Important Estates Auction: May 21-22, 2016

New Orleans Auction galleries

I M P O R TA N T E S TAT E S A U C T I O N M AY 2 1 - 2 2 , 2 0 1 6

Lot 866: George Rodrigue (American/Louisiana, 1944-2013), “I am Just a Regular Red Blooded American”, 1996, acrylic on canvas, signed, 36” x 48”

Lot 862: Jose Maria Cundin (Spanish/Louisiana, b. 1938), “Historia Frenologica De Rosita Camargo”, 1969, signed, titled and dated, 44” x 40”

Lot 850: Arthur Silverman (American/New Orleans, b. 1923), “Untitled”, aluminum geometric wall sculpture, h. 26”, w. 31” Lot 849: Ida Rittenberg Kohlmeyer (American/ Louisiana, 1912-1997), “Annular”, 1963, oil on canvas, signed, 46” x 58”

Lot 864: James Michalopoulos (American/New Orleans, b. 1951), “Calibration of Lunification”, acrylic on canvas, signed, 31-1/2” x 23-1/2”

Lot 858: Arthur Silverman (American/New Orleans, b.

1923), “Bronze Jeans”, 1974, bronze, initialed and dated, h. 19”

Lot 848: George Bauer Dunbar (American/Louisiana, b. 1927), “Untitled”, 1980, from the Rag series, signed and dated, 41-5/8” x 77-5/8”

Lot 913: Edgar Negret (Colombian, 1920-2012), “Totem”, 1978, painted aluminum, signed, titled and dated, h. 18-5/8”

Lot 892: Dale Chihuly (American, b. 1941), “Radiant Persian Pair”, Portland Press, Seattle, Washington, 2003, one signed, h. 6-1/4” and 6-1/2”, dia. 9”-10”

Lot 915: Andy Warhol (American, 1928-1987), “Marilyn Monroe”, screenprint in colors, 1967, signed en verso in pencil, stamp-numbered “135/250”, printed by Aetna Silkscreen Products, Inc., New York, 35-1/8” x 35-5/8”

Lot 907: Francisco Zuniga (Costa Rican/Mexican, 1912-1998), “Compasion”, 1980, bronze, signed, dated, and numbered, h. 12-1/4” Lot 900: Jesus Rafael Soto (Venezuelan, 1923-2005), “Vibrations”, acrylic and steel sculpture, signed and numbered, h. 20-1/2”

Lot 902: Marta Colvin (Chilean/French, 19071995), “Sans Titre”, carved and painted wood articulated sculpture, incised signature, h. 17-3/4”

Lot 877: Fine Pair of French Art Deco-Style Rosewood and Circassian Walnut-Veneered Chests of Drawers, mid-20th century

Lot 872: Three-Piece Shanghai Deco Rosewood and Leather Parlor Suite, second half 20th century Lot 876: French Art Deco Marquetry-Inlaid and Palisander Cabinet, ca. 1925, labeled by Louis Marjorelle

Lot 829: Warren W. Sheppard (American/ New Jersey, 1858-1937), “After the Storm”, oil on canvas, signed, 21-1/2” x 31-1/4”

Lot 929: Good “Baltimore Rose” Sterling Silver Tureen, first quarter 20th century, retailed by Hennegen Bates Co., Baltimore, Maryland

Lot 843: Carl Kauba (1865-1922), Cold-Painted Vienna Bronze Figure of an American Indian Warrior, ca. 1900

Lot 834: Frederick Judd Waugh (American, 1861-1940), “Along the Maine Coast”, oil on board, signed, 10” x 14”

Lot 806: Albert Bierstadt (American, 18301902), “Study of a Tree in Woodlands Laden with ‘California Spanish Moss’”, ca. 1865, oil on paper laid on “Beaver Board”, signed, 22” x 15-3/4”

Lot 944 (Plates) and 945 (Goblets): Set of Twelve International “Wedgwood” Sterling Silver Wine Goblets and Service Plates, the pattern designed in 1925 by Alfred Grover Kintz (1885-1963), Meriden, Connecticut

Lot 991: American Rococo Revival Carved Walnut Marble Top Hall Stand, third quarter 19th century, attributed to Mitchell and Rammelsberg, Cincinnati, Ohio

Lot 994: Pair of American Rococo Revival Laminated Rosewood Sidechairs, attributed to J. H. Belter, New York, mid-19th century

Lot 747: Edward Troye (Swiss/American, 1808-1874), “Lady Ridley Held by ‘Picayune’, a Black Boy of about Fifteen Dressed in a Top Hat and Eton Jacket,” 1836, oil on canvas, signed and dated, 19-3/4” x 24-1/4”

Lot 800: Knute Heldner (Swedish/New Orleans, 1875-1952), “St. Louis Cathedral at Dawn”, 1936, oil on canvas, signed, 24-1/8” x 30-1/8”

Lot 846: Newcomb College Arts and Crafts Matte-Glazed Pottery Bowl, New Orleans, Louisiana, ca. 1916, decorated by Cynthia Littlejohn (Pugh)

Lot 740: Important Three-Piece Gold and Onyx Cameo Demi-Parure, third quarter 19th century, Edward A. Tyler, New Orleans

Lot 791: August Norieri (American/Louisiana, 1860-1898), “Southern Cabin Scene”, oil on canvas, monogrammed, 7-1/2” x 12-1/2”

Lot 752: Rare American Carved and Gilded Tobacco Trade Figure, second quarter 19th century, attributed to the Boston/Salem School of carved figures

Lot 771: American Federal Cherry, Walnut and Tiger Maple Chest, first quarter 19th century, possibly Kentucky

Lot 764: Previously Undocumented Kentucky Marquetry-Inlaid Cherry Tall Case Clock, first quarter 19th century, believed to be from the “Tuttle Group”, Mason County, Kentucky

Lot 754: John Stobart (American, b. 1929), “Georgetown, Water Street in 1842”, oil on canvas, signed and dated, 20” x 30”

Lot 933: Good Eighty-Four-Piece Tiffany & Co. “Florentine” Sterling Silver Flatware Set, the pattern designed in 1900 by Paulding Farnham (1859-1927), New York, New York

Lots 812 and 813: Pair of Marquetry-Inlaid and Polychromed Rosewood Cabinets (sold separately), attributed to Herter Brothers, New York, circa 1867-71

Lot 824: American Aesthetic Movement Pottery Vase, ca. 18861890, attributed to the Faience Manufacturing Company, Greenpoint, New York

Lot 801: William Woodward (American/New Orleans, 1859-1939), “California Landscape”, oil on canvas, signed and dated, 28” x 21-3/4”

Lots 807 and 808: United States House of Representatives Carved Oak Armchair and Desk, both designed by Capitol architect Thomas Ustick Walter and crafted for the 1857 House of Representative remodeling project

Lot 818: American Neo-Grec Gilt-Bronze, Porcelain-Mounted and Ebonized Marquetry-Inlaid Burl Walnut Cabinet, third quarter 19th century, attributed to Alexander Roux, New York

Lot 287: Exceptional Chinese Export Punch Bowl, fourth quarter 18th century

Lot 543: Cai Jia (Chinese, 1686-1779), ink and color on fanshaped paper, depicting a “Landscape With a Monastery”, inscribed and with two artist seals, fan 7” x 20-1/2”

Lot 264: Chinese Longquan Celadon Cut-Corner Bowl, probably Ming Dynasty (1368-1644)

Lot 265: Important Chinese Longquan Celadon MalletForm Vase, Song Dynasty (960-1279)

Lot 410: Handsome Set of Five Chinese Export Porcelain Lotus Cups and Saucers, 19th century

Lot 545: Zhu Lu (1553-1632), ink and color on fan-shaped gold paper, depicting “Wild Grasses” inscribed and with two artist seals, fan 7” x 20”

Lot 576: Pair of Chinese Cloisonné Enamel Cranes, Qing Dynasty (1644-1911), late 19th/ early 20th century

Lot 570: Exceptional and Large Japanese Cloisonné Enamel Vase, Meiji period (1868-1912)/ Taisho period (1912-1926), late 19th/early 20th century

Lot 418: Impressive Chinese Famille Rose Porcelain Vase, Qing Dynasty (1644-1911), 19th century

Lot 266: Two Similar Carved Ming Dynasty Longquan Celadon Vases, 15th century, now mounted as lamps

Lot 550: Large Chinese Patinated Bronze Planter, ca. 1900

Lot 657: Stunning Asprey Eighteen-Karat Yellow Gold, Peridot and Diamond Necklace

Lot 623: Spectacular EighteenKarat Yellow Gold, Emerald, Multicolored Sapphire and Diamond Earrings

Lot 613: Eighteen-Karat Yellow/ White/Rose Gold, Pink Sapphire and Diamond Bracelet

Lot 622: Eighteen-Karat White Gold, Multicolored Sapphire and Diamond Bracelet

Lot 621: Stunning Custom-Made Eighteen-Karat White Gold, Pink and Blue Sapphire and Diamond Brooch

Lot 658: Verdura Eighteen-Karat Yellow Gold, Peridot and Diamond Earrings

Lot 625: Beautiful Eighteen-Karat White/ Rose Gold and Pink and White Diamond Ring

Lot 659: Fourteen-Karat Yellow Gold, Tsavorite Garnet, Orange Sapphire and Diamond Earrings

Lot 644: Spectacular EighteenKarat Yellow Gold and Multicolored Diamond Necklace

Lot 683: Stunning Platinum and Diamond Ring

Lot 645: Eighteen-Karat White/Yellow Gold and Yellow and White Diamond Ring

Lot 608: Stunning and Unusual Custom-Made FourteenKarat White Gold, Ruby and Diamond Earrings

Lot 687: Eighteen-Karat White Gold and Diamond Hoop Earrings

Lot 612: Fourteen-Karat White Gold, Pink Sapphire and Diamond Ring

Lot 681: Fourteen-Karat Yellow Gold and Diamond Solitaire Ring

Lot 624: Spectacular Custom-Made Eighteen-Karat Rose Gold, Kunzite and Diamond Necklace

Lot 656: Vendorafa Lombardi EighteenKarat Yellow Gold Cuff Bracelet

Lot 310: William IV Mahogany and Marble-Top Side Table, second quarter 19th century

Lot 500: Charles Dickens (1812-1870) Set with Autograph Letter, Writings, Riverside Press, Boston: Houghton Mifflin, 1894, the “Large Page� Edition, number 12 of 500, complete in thirty-two volumes

Lot 282: George III Mahogany and MarbleTop Side Table, fourth quarter 18th century Lot 280: Pair of George III Mahogany Sidechairs, late 18th century, possibly Irish

Lot 296: George III Mahogany Breakfront, early 19th century

Lot 1043: Chinese Export Lacquered Secretary Dressing Cabinet, early 19th century

Lot 1038: George III Mahogany Secretary Bookcase, fourth quarter 18th century

Lot 215: John Haynes Williams (British, 1836-1908), “Before the Bullfight”, 1878, oil on canvas, signed and dated, 22” x 37-1/4”

Lot 279: Giuseppe Marchi (Italian/British, 1735-1808)/Workshop of Sir Joshua Reynolds (British, 1723-1792), “Portrait of a Member of the Jameson Family, County Cork, Ireland, Possibly William Jameson, Esq.”, 1773, oil on canvas, signed and dated , 30-1/2” x 25-1/4”

Lot 748: Handsome Three-Piece English Bronze and Glass Argand Lamp, second quarter 19th century, in the Grecian style, signed “Messenger”

Lot 499: Thomas Hewer Hinckley (British, 1813-1896), “Deer in Landscape”, 1860, oil on canvas, signed and dated, 36” x 28-1/2”

Lot 323: English Mahogany Cock-Fighting Chair, early 19th century

Lot 516: Unusual Pair of George II Sterling Silver Sauceboats, hallmarked London, 1756-1757, by William Shaw and William Priest

Lot 504: Charles Bell Birch, A.R.A. (British, 1832-1893), “Bust of a Distinguished Gentleman”, 1881, marble, inscribed, on a socle base, h. 28”, presented on a faux marbre composite columnar plinth, overall h. 68”

Lot 321: William IV Tortoiseshell Work Table, second quarter 19th century

Lot 312: Pair of Late Regency Mahogany Cellarettes, first quarter 19th century

Lot 173: Vittorio Matteo Corcos (Italian, 1859-1933), “Due Damme Eleganti”, oil on canvas, signed, 42” x 22-3/8”

Lot 174: Louis Marie De Schryver (French, 1862-1942), “Les Premières Fleurs”, 1887, oil on canvas, signed and dated, 40” x 67” Lot 392: French GiltBronze Mantel Clock in the Louis XV Style, fourth quarter 19th century

Lot 98: French Fin de Siècle Giltwood Mirror in the Baroque Taste, fourth quarter 19th century

Lot 135: Rare Sevres Royal Period Hand-Painted Soft-Paste Dish, ca. 1759, French Lot 110: Outstanding Set of Eight French Hand-Painted Porcelain Topographical Plates, second half 19th century

Lot 118: Louis XV-Style Mahogany and Marble-Top Writing Table, stamped “Henry Dasson”, early 20th century

Lot 126: Impressive French Giltwood Cartel Clock, ca. 1772-1800, with silk-string suspension works, the dial signed “Guenoux, Paris”, for Theodore Guenoux (Paris, active 1772-1800)

Lot 367: Louis XVI-Style Mahogany and Onyx-Top Center Table, ca. 1900, branded “Krieger”

Lot 176: Eugène Galien-Laloue (French, 1854-1941), “Seine”, gouache and watercolor on paper, signed, 7-1/2” x 12”

Lot 403: Rare Napoleon III Porcelain Coffee Set in its Original Traveling Case, third quarter 19th century, probably Paris

Lot 175: Louis Marie De Schryver (French, 1862-1942), “La Marchande de Fleurs, Avenue de L’Opéra”, 1910-1911, oil on canvas, signed and dated, 22” x 32-3/4”

Lot 178: Alan Maley (American/British, 19311995), “Victorian Trio”, oil on canvas, signed and dated, 24” x 36”

Lot 177: Felix Janse (French, 19th/20th Century), “Paris in Autumn”, oil on canvas, signed, 25-3/4” x 22”

Lot 179: Eduardo Ferrer Comas (Spanish, 18921978), “Flower Gatherers”, oil on canvas, signed and dated, 29-5/8” x 25-5/8”

Lot 172: Jean Béraud (French, 1849-1935), “Une Parisienne”, ca. 1880, oil on canvas, signed, 14” x 10”

Lot 168: Antal Berkes (Hungarian, 1874-1938), “The Yellow Omnibus”, ca. 1920, oil on canvas, signed, 29-1/2” x 39-1/2”

Lot 183: François Brunery (Italian, 1849-1926), “The Cardinal’s Delight”, oil on cradled wood panel, signed, 24” x 19-3/4”

Lot 479: Exceptional Pair of Gilt-Bronze-Mounted Kylix-Form Malachite Urns, second half 19th century, probably Russian

Lot 91: Camille Joseph Étienne Roqueplan (French, 1800-1855), “Le Chouchou”, oil on canvas, signed, 85” x 47”

Lot 242: Contemporary Three-Piece Parcel Gilt Silverplate and Cut Glass Table Garniture, Sheffield, England

Lot 819: Fine Gueret Freres Marble-Mounted Walnut Cabinet-on-Stand in the Renaissance Taste, third quarter 19th century

Lot 458: Pair of Monumental Neo-Grec Silvered Bronze Figural Seven-Light Candelabra, third quarter 19th century, signed Jean-Louis Gregoire (1840-1890)

Lot 435: Pair of Empire-Style Giltwood and Ebonized Bergeres, early 20th century

Lot 7: After Andrea del Sarto (Italian, 1486-1530), “St. John the Baptist”, 19th century, oil on canvas, 35-1/2” x 26”

Lot 455: Louis XVI-Style Ebonized, Polychrome and Marble-Top Secretaire a Abattant, third quarter 19th century, in the manner of Réne Dubois

Lot 218: Italian Neoclassical Walnut and Fruitwood Commode, early 19th century

Lot 36: Circle of Adriaen van de Velde (Dutch, 1636-1672), “Pulling Into Port”, oil on canvas, faintly signed, 16” x 23-5/8”

Lot 459: Continental Patinated Bronze of “Perseus with the Head of Medusa”, ca. 1900, after the 1545 sculpture by Benvenuto Cellini (Italian, 1500-1571)

Lot 198: Pair of Italian Walnut and Fruitwood Bombe Commodes, late 18th century

Lot 235: Continental Silvered Bronze Centerpiece, fourth quarter 19th century

Lot 466: Pair of Continental Terracotta Busts of Apollo and Diana

Lot 397: Louis XVIStyle Polychrome and Marble-Top Console Table

Lot 19: Italian Baroque-Style Polychrome and Parcel-Gilt Commode, 19th century

Lot 21: Pair of Italian Walnut Censors, fourth quarter 18th century and earlier, mounted with polychrome figures of St. Michael

New Orleans Auction galleries

PRSRT STD U.S. POSTAGE PAID NEW ORLEANS, LA PERMIT NO. 1535

333 St. Joseph Street New Or leans, LA 70130 Main: 504-566-1849 To l l F r e e : 1 - 8 0 0 - 5 0 1 - 0 2 7 7 Fax: 504-566-1851 Info@NewOr leansAuction.com NewOrleansAuction.com

AUCTION

EXHIBITION

EVENING RECEPTION

May 21-22, 2016

May 9 - May 20, 2016

Thursday, May 19, 2016

Begins at 10 a.m. Each Day

9 a.m. to 5 p.m. Daily (Excluding Sunday)

5 - 8 p.m. | Cocktails & Hors D’Oeuvres

Lot 867: George Rodrigue (American/Louisiana, 1944-2013), “Blue Dog Hog”and “Blue Dog Helmet”, 1994, acrylic on a 1993 Harley-Davidson Falstaff Fat Boy motorcycle and Harley-Davidson helmet, both signed and titled

Sign up to bid and view the full catalogue online at NewOrleansAuction.com Published By: New Or leans Auction Galleries | Design: Bur ke and Taylor Eichenwald | Photos: Gar y Michael Gittelson LA Auction License AB-363 | Steinkamp #1265, Thomas #1833, Eichenwald #1922 (25% Buyer’s Premium - 3% Discount for Prompt Payments Made by Cash, Check or Wire)