May 20-21 Estates Auction by New Orleans Auction Galleries

New Orleans Auction galleries

ESTATES AU CT ION : M AY 2 0 - 2 1 , 2 0 1 7

e s tat e s a u c t i o n m ay 2 0 - 2 1 , 2 0 1 7 Exhibition: May 8 - 19, 2017

Monday - Friday, 9 a.m. - 5 p.m. Saturday, May 13, 10 a.m. - 4 p.m.

Evening Reception: Thursday, May 18, 2017, 5 - 7 p.m.

f e a t u r i n g p r o p e r t y fr o m : The Collection of Julia Brooks & Clarke Thomas Reed Greenville, Mississippi The Collection of Jack & Sherril Neal Ridgeland, Mississippi Rip-Rap Natchez, Mississippi Private Collection Dallas, Texas Private Collection Baton Rouge, Louisiana

New Orleans Auction galleries

Website: NewOrleansAuction.com Email: Info@NewOrleansAuction.com Tel: 504-566-1849 | Fax: 504-566-1851 333 St. Joseph Street, New Orleans, Louisiana 70130 Pictured: Lot 11 | Front: Lot 286 LA Auction License AB-363, Steinkamp #1265, Thomas #1833, Eichenwald #1922 25% Buyerâ&#x20AC;&#x2122;s Premium (3% Discount For Prompt Payments Made By Cash or Check)

L OT SCHE D U L E S e s s i o n II

Session I

S u n d a y, M a y 2 1 , 2 0 1 7

S a t u r d a y, M a y 2 0 , 2 0 1 7 100

1 0 : 0 0 - 11 : 0 0

562

631

200

11 : 0 0 - 1 2 : 0 0

632

700

201

300

12:00 - 1:00

701

800

2:00

301

400

1:00

2:00

801

900

3:00

401

500

2:00

3:00

901

3:45

501

561

3:00

3:45

1001 - 1057

1 0 : 0 0 - 11 : 0 0

11 : 0 0 - 1 2 : 0 0

101

12:00 - 1:00 1:00

2:00 3:00

1000

EVENING RECEPTION march 9, 2017

L-R: Patrick M. Schoen and Renee Mithun; Bob and Lyn Fabacher and Susan D. Sarofim; Patrick Benoit, Dana Atchison and Burke; Wayne Mayberry and Ella Goodyear; James Rigney, Joe Semmes and Emma Taylor; John Angelico and Virginia Angelico Tatum

New Orleans Auction Galleries Staff | Fine Art Auction: April 22, 2017

lette r f r o m t h e C E O

Subjectivity is a wonderful thing … at least that’s my opinion. Our personal experiences, desires and aspirations form internal evaluations, quickly evaluating any number of things that fall into view as beautiful and worthy, or perhaps, not so much. This tendency may be stronger for some of us more than others, but let’s face it: I’m hardwired for subjectivity. This fact recently became crystal clear when I was asked for an interior designer referral. I happily rattled off a list of designers. But then I stopped. I knew who I liked, but what did I really know about these designers? And in a split second, I became uncomfortable with doubts running the gamut from “What if I made the wrong recommendation for the requester’s budget?” to, worse, “What if the project proved to be a disaster?!” And thus, I set out to balance my subjectivity with some business-sense objectivity. Through research and interviewing, I have compiled tips to help ensure anyone can hire the “right” designer – the person who can help you realize the design project of your dreams. First, consider to what extent you want to be involved in the creative process, and, likewise, determine what level of guidance you need. Do you need start-to-finish ideas, or do you know your style direction? Second, determine if you need an interior decorator or an interior designer. According to the National Council for Interior Design Qualification, interior designers may decorate, but interior decorators do not practice design. The terms are often used interchangeably, but the jobs are different. Interior designers may be called in early in the building process and usually work closely with the architects and builders of a project, typically determine the layout of the room and then handle the decorating aspects including lighting, paint and furnishings. However, decorators tend to join once the construction process is complete. Unlike the designation “interior designer,” there are no rules around the use of “interior decorator.” However, this is not to say they are not professional. Many interior decorators have years of experience and are trained in related fields. Several states now require interior designers to be accredited by NCIDQ before they can legally refer to themselves as designers. Go to the American Society of Interior Designers website to learn more about accreditation in your state. But for a firsthand evaluation, “Look at the talent of the interior designer. Ask to see some of his or her previous projects, and look at some designing magazines together to get a feel for their specific looks,” advises Michael J. Siller, of Michael J. Siller Interiors (mjsinteriors.com) in Houston.

“Some designers have a unique look for every project, and I consider myself one of those designers,” added Siller, who is licensed and has 26 years of experience. “I think that’s very important, in the sense I have taken pride in that I listen to the client and the project reflects their personality.” Chad and Christina Graci, the dynamic brother-sister team of Graci Interiors (www.graciinteriors.com) in New Orleans and Houston, have refined the concept of the appellative design, offering a fresh, Southern look that is traditional and classical at heart. Chad Graci, who graduated with a degree in architecture and studied at the New York School of Interior Design, believes his architectural experience serves him daily. “It helps me visualize rooms both in plan and in three dimensions, and has honed my sense of scale and proportion, all of which is invaluable to my work,” he said. So narrowing in on signature looks or advanced skills of one or two specific designers or decorators also helps clear the paint deck, so to speak. Siller feels in the last ten years, people are bombarded with ideas from magazines and the internet. And as someone whose mailbox is full of nearly all the latest design magazines, I can tell you, the vast number of options is, indeed, overwhelming. "Everyone's good at something. One of the things I'm good at," said Siller, "is I have a sixth sense. When the client shows me even a huge range of pictures, I look for a common thread and offer ideas. It's so important to get the personality of the client and then taking it one step further, giving them a beautifully designed project." And finally, my last suggestion for finding the right designer or interior decorator is take your time. Do a little design soul searching to get a feel for your own personal style. And if you need a bit of inspiration, just flip through the pages of our May NOAG auction catalogue! The auction will be held Saturday, May 20 and Sunday, May 21. And in this case, I can objectively say, with 1,057 lots of furniture, jewelry, art and more, I know for a fact you will find something you will love! And, of course, join us for cocktails and hors d'oeuvres at our evening reception on Thursday, May 18. All the best,

P r ope r ty f r o m

n at c h e z , m i s s i s s i p p i circa 1835-1850

For Inquires, Contact Dianne Brown, Hudson & Brown Real Estate, LLC 601.672.4161 | dianneb@bellsouth.net

Session I

Saturday, May 20, 2017 10:00 a.m. CDT Lots 1-561

Lot 413

1 Flemish Tapestry of a Bucolic Meandering River Landscape 19th century, machine woven. 6’ 6” x 20’ 2” $2,500‑$4,000 2 Pair of Terracotta Covered Urns 20th century, Continental, on fluted and leaf-molded bases, the urns decorated with sprays of berries and leaves, and having double handles on each side, the covers with berry-molded knops. h. 34”, w. 15”, d. 11” $600‑$900 3 French Provincial Carved Pine Longcase Clock second quarter 19th century, the enamel dial signed “St. Nicolas”, the hood with carved flowers and carved pierced drapery, the pierced crest with flowers and an urn. h. 99‑3/4”, w. 20”, d. 6‑1/2” $700‑$1,000

4 Provincial Fruitwood Commode late 18th century, the Louis XVI-style commode with a rectangular top above a conforming case fitted with three graduated long drawers, flanked to either side by a stop-fluted pilaster, raised on fluted tapering square feet. h. 33‑1/4”, w. 44‑3/4”, d. 22‑1/2” $600‑$900 5 Provincial Louis XV Polychrome Armoire/ Bibliotheque

18th century and later, the molded and canted rectangular cornice above a foliate-carved frieze and two doors, with an upper grilled section, the lower section with a shaped panel, over a foliate urn-carved apron, the lighted interior fitted with shelves and a belt of drawers, raised on shaped feet. h. 92”, w. 56”, d. 22‑1/2” $1,500‑$2,500

6 Quimper Grande Maison Faience Vase ca. 1895‑1942, French, on polychrome dolphin-form feet, the lily-form vase with polychrome decoration depicting a bagpipe player and a woman spinning yarn, and a Brittany coat-of-arms over a fleur-delis, marked inside “H.B.”, for Grande Maison de la Hubaudiere factory. h. 12”, dia. 8” $900‑$1,200 5

7 French School (First Half 18th Century) “Landscape with Villagers on the Road into Town” oil on canvas unsigned. Framed. 38” x 49‑3/4” $1,500‑$2,500

8 Painted and Parcel-Gilt Chandelier 20th century, in the provincial style, with a bold turned, gilt-trimmed and marbleized standard, the arms decorated with molded leaves and set with large urn-form giltwood candle holders. h. 49”, dia. 34” $2,000‑$4,000

9 Flemish Hand-Woven Tapestry of a Royal Betrothal 17th century, with central figures flanked by courtiers and crowned by a lush floral and fruit motif allegorical of fecundity and abundance, and a three-quarter border of ripe fruits. 9’ 5” x 6’ $7,000‑$10,000

10 Provincial Regence-Style Walnut and Marble-Top Commode late 18th century, the marble top with a molded edge and shaped front, above a conrforming case fitted with three long drawers, all inset with three shaped panels, raised above a shaped floral-carved apron on shaped toes. h. 37”, w. 49”, d. 24” $2,500‑$4,000

11 Hippolyte Camille Delpy (French, 1842‑1910) “Paysage a la Riviere et aux Lavandieres”, ca. 1900‑1903 oil on wood panel signed lower left, verso stamped with ducks and incised with the artist’s monogram. Framed. 15‑3/4” x 27‑7/8” $5,000‑$8,000

12 French Provincial Oak and Fruitwood Buffet a Deux Corps 19th century, the molded and rounded cornice above a case fitted with two long doors, the upper section glazed, the lower section inset with an arched panel, over a case with a rounded rectangular top, above a case fitted with two cupboard doors, each inset with an arched panel and with foliate accents, raised on large bun feet. h. 106”, w. 69‑1/2”, d. 26‑1/2” $1,800‑$2,500

13 Suite of Six Provincial Louis XV-Style Oak Dining Chairs each with a fully-upholstered back with arched top rail, serpentine apron with floral carving and cabriole legs with foliatecarved knees and French toes. h. 42‑1/4” $700‑$1,000

14 Pair of Fruitwood and Marble-Top Occasional Tables in the French Provincial style, each with a triangular marble top within a raised gallery, above a conforming shell-carved frieze, raised on molded cabriole legs ending in scrolled toes. h. 28”, w. 24‑1/2”, d. 24‑1/2”

$600‑$900

15 Provincial Louis XV-Style Polychrome Buffet a Deux Corps early 19th century and later, the molded and rounded rectangular cornice above a conforming case fitted with two cupboard doors, each inset with a grille panel over a shaped apron, joined by cabriole supports to a lower section fitted with three central small drawers, flanked to either side by a cupboard door inset with a shaped panel, raised above a shaped apron on shaped toes. h. 91‑1/2”, w. 69‑1/2”, d. 20‑1/2” $1,000‑$1,500

16 Brussels Hand-Woven Tapestry of “Greeting the Victor” 19th century, with a central scene of nobles within a battle encampment with tents and soldiers, backed in fabric and mounted for hanging. 65” x 71” $1,200‑$1,800

17 Louis XVI-Style Fruitwood Settee early 20th century, the padded oval back joined by downswept arms and padded sides to the cushioned seat, raised on spiral-fluted tapering circular legs ending in toupie feet, upholstered in golden Scalamandre silk. h. 40”, w. 74”, d. 33” Provenance: French Antique Shop, New Orleans, Louisiana.

18 Follower of Nicolaes Berchem (Dutch, 1620‑1683)

19 Louis Robbe (Belgian, 1806‑1887)

“Off to Market”

“Cattle in a Valley Pasture”

oil on beveled wood panel unsigned. Framed. 11” x 13‑1/8”

oil on canvas signed “Robbe” lower left. Framed. 13‑1/4” x 20”

$1,000‑$1,500

$1,400‑$1,800

20 Jean-Marie Mengue (French, 1855‑1939) “La Derniere Goutte” patinated bronze cast signature and a “Susse Freres/ Paris” foundry mark at back. h. 25”, w. 8‑1/2”, d. 9” $1,000‑$1,500

21 Elisa Beetz-Charpentier (French, 1875‑1949) “Le Manteau a Capuche” patinated bronze cast signature along proper left side of self-base. h. 17‑1/2”, w. 8”, d. 5‑1/2”

$1,000‑$1,500

22 Zsigmond Palnagy (Hungarian, 1896‑1959) “The Harvest” oil on canvas signed lower left. In a lacquered wood frame. 39” x 55‑1/4” $3,000‑$5,000

23 Suite of Four Provincial Louis XIV-Style Walnut Dining Chairs each with an upholstered seat and back, and raised on molded scroll legs joined by an H-form stretcher. h. 40‑1/2” $600‑$900

24 Provincial Louis XV-Style Oak and Marble-Top Buffet early 20th century, the rounded rectangular marble top above a conforming case fitted with a long pullout slide over three drawers and three cupboard doors, all paneled and with carved foliate accents, raised above a shaped ogee-molded frieze on shaped foliate-carved feet. h. 48‑1/2”, w. 86‑1/2”, d. 23” $2,500‑$4,000

25 Italian-Style Parcel-Gilt-Metal and Crystal Chandelier third quarter 20th century, the scrolled metal frame ornamented with gilt-metal leaves and issuing eight scrolled arms supporting gilt-metal scalloped drip pans with candles, polished and cut glass drops hanging throughout, with prismhung gilt-metal leaves forming the corona. h. 35”, dia. 24” $800‑$1,200

26 Suite of Eight Provincial Louis XV-Style Fruitwood Armchairs each with a domed and molded crest above a caned back, joined by shaped and scrolling arms to the padded seat, raised on cabriole legs ending in peg feet. h. 40” $1,200‑$1,800 27 Louis XV-Style Walnut Armoire late 19th century, the molded and domed crest with canted corners, above a conforming case fitted with a foliate-carved frieze over two long doors, each inset with a shaped panel, over a floral-basket-carved apron, raised on scrolled toes. h. 103”, w. 60”, d. 28‑1/2” $800‑$1,200

28 Henry Schouten (Belgian, 1864/1867‑1927) “Still Life of Chrysanthemums in a Blue and White Vase” oil on canvas signed lower left. Framed. 29” x 20‑1/4” $1,000‑$1,500 29 Suite of Eight Provincial Louis XV-Style Fruitwood Dining Chairs including two armchairs and six sidechairs, each with a domed double-caned back surmounted by a foliate crest, joined by downswept arms to the caned seat, raised on cabriole legs headed by foliate carving and ending in foliate toes. h. 37”

$700‑$1,000

30 Provincial Louis XV-Style Fruitwood Settee 20th century, the shaped floral-carved crest above a caned back, joined by downswept double-caned sides to the cushioned, caned seat, raised on molded cabriole legs headed by floral carving and ending in scrolled toes. h. 38‑1/2”, w. 49”, d. 26” $600‑$900 30

31 Louis XV-Style Fruitwood Armoire early 20th century, the arched, pierced and molded cornice with a deeply carved lute-playing cherub, over a foliate-carved frieze, with two long doors below, each inset with a beveled mirror panel, above a shaped apron, raised on acanthine-carved legs to scrolled toes. h. 105”, w. 64”, d. 20” $1,500‑$2,500

32 Provincial Regence Fruitwood Commode late 18th century, the banded, rounded rectangular top above a bombe case fitted with three long drawers, all with three shaped panels, the sides also paneled, raised on scrolled toes. h. 34”, w. 52‑1/2”, d. 25‑1/2”

$2,000‑$4,000

33 Domenico Quattrociocchi (Italian, 1874‑1941) “Paesaggio con le Mucche” oil on wood panel signed lower right, an old “Casa D’Arte Baldi/ Roma” label en verso. Framed. 11‑3/4” x 18” $1,200‑$1,800

34 Provincial Fruitwood and Polychrome Draper’s Table 19th century, the long rounded rectangular top above a conforming frieze, raised on tapering square legs joined by a slatted lower shelf. h. 33‑1/2”, w. 33‑1/2”, l. 83” $800‑$1,200

35 French Provincial Walnut Cabinet 18th century, the molded cornice above a frieze featuring two carved winged cherub heads, over two cupboard doors, each paneled and with decorative carving, the lower section fitted with two doors over two paneled cupboard doors, each centered by a carved floral medallion, raised on bun feet. h. 70”, w. 51‑1/2”, d. 23‑1/4” $1,500‑$2,500

36 Provincial Walnut and Marble-Top Buffet in the 18th century style, the rounded and rectangular marble top above a case fitted with two cupboard doors, each inset with a shaped panel and with carved foliate accents, flanked to either side by canted shell- and foliate-carved pilasters, raised on a plinth base. h. 42”, w. 67‑1/2”, d. 25‑1/2” $1,500‑$2,500 36

37 Suite of Eight Provincial Mahogany Dining Chairs the Louis XV-inspired chairs each with a shaped caned back with carved and beaded perimeter edges, carved seat with carved apron and fluted and leaf-carved cabriole legs. h. 39” $800‑$1,200

38 French Provincial Polychrome Oak Buffet a Deux Corps 19th century, the canted, molded cornice above a conforming case fitted with two cupboard doors, each inset with a grilled panel, the lower section with a rounded rectangular top over a conforming case fitted with two cupboard doors, each inset with an arched panel, raised on bun feet. h. 68”, w. 67”, d. 29‑1/2” $1,500‑$2,500

40 Attributed to Meindert Hobbema (Dutch, 1638‑1709) “Country Landscape with a Pond, Figures and a Cottage” oil on canvas unsigned. Presented in a giltwood and gesso frame affixed with artist plaque. 33‑1/2” x 46” $1,000‑$1,500

39 Provincial Regence Fruitwood Commode late 18th century and later, the rectangular top with a shaped front and molded edge, above a conforming case fitted with three long drawers, each with three panels, raised on shaped feet. h. 38”, w. 55‑1/2”, d. 27” $2,000‑$4,000

41 Josef Navratil (Czechoslovakian, 1798‑1865) “Mountainscape with Rapids and Figure”, 1848 oil on canvas signed and dated lower right. Framed. 24” x 31‑1/2” Provenance: Freeman Fine Arts, Philadelphia, June 14, 2016, lot 250. $2,000‑$4,000 39

42 one of two

42 British School (Second Half 19th Century) “Landscapes with Cattle Pasturing” pair of oils on artist board signed “W. Martin” lower right and lower left, respectively. Framed alike. each 7‑7/8” x 10‑1/2”

42 two of two

Provenance: Christie’s, New York, September 3, 2008, lot 15. $2,000‑$4,000

43 French Provincial Oak Commode late 18th century, the double-bowed top above a conforming case fitted with two short drawers over two long drawers, all with molded banding, raised on cabriole feet ending in ribbed toes. h. 34‑1/2”, w. 46‑1/4”, d. 23” $1,000‑$1,500

45 Marilyn Guerinot (American/Texas, b. 1947) “Summer Day on the Beach” 44

44 Continental Giltwood Mirror of Baroque Inspiration

oil on canvas signed lower left. Framed. 24” x 30” $1,000‑$1,500

deeply carved, the outside frame molded with a scroll-framed scale pattern, the inside with molded drops lining the mirror h. 61‑1/2”, w. 43‑1/2” $600‑$900

46 Paulin Andre Bertrand (French, 1852‑1940) “Cote d’Azur” oil on canvas signed lower right. Framed. 15” x 21‑1/2” $1,000‑$1,500 46

47 Andre Gisson (American/French, 1921‑2003) “Looking for Seashells” oil on canvas signed lower right. Framed. 16” x 20” $1,000‑$1,500 47

48 Niek van der Plas (Dutch, b. 1954) “Cafe du Pont-Neuf, Paris” oil on wood panel signed lower right and en verso. Framed. 11‑3/4” x 15‑1/2” $2,000‑$4,000 48

49 Niek van der Plas (Dutch, b. 1954) “Summer Day in the Park” oil on wood panel signed lower right and en verso. Framed. 14” x 17‑1/2” $2,000‑$4,000 49

50 Niek van der Plas (Dutch, b. 1954) “Nantucket Beach” oil on wood panel signed lower right, signed and titled en verso. Framed. 9‑1/2” x 12” $1,000‑$1,500 50

51 Niek van der Plas (Dutch, b. 1954) “Venice Grand Canal” oil on wood panel signed lower right and en verso. Framed. 16” x 19‑1/2” $1,500‑$2,500 51

52 Unusual Continental Fruitwood Coffer 18th century, the hinged rectangular top opening to form a settle with a bi-paneled arch, foliate-carved back and a wooden seat, the seat hinged and opening to a storage area, the front with three panels, each carved with double arches, one to the side opening to reveal three small drawers, the sides with carved arch designs, raised on projecting block feet. h. 27‑1/2”, w. 55”, d. 21‑1/2”

$1,800‑$2,500

52 detail

53 Suite of Six Gothic Revival Mahogany Dining Chairs second quarter 19th century, Continental, each with a top rail with a series of arches over an arch and column splat, and turned front legs, in antique needlepoint upholstery. h. 35‑3/4” $600‑$900

55 Spanish Altar Figure 19th century, the papier-mache figure of St. Pedro de Alcantara modeled with a gaunt face set with glass eyes, on an integral painted wooden base, identified on the lower front “S. Pedro de Alcantara”. h. 27‑1/2”, w. 15”, d. 11‑1/2” $1,000‑$1,500

54 Gothic-Style Oak Hanging Wall Cabinet second half 19th century, Continental, with a central hinged door flanked by panels, all with Gothic piercings and carved panels, the door carved with a lion grasping a shield, the lower edges decorated with chip carving, the pierced doors backed with maroon velvet, concealing a series of shelves. h. 23‑36/4”, w. 18‑1/2”, d. 5‑1/4” $1,000‑$1,500

56 South American School (18th Century) “Story of Joseph, Son of Jacob” oil on canvas Unframed. 25‑1/2” x 21‑3/4” $1,000‑$1,500

57 Spanish Colonial Figure of St. George ca. 1800, the carved, painted and parcel-gilt wood winged figure wearing a helmet and leading the dragon, on a bombe-form base. h. 13”, w. 7”, d. 3” $600‑$900 58 Spanish Walnut Guard Room Table 18th century, of traditional form, the rectangular top with a carved foliate edge and raised on lyre-form end supports joined by scrolling iron supports and ending in shaped feet. h. 31‑1/2”, w. 33”, l. 53‑1/2” $1,000‑$1,500 59 Italian School (18th Century) “Allegory of Poverty and Wealth” oil on canvas Presented in a parcel-gilt and ebonized frame. 33” x 24” $1,000‑$1,500

60 Unusual Spanish Provincial Oak Table 19th century, the rectangular top above a deep angled drawer, raised on shaped supports to a box stretcher on block feet. h. 29‑1/2”, w. 46‑1/2”, d. 37” $600‑$900

61 Pair of Flemish-Style Mahogany Fauteuils early 20th century, each with a padded rectangular back joined by downswept scroll- and acanthinecarved arms to the padded seat, raised on S-shaped legs joined by an H-form stretcher and ending in acanthine in-scrolled toes. h. 42‑1/2” $800‑$1,200

62 Pair of Flemish-Style Oak Fauteuils late 19th century, each with a padded rectangular back joined by foliate-carved downswept scrolling arms to the padded seat, raised on shaped foliatecarved legs joined by an H-form stretcher and ending in in-scrolled toes. h. 42” $700‑$1,000 62

65 Pair of Italian Assembled Carved Wooden Brackets with Figural Candlesticks the brackets with carved angel heads against carved, parcel-gilt wings, each supporting a giltedged shelf, 17th century, h. 10‑1/2”, w. 10‑1/2”, d. 8”, the carved and painted candlesticks on leaf-carved bases, with standing, polychromed angels supporting leaf-carved trumpet-form candle holders, late 18th/early 19th century, electrified, h. 26‑1/4”, w. 8‑1/4”, d. 8”. Provenance: Estate of the Honorable Nicolas M. Salgo, Ambassador of the United States to Hungary (1983‑1986), 4 East 72nd Street, New York, New York. $2,500‑$4,000

63 Continental Provincial Walnut Kas 19th century, the heavily molded cornice above a case fitted with two long doors, each with shaped and deeply modeled geometric panels, above a single long drawer, the sides each with two diamond-patterned panels, raised on large bun feet. h. 101”, w. 81”, d. 29” $2,500‑$4,000 64 Spanish Fruitwood Guard Room Table 65

of traditional form, the two-board rectangular top with breadboard ends, pegged and raised on shaped end supports joined by scrolling iron stretchers. h. 29”, w. 31”, l. 83” $800‑$1,200

67 Flemish-Style Fruitwood Stool the padded rectangular top with a fringe skirt, raised on shaped and ribbed legs joined by a like stretcher and ending in in-scrolled toes. h. 18”, w. 26”, d. 12” $600‑$900

66 Page from an Illuminated Manuscript in Shadowbox 15th century, French, titled “Liber Oramis”, or “Free Coast”, mounted in a double shadowboxed giltwood frame, on an ebonized Asian-style base. h. 12‑3/4”, w. 8‑1/2”, d. 4” $600‑$900

68 Flemish Fruitwood Marquetry Mirror ca. 1700, the surround decorated with sand-burned swirling leaves and flowerheads, the scrolled crest with a basket of flowers, the mirror possibly original, set into an ebonized surround. h. 40‑1/2”, w. 26” $1,200‑$1,800

69 Continental Velvet Curtains in the Baroque Taste first quarter 20th century, the claret velvet side panels and shaped cornice trimmed with fringed braid, and decorated with fruit, with brass curtain rings. cornice h. 24”, w. 63”, side panels h. 118”, w. 18” $1,000‑$1,500

70 German Porcelain Plaque first quarter 20th century, depicting “Madonna della Sedia”, after Raphael (Ruffaello Sanzio da Urbino, Italian, 1483‑1520), with Mary holding the Christ Child while a young John the Baptist looks on, marked “Made in Germany” and “Madonna della Sedia” on the back, framed in an elaborate Renaissance-style porthole frame, labeled Frank Herschede, 24 E. Fourth St., Cincinnati. h. 17‑1/5”, w. 15‑1/4”, dia. 7‑3/4” $1,000‑$1,500

71 Italian Gilt-Accented Alabaster Plaque in Stand fourth quarter 19th century, the plaque with a religious figure lying in state in a cathedral attended by a woman, in an elaborate giltwood stand carved with tracery, set with ogee molding, the bracketed feet set under carved lion’s heads. h. 51”, w. 38‑1/2” $2,000‑$4,000

72 Baroque-Style Parcel-Gilt Barometer second quarter 20th century, Continental, with a painted dial, trimmed with eglomise, the case decorated with sprays of leaves with carved fruit and carved tassels against a pale blue ground, the stop-fluted pilaster top with a wreath-carved handle and tassel trim. h. 35‑1/2”, w. 14‑1/2” $800‑$1,200

73 Italian Baroque-Style Giltwood Mirror 20th century, the surround decorated with molded bellflowers, the crest with scrollwork and flowerheads on a stippled ground, beneath a gadrooned broken pediment, the shell-form finial set with a winged angel head. h. 66‑1/2”, w. 30” $800‑$1,200 74 Continental Oak Vitrine late 19th century, the broken swan’s-neck crest centered by a carved maiden above a case with projecting, canted corners and a like-centered frieze, over a single glazed door, flanked to either side by a turned and fluted Ionic columnar upright, over a single drawer, raised on a molded, canted base to bun feet. h. 99”, w. 54”, d. 24” 74

$1,200‑$1,800

77 Continental School (Fourth Quarter 19th Century) “The Gypsy Vendor with Grapes” oil on canvas signed lower left and en verso “Rolle”. Presented in an antique giltwood and gesso frame. 28” x 20‑1/8” $1,000‑$1,50

75 Renaissance-Style Walnut Master’s Chair fourth quarter 19th century, Continental, the shell crest flanked to either side by a satyr masque and finial over the pierced cherubcentered frieze, with a padded back below, joined by padded arms to lion’s-masque hand rests to the padded seat, raised above an annulated frieze on urn-form legs joined by a shaped stretcher and ending in bun feet. h. 65”

$1,200‑$1,800 76 Portuguese Rosewood Library Table 19th century, the rectangular top with a shaped edge, above a conforming reeded frieze fitted with two drawers, raised on bulbous ribbed and bobbin-turned legs joined by a like H-form stretcher and ending in circular molded feet. h. 30‑1/2”, w. 55”, d. 31‑1/2” $1,200‑$1,800

78 Suite of Eight Mahogany Dining Chairs

79 Italian Walnut Desk and Savonarola Chair

early 19th century, in the Portuguese rococo taste, each with a fan-carved crest above a foliate-carved and pierced bellflower-form splat, the padded seat raised on cabriole legs headed by foliate carving and ending in hairy paw feet. h. 39”

the desk, 19th century, fitted with a side superstructure with a short drawer over a cupboard, and two short drawers, both tiers galleried, the rectangular top with an inset leather surface and three-quarter gallery above a single long gadroon-carved drawer over a single cupboard to one side, with an arched panel and cluster-column front, raised on cluster-column supports to runner bases on bun feet, h. 47”, w. 39”, d. 23”; the chair, 18th century, of Savonarola form, the carved triangular back flanked by masque finials, joined by downswept arms to the cushioned wooden seat, raised on a curule-form base.

$2,500‑$4,000

$700‑$1,000

80 Continental Patinated Bronze of "Sabre a Champagne" ca. 1900, illegibly signed along edge of self-base, on a black stone plinth. h. 12”, w. 5‑1/2”, d. 4‑1/2” $600‑$900

81 Flemish-Style Fruitwood Settee fourth quarter 19th century, the tripledomed and padded back joined by reeded, downswept, acanthine-carved arms to the padded seat, raised on S-scroll legs joined by an undulating stretcher and ending in in-scrolled acanthine toes, the front and back both with a tasseled fabric swag with four custom coordinating pillows, all in Coraggio silk damasks. h. 49”, w. 75”, d. 29” $1,500‑$2,500

82 Pair of Italian Walnut Armchairs 19th century, in the Renaissance taste, each with a tall padded back with two gilt acanthine finials and centered by a stampwork heraldic shield, joined by flat arms to the padded seat, raised on square legs joined by a tall carved box stretcher. h. 60” $600‑$900

83 Set of Twelve “Capodimonte” Armorial Plates second quarter 20th century, German, decorated with reliefmolded neoclassical scenes along the borders, and various armorials in the reserve panels, framed with gilt scrollwork, produced by Carl Thieme, Potschappel, for the Italian market. dia. 8‑1/2” $700‑$1,000

85 Italian Capodimonte Covered Urn third quarter 19th century, made by Richard Ginori, on a base molded with brackets and raised laurel leaves, the urn decorated with a neoclassical bas-relief boar hunt, and set with satyr-head handles, the swirl-molded cover set with a pineapple knop with polychrome leaves, marked with the Ginori underglaze crowned “N”. h. 17”, w. 8‑1/2”, d. 6” $600‑$900

84 Unusual Gilt-Metal and Crystal Chandelier third quarter 20th century, Continental, on a metal frame lined with beading and set with faceted crystals, with lily-form candle cups hung with colorless and red drops, and swags of colorless drops with amber grape drops concealing four interior sockets. h. 44”, dia. 28‑1/2” $900‑$1,200

86 Impressive Italian Market Capodimonte Jewel Casket fourth quarter 19th century, German, of architectural form, decorated with relief-molded polychrome neoclassical decoration based on Ariadne and Bacchus, who are depicted on the front cover panel, the cover “roof” decorated with pierced trim and gilt-bronze finials, the sides mounted with gilt-bronze handles, the front with a gilt-bronze lock, marked with the underglaze blue crowned “N” associated with Ernst Bohn Sohne, Rudolstadt, Germany. h. 14”, w. 14‑1/2”, d. 7‑1/4” $1,000‑$1,500

87 Rare Italian Market Capodimonte Helmet fourth quarter 19th century, German, of medieval form, lushly decorated with gilt-trimmed reliefmolded scenes from the Trojan War, trimmed with satyrs, dragons with human heads and other mythical creatures, the inside with the underglaze blue crowned “N” associated with Carl Thieme, Potschappel, Germany. h. 10”, w. 6‑3/4”, d. 13” $600‑$900

88 Italian Metal and Glass Chandelier mid-20th century, the brass-plated and scrolled frame lined with crystal beads and hung with red and amber drops, the eight candle arms set with floriate candle cups. h. 30”, dia. 24” $800‑$1,200

89 Continental Polychrome Chest 20th century, the slightly bowed top with a molded edge, above a bombe case fitted with two short drawers over two long drawers, raised on cabriole feet. h. 35”, w. 49‑1/2”, d. 22‑1/2” $800‑$1,200

90 Enameled Cigarette Case/Music Box 20th century, Continental, in the form of a piano on a cart, the cobalt-enameled upright piano on a gilt-brass cart mounted with “pearls” and amethyst cabochons, the piano mounted with gilt-brass and cabochons, and decorated with gilt tracery and an enamel plaque with Renaissance-style figures, the front lower portion of the piano opening to reveal compartments for cigarettes and matches, the side with a crank-operated music box, the rear decorated to match the front and with a miniature carriage lantern hanging to one side. h. 6‑1/2”, w. 9‑3/4”, d. 3” $700‑$1,000

91 Unusual Silverplate Fireplace Set fourth quarter 19th century, Continental, of Renaissance inspiration, the set including a pair of andirons with bracketed bases molded with shells and masques, set with cup-and-cover-form finials, terminating in delicate leaf-molded tops, h. 25”, w. 13‑1/2”, d. 8”, and a matching tool set with a holder, h. 33”, a poker, l. 33”, tongs, l. 33”, and a shovel handle, l. 24”. $1,000‑$1,500

92 94

92 Pair of Continental Three-Light Sconces 20th century, in the Maria Theresa style, each with a silvergilt metal frame with glass beading and hung with swags of beads and drops, fitted with glass drip pans, electrified. h. 23‑1/4”, w. 13‑1/2”, d. 7‑1/4” $600‑$900 93 Continental Rococo Giltwood Settee mid-19th century, the shaped and padded back surmounted by a scrolling shell and foliate crest, joined by padded arms to the like serpentine seat, raised on a conforming frieze on shaped legs with shell capitals and ending in in-scrolled toes. h. 49”, w. 69”, d. 29” 95

$800‑$1,200

94 Biscuit Figure of Putti Frolicking with a Goat ca. 1900, after Francois Duquesnoy (Flemish, 1597‑1643), on a scrolled rococostyle base, impressed with a spurious Sevres interlaced “L” mark. h. 14‑1/2”, w. 15‑1/2”, d. 8‑3/4” $800‑$1,200 95 Pair of Parcel-Gilt and Molded Plaster Brackets ca. 1900, Continental, in the Baroque taste, featuring ivory-painted angels with gilt wings, supporting gilded shell-form shelves. h. 13”, w. 9‑3/4”, d. 8‑3/4” $700‑$1,000 93

97 Italian Giltwood and Gilt-Metal Chandelier third quarter 20th century, in the neoclassical taste, the pagoda-form interior frame set with a giltwood finial, hung with swags of glass beads, sprays of glass medallions decorating the top, the scrolled candle arms set with turned candle cups with molded glass drip pans and hung with drops. h. 29”, dia. 25‑1/4” $1,000‑$1,500

96 Italian Rococo Giltwood and Faux Marbre Side Table 19th century, the shaped faux marbre top above a conforming foliate-carved frieze centered by a shield carving, raised on scrolling legs headed by deeply carved floral capitals, joined by an urn-centered X-form stretcher and ending in foliate scrolled toes. h. 36‑1/2”, w. 50”, d. 21” $1,200‑$1,800

98 Italian Rococo-Style Giltwood Mirror third quarter 20th century, with a serpentine crest and a finger-molded giltwood surround, the base decorated with pierced scrollwork, the sides with pierced rococo carving with flowerheads and reeded vases, and the pierced rococo crest with flowers and rocaille work. h. 64”, w. 39” $800‑$1,200 96

99 Suite of Six Italian Painted Oak Dining Chairs second half 19th century, each elaborately carved, the crest centered by a masque, the styles with carved atlantes, the legs with foliate-carved brackets and paw feet, now in gold damask upholstery. h. 44” $700‑$1,000

100 Continental Mahogany and Fruitwood Buffet a Deux Corps early 20th century, the domed and heavily molded cornice centered by a foliate fan carving, over a tall central paneled door centered by a carved foliate shield and above two small drawers, flanked to either side by a lower cabinet over an open shelf, the lower section fitted with two drawers over two cupboard doors, all paneled and with carved foliate accents, raised on scrolled toes. h. 109”, w. 63”, d. 26‑1/2” $2,000‑$4,000

100

102 KPM Porcelain Plaque the well-painted plaque depicting the “Dance Interval at an Alsatian Country Wedding”, after Benjamin Vautier (Swiss, 1829‑1898), the back painted with “Country Dance b Vautier” and an impressed “PPM”, and “Country Dance b Vautier” on the rear, in a contemporary giltwood frame. plaque h. 7‑3/4”, w. 11‑1/2”, overall h. 19‑3/4”, w. 23” $3,000‑$5,000

102

101 Impressive Continental Carved Walnut Armoire in the Baroque taste, with a central door with an oval mirror flanked by slightly curved side doors with carved figures and garland swags. h. 97”, w. 103”, d. 30” $1,000‑$1,500

103

103 Set of Twelve Royal Vienna-Style Cabinet Plates second quarter 20th century, German, each decorated with transfer-printed classical scenes, with a wide gilt border, the outside turquoise and red border with delicate giltwork, with a decorator’s blue overglaze “beehive” against a gilt ground. dia. 10‑1/2” $600‑$900

101

104 Italian Rococo Giltwood Console Table late 19th century, the bowed marble top above a conforming pierced frieze with foliate scrolling patterns, raised on three shaped legs headed by floral and acanthine carving, joined by a shield pierced stretcher and ending in scrolled toes on modeled feet. h. 37‑1/2”, w. 57”, d. 25” $1,200‑$1,800

104

105 Dutch School (Fourth Quarter 19th Century) “After the Catch” oil on canvas Presented in a handsome, period giltwood and gesso frame. 16” x 23‑1/2” $1,000‑$1,500

105

106 William Raymond Dommersen (Dutch, 1850‑1927) “Enhuizen, On the Zuider Zee”, Holland oil on canvas signed lower right, titled and localized en verso. Presented in a giltwood and gesso frame with artist plaque. 16” x 24” $1,000‑$1,500

106

107 Italian Rococo Giltwood Mirror late 19th century, the shaped and domed plate surmounted by a tall foliate pierced crest around a small mirror, surrounded by a molded frame with applied foliate patterns, to splayed foliate feet. h. 100”, w. 58” $1,800‑$2,500

109

109 French Polished Bronze Chandelier in the belle epoque style, with a lower edge modeled as a wreath of vines set with roses, supported by molded bronze ropes and tassels with roses, a bowknot on top. h. 19”, dia. 19” $600‑$900

107

108 Pair of Carved Giltwood Sconces mid-20th century, Italian, in the baroque style, with a backplate carved with a bowknot holding a tassel, mounted with carved fruit and flowerheads, set with leaf-carved candle arms terminating in leaf-carved drip pans and turned candle cups, marked “Made in Italy” on back. h. 37‑3/4”, w. 12‑1/4”, d. 4‑3/4” $700‑$1,000

108

111 Italian Giltwood Barometer mid-20th century, in the neoclassical taste, set with English works marked “Grow & Cuttle”, with a thermometer set below the dial, framed with a bow and swag, a harp accented with flowerheads as the finial, marked “Made in Italy” on the back. h. 38‑3/4”, w. 17” $600‑$900 112 Pair of Italian Polychrome and Marble-Top Commodes in the rococo taste, each with a shaped marble top with a molded edge, above a conforming case fitted with two long drawers, each centered by a polychrome floral spray, raised above a shell-carved apron on cabriole legs ending in peg feet. h. 36‑1/2”, w. 32”, d. 20” $600‑$900 111

110 Pair of Italian Rococo Polychrome Twin Beds early 20th century, each headboard with a shaped and scrolled crest above an elaborately painted floral spray, joined by shaped, likedecorated rails to the lower footboard, shaped and decorated en suite, raised on scrolled toes. h. 42”, inside w. 39”, l. 79”, outside w. 45”, l. 81‑1/2” $800‑$1,200

112

110

113 Pair of Italian Baroque-Style Giltwood Mirrors first quarter 20th century, the pierced surround carved with scrollwork and flowerheads over mirror inserts, the crest decorated with a carved basket of flowers framed with scrollwork, resting on rocaillecarved feet. h. 31‑3/4”, w. 16‑1/4” $700‑$1,000

114 Dutch Mahogany, Marquetry and Marble-Top Secretaire a Abattant

113

19th century, the rectangular marble top above a conforming case fitted with a single drawer over a drop front, opening to an inset leather surface and a variety of drawers and cubbyholes, over two cupboard doors, opening to three drawers, flanked to either side by an ormolu-mounted columnar upright, raised on turreted feet, the whole with elaborate marquetry inlays in scrolling foliate and floral patterns. h. 59‑1/2”, w. 37‑3/4”, d. 18” $1,500‑$2,500

114

114 detail

115 Baroque-Style Giltwood Crest mid-20th century, probably Italian, decorated with pierced, interlaced scrollwork decorated with scattered flowerheads, with carved leaves on each side and an overhanging leafform finial. h. 11‑1/2”, w. 34‑1/2” $600‑$900 115

116 Dutch Mahogany and Marquetry Bureau late 18th century, the rectangular top above a slant front opening to a storage well and various drawers and cubbyholes, flanking a central cupboard over a bombe base fitted with three long drawers, raised on paw feet, the whole elaborately inlaid in scrolling foliate and floral marquetry. h. 43”, w. 39‑1/2”, d. 21” $800‑$1,200

116

117

117 Porcelain Plaque Depicting “L’Horoscope accompli” after Sigmund Freudeberg (Swiss, 1745‑1801), fourth quarter 19th century, probably illustrating the prediction that a child would be born to a couple in a rural cottage, in an antique ebonized frame, and with a “Freudeberg” name plate on the front, the back with spurious Sevres marks. plaque h. 8‑1/8”, w. 10‑3/4”, overall h. 10‑1/2”, w. 14‑1/4” $700‑$1,000

116 detail

118

118 Three Continental Snuff Boxes first half 19th century, decorated with portraits of notables, including Leonardo da Vinci. h. 1/2” to 3/4”, dia. 3‑1/2” to 4” $800‑$1,200

119 Continental Bronze Bell third quarter 19th century, in the rococo style, decorated with a putto and Cupid, each carrying a torch, framed with molded rococo ornament, with the Latin phrase “Nulla dies sine linea” (no day without a line), from the ancient Greek artist Apeles. h. 9”, dia. 4‑1/2” $700‑$1,000

120

120 Dutch School (18th Century) “Court Figures in a Country Landscape” oil on copper Framed. 19” x 16‑1/2” $1,000‑$1,500

119

122

121

121 Dutch Mahogany Linen Press mid-19th century, the molded and domed cornice centered by a bird carving and over two doors, each inset with a shaped panel, the lower bombe section fitted with three long drawers, over a shaped wheatcarved apron, raised on ball-and-claw feet. h. 97”, w. 74”, d. 26” $1,500‑$2,500

122 After Peter Paul Rubens (Flemish, 1577‑1640) “Descent from the Cross”, fourth quarter 19th century oil on canvas unsigned. Framed. 21‑1/2” x 16‑1/2” $1,000‑$1,500

123

123 Continental School (18th Century) “The Passion of Christ” oil on canvas laid on board Framed. 60” x 42” $1,500‑$2,500

124 Manner of Johann Carl Loth (German, 1632‑1698) “St. John the Baptist” oil on linen unsigned, partial 19th-century handwritten label in English en verso. Framed. 47‑1/2” x 35‑1/8” $5,000‑$8,000

124

125 Manner of Domenico Zampieri, called Domenichino (Italian, 1581‑1641) “Sibyl”, 19th century oil on canvas signed “Giovanni Lega” en verso. Presented in a carved giltwood frame. 46” x 36” $3,000‑$5,000

125

126

126 Vincenzo Petrocelli (Italian, 1823‑1896) “Madonna and Child” oil on canvas signed lower right. Framed. 11‑1/4” x 8‑1/2” $1,000‑$1,500 127 After Bartolome Esteban Murillo (Spanish, 1618‑1682) “Madonna and Child”, first half 19th century oil on canvas unsigned, typewritten label with provenance en verso. Presented in an impressive period, reticulated carved giltwood frame. 65” x 42‑1/8”

127

Provenance: By family repute, purchased in Rome in 1840 for the “Bottomley” family, Mylton Hall, Yorkshire, England, thence by descent; Private collection, 1952. $7,000‑$10,000 128 Manner of Guido Reni (Italian, 1575‑1642) “Mary Magdalene”, 19th century oval oil on canvas unsigned. Presented in a late 19th-century giltwood frame. 22” x 17‑1/2” $1,500‑$2,000 128

130

129

129 French School (Second Half 19th Century)

130 Louis-Michel Hadengue (French, active 1875‑1893)

“’First Mourning’, Adam and Eve Mourning the Death of Abel”

“The Humors of Healing”

oil on canvas unsigned. Framed. 38‑1/4” x “28‑3/4”

oil on canvas signed upper right. Framed. 32‑1/4” x 26”

$2,000‑$4,000

$1,200‑$1,800

131 Adrian Ludwig Richter (German, 1803‑1884) “Flight into Egypt”, 1841 oil on canvas signed and dated lower right, “Konigl Gemaldegalerie, Dresden, 1911” stamp en verso. Framed. 28” x 40‑1/2” Provenance: Konigl Gemaldegalerie, Dresden, Germany, 1911; Private collection, Edmonton (Alberta) Canada, 1943; Private collection, Baton Rouge, Louisiana. $5,000‑$8,000 131

133 Louis XV Silver Charger 1756‑1757, Paris, the maker’s mark rubbed, old standard (.958) silver, of circular pentagonal serpentine-lobed form, with molded rim, monogrammed on the underside edge “IC”. dia. 12”, 31.36 t. oz. $1,000‑$1,500

132

132 Dutch Silver Tea Caddy marked Rotterdam, 1763, old standard (.875) silver, the maker’s mark rubbed, of bulbous oblong form with domed, hinged cover and large foliate knop finial, fluted corners and sides, and rocaille feet, decorated with repousse mascarons and swags on a stippled ground. h. 6‑1/2”, w. 5‑1/2”; 17.66 t. oz. $1,500‑$2,500

133

134 Pair of Austrian Biedermeier Silver Candlesticks 1817, Vienna, by Karl Sedelmayer (master 1797; died 1840), 13 lot (.813) silver, each with a waisted standard with reeded band above a trumpeted foot and surmounted by an urn-form nozzle with circular drip-pan. h. 11”, dia. 4‑3/4”; 24.12 total t. oz. $1,000‑$1,500

134

135 Pair of Portuguese Silver Candlesticks first quarter 19th century, Lisbon, by Manuel Inacio de Macedo, 9 Dineiros (.750) silver, each of baluster form with urn-form nozzle and scalloped drip pan, raised on a domed serpentine-lobed foot, the whole decorated with guilloche banding. h. 8‑1/4”, dia. 3‑3/4”; 24.45 total t. oz. $1,000‑$1,500

136 French Restauration Silver Platter 1819‑1838, Paris, no maker’s mark, first standard (.950) silver, oval with milled palmette border, the underside engraved with later monogram “M.M.S. and D.F. Apl. 18 1928”. 18‑1/2” x 11‑3/4”; 44.88 t. oz.

135

$1,000‑$1,500

136

137 Italian Silver and Glass Cornucopia Vase third quarter 19th century, Novara, maker “CD”, the second standard (.800) silver base with serpentinemolded rim and leafy dome with peasant figure supporting a rococo cornucopia fitted with an opaque light green conforming vase with gilt decoration. overall h. 12”, l. 8”, w. 5”; 5.23 t. oz. (base only) $600‑$900 137

138

138 German Silverplate and Glass Center Bowl

139

first quarter 20th century, by Heninger & Co., Berlin, with an oval frosted and oculus-cut glass bowl with lobed rim, fitted with a pair of silverplate cherub-crested scroll handles and raised on a lobed standard and domed base decorated with acanthus scrolls. h. 15‑1/4”, w. 16‑1/4”, d. 8‑3/4” $600‑$900 139 German Silver Salver first quarter 20th century, by P. Bruckmann & Sohne, Heilbronn, .800 silver, in the Louis XV Revival style, of circular form with elaborately shaped rim, embossed with rococo scrolls and lattice-ground cartouches, raised on four flattened ball feet, monogrammed “AET”. dia. 15‑1/4”; 27.12 t. oz. $600‑$900 140 French Belle Epoque Silver-Mounted Glass Claret Jug fourth quarter 19th century, by Labat & Pugibet, Paris, first standard (.950) silver, the molded, spiralgadrooned body clad in embossed silver acanthusfrond calyx and collar joined by a rococo scroll handle, with hinged acanthus shell mount and billet en suite. h. 11‑1/2”, l. 6‑3/4”, dia. 5‑1/4” $1,000‑$1,500

140

143 Continental Silver Wine Trolley fourth quarter 19th century, probably German, with Dutch import marks, 12 Lot (.750) silver, the wine cradle with chain strap and decorated with mascarons and cabochon cartouches, the heel with a caryatid, raised on a scrolling wirework carriage with one small and two large wheels, the larger wheels centered with a cabochon-cut amethyst. h. 10‑1/2”, l. 12‑3/4”, w. 6‑1/2”; 32.60 t. oz. $2,000‑$4,000 142

141 Large Austro-Hungarian Jugendstil Silverplate Centerpiece first quarter 20th century, by Moritz Hacker, Vienna & Budapest, in the form of a ship with maiden’s bust bow and dolphin’s head rudder, with gilt sail and rigging, piloted by a searching maiden across a stormy sea, decorated with whiplash lines and bulrushes. h. 22‑1/4”, l. 28‑3/4”, w. 14” $1,800‑$2,500 142 Sterling Silver Art Nouveau-Style Figural Presentation Dish contemporary, after the original model by P. Delaune (French, late 19th/early 20th century), in the form of a reclining maiden, presented in the crimson velour and cream satin-lined fitted case, 9” x 6‑1/4”, the interior lid gilt-stamped “Toyotomi”, presumably a presentation gift of the Toyotomi Corporation. l. 7‑1/8”; 14.39 t. oz.

143

$800‑$1,200

141

144 Continental Silver Tray first quarter 20th century, probably German, .830 silver, of rectangular form, with pierced shell-and-scroll gallery, with stirrup handles and raised on four scroll feet, the plateau engraved with two wide, concentric scrolling bands. 28‑3/8” x 17‑1/2”; 45.98 t. oz. $2,000‑$4,000

144

145 French Silver Fish Platter first quarter 20th century, by Henri Lapeyre, Paris, first standard (.950) silver, of lobed oval form, with molded rococo scroll border. 19‑3/4” x 12‑1/2”; 45.71 t. oz. $600‑$900

146 Four-Piece French Silver Empire-Style Coffee and Tea Set 145

first quarter 20th century, by Marandet & Nichelini, Paris, first standard (.950) silver, including a coffeepot, h. 12‑1/4”, a teapot, h. 10‑1/4”, a covered sugar bowl, h. 7‑1/2”, and a cream jug, h. 5‑3/4”, each with an ovoid body and waisted collar, decorated with leaf-and-dart banding, with eagle’s head spouts, acanthus bud finials and raised on swan-crested flat-column pad feet, with ebonized wood handles. 80.65 total t. oz. (including wooden fittings) $800‑$1,200

146

147 Set of Twelve French Silver Service Plates ca. 1900, by Auguste Leroy (fl. 1891‑1912, Paris), first standard (.950) silver, of hexagonally serpentine-lobed circular form, with molded rim, the rim with engraved armorial. dia. 10”; 222.18 total t. oz. Provenance: Estate of the Honorable Nicolas M. Salgo, Ambassador of the United States to Hungary (1983‑1986), 4 East 72nd Street, New York, New York. $4,500‑$7,000 147

150

148

149

148 French Silver Sandwich Plate first quarter 20th century, by Victor Boivin fils, Paris, first standard (.950) silver, circular with molded foliate rococo-scroll border, monogrammed on the rim “EMH” conjoined. dia. 12”; 21.94 t. oz. $800‑$1,200

150 Pair of Buccellati Sterling Silver and Sodalite Candlesticks contemporary, designed by Gianmaria Buccellati (1929‑2015), Milan and executed by Clementi Fabbrica Argenteria, Bologna, each with a tapering sodalite standard and gauffered acanthus-frond base, drip pan and nozzle. h. 6‑1/2”, dia. 4‑3/8” $600‑$900

149 Four Pieces of Christofle “MalmaisonBeauharnais” Silverplate Hollowware contemporary, including a sauceboat-on-stand, h. 6‑1/4”, l. 8‑3/4”, a serving bowl, h. 6”, dia. 8‑3/4”, a covered vegetable dish, h. 7”, dia. 8‑3/4”, and a stand for either of the latter two pieces, h. 2‑1/4”, dia. 14”, the vegetable dish accompanied by the original box. $800‑$1,200

152

154

151 Heriz Carpet

154 Laristan Karajeh Carpet

8’ 8” x 12’ 9”

7’ 10” x 10’

$900‑$1,200

$1,000‑$1,500

Illustrated Online

155 Early Twentieth-Century Mohtasham Kashan Carpet

152 Turkish Angora Oushak Carpet 9’ x 12’ $900‑$1,200 153 Turkish Angora Oushak Runner

9’ 1” x 13’ 11” Provenance: The Estate of Elaine Smith Frost White, Houston, Texas and East Hampton, New York. $2,000‑$4,000

2’ 7” x 24’ 3” $600‑$900 Illustrated Online

155

157

158

156 Peshawar Mahal Carpet

159 Heriz Runner

11’ 10” x 11’ 10”

3’ 6” x 10’ 10”

$1,200‑$1,800

$600‑$900

Illustrated Online

157 Turkish Angora Oushak Carpet

160 Antique Agra Carpet

5’ 9” x 8’ 4” $600‑$900

10’ 6” x 14’ 6” $6,000‑$9,000

158 Antique Bidjar Carpet 11’ 2” x 18’ $3,000‑$5,000

160

162 William IV-Style Mahogany Server the banded rectangular top with a ribbed edge, above a conforming frieze fitted with two drawers, centered by a panel with an applied crest, raised on tapering, banded, cluster-column legs ending in ebonized paw feet, the interior of one drawer bearing the label “Althorp by Theodore Alexander”. h. 37”, w. 84”, d. 28” $1,000‑$1,500 163 Pair of Regency Bronze Dore et Patine Candlesticks first quarter 19th century, English, in the manner of Sir Thomas Hope, the leaf-molded bases supporting patinated bronze caryatids, balancing tasseled pillows on their heads, and set with leaf-molded candle cups. h. 12”, w. 3‑1/2”, d. 3‑1/2” 163

$700‑$1,000

161 Late Regency Rosewood Recamier second quarter 19th century, the tricushioned seat flanked to one side by a padded, outscrolled end and padded and tufted downswept partial back, and to the other side by a padded, in-scrolled end, raised above a ribbed apron on ribbed toupie feet ending in brass caps and casters. h. 33‑1/2”, w. 27”, l. 80” $800‑$1,200 162

161

165

164 Regency-Style Polychrome and Parcel-Gilt Side Table and Mirror fourth quarter 19th century, the mirror with a cove-molded crest, decorated with egg-anddart molding, supported by brackets with gilt palmettes, the upper panel with a lion’s head set in a roundel, flanked by griffins, h. 73‑1/2”, w. 47”, and the table with a rectangular marble top above an undulated carved frieze, joined by a paneled back and gilt winged lion supports to the plinth base, h. 36”, w. 47‑3/4”, d. 20‑1/2”. $1,500‑$2,500

165 Regency-Style Ebonized Sofa 19th century, the slightly domed and padded back surmounted by a bellflower-accented crest, joined by padded downswept arms on urn-form uprights to the padded seat, raised on turned and tapering circular legs on casters. h. 36”, w. 76‑1/2”, d. 26‑1/2” $700‑$1,000

164

166 Suite of Six Regency Mahogany Sidechairs early 19th century, each with a tablet top rail with inlaid brass stringing, over a reeded horizontal splat, and molded stiles extending to saber-form legs, now upholstered in ivory brocade with wreath and bumblebee decor. h. 32‑1/2” $800‑$1,200 166

167 British School (First Quarter 19th Century) “Portrait of a Lady” oil on canvas unsigned, formerly attributed to Thomas Lawrence with a French catalogue label en verso with the provenance: “Vente de [Baron] Vinck de Winnezeele, Anvers, 1928, no. 65”. Unframed. 30‑3/8” x 24‑1/2” $1,500‑$2,500

167

168 Regency Bronze-Mounted and Ebonized Recamier first quarter 19th century, the Grecian sofa with a carved back, one end of scroll form and the other of bolster form, on saber legs with cup casters. h. 31‑1/4”, w. 26”, l. 76” $600‑$900

168

171 Regency Tortoiseshell Tea Caddy first quarter 19th century, English, the swell-front caddy with a cove-molded cover, veneered with tortoiseshell and inlaid with silver on the edges, the two-compartment foil-lined interior set with tortoiseshell covers, on brass ball feet. h. 6”, w. 7”, d. 4‑1/4” $900‑$1,200 172 Regency Casket-Form Work Box 169

second quarter 19th century, English, composed of rosewood and lushly inlaid with cut brass panels decorated with scrollwork and flowers, the sides mounted with period gilt-lacquer brasses, probably original. h. 6‑3/4”, w. 12‑1/4”, d. 9‑1/4” $800‑$1,200

170

169 Regency Tortoiseshell Tea Caddy second quarter 19th century, English, the unusual caddy with engaged column corners and sides with beveled corners, under a cove-molded cover, veneered with tortoiseshell sections divided with silver inlay, the two-compartment interior set with tortoiseshell covers labeled “Indian Tea” on the bottom of one and “China Tea” on the other. h. 6‑1/2”, w. 7‑3/4”, d. 4‑3/4”

171

$1,000‑$1,500 170 William IV Inlaid Tortoiseshell Tea Caddy second quarter 20th century, on brass ball feet, the rectangular caddy with cut-cornered sides and a cove-molded cover, the front panel inlaid with mother-of-pearl flowers and trailing foliage, the interior with two foil-lined compartments fitted with tortoiseshell covers. h. 6”, w. 6‑1/2”, d. 4”

172

$600‑$900

173 Regency-Style Polychrome Window Seat late 19th century, the padded seat flanked to either side by padded outscrolled arms, raised on splayed legs with gilt floriform accents, ending in scrolled toes, retaining period woven horsehair upholstery. h. 31”, w. 51‑1/2”, d. 14” $600‑$900 Illustrated Online

174 Pair of Late Regency Mahogany Chairs second quarter 19th century, each with a gadrooncarved pediment crest over a scroll- and foliatecarved crest centered by an oval panel, over a like-carved horizontal splat, the padded seat raised on sabre legs. h. 35‑1/2”

176

$600‑$900 Illustrated Online

175 William IV Mahogany Linen Press second quarter 19th century, the molded cornice above a case fitted with two paneled cupboard doors, opening to pull-out shelves, the lower section fitted with a decorative molding over two short drawers and two graduated long drawers, raised on bracket feet. h. 86‑1/2”, w. 48”, d. 21‑1/2” $800‑$1,200

176 Regency Mahogany Bowfront Chest early 19th century, the bowed top banded and with string inlay, above a conforming case fitted with a brushing slide over two short drawers and two graduated long drawers, all with string banding, raised on splayed bracket feet. h. 38”, w. 41‑3/4”, d. 21” $800‑$1,200

175

177 Regency-Style Rosewood Sofa Table 20th century, the rectangular top with two rounded drop leaves, above a conforming frieze fitted with two drawers to one side and two faux drawers to the other, raised on end supports joined by a turned and ribbed stretcher and ending in splayed legs to brass caps and casters, the whole accented with inlaid brass stringing. h. 28”, w. 39”, d. 27‑1/2”, ext. w. 63” $800‑$1,200

178 Two English Wooden Boxes

177

including an exceptional George III inlaid satinwood artist’s drawing box, ca. 1800, the cover with a brass support and apertures for holding a brass drawing or reading stand, and with a stained oval inlaid flower and rosewood crossbanding, the interior with a velvet-lined drawing slope and compartments for inkpots and pens, along with graduated compartments and a lower pull-out tray, labeled by London art supplier “Reeves & Inwood”, h. 5‑3/4”, w. 13”, d. 8‑1/2”, together with an English Victorian burr walnut lap desk, third quarter 19th century, with a fitted interior lined with aubergine leather, inkpots and a pen tray, and fitted with a Bramah lock, h. 5”, w. 14”, d. 10”. $600‑$900

178

179 Two Wooden Knife Boxes ca. 1800, consisting of a large fruitwood example with a pressed brass handle on the cover and a Baroque-style lock, the interior velvet-lined and trimmed with gilt braid, h. 14‑1/4”, w. 12”, d. 7‑1/2”, and a George III mahogany example with a serpentine front, trimmed with barberpole stringing, with a fitted and inlaid interior, h. 12‑3/4”, w. 8‑1/2”, d. 6‑1/2”. $600‑$900

179

180 John Lawson Bradford English Regency Mahogany Tall Case Clock early 19th century, the case with inlaid details, the face with engraved motifs and painted moon dial. h. 88”, w. 21”, d. 9” $700‑$1,000

182

181 Suite of Four William IV Mahogany Dining Chairs second quarter 19th century, each with a reeded, rounded and scroll-carved crest rail, carved splat, slip seat and saber-form front legs. h. 33‑1/4” $600‑$900 Illustrated Online

182 Impressive William IV Giltwood Convex Mirror second quarter 19th century, the antique convex mirror plate framed with gadrooning and molded leaves, the primary frame decorated with circular molding divided into sections with bands of stippling and molded acanthus leaves, a displayed eagle atop an acanthus-leaf-carved plinth serving as the finial. h. 52‑1/2”, dia. 27‑1/2” $1,500‑$2,500

180

183

183 William IV Miniature Oak Linen Press and Later Oak Letter Case the linen press, second quarter 19th century, on turned feet, the two-door top over the two-drawer base, the crest with a turned circular watch hatch flanked with scrolled trim, h. 28”, w. 14‑1/2”, d. 6‑1/4”, and the letter case, ca. 1894, mounted with iron handles, opening to reveal a green-stained oak interior, fitted with letter holders, an ink pot, drawers and an 1894 calendar, h. 17‑1/2”, w. 12”, d. 6”.

184

$700‑$1,000

184 Regency Mahogany Cellarette first quarter 19th century, of octagonal form, the hinged lid opening to a lined interior, raised on a vasiform standard to three shaped and splayed legs. h. 40”, dia. 18” $600‑$900

185 Regency Brass-Bound Mahogany Cellarette on Stand early 19th century, of octagonal form and retaining its zinc-lined interior, and its original taper-legged stand. h. 28”, w. 18”, d. 18” $700‑$1,000

185

186 Regency Mahogany and Caned Recamier first quarter 19th century, the long cushioned and caned seat flanked to one side by an outscrolled end and partial shaped and caned back, to the other by a lower outscrolled end, raised above a ribbed and scroll-carved apron on splayed legs ending in decorative brass caps and casters, with two conforming bolsters. h. 34”, w. 26”, l. 78”.

187

$2,000‑$4,000 187 Collection of Four English Regency Boxes second quarter 19th century, all of sarcophagus form, including a mahogany three-compartment example, h. 6‑3/4”, w. 13‑1/4”, d. 6”, a three-compartment example with lion’s head ring pulls and ebony stringing, h. 7‑1/4”, w. 12”, d. 6‑1/4”, a simple example with a mahogany veneer, h. 6”, w. 12”, d. 5‑1/2”, and a decoupaged maple sewing case lined with blue paper, the exterior with chinoiserie decorations, on pressed brass feet, h. 4‑1/2”, w. 8‑1/2”, d. 6‑1/2”. $600‑$900 188 Late Regency Mahogany Secretary Bookcase second quarter 19th century, the molded cornice above two astragal-glazed doors, the lower section fitted with a drop-front secretary drawer, opening to a baize-lined surface and a variety of drawers and cubbyholes over three graduated long drawers, raised on splayed bracket feet. h. 85‑1/2”, w. 42‑3/4”, d. 20” $1,200‑$1,800

188

186

190

189

190 Two English Miniature Mahogany Chests including a side-lock chest, third quarter 19th century, with turned drops decorating the left side panel and a hinged lock on the right side panel, h. 18‑1/2”, w. 15‑1/4”, d. 10”, and a William IV chest, second quarter 19th century, decorated with ebony stringing and turned ebonized knobs, h. 12‑1/4”, w. 12”, d. 7”.

189 Regency Mahogany Bowfront Chest

$600‑$900

first quarter 19th century, the bowed top with decorative banding and a ribbed edge, over a conforming case fitted with two short drawers over three graduated long drawers, raised on splayed bracket feet. h. 39‑1/2”, w. 41‑1/2”, d. 21”

191 William IV-Style Mahogany Pedestal Partners Desk late 19th century, the case with raised panels with drawers and cabinets on both sides, the top with an inset tooled leather blotter. h. 31”, w. 80”, d. 47”

$600‑$900

$1,200‑$1,800

191

192 Rare English Regency Tea Caddy first quarter 19th century, the exterior with a rosewood crossbanded frame set with reverse-painted glass panels on all five sides, the obverse and reverse with birds, trees and a beetle, and lions with scrollwork on the sides, the willowinspired cover with small panels on the edges decorated with Asian characters on a blue ground, the cover opening to reveal a spectacular satinwood interior, the rear of the cover button tufted with carved 19th-century mother-of-pearl buttons. h. 6‑1/2”, w. 8‑1/2”, d. 5‑1/4” $1,000‑$1,500 192

194 Regency-Style Rosewood Occasional Table the circular top with a double-string-inlaid banding centering a bone-inlaid scrolling foliate medallion, above a like-inlaid conforming frieze, raised on tapering square legs joined by a small stretcher shelf and ending in brass caps and casters, the underside bearing the label “J. Plucknett & Co., Cabinet Works, Warwick”. h. 24‑1/2”, dia. 28” $600‑$900

195 Mother-of-Pearl and Abalone Tea Caddy mid-19th century, English, with a bow front and decorated with squares of mother-of-pearl with abalone trim around the cover, and a single abalone square below the key escutcheon, the two-compartment interior with covers matching the exterior, on bun feet. h. 5”, w. 7”, d. 4‑1/2” $600‑$900

194

193 Chinese Famille Verte Vase 20th century, now converted to a table lamp, the vase of rouleau form, decorated to the exterior with a multitude of various birds amid flowers and foliage, the neck with a geometric band with four quatrefoil cartouches containing a male foo dog with brocade ball, mounted with a twin bulb fixture and raised on a brass base with pierced frieze. h. (incl. fixture) 28‑1/4”, w. 8‑1/2” $600‑$900 Illustrated Online

195

196 Collection of Four Wooden Boxes including an English rosewood writing slope, mid19th century, inlaid with sprays of mother-of-pearl roses, the interior fitted with compartments, lined with stamped velvet, h. 5”, w. 12‑3/4”, d. 10‑1/2”, an English calamander wood glove box, mid19th century, decorated with Elizabethan Revival appliques, lined with watered silk, h. 4”, w. 10‑3/4”, d. 5”, an Indian hardwood box, 20th century, with a hipped roof cover inlaid with elephants and ivy, the top decorated with piercing, h. 4”, w. 8”, d. 3”, and an inlaid rosewood box, probably Dutch, 20th century, with inlaid rococo-style engraved brass work, h. 2”, w. 7”, d. 3‑1/2”.

196

$600‑$900 197 Regency Mahogany Bowfront Chest early 19th century, the bowed top above a conforming case fitted with two short drawers over three graduated long drawers, raised on splayed bracket feet. h. 41”, w. 42”, d. 19” $600‑$900 198 William IV Mahogany Settee second quarter 19th century, the shaped crest centered by a wheat sheaf and scrolling acanthinecarved crest, above a padded back and tricushioned seat, flanked to each end by padded outscrolled arms, raised above a ribbon apron on splayed legs ending in paw feet. h. 36‑1/2”, w. 74‑1/2”, d. 24‑1/4” $700‑$1,000

197

198

199 Regency Mahogany Bowfront Chest first quarter 19th century, the bowed top with decorative inlaid banding, above a case fitted with two short drawers over two graduated long drawers, flanked to either side by a canted and banded pilaster, raised on splayed bracket feet. h. 33”, w. 45”, d. 19‑1/2” $1,000‑$1,500

199

200 George III Sterling Silver Mug hallmarked London, 1773‑1774, by (probably) John Scofield, of tapering cylindrical form, with incised banding and acanthus-crested handle, monogrammed and dated “AW 1781”. 10.52 t. oz.; h. 4‑3/4”, dia. 3‑3/4”, l. 5‑3/4” $900‑$1,200

201

201 George II Sterling Silver Cake Basket

200

hallmarked London, 1757‑1758, by Edward Aldridge & John Stamper, of oval form with pierced alternating diaper and scroll panels, with rope-twist edge and openwork ovolo swing handle. h. 3” (9‑1/2” with handle), l. 13‑1/4”, w. 10‑3/4”; 22.25 t. oz. $1,000‑$1,500

202

202 detail

202 George III Sterling Silver Salver hallmarked London, 1782‑1783, by John Scofield, of oval form with bellflower-banded rim and beaded edge, raised on four beaded triangular feet, the plateau engraved with an armorial within a wrigglework cartouche. 18‑7/8” x 14‑1/4”; 48.2 t. oz. $4,000‑$7,000

203 Late George III Sterling Silver Decanter Frame hallmarked London, 1798‑1799, by John Emes, of canted cross form, with four conforming receptacles fitted with conforming diamond and fluted cut glass decanters with silver collars and glass stoppers, centered by a reeded standard with ring handle, all fitted to a wooden base with four casters, engraved with a crest of a tower in flames (Hopkins et al.). overall h. 9‑1/2”, w. 8‑1/4”. 203

$800‑$1,200

204 Two George III Sterling Silver Teapot Stands

204

both oval, one example hallmarked London, 1792‑1793, by Charles Aldridge, with engraved leaf-and-dart banding, scalloped cartouche and four threaded spatulate feet, l. 6‑1/4”, the other hallmarked London, 1783‑1784, by William Vincent, with beaded edge and later Victorian floral scroll decoration, rococo cartouche, and four claw-and-ball feet, engraved with the crest of Hay and monogrammed “C.C.H”, l. 6‑1/4”. 8.30 total t. oz. $700‑$1,000

205 206

207

205 Three George III Sterling Silver Fish Slices one hallmarked Sheffield, 1781‑1782, the maker’s mark rubbed, with pierced bellflower decoration, l. 12”, one hallmarked Sheffield, 1778‑1779, by Robert Trickett & Co, the blade marked “AB”, with pierced scroll and dolphin decoration, l. 12‑1/8”, and one hallmarked London, 1779‑1780, by Aldridge & Green, with pierced scroll and swimming fish decoration, l. 12‑1/2”. 19.29 total t. oz. (including filled handles) $600‑$900 206 Late Georgian Irish Sterling Silver Sugar Basket hallmarked 1805, Dublin, by Joseph Jackson, of navette form, with fluted panels and swing handle, decorated with bright-cut and pricked decoration, engraved with the crest of Cassidy, Fitz-Allen, etc. 8.77 t. oz.; h. 4‑5/8 “ (7‑1/2” with handle), l. 7‑1/2”, w. 4‑5/8” $700‑$1,000

207 Three English and Other Sterling Silver Tapersticks one hallmarked London, 1807‑1808, by John Emes, rectangular with gadrooned rim, h. 2‑1/4”, w. 3‑1/2”, one hallmarked London, 1853‑1854, by John Wilmin Figg, circular with Greek-key banding, with original extinguisher, h. 2‑1/4”, dia. 3‑3/8”, and one Continental or Colonial, first half 19th century, rectangular with gadrooned rim and original extinguisher and bobeche, h. 2‑3/4”, w. 3‑3/8”. 10.60 total t. oz. $800‑$1,200

208

208 Set of Four Late Georgian Sterling Silver Salt Cellars hallmarked London, 1804‑1805, by Digby Scott & Benjamin Smith, of hexagonally-lobed cauldron form, decorated with repousse floral panels, with molded shell-and scroll rim and raised on three robust acanthus-scroll feet. h. 2‑3/8”, dia. 3‑5/8”, 25.83 total t. oz. $1,000‑$1,500

209 Regency Sterling Silver Fruit Stand hallmarked London, 1812‑1813, by Benjamin Smith II, the oval frame with shelland-palmette banding supported by four monopodal sphinxes above a canted navette plinth with leaf-and-dart banding and winged lion’s paw feet, the plinth engraved with the arms of Baronet Coote, the glass liner lacking. h. 5‑3/4”, l. 10‑1/2”, w. 8‑1/2”; 52.80 t. oz. h. 5‑3/4”, l. 11‑1/2”, w. 8‑1/2”; 52.83 t. oz. $900‑$1,200 The arms here are those of Sir Charles Henry Coote, 9th Bt. (1794‑1864) of Ballyfin, Mountrath. He served as M.P. for Queen’s County, Ireland from 1821‑1847 and again 1852‑1859.

209

211

210 Pair of George IV Old Sheffield Plate Entree Dishes

211 details

first quarter 19th century, each of rounded and concave rectangular form with shell-and-gadroon banding, the fitted lids en suite with addorsed oak branch ring handles, all above a conforming warming stand with gadrooned banding, scrollmantled lion’s paw feet and reeded scroll-mounted baluster handles, engraved on the lid with the arms of Carlton. overall h. 7‑1/4”, l. 13‑3/4”, w. 9‑3/4” $800‑$1,200 211 Late Georgian Sterling Silver Platter hallmarked London, 1805‑1806, by William Fountain (1762‑1838; free 1785), of oval form with gadrooned edge, engraved on the rim with the crest and arms of the Earl of Aberdeen. 22‑1/4” x 17”; 99.35 t. oz. $4,500‑$7,000 Given the date of the hallmarks, the arms here are presumably those of George Hamilton-Gordon (1784‑1860), who became the 4th Earl of Aberdeen in 1801 and served as the Prime Minister of the United Kingdom, 1852‑1855.

210 detail

210

212 Pair of Late George III Sterling Silver Gilt Wine Coasters hallmarked London, 1806‑1807, by Thomas Holland II, of squat cylindrical form, with central turned wood base clad in a silver gilt collar embossed in the round with neoclassical figures and flower baskets, with leaf-and-dart rim, the base centering a silver gilt boss engraved with a crest of a demi-phoenix, ducally gorged (Fenwick et al.). h. 1‑7/8”, dia. 5‑1/4” $1,800‑$2,500 213 Pair of Regency Sterling Silver Sauceboats 212

hallmarked London, 1810‑1811, by William Bennett, each of batteau form, with squared handle and reeded edge, raised on a cavettodomed and reed-banded oval foot, engraved with the arms of Pigott. h. 5‑1/4”, l. 8‑1/2”, w. 4”; 18.90 t. oz. $1,000‑$1,500 The lozenge shape of arms here, crested by a flowing ribbon, traditionally indicate that they belong to an unmarried woman who is an heiress in her own right. 214 George IV Sterling Silver Tray hallmarked London, 1828‑1829, by William Brown, of oval form with reeded edge and acanthus-mounted reeded handles, engraved with a conforming bellflower cartouche centering an armorial. 27‑3/4” x 17‑2/4”; 114.13 t. oz.

213

214

$6,000‑$9,000

214 detail

215 William IV Old Sheffield Plate Meat Dome and Platter second quarter 19th century, the oval dome with robust acanthus banding and ring handle, the conforming platter edged en suite, the platter engraved on the rim with later armorial. overall h. 11”, l. 20‑3/4”, w. 16‑1/4” $900‑$1,200

216 Pair of Victorian Silverplate Wine Coolers second half 19th century, of campana form with gauffered rim and applied grapevine decoration crossing to form the handles, all above an acanthus-capped domed foot, with detachable liner. h. 11‑1/4”, dia. 10‑3/8”

215

$1,000‑$1,500

217 Good Collection of Ten Victorian Silverplate Goblets fourth quarter 19th century, ovoid baluster stem, various makers and decoration. the largest h. 8‑3/4”, dia. 4‑1/8”; the smallest h. 7‑1/4”, dia. 3‑7/8” Detailed list of pieces available on request. $1,000‑$1,500 216

217

218

219

218 Edwardian Silverplate Three-Section Plateau first quarter 20th century, Sheffield, possibly Pryor, Tyzack & Co., with a central rectangular section and two D-end sections, each with molded floral shell-and-scroll edge, plinth feet and fitted with a conforming mirrored plate. overall, 44‑1/2” x 13” $700‑$1,000

219 Set of Four Asprey & Co. Sterling Silver Corn-on-theCob Dishes hallmarked London, 1992, oblong with naturalistic corncob decoration, with cob-holder notches and gilt interior. l. 8”, w. 2‑7/8”, 38.48 total t. oz. $600‑$900

221 Silverplate Whiskey Trolley first quarter 20th century, probably English, in the form of a barrel cart, with chain-swag sides, working wheels and hinged yokeshaft, the barrel with stopper and tap. overall h. 9‑1/4”, l. 16‑1/2” $600‑$900

220

220 Ninety-Six Piece Set of English “Onslow” Sterling Silver Flatware hallmarked London, 1955‑1961, by Charles W. Fletcher & Son, Ltd., comprising a dozen eightpiece place settings, no monograms. 109.88 total t. oz. (weighable silver) Detailed list of pieces available on request. $3,500‑$5,000

221

222 Regence-Style Kingwood and Marble-Top Commode the bowed marble top above a conforming bombe case fitted with three short drawers over two long drawers, all with decorative banding, raised on splayed legs ending in sabots. h. 35”, w. 49”, d. 21” $700‑$1,000

222

223 Regence-Style Kingwood and MarbleTop Commode the bowed marble top above a conforming bombe case fitted with three short drawers over two long drawers, all with decorative banding, raised on splayed legs ending in sabots. h. 35”, w. 49”, d. 21” $700‑$1,000

223

224 French School (First Quarter 20th Century) “Still Life of Fruit, Flowers and Parrots in a Landscape” oil on canvas unsigned. Framed. 37‑3/4” x 57” $2,000‑$4,000

224

225 Pair of French Table Lamps ca. 1900, the Louis XIV-style bases composed of cove-molded red griotte marble inset with bronze guilloche panels, on molded-bronze feet, the bronze standards decorated with swags of flowers and key-form terminals mounted with floriate medallions, electrified. h. 28‑1/2”, dia. 6‑1/2” $600‑$900

225

226 Pair of Impressive French Gilt-Bronze Sconces 20th century, in the Louis XIV style, on scrolled backplates molded with winged caryatids terminating in scrolled, masque-molded brackets, the bold, scrolled arms molded with masques and acanthus leaves, and set with egg-and-dart-molded drip pans and fluted, reeded candle cups, electrified. h. 27‑1/2” and 31‑1/2”, w. 12‑1/2”, d. 11‑1/4” $2,000‑$4,000

226

227 French Giltwood Cushion Mirror fourth quarter 19th century, with a gadrooned outer edge, pierced rocaille shells on the corners of the inset mirror and beaded on the inside edge. h. 41”, w. 31‑1/2” 227

$700‑$1,000

228 Regence-Style Polychrome Commode 18th century and later, the shaped faux marbre top above a conforming case fitted with a long drawer over two banks of two short drawers, all with molded paneling, raised on cabriole feet ending in scrolled toes. h. 35‑1/2”, w. 42‑1/2”, d. 20‑1/2” $1,000‑$1,500

228

229 230

229 Louis XIV-Style Giltwood Pedestal Table 19th century, the dished circular top above a waisted shell-carved frieze, raised on molded cabriole legs joined by a dolphin-carved stretcher and ending in paw feet. h. 24”, dia. 17” $700‑$1,000

230 French Gilt-Bronze Chandelier ca. 1900, the standard decorated with a pine cone finial beneath a pierced sphere, the lower portion with pierced scrollwork and leaf molding, the trumpet-form arms set with leafmolded drip pans and with applied scrollwork and stippled leaves. h. 26”, dia. 20”

231

$600‑$900 231 Regence-Style Ebonized and Parcel-Gilt Commode 19th century and later, the bowed top above a conforming bombe case fitted with three long drawers, raised on cabriole feet ending in scrolled toes. h. 34‑1/2”, w. 49‑1/2”, d. 26” $2,000‑$4,000

233

232

232 French Restauration Gilt-Bronze Mantel Clock second quarter 19th century, the base decorated with anthemia, honeysuckle and lotus leaves, the top surmounted by a figure of a sailor reclining against the clockworks, a map in one hand, an anchor tied to a post on the other side, and seashells at his feet, mounted with a silk-string suspension movement. h. 17‑1/2”, w. 12‑3/4”, d. 4‑3/4”

234 Regence Walnut Commode late 18th century, the slightly bowed top with a molded edge, above a conforming case fitted with two short drawers over two long drawers, all paneled and with carved scrolling foliate and floral accents, raised on cabriole feet. h. 35‑1/2”, w. 51”, d. 27‑1/2” $2,000‑$4,000

$600‑$900

233 French Restauration Bronze Dore et Patine Clock second quarter 19th century, the base decorated with elaborate flags, weapons and bunting, framing the depiction of a cannon aiming at a castle, the top surmounted by a figure of a musketeer holding a map, a cannon on one side, his sword on the other, mounted with a silkstring suspension movement. h. 16‑1/2”, w. 11‑3/4”, d. 4” $600‑$900

234

235

236

235 Continental School (20th Century) “The Audition” oil on panel signed “W. Bell” lower right. Framed. 12” x 16” $1,000‑$1,500

236 Attributed to William Arthur Breakspeare (British, 1855‑1914) “The Topper” oil on wood panel unsigned. Presented in a giltwood and gesso frame affixed with artist plaque. 11‑1/2” x 7‑1/2” $1,000‑$1,500

237 Painted and Parcel-Gilt Trumeau Mirror ca. 1900, French, in the Louis XVI style, the mirror plate and painting lined with bound ribbon, with a bowknot crest, each side decorated with panels of applied scrollwork, the painting with a French country outdoor genre scene on a moss-green ground. h. 60”, w. 44‑1/4”

237

$1,500‑$2,500

240 Louis XV-Style Walnut Armoire late 19th century, the domed and molded cornice surmounted by a foliate and floral crest over a case fitted with two long doors, each inset with a beveled glass panel, the sides quarter-veneered, above a shaped apron ending in scrolled toes, the back labeled “E. Frager” with indistinguishable address. h. 116”, w. 63”, d. 22” $800‑$1,200

239

238 Pair of Louis XV-Style Rosewood Fauteuils late 19th century, each with a padded back surmounted by a floral crest, joined by padded scrolling arms to the like seat, raised on molded cabriole legs headed by fruit carving and ending in casters. h. 39” $600‑$900 Illustrated Online

239 Pair of French Aubusson Tapestries late 18th century, each with a vivid crimson ground with an exuberant central floral motif and a doubleband border. 14’ 3” x 4’ 10” $4,000‑$7,000

240

242 Two Pieces of Vienna-Style Porcelain ca. 1900, Austrian, including an octagonal charger decorated with a center panel depicting Cupid and Psyche, signed “C. Forster”, the framboise and ivory border depicting “Dancing Hours”, alternating with framboise plaques of delicate scrollwork, the subject of the panel marked on the back, dia. 14‑1/2”, and a tea caddy decorated with like colors, with two handpainted classical scenes, identified on the base, “Shakespeare und der Genius” and “Paesie”, artist signed “A. Heer”, marked with an underglaze blue beehive, h. 5”, w. 2‑3/4”. $600‑$900

243 Louis XV-Style Mahogany Vitrine Table

241

241 Italian Patinated Metal and Crystal Chandelier

early 20th century, the hinged top with a glass insert and opening to a fabric-lined interior with glazed sides, raised on tall, slender cabriole legs ending in sabots, the whole accented with ormolu mounts and millwork. h. 29‑1/2”, w. 19”, d. 12” $600‑$900

of Baroque inspiration, the patinated metal frame set with scrolled candle arms alternating with arms set with crystal spires, hung with crystal drops interspersed with mauve crystal grapes, two tiers of drops set at the top serving as the corona. h. 33‑1/2”, dia. 21” $700‑$1,000

243

242

244 Continental School (18th Century) “Adoration” and “Angoisse” sanguine drawings on paper the first signed “J. F. Janinet” for Jean-Francois Janinet (French, 1752‑1814), the second unsigned. Each matted, glazed and framed alike. sights 5” x 4‑1/4” and 6‑1/2” x 5‑1/4”, respectively $1,000‑$1,500

244

245 Pair of Louis XV-Style Fauteuils 19th century, each polychromed and parcel-gilt, and with a floral- and foliate-carved crest over a shaped back, joined to open arms, serpentine seat and cabriole legs with delicately modeled foliate carving, upholstered with Scalamandre embroidered silk h. 37‑1/2” Provenance: Collection of Julia Brooks and Clarke Thomas Reed, Greenville, Mississippi. $700‑$1,000

245

246 Monumental Pair of Meissen Potpourri Urns ca. 1850‑1924, German, the neo-rococo vases resting on stands with scrolled feet, decorated with encrusted flowers, the sides with pink- and green-trimmed rocaille molding, the platforms with fleur jette painting, the inverted pearform vases decorated on the obverse with hand-painted panels of courting couples and their chaperones, dressed in 18th-century costume in landscapes, and on the reverse with flowers, the panels framed with garlands of encrusted fruit, flowers and insects, some nearly life-size, each with a Psyche supporting one end, the sides with delicate flowermolded rocaille handles, the bases made to match, one with a maiden supporting a basket of flowers, the other with a putto supporting a basket of flowers, the domed covers with pierced pink and pale-green scrollwork with scattered flowers, with knops of encrusted flower bouquets and the odd insect, marked with underglaze blue crossed swords with pommel ends. h. 36”, w. 16”, d. 11‑1/2” Provenance: Private collection, Baton Rouge, Louisiana. $5,000‑$8,000

246

247 Napoleon III Giltwood Mirror third quarter 19th century, in the Louis XV style, with molded grapevines and leaves trimming the bottom and sides, the top with delicately molded rocaille and pierced scrollwork. h. 85”, w. 45‑1/2” $1,500‑$2,500

248 French Pierced Bronze Firescreen first quarter 20th century, in the Louis XV taste, the rocaille-work, pierced bronze surround with an upper handle, and mounted with a musical trophy hung from a bowknot and ribbon in the center of the screen, resting on scroll-molded cabriole legs. h. 28”, w. 23”, d. 10‑1/4”

248

$600‑$900

249

249 Two Pairs of Louis XV Brass Candlesticks third quarter 18th century, French, each with silver remnants under the bases, one pair with molded standards and matching candlecups, h. 10‑1/2”, dia. 5‑1/2”, and the other pair with faceted standards and matching candlecups, retaining bobeches with serpentine edges, h. 10”, dia. 5‑1/2”. $600‑$900

247

250 French Bronze-Mounted Mantel Clock fourth quarter 19th century, in the Louis XV taste, the case mounted on scrolled feet, with scrollwork and rocaille work trimming the edges of the faux shagreen body, the silvered dial over a bronze velvet-backed grille, the top with a bronze figure of Diana, Goddess of the Hunt, with her dog. h. 26”, w. 11”, d. 7” $800‑$1,200

250

251 Rococo-Style Bronze Encrier fourth quarter 19th century, French, decorated with a cupid driving Pegasus, flanked by a pair of inkpots in the form of beehives, with porcelain liners, against pierced, scroll and rocaille work. h. 7”, w. 14”, d. 8‑3/4” $600‑$900

251

252 Pair of Louis XV Walnut Fauteuils late 18th century, each with a shaped and padded back within a molded frame, joined by padded scrolling arms to the padded seat, raised on molded cabriole legs ending in peg toes. h. 35” $800‑$1,200

252

254

253 Louis XV-Style Oak Desk early 20th century, the rounded rectangular top with side recessed centers, above a conforming frieze fitted with a central drawer flanked to either side by two small drawers, all paneled and with decorative shell and foliate carving, raised on cabriole legs ending in hoof feet. h. 31”, w . 63‑1/2”, d. 37‑1/2”

255

$1,500‑$2,500

255 Louis XV-Style Metal and Crystal Chandelier 20th century, French, with scrolled candle arms alternating with molded glass spires, hung with cut glass drops, and two graduated tiers of cut glass drops above them. h. 33”, dia. 21‑1/2”

254 Pair of Belle Epoque Figural Candelabra ca. 1900, French, the bronze Louis XV-style candelabra on scrolled feet, set with patinated figures of draped putti, personifying winter, the leafmolded candle arms supporting leaf-molded drip pans and vasiform candle sockets with matching bobeches. h. 14‑1/4”, w. 9”, d. 5‑3/4”

$1,200‑$1,800

$700‑$1,000

253

256 Louis XV-Style Giltwood and Marble-Top Console early 19th century, the shaped top with a molded edge, above a conforming frieze, pierced and with shell and foliate carving, raised on shaped legs with scroll and acanthine carving, joined by a pierced apron and raised on scrolled toes. h. 33‑1/2”, w. 46”, d. 25” $1,800‑$2,500

256

257 Heinz Pinggera (Italian/German, b. ca. 1900) “The Music Salon” oil on canvas board signed lower left. In a rococo-style gesso and giltwood frame. 25” x 33” $2,000‑$4,000

257

258 Belle Epoque Gilt-Bronze Encrier ca. 1900, French, in the Louis XV style, with a pierced scroll-molded base, set with a circular inkpot with a leaf- and acornmolded cup, a leaf-molded finial rising above it. h. 6‑1/2”, w. 10”, d. 7” $1,000‑$1,500

258

259 Charles Lefaivre Louis XV Kingwood Bureau de Dame mid-18th century, stamped “C. __FAIVRE”, the rounded rectangular top above a slant front opening to an inset leather writing surface and two banks of three spring-loaded stepped drawers flanking central shelves, over a single frieze drawer, raised on cabriole legs, the whole accented with parquetry veneers. h. 36‑1/2”, w. 27”, d. 18‑1/2” $3,500‑$5,000

260 Louis XV-Style Patinated Bronze and Crystal Chandelier third quarter 20th century, the bronze frame with serpentine sides hung with drops and holding alternating single or double candle cups with floriate drip pans, a crystal spear set into the base, and a spray of crystals serving as the corona. h. 28”, dia. 28”

260

$800‑$1,200

259

259 detail

262 Mahogany and Marquetry Occasional Table 19th century, the Louis XV-style table with a shaped rectangular top centered by an inlaid floral spray, above a conforming frieze fitted with a pull-out leather-inset writing slide and a single side drawer, raised on cabriole legs ending in sabots. h. 28‑1/4”, w. 21‑1/4”, d. 14‑1/2” $700‑$1,000

263 Louis XIV-Style Gilt-Bronze and Crystal Chandelier

263

20th century, French, with a gilt-bronze frame and a molded glass standard, hung with crystal drops, the candle arms set on the lower level, with crystal spires hung with drops above. h. 40”, dia. 25‑1/2” $1,000‑$1,500

261

261 Louis XV-Style Ormolu-Mounted Mahogany Bureau Plat early 20th century, the rectangular top with an inset marbleized paper surface, above a frieze fitted with a central drawer flanked to either side by a short deeper drawer, raised on cabriole legs headed by espagnolettes and ending in sabots. h. 30”, w. 43”, d. 25‑1/2” $800‑$1,200

262

264 French Painted Trumeau Mirror second quarter 20th century, both the lower and upper panels framed with giltwood scrollwork, the upper panel with an oil-on-canvas painting of “Love Lost”, depicting a gentleman in the background releasing a bird from a cage as a young woman and her chaperone look on. h. 70‑3/4”, w. 44‑3/4” $700‑$1,000 265 Pair of Louis XV-Style Polychrome Gondola Chairs late 19th century, each with a domed and padded back surmounted by a floral crest and joined to the padded seat by like arms, raised on molded cabriole legs ending in brass caps and casters. h. 33” $800‑$1,200

264

265

266 French Gilt-Bronze Firescreen first quarter 20th century, the surround mounted with an allegory of winter, depicting two cherubs warming their hands and blowing flames with bellows, surrounded by a pierced and scrolled frame, the whole resting on pierced and scrolled feet. h. 27‑1/2”, w. 28”, d. 8”

266

$600‑$900

267 Meissen Porcelain Topographical Tray ca. 1850‑1924, German, the oval tray with shell-molded handles and trim, and decorated with three gilt-trimmed panels, two with flowers and one with a view of Dresden, marked with underglaze blue pommel-ended swords and “Dresden”. w. 17‑1/4”, d. 12‑1/2” $900‑$1,200

268 Louis XV-Style Mahogany Dining Table 20th century, the ovoid top banded and quarterveneered, and above a conforming shaped and foliate shell-carved frieze, raised on cabriole legs ending in scrolled toes on pegs. h. 31‑1/2”, w. 44”, l. 95” $800‑$1,200 269

269 Rare Bohemian Overlay Glass and Gilt-Bronze Chandelier fourth quarter 19th century, Continental, the exceptional vasiform standard composed of white overlaid cranberry glass, decorated with gilt scrollwork, and an oval panel enameled with a depiction of Cupid and Psyche with a seashell in a rose garden, the standard on a swirl-molded bronze sphere, supporting four bronze leaf-molded scrolled candle arms set with fluted candle cups and beaded drip pans, electrified. h. 22‑1/2”, dia. 18‑1/2”

267

$600‑$900

268

270 Collection of Four Meissen Porcelain Figures German, including a figural group depicting autumn, winter and summer, ca. 1850‑1924, h. 8”, w. 5‑3/4”, d. 4”; a figure of two cupid cloth sellers, ca. 1730‑1768, h. 6‑3/4”, w. 5‑3/4”, d. 3‑1/2”; and two 20th-century figures, a gardener, h. 4‑1/4”, w. 4‑1/2”, d. 3”, and a flower seller, h. 5”, dia. 2”. Provenance: Collection of Julia Brooks and Clarke Thomas Reed, Greenville, Mississippi. $700‑$1,000

270

271 Collection of Three Meissen Porcelain “Motto Children” German, including a wounded cupid tending birds, marked “Te blesse et Soulage”, early 20th century, h. 6”, w. 2‑1/4”, a cupid with a quiver of arrows, marked “Te les balance”, 20th century, h. 5‑3/4”, dia. 2‑1/4”, and a cupid lassoing a heart, marked “Te le dompte”, ca. 1860‑1922, after a model by Michel Victor Acier, h. 6”, w. 3‑1/2”. Provenance: Collection of Julia Brooks and Clarke Thomas Reed, Greenville, Mississippi. $600‑$900

272 Collection of Five Meissen Figures

271

19th century, German, including a male winemaker tapping a keg, h. 7‑1/2”, w. 3‑3/4”, a female winemaker using a jug and funnel to fill a keg, h. 7”, w. 3‑1/2”, a figural group of two children with their dog, h. 5‑3/4”, w. 5”, a boy feeding ducks, h. 5”, dia. 2‑1/2”, and a female in a delicately molded dress, playing cards, h. 6‑1/2”, dia. 2‑1/2”, each with various underglaze blue crossed sword marks. Provenance: Collection of Julia Brooks and Clarke Thomas Reed, Greenville, Mississippi. $700‑$1,000

272

273 Meissen-Style Dressing Table fourth quarter 19th century, German, composed of porcelain, bronze and wood, the hand-painted pedestal base decorated with various putti on the legs and trimmed with encrusted flowers, the ebonized wooden top set with two bronze-trimmed drawers, decorated with hand-painted scenes, marked with an unidentified blue underglaze crossed swords. h. 27‑3/4”, w. 28”, d. 18‑1/2” Provenance: By repute Margaret B. Shotwell Collection, Omaha, Nebraska, ca. 1930s-1963; Private collection, Alabama. Exhibited: By repute: “World-Herald Hobby Show”, Omaha, Nebraska, 1938 Literature: “Hobby Authority in Omaha Viewing Antique Collection”, Omaha World-Herald. March 30, 1939. p. 6; “Unusual Dresden Bed the Envy of Collectors and the Triumph of Owners”. Omaha World-Herald. March 17, 1963. p. 5‑E. $3,000‑$5,000 273

This fine Meissen-style dressing table was reportedly in the prominent collection of the eponymous Margaret Shotwell (d. 1962) as part of her bedroom suite, and was illustrated in photographs taken in 1938 for the WorldHerald Hobby Show, for which her Dresden suite won first prize, and the covetous eye of Midwestern porcelain collectors. The dressing table offered here appears to be the same as the one illustrated. Additional photographs of the dressing table may have been featured in a resultant publication in 1939 for Hobbies Magazine, as suggested by a March 30, 1939 article stating that O. C. Leightner, the publisher for Hobbies Magazine, and an avid Dresden collector, was in town examining the set. Shotwell, a famous concert pianist, who played internationally throughout the 1920s, made headlines from coast to coast after her clandestine lover, the timber tycoon W. W. Hoagland, committed suicide after composing a letter on her typewriter (on this dressing table) stating that should he die by accident he would

bequeath her $500,000. The letter produced two months later at the settling of his estate caused a scandal and an ensuing lawsuit by the widow for “alienation of her late husband’s affection.” Two years later after a bitter legal battle, Shotwell won. Since then, her Dresden suite has captivated the public for both its sheer opulent beauty and its famed boudoir expose. Following Shotwell’s death, the suite was sold off piece-meal. The impressive bed and two mirrors, one of which originally accompanied this dressing table, was illustrated again in 1963 in the Omaha World-Herald under the heading “Unusual Dresden Bed the Envy of Collectors and the Triumph of Owners.” Reference: “The Ex-Love Battle of 2 Society Widows Crashes into a Money Clash”, San Diego Union. Sunday, April 17, 1932.

274

274 Exceptional Minton Partial Dessert Service ca. 1860‑1962, English, in the Sevres style, the hand-painting attributed to Antonin Boullemier (1839‑1900), the set comprised of a pair of compotes, h. 5‑1/4”, dia. 9”, a pair of comports, h. 3”, dia. 9”, and nine plates, dia. 9‑1/2”, decorated with bleu celeste borders and panels of flowers trimmed with raised gilt, each plate with figures in landscapes after Francois Boucher (French, 1703‑1770), with various mauve-printed marks used during the period, and impressed “Minton”, along with date letters for 1860, 61, 62 on various pieces. Provenance: Collection of Julia Brooks and Clarke Thomas Reed, Greenville, Mississippi. $700‑$1,000

275 Six-Piece Collection of Sevres and VincennesSevres Porcelain

274 detail

mid-18th century, French, the collection with a bleu celeste ground, including a covered sucrier and stand decorated with panels of birds and flowers, framed with raised gilt borders, the base of the bowl marked with interlacing L’s and a “C” for 1755, the mark on the stand likely added at a later date, h. 5”, w. 8‑3/4”, d. 6‑1/2”, two “gobelets litron” decorated with portraits framed with jewels and tooled, gilt scrollwork, h. 2‑3/4”, dia. 2‑3/4”, and two saucers decorated with floral panels and tooled, gilt scrollwork, dia. 5‑1/2”, the “gobelets litron” and saucers marked with interlacing overglaze blue L’s and no date letter, indicating a manufacture date of 1750‑1753. Provenance: Collection of Julia Brooks and Clarke Thomas Reed, Greenville, Mississippi. $700‑$1,000

275

276 French Kingwood-Inlaid and Bronze-Mounted Vitrine 20th century, the arched door with a beveled glass window above a floral-inlaid panel, the sides of similar format, the interior with a mirrored back and fitted with two plate glass shelves. h. 75‑1/2”, w. 30”, d. 20” $700‑$1,000

277 French Neoclassical-Style Polished Brass Chandelier 20th century, the center trumpet-form standard set with a flaming urn finial, set with three spiral-reeded candle arms, each with a pair of lights, hung with mauve and colorless drops, supported on solid “chains”, molded as ropes terminating with tassels. h. 26‑1/2”, dia. 18‑1/2” 277

$800‑$1,200

278

278 Mahogany and Marble-Top Occasional Table early 20th century, in the manner of Joseph-Emmanuel Zwiener (1848‑1925), the floriform marble top with brass banding and above a conforming ogee-molded frieze, with applied foliate ormolu accents, raised on cabriole legs headed by ormolu maidens and ending in sabots. h. 30”, w. 27”, d. 27” $3,000‑$5,000

276

279 Mahogany and Marble-Top Occasional Table early 20th century, in the manner of Joseph Emmanuel Zwiener (1848‑1925), the floriform marble top with brass banding and above a conforming ogee-molded frieze, with applied foliate ormolu accents, raised on cabriole legs headed by ormolu maidens and ending in sabots. h. 30”, w. 23”, d. 23” $3,000‑$5,000

279

281 one of two

280

280 Jules Rene Herve (French/American, 1887‑1981)

281 George Hendrik Breitner (Dutch, 1857‑1923)

“Mischief”

“Dutch Street Scenes”

oil on canvas signed lower right. Framed. 16” x 13”

pair of oils on canvas signed lower left. Framed alike. each 15‑3/4” x 11‑1/3”

$1,000‑$1,500

$1,500‑$2,500

282 Willem Heytman (Dutch, b. 1950) “Restaurant Le Champ de Mars, Paris” oil on canvas signed lower right, titled and further inscribed en verso. Framed. 19‑3/4” x 23‑3/4” $1,000‑$1,500 282

283 Robert Philipp (American, 1895‑1981) “At the Cafe” oil on canvas signed lower right. Framed. 10” x 16‑1/4” $1,200‑$1,800

283

100

284 one of two

284 two of two

284 Andre Chalet (French, b. 1954) “Beach Scenes” pair of oils on panels each signed lower right. Framed alike. each 9” x 12” $1,000‑$1,500 285 Antoinette Schulte (American, 1897‑1981) “Picnic” oil on canvas signed lower left. Framed. 25” x 36” $1,000‑$1,500 285

101

286 Bernard Cathelin (French, 1919‑2004) “Bouquet de Roses d’Indie”, 1971 oil on canvas signed and dated lower right, signed, titled and dated en verso, frame backing with “Findlay Galleries, New York” label. Framed. 39‑1/2” x 28‑3/4” Provenance: Collection of George L. Murray, Houston, Texas. $8,000‑$12,000

286

287 Bernard Cathelin (French, 1919‑2004) “Villa Imperiale de Katsura, Grand Format”, ca. 1974‑1975 color lithograph pencil-signed and numbered “43/125” lower margin, titled on “Findlay Galleries, New York” label on frame backing. Matted, glazed and framed. sight 19‑3/4” x 25‑1/4” Provenance: Collection of George L. Murray, Houston, Texas. $1,000‑$1,500

287

102

289

290

289 Italian Carved, Pierced and Parcel-Gilt Wood Crest ca. 1900, in the Renaissance taste, carved with a winged putto head on a gray ground. h. 13‑1/2”, w. 17‑3/4” $600‑$900

288

290 Continental School (19th Century) “Bacchus and Ariadne”

288 Neoclassical-Style Polychrome and Marble-Top Side Table

oil on canvas, en grisaille Presented in a contemporary frame. 75” x 62‑1/2” $1,500‑$2,500

late 19th century, Continental, the shaped and bowed marble top with a molded edge, and raised on a mirrored back and scrolling acanthine-carved supports joined by gilt foliate garlands and ending in dolphin supports, on a plinth base. h. 35”, w. 42”, d. 18‑1/2” $1,000‑$1,500

103

292 Pair of Neo-Grec Porcelain Urns third quarter 19th century, English, each with a bleu de France ground, decorated with a polychrome depiction of Aurora driving her chariot on the obverse and a roundel depicting a classical soldier’s head on the reverse, formerly mounted as a lamp. h. 21”, w. 6‑3/4” $700‑$1,000

291

291 Gilt-Bronze and Faux Lapis Lazuli Chandelier 20th century, in the Swedish style, the “lapis” standard set with a rope-twist bronze frame, with candle arms with “lapis” cups, cascades of drops hung from the molded corona. h. 35”, dia. 19‑1/2” $3,000‑$5,000 292

293 Pair of Enamel Plaques of Soldiers in Uniform second half 19th century, French, probably Limoges, with shaded blue borders decorated with gilt scrollwork, one polychrome soldier possibly Prussian, and the other possibly Spanish, each signed “Y. Revert”, in contemporary giltwood frames. h. 10‑3/4”, w. 8‑3/4” $700‑$1,000

293

104

295 Italian Neoclassical Polychrome and Faux Marbre Commode 19th century, the rounded rectangular faux marbre top above a conforming case fitted with three long drawers, each with polychrome chain banding and a central sword and torchere design, the sides with like banding and central helmet designs, raised on tapering circular legs. h. 36”, w. 42”, d. 20‑1/2” $2,000‑$4,000

296 Marble Grand Tour Souvenir Column second half 19th century, Italian, on a black marble base, the Siena marble column inscribed with decoration after the Roman original, celebrating Trajan’s victory in the Dacian Wars, a metal figure on top. h. 20‑3/4”, w. 3‑3/4”, d. 3‑3/4” $1,500‑$2,500

294 pair

294 Pair of Baroque-Style Giltwood Mirrors fourth quarter 19th century, probably English, with corner “ears”, the bolection-molded frames lined with beading, one molded with delicate flowers on a stippled ground. h. 53‑1/2”, w. 31” $600‑$900

295

296

105

297 Pair of Italian Patinated Bronze Grand Tour Figures of “Mercury” and “Fame” fourth quarter 19th century, former after the model by Giambologna (French/Italian, 1529‑1608), each presented stepping on a zephyr head surmounting a bas-relief-decorated bronze and black enamel base of drum form. h. 25‑3/4” and 27” $700‑$1,000 298 Karl Peter Hugo Siegwart (Swiss, 1865‑1938) “Athlete About to Throw a Rock”, 1st/2nd quarter 20th century patinated bronze cast signature on self-base, on a round ebonized wood plinth. overall h. 14‑1/2”, w. 6”, d. 10” $800‑$1,200

297

298

299 Italian Neoclassical Mahogany Tub Chair second quarter 19th century, the rounded back with a carved Greek-key frieze over a tri-paneled barrel back with inlaid portrait medallions and military trophees, within foliate and ribbon patterns, the wooden seat with like inlay, raised on shaped legs headed by lion masques and ending in paw feet. h. 28” 299

106

$1,000‑$1,500

301 Good Biedermeier Walnut Demi-lune Cabinet first quarter 19th century, the demi-lune top hinged and opening to a storage interior, the front edged with an ebonized penwork band, the conforming case fitted with two cupboards doors, raised on tapering square feet, the whole accented with decorative penwork bands and uprights. h. 36”, w. 33‑3/4”, d. 18” $1,500‑$2,500

300

300 Neoclassical-Style Verde Antico Marble Pedestal the rounded square top raised on a columnar standard to a molded circular base on a rounded square plinth. h. 33”, w. 14”, d. 14” $600‑$900

301

107

302 Grand Tour Souvenir of Trajan’s Column fourth quarter 19th century, Paris, composed of bronze and nearly identical to the Roman original, but with Napoleonic eagles around the base and a figure of Napoleon on the top, on a marble base. h. 18‑1/2”, w. 5‑1/2”, d. 5‑1/2” $600‑$900

302

303

303 Set of Four Wood and Bronze Sconces ca. 1900, Italian, on carved and pierced backplates depicting leaves and acorns, gilded with black accents, set with scrolled metal arms terminating in gilt-bronze lily-form candle cups. h. 12‑3/4”, w. 6”, d. 5‑1/2” $600‑$900

108

304 Pair of Handsome Blackamoor Torcheres mid-20th century, the parcel-gilt and painted male blackamoors on bombe-form gilded bases with faux marbre tops, and supporting giltwood cornucopias set with fruit- and rococo-carved candle arms with pierced cups, electrified. h. 81‑1/2”, w. 19”, d. 14” $2,500‑$4,000

304

305 Northern Italian Parcel-Gilt and Ebonized Mirror late 19th century, in the rococo taste, probably Venetian, the rectilinear mirror plate on an exuberant foliatecarved frame. h. 60”, w. 57”, d. 5” $2,500‑$4,000

305

109

306

306 Italian Rococo Marble-Top Console 19th century, the polychrome and parcel-gilt console with a shaped marble top above a conforming pierced frieze with shell and foliate carving, raised on C-scroll legs joined by a pierced shell stretcher and ending in scroll feet on pegs. h. 32‑1/2”, w. 58”, d. 24” $2,000‑$4,000

307 J. Hall (British, active ca. 1900) “The Grand Canal, Venice”, 1904 oil on canvas signed and dated lower left. In a gesso and giltwood frame. 20” x 30” $4,000‑$7,000 Primarily a landscapist, Hall exhibited regularly with the Society of British Artists, Sussex Street. A work by this artist is conserved at the Bewdley Museum, Worcestershire, England. Reference: Wood, Christopher. Victorian Painters, Volume I. Sussex: Antique Collector’s Club, 1998. 307

110

308 Nicholas Briganti (American/Italian, 1861‑1944) “Gondolas at Sunset, Venice” oil on canvas signed lower right. Framed. 14” x 20” $1,200‑$1,800

308

309 Faux Marbre Mantel Mirror 19th century, Northern Italian, in the neoclassical taste, with an arched pediment over a shaped mirror plate, flanked by columnar pilasters. h. 70”, w. 47”, d. 7” $1,200‑$1,800

309

111

310 Continental Oak Commode 19th century, the slightly bowed top above a conforming case fitted with four long drawers, each with annulated diamond panels and webbed carvings, flanked to either side by spiral-fluted and foliate uprights, raised on toupie feet. h. 45‑1/4”, w. 53‑1/2”, d. 25” $1,800‑$2,500

310

311 Pair of Venetian Polychrome Blackamoor Figures second quarter 20th century, the figures modeled standing on rocky outcroppings, dressed in silver gilt tunics and brilliant Chinesered pants, and looking upward at the silver gilt cornucopias with polychrome fruit. h. 75”, w. 31”, d. 14‑1/4” $2,000‑$4,000 311

112

312 Italian Neoclassical Polychrome and Faux Marbre Commode early 19th century, the rectangular faux marbre top above a conforming case fitted with three long drawers, all tri-paneled with a central heart panel, raised on short, fluted tapering square legs. h. 41”, w. 51”, d. 24‑1/2” $1,800‑$2,500

312

313 Georgian-Style Pine and Creme Peinte Mirror early 20th century, the exuberantly modeled mirror with a broken swan’s-neck pediment with foliate and egg-and-dart molding, above an annulated breakfront cornice, the rectangular mirror plate surmounted by a foliate-carved frieze and flanked to either side by large garlandadorned pilasters headed by a carved child’s head on a scrolling bracket, with a foliate-carved apron below. h. 84”, w. 79” $1,500‑$2,500

313

113

314 Alabaster Group of Madonna, Christ Child and Young John the Baptist fourth quarter 19th century, probably inspired by Raphael, now mounted as a lamp. figure h. 12”, overall h. 25”, w. 6‑3/4”, d. 5‑3/4” $600‑$900

315 Biedermeier-Style Burled Satinwood Center Table 19th century, the dodecagonal top centered by an inlaid star, above a conforming brass-bound frieze, raised on a paneled vasiform standard joined by scrolling supports to the concave base, on paw feet and casters. h. 28‑1/2”, dia. 41‑1/2”

314

$2,500‑$4,000

316 detail

315

316 Northern Italian Mahogany and Mixed Woods Center Table

316

late 18th century, the circular top banded and with an elaborately inlaid scene of a figural pastoral village, removing and reversing to a banded wooden surface, above a conforming frieze fitted with two small drawers and with parquetry-veneered panels, raised on tapering square legs ending in brass caps. h. 30‑1/2”, dia. 23‑1/2” $900‑$1,200

8 114

317 Pair of White-Glazed Terracotta Figures second quarter 20th century, Italian, the figures of a Mandarin couple, on inverted paneled stands, decorated with temple bells on either side of the top. h. 72”, w. 21”, d. 21” $1,800‑$2,500

318

317

318 Pair of Neoclassical-Style Fruitwood Commodes mid-19th century, Continental, each with a rectangular top above a conforming case fitted with a pull-out slide over three drawers, each with inlaid shield escutcheons, raised on tapering square legs. h. 35”, w. 25”, d. 17” $1,000‑$1,500

319 Neoclassical-Style Giltwood Mirror 20th century, Continental, with heavily reeded sides, the arched crest decorated with a shield-form finial framed with carved scrollwork, with carved dolphins on each side. h. 86‑1/2”, w. 57” $700‑$1,000 319

115

321

321 Italian Giltwood Overmantel Mirror ca. 1900, in the neoclassical style, the horizontal mirror carved with gougework, with an urn-form finial set with leaves and trailing bellflowers, and resting on scrolled leaf-carved feet. h. 45”, w. 48” 320

$700‑$1,000

320 Giltwood Floor Lamp in the Classical Style Italian, on a round fluted base, the standard leafcarved and fluted with reeded turning, marked “Made in Italy” on the base. h. 71”, dia. 15” $600‑$900 322 Painted Metal, Rock Crystal and Glass Chandelier 20th century, Continental, the painted metal frame lined with glass beads and hung with rock crystal drops, the scrolled candle arms set with circular drip pans, a spray of drops decorating the top. h. 30”, dia. 28” $2,000‑$4,000

322

116

323 Continental Neoclassical-Style Faux Tortoiseshell Vitrine early 20th century, the molded and dentillated cornice above a glazed front, flanked to each side by a fluted Corinthian columnar upright, the sides each glazed and hinged, opening to a mirrored interior, raised on cabriole legs headed by winged cherub’s masques and ending in scrolled toes. h. 60‑1/2”, w. 72‑1/2”, d. 20” $1,500‑$2,500 324 Porcelain Plaque Depicting a Classical Battle Scene 18th century, Continental, possibly Limoges, the battle scene with a burning city in the background, mounted in a later French Empirestyle frame, an old label from a New York City antiques dealer on the back. h. 5‑1/2”, w. 5‑1/4”

323

$1,000‑$1,500

324 325 Carved and Painted Blackamoor

first quarter 20th century, Venetian, poised on a rocky outcropping, holding a staff, dressed in a polychrome-painted tunic with a sash and holding a parcel-gilt cornucopia-form stand. h. 61”, w. 13‑1/2”, d. 13” $1,000‑$1,500

325

117

326 Pair of Continental Engraved Mirrors mid-20th century, possibly Venetian, composed of segmented, engraved mirror glass with metal edging, each engraved with couples in 18th-century costume, the frames and crest engraved with flowers and ferns, the mirror glass slightly distressed. h. 22‑1/4”, w. 15” $700‑$1,000 327 Continental Patinated Metal Chandelier

326

20th century, with a frame of decorative scrollwork with delicate, applied leaves, set with scrolled candle arms with floriate drip pans, electrified. h. 45”, dia. 34‑1/2” $600‑$900 328 Iron and Marble Conservatory Table of Spanish guard room form, the thick rectangular marble top with a molded edge, and raised on scrolling supports joined by like stretchers and ending in shaped toes. h. 31‑1/2”, w. 82‑1/2”, d. 36‑1/2” $2,000‑$4,000

327

328

118

329 Pair of Bronzes of Eros Carrying a Dolphin and a Swan ca. 1900, Italian, the patinated bronzes cast after the 1st century CE Roman bronzes excavated in Pompeii in the late 18th century. h. 25‑1/2” w. 10”, d. 13” and “h. 23”, w. 10”, d. 13”, respectively $1,000‑$1,500

330

330 Bronze Fountain of Eros Riding the Dolphin third quarter 19th century, Italian, cast after the 2nd century CE Roman marble conserved in the Archaeological Museum, Naples, Italy, the base incised “Made Italy”. h. 27‑1/2”, w. 14”

329

$1,500‑$2,500 331 Pietra Dura Tilt-Top Stand ca. 1900, probably Italian, the specimen stone top depicting roses and snowdrops in black marble, the strapwork metal base composed of four cabriole legs ornamented with metal leaves and a central rectangular standard decorated with leaves. h. 27‑1/2” (tilted), h. 21‑1/2” (open), dia. 13‑3/4” $1,000‑$1,500 332 Altar-Form Jewel Case

331

332

fourth quarter 19th century, Continental, composed of ebonized wood, enamel and gilt-metal, with a five-sided front, set with three hinged cabinets decorated with enamel plaques depicting classical scenes, the second level with a gilt-metal figure standing before a beveled mirror, hiding a compartment and flanked by doors, each concealing two drawers, a gilt-metal putto atop the center section. h. 15‑3/4”, w. 9”, d. 6” $800‑$1,200

119

334

333

335 Gilt-Bronze and Malachite Inkwell and Candlesticks

335

333 Pietra Dura Mountainous View mid-20th century, probably Italian, executed in inlaid specimen marble, depicting a winding road between two buildings, with a view of a dome and a tower in the background. overall h. 11‑1/2”, w. 9‑1/2”

fourth quarter 19th century, in the rococo style, all three pieces engraved with scrollwork, the inkwell resting on scrolled feet, the cove-molded base supporting the pagoda-form inkpot, a tiny putto sitting in the front and a pierced scrollwork pen holder in the back, with malachite cabochons set in the cover and around the base, the inkpot with a crystal liner, probably original, with a bezel matching the exterior, h. 3‑1/2”, w. 4”, d. 4‑1/2”, the tapersticks with notched bases set with malachite cabochons and tapered standards set with candle cups, h. 3‑3/4”, dia. 2‑3/4”. $700‑$1,000 336 Exceptional Micro-Mosaic Specimen Stone Paperweight fourth quarter 19th century, Italian, inlaid into black marble with serpentine sides, with an oval band of malachite framing the carefully detailed polychrome image depicting the ruins of the Temple of Vespasian. h. 1‑/2”, w. 7”, d. 5” $1,400‑$1,800

$600‑$900 334 Pair of Malachite, Bronze and Metal Garniture Vases first quarter 20th century, French or Russian, the gilt-bronze base mounts decorated with engine turning and molded leaves, the slender necks with bronze mounts between patinated-metal winged caryatids with dolphin tails, smoking pipes. h. 18‑1/2”, w. 5‑1/4”, d. 3‑3/4” $4,500‑$7,000

120

336

337 Sabatino Mirabella (Italian, 1902‑1973) “Antiche Rovine”, 1924 oil on wood panel signed and dated lower right and en verso. Framed. 10” x 15‑1/2” $1,000‑$1,500

337

338 Sabatino Mirabella (Italian, 1902‑1973) “Terrazza” oil on wood panel signed lower right. Matted, glazed and framed. 12” x 15‑3/4” $1,000‑$1,500

338

339 Sabatino Mirabella (Italian, 1902‑1973) “Giorno di Pioggia” watercolor and gouache on paper signed and inscribed “al caro Carlo...con affetto” lower left. Matted, glazed and framed. 8” x 12” $1,000‑$1,500

339

121

340 Augusto Daini (Italian, 1860‑1920) “Stuzzicando il Gatto” watercolor on paper signed lower right. Matted, glazed and framed. sight 14‑1/2” x 21” $1,000‑$1,500 341 Italian School (Fourth Quarter 19th Century) “The Cloister Garden” and “The Piazza” pair of watercolors on paper both unsigned. Each float-mounted, glazed and framed. former 12‑1/4” x 9‑3/4”, latter 15‑1/4” x 10‑1/3” $1,000‑$1,500 340

???

341 one of two

122

341 two of two

342

343

342 Luigi di Giovanni (Italian, 1856‑1938) “La Lettrice”, 1918 watercolor on paper signed and dated lower left. Float-mounted, glazed and framed. 16‑1/2” x 15‑1/4” $1,000‑$1,500 343 French Gilt-Bronze Figural Group of a “Bacchanalia” ca. 1900, with a central dancing female figure playing a tambourine, encircled by frolicking putti, in the manner of Claude Michel, known as Clodion (French, 1738‑1814), now on a black marble plinth. overall h. 24‑3/4”, w. 10”, d. 10” $1,500‑$2,500 344 Louis XVI-Style Fruitwood Bergere avec Orielles late 19th century, the domed and padded back surmounted by a floral crest, joined by shaped and padded sides and arms to the cushioned seat, raised on stop-fluted tapering circular legs ending in toupie feet. h. 40‑1/2” $600‑$900 344

123

345 Louis XV-Style Needlepoint Carpet 10’ 3” x 14’ 2” $800‑$1,200

346 Louis XVI-Style Mahogany, Kingwood and Marble-Top Commode early 20th century, the D-form top with projecting canted corners, above a conforming case fitted with a single frieze with a pierced ormolu foliate mount, over two long drawers, both banded and quarter-veneered, the sides with like ormolu mounts over panels, raised on fluted tapering circular legs. h. 35‑1/2”, w. 52”, d. 23‑1/4” $2,000‑$4,000

345

346

347 French School (19th Century) “Portrait of a Noblewoman Wearing an Ermine Trimmed Red Cape” oval oil on canvas unsigned. Framed. 31‑1/2” x 25‑1/2” $1,000‑$1,500

347

124

348 Louis XIV-Style Bronze and Crystal Chandelier 20th century, the eight-light chandelier of cage form with a polished bronze frame and a standard set with molded glass and scrolled candle arms, dressed with cut glass drops and a spray of large glass drops forming the corona. h. 34”, dia. 24” $700‑$1,000

348

349 Monumental Henry Dasson, Paris, Louis XVI-Style Mahogany and MarbleTop Grand Buffet 1880, the upper section with a domed and molded cornice above a conforming glazed door, flanked to either side by a shorter glazed cupboard, all opening to a shelved interior, the lower section with a brescia marble top with projecting canted corners, above a conforming case fitted with three drawers, with foliate guilloche ormolu panels, over three paneled cupboard doors, raised on tapering square feet ending in caps, the whole with ormolu mounts and millwork, signed at one side on the ormolu molding “henry Dasson.1880”, stamp/branded at the rear upper left corner of the lower section “Henry Dasson/1880” and the back with three sets of eight stenciled black numerals: “48020380”, “48020208” and “48020121”. h. 93‑1/2”, w. 81”, d. 28” Provenance: Sotheby’s, New York, June 18‑20, 1981, lot 1124; Sotheby’s, New York, April 27, 2006, lot 222. $10,000‑$15,000 349

125

350 Mahogany and Cast Bronze Occasional Table ca. 1900, French, the circular top with a full shaped and pierced gallery and circular panel, over a quarter-veneered top with seven applied porcelain plaques, each displaying various 18th-century French aristocrats and royalty, raised on three foliate-modeled legs joined by a plaque-centered stretcher and ending in scrolled toes. h. 29”, dia. 24‑1/2” $1,000‑$1,500 351 After Jean Claude Francois Rosset (French, 1706‑1786) “Voltaire and Rousseau”, fourth quarter 19th century

350

pair of patinated bronzes each on a black composition plinth. h. 15”-15‑1/2”, w. 6‑1/4”, d. 5‑3/4” $700‑$1,000

351

352 Louis XVI-Style Mahogany Dressing Table

352

late 19th century, the hinged rectangular top banded and centered by a brass-inlaid burl panel, opening to a mirrored bird’s-eye maple interior fitted with storage space and a single long drawer, raised on fluted tapering circular legs headed by a turned column, joined by an X-form stretcher and ending in bun feet. h. 26‑1/4”, w. 23”, d. 15‑1/2” $600‑$900

126

353 French Gilt-Bronze Figural Mantel Clock second quarter 19th century, decorated with a classical military figure, his helmet and a victory wreath, with an enamel dial signed “Piolaine a Paris”, for Michel-Francois Piolaine, and an oval tablet depicting a battle scene on the lower section of the clock, mounted with a silk-string suspension movement, on engine-turned bell-form feet. h. 13”, w. 13”, d. 4” $2,500‑$4,000 Michel-Francois Piolaine was one of the foremost Parisian clockmakers of the late 18th and early 19th centuries. A clock by this maker is in the Royal Collection at Windsor Palace. 353

354 Louis XVI Parcel-Gilt Mantel Mirror 18th century, the crest decorated with an oval bas-relief portrait framed with bowknots and swags of bellflowers, the gilt-framed side panels terminating in scrollwork and bellflower drops, on a pale green ground. h. 46”, w. 45‑1/2” $600‑$900

355

355 Louis XVI-Style Polychrome Bergere early 20th century, the tall, curved back with finely carved details and reversible seat cushion, raised on turned and tapered fluted legs, upholstered in celadon strie silk velvet. h. 39” Provenance: Karla Katz Antiques, New Orleans, Louisiana. $800‑$1,200 354

127

356

356 Pair of Napoleon III Gilt-Bronze Chenets third quarter 19th century, in the Louis XVI style, on tapered, fluted feet, the bodies decorated with panels of intertwined laurel-swag-hung urns, one side with ram’s-head handles and the other with fluted firepot urns. h. 13‑1/4”, w. 14”, d. 5” $600‑$900

357

357 French Gilt-Bronze and Glass Hall Lantern of Louis XVI inspiration, molded to resemble a rose-bound ribbon, supporting Cupid with his arrows, holding the light, mounted with an acorn-form cut glass shade. h. 49‑1/4”, w. 10”, d. 6‑1/2” $1,500‑$2,500 358 Samuel Marti et Cie Crystal Regulator fourth quarter 19th century, French, in a baroque-inspired gilt-bronze case set with beveled glass panels, with molded feet and a bacchanalian masque at the base, the case flanked with Ionic columns, the silvered dial set into the “roof”, trimmed with molded scrollwork, beneath the figure of a putto with a palette and pencil, personifying drawing and art, set with signed Marti works. h. 21‑1/2”, w. 9‑1/2”, d. 7” $1,400‑$1,800

358

128

359 Kingwood and Marble-Top Commode late 18th century, in the transitional Louis XV/XVI style, the marble top within a shaped and banded rectangular surround, above a case fitted with a leather-inset surface sliding back to a storage space, all with quarter veneering, joined to a concave lower shelf by cabriole legs ending in sabots. h. 28”, w. 17”, d. 11‑1/4” $1,000‑$1,500

359

360

360 Pair of Louis XVI-Style Boudoir Chairs 19th century, the finely carved, polychromed and parcel-gilt chairs with detailed frames and a pierced foliate crest, raised on turned and fluted legs. h. 28” Provenance: Kevin Stone Antiques, New Orleans, Louisiana. $1,000‑$1,500 361 Louis XVI-Style Trumeau Mirror ca. 1900, French, the mirror plate below an oil-on-canvas of a pair of shepherdesses resting with their flock, each framed with ribbon-bound giltwood. h. 65‑1/2”, w. 39‑1/4” $700‑$1,000

361

129

362 Gilt-Brass and Prism-Hung Chandelier early 20th century, with a central reeded brass shaft with lower bowl and mounted with alternating arms of three and two lights, electrified and dressed with celadon candelabra shades. h. 39”, dia. 36” $1,200‑$1,800 363 Louis XVI-Style Parcel-Gilt Mahogany Parlor Suite comprised of a settee, h. 37”, w. 71”, d. 26”, a pair of armchairs, h. 34”, and four sidechairs, h. 33”, each with an upholstered back cushion joined to turned, fluted and stopfluted stiles, a bowed front seat rail and tapering foliate-carved and fluted legs, upholstered in celery damask, probably silk. $2,000‑$4,000

362

363

130

364 Louis XVI-Style Mahogany and Marble-Top Center Table early 20th century, the circular marble top within a full pierced brass gallery, above a conforming frieze fitted with two leatherinset slides and two small drawers, raised on tapering square legs ending in brass caps. h. 29‑1/4”, dia. 26” $800‑$1,200

364

365 Louis XVI-Style Marble Fireplace Surround

365

late 19th/early 20th century, the shaped mantel with a molded edge, over a serpentine frieze adorned with a carved shell and laurel leaves and berries, supported by scroll uprights with foliate-carved capitals. h. 46‑1/4”, w. 58”, d. 12” $1,000‑$1,500

366 French Gilt-Bronze and Marble Boudoir Clock first quarter 19th century, in the Louis XVI taste, with crossed torches and tasseled gilt-bronze mounts, a basket of flowers as the finial, set with a hand-painted dial. h. 9”, w. 4”, d. 3” $600‑$900

366

131

367 Kingwood and Marble-Top Commode early 20th century, in the transitional Louis XV/XVI style, the rectangular top with a molded edge, above a conforming case fitted with a frieze drawer centered by an ormolu plaque of cavorting cherubs, over two long drawers, centered by a raised floral basket-inlaid panel, raised on cabriole legs. h. 34”, w. 39‑1/2”, d. 19” $600‑$900 368 Pair of Louis XVI-Style Giltwood Fauteuils late 19th century, each with a curved and padded oval back surmounted by a floral crest, joined by padded scrolling arms to the like seat, raised on stop-fluted tapering circular legs ending in toupie feet. h. 37” 367

$700‑$1,000

368

369 French Bronze and Crystal Chandelier 20th century, in the Louis XVI style, the circular bronze frame fitted with scrolled candle arms, and having cascades of prisms from the corona to the frame. h. 41”, dia. 34‑1/2” $1,200‑$1,800

369

132

370 Kingwood and Marble-Top Vitrine late 19th century, in the transitional Louis XV/XVI style, the canted rectangular marble top above a conforming case fitted with a single door, the upper section glazed, the lower section quarter-veneered and with an inlaid floral basket, the sides en suite with a musical trophee inlay, raised on cabriole legs ending in sabots. h. 32”, w. 17‑3/4”, d. 11‑1/2” $600‑$900

370

371 Mahogany, Kingwood and Marble-Top Vitrine Cabinet early 20th century, in the transitional Louis XV/XVI style, and in the manner of Francois Linke, the thick, bowed marble top with a three-quarter pierced brass gallery, above a slightly bowed case fitted with two grilled cabinet doors over an ormolu guilloche band with two cabinet doors below, each with vertical chevron-veneered long panels forming the doors, raised on ormolu scrolled feet, signed “Linke” on the top front corner mount. h. 66‑1/2”, w. 42”, d. 15‑1/2” $2,000‑$4,000

371

133

373 Louis XVI-Style Mahogany and Marble-Top Cabinet early 20th century, the D-form marble top with projecting turreted corners, above a conforming case fitted with a central drawer over two cupboard doors inset with faux tambour panels, flanked to either side by a small drawer over two open mirrored shelves, raised on fluted tapering circular legs ending in foliate caps. h. 42”, w. 53‑1/2”, d. 18‑1/2” $1,000‑$1,500 374 Burl Walnut Cabinet late 19th century, in the transitional Louis XV/XVI style, the superstructure fitted with a rectangular cove-molded top with a three-quarter pierced brass gallery, above two glazed doors, opening to a shelved interior, over two small drawers, the base with a banded rectangular top over a single frieze drawer, joined by fluted uprights to a shaped lower shelf, raised on cabriole legs ending in sabots, the whole accented with ormolu mounts and millwork. h. 58‑1/2”, w. 32‑1/2”, d. 19‑1/2” $1,000‑$1,500 372

372 Louis XV-Style Giltwood Overmantel Mirror 20th century, French, with an ogee-molded surround, the serpentine crest with a shell-form finial, marked on the back “Made by David Pruett, Natchez, MS, 1960”. h. 81”, w. 54‑1/2” $700‑$1,000

373

134

374

376

375

375 Rococo-Style Gilt-Metal Chandelier 20th century, set with scroll-molded candle arms, alternating with glass spires, hung with glass drops, a spray of drops set at the top. h. 29‑1/2”, dia. 22” $800‑$1,200 376 Pair of French Gilt-Bronze and Cut Crystal Urns second quarter 20th century, possibly Baccarat, the wheel-cut crystal urns with delicate swags of flowers, with panel-cut bases and cut decoration on the neck, the gilt-bronze key-form handles supporting swags of flowers, the bronze bases stamped “Made in France”. h. 15‑1/2”, w. 6‑1/4”, d. 5” $1,800‑$2,500 377 French Fin-de-Siecle Giltwood Pier Mirror fourth quarter 19th century, molded with an eggand-dart surround, the arched crest decorated with lovebirds, a quiver of arrows and flowers, nymphs on each side and swags of flowers across the upper portion of the mirror plate. h. 89‑1/2”, w. 44‑1/2” $1,500‑$2,500

377

135

378 Kingwood and Marble-Top Commode early 20th century, in the transitional Louis XV/XVI style, the D-form marble top above a conforming case fitted with two long drawers, both banded and quarter-veneered and centered by an inlaid floral urn, the sides banded and quarter-veneered, raised on cabriole legs. h. 35‑1/2”, w. 41”, d. 17” $600‑$900 379 Louis XVI-Style Mahogany and Marble-Top Server early 20th century, the D-form marble top with projecting rounded corners, above a conforming case fitted with two drawers over two cupboard doors, each inset with faux tambour panels, flanked to either side by two open mirror-backed shelves, raised on fluted tapering circular legs ending in foliate caps. h. 42‑1/2”, w. 81‑1/2”, d. 23‑3/4”

378

$1,500‑$2,500

379

136

380 Louis XVI-Style Giltwood Three-Fold Screen 20th century, the taller central panel with a ribbon crest over a floral festoon overlaid on a mirrored panel over an astragal mirrored plate, each side panel with a circular beveled glass panel over a tall mirrored panel, all within a guilloche-carved frame. h. 66”, w. 57” $800‑$1,200 380

381 Louis XVI-Style Bronze Firescreen first quarter 20th century, French, on molded paw feet, the outer frame with notched corners, set with an oval panel with a cupid in a bow of pierced flowers supported by a draped tassel, musical trophies mounted on each side, the turned and reeded handle supported on molded leaves. h. 31‑1/2”, w. 28”, d. 7‑1/2” $700‑$1,000

381

137

382 Louis XV-Style Needlepoint Carpet 9’ 8” x 13’ 2” $1,000‑$1,500

382

383 Pair of Signed French Brass and Porcelain Sconces second quarter 20th century, in the form of woven brass baskets, set with two scrolled candle arms and delicate porcelain flowers, with bowknot-form backplates, stamped on the rear with a round mark with the initials “OOF” and “Made in France”. h. 13‑1/4”, w. 8‑1/4”, d. 5” $600‑$900 383

138

385

384

384 Mahogany and Marble-Top Vitrine early 20th century, in the transitional Louis XV/XVI style, the bowed marble top within a three-quarter pierced brass gallery, above a conforming case fitted with a central door, the upper part glazed, the lower section with a floral panel, the sides en suite, opening to a mirrored interior, raised on ormolu legs ending in sabots. 386

h. 62‑1/2”, w. 27”, d. 14” $800‑$1,200 385 French Walnut Pedestal

386 Louis XVI-Style Mahogany Commode

early 20th century, the stepped square top raised on a paneled tapering square standard, with carved foliate accents, raised on a waisted and fluted socle base. h. 47‑1/4”, w. 16‑1/2”, d. 16‑1/2”

early 20th century, the rectangular top with a molded edge, above a conforming case fitted with three graduated long drawers, raised on tall toupie feet. h. 33”, w. 44”, d. 21‑1/2”

$600‑$900

139

387 Louis XVI-Style Mahogany Dining Table early 20th century, the rectangular top with a rounded end and two ovoid drop leaves, bisected and opening to accommodate an additional leaf, raised on tapering circular legs ending in brass caps and casters. h. 28”, w. 55”, l. 28”, ext. l. 76” $800‑$1,200 387

388 Louis XVI-Style Giltwood Mirror late 19th century, the rectangular plate surmounted by a ribbon crest and with a foliate swag overlay, surrounded by a molded frame with projecting corners. h. 51”, w. 32‑1/2” $700‑$1,000

388

140

389 Louis XVI-Style Mahogany and Marble-Top Side Table early 20th century, the deeply canted marble top within a full pierced brass gallery, above a conforming case fitted with two short drawers, joined by fluted bulbous supports to a like marble shelf, raised on fluted tapering circular legs ending in brass caps. h. 36‑1/2”, w. 48”, d. 16‑1/2” $600‑$900 389

390 Pair of Kingwood and Marble-Top Lingerie Chests early 20th century, in the transitional Louis XV/XVI style, each with a canted rectangular marble top above a conforming case fitted with six short drawers with decorative banding and centered by foliate inlay, raised on shaped legs to sabots. h. 46”, w. 14‑1/2”, d. 11‑1/2” $1,200‑$1,800

390

141

391 Chippendale-Style Camelback Sofa with scrolled arms, loose cushions and stop-fluted mahogany legs, upholstered in gold damask trimmed with brass tacks. h. 34”, w. 75”, d. 27” $700‑$1,000

391

392 George III Mahogany Gainsborough Chair fourth quarter 18th century, the rectangular padded back joined by like arms to the padded seat, raised on square legs ending in casters. h. 41‑1/4” $600‑$900

392

393 Pair of Chippendale-Style Giltwood Rococo Mirrors mid-19th century, English, with pearshaped mirror plates, framed with delicately pierced scrollwork and rocaille ornament, the upper corners draped with swags of flowers, the crest decorated with opposing scrolls with swags of flowers, with pagoda roofs on either side, and opposing phoenix birds serving as the finials. h. 49”, w. 26‑3/4” 393

142

$4,000‑$7,000

394

395

394 Chinese Export Porcelain Hot Water Dish second quarter 19th century, decorated in sepia in the “Sacred Bird and Butterfly” pattern, the cover with a gilt artichoke finial. h. 7”, w. 14”, d. 11‑1/4” $600‑$900 395 Pair of Georgian-Style Mahogany Sidechairs 19th century, each with a padded domed back above the padded seat, raised on square legs joined by an H-form stretcher. h. 36‑1/2”

396

396 George III-Style Polychrome Secretary Bookcase 19th century and later, the molded and dentillated cornice above a case fitted with two astragal-glazed doors, the lower section fitted with a slant front, opening to a variety of drawers and cubbyholes around a central cupboard, over four graduated long drawers, raised on bracket feet, the whole accented with delicate floral and foliate patterns. h. 84”, w. 36”, d. 20” $600‑$900

$600‑$900

143

397 George III Polychrome Occasional Table fourth quarter 18th century, in the Adam taste, the rectangular top with a delicate floral and foliate band centering a central oval painting medallion featuring Erminia carving the name of the shepherd Tancred into a tree, a scene from “Jerusalem Delivered”, by the Italian poet Torquato Tasso. h. 28‑1/2”, w. 28‑1/2”, d. 19‑1/2” $600‑$900

397

398 Pair of Chinese Export Porcelain Armorial Wedding Dishes 19th century, each of oval form, centered by twin oval reserves, each containing monogrammed initials linked by a swag design below a crown, surrounded by floral embellishments and sprays, all within floral borders, the reticulated rim decorated with an alternating flowerhead pattern, all in the famille rose palette with gilt detail. w. 8”, d. 7” $600‑$900 399

399 Pair of Edme Samson Vases third quarter 19th century, French, in the Chinese export taste, the baluster-form vases decorated with flowers in the famille rose palette, gilt lancet borders and white enamel raised scrollwork, marked with a red overglaze Asian-style mark. h. 18‑1/2”, dia. 8‑3/4” $600‑$900 398

144

400 Pair of English Ironstone Vases in the Imari Palette third quarter 19th century, with inverted pear-form bodies with scroll-molded handles and molded gilt-trimmed leaves, the painted decoration in the Japanese style, the molded bases with matching decoration and ribbon-bound reeding. h. 18‑1/4”, dia. 7‑3/4” $600‑$900 401 Suite of Fourteen George III-Style Mahogany Dining Chairs consisting of two armchairs and twelve sidechairs, each with a shaped foliate-carved crest above a pierced and interlacing splat, the padded seat raised on cabriole legs headed by foliate carving and ending in ball-and-claw feet. h. 41” $1,500‑$2,500 400

401

402 George III-Style Mahogany TriplePedestal Banquet Table each section with a tilt top, the tops with figured mahogany with cross-banded and line-strung perimeters and reeded edges, and raised on tapering saber-form legs ending in hairy paw cup casters, accompanied by two 24” wide leaves. h. 29‑1/4”, w. 45‑1/4”, l. 108”, ext. l. 156” 402

$1,200‑$1,800

145

403 Georgian-Style Marquetry-Inlaid Mahogany Sideboard early 20th century, the bank of bowfront drawers flanked by paneled cupboard doors, each adorned with inlaid patera, on tapering Hepplewhite legs ending in diminutive ball-and-claw feet. h. 40”, w. 50‑3/4”, d. 22‑1/2” $700‑$1,000

403

404 George II Giltwood Mirror 18th century, framed with pierced scrollwork and flowerheads against rocaille trim, with a pediment-form crest with a phoenix bird finial. h. 42‑1/4”, w. 27” $1,500‑$2,500

404

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405 William Powell Frith, R.A. (British, 1819‑1909) “The Last Sunday of Charles II”, 1907 oil on canvas signed and dated lower right. In a giltwood frame. 25” x 39‑1/2” $30,000‑$50,000 “I can never forget the inexpressible luxury and profaneness, gaming and all dissoluteness, and as it were total forgetfulness of God (it being Sunday evening), which this day’s night I was witness of, the King sitting and toying with his concubines, Portsmouth, Cleveland, and Mazarine (sic), etc., a French boy singing love songs, in that glorious gallery, whilst about twenty of the great courtiers and other dissolute persons were at Basset round a long table....Six days later, was all in the Dust.”

The work presented here is a variant of Frith’s 1866 painting “The Last Sunday of Charles II”, and was created in the last years of the artist’s life when he frequently revisited earlier, favorite paintings. According to Frith’s own diary, he was inspired by Evelyn’s description, excerpted above, of the liveliness and hedonism of the Royal Court on one of the last days of the King’s life (Charles II fell unexpectedly ill the following day, dying several days later). The painting was exhibited at the Royal Academy, where it proved so popular a railing had to be installed to protect it from the throng of visitors. The subject lent itself well to Frith’s grandiose style, and allowed the artist to revel in the various accoutrements of the wealthy Court. References: Frith, William Powell, My Autobiography and Reminiscences, London: Richard Bentley and Son, 1887; Evelyn, John Memoirs Illustrative of the Life and writings of John Evelyn, London: Henry Colburn, 1819.

Memoirs Illustrative of the Life and Writings of John Evelyn

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406 Suite of Six Georgian-Style Mahogany Chairs in the Chippendale taste, each with a foliate- and shellcarved crest rail, pierced splat, gadrooned seat rail and cabriole legs on ball-and-claw feet. h. 39‑1/2” $800‑$1,200 407 Louis XV-Style Needlepoint Carpet 10’ 3” x 13’ 11” $1,000‑$1,500 Illustrated Online

408 George III Mahogany Silver Table 19th century, the rounded rectangular dished top above a plain frieze and shaped shell-carved apron, raised on cabriole legs headed by bellflower carving and ending in ball-and-claw feet. h. 27‑1/2”, w. 32”, d. 21‑1/4” Provenance: James A. Nonemaker Antiques, Houston, Texas, 1981. $1,500‑$2,500 409 George III Mahogany Tripod Table fourth quarter 18th century, the dished pie-crust-form top with eight carved fan and bellflower projections, and raised on a bulbous columnar standard with foliate carving to three splayed legs ending in ball-and-claw feet. h. 29‑1/2”, dia. 31” $700‑$1,000

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410 Georgian-Style Mahogany Bookcase the domed and molded cornice above a shell- and foliatecarved frieze with two astragal-glazed doors below and two canted glazed sides, over a central drawer flanked to either side by two small drawers, raised on cabriole legs headed by scroll carving and ending in ball-and-claw feet. h. 77‑1/2”, w. 50”, d. 15” $700‑$1,000

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411 Pair of George III-Style Mahogany Wing Chairs in the Chippendale taste, each with an arched back, closed scroll arms and cabriole legs on ball-and-claw feet, and each upholstered in damask with chinoiserie decoration. h. 46‑1/4” $1,000‑$1,500 411

412 George III Mahogany Desk early 19th century, the banded rectangular top above a conforming case fitted with a single long drawer, opening to an inset leather writing surface, pushing back to reveal a compartmented interior, raised on two banks of three short drawers to bracket feet. h. 32”, w. 49‑1/2”, d. 22‑1/2” $1,000‑$1,500

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413 Studio of Sir Joshua Reynolds, P.R.A. (British, 1723‑1792) “Portrait of William, Lord Pulteney”, 1760s oil on canvas unsigned. In an antique gilt-washed carved wood frame. 36” x 26‑3/4” Provenance: M. Knoedler and Company, New York, New York; A prominent Garden District collection, New Orleans, Louisiana; thence by descent. Exhibited: Dallas Museum of Fine Arts “Four Centuries of European Painting”, October 6, 1951‑January 13, 1952, no. 21.

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Literature: Dallas Museum of Fine Arts Exhibition Catalogue “Four Centuries of European Painting”, October 6, 1951‑January 13, 1952, illustrated no. 21; “Four Centuries of Painting in Museum’s Fair Exhibit”. Dallas Morning News. September 21, 1951, p. II-7; Graves, Algernon and Cronin, William Vine. A History of the Works of Sir Joshua Reynolds, P.R.A. London: Henry Graves and Co., 1899. pp 775 and 776. $12,000‑$18,000 The sitter of this portrait, William Pulteney, was from an illustrious political family and, before his untimely death from fever, there were expectations that he would surpass his relatives in position and glory. Before the age of 30, Pulteney had twice been a Member of Parliament, achieved the rank of Lieutenant-Colonel in the British Army, was named a Lord of the Bedchamber, and was the Aide de Camp to King George III. It is documented that the prodigious Sir Joshua Reynolds was commissioned to paint several portraits of the young man, including one where he is posed with his beloved hunting dog.

414 Pair of Irish Georgian-Style Walnut Armchairs each with a domed crest centered by a carved fan over a balusterform splat, joined by shaped eagle-carved arms to the padded seat, raised on cabriole legs headed by shell and floral carving and ending in ball-and-claw feet. h. 42‑1/2” $600‑$900

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415 British School (Fourth Quarter 18th Century) “Portrait of Charles Lee Lewes, Actor” oil on canvas backed with a wood panel unsigned, with an old British shipping label and inventory labels en verso. In an antique gesso and giltwood frame. 36” x 27‑3/4” $3,000‑$5,000

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Born in London of Welsh parentage, Lewes began his acting career in bit roles in the Haymarket, eventually moving on to choicer roles at Covent Garden Theatre. He proved especially adept at comedic roles, so impressing the novelist and playwright Oliver Goldsmith (1728‑1774) that the esteemed writer composed an additional dialogue for his play She Stoops to Conquer especially for Lewes to deliver during a performance. After a dispute with the management of Covent Garden, Lewes accepted a position at Theatre Royal, Drury Lane, performing such iconic Shakespearean roles as Falstaff. Lewes apparently had somewhat of an artistic temperament, and eventually fell out of favor with the London theatres. He worked for a short time at the Dundee Theatre, Edinburgh, before moving to Ireland where, impoverished, he spent some time in a debtor’s prison. While imprisoned, Lewes worked on his memoirs; they were published posthumously by his son. The thrice-married Lewes had several children and the critic and philosopher George Henry Lewes (perhaps most well-known today as being the paramour of the novelist George Eliot) was his grandson.

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416 Suite of Twelve George III-Style Mahogany Dining Chairs early 20th century, in the Sheraton taste, consisting of one armchair and eleven sidechairs, each with a slightly domed rectangular back with vertical reeded splats, the padded seat raised on square legs joined by an H-form stretcher. h. 35” $1,000‑$1,500 417 Large Japanese Imari Charger on Stand late 19th/early 20th century, the charger having a lobed rim and slightly ribbed cavetto, centered with a floral design of blooming peonies and cherry blossoms, with alternating panels to the surround, also with blossoming floral designs and scrolling motifs, all in the traditional Imari palette, presented on a conforming carved hardwood stand. h. (on stand) 31”, dia. 25” $600‑$900

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418 George III-Style Mahogany Dining Table the rounded rectangular top with a reeded edge and raised on three pedestals, each with a columnar standard to a ribbed base, to three splayed reeded legs ending in brass paws on casters. h. 29”, w. 44”, l. 66” $700‑$1,000

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419 George III Mahogany Dumbwaiter fourth quarter 18th century, with three graduated circular dished tiers, supported by vasiform standards, raised on an urn-form standard to three splayed legs ending in brass caps and casters. h. 45‑1/2”, dia. 26” $600‑$900 420 George III-Style Mahogany Tripod Table 19th century, the tilting pie-crust top with a full and dished shaped edge, and raised on a birdcage support on a turned columnar and foliate-carved standard, to three splayed legs headed by acanthine carving and ending in ball-and-claw feet. h. 28”, dia. 30‑1/2”

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421 Suite of Twelve George III Mahogany Dining Chairs comprised of two armchairs and ten sidechairs, six chairs fourth quarter 18th century and six later custom reproductions, ca. 1900, each with a shaped and earred crest above a pierced foliate-carved splat, the padded seat raised on cabriole legs headed by foliate carving and ending in balland-claw feet. h. 41‑1/2” $5,000‑$8,000

$600‑$900

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422 Chinese Famille Verte Bottle Vase Kangxi (1662‑1722) mark and period, having a globular body supporting a cylindrical neck with everted rim, the vase painted with a phoenix over rockwork design, with blossoming peonies and other floral sprays, the reverse with a simple rockwork and foliage motif, the base with a six character Kangxi mark in underglaze blue. h. 9‑1/2”, w. 4‑1/2”, d. 4‑1/2” $1,000‑$1,500

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423 Chinese Famille Verte Vase possibly Kangxi period (1662‑1722), the vase of quatrefoil baluster form, having a slender neck with flared rim, mounted with ruyi-form handles to either side, the exterior painted with a panel design of birds and insects amid blooming flowers stemming from rockwork, the base unglazed and unmarked. h. 11‑1/2”, w. 5”, d. 4” $1,500‑$2,500

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424 Pair of Chinese Export Famille Rose Fish Bowls early 20th century, each having a slightly compressed globular body on a raised foot rim, with waisted neck below a wide flared rim, the exterior decorated with birds perched amid blossoming peonies and rockwork, the interior with goldfish and crabs, the base unmarked. h. 17‑1/2”, w. 22‑3/4” $1,800‑$2,500

425 Pair of Chinese Export Porcelain Phoenixes 19th century, probably Daoguang period (1820‑1850), each phoenix modeled perched on a pierced rockwork base, one leg raised clasping a toadstool, with wings tucked neatly behind and tail plumage curling to one side, painted in the famille rose palette of pinks, yellows, greens and blues. h. 24”, w. 7” Provenance: Leo and Doris Hodroff Collection. $2,500‑$4,000 425

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426 George III Mahogany Hanging Corner Cabinet fourth quarter 18th century, the broken swan’sneck pediment above a canted dentillated frieze, over a conforming case fitted with a single paneled cupboard door, on a molded base. h. 52”, w. 32”, d. 16‑1/2” $1,000‑$1,500 427 George III Mahogany Games Table fourth quarter 18th century, the D-form top hinged and opening to a larger surface, above a conforming frieze with string and inlaid panels, raised on tapering square legs. h. 28‑1/2”, w. 35‑1/2”, d. 17‑1/2” $600‑$900 428 George III Mahogany Chest late 18th century, the banded serpentine top centered by an oval patera inlay, above a conforming case fitted with four graduated long drawers, all banded and with inlaid corner accents, raised on shaped bracket feet. h. 37‑1/2”, w. 45‑3/4”, d. 25‑1/2” $1,500‑$2,500 426

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429 Large, Exceptional KPM Porcelain Plaque of the “Vestal Virgin” fourth quarter 19th century, after Angelica Kauffman (Swiss, 1741‑1807), made by the Royal Porcelain Manufactory, Berlin, and marked with an incised “KPM” and a baton, the figure depicted seated, veiled and holding an ancient lit oil lamp, in a contemporary giltwood frame. plaque h. 16‑1/4”, w. 12”, overall h. 21‑3/4”, w. 17‑3/4” Provenance: Private collection, Baton Rouge, Louisiana. $2,500‑$4,000

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430 Two Pairs of George III Mahogany Sidechairs ca. 1800, in the Hepplewhite taste, each with a gently arched top rail, one pair with a beaded vertical splat and tapering legs joined by H-form stretchers, h. 36”, and the other pair with carved slats centered by leaf-carved rosettes and reeded legs ending in spade feet, h. 36‑1/2”, both upholstered after the period fashion in patterned horsehair adorned with brass tack swags. $700‑$1,000 Illustrated Online

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431 Pair of Georgian-Style Mahogany Side Tables in the Adam taste, each with a demi-lune top above a conforming urn and scrolling foliate-carved frieze, raised on fluted tapering circular legs headed by foliate capitals and ending in toupie feet. h. 34”, w. 48‑1/2”, d. 23‑1/2” $700‑$1,000

432

432 George III-Style Mahogany Double-Pedestal Dining Table the burled top with a line-strung and crossbanded perimeter, on a tripodal base with turned column and double-reeded sabre legs ending in brass paw cup casters. h. 28‑3/4”, w. 45‑1/4”, l. 81‑1/2” $800‑$1,200 433 George III Mahogany Sidechair late 18th century, the foliate-carved, shaped and earred crest above a pierced splat, the padded seat raised on chamfered square legs joined by an H-form stretcher and ending in casters. h. 38” 433

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$600‑$900

434 English Chippendale Tall Case Clock third quarter 18th century, the mahogany-cased clock on ogee bracket feet, the center door with a reverse serpentine top, flanked by fluted columns, the hood support with a band of fret carving, topped with carved Gothic arches and fret-carved molding, the hood set with fluted columns, and a carved swan’sneck pediment inset with black and gilt eglomise panels, the brass dial with spandreled corners, a silvered chapter ring and a moon phase movement, signed “Tinney, Liverpool”. h. 94”, w. 21”, d. 9‑1/2” $2,000‑$4,000 435 George III Mahogany Chest late 18th century, in the French taste, the bowed top doublebanded and centered by an inlaid floral spray, above a conforming case fitted with three graduated long drawers, all with an inlaid foliate swag, raised on splayed legs. h. 33”, w. 43”, d. 19” $1,800‑$2,500 436 Chinese Famille Verte Dish, Later Mounted as a Cake Basket Kangxi period (1672‑1722) with later Dutch .833 silver handle marked Utrecht, 1850, by Johannes Mattheus van Kempen, d.j., the circular dish centered by a basket design, filled with blossoming peonies with ribbon tied around the upright handle, with panel borders depicting birds amid flowers and rockwork, the reverse with three individual floral motifs, and a jue (ritual vessel) mark within two concentric bands in underglaze blue, the later shaped, concave silver swing strap handle with acanthus boss mounts and decorated with engraved scrolls on a diapered ground with wrigglework threading. dia. 10‑3/4” $600‑$900 Illustrated Online

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437 French Gilt-Bronze and Porcelain Lamp second quarter 20th century, the porcelain in the form of a lidded urn, possibly by Edme Samson, on a footed bronze base and a molded bezel where the top fits into the body. overall h. 31‑1/2”, w. 4‑1/2”, d. 4‑1/2” $800‑$1,200 435

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438 Pair of Chinese Export Rose Canton Vases fourth quarter 19th century, of baluster form with foo dog handles and salamanders on the shoulders, decorated with Mandarin panels against a ground of peonies, birds and plums. h. 18”, dia. 7‑1/4” $900‑$1,200 439 Georgian Mahogany Drop-Leaf Table 19th century, the top with two ovoid drop leaves, with inlaid chevron banding and a central shell-inlaid oval panel, raised on tapering circular legs ending in pad feet. h. 28‑1/4”, w. 47‑3/4”, l. 17”, ext. l. 53” $600‑$900 440 George III Mahogany Chest-on-Chest early 19th century, the molded and dentillated cornice above a case fitted with two short drawers over three graduated long drawers, the lower section fitted with a brushing slide over three graduated long drawers, raised on shaped bracket feet. h. 70”, w. 46‑3/4”, d. 22” $1,000‑$1,500 440

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441 English Oak Tall Case Clock mid-18th century, on a bracket-footed base, the hood set with fluted columns, under a swan’s-neck pediment with brass finials, now set with a brass dialed movement with spandrels in the corners and a handsomely engraved center panel, signed “James Pepper, Biggleswade”. h. 86”, w. 16‑3/4”, d. 9” $600‑$900

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442 George III Mahogany Bachelor’s Chest fourth quarter 19th century, the rectangular top with a reeded edge, above a conforming case fitted with four graduated long drawers, raised on splayed bracket feet. h. 31‑1/2”, w. 32”, d. 16”

441

$600‑$900

443 Walker’s Cherub II Ship’s Log 20th century, English, used for measuring the distance a ship had traveled, thus determining speed, composed of polished brass, and mounted on a mahogany base. h. 7”, w. 30‑1/4”, d. 4” $600‑$900 443

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444 Theodore Alexander Weber (German, 1838‑1907) “The Rescue” oil on canvas signed lower right. Framed. 22” x 36” $1,500‑$2,500

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445 Set of Twelve Minton Porcelain Cabinet Plates ca. 1880, English, with carefully painted European polychrome landscapes, retailed by J. E. Caldwell, Philadelphia, each with the printed “Mintons” mark, including the retailer and the 1880 date code, presented in their original leatherette case, signed “J. E. Caldwell, Philadelphia” inside the cover. dia. 9‑1/4” $700‑$1,000

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446 George III-Style Mahogany Sideboard early 20th century, the D-form top with a projecting center section above a conforming case fitted with two central drawers flanked to either side by a bowed cupboard, raised on tapering square legs ending in spade feet. h. 46”, w. 59”, d. 24‑1/2” $800‑$1,200

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448 Two George III Mahogany Armchairs

447 Suite of Six George III-Style Mahogany Dining Chairs consisting of two armchairs and four sidechairs, each with a shaped and earred crest above a pierced splat, the padded seat raised on square legs joined by an H-form stretcher. h. 37‑1/2” $800‑$1,200

late 18th century, one with a shaped and earred foliate- and wheat-sheaf-carved crest over a pierced fan-form splat, joined by molded arms to the padded seat, raised above a blind-fret arch-carved apron on fret-carved square legs, the other with a shaped and earred foliate crest over a pierced splat, joined by molded arms to the padded seat, raised on chamfered square legs joined by an H-form stretcher. h. 27‑1/2” and 39” $600‑$900

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449 Agra Carpet 9’ 5” x 12’ $800‑$1,200 450 Donegal Carpet 4’ 4” x 7’ 4” $700‑$1,000 Illustrated Online

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453

451 Heriz Carpet

453 Turkish Angora Oushak Carpet

8’ 9” x 12’ 2”

8’ 3” x 9’ 10”

$1,000‑$1,500

$700‑$1,000

452 Turkish Angora Oushak Runner 2’ 7” x 17’ 9” $600‑$900 Illustrated Online

454 Semi-Antique Heriz Carpet 15’ x 26’ 1” Provenance: Collection of Julia Brooks and Clarke Thomas Reed, Greenville, Mississippi. $7,000‑$10,000

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457 Antique Heriz Carpet 6’ 11” x 10’ $700‑$1,000 457

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455 Karajeh Runner 3’ 9” x 14’ 6”

458 Antique Khotan Carpet

$900‑$1,200

4’ 2” x 9’

456 Turkish Angora Oushak Carpet

$1,500‑$2,500

8’ 7” x 12’ $1,000‑$1,500 Illustrated Online 458

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459 Henri II-Style Fruitwood Desk and Chair 20th century, the desk with a banded rectangular top with an inset leather surface, above a frieze fitted with a central drawer, flanked to either side by two small drawers, all paneled and with decorative carving, raised on barley-twist legs to two lower side shelves, on bun feet, h. 31”, w. 55”, d. 29‑1/2”, and the chair with a padded rectangular back joined to the padded seat by lion-carved arms, raised on barley-twist legs joined by a like stretcher and ending in bulb feet, h. 37”. $1,000‑$1,500 460 English Flow Blue Pottery Foot Bath mid-19th century, decorated with hand-painted strawberries and both green and gilt-trimmed flow blue leaves, mounted with scrolled handles, unmarked. h. 8‑3/4”, w. 21”, d. 13‑3/4” $600‑$900 Illustrated Online

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461 Queen Anne-Style Walnut Lowboy mid-19th century, the rectangular top banded and quarterveneered and with shaped corners, above a case fitted with a small central drawer flanked to either side by a deeper small drawer, all banded, raised on cabriole legs ending in pad feet. h. 29”, w. 26‑1/2”, d. 17‑1/2” $600‑$900 462 Elizabethan Revival Calamander Tea Caddy

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third quarter 19th century, the two-compartment tea caddy decorated with pierced bronze appliques, the domed top with a hand-painted cityscape under the glass, opening to reveal two lift-out tea caddies with hinged covers. h. 6‑1/2”, w. 8‑3/4”, d. 4‑1/2” $600‑$900

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464 465

463 Irish Queen Anne Mahogany Armchair 18th century, the shaped and earred crest above a shaped and pierced splat, joined by shaped arms on turned uprights to the slip-in seat, raised on cabriole legs with shaped knees and ending in pad feet. h. 37” $600‑$900 465 George II Mahogany Banquet Table ca. 1900, in the style of William Kent, the oval top over an eggand-dart and Greek-key-carved frieze, on foliate- and scrollcarved legs, opening to accommodate three skirted leaves. h. 30‑1/2”, w. 52”, l. 72”, ext. l. 132”

464 Queen Anne-Style Walnut Bookcase 20th century, the scrolling foliate crest above a domed and molded frieze and two doors, each with a glazed upper portion and paneled lower, raised on cabriole legs headed by acanthine carving and ending in scrolled toes. h. 70”, w. 46”, d. 17” $1,000‑$1,500

$2,000‑$4,000

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466 Pair of George III-Style Giltwood Oval Mirrors 20th century, English, the segmented mirrors set with beveled glass, fluted on the outside edge and beaded on the inside edge, the dividers leafmolded. h. 49”, w. 36‑3/4” $700‑$1,000

466

468 George III Satinwood- and Mahogany-Veneered Tall Case Clock

in the Chippendale taste, comprised of two armchairs with an upholstered arched back, open arms and cabriole legs with carved knees and ball-and-claw feet, h. 41‑3/4”, together with six sidechairs, each with a carved top rail and splat and matching cabriole legs, h. 37‑3/4”.

fourth quarter 18th century, English, on ogee bracket feet, with a satinwoodveneered base, the dome-topped waist door satinwood-veneered and trimmed with mahogany, the mahogany-veneered hood with ebony cross-banded trim, the swan’s-neck pediment with flower-carved rosettes, the painted sheet iron dial signed “Parkinson Seltie”, with floral-painted spandrels, and a partridge painted in the lunette. h. 88”, w. 18”, d. 9”

$1,500‑$2,500

$600‑$900

467 Suite of Eight George III-Style Mahogany Dining Chairs

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467

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469 Pair of Derby Mansion House Dwarfs or “Grotesque Punches” post-1806, one incised 13/8 and the other 11/8, after etchings by J. Callot, one figure playing a mandolin and the other a violin, both in colorful waistcoats with checked center panels, marked with well-defined crown and crossed baton marks. h. 8‑1/4”, w. 4‑3/4”, d. 3‑1/2” and h. 8‑1/4”, w. 5‑1/4”, d. 5‑3/4” 470

$1,200‑$1,800

470 British School (19th Century) “A Scottish Serenade; a Highland Shepherd and His Flock”, 1885 oil on canvas signed “Ines W. Hull” and dated lower left. In a fine acanthine and grapevine decorated gesso and giltwood frame. 21‑1/4” x 15‑1/4” $1,000‑$1,500 471 Georgian-Style Upholstered and Mahogany Wing Chair early 20th century, the tall, tufted and padded back with a backswept crest, joined by shaped sides and outscrolled arms to the cushioned seat, raised on cabriole legs headed by scroll carving and ending in pad feet. h. 57” $700‑$1,000

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472 George II-Style Mahogany Dressing Table second half 20th century, in the Queen Anne taste, the drawers in circassian walnut veneer, raised on cabriole legs with pad feet. h. 32”, w. 45”, d. 21” $700‑$1,000 472

473 Attributed to Richard Wilson (British/Welsh, 1713‑1782) “Shepherd and Cows Resting Among the Ruins” oil on canvas unsigned. In a giltwood frame. 13” x 19‑1/2” $1,000‑$1,500

473

474 Samuel Bough, R.S.A. (British, 1822‑1878) “Cattle by a River with a View of a Hilltop Castle” oil on canvas signed lower right. Presented in a period giltwood frame. 19” x 28‑1/2” $2,000‑$4,000 474

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475 William Henderson (British, 1844‑1904) “Mother and Child Walking on Path Near Cottages” oil on canvas signed lower right. Framed. 12” x 20” Provenance: I. and E. Campbell, Dealers in Antiques, Edinburgh, Scotland, 1969. $1,000‑$1,500

476

475

476 Victorian Mahogany and Leather-Upholstered CockFighting Chair third quarter 19th century, of traditional form, the padded back fitted with an easel-back platform and rounded, padded sides, the padded seat raised on cabriole legs joined by stretchers and ending in pad feet. h. 32” $800‑$1,200

477 detail

477 Collection of Three Wooden Canes

477

19th century, comprising a rosewood cane with an ebony poodle-head handle with glass eyes and a sterling bezel, l. 35‑1/2”, a malacca cane with a boxer-head handle, l. 35”, and a light wood cane carved with a rosewood dogs-head handle with glass eyes and bone teeth, l. 35‑3/4”. $700‑$1,000

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478 Pair of Torcheres Depicting Characters from Ivanhoe second quarter 20th century, English, the baronialstyle brass-plated torcheres depicting Ivanhoe and de Bois-Guilbert, standing on round bases decorated with strapwork, dressed in suits of armor and carrying “spears” set with molded lamp sockets. h. 45‑1/2”, w. 13”, d. 10‑1/2” $2,000‑$4,000

478

479 Anton Nicolaas Marie Karssen (Dutch, b. 1945) “Resting in the Pen” oil on wood panel signed lower left. Framed. 17‑3/4” x 14‑3/4” $1,200‑$1,800 479

480 Continental Bronze and Marble Inkwell fourth quarter 19th century, the polished bronze in the form of a begging terrier, the head set with glass eyes and opening to reveal the inkpot with an old glass insert, on a red griotte marble base trimmed with cove molding. h. 7‑1/4”, w. 4‑1/4”, d. 4‑1/4” $700‑$1,000 480

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481 Rare Miniature Rococo Revival Sideboard/ Tea Caddy third quarter 19th century, English, with a scrolled backsplash, the top hinged at the rear and opening to reveal three foil-lined compartments. h. 11”, w. 19”, d. 6‑1/2” $700‑$1,000 481

482 Victorian Burl Walnut Parlor Cabinet third quarter 19th century, the bowed top with projecting corners, above a conforming case fitted with two glazed doors, opening to a shelved interior, flanked to either side by a fluted, beaded and foliate-carved upright, further flanked by a paneled cupboard door centered by an inlaid scrolling foliate design, raised on a plinth base. h. 42‑1/2”, w. 67‑1/2”, d. 19” $1,000‑$1,500

482

483 George Graham (British, 1881‑1949) “Fisherman’s Beach” oil on canvas signed lower right, verso with “Kurt E. Schon, Ltd., New Orleans, Louisiana” gallery label. Framed. 28” x 36” $1,000‑$1,500

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484 Edwardian Mahogany and Burl Writing Table early 20th century, of kidney form, the banded top with a partial spindled brass gallery, above a conforming frieze fitted with a single drawer, joined by turned, fluted and graduated uprights to a concave shelf with like gallery, raised on toupie feet ending in brass caps and casters, stamped “Gillow & Co.”. h. 30‑1/2”, w. 40”, d. 21” $600‑$900

484

485 English Cameo Glass Bud Vase ca. 1900, the vase with a white core, layered with colorless glass and thin layers of red and white, carved with sprays of flowers and a butterfly, unsigned. h. 2‑3/4”, dia. 3‑1/2” $600‑$900 486

486 Impressive English Enamel Box

485

third quarter 18th century, decorated with peasants in hand-painted bucolic landscapes with ruins and farm animals, framed with raised gilt scrollwork on a seafoam-green ground, and with panels of enamel diapering on the scalloped corners and the bottom. h. 4”, w. 8‑1/2”, d. 5‑3/4” $1,800‑$2,500

174

487 Victorian Walnut Parlor Cabinet third quarter 19th century, the D-form top with a projecting center section, above a conforming case fitted with a central cupboard door, banded and centered by a raised oval ebonized panel with an inlaid floral spray, flanked to either side by a curved, glazed cupboard door, raised on a plinth base. h. 41‑1/2”, w. 65‑1/2”, d. 16” $1,500‑$2,500

487

489 Artist-Signed Porcelain Plaque ca. 1815, English, attributed to Coalport, depicting a delicately rendered bouquet perched on a white table top, signed “Cecil Jones, 1815”. Framed. plaque h. 6”, w. 5”, overall h. 13‑1/2”, w. 12‑1/4” $700‑$1,000 Cecil Jones is included on a list of Coalport artists documented by Geoffrey Godden in Coalport and Coalbrockdale Porcelains, page 113, where he gives his birthdate as 1799 and his working period as ca. 1820‑45. Godden says he “established himself as one of John Rose’s leading flower painters”. Godden goes on to say, “it is highly probable that he painted some of the finest Coalport ornamented porcelain...”.

488

488 English “Rock Crystal” Wheel-Cut Glass Vase ca. 1900, of trumpet form, decorated with poppies, poppy seed pods and swirling leaves, unmarked, possibly by Thomas Webb. h. 18‑1/2”, dia. 6‑1/2” $1,400‑$1,800

489

175

490 Set of Twelve Royal Doulton Dinner Plates ca. 1922‑1927, English, the H2036 dinner plates with borders decorated with cobalt panels and urns of flowers on stands, with gilt floral tracery in the field, and hand-painted roses in the center panel and scattered within the border. dia. 10‑1/2” $800‑$1,200

490

491 Edwardian Satinwood and Polychrome Demilune Side Table early 20th century, in the Adam taste, the demi-lune top banded and with a polychrome morning glory band, surrounding a faux marbre surface centered by a medallion of grisaille classical figures, above a conforming paneled frieze, centered by a floral panel, raised on faux marbre circular legs joined by a shaped stretcher and ending in bulbous toupie feet. h. 34”, w. 48‑1/2”, d. 21‑1/2” $3,000‑$5,000

491

491 detail

492 Franz Bergman (Austrian, 1838‑1894) cold-painted Vienna bronze encrier, second half 19th century, cast as a wren atop a nesting egg, the egg with a hinged lid opening to an inkwell, the nest base stamped “Geschutzt” and “1290”. h. 3‑3/4”, w. 6”, d. 4”

493

493 Oliver Clare (British, 1853‑1927)

$600‑$900

“Still Life with a Nest and Flowers” oil on canvas signed lower right. Presented in a carved and pierced giltwood frame. 10” x 8” $1,000‑$1,500 492

176

494

495

494 Victorian Mahogany Tripod Supper Table mid-19th century, in the Georgian taste, the circular tilting top with eight dished circular panels surrounding a central one, with incised decorative patterns, raised on a birdcage support and a turned vasiform standard to three splayed legs ending in foliate feet. h. 27”, dia. 27” $700‑$1,000 495 Victorian Walnut Jardiniere third quarter 19th century, the shaped circular top with a conforming metal liner, the conforming foliate shell-carved frieze raised on a fluted baluster-form standard with shell and foliate carving, to four splayed like-carved scrolling legs ending in scrolled toes. h. 37”, dia. 28‑1/2” $1,500‑$2,500 496 Unusual Edwardian Floor Standing Clock first quarter 20th century, English, on a cove-molded base with bun feet, the clock on a tapered standard, all richly veneered with burl walnut, the clock with gilt numeral chapter ring and works marked “Made in England” and “Swiss”. h. 52‑1/4”, w. 9‑1/4”, d. 6‑1/4”

496

$700‑$1,000 497 Set of Twelve Coalport “Hazelton” Dinner Plates ca. 1970‑1974, English, with a cobalt border decorated with gilt tracery of grapevines, and a gilt scrollwork border, with a Coalport green mark on the base. dia. 10‑1/2” $600‑$900 497

177

498 Set of Twelve Bone China Fish Plates fourth quarter 19th century, English, hand-painted and signed by William Birbeck on George Jones blanks, the reserve panels with aquatic plants and pairs of fish, the borders with a cobalt ground and decorated with gilt coral, the edges with raised scrollwork, marked “George Jones”, and that of the retailer, D. B. Bedell & Co., New York, and the gilder’s mark. dia. 8‑3/4” $600‑$900 501

501 Set of Twelve Meissen Dinner Plates ca. 1924‑1934, German, pattern no. 455110, decorated in the Kakiemon style with polychrome pine trees, birds and flowers, with a gilt scalloped rim, marked on the back with underglazed crossed swords with a “dot” between the blades, and a decorator’s mark. dia. 10‑1/2” $600‑$900

498

499 Pair of Edwardian Painted Pole Screens first quarter 20th century, English, in the chinoiserie taste, the delicate Adamesque tripod bases with sweeping legs terminating in turned feet, the poles supporting octagonal screens decorated with Mandarin scenes painted in black, gilt and ivory, the tops with turned finials. h. 58”, w. 16‑1/2” $600‑$900 500 Thomas Webb “Old Ivory” Cameo Glass Vase post-1889, English, decorated with carved bamboo on one side and prunus branches on the other, with pierced serpent handles, and a carved “Thomas Webb & Sons” circular mark on the bottom. h. 6‑1/2”, w. 4”, d. 3”

500

499

178

502 English Carved Cameo Glass Vase ca. 1900, the hexagonal-shaped vase composed of blue glass layered with white, the panels decorated with sprays of various flowers, with a bird on one side and a moth on the other, the shoulder carved with a grid of Japaneseinspired flowers, the neck with scrollwork of Asian inspiration, unsigned. h. 6”, w. 3‑1/2”, d. 3” $2,500‑$4,000

502

503 English-Style Mahogany and Stained Glass Pub Bar 20th century, with curved front corners and a conforming countertop, the back with carved panels and etched mirrors, the ceiling framed with stained glass windows and carved panels. h. 88”, w. 124”, d. 80” $3,000‑$5,000 504 Alexandro Detallo Gibert (Spanish, 1902‑1966) “The Verdant Landscape” oil on canvas signed lower right. Framed. 39” x 49” $2,500‑$4,000

504

503

179

505 Michel Henry (French, b. 1928) “Still Life of Flowers at a Window, Looking Out on the Harbor” oil on canvas signed lower left, verso with “Wally Findlay Galleries” label. Framed. 18” x 21‑5/8” $1,500‑$2,500

505

506 Adomas Galdikas (American/Lithuanian, 1893‑1969) “Untitled Abstract Landscape” oil on paper signed lower left. Framed and glazed. sight 16” x 23‑1/4” $1,000‑$1,500

506

507 Georgi Alexandrovich Lapchine (Russian, 1885‑1950) “Still Life of Poppies in a Vase” oil on canvas signed lower right. Framed. 21‑3/4” x 18” $3,000‑$5,000

507

180

508 Georgi Alexandrovich Lapchine (Russian, 1885‑1950) “Terrace View of the Amalfi Coast” oil on artist’s board signed lower left. Framed. 18” x 25” $1,500‑$2,500 509 Monumental Sarreguemines Majolica Jardiniere and Stand fourth quarter 19th century, French, the cobaltground jardiniere set with scrolled handles and decorated with green, amber and turquoise leaves and scrollwork, on a column-form stand with a cobalt ground, stamped “Sarreguemines” on the bottom. h. 52”, w. 30‑1/2”, d. 24‑1/2”

508

$800‑$1,200

510

510 Impressive Pair of Large Majolica Urns fourth quarter 19th century, in the manner of Thomas Victor Sergent, French, the sides decorated with molded scenes from a Bacchanalian feast, with a mottled brown ground and gadroon-molded rims, the urns set with satyr-molded handles. h. 22”, w. 12”, d. 10‑1/2” $800‑$1,200

509

181

511 513

512

514

511 Pair of Majolica Urns

513 Napoleon III Boullework Jardiniere

fourth quarter 19th century, in the manner of Thomas Victor Sergent, French, decorated with a panel of two hand-painted putti on the obverse, and molded flowers and birds on the reverse, on a cobalt ground, with ram’s-head handles. h. 13”, w. 8‑1/4”, d. 5‑1/4”

third quarter 19th century, French, with bronze trim depicting molded acanthus leaves around the base, the front with a brass and tortoiseshell panel depicting a vase of flowers on a scrollwork ground, the sides and base ebonized. h. 7‑1/2”, w. 13‑1/2”, d. 8”

$1,200‑$1,800

$600‑$900

512 Napoleon III Gilt-Bronze-Mounted Boulle Center Table

514 French Bronze and Champleve Enamel Boudoir Clock

third quarter 19th century, the top of tortoise form, with inlaid brass and tortoise edged by bronze molding, the scalloped conforming frieze and cabriole legs with figural mounts. h. 29‑3/4”, w. 51‑1/2”, d. 23‑1/2”

ca. 1900, the gilt-bronze Baroque-form case decorated with polychrome enamels of Persian inspiration, and set with lion’s heads on each side, the enamel dial set behind a glass door with paste “diamonds” encircling the bezel. h. 8‑1/4”, w. 3‑1/2”, d. 3‑1/2”

$700‑$1,000

182

$600‑$900

515

515 Pair of Impressive Franco-Chinese Candelabra ca. 1900, in the Louis XV style, the three-light candelabra with rococo bases, the molded pierced candle branches decorated with interspersed porcelain flowers at the rear, behind brown and green Chinese pottery foo dogs, sitting on bronze platforms. h. 31‑1/2”, w. 16”, d. 15‑1/2” $7,000‑$10,000 516 Unusual Mirrored and Gilt-Bronze Firescreen ca. 1900, French, in the rococo taste, mounted with a scrolled bronze handle and pierced rocaille-molded mounts on the upper and lower corners, supported on scroll-molded cabriole legs. h. 35”, w. 27‑1/2”, d. 10‑1/2”

516

$600‑$900

183

517 Rococo-Style Brass-Plated Chandelier third quarter 20th century, with a rococo-molded standard, set with an upper spray of drops, the leafmolded candle arms set with cut glass prism rings and hung with drops. h. 28”, dia. 33” $800‑$1,200

517

518 Napoleon III Boulle and Ebonized Writing Table late 19th century, in the Louis XV style, the rectangular top with a leather-inset surface within a boulle border, above a shaped frieze fitted with a short drawer to each end, with like boulle work, with faux like drawers verso, raised on cabriole legs ending in sabots. h. 29”, w. 43‑1/2”, d. 25” $1,800‑$2,500

518

519 French Patinated Bronze of “Two Women Reading” 20th century, in the manner of Auguste Moreau (French, 1834‑1917), incised inscription “JANY” at back edge of self-base, on a black marble plinth. overall h. 17‑1/2”, w. 11‑1/2”, d. 8‑1/2” $800‑$1,200

519

184

520 French Patinated Bronze of a Satyr and Bacchante Embracing 20th century, in the style of Albert-Ernest Carrier-Belleuse (French, 1824‑1887), cast signature on edge of self-base, on a black marble plinth. overall h. 32‑1/4”, w. 12”, d. 9” $1,000‑$1,500 521 Pair of Belle Epoque Candelabra fourth quarter 19th century, French, on white marble columnform bases trimmed with gilt-bronze laurel wreaths, the figural standards depicting a patinated bronze faun and his female companion, supporting leaf-molded candle branches with fluted candle cups and beaded bobeches. h. 17‑3/4”, w. 10”, d. 9” $700‑$1,000

520

521

522

522 French Gilt-Bronze and Glass Assembled Cave a Liqueur fourth quarter 19th century, in the Aesthetic taste, the case resting on a mirrored platform with molded legs, and fans on the edge of the skirt, and trimmed with “bamboo” and an Asian-style trim and lock, the cover lifts and locks, with three 19th-century cut glass decanters and ten faceted liqueur glasses. h. 13‑1/4”, w. 17‑1/2”, d. 9‑3/4” $1,800‑$2,500 523 Beaux-Arts Gilt-Bronze Picture Frame ca. 1900, French, the bolection-molded outer edge decorated with molded laurel leaves, bound with silvered “ribbon”, with a beaded inner edge. h. 10‑3/4”, w. 9‑1/2” 523

$900‑$1,200

185

524 Gilt-Bronze and Porcelain Carriage Clock ca. 1900, French, in a handled bronze case trimmed with delicate filigree work around the top and base, the porcelain dial with a pink ground, decorated with a hand-painted Middle Eastern scene, a pierced giltbrass tracery panel framing the hour and minute hand, with settings in the back for the hands and alarm. h. 7”, w. 3‑1/4”, d. 3” $800‑$1,200 525 Guilloche Enamel Vase first quarter 20th century, probably French, with a pale blue and sky blue guilloche enamel ground, decorated with red flowers and leaves, with a scrollwork border on the lower portion of the vase. h. 6”, dia. 2‑1/2”

524

525

$600‑$900 526 Set of Twelve Limoges Fish Plates ca. 1883‑1893, depicting pairs of fish and trailing aquatic plants, with scalloped borders and raised gilt edges, signed “M. Lalone” and the blanks marked by Gustave Demartial & Company. dia. 8‑1/2” $600‑$900 527 Exuberant Elite Works Limoges Hand-Painted Fish Set ca. 1900, French, each piece decorated with handpainted fish in a seascape, artist-signed “Max”, framed with raised gilt scrollwork and shell-edged faded cobalt borders, with an underglaze green “Limoges France” mark with an arrow and a red retailer’s glaze mark, “Higgins & Seiter, New York, Elite, France”, the set including a platter, w. 25”, d. 11”, twelve plates, dia. 9‑1/2”, and a sauceboat with stand, h. 4”, w. 9”. $800‑$1,200

186

526

527

529 French Patinated Bronze of “Loie Fuller” first quarter 20th century, after Raoul Francois Larche (French, 1860‑1912), on a black marble plinth overall h. 14‑3/4”, w. 6‑1/2”, d. 6‑1/2” $700‑$1,000

528

528 Pair of Continental Vases by Antoine Bofill (Spanish, 1875‑1925) first quarter 20th century, the Art Nouveau gilt-bronze vases depicting water nymphs clinging to a cliff by a waterfall, signed “Bofill”. h. 14”, dia. 5‑1/2” $1,800‑$2,500

529

530 Pair of Large Continental Composition Art Nouveau Plaques ca. 1900, one depicting a standing nymph, her hands in her hair, and the other standing contrapposto, in giltwood frames. h. 83”, w. 23”, d. 4” $3,000‑$5,000

530

187

531 George Vuillard (French, b. 1956) “After the Performance” oil on panel signed lower right. Framed. 20” x 25‑1/2” $1,000‑$1,500

531

532 E. Haines (American, 20th Century) “Picking Wildflowers” oil on canvas signed lower right. Framed. 24” x 36” $1,000‑$1,500 532

188

533 Pierre Guillaume (Dutch, b. 1954) “At the Races” oil on canvas signed lower right. Framed. 21” x 41” $2,000‑$4,000 533

534 Louis Basset (French, b. 1948) “The Race Course” oil on wood panel signed lower right. Framed. 20” x 24” $1,000‑$1,500

534

189

535 Antal Berkes (Hungarian, 1874‑1938) “Moonlit Street Scene, Autumn” oil on canvas signed lower left, illegibly inscribed en verso. Framed. 23‑1/4” x 31‑1/4” $2,500‑$4,000

535

536 Anton Karssen (Dutch, b. 1945) “Winter Evening” oil on wood panel signed lower right. Framed. 12” x 15‑1/2” $1,000‑$1,500

536

537 Paul Renard (French/Dutch, 20th Century) “Shoppers, Late Evening, Paris” gouache and watercolor on paper signed lower right. Matted, glazed and framed. sight 7” x 11” $1,000‑$1,500

537

190

538

538 Joan Mayor (20th Century) “Reclining Nude in a Blue Interior” oil on canvas signed lower right. Framed. 37‑1/2” x 51” $12,000‑$18,000

191

539

539 Federico Beltran-Masses (Spanish/Cuban, 1885‑1949) “Portrait of a Woman in a Black Evening Dress with a Pink Rose”, 1925 oil on canvas signed and dated mid-left. Presented in a carved, ebonized and parcel-gilt frame. 45” x 42‑1/2” $7,000‑$10,000

192

540 George Elmer Browne (American, 1871‑1946) “Portrait of a Spanish Lady” oil on canvas signed lower left. Presented in an ebonized, parcel-gilt frame. 40” x 40” $5,500‑$8,000 540

541 Leon Kroll (American, 1884‑1974) “After the Bath” oil on canvas signed lower left, verso with “Pierce Galleries, Inc., Hingham, Massachusetts” label. Framed. 36” x 27” $6,000‑$9,000

541

193

542 John Carroll (American, 1892‑1959) “Betsy” oil on canvas signed lower right, with a “Detroit Institute of Arts, Detroit, Michigan” 1918 exhibition label. Framed. 54‑1/2” x 45‑1/2” $3,500‑$5,000 543 Jean-Gabriel Domergue (French, 1889‑1962) “Ballerine” oil on canvas signed lower left. Framed. 24” x 19‑3/4” Provenance: Private collection, Beverly Hills, California. $3,000‑$5,000

542

544

544 Louis Icart (French, 1888‑1950) “Monkeying Around with the Dancers”

543

dry-point etching pencil-signed and numbered “116” lower margin. Matted, glazed and framed. sight 19‑1/2” x 16” $1,000‑$1,500

194

545

545 Dorian Ker (British, b. 1948) “Untitled Surrealist Interior”, 1982 watercolor on paper signed and dated mid-right. Framed and glazed. sight 71” x 62” $2,500‑$4,000

195

546 Pierre Guillaume (Dutch, b. 1954) “Pantai Goa Lawah”, Bali, 2005 oil on canvas signed lower right, signed, titled and dated en verso. Framed. 47‑1/2” x 51” $1,400‑$1,800 546

547 Elizabeth (LIZO) Shahenian (Armenian/American, b. 1950) “Memories of Holocaust” oil on canvas signed “Lizo” lower right. Framed. 48” x 48” $1,000‑$1,500

547

196

548 Harold Kraus (American/Tennessee, Contemporary) “Still Life in Red and Teal” oil on masonite signed lower right. Framed. 46‑1/4” x 34‑1/4” Provenance: Collection of Julia Brooks and Clarke Thomas Reed, Greenville, Mississippi. $1,000‑$1,500

548

549 Leon Kroll (American, 1884‑1974) “Study for the War Memorial Murals”, ca. 1939 oil on canvas signed lower left, verso with “Babcock Galleries, New York, New York” and “Rothschild Fine Arts, New York, New York” labels. Framed. 16” x 20” $3,000‑$5,000 549

197

551

550

553

550 Sultanabad Carpet

552 Masters Donegal Runner

554 Peshawar Sultanabad Carpet

13’ x 17’ 11”

3’ x 10’ 7”

8’ 11” x 14’ 8”

$2,000‑$4,000

$700‑$1,000 Illustrated Online

$800‑$1,200

551 Kashmar Carpet 9’ 10” x 12’ 8” $1,200‑$1,800

198

554

553 Antique Persian Mahal Carpet 7’ 10” x 11’ 7” $2,000‑$4,000

555 Amistar Carpet 11’ x 13’ $1,500‑$2,500 Illustrated Online

559 556

557

556 Antique Sultanabad Carpet 9’ x 11’ 6” $3,000‑$5,000 557 Mahal Carpet 10’ 9” x 13’ 8” $3,000‑$5,000

560

558 Semi-Antique Tabriz Prayer Rug 3’ x 4’ 10” $600‑$900 Illustrated Online

560 Semi-Antique Persian Kashan Carpet 13’ x 21’ 6” $2,000‑$4,000

559 Turkish Angora Oushak Carpet

561 Sarouk Carpet

8’ x 9’ 10”

10’ 6” x 13’ 6”

$1,200‑$1,800

$900‑$1,200 Illustrated Online

199

Session II

Sunday, May 21, 2017 10:00 a.m. CDT Lots 562-1057

Lot 828

562 Coral, Onyx and Diamond Ring 14k yellow gold, the ring mounted with a central coral cabochon measuring approximately 8.80 mm x 8.70 mm, surrounded by four pieces of elongated black onyx measuring approximately 8.00 mm x 4.00 mm, and accented on all four corners by round brilliant-cut diamonds weighing approximately 0.15 carats in total. size 7‑1/2, total weight 8.0 grams $700‑$1,000

565 Garnet and Diamond Earrings 14k yellow gold, the earrings mounted with two oval cabochoncut rhodolite garnets weighing approximately 11.32 carats in total, surrounded by a halo of round brilliant-cut diamonds weighing approximately 1.96 carats in total. l. 3/4”, total weight 10.0 grams $900‑$1,200 566 Multicolored Stone Necklace 14k yellow gold, the necklace mounted with two peridot briolettes weighing approximately 2.54 carats in total, two citrine briolettes weighing approximately 2.52 carats in total, two amethyst briolettes weighing approximately 2.08 carats in total, two blue topaz briolettes weighing approximately 2.84 carats in total and one garnet briolette weighing approximately 2.58 carats, all suspended from a 14k yellow gold chain. l. 16”, total weight 6.0 grams $800‑$1,200 567 Jose Hess Diamond Earrings 18k yellow gold, the earrings mounted with round brilliantcut diamonds weighing approximately 1.73 carats in total, approximate color E-F and clarity VVS2‑VS1. l. 1‑1/2”, total weight 20.0 grams $900‑$1,200 568 Gold and Diamond Band

562

14k yellow gold, the band in a woven design mounted with round brilliant-cut diamonds weighing approximately 1.46 carats in total, approximate color E-F and clarity VS2‑SI1. size 7, total weight 7.0 grams $600‑$900

563 Intaglio Earrings

569 Diamond Engagement Ring

21k yellow gold, the earrings each mounted with a carved glass intaglio of Greek inspiration, depicting a man sitting in a chair. l. 1‑1/2”, total weight 7.0 grams

18k yellow gold, the ring mounted with a pear-cut diamond weighing approximately 1.97 carats, approximate color G and clarity SI2. size 6‑3/4, total weight 3.0 grams

$700‑$1,000

$3,000‑$5,000

564 Rhodolite Garnet and Diamond Bracelet

570 Diamond Wedding Band

18k yellow gold, the bracelet mounted with fifteen emerald-cut rhodolite garnets weighing approximately 31.05 carats in total, accented by round brilliant-cut diamonds with an approximate total weight of 1.98 carats, approximate color E-F and clarity VS1‑VS2. l. 7”, total weight 31.0 grams

18k yellow gold, the band mounted with eight baguettecut diamonds weighing approximately 0.75 carats in total, approximate color E-F and clarity VS1‑SI1. size 6‑1/2, total weight 3.0 grams

$1,200‑$1,800

202

$600‑$900

563 566

569

568

564

570 565

567

572

571

204

575

571 Diamond Hoop Earrings

573 Beautiful Mabe Pearl and Diamond Earrings

18k yellow gold, the earrings mounted with baguette-cut diamonds weighing approximately 1.10 carats in total, approximate color F-G and clarity SI1‑I1. l. 3/4”, total weight 6.0 grams

18k yellow gold, each earring mounted with a rose/pinkcolored mabe pearl with a very high luster and measuring approximately 14.0 mm in diameter, surrounded by a halo of graduated round brilliant-cut diamonds weighing approximately 4.17 carats in total, approximate color E-F and clarity VVS2‑VS1. l. 7/8”, total weight 19.2 grams

$600‑$900

$1,000‑$1,500 574 Strand of Golden South Sea Cultured Pearls graduated from 10.0 mm to 13.5 mm, with a very good luster, and finished with a 14k yellow gold ball clasp. l. 18”, total weight 74.5 grams $2,000‑$4,000 575 Custom-Made Diamond and Pearl Bangle Bracelet

573

14k yellow gold, the hinged bracelet set with a rose-colored cultured pearl with a high luster, measuring 10.00 mm in diameter, accented with an inner halo of ten brilliant-cut diamonds weighing 2.34 carats in total, approximate color E-G and clarity VS2‑SI2, and an outer halo of ten brilliant-cut diamonds weighing 4.88 carats in total, approximate color E-G and clarity VS2‑SI2. inside circumference 6‑1/4”, total weight 25.0 grams

572 Custom-Made Italian Pearl and Gold Necklace 18k yellow gold, the flexible necklace with a woven design and mounted with pink/rose-colored cultured pearls with a high luster, measuring 5.5 mm to 6.0 mm in diameter, the necklace accompanied by three extra links measuring 1‑1/2”. l. 16”, total weight 116.0 grams

$8,000‑$12,000

$2,000‑$4,000

574

205

579

578

576 South Sea Cultured Pearl and Diamond Necklace

579 Platinum and Diamond Art Deco Necklace

14k white gold, set with yellow pearls ranging from 10.5 mm to 12.5 mm in diameter, alternating with white pearls ranging from 10.5 mm to 11.5 mm in diameter, suspended from a stylized necklace set with treated fancy yellow diamonds and white diamonds, weighing 4.42 carats in total. l. 17‑1/2”, total weight 63.4

the necklace with an articulated section mounted with European- and single-cut diamonds weighing approximately 2.24 carats in total, approximate color E-F and clarity SI2‑I2, suspended from a cable chain. l. 19”, total weight 16.0 grams

$8,000‑$12,000

580 Beautiful Diamond Earrings

577 Opera-Length Akoya Pearl Necklace

$3,000‑$5,000

14k yellow gold, the necklace composed of 8.0 mm to 8.5 mm cream-colored pearls with an excellent luster, finished with a gold clasp mounted with brilliant-cut diamonds weighing approximately 0.15 carats in total. l. 31”, total weight 7.26 grams

18k white gold, the clip/post earrings each mounted with a central round brilliant-cut diamond, with an approximate total weight of 0.49 carats for the pair, surrounded by round brilliant-cut and baguette-cut diamonds, with an approximate total weight of 3.13 carats for the pair, the diamonds with an approximate color of E-F and clarity VVS2‑SI1. dia. 3/4”, total weight 9.0 grams

$7,000‑$10,000

$5,000‑$8,000

578 Diamond Bangle Bracelet/Watch

581 Bold Diamond Band

14k white gold, the hinged Art Deco-style bracelet/watch mounted with single- and square-cut diamonds weighing approximately 1.32 carats in total, the lid opening to reveal a Lusina, Geneve watch in a platinum case. inside circumference 6‑7/8”, total weight 51.0 grams

18k white gold, the ring in three sections mounted with baguette- and round-cut diamonds, each surrounded by a border of round brilliant-cut diamonds, with an approximate total diamond weight of 1.82 carats, approximate color D-E and clarity VVS2‑VS2. size 6‑1/2, total weight 10.0 grams

$1,500‑$2,500

$3,000‑$5,000

206

580

581

576

575

207

582 White Gold and Diamond Pendant Necklace 18k white gold, the 8.0 mm x 8.0 mm pendant composed of baguette-cut diamonds weighing approximately 0.40 carats in total, suspended from a chain with bezel-set round brilliantcut diamonds weighing approximately 0.20 carats in total, approximate color D-E and clarity VVS2‑VS1. l. 19”, total weight 4.0 grams $1,000‑$1,500 583 White Gold and Diamond Ring

587 Custom-Made Sapphire and Diamond Pendant and Ring 18k yellow gold, the carved quartz pendant mounted with pear-, oval- and round-cut sapphires weighing approximately 3.91 carats in total and round-cut diamonds weighing approximately 0.85 carats in total, l. 1‑3/4”, together with a matching quartz ring mounted with an oval-cut sapphire weighing approximately 0.45 carats and round-cut diamonds weighing approximately 0.33 carats in total, size 8. total weight 31.0 grams $1,800‑$2,500

18k white gold, the ring mounted in the center with baguettecut and square-cut diamonds, surrounded by a double border of round brilliant-cut diamonds, and accented on the ring shank with round brilliant-cut diamonds, with an approximate total diamond weight of 2.10 carats, approximate color E-F and clarity VVS2‑VS1. size 7, total weight 9.0 grams $2,000‑$4,000 584 Wide Diamond Bangle Bracelet gold vermeil, the openwork bracelet with a free-form swan design, mounted with rose-cut diamonds weighing 10.00 carats in total. inside circumference 7‑1/2”, w. 1‑1/4”, total weight 66.3 grams $600‑$900 589

585 White and Yellow Diamond Earrings sterling silver, each flower-shaped earring mounted with a central sliced diamond weighing approximately 0.70 carats in total, approximate (color F-G, clarity SI1‑SI2), surrounded by a halo of light yellow round brilliant-cut diamonds with an approximate total weight of 1.05 carats, and single-cut white diamonds with an approximate total weight of 0.83 carats. dia. 3/4”, total weight 7.0 grams $600‑$900 586 Diamond and Pale Green Sapphire Bangle Bracelet sterling silver, the bracelet set with a single row of princess-cut green sapphires weighing approximately 3.00 carats in total, flanked on either side by a row of rose-cut diamonds weighing approximately 1.30 carats in total. inside dia. 7”, total weight 25.8 grams $600‑$900

588 Sapphire and Diamond Earrings 14k white gold, the earrings mounted with cabochon-cut treated sapphires weighing approximately 1.98 carats in total, accented with round- and single-cut diamonds weighing approximately 0.38 carats in total. l. 1”, total weight 3.0 grams $900‑$1,200 589 Natural Sapphire and Diamond Ring platinum, set with a natural sapphire weighing 3.01 carats, accented by brilliant-cut diamonds weighing 0.79 carats in total, approximate color F-H and clarity VS2‑SI1, accompanied by GIA report #290007950903. size 7‑1/4, total weight 4.8 grams $4,000‑$7,000

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14k white gold, each earring set with an oval-cut treated sapphire weighing 14.91 carats in total, and brilliant-cut diamonds weighing 1.11 carats in total. l. 1‑3/4”, total weight 9.6 grams

18k white gold, the coiled snake mounted with round-cut sapphires weighing approximately 2.34 carats in total and round brilliant-cut diamonds weighing approximately 0.56 carats in total, approximate color E-F and clarity VS1‑VS2, with two round-cut emeralds accenting the eyes. size 7, total weight 12.0 grams

$1,500‑$2,500

$2,000‑$4,000

591 Natural Sapphire and Diamond Ring platinum, the ring mounted with an oval-cut sapphire weighing approximately 2.15 carats, flanked on either side by two halfmoon-cut diamonds weighing approximately 0.56 carats in total, approximate color E-F and clarity VS1‑VS2, and accented on the ring shank with round brilliant-cut diamonds weighing approximately 0.71 carats in total, approximate color E-F and clarity VVS2‑VS1. size 6‑1/2, total weight 8.0 grams $4,000‑$7,000

593 Three Diamond and Sapphire Bangle Bracelets sterling silver, the two hinged bracelets mounted with baguette-cut diamonds weighing approximately 2.80 carats in total and the single hinged bangle mounted with baguette-cut treated sapphires weighing approximately 8.70 carats in total. inside circumference 7”, total weight 32.8 grams $700‑$1,000 594 Opal, Sapphire and Diamond Earrings sterling silver, each earring mounted with a pear-cut opal with an approximate total weight of 2.17 carats, accented by a row of rose-cut diamonds with an approximate total weight of 0.39 carats, and twenty-six pear-cut treated sapphires with an approximate total weight of 10.08 carats. l. 1”, total weight 8.0 grams $600‑$900 595 Opal and Diamond Bangle Bracelet sterling silver, the Bakelite bracelet mounted with an oval-cut opal with an approximate weight of 2.02 carats, accented by table-cut diamonds with an approximate total weight of 0.60 carats. inside circumference 7”, total weight 37.0 grams $600‑$900 596 Opal and Diamond Bracelet

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gold vermeil, the hinged bracelet set with 29 opal cabochons weighing 14.7 carats in total, and rose-cut diamonds weighing 6.1 carats in total. inside circumference 7”, total weight 79.6 grams $600‑$900

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597 Opal, Emerald and Pink Sapphire Earrings 18k yellow gold, the earrings mounted with two oval-cut opals and two pear-cut opals weighing approximately 4.86 carats in total, accented with oval-cut treated emeralds weighing approximately 4.86 carats in total, and oval- and round-cut treated pink sapphires weighing approximately 2.66 carats in total. l. 1‑3/4”, total weight 18.0 grams

601 Ruby and Diamond Dangle Earrings 18k yellow gold, the earrings mounted with pear- and baguette-cut treated rubies weighing approximately 5.98 carats in total and round brilliant-cut diamonds weighing approximately 0.89 carats in total, approximate color E-F and clarity VS1‑VS2. l. 2‑3/4”, total weight 16.0 grams

$2,500‑$4,000

$3,000‑$5,000

598 Ruby and Diamond Dangle Earrings

602 Ruby and Diamond Ring

14k yellow gold, each set with a pear-cut treated ruby, weighing 8.31 carats in total, accented by brilliant-cut diamonds weighing 2.21 carats in total. l. 1‑7/8”, total weight 6.9 grams

14k yellow gold, set with an oval-cut treated ruby with an approximate weight of 7.29 carats, two round ruby accents weighing 0.66 carats in total, accented with brilliant-cut diamonds weighing 0.80 carats in total. size 6‑1/2, total weight 9.7 grams

$1,200‑$1,800

$1,400‑$1,800 603 Ruby and Diamond Bee Ring 14k yellow gold, the ring set with round-cut pink sapphires weighing 2.30 carats in total and light brown round brilliant-cut diamonds weighing 0.70 carats in total, approximate clarity VS1‑SI1. size 7, total weight 8.0 grams $1,200‑$1,800 604 Ruby and Diamond Tassel Earrings sterling silver, the earrings with faceted treated ruby roundels suspended from the tassel caps mounted with rose-cut diamonds weighing approximately 2.18 carats in total. l. 4”, total weight 50.0 grams $600‑$900

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599 Ruby and Diamond Bracelet 14k yellow gold, set with fifteen oval-cut treated rubies weighing 51.79 carats in total, and brilliant-cut diamonds weighing 0.46 carats in total. l. 7”, total weight 26.1 grams $2,000‑$4,000 600 Ruby and Diamond Ring 14k rose gold, set with a square, cushion-cut treated ruby weighing approximately 8.59 carats, accented with brilliantcut diamonds weighing 0.90 carats in total. size 6‑1/2, total weight 4.6 grams $1,400‑$1,800

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605 Jade and Diamond Ring 18k white gold, the ring mounted with an oval cabochon-cut jade measuring approximately 13.0 mm x 9.0 mm, surrounded by a halo of round-, pear- and marquise-cut diamonds weighing approximately 1.24 carats in total, approximate color E-F and clarity VS1‑VS2. size 6‑1/2, total weight 8.0 grams $600‑$900 606 Emerald, Ruby and Diamond Ring 18k yellow gold, the ring mounted with a central cabochon-cut treated ruby weighing approximately 1.84 carats, flanked by two cabochon-cut treated emeralds weighing approximately 1.49 carats in total and accented by four round brilliant-cut diamonds weighing approximately 0.15 carats in total. size 7, total weight 10.0 grams $1,500‑$2,500

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608 Emerald and Diamond Necklace 18k yellow gold, the necklace mounted with square- and rectangular-cut emeralds weighing approximately 4.13 carats in total, alternating with bezel-set rose-cut diamonds weighing approximately 0.50 carats in total. l. 17‑1/2”, total weight 9.0 grams $3,000‑$5,000 609 Emerald and Diamond Earrings gold vermeil, the earrings set with six cabochon-cut treated emeralds with an approximate total weight of 5.00 carats, accented with rose-cut diamonds weighing approximately 0.50 carats in total. l. 2‑1/2”, total weight 8.4 grams $600‑$900 607

607 Emerald and Diamond Hoop Earrings 18k yellow gold, the earrings mounted with oval-cut treated emeralds with an approximate total weight of 11.80 carats, accented with round brilliant-cut diamonds with an approximate total weight of 1.10 carats. l. 1‑1/4”, total weight 14.0 grams $3,000‑$5,000

610 Diamond and Emerald Bee Pendant with Chain the sterling silver pendant mounted with an oval-cut treated emerald with an approximate weight of 1.00 carat, accented by rose-cut diamonds weighing approximately 0.92 carats in total, h. 1‑3/8”, w. 2”, suspended from a 14k yellow gold ball chain, l. 16”. total weight 10.5 grams $600‑$900 611 Emerald and Diamond Dangle Earrings gold vermeil, the earrings mounted with faceted treated emeralds weighing 6.00 carats in total, accented by rose-cut diamonds weighing 1.20 carats in total. l. 2‑7/8”, total weight 13.0 grams $600‑$900

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612 Unusual Diamond Butterfly Pendant/Ring 18k white gold, the butterfly mounted with white round brilliant-cut diamonds on the body, with an approximate total weight of 0.75 carats, and with treated blue, green, black and orange round brilliant-cut diamonds on the wings, with an approximate total weight of 3.62 carats, w. 1‑3/4”, l. 2‑1/2”, the back of the butterfly with fixed openings for use as a slide pendant on a chain and an opening for the optional ring, which locks into place and is mounted with white round brilliant-cut diamonds with an approximate total weight of 0.97 carats. size 7, total weight 22.0 grams $4,000‑$7,000

615 Turquoise, Diamond and Emerald Ring 18k yellow gold, the ring mounted with an oval cabochoncut turquoise measuring approximately 15.2 mm x 11.5 mm, accented on the mounting with round brilliant-cut diamonds weighing approximately 0.60 carats in total, approximate color E-F and clarity VVS2‑VS1, and round-cut emeralds weighing approximately 0.50 carats in total. size 7‑1/2, total weight 12.0 grams $1,800‑$2,500 616 Turquoise and Diamond Dangle Earrings 18k white gold, each earring mounted with an oval cabochoncut turquoise, accented by round brilliant-cut diamonds weighing approximately 1.58 carats in total, approximate color E-F and clarity VS1‑SI1. l. 2”, total weight 19.0 grams $2,500‑$4,000 617 Turquoise and Diamond Ring 14k yellow gold, the ring mounted with a cushion-cut turquoise measuring approximately 14.0 mm x 14.0 mm, accented on four corners by a round brilliant-cut diamond with an approximate total weight of 0.12 carats. size 7, total weight 9.0 grams $700‑$1,000

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613 Turquoise, Diamond and Emerald Ring 14k yellow gold, the large ring mounted with a cabochon-cut turquoise measuring approximately 24.40 mm in diameter, accented with round brilliant-cut diamonds weighing 2.23 carats in total, approximate color E-F and clarity VS2‑SI2, and marquise- and round-cut emeralds weighing approximately 2.06 carats in total. size 8, total weight 39.0 grams $1,500‑$2,500 614 Turquoise and Diamond Ear Clips 18k white gold, each ear clip with a detachable teardrop turquoise pendant, measuring 10.0 mm x 23.0 mm, and a round turquoise bead measuring 12.5 mm, the two separated by a round brilliant-cut diamond weighing 0.40 carats in total. l. 1‑5/8”, total weight 16.2 grams $1,500‑$2,500

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618 Turquoise, Sapphire and Diamond Earrings 18k white gold, the earrings mounted with a pear-shaped turquoise measuring approximately 16.0 mm x 6.0 mm x 4.0 mm, accented with pear-, oval- and round-cut sapphires weighing 2.24 carats in total and round brilliant-cut diamonds weighing 1.91 carats in total, approximate color G-I and clarity VS1‑SI1. l. 2”, total weight 11.0 grams $1,800‑$2,500 619 Turquoise Howlite and Amethyst Earrings sterling silver, the earrings mounted with pear-shaped turquoise howlite cabochons measuring approximately 20.0 mm x 20.0 mm, suspended from a square- and oval-cut amethyst weighing approximately 7.20 carats in total, all accented by rose-cut diamonds weighing approximately 1.25 carats in total. l. 2‑1/4”, total weight 17.4 grams $600‑$900

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620 Kunzite and Diamond Ring 14k white gold, the ring set with an emerald-cut kunzite weighing approximately 6.32 carats, flanked on either side by princess-cut diamonds and accented on the ring shank with round brilliant-cut diamonds, with an approximate total diamond weight of 0.87 carats, approximate color E-F and clarity VS2‑SI1. size 7‑1/4, total weight 7.0 grams $1,500‑$2,500 621 Unusual Amethyst and Diamond Ring 18k yellow gold, the large ring with a high dome, mounted with a central round brilliant-cut light brown diamond, with an approximate weight of 0.59 carats, approximate clarity I1, and four oval-cut amethysts on each side, with an approximate total weight of 9.64 carats, the whole accented with twenty-four round brilliant-cut diamonds, with an approximate total weight of 0.56 carats. size 9‑1/2, total weight 29.0 grams $700‑$1,000

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622 Elizabeth Locke Amethyst Earrings 18k yellow gold, the earrings mounted with a cabochoncut amethyst weighing approximately 13.50 carats in total, marked with the Elizabeth Locke logo and “18K”. l. 3/4”, total weight 19.0 grams $800‑$1,200 623 Ametrine and Diamond Ring 14k yellow gold, the ring set with a cushion-cut ametrine weighing approximately 8.56 carats, flanked on either side by square-cut rubies weighing approximately 0.10 carats in total, accented with round brilliant-cut diamonds weighing approximately 0.64 carats in total. size 7, total weight 6.0 grams $700‑$1,000

625 Pink and White Diamond Ring 18k white gold, the ring mounted with round brilliant-cut very light pink diamonds weighing approximately 0.17 carats in total, approximate clarity SI1, and round brilliant-cut white diamonds weighing approximately 0.58 carats, approximate color E-G and clarity VS1‑SI2. size 7, total weight 4.0 grams $1,200‑$1,800 626 Multi-Stone Necklace/Bracelet

18k yellow gold, the necklace with a pear-shaped amethyst pendant with an approximate weight of 9.49 carats, suspended from a gold chain mounted with fourteen bezel-set pink tourmalines weighing approximately 3.36 carats in total. l. 16”, total weight 9.0 grams

18k yellow gold, the necklace and bracelet combining to make a longer necklace, mounted with ten oval-cut garnets weighing approximately 15.50 carats in total, nine oval-cut citrines weighing approximately 13.95 carats in total, nine oval-cut blue topaz weighing approximately 12.15 carats in total, eight oval-cut peridots weighing approximately 10.24 carats in total and seven oval-cut amethysts weighing approximately 7.14 carats in total. necklace l. 16”, bracelet l. 8‑3/4”, combined l. 24‑3/4”, total weight 24.0 grams

$1,000‑$1,500

$1,200‑$1,800

624 Amethyst and Pink Tourmaline Necklace

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627 Multicolored Sapphire and Diamond Bangle Bracelet 18k yellow gold, the hinged bracelet mounted with oval-cut treated pink, blue, green, orange, yellow and purple sapphires weighing approximately 12.0 carats in total, bordered and accented by round brilliant-cut diamonds weighing approximately 2.66 carats in total. inside circumference 6‑3/4”, total weight 28.0 grams $4,500‑$7,000 628 Rare Natural Yellow Sapphire and Diamond Ring

630 Rare Natural Pink Sapphire and Diamond Ring platinum, set with a natural pink sapphire weighing 2.75 carats, accented with brilliant-cut diamonds weighing 0.81 carats in total, approximate color F-H and clarity VS2‑SI1, accompanied by GIA report #5172526967. size 7‑1/4, total weight 5.0 grams $3,500‑$5,000

platinum, set with a natural oval-cut yellow sapphire weighing 4.09 carats, accented by brilliant-cut diamonds weighing 0.66 carats in total, approximate color D-F and clarity VS2‑SI1, accompanied by GIA report #290008195653. size 7, total weight 8.0 grams $4,500‑$7,000

631 Sapphire, Ruby and Diamond Ring 18k white gold, the ring in a floral design, mounted with four pear-cut treated sapphires weighing approximately 0.75 carats in total, four oval-cut treated rubies weighing approximately 0.65 carats in total and accented by round brilliant-cut diamonds weighing approximately 0.91 carats in total, approximate color E-F and clarity VS2‑SI1. size 7, total weight 7.0 grams $2,500‑$4,000 632 Color-Change Sapphire and Diamond Ring 18k white gold, set with a 4.11‑carat treated color-change sapphire, surrounded by brilliant-cut diamonds weighing 0.40 carats in total, approximate color G-H and clarity SI1‑SI2, accompanied by GIA report #2171028555. size 6‑3/4, 4.5 grams total weight $3,500‑$5,000 633 Sapphire and Diamond Bracelet

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14k white gold, the bracelet composed of twelve oval-shaped sapphires weighing approximately 3.50 carats in total and round brilliant-cut diamonds weighing approximately 2.51 carats in total, approximate color G-I and clarity VS1‑SI1. l. 7‑1/2”, total weight 17.0 grams $6,000‑$9,000 634 Sapphire and Diamond Hoop Earrings

629 Multicolored Sapphire and Diamond Earrings 18k white gold, the earrings mounted with oval-cut treated orange sapphires weighing approximately 9.36 carats in total, and oval- and pear-cut treated yellow sapphires weighing approximately 8.56 carats in total, the whole accented with round brilliant-cut diamonds weighing approximately 1.03 carats in total, approximate color F-G and clarity VS2‑SI2. l. 2”, total weight 30.0 grams $7,000‑$10,000

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18k white gold, the inside-out earrings mounted with oval-cut treated sapphires weighing approximately 15.26 carats in total, alternating with round brilliant-cut diamonds weighing approximately 2.60 carats in total, approximate color E-F and clarity VS2‑SI1. l. 1‑1/4”, total weight 15.0 grams $8,000‑$12,000

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635 Stunning Period Art Deco Diamond Bracelet platinum, the bracelet mounted with a central bezel-set Old European-cut diamond with an approximate weight of 1.14 carats, approximate (color E, clarity SI2), two bezelset Old European-cut diamonds weighing approximately 0.95 carats in total, approximate (color E-G, clarity SI2‑I1), eighteen channel-set baguette-cut diamonds weighing approximately 2.47 carats in total, approximate (color E-G, clarity SI1‑I1), and an additional 282 prong-set Old European-cut diamonds weighing approximately 14.86 carats in total, approximate (color E-G, clarity VS2‑I1), with a total diamond weight of 19.70 carats. l. 7”, w. 1”, total weight 69.9 grams $18,000‑$25,000 636 White Gold Diamond Band

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18k white gold, the band mounted with baguette-cut diamonds bordered by round brilliant-cut diamonds weighing approximately 1.96 carats in total, approximate color E-G and clarity VVS2‑VS2. size 7, total weight 7.0 grams $2,500‑$4,000 637 Diamond Huggie Earrings 18k white gold, the earrings mounted with baguette-cut diamonds bordered by round brilliant-cut diamonds, with a total approximate diamond weight of 0.94 carats, approximate color E-F and clarity VVS2‑SI2. l. 1/2”, total weight 4.0 grams $1,000‑$1,500

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638 Stunning Wide Diamond Bangle Bracelet 18k white gold, the stunning openwork bracelet mounted with round brilliant-cut diamonds weighing approximately 17.14 carats in total, approximate color E-G and clarity VS1‑VS2. inside circumference 7‑1/4”, w. 1‑1/2”, total weight 44.0 grams $18,000‑$25,000 639 Two Stunning Diamond Eternity Bands platinum, each band mounted with nineteen asschercut diamonds weighing approximately 9.00 carats in total, approximate color G-I and clarity VS1‑VS2. size 5, total weight 10.0 grams $7,000‑$10,000 640 Stunning Platinum and Diamond Ring the ring mounted with a central radiant-cut diamond weighing 7.22 carats, color D, and clarity SI2, flanked by two half-moon-cut diamonds weighing approximately 1.02 carats, approximate color D-E, and clarity VS1‑VS2. size 4‑1/2, total weight 7.0 grams 640

$100,000‑$150,000

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644 Emerald and Diamond Band 641 Platinum and Diamond Earrings the Art Deco-style earrings mounted with two central European-cut diamonds weighing approximately 0.94 carats in total, approximate color F-G and clarity SI1, accented by European-cut diamonds weighing approximately 1.07 carats in total, approximate color E-F and clarity VS1‑SI1. l. 3/4”, total weight 4.0 grams $6,000‑$9,000

18k white gold, the ring mounted with five emerald-cut emeralds weighing approximately 1.36 carats in total, accented with round brilliant-cut diamonds weighing approximately 0.79 carats in total, approximate color G-H and clarity VS2‑SI2. size 7, total weight 11.0 grams $2,500‑$4,000 645 Emerald and Diamond Ring platinum, set with a rectangular step-cut treated emerald with an approximate weight of 2.04 carats, and a halo of brilliant-cut diamonds weighing 0.72 carats in total, approximate color D-F and clarity VS1‑VS2. size 7, total weight 5.9 grams $2,000‑$4,000 646 Filigree Diamond Earrings platinum, each earring mounted with a central round brilliant-cut diamond, surrounded by a border of round brilliant-cut diamonds, with an approximate total diamond weight of 0.71 carats, approximate color E-F and clarity VS2‑SI1. l. 1/2”, total weight 6.0 grams $2,500‑$4,000

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642 Invisible-Set Diamond Ring 18k white gold, the wide ring mounted with invisible-set princess-cut diamonds weighing approximately 3.84 carats, approximate color E-F and clarity VVS2‑VS1. size 9‑3/4, total weight 13.0 grams $1,400‑$1,800 643 Emerald and Diamond Bracelet 18k white gold, the bracelet set with square-cut treated emeralds weighing 5.33 carats in total and pave-set round-cut diamonds weighing 0.59 carats in total, approximate color E-G and clarity VS1‑SI1. l. 7”, total weight 14.0 grams $3,000‑$5,000

647 Emerald and Diamond Bracelet 18k white gold, set with an oval-cut treated emerald weighing 2.43 carats, accented by brilliant-cut diamonds weighing 4.62 carats in total, approximate color F-H and clarity VS2‑I2. l. 7”, total weight 17.9 grams $6,000‑$9,000 648 Emerald and Diamond Dangle Earrings platinum, each earring mounted with an oval-cut treated emerald weighing 5.38 carats in total, accented by brilliantcut diamonds weighing 2.34 carats in total, approximate color D-F and clarity VS1‑VS2. l. 2”, total weight 14.4 grams $7,000‑$10,000 649 Emerald and Diamond Ring 18k white gold, the ring mounted with an oval-cut emerald weighing approximately 2.38 carats, surrounded by round brilliant-cut diamonds weighing approximately 0.55 carats in total, approximate color E-F and clarity VS2‑SI2. size 6‑1/2, total weight 4.0 grams $2,000‑$4,000

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653 Unusual Diamond Ring

18k white gold, the earrings mounted with round brilliantcut diamonds weighing approximately 2.82 carats in total, approximate color E-F and clarity VS1‑VS2. l. 2‑1/2”, total weight 13.0 grams total weight

18k white gold, the ring in the shape of a free-form heart, mounted with round brilliant-cut diamonds weighing approximately 1.26 carats in total, approximate color E-F and clarity VS2‑SI1. size 7‑1/2, total wight 18.0 grams

$5,000‑$8,000

$4,000‑$7,000 654 Victorian-Style Diamond Dangle Earrings sterling silver, the earrings mounted with rose-cut diamonds weighing approximately 3.00 carats in total. l. 3”, total weight 18.2 grams $600‑$900 655 Ruby and Diamond Hoop Earrings sterling silver, the inside-out diamond hoop earrings mounted with rose-cut diamonds weighing approximately 1.95 carats in total and set with a flower mounted with pear-cut treated rubies weighing approximately 2.00 carats in total. l. 2‑1/4”, total weight 18.0 grams $600‑$900 656 Rare Natural Ruby and Diamond Ring platinum, set with a natural ruby weighing 0.64 carats, accented with brilliant-cut diamonds weighing 0.66 carats in total, approximate color D-E and clarity VS1‑VS2, accompanied by GIA report #5151624571. size 7, total weight 5.8 grams 650

$1,800‑$2,500

651 Emerald and Diamond Necklace 14k white gold, set with round-, oval-, and pear-cut treated emeralds weighing 16.03 carats in total, and brilliant-cut diamonds weighing 7.84 carats in total, approximate color E-G and clarity SI2‑I1. l. 19”, total weight 57.0 grams $14,000‑$18,000 652 Diamond Flower Earrings 18k white gold, the flower-designed earrings each mounted with a central round brilliant-cut diamond weighing approximately 0.27 carats in total, accented on the “petals” by pave-set round brilliant-cut diamonds weighing approximately 1.90 carats in total, approximate color E-F and clarity VS2‑I1. l. 1”, total weight 11.0 grams $4,000‑$7,000

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660 Paraiba Tourmaline and Diamond Ring

657 Ruby and Diamond Earrings 18k white gold, the earrings mounted with cabochon-cut rubies weighing approximately 5.95 carats in total, accented with round brilliant-cut diamonds weighing approximately 0.23 carats in total. l. 1”, total weight 4.0 grams

platinum, mounted with an oval-cut treated Paraiba tourmaline weighing 5.63 carats, surrounded by a double halo of brilliantcut diamonds weighing 0.64 carats in total, approximate color D-F and clarity VS2‑SI1, accompanied by GIA report #2173486790. size 7‑1/4, total weight 9.1 grams

$700‑$1,000

$9,000‑$12,000 661 Paraiba Tourmaline Ring 18k yellow gold, mounted with an oval-cut paraiba tourmaline, with an approximate weight of 1.74 carats. size 7‑3/4, total weight 10.7 grams $1,400‑$1,800 662 Tourmaline and Diamond Pendant 18k yellow gold, the custom-made pendant mounted with a large rectangular emerald-cut green tourmaline with an approximate weight of 15.49 carats, suspended from three transitional-cut diamonds weighing approximately 0.25 carats in total, the whole suspended from an 18k yellow gold chain. l. 18”, total weight 18.0 grams $2,500‑$4,000 663 Aquamarine and Diamond Ring 658

14k yellow gold, the ring mounted with an oval-cut aquamarine weighing approximately 6.95 carats, accented with round brilliant-cut diamonds weighing approximately 0.96 carats in total, approximate color F-G and clarity SI1‑SI2. size 7, total weight 8.0 grams $2,500‑$4,000

658 Diamond and Ruby Ring 14k white gold, bezel-set with a round brilliant-cut diamond with an approximate weight of 1.04 carats approximate color K and clarity I2, with a halo of trapezoid-cut rubies weighing 1.28 carats in total and an outer halo of brilliant-cut diamonds weighing 0.37 carats in total. size 6‑1/2, total weight 5.0 grams $2,500‑$4,000 659 Rubellite Tourmaline and Diamond Ring 18k white gold, mounted with a cushion-cut rubellite tourmaline with an approximate weight of 11.24 carats, surrounded by round brilliant-cut diamonds weighing 0.95 carats in total, approximate color E-F and clarity VS1‑SI2. size 6‑1/4, total weight 9.0 grams $2,500‑$4,000

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667 Diamond Engagement Ring

14k yellow gold, the necklace mounted with a rectangular-cut aquamarine weighing approximately 10.53 carats, accented on the chain by round-cut aquamarines weighing approximately 4.62 carats in total and round brilliant-cut diamonds weighing approximately 0.58 carats in total. l. 16”, total weight 10.0 grams

14k yellow gold, mounted with a round brilliant-cut diamond with an approximate weight of 1.40 carats. size 7‑3/4, total weight 6.0 grams

$1,500‑$2,500 665 Aquamarine and Diamond Ring platinum, the ring mounted with a GIA certified stepcut aquamarine weighing 44.15 carats, GIA report #2175343976, flanked on either side by round brilliantcut diamonds weighing approximately 0.70 carats in total, approximate color E-F and clarity VS2‑SI1. size 7, total weight 20.0 grams $2,500‑$4,000

$1,800‑$2,500 668 Three-Stone Diamond Ring 18k yellow gold, the ring mounted with three Europeancut diamonds weighing approximately 1.30 carats in total, approximate color D-E and clarity VVS2‑VS2. size 5‑3/4, total weight 3.0 grams $1,800‑$2,500 669 Diamond Slide Pendant with Chain 18k yellow gold, the circular slide pendant mounted with six piewedge-cut diamonds weighing approximately 2.00 carats in total, approximate color F-G and clarity VS2‑SI1, suspended from an 18k yellow gold chain. l. 18”, total weight 16.3 grams $1,400‑$1,800 670 Diamond Dangle Earrings 14k yellow gold, each earring set with a round brilliant-cut diamond weighing 2.13 carats in total (color H-I, clarity VVS2‑VS1), accented by brilliant-cut diamonds weighing 5.69 carats in total (color E-G, clarity VS1‑VS2). l. 2”, total weight 11.0 grams $4,500‑$7,000 671 Cindy Royce Diamond Ring 18k yellow gold, the custom-made ring mounted with round brilliant-cut diamonds weighing approximately 1.01 carats in total, approximate color E-F and clarity VS2‑SI1, stamped “CR750”. size 7, total weight 14.0 grams $1,000‑$1,500

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666 Mid-Size Rolex Oyster Perpetual Datejust the stainless steel case with an 18k yellow gold crown measuring 31.0 mm, the white dial marked “Rolex, Oyster Perpetual, Datejust, Superlative Chronometer, Officially Certified, Swiss Made”, serial #PZ731332, with a twotone stainless steel and 18k yellow gold band, together with the inner and outer boxes and papers. inside circumference 6‑7/8”, total weight 100.9 grams $9,000‑$12,000

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672 Gold and Diamond Earrings 18k yellow gold, the open loop earrings mounted with round brilliant-cut diamonds weighing approximately 1.31 carats in total, approximate color E-F and clarity VS1‑SI1. l. 1”, total weight 10.0 grams $4,000‑$7,000 673 Sapphire and Diamond Bracelet 18k yellow gold, set with round- and baguette-cut diamonds weighing approximately 4.86 carats in total, approximate color E-F and clarity SI1‑I1, and twelve oval-cut treated sapphires weighing approximately 8.00 carats in total. l. 7”, total weight 18.0 grams $9,000‑$12,000

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677 Sapphire and Diamond Ring 18k yellow gold, the ring mounted with an oval-cut treated sapphire weighing approximately 6.76 carats, flanked on either side by a European-cut diamond weighing approximately 1.12 carats in total, approximate color F-H and clarity I2. size 6‑1/2, total weight 5.0 grams $2,500‑$4,000 678 Unusual Diamond, Emerald and Sapphire Ring 18k yellow gold, the crossover-designed ring mounted with a pear-cut diamond weighing approximately 0.98 carats, approximate color G and clarity SI2, and a pear-cut treated emerald weighing approximately 1.13 carats, and round-cut blue sapphires weighing approximately 2.40 carats in total and round-cut yellow sapphires weighing approximately 2.04 carats in total. size 6‑1/2”, total weight 9.0 grams $3,000‑$5,000 679 Tanzanite and Diamond Ring 674

674 Diamond Dangle Earrings 18k yellow gold, the open circular earrings mounted with round brilliant-cut diamonds, each draped on the bottom with gold chain mounted with bezel-set round brilliant-cut diamonds, with an approximate total weight of 1.34 carats, approximate color D-E and clarity SI1‑SI2. l. 2‑3/4”, total weight 16.0 grams $3,000‑$5,000

10k white gold, mounted with a trillion-cut tanzanite with an approximate weight of 1.20 carats, surrounded by single-cut diamonds weighing 0.14 carats in total. size 8‑1/4, total weight 3.1 grams $900‑$1,200 680 Gold and Sapphire Necklace 18k yellow gold, the necklace with a Florentine finish, mounted with twelve bezel-set cushion-cut treated sapphires weighing approximately 9.00 carats in total. l. 15”, total weight 9.0 grams $3,500‑$5,000

675 Gold and Diamond Ring 18k yellow gold, the ring with a slightly domed top with circular designs mounted in the center with a round brilliantcut diamond, surrounded by a border of round brilliant-cut diamonds, with an approximate total diamond weight of 0.47 carats, approximate color F-G and clarity VS1‑VS2. size 7, total weight 16.0 grams $2,000‑$4,000 676 Two Diamond Eternity Bands 14k yellow gold, the rings channel-set with round brilliantcut diamonds weighing approximately 1.46 carats in total, approximate color G-I and clarity VS1‑SI1. sizes 5‑1/2 and 6, total weight 3.0 grams $600‑$900

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681 Tanzanite and Diamond Earrings 14k white gold, each set with a pear-shaped tanzanite weighing approximately 5.26 carats in total, accented with brilliant-cut diamonds weighing approximately 1.08 carats in total, approximate color F-H and clarity SI2‑I1. l. 1‑3/8”, total weight 4.5 grams $2,500‑$4,000 682 Stunning Tanzanite and Diamond Ring platinum, the ring mounted with a cushion-cut tanzanite weighing approximately 9.28 carats, flanked and surrounded by round-cut and asscher-cut diamonds weighing approximately 2.68 carats in total, approximate color D-E and clarity VVS2‑VS1. size 6, total weight. 6.0 grams $8,000‑$12,000

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684 Lapis Lazuli and Diamond Ring 14k yellow gold, the ring mounted with a lapis lazuli cabochon measuring 15.00 mm in diameter, surrounded by round brilliant-cut diamonds weighing 1.03 carats in total. size 8, total weight 12.0 grams $700‑$1,000 685 Lapis and Gold Necklace and Earring Suite

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14k yellow gold, the necklace composed of oval-shaped lapis lazuli beads separated by round gold beads and finished with a gold toggle and an enhancer set with round brilliant-cut diamonds weighing 0.41 carats in total, l. 16‑1/2”, together with a pair of matching earrings, l. 1‑1/8”. total weight 65.4 grams $600‑$900

683 Tanzanite and Diamond Necklace 14k white gold, the stylized necklace mounted with a square cushion-cut tanzanite, with an approximate weight of 3.35 carats, accented around the stone and on the necklace by round brilliant-cut diamonds, with an approximate total weight of 7.63 carats. l. 17‑1/2”, total weight 31.4 grams $8,000‑$12,000

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686 Edwardian-Style Enamel and Diamond Bracelet 14k yellow gold, the hinged bracelet with engraved blue enamel and mounted in the center with a cluster of round brilliant-cut diamonds weighing approximately 0.62 carats, approximate color D-E and clarity VS1‑SI1. inside circumference 6‑3/4”, total weight 34.0 grams $1,500‑$2,500

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687 Women’s Rolex Oyster Perpetual Datejust

690 Interesting Peridot and Diamond Frog Earrings

the stainless steel case with an 18k yellow gold crown measuring 28.0 mm, the silver dial marked “Rolex, Oyster Perpetual, Datejust, Superlative Chronometer, Officially Registered, Swiss Made”, model #279173, serial #63Q4T357, with a two-tone stainless steel and 18k yellow gold band, together with the inner and outer boxes and papers. inside circumference 6‑1/8”, total weight 83.6 grams

18k yellow gold, each earring mounted with two roundcut peridots and two pear-cut peridots weighing approximately 19.7 carats in total, the frog mounted with round brilliant-cut diamonds with an approximate total weight of 0.20 carats and round-cut Tsavorite garnets with an approximate total weight of 0.68 carats. l. 2”, total weight 11.0 grams

$9,000‑$12,000 688 Yellow Diamond Leopard Ring 18k yellow gold, the ring mounted with round-cut fancy yellow diamonds weighing approximately 0.94 carats in total, and round-cut white diamonds weighing approximately 0.05 carats in total, accented by two round-cut emeralds for the eyes. size 6‑1/2, total weight 5.0 grams $1,000‑$1,500 689 Yellow and White Diamond Ring 18k white gold, the ring mounted with an oval-cut fancy yellow diamond with an approximate weight of 1.06 carats, approximate clarity SI2, accented with round brilliant-cut white diamonds weighing approximately 0.46 carats in total, approximate color E-G and clarity VS2‑SI2. size 6‑1/2, total weight 4.0 grams

$1,400‑$1,800 691 Peridot and Diamond Frog Ring 14k yellow gold, the unusual ring mounted with a frog set with round brilliant-cut diamonds with an approximate total weight of 1.15 carats, accented with two round-cut rubies for the eyes, holding a round-cut peridot with an approximate weight of 0.90 carats. size 7‑1/4, total weight 7.0 grams $1,200‑$1,800 692 Lemon Quartz and Diamond Ring 18k white gold, mounted with a large rectangular cushion-cut lemon quartz, with an approximate weight of 33.97 carats, surrounded by a halo of single-cut diamonds, with an approximate total weight of 0.56 carats. size 8, total weight 26.0 grams $2,500‑$4,000

$3,000‑$5,000

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693 Gentleman’s Rolex Oyster Perpetual Yacht-Master the face with a platinum bezel, the case measuring 40.0 mm, the platinum-colored dial marked “Rolex, Oyster Perpetual Date, Yacht-Master, Superlative Chronometer, Officially Certified, Swiss Made”, reference #166222, serial #Y175236, with a stainless steel band, together with the inner box and papers. inside circumference 6‑7/8”, total weight 134.5 grams $9,000‑$12,000 694 Diamond Cufflinks

696 Ruby and Diamond Cufflinks 18k yellow gold, the cufflinks with a rope border and mounted with round brilliant-cut diamonds weighing approximately 0.69 carats in total and baguette-cut treated rubies weighing approximately 1.26 carats in total. dia. 1/2”, total weight 11.0 grams $900‑$1,200 697 Men’s Diamond and Sapphire Gold Coin Ring

14k yellow gold, the cufflinks pave-set with round brilliantcut diamonds weighing approximately 2.38 carats in total, approximate color E-F and clarity VVS2‑VS1. dia. 3/4”, total weight 9.0 grams

18k yellow gold, the ring mounted with a 22k yellow gold 1979 SJovereign coin, stamped “Elizabeth Dei Gratia Regina” on one side and “1979” on the other, surrounded by a border of round- and princess-cut diamonds weighing approximately 1.55 carats in total, alternating with princess-cut sapphires weighing approximately 0.40 carats in total. size 14, total weight 41.0 grams

$1,400‑$1,800

$900‑$1,200

695 Fourteen-Karat Yellow Gold Rope Necklace

698 Amethyst Cufflinks

l. 30”, dia. 4.1 mm, total weight 45.3 grams

14k yellow gold, the cufflinks mounted with cushion-cut amethysts weighing approximately 14.38 carats in total. l. 1”, total weight 9.0 grams

$900‑$1,200

$600‑$900

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699 Marie Hull (American/Mississippi, 1890‑1980) “Canyon #1”, ca. 1967‑1978 oil on canvas signed lower left, titled on 1978 “Mississippi Artist Exhibition” label on frame backing. Framed. 40” x 36” Provenance: Collection of Jack and the late Sherril Neal, Ridgeland, Mississippi. $5,000‑$8,000

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700 Leonardo Nierman (Mexican, b. 1932) “Ciudad Prismatica”, 1964 mixed media on masonite signed and dated lower left, titled, dated and inscribed on a registration form for the “Instituto Nacional de Bellas Artes...Mexico” affixed to frame backing. Presented in a custom-made frame. 23‑3/4” x 31‑1/2” Provenance: Collection of Jack and the late Sherril Neal, Ridgeland, Mississippi. $1,000‑$1,500 700

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701 Leonardo Nierman (Mexican, b. 1932) “Spectral Lights”, 1961 mixed media on masonite signed and dated upper left. Presented in a custom-made frame. 16‑1/4” x 24” Provenance: Collection of Jack and the late Sherril Neal, Ridgeland, Mississippi. $1,000‑$1,500 702 Billy Morrow Jackson (American, 1926‑2006) “Relic and Memory” watercolor on board signed lower right, verso with “Bonfer Gallery, New York, New York” and “Kenmore Galleries Inc., Philadelphia, Pennsylvania” labels. Framed. 39” x 25” $1,000‑$1,500 703 Augustin Ubeda (Spanish, 1925‑2007) “Abstract Landscape” 702

oil on canvas signed lower left. Framed. 32” x 25‑3/8” $1,000‑$1,500

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703

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705

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704 Joseph Dickinson (American, 20th Century)

706 David Pryor Adickes (American/Texas, b. 1927)

“Fishermen Throwing Nets”, 1967

“Figures with Birds”

oil on canvas signed and dated lower left. Framed. 29” x 39‑1/2”

oil on canvas laid on board signed upper left. Unframed. 48” x 36”

$1,000‑$1,500

$2,500‑$4,000

705 Ann Cooper (American/Louisiana, 1935‑2005)

707 Noel Rockmore (American/Louisiana, 1928‑1995)

“Kitchen Still Life” oil on board signed lower right. Framed. 23‑1/4” x 47‑1/2” $1,000‑$1,500

“Portrait of a Man in Red”, 1963 oil on coarsely woven canvas signed and dated upper right. Framed. 38” x 30‑1/2” $1,200‑$1,800 707

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708 Rolland Golden (American/Louisiana, b. 1931) “American Opulence”, 1969 acrylic on canvas laid down on board signed and dated lower right. Matted, glazed and framed. sight 29” x 20‑3/4” $1,000‑$1,500 709 Alan Flattmann (American/Louisiana, b. 1946) “Arms Akimbo”, 1971 terracotta signed and dated at back, on a black wood base. h. 22‑1/4”, w. 15”, d. 10” $1,200‑$1,800 710 George Dureau (American/Louisiana, 1930‑2014) “Putti” watercolor and graphite on paper signed lower center. Matted, glazed and framed. sight 22” x 20”

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$1,000‑$1,500

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709

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711 James Michalopoulos (American/Louisiana, b. 1951) “Blue House”, 2007 oil on canvas signed lower left and signed and dated en verso canvas. In a thin gallery frame. 39‑1/2” x 31‑1/2” Provenance: Collection of Jack and the late Sherril Neal, Ridgeland, Mississippi. $5,000‑$8,000

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712 Louise Guidry (American/Louisiana, b. 1930) “The Live Oak” acrylic on canvas signed lower right. Framed. 28” x 22” $1,000‑$1,500 712

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713 Ruth Goliwas (American/Louisiana, 20th/21st Century) “Portrait of a Woman in a Doorway” oil on canvas signed and titled on stretcher. Framed. 48” x 54” $1,000‑$1,500 714 Louise Guidry (American/Louisiana, b. 1930) “Kissed by Klimt”, 2017 acrylic on gallery-wrapped canvas signed lower right. 48” x 36” $2,000‑$4,000 715 Louise Guidry (American/Louisiana, b. 1930) “Yellow Flowers” acrylic on gallery-wrapped canvas signed lower right. 713

36” x 36” $2,000‑$4,000

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714

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716 Contemporary Wrought Iron and Marble-Top Console in the neoclassical taste, the D-form marble top with a molded edge, above an open frieze centered by an oval panel with foliate gilt accent and flanked by gilt floral patera, raised on exaggerated scrolling legs with stylized gilt bellflower capitals, joined by a Greek-keypatterned stretcher and ending in open block feet. h. 36”, w. 65”, d. 24” $600‑$900 717 Contemporary Bronze Music/Book Stand 717

with scrolled feet and a rope-twist standard, the adjustable reading surface decorated with scrollwork and fleur-de-lis finials. h. 53‑1/2”, w. 26”, d. 16” $700‑$1,000 718 Suite of Eight Regency-Style Bamboo and Cane Armchairs late 20th century, of Brighton Pavilion inspiration, each with a concave back, closed arms and pressed cane seat, retaining a New York retailer’s label. h. 37‑3/4” $800‑$1,200

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718

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720

719 Pair of Vintage Nicholas Haydon Gilt-Bronze and Porcelain Lamps first half 20th century, each with a gilt-bronze standard issuing narrow leaves and porcelain flowers, the marble bases mounted with gilt-bronze pansy blossoms with one stamped “N. Haydon”, both fitted with gimp-trimmed ivory silk shades topped with white porcelain finials. overall h. 26‑1/2” Provenance: Collection of Julia Brooks and Clarke Thomas Reed, Greenville, Mississippi. $600‑$900 Nicholas Haydon’s shops catered to the chic and well-heeled in New York and Palm Beach. These lamps were purchased by Judy Reed’s mother at the Palm Beach location. 720 Contemporary Brushed Metal Cocktail Table in the Directoire taste, the rectangular top with an inset distressed mirror, and raised on concave supports with brass capitals, joined by curved stretchers and ending in gilt toupie feet. h. 17‑1/2”, w. 48”, d. 24” $600‑$900

721

721 Pair of Molded Crystal Candelabra Attributed to Baccarat first quarter 20th century, the swirl-molded crystal with three arms, on vasiform bases, hung with prisms. h. 19‑1/4”, dia. 11‑3/4” $1,000‑$1,500 722 Frederick Elliott Hart (American, 1943‑1999) “Veil of Light”, 1987 acrylic resin incised signature, dated, copyright marked, and numbered “71/350” at side. h. 21‑1/2”, w. 12”, d. 5‑1/2” $1,200‑$1,800

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723 Frederick Elliott Hart (American, 1943‑1999) “Firebird”, 1987 patinated bronze on green marble base rear of bust with cast signature, date and number “230/350”. overall h. 10‑1/2”, w. 6” $1,000‑$1,500

724 Pair of Antique Marble Ionic Pilaster Capitals 19th century or earlier, now mounted as lamps, the marble capitals on fluted bases, now in contemporary black metal mounts. overall h. 29‑3/4”, w. 18‑1/2”, d. 5‑1/4”

723

$1,500‑$3,000

725 Giuseppe Pino (American, 1939‑2010) “Costa Smeralda” oil on canvas signed “Pino” lower left, titled en verso canvas. Framed. 40” x 60”

724

$25,000‑$40,000 Pino, born Giuseppe Daeni Dangelico in Bari - the second largest port in Italy, was a prolific artist and illustrator. He studied at the Art Institute of Bari and the Academy of Brera, where he was deeply influenced by the Pre-Raphaelites’ romanticized depictions of women in natural settings, and the Macchiaioli landscapes, characterized by loose patches (macchie) of color applied from plein-air studies. Through the confluence of the two, Pino developed a unique style, characterized by sensuous women-in-waiting in Mediterranean beaches/seaside resorts settings rendered in a tetradic palette of earth tones, redolent of the Macciaioli. The painting offered here of the Smeralda Coast in Sardinia, a popular destination off the coast of Italy, is a fine example of Pino’s mature style. The arched stucco architecture, captured through thick swatches of pigment rendered in tertiary siena, sage and cerulean blue, is accented by Roman cisterns abloom with flower beds. True to his bravura for the female form, a fashionable tourist, with the same deep blue chemise as the Mediterranean Sea in the distance, is captured in a spontaneous snapshot.

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Pino’s extraordinary gift for depicting movement and expression in painterly landscapes was seized early on by publishing companies. Between 1960 and 1990, Pino illustrated more than 3,000 book covers, working first for Mondadori and Rizzoli, the two largest publishers in Italy, and after 1978 when he immigrated to New York, Bantam, Simon & Schuster, Penguin USA, Dell, and Harlequin. Under the pen name Fabio, Pino was also the creative mastermind behind many Danielle Steel novel covers. His painting career was equally as illustrious. Shortly after moving to New York, Pino’s paintings were discovered by the prominent Borghi Gallery, which held several exhibitions of his work in New York and Boston. Pino retired to Naples, Florida, and continued to paint and work for pleasure as an illustrator up until his death in 2010.

725

249

726 Fanciful Pair of Table Lamps Modeled as Flamingos second quarter 20th century, each signed Alberic Collin (Belgian, 1886‑1962) at edge of self-base, the bodies of patinated bronze, the feathers intricately constructed of stained and leaded glass, wired for electricity. each h. 30”, w. 16‑1/2”, d. 8” $3,000‑$5,000 727 Contemporary Iron and Glass Cocktail Table with older elements, the rectangular top with an inset glass surface over a pair of antique iron gates, each panel with scrolling floral patterns, raised on shaped legs joined by a concave circle-centered box stretcher and ending in round flat feet. h. 21”, w. 57‑1/2”, d. 51‑1/2”

726

$700‑$1,000 728 French Lamp in the Art Nouveau Style first quarter 20th century, composed of patinated and cold-painted metal, and modeled as a meandering flowering vine with a heron, wired for electricity. h. 64” $1,000‑$1,500

727 728

250

729 Loet Vanderveen (Dutch/American, 1921‑2015) “Bull” patinated bronze with silver-gilt accents incised signature, copyright marked and numbered “95/750” on belly. h. 9”, w. 20”, d. 9” $600‑$900 730 Emile Galle Art Nouveau Marquetry-Inlaid Occasional Table

729

early 20th century, the top depicting an inlaid cockerel and “Quand je chanterai l’Amour Finira” and “Galle”, the marquetry employing various woods, the top appears to be beechwood, the base mahogany. h. 29‑1/2”, w. 29‑3/4”, d. 15‑1/2” $800‑$1,200 731 Art Deco-Style Satinwood Dining Table fourth quarter 20th century, the parquetry top with draw leaves, raised on tapering square legs. h. 29‑1/8”, w. 27‑1/2”, l. 39‑1/2”, ext. l. 66” $800‑$1,200

731

730

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732 Rare Vintage Malmik Bronze and German Silver Shah Mat Chess Set 1963, designed and patented by Michael Hanna and Francis Maljan, Chicago, in a stylized Gothic design, hand-cast and polished, the underside of each piece lined with royal purple kidskin, the set presented in a custom wooden box lined with royal purple velvet, accompanied by the original loose leaf descriptive booklet which includes detailed views of the pieces and is presented within a black buckskin cover. king h. 5‑1/4”, rook h. 2‑3/4” Provenance: A New Orleans, Louisiana collector. Literature: “Midwest Magazine”, Chicago Sun-Times, Sunday, May 31, 1964, pp. 4‑7.

733

$3,000‑$5,000 This set, one of an edition of one hundred, was chosen by Mrs. Frank Lloyd Wright for exhibition in the New York American House Show of American Art Objects. The sets were first retailed by Marshall Field & Co. in Chicago, then in New York by Julius Carlebach Gallery, Bronzine Shops, Inc., and Alfred Dunhill.

733 Contemporary Chrome Chandelier on a standard composed of cylindrical and spherical elements, set with curved arms on two levels, with spheres beneath each light. h. 29‑1/2”, dia. 28” $600‑$900

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732

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734 Art Deco-Style Mahogany and Aluminum Dining Table fourth quarter 20th century, the oval top opening to accommodate a pair of leaves, on a curved pedestal joined with a metal band, on an oval platform base. h. 30”, w. 79”, l. 54”, ext. l. 90” $1,200‑$1,800 735 Royal Crown Derby “Carlton Gold” Partial Dinner Service 20th century, English, the set comprised of ten dinner plates, dia. 10‑1/4”, ten soup plates, dia. 8‑1/2”, ten salad/dessert plates, dia. 8‑1/2”, ten bread-and-butter plates, dia. 6‑1/4”, ten cups, h. 2‑3/4”, with ten saucers, dia. 5‑3/4”, and an oval platter, w. 14‑1/2”, d. 12‑1/2”.

736

$600‑$900 736 Pair of Mid-Century Modern Rosewood Armchairs in the Danish style, the padded seat and back covered in faux albino alligator upholstery. h. 32” $700‑$1,000

735

734

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738 737

737 Louise Guidry (American/Louisiana, b. 1930) “Against the Grain” acrylic on gallery-wrapped canvas signed lower right. 36” x 36” $2,000‑$4,000 738 Paul Millet (French, 1870‑1950) Glazed Pottery Lamp post-1930, with a flambe and peacock blue glaze, in the Chinese style, the lamp with a molded foot on a gilt-brass base stamped “France”, with rococo-style gilt-bronze handles and lower mount, and a domed cover with a molded brass bezel, marked “MP Sevres” in underglaze green. vase h. 16‑1/2”, overall h. 30”, dia. 5‑3/4” $900‑$1,200 739 Vintage Murano Glass Hourglass second half 20th century, attributed to Charles Lin Tissot (American, 1904‑1994) for Venini, Murano, Italy, composed of latticino glass with brass fittings. h. 23‑1/2”, w. 6”, d. 6” $1,200‑$1,800 The fittings on this piece are very similar to the brass fittings on the Tissot-designed “Zanfirico” glass bird cage sculptures produced by Venini.

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739

740 Pair of Laverne “Jonquil” Lucite Lounge Chairs ca. 1965, from the “Invisible Group”, introduced in 1957 by Erwine (1909‑2003) and Estelle (1915‑1997) Laverne and manufactured by Laverne International. h. 28‑1/4” $2,000‑$4,000 741 Baccarat “Grand Ginkgo” Vase

741

20th century, French, the thick fan-form vase resembling a ginkgo leaf, marked with Baccarat’s decanter mark. h. 12”, w. 22”, d. 5” $1,200‑$1,800 742 Lalique “Saint-Emilion” Vase ca. 1945‑1978, French, the frosted, trumpet-form vase applied with molded birds, marked with an engraved script “Lalique France” on the bottom. h. 10‑1/4”, dia. 8‑1/2” $700‑$1,000

742

740

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743 Extensive Partial Service of Baccarat “Directoire” Crystal Stemware ca. 1931‑1961, French, with gilt-trimmed edges and cut, faceted stems, each marked with Baccarat’s etched decanter mark, the service comprised of twelve water goblets, h. 7‑1/2”, thirty-three claret glasses, h. 6‑1/2”, and twenty champagne coupes, h. 5‑1/2”. $600‑$900 744 Sonja Blomdahl (American, b. 1952) rose, clear, mauve and royal blue incalmo glass vase engraved in script: “Sonja/SP 16284”. h. 8”, dia. 9‑1/2”

743

Provenance: Estate of Carolyn G. Fay, Houston, Texas. $700‑$1,000 745 Sonja Blomdahl (American, b. 1952) large claret, black and deep mauve incalmo glass vase engraved in script: “Sonja/SP 8585”. h. 10”, dia. 13‑1/2” Provenance: Estate of Carolyn G. Fay, Houston, Texas. $800‑$1,200 “Color is often the joy in making a piece. I want the colors to glow and react with each other. The clear band between the colors acts as an optic lens; it moves the color around and allows you to see into the piece.”

744

--Sonja Blomdahl A master glassblower, Blomdahl studied with the Venetian glass master Francesco “Checco” Ongaro, learning the rigorous and painstaking incalmo technique. Works produced with this ancient technique, perfected by the glass artists of Murano, are formed by several delicate bubbles of variously colored glass which are opened and joined. This requires great skill since the elements to be joined must be the exact same diameter. The result is a vessel with horizontal bands of color. Blomdahl has perfected this technique with her vibrant, luminous works which explore the interplay between color and shape. Blomdahl attended the Massachusetts College of Art, Boston, before studying at the Orrefors Glass Skolan, Sweden. She has exhibited widely and her works are in numerous public and private collections. 745

256

746 Pair of Contemporary Rock Crystal Table Lamps 20th century, the bases composed of formations of rock crystals mounted on acrylic bases, mounted with linen box shades. h. 40‑1/2”, w. 16”, d. 9‑1/2” $1,500‑$2,500 747 Pair of Contemporary Smoky Rock Crystal Lamps French, with gilt-metal fittings, the square, stacked base supporting tapered and faceted standards, with flaring caps on ball feet, each segment separated with gilt rings. h. 30”, w. 5‑1/2”, d. 5‑1/2”

746

$2,500‑$4,000 748 Collection of Louis Vuitton Luggage including three vintage hard-shell suitcases with brass trim, rivets, marked locks and serial numbers, one of the interiors fitted with a removable cloth tray, the other two with straps, h. 18‑1/2”, w. 27‑3/4”, d. 8‑3/4”; h. 18‑1/2”, w. 27‑1/2”, d. 7”; h. 16‑12”, w. 23‑5/8”, d. 6‑3/4”; and a soft canvas suit carrier fitted with three hangers and hook, h. 41”, w. 24‑3/4”. $1,000‑$1,500

747

748

257

749 Chris Navarro (American/Wyoming, b. 1956) “Cliff Cat”, 1987 patinated bronze cast signature, dated, and numbered "10/20" at rear of self base, presented on an integral carved wood pedestal with artist plaque. overall h. 35‑3/4”, w. 8” $600‑$900 750 Contemporary Zebra-Upholstered Ottoman of padded square form with brass tack accents, on casters. h. 19‑1/2”, w. 43”, d. 43” $1,000‑$1,500 751 Bruno Lucchesi (American, b. 1926)

751

“Mother and Daughter” patinated bronze cast signature at edge, now on a carved wooden plinth. h. 14‑1/2”, w. 10”, d. 11‑1/4” $1,800‑$2,500 A native of Lucca, Lucchesi attended the local art academy before accepting a professorship at Florence University. In 1958, he moved to New York where he taught at the National Academy of Design and the New School of Social Research. He has been the recipient of numerous awards including a prestigious Guggenheim Fellowship. Lucchesi’s sculptures are conserved in the permanent collections of numerous institutions including the Metropolitan Museum of Art, the Smithsonian Institute’s Hirschhorn Museum and Sculpture Garden, Washington, D.C., and the Whitney Museum of American Art, among others.

749

750

258

753

752

754

752 Giuseppe Renda (Italian, 1859‑1939) “Il Regazzo”, first quarter 20th century patinated bronze cast signature on self-base, on a marble plinth. overall h. 17”, w. 5‑1/4”, d. 7”

754 Erte (Romain de Tirtoff, Russian/French, 1892‑1990)

$1,000‑$1,500

“Emerald Vase”, 1988

753 Erte (Romain de Tirtoff, Russian/French, 1892‑1990)

cold-painted bronze with silver bead accents inscribed “Chalk & Vermillion and Sevenarts”, dated, copyright marked, numbered “283/375”, stamped, and with cast signature along edges, on a stepped green marble plinth. h. 24”, w. 5‑1/4”, d. 5‑1/4”

“Zobeide”, 1990 cold-painted bronze with gold bead elements inscribed “Chalk & Vermillion and Sevenarts”, dated, copyright marked, stamped, and with cast signature at back, on a stepped black marble plinth. h. 21‑1/2”, w. 9‑1/2”, d. 6‑1/2”

$1,500‑$2,500

259

755 Rosie Sandifer (American, b. 1946) “The Bather” patinated bronze cast signature and numbered “1/6” on self-base, on a shaped marble base. overall h. 19‑3/4”, w. 7”, d. 4‑3/4” $800‑$1,200 756 Jurgen Gorg (German, b. 1951) “Janus-Faced Muse”, 1990 patinated bronze signed, dated and numbered “XIV/XX” with “LC” foundry mark on black marble base. overall h. 25‑3/4”, w. 8” $1,000‑$1,500

756

755

757 Pair of Patinated Bronze “Cobra” Lamps second quarter 20th century, in the style of Edgar Brandt, depicted with their tails coiled on basket lids, apertures for sockets below the heads. h. 57‑1/2”, dia. 12” $800‑$1,200

757

260

759

758

758 Gary Gordon (American, 20th Century) “Chrysalis” patinated bronze base signed and numbered “71/25”. h. 21‑3/4”, w. 5‑1/2” $600‑$900 759 Arthur Osver (American, 1912‑2006) “Untitled” oil on board signed upper right. Framed. 10” x 17‑3/4” Provenance: Purchased 2003, Elliot Smith Contemporary Art, New York, New York and St. Louis, Missouri; Private collection, New Orleans, Louisiana. $1,000‑$1,500

760

760 Manfred Schwartz (Polish/New York, 1909‑1970) “Sunshine” oil on linen signed lower right. Framed. 36” x 30” Provenance: Collection of Jack and the late Sherril Neal, Ridgeland, Mississippi. $1,000‑$1,500

261

763 Joan Miro (Spanish, 1893‑1983) “Quelques Fleurs pour des Amis (Frontispiece)”, 1964 lithograph in colors signed in pencil lower right, numbered “15/25”. Float-mounted, glazed and framed. sheet 16” x 12‑1/2” $1,000‑$1,500

763

761 Georges Braque (French, 1882‑1963) “Still Life with Coffee Pot and Fruit” color lithograph pencil-monogrammed and numbered “XII/XV” lower margin. Matted, glazed and framed. 19‑1/2” x 25‑3/4” $2,500‑$4,000 761

762 After Pablo Picasso (Spanish/French, 1881‑1973) “Guernica Revisited” gouache and ink on paper unsigned. Matted, glazed and framed. sight 18‑1/2” x 23‑3/4” $1,000‑$1,500

762

262

764 Werner Drewes (American, 1899‑1985) “Garden with Sculpture” oil on canvas signed lower right, inscribed “334B” lower left , signed and titled en verso. Framed. 5‑1/2” x 9‑3/4” $2,000‑$4,000

764

765 Andy Warhol (American, 1928‑1987) “Untitled (Heart) from Exposures”, 1979 black marker on back of title page from Andy Warhol’s Exposures together with a letter of authenticity from the Andy Warhol Authentication Board. Matted, glazed and framed. 8‑1/2” x 9” $2,000‑$4,000

765

263

766 Pablo Picasso (Spanish/Paris, 1881‑1973) “Bouquet a La Pomme (A.R. 305)”, 1956 glazed earthenware with unglazed and embossed still life the date “22/4/56” embossed in reverse lower bottom, the base stamped “Empreinte Originale de Picasso” and “Madoura Plein Feu”. 9‑3/4” x 9‑3/4” $2,500‑$4,000

766

767 Pablo Picasso (Spanish/Paris, 1881‑1973) Two “Visage de Femme”, ca. 1949‑1950 earthenware medallions each reverse-stamped “Madoura Empreinte Originale de Picasso”. each dia. 2” 767

264

$1,000‑$1,500

768 R.C. Gorman (American, 1931‑2005) “Mother and Child”, 1986 lithograph in colors signed and dated lower right, numbered “15/150” lower right. Float-mounted and framed. sheet 31” x 35” $1,000‑$1,500

769 Bill Girard (American/New Mexico, b. 1936) “Thistle” patinated bronze cast signature and numbered “11/30” on edge of self-base, on a carved wood plinth. overall h. 18‑1/2”, w. 8”, d. 5‑1/2”

768

$600‑$900

770

770 Contemporary American Patinated Bronze modeled as a female torso cast with a scarf, rear of left thigh inscribed “Daisy” and numbered “3/15”. h. 21‑1/2”, w. 10”, d. 7” $600‑$900 769

265

771 Richard MacDonald (American, b. 1946) “The Gymnast”, 1995 patinated bronze cast signature, dated and copyright marked at back, on a black marble plinth. overall h. 13‑1/2”, w. 6”, d. 4‑1/2” $800‑$1,200 772 Benton Spruance (American, 1904‑1967) “Touchdown Play”, 1933 lithograph on paper pencil-signed lower right, numbered “37/40” lower left, and titled bottom center, initialed in plate “B.S.”. Matted, glazed and framed. sight 12‑3/4” x 17‑3/4”

772

Provenance: Maxwell Galleries Ltd, San Francisco, California; Private Collection, New Orleans, Louisiana $1,500‑$2,500

773

773 Shearwater Pottery “Flying Birds and Waves” Vase

771

ca. 1955, decorated by Walter Inglis Anderson and jiggered probably by Peter Anderson, accompanied by a certification document from the Anderson family, unsigned. h. 8‑1/4”, dia. 5‑1/2” Provenance: The Estate of Marguerite Knobloch, Mary Plantation, Braithwaite, Louisiana. $1,500‑$2,500

266

774 Alexander John Drysdale (American/Louisiana, 1870‑1934) “Bayou Scene” oil wash on paper signed lower left and en verso. Matted, glazed and framed. 20” x 29‑3/4” Provenance: Private collection, Baton Rouge, Louisiana. $2,000‑$4,000

774

775 Alexander John Drysdale (American/Louisiana, 1870‑1934) “Bayou Landscape”, 1922 oil wash on board signed and dated lower left. Framed and glazed. 20” x 30” $2,000‑$4,000

775

776 Alexander John Drysdale (American/Louisiana, 1870‑1934) “Misty Morning on the Bayou with Live Oaks”, 1913 oil wash on artist board signed and dated lower left. Framed. 17‑3/4” x 24” $2,000‑$4,000

776

267

778

777 Ornamental Hammered Copper Lion’s Masque ca. 1894, from the third St. Charles Hotel, New Orleans, hammered in full relief from seamed copper sheets. h. 17”, w. 15”, d. 7‑3/4” $700‑$1,000 This example is identical to an example in the collection of the Historic New Orleans Collection. The lion was originally on the cornice of the hotel at 211 St. Charles Avenue. 778 Carrie Hill (American/Alabama, 1875‑1957) “Floral Still Life in a Pottery Vase” oil on canvas signed lower right. Framed. 24‑3/4” x 28‑1/2” $2,000‑$4,000

268

777

780 detail in use

779

779 French Silver Fruit Bowl first quarter 20th century, by Maison Puiforcat, Paris, first standard (.950) silver, of lobed circular form with hammered finish and engraved rose bouquet medallion. dia. 11‑1/2”; 24.86 t. oz. 780

$600‑$900

780 Rare Pair of French Art Deco Silver Drip Coffee Makers first quarter 20th century, by Gustave Keller Freres (fl. 1881‑1922), Paris, first standard (.950) silver, each of bucket form with ebony knob handles, comprising a cup ring, the main body, an interior filter and screen, and a lid. overall h. 3‑1/2”, dia. 3‑3/4”; 17.08 total t. oz. (including wood elements) $600‑$900 781 373 Pieces of Christofle “Boreal” Silverplate Flatware the pattern designed ca. 1929 by Luc Lanel (1893‑1965), including two dozen complete sixpiece place settings, with an additional 229 place pieces, no monograms. Detailed list of pieces available on request. $1,500‑$2,500 781

781 detail

269

782 Fine Allan Adler (1916‑2002) Sterling Silver Center Bowl mid-20th century, Studio City, California, the shallow circular dish with flat trapezoidal handles and annular foot-ring, monogrammed on the underside “SGK”. dia. 12‑1/2”, w. 14‑7/8”; 41.25 t. oz. $2,000‑$4,000 783 Seventy-Two Pieces of Towle “Contour” Sterling Silver Flatware the pattern designed in 1950 by John Owen Van Koert (1912‑1998), Newburyport, Massachusetts, including a dozen four-piece place settings, with an additional six teaspoons, nine demitasse spoons and nine serving pieces, presented in a plum Pacific cloth-lined fitted wooden case with lift top and single drawer. 82.52 total t. oz. (weighable silver)

782

Detailed list of pieces available on request. $1,000‑$1,500

784

783

783 detail

784 Pair of Elsa Peretti Tiffany & Co. Sterling Silver Champagne Glasses contemporary, each with an inverted bell-form bowl and shaped abstract standard. h. 8‑3/4”, dia. 4”; 11.40 total t. oz. $600‑$900 785 Mexican Sterling Silver Swan Center Bowl mid-20th century, marked “C. Zurita”, of oval form, the shallow bowl with stylized wings and tail, with a tall, “s”-curved swan’s neck crest. h. 11”, l. 19”, w. 11”; 55.94 t. oz. $700‑$1,000

785

270

786

786 Los Castillo “Chameleon” Sterling Silver and Hardstone Cream and Sugar Set fourth quarter 20th century, Taxco, Mexico, including a cream jug, h. 5‑1/2”, a covered sugar bowl, h. 4”, with spoon, l. 4‑1/2”, an oval tray, 9‑3/4” x 7‑1/4”, and a sugar packet holder, h. 2‑1/8”, with hammered finish and inlaid with light green hardstones, all but the tray decorated with the figure of a chameleon. 30.05 total t. oz.

787 detail

$600‑$900 787 Continental Silverplate and Gilt Covered Seafood Platter contemporary, in the manner of Franco Lapini, the long oval platter with molded rim, the domed lid with realistically detailed figural langoustine handle. h. 4‑3/4”, l. 24”, w. 12” $600‑$900 787 detail

787

271

788 Gilt-Metal-Mounted Glass Walrus Claret Jug 20th century, the shaped glass body mounted with gilt-metal flippers and hinged head, with arched handle, faux ivory tusks and glass eyes. h. 10‑3/4”, l. 12‑3/4” $600‑$900 789 111 Pieces of Gorham “Decor” Sterling Silver Gilt Flatware the pattern introduced in 1953, Providence, Rhode Island, including a dozen eight-piece place settings (three pieces lacking) with an additional six teaspoons, and twelve serving pieces, no monograms. 118.90 total t. oz. (weighable silver) Detailed list of pieces available on request. $2,500‑$4,000 789

788

272

788 detail

790

792

791

790 Turkish Angora Oushak Carpet

792 Semi-Antique Sarouk Carpet

794 Semi-Antique Sarouk Carpet

12’ x 14’ 10”

8’ 9” x 17’ 2”

8’ 4” x 12’ 3”

$1,800-$2,500

$1,500-$2,500

$1,200-$1,800

791 Josheghan Carpet

793 Turkish Angora Oushak Carpet

11’ 9” x 13’ 6” $2,000-$4,000

10’ x 13’ 8” $1,200-$1,800 Illustrated Online

794 273

795 Turkish Angora Oushak Carpet 12’ 1” x 14’ 8” $1,800‑$2,500 796 Semi-Antique Caucasian Runner 3’ 2” x 8’ 3” $600‑$900 Illustrated Online 797 Semi-Antique Kashan Carpet 4’ 5” x 5’ 10” $1,000‑$1,500 798 Heriz Carpet 9’ x 11’ 8” $600‑$900 797

795

274

798

799 Heriz Serapi Carpet 9’ 4” x 13’ 5” $4,500‑$7,000 800 Antique Tabriz Carpet 10’ 8” x 15’ 1” Provenance: Y. Albert & Son, Inc., Atlanta, Georgia; Collection of Julia Brooks and Clarke Thomas Reed, Greenville, Mississippi. $5,000‑$8,000

799

800

275

801 Turkish Angora Oushak Runner 2’ 8” x 19’ 10” $600‑$900 802 Persian Sarouk Carpet 9’ 8” x 16’ 1” $3,000‑$5,000 Illustrated Online 803 Turkish Angora Oushak Carpet 7’ 10” x 10’ $800‑$1,200

803

804 Antique Oushak Carpet 10’ 2” x 13’ 5” $5,000‑$8,000

801

804

276

806 807

805

805 American Chippendale Cherry and Mahogany Slant-Lid Desk

808

807 Early American Cherrywood Chest of Drawers

third quarter 18th century, with a traditional fitted interior with scalloped cubbies and document drawers, the case with four graduated long drawers and raised on carved ball-and-claw feet. h. 44”, w. 43”, d. 24”

mid-18th century, New Hampshire, in the Chippendale taste, with a rectangular single-board top mounted to the case, fitted with two long drawers over three side-by-side drawers, the central drawer with a fan-carved motif, raised on short legs ending in ball-and-claw feet. h. 36‑1/2”, w. 41”, d. 20”

$600‑$900

$700‑$1,000

806 Collection of Seven Chinese Export Nanking Plates

808 Five-Piece Collection of Canton Porcelain

second quarter 19th century, the plates with a willow-type central panel, surrounded by a diapered border and a reticulated edge. dia. 8”

second quarter 19th century, Chinese export, with willow-type decoration and cloud borders, including three graduated platters, largest w. 20‑1/2”, d. 16‑1/2”, and two similar covered vegetable dishes with artichoke knops, largest h. 5‑3/4”, w. 9‑1/4”, d. 8”.

$600‑$900

$700‑$1,000

277

809 Pair of Georgian-Style Sconces first quarter 20th century, Anglo-Irish, the bronze two-light sconces with circular backplates, set with scrolled candle arms terminating in sockets, holding cut glass hurricane shades with bands of diamond-point cutting around the tops, now mounted on mahogany backs. h. 24‑1/4”, w. 14‑1/4”, d. 10” $600‑$900 810 Miniature Slant-Lid Desk and Chest on Stand

809

ca. 1900, the American Colonial Revival Chippendale-style miniature mahogany slant-lid desk with straight bracket feet and four graduated drawers, the fallboard concealing an interior with a molded prospect door and column-form document drawers, flanked by pigeonholes and drawers, h. 15”, w. 13‑3/4”, d. 7”, and the English Queen Anne-style miniature walnut chest on stand with cabriole legs and a shaped skirt, the drawers lined with rosewood crossbanding, and book-matched walnut veneer decorating the top, h. 13‑1/2”, w. 10”, d. 6‑1/4”. $800‑$1,200 811 Handsome Inlaid Mahogany Tall Case Clock ca. 1800, probably New Jersey, on ogee bracket feet, the base inlaid with a compass star framed with round stringing, the waist door inlaid with an oval and contrasting mahogany veneer, both quarter columns and the hood colonettes with inlaid “fluting”, the hood with a swan’s-neck pediment, with an inlaid bracket supporting the central finial, the painted sheet iron dial with floral spandrels and a rocking ship movement with a second hand. h. 97”, w. 18‑1/4”, d. 10” $1,500‑$2,500

810

811

278

812 American Federal Leaf- and Vine-Inlaid Walnut Desk/Bookcase first quarter 19th century, probably the Southern Backcountry, in two parts, the upper section with a broken arched pediment centered by a flutecarved shell-form finial, the scroll ends with likecarved rosettes, the frieze with an inlaid vase and flowers over a pair of line-strung paneled doors, the interior shelves adjustable with grooves, the top joined to the base by sliding dovetails cut into the lower section, the lower section with a slant lid, the segmented interior with vine and leaf inlay on the document drawers and prospect door, over a bank of four graduated cock-beaded drawers, raised on French feet, poplar secondary woods throughout, the drawer bottoms retaining bold jack-plane marks, horizontal backboards, and replaced brasses. h. 89”, w. 39‑1/2”, d. 20‑3/4”

812 detail

$7,000‑$10,000 The vine and leaf inlay is found on pieces from a broad area, from Southwestern Pennsylvania and Maryland to a few rare Louisiana pieces. The inlay on the present piece resembles that most often found on furniture from central and Eastern Kentucky and Eastern Tennessee, though similar inlay can be found on pieces from Western Virginia and North Carolina, as far south as the Georgia Piedmont. The present piece has been regarded as from Tennessee by the owners, though the dealer from whom they acquired it simply dubbed it “Southern”.

812 detail

812

279

813 American Federal Mahogany “Butler’s Chest" first quarter 19th century, in the Hepplewhite taste, the upper drawer with an oval veneered panel edged by stringing and opening to reveal a fitted interior, over a bank of three graduated drawers, each with perimeter cross-banding and beading, a scalloped apron and tall flare feet. h. 44-3/4", w. 43", d. 20-3/4" $600‑$900 814 Pair of Canton-Style Lidded Canisters 20th century, Portuguese, made by Vista Alegre for Mottahedeh, for the Historic Charleston Collection line, marked on the bottom. h. 9‑1/2”, dia. 7‑1/2” 814

$600‑$900 815 Chinese Blue and White Censer possibly Kangxi period (1672‑1722), of bombe form, the compressed body with a short waisted neck and flared lip, the exterior decorated with an alternating design of shou character motif and stylized peony pattern, below a pearl and cloud design border, with double concentric bands in underglaze blue to the base. h. 6‑1/4”, w. 10” $2,000‑$4,000

815

280

813

816 Fine Southern Federal Marquetry-Inlaid Cherry Tall Case Clock first quarter 19th century, heavily inlaid throughout, the hood with a swan’s-neck pediment ending in scrolls with inlaid four-point stars, the painted sheet-iron dial with a lunar calendar mechanism over a face adorned with spandrels of painted seashells, the inner door’s lower edge outlined with barber-pole inlay, flanked by square colonettes and the projecting frieze above the door, the waist centered by a door outlined with barber-pole inlay and with an oval six-point star framed by oval stringing with three adjoining lines, the door flanked by vine inlay with leaves, and rounded buds emanating from an inlaid vase at their base, the cove waist molding capped by alternating blocks of light and dark wood, the base section with a central inlaid six-point star framed by a crossbanded roundel with inlaid dots and dark centers, the front edges of the waist with barber-pole inlay, the shaped skirt continuing to French feet with spurs, constructed of cherry except as noted, the back composed of a single board of pine beginning above the rear foot braces, rabbeted and nailed to the cherry sides, the top of the hood composed with walnut and Southern yellow pine boards lapped front and back and nailed into place, each side foot glued to a single vertical glue block, and the faceted blocks joining the floor of the clock to the feet and skirt, the works original. h. 96‑1/2”, w. 19”, d. 11” $15,000‑$25,000 817 American Federal Mahogany Bowfront Chest ca. 1825, New England, in the Sheraton taste, the top with ovolo corners, the bank of four beaded drawers over a shaped apron, flanked by reeded pilasters, raised on turned legs. h. 38‑1/2”, w. 39‑3/4”, d. 19‑1/2” $800‑$1,200

817 816

281

818 Henry Scott (British, 1911‑2005) “A Clipper in Choppy Waters” oil on canvas signed lower left, verso with “James Bourlet & Sons, Ltd., Frame Makers and Packers, London, UK” label. Framed and affixed with artist plaque. 30” x 42” $3,000‑$5,000

818

819 Detailed Model of a ThreeMasted Frigate mid-20th century, called a thirdrate frigate for the number of levels of gunports, this example with a copper-clad lower hull, ebony and stone alternating on the remainder, with carved details of the figure heads, flying a French flag, with a custom display case. h. 54‑3/4”, w. 72”, d. 24‑1/4” $2,500‑$4,000

819

282

820 Detailed Model of the Yacht Puritan winner of the America’s Cup in 1885, composed of wood, metal and cloth, in a custom inlaid wood and glass display case, on a metal stand. h. 60”, w. 34”, d. 10‑1/4” $700‑$1,000 821 Scale Model of the Marco Polo early 20th century, the clipper ship, launched in 1851, flying the Canadian flag, was renowned for its great speed, mounted in a mahogany case, on a custom metal stand. h. 48‑3/4”, w. 32”, d. 13” $800‑$1,200 822 Four Victorian Cased Ship Models fourth quarter 19th century, in a hardwood case, English, all on carved “waves”, the wood, cloth and metal models including a clipper ship to the rear, a schooner in the right front, a small steamboat in the center and a sloop on the right, on a custom metal stand. overall h. 47‑1/4”, w. 27‑1/4”, d. 10”

822

$600‑$900

821

820

283

823 Detailed Model of the British Clipper Ship Cutty Sark 20th century, American, composed of brass, copper, ebony and wood, with a copper-clad lower hull, and ebony-clad upper, the threemasted ship fully rigged, with a brass deck rail, in an inlaid custom mahogany case and stand. h. 62‑1/2”, w. 34”, d. 19‑1/2” $800‑$1,200 824 American Southern Cypress Farm Table mid-19th century, the plank top with canted corners, the aprons and legs with a beaded edge, the tapering legs slightly splayed, with mortised and pegged joints. h. 28‑1/2”, w. 36”, l. 73‑1/2” $800‑$1,200 823

824

284

825 Colonial Revival Mahogany Sideboard 20th century, in the Hepplewhite taste, retaining the brass plaque “Landstar Furniture, Rockford, IL”, the case with a pair of drawers flanked by rounded doors, raised on tapering linestrung legs on spade feet, the drawers and doors edged with satinwood banding, the legs with inlaid stringing, the base of the case with “checkerboard” stringing. h. 37”, w. 72”, d. 23”

825

$800‑$1,200

826

826 American Pine Farmhouse Table early 20th century, the plank top with breadboard ends and mounted to a turned and block leg base, one side fitted with a drawer, pegged construction. h. 29”, w. 36”, l. 68” $600‑$900 827 Federal Inlaid Cherry Tall Case Clock ca. 1802‑1823, made by Jacob Hostetter, Hanover, Pennsylvania, on ball feet, the chamfered corners of the base and waist inlaid with tulips and pointed line inlay, the door with barber-pole edges and an over striped panel, the signed sheet iron dial painted with floral spandrels, set with a moon phase dial, the hood with turned colonettes and a swan’s-neck pediment. h. 100‑1/2”, w. 19”, d. 10‑1/2” $1,500‑$2,500 827

285

828

828 Pair of Giltwood Convex Mirrors mid-19th century, American or English, crowned with displayed eagles, flanking pierced scrollwork trimmed with gadrooning, the cove-molded surround set with spherules, the base with lower crests in the form of a reeded fan over a rocaillemolded fan. h. 37”, dia. 24” Provenance: Didier Antiques, New Orleans, Louisiana. This pair of looking glasses formerly hung in the Governor’s Mansion, Baton Rouge, Louisiana. $5,000‑$8,000 829 American Classical Stenciled Mahogany Pier Table ca. 1825, New York, the white marble top over a frieze with stenciled fruit and foliage, the ends with stenciled urns, raised on marble columns with gilt foliate-carved capitals, the back with like pilasters, joined to a concave low shelf with similar stenciling, raised on leaf-carved paw feet, the back fitted with a looking glass, the frieze with a later drawer. h. 37‑3/8”, w. 40‑3/4”, d. 20” $2,500‑$4,000

286

829

832 detail

830

832

830 William Pierce Stubbs (American, 1842‑1909) “Portrait of the Schooner Magnolia” oil on canvas signed lower left. Framed. 22” x 36” $4,000‑$7,000 831 Pair of Empire-Style Candelabra first quarter 20th century, French, on verde antique marble bases decorated with bronze mounts of trumpeting angels, the fluted Corinthian column-form standards set with leafmolded candle arms, terminating in engine-turned drip pans and candle cups set with bobeches, a flame-form finial in the center. h. 16‑1/2”, w. 6‑1/2”, d. 6‑1/2” $800‑$1,200

831

832 Rare Sevres Dessert Compote ca. 1829, French, decorated with sugar cones in a wreath of sugar cane, inscribed “Le Sucre de Canne”, with a band of gilt leaves around the edge, the outside with a lavender ground band with a gilt edge, the base decorated with gilt ivy, with a blue printed mark inset by Sevres in the 1820s-30s, and “29” at the base, signifying 1829. h. 4”, dia. 8‑3/4” $600‑$900

287

833 American Classical Mahogany Pier Table second quarter 19th century, the marble top over an arched frieze with bronze mounts, supported by tapering columns with carved capitals, the concave low shelf backed by a mirror plate, on carved melonform legs, the frieze drawer added at a later date. h. 37”, w. 42”, d. 18” $1,500‑$2,500 834 Sheraton Mahogany-Veneered Tall Case Clock first quarter 19th century, the face signed "David Weatherby, Philadlephia", on turned and reeded legs, the cross-banded base supporting the body, the waist door with a serpentine crest and chamfered corners, the hood with turned colonettes and a swan’s-neck pediment with turned mahogany urn-form finials, the painted sheet iron dial with handsome painted green, red and gilt lunette-form spandrels, and a rocking ship movement, the back of the face stenciled "NOLEN'S MANUFACT'Y BOSTON". h. 96”, w. 18‑36/4”, d. 10‑1/4” $2,500‑$4,000

833

288

834

837

835

835 American Classical Mahogany Triple-Pedestal Dining Table first quarter 19th century, Philadelphia, with a pair of D-ends, the top with a reeded edge, supported by pedestals with a reeded urn joined to double-reeded saber legs terminating in brass paw cup casters, each pedestal apron adorned with raised burlwood panels, with two leaves. h. 28‑1/4”, w. 52”, l. 67”, ext. l. 113” $3,000‑$5,000 836 Suite of Six American Late Classical Mahogany Dining Chairs

837 American Classical Parcel-Gilt Mahogany Sofa ca. 1825 and later, the ormolu-mounted top rail joined with dolphin-carved brackets and scroll arms, the apron with like mounts, raised on verde antique and parcel-gilt dolphin feet, upholstered in damask with laurel wreaths on a claret ground. h. 35”, w. 72‑1/2”, d. 26” $1,500‑$2,500

second quarter 19th century, school of Duncan Phyfe & Son, each with a shaped back with well-figured splat, the serpentine seat over a conforming apron, raised on canted cabriole legs. h. 34‑1/4” $1,000‑$1,500 Illustrated Online

289

840

838 one of two

839

838 two of two

838 American School (Second Quarter 19th Century) “Pair of Pendant Portraits of a Gentleman and a Lady” oils on canvas unsigned. Framed alike. 30” x 23‑3/4” and 29‑1/2” x 24‑3/4”, respectively $1,000‑$1,500

839 Pair of American Late Classical Mahogany Stools second quarter 19th century, each with a molded apron on a curule base joined by turned stretchers. h. 15”, w. 17‑3/4”, d. 17‑3/4” $600‑$900 840 Empire Revival Giltwood Overmantel Mirror fourth quarter 19th century, American, in three parts, the mantel rest molded with leaves and flowers, the turned spindles molded with medallions and ring-turned trim, the medallion-decorated corners supporting the upper ogee cornice, decorated with molded sprays of flowers. h. 29‑1/2”, w. 72” $600‑$900

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841

841 American Late Classical Mahogany Center Table second quarter 19th century, the circular marble top over a conforming frieze, on a vasiform octagonal pedestal supported by scroll feet. h. 29”, dia. 36” $600‑$900 842 Impressive Empire Revival Andirons and Two Fenders fourth quarter 19th century, the andirons with ball finials and scrolled feet, h. 25”, w. 8‑1/2”, d. 22”, the Empire Revival fender decorated with Corinthian-column posts topped with ball finials, h. 14”, w. 54‑1/2”, d. 16”, and the English Victorian fender with ball-turned posts terminating in acorn finials, h. 13‑1/2”, w. 44‑1/4”, d. 14”. $600‑$900

843

843 Adolph Rinck (French/Louisiana, 1810‑ca. 1873) “Portrait of Mr. McIntosh”, 1842 oil on canvas signed and dated upper left, with a 1928 inscription en verso canvas. Framed. 36‑1/4” x 29‑1/8” Provenance: Deaccessioned property from a Southern Art Museum. $1,500‑$2,500

291

844 American Late Classical Cherry China Cabinet ca. 1835 and later, Southern, the covemolded cornice over mulliioned and glazed doors on fiche hinges, the sides with like glazed panels, over two banks of three drawers, raised on turned legs, the front with brass ball feet. h. 91‑3/4”, w. 59”, d. 21” $2,000‑$4,000 The present piece was originally fitted as a Lower Mississippi Valley armoire. 845 American Mahogany-Veneered Tall Case Clock second quarter 19th century, probably Pennsylvania, with turned feet and a paneled base, turned colonettes matching those on the hood, flanking the door, the painted sheet iron dial with basket-of-fruit spandrels and a cottage painted in the lunette, the works set with a calendar and miniature hand, the hood set with a swan’s-neck pediment and brass finials. h. 94‑1/2”, w. 20‑1/2”, d. 10”

847

$600‑$900

845

846 Two Anglo-American Engraved Glass Hurricane Shades second quarter 19th century, English or American, each with a folded lower rim, the large example cut with alternating rows of stars and flowers, framed by borders of vines and flowers, h. 21‑3/4”, dia. 7‑3/4”, the smaller example decorated with alternating flowers, thistles and bunches of grapes, h. 15”, dia. 5‑1/4”. $600‑$900 Illustrated Online 847 Attributed to Trevor Thomas Fowler (Irish, ca. 1800‑1871/active New Orleans, ca. 1840‑1852) “Portrait of R. B. Shortbridge (or Shortridge)”, ca. 1835 oil on canvas Unframed. 36‑1/4” x 29” Provenance: Deaccessioned property from a Southern Art Museum. $1,000‑$1,500

292

844

849

850

851

848

848 American Late Classical Mahogany Banquet Table

850 Assembled Brass Fender and Andirons Set

mid-19th century, the circular top over a split cluster-column pedestal, joined to scroll feet ending in roundels, together with four leaves, two of which are skirted. h. 29‑1/4”, dia. 52”, ext. l. 121”

19th century, Anglo-American, comprised of a pair of period American classical andirons on cabriole legs with ball feet, h. 16‑1/2”, w. 9‑1/2”, d. 14‑1/2”, and an English brass fender ornamented with pierced scrollwork and reeded ball finials, h. 11‑1/2”, w. 56‑1/2”, d. 12‑1/4”.

$1,200‑$1,800

$600‑$900

849 Five-Piece American Cast Iron Garden Suite

851 American Classical Revival Mahogany Dining Table

late 19th/early 20th century, comprised of four armchairs in the “Lyre and Rose” pattern, h. 34”, together with a table with a foliate-molded apron and cabriole legs, now fitted with a granite top, h. 28‑3/4”, w. 36”, d. 25”.

late 19th century, the circular top over a conforming apron, raised on a ribbed melon-form split pedestal joined to shelland leaf-carved legs ending in double-knuckled paw feet, now including one leaf. h. 30”, dia. 66”, ext. l. 87”

$600‑$900

$1,000‑$1,500

293

852 Two American Coin Silver Porringers second quarter 19th century, one by Davis, Palmer & Co., Boston, Massachusetts, dia. 5”, the other unmarked, dia. 4‑1/2”, both of traditional circular form with strapwork handle, the unmarked example monogrammed “CC to EBH”. 10.20 total t. oz. $700‑$1,000 852

853 Fine American Coin (.900) Silver Presentation Pitcher dated 1841, by Gale, Wood & Hughes, New York, New York, of inverted pear form, decorated with elaborate repousse rococo cartouches of neoclassical architecture, with a repousse acanthus-form calyx below and milled leaf-and-berry band above, the flaring collar with integral spout engraved with flowers and rococo scrolls, with melon-knopped crested scroll handle, the whole raised above a knopped and domed foot en suite, the cartouche engraved with a presentation inscription “to Capt. Rich’d. B. Cleland / of British Steamer / Britannia” from the passengers of his May 1841 voyage from Liverpool to Boston”. h. 15‑1/2”, l. 10‑1/2”, dia. 7”, 44.30 t. oz. $2,000‑$4,000 The Britannia was the first ship of the Cunard line, whose maiden voyage was in July 1840. The trip ushered in the age of the luxury ocean liner, at the forefront of which Cunard would remain for the next hundred years. Glasgow-born Captain Richard B. Cleland (1809‑1891) was not at the helm of that voyage, though he did captain Cunard’s second ship, the Caledonia on her maiden voyage of the same route in September 1840. He was evidently seconded to the Britannia by the spring of the following year, when twenty-one of his passengers were signatories on this magnificent pitcher, an elegant artifact of the earliest days of luxury sea travel. (Though there were those who were not so impressed; see the recollections of the Britannia’s most famous - and most famously miserable - passenger, Charles Dickens, whose January 1842 crossing on the steamship is covered in comical detail in his American Notes.) 853

294

854

857

856

854 Good Three-Piece American Coin Silver Coffee Set third quarter 19th century, by Wood & Hughes, New York, including a coffeepot, h. 11‑1/4”, l. 10”, a covered sugar bowl, h. 8‑1/4”, w, 8‑1/8”, and a cream jug, h. 6‑3/4”, l. 6”, each with a pear-shaped body decorated with repousse strawberries, with scalloped rim, openwork acanthus and cabochon foot-ring and figural berry finials, no monograms. 66.43 total t. oz. $1,000‑$1,500 855 Five American Gilded Age Sterling Silver Serving Pieces designed 1888‑1895, including a Dominick & Haff “Rococo” two-piece fish serving set, monogrammed “S”, l. 8‑1/2” and 10‑1/2”, a Frank M. Whiting “Josephine” two-piece salad serving set, l. 8‑3/4”, and a George W. Shiebler “Rococo” berry spoon with gilt bowl, monogrammed “EWL”, l. 9”. 18.35 total t. oz.

856 Gorham Sterling Silver Center Bowl 1872, Providence, Rhode Island, of oval form, with milled palmette banding and foliate-mounted stirrup handles, the whole raised on a conforming waisted foot-ring, monogrammed on the side “MC”. h. 4‑1/2”, l. 15”, w. 8‑1/4”; 33.08 t. oz. $700‑$1,000 857 Gorham Sterling Silver Inkstand 1892, Providence, Rhode Island, of oval form, lobed and embossed with putti and acanthus fronds separated by imbricate panels centering a conforming hinged inkwell with glass liner, the whole raised on four acanthus scroll feet. h. 5‑1/4”, w. 10‑1/4”, d. 4‑3/4”; 18.98 t. oz. (excluding glass liner) $800‑$1,200

$600‑$900 Illustrated Online

295

858

858 Good Whiting Gilded Age Sterling Silver Water Pitcher

859

fourth quarter 19th century, of shaped serpentine-sided rectangular section, decorated with embossed acanthus and fern scrolls, with an arched handle en suite, the integral spout with an acanthus-mantled classical maiden masque. h. 10”, l. 5‑1/4”, w. 5‑1/4”; 36.68 t. oz. $600‑$900 859 Gorham Sterling Silver-Mounted Cut Glass Claret Jug 1894, Providence, Rhode Island, the cylindrical glass body cut with feathers in arched and miter-cut panels, clad in a shaped silver collar decorated with embossed flowers, rococo scrolls and beaded band, with acanthus-crested handle, domed lid with figural demi-eagle finial and laurel-banded base. h. 12‑1/2”, l. 7‑1/2”, dia. 4‑5/8” $2,500‑$4,000 860 Gorham Mixed Metal “Persian”-Style Coffeepot fourth quarter 19th century, patinated copper and sterling silver, the copper ovoid body with tall, slender neck, thin “swan’s neck” spout, insulated handle and hinged “onion” dome lid, with embossed foliate and reeded silver banding. h. 13”, dia. 4‑3/4” $900‑$1,200

860

296

861 Good Whiting Sterling Silver “Narragansett”-Style Bowl first quarter 20th century, Providence, Rhode Island, the steep bowl with wavy rim, decorated with one large and one small cast and applied realistically detailed crab among embossed seaweed with an acid-engraved starfish, monogrammed “ACC”. h. 4”, dia. 8”, 15.89 t. oz. $1,200‑$1,800 862 Tiffany & Co. Sterling Silver Fruit Bowl the pattern introduced in 1886, New York, New York, this example before 1902, of oval form with everted lobed rim and floral scroll edge, raised on four scroll-mantled paw feet. h. 4”, l. 13‑1/4”, w. 10‑3/4”; 40.64 t. oz.

861

$1,200‑$1,800 863 155‑Piece Set of Gorham “Versailles” Sterling Silver Flatware the pattern designed in 1888 by Florentin Antoine Heller (1839‑1904), Providence, Rhode Island, comprising a dozen eleven-piece place settings with an additional dozen teaspoons and eleven serving pieces, monogrammed “L”, presented in a green baize-lined fitted wooden case with two drawers and lift-top. 183.7 total t. oz. (weighable silver)

862

Detailed list of pieces available on request. $4,000‑$7,000

863

863 detail

297

864 Cased Sterling Silver and Porcelain Demitasse Set first quarter 20th century, including twelve silver cup frames and matching saucers, by the Matthews Company, Newark, New Jersey, in the neoclassical taste with scroll and dart banding, and twelve Lenox gold-banded porcelain inserts, the saucers monogrammed “TEF”, each overall h. 2‑1/2”, dia. 3‑5/8”, presented in the original C. D. Peacock, Chicago, gray silk-covered case with a fitted oyster velvet interior, 4‑1/4” x 19” x 16”. 21.50 total t. oz. (weighable silver) $600‑$900 865 Shreve & Co. Sterling Silver Punch Bowl first quarter 20th century, San Francisco, California, the rounded bucket-form bowl with shaped rim and applied “vintage” banding, raised on a trumpeting foot-ring en suite. h. 10‑1/2”, dia. 12‑3/4”, 75.03 t. oz. 864

$3,000‑$5,000 866 Three-Piece S. Kirk & Son Sterling Silver Coffee Set first quarter 20th century, Baltimore, Maryland, including a pear-shaped coffeepot, h. 9‑1/2”, l. 10‑3/4”, dia. 6”, a squat spherical covered sugar bowl, h. 4‑3/4”, w. 7‑1/4”, dia. 5‑1/2”, and a cream jug, h. 3‑1/2”, l. 6‑1/2”, dia. 5‑1/4”, hand-chased all over with well-detailed flowers and ferns on a matte ground in the traditional Baltimore manner, the coffeepot with “gooseneck” spout, crested “S”-scroll handle and hinged, domed lid with cast floriform finial, the sugar bowl with fitted lid en suite and in-scrolled handles, the cream jug with acanthus-mounted “duck’s beak” spout and single in-scrolled handle, all on a short molded foot-ring. 67.90 total t. oz.

864 detail

$2,500‑$4,000

866

298

865

867

868 Five-Piece Sterling Silver Colonial Revival Coffee and Tea Set and Associated Tray

867 Assembled Thirteen-Piece Sterling Silver Cocktail Set first half 20th century, including a Fisher baluster-form cocktail shaker with crested handle and reeded band, monogrammed “FGL”, h. 10‑1/4”, dia. 4‑1/2”, six Baltimore Silversmiths flared hemispherical cordials with gilt interior, monogrammed “EFCS” h. 3‑3/4”, dia. 3”, and six Sweetser Co. waisted hemispherical cordials, engraved with a rooster, h. 3‑3/4”, dia. 2‑1/2”. 44.73 total t. oz.

the tea set first quarter 20th century, by Hayes & McFarland, Mt. Vernon, New York, including a kettle-on-stand, h. 14‑3/4”, l. 10”, a coffeepot, h. 10”, l. 10‑1/2”, a teapot, h. 7‑3/4”, l. 11”, a covered sugar bowl, h. 6‑1/4”, w. 7‑3/4”, and a cream jug, h. 5‑1/4”, l. 5‑1/4”, each with a paneled, pear-shaped body with annular banding and conforming foot-ring, with turned/ carved ivory finials and handles, presented on a later Mexican Conquistador tray with lobed rim and gadrooned edge, 32” x 18‑1/2”. 407.63 total t. oz.

$700‑$1,000

$3,000‑$5,000

868

299

869 101‑Piece Set of Gorham “Lansdowne” Sterling Silver Flatware the pattern designed in 1917 by Barton Pickering Jenks (1870‑1941), Providence, Rhode Island, including a dozen seven-piece place settings (four pieces lacking) with an additional sixteen place pieces and five serving pieces, fifty-nine pieces monogrammed “L”. 105.76 total t. oz. (weighable silver) Detailed list of pieces available on request. $1,800‑$2,500

869

870 Seventy-Seven Pieces of Wallace “Sir Christopher” Sterling Silver Flatware the pattern designed in 1936 by William S. Warren (1888‑1965), Wallingford, Connecticut, including a dozen five-piece place settings (one piece lacking) with an additional twelve place and four serving pieces, no monograms. 89.31 total t. oz. (weighable silver) $1,500‑$2,500

870

871 Set of Twelve Sterling Silver Salt Cellars and Spoons contemporary, American, the cellars of coquille form, each crested with a putto playing one of six different musical instruments, raised above a foliate standard and gadrooned circular foot with black plastic disc base, h. 2”, dia. 1‑5/8”, with twelve associated salt spoons with coquille bowl and twist-stem, l. 1‑3/4”. 13.45 total t. oz. (including plastic elements) $700‑$1,000

300

871

874

872

873

875

872 Large Pair of Tiffany & Co. Sterling Silver Candlesticks

874 Tiffany & Co. Sterling Silver Tureen

1902‑1907, New York, in the rococo taste, each with a lobed baluster standard above two scroll and foliate knops and an ornate base en suite, surmounted by an imbricate vasiform nozzle with detachable bobeche en suite, monogrammed on the upper knop “GL”. h. 15”, dia. 7‑3/4”; weighted

the pattern introduced in 1893, New York, New York, this example before 1907, of oval form with gadrooned decoration and reeded and bifurcated scroll handles, with domed fitted lid and foot en suite. l. 14‑3/4”, w. 8‑1/8”; 43.86 t. oz.

$600‑$900 873 Tiffany & Co. Sterling Silver Trumpet Vase

$1,400‑$1,800 875 Tiffany & Co. Sterling Silver Sandwich Plate

the pattern introduced in 1921, New York, New York, decorated with incised threaded panels of stylized daisies. h. 12”, dia. 4”; 16.49 t. oz.

the pattern introduced in 1914, New York, New York, of navette form with circular plateau and acid-engraved wheat stalk decoration, monogrammed “CGS”. 13‑1/4” x 10‑1/2”; 22.01 t. oz.

$700‑$1,000

$600‑$900

301

877

876

876 Assembled Tiffany & Co. Sterling Silver Beverage Service

877 Set of Eighteen Tiffany & Co. Sterling Silver Cordials

mid-20th century, including a set of six baluster-stem bucketshaped goblets, h. 5‑1/2”, dia. 3‑1/4”, a water pitcher, h. 9‑1/4”, w. 8‑1/2”, and a rounded rectangular platter, 18‑1/2” x 14‑1/2”, all with plain threaded or molded decoration, the pitcher with engraved armorial. 147.22 total t. oz.

the pattern introduced in 1915, New York City, New York, each with a rounded conical bowl raised on a short baluster stem above a circular foot. h. 4‑1/8”, dia. 2‑1/4”, 26.36 total t. oz.

$5,000‑$8,000

302

$1,800‑$2,500

878 Tiffany & Co. Sterling Silver Platter designed in 1921, this example before 1947, of hexadecagonal form, with circular plateau and plain molded rim, with hand-hammered finish and incised monogram on the rim “e”. dia. 14‑1/4”; 39.61 t. oz. $1,200‑$1,800

878

879 Tiffany & Co. Sterling Silver Platter the pattern introduced in 1911, New York, New York, of oval form, with molded shell and bellflower edge, monogrammed on the rim “REW”. 10‑1/4” x 12‑3/4”, 49.19 t. oz. $1,400‑$1,800

879

303

880 American Gothic Revival Quarter-Sawn Oak Pedestal ca. 1900, the top with a large under-molding and carved aprons with trefoil arches, supported by turned columns on the four corners and mounted to a wide molded base. h. 42”, w. 20”, d. 22” $600‑$900 881 Attributed to Robert Sully (American/Virginia, 1803‑1855) “Portrait of Daniel Webster” oil on canvas unsigned. Framed. 24” x 18” Provenance: Deaccessioned property from a Southern Art Museum. $1,000‑$1,500 882 Large American Gothic Revival Oak Library Table third quarter 19th century, the quarter-sawn top with projecting corners, each end fitted with a frieze drawer, raised on octagonal legs, formerly fitted as a grand piano. h. 30‑1/4”, w. 71‑1/2”, d. 41‑1/2”

881

$1,000‑$1,500

882

304

880

883 American Gothic Revival Walnut Secretary Bookcase mid-19th century, of late classical form, in two parts, the upper section with a cove-molded column over a pair of glazed doors, each with Gothic tracery, the base with a fold-over top, the underside fitted with a tooled leather writing surface, the interior with storage niches, over a pair of paneled doors with Gothic arches and trefoils, veneered throughout with carefully selected burlwood. h. 92‑1/4”, w. 46‑1/2”, d. 24‑1/2” $1,000‑$1,500

883

884 Fine Mahogany Tester Bed third quarter 19th century, of the sort crafted for the Antebellum Southern and New Orleans markets, the three-tiered molded tester supported by tapering octagonal posts with convex faces, the circular lower section of the post with Gothic-style panels, with a shell- and scroll-carved paneled headboard. h. 114”, inside w. 60‑3/4”, l. 78‑3/4”, outside w. 67‑1/2”, l. 86” $6,000‑$9,000

884

305

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885 American Rococo Revival Mahogany Dressing Table 885

third quarter 19th century, the shaped mirror with a carved crest on foliate- and scroll-carved supports, the shaped base with a period marble top over a conforming foliate-carved frieze centered by a drawer, raised on cabriole legs joined by serpentine stretchers centered by a finial. h. 67‑1/2”, w. 35”, d. 19‑1/4” $1,500‑$2,500 886 Antebellum New Orleans Market Rosewood Armoire third quarter 19th century, of the type traditionally recognized with the warerooms of Prudent Mallard, the crest centered by a cartouche flanked by foliate carving, on a projecting cornice over a pair of paneled doors, the base with a pair of drawers, raised on distinctive bracket feet. h. 106‑1/4”, w. 69”, d. 21” $1,500‑$2,500 887 Pair of Paris Porcelain Vases Attributed to Jacob Petit mid-19th century, French, decorated with delicately molded scroll- and shellwork, the obverses with panels of shepherdesses in landscapes, the reverses with flowers, on a sky-blue and melon ground with flourishes of raised gilt. h. 13‑1/2”, w. 8‑1/2”, d. 4‑1/2” Provenance: Collection of Julia Brooks and Clarke Thomas Reed, Greenville, Mississippi. $600‑$900

886

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The form is a well-documented part of Jacob Petit’s repertoire, with several variations in the handles and bases. A pair of closely related vases were sold in the “Maria Felix” sale at Christie’s, July 17‑18, 2007, lot 279.

888 American School (Second Quarter 19th Century) “Portrait of a Girl in a Landscape, Holding a Doll” oil on canvas Unsigned. Presented in a giltwood frame. 24” x 20” $2,000‑$4,000

888

889 American Rococo Revival Laminated Rosewood Settee attributed to J. & J. W. Meeks, New York, in the “Hawkins” pattern, with an open carved crest centered by a floral-carved crest flanked by grapes and arabesques, closed arms, serpentine seat and cabriole legs. h. 47‑1/2”, w. 64”, d. 30” $3,000‑$5,000 889

890 American Rococo Revival Laminated Rosewood Settee attributed to J. & J. W. Meeks, New York, in the “Hawkins” pattern, with an open carved crest centered by a floralcarved crest flanked by grapes and arabesques, closed arms, serpentine seat and cabriole legs. h. 47‑1/2”, w. 64”, d. 30” $3,000‑$5,000

890

307

891 Pair of Handsome Bohemian Overlay Glass Lustres third quarter 19th century, composed of white overlaid cranberry glass trimmed with gilt, panel-cut with scalloped rims and hung with cut glass spear-point prisms. h. 13‑3/4”, dia. 6” $1,000‑$1,500 892 Albert Hood (British, 1841‑1921) “Not Tired Out”, 1875 oil on canvas signed and dated lower right, handinscribed label en verso stretcher. Framed. 56” x 44” $4,000‑$7,000 893 Set of Twelve Royal Worcester Service Plates ca. 1949‑1963, English, the richly decorated gilt borders with raised gilt compotes supporting swags of flowers on a lapis lazuli ground, the center reserve panels decorated with flowers, signed “E. Barker” and with a Royal Worcester gilt mark and a decorator’s mark. dia. 10‑1/2” $800‑$1,200

892

893 891

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895

894 American Rococo Revival Walnut Center Table third quarter 19th century, the period marble top of tortoise form, on a conforming serpentine apron raised on cabriole legs, both with leaf and grape carving, the legs joined by serpentine stretchers with a central fruit basket. h. 28”, w. 44‑1/2”, d. 32‑1/2” $1,500‑$2,500 895 American Marble Fireplace Surround third quarter 19th century, in the Italianate taste, the serpentine mantel over a cartouche-form keystone centered by a cabochon, the arched opening retaining its conforming cast iron summer-cover frame. h. 46‑3/4”, w. 72”, d. 13”

896

$1,000‑$1,500 896 Rococo Revival-Style Paris Porcelain Figural Mantel Clock mid-19th century, French, in the manner of Jacob Petit, the scroll-molded base decorated with gilt scrollwork, panels of flowers and flourishes of pink, green and blue, the tinted biscuit figure depicting a shepherdess in 18th-century costume, sitting on a step and feeding a lamb on her lap, unmarked. h. 18‑1/2”, w. 10‑1/2”, d. 6” $600‑$900

894

309

898 Late Victorian Molded Plaster Floor Lamp ca. 1900, of large scale, the polychrome and parcel-gilt lamp with a blue and gold pleated silk shade, mounted to a tapered and fluted standard, the base with garland swags and large overlapping acanthus leaves. h. 72”, dia. 27” $700‑$1,000 899 Three-Piece American Rococo Revival Rosewood Parlor Suite third quarter 19th century, comprised of a settee, h. 42”, w. 39‑1/2”, d. 28”, and a pair of armchairs, h. 42”, each with a carved crest with a cabochon over flowers, flanked by feathered wings, open arms, serpentine seat and cabriole legs. $600‑$900 Illustrated Online 900 American Rococo Revival Mahogany Dressing Bureau third quarter 19th century, the arched mirror in a frame with a fruit-carved crest on a bowfront base with a marble top, and three graduated drawers flanked by foliate-carved brackets. h. 98”, w. 46”, d. 24‑3/4”

900

897 American Rococo Revival Seven-Piece Rosewood Parlor Suite

$700‑$1,000

third quarter 19th century, comprised of a sofa, h. 42‑3/4”, w. 63”, a pair of armchairs, h. 42”, and a pair of sidechairs, h. 38‑1/2”, each with a cartouche cabochon-carved crest, serpentine seat and cabriole legs, the sofa and armchairs with open arms, upholstered in tufted seafoam brocade, probably silk. $2,000‑$4,000

897 898

310

901 New Orleans Market Rococo Revival Mahogany Bed third quarter 19th century, the paneled headboard with a foliate- and scroll-carved crest rail over carved fruit, joined to fluted turned posts, the rails with shaped brackets with foliatecarved panels, joined to turned footposts. h. 67”, inside w. 62”, l. 80”, outside w. 71”, l. 90” $2,000‑$4,000 902 Pair of American Rococo Revival Laminated Rosewood Slipper Chairs mid-19th century, each with an open, carved back centered by a tufted oval cushion, compass seat, and shaped legs with a cabochon-carved cartouche. h. 39‑1/4” $600‑$900

903

903 Attributed to George Caleb Bingham (American, 1811‑1879) “Portrait of Foster Tyree Martin” oil on canvas unsigned. Framed. 20‑3/4” x 16‑3/4” $1,000‑$1,500

902

901

311

904 American Rococo Revival Laminated Mahogany Parlor Set second half 19th century, comprised of a settee, h. 40”, w. 49”, d. 29”, and an armchair, h. 37‑3/4”, each with a period foliate- and scroll-carved back, open arms, serpentine seat rail and cabriole legs. $700‑$1,000 904

905 Pair of Victorian-Style Cast Iron Garden Benches in the Coalbrookdale style, each with an arched back centered by a panel depicting a classical maiden, amidst a pierced back depicting leaves, vines and birds. h. 72”, w. 43”, d. 20” $800‑$1,200

905

906 Pair of Victorian-Style Cast Iron Garden Urns on Stands each of campana form, the foliatemounted and lobed bodies with handles with allegorical masques, on stepped square bases, each side adorned with a laurel wreath. h. 60”, dia. 26” $600‑$900

906

312

907 117 Pieces of Reed & Barton “Francis I” Sterling Silver Flatware the pattern designed in 1907 by Ernest Meyers, Taunton, Massachusetts, including a dozen eight-piece place settings (lunch and dinner size) with an additional ten place and eleven serving pieces, no monograms (but for three serving pieces), presented in a black velvet-lined wooden case with lift-top and two drawers, 9‑1/2” x 17” x 11‑3/4”. 121.41 total t. oz. (weighable silver) Detailed list of pieces available on request. $2,500‑$4,000

907 detail 907

908 Reed & Barton “Francis I” Sterling Silver Tray the pattern designed in 1907 by Ernest Meyers, Taunton, Massachusetts, this example 1951, engraved on the underside “M. & B. Cartwright”. l. 30‑1/2”, w. 22”; 160.1 t. oz. $8,000‑$12,000

908

909 Reed & Barton “Francis I” Sterling Silver Coffee- and Teapot the pattern designed in 1907 by Ernest Meyers, Taunton, Massachusetts, this pair with Reed & Barton date-mark for 1930, the coffeepot, h. 9‑3/4”, l. 10”, the teapot, h. 8‑1/4”, l. 10‑1/2”, both monogrammed “MPD”. 72.45 total t. oz. $3,000‑$5,000 909

313

912 Fifty-Three Pieces of Towle “King Richard” Sterling Silver Flatware

913

the pattern designed in 1935 by Ferdinand Poppenhauser (1868‑1956), Newburyport, Massachusetts, including a dozen four-piece luncheon place settings (five pieces lacking) with an additional nine place and one serving pieces, most monogrammed “DDP”, presented in a Pacific cloth-lined fitted drawer insert, 17‑1/2” x 13‑1/2”. 70.08 total t. oz. (weighable silver) Detailed list of pieces available on request. $900‑$1,200 Illustrated Online 913 Three-Piece Reed & Barton “Hampton Court” Sterling Silver Tea Set mid-20th century, Taunton, Massachusetts, including a teapot, h. 9‑1/4”, l. 11”, a covered sugar bowl, h. 6‑1/4”, w. 8”, and a cream jug, h. 5‑1/4”, l. 5‑1/4”. 49.43 total t. oz. $700‑$1,000

911

910 Pair of Reed & Barton “Francis I” Sterling Silver Sandwich Plates the pattern designed in 1907 by Ernest Meyers, Taunton, Massachusetts. dia. 11‑1/2”, 33.78 total t. oz. $1,800‑$2,500 911 Five-Piece Reed & Barton “Renaissance” Silverplate Tea Set 1956, Taunton, Massachusetts, including a coffeepot, h. 11‑1/2”, l. 10‑3/4”, a teapot, h. 8‑3/4”, l. 10‑7/8”, a covered sugar bowl, h. 6‑3/4”, w. 6‑1/2”, a cream jug, h. 5‑1/2”, l. 5‑1/4”, and a tray, 30” x 21‑1/2”. $1,000‑$1,500

314

910

914 120‑Piece Set of Lunt “Eloquence” Sterling Silver Flatware the pattern designed in 1953 by Nord Bowlen (1909‑2001), Greenfield, Massachusetts, including two dozen five-piece place settings (one salad fork lacking) and one serving spoon, no monograms, presented in a fitted, Pacific cloth-lined wooden case with single drawer and lift-top. 149.40 total t. oz. (weighable silver) Detailed list of pieces available on request. $3,000‑$5,000

914 detail

914

915 Mexican Sterling Silver Tray mid-20th century, by Gerardo Lopez, Taxco, of oval form with applied scroll border, stirrup handles and raised on four acanthus feet. 30‑1/2” x 19”; 106.42 t. oz. Provenance: Collection of Julia Brooks and Clarke Thomas Reed, Greenville, Mississippi. $1,400‑$1,800

915

315

916 American Renaissance Revival Rotary Cylinder Desk third quarter 19th century, the carved crest over a cylinder with burlwood panels, opening to reveal a segmented interior and having a band of drawers below, raised on a pair of pedestal supports with convex doors, each with a burlwood panel and opening to reveal a fitted interior, flanked by turned columns, the rotary sections opening in a more compact manner than those on similar desks by Wooten. h. 61”, w. 53‑3/4”, d. 20‑1/4” $2,500‑$4,000 917 William Trost Richards (American, 1833‑1905) “Sketching by the Lake”

917

oil on canvas signed lower right. Framed. 9” x 13” $1,000‑$1,500

916

316

916 detail

918

918 American Renaissance Revival Inlaid Walnut Desk

920

ca. 1865, probably by Gustave Herter, New York, the upper section centered by a satyr-carved crest over banded geometric inlay and a shelf, flanked by a pair of paneled cupboards over drawers, the base with a central drawer flanked by paired drawers, raised on four pairs of fluted columns, the uppermost turnings with carved tops in the Herter manner, and joined by shaped stretchers, utilizing carefully selected walnut burl throughout. h. 55‑1/4”, w. 49‑3/4”, d. 23‑1/2” $1,500‑$2,500 919 American Renaissance Revival Walnut Bed third quarter 19th century, the tall arched headboard with a shell-carved crest over a burlwood panel, and the wrap footboard with an arched burlwood top rail. h. 89‑1/4”, inside w. 54‑1/2”, l. 75”, outside w. 58‑1/2”, l. 77‑3/4” $1,000‑$1,500 920 American Giltwood Pier Mirror third quarter 19th century, in Renaissance Revival style, with molded and scrolled brackets on each side of the base, and on each side under the crest, molded anthemia and paterae decorating the crest, with a female head as the finial. h. 77‑1/2”, w. 32” $600‑$900

919

317

922 Chauncey F. Ryder, N.A. (American, 1868‑1949) “First Snow on Moosilauke, N.H.”, 1868 oil on canvas backed by wood panel signed lower left, titled and signed on handwritten label en verso, and titled on artist plaque. Framed. 32” x 44‑1/4” $12,000‑$18,000 "He has searched for, and found, all the intimacies of nature in New England. So keen an observer, so perfect a lover, so delicate and so deliberate an interpreter, would not long remain a stranger to a new and more opulent mistress." --Los Angeles Times , Sunday, April 5, 1925 The newspaper review of Chauncey Ryder’s exhibit at Cannell and Chaffin’s Gallery in Los Angeles beautifully expresses the enduring legacy of Ryder’s paintings. Indeed, Ryder’s native New England was his mistress, which he devoted his life pursuing throughout Connecticut, New York and New Hampshire, where he spent almost the last forty years of his life. Ryder, an Impressionist scion, who pushed representational elements beyond optical illusion into the terrain of abstraction, was a visionary ahead of his American contemporaries. After studying at the Art Institute of Chicago and the Smith Institute, he moved to Paris, joining the art colony at Etaples and studying under Jean-Paul Laurens at the Academie Julian. There Ryder exhibited at the Paris Salon and was exposed to a melange of avant-garde movements - PostImpressionism, Fauvism, early German Expressionism, as well as the Japanese woodblocks of Hokusai, which influenced all the above-mentioned movements. The dark outlines and contrast of matte, monochromatic colors in the prints left a lasting impression on Ryder. How to create movement through blocks of color and line instead of modeling was something that fascinated Ryder, which he combined with the rapid impasto of Impressionism, using the optics of the human eye to blend pigments instead of the palette. 921

921 American Neo-Grec Bronze-Mounted Music Cabinet ca. 1870, the upper case with a single paneled door adorned by a gilt-bronze urn with flora, on a stand raised on parcel-ebonized and fluted columns with swag-carved capitals, joined by a low shelf, adorned throughout with gilt incising. h. 58‑1/2”, w. 27‑3/4”, d. 17‑1/2” $600‑$900

318

Ryder’s landscapes were admired for their vigorous brushwork, for their synergy, captured through their reduction of nature into bold shapes rendered through a muted, but painterly unified palette. The painting of Mt. Moosilauke is a fine example of this. The undertones of cool greens that underscore the horizon and winter vegetation, in the painting offered here, are characteristic of Ryder. His predilection for gray-green tones gave rise to the term “Ryder green” to describe his typical color scheme. Ryder painted many landscapes of southern New Hampshire after moving there in 1910, including this fine view in the southwestern part of the state. Ryder enjoyed much acclaim during his lifetime, including an honorable mention in the Paris Salon of 1907, and numerous awards at the 1915 Panama-Pacific International Exposition and at the 1937 Paris International Exposition. He was represented throughout his career by the dealer William Macbeth, who procured the sale of his paintings to many wealthy east coast patrons, including President Woodrow Wilson and his wife Ellen, who chose to commemorate their 25th wedding anniversary with the purchase of a Ryder landscape, “Valley of Assisi”.

922

319

923 American Renaissance Revival Inlaid Cabinet ca. 1870, New York, the backboard with a marquetry-inlaid panel depicting birds, ribbons and flora in anticipation of later Aesthetic Movement themes, the case with panels of banded inlay separated by projecting panels with inlaid moths, over a pair of doors with inlaid panels depicting anthemia, vases and foliage, flanked by leaf, flower and vine panels, each side with an inlaid panel depicting floral and ribbons. h. 66‑3/4”, w. 57”, d. 19‑3/4” $2,500‑$4,000 924 Assembled Egyptian Revival Clock third quarter 19th century, French, the pylon-form rusticated clock case composed of black Belgian and red griotte marble, with a vulture god on the lower edge, the handles in the form of Apis, the bull god, and the top centered by a figure of Osiris, the god of the underworld, the dial decorated with enamel flowers and marked with the partially legible name of the retailer “Savage Ly(...), Montreal”, and set with marked Achille Brocot works. h. 19‑1/4”, w. 10‑3/4”, d. 6‑3/4”

924

$1,200‑$1,800

923

320

925 Pair of Egyptian Revival Garnitures third quarter 19th century, French, decorated with red and black enameled panels depicting Nefertiti driving a chariot, the bronze handles decorated with Isis heads over Apis, the bull god, heads, the front with winged suns in the upper portion and bronze winged Isis heads in the lower portion. h. 19”, w. 8‑1/4”, d. 8‑1/4” $2,000‑$4,000 926 American Aesthetic Movement Giltwood Center Table fourth quarter 19th century, New York, the inset onyx top over an egg-and-dart- and foliate-carved apron with winged angel masques, crowning each of four reeded legs joined by beaded X-form stretchers, centered by a finial. h. 29”, dia. 32”

925

$600‑$900 The finely detailed masques and utilization of a Mexican onyx top is emblematic of the work of the first New York decorating firms of the 1880s and 1890s, including Pottier & Stymus, George Schastey, Herts Brothers and the successor to Herter Brothers, William Baumgartner.

927

927 Onyx, Champleve Enamel and Gilt-Bronze Garniture

926

ca. 1900, French, of Persian inspiration, the vase-shaped garniture with a circular onyx stand, set with a bronze border decorated with enamel panels depicting lotus flowers in various colors on a cobalt ground, set into a molded rococo scrollwork rim, the lower portion of the vase and the tapered lip with like decoration, the lower portion with Persianinspired panels, set with gilt-bronze handles with scrollwork, terminating with piercing. h. 22”, dia. 12‑1/4” $3,500‑$5,000

321

928 American Aesthetic Movement Mahogany Morris Chair fourth quarter 19th century, New York, the stiles capped by twisting leaf carving, the adjustable back positioned with a rod and cast brass stops, the arms with panels of like foliate carving, raised on square legs with a squashed ball-and-claw foot. h. 45‑1/2” $800‑$1,200 While the carving on the piece is reminiscent of that on objects attributed to Tiffany’s associated artists, the distinctive foot on the present chair corresponds to that on a number of pieces now attributed to the New York City shop of George Schastey, including an inlaid satinwood dressing table in the collection of the Munson Williams Proctor Institute, Utica, New York; an armchair in the Richard Driehaus Museum, Chicago, Illinois; and a sidechair at the Brooklyn Museum, New York. 929 American Aesthetic Movement Mahogany Folio Stand fourth quarter 19th century, the carved crest with a bronze spindle gallery, the stiles capped by carved flora and urns, the top of the case with a rail to retain displayed objects, the single door with a carved panel depicting foliage, flowers and a leonine masque, the interior with an open compartment. h. 57‑1/2”, w. 29”, d. 30”, open d. 54”

930

930 Large Pickard Arts and Crafts Vase ca. 1905‑1910, Chicago, Illinois, the faceted vase hand-painted with poppies, the flowerheads against a gilt ground accented with red scrollwork, decorated on a Jean Pouyat Limoges blank, the bottom with both their mark and the circular “Pickard Handpainted China” mark. h. 17‑1/4”, dia. 7” $600‑$900

$700‑$1,000

928 929

322

931 American Aesthetic Movement Satinwood Desk fourth quarter 19th century, the telescoping back board mounted with carved ribbons and swags, its extended position fixed with brass stops, the paneled slant lid opening to reveal a compartmentalized interior, over an open niche with interior panels, and flare feet. h. 56”, ext. h. 71”, w. 33”, d. 21” $700‑$1,000 932 American Aesthetic Movement Faux Bamboo Dressing Table fourth quarter 19th century, probably by R. J. Horner, New York, executed in maple and birdseye maple, with a beveled mirror in a turned faux bamboo support, the case with a band of drawers, on bamboo-style legs joined by like stretchers. h. 66‑1/2”, w. 46‑1/4”, d. 22” $1,000‑$1,500 932

931

931 detail

323

933 Japanese Satsuma “100 Arhats” Bowl first quarter 20th century, of circular form with slightly flared lip, densely decorated to the interior and exterior with 100 arhats, each depicted robed and seated, the individual faces framed by gilt moriage work aura, the base with the Shimazu family crest above a ten-character studio mark within a black reserve. h. 7‑1/2”, dia. 14‑1/4” $800‑$1,200

933

933 detail

934 Japanese Silver Bowl Bisansha of Yokohama, late Meiji period, ca. 1907, the bowl of slightly compressed globular form, narrowing to a waisted neck with flared lip, the body with repousse koi, and having an applied iris design, the flowers naturalistically modeled to raise the bowl on three legs, the feet marked “Bisansha” and “Jungin” (pure silver), with engraved brass presentation plaque reading “Nippon Bahitsu Kairyo Kabushiki Kaisha. / A.M.T Woodward Esqr. / 1907 / Souvenir of Autumn Meeting / Keihin Keiba Club”. h. 7‑1/2”, w. 9‑1/2”; 51.74 t. oz. $5,000‑$8,000 The Japan Daily Mail of the period records that the Keihin Keiba Club was a horse racing club founded in Yokohama in 1907 and of which Woodward was a supervisor. 934

324

935 Large Japanese Export Silver Vase Taisho period (1912‑1926), the vase of ovoid form, narrowing to a waisted neck with flared lip and everted rim, the exterior depicting multiple cranes, with a twocharacter mark and seal to the lower reverse, the base impressed Ikoma-sei below a two-character “pure silver” mark within a rectangular reserve. h. 18‑1/4”, dia. 10‑1/2”; 149.18 t. oz. $10,000‑$15,000 936 Japanese Bronze Model of an Oxherd and Ox late Meiji period, signed Seiya Saku (Workshop of Genryusai Seiya), the ox modeled walking steadily, with bundles of firewood strapped to its back, ahead of the herdsman walking with a stick in one hand and carrying a wide-brimmed hat over one shoulder, with a naturalistically styled base, impressed with a threecharacter “Seiya Saku” mark, on a carved hardwood stand. h. 9”, w. 22”, d. 11” 965

$1,000‑$1,500 937 Indo-American Aesthetic Movement Teak and Oak Desk ca. 1880‑1890, attributed to Lockwood de Forest, Ahmedabad, India and New York, the top with a carved vertical edge, the case with a pair of carved frieze drawers over narrow drawers with like carving, raised on square legs carved in similar motifs, the legs joined by a low shelf, the carved surfaces executed in teak and carved from the solid, rather than applied, drawer bottoms in poplar, the rear legs and some structural elements in oak. h. 29”, w. 43‑1/2”, d. 21‑1/2”

936

$3,000‑$5,000

937

Lockwood de Forest’s Ahmedabad Wood Carving Company in India engaged carvers who utilized the traditional motifs and methods that had been a longstanding tradition in the region. Those elements were sent to New York to be employed in interiors executed by Louis Comfort Tiffany and Associated Artists, as well as the wares of the firm, Tiffany and de Forest, and de Forest’s own furniture firm. The presence of oak for the back legs and poplar drawer bottoms suggests the present piece was assembled in New York using carved elements produced in Ahmedabad. A server with apparently identical carving along the edge of the top, and similar legs, attributed to de Forest, is in the collection of The Art Institute of Chicago. Similar carvings are illustrated in de Forest’s subsequent publication of his sketches from the period in Illustrations of Design Based on Notes of Line as Used by the Craftsmen of India, 1912.

325

938

939

938 Pair of American Neo-Renaissance Carved Oak Chairs fourth quarter 19th century, the stiles capped by carved heads, the cartouche-carved splat with stylized mermaids, the legs with double-knuckled paw feet joined by a shaped stretcher. h. 45‑1/4” $600‑$900 The molding on the present chairs is reminiscent of those Louis Comfort Tiffany placed in the grand dining room of Henry Flagler’s Ponce de Leon Hotel in St. Augustine, Florida. 939 Isaac Henry Caliga (American, 1857‑1934) “Twilight Nude” oil on canvas signed lower right. Presented in a giltwood and gesso frame with artist plaque. 27” x 22” $3,000‑$5,000 940 American Herschede Mahogany Tall Case Clock ca. 1900, produced by the Herschede Hall Clock Co., Cincinnati, Ohio, the late Victorian nine-tube tall case clock with fluted columns and Ionic capitals, with a painted moon dial and the movement with Westminster and Whittington chimes on the quarter hour. h. 99”, w. 26”, d. 19” $2,000‑$4,000 940

326

941

942

941 Suite of Twelve Late Victorian Mahogany Dining Chairs ca. 1890, in the manner of R. J. Horner, consisting of two armchairs, h. 55”, and ten sidechairs, h. 52”, with shell- and scroll-carved crests and lion-carved arm fronts, with carved paw feet.

943

$1,500‑$2,500 942 Collection of Five Brass and Wire Fenders

943 American Aesthetic Movement Cherry Etagere

fourth quarter 19th century, American Colonial Revival, two with serpentine sides, one with double-lemon finials, one with face-turned finials and one with turned finials. largest h. 19”, w. 47”, d. 14”

fourth quarter 19th century, molded with a panoply of shaped display shelves backed by beveled mirror plates, raised on gilt-metal ball-and-claw feet. h. 77”, w. 43‑1/2”, d. 12‑1/2”

$1,000‑$1,500

327

944

945

946

944 French Gilt-Bronze and Glass Chandelier ca. 1900, with a frosted and cut lower bowl shade concealing a socket and four double-light arms, decorated with lion’s heads and carefully detailed scrollwork, the bronze harp beneath a cornucopia, supporting another light and the chain. h. 37”, dia. 35‑1/2” $1,200‑$1,800 945 Bronze Firescreen in the Manner of E. F. Caldwell Company, New York

946 Set of Six Royal Doulton Cabinet Plates

second quarter 20th century, on pierced and scrolled paw feet, the screen decorated with an image of Hercules with a bull, framed with bas-relief dragons, in a flower-molded frame with a shell-form handle. h. 37‑1/2”, w. 20”, d. 13‑1/2”

ca. 1922‑1927, English, painted by Samuel Seabridge Wilson and retailed by Tiffany & Co., the plates decorated with various carefully rendered birds in misty, sunrise-hued landscapes, signed “S. Wilson”, the borders with raised gilt diapered panels and swags of bellflowers, signed on the back, including the retailer, marks of the gilder and pattern stamp. dia. 9”

$800‑$1,200

$600‑$900

328

947 Rare Tiffany Furnaces Table Clock ca. 1902‑1920, New York, in an unnamed pattern frequently referred to as “Rope” or “Twisted Rope”, with a gold dore finish, the clock with a pitched roof decorated with turquoise enamel panels on a delicately molded ground, marked “Tiffany & Co., New York”, on the dial, and “Louis C. Tiffany Furnaces, 651” on the base, the works marked “Chelsea Clock Co., Boston, USA, 155120”. h. 7‑1/2”, w. 5‑3/4”, d. 3‑1/2” $1,500‑$2,500 948 Assembled Pair of Steuben Aurene Candlesticks ca. 1904‑1933, Corning, New York, with twist stems and variations in color, each signed “Steuben Aurene 686”. h. 10”, dia. 4‑1/4” $900‑$1,200 949 Contemporary Bronze and Art Glass Chandelier in the manner of Louis Comfort Tiffany, with a spiral-twisted central core with extended tubular arms and outfitted with snakeskin-patterned art glass shades, one lacking. h. 42”, dia. 24” $700‑$1,000 950 Gorham Patinated Bronze Art Nouveau Candlestick Holder ca. 1900, Providence, Rhode Island, with a floriform base and a tulip-form match holder, the lobed candle socket on a leaf-molded handle, stamped “Gorham”, along with other unidentified silver-style marks. h. 4‑1/2”, dia. 4‑3/4”

949

$600‑$900

950

948 947

329

951 Walter I. Cox (British/American, 1867‑1930) “Portrait of a Young Girl Seated” oil on canvas signed lower right . Framed. 30” x 25” $1,000‑$1,500 952 James Nathan Muir (American, b. 1945) “The Quest”, 1984 patinated bronze cast signature, dated, copyright marked, and numbered “8/12” at back and side”, on a granite plinth. overall h. 26‑1/4”, w. 9”, d. 6”

952

$1,500‑$2,500 953 American Colonial Revival Mahogany Tall Case Clock ca. 1900, bearing a Tiffany & Co., New York engraved plate on the face, the movement with five bar chimes and revolving moon dial. h. 95”, w. 21”, d. 14” $800‑$1,200

953

954 American Spelter Figure of “Chingachgook” ca. 1900, after Nicanor Plaza Aguila (Chilean, 1844‑1918), illegible cast signature at base. h. 33”, w. 14”, d. 17‑1/2” $800‑$1,200

951

330

954

955 American School (Contemporary) “Native American Encampment” oil on canvas signed “Shutt” lower right. Framed. 18” x 24” $1,000‑$1,500

955

956 Harry Jackson (American, 1924‑2011) “Fly Time”, 1969 patinated bronze cast signature, dated and with copyright mark along one edge of self-base, numbered “20” along the other, now on a black marble plinth. h. 10‑1/2”, w. 11‑1/2”, d. 9‑1/2” $4,000‑$7,000 956

957 Hans Muller (Austrian, 1873‑1937) “Les Chevaux de Travail”, first quarter 20th century patinated bronze faint cast signature and conjoined “AR” monogram for the Arthur Rubinstein/Aust-Reich Foundry Vienna. h. 10‑3/4”, w. 13‑3/4”, d. 8” $1,000‑$1,500

957

331

959 American Chippendale Revival Mahogany Center Table fourth quarter 19th century, the shaped top with a gadrooned edge, the conforming apron centered by shell carving, raised on cabriole legs with foliate-carved knees and ball-and-claw feet. h. 29‑3/4”, w. 37‑3/4”, d. 24‑1/4” $600‑$900 960 After Adolph Alexander Weinman (German/American, 1870‑1952) “Descending Night”

960

patinated bronze cast signature along back edge of self-base, a small-scale variant of the 1915 sculpture which, along with its pendant “Rising Day”, adorned fountains at the Panama-Pacific Exposition in San Francisco, California, on a black marble base. overall h. 26‑1/2”, w. 18‑3/4”, d. 10” $700‑$1,000

959

958 Fine Julius Bluthner Ebonized Baby Grand Player Piano ca. 1880‑1890, Leipzig, Germany, serial number 21099 and fitted with a QRS Pianomation 2000 CD and player unit. h. 40”, w. 57”, l. 72” $2,500‑$4,000 Considered one of the “Big Four” piano manufacturers, Bluthner pianos were the instruments of choice for such noted composers and performers as Brahms, Wagner, Bela Bartok, Debussy, Tchaikovsky, Rachmaninoff, and Liberace to name a few. 958

332

963

961

964 962

961 French Cut and Frosted Glass Chandelier

963 KPM Hand-Painted Porcelain Plaque

mid-20th century, probably Baccarat, with a turned, cut standard, the scrolled spiral-reeded candle arms set with prism rings and glass candle cups, alternating with spiral scrolls, hung with prisms. h. 27”, dia. 25”

ca. 1900, German, depicting a Greek maiden carrying an amphora on her head, the reverse impressed with “KPM’’ and scepter marks, in a giltwood frame. overall h. 13‑1/2”, w. 7‑1/4”

$600‑$900 962 Pair of French Neoclassical-Style Cut Glass Vases ca. 1900, now mounted as lamps, on painted wooden bases, the vases cut with diamond-point panels in the shape of swags and tassels, the flaring rims cut with panels. vase h. 15‑3/4”, overall h. 26‑1/2”, w. 5‑1/2”, d. 5‑1/2” $700‑$1,000

$1,000‑$1,500 964 Exceptional French Cut and Enameled Glass Covered Punch Bowl fourth quarter 19th century, the teardrop-shaped strawberrycut panels over bold reeding, trimmed with blue and orange enamel and flowers, the matching cover with an acorn-form gilt-trimmed knop. h. 10‑1/2”, dia. 10‑3/4” $900‑$1,200

333

965 Enameled Glass Covered Punch Bowl and Cups second quarter 20th century, Czech, attributed to Moser, composed of shaded amber glass decorated with gilt panels, with raised edges and enamel flowers, the set comprised of a covered bowl with a ladle, h. 10‑1/2”, dia. 7”, and six cups, h. 3‑3/4”. $600‑$900

966 American Belleek Nautilus Pitcher ca. 1892‑1901, Willets Manufacturing Co., Trenton, New Jersey, probably designed by Walter Scott Lenox (1859‑1920), crested with a figural putto holding the ribbon handle. h. 9‑1/2”, w. 8‑1/2”, d. 2‑3/4”

965

Literature: Alice Cooney Frelinghuysen, American Porcelain, 1770‑1920 (New York: Metropolitan Museum of Art, 1989), p. 202. $900‑$1,200 This nautilus-form jug is an iconic example of the art of porcelain in the United States in the late 19th century. Probably designed by Walter Scott Lenox (head designer at Willets and later founder of Lenox Porcelain). There are examples in the collection of the Metropolitan Museum of Art in New York (where one is on display in the American Wing) and the Newark Museum in New Jersey. The Newark pitcher has been exhibited a number of times, including the current “Hot, Hotter, Hottest: 300 Years of Jersey Ceramics” at the Newark Museum, and “19th Century America”, an exhibit held at the Metropolitan Museum of Art in New York. Like this pitcher, neither the New York nor Newark examples are signed, and the dimensions of this lot match the Newark pitcher.

966

967 American Brass Table Lamp first quarter 20th century, mounted with a red satin glass mushroom shade, decorated with gilt-lined scrollwork, possibly by Bradley and Hubbard, the lamp base impressed “240”. h. 19‑3/4”, dia. 11‑1/2” $700‑$1,000

967

334

968

970

972

973

968 Bidjar Carpet

970 Antique Persian Kerman Carpet

972 Semi-Antique Kashan Carpet

7’ 4” x 10’

8’ 9” x 12’ 2”

8’ 8” x 11’ 10”

$800‑$1,200

$2,000‑$4,000

969 Peshawar Sultanabad Carpet

971 Sultanabad Carpet

973 Turkish Angora Oushak Carpet

10’ x 13’ 1”

8’ x 11’ 5”

8’ 10” x 11’ 6”

$1,800‑$2,500 Illustrated Online

$2,000‑$4,000 Illustrated Online

$1,000‑$1,500

335

975

976

978

974 Peshawar Sultanabad Carpet

976 Antique Sultanabad Carpet

978 Agra Serapi Carpet

9’ x 12’ 3”

8’ 7” x 15’ 6”

8’ 8” x 12’ 1”

$1,800‑$2,500 Illustrated Online

$1,200‑$1,800

$1,800‑$2,500

975 Agra Serapi Carpet 10’ x 14’ 4” $1,000‑$1,500

336

977 Heriz Runner 3’ 7” x 20’ 3” $600‑$900 Illustrated Online

981 980

979 Parcel-Gilt and Verdigris-Painted Mahogany Pier Mirror ca. 1900, in the Italian Neoclassical style, the mahogany frame with an upper tablet centered by a reeded urn flanked by a pair of griffins and lyres with unfurled ribbons, the mirror plate flanked by Corinthian-column pilasters, the surround richly decorated with scrollwork, acanthus leaves and swans. h. 105‑1/2”, w. 63” $2,000‑$4,000 980 Impressive Pair of French Restauration Bronze Dore et Patine Candelabra second quarter 19th century, on lotus-molded tripartite bases, the patinated bronze paw feet supporting the reeded standards, terminating in gilt-bronze Corinthian capitals, the seven leafmolded, scrolled candle arms with pierced scrollwork and floriate medallions, and set with fluted drip pans and reeded candle sockets. h. 32‑3/4”, w. 18‑3/4” $1,500‑$2,500 981 Unusual Pair of Empire-Style Light Sconces ca. 1900, French, on molded bracket-form backplates decorated with masques, each with a bronze orb supporting four swan-form candle arms set with molded candle cups, around a patinated bronze angel figure, electrified. h. 21”, w. 15”, d. 9” $2,500‑$4,000 979

337

982 984

982 Pair of French Gilt-Bronze and Marble Candlesticks fourth quarter 19th century, in the Empire style, on a columnform plinth with a bronze leaf-molded base set with verde antique marble, and winged bronze caryatids perched on bronze spherules, holding aloft vase-shaped gilded candle holders. h. 19‑1/4”, w. 4”, d. 6” $1,000‑$1,500 983 Directoire-Style Ebonized and Parcel-Gilt Fauteuil early 20th century, the foliate-carved rail above a paneled crest and a pierced fan and urn-form splat, joined by paneled and padded arms to the cushioned and caned seat, raised above a gilt foliate apron on fluted tapering circular legs ending in toupie feet. h. 37” $800‑$1,200 984 Neoclassical-Style Bronze and Crystal Hall Lantern second quarter 20th century, French, set with faceted glass, the fluted frame with pierced bowknot crests, supported on scrolled arms. h. 33”, w. 16‑1/2” $600‑$900

338

983

985 Bronze, Metal and Marble Encrier ca. 1900, French, mounted with a patinated bronze horse figure after Paul-Edouard Delabrierre, flanked by a pair of patinated metal inkpots decorated with flowers, on a serpentine verde antico marble base with molded edges and an inset pen tray. h. 9‑1/2”, w. 16‑1/2”, d. 8‑1/2” $700‑$1,000 985

986 Fin de Siecle Bronze Dore et Patine Humidor fourth quarter 19th century, French, the impressive urn-form humidor with a lobed base supporting gilt-bronze jockeys on each side, an oval ash receiver on the obverse and reverse, with a cigar cutter mounted over each, the sides decorated with gilt-bronze plaques depicting race horses and framed with tack on the front and back, double tack-framed horse heads serving as handles, with a covered match holder behind them. h. 12”, w. 9‑1/2”, d. 8‑3/4” $3,000‑$5,000 987 Directoire-Style Ebonized and Parcel-Gilt Looking Glass late 19th century, the gilt foliate crest with projecting ends above a foliate- and floral-carved frieze, the rectangular plate flanked to either side by engaged rounded pilasters with banded gilt accents. h. 52‑1/2”, w. 40”

986

$600‑$900 988 Pair of French Patinated Bronzes of the “Marly Horses” 20th century, after Guillaume Coustou (French, 1677‑1746), each with cast signature along edge of self-base. tallest h. 11‑1/2”, w. 10”, d. 4‑1/2” $700‑$1,000

987

988

339

989

990

989 French Restauration Gilt-Bronze Clock second quarter 19th century, with scroll-molded feet and skirt, the enamel dial flanked by scrolled mounts, a horse serving as the finial, poised looking back, set with a silk-string suspension movement. h. 13”, w. 8‑3/4”, d. 3‑3/4”

991

$600‑$900 990 Directoire-Style Mahogany Etagere Table 20th century, the superstructure fitted with a rectangular top with a full brass garland gallery, above a like shelf with front gallery, the rectangular base with a like three-quarter gallery, raised on tall, tubular, reeded legs joined by vertical X-form stretchers and ending in block feet. h. 49”, w. 19‑1/2”, d. 14‑1/2” $1,000‑$1,500

340

991 French Mahogany and Gilt-Metal Campaign Folding Table late 19th century, the bi-sected rectangular top with a full metal edging, and raised on a collapsing X-form base with X-form metal stretchers centered by decorative mounts, ending in brass runner stretchers. h. 26”, w. 27”, d. 18‑1/2” $700‑$1,000

992 Restauration Mahogany Settee mid-19th century, the padded rectangular back joined to the like seat by reeded scrolling arms, raised on tapering bulbous legs ending in toupie feet. h. 42”, w. 69”, d. 26” $800‑$1,200 993 Directoire Gilt-Bronze Clock ca. 1800, French, on a base with mounts depicting a caduceus flanked by sprays of laurel and roses, the engine-turned dial bezel above a lyre and a pair of serpents coiling around flaming torches, a cupid wearing a laurel wreath serving as the finial, mounted with a silk-string suspension movement, signed by the maker, “Fr. Folin, a Paris”, and possibly son of Nicolas-Alexandre Folin, master clockmaker. h. 12‑1/2”, w. 5”, d. 4”

993

$900‑$1,200 994 Restauration Mahogany Occasional Table second quarter 19th century, the rounded rectangular top hinged and opening to a larger surface, above a frieze fitted with a single drawer, raised on curule-form end supports joined by a bulbous turned stretcher. h. 29‑1/4”, w. 25‑1/2”, d. 16‑1/2” $700‑$1,000 995 Charles X Mahogany Fauteuil second quarter 19th century, the padded square back surmounted by a plain frieze and scrolling foliate crest, joined by scrolling arms to the padded seat, raised on sabre legs. h. 36”

994

$800‑$1,200

992

995

341

997

996 French Gilt-Bronze Figural Group of “Le Triomphe de Bacchus” ca. 1900, after Claude Michel, known as Clodion (French, 1738‑1814). h. 14‑3/4”, w. 10‑1/2”, d. 8” $800‑$1,200 997 Pair of Beaux-Arts Bronze Urns

996

second quarter 20th century, possibly English, the campana-form urns with fluted bases, and having leaf-molded handles terminating in masques and basrelief-carved classical figures beneath a grapevine, the interior chrome-lined. h. 10‑1/2”, dia. 9‑1/2” 998

$1,000‑$1,500 998 Empire-Style Gilt-Metal and Tole Table Lamp mid-20th century, French, the tole base decorated with gilt mounts depicting Diana, Cybele, Minerva and Apollo, the vasiform body mounted with handles terminating in masques, mounted with a black and gilt paper shade. h. 37”, dia. 15‑3/4” Provenance: Collection of Julia Brooks and Clarke Thomas Reed, Greenville, Mississippi. $600‑$900 999 Empire Mahogany and Marble-Top Commode early 19th century, the rectangular marble top above a conforming case fitted with a frieze drawer over three long recessed drawers, flanked to either side by ormolu-mounted columns, raised on turreted feet. h. 36‑1/2”, w. 53”, d. 25‑1/2” $900‑$1,200

342

999

1000A

1000 Italian School (19th Century) “Capriccio with Figures Amongst Roman Ruins” oil on canvas Framed. 19‑1/2” x 24” $2,000‑$4,000 1000A Continental School (First Quarter 19th Century) "Staged Battle in the Colosseum, With Gladiators, Horses and Wild Animals" oil on canas unsigned. In an antique gesso and carved wood frame. 56" x 152"

1000

$3,500-$5,000

1001 Suite of Eight Restauration-Style Mahogany Fauteuils

1001

20th century, each with a curved backswept crest above a padded back, joined by scrolling arms to the padded seat, raised on sabre legs. h. 37” $2,000‑$4,000

343

1002 Louis-Philippe-Style Mahogany Center Table 20th century, the circular top banded and with a sunburst inlay, raised on three bulbous supports and a large central like support to a shaped plinth base. h. 31”, dia. 59” $800‑$1,200 1003 Louis-Philippe Mahogany Pier Table second quarter 19th century, with a serpentine top with beaded edge, on scroll supports, over a serpentine low shelf, the back with a mirror plate, on ring-turned feet. h. 33‑3/4”, w. 38‑3/4”, d. 22‑1/2” $700‑$1,000 1004 Large Louis-Philippe Giltwood Mirror mid-19th century, French, the bolection-molded surround trimmed with molded scrollwork and shells, the pierced crest decorated with scrollwork, a putto on the crest. h. 72”, w. 54” $1,800‑$2,500

1004

1003

344

1002

1005 Pair of Empire-Style Mahogany Tub Chairs

1007 Louis-Philippe-Style Mahogany and Marble-Top Side Table

19th century, each with a curved and rounded crest above a padded back, joined by downswept arms on dolphin uprights to the padded seat, raised on sabre legs. h. 32‑1/4”

20th century, the rectangular thick marble top above a conforming ogee-molded frieze, with delicate scrolling foliate inlays, joined by a mirrored back and like-inlaid scrolling supports to a shaped lower shelf, raised on block feet. h. 35”, w. 42‑3/4”, d. 21‑1/2”

$1,000‑$1,500 1006 Louis-Philippe-Style Mahogany and Marble-Top Side Table 20th century, the rectangular thick marble top above a conforming ogee-molded frieze, with delicate scrolling foliate inlays, joined by a mirrored back and like-inlaid scrolling supports to a shaped lower shelf, raised on block feet. h. 35”, w. 42‑3/4”, d. 21‑1/2” $1,500‑$2,500

$1,500‑$2,500 1008 Pair of Handsome Figural Candelabra second quarter 19th century, the Restauration bronze dore et patine candelabra on reeded bases trimmed with gilt lotus leaves, supporting male and female bacchanalian figures perched on balls, each with grapes in their hair, the male figure holding grapes and the female a gilt wine cup, the cornucopiaform candle arms decorated with pierced grapes, grape vines and anthemia, the anthemia-molded drip pans set with engineturned candle cups, electrified. h. 30‑1/2”, dia. 9” $2,000‑$4,000

1008

1005

1006

1007

345

1009 Restauration Mahogany and Marble-Top Center Table first quarter 19th century, the circular dished charcoal marble top raised on a columnar standard to a concave tripartite plinth base. h. 29”, dia. 32” $800‑$1,200 1010 Pair of French Patinated Bronzes of Musical Satyrs first/second quarter 20th century, after Jean-Louis Gregoire (French, 1840‑1890), one playing bagpipes, the other a ravanastron, each with cast signature on self-base, and on a round griotte rouge marble plinth. h. 14‑3/4”, w. 6”, d. 6‑1/2”; h. 15‑1/4”, w. 6”, d. 6”, respectively

1011

$1,000‑$1,500

1012

1010

1011 Pair of Napoleon III Gilt-Bronze and Marble Urns third quarter 19th century, French, on red griotte marble plinths decorated with lotus-molded bronze trim, the urns with reeded bodies and pierced leaf-molded handles with floriform medallions, resting on acanthus-molded bases, stamped “B&D” on the underside of the interior bases. h. 11”, w. 8”, d. 5‑1/2” $900‑$1,200 1012 Louis-Philippe Mahogany Desk second quarter 19th century, the superstructure fitted with three drawers, above a paneled rectangular surface, pushing back to reveal a drop-front secretary drawer fitted with an inset leather writing surface and various drawers and cubbyholes, over three short drawers, raised on circular ribbed legs ending in ball feet. h. 41‑1/2”, w. 51‑1/2”, d. 25” $700‑$1,000

1009

346

1013 1014

1013 Suite of Six Directoire-Style Mahogany Sidechairs 20th century, each with a curved and paneled crest above an urn-carved splat, the padded seat raised on tapering circular legs ending in toupie feet. h. 34” $1,500‑$2,500 1014 French Empire-Style Bouillotte Lamp mid-20th century, on a circular beaded base, the reeded quiver-form standard set with scrolled candle arms with electrified candles, mounted with a red tole shade. h. 26”, dia. 13” $600‑$900 1015 Louis-Philippe Mahogany Desk

1016

second quarter 19th century, the superstructure fitted with three banks of three short drawers, the rectangular top with an inset leather writing surface, and pulling out for more space, each side fitted with a leather-inset slide, over a case fitted with a central drawer flanked to either side by two small drawers, raised on turned and ribbed tapering circular legs ending in ball feet. h. 40‑1/2”, w. 50‑1/4”, d. 24” $700‑$1,000 1016 Louis-Philippe Cave a Liqueur mid-19th century, the brass-inlaid rosewood case with a serpentine cover and front, opening on hinges to reveal a rosewood lift-out tray with an ebonized and gilt-bronze handle, fitted with openings with four molded and cut crystal liqueur decanters and sixteen cut crystal liqueur glasses (two glasses lacking). h. 10‑3/4” (closed), h. 18” (open), w. 12‑1/2”, d. 10” $700‑$1,000 1015

347

1018 1017

1019

1020

1017 Pair of French Empire-Style Gilt-Bronze and Molded Crystal Candelabra

1019 Pair of Restauration Mahogany Gondola Chairs

third quarter 20th century, attributed to Baccarat, the leafmolded bronze bases supporting reeded crystal plinths, the standards featuring displayed eagles perched on engineturned spheres, set with five leaf-molded candle arms terminating in leaf-molded drip pans and bellflower-molded candle cups, each with beaded edges. h. 28‑3/4”, w. 11‑3/4”, d. 11‑3/4”

early 19th century, each with a ribbed and pierced scrolling acanthine crest above a padded back, joined by downswept sides and scrolling ribbed arms to the padded seat, raised on sabre legs ending in upturned toes. h. 32‑1/2”

$2,500‑$4,000

1020 Charles X Mahogany and Marble-Top Center Table

1018 Pair of French Restauration Gilt-Bronze and Cut Crystal Rhyton Vases second quarter 19th century, the serpentine-cut glass bases set with bronze ram’s heads supporting panel-cut glass cornucopias decorated with panels of cut shells. h. 8‑3/4”, w. 6”, d. 3‑1/2” $1,200‑$1,800

348

$1,200‑$1,800

second quarter 19th century, the circular rim with a conforming white marble mounted to a hexagonal faceted standard and trifid base with carved paw feet. h. 27‑1/2”, dia. 38” $600‑$900

1021 Charles X Mahogany and Marble-Top Dressing Table first quarter 19th century, the dodecagonal mirror within a molded frame and raised on dolphin supports, the inset rounded rectangular marble top above a conforming frieze fitted with a single compartmented drawer, raised on columnar legs joined by a swan’s-neck stretcher and a concave stretcher shelf and ending in bun feet. h. 59”, w. 34‑1/2”, d. 19” $1,500‑$2,500 1022 Pair of Directoire-Style Giltwood Bergeres 19th century, each with a padded rectangular back within a molded and annulated frame, joined by closed padded arms to the cushioned seat, raised on tapering circular legs headed by floral block capitals and ending in turned feet. h. 35” 1023

$600‑$900 1023 French Gilt-Bronze and Marble Clock Set ca. 1900, in the neoclassical taste, the hemispherical portico base decorated with bronze laurel sprays and columns wrapped with bronze laurel leaves, around the sun-molded pendulum, the clock mounted with sprays of laurel on each side, and set with a marble and bronze-covered urn-form finial, h. 18‑1/2”, w. 7‑1/2”, d. 4‑1/4”, and the matching threelight candelabra set with scrolled bronze arms and candle cups molded with swags, h. 11”, w. 7‑1/2”, d. 3‑1/2”. $1,400‑$1,800

1022

1021

349

1024 Empire-Style Gilt-Metal and Marble-Top Gueridon the circular marble top raised on three shaped supports headed by ram’s heads, joined by a ring stretcher and ending in hoof feet. h. 26”, dia. 30” $800‑$1,200 1025 Empire-Style Polychrome and Marble-Top Side Table 19th century, the rectangular top with a central D-form projection, above a conforming heavily molded frame, raised on two supports, in the form of female sphinxes, ending in a molded plinth base. h. 32”, w. 45”, d. 24”

1025

$3,000‑$5,000

1026

1026 Pair of Empire-Style Bronze and Marble Candelabra 20th century, now mounted as lamps, on giltwood bases, the green marble tripartite plinths with giltbronze mounts and supporting patinated bronze caryatids smoking pipes, set with gilt-bronze candle cups with molded masques, mounted with shades. h. 35‑1/4”, dia. 17‑1/2” $1,500‑$2,500

1024

350

1027

1029

1027 Agra Serapi Carpet

1030 Uzbek Kazak Carpet

10’ x 14’ 2”

9’ 3” x 12’ 5”

$1,500‑$2,500

$1,400‑$1,800 Illustrated Online

1028 Pair of Uzbek Kazak Carpets

1031 Agra Serapi Carpet

each 5’ x 6’ 4”

10’ x 14’

$800‑$1,200 Illustrated Online

$2,000‑$4,000

1029 Semi-Antique Persian Heriz Carpet 8’ 1” x 10’ 6” $900‑$1,200

1032 Agra Mahal Carpet 8’ x 9’ 9” $1,000‑$1,500 Illustrated Online

1031

351

1033 Agra Carpet

1035 Turkish Oushak Runner

11’ 8” x 18’ 9”

2’ 9” x 10’ 5”

$2,000‑$4,000

$600‑$900 Illustrated Online

1034 Joshagan Carpet 7’ x 10’ 6”

1036 Turkish Angora Oushak Carpet

$600‑$900

8’ 2” x 10’ $800‑$1,200

1034

1033

352

1036

1037 Tibetan Thangka Depicting Amitabha in Sukhavati late 19th/early 20th century, painted on cloth, centered by Amitabha (Buddha of boundless light) surrounded by the lush western paradise known as Sukhavati, and other celestial beings, all above a representation of the human realm. h. 33‑1/2”, w. 43‑1/2” $700‑$1,000 1038 Chinese Celadon-Glazed Vase 20th century, of double gourd form, having a slightly compressed globular-form lower section, below a smaller upper section narrowing to form a short, tapering neck, the base with an apocryphal six-character Jiaqing mark in underglaze blue. h. 12‑1/2”, w. 7‑1/2” $600‑$900 1039 Chinese Longquan Celadon Glaze Five-Spouted Vase Southern Song Dynasty (1127‑1279), having a compressed globular-form body rising from a neat foot rim, gently ribbed to the lower section, the upper section with five evenly spaced tubular necks centered by a short trumpet neck. h. 4‑1/2”, dia. 5” Provenance: Bearing a collection label from The Thomas Collection (cs.103) at base.

1037

$1,000‑$1,500

1039

1038

353

1040

1040 Chinese Green-Glazed Vase possibly Han Dynasty (206 BC-220 AD), of “hu” form, with everted, slightly flared lip and raised on a pronounced foot, the body and neck both encircled with three raised bands, having molded stylized ram-form loop handles, with a later hardwood stand. h. 17”, dia. 10” Provenance: Estate of the Honorable Nicolas M. Salgo, Ambassador of the United States to Hungary (1983‑1986), 4 East 72nd Street, New York, New York. $2,500‑$4,000 1041 Pair of Chinese Bronze Table Lamps 20th century, each of baluster form with an everted lip, the vase base modeled as a stand, raised on four ruyi-form feet, each body with applied foliate detail, forming handles of naturalistic design, all on a dense geometric scroll ground, having a hardwood stand and mounted with a single bulb fixture, lacking shades. overall h. 21”, w. 6‑3/4” $600‑$900 1041

354

1042 Chinese “Faux Bronze” Ceramic Censer Probably 19th century, of fang ding form, with slightly concave sides, each of which is decorated with two stylized dragons confronting each other on a geometric ground, below a studded band, the whole raised on four blade-form legs, each with zoomorphic and archaic scroll detail, the base with a three-character “Hall of the South Office” mark within a square reserve, the later cover, possibly zitan with lacquered finish, surmounted with a carved finial of a figure lying on a standing elephant. overall h. 13‑1/2”, w. 8”, d. 8” Provenance: From the estate of Ouyang Ju (Mayor of Canton, 1946‑1949). $800‑$1,200 1043 Chinese Carved Buffalo Horn Libation Cup first half 20th century, carved to the exterior with a panoramic scene of figures on terraces, the interior rim with simple scrolling cloud detail, having a later molded stand. h. 4‑1/2”, w. 3‑3/4”, d. 2‑1/4” 1042

$600‑$900

1043 front

1043 back

355

1044 Rare Painting of Fudo Myoo Japanese, 18th century, ink, color and gold on silk laid down on paper, the imposing, blue-bodied figure with furious face, depicted seated on an elaborately decorated plinth-form throne, wearing sumptuously patterned robes to his lower half and draped across one shoulder, with embossed detail throughout, holding his traditional attributes of “The Great Sword of Wisdom” in one hand and a woven lasso in the other, with stylized flames in vibrant oranges and reds swirling behind, rising to take Garuda form, mounted in later frame. 80‑1/2” x 39‑1/2” Provenance: Manheim Galleries, New Orleans, Louisiana, ca. 1959. $30,000‑$50,000

1044

356

1046 Two Inlaid Wooden Boxes fourth quarter 19th century, one example with a domed top, Islamic-inlaid with parquetry executed with bone and various exotic woods, an Islamic star inlaid in the center of the cover, with a fabric-lined interior, h. 6”, w. 7‑1/4”, d. 4‑1/2”, and the other a rectangular rosewood example, parquetry-inlaid with various exotic hardwoods, the cover slightly domed and the interior lined with velvet, h. 6”, w. 9‑3/4”, d. 6”. $800‑$1,200

1046

1047 Associated Pair of Chinese Oxblood Porcelain Vases 1045

1045 Middle Eastern Watercolor Calligraphy on Paper with freehand Islamic designs on the sides and over a “list” in Middle Eastern script, probably a registry. h. 38‑1/2”, w. 22‑1/4” $700‑$1,000

20th century, now converted to table lamps, each of bottle form, the taller example with an impressed scrolling floral band encircling the neck, mounted with a twin bulb fixture, the shorter example with a single bulb fixture, each mounted on a square hardwood stand. tallest overall h. 32”, w. 8” $600‑$900 Illustrated Online

1048 Chinese Carved Hardwood Low Table

1048

late 19th/early 20th century, having a sectional panel top set within a thick rectangular frame with a carved and pierced frieze, centered on each side by a shou medallion flanked by ruyi bats, deer and double gourd plants, raised on four short legs terminating in scroll feet. h. 10‑1/2”, w. 31‑3/4”, d. 20‑1/4” $800‑$1,200

357

1049 Chinoiserie Gilt and Polychrome Cocktail Table 20th century, the rectangular top with an elaborate gilt and polychrome foliate and avian scene, over a pierced ogee-molded frieze on square legs ending in shaped toes. h. 15”, w. 48”, d. 24” $700‑$1,000

1049

1051 Chinese Carved Wood and Lacquer Budai 1049 detail

first half 20th century, modeled as a traditional happy or laughing buddha, seated holding a peach in one hand and grasping a cloth sack in the other, his robe decorated with a fan design with foliate trim, the eyes inset with black glass beads, having an all-over lacquer finish, with some more pronounced cinnabar and gilt areas, particularly to the face. h. 22”, w. 19”, d. 12” $1,000‑$1,500

1050

1050 Pair of Chinese Oxblood-Glazed Vases 20th century, each of baluster form with everted lip, and having an all-over distinctive oxblood glaze. h. 23‑1/2”, w. 9” $600‑$900 1051

358

1052 Associated Pair of Chinese Cloisonne “Da Ji” Elephants on Stands second half 20th century, each elephant modeled standing four-square and draped with a blanket decorated with a four-clawed dragon chasing the flaming pearl motif, surmounted by a double-gourd-form vase with “da ji da li” design, each raised on a galleried plinth base. h. 21”, w. 12‑3/4”, d. 8” $1,000‑$1,500

1052

1053 Pair of Chinese Vases with Gilt-Bronze Mounts 20th century, each of baluster form, with flared lip and slightly splayed foot, the body decorated with opposing five-clawed dragons chasing the flaming pearl, amid birds, fruit, flowers and clouds, all in the famille rose palette on a celadon-ground, the neck and foot each encircled by a band of dense floral design on a gilt ground, having ruyi scepterform handles mounted with ormolu wreaths. h. 28”, w. 10‑1/2” $10,000‑$15,000

1053

359

1054

1054 Large Chinese Blanc de Chine Foo Dog 20th century, modeled as a male, with front paws placed on a pierced brocade ball. h. 20‑1/2”, w. 16”, d. 14” $600‑$900 1055 Pair of Chinese Canton Enamel Vases 20th century, each of baluster form, with trumpet neck and slightly splayed foot, decorated to the exterior with mirrored panels, one side with a bird perched amid blossoming flowers, the opposing side with butterflies hovering over flowering peonies, the surround with a scrolling floral design on a turquoise ground, having a white enamel interior and base. h. 17‑3/4”, w. 8” $600‑$900

1055

360

1056 Chinese Cloisonne Plaque Mounted as a Table Screen 19th century, the rectangular-form cloisonne plaque with a design of scholarly and auspicious objects, vibrantly depicted in various colors on a sky-blue ground, mounted within a hardwood frame with geometric scroll border and enclosed reverse, the fitted hardwood stand carved with floral and foliate motifs. h. 29‑1/2”, w. 19”, d. 8‑1/2” $2,000‑$4,000

1056

1057 Pair of Chinese Porcelain “Millefleurs” Bowls 20th century, each of circular form, with slightly flared lip, the exterior densely decorated with various flowers in pinks, purples, blues and yellows on a gilt-ground, the interior with all-over turquoise glaze, each base with apocryphal Qianlong mark in copper red. h. 3”, dia. 6” $600‑$900 1057

361

Artist Index | May 20-21, 2017

Adickes, David Pryor, 706

Drewes, Werner, 764

Alberic Collin, 726

Drysdale, Alexander John, 774-776

American School, 838, 888, 955

Dureau, George, 710

Basset, Louis, 534

Dutch School, 105, 120

Beetz-Charpentier, Elisa, 21

Erte, 753, 754

Beltran-Masses, Federico, 539

Flattmann, Alan, 709

Berchem, Nicolaes (follower), 18

Fowler, Trevor Thomas (attributed), 847

Berkes, Antal, 535

French School, 7, 129, 224, 347

Bertrand, Paulin Andre, 46

Frith, R.A., William Powell, 405

Bingham, George Caleb (attributed), 903

Galdikas, Adomas, 506

Bough, Samuel, 474

Genryusai Seiya (workshop), 936

Braque, Georges, 761

Gianbologna (after), 297

Breakspeare, William Arthur (attributed), 236

Gibert, Alexandro Detallo, 504

Breitner, George Hendrik, 281

Girard, Bill, 769

Briganti, Nicholas, 308

Gisson, Andre, 47

British School, 42, 167, 415, 470

Golden, Rolland, 708

Browne, George Elmer, 540

Goliwas, Ruth, 713

Caliga, Isaac Henry, 939

Gordon, Gary, 758

Carroll, John, 542

Gorg, Jurgen, 756

Cathelin, Bernard, 286, 287

Gorman, R.C., 768

Chalet, Andre, 284

Graham, George, 483

Clare, Oliver, 493

Guerinot, Marilyn, 45

Clodion (after), 996

Guidry, Louise, 712, 714, 715, 737

Clodion (manner), 343

Guillaume Coustou (after), 988

Continental School, 77, 123, 235, 244, 290, 1000A

Guillaume, Pierre, 533, 546

Cooper, Ann, 705

Hadengue, Louis-Michel, 130

Cox, Walter I., 951

Haines, E., 532

Daini, Augusto, 340

Hall, J., 307

Delpy, Hippolyte Camille, 11

Hart, Frederick Elliott, 722, 723

di Giovanni, Luigi, 342

Henderson, William, 475

Dickinson, Joseph, 704

Henry, Michel, 505

Domergue, Jean-Gabriel, 543

Herve, Jules Rene, 280

Dommersen, William Raymond, 106

Heytman, Willem, 282

Artist Index | May 20-21, 2017

Hill, Carrie, 778

Picasso, Pablo, 766, 767

Hobbema, Meindert (attributed), 40

Picasso, Pablo (after), 762

Hood, Albert, 892

Pinggera, Heinz, 257

Hull, Marie, 699

Pino, Giuseppe, 725

Icart, Louis, 544

Plaza, Nicanor Aguila (after), 954

Italian School, 59, 341, 1000

Quattrociocchi, Domenico, 33

Jackson, Billy Morrow, 702

Renard, Paul, 537

Jackson, Harry, 956

Renda, Giuseppe, 752

Karssen, Anton Nicolaas Marie, 479, 536

Reni, Guido (manner), 128

Ker, Dorian, 545

Reynolds, P.R.A., Sir Joshua (studio), 413

Kraus, Harold, 548

Richards, William Trost, 917

Kroll, Leon, 541, 549

Richter, Adrian Ludwig, 131

Lapchine, Georgi Alexandrovich, 507, 508

Rinck, Adolph, 843

Laverne, Erwine and Estelle 740

Robbe, Louis, 19

Loth, Johann Carl (manner), 124

Rockmore, Noel, 707

Lucchesi, Bruno, 751

Rosset, Jean Claude Francois (after), 351

MacDonald, Richard, 771

Rubens, Peter Paul (after), 122

Mayor, Joan, 538

Ryder, N.A., Chauncey F., 922

Mengue, Jean-Marie, 20

Sandifer, Rosie, 755

Michalopoulos, James, 711

Schouten, Henry, 28

Mirabella, Sabatino, 337-339

Schulte, Antoinette, 285

Miro, Joan, 763

Schwartz, Manfred, 760

Moreau, Auguste (manner), 519

Scott, Henry, 818

Muir, James Nathan, 952

Seiya Saku, 936

Muller, Hans, 957

Shahenian, Elizabeth (LIZO), 547

Murillo, Bartolome Esteban (after), 127

Shearwater Pottery, 773

Navarro, Chris, 749, 749

Siegwart, Karl Peter Hugo, 298

Navratil, Josef, 41

South American School, 56

Nierman, Leonardo, 700, 701

Spruance, Benton, 772

Osver, Arthur, 759

Stubbs, William Pierce, 830

Palnagy, Zsigmond, 22

Sully, Robert (attributed), 881

Petrocelli, Vincenzo, 126

Ubeda, Augustin, 703

Philipp, Robert, 283

Van der Plas, Niek, 48-51

Artist Index | May 20-21, 2017

Vanderveen, Loet, 729 Vuillard, George, 531 Warhol, Andy, 765 Weber, Theodore Alexander, 444 Weinman, Adolph Alexander (after), 960 Wilson, Richard (attributed), 473 Zampieri, Domenico (manner), 125

New Orleans Auction Galleries does not make any express or implied warranty as to the authorship of works of art and fine art. Please note that all of the terms and descriptions used in this catalogue are intended as our qualified opinions only and are subject to the Conditions of Sale set forth elsewhere. The Artistâ&#x20AC;&#x2122;s Name: In our qualified opinion, a work by the artist. Attributed to: In our qualified opinion, a work of the period of the artist that may be in whole or in part the work of the artist. School of: In our qualified opinion, a work by a follower of the artist. Circle of: In our qualified opinion, a work of the period of the artist and showing his/her influence. Manner of: In our qualified opinion, a work in the style of the artist, possibly of a later period. After: In our qualified opinion, a copy of a known work by the artist. Signed: In our qualified opinion, has the signature which is that of the artist. Bears Signature: In our qualified opinion, has a signature which may be the signature of the artist. Dated: In our qualified opinion, is so dated and was executed on or around that date. Bears Date: In our qualified opinion, is so dated and may have been executed at about that date.

Conditions of Sale: ALL SALES ARE “AS IS, WHERE IS” WITHOUT ANY WARRANTIES WHATSOEVER. PLEASE SEE SECTION 2(a) BELOW IN WHICH ANY AND ALL EXPRESS AND IMPLIED WARRANTIES (INCLUDING WITHOUT LIMITATION ANY WARRANTY AGAINST REDHIBITORY DEFECTS) ARE WAIVED.

1. Introduction (a). These Conditions of Sale (“Conditions of Sale”) contain all the terms governing Auctions (defined below) conducted by Cakebread Art Antiques Collectables, Inc. d/b/a New Orleans Auction Galleries (“NOAG”), and all the terms under which NOAG and the Seller (defined below) of a Lot (defined below) contract with the Buyer (defined below). These Conditions of Sale may be amended by posted notices or oral announcements made during the Auction. (b). Under these Conditions of Sale, the following capitalized terms are defined as follows: • An “Auction” is a public auction conducted by NOAG, at which Bidders may place Bids to purchase one or more Lots offered for sale by NOAG. An Auction takes place over one or more days and includes separate auctions of one or more Lots within an event conducted by NOAG; • The “Auctioneer” is the auctioneer calling the Auction conducted by NOAG; A “Bid” is a bid made by a party at the Auction to purchase a Lot; • A “Bidder” is (i) a person making a Bid at the Auction (whether in person, through an absentee bid, through electronic or internet means, or through telephone bidding); and/or (ii) a person who attends the Auction and registers to make a Bid (whether in person, through an absentee bid, through electronic or internet means, or through telephone bidding); • A “Buyer” is the party that commits to purchase a Lot by submitting the Winning Bid at Auction; • “Buyer’s Premium” is defined in Section 4 below; • “Catalogue” is the Auction catalogue utilized by NOAG to list the Lots offered at Auction; • The “Estimates” are the high and low estimates of value for each Lot set forth in the Catalogue presented by NOAG in connection with the Auction or otherwise set forth and/or announced at the Auction; • The “Hammer Price” for a Lot is the amount of the Winning Bid at the Auction, as announced by the Auctioneer, exclusive of commissions, Buyer’s Premium, expenses, and any taxes or other charges; • A “Lot” is specific item of property offered for sale at Auction; The “Reserve” is defined in Section 3 below; • The “Purchase Price” is defined in Section 4 below; A “Sale” of a Lot occurs when a Winning Bid is declared at Auction for the Lot; • The “Seller” of a Lot is the party who consigned the Lot with NOAG for purposes of selling the Lot, or is otherwise the seller of the Lot; • The “Winning Bid” is, as to a particular Lot, the Bid recognized by the Auctioneer as the highest and best Bid for that Lot.

(c). Except as otherwise stated, NOAG acts as consignment agent for the Seller. The contract for the sale of the Lot is therefore made between the Seller and the Buyer. (d). By bidding at the Auction as a Bidder or Buyer, and/or by your signature below, you agree to be bound by these terms.

2. Before the Auction (a). ALL SALES ARE “AS IS, WHERE IS” WITH NO EXPRESS OR IMPLIED WARRANTIES WHATSOEVER. (i) NEITHER NOAG NOR THE SELLER PROVIDES ANY GUARANTEE OR WARRANTY AS TO THE NATURE, DESCRIPTION, GENUINENESS, PROVENANCE, IMPORTANCE, OR CONDITION OF THE LOT. All Sales and Auctions are without any representation or warranty of any kind by NOAG or the Seller. Bidders and Buyers are responsible for satisfying themselves concerning the condition of the Lots and the matters referred to in the catalogue entry, the Condition Report, or in any other statement or writing provided. All Sales are final and are “AS IS WHERE IS.” (ii) No warranty of redhibition. ANY WARANTY AGAINST REDHIBITORY DEFECTS IS WAIVED AND EXCLUDED. NOAG and Seller provide absolutely no warranty against redhibitory defects, including without limitation: (x) any defects rendering a Lot useless or its use inconvenient; and (y) any defects diminishing the usefulness of a Lot; and any such warranties are waived and excluded. In addition, NOAG and Seller provide no warranties, guarantees, or representations as to whether a Lot is fit for its ordinary use, fit for Buyer’s intended use or for Buyer’s particular purpose. (iii) No warranty against eviction. ANY WARRANTY AGAINST EVICTION IS WAIVED AND EXCLUDED. In the event that Buyer is evicted from possession of whole or part of the Lot, neither NOAG nor Seller have any duty whatsoever to return any part of the Purchase Price to Buyer. Buyer is buying at Buyer’s sole risk and peril as to third parties who may claim rights in the Lot after the Sale. (iv) No warranty as to authorship. NOAG does not make any express or implied warranty as to authorship of works of art and fine art. No statement in the Catalogue or elsewhere, orally or in writing, shall be construed as an express or implied warranty, representation or limitation of liability as to authorship. Any such warranty is WAIVED. (v) No warranty of peaceful possession, etc. The following warranties are waived and excluded: the absence of hidden defects, peaceful possession, and ownership. NOAG and Seller provide absolutely no warranty that the Lot is free from hidden defects, or for peaceful possession, or for ownership. (vi) No other warranties. None of the Seller, NOAG, or any of NOAG’s officers, employees or agents, give any representation, warranty or guarantee or assume any liability of any kind in respect of any Lot with regard to merchantability, fitness for a particular purpose, description, size, quality, condition, attribution, authenticity, rarity, importance, medium, provenance, exhibition history, literature or historical relevance. Except as required by local law, any express or implied warranty of any kind whatsoever is excluded by this Section 2(a). (b). Examination of property / Condition Reports. Prospective Buyers and Bidders are strongly advised to examine personally any property in which they are interested, before the Auction takes place. As a convenience, Bidders may request that NOAG produce a Condition Report (“Condition Report”) for a Lot, which, if produced, will provide additional detail concerning the condition of the Lot as observed by NOAG’s staff. NOAG reserves the right to decline to produce a Condition Report for any specific Lot, for any reason and in NOAG’s sole discretion. Rev. 01/04/17

(c). Catalogue and other descriptions. (i) All statements made by NOAG as to condition, authorship, period, culture, source, origin, measurement, quality, rarity, provenance, importance, or historical relevance, whether in the Catalogue entry for the Lot, in the Condition Report, and/ or in a bill of sale, or made orally or in writing elsewhere, are qualified statements of opinion only and are not to be relied on as statements of fact. Such statements do not constitute a representation, warranty or assumption of liability by NOAG of any kind. References in the Catalogue entry or the Condition Report to damage or restoration are for guidance only and should be evaluated by personal inspection by the Bidder or a knowledgeable representative. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. (ii) Without limiting the foregoing, none of the Seller, NOAG, or any of NOAG’s officers, employees or agents, are responsible for the correctness of any statement of whatever kind concerning any Lot, whether written or oral, nor for any other errors or omissions in description or for any faults or defects in any Lot. (iii) Any Estimates provided should not be relied on as a statement that this is the price at which the item will sell or its value for any other purpose. Any written or oral appraisal, Estimate or other statement of NOAG or our representatives with respect to the estimated or expected selling price of any Lot of Property is a statement of opinion only and shall not be relied upon by Bidders or prospective Bidders as a prediction or guarantee of the actual selling price. (iv) NOAG shall not be liable for any errors or omissions in catalogue or other descriptions of the Property. Neither NOAG nor the Seller is responsible in any way for errors and omissions in the catalogue, or any supplemental material. (d). Further acknowledgement. As a Bidder and prospective Buyer, you further agree and acknowledge that: (i) You are not relying on NOAG’s skill or judgment in selecting to purchase any Lot; (ii) No oral or written statements in the Auction Catalogue, Condition Report, or elsewhere are the cause of or reason behind your purchase of any Lot; and you would have incurred such purchase regardless of any oral or written statements about condition, attribution, kind, quality, value, or authorship made in the catalogue or elsewhere; (iii) NOAG did not and could not have known that condition, attribution, kind, quality, expressed value, or authorship is the cause or reason why you decide to purchase any Lot; (iv) Your purchase of any Lot is not intended to gratify a nonpecuniary interest; and (v) NOAG did not know, nor should it have known, that any oral or written statement about a Lot in the catalogue, Condition Report or elsewhere would cause a nonpecuniary loss to a Buyer.

3. At the Auction (a). Registration before bidding / Bidding requirements. In order to be accepted as a Bidder and allowed to place a Bid, all Bidders must meet all of the following requirements: (i) A Bidder must complete and sign the attached registration form and provide identification to NOAG; (ii) NOAG may require the production of bank or other financial references or any other additional information; (iii) When making a Bid, a Bidder is accepting personal liability to pay the Purchase Price in full in the event that the Bidder submits the Winning Bid, unless it has been explicitly agreed in writing with NOAG before the auction of the Lot that the Bidder is acting as agent on behalf of an identified third party acceptable to NOAG, and that NOAG will only look to that principal for payment (iv) All Bids are to be made in U.S. currency unless agreed upon between NOAG and the Bidder; and (v) At NOAG’s sole discretion, NOAG may require any Bidder to post a cash deposit in an amount set by NOAG at its sole discretion. Such deposit may include, without limitation, a deposit of 25% of the Maximum Bid (or another amount set in NOAG’s sole discretion) in the case of Absentee Bids (defined below). (b). Refusal of admission / Rejection of Bidders. NOAG has the right, at its complete discretion, to refuse admission to the premises or participation in any Auction. NOAG reserves the right to reject any Bidder for any reason whatsoever and in NOAG’s sole discretion. (c). Absentee bids / Telephone bids. (i) As a convenience to Bidders, NOAG may allow a Bidder to submit an absentee bid (“Absentee Bid”) or telephone bid (“Telephone Bid”) by filling out (in full) the section of the attached registration form marked “Absentee Bids / Telephone Bids.” In order to submit an Absentee Bid or Telephone Bid for an Auction, that registration form must be filled out and submitted to NOAG no later than 5:00 p.m. central time on the last business day before the commencement of the Auction. (NOAG reserves the right to accept late Absentee Bid or Telephone Bid submissions in NOAG’s sole discretion.) All Absentee Bid submissions must include a maximum bid amount (“Maximum Bid”). (ii) If an Absentee Bid is submitted and accepted, at the time of the auction of the affected Lot, the Auctioneer or other NOAG staff will place the Absentee Bid at the amount of the opening bid amount, and will increase the amount as necessary until the earlier of (x) the Absentee Bid is the Winning Bid; or (y) the amount reaches the Maximum Bid. All such actions in this paragraph are at the sole discretion of the Auctioneer and/ or NOAG. If NOAG receives Absentee Bids on a particular Lot with identical Maximum Bid amounts, and at the Auction these are the highest bids on the Lot, the Lot will be sold to the person whose Absentee Bid was received and accepted first. In the event of a tie bid between an Absentee Bid and a Bid submitted by a Bidder physically present at the Auction (or a Telephone Bid), the Lot will be sold to physically present Bidder (or bidder submitting the Telephone Bid).

Rev. 01/04/17

(iii) If a Telephone Bid is submitted and accepted, at the time of the auction of the affected Lot, NOAG staff shall attempt to contact the Bidder using the telephone number provided. If successfully contacted, the Bidder shall then be afforded the opportunity to place a Bid on the Lot by telephone. Telephone Bids may be recorded. By submitting a Telephone Bid, the Bidder consents to the recording of the conversation and the placing of the Bid.

4. After the Auction (a). In order to consummate and complete the Sale, the Buyer must tender payment in full of all of the following amounts (all such amounts together being the “Purchase Price”) to NOAG: (i) the Hammer Price; and

(iv) Execution of Absentee Bids and Telephone Bids is a free service undertaken subject to other commitments at the time of the Auction and neither NOAG nor the Auctioneer shall have any liability for failing to execute an Absentee Bid or Telephone Bid or for errors and omissions in connection therewith.

(ii) the “Buyer’s Premium” consisting of a premium of 25% of the Hammer Price (discounted to 22% if the method of payment is by check, cash, or wire transfer [subject to a $30 fee for domestic wires and a $60 fee for international wires] by the end of the day on the fifteenth calendar day following the conclusion of the Auction) up to and including a Hammer Price of $200,000 and 10% of the amount by which the Lot’s Hammer Price exceeds $200,000; and

(d). Video or digital images. At some Auctions there may be a video or digital screen. Errors may occur in its operation and in the quality of the image and we do not accept liability for such errors. NOAG reserves the right to video tape and record proceedings at any Auctions. Any personal information obtained will be held in confidence by NOAG but may be used or shared with our affiliates and marketing partners for customer analysis purposes and to help us to tailor our services to buyer requirements. Any Bidder attending an Auction in person who does not wish to be video-taped may make arrangements to make a Telephone Bid in accordance with Section 3(c) above.

(iii) Any applicable Louisiana, state, local, and federal or other taxes, calculated as required by law. Any documentation of tax exemption must be provided by the Bidder contemporaneously with the execution of the attached registration form.

(e). Reserves. All Lots are offered subject to a reserve, which is the confidential minimum price below which the Lot will not be sold (the “Reserve”). The Reserve for a Lot will not exceed the low Estimate for that Lot. The Auctioneer may open the bidding on any Lot below the Reserve by placing a bid on behalf of the Seller. The Auctioneer may continue to bid on behalf of the Seller up to the amount of the Reserve, either by placing consecutive bids or by placing bids in response to other bidders. Notwithstanding the foregoing, a Lot may be sold at a Hammer Price below the Reserve, at the discretion of the Auctioneer and NOAG, in any manner consistent with the agreement between NOAG and the Seller. (f). No bidding by Seller. Under no circumstances shall Seller (as agent or principal), whether by itself or through its representatives, employees or agents (except as through the Auctioneer as set forth in Section 3(e) above), enter or cause to be entered a Bid on Seller’s Lot. (g). Auctioneer’s discretion. The Auctioneer has the right at his or her absolute and sole discretion to refuse any Bid, to advance the bidding in such a manner as he or she may decide, to withdraw or divide any Lot, to combine any two or more Lots, and in the event of any error or dispute, to determine the Winning Bid, to continue the bidding, to cancel the Sale or to reoffer and resell the Lot or item in dispute. If any dispute arises after the Sale, NOAG’s sale record is conclusive. Unless otherwise announced by the Auctioneer at the time of Sale, all Bids are per Lot as numbered in the Catalogue and no Lot shall be divided for Sale. NOAG and/or the Auctioneer may withdraw any Lot at any time before such Lot is offered at Auction, for any reason and in their sole and absolute discretion. (h). Successful bid and passing of risk. The Auctioneer shall have absolute discretion in determining the Winning Bid and the striking of the Auctioneer’s hammer marks the acceptance of the highest and best bid as the Winning Bid and the conclusion of a contract for sale between the Seller and the Buyer. Risk and responsibility for the Lot but not its title passes to the Buyer immediately upon announcement of the Winning Bid at the Auction. (i). Post-auction sale. In the event that there is no Winning Bid at Auction for a Lot, or the Lot is withdrawn from the Auction, or the Sale is cancelled for non-payment pursuant to Section 4(g) below, NOAG may sell the Lot at public or private sale at any time thereafter, in a manner consistent with the agreement between Seller and NOAG. (j). NOAG assumes no responsibility for failure to execute Bids for any reason whatsoever.

(b). Payment and passing of title. The Buyer and any other Bidders are responsible for contacting NOAG for Auction results during the week after the conclusion of the Auction. Subject to the provisions of Section 4(i) below which may require earlier payment, the Buyer must pay the full Purchase Price no later than 4:30 pm central time on the fifteenth calendar day following the conclusion of the Auction. Payments may be submitted during business hours to: New Orleans Auction Galleries, 333 St. Joseph Street, New Orleans, Louisiana 70130, Telephone number: 504-566-1849. Payments may be made by certified check, cash, wire transfer, or credit card (Visa, Mastercard, and American Express). Payments will be accepted by non-certified check only in NOAG’s sole discretion, from Buyers that have been qualified by NOAG in NOAG’s sole discretion. Title to the Lot does not pass to the Buyer until the full amount of the Purchase Price has been tendered and received by NOAG in good cleared funds, even in circumstances where the Lot has been released to the Buyer. (c). Credit Cards. Your signature on this form constitutes permission to charge the full amount of the Purchase Price on your credit card, if you are the Buyer on a Lot and payment is not received within five business days of the close of the Auction. Your signature on this form also constitutes permission to charge the full amount of Storage Charges (defined below), if and when accrued, on a periodic basis on your credit card. (d). Release of Lot to Buyer. No Lot will be released to the Buyer unless and until NOAG receives full payment of the Purchase Price, and such payment has cleared and NOAG has received confirmation of all funds owed. At its sole discretion, NOAG may release a specific Lot at any time, notwithstanding the foregoing provision. In addition, NOAG may require that Lots not be released until the Buyer has cleared additional checks in NOAG’s sole discretion, including without limitation, any anti-money laundering or anti-terrorism financing checks to NOAG’s satisfaction. In the event that a Buyer fails to complete any anti-money laundering or anti-terrorism financing checks to NOAG’s satisfaction, NOAG shall be entitled to cancel the Sale and take any other action permitted or required under applicable law. In addition, notwithstanding the foregoing, Lots cannot be released until after the conclusion of the Auction. (e). Export/Import license and Dealers. It is the Buyer’s sole responsibility to obtain any relevant export or import license. The denial of any license or any delay in obtaining licenses shall not justify the rescission of any sale nor any delay in making bill payment for the Lot; and shall not limit or alter any of the obligations of the Buyer herein. Dealers purchasing for resale must enter appropriate their Dealer Resale Number on the attached registration form and provide NOAG with proper documentation. Rev. 01/04/17

(f). Storage charge. Subject to the foregoing provisions, any Lot that is not picked up by the end of the day on the fifteenth calendar day following the conclusion of the Auction is subject to an additional storage charge of $5.00 per Lot per day (“Storage Charge”) for as long as the Lot is stored at NOAG’s facilities. The outstanding amount of this Storage Charge must be paid in full (in addition to the Purchase Price) before such Lot will be released to the Buyer. Such Storage Charge accrues on a daily basis and is billed monthly. All items handled or stored will be at the Buyer’s risk. NOAG is not liable for any damage to Lots after the conclusion of the Auction. (g). Remedies for non-payment. If the Buyer fails to make payment in full of the Purchase Price in good cleared funds within the time required by Section 4(b) above, or payment in full of any applicable Storage Charge when incurred, NOAG shall be entitled in its absolute discretion to exercise one or more of the following rights or remedies (in addition to asserting any other rights or remedies available by law): (i) to charge outstanding amounts to the Buyer’s credit card; (ii) to charge interest at the rate of one and one-half percent (1.5%) per month (but not to exceed the highest amount chargeable under applicable law); (iii) to hold the Buyer liable for the total amount due and to commence legal proceedings for its recovery together with interest, legal fees and costs to the fullest extent permitted under applicable law; (iv) to exercise any other remedy or remedies available under the law, including but not limited to a second sale of said item in accordance with the provisions of applicable law, including the subsequent enforcement of any deficiency against the initial buyer; (v) to cancel the sale; (vi) to resell the property publicly or privately on such terms as we shall think fit; (vii) to pay the Seller an amount up to the net proceeds payable in respect of the amount bid by the defaulting Buyer; (viii) to set off against any amounts which NOAG may owe the Buyer in any other transactions, the outstanding amount remaining unpaid by the Buyer; (ix) where several amounts are owed by the Buyer to NOAG, in respect of different transactions, to apply any amount paid to discharge any amount owed in respect of any particular transaction, whether or not the Buyer so directs; (x) to reject at any future Auction any Bids made by or on behalf of the Buyer or to obtain a deposit from the Buyer before accepting any Bids; (xi) to exercise all the rights and remedies of a person holding security and/or privilege over any property in our possession owned by the Buyer, whether by way of pledge, security interest or in any other way, to the fullest extent permitted under Louisiana law (including without limitation under La. Civil Code art. 3247, La. R.S. 10:7-209 and 10:7-210 and other applicable law), or (xii) to take such other action as NOAG deems necessary or appropriate. In connection with the item (xi) above, the Buyer will be deemed to have granted such security to NOAG and NOAG may retain the affected Lot and any property of the Buyer as collateral security for such Buyer’s obligations to NOAG and to the Seller

If we resell the property under Section 4(g)(vi) above, the Buyer shall be liable for payment of any deficiency between the total amount originally due to us and the price obtained upon resale as well as for all costs, expenses, damages, legal fees and commissions and premiums of whatever kind associated with both sales or otherwise arising from the default. If we pay any amount to the Seller under paragraph (vii) above, the Buyer acknowledges that NOAG shall have all of the rights of the Seller, however arising, to pursue the Buyer for such amount. (h). Shipping and packing. All shipping, packing, and transportation of Lots from NOAG’s facilities is the responsibility of Buyer. NOAG may, as a courtesy, assist Buyer with necessary arrangements, but by doing so, NOAG assumes no responsibility or liability for shipping, packing, moving, or transportation, including without limitation damage to Lots, damage to Buyer’s vehicle, or any personal injury of any persons involved. (i). Earlier payment may be required. For any specific Lot, and notwithstanding the provisions of Section 4(b) above, NOAG may require, in its sole discretion, that the Hammer Price for the Lot be paid immediately upon the striking of the Auctioneer’s hammer and announcement of the Winning Bid, with the balance of the Purchase Price being due by the close of the Auction.

5.Copyright The copyright in all images, illustrations and written material produced by or for NOAG relating to a Lot including without limitation the contents of the Catalogue, is and shall remain at all times the property of NOAG and shall not be used by the Buyer or Bidder, nor by anyone else, without our prior written consent. NOAG and the Seller make no representation or warranty that the Buyer of a Lot will acquire any copyright or other reproduction rights in it.

6. Severability If any part of these Conditions of Sale is found by any court to be invalid, illegal or unenforceable, that part shall be discounted and the rest of the conditions shall continue to be valid to the fullest extent permitted by law.

7. Data Collection In connection with the operation of our auction business, NOAG may need to seek personal information from Bidders or obtain information about Bidders from third parties (e.g., credit checks from banks). Such information will be processed and kept by us in confidence. Some of Bidders’ personal data may also need to be shared with third party service providers (e.g., shipping or storage companies) for Bidders’ benefit. By participating in an Auction, you agree to all previously stated disclosure.

8. Law and Jurisdiction The rights and obligations of the parties with respect to these Conditions of Sale, the conduct of the Auction and any matters connected with any of the foregoing shall be governed and interpreted under the laws of the State of Louisiana. By bidding at the Auction and/or through execution of the attached registration form, the Bidder consents to the exclusive jurisdiction of the courts of the State of Louisiana and the Federal courts of the United States of America located in the Eastern District of Louisiana.

Rev. 01/04/17

New Orleans Auction Galleries 333 St. Joseph Street • New Orleans, LA 70130 • 800-501-0277 • 504-566-1849 Fax: 504-566-1851 • Email: Info@NewOrleansAuction.com

Absentee / Telephone Bid Form Name (Please Print): ______________________________________________

Date: ____________________

Business Name: ______________________________________________________________________________ Dealer Resale # (Dealers must also sign official State of Louisiana document): _________________________ Address: ____________________________________________________________________________________ City: _____________________________________________

State: ____________ ZIP: _________________

Telephones: Work (_____)_____________ Home (______)______________ Fax (______)_____________ E-mail Address: ______________________________________________________________________________ Conditions of Sale: Conditions of sale are as set forth in the applicable New Orleans Auction Galleries catalogue. Placing a telephone bid and/or absentee bid in the auction constitutes acceptance of all Conditions of Sale posted by NOAG as amended by any posted notices or oral announcements during the sale.

Lot #

Bid Amount (not including buyer’s premium) OR Telephone Number to Call:

$ $ $ $ $ $ $ $ $ VISA / MasterCard #: ____________________________________________

Expiration Date: __________

CVV #: _______________ I have read and agree to the Conditions of Sale. I agree that a buyer’s premium will be charged on each lot purchased at 25% up to and including $200,000 plus 10% of the hammer price greater than $200,000. For purchases made by cash, check or wire transfer [subject to a $30 fee for domestic wires and a $60 fee for international wires], the buyer’s premium shall be discounted 3% of this 25%. Your signature on this form constitutes permission to charge successful bids to your credit card, including the 25% buyer’s premium, if payment is not received within five days of the auction.

Signature (Required): __________________________________________________________________________

Please fax this form by 5:00 p.m. the day before the auction to 504-566-1851 or scan and email to info@neworleansauction.com Rev. 01/04/17

absentee/telephone bid form (continued) Name (Please Print):

Lot #

______________________________________

Bid Amount (not including buyerâ&#x20AC;&#x2122;s premium) OR Telephone Number to Call:

$ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $

New Orleans Auction Galleries 333 St. Joseph Street • New Orleans, LA 70130 • 800-501-0277 • 504-566-1849 Fax: 504-566-1851 • Email: Info@NewOrleansAuction.com

R E Q U E S T F O R C O N D I T I O N R E P O RT S Condition reports are completed in the order in which they are received. Please allow ample time for large requests. Condition reports will not be given verbally.

Name (Please Print): _____________________________________________ Date: ____________ Email Address: _______________________________ Phone: (_______)______________

Fax: (_______)_______________

Lot # Description Special Requests ________________________________________________________________________________ ________________________________________________________________________________ ________________________________________________________________________________ ________________________________________________________________________________ ________________________________________________________________________________ ________________________________________________________________________________ ________________________________________________________________________________ ________________________________________________________________________________ ________________________________________________________________________________ ________________________________________________________________________________ ________________________________________________________________________________ ________________________________________________________________________________ ________________________________________________________________________________ ________________________________________________________________________________ ________________________________________________________________________________

Please submit this form by 5:00 p.m. two days prior to the first day of the auction.

Rev. 01/04/17

333 St. Joseph Street • New Orleans, LA 70130 • (504) 566-1849 • Fax (504) 566-1851 Info@NewOrleansAuction.com • www.NewOrleansAuction.com

Wire Transfer Information Please remember to add the appropriate wire fee to your transfer: $30 domestic / $60 international

Whitney Bank 228 St. Charles Avenue New Orleans, Louisiana 70130

ABA Routing Number . . . . . . . . . . . . . . . . . . . . . . . . . . . 065400153 Escrow Account Number. . . . . . . . . . . . . . . . . . . . . . . 047034504

International Wire SWIFT Code. . . . . . . . . . . . . . . . WHITUS44 Credit to: Cakebread Art Antiques Collectables Inc. 333 Saint Joseph St. • New Orleans, Louisiana 70130

rev 1/1/2017

New Orleans Auction Galleries 333 St. Joseph Street • New Orleans, LA 70130 • 800-501-0277 • 504-566-1849 Fax: 504-566-1851 • Email: Info@NewOrleansAuction.com

Authorized Release Form / Waiver Name: _______________________________________________________________________ Business Name: _______________________________________________________________ Telephone(s): _________________________________________________________________ Email Address: ________________________________________________________________ I authorize: _____________________________________________________to pick up items New Orleans Auction No.:___________________________ Sale Date:__________________ Lot #(s): _____________________________________________________________________ _____________________________________________________________________________ Signature_____________________________________________Date____________________ Print name: ___________________________________________________________________

Please fax this form to 504-566-1851 or Email to Info@NewOrleansAuction.com Note: Items will not be released without a signed authorization.

New Orleans Auction Galleries is not responsible for damage to property during pickups and loading. We will assist clients with moving and loading items at the client’s own risk. We are not responsible for any damage to items during moving, packing or unloading within or outside our premises. I have read and understand the above statement: Signature: _____________________________________________

Date:_______________

Page No. 1

03/15/2017 15:32:13 New Orleans Auction Galleries Prices Realized for Sale 1701 March 11-12, 2017 March Estates Sale

Lot# 1 2 3 4 5 6 7 8 10 11 12 13 15 16 17 18 20 21 22 23 25 26 27 28 29 30 31 32 33 35 36 38 39 40 42 43 44 45 46 48 49 50 51 53

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2,250 1,187 687 3,500 5,000 6,250 1,500 1,625 1,000 1,062 1,375 4,000 1,062 1,750 1,500 1,250 875 1,500 1,125 1,187 1,250 2,375 1,750 2,125 2,000 2,375 1,500 1,625 3,500 875 1,000 1,625 2,500 3,750 1,500 2,000 1,625 4,500 1,875 750 2,250 3,500 1,000 625

54 55 58 62 64 65 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 91 92 93 94 95 96 97 99 100 101 102 103 104 105 106 107 108

4,250 1,250 1,062 1,375 1,000 1,500 2,750 2,750 5,000 1,375 3,750 3,500 1,125 1,500 750 1,250 3,000 3,500 1,875 1,625 875 1,875 2,750 2,500 1,187 3,250 812 2,750 3,000 625 1,875 4,000 3,250 2,500 5,000 1,875 2,250 1,875 1,062 531 1,125 812 1,625 1,875

109 111 113 114 116 117 118 120 121 122 123 125 128 129 130 131 132 133 134 135 136 138 140 141 142 143 144 145 146 148 149 150 151 152 153 156 159 160 161 163 164 167 169 170

2,500 1,000 937 2,375 1,250 8,750 1,125 1,062 2,750 687 1,625 2,500 3,000 593 1,000 1,125 1,125 1,375 4,500 1,250 4,000 1,750 1,125 1,375 625 1,125 3,500 750 500 625 500 1,000 3,750 562 1,187 3,000 1,187 687 1,875 750 5,000 1,875 2,500 2,125

171 173 174 175 176 177 179 180 181 182 183 184 185 187 188 189 191 192 193 194 195 196 197 199 200 204 206 208 212 213 214 215 216 218 219 220 222 225 227 228 229 230 233 234

1,375 2,125 1,875 3,000 937 1,187 2,375 3,750 1,062 1,625 1,000 1,625 562 875 1,125 1,187 1,250 812 1,062 1,375 593 1,625 937 1,250 1,250 875 875 2,375 5,250 1,500 1,500 3,750 1,187 875 1,250 937 1,875 1,250 750 2,000 1,875 812 7,500 812

235 236 237 238 240 241 242 243 244 246 247 248 249 251 253 254 255 256 257 259 261 265 268 269 273 274 275 276 277 278 280 281 282 283 284 285 286 287 290 291 292 293 294 296

625 1,250 625 562 4,500 937 4,000 3,125 1,187 687 625 2,375 3,500 1,500 2,000 7,187 500 1,000 1,500 1,750 1,187 1,625 1,000 2,500 1,375 1,187 1,750 2,000 1,625 1,500 812 1,062 1,000 1,500 1,750 812 1,375 1,125 3,000 1,250 1,250 2,500 1,875 4,250

297 298 299 300 302 303 304 305 307 308 310 312 313 316 317 321 322 323 324 325 326 327 328 331 332 333 334 335 336 337 338 339 341 342 343 344 345 346 347 349 350 351 352 353

6,562 6,562 5,500 750 5,000 625 1,750 3,000 6,875 1,500 1,250 3,500 1,500 8,437 2,000 3,250 2,000 1,750 812 2,500 3,000 1,375 1,062 687 750 2,250 625 3,000 1,500 1,062 1,500 4,250 3,000 2,375 12,187 500 500 1,125 937 750 1,750 812 2,500 625

355 357 358 359 360 362 363 364 365 366 367 368 369 371 372 373 375 377 379 381 382 383 384 385 388 389 391 393 394 395 396 399 400 401 402 403 404 406 407 408 410 411 412 413

4,000 937 2,250 687 1,875 750 1,375 1,000 1,375 562 687 1,125 1,500 1,187 7,812 3,500 625 1,625 500 1,125 1,187 1,250 1,625 1,000 5,250 1,125 1,625 5,750 2,000 812 1,187 2,375 3,000 1,750 875 1,875 1,625 1,625 562 1,875 500 1,250 1,750 6,875

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Page No. 2

03/15/2017 15:32:14 New Orleans Auction Galleries Prices Realized for Sale 1701 March 11-12, 2017 March Estates Sale

Lot#

Realized

Lot#

Realized

Lot#

Realized

Lot#

Realized

Lot#

Realized

Lot#

Realized

Lot#

Realized

414 415 417 418 419 421 426 427 429 430 431 432 433 435 436 437 438 439 440 441 442 443 444 446 447 448 450 451 452 453 454 459 461 462 463 464 465 466 467 468 469 471 472 475

562 937 1,500 750 2,125 6,250 1,125 1,750 2,000 1,062 1,062 1,625 937 937 2,000 2,250 2,375 1,625 2,000 1,125 1,375 5,750 1,375 4,500 875 3,750 1,750 1,875 812 5,000 1,750 3,000 1,750 2,125 687 875 3,125 1,062 1,062 1,250 812 3,750 3,750 1,375

477 478 479 480 483 484 485 487 488 489 490 494 495 496 497 499 501 503 504 507 508 509 510 511 512 513 514 515 516 517 518 519 523 524 525 526 527 529 530 531 532 533 534 535

1,000 625 1,625 1,750 2,750 2,500 1,250 1,375 2,375 1,750 625 1,375 625 812 1,875 500 687 3,500 1,375 812 2,250 562 1,875 812 1,500 3,750 1,875 2,250 562 1,062 375 1,250 2,500 625 937 1,187 1,125 1,187 1,000 3,500 937 4,500 875 1,250

537 538 539 540 541 543 544 545 546 547 548 549 550 551 552 553 554 555 556 557 558 559 560 566 568 571 573 574 576 579 580 581 582 583 584 585 586 587 588 589 590 591 592 593

1,062 593 2,125 2,250 812 812 1,875 875 3,000 2,000 2,500 875 1,875 687 625 2,000 2,000 1,000 9,375 87,500 4,000 812 2,375 3,000 5,750 406 1,375 1,000 4,500 3,000 2,000 1,625 1,375 6,250 3,000 1,250 2,250 3,000 4,000 1,750 4,500 1,625 2,000 1,875

595 598 599 600 602 606 607 610 611 616 622 624 625 626 627 629 630 631 635 637 641 643 645 646 647 648 649 650 651 653 654 655 656 657 658 659 660 661 662 663 664 665 666 667

1,875 531 531 625 4,500 1,875 45,000 3,750 3,250 562 3,750 2,500 2,250 3,000 2,000 3,750 750 2,250 1,750 1,375 2,250 2,125 687 625 2,000 531 750 3,500 1,000 1,187 2,750 1,875 2,000 8,437 7,187 3,000 5,250 1,187 1,875 2,250 2,750 1,500 2,750 2,125

668 669 671 672 673 674 675 676 677 678 679 680 681 682 683 684 685 686 687 688 689 690 691 692 693 694 695 696 697 698 702 704 705 709 710 716 717 719 721 723 724 725 728 729

2,750 2,375 2,750 2,500 875 2,750 1,187 2,250 1,500 1,750 750 1,750 6,562 2,125 4,750 750 1,750 1,875 1,625 1,000 1,375 2,250 2,125 3,500 1,500 1,062 3,250 1,000 7,500 1,750 1,125 9,687 8,750 593 5,500 2,500 1,125 2,750 3,750 1,875 937 1,750 2,750 2,812

733 734 735 737 738 742 743 746 748 751 752 755 758 759 760 761 765 766 767 768 769 770 771 774 775 778 779 780 783 785 786 788 789 790 791 792 794 796 797 799 800 801 802 803

4,500 875 3,250 3,250 28,125 3,000 3,250 42,500 2,250 2,500 2,000 3,500 531 531 531 5,000 7,500 1,375 2,125 1,187 1,062 4,750 3,250 6,250 2,000 3,500 2,375 750 4,500 2,750 3,750 812 3,250 2,000 875 750 1,250 3,000 2,125 3,000 1,625 3,250 2,500 2,750

804 805 806 807 808 809 810 811 812 813 814 815 816 817 825 826 827 828 829 830 831 833 835 838 839 840 841 844 846 848 849 850 851 852 853 854 858 859 860 861 862 864 865 866

7,812 2,750 4,500 1,750 3,500 2,125 2,250 2,000 1,375 2,250 1,250 1,875 3,250 2,750 875 3,000 1,125 1,750 937 7,812 937 3,500 1,875 625 2,250 2,125 812 1,125 1,187 812 937 10,312 1,750 1,875 1,062 593 1,062 1,250 1,250 750 3,750 2,000 6,250 7,500

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Page No. 3

03/15/2017 15:32:15 New Orleans Auction Galleries Prices Realized for Sale 1701 March 11-12, 2017 March Estates Sale

Lot#

Realized

Lot#

Realized

Lot#

Realized

Lot#

Realized

Lot#

Realized

867 868 869 870 871 872 873 874 875 876 877 879 880 881 883 884 886 887 888 889 890 893 894 895 896 897 898 899 900 902 903 904 906 908 909 911 914 915 916 917 919 920 922 923

3,250 5,750 937 750 1,000 562 1,750 3,750 4,000 10,937 1,250 1,187 1,500 1,875 1,625 1,375 1,750 2,000 937 1,187 4,250 4,500 937 2,250 4,000 21,250 2,750 1,500 4,500 1,625 2,250 1,250 1,187 750 2,250 1,000 2,000 750 812 625 1,625 3,500 625 1,000

924 925 926 927 928 929 931 932 933 934 935 936 937 938 939 940 941 942 943 944 945 946 947 948 949 950 951 952 953 954 956 957 958 960 961 962 964 965 968 971 973 974 977 982

22,500 812 875 1,625 2,750 1,500 1,375 3,000 1,750 812 15,000 3,500 3,750 3,000 2,000 562 625 937 1,187 1,750 1,062 750 1,125 750 5,500 3,750 4,000 562 500 1,500 2,000 2,500 1,625 2,125 1,375 2,250 1,000 3,250 10,312 875 3,000 593 1,000 875

983 984 985 986 990 991 992 993 994 996 997 998 999 1001 1002 1003 1004 1005 1010 1011 1012 1013 1014 1016 1018 1019 1020 1023 1028 1029 1030 1031 1033 1034 1035 1039 1041 1042 1044 1046 1047 1048 1049 1050

3,750 3,750 625 2,000 1,625 1,062 4,000 2,250 6,000 6,875 3,500 812 1,625 812 1,250 1,625 1,375 1,750 3,250 937 16,250 562 1,125 1,875 3,750 2,500 812 8,437 10,625 562 2,500 687 1,250 2,500 687 12,187 875 4,750 1,125 3,000 4,000 2,750 937 2,750

1051 1052 1053 1054 1056 1058 1060 1061 1062 1063 1064 1065 1066 1067 1069 1073 1074 1075 1076 1077 1078 1079 1081 1082 1083 1084 1085 1086 1087 1089 1090 1091 1092 1096 1097 1098 1100 1101 1102 1107 1111 1113 1117 1118

1,000 1,750 937 937 4,250 3,250 750 1,187 1,875 2,500 1,125 1,000 875 1,125 1,125 1,062 562 2,375 1,062 2,375 2,250 1,750 1,375 1,625 937 1,500 3,250 4,000 1,500 500 750 937 1,000 812 812 2,250 6,875 687 1,875 3,250 1,062 2,750 750 1,187

1120 1121 1122

6,000 625 187

columns72.frx

New Orleans Auction Galleries Susan D. Sarofim CEO

Tessa Steinkamp Director of Auctions

Ashton Thomas President

consignments FINE ART:

DECORATIVE ARTS:

SILVER:

Jelena Restovic James

Ireys Bowman

Charles C. Cage

Nicole Casi, PhD

BOOKS, MANUSCRIPTS & EPHEMERA:

Director of Fine Art; Continental and American

Michele M. Carolla

Continental and English

American and Continental

British and American; Sculpture

Nicole Casi, PhD Continental and American; Prints and Maps

FURNITURE: Ireys Bowman

Charles C. Cage Jewelry:

Continental and English

Kim Lemon

Greg S. Kowles

FINE CARPETS & TEXTILES:

Asian Arts:

American, Continental and English

Rebecca Moss

Thomas Halverson

Sean Ranson

American

a d m ini s t r at ion Charles C. Cage

Grace Connors

Burke

Colleen Ryan

Nicole Casi, PhD

Director of Human Resources

Research

Taylor Eichenwald

Denise Haik

Gary Michael Gittelson

Office Manager

Office Administration

Leigh Firestone

Manager of Cakebread Auctions

Photographer

Cord McPhail

Designer

Marketing & Public Relations

Christa Ougel

Graphic Designer

Photographer

Bettina Bausa

auctioneers

consultants

ope r at ion s

Tessa Steinkamp #1265

Ellen McKenzie English and Continental Furniture

Cedric Roberts | Sean Ranson

Ira Savoie Independent Certified Gemologist Appraiser

Emmitt Kendrick, Jr.

James Callahan Asian Arts

Sol Carter | Thomas Johnson

Administrative Assistant

Ashton Thomas #1833 Taylor Eichenwald #1922 Michael DeGeorge #1774

Graphic Designer

Bennie Amos | Eddie Daigrepont

Gerald Hampton | Juanita Bazile

David Abney | James Collins