Inside, I joined GeeMaa and Naana in the kitchen as they switched from an energetic rendition of Osibisa’s Fire, to A.B. Crentsil’s Moses. Naana joked that it was sacrilegious to sing Moses on Sunday since the Christian Council of Ghana had tried to get the song banned because A.B. had given new meaning to the parting of the Red Sea. GeeMaa was chewing on a thin stick of neem branch as usual. She passed me a plate of scrambled eggs and toast, which I crammed into a sandwich and downed in five mouthfuls. “Where is the real food?” GeeMaa released a deep laugh and Naana’s head shook. “Don’t worry,” said GeeMaa. “The kenkey seller will pass by any moment from now.” Naana laughed loud. Suddenly. As though some phantom had tickled her. “Do you remember Grandma and the yellow kenkey?” I didn’t answer. Our kenkey was white again, but the balls were smaller. When the kenkey seller arrived, balancing her wide aluminium basin on her head, I went out through the kitchen door to our veranda to help her place it on the ground. I asked for nine balls of kenkey: two for me, two for my father and one each for Naana, GeeMaa and my mother, plus two for jaala, just in case one of the women wanted more after they had eaten their first ball. The kenkey seller was not our regular one. She was younger. She had two thin tribal scars on her left cheek and she wore a simple onepiece dress made from a popular blue and white wax print pattern. Around her waist she had a different patterned cloth, also in blue and white, which she had tied in a