STUDIO COMPILATION.PROCESS Nidhi Radadia | UI48172022SpringCEPTFDIR3021|LUXURISM
02 NIDHIUI4817RADADIA Studio Tutor: Prof. Kireet Patel IR:3021 LUXURISM : NEW AGE VOCABULARY INTERIOR DESIGN PRACTICES SEM-10/ L3 Studio TA: Nidhi Ratani Studio background L3 Studio 04/S2022: Luxurism: New age vocabulary in interior design practices L3 Studio 03/M2021: Brand Building Through Spatial Design With Prof Ruchi Mehta. Office Training: Open Ideas Architects, Ahmadabad. L3 Studio 01/M2020: Reuse & revive: hospitality spaces with Prof dexter pereira. L2 Studio 04/S2020: In-Detail: Making is realizing with Vishal Wandhwani and Niyati Patel. L2 Studio 03/M2019: Expeditions in Metals with Sadasivan Iyer. L2 Studio 02/S2019: Design Development and detailing with mohammedayazkhan Pathan. L2 Studio 01/M2018: Small Spaces for Big Lives with Errol Reubens and Ratna Shah.
• Space as an outcome of the relationship between luxury and its expression through finishes, ornamentation, materiality, light, and craftsmanship. Practising design knowledge through systematic and structured explorations. Resolution of modes of experience in the construction and fabrication of interior space, where interior elements become agents to test the feasibility of luxuria as a medium of defining new age vocabularies to set contemporary trends.
InteriorALUXURISM.NewAgeVocabularyinDesignPratices
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Introduction to Studio: The studio focuses on Role of Luxury in the field and practice of interior design.
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Students will learn to develop and explore ‘luxury’ through research, inference, and representation in 2D and 3D mediums.
Students will learn to test and resolve the conceptualization of the newer design positions and newer design approaches for luxury to be a complex system for new-age design development processes
The studio will investigate the definitions, notions, and theories of luxury and its influence on the design process. The studio will enable the skill of designing an interior space as a venue of Luxury.
The students will develop the ability to process and fabricate an Interior Design project that represents and presents a new age meaning and concept of luxury.
Luxure as a vocabulary are sociological, technological, and economic inputs and influences that have a direct impact on interior design practice. The studio will focus on luxuriating the interior situation and interior design content.
Students will learn to formulate a design process and use it in generating a design with various spatial Thecomplexities.students will be able to build an interior system as a Venue for luxuria that learns to synthesize interior design issues of the activities, user, and services such as lighting and HVAC.
Students will learn to develop an experimental attitude to apply explorative and generative approaches for developing luxury for the given context through a scaled outcome in a contemporary program requirement.
The studio focuses on the role of luxury to bind the visual, spatial, and structural aspects of the design
The studio will develop techniques, methods, and mediums of luxuries that interior design needs. These tools will be generative and transferable with the new-age demands of ‘Luxure’.
Learning Outcomes:
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Brief Outline:
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8. How is luxurious space defined and invented in an old space like a monument or in ruins?
1.why one needs a luxurious space?
13. what is meant by new vocabulary in luxury?
LearningAttempt: Outcomes: Developing an understanding for luxurism and its relation to Luxurious interiors. Develop a skill to question the necessary points required to design a design process.
2. How to define luxury in a confined space? what are the basic criteria to define luxury? Is modernism equivalent to luxury in present times? what is luxury and its benefits? what kind of spaces people think are luxurious spaces?
7.how to differentiate luxury according to different personalities?
10. why is it important to give comfort as the first element to attain luxury?-iscomfort a luxury? if yes, then why? why is comfort defined as one of the luxurious element?
15. what all are old or already defined elements/ objects which is defined as luxury in space?
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101 01aQuestions
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14. How can one differentiate between luxurious space to a modernized space?
16. what all materials are luxurious materials?
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9.what are the main phenomenons to generate a luxurious environment?
12.what are all the elements which defines “luxury in space”?
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101 Questions on Luxurism:
EX06 Exercise Brief: The focus of the exercise is to establish an in-depth understanding related to the Focus of the studio by the Power of LUXURY in relation to LUXURIOUS INTERIORS. This is going to be achieved through asking 101 Thequestions.Questions asked should be related to Design process and Interior design project. The Questions addresses the queries of a designer that is required to comprehend a creative process of creating a contemporary Luxurious interior design project.
07 17.why certain materials are only used as a luxurious material? 18. why is glossy and shiny materials are used as a luxurious materials? 19. why is raw or rough materials are not the primary materials in the pallet to attain luxurious 20.space.How to design a layout for a particular program to attain luxurious experience?
40. how and what can a visual merchandise be used to show luxurious interior environment?
26. what all colors are used to show luxury in a 27.space?Isluxury an after thought to attain in the design process?
31. Can luxury be limited by culture, history and 32.site?why luxury is seen as a hand in hand with the size of the site?
33. is there any luxury in small spaces?
21. what are some of the Pre-defined rules and formations for a layout to justify a luxurious experience? 22. is “luxury and minimalism” a trend? 23.why is minimal furniture and monochrome color scheme of the space is seen as a luxurious 24.space?what kind of forms are used to show luxury in a 25.space?Howforms and shapes plays an important role in defining a luxurious space?
36. How to find balance in ornamentation of the space while defining luxury?
34, if so, are modular furniture in a small space can define a luxurious design?
35. Does adding compact or modular furniture which serves all the functions is adding luxury to a small space?
37. is ornamentation an only way to show luxury?
39. why exclusivity is equivalent to luxury in a branded environment?
38. what different kinds of ornamentation can add unto a luxurious space?
29. Is “ culturally rich-ed space” is defined as luxurious space? 30. For an e.g. if the space contains an object which fulfills all the requirements in one is seen as a luxurious space?
28. How patterns show luxury, when used in an interior space?
41. why is luxurious interior more of a want and not a necessity?
63. what all decisions are taken while deciding the materials and lighting of a luxurious environment? like will brass and glass will be good with yellow light?
65. is high-tech style such as (an abundance of glass, metal, plastic and media/computer devices) are derived as a luxurious environment?
54. what all elements add luxury to the space?
0842. why curvy forms and shapes are used to show luxury in forming an interior of a space? 43.how does quantity and quality of material and object can be balanced to obtain luxury? 45, what difference does luxurious environment takes place in public and private places. 47, does maximize space effect cosiness (comfort) in a luxurious living room? 48. does volume of space plays an important role in generating a luxurious interior? 49 is it necessary to have a huge volume in an interior settlement to give luxurious experience? 50. why luxurious space is designed to be minimal while lay-outing the plan or while selecting 51.furniture?what are the combinations of colors which denote luxury in an interior of the space?
61. how lights play the role in the luxurious interior?
64. is luxurious interior the on-going trend of interior design?
56. what soft materials can be used in the interior elements which can balance the overall look and feel of the space.
58. what all kinds or textures and patterns are used in a space to show luxury, the patterns used in the space are also curvilinear?
52. Is fantasy driven interior is seen as a luxurious 53.interior?Ifthe interior of a space is neatly detailed out all designed elements are seen as luxurious interior of the space?
55. does the designer define the luxury of an interior space or the functions which will be carried in the space define?
59. why gold and silver is used as a luxurious material as one of the material when have to show luxury in a space?
60. why chandelier is one of the first element which come into the list of elements which is used to show luxury in a space?
57. is using soft materials on furniture when used in an luxurious offer’s comfort? or are there any other elements which offer’s the same?
62. why is warm lights used while creating a luxurious environment?
77. How does the quality as well as the amount of light in a space affect its luxury?
80. what kind of materials(similar or opposite) can be the best choice while creating a luxurious interior in an existing building/architecture?
75. How are elements placed or displayed to create a luxurious interior?
83.space?does a layout get affected while introducing materials which gives a luxurious feel to the overall space?
71. An interior space which is neatly executed and have all the facilities which the user needs , servers as a luxurious interior space?
76. How one can decide or balance all the interior elements to generate a luxurious environment of the space?
79.architecture?Isluxurious
73.element)?Doesthe variety of materials be used affects the luxury of the space?
86. How to create or come-up with a luxurious environment for a public space, where there is variant footfall?
74. If one uses single material in the interiors of the space, does it give a luxurious experience?
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70.environment?Doesluxurious interiors is to improve one’s quality of life and lifestyle?
68. Does Eco-friendly materials add a unique character with a layer of authentic importance while generating a mood-board for a luxurious 69.interior?Isitimportant to create a balanced layout and harmony in spaces while designing an interior of a settlement to make it as a luxurious
interior a combination of offering comfort and discomfort both together?
84. how to balance visual hierarchy in an interior of a space to attain luxurious composition?
78. How can a material of an existing architecture plays a role in the luxurious interior of the same
85. is it compulsory to think in all the three axis of any space or just working on one axis can also generate a luxurious experience?
82. what is a balanced or simplified layout for a particular space which can serve as a luxurious
66. just adding some soft finishes and materials, sophisticated accent touches in a small space can be defined as a luxurious interior?
67. Is the most expensive, over-designed products and materials are the only ways to generate a luxurious interior?
81. how to generate a space which can be functional and at the same time affordable to the client while designing luxurious interior?
72. Is luxurious space is to create a statement interior(unique elements, wow factors, scaled volumes with lighting as the most focused
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101.how to attain luxury by combining kinetic structural mechanism, computational design through additive manufacturing?
Is luxurious interior is designed as a experiencing a space or is it a combination of functions and experiencing both together? What are luxurious color pallets for an interior space and why? 89. How this colors are derived or gives a luxurious feel when used in an interior setup? 90. is it important to ornament a space to create a luxurious interior? can luxury be generated through insertion or intersection of different kinds of forms and 92.space?what all are the forms other than curvilinear forms can be used or can justify while designing a luxurious interior space? 93. what are all the other things need to taken into consideration while designing a luxurious bathroom apart from giving a huge bath tube with shower area? 94. Is Scandinavian interior, a luxurious interior? 95. Is a well organized interior a luxurious interior 96.? Apart from the look and feel and generating an experience, what all other elements can add up to an luxurious experience of a space? 97. how can one create a luxurious interior by just using sustainable materials and still can prove luxury as a primary subject of designing a space? What is the difference between a royal interior space and a luxurious interior space? What type of construction techniques can be used to achieve luxury as the end product in interior design?
100. How can additive manufacturing can help in design process to attain luxury in a space?
104. if a space has all the luxurious elements but doesn’t serve its functionality, is it still a luxurious interior?
103. how principle of design in attaining a luxurious interior?
102. Is high maintenance interior, a luxury?
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Focus one function with creating a statement
05|Statement installation 06|Using reflective materials to enhance the volume of the space
11 EX Exercise Brief: The focus of the exercise is to establish a powerful visual image of Luxurism. The exercise is carried forward to comprehend the history, symbolism, material culture, techniques, attributes, design concept, design theme, attributes, Principles, technologies, etc. of LUXURY. This is going to be achieved by collecting 101 visuals and it is represented through orthogonal drawings, diagram, illustrations, 3d drawings, photos, etc. The selected visuals can be from below mentioned categories: Interior, Furniture, Architecture, Places, Built Environment, Spaces, Products, Nature, Worldly perception, Structure, Detail, etc. Every selected example should make Luxury visible.
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Visuals 1-10: examples for volume and interior elements. Visuals 11 and 12: Examples of comfort and luxury. Visuals 14- 18: light and its outcomes. Visuals 19- 24: patterns on planes and surfaces. Visuals 27- 30: furniture and its details. Visuals 31-43: forms and interior experiences
03| Patterns used to emphasis on the huge Scale of the space. 04|Luxury attain by providing partial division of space between private and semi-private spaces.
Attempt Learning:Outcomes: Place or identify luxury in the tangible and intangible environment around. Learn to observe Luxury at various scale, function, and utility. Skill to grasp the expression and articulation of Luxury in various interior and exterior domain.
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02|Monolithic form attained by using single material and Undulating it
01bVisuals
12 16| 10| Play of Natural light on a surface with cutouts. Designing the elements of in terior using same shape with different materials 13| 07| 17|09|08| Rarity in form/ pattern when placed adjacent to trendy elements attain luxury. Constructive layout in one space for circulationcomfortable Play of light and structure when projected on aluxurysurfaceattained by using properties of material Curvilinear form attained to give experientially huge volume TRANSPARENTFLEXIBLEMONOLITH 11| 12|Minimal use of interior con stituting elements to show luxury in arrangment The idea of walk in closet connected to a bathroom 14|Play of translucent surfaces with light as an outcome on the surface of the wall 15|Rarity+ repetition in shape in parallel to central shape 18|Play of light with surfaces and cutouts. Visuals 1-10: examples for volume and interior elements. Visuals 11 and 12: Examples of comfort and luxury. Visuals 14- 18: light and its outcomes. Visuals 19- 24: patterns on planes and surfaces. Visuals 27- 30: furniture and its details. Visuals 31-43: forms and interior experiences
13 28| 19| 24|20|Repetition of patterns using exclusive material to attain luxury on a surface. intricately detailed out Sophisticatedsurfaces used of premium material. Luxury through balanced composition of col-ours/pat terns/textures on a surface 26|22|23| 25|21| Luxury attain through de fined technique of generating a pattern Premium finishes Balanced composition of colors using patterns Luxury through historical val ue of elements/ object luxury attain by different intersection of geometrical shape 30|29| same form but different use of geometry in building it. luxury of how two material is joined- joinery27|Minimal+ elegant metal legs adds a quality to the table. Visuals 1-10: examples for volume and interior elements. Visuals 11 and 12: Examples of comfort and luxury. Visuals 14- 18: light and its outcomes. Visuals 19- 24: patterns on planes and surfaces. Visuals 27- 30: furniture and its details. Visuals 31-43: forms and interior experiences
1434| 31| Dimensioning an object in a volume/ area gives different experience of volume showing volume or depthgradient decrease in the transparency of surfaces in intersection Expansion of space +area geometrically luxury of delicacy- attached but views detached Luxury attain through de fined technique of generat ing a pattern Change in the form of the an object using triangulationmechanism hierarchy of size- in the layering of surfaces highlights depths Systematic arrangement of a shape to make a pattern 30| Luxury attained through orientation of surfaces with patterns on it. 08|Luxury of creating a path through scaling a form in a space where each surface acts as a boundary of spaces. 10| Organized transition within the spaces 18| Juxtaposition volume inside avolume.2 opposite materials
15 EX
The focus of the exercise is to establish a powerful visual image of Luxurism through ongoing trends. The exercise is intended to understand the ongoing trends by gathering selected visuals associated with the criteria of surface, plane, form, volume, boundary, threshold, dimension, boundary and structure. Every selected example should reflect current trends with luxury.
Attempt : To identify different types and kinds of luxury in trends through defined interior constitutive/making elements. Understanding how it personalizes, particularizes and specializes the interior space. Developing an understanding/ observing the interior of any visual and deciding the level of luxury one particulate element adds to the space as a luxurious interior Learning Outcomes: Place or identify luxury with trends in the tangible environment around. Understanding different associations of Learningwords. to differentiate between objects, products and space making elements of luxury.
ExerciseVisuals02aofTrendsBrief:
LUXURY BY THRESHOLD LUXURY in RESIDENCE by Dimension- The placement of staircase in an angle,contradicting to the layout of the interior. Surface- the application of wooden slips surface to break the volume and adds monolithic feel to the frame.
Planes- grid as a language Volume-curved surface of plane adds volume to the Boundaries-space surface treatment different from the overall color palette of the interior
LUXURY BY PLANES
16LUXURY BY DIMENSION LUXURY BY VOLUME LUXURY BY FORM LUXURY BY SURFACE LUXURY BY BOUNDARY LUXURY BY STRUCTURE
Threshold- triangulated surfaces as a threshold Form- form of all the bathroom accessories and Structure-equipmentsunique structure apart from japan’s one.
17 LUXURY BY DIMENSION LUXURY BY VOLUME LUXURY BY FORM LUXURY BY SURFACE LUXURY BY BOUNDARY LUXURY BY STRUCTURE LUXURY BY PLANES LUXURY BY THRESHOLD LUXURY in Public spaces by Dimension- Ceiling Element enhances and adds another dimension to the space Surface- treatment of wall and surfaces in contrasting Planes-texturesSurfaces arranged throughout the space which serves as a display unit Volume-Linear element throughout the volume Boundaries- red skewed staircase installation acts a space Threshold-boundaryArrangement of translucent lighted boxes as a shop entrance Form- Form of the ceiling element enhances the small volume of the space Structure- ceiling element
18LUXURY BY DIMENSION LUXURY BY VOLUME LUXURY BY FORM LUXURY BY SURFACE LUXURY BY BOUNDARY LUXURY BY STRUCTURE LUXURY BY PLANES LUXURY BY THRESHOLD
Attempt : By extracting elements from the trendy luxurious interior and exaggerating the scale and form of the extracted elements to generate a path where a person experiences 3 different environment while walking through the confined path.
Learning Outcomes: Understanding different associations of Itwords.makes me learn through the given topic that the every type and kind of luxury when put in a certain environment plays a different role of luxury. The output generated does not remain the same.
Perspectoscope02b
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EX Exercise Brief: The focus of the exercise is to create a perspectoscope. Using 24 examples, by criteria of more by the word luxury. Taking space making elements and composing them in such a way that contains a new perspective space, it informs about moving from one point to another.
The elements taken should be of interior spaces.
The perspectoscope tries to create a journey between two points from examples of trendy luxurious interior understood in Ex 03a. The examples are chosen such that they represent luxury through the various tangible aspects of interiors understood from Ex 01 and Ex 02. There is a layering of experience created such that in the journey of the user, they encounters with different volume of space in a space as a result of this, the experience of the space is intensified by elaboration and intricacy of its elements through material application and undulation of surfaces with the help of repeating similar forms and space.
The drawings of the perspectoscope showcase how I have tried to generate perspective journeys through angled paths or arrangement of planes where the journey from a to b is generated from a small area to a larger space. Also both the points are centrally connected to a larger space Diagram Showing The Centralization Of Both Paths
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20 Perspectoscope Plan Perspectoscope Elevation Elevation POINT A POINT A’ POINT B’ POINT B
Attempt : To identify different types and kinds of luxury in trends through specific criteria given. Understanding how it personalizes, particularizes and specializes the interior space.
21 EX
ExerciseVisuals02aofTrendsBrief:
Learning Outcomes: Place or identify luxury with trends in the tangible environment around. Understanding different associations of Learningwords. to differetiate between objects, products and space making elements of luxury.
The focus of the exercise is to establish a powerful visual image of Luxurism through ongoing trends. The exercise is intended to understand the ongoing trends by gathering selected visuals associated with the criteria of surface, plane, form, volume, boundary, threshold, dimension, boundary and structure. Every selected example should reflect current trends with luxury.
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Trying to create a board that is designed keeping in today’s market and its availability. The board tries to show the style, movement, theme, mood of the space and intersection of materials in one frame of the particular project.
23 EX
b. The second will be 3D, consisting of accessories, elements, lights, components, fixtures, services, objects, furniture corners etc. of a museum, library or any public space. showing any particular era, isms, styles, movements etc.
Exercise Brief: The focus of the exercise is to create a board that can change our moods.
Attempt :
Learning Outcomes: It makes me learn through the exercise, the visual arrangement, scale, proportion, and combination of different kinds of materials, textures etc for a well-informed board. It helps in knowing the market availability and fastens the process of design decisions.
Board the mood, not bore the
Material board1- here the composition and arrangement of material is done in a way that horizontal grooving of the wooden planks acts as a background of the surface and the curved rode breaks the linearity of the texture which creates a visual hierarchy and so does the meaning of creating a composition of textured verses plan surface to create visual
03aboard
a. The first board will be 2D, consisting of textures, colours, patterns, finishes etc. of a cafe, restaurant, stores, offices or any hospitality space. showing today’s trends
hierarchy.Contradicting arrangement of patterns with texture
03bboard
Exercise Brief: The focus of the exercise is to create a board that can change our moods.
3d mood
EX24
a. The first board will be 2D, consisting of textures, colours, patterns, finishes etc. of a cafe, restaurant, stores, offices or any hospitality space. showing today’s trends b. The second will be 3D, consisting of accessories, elements, lights, components, fixtures, services, objects, furniture corners etc. of a museum, library or any public space. showing any particular era, isms, styles, movements etc.
Material board2- -MEMPHIS DESIGN MOVEMENT-retro design style created by a group of Italian Architects and designers known as the Memphis group -”non conformist furniture” repetitive bold patterns which contains shapes like triangles, squiggles and circles in various contrasting colors - some geometric shapes placed haphazardly, contributing to its telltale chaotic visual. Here i have tried to create a library space using Memphis styled furniture and the overall play of patterns from the design movement.
Learning Outcomes: It makes me learn through the exercise, the visual arrangement, scale, proportion, and combination of different kinds of materials, textures etc for a well-informed board. It helps in knowing the market availability and fastens the process of design decisions.
Attempt : Trying to create a board that is designed keeping in today’s market and its availability. The board tries to show the style, movement, theme, mood of the space and intersection of materials in one frame of the particular project.
When this phenomenon is applied while designing an element from PART to WHOLE(where each part acts like a kit of intricately used techniques to attain an ele ment that defines luxury), even one part of the kit is not a part of the whole. The component will fail to interpret luxury in space. While defining luxury through elements, the characteristics of the space play an important role in determining luxury. I have derived that when the form of a space is visually and structurally detached from the existing building, which creates a visual hierarchy through material density/ differ ence in-line weights/ create depth and also acts as a stand-alone structure which has its personalities and features to generate a visual statement as a whole.
25 M1-M2 MY POSITION LUXURISUMFOR
When an environment provides the user to exhilarates its associative memory and mark it as a new association of extreme experience is luxuriously designed environ ment in its own. The above statement was my definition of luxury on the first day.
While observing some of the visual examples from the previous Module, I have dis covered that each space has provided luxury in visibility through materials besides element characterization. This defined method of TRANSLATED luxury(technique) goes conjuncture with one another while processing a design for an element in an interior Environment. This answers my question to - Are there any defined process or method When integrated with space that attains luxury? is to apply this defined technique to each element of expanse(space) and together act as a coherent element that ampli fies luxury in a defined environment.
The “LUXURY” word holds both tangible and intangible aspects of a design. One finds comfort in minimal use of expanse constituting elements but serves the same purpose and functionality”.
For me at this point in the design process of a luxurious interior is when any material used in designing an element of an Interior is when it shows it’s extreme properties me ticulously and strategically through defined techniques and method of composition.
PLACING IN CONTRAST WITH RAW MATERIALS WITH LUST-RARE-FINISHED MATERIALS TO OVERPOWER THE PROPERTIES OF THE MEANING OF THOSE FINISHES WHICH ATTAINS LUXURY IN ITS OWN AND WITH THE SPATIAL ARRANGEMENT OF THE ELEMENTS.
Change in volume Breaking texture with a IntensitycurveofsurfacesGenerating different perspec tive cone of vision for viewers visual hierarchy within the volume Repetition of form with change in the scale of it.
26 TERRACOTTA AND TEXTILE TOY SHOP
MODULE COMPILATION.2
01luxury
FLOORING
INTERVENE THE ARRAY
Element1- the arrangement of the tiles are in a way such that it directs to a particular way but the arraying is intervened by no joining lines
Attempt : Elements were designed keeping in mind the various expressions of the spatial theme to give different manifestations of luxury. Also, how the user perceived and interacted with the elements from different positions in the space.
FLOORING AND GLASS LINING
Exercise Brief: Spatial elements of staircase, flooring, ceiling, facade (from inside), display element, cladding and reception table were to be designed with the spatial theme of ‘Assemblage of assorted’ keeping in mind the specified LxBxH of the elements. The exercise was to translate the understandings of luxury from module 1 to elements of luxury in a space.
Learning Outcomes: Designing a process for luxury Understanding materials and techniques used for making elements of luxury Spatial experience & interaction of user near elements of luxury Designing a process for
EX28
IPS
Element2- using flexi acrylic/glass as a shelving material and brass rodes as a grid of support which is being intervened by the shelves for terracotta toys.
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FRONTPLAN ELEVATION FRONTPLAN ELEVATION DISPLAY SYSTEM ACRYLIC SHEET AND BRASS RODS
30 FRONTPLANlayer5layer4layer3layerlayer1layer5layer4layer3layerlayer122 ELEVATION A'A SECTION AA'A'A MATERIALS- GLASS/ FROSTED GLASS PLANE SURFACE Element 3- the undulation of glass tripes is done in a way that it directs on the upper right corner as one passes from one end to the other because of the slight shift(breaking the pattern )
31 FACADE PLANE Material- Flexi acrylic sheet FRONT ELEVATION SECTION AA’ SECTIONAL PLAN AT 1800 SECTIONAL PLAN AT 1500 A’A’AA ISOMETRIC VIEW
MY POSITION FOR LUXURIOUS INTERIOR
I have derived that when the form of a space is visually and structurally detached from the existing building, which creates a visual hierarchy through material density/ difference in-line weights/ create depth and also acts as a stand-alone structure which has its personalities and features to generate a visual statement as a whole.
EX32 Scaling02Luxury
33 MY IDEA OF LUXURIOUS INTERIOR TO SHOP INTERIOR THROUGH
1- idea of monolith form with single material and attaining form undulation5-intervene
the array in space planning and in designing elements 9- enhancing volume of the spacevertical arrangement of elements 10- repetition of form but change in the scale of the same form while enhancing the volume of the space 11-enhancing volume through light and shadow with the help of arrangement of module in ceiling element 12- small opening to generate curiosity 2- idea of additive and subtractive method in achieving voids within elements of shop 6- the form of any space can be visually or structurally detach from the existing building through material or how the form is placed 7- efficient use of materials property at an extreme while designing or generating an element for a space. generating different perspective cone of vision throughout the journey of a customer 4- visual hierarchy within the volume 8- intricately detailed joineries and accessories within an element
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34 FRONT FASCADE two point perspective view- shop and lounge Strategy- VERTICAL opening glass facade for shop to get the first look to the statement element of the shop Strategy- VERTICAL opening the glass facade but not continuing for full height but stopping before giving visuals of insidesthe TERRACOTTA AND TEXTILE TOY SHOP adjacent to LOUNGE BAR Visually detached Through Material density Designing of interior elements Individuality Line weights Depth Structurally Visual hierarchy INTERVENE THE ARRAY
35 Display system For textileCentralizedtoys placement for an attractive cone of vision to the viewers and to generate curiosForDisplayitysystemterracottatoysROADSIDEATRIUMSIDEEntry exit and visual voids between shop and lounge bar Shop - lounge mezzanine floor plan Shop - lounge mezzanine floor plan MEZZANINE FLOOR PLAN GROUND FLOOR PLAN AT 1500MM
36 2 point perspective from road side of shop 2 point perspective from road side of lounge bar from left side How shop display rack element is used as a window between both the spaces and placement of ceiling element with bar table arrangement Overall arrangement of elements of display, division of areas, mezzanine placement and play of volumes because ofDisplaymezzaninesystem2-1-ofterracotta toys Display system 2-2- of terracotta toys TERRACOTTA TOY DISPLAY SYSTEM TEXTILE TOY DISPLAY SYSTEM Mezzanine floor Nylon threads 15mm metalsupportsrodes 20mm frostedshelvesglass 5mm metal plateslinings glass shelves 5mm metal plate in between metal triangular members sections for mezzanine also takes load of display system bellow it railing for mezzanine which is a part of support mem ber of conceptthreadsarrangementmezzanineofnylonasinterveningthearrayfordisplayrack of textile toys. vertical metal rods with v shapes metal plates attached for frosted supportersglass 20mm glass shelves for terracotta toys displayon a 10mm metal rodes which is welled to verticalmembers.attaching
37 shop and lounge area elements in context with adjustment lounge area SECTION EE’’ 2 point perspective of central ceiling element. Rendered View Of Central Rack As A Part Of Central Ceiling Element System of nylon threads and glass plates to show intervene the array. Display system 2- of terracotta toys Display system 2- of terracotta toys
10 mm metal plate Cladded on 4mm plywood Black shiny powder coating 40mm metal c section for framing of glass display glasspanelsdisplay panels Black shiny powder coated support members with 2mm grooves on the surfacetraderof floor pattern - a simple grid of tiling with contrast to micro concrete flooring. Triangular metal plates as a support for the above plate FIRST GLANCE OF ELEMENTS AND DETAIL Central Arrangement Of Three Elements staircase with display, plane surface in angle and glass display system. Rough textured metal
39 2 POINT PERSPECTIVE - showing textile toys display system in highlight the central arrangement of space is emphasizing the volume of the given site as well as dividing the space in three different areas
41 2 POINT PERSPECTIVE The left side of the view shows exclusive display system for terracotta toys with glass undulated planes
42 ATTRIBUTE CHART
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44 YOUNG MUSIC HUB
I have derived that when the form of a space is visually and structurally detached from the existing building, which creates a visual hierarchy through material density/ difference in-line weights/ create depth and also acts as a stand-alone structure which has its personalities and features to generate a visual statement as a whole. Placing in contrast with raw materials with lust-rare-finished materials to overpower the properties of the meaning of those finishes which attains luxury in its own and with the spatial arrangement of the elements.
MY POSITION FOR LUXURIOUS INTERIOR
Scaling
Luxury Final project 01
With the help of bellow commitments for luxury visually Comparativedetachedmaterialcomposition
Program distribution
young and famous bands- twice in a month - Cafe- 10am -10 pm - Regular days concert’s- young budding musicians. -Private practice rooms -Practice rooms -Live music area -In-house cafe -Stay space- rooms for artisans an -Youngmusiciansmusic museum
1- As the overall material of the building is a concrete based structure which will act as a common foreground for the interior material which will be incorporated in the design to get a luxurious interior.
Previously site as a Woxsen university library in Hyderabad and will be converting it into a gallery/hub of young musicians(companies) invested by AR Rahman
From analyzing and understanding spatial elements in the existing chosen site, i have decided to contradict the openness of the existing building by interpreting the site as curtaining terraces by exploring the incorporation of levels in different area(monolithic experience), materiality of each space as new experience, or through bridging different levels to achieve curiosity, or through spaces and terraces as one element and curtaining the element as a whole.
2-the building already offers vastness and huge volume for me to take it as a challenge to show luxury in already luxurious background/given form.
- Opening and closing time-10am-10pmConcertof
47
Site and program Why this site Timings Spacial theme
CURTAINING TERRACES
48 Cube of triangulated textured glass/felxi-acrylic Offset frosted glass surfaces which creates a cube Surface treatment which creates depth in all the 6 surfaces Intersection of transluted planes with the help of lights inserted with the plane Gradual decrease in the opacity of the places as it create the form of a cube Structure of the cubes through edges- invisibility of edges LUXURY IN A CUBE PROGRAM BIFURCATION & SPATIAL ARRANGEMENT live stageconcrete Banner area +music box’s CAFE ROOMSPRACTICEPRIVATEMUSEUM
49 LOWER GROUND FLOOR PLAN 1- CONCRETE BANNER AREA 2- MUSIC BOX1 AND 2 2- RECEPTION AND TICKET COUNTER 1- COMMON SITTING AREA 3- YOUNG MUSICIAN MUSEUM 3- SHOP SHELVING SYSTEM 4- CAFE KITCHEN 4- CAFE SITTING 5- PRIVATE PRACTICE ROOM-1 6- PRIVATE PRACTICE ROOM-2 LOWER GROUND FLOOR PART PLAN (BASEMENT) A’/B’A/BA/B Key plan Key plan A’/B’ GROUND FLOOR PLAN ENTRY 1 2 3 4 1 2 4 3 5 6
+-11700mm+-12950mm+-4350mm+-00 Section from banner area with craft shop area above it with cafe sitting mezzanine above the music box This section mostly showcase how i have tried to incorporate my commitment of luxury structurally in each interior element SECTION BB’ live music concert area shopBANNERareaDISPLAY AREA MUSIC BOX CAFE SITTING DETAIL- BANNER LIGHTING DETAIL- SHOP SHELVING SYSTEM 4mm yellow led light Metal corrugated sheet Metal studs Metal I section PU metalMetalMetalcladdingsheetplatemembersplateMetalplateplateclear glass MetalMetalcablesrings Black galvanized metal platemetalgalvanizedBlackplate black galvanized metal sheet glass supports
51 ++_12950mm+-+-3000mm0.00mm4575mm+_17370mm SECTION AA’ Young sittingConcerteMuseumeMusicPrivatePracticeRoomarea Section from young music museum to private practice rooms to concert sitting area on the third floor The conical form of the private practice room is attained to maintain the Eco of the sound while rehearsing 20mm metal box section 100MMSECTIONMETALNylon thread OUTSIDE INSIDE 4mm yellow led light PU sheet 4mm yellow ledTexturedlight flexi acrylic flexi acrylic black galvanized metal plates PU sheet metalclear20mmclear20mmglassglassglass studs 30 mm white marble flooring
52 AXO OF YOUNG MUSIC MUSEUM IN THE BASEMENT AREA 2 POINT PERSPECTIVE- EXPLODED VIEW OF BANNER SYSTEM AND VERTICAL PLANWOODEN PLANKS WITH METAL RODE JOINTS Element Mambers Of Flexy Acrylic Sheet With Metal Plate Joints How display system of the museum is structurally attached but visually they are acrylic bands floating Vertical planner element gives directionality and also divided the space from music box Exploded View Of Museum Elements Circular pillar with vertical interior element
54 Showing central element in museum which is visually detached but structurally attached 2 POINT PERSPECTIVE
from the cafe into the banner display of young musicians with mirrored pillars 2 POINT PERSPECTIVE
16|30| 26| 07| 17|
PLACING IN CONSTRAST WITH RAW MATERIALS WITH LUST-RARE-FINISHED MATERIALS TO OVERPOWER THE PROPERTIES OF THE MEANING OF THOSE FINISHES WHICH ATTAINS LUXURY IN ITS OWN AND WITH THE SPATIAL ARRANGEMENT OF THE ELEMENTS. For me at this point in the design process of a luxurious interior is when any material used in designing an element of an Interior is when it shows it’s extreme properties meticulously and strategically through defined techniques and method of composition.
Sophisticated used of premium material. showing volume or depth- gradi ent decrease the transparency expansion of space +area geo metrically luxury of delicacy- attached but views Luxurydetachedthrough balanced com position of col-ours/patterns/ textures on a surface 19| Rarity+ ripitation in shape in paral lel to central shape Luxury attain through defined technique generatingof pattern Play of light and structure when projected on a surface luxury of how two material joined- joinery
FLOORINGPLANESURFACE A’A
NIDHI RADADIA UI4817 FACULTY
56 MODULE 1 MODULE 1- MODULE2 Designing MODULE 2 1- Why one needs a luxurious space? 2- Why is it important to give comfort as the first element to attain luxury? - is comfort a luxury? if yes, then why? 3- What all are old or already defined elements/ objects which is defined as luxury in space? 4- What are types of forms used to show luxury in a space? 5- Why is luxurious interior more of a want and not a necessity? 6- does scale/volume of space plays an important role in generating a luxurious interior? 7- if a space has all the luxurious elements but doesn’t serve its functionality, is it still a luxurious interior? 8- How can additive manufacturing can help in design process to attain luxury in a space? 9-If one applies single material in the interiors of the space, does it give a luxurious experience? 10-Is there any luxury in small spaces? if so, are modular furniture in a small space can define a luxurious design?
11|02| 23|03| 14| 05| 06| 011vsualsQUESTIONSONLUXURISM SOMTNEMELEDLE FRONTPLAN ELEVATION layer4layerlayer5layer4layer3layer SECTION AA' PLANE SURFACE
The “LUXURY” word holds both tangible and intangible aspects of a design. One finds comfort in minimal use of expanse constituting elements but serves the same purpose and functionality”. When an environment provides the user to exhilarates its associative memory and mark it as a new association of extreme experience is luxuriously designed environment in its own. The above statement was my definition of luxury on the first day. Adding luxury tangibility is adding dynamicity to the space. While observing some of the visual examples from the previous Module, have discovered that each space has provided luxury in visibility through materials besides element characterization. This defined method of TRANSLATED luxury(technique) goes conjuncture with one another while processing a design for an element in an interior Environment. This answers my question to - Are there any defined process or method When integrated with space that attains luxury? is to apply this defined technique to each element of expanse(space) and together act as a coherent element that amplifies luxury in a defined environment. When this phenomenon is applied while designing an element from PART to WHOLE(where each part acts like a kit of intricately used techniques to attain an element that defines luxury), even one part of the kit is not a part of the whole. The component will fail to interpret luxury in space. While defining luxury through elements, he characteris tics of the space play an important role in determining luxury have derived that when the form of a space is visu ally and structurally detached from the existing building, which creates a visual hierarchy through material density/ difference in-line weights/ create depth and also acts as a stand-alone structure which has its personalities and features to generate a visual statement as a whole.
the array in space planning and in designing 1-elementsenhancing volume of the spacevertical arrangement of elements 2- repetition of form but change in the scale of the same form while 3- enhancing volume through light and shadow with the help of ar 4- small opening to generate curiosity 2- idea of additive and subtractive method in achieving voids within elements of shop 7- the form of any space can be visually or structurally detach from the existing building through material or how the form is placed 8- efficient use of materials property at an extreme while designing or generating an element for a space. 3- generating different perspective cone of vision throughout the jour ney of a customer 4- visual hierarchy within the volume 9- intricately detailed joineries and accessories within an element
FRONT FASCADE two point perspective view- shop and lounge strategy- VERTICAL opening glass facade for shop to get the firs look to the statement element of the shop Strategy- VERTICAL opening the glass facade but not continuing for full height but stopping before giving visuals of the inside OF DESIGN CEPT UNIVERSITY LEARNING OUTCOME Developing and Generating a process to derive luxury in an interi or through defined method which helped me develop a new perspec tive of looking at visuals in much more details from its reasoning to each element playing there role to fully design principles Accepting and processing the tan gible application of explorations to attain luxury through strategies de rived from the process IN MODULE 1-2 and then generating a narrative of both experiential and program matic reasonings in designing a program layout for the final design module.
MY IDEA OF LUXURIOUS INTERIOR TO SHOP INTERIOR THROUGH 1- idea of monolith form with single material and attaining form undulation6-intervene
Learning Outcomebrainstorming the objects which shows properties of luxury when in use or is experienced or when placed in an interior environment and finding reasons which helped me develop Perspectoscope and models which gives reasons to define luxury through looking, detailing, scaling of space and interior elements both together. Place or identify luxury in the tangible and intangible environment around. Learn to observe Luxury at various scale, function, and utility and developing a detailed vision of observing visuals with reasoning each strategical principles being used by the designers to design that space. 08| Luxury attain by providing partial division of space between private and semi-private spaces. Organized transition within the Repetition of patterns using exclu sive material to attain luxury on surface. Designing the elements of interior using same shape with different materials
GUOOSOCARRETTTAHPLNEBAR
GROUND FLOOR
20|20|
MID- Semester
MY NEW PERSPECTIVE OF LUXURIOUS INTERIOR IN THE DESIRE AND NEED OF TODAY’S TIME MY PERSPECTIVE FOR A LUXURIOUS INTERIOR 01| Luxury attained through orientation of surfaces with patterns on hierarchy/ intricacy in organized method hierarchy of size- in the layering of surfaces highlights depths STRATEGY 1- ratio of opening for inside visibility STRATEGY 2- Visual Hierarchy Within The Volume STRATEGY 3 enhancing volume through vertical grooving or arrangement of spaces. STRATEGY 4- additive and sub tractive method of for visibility STRATEGY 5- use of materials in hierarchy used in facade to show dept PLAN AT 1500MM MEZZANINE FLOOR PLAN the central arrangement of space is emphasizing the volume of the given site as well as dividing the space in three different FACADE
57 How verticality of the space enhanced by shop and lounge area elements in con text with adjustment lounge area a process for luxurious interior OCSOCSREPPETPE ,OOOBARDTHEMDNOTNORETHEBOARD 2 point perspective ISO render view 2 POINT PERSPECTIVE maintained vertical in the display system as well in the mezzanine area of The left side of the view shows exclusive display system for terracotta toys with glass undulated planes 2 point perspective from road side of shop 10 mm metal plate Cladded on 4mm plywood Black shiny powder coating 40mm metal c section for framing of glass display glasspanelsdisplay panels Black shiny powder coated support members with 2mm grooves on the surfacetraderof floor pattern a simple grid of tiling with contrast to micro concrete flooring. System of nylon threads and glass plates to show intervene the array. Display system 2- of terracotta toys Display system 2- of terracotta toys Display system 2-1- of terracotta toys Display system 2-2- of terracotta toys TERRACOTTA TOY DISPLAY SYSTEM SECTION BB’ SECTION EE’’ TEXTILE TOY DISPLAY SYSTEM Triangular metal plates as a support for the above FIRSTplateGLANCE OF ELEMENTS AND DETAIL 2 point perspective of central ceiling element. Rendered View Of Central Rack As A Part Of Central Ceiling Element PERSPECTOSCOPE PLAN PERSPECTOSCOPE ELEVATION Entry exit and visual voids between shop and lounge bar Display system For textile Centralizedtoysplacement for an attractive cone of vision to the viewers and to gener ateForDisplaycuriositysystemterracottatoys Central Arrangement Of Three Elements staircase with display, plane surface in angle and glass display system. FROSTED GLASS REFLECTIVITY- MIRROR WOODEN PLANKS BLACK METAL BOX SECTIONS METAL RODS CLEAR GLASS FROSSTED GLASS BRASS METAL BOX SECTIONS Overall arrangement of elements of display, division of areas, mezzanine placement and Rough textured metal Mezzanine floor
Nylon threads
5mm metal plate in between metal triangular members sections for mezzanine also takes load of display sys tem bellow it railing for mezzanine which is a part of support mem ber of threadsarrangementmezzanineofnylonasinterveningthearray concept for display rack of textile toys. vertical metal rods with shapes metal plates attached for frosted glass sup porters 20mm glass shelves for terracotta toys displayon a 10mm metal rodes which is welled to verticalmembers.attaching
NOTE- Drawings are not to scale Semester panel
15mm metalsupportsrodes 20mm frostedshelvesglass 5mm metal plateslinings glass shelves
2 point perspective from road side of lounge bar from left side How shop display rack element used as a window be tween both the spaces and placement of ceiling element with bar table arrangement
Opening and closing time- 10am10pmConcert of young and famous bands- twice in a month Cafe- 10am -10 pm -Regular days concert’s- young budding
INTERVENE THE ARRAY
Breaking texture with a BalancingIntensitycurveofsurfacesthecompositionwithlineandshapes
Monolith form with attaining form undulation Generating different perspec tive cone of vision for viewers visual hierarchy within the volume
1- As the overall material of the building is a concrete based structure which will act as a common foreground for the inte rior material which will be incorporated in the design to get a luxurious interior. 2-the building already offers vastness and huge volume for me to take it as a challenge to show luxury in already luxuri ous background/given form.
Final Panel
From analyzing and understanding spatial elements in the existing chosen site, have de cided to contradict the openness of the existing building by interpreting the site as cur taining terraces by exploring the incorporation of levels in different area(monolithic expe rience), materiality of each space as new experience, or through bridging different levels to achieve curiosity, or through spaces and terraces as one element and curtaining the element as a whole.
inter vening
Site and program Why this site Timings
Change in volume
58 ENTRY Private Concert halls Retail shops-Cafe Live Museum/musicianRooms/concertstagestayareaintroductionInstrumentsoundboxOCOOCUOSOCMMTMENTITEINTRDTINFMYMMTMENT CJORPLANIFET Services-common staircase Programmatic levels 1- CONCRETE BANNER AREA 2- MUSIC BOX1 AND 2 2- RECEPTION AND TICKET COUNTER 1- COMMON SITTING AREA 1- CONCRETE STAGE1 2- CONCRETE STAGE2 3- CONCRETE SITTING AREA 3- YOUNG MUSICIAN MUSEUM 3- SHOP SHELVING SYSTEM 4- CAFE KITCHEN 4- CAFE SITTING 5- PRIVATE PRACTICE ROOM-1 6- PRIVATE PRACTICE ROOM-2 LOWER GROUND FLOOR PART PLANA’/B’A’/B’A/BA/B(BASEMENT)A/BA’/B’GROUND FLOOR PLAN GROUND FLOOR PLAN Ant Eye View ENTRY 1 2 3 4 1 2 4 3 3 1 2 5 6 ANT EYE VIEW MODULE I AND MODULE II TO MODULE III : DESIGNING A VENUE FOR LUXURY; Curtaining terraces NIDHIIR:3021RADADIA LUXURISM NEW AGE VOCABULARY INTERIOR DESIGN PRACTICES
TERRACOTTA AND TEXTILE TOY SHOP adjacent to LOUNGE BAR Strategies used in spatial arrangement of shop and lounge to define my perspective for as the concept for display rack of textile toys.
LUXURY IN A CUBE SPATIAL ARRANGEMENT OF SITE AND LEVELS live stageconcreteBanner area +music box’s CAFE ROOMSPRACTICEPRIVATE MUSEUM
Repetition of form with change in the scale of it.
ELEVATIONPLAN
Intersection of transluted planes with the places as create the form of cube Structure of the cubes through edges- invis ibility of edges
Commitment for luxurious interior -NEW AGE FOR LUXURISM
FRONT FACADE two point perspective view- shop and lounge VERTICAL opening glass facade for shop to get the first look to the statement element of the shop VERTICAL opening the glass facade but not continuing for full height but stopping before giving visuals of the insides
luxury CJORPMRETDIMET Visually detached Through Material density Individuality Line weights Depth Structurally Visual hierarchy plywood Black shiny powder coating display panels Glass display panels Black shiny powder coated grooves on the surface of trader Floor pattern - simple grid of tiling with contrast to micro concrete flooring. Triangular metal plates as a support for the above plate Display system 1- of textile toys ray. Display system 2- of terracotta toys Shop - lounge mezzanine floor plan Shop - lounge mezzanine floor plan MEZZANINE FLOOR PLAN GROUND FLOOR PLAN AT 1500MM Shop and lounge perspectoscope with attraction interior elements in use TEXTILE TOY DISPLAY SYSTEM Mezzanine floor Nylonglassthreadsshelves5mm metal plate in tweenbe Metal triangular members sections for mezzanine also takes load of display system bellow it Railing for mezzanine which is a part of support member of mezzanine Arrangement of nylon threads
Centrally oriented paths with larger floor area
VOCABULARY
Spacial theme Site Excitements Program distribution
Cube of triangulated glass/felxi-acralictextured Offset frosted glass surfaces depth all the surfaces
-Privatemusicians.practice rooms -Practice rooms -Live music area -In-house cafe -Stay space- rooms for artisans and musicians -Young music museum Previously site as a Woxsen university library in hyderabad and will be converting it into a gallery/hub of young musi cians(companies) invested by AR Rahman
I have derived that when the form of a space is visually and struc turally detached from the existing building which generates cu riosity for the viewer to create a visual hierarchy and a sense of unusual happenings through material density/ difference in-line weights/ creating depth and also acts as a stand-alone structure. When the above statement is being applied with the help of con trasting materials like lustrous with rough-finished material (e.g. mate finished metal rode in contrast with textured acrylic sheet) to overpower the properties and EMPHASIS the contrasting properties of those finishes which attains luxury in its own and with the spatial arrangement of the applied contrasting materials in a composition to give a luxurious frame of visual.
CURTAINING TERRACES Whole to Part /Part to Whole Comparative material com
array
FACULTY OF DESIGN ,CEPT UNIVERSITY LEARNING OUTCOME Developing and Generating a process to derive luxury of an inte rior through defined method which helped me develop a new perspec tive of looking at visuals in much more details from its reasoning to each element playing there role to design principles deriving my perspective towards luxury in todays era by Accepting and processing the tangible appli cation of explorations to attain luxury through strategies derived from the process IN MODULE 1-2 and then generating a narrative of both expe riential and programmatic reason ings in designing a program layout for the final design module.
59 SECTION AA’ AXO OF YOUNG MUSIC MUSEUM IN THE BASEMENT AREA 2 POINT PERSPECTIVE- EXPLODED VIEW OF BANNER SYSTEM AND VERTICAL PLAN DETAIL- BANNER LIGHTING WOODEN PLANKS WITH METAL RODE JOINTS SYSTEM OF BLACK GALVANIED MATEL BOX SECTION WITH PIVOTED BANNERS Element Mambers Of Flexy Acrylic Sheet With Metal Plate Joints DETAIL- SHOP SHELVING SYSTEM In Young Music Museum Showing Verticality In Space Section from young music museum to private practice rooms to concert sitting area on the third floor ++_17370mm+_12950mm+-+-3000mm0.00mm4575mm+-11700mm+-4350mm how display system of the museum is structurally attached but visually they are acrylic bands floating 20mm metal box section4mm yellow led light 4mm yellow led 4mmlightyellowledlightTextured flexi acrylic flexi acrylic black galvanized metal plates metal corrugated sheet pumetalmetalsectionsheetcladingmetalplatemembersmetalplatemetalplatemetalplateclear glass metal cables metal rings 100MMSECTIONMETALNylon thread PU sheet PU sheet black galvanised metal plate black galvanised metal plate black galvanised metal sheet supportesglass metalclear20mmclear20mmglassglassglass studs 30 mm white marble flooring OUTSIDE INSIDE Vertical planner element gives directionality and also divided the space from music boxSection from banner area with craft shop area above it with cafe sitting mezzanine above the music box The conical form of the private practice room is attained to maintain the Eco of the sound while rehearsing This section mostly showcase how have tried to incorporate my commitment of luxury structurally in each interior element Showing central element in museum which is visually detached but structurally attached from the cafe into the banner display of young musicians with mirrored pillars Between the vertical planes in the banner area of the centralbuildingelement of young music museum EXPLODED VIEW OF MUSEUM ELEMENTS BANNER SYSTEM SECTION BB’ VIEW 2 POINT PERSPECTIVE 2 POINT PERSPECTIVE 2 POINT PERSPECTIVE 2 POINT PERSPECTIVE concert sitting area practice room young music museum live music concert area shopBANNERareaDISPLAY AREA MUSIC BOX CAFE SITTING Panel
NIDHI LUXURISMIR:3021UI4817RADADIA:NEWAGE VOCABULARY INTERIOR DESIGN PRACTICES FACULTY OF DESIGN , CEPT UNIVERSITY