The Bruce McCashin Collection Online Sale

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The Bruce McCashin Collection

NOVEMBER 23 | 10 a.m. CST

Lot 206 Front Cover: Lot 244 Back Cover: Lot 120

The Bruce McCashin Collection Online Sale

NOVEMBER 23 10 a.m. CST

New Orleans Auction galleries

333 Saint Joseph Street, New Orleans, Louisiana 70130 www.neworleansauction.com | info@neworleansauction.com | 504-566-1849 LA Auction License AB-363, Steinkamp #1265, Thomas #1833, Eichenwald #1922 | 25% Buyer’s Premium

The Bruce McCashin Collection Vero Beach, Florida

Bruce E. McCashin was born in Green’s Farms, Connecticut - the oldest neighborhood in Westport - to prominent equestrians Arthur J. McCashin (1952 Olympic bronze medalist) and his wife Helen Wolcott née Bedford (ex-Master of Foxhounds of the Fairfield County Hounds).

His early years were spent along the Gold Coast, and later Far Hills, New Jersey, enjoying the fruits of high society.

The Bedford family emigrated from London to Brooklyn in 1848, and shortly thereafter, Frederick Thomas Bedford, Sr. (1823-1904) invested in farmland in Westport to grow onions. During the 1850s, onions were in great demand in New York City and also became an important crop in the 1860s at the onset of the Civil War as they were used to treat wounds.

Edward Thomas “E. T.” Bedford (1849-1931), Bruce McCashin’s great-grandfather, was born in 1849 in Green’s Farms and attended Brooklyn Academy, where he met Robert Cheesebrough. Bedford assisted Cheesebrough to develop and sell a petroleum byproduct known today as Vaseline. Bedford also met John D. Rockefeller while living in Brooklyn, and after working as a salesman offering oil-related products, he became a Partner and Director at Standard Oil. After leaving the oil business, Bedford formed Corn Products Company from the New York Glucose Trust he had acquired. Their products included Karo, Mazola, Skippy and Hellmann's.

McCashin attended The Lawrenceville School, then colleges in the United States and France before attending Yale University in his early 30s. He acquired his first antique at age eleven, but the catalyst to his serious pursuit of collecting was his education at Yale and time spent at the Yale Center for British Art under Duncan Robinson.

McCashin also studied under some of the most renowned scholars and art historians, including Vincent Scully, one of the most influential and respected architectural historians, and William Kelly Simpson, professor of Egyptology and Curator of Egyptian and Ancient Near Eastern Art at the Museum of Fine Arts, Boston.

Following his time at Yale, McCashin set out on multiple modern “Grand Tours”, traveling twice to Egypt in as many years and throughout Europe, acquiring pieces along the way. London, where he had a residence, was also a frequent destination, and he became a regular client at the most venerable shops and galleries. While in England, Bruce tracked down pieces once owned by the Bedfords.

Each piece of furniture acquired by McCashin was evaluated and meticulously restored by William J. Cook & Sons in England, whose clients include the Royal Family, museums and leading collectors. The Cooks also advised McCashin while he searched for each piece.

McCashin’s collection demonstrates his eye for the exceptional and unique while focusing on 18th- through early 20th-century English antiques and fine art. As he grew up amongst a family dedicated to country pursuits and sports, many paintings in the collection feature sporting scenes, animals and rolling landscapes. His collecting sensibilities grew out of his parents’ interests and a tradition of American families of strong English heritage acquiring English antiques. The influence of the great collectors and patrons of the arts that he grew up surrounded by is evident in his impressive collection.

New Orleans Auction Galleries is honored to offer fine art, antiques, silver and more from the Collection of Bruce McCashin.

Lot 220

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1 After Henry Thomas Alken (British, 1785-1851) “The First Steeple-Chase on Record”, plates I-IV four engravings with aquatint engraved by J. Harris and published by Ben Brooks, London, 1839.

Each matted, glazed and framed alike. plate 13-7/8” x 16-3/8”, framed 21-7/8” x 24” Provenance: Bruce McCashin Collection. $1,500-$2,500

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2 British School (19th Century) “Pair of Steeplechase Scenes” two hand-colored engravings published by J & J Sporting Gallery, London, 1832.

Matted, glazed and framed alike. sight 15-1/8” x 20”, framed 21” x 27” Provenance: Bruce McCashin Collection. $300-$500

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3 Late Regency Mahogany Desk second quarter 19th century, the superstructure with a finialed backpiece above four small drawers, each with annulated banding, above a pull-out gilt-tooled leatherinset writing surface, with an undulate-carved edge, over a frieze fitted with two drawers, raised on beehive-turned legs ending in turned bulbous feet. h. 38-1/2”, w. 38-1/2”, d. 19-1/2” Provenance: Bruce McCashin Collection. $500-$800

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4 After William Shayer (British, 1787-1879) “Racing Incidents” “Steeplechase Incidents” two colored engravings printed after Shayer paintings, published by Arthur Ackermann, London.

Matted, glazed and framed alike. plate 18” x 25-1/2”, framed 28-1/2” x 35-3/4” Provenance: Bruce McCashin Collection. $1,000-$1,500

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5 George III Polychrome Corner Cabinet late 18th century and later, the molded and canted cornice above a conforming case fitted with a single paneled cupboard door, opening to shaped shelves, raised on a later stand fitted with a single frieze drawer over a shelf, on tapering square legs, the whole with figural and landscape polychrome designs in the chinoiserie manner. h. 71-1/2”, w. 27”, d. 15” Provenance: Bruce McCashin Collection. $700-$1,000

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6 George II-Style Mahogany Stool in the Queen Anne taste, the upholstered cushion on cabriole legs with shell-carved knees and pad feet, now upholstered in striped and floral cut velvet. h. 19-1/2”, w. 30-1/2”, d. 17-1/2” Provenance: Bruce McCashin Collection. $300-$500 7 George III-Style Satinwood and Mahogany Dumbwaiter

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late 19th century, with two circular tiers, each with a finely figured full arched gilt-lacquered brass gallery, supported by turned brass supports, raised on a graduated ribbed standard to three splayed ribbed legs ending in brass caps on casters. h. 42”, dia. 24” Provenance: George Subkoff Antiques, Westport, Connecticut; Bruce McCashin Collection. $800-$1,200 8 Pair of George III Mahogany Pedestals fourth quarter 18th century, each with a dished circular top raised on a bulbous ribbed standard to three splayed cabriole legs ending in pad feet. h. 64-1/4” Provenance: Bruce McCashin Collection. $600-$900

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9 Chinese Export Famille Rose Porcelain Reticulated Berry Bowl second half 19th century, the steep sided, basket-form bowl with flared lip, decorated to the interior with figural panels surrounded with flowers and insects, the exterior rim with floral sprays. h. 3-1/2”, w. 9-3/4”, d. 8-3/4” Provenance: Bruce McCashin Collection. $200-$400 9

10 George III-Style Mahogany Pedestal

11 George III Mahogany Tripod Stand

19th century, the dished circular top supported by a ribbed circular standard to three splayed cabriole legs. h. 38-1/2”, dia. 10” Provenance: Bruce McCashin Collection.

fourth quarter 18th century, the circular top with a raised beveled edge, above a bulbous ribbed standard to three splayed cabriole legs headed by acanthine carving and ending in ball-and-claw feet. h. 25”, dia. 10-1/2”

$300-$500

Provenance: Bruce McCashin Collection. $300-$500

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12 Associated Pair of Large Japanese Imari Porcelain Chargers first half 20th century, each decorated with hexagonal and floral panels containing children playing in a garden setting and a basket of auspicious objects beside the sea, all within dense floral and foliate borders, the reverse with a continuous blossoming vine design. dia. 22” and 22-1/2” Provenance: Bruce McCashin Collection. $700-$1,000

13 George III-Style Mahogany Wing Chair the arched top rail flanked by shaped wings joined to closed arms, with a loose seat cushion and raised on molded Marlborough legs joined by an H-form stretcher, upholstered in dusty blue and cream brocade, the sides and back in gold and cream stripes. h. 43-1/2” Provenance: Bruce McCashin Collection. $600-$900

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14 School of James Ward (British, 1769-1859) “Horse and Donkey Market” oil on canvas unsigned.

Framed.

11-3/4” x 15-1/2”, framed 13-1/4” x 17-1/8” Provenance: Bruce McCashin Collection. $500-$800

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15 George III-Style Mahogany Bowfront Server 19th century, the banded and bowed top above a conforming frieze fitted with two paneled cupboard doors, raised on tapering square legs with inlaid decorative stringing. h. 36”, w. 43”, d. 22-3/4” Provenance: Bruce McCashin Collection. $600-$900

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16 Pair of Japanese Imari Porcelain Vases Mounted as Table Lamps 20th century, with ormolu mounts, fitted with shades with amethyst finials. h. 25-1/2”, dia. 15-3/4” Provenance: Bruce McCashin Collection. $600-$900 16

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17 George III Mahogany Tray fourth quarter 18th century, the rectangular tray with a threequarter shaped and pierced gallery, now raised on a later stand of chamfered square legs. h. 26”, w. 20-3/4”, d. 16-1/2”

19 George III Mahogany Writing Slope

Provenance: Bruce McCashin Collection.

fourth quarter 18th century, the rounded rectangular top with a lower rail, the angle and height both adjustable, and raised on a turned and bulbous standard to three splayed legs. h. 30”, w. 19-1/2”, d. 14-1/2”

$250-$400 18 Eight Pieces of Chinese and Chinese-Themed Ceramics

Provenance: Bruce McCashin Collection.

19th/20th centuries, the collection including a pair of Chinese export butterfly plates, dia. 9-1/2”, two Ashworth ironstone plates, dia. 10-1/4”, two Chinese-style octagonal plates, dia.

9”, and two Chinese-style covered condiment jars, h. 4”, dia.

3”.

$500-$800

Provenance: Bruce McCashin Collection. $75-$125

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20 After George Stubbs (British 1724-1806) “Shooting (Plates I-IV)” rare suite of four engravings by William Woollett published Thomas Bradford, London, after 1771. sights 17-1/4” x 21-1/2”, framed 27” x 31-1/4” Provenance: Bruce McCashin Collection. $2,500-$3,000

21 Irish Bronze Equestrian Figure first quarter 20th century, signed “R. Donaldson”, depicting a horse carrying a rider dressed for the hunt, his dogs to one side, now mounted as a lamp and fitted with a shade. h. 25-3/4”, w. 13-1/2”, d. 11-3/4” Provenance: Bruce McCashin Collection. $500-$800 21

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22 Miniature Georgian-Style Mahogany Chest of Drawers 20th century, English. h. 9-1/4”, w. 10-1/4”, d. 7-3/4”

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Provenance: Bruce McCashin Collection. $75-$125 23 Pair of Georgian-Style Mahogany and Brass Candlesticks 20th century, now mounted as lamps, with turned bases, the standards with spiral-reeded vasiform bottoms and tapering fluted tops set with brass candle cups and drip pans, mounted with shades. h. 30”, dia. 10” Provenance: Bruce McCashin Collection. $500-$800 24 Georgian Dished-Top Mahogany Tray fourth quarter 18th century. dia. 19-1/2” Provenance: Bruce McCashin Collection. $25-$50

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25 Pair of Chinese Polychrome Dishes on Victorian-Style Brass Stands 20th century, the dishes decorated with butterflies and flowers on a mazarine blue ground, each reverse with an apocryphal six-character Qianlong seal mark in red. h. 3-1/4”, dia. 16”, stands h. 21”, w. 21-1/2” Provenance: Bruce McCashin Collection. $100-$200

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26 Pair of Late Regency Rosewood Occasional Tables second quarter 19th century, each with an ovoid top with a gadrooned edge, raised on a turned and bulbous standard on a fluted column, on a concave tripartite base with like edge, raised on scrolled feet. h. 23-1/2”, w. 24”, d. 17-3/4” Provenance: Bruce McCashin Collection. $800-$1,200

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27 James Ward (British, 1769-1859) “Tintern Abbey” watercolor on paper Matted, glazed and framed. sight 6-1/4” x 9-1/2”, framed 18-1/2” x 21-1/2” Provenance: Bruce McCashin Collection. $800-$1,200

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28 Pair of Georgian Mahogany and Brass Candlesticks second quarter 19th century, now mounted as lamps, on deeply turned bases, the standards with spiral-reeded vasiform bases supporting tapering fluted tops, set with molded candle cups and drip pans, mounted with shades. h. 31”, dia. 9-1/2” Provenance: Bruce McCashin Collection. $500-$800

29 Francis Nicholson, OWS (British, 1753-1844) “Cheddar Gorge, Mendip Hills, Somerset” watercolor on paper identified on old handwritten label en verso.

Matted, glazed and framed. sight 18-1/2” x 13-1/2”, framed 29-1/4” x 24-1/4” Provenance: Bruce McCashin Collection. $400-$700

30 Pair of Giltwood Tabernacle Mirrors in the Regency Taste 20th century, the projecting cornices decorated with spherules and stars, the tablets with raised latticework, framed with composite carved pilasters, set with beveled mirror plates. h. 30”, w. 14-1/2” Provenance: Bruce McCashin Collection. $700-$1,000

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31 Neoclassical-Style Polished Brass Floor Lamp second quarter 20th century, English, with a Corinthian column standard and paw feet. h. 59”, w. 13-1/2”, d. 13-1/2” Provenance: Bruce McCashin Collection. $700-$1,000

32 Late Regency Rosewood Chair and Stool ca. 1825, the chair of tub form, the tufted back extending to closed arms, with serpentine seat and melon-carved turned legs on brass cup casters, h. 30”, the ottoman with an upholstered cushion on a rosewood and faux rosewood base with scroll and reeded supports joined by scroll stretchers, h.

17”, w. 25”, d. 25”, both upholstered in matching cut-velvet fabric.

Provenance: Bruce McCashin Collection. $800-$1,200

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33 Attributed to John Martin (British, 1789-1854)

35 Pair of Chinese Export-Style “Tobacco Leaf” Candlesticks Mounted as Lamps

“Sylvan Path”

20th century, on wooden bases and fitted with shades, unmarked, possibly Mottahedeh. h. 17-1/4”, w. 8”, d. 8”

gouache and watercolor on paper laid down on board unsigned.

Matted, glazed and framed. sight 6” x 3-3/4”, framed 15-1/2” x 13-1/2” Provenance: Bruce McCashin Collection.

Provenance: Bruce McCashin Collection. $50-$100

$250-$400

34 Diminutive Regency Rosewood Credenza first quarter 19th century, the narrow rectangular top above a conforming case fitted with a plain frieze over two grilled panel doors with fabric backing, raised on turned legs ending in toupee feet. h. 32”, w. 37”, d. 9-1/4” Provenance: Bruce McCashin Collection. $700-$1,000

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36 Assembled Set of Ten Davenport Ironstone “Flying Bird” Plates

37 Group of Fourteen Chinese Blue and White Porcelain Cricket Cages

ca. 1814-1825, with the circular “DAVENPORT STONE CHINA” mark and gilt highlights. dia. 9-1/4”

20th century, of various sizes, the majority of hexagonal form, with one four-sided example, all with reticulated sides and decorated with various floral and foliate motifs. h. 3-1/2”, w. 4-1/4” to 4-3/4”

Provenance: Bruce McCashin Collection.

Provenance: Bruce McCashin Collection.

$75-$125

$400-$700

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38 William IV Mahogany Gout Stool second quarter 19th century, scroll-carved and with ribbed bun feet. h. 10”, w. 11-3/4”, l. 15-1/2” Provenance: Bruce McCashin Collection. $200-$400 38

39 Two English Upholstered Footstools second quarter 19th century, the larger stool with an ogee rosewood base and bun feet, h. 9”, w. 12-1/2”, d. 12-1/2”, and the smaller stool with mahogany scroll carving and ball feet, h. 5”, w.

11”, d. 8-1/4”.

Provenance: Bruce McCashin Collection. $200-$400 39

40 William IV Fruitwood Footstool second quarter 19th century, the padded rectangular top raised on a crossover curule-form base ending in fluted bun feet, with scroll and patera carving. h. 16”, w. 21-1/4”, d. 15” Provenance: Bruce McCashin Collection. $500-$800

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41 Group of Seventeen Chinese Blue and White Porcelain Cricket Cages 20th century, of various sizes and forms with reticulated sides, each decorated with stylized floral or foliate motifs. h. 3-1/4” to 3-1/2”, w. 4-1/2” to 7-1/2” Provenance: Bruce McCashin Collection. $400-$700

42 Late Regency Mahogany Corner Etagere second quarter 19th century, the finialed and scrolling crest above four graduated bowed shelves, divided and supported by shaped scrolling supports, the whole raised on block feet. h. 64”, w. 24”, d. 12-1/2” Provenance: Bruce McCashin Collection. $400-$700

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43 Boehm Porcelain Sculpture of Two Black Grouse

44 Pair of Boehm Porcelain Grouse Figures

English, 1970-1979, depicting two birds on a mound, marked with a horsehead, a crown, and a “Boehm Porcelain, made in England” on the bottom. h. 15”, w. 15-1/2”, d. 9-3/4”

American, second half 20th century, signed “Boehm USA” in script on the top of the bases. h. 11-1/4”, w. 9-3/4”, d. 7-5/8”

Provenance: Bruce McCashin Collection. $200-$400

Provenance: Bruce McCashin Collection. $200-$400

45 Regency Mahogany Tiered Table first quarter 19th century, the square top with corner brass ball finials, over a conforming frieze drawer, joined by turned uprights to a lower shelf over a drawer, raised on bulbous toupie feet. h. 26-1/2”, w. 18”, d. 15-1/2” Provenance: Bruce McCashin Collection. $400-$700

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46 Pair of Regency Brass Candlesticks first quarter 19th century, polished and lacquered, with prisms of later origin. h. 7-1/2”, dia. 3”.

Provenance: Bruce McCashin Collection. $25-$50

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47 Pair of Chinese Cloisonne Vases 20th century, with trumpet-form tops and presented on pierced hardwood stands. h. 5” Provenance: Bruce McCashin Collection. $25-$50

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48 Diminutive Late Regency Rosewood Two-Tiered Etagere Table second quarter 19th century, the rounded rectangular top with corner finials, joined to a like lower shelf by turned supports, raised on turned legs ending in brass caps and casters. h. 19-1/2”, w. 15”, d. 11-1/2” Provenance: Bruce McCashin Collection. $600-$900

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49 Pair of Regency Mahogany Pedestals

50 Pair of Regency Mahogany Pedestals

first quarter 19th century, each with a circular dished top raised on a slender ring-turned standard to a lotus-carved circular base with three projecting patera-carved turned feet. h. 50”, dia. 9-3/4”

first quarter 19th century, each with a dished circular top raised on a graduated paneled standard to a lotus-carved base, to three splayed and shaped legs. h. 60-3/4”

Provenance: Bruce McCashin Collection.

Provenance: Bruce McCashin Collection.

$600-$900

$400-$700

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51 Three Painted Cast Iron Doorstops early 20th century, the collection including a Nathanael Greene House doorstop, h. 5”, w.

7-3/4”, d. 2”, a Hubley quail doorstop, marked “Everett 34”, h. 7-3/4”, w. 6”, d. 2-1/2”, and a double-sided royal mail coach doorstop, h.

7-1/4”, w. 12”, d. 2-1/4”.

Provenance: Bruce McCashin Collection. $1,000-$1,500

52 Pair of Regency Mahogany Stools first quarter 19th century, in the manner of Gillows, Lancaster, each with a padded square top raised on ribbed tapering circular legs, headed by a turned capital and ending in toupie feet. h. 20-1/2”, w. 14-1/2”, d. 14-1/2”

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Provenance: Sotheby’s, London, UK, “The Arts of Europe”, November 6, 2014, lot 272; Bruce McCashin Collection. $600-$900

53 School of John Martin (British, 1789-1854) “Northumberland” oil on panel bearing a signature and title en verso.

Frame with artist plaque.

14-1/2” x 19-1/4”, framed 18-1/2” x 23-1/4” Provenance: Bruce McCashin Collection. $1,000-$1,500

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54 Regency-Style Rosewood, Walnut and Brass Floor Lamp 20th century, English, on an inlaid rosewood tripod base, with a rosewood cross-banded top set with a lamp standard, mounted with a shade. h. 67-1/4”, dia. 16” Provenance: Bruce McCashin Collection. $500-$800

55 Pair of Late Regency-Style Giltwood Footstools second quarter 19th century, each with a square padded floral needlework top above a tapering body to a molded base on ribbed bun feet. h. 8-1/2”, w. 13”, d. 13” Provenance: Bruce McCashin Collection. $500-$800

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56 Pair of Regency Bronze and Marble Bookends second quarter 19th century, modeled as bronze classical dolphins on stepped gray marble bases. h. 8”, w. 5-1/2” Provenance: Bruce McCashin Collection. $50-$100

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57 Pair of Regency-Style Brass Dolphin-Form Candlesticks 20th century. h. 7-3/4”, dia. 4-3/4” Provenance: Bruce McCashin Collection. $25-$50 58 Two Pieces of English Basalt Ware first quarter 20th century, including an oval stand decorated with neoclassical scenes, signed “Wedgwood” in all caps, w. 8-3/4”, d. 6”, and a reeded sugar bowl, unsigned, h. 3”, w. 5-3/4”, d. 4”.

Provenance: Bruce McCashin Collection. $25-$50 59 Regency Painted China Shelf first quarter 19th century, the oxblood-, black- and giltpainted shelves with baluster-turned sides and a scrolled crest decorated with gilt-painted scrollwork and leaves, the center and ends with turned finials. h. 36-1/2”, w. 35”, d. 5-1/2” Provenance: Bruce McCashin Collection. $600-$900

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60 Two English Wooden Book Rests 19th/20th century, including a Gothic Revival pierced rosewood example, mid-19th century, h. 14”, w. 10-1/2”, d.

10-1/2”, and a mahogany example labeled “The Bershaw Book Rest, Made in England”, h. 8”, w. 35” open, d. 7-1/4”.

Provenance: Bruce McCashin Collection. $50-$100

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William Shayer, Sr. (British, 1787-1879) “Harbor Scene” oil on canvas signed lower right on rock.

Unframed.

24” x 32-1/2” Provenance: Bruce McCashin Collection.

61 Derby Porcelain Potpourri Vase

$800-$1,200

first quarter 19th century, English, decorated in the Imari palette, with red crown and crossed batons mark. h. 5-3/4”, dia. 4-1/2” Provenance: Bruce McCashin Collection. $250-$400

63 Regency Mahogany Cellarette first quarter 18th century, the stepped rectangular top above a slightly tapering body, mounted with lionmasque handles to either end, the interior fitted for wine bottles, raised on bun feet. h. 15”, w. 19”, d. 13-1/4” Provenance: Bruce McCashin Collection. $700-$1,000

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64 Pair of Regency-Style Ebonized and Parcel-Gilt Eagle Brackets fourth quarter 19th century, the displayed eagles on carved rocky outcroppings, with serpentine shelves with cove-molded edges. h. 7-3/4”, w. 19”, d. 8”

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Provenance: Bruce McCashin Collection. $800-$1,200

65 Brass-Mounted Copper Oblong Planter 20th century, probably English, with lion’s-head ring pulls and brass paw feet. h. 5-1/2”, w. 36-1/2”, d. 5” Provenance: Bruce McCashin Collection. $20-$40 65

66 After James Ward, R.A. (British, 1769-1859) “Poultry Market” mezzotint in colors engraved by James Ward, R.A., artist and title printed lower margin.

Matted, glazed and framed. sight 17-1/2” x 21-1/2”, framed 26-1/2” x 32-1/2” Provenance: Bruce McCashin Collection. $200-$400

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67 Two Regency Mahogany and Ebonized Peat Buckets second quarter 19th century, one example raised on a matching pedestal base with ball feet, and fitted with a brass liner and handle, h. 16”, dia. 15”, and the other bucket with tapered sides and set with a brass handle, h. 13-1/2”, dia.

11-1/2”.

Provenance: Bruce McCashin Collection. $600-$900 67

68 Collection of Three Wooden Objects English, 19th/20th century, including two Regency-style brass-bound wooden planters, one oval, h. 11-1/4”, w. 14”, d. 12”, and one cylindrical with ring pulls, h. 9”, dia. 10-1/4”, and a brass-bound paint-decorated bucket, h.

13-3/4”, w. 10-1/2”, d. 9-1/4”.

Provenance: Bruce McCashin Collection. $400-$700 68

69 English Brass-Bound Mahogany Oval Oyster Bucket 19th century, in the Regency style. h. 5-1/2”, w. 15-3/4”, d. 12-1/2” Provenance: Bruce McCashin Collection. $75-$125

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70 Pair of Early 19th-Century British Silhouette Pictures on Glass one titled and dated lower center “On the Way to Derby 1834” and the other “Returning from the Derby 1834”, each sight 8-1/4” x 18”.

Both presented in maple frames, 12-1/2” x 22”.

Provenance: Rowley’s Auctioneers, Cambridgeshire, UK, May 9, 2017, lot 86; Bruce McCashin Collection. $400-$700

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71 William IV Mahogany Cheese Wheel Holder second quarter 19th century, with baluster-turned handles. h. 7”, w. 16-1/2”, d. 6-3/4” Provenance: Bruce McCashin Collection. $200-$400

72 William IV Rosewood Cheese Coaster second quarter 19th century, a very unusual bateau-form box with a central compartment and elevated compartments with hinged covers, lined with beading and set with brass medallions. h. 5-1/4”, w. 11-1/2”, d. 10-1/4” Provenance: Bruce McCashin Collection. $200-$400

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74 British School (19th Century)

73 Pair of William IV Rosewood Desk Boxes second quarter 19th century, the pen/pencil cases with eggand-dart molding. h. 2-1/4”, w. 9-1/2”, d. 3-1/4” Provenance: Bruce McCashin Collection. $200-$400

A set of five prints, including “The King”, “George IV and William IV”, “George III, Receiving the Turkish Ambassador and Suit”, “His Most Gracious Majesty George William Frederick the Third” and “His Royal Highness the Prince Regent” five engravings on paper each with printed title in lower margins.

Four matted, glazed and framed alike and one unframed. sights ranging from 8” x 5” to 9-1/2” x 7”, sheet 10” x 6-1/2”, framed ranging from 10” x 13” to 14-1/2” x 12” Provenance: Bruce McCashin Collection. $300-$500

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75 William IV Turned and Reeded Mahogany Compote second quarter 19th century. h. 7-1/2”, dia. 12” Provenance: Bruce McCashin Collection. $150-$300

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76 Exceptional William IV Reverse Bombe-Form Inlaid Rosewood Tea Caddy second quarter 19th century, mounted with original brass flower-molded ring pulls and cornucopia feet, the parquetryinlaid interior with compartments for green and black tea with hinged covers, flanking a Georgian cut glass mixing bowl. h. 8”, w. 12-3/4”, d. 8” Provenance: Bruce McCashin Collection. $800-$1,200 76

77 William IV Mahogany Cellarette second quarter 19th century, the stepped rectangular top with a gadrooned edge, and hinged and opening to a compartmented interior, the case fitted with a single drawer, raised on ring-turned tapering circular legs ending in brass caps and casters. h. 31”, w. 29”, d. 19-1/4” Provenance: Bruce McCashin Collection. $800-$1,200

77

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79

78

78 William IV Inlaid Mahogany Tabernacle Mirror second quarter 19th century, the tablet outlined with inlay and trimmed with rosewood crossbanding, the corner blocks with inlay-outlined rosewood panels, the mirror plate flanked by spiral-twisted pilasters. h. 42-1/4”, w. 24-1/2” Provenance: Bruce McCashin Collection. $600-$900 79 Pair of English Flint Enamel Stoneware Lions mid-19th century, possibly Rockingham, of Medici form, treacle glazed and on molded bases. h. 8-3/4”, w. 10-3/4”, d. 4-1/2” Provenance: Bruce McCashin Collection. $600-$900 80 William IV-Style Mahogany and Brass Floor Lamp 20th century, on scrolled and reeded feet, the mahogany standard reeded and rope-turned, with bronze mounts and a fluted brass lamp support, mounted with a shade. h. 67-1/4”, dia. 12-1/2” Provenance: Bruce McCashin Collection. $700-$1,000 80

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83

81 William IV Miniature Mahogany Linen Press 81

second quarter 19th century, the two-piece linen press with arched door panels, turned knobs and turnip feet, the drawers with original blue paper linings. h. 27-3/4”, w. 17-1/2”, d. 8-1/4” Provenance: Bruce McCashin Collection. $500-$800

82 William IV Mahogany Tub Chair second quarter 19th century, the low padded barrel back joined by flared scrolling supports to the padded seat, raised on tapering circular legs with cup capitals and ending in peg feet. h. 29” Provenance: Bruce McCashin Collection. $300-$500

83 Chinese Famille Rose Porcelain Vase fourth quarter 19th/first quarter 20th century, of Gu form, decorated to the exterior with various panels depicting figures, birds, insects and butterflies amid a dense scrolling foliate ground. h. 15-3/4”, dia. 10” 82

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Provenance: Bruce McCashin Collection. $700-$1,000

84

85

84 William IV Rosewood Canterbury second quarter 19th century, the top with four shaped scrollcarved dividers above a single side drawer, raised on bulbous turned feet ending in brass caps and casters. h. 20-3/4”, w. 21”, d. 15-1/2”

86 Four-Piece Collection of Fenton Prattware Pottery Dessert Dishes

Provenance: Bruce McCashin Collection.

mid-19th century, English, transfer-decorated with polychrome scenes after major English artists and with oak leaf and acorn borders, including a pair of kylix-form oval dessert dishes, w. 12-1/2”, d. 8-3/4”, and a pair of plates, dia.

9-1/2”, each marked with the name of artwork and artist, three pieces marked “Pratt, Fenton”.

$500-$800 85 Pair of William IV Elm and Fruitwood Side Chairs second quarter 19th century, each with a medallion back with ring turnings and a central painted panel with a heraldic crest, the oval plank seat on splay Sheraton legs. h. 33-1/4”

Provenance: Bruce McCashin Collection. $800-$1,200

Provenance: Bruce McCashin Collection. $500-$800

86

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87

87 Pair of William IV Carved Mahogany China Shelves second quarter 19th century, the crests carved with opposing scrollwork, the shelves with scroll supports and bobbin-turned trim. h. 35”, w. 30-1/2”, d. 7-1/2” Provenance: Bruce McCashin Collection. $500-$800

88 Pair of Turned Yew Boudoir Lamps late 19th century, set with shades and having polished green and red agate finials. h. 18-3/4”, dia. 8-1/2” Provenance: Bruce McCashin Collection. $200-$400 88

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89 Pair of Charles X Gilt-Bronze Candlesticks now Mounted as Lamps second quarter 19th century, French, engine-turned and mounted with shades. h. 18-1/4”, dia. 5” $300-$500

89

90 William IV Mahogany Child’s High Chair mid-19th century, the curved and downswept crest and sides around a caned back and seat, raised on turned bulbous legs with a footrest, attached and raised on a square base to splayed tapering square legs ending in casters. h. 37”, w. 16”, d. 16” Provenance: Bruce McCashin Collection. $700-$1,000

90

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91 William IV Mahogany Window Seat second quarter 19th century, the rectangular needlework seat flanked to either side by an in-scrolled, turned armrest, raised on sabre legs headed by foliate carving, joined by turned stretchers and ending in splayed feet. h. 27”, w. 32”, d. 18” Provenance: Bruce McCashin Collection. $600-$900

91

92 Chinese Bronze and Cloisonne Figure of a Seated Laughing Budai second half 20th century, modeled draped in a robe decorated with various flowers and “shou” and “cash” symbols depicted in red, blue and yellow enamels, the base with apocryphal six-character Xuande reign mark. h. 7-1/4”, w. 12-3/4”, d. 6-1/4” Provenance: Bruce McCashin Collection. $500-$800

92

93 Unusual Chinese Porcelain Vase probably first half 20th century, of baluster form with flared lip, the neck mounted with gilt foo dogs, decorated to the exterior with panels depicting birds and butterflies surrounded by floral designs on a burnt-orange ground. h. 18”, dia. 7-1/4” Provenance: Bruce McCashin Collection. $600-$900

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94 William IV Mahogany Cabinet second quarter 19th century, the superstructure with a foliate-carved scrolling crest above a single shelf, joined by scrolling supports to a rectangular top with a molded edge, above a case fitted with a single laurel-wreath-carved drawer over two recessed paneled cupboard doors opening to a shelved interior, flanked to either side by Ionic supports, raised on ribbed scrolled toes. h. 54”, w. 37-1/4”, d. 21-1/4” Provenance: Bruce McCashin Collection. $800-$1,200

95 William IV-Style Upholstered Sofa 20th century, the back in two segments joined to closed rings, the seat with a pair of loose cushions, raised on reeded legs with brass cup casters. h. 33-1/4”, w. 78”, d. 38-1/2” Provenance: Bruce McCashin Collection. $300-$500

94

95

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96 William IV Mahogany Tabernacle Mirror second quarter 19th century, the mirror plate and tablet lined with bobbin turning, the mirror flanked by spiral-reeded columns set with leaf-carved capitals and bases. h. 36-1/2”, w. 26-3/4”, d. 5” Provenance: Bruce McCashin Collection. $300-$500 97 Two William IV Brass and Lead Door Porters second quarter 19th century, with scroll-molded handles and paw-footed bases, set with lead weights. h. 15-1/4”, w. 4”, d. 3-1/2” Provenance: Bruce McCashin Collection. $200-$400 98 Two William IV Brass and Lead Door Porters second quarter 19th century, with scroll-molded handles and paw-footed bases, set with lead weights. h. 15-1/4”, w. 4”, d. 3-1/2” Provenance: Bruce McCashin Collection. $200-$400

96

97 98

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99 Chinese Chippendale-Style Mahogany Etagere the pagoda-form crest above three shelves supported by turned uprights, raised on a scrolled base. h. 40”, w. 11”, d. 10” Provenance: Bruce McCashin Collection. $400-$700

100 Two Pieces of Chinese Famille Jaune Porcelain and a Pair of Famille Jaune Porcelain Tea Caddies and Covers 20th century, including an oval dish decorated with peonies, marked with Chinese characters and “Made in China”, h.

3-1/4”, w. 16”, d. 13”, and a dragon-decorated planter marked with red Chinese characters, h. 2-1/2”, w. 8-1/2”, d. 6-3/4”; together with a pair of tea caddies and covers, second half 20th century, each of six-sided form, decorated to the exterior with phoenix and five-claw dragons chasing the flaming pearl, h. 6”, w. 4-3/4”, d. 3”.

Provenance: Bruce McCashin Collection. $75-$125 101 Nine Pieces of Chinese Pottery Fruits and Vegetables first quarter 20th century, with polychrome glazes. h. 1-1/2” to 2-1/4”, w. 2” to 4-1/4”, d. 2” to 3” Provenance: Bruce McCashin Collection. $100-$200

101 99

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102

102 Pair of Chinese Ancestor Portraits

103 Group of Six Chinese Spinach Hardstone Bowls

first half 20th century, depicting a seated male and female figure, respectively, color and ink on silk, with silk mounts, framed. sight 23-3/4” x 12”, framed 31” x 18-3/4”

20th century, of various sizes, each with steep, slightly flared sides and flared lip, five with hardwood presentation stands. large bowl h. 4”, dia. 7-1/4”, small bowls h. 2-3/4”, dia. 4”

Provenance: Comer & Co., CVL LLC, Charlottesville, VA; Bruce McCashin Collection.

Provenance: Bruce McCashin Collection. $1,000-$1,500

$700-$1,000

103

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105 104

104 Regency Chinese Chippendale-Style Hanging Wall Shelf

106 Pair of Louis XIV-Style Gilt-Bronze Candlesticks

19th century, the three stepped shelves with carved and pierced fretwork sides, and surmounted by a pagoda-form pediment, decorated throughout with scenes of figures in gardens beside a river, with gilt details. h. 53”, w. 27”, d. 8-1/2”

20th century, French, now mounted as lamps, on laurel- and acanthus-molded bases, the vasiform standards draped with laurel leaves, the candle cups molded with cabochons and swagging, mounted with shades. h. 28”, dia. 12”

Provenance: Bruce McCashin Collection.

Provenance: Bruce McCashin Collection.

$700-$1,000

$700-$1,000

105 Pair of Napoleon III Mahogany Side Chairs with a Pair of Regency Stools third quarter 19th century, each chair with a corset-form back extending at the hips, serpentine seat and turned legs on porcelain casters, the backs with button-tufted upholstery, h. 36”, the low stools of ovoid form with disc feet, h. 3-3/4”, w.

12-1/2”, d. 9-1/2”, all upholstered in celery and gold brocade.

Provenance: Bruce McCashin Collection. $1,200-$1,800

106

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107 James Charles Ward (British, act. 1830-1879) “View in North Wales”, 1854 oil on canvas signed and dated lower right, titled and signed on stretcher, further titled and inscribed on two 19th-century labels en verso, canvas with partially visible supplier’s stamp.

Framed.

7-3/4” x 11-1/4”, framed 11” x 14-1/2” Provenance: Bruce McCashin Collection. $200-$400 107

108 Pair of Victorian Staffordshire Pottery Terriers fourth quarter 19th century, set with glass eyes, the mottled brown and gray dogs poised on their hind legs. h. 14-1/4”, w. 5-1/2”, d. 8” Provenance: Bruce McCashin Collection. $600-$900

108

109 Victorian Leather, Velvet and Mahogany Ottoman third quarter 19th century, of sarcophagus form, the tufted leather lift-top opening to reveal a fabric-lined well, the concave sides upholstered in suede with contrasting cording, on bun feet. h. 19-1/2”, w. 23”, d. 23” Provenance: Bruce McCashin Collection. $500-$800

109

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112

110

110 Large Pair of Chinese Porcelain Vases Converted to Occasional Tables fourth quarter 20th century, each of baluster form with a soft foliate rim, and applied gilt-painted foo dogs and lizards to the neck, the body decorated with a panoramic scene depicting the Hongs of Canton, between key-pattern and foliate borders, the base with an apocryphal six-character Guangxu reign mark, each fitted with a circular glass top. h. 36-5/8”, dia. 20”

112 Victorian Brass-Inlaid Rosewood Pub Clock third quarter 19th century, the octagonal clock with a partial label on the back. dia. 14-1/4” Provenance: Bruce McCashin Collection. $300-$500

Provenance: Bruce McCashin Collection. $600-$900

111 Attributed to James Ward (British, 1769-1859) “Landscape with Creek and Bridge”, 1809 oil on canvas indistinctly signed and dated lower right.

Framed.

7-1/2” x 12-1/2”, framed 11” x 16” Provenance: Bruce McCashin Collection. $200-$400 111

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113 Pair of Victorian Mahogany Corner Shelves

113

third quarter 19th century, with pierced scroll-sawn sides. h. 25-1/2”, w. 15-1/2”, d. 11” Provenance: Bruce McCashin Collection.

115 ISCO Ceramics Salad Bowl

$500-$600 114 Regency Upholstered and Mahogany Ottoman 19th century, the padded rectangular top hinged and opening to a fabric-lined storage space, the waisted body on an undulating base on bun feet, upholstered in Uccellini pattern silk damask by Antico Setificio Fiorentino. h. 19”, w. 33-1/2”, d. 23”

20th century, in the 18th-century English style, decorated with orange and gilt urns and flower sprigs, the underside marked “ISCO handpainted” below a gilt anchor. h. 4-1/4”, dia. 9-1/2” Provenance: Bruce McCashin Collection. $50-$100

Provenance: Bruce McCashin Collection. $800-$1,200

115

114

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116 State Barges on the Thames, 1656-1807 suite of nine vintage lithographs by Brian Allderidge, published London, Evelyn, 1959.

Each matted, glazed and framed alike. sight 7-1/2” x 14”, framed 10-1/2” x 17” Provenance: Bruce McCashin Collection. $300-$500

117 Pair of Regency Mahogany Candle Stands second quarter 19th century, with turned bases, the standards with turned urns and a tapered shaft, the circular tops with molded edges. h. 8-1/2”, dia. 7” Provenance: Bruce McCashin Collection. $500-$1,000

117

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118 British School (19th Century) “Mother and Children” watercolor unsigned.

Glazed and framed. sight 11-1/2” x 8-1/2”, framed 17” x 14” Provenance: Bruce McCashin Collection. $600-$900

118

119 Pair of Victorian Mahogany Pedestals fourth quarter 19th century, with cove-molded capitals, the tops of the standards with carved square medallions, the bases decorated with reeding wrapped with carved leaves and ogee molding. h. 19”, dia. 18-1/2” Provenance: Bruce McCashin Collection. $500-$800

119

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120

120 Three English Engraved and Colored “Tunnel” Pictures second quarter 19th century, the examples illustrating: an exhibition, h. 12-1/4”, w. 16-1/2”, d. 2-1/4”; strolling in the park, h. 8-1/2”, w. 17-1/2”, d. 2-1/4”; and a fire show, h.

10-1/2”, w. 12”, d. 2-1/4”. All glazed and presented in framed shadowboxes.

Provenance: Bruce McCashin Collection. $3,000-$5,000

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121 122

121 English Majolica Centerpiece in the Victorian Style 20th century, depicting two mermaids supporting a shell-form boat. h. 12-1/4”, w. 20”, d. 5-1/4”

123 Two Victorian Mahogany Furniture Miniatures fourth quarter 19th century, including a chest of drawers with turned wooden knobs, h. 19”, w. 18-1/2”, d. 7-1/2”, and a cylinder-form desk set with porcelain knobs, the top opening as a pen/pencil case, and revealing a storage well, and two false drawers with a lower functioning drawer, h. 16-1/4”, w.

15”, d. 9-1/4”.

Provenance: Bruce McCashin Collection. $300-$500 122 English Majolica Dolphin-Form Candlestick

Provenance: Bruce McCashin Collection.

ca. 1891-1914, stamped “England” on the base. h. 7”, dia. 3-1/2”

$600-$900

Provenance: Bruce McCashin Collection. $20-$40

123

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124 Victorian Rosewood and Mother-of-Pearl Box mid-19th century, the fitted interior divided, possibly for playing cards. h. 3”, w. 9-3/4”, d. 7-1/2” Provenance: Bruce McCashin Collection. $25-$50

124

125 Manner of John Emms (British, 1843-1912) “The Wounded Hound” oil on canvas Framed.

25” x 30-1/2”, framed 30-3/8” x 35-5/8” Provenance: Sean Eacrett Auctions, Ballybrittas, Ireland, September 30, 2017, lot 589; Bruce McCashin Collection. $1,000-$1,500

125

126 Victorian Kingwood and Bronze Gallery Tray third quarter 19th century, the rectangular wood base with pierced bronze arcaded sides, the ends set with leaf-molded spiraltwist handles. h. 6”, w. 21-1/4”, d. 8-1/2” Provenance: Bruce McCashin Collection. $500-$800 126

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127 Beaded and Needlepoint Teapot Cosy early Victorian, decorated with calla lilies and roses, with piped trim. h. 10-1/2”, w. 15-1/2”, d. 2-1/2” Provenance: Bruce McCashin Collection. $250-$400

127

128 Victorian Leather, Walnut and Circassian Walnut Ottoman second half 19th century, of sarcophagus form, the lift-top with a tufted leather cushion, the leather and circassian-clad body adorned with brass hobnails, on a molded base with casters. h. 18-3/4”, w. 24”, d. 36” Provenance: Bruce McCashin Collection. $700-$1,000 128

129 Hand-Painted Potpourri Urn mid-19th century, English, attributed to Minton, decorated with raised gilt and hand-painted birds and fruit. h. 8”, dia. 4-1/4” Provenance: Bruce McCashin Collection.

Notes: A similar example is in the collection of the Victoria and Albert Museum, London. $75-$125 129

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131

130 James Ward (British, 1769-1859) “Study of Mrs. George Morland for the ‘Clean Face Rewarded’”, 1797 graphite on paper monogramed and dated lower left, titled upper right.

Matted, glazed and framed. sight 9” x 7”, framed 21-1/2” x 17-1/2”

130

Provenance: Sotheby’s, London, November 28, 2002, lot 218; Bruce McCashin Collection. $800-$1,200

131 S. Hancock & Sons Corona Ware Pottery Wash Basin 1912-1937, English, with transfer-print decoration clobbered with color. h. 4-3/4”, dia. 16” Provenance: Bruce McCashin Collection. $20-$40

132 Pair of Chinese Export Porcelain Baluster Vases fourth quarter 18th century, the famille rose vases with French pierced gilt-bronze fittings, now mounted as lamps. h. 21-1/2”, dia. 9-3/4” Provenance: Bruce McCashin Collection. $700-$1,000

132

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133

133 Collection of Fourteen Victorian Prattware-Attributed Pottery Pot Lids

134 After John Frederick Herring, Jr. (British, 1815-1907)

third quarter 19th century, including thirteen examples in circular giltwood frames, dia. 7-1/2”, and one example in a square frame, h. 8-1/2”, w. 8-1/2”, all with views including the hunt, dogs, and sporting events, some titled.

“Return from the Derby, Clapham Common”

Provenance: Bruce McCashin Collection.

colored engraving by J. Harris published by Henry Graves and Co., London, May 1, 1862.

Matted, glazed and framed. sight 23-3/4” x 43-1/2”, framed 34-1/4” x 53-1/4”

$300-$500

Provenance: Bruce McCashin Collection. $700-$1,000

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134

135 After George Goodwin Kilburne (British, 1839-1924) From the Coaching series “News from Town” and “A Fast Stag”, 1900 chromolithographs on paper signed in plate lower left and printed titles and dates lower margin, former with “Arthur Tooth & Sons, Dealers in Works of Art, New York” label en verso.

Matted, glazed and framed alike. sight 7-1/2” x 10”, framed 15” x 17-3/4” Provenance: Bruce McCashin Collection. $200-$400

136 English Brass Planter and William IV Brass Coal Scuttle the oval-form planter, fourth quarter 19th century, of Renaissance inspiration, with embossed sides with scrollwork and flowerheads and framed with raised bosses, the ends set with lion’s heads, with a tole liner with handles, h. 13”, w. 25-1/2”, d. 13-1/4”, and the helmet-form gadrooned coal scuttle, second quarter 19th century, h. 20-1/2”, w. 14”, d. 12”.

Provenance: Bruce McCashin Collection. $600-$900

135

136

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138

139

138 Large Victorian Cast Iron Recumbent Lion and Unicorn Andirons 137

137 Victorian Brass, Iron and Steel Fire Tool Holder and Tools fourth quarter 19th century, the tool holder with serpentmolded arms and an iron base, with steel tongs and shovel with brass leopard-head handles and Renaissance Revival pierced shovel and matching steel-ended poker. h. 34”, w. 10”, d. 7”

mid-19th century, representing the arms of England, with molded billet bars. h. 16”, w. 20”, d. 11-1/2” Provenance: Bruce McCashin Collection. $800-$1,200 139 Pair of Victorian Steel and Gilt-Bronze Candlesticks

Provenance: Bruce McCashin Collection.

third quarter 19th century, each with a trio of acanthus-molded paw feet above a tripartite base. h. 9-1/4”, dia. 4”

$300-$500

Provenance: Bruce McCashin Collection. $300-$500

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140 After John Leech (British, 1817-1864) Eight Fox Hunting Prints, including “The Gift Horse!”, “The Richest Commoner’s First Jump”, and “Imperial John’s Attempt to Show the Way” eight hand-colored engravings three prints with artist and titles in lower margins.

Matted, glazed and framed alike in two frames.

5 sight 3-1/4” x 5” and 3 sight 5”x 7”, framed 23” x 9-1/4” and 22-1/4” x 5-1/2” Provenance: Bruce McCashin Collection. $200-$400 141 After John Leech (British, 1817-1864) “A Capital Finish”, “Gone Away!”, “Don’t move there, we shall clear you!” and “Ana....’going’ dogs” four color chromolithographs each printed with artist signature and title in lower margin.

Matted, glazed and framed alike. sight 8-1/2” x 11-1/2”, framed 11-1/2” x 15”

140

Provenance: Bruce McCashin Collection. $100-$200

141

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142 John Frederick Herring, Jr. (British, 1815-1907) “Pulling the Log” and “At Rest” pair of watercolors on paper each signed.

Glazed and framed alike. each sight 9-3/4” x 13-1/2”, framed 11-1/4” x 15-1/4” Provenance: Morgan Evans & Co., Anglesey, UK, October 26, 2017, lots 560 and 561; Bruce McCashin Collection. $1,000-$1,500

143 English Staffordshire Vase

142

second half 19th century, depicting a fortune teller and her client. h. 12”, w. 6-1/4”, d. 3-1/4” Provenance: Bruce McCashin Collection. $20-$40

144 Collection of Six Bretby Art Pottery Planters ca. 1915-1930, English, each marked, the collection comprised of an orange example, h. 9”, dia. 11”, a green leafmolded example, h. 10”, dia. 11”, a green Art Deco example, h.

8-1/2”, dia. 9-3/4”, a polychrome example, h. 7-1/2”, dia. 10”, a yellow and amber-shaded example, h. 6-1/2”, dia. 8”, and a green example with an amber edge with three perforations to allow for hanging, h. 5-3/4”, dia. 7”.

Provenance: Bruce McCashin Collection. $75-$125

143

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146

145 Victorian Oak Barometer fourth quarter 19th century, with a carved crest, the dial signed “Murray & Heath, 69 Jermyn St., London”. h. 25-1/2”, w. 6-3/4”, d. 1-3/4” Provenance: Bruce McCashin Collection.

145

$400-$700 146 Fox-Form Painted Metal Door Stop 20th century. h. 11-/14”, w. 9”, d. 3” Provenance: Bruce McCashin Collection. $100-$200 147 John Alfred Wheeler (British, 1852-1932) “Snarling Fox” oil on canvas monogramed lower right.

Framed.

10” x 12”, framed 16-1/4” x 18” Provenance: Bruce McCashin Collection. $1,000-$1,500

147

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148 Studio of Sir Edwin Henry Landseer, R.A. (British, 1802-1873) “Fox - Study” watercolor on paper unsigned.

Glazed and framed. sight 4-5/8” x 6-1/4”, framed 9-3/4” x 11-1/4” Provenance: McTear’s Auctioneers, Glasgow, Scotland, UK, November 17, 2017, lot 1277; Bruce McCashin Collection. $600-$900

148

149 After Henry Thomas Alken (British, 1785-1851) “Getting Away, Hold Hard Tom, let them get steadily at him” and “The Death, woo--hoop” two hand-colored engravings engraved by R. G. Reeve and published by Brall & Sons.

Matted, glazed and framed alike. sight 12-1/2” x 15-3/4”, framed 20-1/4” x 23-1/2” Provenance: Bruce McCashin Collection. $200-$400

149

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150

150 After Henry Thomas Alken (British, 1785-1851) “A Promising Field, Meet of the Essex Fox Hounds”, 1852 engraving in colors engraved by George Hunt and published by J. Moore.

Matted, glazed and framed. sight 18-1/2” x 25-1/4”, framed 27-1/4” x 33-1/4”

151

Provenance: Bruce McCashin Collection. $800-$1,200 151 Victorian-Style Painted Cast Iron Plant Stand 20th century, the adjustable stand with spaces for twelve plants, on a tripod base. h. 42-1/4”, w. 25-1/2”, d. 19-1/2” Provenance: Bruce McCashin Collection. $300-$500 152 Pair of Unusual Cast Iron Altar Pricket Sticks fourth quarter 19th century, English or Continental, with fluted baluster supports on lotus-molded bases, the upper portions with urn-form sockets supporting the candle holders, with reeded edges. h. 41”, w. 10”, d. 10” Provenance: Bruce McCashin Collection. $400-$700 152

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153 Edwardian Mahogany Butler’s Tray early 20th century, the long, paneled rectangular tray with hinged ends and sides, raising to form a full gallery, now raised on a stand of chamfered square legs to form a cocktail table. h. 18”, w. 40-1/2”, d. 16-1/2” Provenance: Bruce McCashin Collection.

153

$600-$900

154 Pair of English Walnut Tea Caddies second half 19th century, with hinged covers, the interiors with remnants of foil lining. h. 5”, w. 6-3/4”, d. 4-1/4” Provenance: Bruce McCashin Collection. $600-$900

154

155 Group of Four Chinese Vases 20th century, comprising a pair of balusterform examples, a larger example with foliate lip and impressed apocryphal sixcharacter Daoguang reign mark, and a smaller example with short, narrow neck, all with various Jun-style glazes. h. 8” to 11-1/4”. d. 3-3/4” to 6-1/4” Provenance: Bruce McCashin Collection. $200-$400

155

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157

156 Edwardian Mahogany Floor Lamp second quarter 20th century, the tapering reeded standard set on a turned base with bun feet. h. 74”, dia. 12-3/4” Provenance: Bruce McCashin Collection. $50-$100

157 Four Pieces of English Hand-Painted Cobalt and Gilt Porcelain second quarter 19th century, including a dessert dish attributed to Ridgway, marked pattern “6622”, w. 11-1/4”, d.

9-3/4”, a pair of trumpet-form vases. h. 4-1/2”, dia. 3-1/2”, and a small marked Derby bottle vase, h. 4-1/2”, dia. 2-1/2”.

Provenance: Bruce McCashin Collection. $300-$500

156

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158 Three English Mother-of-Pearl-Inlaid Workboxes second quarter 19th century, including a casket-form box with bobbin-turned trim on the top and a mother-ofpearl roundel, with turned handles, h. 6”, w. 11-3/4”, d.

8-3/4”, a larger rectangular box outlined with mother-ofpearl inlay, h. 5”, w. 16”, d. 9-3/4”, and a smaller box with mother-of-pearl oval inlay in the top and escutcheon, h.

4-3/4”, w. 11-3/4”, d. 8-1/4”, all paper-lined.

Provenance: Bruce McCashin Collection. $300-$500 158

159 Three English Rosewood Boxes 19th century, the collection including a sarcophagusform tea caddy with lion’s-head ring pulls, h. 6-3/4”, w. 8”, d. 4-3/4”, a brass-inlaid desk box with a campaign-style handle, h. 4-1/2”, w. 11”, d. 8”, and a piecrust-trimmed box inlaid with chased brass, h.

3-1/2”, w. 9-1/2”, d. 7”.

Provenance: Bruce McCashin Collection. $600-$900

159

160 English Mahogany and Brass-Bound Humidor 20th century, in the campaign style, with brass side handles, the top with a brass plate monogrammed “JBB”. h. 10-1/4”, w. 16-1/4”, d. 13-1/4” Provenance: Bruce McCashin Collection. $200-$400

160

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161 British School (Fourth Quarter 19th/First Quarter 20th Century) “Landscape with Rolling Hills and Pond” watercolor unsigned, frame backing notated “bought in Wales, 2005”.

Matted, glazed and framed.

10-7/8” x 22-1/4”, framed 19-3/4” x 31” Provenance: Bruce McCashin Collection. $400-$700

161

162 Pair of Rare Chinese Export Porcelain Covered Soap Dishes second quarter 19th century, decorated with scenes of children flying kites in a terraced garden setting, with gilt finials and rims. h. 2”, w. 5”, d. 4” Provenance: Bruce McCashin Collection. $700-$1,000

162

163 Edwardian-Style Leather Club Chair of generous proportions, with a loose seat and back cushion, shaped closed arms adorned with brass hobnails and bowed front seat rail, in green upholstery and labeled “Wesley Hall, Inc./Made in U.S.A.”. h. 35-1/2” Provenance: Bruce McCashin Collection. $400-$700

163

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165 164

164 Chinese Peking Glass Ginger Jar 20th century, with layers of pink and green, the base with an apocryphal four-character Qianlong seal mark. h. 6-3/4”, dia. 4-1/4” Provenance: I. M. Chait Gallery, Beverly Hills, California; Bruce McCashin Collection. $200-$400 165 Set of Four Walnut and Brass Tie-Backs 19th century, English, carved with water leaves and decorated with center brass medallions. dia. 3-1/4”, l. 6-1/2” Provenance: Bruce McCashin Collection. $200-$400 166 Frank Brangwyn, R.A. (British, 1867-1956) “Portrait of a Moroccan Elder” gouache and oil on paper signed en verso.

Framed. sight 24” x 18”, framed 31-1/2” x 25-1/2” Provenance: Goya Subastas, Madrid, Spain, April 27, 2015, lot 134; Bruce McCashin Collection. $1,000-$1,500 166

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169 167

167 Clews Chameleon Ware Vase and an Arts and Crafts Metal Vase English, 1920-1939, the Chameleon Ware vase signed on the bottom, h. 5-1/2”, dia. 4-1/4”, the metal handled vase unmarked, h. 7-3/4”, dia. 4-3/4”.

Provenance: Bruce McCashin Collection.

169 Three Bretby Art Pottery Graduated Bowls

$25-$50

early 20th century, English, each marked on the bottom. h. 3” to 4-1/2”, dia. 4-1/2” to 7-1/2”

168 Collection of Four Pieces of Bretby Art Pottery

Provenance: Bruce McCashin Collection.

ca. 1914-1930, English, with similar matte blue glazes, each marked, including a cachepot with a ruffled edge, h. 6-1/2”, dia. 7”, a rectangular planter, h. 3-3/4”, w. 9-3/4”, d. 4”, a low round planter, h. 3-1/4”, dia. 6-1/4”, and a three-handled pot, h. 4”, dia. 4-1/2”.

$25-$50

Provenance: Bruce McCashin Collection. $100-$200

168

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170 Pair of English Oak Pub Stools 19th century, each with an ovoid top with central piercing and raised on splayed bulbous legs joined by two tiers of box stretchers. h. 24”, w. 14”, d. 10-1/2” Provenance: Bruce McCashin Collection. $100-$200

170

171 Nigel Waymouth (British, b. 1941) “Welsh Borderlands” printed folding triptych titled and inscribed en verso “Ho-Ho-Ho/Love, Nigel”.

Presented in a shadowbox. sight 3-3/8” x 17”, framed 11-1/4” x 24-1/4” Provenance: Bruce McCashin Collection. $300-$500

172 Two Edwardian Inlaid Oval Tea Trays

171

first quarter 20th century, in the Adam style, including a mahogany example with inlaid patera and brass handles, h. 2”, w. 26-1/4”, d.

17-1/4”, and a bird’s-eye maple example with an inlaid oval, scalloped gallery and brass handles, h. 3-1/4”, w. 23-1/2”, d. 18”.

Provenance: Bruce McCashin Collection. $300-$500

172

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174

173 Edwardian Inlaid Mahogany Tea Tray ca. 1900, with specimen tropical hardwoods arranged around a roundel center. h. 1-1/4”, w. 23-1/2”, d. 15” Provenance: Bruce McCashin Collection. $25-$50

174 Two Inlaid Gallery Trays one an English walnut and fruitwood parquetry oval example, second quarter 20th century, with a star inlay and a flat raised gallery, h.

3-1/2”, w. 27-1/2”, d. 18-1/2”, together with a brass-inlaid tropical hardwood rectangular handled tray, probably Indian, 20th century, decorated with arabesque scrollwork, h. 2”, w.

26-1/2”, d. 15-1/2”.

173

Provenance: Bruce McCashin Collection. $300-$500

175 Two Edwardian Mahogany Book Rests 19th/20th century, of similar size and form, h.

10-1/2” to 11-1/2”, w. 12”, d. 6-3/4” Provenance: Bruce McCashin Collection. $50-$100

175

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177

176 British School (First Half 20th Century) “Stagecoach Lines and Stations” three colored lithographs after prints published by R. Dodson’s Fine Art Gallery, 1881-1885, engraved after paintings by T N H Walsh.

Matted, glazed and framed alike. sights 16-3/4” to 17-1/4” x 30-3/4”, framed 25” x 38-3/4” Provenance: Bruce McCashin Collection. $700-$1,000 177 English Inlaid Mahogany Mantel Clock second quarter 20th century, now with a battery-powered movement. h. 6”, w. 11-1/4”, d. 3-1/4” Provenance: Bruce McCashin Collection. $75-$125 178 Collection of Four Asian Carved Labradorite Objects 20th century, including two frogs, h. 3”, w. 4-3/4”, d. 6”, a leaf, w.

10-1/4”, d. 5-1/4”, and a fish, h. 2-3/4”, w. 2-3/4”, l. 10”.

176

Provenance: Bruce McCashin Collection. $1,000-$1,500

178

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179 Gillows, London, Carved Oak Mantel Clock second quarter 20th century, English, the case carved with a pair of entwined classical dolphins and swags of fruit. h. 10-1/2”, w. 17-1/4”, d. 3” Provenance: Bruce McCashin Collection. $500-$700

179

180 Sir Frank Brangwyn, RA, RWS, RBA (British, 1867-1956) “Venetian Canal” watercolor no visible signature.

Framed. sight 14-3/4” x 11-1/4”, framed 20-1/8” x 16-1/4” Provenance: Bruce McCashin Collection. $500-$800

181 Collection of Six Contemporary Fortuny Pillows English/Italian, including two green examples, w. 15”, d.

15”, two blue examples, w. 24-1/2”, d. 10”, and two amber examples, w. 15”, d. 15”, each labeled.

Provenance: Bruce McCashin Collection. $800-$1,200

180

181

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183

182 Carved, Painted and Parcel-Gilt Figure of Commedia dell’Arte Character Lelio 20th century, German, on a matching oak-leaf-carved and marbleized bracket, dramatically poised, wearing his signature pointy shoes, labeled by German woodcarver “G. G. Lang sel. Erben Oberammergau”. h. 18-1/2”, w. 7”, d. 5-3/4” 182

Provenance: Bruce McCashin Collection. $500-$800 183 Three Chinese Pottery Graduated Vases 20th century, all green-glazed. h. 8” to 13”, dia. 6-3/4” to 10” Provenance: Bruce McCashin Collection. $25-$50 184 Collection of Seven Bretby and Possibly Bretby Art Pottery Cachepots ca. 1914-1930, English, all with ruffled edges, with various arts and crafts designs, the aubergine and larger turquoise examples unmarked, the others marked. h. 3” to 5-1/2”, dia. 4” to 7-1/4”

184

Provenance: Bruce McCashin Collection. $50-$100 185 Polychrome Majolica Vase fourth quarter 19th century, probably English, decorated with flowers and tendrils. h. 6-1/2”, dia. 6” Provenance: Bruce McCashin Collection. $25-$50

185

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187

187 Three Ilias Lalaounis (1920-2013) Sterling Silver Gilt Vessels contemporary, Athens, Greece, including: a kantharos-form example with tall handles and hammered finish, h. 5-3/4”, dia. 3-1/2”; an aryballos-form example chased with scrolls on a hammered ground, h. 2-1/2”, dia. 2-3/4”; and an amphora-form example chased with an octopus and nautiloid, presented on a tripod stand, h. 6-1/4”, dia. 3-1/2”.

13.27 total t. oz.

186

186 Franz Xavier Bergman (Austrian, 1861-1936) “Carpet Seller”

Provenance: Bruce McCashin Collection.

cold-painted Vienna bronze modeled as an Arab merchant displaying a richly colored carpet, marked underneath the seller’s robe “Austria”, “B” within an urn and “KF” within a diamond. h. 8-1/4”, w. 7”, d. 6-3/4”

$800-$1,200 188 Pair of English Fruitwood Corner Chairs 19th century, each of box form, the spindled ball-turned sides above a rush seat, raised on tapering legs joined by an X-form stretcher and ending in casters. h. 26”

Provenance: Bruce McCashin Collection.

Literature: An example illustrated: Joseph Zobel, Antique Vienna Bronzes (Atglen, PA: Schiffer, 2008), p. 164.

Provenance: Addisons Auctioneers, Durham, UK; Bruce McCashin Collection.

$700-$1,000

$300-$500

188

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190

191 Montague Dawson (British, 1890-1973)

189

189 English Miniature Mahogany Bowfront Chest of Drawers ca. 1900, with turned wooden knobs and French feet flanking a shaped skirt. h. 9”, w. 8-1/2”, d. 5-1/4” Provenance: Bruce McCashin Collection. $150-$300

“Battle of Trafalgar”, 1972 lithograph in colors pencil-signed lower right, signed in print lower left, also titled and dated in print.

Matted, glazed and framed.

30-3/4” x 37”, framed 43-3/4” x 49” Provenance: Bruce McCashin Collection. $1,000-$1,500

190 Two Pairs of Planters with a Staffordshire Potty the blue and yellow oval planters unmarked, h. 6”, w. 10-1/2”, d. 7-1/2”, the blue planters made for TIFFANY & Co., ca. 1996 in Portugal, h. 6”, w. 6-1/2”, d. 6-1/2”, and the English Tams Ware Staffordshire potty in the “Ye Old Priory” pattern, marked on the bottom, h. 4-1/2”, dia. 8”.

Provenance: Bruce McCashin Collection. $50-$100

192 William Newenham Montague Orpen, R.A., R.H.A. (British/Irish, 1878-1931) “Self-Portrait of the Artist with His Wife Grace” conte crayon on paper signed lower right.

Matted, glazed and framed. sight 11-3/4” x 11-1/4”, framed 18-1/2” x 17-3/4” Provenance: Bruce McCashin Collection. $1,200-$1,800

192 191

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193 Good George IV Sterling Silver Sauceboat hallmarked London, 1827-1828, by Rebecca Emes & Edward Barnard I, the nautilus-form boat fluted and with scrolling crest and molded rim, with acanthus-crested and -mounted scroll handle and raised on a domed “Chippendale” foot, engraved with the crest of Beaumont, Love et al.; together with a Victorian sterling silver “Onslow” sauce ladle, hallmarked London, 1875-1876, by Charles Stuart Harris, with coquille bowl. boat h. 6-1/4”, l. 8-1/2”, w. 4”; ladle l. 7-1/4”; 21.42 total t. oz.

Provenance: Bruce McCashin Collection. $700-$1,000 193

194 Northumbrian Regency Sterling Silver Mustard Pot hallmarked Newcastle, no date letter but ca. 1815, by John Robertson & John Walton, of barrel form with reeded banding, double scroll handle, and flat-hinged lid en suite with coquille billet, monogrammed “A”; together with an “Old English” mustard spoon hallmarked London, 1816-1817, by Naphtali Hart, monogrammed “W”. pot h. 3-1/4”, dia. 2-1/2”; spoon l. 4-5/8”; 4.61 total t. oz.

Provenance: Bruce McCashin Collection. $150-$300

194

195 George IV Sterling Silver Cruet Frame hallmarked London, 1823-1824, by John, Henry & Charles Lias, of bulbous rounded rectangular form, with gadrooned rim and raised on four acanthus-mantled lion’s paw feet, with a conforming wooden base centered by a silver baluster standard with scalloped dividers and rocaille-crested gadrooned ring handle, fitted with four cut glass stoppered bottles of two sizes, two silver-capped casters and a silvercapped mustard pot; together with an “Old English” mustard spoon hallmarked London, 1810-1811, by Thomas Streetin. h. 9”, l. 8”, w. 5-3/4”; 3.75 total t. oz. (weighable silver) Provenance: Waddington’s, Toronto, June 20, 2016, lot 275; ex coll. Dr. & Mrs. Gordon Macdonald, Edmonton; Bruce McCashin Collection. $900-$1,200 195

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197

196 George IV Sterling Silver Waiter hallmarked London, 1824-1825, by Joseph Craddock & William Ker Reid, circular with gadrooned rim quartered by acanthus and shell motifs, raised on three feet en suite. dia. 7-1/4”; 12.58 t. oz.

Provenance: Bruce McCashin Collection. $300-$500

197 Two Pairs of Regency/George IV Sterling Silver Salt Cellars London, 1813-1814, by John W. Story & William Elliott, h. 2”, l.

3-5/8”, w. 2-3/4”; the other pair hallmarked London, 1826-1827, by John Hayne, h. 2”, l. 3-7/8”, w. 2-5/8”; each of rectangular trencher form with gadrooned rim and gilt interior, above a plinth base raised by four shell- or acanthuscrested lion’s paw feet.

15.59 total t. oz.

196

Provenance: Nicholas Mellors, Nottinghamshire, January 4, 2016, lot 2 (the Hayne pair); Bruce McCashin Collection. $400-$700

198 George IV Sterling Silver Waiter hallmarked Sheffield, 1822-1823, by Waterhouse, Hodson & Co., circular with “Chippendale” rim and applied rococo floral edge, the plateau engraved with a wide band of floral and imbricate rococo cartouches, raised on three acanthusmantled fluted feet, monogrammed “M”. dia. 7-3/4”; 10.69 t. oz.

Provenance: Bruce McCashin Collection. $300-$500

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198

199 Pair of Old Sheffield Plate Wine Coasters and a Later Silverplate Ice Bucket the George IV wine coasters, 19th century, with gadrooned sides and rims around a turned wood base, dia. 5-3/4”; the silverplate ice bucket, 20th century, by Webster-Wilcox, Meriden, Connecticut, in the Regency taste, with gadrooned rim and ringed lion’s masque handles, the associated domed lid with gadrooned knob finial and opening to reveal a white glass insulated liner, h. 12-1/4”, dia. 8-1/2”.

Provenance: Bruce McCashin Collection. $250-$500

199

200 English Five-Piece Miniature Sterling Silver Tea Set

200

hallmarked Birmingham, 1951-1952, by “JR”, in the Regency taste, including: a coffeepot, h. 1-5/8”, l. 2”; a teapot, h. 1-1/8”, l. 2-1/8”; an open sugar bowl, h. 5/8”, l. 1-3/8”; a cream jug, h. 1/2”, l. 1”; and a tray, 5-7/8” x 1-1/2” the bodies gadrooned on the lower half, with crested squared handles, the pots with fitted lids.

2.05 total t. oz.

Provenance: Bruce McCashin Collection. $200-$400

201 Eight Pieces of Small English Sterling Silver Tea and Coffee Ware including: late Georgian bright cut and wrigglework sugar tongs, London, ca. 1800, by “RF”, l. 5-1/4”; six wrigglework-threaded demitasse spoons, hallmarked Sheffield, 1936-1938, Thomas Bradbury & Sons, l. 3-7/8”; and a “Chippendale”-rim tea strainer, hallmarked London, 2002 (with golden jubilee mark), by J. A. Campbell, with turned wood handle and conforming holder with threaded rim, l. 5-3/4”, dia. 2-1/8”.

3.82 total t. oz. (weighable silver) 201

Provenance: Bruce McCashin Collection. $250-$400

75

202 Five Pieces of English and Other Sterling Silver Small Tableware including: a salt cellar and spoon, hallmarked Birmingham, 1862-1864,

by Henry Hyde Aston, the cellar coquille form with dolphin feet, l. 2-1/4”, the spoon with twist stem and rococo finial, l. 2-7/8”; a pair of knife rests, hallmarked London, 1829-1830 and 18321833, by Edward Barnard & Sons, with floral paterae end and baluster rest, l. 2-1/2”; and an Italian pepper pot, contemporary, the soapstone body carved with dragons and with silver foot and hinged collar and cap, h. 4”.

4.09 total t. oz. (weighable silver) Provenance: Bruce McCashin Collection. $200-$400 202

203 John Faulkner, R.H.A. (Irish, 1835-1894) “Figures by Avoca Bridge, County Wicklow”, 1871 watercolor on paper signed and dated lower left.

Frame with artist plaque. sight 26” x 44-1/4”, framed 30” x 49” Provenance: Bruce McCashin Collection. $1,000-$1,500

203

204 John Faulkner, R.H.A. (Irish, 1835-1894) “Freshnet in the Dargle, County Wicklow” watercolor on paper signed and titled lower left.

Glazed and framed. sight 17” x 28-3/4”, framed 23” x 34-1/2” Provenance: Bruce McCashin Collection. $700-$1,000

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204

205 Irish Fan-Form Firescreen 19th century, decorated with a lion’s-head masque. h. 13”, w. 22-1/2”.

Provenance: Bruce McCashin Collection. $600-$900

205

206 Pair of Japanese Satsuma Vases 20th century, each of compressed baluster form with flared lip, the neck mounted with floral loop handles, the body decorated with figural panels on a yellow ground. h. 10-3/4”, dia. 6-1/2” Provenance: Bruce McCashin Collection. $300-$500

206

207 Colonial Revival Inlaid Mahogany Mirror first quarter 20th century, English or American, in the Chippendale taste, with inlaid roundels and ovals, the mirror plate with a molded gilt liner. h. 26-1/4”, w. 15” Provenance: Bruce McCashin Collection. $400-$700

207

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209

209 Cased Pair of Sterling Silver Clothes Brushes second quarter 20th century, each with a flat silver handle, one with boar bristles, one with horsehair bristles, presented in a folding snap-closure black leather case with violet grosgrain interior. each l. 7-1/4”; case 8-1/2” x 2-3/4” Provenance: Bruce McCashin Collection.

208

208 American Federal Mahogany Washstand in the Sheraton Taste first quarter 19th century, the shaped backpiece and sides above a bowed top, now inset with a functioning faucet and French provincial dough bowl wash basin, above a conforming frieze fitted with a small drawer to either end, over a skirted shelf with a single drawer below, raised on bulbous turned legs ending in ball feet. h. 38-1/4”, w. 19-1/4”, d. 15-1/4”

$100-$200 210 Three Pieces of Silverplate Tableware including: a rococo-style chamberstick, h. 4”, dia. 6-1/2”; an International Silver “Countess” silent butler with turned wood handle, l. 11”, w. 8”; and a dinner bell with figural dolphin handle and finely gadrooned banding, h. 5-3/4”, dia. 3-1/2”.

Provenance: Bruce McCashin Collection. $100-$200

Provenance: Skinner Auctioneers and Appraisers, Boston; Bruce McCashin Collection. $700-$1,000

210

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211 Pair of Colonial Revival Engraved Glass Hurricane Shades mid-20th century, decorated with oak leaves and acorns. h. 15-1/2”, dia. 6-1/4” Provenance: Bruce McCashin Collection. $400-$700

211

212 Pair of Japanese Cloisonne Vases 20th century, each of baluster form with flared lip, decorated in various enamels with floral designs and stylized motifs. h. 7-1/2”, dia. 3-1/2” Provenance: Bruce McCashin Collection. $25-$50

212

213 Neoclassical Giltwood Tabernacle Mirror first quarter 19th century, probably American, with a projecting cornice decorated with spherules, the tablet with a carefully detailed shell, flanked by turned pilasters decorated with multiple ring turnings. h. 29”, w. 15” Provenance: Bruce McCashin Collection. $600-$900

213

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214 215

214 Pair of Brass Dolphin-Form Andirons ca. 1886-1900, made by Bradley and Hubbard, Meriden, Connecticut, and marked “B&H, patent 9512”. w. 8-1/2”, d. 19” Provenance: Bruce McCashin Collection. $1,500-$2,500 215 Continental Cast Bronze Paperweight first half 19th century, modeled as a neoclassical dolphin on a lobed base, with seamed construction. h. 7”, w. 7-1/4”, d. 3-3/4” Provenance: Bruce McCashin Collection. $500-$700

216

216 Victorian Cast Iron Recumbent Lion probably American, fourth quarter 19th century. h. 5-3/4”, w. 5-1/2”, d. 3-1/2” Provenance: Bruce McCashin Collection. $25-$50 217 John Taylor Arms (American, 1887-1953) “Old Rouen”, 1927 and “Study in Stone, Cathedral of Orense”, 1933 two etchings on paper each pencil-signed and dated lower margin, former titled in plate lower right, latter pencil-inscribed “ed.

100” lower margin.

Each matted, glazed and framed. plate 7” x 3-3/4” and 7-1/2” x 5-1/2”, framed 12-1/2” x 9” and 11-1/2” x 9-3/4” Provenance: Bruce McCashin Collection. $400-$500

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217

218 Pair of Brass and Copper Wall Pockets second quarter 20th century, English or American, marked with an unidentified maker. h. 7”, w. 11”, d. 4” Provenance: Bruce McCashin Collection. $20-$40 218

219 Pair of Large Moorish-Style Wirework Topiary Frames each with a finialed onion dome top above a tapering standard. h. 80”, dia. 19-1/2” Provenance: Bruce McCashin Collection. $300-$500

220 Pair of Moorish-Style Wirework Topiary Frames each with a finialed onion dome top above a tapering standard. h. 36-3/4”, dia. 12-1/2” Provenance: Bruce McCashin Collection. $200-$400

219

220

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223

221

221 Pair of Moorish-Style Wirework Topiary Frames

223 Pair of Japanese Bronze Vases

each with a finialed onion dome top above a tapering standard. h. 56”, dia. 16”

Meiji Period (1868-1912), each with incised and patinated decoration depicting cockerels on prunus branches, each base with an impressed seal mark within a rectangular reserve. h. 8-1/2”, dia. 3-1/4”

Provenance: Bruce McCashin Collection.

Provenance: Bruce McCashin Collection.

$200-$400

$700-$1,000

222 Three Chinese Bronze Pricket Candlesticks

224 Group of Four Chinese Bronze Censers

first quarter 20th century, comprised of a larger single example with incised characters on the bottom, h. 10-1/2”, w.

3-1/2”, and a smaller pair, h. 9-1/2”, w. 3”.

20th century, of various forms, each with gilt detail to the exterior, raised on tripod feet. h. 1-3/4” to 4-1/4”, w. 2-3/4” to 7-1/2”, d. 3” to 6-1/2”

Provenance: Bruce McCashin Collection.

Provenance: Bruce McCashin Collection.

$300-$500

$400-$600

224

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222

226 225

225 Large Chinese Imari Porcelain Charger first half 20th century, decorated with peonies partially overlaid with a ribbon grid, within stylized flowerhead borders, the reverse with a scrolling foliate design, the base with an apocryphal six-character Chenghua reign mark. h. 3”, dia. 20-3/4” Provenance: Bruce McCashin Collection. $600-$900 226 Chinese Blue Flambe-Glazed Cachepot 20th century, with lion’s-head handles and beaded rim. h. 10”, dia. 12” Provenance: Bruce McCashin Collection. $50-$100 227 Chinese Peach Bloom Glaze Vase and Brush Washer

227

20th century, the vase with character marks and “Made in China” in underglaze blue, h. 8-3/4”, dia. 4-1/4”, the brush washer unmarked, h. 2-3/4”, dia. 3”.

Provenance: Bruce McCashin Collection. $50-$100 228 Pair of Chinese Small Cloisonne Bowls second half 20th century, each of compressed globular form, the exterior with a white enamel design, the interior and base in blue. h. 3”, dia. 4-1/2” Provenance: Bruce McCashin Collection.

228

$100-$200

83

231 229

229 Two Chinese Porcelain Vases

231 Pair of Boston and Sandwich-Style Molded Cobalt Glass Candlesticks

20th century, each of baluster form, with all-over Jun-style glazes of deep purples, reds and blues, each with a fourcharacter “Made in Jingdezhen” mark to the base, one in zhuanshu script. h. 14-3/4”, dia. 6-3/4”

20th century, American, with classical dolphin-form standards. h. 7-3/4”, dia. 5”

Provenance: Bruce McCashin Collection.

$25-$50

$300-$500

232 Collection of Four Chinese Peking Glass Vases

230 Unusual Chinese Turquoise-Glazed Cachepot possibly Guangxu period (1875-1908), decorated with cartouches containing incised scenes of fish and marine plants, with stylized clouds and auspicious objects to the surround, with all-over turquoise glaze, the base with a sixcharacter Guangxu reign mark within a square reserve. h. 6-1/4”, w. 8”, d. 5-1/2” Provenance: Bruce McCashin Collection.

Provenance: Bruce McCashin Collection.

20th century, including two green-over-blue vases decorated with lotus blossoms, h. 9-3/4”, dia. 4-1/4”, a green-overblue oval vase decorated with birds, h. 9-3/4”, w. 4-1/2”, d.

3-1/4”, and a cobalt-over-mazarine blue vase decorated with peonies, h. 6”, dia. 2-1/4”, each with a seal mark.

Provenance: Bruce McCashin Collection. $200-$400

$300-$500

230 232

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235

233

233 Pair of Chinese Peking Glass Vases 20th century, each of baluster form, the opaque white body overlaid with a translucent red carved to depict flowers and rockwork. h. 10-1/2”, dia. 4” Provenance: Bruce McCashin Collection. $400-$600

235 Pair of Chinese Cinnabar Lacquer Wall Appliques 19th century, each half round in shape, carved in relief with figural panels amid a dense scrolling foliate ground. h. 4-1/4”, w. 9-1/4”, d. 4-3/4” Provenance: Bruce McCashin Collection. $200-$400

236 Jean Dange Paris Double Gourd Shaped Vase

234 Contemporary Polished Agate Bowl mottled brown with red veins h. 6”, w. 22”, d. 11”

20th century, French, signed “Jean Dange Paris” on the bottom. h. 9-3/4”, w. 5-1/2”, d. 3-1/2” Provenance: Bruce McCashin Collection.

Provenance: Bruce McCashin Collection.

$20-$40

$500-$800

234

236

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237

237 Pair of Paris Porcelain-Style Bottle Coasters

238 Pair of Chinese Red-Lacquered Consoles

20th century, signed “Chelsea House”. h. 5”, dia. 6-3/4”

late 19th century, each of demi-lune form with a figural-carved apron, the shaped legs joined by demi-lune stretchers. h. 32-1/2”, w. 44”, d. 22”

Provenance: Bruce McCashin Collection. $20-$40

Provenance: Bruce McCashin Collection. $500-$800

238

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239

240 Pair of Baccarat Blown Crystal Shell Vases

239 Collection of Four Molded Glass Objects 20th century, consisting of a pair of nautilus shell-form vases, h. 5-1/4”, w. 5-1/2”, d. 2-3/4”, and a pair of bateau-form crystal dishes, Irish, signed Waterford, h. 3”, w. 7”, d. 4”.

fourth quarter 20th century, with an acid-etched mark, the design based on ancient Roman perfume flacons. h. 8-1/4”, w. 3-3/4”, d. 2” Provenance: Bruce McCashin Collection. $400-$700

Provenance: Bruce McCashin Collection. $100-$200

241 Pair of Majolica Oyster-Form Dishes Portuguese, in the 19th century style. h. 4-1/4”, w. 4-3/4”, d. 3-3/4” Provenance: Bruce McCashin Collection. $200-$400

241

240

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242 Contemporary LeatherUpholstered Headboard of architectural form with a conforming button-tufted panel framed by brass tacks. h. 43-1/2”, w. 60-1/2”, d. 2-1/2” Provenance: Bruce McCashin Collection. $100-$200

243 Contemporary Polished Agate Bowl

242

mottled gray, brown and white h. 5”, w. 16”, d. 13” Provenance: Bruce McCashin Collection. $500-$800

244 Regency-Inspired Scagliola Marble-Top Coffee Table early 20th century, the rectangular top mounted to an iron and bronze-mounted base of neoclassical form and ending in bronze paw feet. h. 16-1/2”, w. 55-1/2”, d. 25-1/2” Provenance: Bruce McCashin Collection.

243

$200-$400

244

88

245 Four Blown Glass Bottles 20th century, probably Mexican, in the 18th-century style, with pontil-marked bottoms. h. 6-3/4” to 8-3/4”, dia. 3-3/4” to 4-1/4” Provenance: Bruce McCashin Collection. $25-$50 246 French Barbotine Majolica Centerpiece 19th century, depicting a pair of putti fishermen raising their net on a shell-form boat supported by a dolphin. h. 15”, w. 15”, d. 9”

245

Provenance: Bruce McCashin Collection. $1,000-$1,200 247 Rosa Bonheur (French, 1822-1899) “Charrette aux Chevaux”, 1866 ink and graphite on paper pencil-signed and dated lower right.

Matted, glazed and framed. sight 5-5/8” x 13”, framed 9-5/8” x 17-1/8” Provenance: Richmond Art Collection deaccession; Bruce McCashin Collection. $600-$900 248 Georges Dominique Rouault (French, 1904-2002)

246

Watercolor “Marche de la Rue” signed lower right, sight 12-3/8” x 9-5/8” framed 19-1/4” x 16-1/2” Provenance: Bruce McCashin Collection. $500-$800

247

248

89

249 Paris Porcelain Jacob Petit”Sultan” Candlestick 20th century, now mounted as a lamp on a brass base, fitted with a shade. h. 25”, dia. 12-3/4” Provenance: Bruce McCashin Collection. $1,000-$1,500

250 French Porcelain and Brass Lamp 19th century, in the Sevres style, possibly Samson, mounted with a shade. h. 24-1/2”, dia. 13”

249

Provenance: Bruce McCashin Collection.

250

$75-$125

251 Mahogany and Pine Architectural Model Book Stand in the 19th-century style, depicting a plaza, with a colonnade supporting arched openings, set with a balustrade framing a painted checkered floor. h. 9-1/4”, w. 15-1/2”, d. 6-3/4” Provenance: Bruce McCashin Collection. $300-$500 251

252 Pair of Louis-Philippe Rosewood and String-Inlaid Mantel Garnitures second quarter 19th century, each with an inlaid medallion in the urn. h. 10”, dia. 5-3/4” Provenance: Bruce McCashin Collection. $800-$1,200

252

90

253

255

253 Japanese Lacquer Box

255 Pair of Paris Porcelain-Style Hand-Painted Cachepots

Meiji period (1868-1912), decorated with feathers and insects in gilt on a black lacquer-ground. h. 9”, w. 11-3/4”, d. 9”

20th century, Continental, decorated with “Italian Scenes” on the obverses and tavern scenes on the reverses, with spurious crossed swords marks. h. 6-3/4”, dia. 7”

Provenance: Bruce McCashin Collection. $800-$1,200 254 Empire-Style Gilt-Bronze and Tole Bouillotte Lamp

Provenance: Bruce McCashin Collection. $300-$500 256 Pair of Paris Porcelain-Style Campana-Form Urns

20th century, the pierced pan-form base raised on paw feet and set with three candle sockets, the center with a steel standard set with an adjustable black tole shade. h. 21”, dia. 13”

with green grounds, parcel-gilding and polychrome bouquets, now mounted as lamps and fitted with shades. h. 21”, w. 10”, d. 6-3/4”

Provenance: Bruce McCashin Collection.

Provenance: Bruce McCashin Collection.

$300-$500

$200-$400

254

256

91

258

258 Marked “United Wilson 1897” Porcelain Cachepot and Stand 20th century, Chinese, hand-painted, signed on the bottom. h. 4-1/4”, w. 5-3/4”, d. 5” Provenance: Bruce McCashin Collection. $200-$400

257

259 Molded Crystal Compote on Stand 20th century. h. 9-1/5”, dia. 13-1/4”

257 William Spry (British, act. 1832-1847)

Provenance: Bruce McCashin Collection. $25-$50

“Still Life with Flowers and Insects”, 1846 watercolor on paper signed and dated lower left.

Framed.

27” x 18-3/4”, framed 30-1/2” x 21-1/2”

260 French Restauration Patinated Bronze Casket-Form Clock second quarter 19th century, the top with a kylix finial, now with a battery-powered movement. h. 14-1/4”, w. 6”, d. 3-1/2”

Provenance: Leslie Hindman, Chicago, Illinois, October 20, 2015, lot 477; Bruce McCashin Collection.

Provenance: Bruce McCashin Collection.

$500-$800

$300-$500

259 260

92

263 261

261 Pair of French Bronze and Marble Busts

263 Pair of Paris Porcelain-Style Hand-Painted Cachepots

second quarter 19th century, the patinated bronze busts depicting notables of the 17th century, above black marble bases with engine-turned bronze fittings. h. 8”

20th century, marked by Vista Alegre, with “VA Portugal” mark on bottom. h. 6-1/2”, w. 5-3/4”, d. 5-3/4”

Provenance: Bruce McCashin Collection. $600-$900

Provenance: Bruce McCashin Collection. $25-$50

262 Good Paris Porcelain Faceted Bulb Pot

264 Set of Four French Glass and Nickel-Plated Tie-Backs

second quarter 19th century, French, with satyr-head handles and hand-painted with flowers. h. 8-3/4”, dia. 6-1/4”

early 20th century, with molded green glass floriform medallions. dia. 2-3/4”, l. 2-3/4”

Provenance: Bruce McCashin Collection.

Tobogan Antiques.

Provenance: Bruce McCashin Collection.

$500-$800

$100-$200

264

262

93

265

267

265 French Empire Bronze Corbeille

267 Paul Milet Brass-Mounted Pottery Vase

first quarter 19th century, on an oval base decorated with flowers and laurel leaves, raised on paw feet, a pair of molded dolphins supporting the flared pierced basket, decorated with anthemion-form panels, the centers with molded leaves and scrollwork. h. 10-1/2”, w. 12-3/4”, d. 7-3/4”

ca. 1911-1945, French, the Asian-inspired vase with a turquoise flambe glaze and molded brass mounts, marked “MP Sevres” in a dotted circle. h. 12”, dia. 6”

Provenance: Bruce McCashin Collection.

$500-$800

$800-$1,200

268 Pair of Paul Milet Pottery and Gilt-Brass Vases

266 Pair of Paris Porcelain Cachepots second quarter 19th century, with lion’s-head handles and hand-painted decoration. h. 6”, dia. 5-3/4” Provenance: Bruce McCashin Collection.

Provenance: Bruce McCashin Collection.

French, second quarter 20th century, signed “MP Sevres” on the bases. h. 4-1/2”, dia. 2-1/4” Provenance: Bruce McCashin Collection. $100-$200

$200-$250

266

94

268

270

269 French Bronze-Mounted Sevres Bottle Vase ca. 1901, of Chinese inspiration, with a blue flambe glaze and bronze mounts on the foot and top, with a blue underglaze triangle “S 1900” mark, and with an outside “Dore A Sevres R 1901 F” decorator’s mark. h. 8-3/4”, dia. 3-1/4” Provenance: Bruce McCashin Collection. $600-$900 270 Eight Diminutive Baccarat Molded Crystal “Bamboo” Pattern Flower Holders

271 Two Renaissance-Style Carved Oak Appliques and a Pair of Oak Brackets 19th century, the Continental appliques carved with putti playing instruments, h. 28-1/4”, w. 3-1/4”, d. 2”, and the English brackets with ogee supports, h. 5-3/4”, w. 8”, d. 5-3/4”.

Provenance: Bruce McCashin Collection. $200-$400

first quarter 20th century, French, each with a molded Baccarat mark on the inside base. h. 3”, dia. 2-1/4” Provenance: Bruce McCashin Collection. $400-$700

271 269

95

272

272 Pair of Italian Octagonal Venetian Mirrors 20th century, the surrounds engraved with flowers and sprays of leaves. dia. 36-1/4” Provenance: Bruce McCashin Collection. $600-$900

273 Pair of Louis XV-Style Giltwood and Mirrored Sconces mid-20th century, probably Italian, the oblong backplates lined with ribbon-bound carved acanthus leaves, with shellform rocaille-carved crests, pierced and mirror backs, and leaf-carved scrolled candle arms, electrified and mounted with shades. h. 31”, w. 10-1/2”, d. 11” Provenance: Bruce McCashin Collection.

273

$800-$1,200

274 Italian Carved Alabaster Urn ca. 1900, the mottled gray and yellow alabaster fountainform urn with an egg-and-dart molding, mounted with carved doves. h. 10-1/4”, dia. 12-1/2” Provenance: Bruce McCashin Collection. $400-$700

274

96

275

275 Near Pair of Venetian Fruitwood Blackamoor Tables 18th century, of traditional form, each with a shaped circular top with a pendant frieze, supported by a figure of a blackamoor holding a grape cluster, raised on three foliatecarved legs ending in scrolled feet. h. 36”, dia. 16” Provenance: Bruce McCashin Collection. $600-$900 276 Two Bunches of Italian Hardstone Grapes mid-20th century, with wooden “vines”. h. 2-1/2”, w. 5” to 5-3/4”, l. 8” to 10-1/2” Provenance: Bruce McCashin Collection. $25-$50

277

277 Pair of Italian Mottled Marble Lamps second quarter 20th century, the fronts carved with bunches of grapes, set with pleated shades. h. 35-3/4”, dia. 15” Provenance: Bruce McCashin Collection. $300-$500 278 Pair of Italian Carved Wood Plaques mid-20th century, in the neoclassical taste, the plaques carved with baskets of fruit supported by carved swags, with a limed finish. h. 21”, w. 14” Provenance: Bruce McCashin Collection. $700-$1,000

276 278

97

279

279 Samson Hand-Painted Porcelain Reticulated Lobed Basket with a faux Chinese character mark. h. 4-1/2”, w. 8-1/2”, d. 8-1/2” Provenance: Bruce McCashin Collection. $300-$500 280 Pair of Neoclassical-Style Polychrome Columns 19th century, each with a square top supported by a fluted shaft headed by a carved capital and ending in a stepped socle base on square bun feet. h. 51”, w. 11-1/2”, d. 11-1/2” Provenance: Bruce McCashin Collection. $800-$1,200 281 Collection of Twelve Italian Grand Tour Plaster Medallions of Notables

280

second quarter 19th century, framed as two groups in matching giltwood shadowboxes. h. 17-1/2”, w. 14-1/2” Provenance: Bruce McCashin Collection. $600-$900

281

98

282 Three Gilt-Bronze Bears first quarter 20th century, probably Russian, the smaller two mounted on a rock crystal base in the form of an ice floe, h. 4”, w.

7-1/4”, the large recumbent bear, h. 1-1/2”, w. 6-1/4”, d. 2-1/2”.

Provenance: Bruce McCashin Collection. $700-$1,000 283 Flemish Neoclassical Rosewood and Mahogany Center Table

282

19th century, the circular top quarter veneered and centered by a square banded panel with central star inlay, and raised on a bulbous standard to three shaped legs ending in scrolled toes. h. 31”, dia. 41” Provenance: Bruce McCashin Collection. $700-$1,000 284 Two Porcelain Objects 19th/20th century, Continental, a hand-painted flared basket marked “Royal Danube”, h. 2-1/2”, dia. 6-1/2”, and a latticework cachepot, h. 5-3/4”, dia. 6”.

Provenance: Bruce McCashin Collection. $300-$500 285 Pair of Very Large Chinese Famille Noir Porcelain Floor Vases

283

second half 20th century, each of baluster form with flared lip, decorated with phoenix and cranes amid blossoming foliage, having applied pomegranate branch handles. h. 54-3/4”, dia. 20” Provenance: Bruce McCashin Collection. $1,000-$1,500

284 285

99

286

286 Neoclassical Patinated Bronze Tazza second quarter 19th century, the oval bowl with coiled serpent handles and raised on dolphin-form supports above an oval base. h. 6-3/4”, w. 7-1/2”, d. 4-1/2” Provenance: Bruce McCashin Collection. $300-$500 287 Pair of Neoclassical-Style Bronze Dore et Patine Candlestick Lamps 20th century, mounted with shades. h. 27”, dia. 11-1/4” Provenance: Bruce McCashin Collection.

288

288 Pair of Brass-Mounted French Pottery Vases in the Chinese Taste first quarter 20th century, the turquoise glaze with incised scrollwork, the sides with molded foo dog head ring handles, raised on pierced brass bases. h. 10”, dia. 4-1/2” Provenance: Bruce McCashin Collection. $400-$700 289 Lapis-Lazuli-Clad Stone Obelisk 20th century, in the neoclassical taste. h. 15-1/2”, w. 3-3/4”, d. 3-3/4”

$300-$400

Provenance: Bruce McCashin Collection. $75-$125

287

100

289

290

290 Collection of Mottahedeh “Tobacco Leaf” Porcelain 20th century, including six dinner plates and a pair of vases, the dinner plates marked by Vista Alegre, Portugal, as well as Mottahedeh, dia. 10-3/4”, and the vases made in Italy, h. 15”, dia. 5-3/4”.

Provenance: Bruce McCashin Collection. $500-$800

291

291 Mottahedeh Yellow-Glazed Cachepot 20th century, Portuguese, made by Vista Alegre and so marked on the bottom. h. 4”, w. 11-1/4”, d. 5-1/2” Provenance: Bruce McCashin Collection. $20-$40 292 Continental Giltwood and Metal Picture Frame Clock second quarter 19th century, the cove-molded frame with egg-and-dart trim, the steel dial with an engine-turned bronze bezel. h. 17”, w. 14” Provenance: Bruce McCashin Collection. $600-$900

292

293 Pair of Paris Porcelain Cachepots second quarter 19th century, decorated with polychrome flowers in gilt-outlined scrolled panels on a mazarine blue ground with gilt flowers and vines, with gilt foo dog head handles, retaining the original underplates. h. 7-1/2”, dia. 8-1/2” Provenance: Bruce McCashin Collection. $600-$900 293

101

295

294

294 American Sterling Silver and Glass Table Screen first quarter 20th century, by Lebkuecher & Co., Newark, New Jersey, retailed by Udall & Ballou of New York, New York, Newport, Rhode Island, and Palm Beach, Florida, the semicircular frame with central astragal and stirrup handle, fitted with a pair of conforming beveled glass panes. h. 6-1/4”, w. 11-1/2”, d. 5”

296 Five Steuben Crystal Bowls

Provenance: Greenleaf & Crosby, Palm Beach, Florida. Bruce McCashin Collection.

second half 20th century, Corning, New York, the collection including four “spiral” bowls designed by Donald Pollard in 1954, h. 3-1/2”, dia. 7”, and a “Clover” bowl designed

by George Thompson in 1952, h. 3-1/2”, dia. 7”, each with engraved script marks.

$150-$300

Provenance: Bruce McCashin Collection.

295 Six-Piece Collection of Steuben Crystal Cornucopia Vases

$400-$700

second half 20th century, Corning, New York, on square bases with ribbed sides and scalloped rims, signed in engraved script. h. 6-1/2”, w. 3”, d. 3” Provenance: Bruce McCashin Collection. $500-$800

296

102

297

297 Twelve-Piece Collection of Steuben Blown Glass

298 Pair of Steuben Blown Crystal “Quatrefoil” Bowls

second half 20th century, Corning, New York, including a scroll-handled serving dish designed by Lloyd Atkins in 1958, h. 2-1/2”, w. 8”, d. 6”, two apples, h. 4-1/2”, dia. 3-1/4”, and two figs, h. 3-1/2”, dia. 2-1/2”, all designed by Angus McDougall, a banana attributed to Steuben, l. 6”, dia. 1-1/2”, and six butter pats, dia. 3-1/4”, all signed with engraved script with the exception of the banana.

third quarter 19th century, Corning, New York, signed “Steuben” in engraved script, designed by George Thompson in 1968. h. 5-1/4”, w. 11-1/4”, d. 9-1/2”

Provenance: Bruce McCashin Collection.

Provenance: Bruce McCashin Collection. $200-$400

$250-$400

298

103

Conditions of Sale: ALL SALES ARE “AS IS, WHERE IS” WITHOUT ANY WARRANTIES WHATSOEVER. PLEASE SEE SECTION 2(a) BELOW IN WHICH ANY AND ALL EXPRESS AND IMPLIED WARRANTIES (INCLUDING WITHOUT LIMITATION ANY WARRANTY AGAINST REDHIBITORY DEFECTS) ARE WAIVED.

1. Introduction (a). These Conditions of Sale (“Conditions of Sale”) contain all the terms governing Auctions (defined below) conducted by Cakebread Art Antiques Collectables, Inc. d/b/a New Orleans Auction Galleries (“NOAG”), and all the terms under which NOAG and the Seller (defined below) of a Lot (defined below) contract with the Buyer (defined below).

These Conditions of Sale may be amended by posted notices or oral announcements made during the Auction. (b). Under these Conditions of Sale, the following capitalized terms are defined as follows: • An “Auction” is a public auction conducted by NOAG, at which Bidders may place Bids to purchase one or more Lots offered for sale by NOAG. An Auction takes place over one or more days and includes separate auctions of one or more Lots within an event conducted by NOAG; • The “Auctioneer” is the auctioneer calling the Auction conducted by NOAG; A “Bid” is a bid made by a party at the Auction to purchase a Lot; • A “Bidder” is (i) a person making a Bid at the Auction (whether in person, through an absentee bid, through electronic or internet means, or through telephone bidding); and/or (ii) a person who attends the Auction and registers to make a Bid (whether in person, through an absentee bid, through electronic or internet means, or through telephone bidding); • A “Buyer” is the party that commits to purchase a Lot by submitting the Winning Bid at Auction; • “Buyer’s Premium” is defined in Section 4 below; • “Catalogue” is the Auction catalogue utilized by NOAG to list the Lots offered at Auction; • The “Estimates” are the high and low estimates of value for each Lot set forth in the Catalogue presented by NOAG in connection with the Auction or otherwise set forth and/or announced at the Auction; • The “Hammer Price” for a Lot is the amount of the Winning Bid at the Auction, as announced by the Auctioneer, exclusive of commissions, Buyer’s Premium, expenses, and any taxes or other charges; • A “Lot” is specific item of property offered for sale at Auction; The “Reserve” is defined in Section 3 below; • The “Purchase Price” is defined in Section 4 below; A “Sale” of a Lot occurs when a Winning Bid is declared at Auction for the Lot; • The “Seller” of a Lot is the party who consigned the Lot with NOAG for purposes of selling the Lot, or is otherwise the seller of the Lot; • The “Winning Bid” is, as to a particular Lot, the Bid recognized by the Auctioneer as the highest and best Bid for that Lot.

(c). Except as otherwise stated, NOAG acts as consignment agent for the Seller. The contract for the sale of the Lot is therefore made between the Seller and the Buyer. (d). By bidding at the Auction as a Bidder or Buyer, and/or by your signature below, you agree to be bound by these terms.

2. Before the Auction (a). ALL SALES ARE “AS IS, WHERE IS” WITH NO EXPRESS OR IMPLIED WARRANTIES WHATSOEVER. (i) NEITHER NOAG NOR THE SELLER PROVIDES ANY GUARANTEE OR WARRANTY AS TO THE NATURE, DESCRIPTION, GENUINENESS, PROVENANCE, IMPORTANCE, OR CONDITION OF THE LOT. All Sales and Auctions are without any representation or warranty of any kind by NOAG or the Seller. Bidders and Buyers are responsible for satisfying themselves concerning the condition of the Lots and the matters referred to in the catalogue entry, the Condition Report, or in any other statement or writing provided. All Sales are final and are “AS IS WHERE IS.” (ii) No warranty of redhibition. ANY WARANTY AGAINST REDHIBITORY DEFECTS IS WAIVED AND EXCLUDED. NOAG and Seller provide absolutely no warranty against redhibitory defects, including without limitation: (x) any defects rendering a Lot useless or its use inconvenient; and (y) any defects diminishing the usefulness of a Lot; and any such warranties are waived and excluded. In addition, NOAG and Seller provide no warranties, guarantees, or representations as to whether a Lot is fit for its ordinary use, fit for Buyer’s intended use or for Buyer’s particular purpose. (iii) No warranty against eviction. ANY WARRANTY AGAINST EVICTION IS WAIVED AND EXCLUDED. In the event that Buyer is evicted from possession of whole or part of the Lot, neither NOAG nor Seller have any duty whatsoever to return any part of the Purchase Price to Buyer. Buyer is buying at Buyer’s sole risk and peril as to third parties who may claim rights in the Lot after the Sale. (iv) No warranty as to authorship. NOAG does not make any express or implied warranty as to authorship of works of art and fine art. No statement in the Catalogue or elsewhere, orally or in writing, shall be construed as an express or implied warranty, representation or limitation of liability as to authorship. Any such warranty is WAIVED. (v) No warranty of peaceful possession, etc. The following warranties are waived and excluded: the absence of hidden defects, peaceful possession, and ownership. NOAG and Seller provide absolutely no warranty that the Lot is free from hidden defects, or for peaceful possession, or for ownership. (vi) No other warranties. None of the Seller, NOAG, or any of NOAG’s officers, employees or agents, give any representation, warranty or guarantee or assume any liability of any kind in respect of any Lot with regard to merchantability, fitness for a particular purpose, description, size, quality, condition, attribution, authenticity, rarity, importance, medium, provenance, exhibition history, literature or historical relevance. Except as required by local law, any express or implied warranty of any kind whatsoever is excluded by this Section 2(a). (b). Examination of property / Condition Reports. Prospective Buyers and Bidders are strongly advised to examine personally any property in which they are interested, before the Auction takes place. As a convenience, Bidders may request that NOAG produce a Condition Report (“Condition Report”) for a Lot, which, if produced, will provide additional detail concerning the condition of the Lot as observed

by NOAG’s staff. NOAG reserves the right to decline to produce a Condition Report for any specific Lot, for any reason and in NOAG’s sole discretion.

Rev. 01/04/17

(c). Catalogue and other descriptions. (i) All statements made by NOAG as to condition, authorship, period, culture, source, origin, measurement, quality, rarity, provenance, importance, or historical relevance, whether in the Catalogue entry for the Lot, in the Condition Report, and/ or in a bill of sale, or made orally or in writing elsewhere, are qualified statements of opinion only and are not to be relied on as statements of fact. Such statements do not constitute a representation, warranty or assumption of liability by NOAG of any kind. References in the Catalogue entry or the Condition Report to damage or restoration are for guidance only and should be evaluated by personal inspection by the Bidder or a knowledgeable representative. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. (ii) Without limiting the foregoing, none of the Seller, NOAG, or any of NOAG’s officers, employees or agents, are responsible for the correctness of any statement of whatever kind concerning any Lot, whether written or oral, nor for any other errors or omissions in description or for any faults or defects in any Lot. (iii) Any Estimates provided should not be relied on as a statement that this is the price at which the item will sell or its value for any other purpose. Any written or oral appraisal, Estimate or other statement of NOAG or our representatives with respect to the estimated or expected selling price of any Lot of Property is a statement of opinion only and shall not be relied upon by Bidders or prospective Bidders as a prediction or guarantee of the actual selling price. (iv) NOAG shall not be liable for any errors or omissions in catalogue or other descriptions of the Property. Neither NOAG nor the Seller is responsible in any way for errors and omissions in the catalogue, or any supplemental material. (d). Further acknowledgement. As a Bidder and prospective Buyer, you further agree and acknowledge that: (i) You are not relying on NOAG’s skill or judgment in selecting to purchase any Lot; (ii) No oral or written statements in the Auction Catalogue, Condition Report, or elsewhere are the cause of or reason behind your purchase of any Lot; and you would have incurred such purchase regardless of any oral or written statements about condition, attribution, kind, quality, value, or authorship made in the catalogue or elsewhere; (iii) NOAG did not and could not have known that condition, attribution, kind, quality, expressed value, or authorship is the cause or reason why you decide to purchase any Lot; (iv) Your purchase of any Lot is not intended to gratify a nonpecuniary interest; and (v) NOAG did not know, nor should it have known, that any oral or written statement about a Lot in the catalogue, Condition Report or elsewhere would cause a nonpecuniary loss to a Buyer.

3. At the Auction (a). Registration before bidding / Bidding requirements. In order to be accepted as a Bidder and allowed to place a Bid, all Bidders must meet all of the following requirements: (i) A Bidder must complete and sign the attached registration form and provide identification to NOAG; (ii) NOAG may require the production of bank or other financial references or any other additional information; (iii) When making a Bid, a Bidder is accepting personal liability to pay the Purchase Price in full in the event that the Bidder submits the Winning Bid, unless it has been explicitly agreed in writing with NOAG before the auction of the Lot that the Bidder is acting as agent on behalf of an identified third party acceptable to NOAG, and that NOAG will only look to that principal for payment (iv) All Bids are to be made in U.S. currency unless agreed upon between NOAG and the Bidder; and (v) At NOAG’s sole discretion, NOAG may require any Bidder to post a cash deposit in an amount set by NOAG at its sole discretion. Such deposit may include, without limitation, a deposit of 25% of the Maximum Bid (or another amount set in NOAG’s sole discretion) in the case of Absentee Bids (defined below). (b). Refusal of admission / Rejection of Bidders. NOAG has the right, at its complete discretion, to refuse admission to the premises or participation in any Auction. NOAG reserves the right to reject any Bidder for any reason whatsoever and in NOAG’s sole discretion. (c). Absentee bids / Telephone bids. (i) As a convenience to Bidders, NOAG may allow a Bidder to submit an absentee bid (“Absentee Bid”) or telephone bid (“Telephone Bid”) by filling out (in full) the section of the attached registration form marked “Absentee Bids / Telephone Bids.” In order to submit an Absentee Bid or Telephone Bid for an Auction, that registration form must be filled out and submitted to NOAG no later than 5:00 p.m. central time on the last business day before the commencement of the Auction. (NOAG reserves the right to accept late Absentee Bid or Telephone Bid submissions in NOAG’s sole discretion.)

All Absentee Bid submissions must include a maximum bid amount (“Maximum Bid”). (ii) If an Absentee Bid is submitted and accepted, at the time of the auction of the affected Lot, the Auctioneer or other NOAG staff will place the Absentee Bid at the amount of the opening bid amount, and will increase the amount as necessary until the earlier of (x) the Absentee Bid is the Winning Bid; or (y) the amount reaches the Maximum Bid. All such actions in this paragraph are at the sole discretion of the Auctioneer and/ or NOAG. If NOAG receives Absentee Bids on a particular Lot with identical Maximum Bid amounts, and at the Auction these are the highest bids on the Lot, the Lot will be sold to the person whose Absentee Bid was received and accepted first. In the event of a tie bid between an Absentee Bid and a Bid submitted by a Bidder physically present at the Auction (or a Telephone Bid), the Lot will be sold to physically present Bidder (or bidder submitting the Telephone Bid).

Rev. 01/04/17

(iii) If a Telephone Bid is submitted and accepted, at the time of the auction of the affected Lot, NOAG staff shall attempt to contact the Bidder using the telephone number provided. If successfully contacted, the Bidder shall then be afforded the opportunity to place a Bid on the Lot by telephone. Telephone Bids may be recorded. By submitting a Telephone Bid, the Bidder consents to the recording of the conversation and the placing of the Bid. (iv) Execution of Absentee Bids and Telephone Bids is a free service undertaken subject to other commitments at the time of the Auction and neither NOAG nor the Auctioneer shall have any liability for failing to execute an Absentee Bid or Telephone Bid or for errors and omissions in connection therewith. (d). Video or digital images. At some Auctions there may be a video or digital screen. Errors may occur in its operation and in the quality of the image and we do not accept liability for such errors. NOAG reserves the right to video tape and record proceedings at any Auctions. Any personal information obtained will be held in confidence by NOAG but may be used or shared with our affiliates and marketing partners for customer analysis purposes and to help us to tailor our services to buyer requirements. Any Bidder attending an Auction in person who does not wish to be video-taped may make arrangements to make a Telephone Bid in accordance with Section 3(c) above. (e). Reserves. All Lots are offered subject to a reserve, which is the confidential minimum price below which the Lot will not be sold (the “Reserve”). The Reserve for a Lot will not exceed the low Estimate for that Lot. The Auctioneer may open the bidding on any Lot below the Reserve by placing a bid on behalf of the Seller. The Auctioneer may continue to bid on behalf of the Seller up to the amount of the Reserve, either by placing consecutive bids or by placing bids in response to other bidders. Notwithstanding the foregoing, a Lot may be sold at a Hammer Price below the Reserve, at the discretion of the Auctioneer and NOAG, in any manner consistent with the agreement between NOAG and the Seller. (f). No bidding by Seller. Under no circumstances shall Seller (as agent or principal), whether by itself or through its representatives, employees or agents (except as through the Auctioneer as set forth in Section 3(e) above), enter or cause to be entered a Bid on Seller’s Lot. (g). Auctioneer’s discretion. The Auctioneer has the right at his or her absolute and sole discretion to refuse any Bid, to advance the bidding in such a manner as he or she may decide, to withdraw or divide any Lot, to combine any two or more Lots, and in the event of any error or dispute, to determine the Winning Bid, to continue the bidding, to cancel the Sale or to reoffer and resell the Lot or item in dispute. If any dispute arises after the Sale, NOAG’s sale record is conclusive. Unless otherwise announced by the Auctioneer at the time of Sale, all Bids are per Lot as numbered in the Catalogue and no Lot shall be divided for Sale. NOAG and/or the Auctioneer may withdraw any Lot at any time before such Lot is offered at Auction, for any reason and in their sole and absolute discretion. (h). Successful bid and passing of risk. The Auctioneer shall have absolute discretion in determining the Winning Bid and the striking of the Auctioneer’s hammer marks the acceptance of the highest and best bid as the Winning Bid and the conclusion of a contract for sale between the Seller and the Buyer. Risk and responsibility for the Lot but not its title passes to the Buyer immediately upon announcement of the Winning Bid at the Auction. (i). Post-auction sale. In the event that there is no Winning Bid at Auction for a Lot, or the Lot is withdrawn from the Auction, or the Sale is cancelled for non-payment pursuant to Section 4(g) below, NOAG may sell the Lot at public or private sale at any time thereafter, in a manner consistent with the agreement between Seller and NOAG. (j). NOAG assumes no responsibility for failure to execute Bids for any reason whatsoever.

4. After the Auction (a). In order to consummate and complete the Sale, the Buyer must tender payment in full of all of the following amounts (all such amounts together being the “Purchase Price”) to NOAG: (i) the Hammer Price; and (ii) the “Buyer’s Premium” consisting of a premium of 25% of the Hammer Price (discounted to 22% if the method of payment is by check, cash, or wire transfer [subject to a $30 fee for domestic wires and a $60 fee for international wires] by the end of the day on the fifteenth calendar day following the conclusion of the Auction - note that there is no discount for LiveAuctioneers and Invaluable bidders) up to and including a Hammer Price of $200,000 and 10% of the amount by which the Lot’s Hammer Price exceeds $200,000; and (iii) Any applicable Louisiana, state, local, and federal or other taxes, calculated as required by law. Any documentation of tax exemption must be provided by the Bidder contemporaneously with the execution of the attached registration form. (b). Payment and passing of title. The Buyer and any other Bidders are responsible for contacting NOAG for Auction results during the week after the conclusion of the Auction. Subject to the provisions of Section 4(i) below which may require earlier payment, the Buyer must pay the full Purchase Price no later than 4:30 pm central time on the fifteenth calendar day following the conclusion of the Auction.

Payments may be submitted during business hours to: New Orleans Auction Galleries, 333 St. Joseph Street, New Orleans, Louisiana 70130, Telephone number: 504-566-1849. Payments may be made by certified check, cash, wire transfer, or credit card (Visa, Mastercard, and American Express). Payments will be accepted by non-certified check only in NOAG’s sole discretion, from Buyers that have been qualified by NOAG in NOAG’s sole discretion. Title to the Lot does not pass to the Buyer until the full amount of the Purchase Price has been tendered and received by NOAG in good cleared funds, even in circumstances where the Lot has been released to the Buyer. (c). Credit Cards. Your signature on this form constitutes permission to charge the full amount of the Purchase Price on your credit card, if you are the Buyer on a Lot and payment is not received within five business days of the close of the Auction. Your signature on this form also constitutes permission to charge the full amount of Storage Charges (defined below), if and when accrued, on a periodic basis on your credit card. (d). Release of Lot to Buyer. No Lot will be released to the Buyer unless and until NOAG receives full payment of the Purchase Price, and such payment has cleared and NOAG has received confirmation of all funds owed. At its sole discretion, NOAG may release a specific Lot at any time, notwithstanding the foregoing provision.

In addition, NOAG may require that Lots not be released until the Buyer has cleared additional checks in NOAG’s sole discretion, including without limitation, any anti-money laundering or antiterrorism financing checks to NOAG’s satisfaction. In the event that a Buyer fails to complete any anti-money laundering or anti-terrorism financing checks to NOAG’s satisfaction, NOAG shall be entitled to cancel the Sale and take any other action permitted or required under applicable law. In addition, notwithstanding the foregoing, Lots cannot be released until after the conclusion of the Auction. (e). Export/Import license and Dealers. It is the Buyer’s sole responsibility to obtain any relevant export or import license. The denial of any license or any delay in obtaining licenses shall not justify the rescission of any sale nor any delay in making bill payment for the Lot; and shall not limit or alter any of the obligations of the Buyer herein. Dealers purchasing for resale must enter appropriate their Dealer Resale Number on the attached registration form and provide NOAG with proper documentation.

Rev. 01/04/17

(f). Storage charge. Subject to the foregoing provisions, any Lot that is not picked up by the end of the day on the fifteenth calendar day following the conclusion of the Auction is subject to an additional storage charge of $5.00 per Lot per day (“Storage Charge”) for as long as the Lot is stored at NOAG’s facilities. The outstanding amount of this Storage Charge must be paid in full (in addition to the Purchase Price) before such Lot will be released to the Buyer. Such Storage Charge accrues on a daily basis and is billed monthly. All items handled or stored will be at the Buyer’s risk. NOAG is not liable for any damage to Lots after the conclusion of the Auction. (g). Remedies for non-payment. If the Buyer fails to make payment in full of the Purchase Price in good cleared funds within the time required

by Section 4(b) above, or payment in full of any applicable Storage Charge when incurred, NOAG shall be entitled in its absolute discretion to exercise one or more of the following rights or remedies (in addition to asserting any other rights or remedies available by law): (i) to charge outstanding amounts to the Buyer’s credit card; (ii) to charge interest at the rate of one and one-half percent (1.5%) per month (but not to exceed the highest amount chargeable under applicable law); (iii) to hold the Buyer liable for the total amount due and to commence legal proceedings for its recovery together with interest, legal fees and costs to the fullest extent permitted under applicable law; (iv) to exercise any other remedy or remedies available under the law, including but not limited to a second sale of said item in accordance with the provisions of applicable law, including the subsequent enforcement of any deficiency against the initial buyer; (v) to cancel the sale; (vi) to resell the property publicly or privately on such terms as we shall think fit; (vii) to pay the Seller an amount up to the net proceeds payable in respect of the amount bid by the defaulting Buyer; (viii) to set off against any amounts which NOAG may owe the Buyer in any other transactions, the outstanding amount remaining unpaid by the Buyer; (ix) where several amounts are owed by the Buyer to NOAG, in respect of different transactions, to apply any amount paid to discharge any amount owed in respect of any particular transaction, whether or not the Buyer so directs; (x) to reject at any future Auction any Bids made by or on behalf of the Buyer or to obtain a deposit from the Buyer before accepting any Bids; (xi) to exercise all the rights and remedies of a person holding security and/or privilege over any property in our possession owned by the Buyer, whether by way of pledge, security interest or in any other way, to the fullest extent permitted under Louisiana law (including without limitation under La. Civil Code art. 3247, La. R.S. 10:7-209 and 10:7-210 and other applicable law), or (xii) to take such other action as NOAG deems necessary or appropriate. In connection with the item (xi) above, the Buyer will be deemed to have granted such security to NOAG and NOAG may retain the affected Lot and any property of the Buyer as collateral security for such Buyer’s obligations to NOAG and to the Seller

If we resell the property under Section 4(g)(vi) above, the Buyer shall be liable for payment of any deficiency between the total amount originally due to us and the price obtained upon resale as well as for all costs, expenses, damages, legal fees and commissions and premiums of whatever kind associated with both sales or otherwise arising from the default. If we pay any amount to the Seller under paragraph (vii) above, the Buyer acknowledges that NOAG shall have all of the rights of the Seller, however arising, to pursue the Buyer for such amount. (h). Shipping and packing. All shipping, packing, and transportation of Lots from NOAG’s facilities is the responsibility of Buyer. NOAG may, as a courtesy, assist Buyer with necessary arrangements, but by doing so, NOAG assumes no responsibility or liability for shipping, packing, moving, or transportation, including without limitation damage to Lots, damage to Buyer’s vehicle, or any personal injury of any persons involved. (i). Earlier payment may be required. For any specific Lot, and notwithstanding the provisions of Section 4(b) above, NOAG may require, in its sole discretion, that the Hammer Price for the Lot be paid immediately upon the striking of the Auctioneer’s hammer and announcement of the Winning Bid, with the balance of the Purchase Price being due by the close of the Auction.

5.Copyright The copyright in all images, illustrations and written material produced by or for NOAG relating to a Lot including without limitation the contents of the Catalogue, is and shall remain at all times the property of NOAG and shall not be used by the Buyer or Bidder, nor by anyone else, without our prior written consent. NOAG and the Seller make no representation or warranty that the Buyer of a Lot will acquire any copyright or other reproduction rights in it.

6. Severability If any part of these Conditions of Sale is found by any court to be invalid, illegal or unenforceable, that part shall be discounted and the rest of the conditions shall continue to be valid to the fullest extent permitted by law.

7. Data Collection In connection with the operation of our auction business, NOAG may need to seek personal information from Bidders or obtain information about Bidders from third parties (e.g., credit checks from banks). Such information will be processed and kept by us in confidence. Some of Bidders’ personal data may also need to be shared with third party service providers (e.g., shipping or storage companies) for Bidders’ benefit. By participating in an Auction, you agree to all previously stated disclosure.

8. Law and Jurisdiction The rights and obligations of the parties with respect to these Conditions of Sale, the conduct of the Auction and any matters connected with any of the foregoing shall be governed and interpreted under the laws of the State of Louisiana. By bidding at the Auction and/or through execution of the attached registration form, the Bidder consents to the exclusive jurisdiction of the courts of the State of Louisiana and the Federal courts of the United States of America located in the Eastern District of Louisiana.

Rev. 01/04/17

New Orleans Auction Galleries

333 Saint Joseph Street, New Orleans, LA 70130 | 504-566-1849 | Fax: 504-566-1851 | info@neworleansauction.com

ABSENTEE / TELEPHONE BID FORM Name (Please Print): ______________________________________________

Date: ______________________

Business Name: ______________________________________________________________________________ Dealer Resale # (Dealers must also sign official State of Louisiana document): _______________________________ Address: ____________________________________________________________________________________ City: _____________________________________________

State: ____________ ZIP: ___________________

Telephones: Work (_____)_____________ Home (______)______________ Fax (______)_______________ E-mail Address: _________________________________________________________________________________ Conditions of Sale: Conditions of sale are as set forth in the applicable New Orleans Auction Galleries catalogue.

Placing a telephone bid and/or absentee bid in the auction constitutes acceptance of all Conditions of Sale posted

by NOAG as amended by any posted notices or oral announcements during the sale.

Lot #

Bid Amount (not including buyer’s premium) OR Telephone Number to Call:

$ $ $ $ $ $ $ $ $ VISA / MasterCard #: ____________________________________________ Expiration Date: _____________ CVV #: _______________ I have read and agree to the Conditions of Sale. I agree that a buyer’s premium will be charged on each lot purchased at 25% up to and including $200,000 plus 10% of the hammer price greater than $200,000. For purchases made by cash, check or wire transfer [subject to a $30 fee for domestic wires and a $60 fee for international wires], the buyer’s premium shall be discounted 3% of this 25%. Note that there is no discount for LiveAuctioneers and Invaluable bidders. Your signature on this form constitutes permission to charge successful bids to your credit card, including the 25% buyer’s premium, if payment is not received within five days of the auction.

Signature (Required): ___________________________________________________________________ Please fax this form by 5:00 p.m. the day before the auction to 504-566-1851 or scan and email to info@neworleansauction.com

Susan D. Sarofim CEO

Tessa Steinkamp Director of Auctions

Ashton Thomas President

Jelena Restovic James Director of Fine Art

Ireys Bowman General Consignments

Greg S. Kowles General Consignments

Kim Lemon Fine Jewelry Specialist

Michele Carolla Fine Art Specialist

Nicole Casi, PhD Fine Art Specialist

Rebecca Moss Asian Arts Specialist

Thomas Halverson American Furniture Specialist

Burke Designer

Taylor Eichenwald Marketing & Public Relations

Charles C. Cage Silver Specialist & Office Manager

Colleen Ryan Director of Human Resources

AUCTIONEERS

CONSULTANTS

Tessa Steinkamp, #1265 Ashton Thomas, #1833 Taylor Eichenwald, #1922 Michael DeGeorge, #1774

Ellen McKenzie English & Continental Furniture Ira Savoie Independent Certified Gemologist Appraiser Claudia Kheel Fine Art

ADMINISTRATION Christa Ougel Denise Haik Office Administration Graphic Designer Gary Michael Gittelson Bettina Bausa Graphic Designer Photographer Grace Connors Manager of Online Auctions

OPERATIONS Cedric Roberts | Sean Ranson Bennie Amos | Eddie Daigrepont Emmitt Kendrick, Jr. Gerald Hampton | Juanita Bazile Sol Carter | Thomas Johnson Theadrow Mark