Studio 35_Journal_Chun Yu Ng by Ng Chun Yu

Reimagine Pentridge Studio 35 Reflective Journal Chun Yu Ng 855902 Semester 2 2021 | Ming Wu & Qinghua Guo

Contents

Foreword

Reflective contents

2-6

Site analysis

7-26

Precedent study

27-35

Conceptual design

36-65

Mid-term review

66-86

Design development

87-137

Final development

138-147

References

148

Foreword

Design ethos ‘Dialogue’ is a fundamental approach in my architecture. Designing with ‘dialogue’ has deepened my interest in philosophy, landscape and heritage architecture, as it constantly responds to questions that reflect on the relationship between the site and people; between the past and present. Studio 35 In the past, I have learned the importance of social implication and to design with heritage sensitivity from Studio 07. I believe Studio 35, Reimagine Pentridge will extend my knowledge on heritage in an urban scale; from the larger scale of masterplan to the detailed architectural intentions.

I am glad to learn from Ming Wu and Qinghua Guo who co-runs the studio. Their multi-disciplinary background and different perspective in design will assist my understanding on the topic and challenges the tension between conservative and imaginative approach.

Reflective Contents

A dialogue on heritage Reflection from Qinghua Guo’s talk

In today’s studio, Guo has given a brief introduction to heritage; its definition, significance and methods of conserving.

Loss of Heritage- Pudu Prison Image by Jarod Lim

‘Heritage’ is equivocal to define as it is a subjective term, as everyone has their own heritage and what they think is heritage. Today, heritage is as fragile as it could be. It becomes a vulnerable part of society, pressured by rapid development plans and changing demographics. When Guo introduced the Pudu Prison case study, it strucked me as I was familiar with the piece of heritage in Malaysia, it is known for its fiendful history. The prison has been permanently demolished for a commercial proposal and under-appreciated in the local culture.1 But to me, I realized that it is a misopportunity and a great loss for a such powerful site to

ever tell the story of the Pudu Prison to the future generation. Similarly, although not as severe as Pudu Prison, Pentridge is facing the threat of losing its identity. Locals in Coburg believed that promises to preserve Pentridge’s heritage have not been kept, which ignited the protest against the irresponsibly perceived development.2 It is certainly not easy to deal with a sensitive site like Pentridge as most of us would have negative association with a prison which is designed to punish and isolate.

1- “Mixed reaction to demolition of Pudu Prison,” The Star News, June 22, 2010, https://www.thestar.com.my/news/nation/2010/06/22/mixed-reactionto-demolition-of-pudu-prison 2- Martin Smith, “Save Pentridge Prison’s social heritage,” Green Left, January 22, 2016, https://www.greenleft.org.au/content/save-pentridge-prisonssocial-heritage

Should it be reimagined? Reflection from existing masterplan

Protest against Pentridge apartment development Image by Martin Smith

Although the approved development is a departure to invite more opportunities and economical benefits into the site,

Personally, I have a similar stance with the protesters, I believe the development is insensible to the site’s history as a prison.

I realized the over-ambition of the existing masterplan has a more dominant role than preserving its heritage. It is inconsiderate and under-appreciating the heritage of the site.

Although intangible heritage cannot be seen, the site has a powerful memory as a prison. How would the emotions of the site be appropriated and continued in the future?

A social implication that I noticed from the “Heritage Interpretation Plan” is the disengagement with the needs of local communities and user group.1 As a sensitive designer, we question if more residential and retail oppotunities what rekindle the heritage of Pentridge?

Should it be reimagined? Yes.

To the local communities, the conservation of the site heritage is of critical importance; who eagerly protested against the apartment and retail development. Retail development by Shayher Group Image by Shayher 1- Felicity Coleman and Sue Hodges, Former HM Prison Pentridge Heritage Interpretation Masterplan: , (Melbourne: Sue Hodges Production, 2013 ), 3234

Place/ Image-making Reflection from Ming’s talk

From my design experience, I found that the term ‘place-making’ is an overused cliche and often an easy route to replace conceptual design thinking.

Huis Ten Bosch- Dutch village in Nagasaki, Japan Image by JKT-c

I would argue that every project has the intention of ‘placemaking’ and the role of architect is essentially creating a place. However, I agree with Ming that the process of becoming a place is much more interesting than defining the place itself.1

heritage cannot. When dealing with conservation projects, it is important to remember that iconic design should not overpowers the heritage. Ming concluded the talk with a theoretical framework of placemaking.3 Although it was difficult to follow, I found it sophiticated yet an useful approach that sought to enrich the meaning of place.

Image-making however conveys a surface level and sometimes conveys visual deceptive. The term iconic reminded me of an essay by Charles Jencks, ‘Notopia’ which criticizes the ‘disneyfication’ of the city.2 A notable example of this is Huis Ten Bosch theme park in Japan that tries to imitate an image of a dutch village. The architecture can be imitated but

1- Ming Wu, Place-making, (Melbourne: Lecture, 2021), 10-11 2- Charles Jencks, “Notopia: the Singapore paradox and the style of Generic Individualism,” The Architecture Review, June 4, 2016, https://www. architectural-review.com/archive/notopia-archive/notopia-the-singapore-paradox-and-the-style-of-generic-individualism 3- Wu, Place-making, 13.

Spaces and events Reflection from Ming’s talk

In this lecture, Ming discussed the multi-perspective discourse and examples on space and events. It led us to think about the social implication of space, ‘What activities/ programs happens in the space?’ ‘Who are using the space?’ ‘How are geometry affecting the spaces and events?’

New events should reflect on the past narrative Image by Author

The idea of space and events is related to ‘architecture as a tool’ from the previous lecture, that it concludes architecture as a product of space and people.

is not used as a prison anymore but the spaces remains. How would we reflect on the lost event through a heritage narrative? Perhaps, through a new social reformation that would benefit the local communities. From the lecture, I learned that while new events are introduced, it is important that the heritage and past event are not loss in the process of designing new spaces.

Pentridge is defined by its prison architecture, a powerful architectural tool used to control and isolate the prisoners. Today, the past event is gone as Pentridge

Site Analysis 7

The beginning of Pentridge

Site analysis

Interfaces

The site of Pentridge is surrounded by walls, which is a significant aspect of its heritage. Studying the interfaces allow us to understand the relationship of the wall with the street and the surrounding context. The mapping of ‘Interfaces’ shows the extent of the walls and existing entry points points known for the site.

Site analysis

Interface A

Site analysis

Interface A faces Champ Street, which has a busy traffic flow. The main public entrance and 2 vehicle entrances are located on Interface A. Consideration: - facing suburban houses across the street - wide path for pedestrian and cyclist - large mature trees on the outer perimeter - street parking should be relocated

Interface B

Interface B faces Pentridge Boulevard with busy traffic flow. It has the closest entry point to Division B and entry points for pedestrian and vehicle. Consideration: - corner facing historic St. Paul Catholic Church - wide path for pedestrian and cyclist - need improvement on street amenities and landscaping

Site analysis

Interface C

Site analysis

Interface C faces Cullity Walk which is a backlane to adjacent residential lots. It has multiple entry points but with very low circulation. Consideration: - entry point for residents from the East - possible zones for back of house circulation - minimize impact to adjacent neighbourhood

Interface D

Interface D faces Murray Road which has a moderate traffic flow. There are no existing entry along the wall and does not encourage pedestrian and cyclists. Consideration: - facing Coburg Lake Reserve at North - connection to the park - structures should be low rise to minimize overshadowing

Site analysis

Interface E

Site analysis

Interface E facing Whatmore Dirve is an mixed vehicle/ pedestrian lane towards the centre of the site. The atmosphere is less inviting and overshadowed by exisitng apartment. Consideration: - activation on the street level is required - important vehicle entry into the centre of site

Access & flows

Site analysis

Forms and objects

Site analysis

Main gate and administration building Clocktower added later by Champ’s insistence

Castellation to eemphasizing fortification and protection

Style

: Gothic Picturesque, Medieval

Former use building

: Main prison gate, administration

Consideration : Primary Significance; No additions are allowed according to heritage policy

Symmetry

Elevation and plan of the Pentridge penitentiary Image by Public Records Office Victoria

Symmetry

Division B

Classical Pediment

Arched corbel windows detailing

Style : Two storey classical temple style with rusticated base Former use

Rusticated base

: Female Prison

Consideration : Primary Significance; Embody the Panopticon and Separate Prison System

West elevation (main entrance) of B Division Image by Public Records Office Victoria

Forms and objects

Site analysis

Corridor axis

Division A & B Airing yard Central atirum Wings

Main entrance

Repetition of cells

Corridor axis

Annex

Plan of Division B and kitchen annexe Image by Public Records Office Victoria

Silent system and prison cells Image by Open Edition Journal

Forms and objects

Gable roof structure

Site analysis

Panopticon

Thick bluestone wall

Panopticon is a crucial feature of Division A and B. It is a prison system borrowed from Jeremy Bentham’s Panopticon.

West elevation (main entrance) of B Division Image by Public Records Office Victoria

While prisoners were incarcerated in isolated cells, the radial or cross-form layout ensures constant surveillance in replacement of the former cruel punishment. How does this architectural tool will socially impact the future community and what is the ‘new relationship’ of Panopticon; who are the new watcher and who are being watched.

Plan of cruciform panopticon of Division B prison Image by Public Records Office Victoria

Forms and objects

Site analysis

Exercise yard Prisoners spend 23 hours in separate cells and remaining hours in exercise yards Style : Radial bluestone structure with separated yard segments and central sentry tower Former use

: Exercise yard

Consideration : Primary Significance; Archaelogical importance

Plan and elevation of exercise yard Image by Public Records Office Victoria

Remains of exercise yard Image by Public Records Office Victoria

The exercise yards which are now the archaelogical remains adjacent to the division blocks. Its radial typology represents a true panopticon

Forms and objects

Site analysis

Divided into rectangular grass areas to control movement of prisoners and staffs

Mustering yard

Style

: Open ground with grass patches

Former use

: Yard, gathering

Consideration : Primary Significance; Keeping its open character

Scene on parade ground Image by Public Records Office Victoria

Mat-making workshop

Style

: Verandah-style work shed

Former use : Mat-making workshops (others include: brick, carpentry, tinsmith...) Consideration : Demolished to build hospital; represents the reformative labour of prisoners

Image and plan of mat-making workshop Image by Public Records Office Victoria

Forms and objects

Site analysis

Chief warden quarters Garden

Canteen

Bedroom facing south

Symmetry

Style

: Two-storeys brick building

Former use : Residence of Chief Warder; Refurbished into a recretional area for staffs in 1989 Consideration : Primary Significance; represents facillities for prison staffs facing main parade ground

Chief warden quarters Image by Public Records Office Victoria

Hospital Yard behind hospital

Hospital ward

Left and right separation

Style : Medieval Revival; Double storey bluestone building with U-shaped layout Former use

: Hospital

Consideration : Primary Significance; Important structure facing the main parade ground

Plan of hospital Image by Public Records Office Victoria

Forms and objects

Site analysis

Watchtowers

Style watchtower

: Medieval style blustone

Former use : Provide observatory viewpoint and safety around the site Consideration : Primary Significance; represents facillities for prison staffs facing main parade ground

Drawings of watchtowers Image by Public Records Office Victoria

Walls

Style

: Medieval style bluestone wall

Former use : Walls to secure the prisoners and protect the safety of the neighbourhood Consideration : Primary Significance; Important structure facing the main parade ground

Bluestone walls Image by Picture Victoria

Materiality

Site analysis

Bluestone Of landscape & labour

Bluestone or basalt is a material that reveals not only the identity of Coburg but Melbourne’s affinity with its local materials, used in many civic and institutional architecture as well as prisons.1

Coburg lake formerly as bluestone quarry Image by Picture Victoria

The prison is referred to as ‘Bluestone College’, a recognition to its material and landscape. Bluestone is an abundant material found and quarried from the Coburg Lake along Merri Creek in the 19th century by prisoners according to Osborne.2 Prisoners were put through labourious activities such as extracting bluestone and rockbreaking to exhaust their energy as punishment. These traces are embedded in the material of Pentridge in form of bluestones.

Rock breaking yard (Division H) Image by Hin Lim

1- Trigg, S. J. ‘Bluestone and the City: Writing an Emotional History’. Melbourne Historical Journal 44.1 (2017: for 2016): 41–53. 2- Don Osborne, “Pentridge Behind the Bluestone Walls,” (Melbourne: Echo Publishing, 2018), 5.

Materiality

Site analysis

Harsh tactility

The existing materials are dominant to the atmosphere.They represents harshness, emotion wrecking and separation as to secure and restrain the prisoners from the outside world. Materials are important expression in heritage conservation. New materials should be introduced to inform the changes. However, the overall atmosphere should be maintained or subtly enhanced.

Atmosphere

Site analysis

Heritage and atmosphere Reflection to my virtual experience

Atmosphere can be defined by the gravity of a place that are closely related to our senses and sometimes memory of a place. The history of prison and punishment portrays an inevitable fear and traumatic memory of Pentridge. Pentridge Division D Image by Lantern Ghost Tour

In many heritage buildings, atmospheric presence is fundamental. In heritage conservation, not only the physical attributes but the atmosphere should be preserved and ultimately reinforced through new architecture. Adaptive reuse is a continuation of atmosphere, it reflects the ‘narrative of prison’ into the new life of Pentridge.

Unpleasant Memories Sourced fromTrove

Site analysis

Conclusion: site analysis Groupwork and reflection

Although Jiaxin, Chu and me shared a discussion on site analysis, it allowed each of us to individually reflect on our interest and direction of our own project. We learned that analysing heritage is to look beyond the surface, into the urban, social, programmatic, and atmospheric implications. Our main takeaway is the current masterplan are designed like a ’cookie-cutter’ approach, especially represented by the shopping mall. We argued that there are no clear connection between buildings. Recognising these aspects sparked our intent in enhancing the heritage identity. Our main limitation is the constrains from visiting the site, however we managed to make use of online resources and documents available.

Precedent Study

Case study

Case Study: MIEC + MMAP

Architects: Alvaro Siza and Eduardo Souto de Moura, 2012 Type: Restoration and reuse Typology: Monastery and exhibition centre Location: Portugal

Street view of MIEC + MMAP Image by Luis Ferreira Alves

MIEC and MMAP is a heritage restoration and reuse project by Alvaro Siza and Eduardo Souto de Moura in Portugal. The former site is a Santo Tirso Monastery which is classified as a National Monument in 1982. - With significant cultural and religious value, the approach of the design is intended to create a harmonious relationship to its heritage without overpowering. Siza’s approach always draws attention to the relationship with the landscape, which is reflected by the form of the extended annex.

Before (2014) and after (2016) Image by Google Earth

Case study

Existing: Municipal Museum Abade Pedrosa (MMAP)

The extension of the gallery wing blends seamlessly with the context with a gentle touch to the adjacent heritage building.

Extension: International Contemporary Sculpture Museum (MIEC)

Gently touch the heritage Model by Siza and Souto de Moura

An outdoor carpark with minor significance was removed to give way to the new MIEC extension. The journey is well-executed with poetic expression that follows the slope of the site and linking gesture of the old and new. A conversation between the topography and circulation is evidently expressed in the circulation to respect the site’s condition. This prompted me think about the topography of Pentridge which has about 8m level difference across the site that must be taken account.

Topographical journey

Topographical of Pentridge

Image by Luis Ferreira Alves

Image by Qinghua Guo

Case study

Multipurpose exihibition area and auditorium (MMAP)

Main lobby and administration area (MIEC)

Connecting the repetitive rooms sparked my thinking in challenging the typology of prison. How would this spatial intervention benefit the new function when connecting the individual cells? Can the walls being cut to create a connected space for exhibition space in this instance?

Volumetric proposal - Ground & First floor plan Sketches and section drawing by Siza and Souto de Moura

Exhibition space

Visitors could enter on the ground floor of MIEC at the south into the main lobby and a rear entrance is provided at the back followed by the stairs into MMAP building. The main exhibition and auditorium space takes place in the MMAP in the West.

Auditorium

Meeting a new purpose - MMAP section and plan Sketches and section drawing by Siza and Souto de Moura

Case study

The new volumes create a mixture between heritage and contemporary; it has the pristine quality of a museum yet an antiquity from the raw material and elements. Section of MMAP showing flexible showrooms

Accentuating elements - gallery corridor

Sketches and section drawing by Siza and Souto de Moura

Image by Joao Morgado

New volumes and stairs

Lobby and stairs access to main atrium

Sketches and section drawing by Siza and Souto de Moura

Image by Joao Morgado

The sensitivity of the religious space of the monastery is respected with intervention that complete the heritage than competing with it, achieved by the subtle expression of architectural elements and material palette. It is from the purity of materials that makes it easier to notice the remains of heritage.

Case study

Case Study: Fondazione Prada

Architect: OMA, 2015 Type: Adaptive reuse Typology: Industrial to exhibition Location: Milan

Fondazione Prada Image by Bas Princen

Fondazione Prada is an adaptive reuse proposal for a Visual Art Centre from its former industrial complex. The statement challenges the relationship between the old and new to create a diverse spatial environment that encompasses Art Exhibitions and Programs. Each of the forms and materials are intended to form a dialogue with each other. OMA states that this is not a presevation project and not a new architecture. The strategy emphasizes the interactions between fragments and heritage, connecting the past and future.

Heritage interaction Image by Bas Princen

Case study

The planning set up the fragmented relationship between programmes and journey in experiencing art which resulted in a bricolage manner. Fondazione Prada is radical in challenges the a rich bricolage of old and new. What I learned from this case study is the idea that transcends beyond preservation and how to enhance heritage through intervening with contradiction.

Programme diagramme Diagram by OMA

Interior of Fondazione Prada

Image by Fabrice Fouillet

Case study

Case Study: Victims

Architects: John Hejduk, 1984 Type: Site reconstruction (unbuilt) Typology: Conceptual intervention Location: Berlin

Site plan of Victims: Reconstructing the memory of Berlin Drawings by John Hedjuk

‘Victims’ is John Hejduk’s proposal to the 1984 Prinz-AlbertPalais competition in Berlin for the construction of a memorial park. The intervention investigates the different character embodied by architecture to recreate a physical and emotional connection to the heritage site.1

from the war and grows in increment as time passes.2 Hejduk poetic conceptualization of time and memory has led me to think about the importance of narrative in visualizing the intangible heritage of Pentridge. Heritage is not just about what we can see, it is part of the experiential journey.

Topography of Terror is a warstricken site, where structures were mass-destroyed by allied bombing in 1945. The site is protected extensively by Berlin Wall and exhibits an emotional atmosphere which is used as a torture chamber. Hejduk echoes the site’s victims who suffered

‘Topography of Terror’ in Berlin, site of John Hejduk’s proposal Drawings by John Hedjuk

1- Simi Rarasea. ‘02A Drawing and Notation - A Catalogue of Monsters: Victims - John Hejduk”, a Project by John Hejduk’. Medium (2018), https:// medium.com/@ratusimione.rarasea/02a-drawing-and-notation-a-cataglogue-of-monsters-victims-john-hejduk-261002b9d146 2- Mariabruna Fabrizi. ‘A Growing, Incremental Place – Incremental Time: “Victims”, a Project by John Hejduk’. Socks (2015), http://socks-studio. com/2015/11/01/a-growing-incremental-place-incremental-time-victims-a-project-by-john-hejduk-1984/

Case study

Characters of victims represented in architecture

The 67 characters represents the victims within the Berlin Wall that were being built over a 32 year period to magnify the presence of torture and its continuous presence. Instead of creating a single monument, the character’s of ‘Victims’ is extremely relevant in narrating the social setting of the site and approached in a psychological viewpoint.1

Sketches by John Hedjuk

Representing building character, ‘Soloist vs Prison cells’ Sketches by John Hedjuk 1- Simi Rarasea. ‘02A Drawing and Notation - A Catalogue of Monsters: Victims - John Hejduk”, a Project by John Hejduk’. Medium (2018), https:// medium.com/@ratusimione.rarasea/02a-drawing-and-notation-a-cataglogue-of-monsters-victims-john-hejduk-261002b9d146

Conceptual Design

Problems and possibilities

Conceptual design

Problems

Possibilities

Overlooking heritage Issues of over-development that dominates the important heritage features.

Sensible on density and heritage Activating public landscaping around heritage structures as buffer zones to reduce density.

Conventional programmes Generalisation of programmes and architecture which disregard the former use of heritage and life of prison. It seem out of place and can be applied anywhere.

User-specific events Social demand requires a common place for shared programs and educational opportunities which narrates a new generation of reformation.

Scattered identity Lack of community driver and centralised spaces to engage with diverse local demograhic.

Attraction point Discovering Pentridge’s potential as a central point for neighbouring communities and appreciation of heritage through activities.

Restricted movement The division and prison layout is designed to separate and fragmented. How can they be connected and better experienced?

Connective network Different activities scattered across the site will be connected with a common ground that links all the program.

Inactive landscape The landscaped areas are lack of socialoriented design that encourages active events across the site.

Interactive landscape Improve the permeability, connection with site topography that encourage various activities and mobility.

Conceptual design

W3 ideation and discussion

Reflection & critique

Improvements/ changes

In W3, I explored the idea of reflecting the past events with youth activities to highlight the intangible heritage of the site.

The proposal could have been more interesting and imaginative if the strategy is focused on the negative space of the site, creating a network of free flowing programmes in between the heritage buildings.

The approach is interesting but it has points that requires more thinking on: - The idea lacks depth as a concept - What is the architectural framework/ urban strategies? - It does not represent the intensity that I intended for. How to emphasize the activities without losing the heritage as a narrative? - How does it relate to other user groups?

I have decided to create a more inclusive space for the wider community, which prompted me to look into civic programmes like library. From the critique on Shayher’s development, it sparked me to challenge the conventional typology of library. Does it have to be fixed? How does it reflects freedom and reformation in its narrative?

Exploring the relationship between youth reformation and heritage Works by Author

Conceptual design

Critique & manifesto

Viscious development This is an open critique to the ambitious Masterplan development that overlooked the life of prison narrative, to an extent inappropriate and neglecting the fundamental heritage policy. Isolation by walls and scattered buildings Works by Author

Challenging connectivity The constraints with movement and freedom is a distinctive feature of Pentridge and problematic for public engagement. It represents the isolation from the world beyond the walls. The site’s connectivity between the heritage buildings and what is outside the walls should be reimagined. Today, we see the increase in isolation between individuals that

Modern isolation: in the digital age Works by Author

have prevented the sharing of knowledge. In response to modern isolation, the new Coburg library will reimagine the freedom of movement with the dynamic ground of knowledge through sensitive heritage adaptation and urban planning strategies.

A fragmented but connected library

Conceptual design

Movement in between interfaces

Superkilen Works by BIG

Old Garment Factory Renovation REDe Architects + Moguang Studio

Conceptual design

Coburg

Conceptual design

Pentridge is located in Coburg, 8km away from CBD and it has a suburban and town-like characteristics.

Urban siting: Coburg Works by Author

From the contextual study, Pentridge performs a central relationship to schools, commercial zones, residential, natural landscape and its diverse group of community.

Contextual siting and relationship Works by Author

Library of movement and reformation

Conceptual design

I am aware of the existing Coburg Library on Victoria Street. However, I see an opportunity for the expansion of the library in Pentridge. Why library? Expanding existing Coburg Library Works by Author

Skills and knowledge are realized in the reformation period to reintegrate prisoners into the society. It sets a new narrative of reformation in the present context with the importance of sharing knowledge. What library? The new library will challenge the static typology of a library with a more dynamic exchange of knowledge.

Access and circulation

Conceptual design

The West and the South entrances are where with the most active threshold. Cycling and pedestrian flow will be emphasised with the provision of public paths and bike parking. Vehicle entry will be separated from the public flow to prevent obstruction and an underground carpark below the public ground.

Access and circulation

The strategy challenges density of current development to conserve the existing fabric that focuses on exchange, dynamics, landscape diversity and recreation. The fragmented heritage will be connected with a network of activated landscape to facilitate the exchange of knowledge.

Conceptual design

Events: Existing fragments and life of prison

Conceptual design

The heritage buildings are seen as fragments that are scattered across the site. Each represents a piece of memory of the life of prison.

Events: Reflection on life of prison

The new library will reference the fragmented composition and the past events in each building and enriched by the network of exchange ground.

Conceptual design

Fragment 1: Cookbook library

Conceptual design

The annex that was formerly a kitchen with a linear form. The new cookbook library and community kitchen that allows community to share the knowledge of food.

Fragment 2: Historical archive

Division B will serve as a communal space on the ground floor and historical archive on the first floor, with a gathering atrium that welcomes both visitors and local communities.

Conceptual design

Fragment 3: Literature library

Conceptual design

Division A will be the literature library and story-maker that takes on its wings and repetitive cells for book chambers which encourages the community to write and share their stories in the centre.

Fragment 4: Craft library

Before the hospital and warden quarters were built, it was a reformation workshop for mat-making, which will be a new craft library with a creative workshop space and craft market for the local craft-makers.

Conceptual design

Landscape and materiality

Conceptual design

Pentridge has a harsh palette of bluestone and steel but with important heritage values. The originality and traces must be preserved in the new grounds.

Doubleground Work by MUIR and Openwork

The new palette aims to create a realtionship with heritage without competing with each other. This could be done with softening the interiors and adding natural textures with landscaping.

Victoria College of Arts Work by Kerstin Thompson Architects

Growing libraries and community needs

The incremental growth of new libraries in the future allows the community to decide the knowledge and programs that they need. The new library is not a prison for books, it reimagines the freedom, exchange, and growth of heritage.

Conceptual design

W4 ideation and discussion

Reflection & critique

Improvements/ changes:

In W4, I challenged the idea of freedom of movement on the site with a landscape strategy to connect the fragmented heritage. The idea is to create a library that encourages movement and activities for the community.

To improve the M4 ideation, I need to develop a clear masterplan. I found Parc de la Villette by Bernard Tschumi helpful in understanding what the overall strategy is.

Feedback and critique: - Understand the existing conditions of each buildings

Discussion with Qinghua to improve specificity of programmes

My focus for next week will response to the critique and moving on from conceptual ideas to a clear planning strategy.

- What is the logic/ system in the urban strategy? Is there a grid or is it flexible (elastic bubbles)?

Work by Author

- Movement and activities are vaguely represented in the intervened areas (highlighted in pink)? - Which buildings are focused for preservation?

Conceptual design

Study on masterplan approach Research and reflection

Architects: Bernard Tschumi, 1982 Type: Landscape and Masterplan Typology: Cultural park Location: Paris

I found similarities of my approach with Tschumi’s Deconstructionist proposal for Parc de la Villette. The masterplan evokes exploration, movement and intensity that happens across the park.

Masterplan: Parc de la villette Image by

Movement

Follies

Site

Overlaying masterplan Works by Bernard Tschumi

From studying the project, I learned that the masterplan distinctively shows his key intentions. It focuses on an urban scale that creates a relationship to the whole site. My critique to Parc de la Villette is the diengagement with heritage of its past as a meat market and the lack of more human scale.

My proposal will not control how people move, its an elastic landscape that allows people to travel freely across the site. Insights: - Different layered approach - Clear system and methodology: point, lines and planes; creating a non-place - Look upon an urban scale strategy before architecture

Aim of masterplan

Conceptual design

Residential 0

Commercial

30m

Resi-com

Champ Street

rra yR oad

Scope

Problems

Urban planning

Dense development

Landscape

Lack of communal activation

Heritage

Inadequate landscaping and permeability

My proposal will focus on the scope above as I found poorly tackled in the current masterplan.

Discourages mobility

The main problem in the existing masterplan is the dense residential and commercial footprint around heritage structures.

Misconnection of heritage Aim Reduce development footprint

Sentry Lane

A better urban planning will sought to reduce the density in the (marked area) and introduce landscape and community programmes for the benefit the local community. Pentridge Boulevard

Communal activation Improve landscape and permeability Encourages movement Connecting heritage

Existing masterplan Work by Shayher Group

Conceptual design

Refining approach: Detour Research and reflection

Direct movement and detour Work by Author

After realizing my lack of a concrete masterplanning strategy, I analysed Tschumi’s approach to Parc de la Villette and his methodology in the organising process. From the research, I realized my flaws which is despite having a strong concept but not being specific and concrete about the spaces and architecture of movement. Masterplan strategy My strategy will focus on urban planning and landscape which reflects my concept on movement that connects the pieces of heritage and library. To enrich my narrative, I started to ponder, “What kind of movement?”

Slow down for interaction, landscape and reflection Work by Author

“How would people move?” Movement can be simplified by moving from point A to point B, which is not what I intended. It discourages interaction between people and activities in their journey. I imagined people to slow down their pace, to interact with each other. I imagined people to take and detour, explore the heritage and landscape. I imagined people to take a chance, to reflect the past of Pentridge through movement. Therefore, it is a masterplan of Detour.

Programme

Communal Library

Conceptual design

Park

Phonebooth community library in UK

High line urban park

Image by Inhabitat

Image by The High Line

Heritage tour and exhibiton

Community centre

Communal library

Heritage tour and exhibition

I realized the opportunity to renew the Coburg library in Pentridge as into a communal based library. The main library will be located in Division A as well as niche libraries that flows along the trail.

Heritage tour and exhibiton will be integrated in Division B which was formerly a prison building. The tour will target local and tourists groups who are interested with the history of Pentridge.

The communal library will primarily target the specific local groups who have different interest in knowledge and students from adjacent educational compounds. Park An urban park strategy will improve the ecological and recreational value of the site while encouraging mobililty and diversity of activity.

Tai Kwun prison tour

Community kitchen in Brighton

Image by Yahoo News

Image by Brigton and Hives

Community centre The community centres are focused on the annex, hospital, and chief warden quarters which provides shared amenities and flexible commmunity programmes for the diverse demographics in Coburg.

Challenging the existing masterplan

Conceptual design

30m

rra yR oad

Main library

Champ Street

Flowing library

Community centres

Sentry Lane

Visitor centre

Sentry Lane

Heritage tour & exhibition

Pentridge Boulevard

Existing masterplan

Reimagined masterplan

Work by Shayher Group

Work by Author

Library of detour

Conceptual design

Recycled bluestone gabion

30m

3.2m

rra yR oad

1.5m

1.0m

1.2m

1.0m

1.5m

Section

History & Literature library

Plan

Champ Street

Main library

Filler

Common Library

Table

Children library

Craft-maker library

Sentry Lane

Bike park

Bench

Swing

Activist library

Cookbook library

Pentridge Boulevard

Market

Story-telling

Day-bed

Flowing library and expandable genre Work by Author

Filler libraries

Library of detour

Conceptual design

Perspective view of detoured path

Flowing library

Work by Author

Of heritage and landscape

Conceptual design

Pre-prison landscape

1849 - Pentridge Stockade

Pentridge is located in Coburg which has a strong connection to its picturesque landscape as seen from the Pentridge Stockade painting.

Image by State Library of Victoria

Coburg Lake at the north of the site contributes a significant landscape feature as a swimming lake and also the source of bluestone to build Pentridge. Undoubtedly, landscape plays an important role in the heritage of Pentridge. It serves both urban and social significance to the site and the people in Coburg.

1928 - Natural landscape from Coburg Lake Image from Coburg Historic Society

Of heritage and landscape

Conceptual design

Coburg Lake reserve

School sports ground

Post-prison landscape

Present - Ecological context of Pentridge Image from Nearmap

The function of prison is to separate from the world outside, ultimately it disconnects from it natural surroundings. The post-prison landscape invite us to think the possibility to reconnect to the past landscape and topography as an urban intervention; to bring the life and natural setting of Coburg back into the prison ground. Studying Shayher’s development, I realized the densely conceived development does not reflect on the reintroduction of landscape and social opportunity.

Present - Topography of Pentridge Work from Author

Landscape, movement and heritage

Conceptual design

30m

Following the contours

rra yR oad Recreational infill (ball court)

Creating rhythm wth existing heritage

Bluestone landscape playground

Champ Street

Connecting heritage structures

Sentry Lane Interaction with existing

Detour from existing path Juxtaposition with heritage Pentridge Boulevard

Existing masterplan Work by Shayher Group

Conceptual design

W5 ideation and discussion

Reflection & critique

Improvements/ changes:

In W5 discussion, I presented ‘detour’ as my masterplan strategy in response to the restricted movement in Pentridge and create a free-flowing library.

Although the strategy is plausible, it needs to consider the balance between landscape and architecture.

In terms of program, I wanted to create a library where knowledge is free and sharable. Qing suggested a phonebook library in UK that creates a notion of sharing with the community from her experience. Suggestion by Ming to create a library under the landscape Work by Author

Ming’s suggestion inspired me to look at different ground conditions and ways to incorporate architecture into the landscape. I am also encouraged to study a systematic approach in structuring the library.

From the comments, I learned to attain a narrative of library to the reformation in the past. My main focus will be challenging the conventional typology of library with freedom and landscape in mind. The landscape will become a ‘knowledge exchanging ground’. Another important point that I overlooked is the connection to ‘panopticon’. It should be highlighted as part of the library and how the fluid movement interacts with it.

Mid-term Review

Design statement

Breaking boundaries My approach of the reimagination critiques the lack of engagement with landscape and movement of the site. This is not ‘anti-architecture’ or ‘a rejection to development’, however, what I am interested is transforming the conventional typology into the landscape and in search of a philosophical narrative. Freeing architecture Work from Junya Ishigami

My interest is driven by the Junya Ishigami’s philosophy, ‘Freeing Architecture’, that explores architecture that breaks the conventional boundaries.

Pentridge is a ground with strict boundaries. I believe movement and landscape are a way to experience the library and heritage without its boundaries. Representing a new era of freedom. Architecture does not need to be blocks or massing, it can break that boundary. Architecture can be subtle, which becomes part of the ground.

Pentridge

Reimagined Pentridge Critique to existing plan

Isolation and reformation based prison

1851

1997

2013

2020

Establishment of Pentridge

Closure of prison

Shayher’s new vision

Shayher’s development completed

Brief timeline and proposal trajectory Work from Author

Problems & Possibilities

Mid-term Review

Problems

Possibilities

Dense development

Sensible density

Conventional programmes

User-specific community spaces

Fragmented heritage

Connective heritage

Inactive landscape

Activated landscape

Loss of heritage narrative

Reflecting a new reformation

From Shayher’s masterplan, I realized a few problems with the development which disengages from the local community and site heritage. My proposal will address these issues with new possibilities that explores a more sensible density, user-specific community spaces, connective heritage, activated landscape and reflecting its heritage.

Masterplan strategy: Detour

Direct movement and detour Work by Author

Mid-term Review

My masterplan strategy will be defined by detour. Detour is an indirect movement that celebrates movement and interactions. It is a slow architecture that creates an opportunity for interaction. With detour, I reimagine the interaction between people, reconnection to its landscape and reflection of the site’s heritage.

Slow down for interaction, landscape and reflection Work by Author

Mid-term Review

Design Precedent: Freeing Architecture

Junya Ishigami, 2018 Type: Landscape and Architecture Typology: Community, Park Location: -

Architecture as part of landscape Work by Junya Ishigami

My proposal took inspiration from Ishigami’s philosophy which explores both architecture and landscape without boundaries. The strategy creates an overlap between landscape and architecture. The architecture can be considered part of the andscape. Movement becomes fluid as there are no boundaries and navigation. While adapting to my proposal, it has to consider the importance of heritage. I learned to balance practicality and conceptualisation in studying the precedent.

Free-flowing ground & freedom of movement Work by Junya Ishigami

Mid-term Review

Design Precedent: YueCheng Courtyard Kindergarten MAD, 2020 Type: Heritage, Landscape, and Kindergarten Typology: Education, Park Location: Beijing, China

Plan view of intervention Work by MAD Architects

The Beijing courtyard kindergarten by MAD emphasizes movement above ground and a new platform to explore the heritage site. The playscape enables children to move freely and explore different parts of courtyards. The fluid leraning space under the playspace informs a contrast with the rigid form of courtyards. This is a built project as compared to Ishigami’s proposal. It is a useful precedent to see how the spaces work although it has a conceptual design.

Kindergarten under the playscape Work by MAD Architects

Challenging existing masterplan: Site use

Mid-term Review

Residential

Removal and Strategy

Commercial Resi-com

Zones to reduce density and changes in site use

Building

Place for relocationIndustrial zone

Type

Area

Strategy

New use

Resi-com

1400m2

Relocate

Landscape + Civic

Resi-com

1300m2

Relocate

Landscape + Civic

Resi-com

750m2

Relocate

Landscape + Craft market & workshop

Resi-com

750m2

Relocate

Landscape + Craft market & workshop

Residential

1800m2

Relocate

Landscape + Civic + Heritage

Retail

6500m2

New programme

Landscape + Civic + Retail

Total

12600m2

6000m2 to be relocated

7000m2

Pentridge Boulevard

Existing masterplan: Movement Work from Author

60m

The dashed zone shows the need to reduce in density as it disrupts the heritage structures and change from commercial to community site use. The new masterplan will remain part of the residential and commercial buildings and relocate some of the buildings to the industrial zone to reduce the density footprint.

Challenging existing masterplan: Site use

Mid-term Review

Residential

New adaptive reuse

Flowing library

Building

Former use

New use

Area

Division A

Prison

Library + Retail

2450m2

Chief Quarters

Dormitory

240m2

Heritage structures:

Community centre

Hospital

Hospital/ matmaking workshop

Community centre/ local workshop

460m2

Division A: Main library

Prison Gate

Administration

Visitor centre/ heritage

430m2

Division B

Prison

Prison tour and exhibition

1650m2

Annex

Kitchen

Community kitchen/ restaurant

350m2

Chiff Quarters & Hospital: Community centre

Total

Prison Gate: Visitor centre

Additional values

Division B: Heritage tour & exhibiton

Annex: Community kitchen

Reimagined masterplan: Site use Work from Author

60m

5580m2

Building

Type

Area

Landscape

Vegetation + shared spaces +playground

21000m2

Flowing library + Path + Amenities

Informal library (community based)

3000m2

Underground formal library

Formal library

3250m2

Total

New uses to the heritage buildings and additional values are added to the relocated zones for community use, landscape and retailing opportunities.

27250m2

Encouraging mobility

Mid-term Review

- public carpark - private carpark - main pedestrian entry

rra yR oad

Pedestrian focused zone

Mobility and walkability

Champ Street

Encouraging flowing of knowledge through movement

Sentry Lane

Connective network Connecting heritage buildings and new experiential journey Pentridge Boulevard

Separated vehicle path and underground carpark Work from Author

60m

Programmes

Mid-term Review

rra yR oad

The programme will highlight its tourist and community attraction on the south side and an active community flow throughout the site.

Zone 1: Community flow

Champ Street

The main programme will be the library in Division A and dispersed into the landscape.

Zone 2: Tourist + Community flow

Communal Library Park Heritage tour and exhibiton

Pentridge Boulevard

Community centre Planning of new programmes Work from Author

60m

Library: Freedom of Knowledge

Mid-term Review

Restricted movement and freedom

The main programme I wanted to explore is the library, to reconnect to its reformative past and the freedom of movement.

Restricted freedom from walls and scattered buildings Works by Author

Knowledge and reformation

Knowledge and skills required for reformation back to society Works by Author

Freedom of Knowledge is a product of the two important narrative of Pentridge which gave me the idea to challenge a new typology of library.

Library: Coburg library

Mid-term Review

The existing library at the South of the site is underused and requires an expansion for the wider community. Pentridge will be the potential site for the new community library that aims to connect the educational groups and wider community in Coburg.

Pentridge for a new library

Coburg Library

Existing Coburg Library Image by Picture Victoria

Flowing knowledge and expandable genres Work from Author

100

200

300m

Library: A new typology

Mid-term Review

The new model of the library will explore landscape as a knowledge exchanging ground, where knowledge flows freely and connects the community. s a result, it creates the library of detours that uses the path as a flowing community-based library. It connects to the main library which is located in Division A building. Library as a ‘knowledge enchanging landscape’ Work from Author

Phonebooth community library in UK

Library in a park in Chile

Image by Inhabitat

Image by Dreamstime

The aim is to connect people with different interests in knowledge and envision the flexibility to grow more genres in the future.

Library of detour

Mid-term Review

2026 Selfmotivation library

History & literature library

Main Library (Division A)

Main and fragmented library

Connecting different groups

Different community based genres are scattered around the main library

The genres are chosen by community and for the benefit of different groups

Growing library

Exchanging grounds

As the time passes, new library will emerge and inviting more communities

Spaces for exchanging knowledge are inserted in between the fragmented libraries

2024 Music and film library Children library

Craft-maker library

Queer 2025 library

Activist library

Cookbook library

Flowing knowledge and expandable genres Work from Author

60m

Library of detour

Mid-term Review

Reuse materials

Existing textures

Recycled bluestone gabion

Gable framing with slate roof tiles

Infill

Library

Common table

Curtained room

Bench

Swing

Market space

Story-telling stage

Daybed

1.0m

2.4m New + Old Mixed bluestone terrazzo slab 1.5m

1.0m

1.2m

1.0m

1.5m

Section

Ground 3.6m

Roof

Plan

Structure of library of detour Work from Author

Programmatic infill Work from Author

The structure will reuse the demolished bluestones in the load-bearing gabion and slab and reflects the existing textures. The pink area shows the infill which can be flexibly applied for different uses of library and amenities that focus on interactions.

Division A Library

Mid-term Review

Above ground bridge

Entry from Champ Street

On the above ground, we can see the flowing library that intersects with Division A. On an elevated ground, it opens a view into the panopticon and higher perspective of the site. The new curvature of the ground creates an opportunity for playground and native landscape.

Reference: Old Garment Factory Renovation Work by REDe Architects + Moguang Studio

Underground carpark entrance

Key plan

Underground playspace + library

Reference: Teshima Art Museum Work by SANAA

Entry from Parade ground

Programme Retail

Bluestone retaining wall

Library Exhibtion

Ground floor plan - Division A Library Work from Author

30m

Division A Library

Mid-term Review

Bridge entry to first floor

One of my focuses of the interaction of the flowing library with the Division A building. The landscape creates a relationship between the underground where it is used as a library and an above-ground path. The main library in Division A will have retails set n the West entrance and a formal library on either wings.

Above ground flowing library

Key plan

Playground

Reference: Urban Park Jesse Owens Work by Espace Libre

Ramp

First floor plan - Division A Library Work from Author

30m

Programme Front hall Library

Division A Library

Mid-term Review

Red line: about 3m level difference

Existing section and topography Work by Espace Libre

Playground

Above-ground library

Under landscape library

Lightwell

Connection to Division A

Above ground (informal library)

Section: Intersection with landscape Work by Espace Libre

The architecture of the library takes advantage of the level difference of the topography to create an above ground and underground relationship that connect to the Division A building.

Underground (formal library) Underground carpark 0

15m

Division A Library

Mid-term Review

Above ground library + path

Aboveground entry to Division A Panopticon (first floor)

Under landscape library + Playspace

Under landscape library connect to Division A

Close-up section

Work by Espace Libre

Above ground (informal library)

Section: Intersection with landscape Work by Espace Libre

From the close-up sections, there is an above ground pathway that opens up the new experience to the site and utilizing the space under the landscape as a fluid knowledge exchanging ground.

Underground (formal library) Underground carpark 0

15m

Materiality

Mid-term Review

b a

Palette a- Slate roof tile b- Medium evergreen species c- Brushed metallic steel panel d- Mixed bluestone terazzo e- Recycled bluestone gabion f- Native mixed-grass species g- Textured plaster finish h- Oak wood i- Patina finished black steel panel

The chosen materiality considers a subtle reference and reuse of materials that aim to create a poetic engagement with a new heritage.

Design Development 87

Mid-term ideation and discussion

Reflection & critique

Improvements/ changes:

To improve my proposal, I will include smaller commercial interest driven by community as my priority.

A second point is my balance between architecture and landscape. Perhaps, I have not make it clearer from the underground library. A dialogue to landscape, movement and heritage Work from Author

In addition, I need to understand the calculations of the removed site use, how to relocate it.

To balance the landscape and architecture, I will reassess the scale of my development and create a free-flowing programme spaces below the elevated landscape. I have to understand the consequences in removing the site use and understand the calculations before making a decision. Lastly, I should focus on areas around Division A and highlight its heritage to make the proposal more comprehensive.

Mid-term Review

Design statement

My interest is driven by the Junya Ishigami’s philosophy, ‘Freeing Architecture’, that explores architecture that breaks the conventional boundaries.

Library: A new typology

Mid-term Review

Library as a ‘knowledge enchanging landscape’ Work from Author

Site use - existing plan Community/ Civic 2.5%

Others 4.5%

Residential Commercial/ Retail Communtiy

rra yR oad

Champ Street

Commercial/ Retail 23%

Residential 70%

Site use proportion- existing Data from Shayher’s development plan Work from Author

Pentridge Boulevard

Existing masterplan Work from Author

60m

Site use - reimagined plan Others 4.5% Residential Commercial/ Retail Intervention area

Community/ Civic 20%

rra yR oad

d a Champ Street

Community-based retail 17.5%

Residential 58%

Intervention area b

Site use proportion- existing Work from Author

Heritage structures focus Pentridge Boulevard

Retained and intervention area Work from Author

60m

Division A

Chief warden quarters

Hospital

Walls

Precedent I

Design Precedent: Freeing Architecture Conceptual idea precedent

Junya Ishigami, 2018 Type: Landscape and Architecture Typology: Community, Park Location: -

Architecture as part of landscape Work by Junya Ishigami

Free-flowing ground & freedom of movement Work by Junya Ishigami

Precedent II

Design Precedent: YueCheng Courtyard Kindergarten Existing work precedent

MAD, 2020 Type: Heritage, Landscape, and Kindergarten Typology: Education, Park Location: Beijing, China

Ground floor- kindergarten Work by MAD architects

Roof floor- landscape/ playscape Work by MAD architects

Precedent II

Fluid movement of kindergarten on ground floor

Beijing courtyard houses (heritage structures)

Ground Floor Plan- Yue Cheng courtyard kindergarten

Roof floor

Work by MAD architects

Work by MAD Architects

Study of section and roof floor detail Work by MAD architects

Precedent III

Design Precedent: Kanagawa Institute of Technology Workshop Existing work precedent

Junya Ishigami, 2008 Type: Conceptual, Architecture Typology: Educational/ Workshop Location: Kanagawa, Japan

Kanagawa Institute of Technology Workshop Work by Junya Ishigami

Ishigami demonstrated freedom and a new typology of workshop with a boundless space. In the space, columns of different sizes and arrangement imitates a forest, breaking the rule of architecture. This is a useful precedent for my library as a knowledge exchanging ground, of how freedom can be achieved. For that, I need to incorporate it connection to the heritage of Division A. A systematic approach may be helpful but at the same time, how does it defy the systematic rule of library?

Columns that imitates a forest Work by Junya Ishigami

Floor plan of Kanagawa University Workshop

Section and detail of Kanagawa University Workshop

Work by Junya Ishigami

Mid-term ideation and discussion

Reflection & critique Li (guest crit) suggested that I need to define a commercial interest. Although I think commercial value is important, the community interest is my priority. But I agree that smaller commercial interest such as cafe, restaurants and community markets will work as well. A second point is my balance between architecture and landscape. Perhaps, I have not make it clearer from the underground library. In addition, I need to understand the calculations of the removed site use, how to relocate it.

Breaking boundaries

Free-flowing space that follows the landscape

Elevated ground as community park + heritage experience

Section Work from Author

100

Iteration I

Li (guest crit) suggested that I need to define a commercial interest. Although I think commercial value is important, the community interest is my priority. But I agree that smaller commercial interest such as cafe, restaurants and community markets will work as well. A second point is my balance between architecture and landscape. Perhaps, I have not make it clearer from the underground library. In addition, I need to understand the calculations of the removed site use, how to relocate it.

200905_Ground floor- Free flowing programmes Work from Author

101

60m

Iteration II

200905_Form-making Work from Author

60m

102

3D idea testing

210905_Model_Site intervention

210909_Model_Site intervention refined scale

Work from Author

103

3D idea testing

210909_Model_Under-roof communal space in front of Division A

210909_Model_Library intersecting with landscape

Work from Author

104

3D idea testing

210909_Model_Above ground relationship with Division A

210909_Model_Programme and flow study of spaces

Work from Author

105

W7 ideation and discussion

Discussion: Qinghua Qinghua’s supports the balance of architecture and landscape in the new proposal. However, she pointed out what is the ‘controversy’ behind the removal of the Shayher’s development, is this a better proposal? This has to be answered. Maremagnum plaza ground and underground market Image by Qinghua Guo

She suggested a more organic approach under the roof structure and how to incorporate landscape and mirrored ceiling to reflect the new path. She also pointed out the connection with the existing ground from the elevated platform. Could it be a transparent seam? A precedent she suggested is Maremagnum in Barcelona where a layer of organic roof of public ground covers the market below.

Petar Zoranić Square and Šime Budinić Plaza Work by Kostrenčić-Krebel

106

W7 ideation and discussion

Discussion: Ming The discussion with Ming made me realized the loss of the organic language in my elevated platform. He suggested me to look into Heatherwick’s structural system but at the same time question how is it appropriate in my context.

Suggestion by Ming to reduce the focused area Work by Author

The next task is to challenge the ordered system and how to break free from the grid system as it takes away the concept of ‘freedom’. I agreed that the focused area should be reduced, to emphasize my concept better. I need to look at how the energy and rhythm of the site can be produced with the free-flowing programmes and new structural system.

Study on structural system - Thomas Heatherwick Work by Thomas Heatherwick

107

Defined and undefined

Defined structural system

Workshop with an undefined path

Work by Thomas Heatherwick

Work by Junya Ishigami

108

A field of columns

109

Design parameters

110

3D idea testing

Structural module and flexible programmes The testing of a structural module to create a field of columns defines a wall-less library space. It disrupts the static notion of a traditional library and encourages movement and events to happen freely in the field. The infill can be interchangeable with different programmatic modules of library storages, reading rooms and community spaces. However, my reflection to this is although I have a heritage reference to prison cells with the grid. The new form should break free from the grid.

111

210913_Model_Modular column testing for different programmes

Work from Author

3D idea testing

Refined focus on Division A The focus of the intervention will be scaled down to the North-East and South-East area of Division A as the extension for the community library. The Division A itself will be a historic and film archive library that preserves the atmospheric quality of prison in contrast with the more open extension. Thus, creating a tension between restriction and freedom of the old and new.

210913_Model_Prison cells referencing grid and field of columns Work from Author

112

3D idea testing

210913_Model_Library and the free landscape Work from Author

113

3D idea testing

210913_Model_Intersecting Division A and internal planning Work from Author

114

W8 ideation and discussion

Discussion: Ming & Qinghua The main critique is the restriction of the grid in the narrative of freedom. In my design, the grid reference back to the proportion of prison cells. Freedom is created with movable and rotating shelves system. Although unconventional, it does not provide practicality to the programme and the sloping of the site. Therefore, design decision will need to be reconsidered.

115

Proposal planning & development

Programme and spatial planning The planning considered on 3 zonings (public, semi-private and private). Division A will be used as a private and enclosed archive storage for historic and film collections with a cinema hall on the first hall. The sunken library and communal space at the East will be more controlled as it is part of the library yet having a free-form confiugration. The far end of the extension on the South will be an open public event and market space that is completely open without boundaries.

Programme and spatial planning Work from Author

116

Proposal planning & development

Circulation There will be 5 entry points to Division A and the sunken library spaces. E1 will be the front entrance into Division A on an axis with the back entrance, E5. E2, E3, and E4 are entry points to the sunken spaces of the library and community spaces. Underground carpark entry is planned on the South-East that separates the on-ground public space and sunken landscape of library.

Circulation and entry planning Work from Author

117

Proposal planning & development

Material and atmosphere The atmosphere of the prison will be in contrast with a lighter materials such as steel and timber which compliments the harsh palette. However, the heritage elements will be narrated from the reuse of bluestone for the new flooring material and using bluestone blocks as a navigation tool towards the panopticon. The landscape are scattered in the void of the sunken library space which also provide natural light and ventilation to the library. The furnitures are in lose forms which can be moved around the ‘forest of columns’, creating a changing atmosphere from timeto-time as programmes can be changed.

118

Design development concept

My design acknowledges the natural slope of Pentridge. From my study, I realized there are underground cells in Division A which prompted the sunken library space.

Roof extension to Division A Work from Author

A vertical strip of ground is selected with 6m level difference. The ground is then lifted to form the extended roof. And voids are created to illuminate the space and create green pockets along the site. The roof creates a new relationship with the existing Division A prison, a free space for exchanging knowledge.

Roof from landscape Work from Author

119

Design development concept

To break the boundaries, we first need to understand the boundaries of the prison grids of Division A. Freedom is created by the rhythmic pattern of columns in the field. And thus, creating a space for active events in the open library.

120

W9 Development: spatial planning

121

W9 Development: basement plan

122

W9 Development: ground floor plan

123

W9 Development: first floor plan

124

W9 Development: roof plan

125

W9 Development: Section A-A

126

W9 Development: Section B-B

127

The plaza will be used as a retail, event and community market that will attract visitors to the retail space and community market on Sunday. Descending to the sunken library in the middle and a smaller public space at the back for an amphitheatre and community space. Plaza and market space Work from Author

My critique summarized the new future, as a contrast between liberated space and the restricted ground of Pentridge.

Amphitheatre in exercise yard Work from Author

128

W9 Design development presentation

Reflection & critique Critique 1: The comments emphasized on the practicality of the library being too open. I agree that comfort is essential and consideration of designing to Melbourne’s climate. Critique 2: Is that possible or neccessary to have part of the roof accessible? This will be decided after the crit. Critique: Relation to old and new needs to be shown clearer. How does it connect to Division A for this instance. I realized that I have not explained well in relation to heritage.

Open library space Work from Author

129

130

131

W10 ideation and discussion

Discussion: Ming & Qinghua In relation to my design, having the roof accessible will be too excessive and does not work well with my heritage narrative. Therefore, I have decided to focus on the profile of the landscape in roof form as well as the axial relationship to Division A. Weather protection will be designed in the middle part (library) to provide comfort for the library closed area. While doing so, illumination will be considered in another strategy with polycarbonate roof rather than large voids.

132

Roof structure study 1

Study and Reflection The roof of Manetti SHrem museum exhibits an open and fluid atmosphere with its undulation roof structure. The louvres are arranged in a way to guide people to move around the site. The use of aluminium reduces the weight of the structure which is what I am aiming for to create a narrative of freedom. Louvre on lightweight aluminium framing Work by So-il

Section of Manetti Shrem Museum Work by So-il

133

The application may seem alien or tabula rasa in Pentridge context. It does not fit well neither to the heritage nor the context made of bluestone. However, the study is still useful in understanding the connection of materials in metal roof framing.

Roof structure study 1

Connection study of metal roof frame Work by So-il

134

Roof structure study 2

Study and Reflection To find the relationship of bluestone and roof, I came across a precedent Swiss Abbey by Savioz Fabrizzi. The stone roof is constructed over a site destroyed by landslide as a memory to the event and engage with the visitors at the ruins. Louvre on lightweight aluminium framing Work by Savioz Fabrizzi Architectes

Details of Swiss Abbey roof Work by Savioz Fabrizzi Architectes

135

It is a useful precedent as there are many demolished bluestone remains at Pentridge which relates well to the heritage and new use of materiality.

Roof structure study 2

Study of Swiss Abbey Roof Work from Author

136

W11 Design development critique

Critique and decision After several testing of roof design and atmosphere, I have chosen the Swiss Abbey case study over the Manetti Shrem roof system because it relates better to the heritage and context of Pentridge. Roof structure study Work from Author

Section study Work from Author

137

As seen from the visualization on the left, the atmosphere is too pristine and conflicting to the adjacent Division A. It is disruptive visually and lack of meaningful connection to the site’s dominant bluestone.

Final Development 138

Design statement

Under the blanket of memories

Pentridge was named ‘College of Bluestone’ after its generous use of bluestone quarried from the Coburg Lake. The narrative of its heritage and landscape was lost in the current masterplan. In the reimagined Pentridge, a roof extension derived from the landscape will form a new connection to Division A prison.

“Materials and surfaces have a richly complex language of their own that evolves and changes over time.” -

Juhani Pallasmaa (Hapticity and Time)

My interest was driven by the reimagination of materiality and landscape. Bluestone exhibits durability to keep the prisoners. As freedom prevails, they were broken down to build a new path to the site. New memories will be reconstructed by reclaiming the demolished bluestones on the site. The new library is hidden ‘under the blanket of memories’. A familiar tactility to the walls of Pentridge layers on the floating landscape. Light starts to scatter in

139

between the cracks of the bluestones, proclaiming a new hope for freedom. When approaching the floating remains of memories, the gravity of the prison atmosphere is lifted in a library filled with life and freedom.

Existing masterplan

Identified issues Dense development Loss of heritage narrative Building height ignorance Lack landscape intergration Poor connection to Division A

140

Planning strategy

Appropriate density and building height around Division A is reconsidered to rewrite the loss of heritage narrative. The natural slope of the site is lifted to form an extended roof to the East-Wing of Division A, reconnecting to the form of the landscape. New connection is formed to invite visitors from the Main Prison Gate and the south to Division A. Residents and community access are provided on the north.

141

Site plan

142

Roof structure

143

Roof structure

144

Detailed section A-A

145

Detailed section C-C

146

W12 Design development critique

Critique and decision The project aims to reconnect the heritage of Pentridge thorough materiality, creating a new meaning to the bluestone that was once to trapped prisoners and now freely suspended over the roof. Open market place Work from Author

The extended roof creates a new journey to Division A from the south without disrupting the passage and landscape. Qinghua commented on the sustainability impact of the roof which she recommended opportunity for PV panels. However, I do not like the idea of PV panels but shifting my focus on sustaiability to the water harvesting from the sloped roof. The water can be reused for amenities and irrigating the raingarden.

View from Parade ground Work from Author

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(view presentation slides and panels for completed work)

References

Coleman, Felicity and Hodges, Sue,.Former HM Prison Pentridge Heritage Interpretation Masterplan. Melbourne: Sue Hodges Production, 2013. https://admin.pentridgecoburg.com. au/wp-content/uploads/2020/09/Heritage_ Interpretation_Masterplan.pdf

Tschumi, Bernard. Architecture and Disjuction: Space and Events. Massachusetts: MIT Press, 1994.

Foucault, Michel. “Panopticism” from “Discipline & Punish: The Birth of the Prison.” Race/ Ethnicity: Multidisciplinary Global Contexts 2, no. 1 (2008): 1-12. http://www.jstor.org/ stable/25594995. Jencks, Charles. “Notopia: the Singapore paradox and the style of Generic Individualism.” The Architecture Review. Published 4 June 2016. https://www.architectural-review.com/archive/ notopia-archive/notopia-the-singapore-paradoxand-the-style-of-generic-individualism Kim, Dovey. Becoming places. London: Routledge. 2009. Osborne, Don. Pentridge: behind the bluestone walls. South Victoria: Echo Publishing, 2015. Raworth, Bryce. Former Pentridge Prison: Conservation Management Plan: Report by Bryce Raworth, Melbourne: Bryce Raworth Pty Ltd, 2016. https://admin.pentridgecoburg. com.au/wp-content/uploads/2020/09/FormerPentridge-Prison-CMP-210416-Final.pdf Shayher Group. Pentridge Coburg: Design Guidelines & Masterplan 2014: Report by Shayher Group. Melbourne: Moreland City Council, 2014. https://www.moreland.vic. gov.au/globalassets/areas/amendments/ amendmentslib-7208/c123/amendment-c123-coburg-activity-centre-zone--morelandc154-incorporated-doc--pentridge-coburgmasterplan-2014-approval.pdf

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