N I D H I R A D A D I A SCIHPARGERUTCETIHCRAROIRETNIII S E L E C T E D W O R K S ACADEMIC PORTFOLIO 2 0 1 7 - 2 0 2 2
2 N I D H I R A D A D I A I n t e r i o r D e s i g n e r Profile: Name & D.O.B. Contact No. NationalityAddressEmail & Language Nidhi Radadia, March 06,1999 37,nradadia99@gmail.com8469151955Sahyogsociety,Sumul dairy road, English,Indian;Surat,Gujarat.Hindi& Gujarati (Mother Tongue) nidhi.radadia.bid17@cept.ac.in Personal Information: ACCOMPLISHMENTSINTERESTSEDUCATIONI completed a five-year program for a bachelor’s in interior design in 2022 at the Faculty of Design, CEPT University, Ahmedabad. I believe that design and lifestyle go hand in hand for the experience and comfort of a user. My focus for a successful design project lies within a strong relationship between program and context, function, form, and materiality with a way of construction and minimal details. 2017-2022 Bachelor of Interior Design. Faculty of design CEPT university, Ahmdabad. 2015-2017 HSC lourdes convent girls school (GSCB) Surat 2008-2015 SSC and Primary education Ryan international school, (CBSE) Surat Skating & Swimming Line drawing (in miscellaneous) MerchandisingOrigami (foundation day graphics) Trekking & Hiking Classical dance & music 5 years course in classical music (instrument- Harmonium) 2007 BHARATNATYAM 6 years completed in classical dance 2009 FUNDAMENTALS OF GRAPHIC DESIGN Coursera Online course 2020 INTRODUCTION TO TYPOGRAPHY Coursera Online course 2020
3 C U R R I C U L U M V I T A E JOURNEY OF MY WAYS IN SEEING DESIGN SOFTWARESSKILLS EXPERIENCE (selected) CURRICULUM VITAE DESIGN SKILLS & COURSES Concept development Spatial visualization Space planning & Organization Diagramming & Analysis Graphical representation Design research Case study analysis Furniture MuralResearchdesignwritingdesignand execution INTERIOR INTERN OpenIdeas Architects, Ahmedabad Academic Internship - 7 months (dec 2020-jun 2021) WALL MURALS Conceptualization, Client meeting, Designing and Execution. AT TTECH, INDIA- 60’X12’ Short Project for 25 days, summer 2019 For Ar. Errol Reubens JR. (Commercial space) Pg-60,61 AT BRICK HOMES, INDIA-176 sq ft area Project of 2 weeks, 2019-2020 For Designer Anjan Thakore. (Residential space) Pg-60,61 GRAPHICS (CEPT University) Conceptual, Execution, Merchandise 29th foundation day graphics work of 7 days, 2019 Pg-58 31st foundation day graphics work of 10 days, 2019 Led the graphic and merchandising team Pg-59 INSTALLATION (CEPT University) LAMP INSTALLATION (Navaratri) 2017 Project of 14 days, Cept Campus Pg- 64 WEDDING DECOR (Group of two) Wedding at SHAH’S - Grah-shanti DECOR (2021) Theme design, element design & execution Pg- 63 Wedding at VIBHAKAR’S - WEDDING DECOR (2021) Theme design, element design & execution Pg- 63 WORKSHOPS & OTHER SKILLS GlassClay/CeramicsBambooWood&PhysicalHandSketchingdraftingmodelingmetalworkshopmodelingworkshopworkshop Hunnarshala workshop- flooring and finishes
4
For the purpose of obtaining the student entry visa, we certify that student Nidhi Rajeshkumar Radadia from CEPT University, in India, has been accepted as an international student to carry out a n international mobility period at the Instituto Politécnico de Castelo Branco between October 2020 until February 2021. We further declare that this student will be included in the nominal list of students enrolled in IPCB, in accordance with no. 1 of article 5 of the Higher Education Ministry Order no. 111/2019. Castelo Branco, May 12, 2020. Conceição Baptista Institutional Coordinator of the International Mobility’s Programmes
5 DECLARATION
6
Errol Reubens Associates 7
This is to certify that MS NIDHI RAJESHKUMAR RADADIA has worked on a mural project for Mr. Kartik Patel’s residence for Designing and painting the mural in Ahmedabad.
The project involved complete execution including designing, interaction with the client, painting and final finishing to the complete satisfaction of the client. I wish her all success in her future career.
B R I C K H O M E S M U R A l
The work involved creating the mural of size 176sq ft area based on the theme of my interpretation of Nature with elements where Kartik patel’s family had their best momories.
8 CERTIFICATE
9 O N L I N E C O U R S E C E R T I F I C A T E
10 CONTENTSEM10Pg12-19SEM9Pg20-27SEM8Pg28-33SEM7Pg34-37SEM6Pg38-43SEM4Pg44-49SEM5Pg50-53Pg56-65 LUXURISM A New Age Vocabulary in Interior Design Practices87654321 B R A N D B U I L D I N G Through spatial design O P E N - I D E A S ARCHITECTURE- Internship A D A P T I V E R E U S E Hospitality project IN-DETAIL Making and Realizing D E S I G N D E V E L O P M E N T A N D D E T A I L S Vintage car museume E X P E D I T I O N I N M E T A L S Hands on Sketching,Metalmurals, graphics, event design M I S C E L L A N E O U S W O R K S Ps-click on studio title in content list for more work
11
SITE
Skill- Sketching, model making, Photoshop, autocade2d, Sketch up, Enscape 10
LUXURISM
The studio focuses on Role of Luxury in the field and practice of interior design. Space as an outcome of the relationship between luxury and its expression through finishes, ornamentation, materiality, light, and craftsmanship. Practicing design knowledge through systematic and structured explorations. Resolution of modes of experience in the construction and fabrication of interior space, where interior elements become agents to test the feasibility of luxuria as a medium of defining new age vocabularies to set contemporary trends.
FOCUS- developing a new perspective towards new age luxurious interior
12 1
TUTOR- Prof. Kireet Patel TA- Nidhi Ratani
SEM
A New Age Vocabulary in Interior Design Practices - Woxsen University library, Hyderabad AREA- 1500 sq m
I have derived that when the form of a space is visually and structurally detached from the existing building, which creates a visual hierarchy through material density/ difference in-line weights/create depth and also acts as a stand-alone structure which have its personalities and features to generate a visual statement as a whole.
Gradual decrease in the opacity of the places as it create the form of a cube Structure of the cubes through edges- invisibility of edges CUBE
With the help of bellow commitments for luxury visually Comparativedetachedmaterial composition
Placing in contrast with the raw materials with lust-rarefinished materials to overpower the properties and the meaning of those finishes with the spatial arrangement of the elements which attains luxury in its own. Spacial Theme
LUXURY IN A
13Semester 10 L U X U R I S M - Y O U N G M U S I C H U B AREA- 1500 sq m MY POSITION FOR LUXURIOUS INTERIOR
CURTAINING TERRACES
Cube of triangulated textured glass/felxi-acrylic Offset frosted glass surfaces which creates a cube Surface treatment which creates depth in all the 6 surfaces Intersection of transluted planes with the help of lights inserted with plane
PROGRAM BIFURCATION & SPATIAL ARRANGEMENT live stageconcrete Banner area +music box’s CAFE ROOMSPRACTICEPRIVATEMUSEUM
14 20mm metal box section 100MM METAL I NylonSECTIONthread OUTSIDE INSIDE 4mm yellow led4mmlight yellow ledTexturedlight flexi acrylic flexi acrylic black galvanized metalmetalplatesglass studs 30 mm white marble flooring A’/B’A/B 1 2 3 4 1- CONCRETE BAN NER AREA 2- MUSIC BOX1 AND 2 3- YOUNG MUSICIAN 4-MUSEUMCAFEKITCHEN LOWER GROUND FLOOR PART PLAN (BASEMENT) Ant Eye View In Young Music Museum Showing Verticality In Space Because of the conical form of the practice room Showing central element in museum which is visually detached and structurally attached ANT EYE VIEW 2 POINT PERSPECTIVE
15Semester 10 ++_12950mm+-+-3000mm0.00mm4575mm+_17370mm SECTION AA’ Young SittingConcertMuseumMusicPrivatePracticeRoomarea Section from young music museum to private practice rooms to concert sitting area on the third floor The conical form of the private practice room is attained to maintain the Eco of the sound while rehearsing
16 +-11700mm+-12950mm Section from banner area with craft shop area above it with cafe sitting mezzanine above the music box This section mostly showcase how i have tried to incorporate my commitment of luxury structurally in each interior element SECTION BB’ LIVE MUSIC CONCERT AREA SHOPBANNERAREADISPLAY AREA MUSICCAFEBOXSITTING +-4350mm+-00
17Semester 10 +-11700mm+-12950mm WOODEN PLANKS WITH METAL JOINTSRODE Circular pillar with interiorverticalelement+-4350mm00 DETAIL- BANNER LIGHTING DETAIL- SHOP SHELVING SYSTEM 4mmledyellowlight Metal corrugated sheet Metal studs Metal I MetalCladdingPUsectionsheetplatemembersMetalplateMetalplatemetalplateclear glass MetalMetalcablesrings BlackmetalgalvanizedplatemetalgalvanizedBlackplate blackglassmetalgalvanizedsheetsupports 2- RECEPTION AND TICKET1-COUNTERCOMMON AREA 3- SHOP SHELVING SYSTEM 4- CAFE SITTING 5- PRIVATE PRACTICE 6-ROOM-1PRIVATE PRACTICE ROOM-2A’/B’A/B GROUND FLOOR PLAN ENTRY 1 2 4 3 5 6 2 POINT PERSPECTIVE 2 POINT PERSPECTIVE from the cafe into the banner display of young mu sicians with mirrored pillars Between the vertical planes in the banner area of the building
18M I D S E M E S T E R W O R K - S E M 10 Strategy- VERTICAL opening glass facade for shop to get the first look to the statement element of the shop Strategy- VERTICAL opening the glass facade but not continuing for full height but stopping before giving Designing of interior elements TERRACOTTA AND TEXTILE TOY SHOP adjacent to LOUNGE BAR Visually detached Through Material density Individuality Line weights Depth Structurally Visual hierarchy INTERVENE THE ARRAY FROSTED GLASS BLACK METAL BOX SECTIONS METAL RODS CLEARBRASSGLASS How verticality of the space is enhanced by one central element shop and lounge area elements in context with adjustment lounge area SECTION BB’ SECTION EE’’
19Semester 10 2 POINT PERSPECTIVE - showing textile toys display system in highlight
The central arrangement of space is emphasizing the volume of the given site and dividing the space in three different zones.
The acrylic material rack system for bar arrangement act as a visual detachment from the celling element of the lounge bar Rendered View Of Central Rack As A Part Of Central Ceiling Element in lounge area
20 2 TUTOR- Ruchi Mehta TA- Urvashi Gurubaxani FOCUS- Brand study and application through spatial design This studio focused on the interpretation of an Online based brand to maintain its brand awareness and exclusive collection by creating a luxurious destination for selection of diversified/westernized silk apparels showcasing artisan’s way of detailing the product in retail space. Process- brand study, Brand target audience, generating success matrix, case studies, vm strategies, eg generations. Skill- Sketching, Photoshop, autocade2d, Sketchup 3d, Enscape, Illustrator. SEM 9 SITE- DLF Promenade, ground floor, Delhi AREA-5270 sq ft B R A N D B U I L D I N G T h r o u g h s p a t i a l d e s i g n
21Semester 9
Collection module arrangement Store entry + first impression Up- cycle- sari workstation Cash Counter Customization area An open circulation layout, where customers can choose their way, or find their path to discover newly crafted silk apparels The entry to the store is in such a way that generates a sense of discovery while entering the store with two store windows to give some pick shots of new collection and interior's while being outside.Home Decor area
CUSTOMER JOURNEY OPENINGS IN THE STORE
STORE FRONT ENTRY SPACE ANNOTATION
Home Decor area CUSTOMER JOURNEY OPENINGS IN THE STORE
Collection cycle- sari workstation An open circulation layout, where customers can choose their way, or find their path to discover newly crafted silk apparels The entry to the store is in such a way that generates a sense of discovery while entering the store with two store windows to give some pick shots of new collection and interior's while being outside.
module arrangement Store entry + first impression Up-
SPACE ANNOTATION
Cash Counter Customization area
SECTION AA’ Module for scarfs Module for apparel Up-cycleworkstationmaking AXONOMETRIC MODEL
Each module contains a comfortable couch to seat and have a look at the collections with intimate entrance in the store to create cu
A vertical surface divides the whole store but also acts as a center of attraction
Creating curiosity in the customer's mind
counter Home
modules are Placed in a way that a customer can easily see all the collections in one view
Mannequin display has a backdrop showcasing brands image of up-cycling waste Saree’s
Cash sectionDecor apparelEXCLUSIVEsection
Each module contains a display of apparel, scarfs, and a brief board of the collection
27Semester 9
Open-Ideas Architecture is a multidisciplinary design studio based in Ahmadabad & Surat initiated in 2009 ,led by Monarch Champaneri, Nilesh Gajera & Niralee Champaneri.
Detailed working drawings, from the furniture layout to each groove to be executed on-site in one Drawing. Majority of the working Drawings are sent directly to the site execution and overall presentation of the design were sent to the client only. Detailing spaces with different kinds of materials available in the market has opened my eyes for exploration and experimenting with different textures in a space. Skill- Sketch-up modeling, Photoshop, autocade2d. E N - I D E A S
SEM 8 O P
ARCHITECTURE
28 3
29Semester 8 1 DOOR1:15 PLAN A3A 150 14251525 805 2584025 X PLANKSWOODEN25MM25 X FRAMEMETAL50MM PACKOUSIDEINSIDE 2 ELEVATION1:15 A 25 585 8 1165 8 585 25 6 490 64952400HANDLEPLANKSRODEMETALSHEET8MMMS50X25MMWOODENPACK 6 25 15 25 PACK 15 25 15 2525 64 6 4 8 12 25MM X METAL50MMBOXSECTION8MMMSROD25X25MMWOODENPLANKS12MMPLY4X4MMGROOVE 3 DETAIL1:5 A 25 OUTSIDEINSIDE General Notes 2. DO NOT SCALE THE DRAWING FOR ANY MEASUREMENTS.REFER ONLY TO THE DIMENSIONS 3. IF THERE IS ANY DISCREPANCY BETWEEN ARCHITECTURAL DRAWINGS OR ANY OTHER COMMENCEMENT OF THE WORK. SPECIFIED CONCILIATIONOTHERWISE.WITHARCHITECTURAL DRAWING. 6. CHICKENMESH TO BE PROVIDED AT EVERY JUNCTION OF BRICK AND CONCRETE, TO BE 7. STRUCTURAL ENGINEER SHOULD BE APPROVED THE SITE CONDITION BEFORE ERECTION OF STRUCTURAL STEEL COMPONENTS AND ALL CASTING OF CONCRETE. 8. SOIL TESTING TO BE CARRIED OUT BEFORE COMMENCEMENT OF THE FOUNDATION.ANY STRUCTURAL ENGINEER. MAKING ANY DEVIATIONS FROM THE DRAWINGS.. 10. CONTRACTOR SHALL ENSURE THAT THE CONSTRUCTION IS HAPPENING BASED ON THE 906-BROOKLYN TOWER, NR. YMCA CLUB, S G HIGHWAY, AHMEDABAD. 380051 PHONE 079 66118910 Email-info@openideas.co.in A R C H E C T S KEY SCALEPLANDRAWNDATE: REVSIZEDRAWING ELECTRICALPROJECTDRAWINGNUMBER.TITLE:CONSTRUCTIONDOCUMENTS:NO:ARCHITECTS:STRUCTURALCONSULTANT:CLIENT:PROJECT:PLUMBINGCONSULTANT:CONSULTANT:LANDSCAPECONSULTANT:REV.REMARKSDATE DEALT DATE:CHECKED DATE:AUTHORIZED ANIL BHAI COMMON DOOR DETAIL ANIL N.R.RESIDENCEBHAI INDICATED M.C. A4 H.T. 15.04.21 R1 15.04.21 15.04.21 1 PLAN1:15 A 250 50 1800 50 250 2400 150600150900 3A3A25 MM BOARDERWOODENPATTITILETOP 325675 1000 500 PACKING4B4BCM MANAGERCABLE 380 2100 2 ELEVATION1:15 A 2400 50 25 2 2345 2 25 25050250 150 55050 60050700300400750 500 50 400 50 500 25 MM BOARDERWOODENPATTITILE TOP 501800 10MM WOODEN PATTI 4MM GROOVE 750 2300 50 3 SECTION1:15 A SHUTTER SHUTTER PACKINGVENEERFINISH5010055050 50 800 50 900 150 600 150 750 4 X TILEGROOVE4MMTOP 100020 315 315 20 325 5010055050 50 800 50 900 150 600 150 750 SHELVESHELVE PACKING202452024520 20 635 20 305 201000 4 SECTION1:15 B General Notes 1. ALL MEASUREMENTS ARE IN MILLIMETER. 2. DO NOT SCALE THE DRAWING FOR ANY MEASUREMENTS.REFER ONLY TO THE DIMENSIONS DISCREPANCY TO BE BROUGHT TO THE NOTICE OF THE ARCHITECT BEFORE SPECIFIED CONCILIATIONOTHERWISE.WITHARCHITECTURAL DRAWING. 6. CHICKENMESH TO BE PROVIDED AT EVERY JUNCTION OF BRICK AND CONCRETE, TO BE STRUCTURAL STEEL COMPONENTS AND ALL CASTING OF CONCRETE. 8. SOIL TESTING TO BE CARRIED OUT BEFORE COMMENCEMENT OF THE FOUNDATION.ANY 9. CONTRACTOR SHALL INFORM AND OBTAIN PERMISSION FROM THE ARCHITECT BEFORE MOST UPDATED REVISED DRAWINGS. 906-BROOKLYN TOWER, NR. YMCA CLUB, S G HIGHWAY, AHMEDABAD. 380051 PHONE 079 66118910 Email-info@openideas.co.in KEY SCALEPLANDRAWNDATE: REVSIZEDRAWING ELECTRICALPROJECTDRAWINGNUMBER.TITLE:CONSTRUCTIONDOCUMENTS:NO:ARCHITECTS:STRUCTURALCONSULTANT:CLIENT:PROJECT:PLUMBINGCONSULTANT:CONSULTANT:LANDSCAPECONSULTANT:REV.REMARKSDATE DEALT DATE:CHECKED DATE:AUTHORIZED OFFICE 22.04.21N.R.INFINITYSPACEIMPEXINDICATEDAS A3 OI-9719 MAIN CABIN DESKH.T. N.G. 22.04.21 22.04.21
30 1 F.F.1:30 KIDS ROOM TOILET PLAN C D A B 200 350 1100 500 2150 550 550 50 500 500 10001100 300 1200RR 1760 BASIN SHOWERCEILINGCEILINGDRAINERWC INSERTERTILEDRAINER NICHE 3001165 6 ELECTRICAL1:30 LAYOUT LIGHTNICHEWITH MIRRORWITHLIGHT @1200SB PROFILE LIGHT IN CEILINGACPCEILING150MMDOWNFROMSLABBOTTOM 550 1100 500 150430300300580 2150 880880 1760 DIVERTORSPOUT 2 ELEVATION1:30 A 350300300300300600600R150500130012003000 100 100 100 300300 1000 400 600 1000 1125 1025 A7 SHOWERCEILING ACP CEILING 150MM DOWN FROM SLAB BOTTOM 100 SP B8 BASIN 4 ELEVATION1:30 C ACP CEILING 150MM DOWN FROM SB SP 300300300300300600600R28501503000 MIXERBASIN MIRROR 800200150850 1000 3 ELEVATION1:30 B ACP CEILING 150MM DOWN FROM SB SP 30030063003006002388R28501503000 280 1200 280SP1760NICHE WITH LIGHT 300 335865 1200 C9 BOTTLETRAP525BASIN 3 ELEVATION1:30 B ACP CEILING 150MM DOWN FROM SB 300300300300300600600R165012001503000 150850 1000 150 1200 400 525 750 485 1760 WC MIXERBASIN 7 DETAIL1:5 A 50 GLASS5012MMOTALI TILE 4 CHAMPHERMMMORTAR40 10 100 8 DETAIL1:5 B MOTARWALL NICHE300TILEINDIRECT25MMLIGHTSTONE4X4MMGROOVE75 75 150 150 EXHAUSTPROFILELIGHTGRILLACPCEILING 7 DETAIL1:5 A 300 100 1200 600 1200MM X 600 MM TERRAZZO TILE AS PER SELECTION 100MM X300MM TILE AS SELECTIONPER General Notes DO NOT SCALE THE DRAWING FOR ANY MEASUREMENTS.REFER ONLY TO THE DIMENSIONS DISCREPANCY TO BE BROUGHT TO THE NOTICE OF THE ARCHITECT BEFORE ALL DIMENSIONS ARE FROM UNFINISHED SURFACE TO UNFINISHED SURFACE UNLESS SPECIFIED OTHERWISE. LEVEL TO BE DECIDED ON SITE WITH REFERANCE TO AVAILABLE FLOOR GRADIENT IN STRUCTURALPLASTERD. ENGINEER SHOULD BE APPROVED THE SITE CONDITION BEFORE ERECTION OF DEVIATION FROM THE SOILS REPORT SHALL BE BROUGHT TO ATTENTION TO THE STRUCTURAL ENGINEER. MAKING ANY DEVIATIONS FROM THE DRAWINGS.. 10. CONTRACTOR SHALL ENSURE THAT THE CONSTRUCTION IS HAPPENING BASED ON THE SHOWN. CONSULTANT:STRUCTURAL PLUMBINGCONSULTANT: Key Plan SCALE DATE:DRAWN REVSIZEDRAWING PROJECTDRAWINGNUMBER.TITLE:CONSTRUCTIONDOCUMENTS:NO:CHECKEDDATE: DATE:AUTHORIZED PROJECT:CLIENT: 906-BROOKLYN TOWER, NR. YMCA CLUB, S G HIGHWAY, AHMEDABAD. 380051 PHONE 079 66118910 Email-info@openideas.co.in ELECTRICALARCHITECTS:CONSULTANT: LANDSCAPECONSULTANT: REV. REMARKS DATE DEALT F.F. KIDS ROOM TOIELT DETAIL DRAWING AR.28MONARCHGP N.R M.C A3 OI-12320 31.05.2131.05.21A.S31.05.21 100 MM STONE WIDTH 6MM BRASS PATTI 3 ELEVATION1:40 A 11001770 465465 64015101200565 900 565 395245 4004004002MM COPPER PLATE STAMPDRAWERFINISH 3350 230170 STONESHELF 100 MM STONE WIDTH 6MM V GROOVE AC 4 ELEVATION1:40 B PLY PACK SKYLIGHT 645 900 645460CLADDINGVENEER3402710 MDFVENEER PACK4701906101630 575 985 985 6565 25200525 5 ELEVATION1:40 C 450 3350 25271055 640 HANDLEPATTIWOODENMDFGLASSWOODEN PAINT2100 DOMEVENEERØCEILING900 POP @ 640MM DOWN 2 CEILING1:40 ELECTRIC PLAN ONE WAY CASSETTE AC 640 560560 2190 2030 2953203201550 1435 295 CLADDINGVENEERSKYLIGHT 1 PLAN1:40 A B400C 4602302190 2880 2030 35 465 1100 465 35 5050 A7 700 200200 20075 SELECTIONSTONEASPER 140140PLATECOPPERSHELFSTONE2MM 6 DOOR1:40 PLAN 65 1970 65 2100 3030 925 100 STONE 66STONE 7 DETAIL1:10 A 6MM GROOVEV 6MM PLATEPATTIBRASST2MMCOPPER5MMGROOVE 55 145 General Notes 2. DO NOT SCALE THE DRAWING 3. IF THERE IS ANY DISCREPANCY DISCREPANCY TO BE BROUGHT COMMENCEMENT OF THE WORK. 4. ALL DIMENSIONS ARE FROM UNFINISHED SPECIFIED OTHERWISE. 5. LEVEL TO BE DECIDED ON SITE CONCILIATION WITH ARCHITECTURAL 6. CHICKENMESH TO BE PROVIDED PLASTERD. 7. STRUCTURAL ENGINEER SHOULD STRUCTURAL STEEL COMPONENTS 8. SOIL TESTING TO BE CARRIED DEVIATION FROM THE SOILS REPORT STRUCTURAL ENGINEER. MAKING ANY DEVIATIONS FROM 10. CONTRACTOR SHALL ENSURE SHOWN. S906-BROOKLYNGHIGHWAY,PHONE07966118910A KEY ELECTRICALPROJECTDRAWINGDRAWINGSCALEPLANDRAWNDATE:NUMBER.TITLE:CONSTRUCTIONDOCUMENTS:NO:ARCHITECTS:STRUCTURALCONSULTANT:CLIENT:PROJECT:CONSULTANT:REV.REMARKS PROPOSEDPUJAMR. N.R.24.03.21MENTIONEDAS
31Semester 8
32 7 3DNTSVIEW6 DETAIL1:10 B STONEWALLPACK NICHESTONE PROFILELIGHTSTONE 17019018 4 X GROOVE4MM 5 DETAIL1:10185165A GROOVE4STONEX4MMVENEERFINISHPROFILELIGHTPACKSTONE170SB 4 SECTION1:40 A 4 X GROOVE4MM 185220 GROOVE4FINISHPACKINGVENEERSTONEPROFILELIGHTX4MMSTONE SB 3 ELEVATION1:40 B 450 12004001400 925 1000 1230 3155 3000 3450 220230GROOVE4FINISHVENEERX4MMWOODENCEILING450MMDOWNASPERDETAIL FLUSH DOOR 4 X GROOVE4MM 100 2 ELEVATION1:40 A 415 715 715 715 715 1050 200 3270 1250 1785 4520 3300150 345012004001700150 360 21453000450 75 VENEERPELMETSTONEFINISHSTONENICHE4 GROOVEX4MM 4 GROOVEX4MM AC GRILL POP CEILING 150MM DETAIL PROFILELIGHT 1050 75 75 SWITCHBOARD PROFILELIGHT 2200 WOODEN CEILING 450MM FROMDOWNSB AS PER DETAIL 1050 4 X GROOVE4MM ML ML 1 PLAN1:40 A5 925 1000 1225 3085 10502145112520043204520 B GROOVEPROFILEALIGHTSTONESTONENICHEVENEERFINISHPACKSWITCHBOARD4X4MM FLUSH DOOR WITH VENEER FINISH 10501050 235019204C SB100 21202195 General Notes 1. ALL MEASUREMENTS ARE IN MILIMETER 2. DO NOT SCALE THE DRAWING FOR ANY MEASUREMENTS.REFER ONLY TO THE DIMENSIONS 3. IF THERE IS ANY DISCREPANCY BETWEEN ARCHITECTURAL DRAWINGS OR ANY OTHER COMMENCEMENT OF THE WORK. SPECIFIED CONCILIATIONOTHERWISE.WITHARCHITECTURAL DRAWING. 6. CHICKENMESH TO BE PROVIDED AT EVERY JUNCTION OF BRICK AND CONCRETE, TO BE 7. STRUCTURAL ENGINEER SHOULD BE APPROVED THE SITE CONDITION BEFORE ERECTION OF STRUCTURAL STEEL COMPONENTS AND ALL CASTING OF CONCRETE... 8. SOIL TESTING TO BE CARRIED OUT BEFORE COMMENCEMENT OF THE FOUNDATION.ANY STRUCTURAL ENGINEER. MAKING ANY DEVIATIONS FROM THE DRAWINGS.. 10. CONTRACTOR SHALL ENSURE THAT THE CONSTRUCTION IS HAPPENING BASED ON THE CONSULTANT:STRUCTURAL PLUMBINGCONSULTANT: Key Plan SCALE DATE:DRAWN REVSIZEDRAWING PROJECTDRAWINGNUMBER.TITLE:CONSTRUCTIONDOCUMENTS:NO:CHECKEDDATE: DATE:AUTHORIZED PROJECT:CLIENT: 906-BROOKLYN TOWER, S G HIGHWAY, AHMEDABAD. PHONE 079 66118910 Email-info@openideas.co.in A R C H T ELECTRICALARCHITECTS:CONSULTANT: LANDSCAPECONSULTANT: REV. REMARKS DEALT MR.RESIDENCEDASHRATHBHAI PATEL 16.03.21N.R.INDICATED A3 PRIYEN BHAI BEDROOM PANELING OI-8518 DOLMEN A.S. M.C. 16.03.21 16.03.21 BED- POLTRONA FRUA - COUP BED SIZE- 2350 X 1920MM SIDE TABLE- FROM CHINA SIZE- 460 X 460 X H460MM ML- MEGNETIC LIGHT
CHICKENMESH TO
FLOOR GRADIENT IN ALL DIMENSIONS
TO
General Notes 1. ALL MEASUREMENTS ARE IN MILLIMETER. 2. DO NOT SCALE THE DRAWING FOR ANY MEASUREMENTS.REFER ONLY TO THE DIMENSIONS DISCREPANCY TO BE BROUGHT TO THE NOTICE OF THE ARCHITECT BEFORE COMMENCEMENT OF THE WORK. 4. ALL DIMENSIONS ARE FROM UNFINISHED SURFACE TO UNFINISHED SURFACE UNLESS SPECIFIED OTHERWISE. 5. LEVEL TO BE DECIDED ON SITE WITH REFERANCE TO AVAILABLE FLOOR GRADIENT IN CONCILIATION WITH ARCHITECTURAL DRAWING. 6. CHICKENMESH TO BE PROVIDED AT EVERY JUNCTION OF BRICK AND CONCRETE, TO BE PLASTERD. 7. STRUCTURAL ENGINEER SHOULD BE APPROVED THE SITE CONDITION BEFORE ERECTION OF STRUCTURAL STEEL COMPONENTS AND ALL CASTING OF CONCRETE. 8. SOIL TESTING TO BE CARRIED OUT BEFORE COMMENCEMENT OF THE FOUNDATION.ANY DEVIATION FROM THE SOILS REPORT SHALL BE BROUGHT TO ATTENTION TO THE STRUCTURAL ENGINEER. 9. CONTRACTOR SHALL INFORM AND OBTAIN PERMISSION FROM THE ARCHITECT BEFORE 10. CONTRACTOR SHALL ENSURE THAT THE CONSTRUCTION IS HAPPENING BASED ON THE MOST UPDATED REVISED DRAWINGS. SHOWN. 906-BROOKLYN TOWER, NR. YMCA CLUB, S G HIGHWAY, AHMEDABAD. 380051 PHONE 079 66118910 Email-info@openideas.co.in OF CONCRETE. BE AT EVERY JUNCTION OF CONCRETE, LEVEL BE DECIDED ON SITE WITH REFERANCE TO AVAILABLE ARE FROM UNFINISHED SURFACE TO UNFINISHED SURFACE TO BE BROUGHT TO THE NOTICE OF THE THERE IS ANY
33Semester 8 12004001700 3300 150 3450 40 A5 NR. YMCA CLUB, AHMEDABAD.Email-info@openideas.co.in380051ECTS LANDSCAPECONSULTANT:
THE FOUNDATION.ANY STRUCTURAL STEEL COMPONENTS AND ALL CASTING OF
UNLESS DISCREPANCY
ARCHITECT BEFORE 3. IF
PROVIDED
BRICK AND
DISCREPANCY BETWEEN ARCHITECTURAL DRAWINGS OR ANY OTHER General Notes TO BE PLASTERD. G.F. TV UNIT 30.04.21N.R N.P A3 J.P RESIDENCEMUKESHBHAI30.04.21 30.04.21 INDICATED
A R C H T E C T S KEY SCALEPLANDRAWNDATE: REVSIZEDRAWING ELECTRICALPROJECTDRAWINGNUMBER.TITLE:CONSTRUCTIONDOCUMENTS:NO:ARCHITECTS:STRUCTURALCONSULTANT:CLIENT:PROJECT:PLUMBINGCONSULTANT:CONSULTANT:LANDSCAPECONSULTANT:REV.REMARKSDATE DEALT DATE:CHECKED DATE:AUTHORIZED MR.RESIDENCEDASHRATHBHAI PATEL 18.02.21N.R. A3 F.F.MIKUL BHAI BEDROOM PANELING OI-8518 DOLMEN R0 18.02.21 18.02.21 A.S. M.C. BED- GIORGETTI FRAME BED SIZE- 2180 X 2410MM SIDE TABLE- GIORGETTI FRME BESIDE TABLE SIZE- 650 X 512 X H440MM ML- MEGNETIC LIGHT SBSB SB 1 F.F.1:25 DAUGHTER'S BRDROOM PLAN A A3 1995 1800 1245 600 5040 1860270 21351305 5640 VENEERFINISH STONE PACK INDIRECTLIGHT VENEERFINISH 200 2200 2 ELEVATION1:25 A 1995 1800 1245 5040 220071029103003210 600 1305 10001200710 CEILING AT BEAM BOTTOM VENEER FINISH VENEER FINISHSTONE 4 X GROOVE4MM 4 X GROOVE4MM 2135 600 200 600 2200 3 DETAIL1:5 A 161820INDIRECTSTONELIGHTPLYVENEERFINISHWALL KEY PLAN SCALE DATE:DRAWN REVSIZEDRAWING PROJECT:PROJECTDRAWINGNUMBER.TITLE:CONSTRUCTIONDOCUMENTS:NO:ARCHITECTS:STRUCTURALCONSULTANT:CLIENT: 906-BROOKLYN TOWER, NR. YMCA CLUB, S G HIGHWAY, AHMEDABAD. 380051 PHONE 079 66118910 Email-info@openideas.co.in A R C H E C T S PLUMBINGCONSULTANT: ELECTRICALCONSULTANT: LANDSCAPECONSULTANT: REV. REMARKS DATE DEALT DATE:CHECKED DATE:AUTHORIZED MOST UPDATED REVISED DRAWINGS. MAKING ANY DEVIATIONS FROM THE DRAWINGS.. 9. CONTRACTOR SHALL INFORM AND OBTAIN PERMISSION FROM THE ARCHITECT BEFORE DEVIATION FROM THE SOILS REPORT SHALL BE BROUGHT TO ATTENTION TO THE 7. STRUCTURAL ENGINEER SHOULD BE APPROVED THE SITE CONDITION BEFORE ERECTION OF 5. LEVEL TO BE DECIDED ON SITE WITH REFERANCE TO AVAILABLE FLOOR GRADIENT IN SPECIFIED DISCREPANCYOTHERWISE.TOBEBROUGHT TO THE NOTICE OF THE ARCHITECT BEFORE 2. DO NOT SCALE THE DRAWING FOR ANY MEASUREMENTS.REFER ONLY TO THE DIMENSIONS 1. ALL MEASUREMENTS ARE IN MILLIMETER. General NotesF.F. DAUGHTER'S BEDROOMBED PANELLING 15.05.21N.R. N.P A3 MUKESHJ.P RESIDENCEBHAI15.05.21 15.05.21 600 2170 600 215 30245PACKING3370 STONE20MMVENEERFINISH4 X GROOVE4MM PROFILELIGHT 1 PLAN1:20 A 33BB 4 X GROOVE4MM SBSB 1685 140250 3001085575 3210200200850 600 2170 600 3370 4MM GROOVES AT 10MM DISTANCE ON VENEER WOODEN NICHE TV 1200 1250 2 ELEVATION1:20 A CEILING AT BEAM BOTTOM 140 50 TILE SKIRTINGWOODEN 950 1100 1085300GROOVESTONEFINISHVENEER20MM8MMWOOD4X4MMINDIRECTLIGHT NICHEPACKPACK1402501250 8 TV 3 SECTION1:20 B 215 CEILING AT BEAM BOTTOM 8 140 C4 2860 235 SKIRTING SBSB 1100950 INDIRECTSTONEPLYLIGHTPACK4X4MMGROOVEWOODENNICHEVENEERPACK4X4MMGROOVEVENEER4482358250140 20 12 4 DETAIL1:5 C KEY SCALEPLANDRAWNDATE: REVSIZEDRAWING PROJECTDRAWINGNUMBER.TITLE:CONSTRUCTIONDOCUMENTS:NO:ARCHITECTS:STRUCTURALCONSULTANT:CLIENT:PROJECT: 906-BROOKLYN TOWER, NR. YMCA CLUB, S G HIGHWAY, AHMEDABAD. 380051 PHONE 079 66118910 Email-info@openideas.co.in SHOWN. PLUMBINGCONSULTANT: ELECTRICALCONSULTANT: LANDSCAPECONSULTANT: REV. REMARKS DATE DEALT DATE:CHECKED DATE:AUTHORIZED MOST UPDATED REVISED DRAWINGS. 9. CONTRACTOR SHALL INFORM AND OBTAIN PERMISSION FROM THE ARCHITECT BEFORE STRUCTURAL ENGINEER. SOIL TESTING TO BE CARRIED OUT BEFORE COMMENCEMENT
SEM
34 4
TUTOR- Dexter Pereira TA- Shivam Vaidya FOCUS- adaptive reuse of the building in a ruined building by using reuse strategies. This studio focused on how and what are the strategies and criteria to refurbish in a built environment, while designing for a hospitality program, while studying the tourist/target audience with the culture and tradition of the location/city. Process- understanding the locality and attraction points for tourists and visitors, study of ruined building in use, case study of adaptive reuse projects. Skill- research and analysis, Photoshop, autocade2d, sketch-up. 7 SITE- RC Technical school, Delhi Chakla, Ahmedabad AREA- 2600 sq m
A D A P T I V E R E U S E H O S P I T A L I T Y P R O J E C T
35Semester 7 H E R I S T A Y H E R I T A G E H O T E L AREA- 2600 sq m ADAPTIVE REUSE STRATEGY As the building is sited in the old city of Ahmadabad, the concept of intersecting traditional craft and preserving the heritage of the building where the old architecture and the new intersects and give a new experience to the user with a modern touch. It comprises of 50-100 rooms including suits and presidential suits. BOUTIQUE HERITAGE HOTEL BOUTIQUE + HERITAGE HOTEL PUBLIC SPACES (Resident guest and visitors to hotel) -WAITING-RECEPTION-PARKING -RESTAURANT-LOBBYLOUNGE -CAFETERIA -BANQUET AND -RETAILDINNINGSHOPS -PUBLIC TOILETS COURTYARD SWIMMING POOL GYMNASIUM BARSPA PUBLIC TOILETS -GUEST ROOMS/ SUITES -TOILETS SEMI PUBLIC SPACES (resident guest and members only) PRIVATE SPACES (residents ony) THEY ARE GENERALLY SMALLER IN SIZE, AROUND 30-50 ROOMS WITH SUITES Heritage Hotel’s cover running hotels in palaces/castles/forts/ havelies/hunting loges/ residence of any size built prior to 1950. 50-100 rooms with Presidential and deluxe suites Keeping the aesthetics and ambiance of the old building with more luxury MAIN FOCUS- LUXURY AND INDIVIDUALITY (intimate compared to other hotels, making its service more personal than ever.) ALWAYS LOCATED IN THE HEART Of THE CITY location of the site -In the old city of ahmdabad -Proximity with the old heritage sites to visit -The site is located in the heart of the city MINGSWIMPOOL TIONRECEPAND SUITEROOMS/LOUNGE ROOMS SPA GYM CAFE AND RESTAU RANT AREA DISTRIDUTION BRIDGING THE GAP BETWEEN THE OLD AND THE NEW MODERN CITY AHMEDABAD OLD CITY OLD BUILDINGMODERNINTERIORMODERNINTERIOR OLD BUILDING WITH MODERN INTERIOR, WITH MODERN CONSTRUCTION STYLE OLDINTOGIESSTRATENEW NEWBUILDINGCITY NEW INSERTION NEW INSERTION, INSERTED WITHIN THE BUILDING CREATINGWITH JUSTAPOSITION INTERSECTION USER’S -GIVINGEXPERIENCETWODIFFERENT EXPERIENCE OF BOTH THE CITIES IN ONE HOTEL -INTERSECTION OF ARCHITECTURAL ELEMENTS IN A NEW WAY WHERE TWO DIFFERENT KINDS OF ELEMENTS ARE USED TO PROVIDE A NEW AMBIANCE. Insertion + juxtaposition COMBINED FLOOR PLAN FIRST FLOOR INSERTION INSIDE BUILDING INSERTION OUTSIDE BUILDING GROUND FLOOR BASEMENT FLOOR
36
37Semester 7
38 5 TUTOR- Vishal Wadhwani, Niyati Patel TA- Dhruv Thakkar FOCUS- 1:1 prototyping and furniture design process generation Design a furniture derived from an organic object by analyzing logics and attributes of the object surviving in all the possible scenarios in nature. Learning how to obtain optimized form, material and structure all together. Material optimization- 3d kite making Structural optimization- Bamboo stool Form optimization- obtaining optimum form of truncated cuboctahedron Skill- Sketching, model making, Photoshop, autocade2d, Rhino model SEM 6 IN-DETAIL M A K I N G I S R E A L I Z I N G
39Semester 6 D E T A C H A B L E C A N T I L E V E R E D S T O O L Furniture design CONCEPT OBJECT OF INSPIRATION - COCONUT LEAF WHAT AM HAVE DESIGNED? -Detachable cantilevered stool- attached to any di ameter of pole -detachable, folded, cantilevered. WHY I HAVE DESIGNED? In this busy time, with crowded streets, wherever one travel with multiple stop centers. One doesn’t find any place to rest for a while, or for 5 min utes, so this stool will provide a temporary seat ing surface whenever one needs while traveling. Context- bus station, railway station , air ports, waiting room, pedestrian zone . Analyzing the object on micro level, macro level and system level details
STRUCTURE OF THE SEAT ALL THE ELEMENTS OF LEAF Part of the seat from open to close positionOPENINGOPEN OF SEAT Scissor mechanism Center members Off-centered members Opening and closing- types of off-centered members Agronomic dimensions of opening seat A N A L Y Z I N G O B JS T R U C T U R E D E V E L O P M E N T CLOSE
41Semester 6 E C T FINAL SITTING POSTURE FLAP DETAILS S T O O L D E S I G N PLAN OF STRUCTURAL MEMBERS DETAIL 1- JOINERY BETWEEN PLASTIC FLAP AND MEMBERS DETAIL 1 SLIDING MEMBER
42 SIDE ELEVATION OF 2 DIFFERENT MEMBERS EXPLODED VIEW OF ALL THE MEMBERS OPEN
3D VIEWS FURNITURE IN USE
In this busy time, with crowded streets, wherever one travel with multiple stop centers. One doesn’t find any place to rest for a while, or for 5 minutes, so this stool will provide a temporary seating surface whenever one needs while traveling.
DESIGN DEVELOPMENT AND DETAILING TUTOR- MF Pathan TA- Rajkumar Dindor FOCUS- Material application and Architectural drawings. This studio focused on the development of architectural form through a matrix of ideas and studying climatic strategies used in different regions of the earth and taking the form to the stage of working drawings by evolving an architectural language. Process- Climatic study-case study, matrix development, three main strategies, form development, working drawings. Skill- Sketching, model making, Photoshop, autocade2d, Rhino model SEM 4 SITE- Vintage Car Museum, Ahmedabad. AREA- 1300 sq m
44 6
45Semester 4 V I N T A G E C A R M U S E U M STRATEGIES CONCEPT MODELS SCHEMATIC MODELS WIND FLOW TESTCONCEPT SKETCH BUILDINGCURVEDINSIDE-BUILDINGWINDSHIELD MAIN STRATEGY DIFFUSED LIGHT ROUGHTHROUGH WIND was my main subject in the strategy from the three, so using curves as directional surface for the flow of wind, the planning and configuration of levels are placed in such a way that it creates -ve and +ve air pressure for continues flow of wind throughout the building the curved wall have one side open and the other side closed to capture wind from` outside and circulate it inside the building. Physical models Rhino models AREA- 1300 sq m
46
47Semester 4 +720 PLINTH LVL +4300+10510ROOFLVL ELEVATION plan 100mm metal pipe connectors 10 mm metal sheet metal studs double glazed25mmx50mmglass box section 20mmx20mm GI box section insulation perforated metal sheet wooden plank GI box metalGI25mmx25mmx2mmsectionboxsection50mmx50xx2mmsheet
48
49Scale model- 1:35
507 TUTOR- Sadashivm Iyer TA- Khyshali Kadiwala FOCUS- Understanding Metal as a material through building products This studio focused on how and where to use metal as a material in a building products & developing product design specification and process of production of particular product. Process- Weekly product design exercises and time problem, material study and market survey, workshop model making, PDS of product, PRIMA of product. Skill- Sketching, model making, Photoshop, autocade2d, sketchup SEM 5 E X P E D I T I O N I N M E T A L S H a n d s o n M e t a l
51Semester 5 Rendered 3D MIRROR CABINET GROUP PROJECT- NIDHI UI4817, NIKUL UI4917 FRAME MADE OUT OF ONLY ALUMINUM EXTRUSIONS DESIGN CRITERIA -Buy extrusions of Rs150 PER PERSON. -The product should be made out of ALUMINUM EXTRUSION only Two design ideas 1- MAKE WARDROBE HANGER. 2- MIRROR CABINET. INITIAL DESIGN Types of Extrusion used - T-SECTION- VERTICAL MEMBERS. - L-SECTION- SHELVES. - U-SECTION- HORIZONTAL MEMBERS. ELEVATION A’ PLAN SECTION ELEVATION A MAKING M E T A L A S A M A T E R I A L Building Product design
52 PLAY BOX FOR KID BELOW 5 YEAR User- Anuj vasani Age- 5 years Place- Play area This box is designed for multifunctional storage of 6l for a 5 year old user to explore different midiums packed in a box. SECTIONSECTIONPLAN
53Semester 5 SECTIONPLAN BB’ SECTION AA’ PLAY BOX MIRROR CABINET
54 MISCELLANEOUS SKETCHINGJAISALMERRSP CASE STUDY- OLD AMBLI sem3 ELECTIVE- TRAVERSING AHMADABAD- PICHWAI PAINTING PERSONAL DIARY- THE YELO DIARY H A N D S O N ELECTIVE- CLAY WORKSHOP SWS- GLASS AS A MATERIAL CANTILEVER STRUCTURE- REED-STICKS AND THREAD AS A MATERIAL BAMBOO STOOL 2020- 40CM BAMBOO, TRACINGS AND THREAD NAVARATRI INSTALLATION 2017, 2018 Wedding at SHAH’S - Gruh-shanti DECOR (2021) Theme design, element design & execution Wedding at Vibhakar’s - WEDDING DECOR (2021) Theme design, element design & execution` GRAPHICS WALL MURAL- MOTIF. APNA AHMADABAD- TTECH HEADQUARTERS .2018 WALL PAINTING- CORNER WALL- BRICK HOMES. WALL PAINTING- 1ST YEAR FOUNDATION DAY 2017 GRAPHICS- FOUNDATION DAY 2019. GRAPHICS- FOUNDATION DAY 2021.MERCHANDISE LEAD
55
56 Jaisalmer terrace coversion to rooftop cafe ODD AMBLI -CASE STUDY FIELD TRIP-RSP SKETCHES
57 SKETCHING JAISALMER RSP- WATERCOLOR AND PEN RENDERING. ODD AMBLI- CASE STUDYWATERCOLOR AND PEN RENDERING. TRAVERSING AHMADABAD, PICHWAI PAINTING- FABRIC MADERPATH AND ACRYLIC PAINTS. ONLY CIRCLES AND LINE DRAWINGS- BLOCKPICHWAISERIES.PAINTINGINITIAL IDEA OF PICHWAI PAINTING DIARY SKETCHES ONLY CIRCLES ONLY LINES COVERSATIONS
5829th
Over the past 31 years, our department has nurtured myriad of individuals and collectively evolved and reinvented along every step. We look back on this journey and take inspiration to reinvent ourselves as The celebratory graphic of the past 31 years begins from point to set out on a beautiful journey of becoming complete like circle. This transformation sees each stage extending and adding different layers onto while still keeping the essence of its precedents. The whole journey is a symbol of evolution for the process of design thinking that we go through as individuals as well as an institution.
fd31 fd31 fd31 fd31 fd31 fd31 fd31 fd31 fd31 GRAPHICS GRAPHICS- 29TH FOUNDATION DAY 2019. CONCEPT- THE JOURNEY STILL CONTINUES! GRAPHICS- 31ST FOUNDATION DAY 2021. LEADING MERCHANDISING TEAM. 31st
60 TTECH WALL MURAL BRICK HOME- CORNER WALL GROUP WALL MURALMOTIF DESIGN/WALL MURAL APNA AHMADABAD SITE-T TECH MARIO MIRANDA STYLE GROUP OF 4 FRIENDS WITH 3 WORKERS INDIVIDUAL WALL PAINTINGCORNER WALL SITE- BRICK HOMES NATURE AND LINESCONNECTIONS AND ILLUSION- PLAYING WITH CORNERS.
61
62H A N D S O N CLAY WORKSHOP- LEARNING DIFFERENT TECHNIQUES OF CLAY AND UNDERSTANDING CLAY AS A MATERIAL. GLASS WORKSHOP LEANING DIFFERENT TECHNIQUES AND USAGE OF GLASS IN EVERYDAY LIFE CLAY WORKSHOP
63 GLASS WORKSHOP WEDDING DECOR- VIBHAKAR’S & SHAH’S
64 BAMBOO STOOL 3D BAMBOOKITE BAMBOO, NAVRATRINAVRATRI
65 KITE FROM BAMBOO STICKS(in detail studio) (sem6) BAMBOO STOOL 2020(in-detail studio)(sem6)- 40CM BAMBOO, TRACINGS AND THREAD NAVRATRI INSTALLATION 2017- LAMP NAVRATRI INSTALLATION 2018 - WIND SCULPTURE 3D BAMBOO KITE NAVARATRI INSTALLATION- HUMAN SIZE LAMP
T H A N K Y O U N I D H I R A D A D I A nidhi.radadia.bid17@cept.ac.innradadia99@gmail.com+918469151955 CLICK HERE FOR OTHER S T U D I O P O R T F O L I O