LUXAVIATION VOL 5/2017

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XCELLENCE L U X AV I AT I O N Q U A R T E R LY M A G A Z I N E

ISSUE 5



SIGNATURE DE CHANEL COLLIER ET BRACELET OR BLANC, SAPHIRS ET DIAMANTS BAGUE OR BLANC ET DIAMANTS

CHANEL.COM


GOING ABOVE AND BEYOND Flying with Luxaviation gives you the ultimate advantage: Time and comfort. Whether for business or leisure, we will provide a serene journey. By raising the standard of service excellence we ensure that every flight is truly unforgettable. Luxaviation Group

4a, rue Albert Borschette

www.luxaviation.com

L-1246 Luxembourg

T+352 42 52 52 1

info@luxaviation.com

luxaviation. we fly your way.


EDITORIAL

WELCOME ABOARD Welcome to the Luxaviation Group’s inflight magazine, Xcellence, my opportunity to update you on our recent activity whilst you sit back and enjoy your flight. Firstly, Happy New Year! Following last year’s opinion-dividing political results from around the world, there will certainly be interesting times ahead, but at Luxaviation, there is plenty of cause for celebration and optimism. This year will see us flying our customers to an exciting range of cultural and sporting events. From February through to March, we look forward to the 2017 RBS Six Nations Championship being played all over Europe, before the Cannes Film Festival and F1 Monaco Grand Prix in May. In June, we eagerly anticipate what should be a fantastic Glastonbury Festival and, in what always promises to be a busy period, the re-commencement of the winter sports season towards the end of the year. This year, Luxaviation will introduce a number of new initiatives across the Group. I am delighted to tell you that Luxaviation Helicopters, a world-class VIP helicopter service and a new addition to our business, will represent our continuous desire to provide you, our customers, with an unrivalled service offering. Most existing VIP-helicopter companies operate very locally and with limited resources; however, Luxaviation Helicopters is designed to support our clients with global requirements, whether they need a helicopter on the Côte d’Azur one week or a flight in South America the next. As well as a VIP service, Luxaviation Helicopters will also be supporting other operations, including Helicopter Emergency Medical Services, Search and Rescue and government transport. You can read more about the new department in an interview with Charlotte Pedersen, CEO of Luxaviation Helicopters, on page 12.

Our global fleet continues to expand. In the UK, Luxaviation has added three brand new aircraft: a Dassault Falcon 2000LXS, a Cessna

Citation Mustang and a Bombardier Challenger 350; increasing the Luxaviation Group’s global fleet of more than 260 aircraft. Additionally, ExecuJet Africa – part of the Luxaviation Group – has welcomed a new VIP-configured Bell 407 helicopter to its fleet. The helicopter was made available to charter in December and will primarily be used for scenic flights in the Cape Town region of South Africa, taking in the surrounding vineyards and other popular attractions. In other areas of our business, we have launched a central broker desk, which enables us to connect all of our global services through a centralised location. The HQ will be in Luton, UK, with regional offices around the world in Hong Kong, Moscow and Miami, catering to operations across the six regions that we operate in: Africa, Asia-Pacific, the Caribbean, Europe, Latin America and the Middle East. The broker desk will have a fully dedicated team offering a highly tailored service to our customers. I would like to wish you all the very best for 2017; may it be a healthy and fruitful year for all of our passengers, clients and staff. I do hope you enjoy reading our magazine and I particularly hope that you enjoy your time flying with Luxaviation. Sit back, relax and let our crew take care of you.

Patrick Hansen CEO Luxaviation Group

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TABLE OF CONTENT

28

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LUXAVIATION

PHOTOGRAPHY

3 | Editorial

14 | From Above

24 | Airbus ACJ

Benjamin Grant

Airbus Corporate Jets

8 | Fleet Highlight 9 | Luxaviation Story

58 | Photography Portfolio

AIRCRAFT INTERIOR DESIGN

Playing a New Tune

Serge Najjar

10 | Group News HISTORICAL PORTRAIT

16 | César Ritz The King of Hoteliers

TECHNOLOGY DESIGN

12 | Luxaviation People 92 | Fleet List 94 | Luxaviation Worldwide 96 | Office Locations

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18 | Pininfarina Driven by Design

28 | Diamond Foundry Diamond Hack

90 | Aviation News


Is imagination really just for children? Embark on a DeLaneau made-to-measure journey to the timepiece of your dreams.

delaneau.com


TABLE OF CONTENT

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SHOPPING

76 | Desert Break 84 | Aman Itinerary

31 | Timepieces Selection Year of the Fire Rooster

86 | Agenda

ART

49 | The Curated Collection A Deep Rooted Resurgence

CULTURE BRAND STORY PORTRAIT

32 | DeLaneau

38 | Soo K. Chan

The Heights of Haute Horlogerie

78 | China's Imperial Dynasties A Reign Supreme

The Choregraphy of Space

TRAVEL

36 | Urban Break 44 | Travel News 70 | The Lamima Sailing Through the Centuries

IMPRINT

CREDITS

Nathalie Grolimund | editor in chief Margaux Daubry | production manager Mareike Walter | designer Betti Fiegle | photo editor Jennifer Davis | author Nicholas Thompson | author and copy editor Martin Nicholas Kunz | creative director

cover Courtesy of Aman. toc from left to right clockwise Page 4 © Diamond Foundry, © Serge Najjar, © Bombardier, © Airbus Corporate Jets. Page 6 © Laurent Burst, © Alexis Peskine, © Aman, Courtesy of Soo K.Chan. from above Pages 14-15 © Benjamin Grant. urban break Page 36–37 (The Upper House) © The Upper House, (Cobo House by 2am:dessertbar) © Cobo House by 2am:dessertbar, (Cordis Hotel) © Cordis Hong Kong, (The Peninsula) © The Peninsula Hong Kong, (Nobu) © Nobu InterContinental Hong Kong. travel news Page 44 (THIRTY NINE Monte Carlo) © Julian Abrams & Morpheus London, Page 45 (Four Seasons Hotel London at Ten Trinity Square) © Four Seasons, (The Silo) © The Royal Portfolio, Page 46 (Sala's Camp) © The Safari Collection, (Napapiiri Camp) © Amazing Escapes, Page 47 (Hôtel Barrière Les Neiges) © Fabrice Rambert, (Kokomo) © Kokomo Island. desert break Page 76–77 (Les Nomades de Marrakesh) © Les Nomades de Marrakesh, (La Sultana) © La Sultana, (Riad Living 72) © RiadLiving, (AnaYela) © Design Hotels™. aman itinerary Page 84–85 © Aman.

editorial@xcellence-magazine.com advertising@xcellence-magazine.com www.xcellence-magazine.com

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agenda from left to right Pages 86–87 © Julie Huehnken/Cool Cities Media, © Rolex/Carlo Borlenghi, © Photopro.Event / D.Keller, © The Studio Dubai, © Léa Crespi, Courtesy of Art Basel, Pages 88–89 © Rolex/Jad Sherif, © Alessandro Russotti, © BlueiProd., © Dubai Polo Gold Cup, © Rolex/Gianni Ciaccia. shopping & aviation news sections All images are courtesy of the brand. Non-credited images are property of © LUXAVIATION or © ExecuJet Aviation Group. Every effort has been made to identify the copyright holders of material used in this publication. If any copyright holder has been overlooked, please inform editorial@xcellence-magazine.com. Reproduction in whole or in part without written permission is strictly prohibited. All information correct at the time of going to press, but subject to change.

All Rights Reserved. Printed in Germany in January 2017, covering February, March and April. Produced with passion for Luxaviation CMI Group.


Success starts with Trust.

Your bespoke Family Office in the heart of Europe since 1952 15-17, Boulevard Roosevelt L-2450 Luxembourg Tel: +352 22 56 26 www.fff.lu info@fff.lu


LUXAVIATION FLEET HIGHLIGHT

Airbus ACJ320 HEAD OF STATE

An exceptional trip aboard an exceptional aircraft Like a Parisian palace, the Airbus A320 VIP offers passengers an unparalleled history and tailor-made service. A true gem, it was specially designed to make flights into singular and timeless moments. Featuring private lounges, a presidential suite and state-of-the-art equipment, this unique aircraft has already transported more than a dozen crowned heads and heads of state around the world. Its dedicated crew provides passengers with an exclusive experience worthy of a five-star hotel or a presidential palace.

Overview 26 passengers 7400-km range 8:45 max flight times 150 luggage capacity

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LUXAVIATION STORY

TIMELINE Luxaviation Group offers more than 100 years of combined business aviation experience from some of the world’s most respected private jet operators. Our joint aviation expertise, together with our economies of scale, provides you with full customer satisfaction in the air as well as on the ground. Take a look at the history of the companies that form Luxaviation Group today.

2016 2017

/ L uxaviation Helicopters is offering worldwide VIP helicopter charter and management services as a new addition to Luxaviation’s portfolio.

2014

2013

/ L uxaviation acquires Abelag, the leading business aviation company in Benelux / L uxaviation opens an office in Singapore and launches its operations in Asia

2008

2009 / L uxaviation is founded

AT   A GLANCE

1,700+ Employees 140+ Aircraft available for charter 250+ Aircraft under management

/ All former entities have been rebranded to become part of the unified Luxaviation Group. Abelag now trades as Luxaviation Belgium, LEA as Luxaviation United Kingdom, Masterjet as Luxaviation Portugal, Switzerland and France and Unijet as Luxaviation France. Luxaviation Germany (formerly Fairjet) and Luxaviation Luxembourg belong to the group as well. ExecuJet has retained its name and its logo.

/ Luxaviation acquires Unijet and becomes the third largest European business aviation company with nearly sixty jets in its fleet / Fairjets becomes Luxaviation Germany / Luxaviation acquires a majority stake in London Executive Aviation (LEA), the leading business jet charter company in the UK / Abelag celebrates its 50th anniversary with an accident-free record

/ Luxaviation receives its first AOC

2015

/ Luxaviation Group acquires a majority stake in Masterjet / Luxaviation acquires ExecuJet Aviation Group and becomes the second largest corporate aircraft operator in the world / China Minsheng Investment acquires a 33 % share of Luxaviation Group

2011

/ Luxaviation acquires German aviation company Fairjets GmbH

14 Maintenance, Repair and Overhaul (MRO) facilities 14 Air Operating Certificates (AOCs) 24 Fixed-Based Operators (FBOs)

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GROUP NEWS

EXECUJET AWARDED FOR WORLD-CLASS BUSINESS AVIATION SERVICES

From left to right Sari Sawaya – Aviation Services Director, ExecuJet Middle East and Stephen Price, Group Sales Director, ITP Publishing Group

This year at Dubai’s 2016 Aviation Business Awards, ExecuJet took home the award for ‘Business Aviation Operator of the Year’. This award recognises international players in the aerospace industry who make significant contributions and consistently deliver world-class service within the Middle Eastern business aviation sector. ExecuJet has demonstrated exceptional

performance, innovation, design, range of services, coverage and expansion to win this award. Mike Berry, VP of ExecuJet Middle East says: “Winning [this] award is a testament to the universal standards ExecuJet sets on quality, customer care and safety. We execute the same level of expertise and professionalism throughout our six

regions, meaning our customers get the full ExecuJet experience every time they travel – no matter the destination. The work that all our staff in the Middle East put in to maintaining these incredibly high standards is nothing short of inspirational…”

EXECUJET APPOINTS NEW GROUP FBO DIRECTOR On 1 November 2016, Ettore Poggi relocated to Dubai to begin his new appointment as Group FBO Director. The former Vice President and Maintenance Director of ExecuJet Africa will now oversee activities across ExecuJet’s twentyfour FBO facilities worldwide. “We created this new role to address the growth of our FBO business,” affirms Mike Berry, President of Aviation Services. “In the recruitment search, Ettore stood out as

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having the required depth of knowledge and understanding of ExecuJet’s service culture and is entirely dedicated to ensuring we offer unparalleled customer service across all of our FBOs.” Starting out as Managing Director of ExecuJet South Africa, Poggi has been with the company since 2003.


GROUP NEWS

FLYING START TO 2017 FOR LUXAVIATION UK WITH BRAND NEW MUSTANG AND CHALLENGER 350

LUXAVIATION BELGIUM UNVEILED EUR 4M HANGAR AT KORTRIJKWEVELGEM INTERNATIONAL AIRPORT

Luxaviation UK is celebrating the start of 2017 with the arrival of a Cessna Citation Mustang and a Bombardier Challenger 350 to its fleet, both brand new. These additions bring Luxaviation UK’s total fleet number to twenty-six. Both aircraft belong to new clients for Luxaviation UK. The Citation Mustang, the fourth of its type in Luxaviation UK’s fleet, will be based in Nice, France and be available for charter from February 2017. With space for four passengers and a maximum distance of 1,200 nm

In November 2016, Luxaviation Belgium unveiled its new 4,000-square-metre hangar facility at Kortrijk-Wevelgem International Airport, Belgium. The facility provides space for up to fifteen business aviation aircraft as well as housing the Belgian MRO facility of ExecuJet, also part of the Luxaviation Group. The hangar is able to comfortably house larger aircraft, such as the Dassault Falcon 2000 and the Gulfstream V, in one location, increasing efficiency and service quality for Luxaviation’s customers.

(2,222 km), it will be able to reach most of continental Europe and the UK, as well as parts of Scandinavia and North Africa, from its base in the south of France. The Challenger 350 will be based at Luton Airport, UK. With space for nine passengers and a maximum distance of 3,200 nm (5,930 km), the Challenger 350 is for the client’s corporate use only. Its on-board Satcom system keeps passengers connected to the ground, making it the ideal place to hold meetings on the go.

EXECUJET CELEBRATES SUCCESS OF NEW FBO AT AL MAKTOUM INTERNATIONAL The new ExecuJet FBO at Al Maktoum International Airport (DWC) is celebrating its first six months of successful operations. Dumani Ndebele, Regional FBO Manager of ExecuJet Middle East states that “feedback from both customers and crew has been very positive.” New services for visiting crew include massage chairs as well as food and beverage selections in the crew lounge. According to Dumani, since the FBO’s opening in June 2016, “customers are enjoying [a] smooth travel experience with the large luggage screening facility, which

allows big items to pass through quickly without the need to take bags elsewhere, saving valuable minutes on travel time.” Set in an intimate and stylish atmosphere, the 600-square-metre facility offers VIP passenger lounges, two transit lounges, washrooms, showers, a prayer room and onsite customs and immigration.

For further news from the entire Luxaviation Group, please refer to our news page www.xtoday.news

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LUXAVIATION PEOPLE

CHARLOTTE PEDERSEN CEO OF LUXAVIATION HELICOPTERS With almost thirty years of experience in the field of aviation, Charlotte Pedersen is an exemplary pilot and an asset to the Luxaviation team. As former Chief Operating Officer, she played a pivotal role in the growth of the Luxaviation Group from operating one AOC with four jets and about sixty employees to its current status with more than 250 jets and helicopters, 1,700 employees, fourteen AOCs and MROs and twenty-four FBOs worldwide. With the launch of Luxaviation Helicopters in December 2016, Pedersen has taken over operations as CEO for this exciting new organisation.

“Bringing the business jet luxury into the professional helicopter world will be my greatest pleasure.”

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LUXAVIATION PEOPLE

Luxaviation Helicopters provides VIP management services to helicopter owners, from providing crews to training and charter services

harlotte Pedersen made history in 1988, having been chosen to become the first female military pilot in Denmark, conducting her first flight just one year later. During her seventeen-yearlong career with the Danish Royal Air Force, she and her squadron flew nearly 800 rescue missions annually, saving people from the ocean, ships, ferries and isolated islands. After leaving the air force, she worked as a flight inspector for the Civil Aviation Authorities before joining Luxaviation in Luxembourg after completing her MBA. “I have been part of one of the most exciting journeys in my aviation career working with Luxaviation,” she explains. “It has been incredibly interesting establishing a worldwide organisation with exceptionally high standards and safety levels.”

C

“My best learning from my military training is – if you have doubt, you are not in doubt – meaning if something is questionable, you do not do it! Safety and security is priority number one.” As Chief Operating Officer at Luxaviation Group, she was involved in every facet of the company. With the extensive growth of the company in the past few years, new opportunities have arisen for Pedersen and Luxaviation. “In the autumn of 2016, we conducted a worldwide study about helicopters and we found that this area would perfectly complement our business jets, as helicopters can been seen as a natural extension of the services we provide.” And so, in December 2016, Luxaviation Helicopters was founded as a new organisation within the group, with Pedersen as CEO. “With Luxaviation Helicopters, we deliver management services to VIP helicopter owners, including providing crews, training, maintenance coordination, charter services and sales and acquisition.”

Thanks to the extended network of the Luxaviation Group’s companies, the new organisation operates globally. “Luxaviation Helicopters is in a unique position, as we are able to cater to clients who wish to use their helicopter in the Caribbean one week and need it for a flight in Bali the next. Luxaviation has the know-how, the experience and the capabilities to support these kinds of requests.” From spring 2017, Luxaviation will be the only helicopter operator in Europe with EASA approval to fly commercially to yachts. Modern helicopters have the ability to fly almost everywhere, in all weather conditions (depending on the equipment onboard) and can be even faster than jets on flying shorter distances. This requires top-trained crews, worldclass maintenance and a professional and experienced back office, as the flight preparations sometimes are even more complex than with jets, as helicopters can also land outside established airports. This means that customs, permits and security procedures need to be in place for these kind of landings as well. Luxaviation Helicopters ability to manage all the preparations to perfection means clients have the greatest transportation mode ever, taking them safely to the city centre and dropping them off in their own backyard with the highest security and convenience and within the shortest amount of time. As a highly localised industry, Pedersen sees the helicopter segment as full of unique potential. “We see a huge opportunity to go in and serve VIP clients who own helicopters and wish to operate them globally.” Helicopters are incredibly reliable, agile, convenient and safe, not to mention their leisure appeal. “I wish to establish our name as a recognised and preferred helicopter company worldwide and will develop the organisation to the benefit of all our clients, who deserve nothing short of outstanding service.”

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PORT OF SINGAPORE 1.237656°, 103.806422° Cargo ships and tankers – some weighing up to 300,000 tonnes – wait outside the entry to the Port of Singapore. The facility is the world’s second-busiest port in terms of total tonnage, shipping a fifth of the world’s cargo containers and half of the world’s annual supply of crude oil. This image is taken from the new book “Overview” by Benjamin Grant, which displays the beauty and fragility of our planet and its natural resources. www.dailyoverview.com


HISTORICAL PORTRAIT

THE KING OF HOTELIERS The outstanding legacy of César Ritz

n the year 1850, in a sleepy little village in the Swiss Alps, a child was born who would someday grow up to be a hotelier of kings. César Ritz was the son of a modest goat-herding family – the youngest of thirteen children. He spent his summers working on his family’s farm in Niederwald in the canton of Valais whilst attending primary school during the winter months. Growing up speaking the provincial Walser dialect of German, his father sent him to the next largest city, Sion, the capital of Valais, when he was just twelve years old in order to learn German, French and English. When young Ritz came of age three years later, his father arranged for him to begin an apprenticeship at the Hôtel des Trois Couronnes et Poste in Brig, where he trained to be a sommelier. He struggled in his post, eventually leading to his dismissal after just one year. His patron mocked him, telling him he would never become a hotelier due to a lack of talent and flair. Determined to make his mark on the world, Ritz then departed for Paris in 1867. As the World Exhibition was to be held, he knew jobs would be plentiful, first landing at the Hôtel de la Fidélité and eventually finding

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his way into the finest restaurant of the time: Voisin. There he worked as a waiter, catering to the Parisian elite, until the Franco-Prussian War and the resulting occupation of Paris brought operations to a halt. The city struggled greatly during this time, and Ritz was left with no other option than to hop from job to job, working at shabby restaurants throughout the city. When the war finally ended in 1871, Ritz seized the opportunity to work at the prestigious Hôtel Splendide, arguably the most luxurious hotel in all of Europe at the time. Whilst there, he rubbed shoulders with European aristocracy and the wealthiest men of the age: men like J.P. Morgan, Jay Gould and Cornelius Vanderbilt. Here Ritz got a taste for luxury, and he decided to follow the World Exhibition to Vienna in 1873. His strong will and his uncanny ability to network paid off there, where he would meet some of the most influential people to his career, such as Edward VII, Prince of Wales. The relationships he fostered in Vienna would leave a long-lasting impression on César Ritz, paving the way to his success. After stints in Nice, Lucerne, San Remo and Locarno, Ritz would arrive at the Grand Hôtel Monaco

p 16 © Ritz Paris, p 17 all images © Vincent Leroux

There are few brands more iconic or authoritative in the hospitality industry than the Ritz. Synonymous with the words luxury and elegance since the opening of its Paris property at Place Vendôme in 1898, the Ritz has earned itself an unwavering legacy. But few know this history of the company, of its founder, César Ritz, and his humble beginnings – a tale of a man from the countryside of Switzerland who would eventually become one of the most influential hoteliers in history.


“I dream of a house that I will be proud to carry my name.” — César Ritz

in 1888. It was here that the aspiring hotelier would first mandate the principle rule of “the customer is always right”, forever leaving his mark on the standards of service. Ritz met a young woman by the name of MarieLouise in Monte Carlo, who he would later marry. The daughter of hoteliers herself, she inspired him in his ventures, leading to his purchase of the Hôtel de Provence in Cannes and the Minerva Hotel in BadenBaden together with French chef Auguste Escoffier, marking the beginning of an inseparable partnership for decades to follow. From here, Ritz’s career took off, bringing him to the Savoy in London in 1889. The hotel was then in bad shape, but Ritz managed to turn business around in just a few years, leading to the hotel’s legendary status upheld still today. Here, he and Escoffier made dining out de rigueur and their skill transformed the property into the gathering place for the international elite. His relationship to the Prince of Wales, who would later become the King of England,

was fostered greatly here. Due to an unfortunate scandal, Ritz was eventually dismissed from his role as manager at the Savoy, which would lead to his founding of the eponymous Ritz in Paris at the historic Place Vendôme. The wildly successful opening of his hotel in 1898 attracted the likes of Edward VII, Lady de Grey and Marcel Proust. Ritz devised a code for his hotels, which still applies today: “See all without looking, hear all without listening; be attentive without being servile; anticipate without being presumptuous. If a diner complains about a dish or the wine, immediately remove it and replace it, no questions asked.” This standard continued to be upheld by Ritz’s wife and son Charles, who took over the business when César Ritz was forced to retire in 1907 due to his declining health. He would eventually pass in 1918 in a private hospital on Lake Küssnacht in Switzerland. Arguably, there are few people who have influenced the way we perceive luxury and elegance more than César Ritz. His legacy has not only been preserved in his legendary hotels, but his name has forever left its mark on the English language, becoming a synonym for high-class luxury lifestyle, immortalising his legacy. César Ritz will forever be known as the king of hoteliers and the hotelier of kings.

CÉSAR RITZ SUITE Housed within the premier Ritz property overlooking the Place Vendôme in Paris, the César Ritz Suite embodies the hotelier’s inimitable vision of a hotel offering the luxury and comfort of a private mansion. With over 120 square metres of living space, this lavish apartment combines the ornamental refinement of the late 18th century with the latest in state-of-the-art technology. Intricate crown mouldings and gilt panelling complement rare antiques and artwork, making the suite the perfect retreat for those who would like to feel like royalty during their stay. Thanks to the hotel’s recent renovations, no detail or expense has been spared.

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DESIGN

DRIVEN BY DESIGN

Three generations of engineers make their mark For over eighty-five years, Pininfarina has reigned over the elements of elegance and aerodynamics. Sparked by the desire to create custom-built vehicles for private collectors, this Italian dynasty has exploded into an international powerhouse of design and engineering prowess. From hydrogen cars to haute jewellery and everything in between, there is hardly an industry that has escaped influence by their design aesthetic or innovations. Today, the Pininfarina brand continues to drive relentlessly forward, gaining new prestige with each successive generation.


Left The 1946 Cisitalia 202 Pinin Farina Coupé was the first car in the world to be put on permanent display at the Museum of Modern Art in New York Above The H2 Speed sustainable racing prototype is able to recharge in three minutes and only emits water vapour

attista ‘Pinin’ Farina always had a fascination with automobiles and aeronautics. Gifted with a natural affinity for technology, he began working at Stabilimenti Farina, his brother’s body shop, at age eleven. During the First World War, he received high praise from the Office of Military Aviation for his work supervising construction of ‘Aviatic’ trainer planes. When he travelled to America in 1920, he found himself inspired by the enthusiasm the American people had for private enterprise and decided to take on the challenge.

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In 1930, Battista founded Carrozzeria Pinin Farina in Turin. Aiming to create an independent industry for car-body manufacturing, he equipped his factory with new tools and procedures to specialise in creating small production runs and custom-built car bodies for private clients. Soon his small artisan workshop was turning out almost eight vehicles a day. Battista embraced aerodynamics as the “form of speed” and after continued success in his designs, it became a standard of efficiency that influenced all future builds. During the design process, he only considered two factors: “the car and its air penetration.” XC E L L E N C E

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Post-war automobile body design was heavily influenced by his work. The first car in the world to be permanently displayed in the Museum of Modern Art in New York was his Cisitalia 202. Exports significantly increased as his designs began to appear in American and European cinema. The Nash Healy Spider was seen alongside Audrey Hepburn and Humphrey Bogart in Sabrina and the main star of the Italian cult classic Il Sorpasso (Eng. The Easy Life) was a convertible Lancia Aurelia. In 1961, the president of the Italian Republic authorised Battista to change his family’s surname to Pininfarina in consideration of his achievements in social and industrial activities. A standard bearer for Italian-design aesthetics in the automotive world, Pininfarina designs for Maserati, BMW, Ferrari, Alfa Romeo, Fiat and countless others are incontrovertible evidence of their talent and dedication to excellence. In the ’50s, when word spread about a collaboration between Pininfarina and Ferrari, no one thought it would last. “It’s like putting two prima donnas in the same opera.” Though the collaboration did get off to a rough start, Battista put his son Sergio in charge of designing all Ferrari bodies in addition to acting as a liaison between the two companies. The resulting relationship has lasted over sixty years and has consequentially led to approximately 200 Ferraris having been designed by Pininfarina to date, with the

Ferrari 250GT considered the best expression of their combined technical and aesthetic-design process. Pininfarina and Fiat have a long history, as Battista began designing for them whilst working for his brother. Since the launch of his own company in the 1930s, more than 140 saloons, coupés, spiders, cabriolets and prototypes have been created together with Fiat. Exported in large numbers to North America, it was the Fiat 124 Sport Spider that proved to be one of their most successful models, selling about 200,000 units. Alfa Romeo has been working with Pininfarina for almost seventy years. Together they produced another cinema star, the Alfa Romeo 1600 Spider. Later known as ‘Duetto’, it was made famous by the American film The Graduate, starring Dustin Hoffman. It was continuously reinterpreted for almost three decades and sold over 140,000 units. The Duetto was also Battista’s last design project before he died. The company continues to press its propensity for innovative engineering feats. Committed to excellence in design and sustainable mobility, Pininfarina’s H2 Speed was named the best concept car at the 2016 Geneva Motor Show. Designed between a racing prototype and a production supercar, it is the world’s first full hydrogen-power, high-performance track car. One can only imagine what they will be showcasing at the 2017 Geneva Motor Show in March.

pp 18–22 all images © Pininfarina SPA

Car & sketches Highly aerodynamic, the H2 Speed is the world’s first full hydrogen-power performance track car Portrait Battista ‘Pinin’ Farina began designing luxury vehicles in the 1930s for private collectors Watch Tourbillon Ottantasei is a watch collaboration with Pininfarina and Bovet

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DESIGN

“You ask me what Italian style means. It means sense of proportion, simplicity and harmony of line, such that after a considerable time, there is still something which is more alive than just a memory of beauty.” — Battista ‘Pinin’ Farina

After his father’s death, Sergio Pininfarina has continued to create award-winning designs and push unconventional ideas. Sergio refers to the company as a sort of school where the accumulated experience of over half-acentury is “kept, passed on and enriched continuously, through research and commitment to innovation.” In the late ’70s, Sergio created a studies and research centre in Turin to separate the industrial part from the creative sector, which had begun to attract a broad range of demanding international clients. By 2002, Sergio had diversified operations even further with the creation of an engineering centre that offered flexible services for third parties in the development and testing of prototypes, turnkey projects and niche production.

When the family founded Pininfarina Extra, the idea was to take the concept of Fuoriserie (custom-built) beyond automobiles and into the world of exclusive, high-end projects in product design, architecture and transportation. Under the guidance of Battista’s grandson Paolo Pininfarina, they have produced more than 500 projects in twenty-five years of activity. Inspired by aviation and the idea of a glassenclosed cockpit, the Tourbillon Ottantasei is the fourth instalment in the Bovet by Pininfarina Collection. Bovet, a family-run house with extensive history and heritage, was a perfect fit for a partnership. To quote Bovet owner Pascal Raffy: “[In] the pursuit of perfection, passions do not just add up – they multiply.” XC E L L E N C E

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DESIGN

The best-selling bike in Europe for 2016 was the DeRosa SK Pininfarina. It has a drivetrain with zerofriction technology and, at only 6.7 kilograms, is optimal for both competitive racers and performance cyclists. The Pininfarina E-voluzione is a joint venture with Diavelo. Together they created a highly evolved electric bike with a miniature electric engine that allows riders to cover longer distances and effectively replace other means of transportation. Pininfarina has an award-winning architectural project set to go up in Brazil. Cyrela, an innovative residential-design project proposed for São Paulo, won the German iF Design Award in the category of Interior Architecture. Their approach to home design is similar to that of their automotive and industrial projects. Interior spaces and elements are fabricated for elegance and essentiality. The result is a fresh take on minimalism with emotional and intuitive environments that aim to create beauty around the everyday human experience. Operating in the marine sector since the ’60s, Pininfarina has utilised Fincantieri’s 230 years of shipbuilding expertise to develop the luxury mega yacht ‘Ottantacinque.’ Designed as a floating home, every detail was created to harmonise with the

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aesthetic theme of the yacht. A true manifestation of the ‘Technology of Beauty’, it fuses simplicity, functionality and innovation. Today Pininfarina has offices in Italy, Germany, China and the United States. Following more than eighty-five years of solid reputation in design, research and engineering, Pininfarina has established itself as an indelible component of the entire motor industry. The timeless quality of Italian style that they brought to automotive design has gone global and spilled over into almost every sector of every industry. As they move forward, there is no doubt that their commitment to excellence in aesthetics and innovation will continue to ring through the decades and into the future.

Above Pininfarina boasts award-winning interiorand architectural-design projects all over the world Below Idealised as a floating residence, every detail of the Ottantacinque was designed to harmonise technology and beauty

“Pininfarina has always had the passion for new technologies. Design is the instrument to humanise innovation.” — Paolo Pininfarina, Chairman of the Pininfarina Group


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COLLECTION FLEURIER 7-DAY POWER RESERVE, HAND-WOUND MOVEMENT. AVAILABLE IN STAINLESS STEEL OR IN 18K RED GOLD. WWW.BOVET.COM

FOR ANY ENQUIRIES, PLEASE CALL : +41 22 731 46 38


Airbus Corporate Jets playing a new tune With the release of the ‘Melody’ design in the ACJ320neo As one of the leading manufacturers in the aviation industry, Airbus Corporate Jets (ACJ) consistently employs its expertise to provide clients with unparalleled flying experiences, the highest standard of service and cutting-edge technology. It is with these key principles that Airbus created the new cabin concept for its ACJ320neo family.

The new ‘Melody’ design draws inspiration from the curved lines of nature, providing for respite and calm upon boarding

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AIRCRAFT INTERIOR DESIGN

Interview with Sylvain Mariat ACJ Head of Creative Design and Concepts

Aside from the obvious design differences between commercial and corporate models, what functional features do you have to consider when designing a corporate jet? A corporate jet needs to fit its customer like a tailormade suit. So before we begin to design the interior of an Airbus Corporate Jet, we try to understand the customer’s lifestyle, tastes and preferences. Customers also want to feel relaxed from the moment they board the plane, so it’s important that we make them feel comfortable as soon as their journey begins. Do aircraft interior design trends change as frequently as interior design in offices or private homes? In what ways is aircraft design influenced by other trends? Design trends change over time, and different styles, such as Art Deco, Art Nouveau and Contemporary, have different lifetimes. We do our best to design a timeless interior, whatever the style. Our lifestyles at home and work are always evolving – for example, today smartphones, tablets and highdefinition television screens play an increasingly important role in how we do business and socialise. Corporate jet customers naturally want to have these features in their aircraft too, and at ACJ, we are always innovating to provide these options, together with the connectivity on which they depend. Considering the strict regulations in the industry, do you view them as a hindrance or as a unique opportunity? Safety is always our number-one priority, so we take great care with the materials used in the cabin – especially in regards to their flammability and emissions – and to ensure swift access to exits. We also have to respect aircraft constraints, such as weight and centre of gravity. We strive to make the cabin look nice and appeal to passengers by making such constraints inconspicuous. To what extent can corporate jet owners customise the design of their aircraft? What sort of challenges do you face when working with a new client? Almost all of the 180-plus Airbus Corporate Jets in service today feature fully customised cabins, though a few of them, mainly ACJ318s, have a pre-defined cabin called ‘Elite’, which was created by Lufthansa Technik. We have a great starting point with the ACJ320 family because it has the widest and tallest cabin of any business jet, while being similar in size externally. This means that we have a lot of space to play with in making our customers’ dreams come true. When you fly in a traditional business jet, you tend to take your seat when you board and to stay there throughout the flight, because it is awkward to move

around. With an Airbus Corporate Jet, it is a much better travel experience because you have the freedom to move around very easily. Overall, the challenge is to understand how the aircraft will be used, and then to imagine and engineer a layout that will be practical yet appealing, and flexible as well as tailored to the customers’ lifestyle. What is Airbus doing in the corporate jet sector to challenge the status quo? Airbus has been innovating since its inception more than forty years ago, when it had to offer something groundbreaking to compete with American manufacturers. We have never stopped innovating, always with worthwhile benefits in mind. The ACJ320neo family is one of the most clear examples, introducing most of the benefits of a brand-new aircraft in a more affordable way by using new-generation engines and Sharklets [wingtips]. It brings even more range, adding even more intercontinental capability to what is already the best cabin of any business jet. Who are your personal design inspirations? I am inspired by what I see in nature and by what I encounter when I travel. When it comes to furniture, the work of Charles Eames comes to mind, especially the curved forms of some of his chairs. Others include Ludwig Mies van der Rohe, whose style featured extreme clarity and simplicity, and Jacques Viénot, who created the first course of Industrial Aesthetics at the design school that I attended, ENSAAMA, in 1956. What is your favourite aircraft and why? In terms of today’s aircraft, it is the ACJ350 XWB – the latest member of the modern Airbus aircraft family – because I love its clean lines and shape, and because its large cabin offers almost unlimited scope for floor plans and designs. If we include all aircraft, it has to be Concorde – one of the best flying sculptures ever designed! If there would be no regultions or limits, what would your aircraft design of the future look like? If I give free reign to my imagination, it would be an Airbus Corporate Jet in the form of some kind of flying island. I love Castle in the Sky by Hayao Miyazaki, which envisages a flying desert island, inspired by Johnathan Swift’s Gulliver’s Travels. If you would design your own personal aircraft, what would it look like? It would be an Airbus ACJ350 XWB, with contrasting ambiance, a complete interior outfitted with intense imagination – and with many surprising details, including a touch of fantasy.

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privacy. A significant emphasis was placed on sound in the cabin as well. Working together with the specialist headphone and speaker manufacturer Focal, the cabin ceiling was designed to optimise the passenger experience in a similar manner to how theatres are designed. Rectangular-panelled speakers blended into the ceiling provide passengers with unparalleled acoustics in the aviation industry. In order to ensure the highest level of comfort throughout the cabin, comfortable curved seating provides for a coherent design scheme and space. Each aircraft is equipped with a home cinema, a private master suite and bathroom, as well as a spacious kitchen, lounge and a space for conferences and dining. The new design will be available aboard Airbus Corporate Jets’ new aircraft, such as the ACJ320neo, which will be delivered at the end of 2018.

Above The redesign is available on various aircraft and can be customised for any customer’s needs

pp 24–26 all images © Airbus Corporate Jets

he new design was inspired through years of discussion with customers to identify their shared values and needs. Sylvain Mariat, Head of Creative Design & Concepts at Airbus Corporate Jets, met with clients in hotels, in their homes and offices to inspire the design. “Whatever is in the cabin has to comply with the conservative and demanding standards of the aircraft industry,” explains Mariat. “This makes cabin design challenging both technically as well as aesthetically.” The result of his work is called ‘Melody’, a design trademarked by its flowing lines inspired by hilly horizons, rolling rivers and desert dunes. Represented in both the main pathway throughout the cabin and the curved walls within, the design was based on the universal appreciation of relaxation drawn from nature and quiet, comfortable settings. Because passengers enjoy more freedom of movement on Airbus aircraft than on board traditional business jets, the natural flow of the new design can be sensed. To further stress the comfort, different zones in the cabin are separated by extra-large openings rather than traditional doorways. They can still be closed off for

“A corporate jet needs to fit its customer like a tailor-made suit.” — Sylvain Mariat


GROOM WITH STYLE. www.hommage.com


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Left page Diamond Foundry’s diamonds are cut to the most exacting proportions in their own polishing factory Right page left Diamond Foundry has exclusive collaborations with Barneys New York and showcases a curated selection of fine jewellery in store and on their website Right page right Compared to industrial mining, their production is bespoke and leaves only a small carbon footprint


TECHNOLOGY

Diamond Hack Silicon Valley alchemists grow diamonds, naturally

More than just a pretty face, diamonds have the power to melt the heart of your potential sweetheart and accelerate computing power to a rate that would liquefy silicon. As technology advances, the methods by which the natural world is controlled and manipulated should ideally become less destructive and more efficient. Whilst procuring diamonds was once an expansive endeavour, damaging to the environment and a labour-intensive task, this is no longer the case. American-cultured diamonds anatomically identical to real diamonds are available with a zero-carbon and a zero-conflict footprint.

fter Martin Roscheisen and his team of Ivy League engineers had early success in pioneering breakthroughs in solar technology, they decided to create Diamond Foundry and apply what they had learnt to make better diamonds. Essential elements in the tech industry, diamonds are considered the ultimate semiconductor, able withstand higher voltages, radiation levels and temperatures than silicon. The creation of nanodiamond circuitry can help power devices that operate in extreme and highly reactive environments, such as nuclear power plants, extreme climates and even in space. Because the fiery hot conditions that create diamonds occur more than 160 kilometres below the Earth’s surface, no one knows exactly how diamonds are formed.

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By studying the laws of nature, Diamond Foundry developed a comparable, accelerated method of this process that can cultivate around two hundred pure diamonds in as little as two weeks. By re-creating conditions present in the universe around the time of the Big Bang, plasma and other chemicals are super heated in a chemical reactor to reach temperatures as hot as the surface of the sun. In this chamber, free-floating carbon atoms settle onto a wafer-thin sheet of diamond seed. Layer by layer, the carbon atoms stack up to complement the existing seed-crystal pattern until a rough diamond is formed. Equipped with their own polishing factory, Diamond Foundry offers many exclusive and limitededition cuts. Among their staff are the world’s best master cutters, including the former director of the XC E L L E N C E

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Top right No two diamonds are alike, each grows in its own way with one-of-a-kind inclusions and unique growth patterns Above Diamond Foundry’s plasma reactors create a “sun on Earth” – a fourth state of matter that is so hot, it allows diamond to form Right Rare and unique, each ring is individually hand crafted in America upon order from master artists and designers

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Diamond Foundry went public in November of 2015 and has attracted an all-star list of investors: Blood Diamond leading actor Leonardo DiCaprio, Twitter founder Evan Williams, Facebook co-founder Andrew McCollum, former eBay President Jeff Skoll and many others. One diamond-trading veteran has already terminated his forty-year bulk purchasing contract with DeBeers in favour of sourcing directly from Diamond Foundry. Diamond Foundry is shaking up centuries-old trading monopolies by giving independent jewellery designers and budding scientists access to this precious stone. Their advanced technology is creating better diamonds and more opportunities in exciting areas. Whilst some continue to challenge the emotional legitimacy of these glittering miracles of nature, William Shakespeare implores us to consider: “What’s in a name? That which we call a rose by any other name would smell as sweet.”

pp 28–30 all images © Diamond Foundry

American School of Diamond Cutting and the artist who invented the princess cut. Graded and certified by GIA Gemologists, these boutique diamonds are chemically and optically indistinguishable even by veteran jewellery appraisers from earth-mined diamonds. Diamonds are forever but the ability to mine them is not. Whilst romantically idealised, traditionally mined diamonds have become associated with conflict in war-torn areas and environmental destruction. Large scale excavations and the dredging of delicate sea beds decimate important ecosystems and resources. Thousands of mines and long, complex supply chains makes it impossible to track the origin of any diamond. Until fair trade diamond cooperatives are formed like those in the coffee industry, the uncertainty of origin, child labour practices and human rights abuses will continue. In addition to their low-carbon footprint, Diamond Foundry has a vision to reshape traditional mining practices far into the future. They want to work with Botswana, and other interested African nations, to “build a foundry [and] move diamonds together into the semiconductor age, creating well paying local high-tech jobs and making the country a leader in clean-diamond technology.”


TIMEPIECES SELECTION

2017 – YEAR OF THE FIRE ROOSTER In the wake of China’s sophisticated and rapidly expanding luxury market, XCELLENCE highlights a few limited-edition timepieces that honour the symbol of the Chinese New Year with prestige, heritage and savoir-faire. This year marks the Year of the Rooster, whose characteristics include a strong sense of timekeeping and responsibility at work. According to the zodiac, those seeking success in 2017 would do well to embrace loyalty, commitment and hard work coupled with a healthy dose of personal style and a dash of vanity. 1. Ulysse Nardin Classico Rooster | 2. Bovet Monsieur Bovet Year of the Rooster | 3. Chopard L.U.C XP Urushi Year of the Rooster | 4. Vacheron Constantin Métier d’Art Legend of the Chinese Zodiac Year of the Rooster | 5. Piaget Altiplano Chinese Zodiac The Rooster Reigns Supreme | 6. Jaquet Droz Les Ateliers d’Art Tribute to the Fire Rooster | 7. Panerai Luminor 1950 Sealand 3 Days Automatic Acciaio – 44mm | 8. Blancpain Traditional Chinese Calendar

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BRAND STORY

THE HEIGHTS OF HAUTE HORLOGERIE The mesmerising art of hand-painted master timepieces

DeLaneau offers made-to-measure enamel timepieces with the depth and detail traditionally associated with the avant-garde watches of the early 18th century. Where other brands create a watch and add precious stones as an afterthought, DeLaneau starts with haute jewellery design and ends with the addition of a mechanical calibre. By harnessing the knowledge of craftsmanship from antiquity, each piece is meticulously constructed using the complex disciplines of engraving and enamelling. The result is a rare and exclusive work of art composed onto a tiny three-dimensional canvas.

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“The work of the enameller can be compared to that of an orchestra conductor or a stage director.” — “Le magicien de l’émail” by Léon Jouhaud, artist painter and enameller


Above Artisanal techniques start the enamelling process by grinding base elements to create the perfect combination of colours

Below left Enamelled colours only reveal themselves after firing, where the dial is fired countless times at a temperature of 800 °C

ffering sophisticated timepieces for women since 1949, DeLaneau’s eclectic and colourful designs have earned them the title “The Jeweller of Watches”. Founded by a Swiss couple in Bienne, the brand has dedicated itself to artisanal craftsmanship and to mastering the most meticulous techniques of enamelling. Their key signature and mastery of Grand Feu enamelling offers the highest durability and has propelled them into the realms of haute horlogerie. Each design is a unique creation that begins with the gift of a blank canvas. Working closely with clients to conceptualise their personal narrative, DeLaneau artisans engage in several months of research and design to ensure each piece is constructed with the materials and techniques best suited to bring the client’s vision to life. Every new creation is fully developed and realised in the maison’s laboratory workshop. Carved surfaces, delicate foils and vibrant flourishes come together by

way of nine different enamelling techniques that can be combined to produce a multitude of effects. Keen on pioneering new artistic interpretations, DeLaneau recently set out to interpret miniature enamel painting in a whole new way. Widely regarded as the very pinnacle of artistic endeavour, impressionist art has become the influence for their latest design process. By using a technique referred to as pointillism, DeLaneau artisans create impressionist works of art in their enamel canvas. Unburdened by templates or techniques used in previous creations, artisans are encouraged to design at their own liberty and take creative risks. This freedom allowed their master enamellist to discover inspiration in a small text and eagerly begin designing what would later become the new autumnal timepiece. The enamelling process begins with a piece of glass that is ground to consistency very fine powder. The powder is then mixed with water into an agate mortar

pp 32–35 all images © Laurent Burst, p 35 product image © Marc Gysin

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Below right The pristine dial is fit with the perfect mechanical movement, exquisite casing and a matching strap

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BRAND STORY

Above Pointillism in enamel is a technique developed in the laboratory workshop requesting several months of design research, the dedication of over 100 hours of labour and utmost precision Left The autumnal timepiece required a deep research in granulometry to create a special volume effect on each grain of enamel

because this is the only substance that will not pollute the delicate enamel. Assembled through the lens of a binocular microscope, images and motifs are applied with the use of a paintbrush that is only a few hairs wide. Artisans must hold their breath between strokes of the brush to keep a steady hand as they apply the enamel onto a postage stamp-sized canvas. In an effort to create a sense of depth and movement in the autumnal timepiece, several enamel colours and different techniques were used. As the process must be completed in multiple stages, each layer of enamel is fired at 800 °C after it is applied. Patience is more than a virtue in this process, as each piece must be watched carefully due to the ever-present danger of the miniscule artwork becoming damaged, warped or burned. This precarious and delicate transformation can require anywhere from seven to twelve rounds of firing to ensure the most radiant composition and quality.

Multiple case and movement options work in tandem to power and frame the final masterpiece, which is consummated in a final flourish with the addition of a suitable strap. Over 100 hours of specialised labour are invested into each and every independently produced timepiece. The result, right down to the cut and colour of the gemstones, is a truly ambitious, original and distinct work of art.

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Visit DeLaneau at Quai du GĂŠnĂŠral-Guisan 10 in Geneva for one-on-one consultations. www.delaneau.com

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The Upper House Hong Kong Island, Admiralty

Conveniently located near the central business district, this Andre Fu-designed refuge is afforded panoramic views of the city and the Bay. Employing natural materials and subtle yet playful lighting, the hotel is a serene haven providing respite from the hustle and bustle.

URBAN BREAK

+852 2918 1838 www.upperhouse.com

HONG KONG This dynamic city is where old tradition blends with Western culture and post-modern trends. Here are some of our tips for both sides of Victoria Harbour to accommodate a range of timeless and contemporary tastes. From rooftop hotel bars and food trucks to luxurious spas and fine dining, Hong Kong remains a hub that never disappoints.

Luxaviation Asia Transfer from Seletar Airport in Singapore, to Hong Kong in 3:30. Contact our charter office in Singapore: +65 6816 0369 / charter.asia@luxaviation.com

Cobo House by 2am:dessertbar Hong Kong Island, Sai Wan

Bringing a new culinary concept to the city in collaboration with the acclaimed pastry chef Janice Wong, Cobo House gives its guests the chance to experience art on their plates. The acclaimed Dessert Degustation Menu pushes the boundaries between savoury and sweet and is guaranteed to impress even the most discerning palate. +852 2656 3088 www.cobohouse.com 36

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Cordis Hotel Kowloon, Mong Kok

In keeping up with the times, the contemporary-sleek Cordis Hotel is located in the heart of the trendy Mong Kok area. The property is adorned in local artwork and is the starting point for their own art tour, which takes guests throughout the neighbourhood. Just this year, the hotel added a unique bar concept incorporating the growing food truck trend.

The Peninsula Spa Kowloon, Tsim Sha Tsui

This 1,100-square-metre sanctuary in the heart of Kowloon offers health and fitness across three floors. The spa offers treatments for every need in its fourteen treatment rooms, the highlight being the Margy’s Monte Carlo Instant Light Complexion Facial, which features a 24-carat gold chain mask.

+852 3552 3388 www.cordishotels.com/hong-kong

+852 2920 2888 www.hongkong.peninsula.com/spa-wellness

Nobu

Kowloon, Tsim Sha Tsui Showcasing the brand’s signature dishes alongside exclusive creations using local ingredients, this harbour-view dining space in the InternContinental cannot be missed. Inspired by Nobuyuki Matsuhisa’s innovative skill, dishes like the unagi, foie gras and cream cheese avocado roll and the black cod have had guests coming again and again since 2006. +852 2313 2323 www.noburestaurants.com/hong-kong XC E L L E N C E

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“From the time I was old enough to play with Lego, I wanted to be an architect.�


PORTRAIT

THE CHOREOGRAPHY OF SPACE A Conversation with architect Soo K. Chan

Soo K. Chan has helmed projects across the globe, ranging from luxury hotel resorts in Asia and the Caribbean to the National Design Centre in Singapore. His latest development, the Soori High Line apartment building in New York City, pays homage to the city where he started his career as an architect. XCELLENCE sits down with the architect for a glimpse into his unique, holistic approach and his self-described neo-tropical style.

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Do you have a singular approach that underscores your work? Considering your embracing of new technologies and materials, how have these advances helped you to realise the full scope of your creative vision? My work is underscored by my ‘neotropical architecture’ style. It blurs the lines between indoor and outdoor spaces. The incorporation of water is a cornerstone of 40

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the aesthetic. The design also endeavours to connect the design to local culture. Through this style, I consider the choreography of the spatial experience and how light, sound and the natural elements influence the user. It is a phenomenological approach to design. The use of cross-ventilation reduces energy consumption, together with natural shade and screen provided by lush landscaping. New technologies have definitely helped me realise my creative vision in a multitude of ways. For example, an app on my mobile phone has enabled me to keep a close eye on various projects worldwide, including Soori High Line in New York City. The app connects to video cameras, affording a real-time view of construction work. I could even zoom in and look closely at the details such as the welding. However, it’s important not to allow technology to hinder the creative process. At the conception of a project, in my mind’s eye I can see a space but it’s not yet totally focused. When the big marker pen hits the trace paper, I can’t stop and as I sketch, I visualise moving from space to space. Usually, after two or three reiterations, I go back to the first sketch. If you do that all of the time with computers, you’re not able to let your creativity flow. How would you describe your style in the eyes of a stranger? We strive to design well-detailed spaces. The design language of SCDA Architects refers to fundamental elements such as light, space, structural order, transparency and materiality, all in the service of tranquillity and beauty.

Can you describe the evolution of your work? My wife Ling says that over time I have refined my vision, bringing clarity and consistency to my work. In 1995, I founded SCDA Architects with just five members of staff. Over the years, the practice has grown steadily, now employing more than 100 architects and designers. Our projects around the world have ranged from residential towers and resorts across the Middle East and Asia-Pacific, the National Design Centre in Singapore and a government building in New Delhi to private houses from France to Malaysia. I’m never one to rest on my laurels and always strive for the stratosphere. I am currently launching my new luxury lifestyle brand Soori – the name is a combination of my name and Sri, Ling’s Indonesian name. Soori Bali is the flagship of our lifestyle collection Soori, which joins Soori High Line, a luxury residence in New York City’s West Chelsea, and Soori Niseko, a forthcoming ski resort in Japan, in the Soori family of living exceptionally well through holistic design. Which of your projects has been the most fulfilling so far? I have designed residences, cultural institutions, commercial projects and hotels and resorts in over forty cities.

pp 38–43 all images Courtesy of Soo K. Chan

What inspired you to become an architect and what particular aspects of your background and upbringing have shaped your design principles and philosophies? From the time I was old enough to play with Lego, I wanted to be an architect. Growing up amid UNESCO World Heritage-listed Georgetown in Penang, with its traditional row houses and courtyards within the Khoo Kongsi compound, left an indelible impression on my architectural approach and style. The long, dark and narrow layout of the home with a large central courtyard still instructs my creative process. Cut-out air wells permitted light, air and the rain indoors. The intensity of light and darkness shifted throughout the day as the sun’s direction changed. In the Khoo Kongsi compound, I remember with startling clarity the sound of rainwater striking the hard granite floors as well as watching the water coming through and rising on the sunken court before receding away. The smell of the rain evaporating has stayed with me. It’s that connectedness with nature that is central to my work.


PORTRAIT

of layers of thinking that go into it, from the smallest details of how you experience the place to what the staff would wear. For me, Soori Bali is as much a state of mind as it is a world-class resort; it’s a peaceful, private and re-energising place. It’s also very spiritual.

With my projects, I’m not just at the controls of architecture. For Soori Bali, for example, I also did the landscaping, interiors and the furniture, down to the staff uniforms and the cutlery. With all projects I try to do the landscaping, interiors and, where possible, the cabinetry and the furniture.

What would you like to design that you haven’t before? Niseko has long been a favorite destination of mine and it is a dream to be able to develop and design a s​ ki r​ esort in the area. I’m looking forward to what’s in store for Soori Niseko, which is currently on the drawing board.

With growing urban populations, how do you envision the future city? Considering how valuable a commodity space is in cities, do you think that architects are challenged to redefine the standard of luxury by maximising space? Absolutely. Given space is such a valuable commodity in cities, good design addresses the need of the user in a direct way with an economy of means. It should give the user a heightened sense of the space. As Vitruvius once said, good architecture should have “commodity, firmness and delight”. It’s best to strive to design spaces that can move the human spirit. Most of the time architects want to do the big poetic space but when you are planning something like Soori High Line, where people are going to live, it’s very important to get down to the details. In that way, I consider myself a humanist in design and aim to evoke emotions. You are creating a lifestyle for someone and that is such a privilege.

Where do you find inspiration? I am inspired by passionate people, people who rise against challenges to achieve their aspirations. Architecturally outstanding places obviously inspire me too.

With Soori Bali, I have been deeply involved in all of the decisions, from conception to operation, and the result is the most honest of my creations. You have to be honest because you don’t have a client to blame. When you have the opportunity to design your own hotel, you design it with a lot of passion, care and love. There are a lot

Is there a designer or architect that has influenced you or whose work you particularly appreciate? There are many brilliant designers and architects! Mies van der Rohe has inspired me throughout my career. His Barcelona Pavilion has taught me so much for its structural order, free flowing plans, precision in its details and the expression of materiality, it is a rational approach to design. I am inspired by holistic approaches.

Left page left Bali’s sense of spirituality and natural beauty attracted Chan to the island, prompting him to build the Soori Left page right Water plays a pivotal role at the Soori Bali, which serves as the flagship for Chan’s lifestyle collection Right With splendid views of the Balinese countryside, the Soori is a serene retreat

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For Soori High Line, I was inspired by what makes a remarkable house. A fireplace, pool, terrace, high ceilings, good natural light – all of the factors you associate with a great house – we have compressed into a dynamic apartment in the city. What made Bali the choice destination for the Soori? What makes the Soori Bali different than other luxury properties on the island? Bali is very beautiful and very spiritual. When you set foot on Soori Bali, you can feel the spirituality of the place. This indescribable feeling, the spectacular natural surrounds and rich culture, evident in the nearby authentic villages, drew Ling and I to this place. Situated between a black volcanic sand beach and green and gold rice terraces under the gaze of towering Mount Batukaru, Soori Bali is in a magical location in the fertile Tabanan Regency. The resort is accessible via a storybook journey from the main airport and yet ‘remote’ in its quietness and cultural authenticity. There are many places in Bali that have almost been loved to death. Soori Bali is unique in that it creates an intimate experience capturing its culturally authentic surroundings. It’s a place where guests come to do more than relax and escape – they come to be re-energised, physically, mentally and spiritually. The architecture and the aesthetics complement the beauty of the natural

Below left Chan’s hand is apparent throughout the Soori High Line, with high ceilings, natural light and clean furnishings

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surroundings. Soori Bali is a neighbour with a genuine connection to the villages and local culture. This connection is sensitively nurtured and shared with our curious guests seeking experiences beyond the ordinary. Our design encompasses environmental and cultural sustainability. I designed Soori Bali in a way that respects the integrity of the centuries-old rice field irrigation

A hand-drawn sketch of Soori High Line by Soo K. Chan

practice (Subak). The villas, residences and common areas were built around existing irrigation paths and ceremonial routes for the villages’ religious processions, while several new temples were constructed in accordance with local beliefs. Daily life as it has been in this part of Bali for centuries continues in harmony with Soori Bali as a result of this holistic design. My favourite materials to work with are inspired by the place I am working in;

Below right The Soori High Line boasts private plunge saltwater pools in many of the residences on site, a rare addition to Manhattan

Right page Chan’s signature style is trademarked at Soori Bali by his incorporation of nature and natural light

natural materials such as stone and wood are my first choice, especially ones local to the area. At Soori Bali, the local influence is particularly strong: Paras Kelating, a lightgrey volcanic stone, is used throughout our forty-eight villas and residences while Sukabumi lines the private pools; custom furniture is crafted from regional timber and traditional Balinese terracotta are prominently featured at the Soori Spa. The Soori High Line is a unique addition to New York City. Do you envision more Soori residences around the world? Soori High Line is the synthesis of twentyfive years of architectural practice. When I graduated from Yale, I worked in New York for two years at the architectural firm Kohn Pederson Fox before moving back to Singapore and starting SCDA. Soori High Line marks a big moment for me. It has seen me come full circle; it’s the first building I have designed and built in the dynamic city where my career began. With Soori High Line, I strived to create the most bespoke residence in NYC by marrying crafted luxury with resortstyle living. Located on West 29th Street, adjacent to the famed High Line Park. Soori High Line has thirty-one one- to fivebedroom apartments, with custom finishes, high ceilings and indoor saltwater pools. They also showcase my line of Soori Living furniture for Poliform. It would be incredible to create more Soori residences around the world.



TRAVEL N EWS Our Pick of the World's Finest New Venues

Monte Carlo, Monaco

THIRTY • NINE Monte Carlo The first private members wellness club in the city, Thirty-Nine Monte Carlo is set to be a new landmark of Monaco. The space’s striking design was helmed by Morpheus 44

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London, the leading design house behind some of the world’s most prestigious homes. Arranged across four floors spanning nearly 2,000 square metres, the club will offer a tranquil lounge space, a private dining restaurant, outdoor terrace, a spa and beauty wing and a 700-squaremetre fitness centre. The centrepiece of the Art Deco-reminiscent interiors is the twoand-a-half-metre-long chandelier, which

was created in honour of Grace Kelly’s wedding bouquet.

Opening: Autumn 2016 39 Avenue Princesse Grace, 98000 Monaco +377 93 25 39 39 www.39montecarlo.com


London, United Kingdom

Four Seasons Hotel London at Ten Trinity Square

Housed in a Grade II*-listed heritage building which was the former headquarters of the Port of London Authority, the latest addition to the Four Seasons’ collection is a show stopper. One-hundred rooms and suites in addition to forty-one private residences are exquisitely appointed, with playful nods to the building’s maritime past throughout. Guests are left spoilt for choice between three dining options, including London’s first restaurant by the triple-starred chef Anne-Sophie Pic, as

well as an indulgent spa and an indoor pool. Four Seasons will also be partnering with Chateau Labour and Reignwood to open a private members club within the building, albeit separate from the hotel. Opening: January 2017 10 Trinity Square EC3N 4AJ London +44 20 3297 2900 www.fourseasons.com/tentrinity

Cape Town, South Africa

The Silo Hotel Towering about the Victoria & Alfred Waterfront, The Silo takes its namesake from the historic grain silo occupying the six floors above the Zeitz Museum of Contemporary Art Africa, which is poised to rival the likes of the Tate Modern and the MoMa. Designed by Thomas Heatherwick, the building will hold twenty-eight rooms, each individually decorated with colourful and eclectic pieces juxtaposing the modern industrial architecture of the building. Focused on Cape Town’s diverse and exciting cultural scene, the hotel is the perfect base to relax at between nature excursions, gallery visits and enjoying the city’s thriving food and wine scene. Opening: March 2017 Silo Square, V&A Waterfront, 8001 Cape Town +27 21 671 5502 www.theroyalportfolio.com/the-silo XC E L L E N C E

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Maasai Mara, Kenya

Sala’s Camp Following a total makeover, one of the most beloved tented camps is making a comeback this season, just in time to witness the annual wildebeest migration. Debuting a new dining space, five new tents and two new family/honeymoon tents with private plunge pools, the camp forgoes on no modern luxury. Inspired by the Hemingway-style of safari, the

tents’ design features roll-top copper baths and campaign-style furniture with more contemporary touches, individually designed with locally sourced art and objects to give an intimate and homey atmosphere. Twice-daily game drives give visitors the opportunity to see the Big Five and more, and the camp focuses on sustainability, generating its power

through solar. Bespoke itineraries can be made through the Safari Collection for any traveller.

Rovaniemi, Finland

a wood stove that provides a comfortable temperature even when the outdoor temperatures drop well below zero. During the day, the Lapp winter gives visitors the chance to enjoy a range of activities, from dog sledding to Nordic walking and ice fishing. Offering a range of luxurious camp options across the globe, Amazing Escapes provides turnkey solutions and bespoke journeys. Trek the Himalayas, meet

Botswanan Bushmen or experience the blue eye of Siberia on an iceboat on Lake Baikal.

Napapiiri Camp In the heart of the Arctic tundra, this camp boasts six oversized luxury yurts beautifully designed with local handicrafts. Each tent has its own private bathroom and 46

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Re-opening: Autumn 2016 Maasai Mara, Kenya +254 20 502 0888 www.thesafaricollection.com

Pre-opening: February 2017 Rovaniemi, Finland +41 79 212 10 28 www.amazingescapes.ch/napapiiri


Courchevel, France

Hôtel Barrière Les Neiges

Kokomo Island, Fiji

Kokomo A unique island sanctuary offering the best of the Fijian archipelago, this member of Small Luxury Hotels of the World is a paradise at the edge of the dramatically rugged Kadavu Island Group. The island offers unique experiences on both land

Housed in the quintessential ski village of Courchevel, Hôtel Les Neiges benefits from an enviable location at the foot of the Bellecôte ski slope in the heart of Les Trois Vallés – the largest ski area in the world. The hotel’s forty-two rooms and suites are welcoming yet luxurious, swathed in sumptuous cashmere, plush fabrics, velvet and fur. The fabulous cocktail bar is the ideal spot for a refined après ski winddown, whilst the two restaurants provide for world-class dining without ever leaving the property. The Spa Diane Barrière boasts

expert treatments in its six treatment rooms, its private suite with a hammam and sauna, as well as a twenty-metre infinity pool and an outdoor Jacuzzi. An extra space has been created especially for children, providing them with innovative workshops and winter-sport activities.

and the crystal-clear waters of the Pacific. With a total of twenty-eight beachside villa accommodations, each space embraces sustainable and traditional Fijian design and boasts a large private deck, infinity pools and tropical gardens. The dining options feature locally sourced fare in addition to an in-suite experience. Just off the shores of Kokomo Island lies the Great Astrolabe Reef, the fourth

largest in the world, where guests can explore its unique diversity of marine life.

Opening: December 2016 422 rue de Bellecôte, 73120 Courchevel +33 970 81 85 01 www.hotelsbarriere.com

Opening: March 2017 Kokomo Island, Yaukuve Levu Island, Kadavu, Fiji www.slh.com/kokomo XC E L L E N C E

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ART – INTRODUCTION

Scientists agree that the first humans to roam the Earth came from Africa, an expansive continent that embraces a very diverse and dynamic blend of multifarious yet distinctive cultures of indigenous peoples. Being that it is most likely the oldest civilisation and the world’s most ancient culture, it is still extraordinary why its art scene has been widely misunderstood and underestimated by the global commercial art market until the past decade. The very word Africa conjures up impressions of bold brilliant colours, intricate designs and an expansive landscape filled with rich wildlife. Life in Africa is such a melting pot of assorted exotic and often misinterpreted societies within its fifty-four countries, that the very term ‘African Art’ was often pigeonholed as niche. Our interconnected global society fuelled by a technological superhighway changed all of that and opened a floodgate of new appreciation and awareness. Cultural exchange opened the eyes, as well as the hearts, of international renowned curators, gallery and museum directors and avid art collectors, and invigorated the conceptions of what African Art was supposed to be. Like so many ancient cultures wrestling with a multitude of governmental factions and oppressive kingdoms, Africa is also known to have its share of social and political problems escalated by mass poverty, war, anarchy and tyranny. And what anyone in the art world knows too well, the best creations come from artists that are deeply intertwined between

political and social turmoil. Oppression, destitution and hopelessness are unfortunately an efficacious formula for overwhelmingly brilliant artwork. The ‘African Aesthetic’ is not singular. But the multitude of contemporary forms and mediums used on canvas, tapestry, ceramics, metal and stone still observe some forms of revered ancient skills and methods. Some mediums have been repurposed out of simple necessity, such as the recycling of manufactured goods used to weave the gorgeous metal tapestries of El Antsui that captured my heart almost a decade ago at the 2007 Venice Biennale. The emerging artists featured in this section create some of the most intense works of art as an interpretation of the daily struggles living in rural regions and cities rife with political and social challenges. As these leading and emerging artists face the realities of life in Africa through their work, more and more world-renowned art aficionados, such as Art Paris Art Fair director Guillaume Piens interviewed on the following pages, make it their responsibility to promote the very complex world of African Art to an international audience. It is this African voice of visions and personal revelations that are beautifully translated for our modern world by artists and experts alike that continues to capture the hearts of the global art world.

A Deep Rooted Resurgence

— Patrice Farameh

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ART – INFLUENTIALS

The Influentials

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Africa’s contemporary art scene is marked by dynamic artists using their creations to interpret and portray the multiplicity and diversity of the fifty-four countries of the continent – including their socio-economic realities, political challenges, rich traditions and multifaceted beauty. The 19th edition of Art Paris Art Fair, held from 30 March to 2 April 2017, sheds light on new scenes with Africa as its guest of honour, showcasing the continents’ fascinating art scene on an international stage. Fair director Guillaume Piens worked with cultural consultant and independent curator Marie-Ann Yemsi to prepare for the upcoming fair.

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1 | Grand Palais © Emmanuel Nguyen Ngoc 2 | Mohau Modisakeng. Lefa 1 II, 2016. Ink-jet print on Epson Hot Press Natural, 200 × 150 cm. Courtesy of the artist and WHATIFTHEWORLD/GALLERY 3 | Gareth Nyandoro. Kuguruguda Stambo (Hypnotic Lollipop Eaters), 2015. Mixed media on paper mounted on canvas, 260 × 410 × 110 cm (detail). Courtesy of Tiwani Contemporary © Sylvain Deleu 4 | Kendell Geers. The Age of Iron LII, 2012. Rust on paper, 217.5 × 145 cm. Courtesy of the artist and ADN Galería 5 | Mario Macilau. Untitled, Faith Series, 2016. Pigmented inkjet, 80 × 120 x 10 cm. Courtesy of the artist and Ed Cross Fine Art

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ART – INFLUENTIALS

Guillaume Piens Director of Art Paris Art Fair

Contemporary African Art is gaining more and more traction amongst international collectors and curators. What makes Contemporary African Art so interesting, and why did you choose to focus the upcoming Art Paris on it?

Africa is culturally very complex and faces many problems in the present, from the adverse effects of climate change to war and the refugee crisis. Which artists do you feel channel these problems well in their work?

There has been a general fascination for Contemporary African Art in recent years – it is no longer regarded as a niche and is now beginning to integrate into the international circuit. More than any others, African artists are subjected to the experience of uprooting, displacement between borders and different cultures – hence the importance of the question of identity and belonging in Contemporary African Art.

Art Paris Art Fair will be presenting artists from countries and generations who do not embody clichés about the continent, such as war, poverty or ecological disasters. Many artists show a great formal inventiveness by revisiting the traditional techniques: embroidery and tapestry by the artist Billie Zangewa to evoke intimate narratives, techniques inspired by engraving by Gareth Nyandoro, known for his three-dimensional works on paper that integrate objects found on the Harare market.

It was time to present a contemporary vision of the artistic effervescence that this continent is experiencing in Paris, as we will see a real African revival in the Parisian institutions in the spring, be it at the Fondation Louis Vuitton, La Villette or the Arab World Institute.

Others use metaphors to evoke the violence and the evils of colonisation, the questions of identity and belonging. One can think of the poetic installations of Cameroonian Bili Bidjocka, who questions history, portraits by Ayana V. Jackson, which explore the

African identity or the visual art of the South African artist Mohau Modisakeng, whose work probes the memory of South Africa’s tragic past.

How is it working with your guest curator, MarieAnn Yemsi? Each year Art Paris Art Fair invites a curatorial expert of the invited scene to give more depth to the project. Marie-Ann Yemsi is one of the new voices committed to the promotion of Contemporary African Art in Paris. Her exhibition African Odysseys in 2015 in Brussels, which represented a new generation of artists born in the 1970s and 1980s (including many women) convinced me to ask her to be the guest curator for the African focus at the Art Paris Art Fair.

Galerie Philippe Gravier and Mehmet Ali Uysal, whose architectural installations promise to be spectacular.

Despite being fairly new to the greater art scene, Art Paris Art Fair has done a marvellous job at positioning itself as a key contributor. What challenges have you faced in establishing the fair? The challenges have been numerous and the fair has been totally rethought since 2012, but it was paramount that we provided it with a soul and a history.

What are some of your personal favourite exhibitors for the 2017 edition? There are several, but I could mention the solo shows by Mohau Modisakeng at Whatiftheworld Gallery, Kendell Geers at ADN Galeria, Mário Macilau at Ed Cross Fine Art, Sou Soujimoto at

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ART – FORECAST

Forecast

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A selection of contemporary African artists to watch

Alexis Peskine Parisian-born artist Alexis Peskine is known for his skilful incorporation of graphic and commercial images into works of fine art. At the impressionable young age of fifteen, he started his formal studies at the Apprentice Centre of Formation for the Graphic Arts. Currently he works as an Industrial Designer at Crayures and as Creative Director for Burrell Communications in Chicago, where he successfully bridges the gap between fine art and

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Billie Zangewa At just ten years old, Malawian artist Billie Zangewa began drawing fashion illustrations, inspired by the pages of Vogue. Her studies in printmaking at Rhodes University in South Africa brought her to experiment with various

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graphic design by using a distinct aesthetic that often touches on the ideology of consumerism and mass consumption. His installation The Raft of Medusa, inspired by the Romantic painter Theodore Géricault’s eponymous painting, garnered much attention at the 2016 Dak’Art. A multimedia installation featuring video, sound, photography and paintings on three-dimensional

techniques and materials, from cinematic narratives to oil pastels, subsequently initiating her passion for working with textiles – silk in particular. After returning to Botswana, she began making handbags embellished with embroidery of flora and fauna of the country. Zangewa represents a triumphant African woman, conscious of her roots and surroundings. In 1997, she moved to Johannesburg during a period of self discovery. The landscape of the city’s Central Business District eventually became a source of inspiration as she began to do deconstructed interpretations onto her handbags. Her return to the world of art began with her triptych of handbags depicting Johannesburg’s cityscapes,

objects, the piece focuses on migration. At the forefront of his work are his signature acupaintings – made using a technique Peskine employs to create images with nails driven at different depths to create a sense of relief on wooden surfaces. His subjects are most often black and diverse, holding a strong and unwavering presence as a visual commentary to the experience of the black body.

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1 | Oumy, 2016. Nails, moon gold leaf, mud, paint and varnish on samba wood, 250 × 250 × 50 cm. Courtesy of the artist and October Gallery, London 2 | Age D’Or, 2016. Moon gold leaf, Nails, lacquer & varnish on Carriage (steel & wood), 120 × 240 × 120 cm. Courtesy of the artist and October Gallery, London

www.octobergallery.co.uk

1 | Every Woman, 2016. Silk tapestry, 136 × 98.5 cm. Courtesy of Afronova Gallery © Billie Zangewa 2 | The Dreamer, 2016. Silk tapestry, 138 × 104 cm. Courtesy of Afronova Gallery © Billie Zangewa

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entitled Faith, Love and Hope, which won the Absa L’atelier Gerard Sekoto Award in 2004. She then decided to transfer her works onto a two-dimensional surface, which she refers to as silk tapestries, though the

technique is more appliqué. Her tapestries have been exhibited all across the globe, with an exclusive series set to debut at the upcoming Art Paris. www.billiezangewa.com


ART – FORECAST

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Gareth Nyandoro A Zimbabwean artist known for his large works that combine three-dimensional objects with two-dimensional collages, Gareth Nyandoro has gained much inter­ national attention. His honest, abstract depictions of the commercial life in Harare refrain from catering to a

Western market, remaining clearly African in context without being defined by it. Nyandoro graduated from Chinhoyi University of Technology, then pursuing a residency at the Rijksakademie van Beelende Kunsten in Amsterdam. His work has been widely exhibited, representing his country at the 56th Venice Biennale, his sold-out solo show Paper Cut at Tiwani

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Jems Robert Koko Bi Ivorian sculptor and visual artist Jems Robert Koko Bi investigates the phenomena of space and history in his works, primarily made from wood – which he carves and brands. His passion for woodworking stems from his upbringing in the jungles of Sifra, where his

family worked as farmers, and his frustration with the social restraints of not being permitted to carve masks – a task, like hunting, reserved for another caste. After studying at the National Institute of Arts and Cultural Action (INSAAC) in Abidjan, he joined the studio of sculptor Klaus Simon in 1992 before being awarded a DAAD scholarship to study at the Kunstakademie Düsseldorf

Contemporary and as part of the exhibition A Moment of Grace at Modern Art Oxford, which placed focus on the innovative ways artists re-used and transformed materials to redefine value as a response to local and global conditions. His technique, which he dubs ‘Kucheka cheka’, consists of Nyandoro slicing paper cutouts, scratching out an

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as master student of Klaus Rinke. He now resides in Essen, Germany. Koko Bi’s sculptures and performances interrogate objects linked to the reconstruction of life, implying an ongoing reflection of his own. His work was shown at the Museum für Moderne Kunst in Frankfurt in the collective exhibition The Divine Comedy: Heaven,

1 | Unouraya Ipapo Ipapo (Parasite Instant Killer), 2015. Mixed media on paper mounted on canvas, 320 × 260 × 70 cm. Courtesy of Tiwani Contemporary, London © Sylvain Deleu 2 | Kuguruguda Stambo (Hypnotic Lollipop Eaters), 2015. Mixed media on paper mounted on canvas, 260 × 410 × 110 cm (detail). Courtesy of Tiwani Contemporary, London © Sylvain Deleu

image and stripping away layers of paper, the scraps of which are later incorporated back into the painting. The incisions are then filled with ink that bleeds across the canvas, creating images that look like etchings on a larger scale. Tiwani Contemporary will present a solo booth of work by Nyandoro at The Armory Show in New York, 2–5 May 2017. www.tiwani.co.uk

1 | Pause, 2015. Teak wood, variable dimensions. Exhibition view. Courtesy of Galerie Cécile Fakhoury, Abidjan © Jems Robert Koko Bi 2 | Chaise #2, 2015. Teak wood, 201 × 24 × 22 cm. Photo © Jems Robert Koko Bi and courtesy of Galerie Cécile Fakhoury, Abidjan 3 | Figurine #1, 2015. Teak wood, 201 × 35 × 30 cm. courtesy of Galerie Cécile Fakhoury, Abidjan © Jems Robert Koko Bi

Hell, Purgatory revisited by Contemporary African Artists and most recently at the Smithsonian National Museum of African Art in 2015. In 2016, he revisited the Dakar Biennale (where he was awarded the Prize of Francophonie for his artwork Darfur in 2008) to present his installation Racines (Roots) for the exhibition Contours. www.cecilefakhoury.com

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ART – THE VISIONARY

The Visionary Face On One artist’s visual reflection of history Interrogating the collective narratives that inform our experiences of the world, South African visual artist Mohau Modisakeng’s work engages race, the militarisation of society and the deep divides of South Africa and the greater African continent. His work has gained him recognition across the globe, often portraying an honest and moving memory of the social injustices faced by the black community.

Using his body to explore the influence of South Africa’s violent history on how we understand our cultural, political and social roles as human beings, Mohau Modisakeng’s work responds to the history of the black body within the post-colonial African and post-apartheid South African context. Represented through film, large-scale photographic prints, installations and performance, the powerful yet poetic invocations do not directly represent violence, but transform the body into a poignant marker of collective memory.

Born in Soweto, an epicentre of black urbanity and cosmopolitan culture, Modisakeng completed his undergraduate from the Michaelis School of Fine Art in Cape Town in 2009 before pursuing his Master of Fine Arts under the mentorship of sculptor Jane Alexander. His work forms a personal and idiosyncratic exploration of a local narrative, grappling with black-male identity, body and place. Modisakeng presents critical responses to ideas of nationhood, leadership, inequality and migrant labour that manifest visually as poignant moments of grieving and catharsis central to the current lived experience of

1 1 | Untitled (Frame XX), 2013. Ink-jet print on Epson UltraSmooth, 150 × 200 cm. Edition of 3 + 2AP. Courtesy of WHATIFTHEWORLD

© Mohau Modisakeng 2 | Inzilo 1, 2013. Ink-jet print on Epson Hot Press Natural, 112.5 × 150.2 cm. Edition of 6 + 2 APS. Courtesy of WHATIFTHEWORLD © Mohau Modisakeng 3 | Untitled (Metamorphosis 1), 2015. Ink-jet print on Epson Hot Press Natural, 120 × 120 cm. Edition of 5 + 2 APS. Courtesy of WHATIFTHEWORLD © Mohau Modisakeng

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ART – THE VISIONARY

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4 | To Move Mountains (Video Still), 2015–2016. Four Channel HD Video, 10:02 min. Edition of 10 + 2 APS. Courtesy of WHATIFTHEWORLD © Mohau Modisakeng 5 | Untitled (Metamorphosis 2), 2015. Ink-jet print on Epson Hot Press Natural, 120 × 120 cm. Edition of 5 + 2 APS. Courtesy of WHATIFTHEWORLD © Mohau Modisakeng

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contemporary South Africans. Winner of the prestigious Standard Bank Young Artist Award for Visual Art in 2016, Modisakeng’s work has been exhibited at the Museum of Fine Art, Boston (2014), the Saatchi Gallery, London (2012) and the Dak’Art Biennale, Dakar (2012), as well as public collections at

the Johannesburg Art Gallery, IZIKO South African National Gallery, the EKARD Collection and the Zeitz MOCAA. Modisakeng currently resides between Cape Town and Johannesburg, and has residences at the WHATIFTHEWORLD Gallery (Cape Town), the Tyburn Gallery (London) and the Ron

Mandos Gallery (Amsterdam). Modisakeng will be representing his home country at the upcoming 57th Venice Biennale in the South African pavilion from 13 May to 26 November 2017. One of his works, entitled Inzilo, is a single-channel video of Modisakeng enacting a ritual by sitting, standing and

6 | Untitled (Frame II), 2012. Inkjet print on Epson UltraSmooth, 150 × 200 cm. ED of 3 + 2 AP. Courtesy of WHATIFTHEWORLD © Mohau Modisakeng 7 | Endabeni 8, 2015. Ink-jet print on Epson Hot Press Natural, 200 × 150 cm. Edition of 6 + 2 APS. Courtesy of WHATIFTHEWORLD © Mohau Modisakeng

rotating whilst throwing a burnt, ash-like substance into the air. The elaborate rite of passage makes it seem as if the initiate draws the material for his transition directly from within his own body, undergoing a mysterious transformation that is at once a private ceremony and a public declaration.

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ART – ITINERARY

Itinerary Art Central

World Art Dubai

Art Cologne

Showcasing over 100 contemporary galleries alongside a dynamic programme that includes ambitious installations, engaging panel discussions and experimental film, Art Central celebrates the vibrancy and diversity of Asia’s contemporary art scene. Returning to the Central Harbourfront for its third edition, the event coincides with Art Week and Art Basel Hong Kong this year and appeals to both the experienced collector and the discerning art enthusiast. Two bespoke pop-up dining experiences will be brought in during the event, making it the go-to culinary destination in the city during Hong Kong Art Week.

With a mission to provide a platform for affordable artwork, World Art Dubai brings together thousands of art enthusiasts, new and established collectors seeking to view and buy from the impressive artwork collection of more than 3,000 paintings, prints, sculptures and photographs from more than thirty countries. Offering a fresh and friendly approach to art by offering pieces for every budget, the fair’s expanded programme consists of engaging educational sessions, cultural activities and worldclass entertainment.

The oldest fair of its kind, Art Cologne has provided a platform for international galleries presenting art of the 20th and 21st centuries for fifty years since its founding in 1967. Today, more than 200 galleries come together to present the works of over 2,000 artists, from established big-name artists to the newest up-and-coming talents. Renowned participants like Gagosian, David Kordansky and Daniel Templon join the ranks this year, in addition to the new NEUMARKT section, which presents a new focus on young galleries and on select curated projects between galleries in the COLLABORATIONS section.

Dubai World Trade Centre | Dubai, UAE 12–15 April 2017 www.worldartdubai.com

Koelmesse Centre | Cologne, Germany 26–29 April 2017 www.artcologne.com

Central Harborfront | Hong Kong 21–25 March 2017 www.artcentralhongkong.com

Art Brussels Art Paris The leading springtime event for modern and contemporary art in Paris, Art Paris brings together some 140 galleries from over twenty countries at the Grand Palais, exploring European art from the post-war period to the present day as well as emerging talents from around the world. Since 2012, the fair has built a reputation for its exploration of international art scenes, placing a special focus on a different region during each edition. This year, Africa has been invited as the guest of honour, with guest curator Marie-Ann Yemsi being brought in to promote the wealth and rich diversity of contemporary African creativity in all its variety.

In line with the fair’s ethos ‘From Discovery to Rediscovery’, Art Brussels brings together 144 galleries from twenty-eight countries divided into three main sections for its 35th edition. Since its inception, Art Brussels has evolved into one of the premier European contemporary art fairs and is a must-see in the international art circuit. The European capital transforms into a focal point for collectors, gallerists and art lovers from all over the world during the three-day event, which provides a unique opportunity to explore the artistic richness of the city. Tour & Taxis Centre | Brussels, Belgium 21–23 April 2017 www.artbrussels.be

“Incite, inspire, evoke.” This is the mission of Patrice Farameh, a creative director and consultant based in New York City who has also produced an exclusive number of limited-edition art books annually under The Curated Collection line as well as for international corporate clients. The Curated Collection is in the business of management, consulting, publishing and licensing for the creative sector, where savvy insiders in the areas of art, fashion and design lend their expertise as “curators” to each exciting project. www.thecuratedcollection.com

Grand-Palais | Paris, France 30 March–2 April 2017 www.artparis.fr

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exhibition april 28, 29 and 30, 2017 auction may 2,3 and 4, 2017

consignment deadline february 24, 2017 genève enchères rue de monthoux 38 ch 1201 genève t +41 22 710 04 04 f +41 22 710 04 05 contact@geneve-encheres.ch www.geneve-encheres.ch



SERGE NAJJAR A THIN LINE Serge Najjar’s approach to photography is intuitive. It derives from his passion for modern and contemporary art. Whether colour or black-and-white photographs, Najjar’s body of images forms a coherent sum that emerges instantly, without mediation, as a dance between flatness and depth, a thin line between the ordinary and art.


PHOTOGRAPHY ­

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“Every Saturday, I drive my car towards a destination, still unknown, and guide myself by my instinct, by light and by whatever attracts my eye. At some moment, I stop. I position myself. And then all I have to do is wait for something to happen.�

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“Architecture is just a leitmotiv to me. What really inspires me are geometry and shape." 62

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PHOTOGRAPHY ­

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PHOTOGRAPHY

“I grew up reading books on Russian Avant Garde and constructivism. As soon as I started photography six years ago, my eye captured the things I saw accordingly.”

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PHOTOGRAPHY ­

Serge Najjar based in Beirut, Lebanon

His exhibition A Closer Look at the Ordinary can be seen at the Catherine Edelman Gallery in Chicago, IL, from 06 January to 25 February 2017 www.instagram.com /serjios Represented by: www.galerietanit.com

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Matterhorn, Zermatt, Switzerland

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SAILING THROUGH THE CENTURIES A luxurious yachting adventure in the Southeast Asian Seas

Elegantly crafted of ironwood and teak, Lamima is a sea-faring masterpiece and a testament to the art of Indonesian boat building. Impossible to replicate in the mainstream industry, authentic Phinisi ships are hand built with indigenous intuition and inherited expertise. As the largest wooden sailing vessel in the world, Lamima has the benefit of a large and attentive crew of dive instructors, chefs, spa therapists and National Geographic explorers. For guests, what awaits is a tailored itinerary of fine foods, hidden lagoons and exotic experiences to stir the soul and ignite the imagination.

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The Lamima Crew 20 / Boat type ketch / Length 65.2 metres Cabins 7 total; 4 double, 2 twin, 1 master / Guests 14 maximum Cruising speed 10 knots / Max speed 12 knots Construction Ironwood and Teak Architecture & Design Marcelo Penna Yacht Design → Only Phinisi ever built to hold an world-class safety certificate

esting calmly on the shores of a volcanic island in the Indonesian Archipelago is a small, yet well-established community of shipwrights. Known regionally as the Konjo people, they are considered the master carpenters of Sulawesi. Using design and construction methods that have been passed down for centuries, they continue to produce traditional Indonesian sailing ships called Phinisi. According to the Konjo people, every boat has a soul and many rituals and ceremonies are preformed before completion to ensure the longevity of the boat. Lamima

© xxxxxxxx

R

was no exception and received a blessing that would bring strength, safety and keep bad spirits off the boat. Lamima’s owner, Dominique Gerardin, spent eigh­ teen years cruising in luxury motor yachts around the Mediterranean and the Caribbean. Over time, he grew weary of yachting as merely a show of status and ego rather than an enjoyment of the actual experience. Eventually he began to “dream of sailing more exciting waters and of the unique thrill of exploring Indonesia under sail in a traditional timber boat.”

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TRAVEL

Mergui Archipelago

Lanbi Kyun

Myanmar

Kyun Pilar

Left The large and spacious teak deck provides areas for five star al fresco dining, sunrise yoga and a separate wellness centre for massages Right The Mergui Archipelago is made up of more than 800 islands. This remote and unexplored territory consists of rainforests, coral reefs and many exotic flora and fauna

Macleod Island Kawthaung

Gulf of Thailand

Thailand

Surin Island

Andaman Sea

Phuket

Outfitted with all the amenities of a modern yacht, the floorplan provides a comfortably polished and inviting interior of six en-suite cabins and a sixtysquare-metre master cabin that rivals the luxury of a five-star-hotel suite. Contemporary furnishings, natural lighting and subtle references to traditional Indonesian design complete the spacious rooms, which are also equipped with HD television, internet and iPod docking stations. The guest experience is underscored by a layer of warm Indonesian hospitality courtesy of a carefully selected crew from leading hospitality and marine institutions. Meals are handled by two professional chefs. They source top-quality ingredients from Indonesian markets and local fisherman to create gourmet Asian and European cuisine. The captain will often navigate to secluded anchorages where guests can sunbathe

before enjoying an exotic picnic lunch. The wellness centre, located in a shaded section of the rear deck, has two Balinese spa therapists available for massages and treatments throughout the journey. Water sport activities are accompanied by a local guide and include use of jet skis, paddle boards, kayaks and more. The on-board dive centre is outfitted with the highest quality diving equipment and provides guests the opportunity to complete their PADI certification in an idyllic environment. Cruising around the Indonesian archipelago offers guests the opportunity to discover a unique diversity of flora and fauna among many other unmissable sights. XC E L L E N C E

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Excursions are led by an expert guide who has taken the lead of a number of National Geographic expeditions. Custom-tailored itineraries can be designed to include unexplored caves, untouched lagoons and treks up island peaks for panoramic views of the surrounding islands. Komodo National Park, home to the famous komodo dragons, contains gentle hiking trails, the best coral reefs in Indonesia and huge colonies of flying foxes. In southern Myanmar, the Mergui Archipelago is made up of over 800 islands and offers bird watching and the chance to swim alongside turtles and manta rays in the shallow, pristine waters. A trip to the islands of Thailand east of Phuket offers excellent snorkelling and whale shark encounters set against a backdrop of sheer limestone pinnacles and lush grassy slopes. In an effort to take advantage of the best weather in each destination, the ship will move freely between

Indonesia, Myanmar and Thailand. As the only fully inclusive rate in the industry, Lamima makes a beautiful experience heavenly by doing away with small details which means guests can exist in absolute bliss with unlimited meals, drinks, spa treatments, dives and shore excursions. Sailing through the Indonesian Archipelago in a luxuriously outfitted Phinisi is an exceptional way to discover such a uniquely majestic part of the world. Those of a curious mind and adventurous heart looking for a way to see the world with fresh eyes will surely be drawn to this once in a lifetime experience.

Above The Lamima crew transports guests to idyllic and deserted isles spared by hordes of tourists Below Water sport activities are accompanied by a local guide and guests that are new to scuba diving can receive their PA D I certification on board

Fly directly to Phuket from Singapore in 1:40 or from Hong Kong in 3:10 on a Challenger 300 Contact our local charter office: Luxaviation Asia +65 6816 0369 charter.asia@luxaviation.com

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pp 70–74 all images Š Lamima

Luxaviation Travel Tip



Les Nomades de Marrakesh Derb Zaouiat Lahdar

Established by a fifth-generation carpet maker, this shop employs the use of age-old techniques and materials from indigenous Berbers. High-quality fabrics of naturally dyed wool, cotton and silks

are all hand-woven by the women of the villages in the Atlas Mountains. +212 661 344 162 www.lesnomadesdemarrakech.org

DESERT BREAK

MARRAKESH There is much more to Marrakesh than the Palmeraie. A stay in the medina gives visitors a distinctly different experience, with its labyrinth of twisted alleyways and medieval doors leading to unexpected garden courtyards, ancient apothecaries and artisan workshops. In the evening, the historic centre’s main square becomes a night bazaar and an open-air theatre of snake charmers, musicians and storytellers. Here is our selection of a few hidden gems to help you embrace the magic of the medina.

Luxaviation France Fly from Le Bourget Airport in Paris to Marrakesh in 3 hours. Contact our charter office in Paris: +33 (0) 1 48 35 90 90 charter.france@luxaviation.com

La Sultana Kasbah

In the heart of the medina rests La Sultana, a collection of five riads with inviting rooms and earthy touches. The cavernous marble spa includes a hammam, mineral baths and oil massages. Sunset aperitifs are followed by rooftop dining with live music. +212 5243-88008 www.slh.com/lasultana 76

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Riad Living 72 Bab Doukkala

At Riad 72, each room is individually styled with colourful Italian and local antique furniture. Elegant meals are prepared by a resident chef who fuses farm-to-table philosophy with fine dining. Rooftop dining offers views of the snow capped Atlas Mountains and Koutoubia Mosque. +212 524 38 76 29 www.Riad72.com

AnaYela Kbour Chou

AnaYela is a 300-year-old city palace and four-time winner of the World Hotel Awards “Soul Experience� prize. Restoration was completed by hand, without the use of electric tools, by more than 100 artisans. This intimate riad has five rooms and a heated limestone pool. +212 5243-86969 www.anayela.com XC E L L E N C E

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“Beauty resides in time.” — Zhuangzi, Chinese philosopher, 4 century BC th


CULTURE

A REIGN SUPREME An intimate tour of China’s Imperial Dynasties

Almost 500 emperors have presided over the ancient tea fields, lakes and forests of one of the world’s oldest civilisations, which has been shaped by war and powered by philosophy. In the best of times, wealth from foreign and domestic trade produced impenetrable palaces, great monuments and created prosperity for the people. The sacred halls of long-standing Buddhist temples around the country provided a refuge for pilgrims pouring in search of truth and enlightenment. Moving into the future, China’s undaunted momentum continues to fascinate and fuel competition around the world.


CULTURE

he Imperial Era ushered in the first dynasties of Chinese history. The first recorded dynasty can be traced back to 2070 BC with the Xia clan. Though there is no hard evidence of the dynasty’s existence, archaeological records show the development of a primitive bronze-age civilisation during this time. The following dynasty, known as the Shang Dynasty, marks the recognised beginning of Chinese civilisation. They were preceded by the Zhou, whose legacy greatly influenced the development of a greater Chinese culture. A decentralised system of government was adopted, granting feudal lords to

T

rule over their territories with a significant degree of autonomy, though they continued to pay tribute to the king. This autonomy would eventually lead to centuries political turmoil, known as The Warring States Period – with the fighting continuing for 250 years. Ying Zheng brought an end to this turbulent era in 221 BC after a nine-year conquest to secure the Zhou Empire and its surrounding regions. He then declared himself Qin Shi Huang, the First Emperor of the Qin Dynasty. As ruler of the first unified multi-ethnic state in Chinese history, Qin Shi Huang’s first mandate was to standardise writing, currency, weights and measurements. To solve the problem of invasions from the nomadic peoples of the north, he began linking existing sections of defensive border walls created during the Zhou Dynasty. Over the centuries, these first sections of China’s Great Wall along the northern border would expand to over 20,000 kilometres in length. Much more than just a stack of bricks, it served as an integrated military defensive system with watchtowers, fortresses and beacon towers for communication. In addition to a large palace, the Qin’s first emperor built himself a mausoleum with hundreds of life-sized statues of soldiers and horses meant to safeguard and serve him in the afterlife. These figures represent the army he led into triumph over all others to unite China and bring the Warring States Period to an end. Known today as the Terracotta Army, it is considered one of the greatest discoveries of the 20th century.

470 years

Left page top left Qin Shi Huang’s Terracotta Army, often regarded as one of the most valuable finds of the 20th century Left page lower left West Lake Park, a UNESCO World Heritage Site, is often regarded as one of the most beautiful locations in China Left page lower right Even today, West Lake Park heavily influences landscape design throughout China, Korea and Japan

554 years

Shang Dynasty

2070 –1600 BC

1600 –1046 BC

pp 78–83 all images © Aman

Xia Dynasty

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825 years

Zhou Dynasty

Qin

426 years

Han

Dynasty Dynasty

1046 – 221 BC

Right page top left The ancient city of Lijiang became a trade hub in the Chinese empire due to its location along the Silk Road Right page lower left The Feilei Feng grottoes at Lingyin Temple feature ancient carvings in the limestone structures Right page far right Lingyin Temple, located northwest of Hangzhou, is one of China’s largest Buddhist temples

15 years

The succeeding Han Dynasty promoted the philosophy of Confucianism throughout the kingdom, which revolves around the pursuit of the unity of self and Heaven. To this day, Confucianism plays a pivotal role in Chinese culture, and many cultural landmarks honouring the practice are still in use throughout the country. Major advancements were made in agriculture, handicrafts and science during the rule of the Han, eventually leading to the establishment of the Silk Road, which connected the Empire with places as far off as the Mediterranean. Unfounded wealth and knowledge was brought to China through the extensive trade. The Silk Road also brought with it Buddhism by means of missionaries from India in the first century AD. Buddhism has shaped Chinese culture greatly, be it in art, politics, literature, philosophy or medicine. Chinese Buddhism varies in many ways from its traditional Indian counterpart, incorporating many elements of Taoism, another religion of Chinese origin.

221 – 206

206 BC –

BC

220 AD

Alongside Confucianism, Chinese Buddhism and Taoism constitute the three teachings that historically shaped Chinese culture. Many of the temples built to these religions act as major landmarks throughout the country and continue to attract visitors today. Aside from building of temples, Buddhist teachings of peacefulness and the fusion between man and nature were reflected in the creation of man-made landscapes. Bordered on three sides by hills and the city of Hangzhou, the islands, causeways, pagodas and gardens of West Lake Park have had a major influence on landscape design in China, Japan and Korea. Considered one of the most beautiful sights in China, it has served as a source of inspiration for many artists, writers and poets. The Han Dynasty would come to an end in 220 AD, resulting in the tripartite division known historically as the Three Kingdoms. For the next few centuries, numerous short-lived dynasties – all part of the Middle Dynasties – would rule the empire. XC E L L E N C E

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The next high point of Chinese civilisation is often regarded as being the Tang Dynasty (618-907), which expanded the empire’s territory substantially through military campaigns. The Tang capital of Chang’an (present-day Xi’an) was then the most populous city in the world. Both land and maritime trade expanded through the Tang, rivalling the Han Dynasty’s prosperity. Woodblock printing became popularised during this period, leading to greater literacy throughout the Chinese population. The reign of the Song Empire (960-1279) was marked by peace, prosperity and many scientific and technological advances. Moveable type printing contributed to the rapid advancement of literacy and culture while varieties of gunpowder were invented for use in rockets, guns and landmines. Improved techniques for food production doubled the population to exceed 100 million. When the Mongols defeated the Song Empire in 1279, Genghis Khan and his sons took over to establish the Yuan Dynasty. Though originally nomads, herders and hunters, the Khans ruled successfully and brought major changes to government and culture. While paper money had started circulating during the Song Dynasty, the Yuan Dynasty was the first in the world to use paper currency as the predominant

circulating medium. The last decades of the Yuan Dynasty were weakened by natural disasters, disease and famine. A young rebel named Zhu Yuanzhang led a strategic and powerful army for ten years before gaining control of Beijing in 1368. As the last of the Yuan clan fled to the north, Zhu declared himself Emperor of the Ming Dynasty. According to the traditional thinking, the emperor would hold the Mandate of Heaven. This ancient political idea would consider the emperor as the chosen one. Following the idea of Heaven supremacy, the Ming Dynasty built many historical monuments. Covering an area of seventy-two hectares, the Forbidden City (1406) is a residence of some ninety palaces and courtyards, 980 buildings and over 8,000 rooms. Surrounded by a ten-metre-high wall and a moat, ordinary people were not allowed to visit this divine place. It remained the official palace through twenty-four emperors and remains the largest and best preserved ancient palatial structure in the world. Another great monument of that time, the Temple of Heaven (1420) symbolises the relationship between Earth and Heaven – the human world and God’s world. It remains the most representative masterpiece among China’s ancient sacrificial buildings.

289 years

398 years

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53 years

319 years

Middle Dynasties

Tang Dynasty

Five Dynasties

Song

220 – 618 AD

618 –907 AD

& Ten Kingdoms

Dynasty

907 – 960 AD

960 –1279 AD

LU X AV I AT I O N M AGA Z I N E

Left page The Temple of Heaven is one of the most outstanding religious complexes in the world still intact, dating back to the Ming Dynasty Right page top Construction on the Summer Palace began during the Qing Dynasty as a place of refuge from the heat of Beijing Right page bottom The Forbidden City gained its name due to the strict limitation of entrance and departure, which had to be granted by the emperor himself


CULTURE

Like many dynasties before it, the Ming Dynasty started off with strong leaders and prosperity but ended with plagues and natural disasters. The Little Ice Age and the deadliest earthquake in history had many citizens convinced that the Ming emperor had lost his Mandate. The Ming Dynasty would rule until 1644 until it was overthrown, following a period of devastating wars. China’s last imperial dynasty, known as the Qing (1644–1911) was founded by the Manchus (Mongols and Jurchens). Emperor Kangxi increased territory, population and wealth through the annexation of Tibet, Mongolia and Xinjiang (Turkestan). This reign would serve as a multi-cultural empire, which lasted nearly

three centuries and formed the territorial base for the modern Chinese state. One of the most impressive constructions of that time, the Summer Palace was built by the Imperial family in 1750 and would serve as a respite from Beijing’s hot summers. Divided into areas for administration, living and relaxation, each area has its own distinct character. Like others before it, the Qing Dynasty was overthrown by a group of revolutionaries at the beginning of the 20th century, this time marking the end of millennia of dynastic imperial rule. As one of the four ancient civilisations, China’s rich cultural identity has been shaped by emperors, invaders, peasants, soldiers, monks and foreigners. Hundreds of sacred structures and historic monuments around the country have sustained patronage for more than a millennia. World-changing innovations, philosophies and epic engineering feats have all contributed to the progression of humanity. As mankind continues to make rapid advancements into an unknown future, it is a gift and a privilege to be able to step outside of time and into China’s ancient heritage.

see next page “Aman Itinerary” for your next journey to China

89 years

276 years

268 years

Yuan

Ming

Qing Dynasty

Dynasty

Dynasty

1644 – 1912 AD

1279 –1368 AD

1368 –1644 AD

XC E L L E N C E

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AMAN ITINERARY

Aman Summer Palace

Renowned for space and privacy, each Aman destination in China is designed to fit harmoniously into the surrounding natural environment. Built in close proximity to a number of UNESCO World Heritage Sites, each accommodation strives to capture an authentic sense of place and history. Antique buildings and historic architecture form the backdrop to transformative experiences that range from gemstone massages to demonstrations of traditional crafts, medicine and tea rituals. Aman destinations inspire a sense of peace and belonging amidst China’s ancient and fascinating culture.

Amanyangyun Amanfayun Amandayan

Amandayan Lijiang

Amandayan’s thirty-five suites are set amid a serene courtyard and are decorated with furnishings inspired by the Ming and Qing Dynasties and open up to views of Dragon Snow Mountain and Old Town Lijiang. This UNESCO-listed town that once served as a trading stop along the Silk Road is rich with history and bears the mark of its diverse influences. The spa draws on the wisdom of traditional Chinese medicine, incorporating local herbs and balms in its treatments. Authentic Yunnan cuisine served in the dining hall includes locally sourced wine as well as meat and cheese from a nearby villages and a Tibetan farm. www.aman.com/resorts/amandayan

Luxaviation Travel Tip

Fly directly from Hong Kong to Shanghai in 2 hours on a Falcon 2000 or to Beijing in 2:50 on a Legacy 600. Get in touch with your local Luxaviation contact for travel details at: +65 6816 0369 / charter.asia@luxaviation.com

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Create an Aman Journey: Aman Summer Palace to Amanfayun = 2:15 Aman Summer Palace to Amandayan = 3:35 Amanfayun to Amanydayan = 3:30


Amanfayun Hangzhou

On the edge of Hangzhou in a wooded valley surround by tea fields are the century-old villas of Amanfayun. Complete with private courtyards and a bath house, the restaurant serves spa village-style steamed dishes and innovative, Zen-inspired vegetarian fare. The famous Lingyin Temple can be visited after morning prayer sessions with Buddhist monks along the ancient pilgrimage circuit of seven temples. The nearby UNESCO World Heritage Site of West Lake is only steps away from the bustling night market and silk traders of Hefang Street. www.aman.com/resorts/amanfayun

Amanyangyun Shanghai

Aman’s newest resort is comprised of historic villas from the Ming and Qing Dynasties. Rescued from the site of an impending reservoir along with thousands of ancient camphor trees from the surrounding forest, each building was disassembled, relocated to Shanghai and painstakingly restored piece-by-piece. Opening in 2017, additional new suites with modern interiors and private pools will be complemented by six dining venues and a serene garden used as a curated space for contemplation, learning and discussion. www.aman.com /shanghai

Aman Summer Palace Beijing

Near the East Gate of Summer Palace is a series of old pavilions that have been turned into suites of Jin-dynasty clay tiles and intricate wooden screens that are adjustable into different configurations. During the day, demonstrations of calligraphy and kite making are hosted in the library and cultural pavilion. Intense excursions crossing the Forbidden City, climbing the Great Wall and ascending the Temple of Heaven can be remedied with a few relaxing hours in the hotel’s underground spa. Dinner at any of the five restaurants will include a range of Imperial delicacies, grilled-to-order specialities and Cantonese cuisine. www.aman.com/resorts/aman-summer-palace XC E L L E N C E

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AGENDA

February 2017

March 2017

Rio Carnival Rio de Janeiro | Brazil 24  –  28 February 2017

Rolex Swan Cup Caribbean Virgin Gorda | British Virgin Islands 1  –  5 March 2017

In one of the hottest annual events of the calendar, more than two million spectators gather for the spectacular display of Rio’s Carnival season. The wild five-day celebration of excess traditionally marks the beginning season of Lent, a forty-day period of abstinence prior to Easter in Catholic tradition. The festivities in Rio are the results of months of preparation, beginning with the crowning of the Fat King before taking over the city’s bars, clubs, streets and squares. The entire event culminates at the Samba Parade, known for its extravagant costumes and provocative dancing.

2017 marks the third edition of the biennial Rolex Swan Cup Caribbean, held at the Yacht Club Costa Smeralda’s new clubhouse in the sailing paradise of the British Virgin Islands. The event is held by Rolex, Nautor’s Swan and the Yacht Club Costa Smeralda, who have organised the biennial Rolex Swan Cup in Porto Cervo, Sardinia since the early 1980s. The Rolex Swan Cup Caribbean is held in alternate years to the Mediterranean regatta and is open to all Nautor’s Swan yachts.

www.yccs.it

Geneva International Motor Show Geneva | Switzerland 9  –  19 March 2017

One of the top five in its class worldwide, the 87th edition of the Geneva International Motor Show is a must see for any automotive enthusiast. Founded in 1905, nearly 700,000 visitors are expected in 2017 to see engineering marvels from tuners, aftermarket companies and boutique manufacturers alike. The show is divided into different areas, from motorcars and alternativepower vehicles to bodywork, workshop installations and accessories. Concept cars, such as the much-anticipated McLaren Super Series update as well as the Hyundai hydrogen fuel cell SUV, are expected to steal the show in 2017.

www.rio-carnival.net

RESTAURANTS Oro Experimental Brazilian Rua General San Martin 889 Leblon, Rio de Janeiro +55 21 2540 8768 Olympe French & Brazilian fusion Rua Custódio Serrão 62 Lagoa, Rio de Janeiro +55 21 2537 8582 HOTELS Belmond Copacabana Palace Avenida Atlântica 1702 Copacabana, Rio de Janeiro +55 21 2548 7070 Marina All Suites Avenida Delfim Moreira 696 Leblon Beach, Rio de Janeiro +55 21 2172 1100

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RESTAURANTS The Rock Cafe Italian & Caribbean fusion Tower Road, The Valley 1150 Virgin Gorda +1 284 495 5482 CocoMaya Asian fusion Valley Trunk Road 1150 Virgin Gorda +1 284 495 6344 HOTELS Katitche Point Greathouse The Valley, Plum Bay Road 1150 Virgin Gorda +1 284 340 3000 Saba Rock Resort Saba Rock Island 1150 Virgin Gorda +1 284 495 9966 Scrub Island Resort, Spa & Marina Scrub Island 1120 Virgin Gorda +1 877 890 7444

www.gims.swiss

RESTAURANTS ALMA

Peruvian cuisine Rue Henri-Blanvalet 6 1207 Geneva +41 22 736 31 48 Ristorante Lillo Italian bistro Place St.Gervais 1 1201 Geneva +41 22 732 00 59 HOTEL Hotel de la Paix, a Ritz Carlton Partner Hotel Quai du Mont-Blanc 11 1201 Geneva +41 22 909 60 35


AGENDA

Art Dubai Dubai | United Arab Emirates 15  –  18 March 2017

The eleventh edition of the prestigious Art Dubai fair is set to impress, with a lineup of galleries and artists displaying versatility like never before. More than ninety galleries from forty-four countries across the globe will be exhibiting, with objectives ranging from pushing up-andcoming artists to deconstructing and studying new trends. Twenty-five of the galleries in attendance will be doing so for the first time, whilst the remaining consist of returning favourites. In particular, the fair is renowned for its Contemporary and Modern exhibits.

www.artdubai.ae

RESTAURANTS La Môme Dubai French cuisine Nassima Royal Hotel - Floor 49 Sheikh Zayed Road, Dubai +971 4 308 0470 Scape Restaurant & Bar Californian fusion Burj Al Arab Jumeirah, Dubai +971 4 301 7600 The Farm at Al Barari International & Thai cuisine Nad Al Sheba Area, Dubai +971 4 392 5660 HOTELS Jumeirah Dar Al Masyaf Al Sufouh Road, Dubai +971 4 366 8888 Taj Dubai Burj Khalifa Street, Dubai +971 4 438 3100

Saut Hermès Paris | France 17  –  19 March 2017

The eighth Saut Hermès equestrian event will be hosted again at the Grand Palais in Paris this year. Fifty of the world’s best riders will come together to compete in the ten classes of this fivestar jumping competition. In the spirit of passing on expertise to the younger generation, twenty international rising stars under the age of twenty-five will be mentored by riders of the CSI five-star circuit. For the first time in the event’s history, a special evening performance, entitled ‘Le songe de Don Quixote’, will take place after nightfall under the direction of equestrian artist Mario Luraschi and dramatist Florient Azoulay.

Art Basel Hong Kong Hong Kong | Hong Kong 23  –  25 March 2017

More than 240 galleries from thirtyfour countries will be featured at the fifth edition of Art Basel in Hong Kong this year. For the first time, the Kabinett sector will be introduced to the Hong Kong show, a previous highlight of the Miami Beach edition. It will see galleries present a specially curated project in a separate area within their booths. In addition to Kabinett, the Galleries, Insights, Discoveries, Encounters, Film and Conversations sectors provide the premier platform for Modern and Contemporary art.

www.artbasel.com/hong-kong

www.sauthermes.com

RESTAURANTS Daroco Italian cuisine and cocktail bar Rue Vivienne 6 75002 Paris +33 1 42 21 93 71 Le Grand Breguet Organic fare Rue Breguet 17 75011 Paris +33 9 70 75 54 59 HOTELS La Réserve Paris – Apartments Place du Trocadéro 10 Avenue d'Eylau 3 75116 Paris +33 1 53 70 53 70 Le Royal Monceau Avenue Hoche 37 75008 Paris +33 1 42 99 88 00

RESTAURANTS Arcane Modern European cuisine 3rd Floor, 18 On Lan Street Central, Hong Kong +852 2728 0178 RHODA

Grilled meats & seafood Ground Floor, Upton, 345 Des Voeux Road West, Hong Kong +852 2177 5050 HOTEL Hotel Stage Chi Wo Street 1, Jordan, Kowloon, Hong Kong +852 3953 2222 SPECIAL Duddell’s Cultural & social destination Level 3, Shanghai Tang Mansion 1 Duddell Street, Central Hong Kong +852 2525 9191 XC E L L E N C E

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AGENDA

April 2017 Australian F1 Grand Prix Melbourne | Australia 23  –  26 March 2017

One of the most popular events held in the city draws visitors from across the globe who come to watch the inaugural event of the Formula 1 season. Held at the Melbourne Grand Prix Circuit at Albert Park, the event welcomes world champions and drivers to test their skills. The circuit has undergone a number of track revisions to accommodate the faster new-generation Formula 1 cars, including Tecpro high-speed barriers and tyre wall reprofiling. With the surprise retirement of Nico Rosberg, eyes are set on his former Mercedes rival Lewis Hamilton and Australian favourite Daniel Ricciardo.

Salone del Mobile Milano | Italy 4  –  9 April 2017

Once again, the Salone del Mobile.Milano prepares for the international limelight with its 56th exhibition. Ideas, creativity, innovation and technology are the key concepts underpinning the salon, with hundreds of exhibitors showcasing the best the world of furnishing has to offer. Highlights include the Workplace 3.0 exhibition, which is dedicated to concept-driven workspace design and technology, as well as the SaloneSatellite, which remains the design world’s most important event for young and aspiring talent.

www.salonemilano.it

www.grandprix.com.au

RESTAURANTS Attica Modern Australian cuisine Glen Eira Road 74 3185 Melbourne +61 3 9530 0111 Lucy Lui Asian-inspired cuisine Oliver Lane 23 3000 Melbourne +61 3 9639 5777 HOTELS Adelphi Hotel Flinders Lane 187 3000 Melbourne +61 3 8080 8888 Hotel Lindrum Flinders Street 26 3000 Melbourne +61 3 9668 1111

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Singapore Yacht Show Singapore | Singapore 6  –  9 April 2017

An opportunity to discover some of the world’s finest superyacht and international yacht brands in an elite and highly social setting, the Singapore Yacht Show offers a first-class platform for guests to met yachting professionals, boat owners and supercar aficionados. This exclusive event epitomises luxury lifestyle, bringing together world-class yachts, glamorous parties, high-end entertaining and an enviable range of prestige products and brands – supercars, fine dining, beautiful timepieces, handcrafted jewellery and some of the region’s most luxurious waterside properties. www.singaporeyachtshow.com

RESTAURANTS Martini Bar & Bistrot Mediterranean cuisine

Corso Venezia 15 20122 Milan +39 02 7601 1154 Ristorante Cracco Traditional Milanese Via Victor Hugo 4 20123 Milano +39 02 87 67 74 HOTELS The Grey Via San Raffaele 6 20121 Milan +39 02 720 8951 Hotel Magna Pars Suites Milano Via Vincenzo Forcella 6 20144 Milan +49 39 02 833 8371

RESTAURANTS Artemis Grill Organic Medterranean cuisine Capital Green Rooftop Level 40, Market Street 138 048946 Singapore +65 6635 8677 Lewin Terrace Japenese-French fusion Lewin terrace Singapore 21 179290 Singapore +65 6333 9905 HOTELS Naumi Seah Street 41 188396 Singapore +65 6403 6000 The Fullerton Hotel Fullerton Square 1 049178 Singapore +65 6733 8388


AGENDA

Julius Baer Gold Cup (Dubai Open) Dubai | United Arab Emirates 7  –  14 April 2017

Hosted at the prestigious Dubai Polo & Equestrian Club in the Arabian Ranches, the annual Dubai Open is one of the most highly anticipated equestrian events in the Middle East. The Dubai Open is part of the Gold Cup Series and immediately follows the Dubai Gold Cup. Recognised by the World Polo Tour in 2012, the tournament is now in its eighth year and has grown significantly since its inception. The eighteen-goal handicap competition is now the highest handicapped event in the Middle East, Africa and Asia, ranking it among the best polo tournaments worldwide.

www.dubaipologoldcup.com

Monte-Carlo Rolex Masters Roquebrune-Cap-Martin | France 15  –  23 April 2017

Save the Date

The Elite London 11 – 13 May 2017 London, United Kingdom Cannes Film Festival 17 – 28 May 2017 Cannes, France

The event of the season in men’s tennis, the Monte-Carlo Rolex Masters annually draws thousands of spectators. First held in 1897, the tournament is a player and fan favourite due to its magnificent location at the Monte-Carlo Country Club and long tradition of champions, with Spain’s Rafael Nadal claiming his ninth title in 2016. In addition to matches on the courts, this year’s event will include a special day dedicated to children, with an array of activities for visitors of all ages, and a gala dinner at the Salle des Etoiles Sporting Monte Carlo. www.montecarlotennismasters.com

RESTAURANTS

RESTAURANTS

RÜYA

NOBU

Anatolian cuisine Grosvenor House Al Sufouh Road, Dubai +971 4 3999 123 Le Patio Contemporary Arabic flavours St. Regis Dubai Al Habtoor City Sheikh Zayed Road, Dubai +971 4 435 5577 HOTELS Armani Hotel Dubai Burj Khalifa, Dubai +971 4 888 3888 The Ritz-Carlton Dubai Jumeirah Beach Residence, Dubai +971 4 399 4000

Japanese cuisine Avenue des Spélugues 12 98000 Monte Carlo +377 93 50 6500 JOEL ROBUCHON

French cuisine Avenue de la Madone 4 98000 Monte Carlo +377 93 15 15 10 HOTELS Fairmont Monte Carlo Avenue des Spélugues 12 98000 Monte Carlo +377 93 50 65 00 Port Palace Avenue Kennedy 7 98000 Monte Carlo +377 979 79 000

The French Open 22 May – 11 June 2017 Paris, France Monaco F1 Grand Prix 25 – 28 May 2017 Monte-Carlo, Monaco Loro Piana Superyacht Regatta 30 May – 3 June 2017 Porto Cervo, Italy Les Voiles d’Antibes 31 May – 4 June 2017 Antibes, France Canadian F1 Grand Prix 9 – 11 June 2017 Montreal, Canada Bol d’Or Mirabaud 16 – 18 June 2017 Geneva, Switzerland America’s Cup 26 May – 27 June 2017 Bermuda, British Island The Open 16 – 23 July 2017 Southport, England Polo Masters Open de Gassin 20 – 30 July 2017 Saint-Tropez, France

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AVIATION NEWS

Super Versatile Pilatus PC-24 No airstrip is too rough or too small for this new breed of business jet The PC-24 is a Swiss-built plane that combines the versatility of a turboprop and the performance of a light jet whilst still maintaining a generously sized cabin. It can operate from paved or unpaved runways as short as 820 metres, enabling passengers to fly closer to their destinations than ever before. PC-24’s high level of mobility provides access to almost every airport in the world and reduces ground transfer time to the bare minimum. The first business jet with a standard pallet-sized cargo door, it provides easy loading of bulky items as well as inflight access to the baggage compartment. The PC-24 can be flown by two pilots but is also certified for single-pilot operation. The intuitive user-friendly cockpit environment is designed to reduce workload and comes with a Synthetic Vision System, Autothrottle, Graphical Flight Planning, a Traffic Collision Avoidance System and more as

standard equipment. Designed for reconfiguration, the interior cabin has passenger seats that are easily added and removed. The aft partition is also movable which allows the passenger cabin or baggage compartment to be enlarged as necessary for each flight. The Quiet Power Mode function provides noiseless economical energy to power electrical systems – including heating and air conditioning – independent of any source of ground power. The innovative versatility of the PC-24 make it a good option for a number of roles, including cargo, medevac, commuter or governmental special-mission applications.

Inflight wireless boost Faster inflight internet speeds for American business travellers In 2018, Gogo inflight wireless internet services for North American business and commercial aircraft will be getting a significant network boost to speeds of 90

LU X AV I AT I O N M AGA Z I N E

more than 100 Mbps. In an effort to allow travellers to maintain an uninterrupted digital lifestyle, passengers will soon be able to enjoy inflight streaming video

on multiple devices as well as calling and texting from their smartphone. The current Gogo Biz 4G network has an exclusive air-to-ground service (ATG) that delivers connectivity all over the continental US. Through utilisation of their existing infrastructure of more than 250 towers, airlines will be able to upgrade their current Gogo technology to this next generation network with the simple addition of a new modem and antenna.


AVIATION NEWS

EHang 184 The world’s first passenger drone ushers in a new era of urban transportation Since its unveiling at the 2016 consumer technology show in Las Vegas, the EHang 184 Autonomous Aerial Vehicle (AAV) has attracted a lot of attention around the globe. This innovative technology start up is pioneering a programme that would bring the world one step closer to autonomous-manned aircraft in urban locations. Similar to the concept of a self-driving car, no piloting is required, as the routes it takes are programmed before take off. The comprehensive flight safety management

Your 2017 Aviation Shows

system is designed with extra components that ensure if one part of the power system begins operating abnormally, the vehicle can still continue its normal flight plan, ensuring the safety of the vehicle and the passenger. Additionally, if any components malfunction or disconnect, the aircraft will immediately land in the nearest possible area. Equipped with automated smart-flight technology, a simple yet advanced application system allows the 184 AAV to initiate take off and landing with a single click. Pre-set landing

targets are accurately and automatically identified by the landing camera. Each AAV is made to be monitored in real time by ground staff at the command and control centre. In case of extreme weather, the AAV will either be prevented from taking off or helped to land safely. Designed with green technology, it is totally electric and has a charge time of twenty-five minutes. Its cruising speed is around 100 kilometres per hour and it can remain airborne for a maximum flight time of twenty-three minutes.

EBACE

Jet Expo

Geneva | Switzerland 22–24 May 2017

Moscow | Russia October 2017

ABACE

International Paris Air Show

Shanghai | China 11–13 April 2017

Le Bourget | France 19–25 June 2017

NBAA-BACE Las Vegas | United States

10–12 October 2017

Gulfstream G600 Speed, range and a flexible flight deck The G600 made its debut flight ahead of schedule on 17 December 2016. As part of its test-flight programme the official launch took off from the Savannah/Hilton Head International Airport and spent 2:53 in the air. The clean-sheet designed airframe is optimised for speed and range with a specially designed engine from Pratt & Whitney Canada that achieves greatly reduced noise levels and emissions. The G600 can reach speeds of Mach 0.925 and has a maximum range of 6,200 nautical miles (11,500 kilometres). The new Symmetry Flight DeckTM controls include ten interchangeable touch screen display tablets and two active control side sticks. The G600 is expected to enter service in 2018, one year ahead of its initial plans for a 2019 entry. XC E L L E N C E

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LUXAVIATION FLEET ­

BUSINESS LINER

× 4

ULTRA LONG RANGE JET × 68

LARGE JET × 62

MIDSIZE JET × 28

LIGHT JET × 37

VERY LIGHT JET × 13

265 TOTAL NUMBER OF AIRCRAFT

92

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TURBO PROP × 34

HELICOPTER

× 6


LUXAVIATION FLEET ­

1× Airbus ACJ320 1x Mc Donnell Douglas MD 87

1x Boeing 737-600 1x Embraer Lineage 1000

10x Global 6000 12x Global 5000 19x Global Express

3x Challenger 850 5x Gulfstream 650 4x Gulfstream 550

15x Falcon 7X

2x Gulfstream IVSP 4x Gulfstream 450 11x Falcon 900

14x Falcon 2000 9x Legacy 600 4x Legacy 650

7x Challenger 605 10x Challenger 604 1x Challenger 601

1x Hawker 4000 3x Hawker 800

2x Falcon 50EX 2x Challenger 350 9x Challenger 300 1x Gulfstream 280

2x Learjet 75 5x Learjet 60 2x Citation Sovereign 1x Citation III

1x Hawker 400 4x Learjet 45 14x Citation Excel

2x Citation II 3x Phenom 300 6x Citation CJ2

4x Citation Mustang 3x Citation CJ1

5x Premier 1

5x Piper Cheyenne 1x 208B Supervan 1x 208B Grand Caravan

2x King Air 350 7x Super King Air 200 1x Piaggio Avanti

1x Eurocopter EC1551 1x Eurocopter EC135 1x Agusta AW119

2x Agusta AW139 1x Agusta A109 Power

7x Citation CJ3

16x Pilatus PC12 2x Piper Mirage/ Malibu

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LUXAVIATION WORLDWIDE

­

COPENHAGEN

CAMBRIDGE EINDHOVEN LONDON KORTRIJK BRUSSELS

BERLIN PADERBORN

LUXEMBOURG

PARIS

ZÜRICH

MUNICH

GENEVA

GIRONA BARCELONA

LISBON

MONTERREY TOLUCA

VALENCIA

IBIZA

PALMA

MIAMI SINT MAARTEN

LAGOS

Office Locations Fixed Base Operations (FBO) Air Operator Certificate (AOC) Maintenance (MRO) Charter Completions Consulting Aircraft Management services offered globally For contact details – refer to office locations page

94

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LUXAVIATION WORLDWIDE ­

MOSCOW

TIANJIN

ISTANBUL

NEW DELHI RIYADH

DUBAI

HONG KONG

SINGAPORE

KUALA LUMPUR

BALI

JOHANNESBURG CAPE TOWN

PERTH SYDNEY MELBOURNE WELLINGTON

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OFFICE LOCATIONS ­

Luxaviation Group Head Office 4a, rue Albert Borschette L - 1246 Luxembourg info@luxaviation.com

ASIA

Brussels, Belgium T +32 2 720 58 80 charter.belgium@luxaviation.com

Bali, Indonesia T +62 81 558 408 883 fbo.wadd@execujet.co.id

Büren, Germany T +49 29 557 4882 28 charter.germany@luxaviation.com

Kuala Lumpur, Malaysia T +603 7845 6800 support@execujet.com.my

Geneva, Switzerland T +41 22 707 19 27 charter.switzerland@luxaviation.com

Tianjin, China T +86 22 5835 3503 services@execujet.net.cn

Lisbon, Portugal T +351 21 002 6860

Singapore, Singapore T +65 6808 6305 enquiries@execujet.com.sg

Luxembourg, Luxembourg T +352 42 52 52 charter.luxembourg@luxaviation.com Paris Le Bourget, France T +33 1 48 35 90 90 charter.france@luxaviation.com Stapleford, United Kingdom T +44 1708 688420 quotes@flylea.com Singapore, Singapore T +65 6816 0369 info.asia@luxaviation.com ExecuJet Head Office ExecuJet Europe AG ExecuJet Aviation Centre PO Box 1 8058 Zürich-Airport, Switzerland T +41 44 804 1616 enquiries@execujet.eu AFRICA Cape Town, South Africa T +27 21 934 5764 enquiries@execujet.co.za Johannesburg, South Africa T +27 11 516 2300 enquiries@execujet.co.za Lagos, Nigeria T +234 1295 5110 enquiries@execujet.com.ng

Delhi, India T +91 11 2341 8199 vidp@birdexecujet.in

AUSTRALASIA Melbourne, Australia T +61 3 9937 2000 enquiries@execujet.com.au Perth, Australia T +61 8 6144 3100 enquiries@execujet.com.au Sydney, Australia T +61 2 9693 0800 enquiries@execujet.com.au Wellington, New Zealand T +64 4 387 7738 enquiries@execujet.co.nz

LU X AV I AT I O N M AGA Z I N E

Moscow, Russia T +7 495 637 2617 enquiries.ru@execujet.eu Munich, Germany T +49 89 975 95800 enquiries@execujet.eu Palma de Mallorca, Spain T +34 971 12 69 31 commercial@execujet.eu Valencia, Spain T +34 96 159 83 92 enquiries@execujet.eu MIDDLE EAST Dubai, United Arab Emirates (Dubai International) T +971 4 601 6300 enquiries@execujet-me.com Dubai, United Arab Emirates (DWC) T +971 4 601 6363 fbo.omdb@execujet-me.com Istanbul, Turkey (Ataturk) T +90 212 465 37 95 istops@bilenair.com.tr Istanbul, Turkey (Sabiha Gokcen) T +90 216 588 0610 sawops@bilenair.com.tr

EUROPE

Riyadh, Saudi Arabia T +966 11 220 0218 fbo.oerk@nasexecujet.com

Barcelona, Spain T +34 93 298 33 73 fbo.lebl@execujet.eu

THE AMERICAS / CARIBBEAN

Berlin, Germany T +49 30 8875 4700 enquiries@execujet.eu Cambridge, United Kingdom T +44 1 223 399 661 enquiries@execujet.eu Copenhagen, Denmark T +45 46 141 516 enquiries@execujet.eu Geneva, Switzerland T +41 22 710 44 34 enquiries@execujet.eu Girona, Spain T +34 93 298 3373 enquiries@execujet.eu

96

Ibiza, Spain T +34 971 80 91 51 enquiries@execujet.eu

Miami, USA info@luxaviation.com Monterrey, Mexico T +52 81 8369 0909 enquiries@execujetmexico.com St. Maarten, Caribbean T +172 154 69 00 852@tlc-aviation.com Toluca, Mexico T +52 722 273 0003 enquiries@execujetmexico.com

For full details of locations, services and contacts, please visit: www.luxaviation.com


MARCH 23 – 30, 2017 BASEL – SWITZERLAND

Witness the

DAWN OF TRENDS Baselworld is the single-most important trendsetting

market and witness the start of a new trendsetting cycle

show for the world’s watch and jewellery industry.

for the year.

What makes it unmissable is the fact that only here will you find all the key players representing every sector

Seize the unique opportunity to experience the interplay

of the industry together under one roof. Baselworld is

of passion and precision to create perfection. We

where the most prestigious international brands

invite you to join us at Baselworld, where you will be

unveil their innovations, creations and new collections

awe-struck by the spectacular pavilions, amazed at the

in the presence of world-class buyers and the global

new collections, and be amongst those who are a part of

press, all of whom unite here to take the pulse of the

history in the making!

See you at Baselworld 2017

BASELWORLD.COM


MORE THAN 3 MILLION KM2 PROTECTED

©Photograph: Masa Ushioda, « Reaching out », Fifty Fathoms Edition 2009

BLANCPAIN HAS CONTRIBUTED TO DOUBLING THE PROTECTED OCEAN SURFACE AREA

Fifty Fathoms Bathyscaphe

RAISE AWARENESS, TRANSMIT OUR PASSION, HELP PROTECT THE OCEAN www.blancpain-ocean-commitment.com

BLANCPAIN BOUTIQUES ABU DHABI · BEIJING · CANNES · DUBAI · GENEVA · HONG KONG · LAS VEGAS · LONDON · MACAU MADRID · MANAMA · MOSCOW · MUNICH · NEW YORK · PARIS · SEOUL · SHANGHAI · SINGAPORE · TAIPEI · TOKYO · ZURICH www.blancpain.com


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