uzur, Branka

1968 1971, 1985 1963, 2008 2009 1991, 1993 1984 1986

V Vaić, Fedor 1962 Vaništa, Josip 1985 Varat, Đuro 1983 Vasilev, Vasil 1972, 1977

Vautier, Ben Večenaj, Ivan Vehabović, Zlatan Vekić, Matko Verić, Ana Vičinić Turinski, Venija Vidović, Branko Vizvari, Kata Vladić, Manuela Vodopija, Mirjana Vodopivec, Lujo Vodopivec Borkovsky, Eugen Vončina, P. Vraneković, Iva Vrezec, Žarko Vrkljan, Zlatan Vučić, Ivana Vučićević, Nevnka Vujčić, Branislav Vujčić, Silvio Vujičić, Vanja Vuk, Sonja Vukelić, Leo Vukelić, Mladen Moro Vulas, Šime Vuličević, Slobodan

2002 1983 2009 1993 1983 1989 1983 1983 1987, 1992 1992, 1995, 1998, 2001, 2009 1977 1991 1990 2009 1988 1985, 1994 2002 1972, 1973 1981 2004 1993 1992 2009 1983 1964, 1965, 1976, 1986, 1987, 1989 1989

W Warhol, Andy Wilding Ludwig Wolodzko, Agnieska Wright, Daphne

2002 2001 2003 2008

X Xhevdet, Xhafa

1988

Z Zaimović, Mehmed Zaluški-Haramija, Đurđena Zdravković, Svetislav Zec, Safet Zelenko, Rok Zima, Željko Zrinšćak, Mirko Zubak, Ana

1970 1980 1980 1980 1980 1975 1994, 1996 2009

Ž Žaja, Ante Žanić, Vlasta Židlicky, David Žiga, Avda Žingerlin, Ljerka Žohar, Boris Žunić, Anton Žuvela, Gorki

50. Annale: Nitko nije siguran / Nobody’s safe 29. srpnja - 12. rujna 2010. / 29 July - 12 September 2010 Istarska sabornica / Istrian chamber, Galerija Zuccato / Zuccato Gallery, Mala galerija / Small Gallery Pučko otvoreno učilište Poreč / Open Public University of Poreč Narodni trg 1, 52440 Poreč, tel.: +385 (0)52 887 217, fax: +385 (0)52 887 220 likovna@poup.hr / www.poup.hr www.annaleporec.hr nakladnik / publisher Pučko otvoreno učilište Poreč / Open Public University of Poreč za nakladnika / for the publisher Sanja Radetić Fatorić izbornik / selektor Slaven Tolj voditelj projekta / project coordinator Andi Bančić postav izložbe / exhibition setup Slaven Tolj urednici kataloga / catalogue editors Andi Bančić, Petra Počanić predgovor / foreword Slaven Tolj prijevodi / translations Majda Jurić osim / except (stranica / page: 5 - Vanda Bazdan, stranica / page: 19 - Nicolle Hewitt) dizajn / design Petra Počanić tisak / printing Novi List d.d. naklada / edition 1000 primjeraka / copies

1999 1992, 2004, 2007 2005 1985 1974 1983 1968 1998, 2008

Program je omogućen potporom Grada Poreča, Istarske ĐĐŽĐupanije i Ministarstva kulture RH. The program was made possible with the assistance of the City of Poreč, The County of Istria and the Croatian Ministry of Culture

radio

PULA

Medijski pokrovitelji / Media sponsors :

101,3 100 96,4 93,9

Nezavisna Istarska Televizija

W Warhol, Andy Wilding Ludwig Wolodzko, Agnieska Wright, Daphne

2002 2001 2003 2008

X Xhevdet, Xhafa

1988

Z Zaimović, Mehmed Zaluški-Haramija, Đurđena Zdravković, Svetislav Zec, Safet Zelenko, Rok Zima, Željko Zrinšćak, Mirko Zubak, Ana

1970 1980 1980 1980 1980 1975 1994, 1996 2009

Ž Žaja, Ante Žanić, Vlasta Židlicky, David Žiga, Avda Žingerlin, Ljerka Žohar, Boris Žunić, Anton Žuvela, Gorki

1999 1992, 2004, 2007 2005 1985 1974 1983 1968 1998, 2008

radio

PULA

Medijski pokrovitelji / Media sponsors :

101,3 100 96,4 93,9

Nezavisna Istarska Televizija

29. VII. - 12. IX. 2010. Istarska sabornica / Galerija Zuccato / Mala galerija Istrian Chamber / Zuccato Gallery / Small Gallery