December 10-11, 2016 Winter Estates Auction

New Orleans Auction galleries

December 10-11, 2016

Lot 963: Jose Maria Cundin (Spanish/Louisiana, b. 1938), “Enanos”, oil on canvas, signed, 51” x 51”

Lot 964: Jose Maria Cundin (Spanish/Louisiana, b. 1938), “Figuras Esperando”, 1984, oil on panel, signed, titled and dated, 9-3/4” x 11-3/4”

Lot 992: Ida Rittenberg Kohlmeyer (American/ Louisiana, 1912-1997), “Untitled”, 1973, oil on canvas, signed and dated, 52” x 50”

Lot 1008: Shearwater Pottery “Duck” Vase, second quarter 20th century, cast and glazed by Peter Anderson and decorated by Walter Inglis Anderson

Lots 1061-1063: Shearwater “Street Scene” pottery by James McConnell “Mac” Anderson

Lot 1019: Shearwater Pottery “Chesty Horse”, mid-20th century, cast and glazed by Peter Anderson, designed by Walter Inglis Anderson

Lot 961: George Rodrigue (American/Louisiana, 1944-2013), “Legacy”, from the Saga of the Cajuns series, oil on canvas, signed, 36” x 24”

Lot 1046: Theodore Fonville Winans (American/Louisiana, 1911-1992), “Ferry Landing, Baton Rouge”, silver gelatin print, signed and dated 1938, 16” x 20”

Lot 1060: James McConnell “Mac” Anderson (American/Mississippi, 1907-1998), “Street Scene”, oil on board, signed and dated, 16” x 24”

Lot 136: Clyde Connell (American/Louisiana, 1901-1998), “Bastineau Sentinel No. 1”, 1992, mixed media on wood, signed, titled and dated, h. 84” Large Collection of Shearwater Pottery

Lot 15: Mary Kirk Kelly (American/Alabama, 1918-2013), three earthenware melons, signed and dated

Lot 953: George Frederick Castleden(American/ Louisiana, 1861-1945), “Trapper’s Cabin, Outside St. Augustine, Florida”, oil on canvas board, signed and titled, 14” x 12

Lot 9: Mary Kirk Kelly (American/Alabama, 1918-2013), earthenware gourd tureen and three pumpkins, tureen and smallest pumpkin signed and dated

Lot 949: Alexander John Drysdale (American/ Louisiana, 1870-1934), “Live Oak on the Bayou”, 1932, oil wash on board, signed, 18-1/2” x 28-3/4”

Lot 1014: Large Shearwater Pottery “Sea, Earth and Sky” Vase, ca. 1945, cast and glazed

by Peter Anderson and Carved by Walter Inglis Anderson

Lot 951: Ellsworth Woodward (American/New Orleans, 18611939), “Roman Alley with Street Cleaner”, watercolor on paper laid down on board, signed, 21-1/8” x 14-7/8”

Lot 947: Alexander John Drysdale (American/Louisiana, 1870-1934), “Early Morning in a Louisiana Swamp”, near New Roads, Louisiana, 1909, oil on board, signed, titled, dated, 10-1/4” x 17”

Lot 10: Mary Kirk Kelly (American/ Alabama, 1918-2013), red cabbage tureen on stand, signed and dated, and a small red cabbage covered bowl, signed

Lot 959: William Tolliver (American/Mississippi/Louisiana, 19512000), “Tilling the Fields, Mississippi”, oil on canvas, signed lower right, 15” x 30”

Lot 950: Clarence Millet (American/New Orleans, 1897-1959), “French Quarter Courtyard with Figures”, oil on board, signed, 15” x 15”

Lot 966: Newcomb College Art Pottery High-Glaze Vase, 1904, of tapered ovoid form, decorated by Leona Nicholson, marked with Newcomb cipher, Joseph Meyer’s potter’s mark

Large Collection of Newcomb Pottery

Lot 931: American Rococo Revival Laminated Rosewood Seven-Piece Parlor Suite in the “Rosalie” Pattern, mid-19th century, attributed to John Henry Belter, New York

Lot 922: Alfred Boisseau (French/American, 18231901), “Miss Mary Tanner (b. 1833/1834), Waubun Plantation, Terrebonne Parish, Louisiana”, 1849, oil on canvas, signed and dated 39-1/2” x 31-1/2”

Lot 943: Rare V. G. W. Libeau DoubleBarrel Percussion Shotgun, ca. 1840s, New Orleans, engraved “New Orleans” on bridge bar between barrels and “V. Libeau” on lock plate

Lot 1029: Tiffany Leaded Glass Table Lamp in the “Geometric” Pattern on a Weller Coppertone Base, early 20th century, glass shade marked “Tiffany Studios New York 1436”

Lot 916: Antebellum New Orleans Market Rosewood Tester Bed, mid-19th century, attributed to the warerooms of the McCracken Firm, New Orleans

Lot 1074: Good One Hundred and Thirteen-Piece Set of Reed & Barton “Francis I” Sterling Silver Flatware, the pattern designed in 1907 by Ernest Meyers, Taunton, Massachusetts

Lot 928: American Rococo Revival Giltwood Overmantel Mirror, third quarter 19th century, h. 85-1/2”, w. 71”

Lot 927: American Rococo Revival Rosewood and Marble-Top Center Table, third quarter 19th century, New York, probably Alexander Roux

Lot 923: American Ebonized, Parcel-Gilt and Stenciled Grand Action Harp, mid-19th century,

by R. & L. Lewis, New York

Lot 853: American Classical Stenciled and Polychromed FauxRosewood Grecian Couch, first quarter 19th century, Philadelphia

Lot 876: Pair of Regency-Style Carved Giltwood TwoLight Sconces

Lot 854: Near Pair of American Classical BrassInlaid Mahogany Console/Sofa Tables, second quarter 19th century, attributed to Joseph Barry, Philadelphia

Lot 865: Fine American Classical Brass-Inlaid Mahogany Secretary Bookcase, ca. 1825, Boston

Lot 856: American Classical Mahogany Work Table, first quarter 19th century

Lot 868: Exceptional Johnston Brookes and Company Bronze and Cut Glass Two-Light Argand Lamp, second quarter 19th century, London

Lot 859: After John James Audubon (American, 17851851), “Virginian Partridge”, no. 16, pl. LXXVI, from the Birds of America (1826-1838), hand-colored aquatint engraving by Robert Havell, verso watermarked “J Whatman/Turkey Mill/1829”, sheet 26-1/2” x 39-1/2”

Lot 867: American Classical Bronze-Mounted Mahogany Sideboard, second quarter 19th century, Philadelphia

Lot 343: William Hollywood (British, 1923-2007), “Mallards in Flight”, oil on canvas, signed, 20” x 30”

Lot 341: Brett James Smith (American/Louisiana/ Montana, b. 1958), “Lake Camp”, oil on canvas, signed and titled, 8-3/4” x 12”

Lot 338: Brett James Smith (American/Louisiana/Montana, b. 1958), “Getting Ready”, oil on panel, signed and titled, 24” x 36”

Lot 344: William Alther (American/Texas/ Colorado/Arkansas, b. 1959), “Pond Swan”, oil on board, signed and titled, 9” x 12”

Lot 340: David Hagerbaumer (American/California, 1921-2014), “Mallards and Pintails”, 1959, watercolor on paper, signed and dated, 19” x 27”

Lot 1043: Edward Sheriff Curtis (American, 1868-1952), “The Vanishing Race”, 1904, vintage orotone photograph, signed in the negative, 11” x 14”

Lot 339: Herb Booth (American/Texas, 1942-2014), “Teal Hunt”, watercolor on paper, signed, 21” x 28”

Lot 342: Gerald Harvey (American/Texas, b. 1933), “Evening Lights in the City”, gouache on paper, signed, 6-1/2” x 5-3/4”

Lot 1111: Johann Berthelsen (American, 1883-1972), “5th Avenue and 60th Street”, ca. 1950, oil on artist’s canvas panel, signed and titled, 10” x 8”

Lot 1078: Molly (Burroughs) Luce (American/Rhode Island, 1896-1986), “Market at Night, Belmont”, ca. 1930, oil on canvas, inscribed with artist name, title and date, 22” x 28”

Lot 1112: Emile Albert Gruppe (American, 1896-1978), “Winter - Pennsylvania Hills”, oil on canvas, signed and titled, 30” x 36”

Lot 1121: Charles Abel Corwin (American, 1858-1938), “Autumn Landscape”, oil on canvas, signed lower left, 24” x 36-1/4”

Lot 103: Helen Thomas Dranga (British/American, 18661940), “Bay View, Hawaii”, oil on canvas board, signed, 17-3/4” x 22”

Lot 345: Clyde Aspevig (American, b. 1951), “Blackwaters Magnolia Gardens”, oil on canvas mounted on board, signed and titled, 24” x 30”

Lot 119: Vintage Set of Knoll International Chrome-Plated Steel “Lounge Chairs” and Matching Ottoman, 1970s

Lot 995: Stan Brodsky (American, New York, b. 1925), “Paros - Orange”, 1977, oil on canvas, signed and dated lower right, signed and titled en verso, 60” x 50”

Lot 124: Jorge Luis Cuevas (Mexican, b. 1922), “Seated Woman”, 1987, patinated bronze, incised signature, dated, and numbered “II/IX”, h. 17-1/4” Lot 143: Bolivar Mena Franco (Ecuadorian, 1913-1995), “Horno de Ladrillos”, oil on canvas, signed, titled and dated, 27” x 34-1/2”

Lot 468: Sixty-Eight-Piece Set of Georg Jensen “Acanthus” Sterling Silver Flatware, the pattern designed in 1917 by Johan Rohde (1856-1935), Copenhagen

Lot 125: Pair of Stylish Modern LeatherUpholstered and Rosewood Club Chairs

Lot 109: Alex Shtelman (Ukranian/ Canadian, b. 1958), “Cello Player”, patinated bronze, incised signature and numbered 5/18, h. 21-1/2”

Lot 141: David Hayes (American, 1931-2013), “Untitled #100”, 2001, rusted steel, signed, dated, inscribed and copyright marked, h. 77”

Lot 219: Jean Lormier (French, 20th Century), “Danseuses aux Voiles”, second quarter 20th century, patinated bronze, incised signature, h. 9”

Lot 1067: Stylish Tiffany & Co. Sterling Silver Ewer-Form Vase, the pattern introduced in 1906, New York, New York

Lot 239: Art Deco-Style Satinwood-Banded Macassar Ebony Dining Table, late 20th century

Lot 234: French Art Deco Macassar Ebony and Bone-Inlaid Server/ Console Table, second quarter 20th century

Lot 222: Attributed to William Hunt Diederich (Austrian/ American, 1884-1953), Art Deco gilt and patinated iron music or magazine rack

Lot 242: Pair of French Art DecoStyle Macassar Ebony and Faux Suede-Upholstered Club Chairs, mid-20th century

Lot 240: Suite of Four Art DecoStyle Macassar Ebony Dining Chairs, late 20th century

Lot 216: Pair of French Art Deco and Chrome Torchere Lamps, ca. 1930s

Lot 235: Continental Art Deco Macassar Ebony Bar Cabinet, second quarter 20th century

Lot 653: Gentleman’s Eighteen-Karat Yellow Gold, Emerald and Diamond Ring, set with a square sugarloaf treated emerald cabochon with an approximate weight of 5.00 carats

Lot 684: Beautiful EighteenKarat White Gold, Emerald and Diamond Necklace, mounted with an emerald-cut treated emerald, with an approximate weight of 18.20 carats

Lot 655: Gentleman’s FourteenKarat Yellow Gold and Diamond Ring, set with a round brilliantcut diamond, with an approximate weight of 2.35 carats

Lot 685: Eighteen-Karat White Gold, Emerald and Diamond Ring, mounted with an emerald-cut treated emerald with an approximate weight of 4.61 carats

Lot 761: Pair of EighteenKarat Rose Gold, Pink Tourmaline, South Sea Pearl and Diamond Earrings

Lot 656: Gentleman’s Rolex Eighteen-Karat Yellow Gold and Diamond President Wristwatch

Lot 769: Stunning Platinum, Burma Ruby and Diamond Ring, mounted with an oval-cut treated Burmese ruby, with a weight of 8.29 carats

Lot 709: Pair of Platinum, Sapphire and Diamond Earrings, each earring mounted with an ovalcut treated sapphire, with an approximate total weight of 3.24 carats for the pair

Lot 710: Beautiful Platinum, Sapphire and Diamond Ring, mounted with an oval-cut treated sapphire, with an approximate weight of 5.88 carats

Lot 763: Beautiful Tiffany and Company Platinum, Diamond and Tourmaline Pendant Necklace, the pendant mounted with a pear-cut pink tourmaline, with an approximate weight of 13.02 carats

Lot 558: Good Victorian Elkington & Co. Sterling Silver Punchbowl, hallmarked Birmingham, 1896-1897

Lot 560: Fine English Cased One Hundred and Fifty-Piece Sterling Silver “King’s” Pattern Flatware Set, hallmarked Sheffield, 2000, by Carr’s of Sheffield, retailed by Harrods of London

Lot 630: Pair of Chinese Carved Jade Vases on Stands, first quarter 20th century

Lot 530: Handsome Thirty-Eight-Piece Hicks and Meigh “Japan” Pattern Ironstone Partial Dinner Service, ca. 1813-1822, English

Lot 304: Handsome Regency Giltwood Girandole Mirror, first quarter 19th century

Lot 360: Frederick William Hulme (British, 18161884), “Stepping Stones - Cader Idris, North Wales”, oil on canvas, signed, 23-3/4” x 35”

Lot 530: Alfred Augustus Glendening, Jr. (British, 1861-1907), “Feeding the Swans”, oil on canvas, monogrammed, 35” x 24-1/2”

Lot 89: Queen Anne Chinoiserie Secretary Bookcase, 18th century and later

Lot 93: Edward Benjamin Herberte (British, 18571893), “Horses, Sheep and Cows Resting in the Stableyard”, 1879, oil on canvas, signed and dated lower left, 36-1/4” x 61”

Lot 452: Good French Restauration Provincial First Standard (.950) Silver Tureen, 1815-1830, Reims, by Sebastien Joseph Dupuis (1783-aft. 1836)

Lot 451: Good Pair of French Empire First Standard (.950) Silver Candelabra, 1809-1819, Paris, by Jean-Pierre-Nicolas Bibron

Lot 65: Louis XVI-Style Five-Piece Giltwood Parlor Suite, 20th century

Lot 571: Constantin Stoiloff (Austrian/Bulgarian, 1850-1924), “Troyka”, ca. 1910, oil on canvas, signed, 20” x 32-1/4”

Lot 575: Exceptional Napoleon III Gilt- and Patinated Bronze Three-Piece Clock Set, third quarter 19th century

Lot 135: French Patinated Bronze of “La Ballerine”, first quarter 20th century, after the sculpture by Alfred Boucher (French, 1850-1934), cast signature, overall, h. 27”

Lot 175: Continental GiltBronze and Cased and Cut Glass Centerpiece of Renaissance Inspiration, 20th century

Lot 69: Louis XV-Style OrmoluMounted Kingwood Bureau Plat, 20th century Lot 49: Louis XV-Style Kingwood, Parquetry-Inlaid and Gilt-Bronze-Mounted Side Table, early 20th century, attributed to Francois Linke

Lot 63: Alfred Emile Godchaux (French, 1860-1933), “Still Life of Pansies in a Pottery Vase”, oil on canvas, 16” x 10-3/4”

Lot 446: Constantin Kluge (French, 1912-2003), “Cafe Terrace at Champs-Elysees, Paris”, oil on canvas, signed, 26” x 32”

Lot 35: Antal Berkes (Hungarian, 1874-1938), “Boulevard at Twilight with a Woman in White”, 1927, oil on canvas, signed and dated, 29-3/4” x 39-5/8”

Lot 431: Georges Lapchine (Georgii Aleksandrovich Lapshin, Russian/French, 18851940), “Mediterranean Seascape with Fishing Boats”, oil on panel, signed , 9-1/2” x 13-7/8” Lot 507: Fine Art Nouveau Marble and Bronze Dore Bust of “Jeune Femme”, ca. 1900, by Alphonse Henri Nelson (French, 1854-1919), cast signature, retailed by Tiffany & Co., New York, overall, h. 24”

Lot 176: Pair of Baronial-Style Giltwood Armchairs, 20th century

Lot 72: Assembled Three-Piece German Porcelain Clock Set, ca. 1861-1922, comprised of a Meissen clock and a pair of figural candelabra made by C. G. Schierholz, Plaue, Germany, ca. 1900

Lot 585: Pair of French Empire-Style Gilt- and Patinated Bronze Centerpieces, 20th century

Lot 509: Pair of Louis XVI-Style Mahogany and Fruitwood Occasional Tables, early 20th century

Lot 576: Napoleon III-Style Metal and Brass Planter, mid20th century

Lot 163: Pierre Uselding (French, b. 1849), “Un Lutrin”, 1877, oil on wood panel, signed and dated, 21” x 18-3/4”

Lot 269: French Empire-Style Gilt-Bronze and Tole Seven-Light Chandelier, second quarter 20th century

Lot 198: Pair of Unusual English Modern Gothic ParcelGilt Mirrors, fourth quarter 19th century

Lot 429: Unusual Italian Polychrome Console Table, mid-19th century

Lot 177: Continental School (First Quarter 20th Century), “The Royal Hunting Party”, oil on canvas, 55” x 42”

Lot 162: David Teniers, the Younger (Flemish, 1610-1690), “The Temptation of St. Anthony”, oil on oval-form wood panel, monogrammed, 16-1/2” x 22”

Lot 161: Iberian Ebonized, Tortoiseshell, Oak and Fruitwood Papeleira Vargueno, 17th century

Lot 30: French Hand-Woven Tapestry, 17th century, 9’7” x 9’8”

Lot 179: Pair of Italian Renaissance-Style Bronze Figural Andirons, 20th century

Lot 382: Italian Neoclassical Fruitwood and Inlaid Mixed Woods Slant-Lid Desk, late 18th century

Lot 34: Flemish Hand-Woven Tapestry of a Royal Betrothal, 17th century, 9’5” x 6’

Lot 4: Continental School (19th Century), “Extensive Mountain Landscape with Figures”, oil on canvas, 52” x 70”

Lot 389: Good Biedermeier Walnut Demi-lune Cabinet, first quarter 19th century

Lot 70: Brussels Hand-Woven Verdure Tapestry, 17th century, 8’2” x 5’10”

Lot 395: Italian Walnut Tabernacle in the Neoclassical Taste, first quarter 19th century

Lot 189: Italian Rococo Polychrome and Marble-Top Console Table, late 18th century

New Orleans Auction gal l eries

333 St. Joseph Street New Or leans, LA 70130 Main: 504-566-1849 To l l F r e e : 1 - 8 0 0 - 5 0 1 - 0 2 7 7 Fax: 504-566-1851 Info@NewOr leansAuction.com NewOrleansAuction.com

EXHIBITION November 28 - December 9, 2016 9 a.m. to 5 p.m. Daily (Excluding Sunday)

EVENING RECEPTION Thursday, December 8, 2016 5 - 8 p.m. | Cocktails & Hors D’Oeuvres

AUCTION December 10-11, 2016 Begins at 10:00 a.m. Each Day

Lot 857: After John James Audubon (American, 1785-1851), “Brown Pelican”, no. 51, pl. CCLI, from the Birds of America (1826-1838), hand-colored aquatint engraving by Robert Havell, verso watermarked “J Whatman/Turkey Mill/1835”, sheet 38” x 25-3/4”

Sign up to bid and view the full catalogue online at NewOrleansAuction.com Published By: New Or leans Auction Galleries | Design: Bur ke and Taylor Eichenwald | Photos: Gar y Michael Gittelson LA Auction License AB-363 | Steinkamp #1265, Thomas #1833, Eichenwald #1922 (25% Buyer’s Premium - 3% Discount for Prompt Payments Made by Cash, Check or Wire)