GeeMaa took the onions I chopped and put them in a pan of warm palm oil. She turned the heat up on the hob and turned to look at me. Most people have eyes the colour of their skin or slightly darker; GeeMaa’s were a light shade of brown. Lighter than her skin. They had a hypnotic quality about them. “When was the first dream?” She didn’t seem as surprised as my father was to hear about the dreams. In her right hand she held a wooden spoon steady over the pan of whispering onions, but her attention was rooted on me. “After Auntie Dee Dee died. I saw her cooking on a kind of stage.” “Hmm.” She turned to stir the onions. She was making kontomire stew with agushi. “Sit down,” she said. I pulled a kitchen stool and sat down. She took an earthenware grinding bowl full of melon seeds, placed it on the floor, pulled another stool and sat facing me. She sprinkled some water on the seeds and began to crush them with a wooden pestle. She exuded the silent calm of Jaggers’ Molly – Estella’s mother. “My child, a crab does not give birth to a bird.” “I don’t understand.” “Do you know who an okomfo is?” “Like Okomfo Anokye?” I knew the name from my history lessons. He was the sorcerer who helped build the Ashanti Kingdom. Like Merlin of Camelot he had rooted a sword that could only be removed by a chosen person. “Yes. Like Okomfo Anokye.” She paused.