Estates Auction: May 20-21, 2023

New Orleans Auction

MAY 20-21, 2023

AUCTION ESTATES

MAY 20-21, 2023

AUCTION

MAY 20-21, 2023

MAY 8-19, 2023 EXHIBITION

Monday - Friday 9:00 a.m. - 5:00 p.m.

Saturday, May 13 10:00 a.m. - 3:00 p.m.

BIDDING

Bidding is available in-person, by telephone, absentee and live online with LiveAuctioneers, Invaluable and on NewOrleansAuction.com.

Welcome to

MAY

Light powerfully influences the way we perceive the world around us. Throughout history, this relationship and fascination with light has been expressed in a variety of ways, most notably through art and architecture.

Impressionist painters explored the transformative qualities of light through its effects on color and objects at different times of the day. Similarly, in literature, descriptors of light have long been used to evoke a certain mood or emotion. The ancient Greeks also made use of light’s luminous qualities to breathe life into marble sculptures.

In the 1960s and ‘70s, lighting design became more experimental in form and function, and a critical element in itself, influenced largely by cultural movements and technological advancements. One artist, the iconic Dan Flavin, used widely available fluorescent lights to create evocative, colorful, three-dimensional light works.

Inspired by this notion of light as an element of design – its existence (or lack thereof) just as much as an actor in a space as any piece of art – our team set out to cast items included in this auction in a new light.

Fittingly, the colorful and striking backdrop to this catalogue, Lengua Madre, was inspired by the famed Mexican architect Luis Barragán, a master of light and color. Using stark lines, bright colors and intentional lighting, this vibrant omakase-style Mexican restaurant in the Lower Garden District has created a unique and surprising modern oasis that’s in stark contrast with the building’s unassuming exterior (in addition to its incredible aesthetic, Lengua Madre is also one of the South’s best restaurants, and its Executive Chef, Ana Castro, is a nominee for the 2023 “Best Chef in the South” award by the James Beard Foundation).

The vibrant space set the stage for showcasing some of this auction’s select items, from antique furniture to sculpture, in unexpected ways.

In keeping with this light-infused theme, we are delighted to offer the estate of beloved illumination artist and design consultant, Dean Coe. Dean opened Leitmotif Designs in 1982, a first-of-itskind high-tech lighting design gallery in New Orleans. Keen on utilizing light to create dramatic juxtapositions in line and style, he incorporated modern lighting into the city’s traditional 19thcentury architecture by creatively illuminating the elaborate plasterwork and high ceilings.

Our May Estates Auction takes place May 20-21 at 10 a.m. each day. Exhibition opens Monday, May 8, and continues through Friday, May 19. The gallery is open Monday-Friday, from 9 a.m. to 5 p.m.

As you browse the nearly 800 lots in this sale, I encourage you to consider how each may be transformed by light. I hope that in doing so, you will be illuminated by a new perspective.

See you at the auction,

Taylor Eichenwald Assistant Director

“One might not think of light as a matter of fact, but I do. And it is, as I said, as plain and open and direct an art as you will ever find.”

– DAN FLAVIN

SPECIAL THANKS to photography

SHOT ON LOCATION AT:

Nominee: 2023 Best Chef of the South, Ana Castro

DEAN COE

The Estate of Howell Dean Coe III New Orleans, Louisiana

Illumination artist, design consultant and beloved New Orleans retailer, Dean Coe, was passionate about the role of light as an instrument of design.

After training as a theatrical lighting designer, Coe pursued a career in the theater, but after spending a year lighting sets and actors’ faces in New York City, he deemed that lifestyle was not for him.

Coe eventually settled in New Orleans, where he served as a maitre d’ until saving enough money to open up the shop of his dreams – a high-tech lighting design gallery that would become a beloved staple of New Orleans’s Warehouse District.

Leitmotif Designs opened in 1985 on Pirates Alley in the French Quarter before moving into a storefront on Julia Street, providing a well curated modern selection of furniture and lights, each item meticulously selected and predicated by Coe’s personal taste and penchant for practicality.

More than a retailer, Coe served as a design consultant for his clients, assisting them in selecting the best lighting scheme to bring their room or house to life.

With his theatrical training, Coe was particularly keen on utilizing light to create dramatic juxtapositions in line and style. Dean worked closely with many interior designers, including Jon Vaccari, to masterfully light countless interiors.

Coe’s use of the opposing qualities of light and dark to create design also informed his personal choice of art. With a contrasting love for the modern and the antique, Coe was drawn to local Louisiana Primitive folk pieces. Over time, he amassed a significant collection, filling his home with contemporary and antique sculpture, painting and furniture.

An ongoing learner passionate about design, he enrolled in the Savannah School of Art and Design (SCAD) during his mid-life years.

NOAG is honored to present items from the Estate of Howell Dean Coe III, including lighting by Gae Aulenti and Ettore Sottsass for Stilnovo, fine art and more.

Gae Aulenti lamp from Leitmotif; interior design by Dean Coe

Interior design by Dean Coe with furnishings from Leitmotif

“I don’t care if a fixture is traditional or super-modern, but I do know if it will give the correct light. I prefer high-performance lamps – and most of these are ultra-modern. They simply offer the best light.”

–DEAN COE

SESSION I

SATURDAY,

mid-19th century, the domed top mounted with large wrought iron strap hinges, the exterior with tooled metal strapwork, the interior fitted with a lidded tray.

Continental Provincial Pine and Oak Trestle Table 18th century, the rectangular top with a molded edge, supported by rustic log-form trestle supports joined by a shaped stretcher and ending in shaped feet.

and pierced metal

and foo

1

Large Continental Oak and Metal-Bound Immigrant’s Trunk

h. 29-1/2”, w. 59”, d. 26”

$1,000-$1,500

2 Pair of Chinese Arched and Metal-Bound Courtyard Doors with studded

mounts,

dog head ring pulls on scalloped bezels. h. 78-3/4”, w. 39” $1,200-$1,800

3

h. 30”, w. 61”, d. 23-3/4” $1,000-$1,500

4 Brazilian Carved Wood and Metal Seated Figure figure with articulated arms, holding a votive bowl, on a painted metal stool, signed on the rear, “Oficina de Agosto”, a Sao Paulo craft workshop. h. 49”, w. 26”, d. 25”

$1,200-$1,800

5 Bradley Sabin (American/Louisiana, Contemporary)

“Floral Wall Sculpture With Antlers”

glazed ceramic dia. 26”

Provenance: Collection of Howard and Ann Barnett, New Orleans, Louisiana.

$1,000-$1,500

6 Cristina Cordova (American/Puerto Rico/North Carolina, b. 1976)

“Horseshoe”

ceramic and silver paint h. 36”, w. 33”, d. 7-1/2”

Provenance: Hodges Taylor Gallery, Charlotte, North Carolina; Private collection of Libba and Mike Gaither, Charlotte, North Carolina.

$5,000-$8,000

7

Clementine Hunter (American/Louisiana, 1886/87-1988)

“Flight into Egypt”, 1957

oil on board

initialed “C H” mid right, and accompanied by a letter from The Melrose Library with provenance, typewritten note dated April 18th, 1957 with title and description of painting, and printed biography of Clementine Hunter en verso. 47-3/4” x 44”, framed 53 1/4” x 49-1/2”

Provenance: John Hampton and Carmelite “Cammie” Garrett Henry, Melrose Plantation, Natchitoches Parish, Louisiana; Joseph M. Henry, Sr., Natchitoches, Louisiana; Gasperi Gallery, New Orleans, Louisiana.

$20,000-$40,000

The African American self-taught artist Clementine Hunter spent most of her adult life working, initially in the cotton fields and then in the kitchen, for the Henry family at Melrose Plantation. Cammie Henry welcomed artists, writers and photographers for extended stays at her home on the Cane River. The contact with the artists encouraged Hunter to “mark” her own pictures. She achieved acclaim for her paintings, which documented the daily life at Melrose Plantation and her religious beliefs.

The large-scale painting “Flight into Egypt” offered here reflects Clementine Hunter’s imaginative ability to create a narrative story. The painting depicts Mary and infant Jesus riding on a mule with Joseph leading the way. In the Gospel of Matthew , an angel appears to Joseph and warns him of King Herod’s fear of the birth of an infant who would be a king of the Jews and the resultant planned Massacre of the Innocents. The angel instructed Joseph to flee to Egypt with his family. Hunter painted three African American angels flying above the family providing protection and inspiration, and a red bleeding cross in the sky which alluded to the eventual crucifixion of Jesus. In the upper right, Hunter painted three pyramids referring to the family’s safe arrival in Egypt.

In the lower right corner, Hunter included an African American man “tipping his derby to the Queen of Heaven”. The figure appears to have been inspired by the bronze statue of “Uncle Jack” that was erected in downtown Natchitoches, which is alluded to in the typewritten note on the back of the painting. The statue, depicting an elderly African American man bowing and tipping his hat, was sculpted by Hans Schuler, commissioned by Jackson Lee Bryan, a local banker and cotton planter, and placed prominently on Front Street in 1927. The New York Times and The Boston Globe ran stories at the time about the statue, praising the progressiveness of the white citizens of Natchitoches for erecting a monument to the African American community. By the late 1960s, the statue became controversial and was no longer perceived as appropriate, removed by the city, and eventually donated to the LSU Rural Life Museum.

The painting “Flight into Egypt” is one of a series of murals Hunter created for the interiors of Melrose Plantation, which included the Africa House, Ghana House, Hunter’s living quarters and the shop where she sold her art as well as many of the public and private rooms throughout the property.

8 Clementine Hunter (American/Louisiana, 1886/87-1988)

“Gift of the Magi” oil on canvas monogrammed lower right, and inscribed en verso. Framed.

16” x 20”, framed 17-1/2” x 21-1/2”

$3,000-$5,000

9 Terracotta Head, Attributed to Sokoto, Nigeria ca. 200-300 BC, with a sculpted cap, eyes, nose, mouth and ears.

h. 9-3/4”, w. 8-1/4”, d. 9-1/2”

Provenance: Collection of Howard and Ann Barnett, New Orleans, Louisiana.

Dating based on thermoluminescence testing from Daybreak/Archaeometric Laboratory Services, Guilford, Connecticut, with an available report.

$1,000-$1,500

$1,000-$1,500

Neoclassical-Style Wrought Iron and Leather Bench

20th century, the loose leather cushion over an iron scrollwork frame with finials at each corner.

h. 24”, w. 36”, d. 25”

11

Pair of Art Deco-Style Hancock & Moore Leather-Upholstered Club Chairs

each with a domed and padded back joined by deep, padded arms to the cushioned seat, raised on block legs, the whole accented with black leather piping, bearing the label under the seats.

h. 32”, w. 32”, d. 32”

$1,000-$1,500

12 Christian Liaigre for Holly Hunt “Pygmee” Mahogany Side Table

the circular top supported by a shaped pedestal standard and mounted to a square iron base.

h. 24”, dia. 20”

$1,000-$1,500

David Bates (American/Texas, b. 1951)

“Untitled - Magnolia”, 2001

polychromed bronze signed and dated along back of self-base, now with an iron stand.

sculpture h. 47-1/2”, w. 28-1/2”, d. 12”, stand h. 26”

Provenance: Arthur Roger Gallery, New Orleans, Louisiana; Collection of Howard and Ann Barnett, New Orleans, Louisiana.

$50,000-$80,000

14

Attributed to William L’Engle (American, 1884-1957)

“Sea Change”

oil on canvas unsigned, titled en verso stretcher. Framed.

20” x 13-1/2”, framed 21” x 15” x15”

Provenance: Estate of Howell Dean Coe III, New Orleans, Louisiana.

$1,000-$1,500

14

15

“Gueridon a La Carte de France”

oil on canvas signed lower right, affixed with “P. Cornette de Saint-Cyr, Paris” label.

Framed. 23-3/4” x 36-1/4”, framed 34” x 44-1/2”

Provenance: Estate of Howell Dean Coe III, New Orleans, Louisiana.

Jean Joveneau (French, b. 1888)

“Eucalyptus Grove”

oil on board signed lower left, and “William Karges Fine Art, Beverly Hills, CA” label with artist and title en verso. Framed.

16” x 20”, framed 28” x 32”

Provenance: William Karges Fine Arts, Beverly Hills, California; Private collection of Libba and Mike Gaither, Charlotte, North Carolina.

$12,000-$18,000

Largely a self-taught artist, Edgar Payne earned acclaim for his plein-air landscape paintings of the American west and California. Born in rural Missouri, Payne grew up roaming the Ozark Mountains where he developed a deep appreciation of the natural wilderness. In 1912, he married artist Elsie Palmer and a few years later the couple moved to California, where he became part of the emerging artist colony in Laguna Beach, and the founding president of the Laguna Beach Art Association.

Edgar Alwin Payne (American/California, 1883-1947)

17

“Forest Interior”

pastel on paper unsigned. Matted, glazed and framed. sheet 22” x 18”, framed 32” x 27”

Provenance: Estate of Florence L. Hall, New Orleans, Louisiana.

$3,000-$5,000

17

18

“Pine Trees”

crayon and pencil on paper Matted, glazed and framed. sheet 8-1/2” x 11”, framed 13-1/2” x 15-3/4”

Provenance: Gasperi Gallery, New Orleans, Louisiana.

$4,000-$7,000

Will Henry Stevens (American/Louisiana, 1881-1949)

Walter Inglis Anderson (American/Mississippi, 1903-1965)

19

the circular top with inset marble and supported by three shaped legs with brass ram’s heads and hoof feet, joined by a circular stretcher. h.

$1,000-$1,500

20

$3,000-$5,000

Chrome, Brass and Marble-Top Gueridon in the Neoclassical Taste

26”, dia. 25”

Patinated Bronze Garden Fountain modeled as two crested herons perched on fallen tree branches, with bromeliads growing at the base, each piped to spout water. h. 67”, w. 33”, d. 23-1/2”

Two Patinated Bronze Garden Cranes of Japanese inspiration, each standing, one with its head looking up and the other looking downward.

h. 51” to 59-1/4”, w. 16” to 25”, d. 10”

20th century, the circular polished slate top over a base with scrolled legs attached with pierced ovals and brass medallions, accented by a circular stretcher.

$1,000-$1,500

$1,400-$1,800

22 Brass-Mounted Metal and Slate-Top Garden Dining Table

h. 29-1/2”, dia. 48-1/4”

23

Patinated Bronze Alligator Fountain

figure with its mouth open, piped for water, with molded scales and a realistically curved tail.

h. 13”, w. 22-1/2”, l. 75”

$3,000-$5,000

24

Patinated Bronze Alligator Fountain

the mouth open in a menacing fashion, piped for water, the body molded with scales and curved tail, poised to attack.

h. 18”, w. 25”, l. 76-1/2”

$2,500-$4,000

25

After Walter Inglis Anderson (American/Mississippi, 1903-1965)

“Alligator”

watercolor-enhanced block affixed to board Framed.

19” x 47”, framed 21-1/2” x 49-1/2”

Literature: Illustrated in Form and Fantasy: The Block Prints of Walter Anderson, edited and essays by Mary Anderson Pickard and Patricia Pinson, Jackson: University of Mississippi Press, 2007, p. 74

$3,000-$5,000

“Magnolias”, 1985

oil on board initialed “J.M.C.A” and dated lower right, and “Eddie’s Frame Shop, Ocean Springs, MS” label en verso.

Framed.

24” x 48”, framed 27-1/2” x 51-1/2”

$5,000-$8,000

26

James McConnell “Mac” Anderson (American/Mississippi, 1907-1998)

“Fishing, Gulf Coast”, 1984 oil on board initialed “J.M.C.A” and dated lower left, and “Eddie’s

Framed.

James McConnell “Mac” Anderson (American/Mississippi, 1907-1998)

Frame Shop, Ocean Springs, MS” label en verso.

24” x 48”, framed 27-1/2” x 51-1/2”

$5,000-$8,000

Eight-Piece Wrought Iron and Glass Dining Set, Attributed to John B. Salterini, New York

mid-20th century, in the Art Nouveau-inspired “Della Robbia” pattern, the set including a table, h. 30”, w. 40-3/4”, l. 73-1/2”, two armchairs, h. 35”, w. 26”, d. 22”, four side chairs, h. 36-1/2”, w. 17”, d. 22”, all with fan-shaped backs, and a three-tier server with an etagere top, h. 65-1/2”, w. 36-1/2”, d. 16-1/2”.

$1,200-$1,800

29

Six-Piece Suite of Restoration Hardware “Carmel” Aluminum Garden Furniture

comprised of four chairs with “X” backs and slatted seats with cushions, h. 32”, w. 25”, d. 21”, an ottoman, h. 16-1/2”, w. 26”, d. 26”, and a table, h. 17”, w. 22”, d. 22”, each piece marked.

$1,000-$1,500

30

Harold Thurman (American/Louisiana, 20th Century)

“Drift”

oil on canvas monogrammed en verso, affixed with “Orleans Gallery, New Orleans, Louisiana” label with artist name and title. Framed.

48” x 30”, framed 50” x 32”

Provenance: Orleans Gallery, New Orleans, Louisiana.

$1,000-$1,500

31

Sidonie Villere (American/Louisiana, b. 1976)

“History Repeats Itself”, 2008

“Untitled”

three clay, wax and liquid gold leaf, one painted clay former each with artist stamp, dated and one inscribed “#12”.

former h. 5-3/4”, w. 5-1/2”, d. 5-1/2”; h. 4”, w. 8”, d. 5”; h. 4-1/4”, w. 7”, d. 6”; latter 12-1/2” x 13-3/4”

Provenance: Jonathan Ferrara Gallery, New Orleans, Louisiana; Collection of Howard and Ann Barnett, New Orleans, Louisiana.

$1,000-$1,500

“Dead Flicker Woodpecker”

watercolor

initialed “A” lower left.

Matted, glazed and framed.

8-1/2” x 11”, framed 13-1/2” x 15-1/2”

Provenance: Gasperi Gallery, New Orleans, Louisiana.

$8,000-$12,000

“Common Loon”

watercolor and graphite

Estate stamp lower right. Matted, glazed and framed. 8-1/2” x 11”, framed 13-1/2” x 15-3/4”

$8,000-$12,000

32

Walter Inglis Anderson (American/Mississippi, 1903-1965)

33 Walter Inglis Anderson (American/Mississippi, 1903-1965)

32

34

Pair of Chinese Porcelain Ginger Jars

now mounted as lamps, of classical form, with swirled blue decoration, mounted on acrylic bases.

h. 20-1/4”, dia. 9”

$1,000-$1,500

35

Fred Brouard Mid-Century Modern Polished Bronze and Plate-Glass Coffee Table

French (1944-1999), the square plate-glass top with curved sides, above an abstract bronze base in a polished finish.

$3,000-$5,000

h. 16”, w. 31”, d. 31”

36

Giltwood Sunburst Mirror

of Louis XIV inspiration, with a convex mirror plate, set into a circular surround mounted with carved “rays”. dia. 55-3/4”

$1,500-$2,500

37

Pair of Giltwood and Ostrich Egg Boudoir Lamps

the standards composed of ostrich eggs mounted on carved, reeded and fluted vasiform standards, on acrylic bases, mounted with shades. h. 24-1/4”, dia. 12-1/2”

$1,000-$1,500

38

Pair of Pierced, Scroll-Molded Patinated Brass and Mirrored Plateaus

the pierced bodies decorated with scrollwork and medallions, with scrollwork skirts and supported on leaf-molded feet. h. 3-1/2”, dia. 18”

$1,000-$1,500

with part-tufted and channeled, slightly shaped backs and upright rolled arms, the hems trimmed with an elaborate and delicate tape ending in deep silk fringe, upholstered in glossy pale taupe striped silk velvet. h. 34-1/12”, w. 85”, d. 35”

$1,200-$1,800

“Racing Charioteer”

patinated bronze second quarter 20th century, cast signature along front edge of self-base. h. 13”, w. 32”, d. 11”

$3,000-$5,000

39 Pair of Contemporary Upholstered Sofas

40 Maurice Guiraud-Riviere (French, 1881-1947)

41

Large Brass Sculpture of the Ferrari “Prancing Horse”

20th century, the polished brass figure with remnants of original silver patination at ears and top of head.

h. 78”, w. 50”, d. 25”

$2,000-$4,000

The rearing horse was originally associated with the Italian WWI flying ace, Count Francesco Baracca who had the image painted on all of his planes. When Enzo Ferrari had the opportunity to meet with Baracca in 1923, the Count suggested he adopt the image as a symbol of good luck. Ferrari was to include the small black horse on all of his racing cars and then, eventually all the cars produced by his eponymous auto manufacturing company.

42

Unusual French Brass, Silvered Metal and Crystal Floor Lamp

second quarter 20th century, the eleven-light lamp with a silvered metal “swan” with amber glass eyes, lit from within, the body lined with cut crystal and crystal beads, lit from behind, resting on a bed of lily pads, two vertical lights set with frosted floriform shades and brass leaves and branches arching over the swan, with downturned lights hung with prisms.

h. 77”, w. 36”, d. 18”

$3,000-$5,000

Contemporary Giltwood and Mirrored Cocktail Table

in the manner of Fournier, the rectangular top with an inset mirrored panel and raised on a rope-twist base ending in tasseled feet.

h. 17-1/2”, w. 41-1/2”, d. 21-1/2”

$1,200-$1,800

44

Pair of Giltwood Candlestick Lamps

20th century, the lamps carved with three intertwined dolphins on coved bases, supporting turned candle sockets, on acrylic bases.

h. 23”, dia. 11”

$1,200-$1,800

45

Dramatic Italian Florentine Giltwood Cheval Mirror

20th century, in the neoclassical taste, the oval mirror supported by carved and fringed drapery, set with a leafcarved, swag-form support, on a cove-shaped base.

h. 68-1/2”, w. 40”, d. 25”

$2,500-$4,000

46

second quarter 20th century, the vertical backplates carved with ribbon-bound leaves, set with three gilt-metal scrolled candle branches hung with glass drops, the backplates punctuated with small sprays of glass drops, electrified.

h. 38”, w. 14”, d. 7-1/2”

$2,000-$4,000

Set of Four Unusual French Giltwood, Gilt-Metal and Glass Sconces

47

20th/21st century, the molded, frosted and enameled crystal bowls decorated with a grid of molded flowers with enameled centers, with engraved signatures.

h. 4”, dia. 10”

$1,000-$1,500

48

20th century, composed of cut crystal, each signed on the bottom.

h. 8-1/2”, dia. 2-3/4”

$1,000-$1,500

49

of Baltic neoclassical form, veneered in figured Karelian birch, the oval top with a line-inlaid perimeter band, over a conforming apron, raised on vasiform octagonal columns joined to concave bases with scroll feet, each foot mounted with a giltwood ormolu rosette, labeled.

h. 30-1/2”, w. 54-1/2”, l. 106”

$1,200-$1,800

Pair of French Lalique “Nemours” Crystal Bowls

Set of Twelve Baccarat “Massena” Champagne Flutes

Therien Studio Workshops Birch DoublePedestal Dining Table

50

Large Giltwood Sunburst Mirror

inspired by Louis XIV, the “Sun King”, the circular plate lined with a flat giltwood molding set with “rays” of various lengths. dia. 49”

$2,000-$4,000

51

Pair of Empire-Style Giltwood and Marble-Top Tables

early 20th century, each with a circular marble top above a conforming guilloche-carved frieze, raised on a ribbed, double curule-form base with acanthine capitals and ending in lotus toes.

h. 29”, dia. 28-1/2”

$1,000-$1,500

52

Ida Rittenberg Kohlmeyer (American/Louisiana, 1912-1997)

“Square”, 1982

oil and mixed media on paper pencil-signed and dated lower right.

Glazed and framed.

sheet 9” x 9”, framed 13” x 13”

$1,500-$2,500

53

Ida Rittenberg Kohlmeyer (American/Louisiana, 1912-1997)

“Square”

oil and graphite on paper pencil-signed lower right.

Glazed and framed.

sheet 9” x 9”, framed 13” x 13”

$1,500-$2,500

54

Ida Rittenberg Kohlmeyer (American/Louisiana, 1912-1997)

“Square”

oil on paper pencil-signed lower right.

Glazed and framed.

sheet 9” x 9”, framed 13” x 13”

$1,500-$2,500

55

Ida Rittenberg Kohlmeyer (American/Louisiana, 1912-1997)

“Square”

oil and mixed media on paper pencil-signed lower right. Glazed and framed.

sheet 9” x 9”, framed 13” x 13”

$1,500-$2,500

56

Pair of Empire-Style Gilt-Metal and Marble-Top Gueridons

each with an inset circular marble top raised on three supports joined by vertical X-form stretchers to flat feet. h. 27”, dia. 17”

$1,500-$2,500

57

Exceptional Japanese Mixed Metal and Niello Miniature Four-Panel Table Screen

the gilt-bronze screen inlaid with exquisitely detailed cranes, flying among silver clouds, the lower panels decorated with silver and gilt hishi.

h. 6”, w. 10-3/4” (fully extended)

$1,000-$1,500

58

Pair of Century Ebonized and Giltwood “Italian Bergere” Chairs

model 3296, of generous proportions, upholstered in a coral multistripe fabric.

h. 40-1/2”, w. 30-1/2”, d. 28-1/2”

$1,500-$2,500

56

57

59

Chinese Carved Coral Figure of Guanyin

20th century, the goddess standing beneath a flower-covered tree, holding a bowl of fruit, on a silver-inlaid hardwood base.

h. 11-1/2”, w. 8”, d. 3-1/2”

$1,000-$1,500

60

Chinese Carved Coral Figure of Guanyin

20th century, the goddess holding an umbrella, her gown carved with a trailing lotus blossom, on a hardwood base.

h. 13-1/2”, w. 5-1/4”, d. 5-1/2”

$2,000-$4,000

61

Chinese Coral Carving of the Goddess Guanyin

20th century, accompanied by an attendant, the goddess supporting roses, the lower portion carved with lotus flowers and chickens, on a carved hardwood base.

h. 17-1/2”, w. 12-3/4”, d. 4-3/4”

$2,500-$4,000

Rare Emile Decoeur (French, 1876-1953) Studio Pottery Vase

first quarter 20th century, exhibiting use of restrained Japonisme and masterful use of strong color, with an oxblood ground mottled with gray and black, signed on the bottom with his conjoined “EDecoeur” and an impressed flower.

h. 8-1/2”, dia. 4”

$1,000-$1,500

63

Pair of Art Deco-Style Leather-Upholstered Club Chairs

each with a crimped crest over a padded back, joined by outstretched arms to the cushioned seat, raised on splayed square feet.

h. 37”, w. 38”, d. 28”

$1,800-$2,500

64

Interesting Stained Walnut Elephant Writing Desk

late 20th century, of Indian influence, the shaped top with a molded gallery at the ends, the front apron fitted with a drawer, raised on legs in the form of elephant heads and bone-carved tusks.

h. 31”, w. 57”, d. 25”

$2,000-$4,000

62

64

65

Indian Silver Tea Set

Kashmir, ca. 1920, including: a teapot, h. 7-1/4”, l. 9-1/2”; a sugar bowl, h. 5”, w. 4-3/4”; and a cream jug, h. 5”, l. 5-5/8”; each with a vertical octagonal body decorated with chased chinar leaves on a coriander ground, the pot with “gooseneck” spout and carved wooden handle and finial, the cream and sugar with crested scroll handles, and hinged flat lids.

48.37 total t. oz. (including wooden elements)

$1,000-$1,500

66

Four Antique Persian Miniatures

Muraqqa scene paintings, each gouache, ink and gold leaf, with Arabic inscriptions. Each matted, glazed and framed alike. sights 8” x 5” to 11-3/4” x 6-3/4”, framed 19” x 14-3/8”

$1,200-$1,800

“Tropical” Metal Floor Lamp

the nine-light lamp decorated with nine brass-plated plantain leaves, each concealing a socket, set into a patinated metal base.

h. 79”, dia. 37”

$1,500-$2,500

68

Pair of French Art Deco Bronze Figures of King Tutankhamun

post-1922, now mounted as lamps, the sides mounted with Apis, the sacred bulls worshipped in ancient Egypt, on acrylic bases.

h. 23-1/2”, w. 6-1/2”, d. 6-1/2”

$2,000-$4,000

69

Hollywood Regency-Style Lacquered and Gilt-Metal Cocktail Table

attributed to Baker Furniture Co., the large, shaped, rectangular lacquered top within a giltwood frame and with a foliate garland border, removing from a stand of naturalistically rendered double corner supports joined by an elaborately interlacing stretcher, and ending in splayed feet.

h. 21-1/2”, w. 50”, d. 33”

$1,500-$2,500

70

Japanese Meiji Patinated-Bronze Turtle Group

ca. 1868-1912, carefully detailed with a baby turtle sunning on his mother’s back, signed.

h. 2”, w. 3-1/2”, l. 4-1/2”

$1,500-$2,500

71

Two Patinated Bronze Leopards

the figures with impressed spots, standing upright in a stalking position.

h. 25” to 32”, w. 55” to 58”, d. 8”

$2,000-$4,000

72

Large Patinated Bronze Figure of a Tiger

of Japanese inspiration, the standing tiger depicted growling in a menacing manner.

h. 35”, w. 15”, l. 62”

$2,000-$4,000

73

Two Contemporary Italian Travertine Occasional Tables

each

74

with a square top and downcurved aprons, mounted to a square pedestal base, one bearing a tag, “Stone International S.P.A. Made in Italy”. h. 30”, w. 27-1/2”, d. 27-1/2” and h. 22”, w. 20”, d. 20”

$1,200-$1,800

White-Painted Sunburst Mirror of Louis XIV inspiration, the convex mirror plate set into a circular surround mounted with carved “rays”. dia. 55-3/4”

$1,000-$1,500

Pair of Empire Bleached Mahogany Bergeres

each with a padded and curved back surmounted by swan’s-neck sides and joined by downswept sides to the cushioned seat, raised on sabre legs headed by floral block capitals.

h. 35”, w. 25”, d. 23”

$2,000-$4,000

76

Pair of Chinese Ginger Jars

now mounted as lamps, the brown and white lamps decorated with flowery branches, mounted on acrylic bases.

h. 18-1/2”, dia. 8-1/2”

$1,000-$1,500

77

Steel Club Fender in the Edwardian Taste

set with rope-twist balusters, the oval fire opening with scrolled ends, on an ogeemolded base, the corners upholstered in leopard print fabric.

h. 21-1/2”, w. 61”, d. 22-1/2”

$1,200-$1,800

78

Lin Emery (American/Louisiana, 1926-2021)

“Protest”, 2008

aluminum kinetic sculpture base dia. 11”, span 25”

Provenance: Arthur Roger Gallery, New Orleans, Louisiana; Collection of Howard and Ann Barnett, New Orleans, Louisiana.

$4,000-$7,000

79

Lin Emery (American/Louisiana, 1926-2021)

“Leaf Play”, 2000

aluminum and enamel kinetic sculpture unsigned. h. 12”, span 20”

Provenance: Kouros Gallery, New York, New York; private collection, Cincinnati, Ohio.

$5,000-$8,000

80

Contemporary Silver-Gilt and Giltwood Chandelier

attributed to Sherle Wagner, the five-light chandelier with a fluted giltwood standard set with cornucopia-form arms terminating in reeded alabaster shades, the arms bound with giltwood reeding.

h. 22”, dia. 33”

$1,000-$1,500

81

Victor Issa (American, b. 1954)

“Bird Bath”, 1996

bronze cast signature, dated, numbered “10/12” and copyrightmarked along back of self-base.

h. 68”, w. 19”, d. 25”

Provenance: Purchased from the artist, 2010.

$3,000-$5,000

82

Simon Gunning (American/Louisiana, b. 1956)

“Seated Nude”

pen and ink on paper signed lower right. Glazed and framed. sight 35” x 23”, framed 43” x 30”

Provenance: Collection of Dr. Nia Terezakis, New Orleans, Louisiana.

$3,000-$5,000

Pair of Chinese White “Crystalline” Bottle Vases now mounted as lamps, with white veining, on acrylic bases.

h. 32-1/2”, dia. 8-1/4”

$1,000-$1,500

84

Tiffany & Co. “Bamboo Garden” Sterling Silver Desk Articles

contemporary, including three large frames, 10-1/4” x 8”, one small frame, 7-1/8” x 5-1/8”, and two bookmarks, 6-1/4” x 1”, both bookmarks and one large frame with the original Tiffany blue felt pouch.

19.53 total t. oz.

$1,000-$1,500

85

Pair of French Sabino “La Danse” Art Glass Vases

pre-1978, the molded, opalescent vases decorated in the round with female dancers in diaphanous gowns, each with an engraved “Sabino, France” signature and a paper label.

h. 14”, dia. 6-3/4”

$2,000-$4,000

86

Pair of French Sabino “Paradis” Art Glass Vases

pre-1978, the opalescent vases decorated with molded birds, each with an etched “Sabino, France” signature and the original paper label.

h. 10”, dia. 8-1/2”

$2,000-$4,000

87

Pair of Chinese Ginger Jars

now mounted as lamps, the turquoise lamps decorated with fishermen, islands of trees and birds, on cove-molded giltwood bases.

h. 24”, dia. 8-1/2”

$1,500-$2,500

88

Kawase Hasui (Japanese, 1883-1957)

“Myohon Temple in Kamakura”, 1930

“Kisho Nishiju”, 1937

two shin hanga prints on paper former signed and with seal lower right, titled and dated along left margin, latter signed and with seal lower left, copyright seal lower right and titled and dated along left margin.

Unframed but edges taped to matting.

16” x 11-1/8” and 17-3/8” x 12-1/2”, respectively

$1,000-$1,500

89

Bamboo and Plate Glass Table

attributed to McGuire, the rectangular plate glass top with a beveled edge and rounded corners, above a bamboo-clad base over a steel frame.

h. 29-1/2", w. 42", l. 83-1/2"

$2,000-$4,000

90

Will Henry Stevens (American/Louisiana, 1881-1949)

“Hillside Community, North Carolina”

pastel signed lower right. Matted, glazed and framed. sight 16” x 13-1/4”, framed 28-3/4” x 24-1/4”

Provenance: Private collection of Libba and Mike Gaither, Charlotte, North Carolina.

$4,000-$7,000

“When You See It You Know You Are Home”

oil on canvas signed lower left, signed and titled en verso. Framed. 31” x 34”, framed 42-3/8” x 45-1/4”

$1,500-$2,500

91 Dale TerBush (American, b. 1948)

late 18th/early 19th century, probably Italian, the molded stiles and top rail joined to a panel with open leaf carving flanked by a shaped, fluted gallery, raised on tapering square front legs joined by stretchers.

$1,000-$1,500

93

Large

the round mirror plate with a black-painted, ogee-molded surround, accented with whitepainted bobbin-form turnings, over carved giltwood rays. dia. 51-1/2”

$1,500-$2,500

94

Contemporary Iron, Wood and StoneTop Console Table

constructed from antique elements, the rectangular stone top above an iron base fronted by an antique fragment of an arched, galleried wooden panel, the whole raised on square, tubular legs ending in flat feet.

h. 35-1/4”, w. 56-1/2”, d. 14-1/2”

$1,000-$1,500

92

Suite of Four Continental Neoclassical Fruitwood Side Chairs

h. 35”, w. 19-1/2”, d. 18”

Parcel-Gilt and Painted Wood Sunburst Mirror

After Prince Paolo Petrovich Troubetzkoy (Italian, 1866-1938)

“Gertrude Vanderbilt Payne Whitney”

bronze-glazed plaster first half 20th century, incised signature and dated “1910” at front of self-base, copyright-marked and inscribed “AMR” for Alva Museum Replicas along back edge. h. 21-1/2”, w. 7-1/4”, d. 12-1/2”

$1,200-$1,800

96

Seven-Piece Brown Jordan Aluminum “Venetian Garden” Furniture Set

20th century, comprised of a pair of lounges, each with strapwork seat and scrolled arms, h. 40-1/2”, w. 27”, l. 62”, a pair of armchairs with cushions, h. 33”, w. 20”, d. 28”, an ottoman with cushion, h. 18”, w. 24”, d. 24”, and a pair of glass-topped drinks tables, h. 18-1/2”, w. 18”, d. 18”, some pieces labeled.

$1,200-$1,800

97

Monumental Patinated Bronze Urn in the Art Deco Style

20th century, the amphora urn supported by a pair of partially clad maidens standing on a pylon-form base, after the example by Pierre Lenoir (French, 1879-1953) and Marcel Guillard (French, 1896-1932), cast inscription “Villanis” at back. h. 57”, w. 35”, d. 21”

$2,500-$4,000

98

Monumental Patinated Bronze Urn in the Art Deco Style

20th century, the amphora urn supported by a pair of partially clad maidens standing on a pylon-form base, after the example by Pierre Lenoir (French, 1879-1953) and Marcel Guillard (French, 1896-1932), cast inscription “Villanis” at back. h. 57”, w. 35”, d. 21”

$2,500-$4,000

Five-Piece John Salterini “Mount Vernon” Pattern Garden Suite

mid-20th century, decorated with pierced panels of ivy and scrollwork, the set comprised of a lounge chair with an adjustable back and cushions, the back legs on wheels, h. 40”, w. 29-1/2”, l. 66”, an armchair with an adjustable back and cushions, the back legs on wheels, h. 40”, w. 29-1/2”, l. 38”, a pair of armchairs with cushions, h. 33-1/2”, w. 30”, d. 30”, and an ottoman, h. 14”, w. 22”, d. 22”.

$1,200-$1,800

100

Empire-Style Argente and Mirrored Gueridon

the circular top with an inset patterned mirrored surface, joined to a smaller, like lower shelf by molded supports continuing to splayed legs, joined by a patterned stretcher and ending in claw-on-ball feet.

h. 36”, dia. 30”

$1,200-$1,800

$1,000-$1,500

101 Gene Koss (American/Louisiana, b. 1947)

“Drawing B”, 2013

cast glass and steel h. 17-1/2”, w. 20”, d. 7”

Provenance: Arthur Roger Gallery, New Orleans, Louisiana; Collection of Howard and Ann Barnett, New Orleans, Louisiana.

102

Dean Allison (American/North Carolina, b. 1976)

“Bust I”

“Bust II”

cast glass incised signature along back of each. h. 11”, w. 10-1/2”, d. 6-1/2” and h. 17”, w. 12-1/2”, d. 9”

Provenance: Blue Spiral I, Asheville, North Carolina; Private collection of Libba and Mike Gaither, Charlotte, North Carolina.

Literature: http://www.deanallison.net/

$4,000-$7,000

Due to either the chemical composition of the glass, or the techniques employed by Allison, these busts have a color-shift effect; green to gray under natural light, they appear purple under direct or artificial light.

103 Richard Jolley (American, b. 1952)

"Male Nude Looking Up", 1988

"Kneeling Female Nude", 1988

blown and hot sculpted glass from the Blue Line Series, each with incised signature, date and title at bottom. h. 14-1/2”, w. 11-1/2”, d. 4” and h. 12-1/4”, w. 8-3/4”, d. 7”, respectively

$2,000-$4,000

104

Dale

“Rose Quartz Venetian with Borealis Flowers”, 2014 blown glass incised signature and dated “14” on body of vase h. 20”, w. 18”, d. 17”

Provenance: Arthur Roger Gallery, New Orleans, Louisiana; Collection of Howard and Ann Barnett, New Orleans, Louisiana.

$10,000-$15,000

104

105

Dale Chihuly (American, b. 1941)

“Galena White Ikebana with Citrine Stems”, 2011 blown glass h. 68”, w. 37”, d. 16”

Provenance: Arthur Roger Gallery, New Orleans, Louisiana; Collection of Howard and Ann Barnett, New Orleans, Louisiana.

Chihuly (American, b. 1941)

106

Five-Piece Brown Jordan “Venetian” Dining Suite

20th century, including a glass-topped table with pierced corner brackets, cross stretchers and block feet, h. 29-1/4”, dia. 49-3/4”, and four chairs with X-form back splats, scrolled arms and strapwork seats, h. 35”, w. 20-1/2”, d. 21”.

$1,000-$1,500

107

Whimsical Patinated Metal Donkey

the body composed of horsehoes, and the mane of twisted cutlery.

h. 58”, w. 12”, l. 53”

$1,200-$1,800

108

Contemporary Patinated Metal Ostrich

the neck pierced and the body with overlapping scalloped feathers, on a rectangular metal base. h. 77”, w. 49”, d. 14”

$1,200-$1,800

Cased Set of French Art Deco Silverplate Knife Rests

second quarter 20th century, by the Gallia division of Christofle, Paris, of stylized animal form, including two each parrot, greyhound, lion, swan, bear and pig, presented in a cream satin-lined, fitted, green buckram case giltstamped “Gallia-Paris” and with their logo. each 3-1/4” to 3-1/2”; case 1-1/2” x 11” x 12-1/4”

$1,000-$1,500

110

in the Regency style, bearing a metal tag from Ralph Lauren, the circular top opening to accommodate twenty-seven inches of leaves, no leaves present, the downswept pedestal base ending in paw feet and mounted to a platform base. h. 31”, dia. 60”

$1,000-$1,500

111

Steinway

ca. 1998, of traditional form and fitted with a Piano Disc player unit, bearing the serial number 545686, together with a matching ebonized and black leather-covered adjustable bench.

piano h. 39-1/2”, w. 59”, l. 74”

Provenance: Estate of Norma Crawford Myers, Dallas, Texas.

$5,000-$8,000

Ralph Lauren Black-Lacquered and Parcel-Gilt Dining Table

& Sons Model B Ebonized Baby Grand Player Piano and Bench

112

Contemporary Champagne SilkUpholstered Sofa

with upswept arms to the upper rolled sides and outswept back, with three loose cushions, a single seat cushion and skirted hem, upholstered in patterned elegant champagne silk-appliqued velvet on a silk ground

h. 36-1/2”, w. 82”, d. 40”

Provenance: Estate of Norma Crawford Myers, Dallas, Texas.

$1,000-$1,500

113

Pair of Contemporary Gilt-Metal and Plate-Glass Etageres

each with a pagoda-form, curved top fitted with a glass shelf, above four additional shelves, constructed of square, tubular giltmetal framing.

h. 81”, w. 36”, d. 12”

$1,500-$2,500

114

Unusual Gilt-Metal and Frosted Glass Chandelier

the contemporary six-light chandelier with scrolled arms set with frosted glass trumpet-form shades, a single amber glass drop at the bottom.

h. 30-1/4”, dia. 30-1/2”

$1,200-$1,800

Pair of Gilt-Bronze “Sunburst” Lamps

20th century, each lamp decorated with rays from a Louis XV-style sunburst, on acrylic bases.

h. 24-1/4”, w. 7”, d. 5”

$1,000-$1,500

116

French Art Deco-Style Walnut-Veneered and Ebonized Console

the top supported by an arched base with a boldly reeded front and fitted with a single drawer.

h. 29”, w. 56”, d. 16”

Provenance: Estate of Jacob Manguno, New Orleans, Louisiana.

$1,500-$2,500

117

Dramatic Pair of French Art Deco Chrome and Polished Wood Torchere Lamps

second quarter 20th century, each with a flared circular chrome shade supported by a tapering chrome-banded rosewood-stained maple standard mounted to a circular base, electrified.

h. 75”, dia. 24”

Provenance: Estate of Jacob Manguno, New Orleans, Louisiana.

$2,000-$4,000

118

Edward Wormley for Dunbar, Pair of Mid-Century Modern Occasional Tables

third quarter 20th century, the circular inset rosewood top supported by paired lacquered legs, each pair joined by a conforming convex base, each retaining a paper label and a brass plaque reading “Dunbar, Berne, Indiana”.

h. 18-3/4”, dia. 15”

$1,000-$1,500

119

Humphries

“Untitled #14”, 1993

oil on linen

signed, titled and dated en verso, affixed with “Galerie Simonne Stern, New Orleans, Louisiana” gallery label. Unframed.

60” x 60”

Provenance: Galerie Simonne Stern, New Orleans, Louisiana; Private collection, New Orleans, Louisiana.

Literature: Cecily Brown, “Jacqueline Humphries”, BOMB, No. 107 (Spring, 2009), pp. 22-31.

$50,000-$80,000

What I’m after is a kind of psychological hook.

–Jacqueline Humphries

The work offered here is from Humphries’ early period, shortly after the completion of her art training and two years before her significant solo exhibition at the newly formed Greene Naftali Gallery in New York. Her dogged determination and persistence as a woman artist from the South working in New York in an abstract manner cannot be stressed enough; she was attending art school at a time when abstraction was moving away from the painterly and few women were working in the style.

The large-scale canvases she was creating at this time are carefully and intentionally composed works which simultaneously reference and toy with the tenets of Abstract-Expressionism. Here she has chosen a limited palette of creams, tans, browns in thickly applied layers to form a vertical composition that delicately nudges the viewer’s eye along the drips and droplets rendered in dense inky black.

Humphries’ large-scale lyrical canvases demand an active viewer; as the artist once stated about her work, “I like the unstable situation that depends on the light and the viewer both moving around.”

Jacqueline

(American/Louisiana, b. 1965)

120

Baker Furniture Ebonized Writing Desk

in the Hepplewhite Regency taste, the front fitted with a single drawer and supported by square cabriole legs ending in argente bronze caps, the drawer bearing two metal labels, “Baker” and “The Barbara Barry Collection by Baker”.

h. 30-1/2”, w. 54”, d. 25”

$1,200-$1,800

121

Suite of Eight McGuire Ebony-Stained Rattan and Cane Dining Chairs

comprised of two armchairs and six side chairs, each with elements joined by leather strapping, the caned seat and back joined by curved brackets at the hips, the seat fitted with a loose upholstered and padded cushion, the legs joined by stretchers, the backs of the armchairs upholstered and bearing the metal tag “McGuire, San Francisco” under the seat frames.

h. 36”, w. 20”, d. 28”

$2,000-$4,000

Gae Aulenti Black “La Ruspa” Table Lamp

1968, for Martinelli Luce, Italy, in black enameled metal with parallel movable arms and adjustable shades. h. 21-1/2”, w. 13-1/2”, d. 15-1/4”

Provenance: Estate of Howell Dean Coe III, New Orleans, Louisiana.

$1,000-$1,500

123

Stilnovo, Milan, “Celata” Articulated Wall Lamp

1960s, model 34302, designed by M. Coronelli/L. de Licio, charcoal-lacquered metal with red accents, fitted electrically for halogen, labeled “Stilnovo/Milano Italy”. l. 76-1/2"

Provenance: Estate of Howell Dean Coe III, New Orleans, Louisiana.

$1,000-$1,500

124

Ettore Sottsass “Valigia” Table Lamp

1977, for Stilnovo, Milan, enameled metal with black back, red tubular trim and circular black plastic feet, labeled “Stilnovo” on the white interior at one end. h. 15”, w. 14”, d. 9-1/2”

Provenance: Estate of Howell Dean Coe III, New Orleans, Louisiana.

$1,000-$1,500

125

“Lugger and Oaks”

watercolor

signed lower right, titled with artist’s biography en verso. Matted, glazed and framed. sight 29” x 21”, framed 38-1/2” x 30-3/4”

$1,000-$1,500

126

“Balcony”

watercolor signed lower left. Matted, glazed and framed. sight 27-1/2” x 19-1/2”, framed 38-1/2” x 30-1/2”

$1,000-$1,500

Peter P. Briant (American/Louisiana, Contemporary)

Peter P. Briant (American/Louisiana, Contemporary)

127

Peter P. Briant (American/Louisiana, Contemporary)

“French Quarter Rooftops”, 1988 watercolor signed lower left, and signed by President Ronald Reagan and Vice President George H. W. Bush and dated lower center. Matted, glazed and framed. sight 19” x 28”, framed 29” x 37”

Provenance: Collection of the artist. $3,000-$5,000

Peter Briant’s painting was selected as a prototype for the Presidential Election poster at the Republican National Convention held August 15-18, 1988, at the New Orleans Superdome.

At the Republican National Convention, George H. W. Bush was nominated Presidential candidate and Dan Quayle, U.S. Senator from Indiana, was announced as Vice Presidential running mate.

128 Marie Atkinson Hull (American/Mississippi, 1890-1980)

“Blue Mountains”

oil on board signed lower right, and “Brown’s Jackson, MS” paper en verso.

Framed.

16” x 20”, framed 20-1/2” x 24-1/2”

Provenance: Collection of Howard and Ann Barnett, New Orleans, Louisiana.

$3,000-$5,000

129 David Damm (American/California, 20th Century)

“Marina Light”

oil on canvas board signed lower right. Framed.

15” x 20”, framed 21-1/2” x 26-3/4”

Provenance: Villa Melrose Antiques, Los Angeles, California, April 20, 2011.

$1,000-$1,500

130

Two Contemporary American Paintings including:

Cynthia Hamilton, “The Waitress”, oil on board, signed lower right; and Vincent Giarrano, “Cappuccino”, oil on canvas, signed lower left and en verso stretcher. Each with a “Waterhouse Gallery, Santa Barbara, California” label. Both framed.

former 12” x 9”, framed 18” x 14-1/2”; latter 8” x 8”, framed 11-1/2” x 11-1/2”

Provenance: Waterhouse Gallery, Santa Barbara, California.

$1,000-$1,500

131

Nicola Simbari (Italian, 1927-2012)

“Wind on the Beach”

oil on canvas signed mid right, titled en verso stretcher.

Framed.

27-1/2” x 39-1/2”, framed 34-1/2” x 46-1/2”

$4,000-$7,000

132

Andre Vignoles (French, 1920-2017)

“Nature Morte Avec Les Fleurs, une Plante et Legumes”, 1957 oil on canvas signed and dated lower left. Framed.

33” x 41”, framed 40” x 48”

$1,500-$2,500

“La Prudence”

oil on board signed lower right, signed and titled en verso. Framed.

23-1/2” x 31-1/2”, framed 30” x 38”

$2,500-$4,000

“Assisi”, 1949 oil on canvasboard signed, titled and dated lower left. Framed.

11” x 12”, framed 20” x 24”

$1,000-$1,500

“Vendedoras de Pescado”

oil on canvas signed lower left. Framed.

29” x 36”, framed 32” x 39-1/2”

$1,000-$1,500

133 Marcel Delmotte (Belgian, 1901-1984)

134 Rudolph Guzzardi (American/Texas, 1903-1962)

135 Bernardo Simonet Castro (Spanish, 1914-1995)

136

“Adam and Eve”

crayon on paper Matted, glazed and framed. sheet 11” x 8-1/2”, framed 16” x 13-1/4”

Provenance: Gasperi Gallery, New Orleans, Louisiana.

$7,000-$10,000

136

137

“The Devil”

crayon on paper Matted, glazed and framed. sheet 11” x 8-1/2”, framed 16” x 13-3/4”

Provenance: Gasperi Gallery, New Orleans, Louisiana.

$7,000-$10,000

Walter Inglis Anderson (American/Mississippi, 1903-1965)

Walter Inglis Anderson (American/Mississippi, 1903-1965)

Jose-Maria Cundin (Spanish/Louisiana, b. 1938)

“Felipe IV, La Ursulina, y La Novicia”, 1970 a double-sided oil on board verso with a Portrait of Two Men, front signed and dated mid left.

Framed.

19” x 20”, framed 20-3/4” x 21-1/2”

Provenance: Private collection, Maryland.

$1,800-$2,500

139

Jose-Maria Cundin (Spanish/Louisiana, b. 1938)

“The Intimidator”, 1991 mixed media on paper signed and dated lower right, titled lower left. Matted, glazed and framed. sight 6-5/8” x 5-5/8”, framed 19” x 16-1/2”

Provenance: Private collection, Maryland.

$1,000-$1,500

140

Feliciano Bejar (Mexican, 1920-2007)

“Magiscope”, 1968

industrial steel auto parts, perforated metal sheets and cut glass incised signature and dated along proper left edge of scope.

overall h. 59”, w. 17”, d. 7”

$3,000-$5,000

141

"Fauteuils de Malades: Portrait of Man", 2002 "Portrait of Musician"

mixed media and collage on paper water and ink on paper latter signed and dated lower right. Each glazed and framed.

7" x 5", framed 10" x 8"; 6" x 4-1/2", framed 11" x 7-3/4"

Provenance: Estate of Howell Dean Coe III, New Orleans, Louisiana.

$1,000-$1,500

142

"Untitled: Red", 1998

"Untitled: Bird on Branch", 1986

two collages on paper each signed and dated lower right and inscribed lower left or right. Matted, glazed and framed.

11" x 8-1/2", framed 22-1/4" x 19-1/4"; 4" x 5-1/2", framed 14-1/4" x 16-3/4"

Provenance: Estate of Howell Dean Coe III, New Orleans, Louisiana.

$1,000-$1,500

143

"Untitled: Crown", 1992

"Untitled: Cup, Saucer and Two Angels"

"Untitled: Fragile"

three collages on paper former pencil-signed and dated lower right, and latter accompanied with note from artist. Glazed and framed.

4" x 5-1/2", framed 14-1/4" x 16-3/4"; 7" x 5", framed 14" x 11-1/2"; and 5" x 3-1/2", framed 6-1/4" x 4-3/4"

Provenance: Estate of Howell Dean Coe III, New Orleans, Louisiana.

$1,200-$1,800

Douglas Bourgeois (American/Louisiana, b. 1951)

Douglas Bourgeois (American/Louisiana, b. 1951)

Douglas Bourgeois (American/Louisiana, b. 1951)

“Untitled”, 1985

mixed media on paper laid down on canvas signed and dated en verso, “Denise Cade Gallery” and “Shannon’s Auction” labels en verso. Framed.

17-3/4” x 10-5/8”, framed 22-1/4” x 14-1/2”

Provenance: Denise Cade Gallery, New York, New York; Private collection; Shannon’s Fine Art Auctioneer’s, Milford, Connecticut, April 26, 2018, lot 155; Private collection.

$1,500-$2,500

144

“Love Me Forever”, 2001

silkscreen signed lower left and numbered “5/90” lower right. Unframed. 20” x 27”

Literature: Listed and illustrated in George Rodrigue Prints: A Catalogue Raisonne 19702007, New York: Abrams, 2007, p. 192.

$2,000-$4,000

144 Jean-Pierre Pincemin (French, 1944-2005)

145 George Rodrigue (American/Louisiana, 1944-2013)

Peshawar Birds of Paradise Carpet

Turkish Angora Oushak Carpet

Turkish Angora Oushak Carpet

149 Semi-Antique Bakhtiari Carpet

150

Turkish Angora Oushak Carpet

8’ 1” x 10’

$1,000-$1,500

151 Silk Hereke Carpet

6’ x 9’

$1,500-$2,500

152

Oushak Runner

2’ 9” x 19’ 3”

$1,000-$1,500

Provenance: Estate of Norma Crawford Myers, Dallas, Texas.

Elizabeth I Sterling Silver Seal Top Spoon

hallmarked York, 1574-1575, by Robert Gylmyn (fl. 1550-1593).

l. 5-7/8”, w. 2”; 1.00 t. oz.

Literature: Hugh Murray, Directory of York Goldsmiths, Silversmiths & Associated Craftsmen (York: Session Book Trust, 1998), p. 65

$3,000-$5,000

154

James I Sterling Silver Apostle Spoon

hallmarked London, 1616-1617, attributed to William Lovejoy (fl. 1615-1638/39), depicting St. Matthew. l. 7-3/8”, w. 2”; 1.97 t. oz.

Literature: Piers Percival, “Elizabethan London Specialist Spoonmakers”, in The Finial: Journal of the Silver Society of Great Britain, v. 14/06, Jul/Aug 2004, pp. 14-21; also “Woolsack Postscript”, in The Finial: Journal of the Silver Society of Great Britain, v. 15/01, Sep/Oct 2004, pp. 4-5; and “John Round - Third Apprentice of Patrick Brue”, in in The Finial: Journal of the Silver Society of Great Britain, v. 15/06, Jul/Aug 2005, pp. 8-10

Timothy Arthur Kent, London Silver Spoonmakers, 15001697 (London: Silver Society, 1981), pp. 4,7,8,12

$1,500-$2,500

The identity of the maker who used the mullet (an heraldic star) enclosed by a crescent has been a subject of speculation for nearly a century. That it appeared in several different designs over 80 years, from the mid-16th century to the 1630s, and almost exclusively on a great number of spoons, makes it certain that it was not used by one maker, but rather by a succession of specialist spoonmakers. Most scholars agree the likeliest candidate is the Woolsack, Cheapside shop founded by Nicholas Bartholomew around 1545, and that Bartholomew himself might have used the mark (though another mark - NB conjoined - is attributed to him). It was likely next the mark of his apprentice Patrick Brue, who himself had six apprentices between 1575 and 1605, among them William Cawdell who assumed the Woolsack premises, using a similar mark with a crescent enclosing a “W”. Another Brue apprentice, John Lovejoy, was probably the next user of the crescent and mullet mark while working for Cawdell. Lovejoy died in August 1612, and by 1625 his son William Lovejoy was leasing the Woolsack from Cawdell, having received freedom by patrimony in 1621. It is likely, then, that the mark in the form as used on the spoon in the present lot - the crescent and mullet within a scalloped shield - was that used by William Lovejoy after the death of his father; he would have been permitted, as noted by Piers Percival, to have used a mark before his freedom as long as he traded through the offices of a goldsmith who enjoyed the freedom of the city, i.e. Cawdell. The attribution to William Lovejoy is bolstered by the strange absence of the mark on spoons from 1627 onwards, and reappearing around 1638. It is now known that Lovejoy was in prison during some of this time, having appealed for financial relief in 1629 during his incarceration “in the compter in Wood Street”. He may or may not be the William Lovejoy buried on August 23, 1643, in St. Martin-in-the-Fields, Westminster.

155

James I Sterling Silver Seal Top Spoon

hallmarked London, 1622-1623, by Daniel Cary (ca. 15841642; free 1604), the seal with pricked monogram “KB”. l. 6-5/8”, w. 1-7/8”; 1.34 t. oz.

Literature: David M. Mitchell, Silversmiths in Elizabethan and Stuart London: Their Lives and Marks (Woodbridge, Suffolk: Boydell Press, 2017), pp. 269-70

Timothy Arthur Kent, London Silver Spoonmakers, 15001697 (London: Silver Society, 1981), pp. 19, 26-27

$1,000-$1,500

156

Charles I West Country Sterling Silver Apostle Spoon

hallmarked Exeter, dated 1625, by Edward Anthony (15911666/7), depicting St. James the Lesser, the reverse with pricked monogram and date “IB/HW/1625”.

l. 7-5/8”, w. 2-1/4”; 1.86 t. oz.

Literature: Timothy Arthur Kent, West Country Silver Spoons and Their Makers, 1550-1750 (London: J.H. Bourdon-Smith, 1992), pp. 63-64

$1,200-$1,800

157

Charles I Sterling Silver Seal Top Spoon

hallmarked London, 1630-1631, by Edward Hole (ca. 1600ca. 1636; free 1622), the seal with pricked monogram “M*P”. l. 7-1/8”, w. 2”; 1.95 t. oz.

Literature: David M. Mitchell, Silversmiths in Elizabethan and Stuart London: Their Lives and Marks (Woodbridge, Suffolk: Boydell Press, 2017), 283

Timothy Arthur Kent, London Silver Spoonmakers, 15001697 (London: Silver Society, 1981), pp. 20, 29-30

$1,200-$1,800

158

Commonwealth West Country Sterling Silver Seal Top Spoon

Exeter, dated 1655, by Edward Anthony (1591-1666/7), the seal with traces of gilt and pricked monogram and date “TM/1655/AT”.

l. 7-1/8”, w. 2”; 1.78 t. oz.

Literature: Timothy Arthur Kent, West Country Silver Spoons and Their Makers, 1550-1750 (London: J.H. Bourdon-Smith, 1992), pp. 63-64

$1,200-$1,800

159

Suite of Six English Oak Windsor Chairs

comprised of two armchairs and six side chairs, each with a hooped back centered by a shaped and pierced splat flanked by spindles, the molded wooden seat raised on splayed and turned legs joined by a crinoline stretcher and ending in ring-turned feet. h. 40-1/2”, w. 21”, d. 18”

$1,500-$2,500

160

After Sir Anthony van Dyck (Flemish/British, 1599-1641)

“Portrait of the Three Eldest Children of King Charles I; Prince Charles (later Charles II), Mary, Princess Royal (later Princess of Orange) and James (later King James II and VII)”

oil on canvas unsigned, a “Gooden & Son/Canterbury” label en verso, slight variant after the 1635 painting originally intended for the sitters’ aunt, Christine of France, and now conserved at the Gallerie Sabauda, Turin, Italy. Framed.

50-1/2” x 50-1/2”, framed 56” x 57”

Provenance: The Estate of Betty T. Brooks, New Orleans, Louisiana.

$2,000-$4,000

161

Pair of Chinese Blue and White Porcelain Ginger Jars

decorated with a procession, including a mandarin figure riding a foo dog, and boys with fans. h. 11”, dia. 8-3/4”

$1,000-$1,500

162

Collection of Four Chinese Blue and White Porcelain Vases

each with pierced foo dog handles, two vases decorated with characters on a scrolled ground, one with peacocks and peonies and one with willow trees in an urban landscape.

h. 22-1/2” to 24”, dia. 7-1/2” to 8”

Provenance: Estate of Norma Crawford Myers, Dallas, Texas.

$1,000-$1,500

163 Suite of Ten English Stained Oak Ladderback and Spindle-Back Chairs

19th century, comprised of two armchairs, h. 42”, w. 23-1/2”, d. 20”, and eight side chairs, h. 41”, w. 18”, d. 16”, with woven rattan seats restored by Mary Cooper, New Orleans, and loose cushions upholstered in Fortuny fabric.

Provenance: Henry Stern Antiques, New Orleans, Louisiana.

$1,200-$1,800

164

Georgian-Style Mahogany Dining Table

19th century, consisting of two D-end sections, a drop-leaf middle console section and one additional leaf, the whole raised on tapering square legs.

h. 30-1/2”, dia. 73”, ext. l. 141-1/2”

$3,000-$5,000

165

Pair of Chinese Blue and White Porcelain Ginger Jars

painted with birds and peonies, the shoulders mounted with molded foo-dog masques, the domed covers with flowers and blue foo-dog knops.

h. 22-1/2”, dia. 9-1/4”

$1,000-$1,500

166

Pair of Chinese Export Blue and White Porcelain Covered Ginger Jars

the sides decorated with processions, the shoulders mounted with foo dog lugs, and the covers with blue seated foo dog knops.

h. 18”, dia. 8-1/4”

$1,000-$1,500

167

Pair of Chinese Blue and White Porcelain Ginger Jars

covered and decorated with scattered foo dogs and scrolls, the shoulders with molded foo dog lugs, the covers with blue foo dog knobs.

h. 17-1/2”, dia. 8-1/4”

$1,200-$1,800

168

Charles Thomas Bale (British, active 1866-1875)

“Still Life with Game, Grapes and Autumn Fruits”, 1866 oil on canvas monogrammed and dated lower left. Framed.

24” x 20”, framed 31” x 27”

Provenance: Private collection, Houston, Texas.

$1,000-$1,500

169

William-and-Mary Walnut Chest

18th century, the banded, rectangular top above a conforming case fitted with two short drawers over three long, graduated drawers, all with finely figured veneers, raised on bun feet.

h. 36-1/4”, w. 38”, d. 22”

$1,000-$1,500

170

Near Pair of English Faux Leather Wing Chairs

early 20th century, of traditional form, each with a reversible seat cushion, raised on cabriole legs ending in cloven-hoof feet and joined by a carved stretcher.

h. 51”, w. 35-1/2”, d. 30” and h. 49”, w. 32-1/2”, d. 30”

$1,200-$1,800

171

George II-Style Fruitwood and Cowhide-Covered Stool

the padded, rectangular top upholstered in cowhide and with brass tack accents, raised on cabriole legs headed by acanthine carving and ending in paw feet, with gilt accents.

h. 19”, w. 30-1/2”, d. 23”

Provenance: Estate of Norma Crawford Myers, Dallas, Texas.

$1,000-$1,500

“Portrait of Mary of Modena, Queen Consort of England, Scotland and Ireland”

oil on canvas unsigned, with title plaque identifying sitter and attributing portrait to Lely. Framed.

50” x 40”, framed 58” x 47”

Provenance: Private collection, Mobile, Alabama.

$4,000-$7,000

172

fourth quarter 19th century, probably English, articulated like the full-size originals, with a movable helmet, arms and legs, the breast plate decorated with a battle scene dated 1551, the remainder of the armor decorated with panels of aesthetic motifs, the rear of the figure decorated with a braid-trimmed velvet costume, the whole resting on a wooden base. h. 39”, w.

172 British School (Fourth Quarter 17th Century)

173

Gilt-Lacquered Brass, Wood and Metal Miniature Suit of Armor

10-1/2”, d. 10-1/2”

19th century, the domed and padded back joined by shaped sides and outscrolled arms to the cushioned seat, raised on tapering square front legs and splayed back legs, joined by an H-form stretcher.

h. 48”, w. 32”, d. 25”

$1,000-$1,500

19th century, the serpentine top above a conforming case fitted with four long, graduated drawers, all with decorative string inlay, with a shaped, patera-inlaid apron below, raised on splayed bracket feet.

h. 32”, w. 33”, d. 20”

$1,200-$1,800

late 20th century, the carved canopy supported by turned, reeded and foliatecarved posts, the broken-arch headboard with a central turned finial.

h. 108”, inside w. 85”, l. 79-1/2”, outside w. 91”, l.

$1,000-$1,500

George III Mahogany Wing Chair

175 Regency Mahogany Chest

176

George III-Style Mahogany Four-Post Canopy Bed

86”

Provenance: Estate of Norma Crawford Myers, Dallas, Texas.

George III Mahogany Games Table

19th century, in the Chinese Chippendale style, the shaped, rectangular top hinged and opening to a baize-lined gaming surface, above a conforming frieze fitted with fretcarved panels and a single drawer, raised on chamfered, tapering square legs.

h. 28”, w. 34”, d. 16” (closed)

$1,000-$1,500

178

Pair of Georgian-Inspired Brass Adjustable Floor Lamps

20th century, the telescopic standards set with hinged arms, mounted with electrified candle sockets and drip pans, on weighted bases, mounted with shades. adjustable h. 64” (fully extended), adjustable w. 25-1/2” (fully extended), d. 12”

Provenance: Estate of Norma Crawford Myers, Dallas, Texas.

$1,000-$1,500

179

Irish Chippendale Mahogany Chest-on-Stand

late 18th century, the single-board figured mahogany lift lid opening to a void interior, resting on a two-drawer base with carved aprons and cabriole legs ending in ball-andclaw feet, both ends of the upper chest stamped “BW 60 V.R.L.”.

h. 38”, w. 56”, d. 26”

$1,500-$2,500

George III-Style Carved Mahogany Long Bench

early 20th century, the padded and tufted seat over an eightlegged base, with carved aprons, the corner legs with carved masques at the knees, ending in ball-and-claw feet. h. 22”, w. 78”, d. 19”

Provenance: Estate of Norma Crawford Myers, Dallas, Texas.

$1,000-$1,500

181

Two Large Japanese Imari Porcelain Chargers

first quarter 20th century, one example with scalloped borders decorated with a panel of orange peonies and cobalt leaves, the border with landscape panels, dia. 18-1/4”, and the other example decorated with a crane beneath a plum tree, peonies and various scattered flowers and patterns, dia. 23-1/4”.

$1,000-$1,500

182

Suite of Fourteen George III-Style Mahogany Dining Chairs

in the Chippendale taste, comprised of a pair of armchairs and twelve side chairs, each with a serpentine carved top rail over a ribbon-carved splat, slip seat, scalloped apron and cabriole legs. armchair h. 40”, side chair h. 39-1/4”

$3,000-$5,000

183

Monumental Late George III-Style Mahogany Dining Table

fourth quarter 20th century, by Councill Craftsmen, the top with curved ends, the edge with string inlay and perimeter banding, each of the five top sections supported by a pair of pedestals with a reeded and ring-turned, baluster-form column, joined to reeded sabre legs with brass caps.

h. 29-3/4”, w. 84”, l. 240”

$5,000-$8,000

184

Pair of George III Mahogany Cabinets

19th century, each with a square top with a slight breakfront, above a case fitted with a single cupboard door, inset with a recessed oval panel and opening to a shelved interior, one with slatted shelves, raised on a plinth base.

h. 38-1/2”, w. 18”, d. 17”

$1,500-$2,500

185

late 19th century, in the George III style, the D-form top with an inlaid banding featuring ribbon patterns and Prince of Wales feathers, above a conforming case fitted with a central cutlery drawer over a recessed well drawer, flanked to one side by a deep drawer and to the other by a cupboard door, all with decorative inlays, raised on heavily turned circular legs with garland inlays and ending in toupie feet, the well drawer bearing the label, “Druce & Co. Upholsterers & Cabinet Makers Baker Street London”.

h. 36”, w. 72-1/2”, d. 27-1/4”

$1,200-$1,800

Edwardian Mahogany Sideboard

Provenance: Private collection, Baton Rouge, Louisiana.

$8,000-$12,000

186

Robert Carver (British, 1730-1791)

“Classical Landscape with Figures by a Stream, Ruins in the Background” oil on canvas signed lower right. Framed.

36” x 50”, framed 43-1/4” x 57-1/2”

187

Late Regency Rosewood Center Table

second quarter 19th century, the tilting circular top raised on an unusual cage-form base of three splayed legs and spindled sides, continuing to reeded and scrolled feet with foliate accents on casters.

h. 31”, dia. 54”

$1,200-$1,800

188

Suite of Seven Carved Mahogany Shield-Back Dining Chairs

first quarter 19th century, in the Hepplewhite taste, consisting of one armchair, h. 40”, w. 24”, d. 18”, and six side chairs, h. 39”, w. 20”, d. 18”, each with a pierced, plume-carved splat and raised on tapered Marlborough legs.

$1,000-$1,500

189

Pair of Japanese Satsuma Vases

now mounted as lamps, decorated with Japanese figures around a house, with carefully detailed trim of orange crysanthemums and raised gilt, the matching bases on giltwood plinths, mounted with shades.

h. 22-1/2”, dia. 13”

$1,000-$1,500

second half 18th century, labeled “George Hanson, Windsor”, the hood with a late Queen Anne/early Chippendale pagoda-style pediment with a central inset giltwood fretwork panel, the case decorated in a dark blue ground with parcel-gilt highlights, the mid-door with applied period decoupage scenes in the manner of William Hogarth, fitted with a time and strike movement and calendar dial, the dial with Roman numeral hour chapters and Arabic minute and second numerals.

190

Fine Georgian Japanned Tall Case Clock

h. 91”, w. 19”, d. 9-1/2”

$5,000-$8,000

English Black and Gilt Papier-Mache Tray

mid-19th century, now mounted on a later stand, the oval tray with square medallions, now fitted with a glass top, on a custom gilt-trimmed and ebonized bamboo-turned base.

h. 20”, w. 28”, d. 23”

$1,000-$1,500

192

Pair of Regency Bronze Dore et Patine Argand Lamps

second quarter 19th century, the urn-form upper fonts decorated with classical masques and swagging, over giltbronze swan-form prism rings, the tripartite bases decorated with classical masques, raised on paw feet, the arms with “J & I Cox, New York” retailer labels.

h. 21-1/4”, w. 14-1/4”, d. 7-1/2”

$1,000-$1,500

193

Pair of Georgian-Style Satinwood Armchairs

early 20th century, in the Adam taste, each with a shieldform back with delicate polychrome floral accents, joined by downswept arms to the padded seat, raised on tapering square legs ending in turned feet.

h. 38”, w. 21”, d. 18”

Provenance: Private collection, Houston, Texas.

$1,000-$1,500

194

George III-Style Mahogany and Burl Linen Press

20th century, the molded, bowed and dentillated cornice above a conforming case fitted with two paneled doors over two cupboard doors faced as two banks of three graduated drawers, raised on bracket feet.

h. 83”, w. 43”, d. 23-1/2”

Provenance: Private collection, Houston, Texas.

$1,000-$1,500

195

Pair of George III Armorial Satinwood Demi-lune Side Tables

late 18th century, each demi-lune top banded and with a central patera and elaborate scrolling vine and ribbon patterns, above a conforming frieze, raised on banded, tapering square legs ending in raised cuff feet, one frieze inlaid with the arms of the Earl of Shannon flanked by the monogram “RB”, the other with the arms of Ponsonby flanked by the monogram “CP” for Richard Boyle, 2nd Earl of Shannon (1728-1807) and his wife Catharine Ponsonby (1746-1827).

h. 34”, w. 53-1/2”, d. 19-1/2”

Provenance: Jas A. Gundry Antiques, Houston, Texas; Private collection, Houston, Texas.

$5,000-$8,000

Henry Boyle (1682-1764) had served as speaker of the Irish House of Commons for twenty-three years when he and England's incumbent viceroy in Ireland, the Duke of Dorset, reached an impasse over whether excess Irish revenue were to be under the control of Ireland or England. The Duke tried to remove Boyle as speaker, but Boyle refused to accept dismissal. The matter was not resolved for two years until the appointment in 1756 of a new viceroy and Boyle's agreement, in return for elevation to the peerage, to step down as speaker, in which role he was replaced by John Ponsonby (1713-1787). Any animosity between Boyle, now the Earl of Shannon, and his successor Ponsonby was settled by December 15th 1763, when the Earlís son Richard married Ponsonby's daughter Catharine.

Almost exactly one year later, Robert inherited the Earldom, and the family estates, upon the death of his father. Educated at Trinity College, Dublin, Richard was a Privy Councilor when he became the second Earl and would later serve as Muster-Master-General of the Irish military, and joint Vice-Treasurer of Ireland. He was a supporter of English rule and was rewarded for his loyalty with a Barony in the English peerage in 1786. He fell from favor during the Regency Crisis of 1788, when King George III's mental illness made him unable to officially open parliament, bringing the government to a standstill. The Earl challenged Prime Minister Pitt's attempts to establish a Regency, but he did not remain in exile for long, returning as a Privy Councilor and appointed First Lord of the Irish Treasury in 1793. His support of English rule would culminate in his support for the Act of Union in 1800, which created the United Kingdom of Great Britain and Northern Ireland.

Richard and his wife Catharine had two children, Catherine (1768-1815), later Countess of Bannon, and Henry (1771-1842), who would succeed his father as the 3rd Earl of Shannon in 1807. The letters of Richard Boyle to his son Henry were published in 1982 as Lord Shannon’s Letters to his Son

196

Regency-Style Inlaid Mahogany and Parcel-Gilt Extension Table

contemporary, the top with a banded edge and inlaid field, opening to accommodate a 21-1/2” leaf, raised on turned legs with parcel-gilt, carved reeding. h. 31”, w. 41-1/2”, l. 71”, ext. l. 92-1/2”

Provenance: Estate of Norma Crawford Myers, Dallas, Texas.

$1,000-$1,500

197

Regency-Style Elmwood and Parcel-Gilt Occasional Table

20th century, the mixed woods-inlaid circular top supported by a turned and reeded pedestal, mounted to a shaped platform base. h. 29-1/2”, dia. 29”

Provenance: Estate of Norma Crawford Myers, Dallas, Texas.

$1,000-$1,500

198

Mahogany-Framed Mirror in the Regency Taste

the mirror lined with back-cut convex concentric rings, in the style of those collected by Sir John Soane, Lincoln’s Inn Fields, London, conserved in his museum. dia. 23”

$1,000-$1,500

Late George III Mahogany Bowfront Chest

first quarter 19th century, the conforming top with a central, oval satinwood fan-inlaid medallion, the front fitted with a pair of side-by-side drawers over three long, graduated drawers, each with fan-inlaid corners.

h. 43”, w. 40”, d. 18-1/2”

$1,500-$2,500

200

Pair of Regency Rosewood Diminutive Etageres

19th century, each with a rectangular top with four turned and bulbous finials, joined by turned and bulbous supports to two lower shelves, raised on bulbous toupie feet.

h. 28-3/4”, w. 14-1/2”, d. 9”

$1,000-$1,500

201

William IV-Style Mahogany Stool

19th century, the rectangular top now upholstered in a needlework hunt scene, raised on ribbed, turned and tapering circular legs ending in toupie feet.

h. 17-1/2”, w. 35”, d. 19”

$1,000-$1,500

Pair of Regency-Style Mahogany Pedestal Tables

19th century, each with a concave, square top with crimped corners, raised on a fluted, bulbous standard to three shaped legs ending in in-scrolled feet.

h. 35”, w. 11”, d. 11”

$1,000-$1,500

203

Regency-Style Mahogany Tiered Table

early 20th century, the shaped rectangular top with canted corners, above a concave shelf, raised on ringturned, tubular legs joined by a box stretcher and ending in bulbous ball feet.

h. 28-1/4”, w. 28”, d. 16”

$1,000-$1,500

204

English Mahogany Campaign Bottle Case

ca. 1850, with brass campaign carrying handles on the sides, the fitted interior with a set of 19th-century Bohemian gilt-trimmed glass bottles, some with later Michigan druggist’s labels.

h. 12”, w. 16-1/2”, d. 11-3/4”

$1,000-$1,500

202

203

205

Chippendale-Style Leather Chesterfield Sofa

of camelback form with rolled arms, raised on Marlborough legs joined by stretchers, covered in brick-red leather.

h. 34”, w. 80”, d. 32”

$1,000-$1,500

206

Pair of George III-Style Mahogany Stands/Pedestals

each with an octagonal top with a Chinese Chippendale-style fretwork gallery over a shaped, pierced and carved standard joined to a tripodal base with cabriole legs ending in pad feet.

h. 50-1/2”, w. 12”, d. 12”

$1,000-$1,500

207

Pair of English Mahogany

Armchairs in the Sheraton Style

one 19th century and the other 20th century, both with curved backs, upholstered arms and removable seat cushions, raised on turned legs.

h. 37-1/2”, w. 23”, d. 27”

$1,000-$1,500

205

206

207

208

19th century, the molded cornice above a conforming case fitted with four astragalglazed doors, opening to a celadon silk moire-lined, shelved interior, the lower section fitted with four drawers over four cupboard doors, each inset with a grilled panel with fabric backing, the whole raised on a plinth base.

h.

Provenance:

$3,000-$5,000

209

second quarter 19th century, the banded, rectangular top with two rounded drop leaves, above a frieze fitted with two drawers, raised on four ribbed and turned supports to a platform to four splayed and ribbed legs ending in brass paws on casters.

h. 29-1/2”, w. 32-1/2”, d. 29-1/2”, ext. w. 54-1/2”

$2,500-$4,000

Regency Mahogany Breakfront

88”, w. 84”, d. 21”

Lyonel Stone, New Orleans, Louisiana; Private collection, New Orleans, Louisiana.

Rare Late Regency Pollard Oak Sofa Table

210

19th century, the rectangular top with a full canted, raised edge, above a tall cylindrical standard to a concave rectangular base on squat bun feet.

h. 42”, w. 15”, d. 10-1/4”

$1,200-$1,800

211

Pair of English Polished Bronze Argand Lamps

second quarter 19th century, the urn-form tanks on coved bases with molded monopodia and corner medallions, mounted with spear-cut prisms and frosted and cut glass shades, probably Pairpoint, with Baldwin Gardiner New York retailer labels.

h. 17”, w. 12-1/2”, d. 8”

$1,000-$1,500

19th century, the narrow, rectangular marble top joined by a mirrored back and ribbed and scrolling giltwood supports, to the plinth base.

h. 37”, w. 48”, d. 14-1/4”

$2,000-$4,000

Fine Pair of Regency Satinwood Pedestal Tables

212

Regency Rosewood, Giltwood and Marble-Top Console Table

213

Porcelain Plaque of Emma, Lady Hamilton

19th century, probably German, the carefully painted plaque of the infamous “Enchantress of Naples”, who became the mistress of Lord Nelson and is identified on the rear, in a contemporary carved giltwood frame. overall h. 13-1/2”, w. 10-1/4”

$1,000-$1,500

214

Royal Crown Derby “Red Aves” Partial Dinner Service

20th century, English, comprised of a tureen, h. 8”, dia. 9”, an underplate, dia. 10-1/2”, a footed compote, h. 3”, dia. 10-1/4”, twenty-two dinner plates, dia. 10-1/2”, twelve crescent salad plates, w. 8-1/4”, d. 5-1/2”, nine footed cups, h. 2-1/4”, dia. 3-1/2”, and seven saucers, dia. 5-3/4”, seven flat cups, h. 2-1/2”, dia. 2”, and eight saucers, dia. 4-3/4”, a pair of candlesticks, h. 10-1/2”, w. 4-3/4”, two coupe cereal bowls, dia. 6-1/2”, a small dish, w. 3-3/4”, d. 3-1/2”, a cream jug, h. 4-3/4”, w. 4-1/2”, an open sugar bowl, h. 3-1/2”, dia. 5”, a mini cream jug, h. 3-3/4”, w. 3-3/4”, and an open sugar bowl, h. 2”, dia. 3-3/4”.

$1,000-$1,500

215

Large Victorian Mahogany Sideboard

third quarter 19th century, in the transitional William IV to Rococo Revival style, the mirror in a frame adorned with carved fruit and foliage, above a double-pedestal base, each with a vasiform front panel, one opening to reveal a bank of open-face linear drawers, the other with a pair of drawers over a deep drawer, the pedestals joined by a serpentine drawer. h. 85”, w. 84-1/4”, d. 26”

$2,000-$4,000

215

19th century, attributed to W. & J. Sloane, New York, possibly Irish, consisting of two armchairs and six side chairs, each with a foliate-carved crest above an inverted pierced fan-form back, the armchairs with outswept, foliate-scrolled arms, all with padded seats raised on cabriole legs headed by acanthine carving and ending in paw feet.

216 Suite of Eight George III-Style Mahogany Dining Chairs

h. 40”, w. 24”, d. 20”

$1,500-$2,500

third quarter 19th century, the top of traditional “turtle” form and quarter-veneered, now cocktail table height and raised on a bulbous standard to four splayed acanthinecarved legs ending in scrolled toes on casters. h.

Provenance: Villa Melrose Antiques, Los Angeles, California.

$1,000-$1,500

20th century, the back, arm and seat upholstered in diamond-tufted red leather, raised on turned legs ending in brass caps. h. 30”, w. 31”, l. 68”

$1,400-$1,800

217 Victorian Walnut Low Table

23”, w. 57”, d. 45”

218

Unusual Red Leather Chesterfield Recamier

R. W. Martin and Brothers, London and Southall Salt-Glazed Stoneware “Wally Bird” Tobacco Jar

1907, with detachable head, inscribed at self-base and interior stopper “R W Martin, London & Southall, 2.8.1907”, on a thin, round ebonized wood base.

h. 9”, w. 4-1/4”, d. 5-1/2”

Provenance: Collection of Howard and Ann Barnett, New Orleans, Louisiana.

$10,000-$15,000

220

R. W. Martin, London and Southall Salt-Glazed Stoneware

1881, with detachable head, inscribed at bottom “R W Martin, London & Southall, 1/1/81”, with a later round ebonized wood base. h. 10”, w. 5-1/4”, d. 5-3/4”

Provenance: Collection of Howard and Ann Barnett, New Orleans, Louisiana.

$10,000-$15,000

The eldest Martin brother, Robert Wallace, formed his pottery studio in 1873. Prior to 1882, all wares were marked under his name only; after 1882, they included the notation Bros/Brothers.

221

R. W. Martin and Brothers, London and Southall Salt-Glazed Stoneware

Jar

1904, with detachable head, inscribed at self-base and interior stopper “R W Martin, London & Southall, 9.7.1904”, on a thin, round ebonized wood base. h. 11-3/4”, w. 4-3/4”, d. 4-3/4”

Provenance: Collection of Howard and Ann Barnett, New Orleans, Louisiana.

$10,000-$15,000

“Wally Bird” Tobacco

“Wally Bird” Tobacco Jar

222

Contemporary

in the neoclassical taste, the molded, overhanging cornice above three open shelves on each side, having chamfered corners with fluted details and raised paneled sides.

h. 60-1/2”, w. 66”, d. 30-1/2”

Provenance: Private collection, Houston, Texas.

$1,000-$1,500

223

After

“A Cheetah with Two Indian Servants” oil on canvas signed lower right “Bianchi”. Framed.

36” x 36”, framed 44” x 44”

$1,000-$1,500

Oak Double-Sided Bookcase

George Stubbs (British, 1724-1806)

ca. 1900, decorated with carefully detailed court figures, on lushly decorated grounds, employing various Japanese patterns, in shades of orange and blue, accented with raised gilt, raised on elaborately carved and pierced hardwood stands. vase h. 21”, overall h. 33-1/2”, dia. 8-1/2”

$1,000-$1,500

late 19th century, the domed and patterned bamboo back fitted with two rounded shelves and central pen hooks, above a slanted lacquered top, hinged and opening to a storage interior, above a bank of three small, graduated drawers to one side and three open shelves to the other, raised on splayed legs. h. 40-1/8”, w. 23”, d. 21”

$1,000-$1,500

first quarter 20th century, each of rectangular form decorated with a wide band of two dragons among bamboo in deep relief, with moire-covered wood frame and easel back, glazed (glazing and easel back lacking on one example). 16-1/2” x 13”

$1,000-$1,500

224

Pair of Large Japanese Satsuma Vases

225 Victorian Bamboo and Lacquered Davenport

226

Pair of Chinese Export Silverplate Picture Frames

227

Pair of Monumental Bronze Lamps in the Chinese Taste

20th century, the vasiform bases molded with panels of birds and prunus, mounted with dragonform handles, the upper portion set with a trio of pierced brackets. h. 51-3/4”, dia. 12”

$1,200-$1,800

228

Pair of Chinese “Jeweled” Bronze Foo Dogs

20th century, the dogs depicted with their mouths open and ready to prance, decorated with armor and saddles, their tack mounted with red “jewels”. h. 10-1/2”, w. 4”, l. 10-3/4”

$1,000-$1,500

229

Pair of Large Chinese Cloisonne Vases

20th century, decorated in the round with a flock of cranes on a shoreline, some under a spreading pine tree and others beneath plum branches, a garden of peonies in the foreground, the necks and feet decorated with scrollwork on a cobalt ground, on carved and pierced, ebonized stands. h. 36-1/2”, dia. 13”

$1,500-$2,500

Chinese Elaborately Carved and Pierced Jade Vase

20th century, decorated with tiers of pierced scrollwork and hung with numerous ring pulls, the foot with foo dog masques, and the top with a dragon knop, on a carved and pierced wooden base.

h. 28-1/2”, w. 13-1/2”, d. 7-1/4”

$1,200-$1,800

231

Victorian Gilt-Stenciled, Polychrome and Slate-Top Cabinet

third quarter 19th century, the paintdecorated slate top over a case with a pair of doors, each with a shaped panel painted with a floral vase, decorated throughout with leaf and vine gilt stencils and flowers with mother-of-pearl petals.

h. 38”, w. 46-1/2”, d. 19”

$1,800-$2,500

232

George Morland (British, 1763-1804)

“After the Shipwreck”

oil on canvas signed lower left, “Leger Galleries/London” label en verso. Framed.

28” x 37”, framed 34” x 44-1/4”

Provenance: Leger Galleries, London, England.

$4,000-$7,000

233

Edward Charles Williams (British, 1807-1881)

“Near Dorking, Surrey”, 1853 oil on wood panel signed and dated lower right, remnants of old label en verso. Framed.

22” x 28-3/4”, framed 28-3/4” x 36”

$1,000-$1,500

234

William Shayer, Sr. (British, 1787-1879)

“The Wayside Inn” oil on canvas

Frame with artist plaque. 24” x 36”, framed 29-3/4” x 41-5/8”

Provenance: Knoedler Gallery, New York, New York, 1924; thence by descent; Bruce McCashin Collection.

$3,000-$5,000

233

234

235

William P. Sherlock (British, 1780-1821)

“The Welsh Hills”

oil on canvas signed lower right.

Framed.

26” x 36”, framed 36” x 47”

$2,000-$4,000

236

James H. Wheldon (British, 1832-1895)

“The Confederate Warship Alabama off Gibraltar”, 1863

oil on canvas signed and dated lower right.

Framed.

16-3/4” x 23”, framed 24” x 30”

Provenance: Christie’s, New York, March 15, 2000, lot 251, previously titled “The Confederate Rider Alabama”.

$3,000-$5,000

Commanded by Captain Raphael Semmes, the Confederate raider CSS Alabama spent nearly two years capturing and destroying sixty-five Union naval and merchant ships. The success of Semmes and his crew captured the imagination of the public worldwide.

“The Portsmouth Coach”, ca. 1840

oil on wood panel verso affixed with an inscribed signature and title. Framed.

8-1/2” x 11-1/2”, framed 13-1/2” x 16-1/2”

Provenance: The Sword and Pen, North Wales, Pennsylvania.

$1,500-$2,500

“Setters”

oil on canvas signed lower right. Framed.

15” x 18-1/2”, framed 25” x 27-1/2”

$4,000-$7,000

237 James Pollard (British, 1792-1867)

238 Eugene Joseph Constant Pierre Petit (French, 1839-1933)

237

$2,000-$4,000

245 Turkish Angora Oushak Carpet

9’ 1” x 11’ 9”

$1,200-$1,800

246 Silk Kashan Carpet

8’ 4” x 12’ 6”

245

246 detail

contemporary, each with waisted body decorated with a wide band of applied grape clusters, above a beaded spherical knop and domed foot en suite, the interior gilt. h. 9-1/4”, dia. 4-1/4”; 149.72 total t. oz. $3,500-$5,000

1861, Elkington, Mason & Co., Birmingham, in the form of a sprawling oak tree with six scrolling branches, each terminating in a candle nozzle and suspending a basket fitted with a frosted glass liner, the whole surmounted by a frosted and cut bowl, the base a rocky crag with two stags, one statant, one couchant, presented on a circular mirrored plateau en suite. overall h. 31”, dia. 23-3/4”, plateau dia. 16”

$1,200-$1,800

Twelve Large Sterling Silver Wine Goblets

Impressive Victorian Elkington Silverplate Centerpiece

249 Pair of Victorian-Style Silverplate Centerpieces

contemporary, India, in the manner of Elkington, each with a figural base of a camel and palm tree on a foliate ground, the palm tree surmounted by an embossed and scalloped bowl, the whole on a conforming patinated metal plinth.

h. 20”, dia. 13-1/4”, base dia. 8-1/4”

$1,000-$1,500

250 Large Pair of Late Victorian Silverplate Candelabra

ca. 1900, each with a banded cluster-column standard above a cavetto-domed square base decorated with ram’s masques and laurel swags and surmounted by a Corinthian capital decorated en suite, fitted with a second acanthus baluster standard surrounded by six intertwining scroll arms, all terminated in a drip-pan and nozzle en suite, fitted with detachable bobeches (one lacking) and a central flammiform finial.

h. 39”, w. 17-1/2”

Provenance: Villa Melrose Antiques, Los Angeles, California.

$2,000-$4,000

251

French Silvered Copper and Gilt-Bronze Centerpiece

third quarter 19th century, with a large silver-plated copper electrotype charger in the manner of MorelLadeuil, with vignettes depicting the consorts of Zeus and banded by dolphins, water sprites and medallions of the Titans among Vitruvian scrolls, centered by a gilt-bronze cluster of bulrushes surrounded by four dolphins and surmounted by a fluted and molded opaline glass vase, all above a domed, circular foot ring. h. 23-1/2”, dia. 19-3/4”

$1,000-$1,500

first quarter 20th century, Wurttembergische Metallwarenfabrik, Germany, with a curved horn mounted in a collar embossed with rococo cartouches on a lattice ground and with fitted lid, raised by a rococo band on a figural standard of a putto above a rococo square base. h. 27-1/4”, w. 14-3/4”, base w. 5-3/4”

$1,000-$1,500

252

Impressive WMF SilverplateMounted Libation Horn

first quarter 20th century, by Leonhardt & Fiegel, Berlin, .800 silver, each with a central scene in relief of a famous victory, one of Perseus’ retribution upon Atlas, the other of Frederick Barbarossa at the Battle of Iconium, both within a border of mythological figures on Vitruvian scrolls. each dia. 16”; 63.05 total t. oz.

$1,000-$1,500

fourth quarter 19th century, probably German, the curved horn mounted in a rococo scroll band with collar and tip en suite, the double waisted, domed lid with ho ho bird finial, raised above a figural standard of a ho ho bird on a rococo scroll, above a based domed en suite with the lid and raised on four rocaille feet.

h. 25”, l. 14-1/2”, base w. 5-1/2”

$1,200-$1,800

253

Pair of German Silver Chargers

254 Continental Silverplate-Mounted Libation Horn

253

mid-20th century, Porto, by Topazio (Ferreira Marques), in the colonial taste, with a baluster standard above a rounded square base with four feet and surmounted by a vasiform nozzle, all decorated with rococo scrolls, the nozzle fitted with a detachable superstructure of C-scrolls and central flower basket finial terminating in eight vasiform oil lamps flanking a bud finial, with hooks for the shamash (now lacking). h. 24-1/4”, w. 19-3/4”, base w. 9-3/4”; 55.89 t. oz.

$1,800-$2,500

256

Pair of Embossed Silverplate Icons

contemporary, of “Christ Pantocrator” and “Our Lady of Perpetual Help”, each glazed and presented in an oak frame with elaborate, pierced silverplate overlay. each sight 5” x 4”, frame 9-1/2” x 8-1/2”

$1,000-$1,500

255 Portuguese Sterling Silver Menorah

257

Painted Wood and Brass Icon of Mary and the Christ Child fourth quarter 19th century, Russian or Greek, the brass oklad with Cyrillic script and halos above Mary and the Baby Jesus, the back with an original splint.

h. 11-1/4”, w. 9”

$1,000-$1,500

258

Provincial Italian Fruitwood Occasional Table

the square top with rounded corners and a molded edge, and featuring decorative banded inlays, above a shaped frieze, raised on molded, bulbous and waisted square legs joined by an X-form stretcher and ending in bun feet.

h. 28”, w. 24”, d. 24”

Provenance: Estate of Norma Crawford Myers, Dallas, Texas.

$1,000-$1,500

259

Large

first quarter 20th century, with serpentine sides, the top edges carved with medallions, the facade with winged angel heads accented with swags of roses, and the paneled corners terminating in angel heads.

h. 25”, w. 33”, d. 16”

$1,000-$1,500

260

Pair of Italian Venetian “Fantasy” Carved Wooden Brackets

first quarter 20th century, the shellshaped shelves supporting Hydra on pierced, leaf-carved backplates.

h. 22-1/2”, w. 18-1/2”, d. 11-1/2”

$1,200-$1,800

Italian Giltwood Bracket in the Rococo Taste

260

259

261

After Giovanni Battista Salvi (Italian, 1609-1685)

“Madonna in Prayer”

oil on canvas presented in a Baroque-style giltwood frame. 19-1/2” x 17”, framed 36” x 32”

$1,000-$1,500

261

fourth quarter 19th century, in the Baroque taste, framed in bold, carefully detailed swirling leaves, a beaded, overhanging leaf forming the finial, the lower edge with a shell, the beveled mirror plate set into a scale-molded surround.

h. 78-1/2”, w. 54”

Provenance: Estate of Mahin Forrest, Houston, Texas.

262

Monumental Italian Florentine Giltwood Mirror

late 19th century, consisting of a bedstead, h. 94”, inside w. 64”, l. 81”, outside w. 71”, l. 87”, an armoire, h. 109”, w. 94”, d. 25”, a washstand, h. 34”, w. 40”, d. 24”, and a pair of night stands, h. 57”, w. 20”, d. 17”, each piece with profusely carved panels and spiral-twist columns, the bed, armoire and night stands with cherubic details and angelic motifs.

$2,500-$4,000

263 Five-Piece Baroque-Style Walnut Bedroom Suite

263

263

264

Pair of Baronial-Style Carved and Parcel-Gilt Mahogany Armchairs

ca. 1900, the padded, rectangular backs with plume-carved corner finials, the arms with recumbent gilded lions, the front legs joined by an elaborately carved stretcher panel. h. 64”, w. 31”, d. 26”

$3,000-$5,000

265

Pair of Monumental Bronze Altar Stick Floor Lamps

fourth quarter 19th century, now mounted as lamps, the fluted standards set with lotus leaf capitals supporting molded and reeded urn-form candle holders, the tripartite bases decorated with winged angel heads and raised on paw feet, mounted with shades.

h. 69-3/4”, dia. 23”

Provenance: Villa Melrose Antiques, Los Angeles, California.

$1,200-$1,800

266

Italian Giltwood, Gilt-Metal and Biscuit Porcelain Crucifix

first quarter 20th century, the giltwood cross with gilt-metal trim, supporting a biscuit “Christ” and “IN RI”, a gilt-metal lamb at the base, the giltwood bombe-form base with a sanded finish.

h. 19”, w. 7”, d. 3-1/4”

$1,000-$1,500

267

Continental Fruitwood and Polychrome Armory Coffer

19th century, the shaped, rectangular top centered by a classical militaristic scene, and with a gadroon-carved edge, hinged and opening to a storage interior, the bombe case with a like scene on the front, within an intricately carved frame, flanked to either side by a finely carved scrolling acanthine corner headed by a lion’s masque and ending in massive paw feet, the sides each paneled and with a carved musical trophee. h. 38”, w. 60”, d. 28-1/2”

$2,500-$4,000

268

Continental School (18th/19th Century)

“Saint Augustine”

oil on canvas

Framed.

38” x 28-1/2”, framed 46-1/2” x 38”

$2,000-$4,000

269

Unusual Italian Giltwood Mirror in the Baroque Taste

fourth quarter 19th century, the oval mirror plate with a bold surround decorated with pierced leaves and scrollwork, with an overhanging central leaf serving as the finial. h. 43”, w. 37-1/2”

$1,500-$2,500

20th century, in the rococo taste, the shaped and bowed marble top with a molded edge, above a conforming frieze with a pierced shield-form apron, raised on shaped, scroll- and foliate-carved legs, joined by a shell-centered stretcher and ending in ribbed toes.

270 Italian Giltwood and Marble-Top Console Table

h. 28”, w. 67”, d. 38”

$3,000-$5,000

18th century, the superstructure fitted with a shaped and molded cornice above a central, oval-paneled cupboard, flanked to either side by a concave, smaller cupboard, further flanked by a foliate scrolling bracket, all over three open compartments, the shaped and concave trays with string inlay and molded edges, above a conforming frieze fitted with two drawers, the whole raised on lyre-form trestle supports joined by scrolling stretchers and ending in shaped feet. h. 67”, w. 55”, d. 27”

$1,000-$1,500

272

19th century, after Antonio Allegri (Italian, 1489-1534), called Correggio, Mary situated in a grotto, clothed only in a cloak, reading intently, a jar at her side, with an impressed triangular crossed swords mark, in a later contemporary giltwood frame. plaque h. 8”, w. 10-1/2”; overall h. 19”, w. 21-3/4”

$1,500-$2,500

271 Iberian Walnut Desk

Meissen Porcelain Plaque of Saint Mary Magdalene

273

Diminutive Italian Walnut Side Table

18th century, of trestle form, the rectangular top with a molded edge, above a dentil-carved border, mounted to a shaped trestle base joined by a medial stretcher.

h. 23-1/2”, w. 23”, d. 18”

$1,000-$1,500

274

After Peter Frederick Rothermel (American, 1817-1895)

“Abraham Casting Out Hagar and Ishmael” oil on canvas

Framed.

44” x 66”, framed 53” x 73”

$2,000-$4,000

275

Pair of Contemporary Upholstered Swivel Club Chairs

both with a padded, square back and rounded arms to the cushioned seat, with skirted base, upholstered in Brunschwig & Fils red mohair velvet with silk piping. h. 32-1/2”, w. 34”, d. 36”

$1,000-$1,500

276 Contemporary Upholstered Sofa

with rounded arms, three attached cushions and a single seat cushion, upholstered in Brunschwig & Fils red mohair velvet, the back cushions trimmed with matching silk banding and silk piping throughout, the hem with a deep silk cord fringe, labeled “Marroquin/Custom Upholstery”. h. 35”, w. 92”, d. 39”

$1,200-$1,800

“Immaculate Conception with St. Anne and St. Joachim”

oil on canvas laid on board

Framed.

52” x 33-1/2”, framed 57” x 36”

$7,000-$10,000

“Adoration of the Virgin”

oil on canvas inscribed along bottom edge: “Travajado. Per. David Terrazas”. Framed.

40” x 29-1/2”, framed 45-1/2” x 34-1/2”

$7,000-$10,000

277 Cuzco School (18th/19th Century)

278 Cuzco School (18th/19th Century)

277

Contemporary Wrought Iron and PlateGlass Coffee Table

the square plate-glass top with canted corners and a molded edge, above an iron base with inverted horseshoe-form aprons and scrolled legs joined by a scrolling iron stretcher.

h. 19”, w. 44”, d. 44”

$1,000-$1,500

280

American Brass-Plated Metal and Hardwood Floor Lamp

first quarter 20th century, in the Classical Revival taste, the brass-plated standard set into a vasiform hardwood base, supported with monopodia set with masques, fitted with a double light socket with fringe pulls, and mounted with an elaborate pleated silk shade hung with fringe. h. 64”, dia. 28”

$1,000-$1,500

281

Large Beaux Arts Terracotta Architectural Element

fourth quarter 19th century, of- a putto supporting fronds of acanthus leaves, on a scroll-molded ground, in a contemporary metal stand. h. 41-3/4”, w. 25”, d. 8”

$2,000-$4,000

282

Pair of Patinated Bronze Sconces in the Rococo Taste

the lion’s-head backplates set with a basket of flowers, and leaf-molded candle branches set with gadrooned drip pans, the lower edge with a scrolled and pierced drop.

h. 21-1/2”, w. 20-1/4”, d. 9-3/4”

$1,000-$1,500

283

Pair of Continental Wrought Iron “Carriage”

Lantern Sconces

second quarter 20th century, the elaborately scrolled brackets decorated with applied leaves, irises and ropetwist turnings, with large scrolls supporting the lanterns, and scrolled corner decorations terminating in irises and leaf-molded crests, electrified.

h. 48”, w. 14-1/4”, d. 15”

Provenance: Collection of Sue Trammell Whitfield, Houston, Texas.

$1,500-$2,500

284

English Neo-Gothic Sandstone and Metal Well Head and Windlass

fourth quarter 19th century and later, the well head with leaf-carved corners, two sides carved with an armorial device, the other two with vases, the arched windlass decorated with iron scrollwork.

h. 81-1/2”, w. 27”, d. 27”

$5,000-$8,000

285

Neoclassical Bronze and Marble-Top Figural Occasional Table

the rectangular marble top raised on a terme support to the base, featuring a freestanding figure of Nike, holding a staff of armour, the whole raised on paw feet on pads.

h. 33”, w. 18-1/2”, d. 15”

$2,500-$4,000

286

Pair of Large Metal Tree Tubs in the Neoclassical Taste

the sides with recessed panels decorated with molded wreath-form mounts, the upper rim decorated with cone-form finials on each corner, raised on molded paw feet.

h. 33-1/4”, w. 23-1/4”, d. 23-1/4”

$1,000-$1,500

287

Pair of Classical-Style Lead Wall Planters

with Bacchanalian masques in grapevine wreaths, the top edge trimmed in egg-and-dart molding, the wall support molded with vines.

h. 14-1/2”, w. 9-3/4”, d. 7-1/2”

$1,000-$1,500

288

Swedish Neoclassical-Style CremePeinte Commode

19th century, the rectangular top above a case fitted with three long drawers above an arcade apron, raised on tapering square legs.

h. 34-3/4”, w. 44-1/2”, d. 22”

$2,000-$4,000

289

Swedish Neoclassical-Style CremePeinte Commode

19th century, the rectangular top above a case fitted with three long drawers above an arcade apron, raised on tapering square legs.

h. 34-3/4”, w. 44-1/2”, d. 22”

$2,000-$4,000

290

the nine-light chandelier in the Italian provincial taste, with a spray of giltwood tassels forming the corona, the carved wooden standard set with metal leaves and a giltwood bellflower pendant drop, the scrolled metal arms with giltwood tassels and turned candle cups with giltwood trim.

h. 41”, dia. 41”

$1,800-$2,500

Parcel-Giltwood and Metal Chandelier

291

Italian Venetian Mirror in the Rococo Taste

20th century, the shield-form mirror lined with ruffled and rope-twist blown glass, and blown glass flowers at the crest and joints, engraved with a basket of flowers framed with scrollwork at the crest, and panels of flowers and leaves on the sides.

h. 51”, w. 33-1/2”

$1,000-$1,500

292

Marble Torso of a Male Youth

after the antique, posed contrapposto, now on a contemporary black metal plinth.

h.

$6,000-$9,000

293

after

h.

$3,000-$5,000

69”, w. 14”, d. 14”

Marble Torso of a Male Youth

the antique, posed contrapposto, now on an iron display stand.

19”, w. 12”, d. 9”

294 Italian School

(First/Second Quarter 17th Century)

"Angelica and Medoro" oil on canvas unsigned, inscribed on tree “A. Medo”. Framed.

47” x 53-1/8”, framed 53-1/2” x 59-1/2”

Provenance: Doyle, New York, New York, October, 26, 2011, lot 1.

$3,000-$5,000

295

Continental Bronze and Crystal Centerpiece of Silenus Wrestling the Serpent

20th century, the swirled crystal bowl supported by the patinated bronze figure, mounted on a gilt-bronze leafmolded base, marked "A Se Luea", after the 1st century BCE Roman bronze standard discovered in 1864 in the ruins of Pompeii and now conserved at the Museo Archeologico Nazionale, Naples.

h. 17-1/2”, dia. 12-1/2”

$1,000-$1,500

296

Pair of Italian Giltwood and Metal Sconces

second half 19th century, in the neoclassical taste, the threelight sconces with pierced giltwood backplates carved with acanthus and laurel leaves, supporting scrollwork terminating in carved medallions, the upper portion with plume-form finials, set with leaf-molded scrolled candle arms with candle cups and drip pans.

h. 26-1/4”, w. 16-1/2”, d. 11-1/4”

Provenance: Collection of Sue Trammell Whitfield, Houston, Texas.

$1,200-$1,800

294

295

297

Pair of Italian Serpentine Stone Seated Lions

20th century, each grasping a shield decorated with a fleur-de-lis, on cove-molded platforms, the sides of the platforms marked “Made in Italy”. h. 8-1/2”, w. 3-1/2”, d. 5”

$1,000-$1,500

298

Neoclassical Cast Iron Wall Fountain

fourth quarter 19th century, the elaborate backplate centered by a lion’s head with an open mouth, piped for water, the serpentine crest molded with flowers and flanked by finials, h. 24”, w. 21-1/4”, above an urn-form basin decorated with fluting and reeding, over a rectangular plinth, h. 32-1/2”, w. 29”, d. 14”.

$1,000-$1,500

299

Continental Oak Commode in the Regence Taste

18th century, the rectangular top with a shaped front and rounded front corners, above a conforming case fitted with three long drawers, all paneled and with carved foliate accents, raised on rounded feet. h. 32-1/2”, w. 53”, d. 29”

$1,500-$2,500

300

Fine Italian Micro-Mosaic Panel of Two Doves Amongst Floral Vines

19th century, framed. oval mosaic 4-3/4" x 3-1/4", slate panel 6-3/4" x 5-1/2", framed 8-7/8" x 7-1/4"

$1,000-$1,500

301

Pair of Giltwood Mirrors in the Italian Baroque Taste

20th century, with arched tops, the bold giltwood surrounds decorated with scrollwork, rocaille work and flower heads, a pair of putti decorating the lower corners and the bottom skirt, set with beveled mirror plates. h. 45”, w. 25-1/2”

$1,000-$1,500

302

Suite of Eight Ebonized and Burl Wood Dining Chairs

in the Italian Rococo taste, comprised of two armchairs, h. 44”, w. 28”, d. 24”, and six side chairs, h. 44”, w. 24”, d. 22”, each with a molded and domed crest above a balusterform splat, joined by low, scrolling arms to the padded seat, raised on cabriole legs ending in scrolled toes.

Provenance: Estate of Norma Crawford Myers, Dallas, Texas.

$1,500-$2,500

303

Amusing Black Forest Carved Wood Monkey

fourth quarter 19th century, probably Swiss, the monkey wearing a miner’s hat and tunic, with one arm outstretched to hold a plateau, sitting atop a carved rocky outcropping. h. 66-1/2”, w. 16”, d. 34”

$3,000-$5,000

Pedestal

304

Continental Mahogany Desk

mid-19th century, the superstructure fitted with two rounded cupboards, each centered with a carved foliate portrait shield, opening to a shelf and two small drawers, flanking a lower section fitted with three small drawers, the central one with rose carving, all with annulated edging, above a shaped top featuring a finely inlaid scrolling foliate medallion, above a conforming frieze fitted with a pull-out leather-inset writing slide over a single drawer, raised on foliate-carved dolphin supports and a tambour cupboard back, the whole raised on a shaped base. h. 45-1/2”, w. 43-1/2”, d. 27”

$2,000-$4,000

305

Iranian Gilt-Trimmed Iron Khula Khud Helmet

19th century, engraved with Islamic motifs, a feline face, a spear in the center and horns, retaining a partial chain mail face covering. h. 24”, w. 13-1/2”, d. 6”

$1,000-$1,500

306

Very Rare Pair of Etruscan Bronze Votive Hands

680-670 BCE, Vulci, Italy, probably from a terracotta figure, displayed on metal stands. h. 8-5/8” to 9-1/4”, w. 3-1/2” to 3-3/4”

Provenance: Royal-Athena Galleries, New York, New York, 1991; Private collection, New Orleans, Louisiana.

$7,000-$10,000

307

Continental Steel and Nickel Ceremonial Burgonet and Stand

19th century, the crested helmet in the neoclassical style with a stylized brass border of laurel leaves, the crest set with hair, originally used for ceremonial or theatrical purposes, displayed on a wooden stand.

helmet h. 24”, w. 6-1/4”, d. 9-1/4”, overall h. 31”

$1,000-$1,500

308

Collection of Red and Black Wax Grand Tour Medallions

19th century, Italian or English, in their original book-form holder entitled, “Gem Sculpture”, with dual-sided trays, the “book” with quarter leather bindings and gilt-brass “pages”, the medallions framed with gilt paper against a brilliant Paris green paper ground.

h. 10-3/4”, w. 7-1/2”, d. 2”

$1,000-$1,500

309

Life-Sized Patinated Bronze of “Discobolus”

20th century, after the 1st century AD Roman sculpture (itself a copy of a lost 5th century BCE Greek work by Myron) now conserved at the Museo Nazionale Romano and displayed in the Palazzo Massimo, inscribed “Myron” in Greek letters along side of stump, with title plaque at front.

h. 64”, w. 40”, d. 21”

$5,000-$8,000

310

Italian Patinated Bronze of Silenus with the Infant Bacchus

first half 20th century, after the Roman marble (itself a copy of a 4th century BCE Greek bronze likely by Lysippus or follower) now conserved at the Louvre, Paris, on a conforming gray and black marble base.

h. 17-5/8”, w. 7”, d. 5-3/4”

$1,200-$1,800

311

Italian Grand Tour Patinated Bronze Figure of Dionysus

ca. 1900, after the sculpture (originally identified as Narcissus) excavated in 1862 in the ruins of Pompeii and now conserved at the Museo Nazionale, Naples.

h. 27”, w. 7”, d. 7”

$1,000-$1,500

312

Continental Bronze and Marble-Top Table in the Etruscan Taste

ca. 1900, the mottled brown marble top fitted into a leaf-molded bronze bezel, the patinated bronze skirt decorated with gilt swagging, supported on ram’s heads, the whole resting on three cabriole legs molded with seated winged sphinxes, the legs terminating in paw feet, with scrolled cross stretchers.

h. 36”, dia. 30-1/2”

$3,000-$5,000

Cast Iron and Plate-Glass Coffee Table

in the neoclassical taste, the plate-glass top with a molded and polished edge, above an inset grillework panel supported by square iron legs.

h. 18”, w. 48”, d. 27-1/2”

$1,000-$1,500

Suite of Eight Neoclassical-Style Aluminum Dining Chairs each with scrolled arms, the back splats with pierced wreaths secured with ribbons, the legs mounted with cross stretchers and the seats with loose cushions.

h. 32-1/2”, w. 22”, d. 24”

$1,000-$1,500

313

314

313

314

315

Pair of Patinated Bronze and Marble Table Lamps

ca. 1900, in the neoclassical taste, the standards decorated with winged caryatids set with vasiform socket supports, decorated with acanthus scrollwork, on tripartite mottled aubergine marble bases, mounted with shades. h. 28”, dia. 18”

$1,000-$1,500

316

Pair of Patinated Bronze Covered Garden Urns

in the neoclassical taste, the lotus-molded covers with cone-form knops, the bodies decorated with bas-reliefmolded grapevines and set with pierced, leaf-molded handles, on square bases with lotus leaf trim. h. 39”, dia. 17-1/4”

$2,000-$4,000

317 Dutch School (17th Century)

“Mediterranean Harbor Scene with Figures”, 1696 oil on canvas signed “Storck” and dated lower right. Framed.

23” x 34”, framed 31” x 41-1/2”

$2,000-$4,000

318 Continental NeoclassicalStyle Walnut Window Seat

the padded, cushioned seat flanked to either end by an outswept, scrolled, cushioned arm, the seat above a plain paneled apron, raised on waisted, fluted, tapering square legs ending in block feet.

h. 35”, w. 95-1/2”, d. 24-1/2”

$1,800-$2,500

319 Florentine Creme-Peinte and ParcelGilt Occasional Table

early 20th century, the circular top centered by a classical landscape scene, above a tapering drum-form body fitted with a single drawer over a single cupboard door, with three similar classical scenes around the perimeter, raised on a waisted standard to a molded base, on an octagonal socle.

h. 30”, dia. 17”

Provenance: Private collection, New Orleans, Louisiana.

$1,000-$1,500

Italian Giltwood Mirror in the Regence Style

third quarter 20th century, the crest and surround pierced and backed with faux-marbre eglomise, the crest decorated with pierced scrollwork and flower heads and the surround decorated with carved shells and pierced scrollwork, labeled “Made in Italy” on the back.

h. 60”, w. 31”

$1,000-$1,500

321

Austrian Bronze of Athena Confronting Iris, the Messenger of the Gods

ca. 1900, inscribed “D. Hollenbach Wessen/ F. Richter/Wien” and “G.F. Wennisch Sclpt/1898” along sides of self-base, Athena lacking spear and Iris lacking her caduceus, the owl of Athena at back, from a scene in Book VIII of the Iliad by Homer. h. 40-1/2”, w. 25”, d. 17”

$1,200-$1,800

322

Handsome Italian White Marble Pedestal

fourth quarter 19th century, in the neoclassical taste, the circular, beveled top supported on a reeded and stop-fluted pedestal standard carved with laurel swags, supported by swans and garden trophies, the tripartite base with griffin-form feet, framing acanthus-carved panels.

h. 50”, top dia. 14”

$1,000-$1,500

323

Neoclassical-Style Creme-Peinte Stool

the padded, rectangular seat flanked to either side by in-scrolled arms, raised on a curule-form base with gilt accents and ending in up-scrolled toes, upholstered in Fortuny fabric.

h. 24”, w. 36”, d. 16”

$1,000-$1,500

324

Carved Marble Figure of Cupid

second half 19th century, probably Italian, Cupid modeled standing amid roses and lilies, leaping forward, his bow hidden behind him, his quiver on one shoulder.

h. 26-1/2”, w. 15-1/4”, d. 12-3/4”

$1,500-$2,500

325

Continental Neoclassical Fruitwood and Mixed Woods Secretaire a Abattant

19th century, the D-form top above a conforming trompe-l’oeil-inlaid edge and case, fitted with a paneled frieze drawer over a drop front, featuring a marquetry scene of a fisherman battling a sea monster within a landscape, opening to two drawers and storage compartments over three long drawers, flanked to either side by a rounded cupboard door, with decorative banding and elaborate scroll inlays, the whole raised on tapering square legs.

h. 61-1/2”, w. 66”, d. 19”

$1,200-$1,800

Continental Fruitwood and Marble-Top Center Table

late 19th century, the circular marble top with a molded edge and raised above a ribbon-carved frieze with patera and scroll-carved panels, raised on shaped legs headed by floral scrolling capitals and ending in scroll feet on pegs.

h. 30-1/2”, dia. 48”

$1,000-$1,500

327

Faux-Marbre-Painted Cast Iron Safe

19th century, painted to resemble Siena marble, each side and door decorated with molded panels and corner palmettes in the neoclassical taste, the door with a brass knob and lock, raised on square feet.

h. 27”, w. 16-1/2”, d. 14”

$1,000-$1,500

328

Italian Giltwood Mirror in the Florentine Rococo Taste

20th century, the ogee surround set with a large, pierced crest decorated with scrollwork and rocaille work and scattered flower heads, the upper and lower sides with matching decorations, the surround with matching relief carving.

h. 61-1/4”, w. 33-1/4”

$1,000-$1,500

329

Pair of Italian Baroque Column Sections

first quarter 18th century, now mounted as lamps, the spiral-carved and parcel-gilt sections decorated with gilt grapevines, grapes and leaves, now mounted on acrylic bases.

h. 29”, dia. 8”

$1,200-$1,800

330

Cast Iron and Marble-Top Console Table

in the classical taste, the rectangular breche marble top supported by an iron framework with twisted rope elements, raised on reeded legs with acanthine details, joined by an iron rod stretcher with a central knot.

h. 36”, w. 62”, d. 21”

Provenance: Estate of Norma Crawford Myers, Dallas, Texas.

$1,000-$1,500

331

Pair of Neoclassical-Style Terracotta Figures on Pedestals

each example featuring a putto sitting astride an overturned reeded amphora, supporting a swag of fruit, above a column-form pedestal decorated with chains and swags of fruit.

h. 66”, w. 27”, d. 17”

$1,500-$2,500

332

Pair of Metal Tree Tubs of Neoclassical Inspiration

with patinated X-form sides with center medallions, the frames mounted with spherical finials, the sides with galvanized inserts.

h. 19-1/2”, w. 18-1/2”, d. 18-1/2”

$1,000-$1,500

333

Pair of Metal Tree Tubs of Neoclassical Inspiration

with patinated X-form sides with center medallions, the frames mounted with spherical finials, the sides with galvanized inserts.

h. 25-1/2”, w. 24”, d. 24”

$1,000-$1,500

330

332

333

331

334

Follower of Francesco Lazzaro Guardi (Italian, 1712-1793)

“Pair of Venetian Vedute Scenes”, ca. 1800 oils on shaped canvas unsigned. Presented in matching giltwood frames. 18-1/2” x 11-1/4”, framed 22” x 13-1/2”

Provenance: Collection of Sir Daniel Donohue; his sale, Bonhams and Butterfield, Los Angeles, California, April 5, 2011, lot 716.

$2,000-$4,000

335

Henry Pember Smith (American, 1854-1907)

“View of Venice”

oil on canvas signed lower left, verso with “Alexander Kahan, New York, New York” gallery label. Framed.

35” x 25”, framed 46” x 36”

Provenance: Alexander Kahan Fine Arts, Ltd., New York, New York; Dallas Auction Gallery, September 14, 2016, lot 275.

$1,000-$1,500

“Venezia”

oil on canvas signed lower left.

Framed.

18” x 25-1/2”, framed 22-3/4” x 30-1/4”

$2,500-$4,000

“Venetian Fruits and Vegetables Vendors”

oil on canvas illegibly signed and localized “Venecia” lower right.

Framed.

22” x 33”, framed 28” x 38-1/2”

Provenance: Estate of Norma Crawford Myers, Dallas, Texas.

$1,000-$1,500

336 Alfredo Caldini (Italian, b. 1917)

337 Italian School (19th Century)

336

337

341 Hereke Silk Carpet

6’ 5” x 10’ 8”

$1,500-$2,500

342 Turkish Angora Oushak Carpet

9’ 5” x 12’ 5”

$1,400-$1,800

341 342

343 Semi-Antique Tabriz Carpet

9’ 11” x 15’ 1”

$2,000-$4,000

344

Semi-Antique Kashan Carpet

5’ 8” x 7’ 8”

$1,000-$1,500

343

345

Bela Ivanyi Grunwald (Hungarian, 1867-1940)

“Village Celebration”

oil on canvas

Framed.

24” x 36”, framed 37” x 43”

$1,400-$1,800

346

Jef Louis van Leemputten (Belgian, 1865-1948)

“Shepherdess and Herd of Sheep”

oil on canvas signed lower right.

Framed.

24-1/4” x 35-1/2”, framed 28-1/2” x 39-3/4”

$1,500-$2,500

347 Henry Schouten (Belgian, 1864/7-1927)

“Shepherd and His Flock”

oil on canvas signed lower right.

Framed.

27” x 40”, framed 37” x 49”

$2,000-$4,000

345

346

Louis XV-Style Fruitwood Buffet a Deux Corps

20th century, the molded and domed cornice surmounted by a pierced floral and foliate crest, over a central domed panel flanked to either side by a tall, narrow cupboard, all paneled, joined by a paneled backpiece to a lower section with a bowed top with a molded edge, over two drawers over two paneled cupboard doors, above a shaped apron, raised on foliate-carved cabriole feet.

h. 107”, w. 67”, d. 23”

$1,000-$1,500

349 Louis XV-Style Fruitwood Bergere avec Oreilles

20th century, the domed and padded back surmounted by a molded crest, joined by shaped sides and padded arms to the cushioned seat, raised above a shell-carved apron on cabriole legs ending in scrolled toes.

h. 44-1/2”, w. 30”, d. 23”

$1,000-$1,500

350 French Provincial Walnut Writing Desk

early 19th century, the rectangular top with a framed border and a green leather-inset blotter, the front fitted with a small drawer to each side of the kneehole, raised on turned legs.

h. 31”, w. 47-1/2”, d. 29-1/2”

Provenance: Lucullus Antiques, New Orleans, Louisiana.

$1,000-$1,500

349

350

351

Louis XV Provincial Miniature Oak Buffet

18th century, the pair of doors decorated with pierced latticework panels over fielded panels, flanking a single drawer over a stationary panel, the doors with iron turnbuckle handles.

h. 13-1/2”, w. 21-1/4”, d. 9”

$1,000-$1,500

352

Suite of Eight Louis XVI-Style Fruitwood Side Chairs

19th century, each with a caned oval back within a molded frame, above a cushioned, caned seat, raised on paneled, tapering square legs.

h. 35”, w. 20”, d. 17”

$1,500-$2,500

353

French Provincial Fruitwood Tall Case Clock

19th century, in the Gothic taste, the dial signed “Albert Langree, CC Rue du Port a Lorient, Succursale a Quimperle (Hte Ville)”, with a time and strike movement, embossed brass dial surround and pendulum. h. 88”, w. 23”, d. 11”

$1,000-$1,500

354 Suite of Eight Louis XVI-Style Polychrome Dining Chairs

early 20th century, comprised of two armchairs and six side chairs, each with a domed and molded crest above a pierced urn-form splat, the padded seats raised on stop-fluted, tapering circular legs headed by floral block capitals and ending in toupie feet.

h. 37”, w. 22-1/2”, d. 20-1/2”

$2,500-$4,000

19th century, the molded and rounded cornice with foliate carving and above a conforming case fitted with a floral-basketcarved frieze, over two long doors, each inset with two grilled panels, raised above a shaped frieze on scrolled toes.

$1,500-$2,500

18th century, the shaped, slightly bowed, rectangular top above a conforming case fitted with three long drawers, all inset with three panels, raised on cabriole feet ending in pointed toes.

$1,500-$2,500

355 Provincial Louis XV-Style Bleached Oak Armoire

h. 88”, w. 62”, d. 28-1/2”

356 Louis XV Bleached Fruitwood Commode

h. 39”, w. 50-1/2”, d. 23-1/2”

356

355

357

Pair of Metal Tree Tubs of Neoclassical Inspiration with patinated X-form sides with center medallions, the frames mounted with spherical finials, the sides with galvanized inserts.

h. 19-1/2”, w. 18-1/2”, d. 18-1/2”

$1,000-$1,500

358

Pair of Metal Tree Tubs of Neoclassical Inspiration with patinated X-form sides with center medallions, the frames mounted with spherical finials, the sides with galvanized inserts.

h. 25-1/2”, w. 24-1/4”, d. 24-1/4”

$1,000-$1,500

359

Suite of Nine Botanicals of Pressed Hydrangeas 2021, each initialed “SW” and dated lower right. All glazed and framed alike. each framed 17-1/4” x 13-1/4”

$1,200-$1,800

359

357

358

360 Provincial Louis XV-Style Fruitwood Bench

the long, shaped, rectangular seat inset with two caned panels, raised above a shell- and foliate-carved frieze on cabriole legs joined by a shaped stretcher and ending in scrolled toes.

h. 17”, w. 46”, d. 17-1/2”

Provenance: Estate of Norma Crawford Myers, Dallas, Texas.

$1,000-$1,500

361 Rare French Provincial Walnut Floor Safe in the Form of a Commode

18th century, the removable top opening to expose an underside hinged lid, the lid fitted with a large iron lock and key, the interior with a hinged till to one side, the commode front with a faux drawer above a functioning drawer.

h. 32”, w. 37”, d. 21”

$3,000-$5,000

362

French Provincial Cherry Desk

mid-19th century, the banded, rectangular top above a case fitted with two large drawers flanking a kneehole, raised on cabriole legs.

h. 29”, w. 78-1/2”, d. 29-1/4”

$1,000-$1,500

360

361 detail

361

362

363 Louis XV-Style Giltwood Settee

19th century, the domed and padded back surmounted by a molded, floral-carved crest, joined by padded, outscrolled arms to the bolstered and cushioned seat, above a shaped, floral-carved apron, raised on cabriole legs ending in peg toes.

h. 34”, w. 79”, d. 32”

$1,000-$1,500

364

French Provincial Oak Buffet

18th century and later, the rectangular top with rounded front corners, above a conforming case fitted with two drawers, each with a fluted front, over two paneled cupboard doors, raised on scrolled toes.

h. 35”, w. 51”, d. 18”

$1,000-$1,500

365

Iron and Brass-Mounted Marble-Top Baker’s Table

20th century, the overhanging white marble top above an iron frame with leaf-form aprons and drop finials at the corners, mounted to a scrolling iron base with brass fittings.

h. 30-1/2”, w. 42”, d. 26-1/2”

$2,000-$4,000

366

Heavy French Wrought Iron Gate

ca. 1900, the scrolled center finial above a crest panel of similar scrolled motifs, the body comprised of five vertical bars and the lower section with “C” scrolls and handforged spears.

h. 85”, w. 38”, d. 1”

$1,500-$2,500

367

Unusual French Provincial Walnut Buffet a Deux Corps 19th century, the upper case with curved ends and conforming shaped and raised panel doors, the complex base with a pair of central drawers, cabinets below and curved end doors.

h. 94”, w. 72”, d. 25”

$2,500-$4,000

370 Turkish Angora Oushak Carpet

371 Heriz Carpet 9’ x 12’ $1,500-$2,500

372

Turkish Angora Oushak Carpet

8’ 1” x 10’

$1,000-$1,500

373 Turkish Angora Oushak Carpet

10’ x 14’ 1” $1,500-$2,500

374 Silk Qum Carpet

4’ x 7’ $1,500-$2,500

SESSION

SUNDAY, MAY 21

375 Diamond Ring

14k white/rose gold, the ring mounted with princess-cut and round brilliant-cut diamonds weighing approximately 1.69 carats in total. size 7, total weight 8.0 grams

$1,200-$1,800

376 Diamond Ring

14k white/rose gold, the ring mounted with round brilliantcut diamonds weighing approximately 2.26 carats in total. size 3-3/4, total weight 5.9 grams

$1,400-$1,800

377 Diamond Ring

18k rose gold, the ring mounted with baguette-cut and round brilliant-cut diamonds weighing approximately 0.75 carats in total. size 6, total weight 2.8 grams

$1,800-$2,500

378 Diamond Bangle Bracelet

14k rose gold, the bracelet mounted with round brilliantcut diamonds weighing approximately 0.43 carats in total. inside circumference 6-1/4”, total weight 5.3 grams

$1,000-$1,500

379

Diamond Ring

18k yellow gold, the coiled ring mounted with marquise-, pear-, oval- and heart-cut diamonds weighing approximately 1.87 carats in total. size 6-3/4, total weight 5.2 grams

$2,500-$4,000

380

Unusual Gem-Set Ring

18k yellow/white gold, the ring mounted with a large round-cut aquamarine weighing approximately 6.00 carats, accented by rose-cut diamonds weighing approximately 1.00 carat in total, round brilliant-cut diamonds weighing approximately 0.21 carats in total, round-cut treated yellow sapphires weighing approximately 0.75 carats in total and rose-cut topaz weighing approximately 2.25 carats in total. size 6-1/4, total weight 19.3 grams

$1,500-$2,500

381

Diamond Link Bracelet

14k yellow/white gold, the bracelet composed of open links of alternating white and yellow gold, the white gold links mounted with round brilliant-cut diamonds weighing approximately 3.00 carats in total. l. 7-1/4”, total weight 27.2 grams

$1,400-$1,800

382

Hammerman Brothers Diamond Ring

18k yellow gold, the ring mounted with round brilliant-cut diamonds weighing approximately 1.47 carats in total, stamped “18K HB.” size 6, total weight 13.9 grams

$2,500-$4,000

18k yellow gold/platinum, the necklace composed of bars alternating with twisted interlocking links, the bars mounted with round brilliant-cut diamonds weighing approximately 11.36 carats in total, stamped “TIFFANY & CO. PT 950 750”, together with the original inner envelope and outer box. l. 16-1/2”, total weight 72.8 grams

$6,000-$9,000

18k yellow gold/platinum, the bracelet composed of bars alternating with twisted interlocking links, the bars mounted with round brilliant-cut diamonds weighing approximately 6.60 carats in total, stamped “TIFFANY & CO. PT 950 750”, together with the original inner and outer boxes. l. 8-1/4”, total weight 43.6 grams

$3,000-$5,000

383 Tiffany & Co. Diamond “Sutton” Necklace

384 Tiffany & Co. Diamond “Sutton” Bracelet

384

384 details

385

Pair of Diamond Earrings

14k yellow gold, the earrings mounted with baguette-cut diamonds weighing approximately 1.50 carats in total. l. 7/8”, total weight 3.4 grams

$2,000-$4,000

386 Diamond Eternity Band

18k yellow gold, the ring mounted with emerald-cut diamonds weighing approximately 3.55 carats in total. size 7, total weight 4.4 grams

$4,500-$7,000

387 Diamond Bracelet

18k yellow gold, the bracelet mounted with emerald-cut diamonds weighing approximately 9.25 carats in total. l. 7”, total weight 13.0 grams

$10,000-$15,000

388

Pair of Diamond Oval Hoop Earrings

14k yellow gold, the inside/outside earrings mounted with baguette-cut diamonds weighing approximately 3.30 carats in total. l. 1-1/4”, total weight 7.6 grams

$4,500-$7,000

389 Diamond Snake Ring

14k yellow gold, the head of the snake mounted with a pear-cut diamond and the coiled body mounted with round brilliant-cut diamonds, with an approximate total diamond weight of 1.09 carats. size 5-3/4, total weight 4.8 grams

$1,200-$1,800

390

Pair of Paolo Piovan Diamond Snake Earrings

18k rose gold, the body and head of the snakes mounted with white, yellow and brown round brilliant-cut diamonds weighing approximately 3.98 carats in total and round brilliant-cut treated blue diamonds weighing approximately 0.99 carats in total, each snake holding a round brilliant-cut yellow diamond in its mouth, weighing approximately 0.40 carats in total, and finished with an oval-cut greenish-yellow diamond dangle, weighing approximately 0.60 carats in total, stamped “PAOLO PIOVAN”, “750” and a star symbol next to “75 PD.” l. 2-1/4”, total weight 26.5 grams

$1,500-$2,500

391

Pair of Diamond, Sapphire and Black Onyx Snake Earrings

18k white gold, the heads of the snakes mounted with a rose-cut white sapphire weighing approximately 1.00 carat in total and the bodies of the snakes mounted with round brilliant-cut diamonds weighing approximately 0.80 carats in total, the snakes coiled around the earrings and set among fields of faceted black onyx stones. l. 1-1/4”, total weight 29.5 grams

$1,500-$2,500

392

Diamond, Sapphire and Black Onyx Snake Ring

18k white gold, the head of the snake mounted with a rosecut white sapphire weighing approximately 0.50 carats and the body of the snake mounted with round brilliantcut diamonds weighing approximately 0.40 carats in total, the snake coiled around the ring and set among a field of faceted black onyx stones. size 6, total weight 14.0 grams

$1,200-$1,800

393

Diamond Cuff Bracelet

18k white gold, the bracelet mounted with round brilliantcut diamonds weighing approximately 9.90 carats in total. inside circumference 6-3/4” (can open for a slightly larger circumference), total weight 35.5 grams

$1,800-$2,500

394

Diamond Eternity Ring

14k white gold, the ring mounted with round brilliant-cut diamonds weighing approximately 2.90 carats in total. size 7-3/4, total weight 3.3 grams

$3,000-$5,000

395

Beautiful Diamond Bracelet

18k white gold, the bracelet set with oval-cut diamond stations weighing approximately 8.25 carats in total. l. 7”, total weight 8.7 grams

$18,000-$25,000

396

Pair of Diamond Stud Earrings

14k white gold, the earrings mounted with round brilliantcut diamonds weighing approximately 3.00 carats in total, approximate color G-H-I and clarity SI3. total weight 1.6 grams

$12,000-$18,000

397

Diamond Necklace

14k white gold, the necklace mounted with round brilliantcut diamonds weighing approximately 8.00 carats in total. l. 16”, total weight 16.1 grams

$5,000-$8,000

398 Diamond Ring

14k white gold, the ring mounted with two round brilliant-cut diamonds weighing approximately 1.00 carat in total, accented by single-cut diamonds weighing approximately 0.16 carats in total. size 6, total weight 4.1 grams

$1,000-$1,500

393

399 Diamond Bangle Bracelet

14k white gold, the bracelet mounted with round brilliantcut diamonds weighing approximately 1.90 carats in total. inside circumference 6-1/2”, total weight 7.4 grams

$1,500-$2,500

400 Diamond Ring

18k white gold, the ring mounted with round brilliant-cut and baguette-cut diamonds weighing approximately 2.28 carats in total. size 6, total weight 5.4 grams

$1,500-$2,500

401 Diamond Necklace

14k white gold, the necklace with a fixed curved bar mounted with round brilliant-cut diamonds weighing approximately 1.10 carats in total. adjustable l. 16”-17”-18”, total weight 4.3 grams

$1,200-$1,800

402 Diamond Bangle Bracelet

14k white gold, the bracelet mounted with round brilliantcut diamonds weighing approximately 0.43 carats in total. inside circumference 6-3/4”, total weight 5.4 grams

$1,000-$1,500

403 Diamond Cluster Ring

14k white gold, the ring mounted with a cluster of round brilliant-cut diamonds weighing approximately 1.05 carats in total. size 3-1/2, total weight 3.7 grams

$1,000-$1,500

404 Emerald and Diamond Necklace

14k white gold, the necklace mounted with oval-cut emeralds weighing approximately 15.54 carats in total, accented by round brilliant-cut diamonds weighing approximately 15.54 carats in total. l. 16-1/2”, total weight 36.5 grams

$8,000-$12,000

405

Unusual Diamond and Emerald Ring

platinum, the ring mounted with a round brilliantcut diamond weighing approximately 3.02 carats, approximate color G and clarity SI3, and a square-cut emerald weighing approximately 1.94 carats, accented by baguette-cut diamonds weighing approximately 0.55 carats in total. size 7-3/4, total weight 6.4 grams

$10,000-$15,000

404

405

18k white gold, the earrings mounted with teardropshaped emeralds weighing approximately 3.00 carats in total, accented by round brilliant-cut and baguette-cut diamonds weighing approximately 0.80 carats in total. l. 1-1/8”, total weight 4.6 grams

$1,800-$2,500

18k white gold, the ring mounted with emerald-cut emeralds weighing approximately 1.05 carats in total, and sections mounted with round brilliant-cut and baguettecut diamonds weighing approximately 2.25 carats in total. size 6-1/4, total weight 3.5 grams

$2,500-$4,000

14k white gold, the ring mounted with an oval-cut emerald weighing approximately 2.75 carats, accented by round brilliant-cut diamonds weighing approximately 1.90 carats in total. size 7, total weight 7.7 grams

$2,000-$4,000

406 Pair of Emerald and Diamond Earrings

407 Emerald and Diamond Ring

408 Emerald and Diamond Band

406

407

408

409

Jade and Diamond Ring

platinum, the ring mounted with an oval jade cabochon weighing approximately 8.71 carats, accented by baguette-cut and round brilliant-cut diamonds weighing approximately 1.62 carats in total. size 6-1/2, total weight 17.6 grams

$2,500-$4,000

410

Pair of Emerald and Diamond Earrings

14k yellow gold, the earrings mounted with emerald-cut emeralds weighing approximately 6.50 carats in total, accented by round brilliant-cut diamonds weighing approximately 0.70 carats in total. l. 5/8”, total weight 4.1 grams

$5,000-$8,000

411 Emerald and Diamond Bracelet

14k yellow gold, the bracelet mounted with emerald-cut treated emeralds weighing approximately 19.35 carats in total, accented by round brilliant-cut diamonds weighing approximately 2.25 carats in total. l. 7”, total weight 20.6 grams

$4,000-$7,000

412

Pair of Emerald and Diamond Ear Clips

18k yellow gold, the post/clip-back earrings mounted with oval-cut treated emeralds weighing approximately 2.30 carats in total, accented by rose-cut and round brilliant-cut diamonds weighing approximately 2.90 carats in total. l. 3/4”, total weight 8.8 grams

$1,800-$2,500

413

Opal, Emerald and Diamond Ring

18k yellow gold, the ring mounted with a faceted opal-cut opal weighing approximately 1.50 carats, and an emeraldcut emerald weighing approximately 1.50 carats, accented throughout with round brilliant-cut diamonds weighing approximately 0.25 carats in total. size 6-1/2, total weight 5.6 grams

$1,000-$1,500

414

Opal and Diamond Ring

18k yellow gold, the ring mounted with an oval cabochoncut opal weighing approximately 9.10 carats, accented by baguette-cut and round brilliant-cut diamonds weighing approximately 1.16 carats in total. size 6-3/4, total weight 8.2 grams

$2,500-$4,000

415

Opal and Diamond Ring

14k yellow gold, the ring mounted with an oval opal cabochon weighing approximately 3.50 carats, surrounded by a halo of round brilliant-cut diamonds weighing approximately 1.00 carat in total. size 8, total weight 5.8 grams

$1,200-$1,800

14k yellow gold, the fixed pendant mounted with an oval and pear cabochon-cut opal weighing approximately 13.50 carats in total, accented by round brilliant-cut diamonds weighing approximately 2.70 carats in total, l. 2-1/2”, suspended from a 17-1/2” chain. total weight 11.8 grams

$2,500-$4,000

14k yellow gold, the earrings mounted with oval and pear cabachon-cut opals weighing approximately 9.50 carats in total, accented by round brilliant-cut diamonds weighing approximately 2.88 carats in total. l. 2”, total weight 12.0 grams

$1,800-$2,500

416 Opal and Diamond Pendant Necklace

417 Pair of Opal and Diamond Earrings

418

Diamond, Pink Sapphire and Spinel Ring

18k white gold, the ring mounted with a central cluster of round brilliant-cut diamonds weighing approximately 0.54 carats in total, and a cluster of round-cut treated pink sapphires weighing approximately 0.45 carats in total, the cluster set on a mounting composed of crossed bands mounted with round-cut blue spinels weighing approximately 1.60 carats in total. size 7-3/4, total weight 18.8 grams

$1,800-$2,500

419 Sapphire and Diamond Ring

18k yellow gold, the openwork ring composed of brushed gold, mounted with round-cut treated sapphires weighing approximately 1.69 carats in total and round brilliant-cut diamonds weighing approximately 0.31 carats in total. size 6-1/4, total weight 10.5 grams

$1,000-$1,500

420

Tanzanite and Diamond Ring

18k white gold, the ring mounted with a cushion-cut tanzanite weighing approximately 1.35 carats, accented by round brilliant-cut diamonds weighing approximately 0.65 carats in total. size 5-3/4, total weight 4.5 grams

$1,500-$2,500

421

Pair of Sapphire and Diamond Earrings

18k white gold, the earrings mounted with round-cut treated sapphires weighing approximately 3.00 carats in total, surrounded by a halo of round brilliant-cut diamonds weighing approximately 1.30 carats in total, stamped “GRIFITH 750.” dia. 1/2”, total weight 7.0 grams

$1,400-$1,800

422

Pair of Emerald, Diamond and Garnet Earrings

14k yellow gold, the earrings mounted with free-form treated emerald beads measuring approximately 7.50 mm x 10.2 mm, suspended from a string of round brilliant-cut diamonds weighing approximately 0.48 carats in total and accented on the top by pear-cut garnets weighing approximately 1.50 carats in total. l. 1-3/8”, total weight 5.8 grams

$1,000-$1,500

423

Pair of Ruby and Yellow Diamond Heart Earrings

18k yellow/white gold, the earrings mounted with heartshaped treated rubies weighing approximately 0.75 carats in total, accented by round-cut yellow diamonds weighing approximately 0.86 carats in total. l. 1/2”, total weight 6.2 grams

$1,200-$1,800

424

Pair of Watermelon Tourmaline and Diamond Earrings

18k white gold, the earrings mounted with faceted watermelon tourmalines, accented by round brilliant-cut and baguette-cut diamonds weighing approximately 4.96 carats in total. l. 3-3/8”, total weight 35.7 grams

$1,500-$2,500

425

Amethyst and Diamond Ring

18k rose gold, the ring mounted with a sugarloaf amethyst weighing approximately 14.50 carats, accented by round brilliant-cut diamonds weighing approximately 0.70 carats in total. size 6-3/4, total weight 9.1 grams

$1,500-$2,500

426

Pair of Amethyst, Diamond and Pearl Earrings

14k yellow gold, the earrings mounted with a white cultured pearl measuring approximately 9.50 mm in diameter, suspended from a string of round brilliant-cut diamonds weighing approximately 0.48 carats in total and accented at the top with oval-cut amethysts weighing approximately 2.00 carats in total. l. 1-1/4”, total weight 6.0 grams

$1,000-$1,500

427

Cultured Pearl Rope Necklace

the long necklace composed of white pearls with a good luster, measuring approximately 7.50 mm to 8.00 mm in diameter. l. 100”, total weight 195.3 grams

$1,000-$1,500

Cultured

18k yellow gold, the slightly graduated necklace composed of white pearls with a good luster, ranging in size from 12.50 mm to 14.80 mm, finished with a gold clasp, l. 17”, together with a matching pair of earrings measuring approximately 14.10 mm in diameter. total weight 110.2 grams

$2,000-$4,000

18k yellow gold, the necklace composed of slightly graduated white cultured pearls with a good luster, ranging in size from 11.80 mm to 14.50 mm, finished with an interlocking gold clasp mounted with round brilliant-cut diamonds weighing approximately 0.072 carats in total. l. 32”, total weight 171.0 grams

$2,000-$4,000

429

Pearl and Diamond Necklace

428

428

Pearl Necklace and Earring Suite

Assembled Victorian Gold and Diamond Parure

composed of early- to mid-19th-century elements, all silver-topped 14-karat gold, including a necklace with graduated and articulated segments of ribbons suspending trefoils, set with reduced collet- and bead-set mine-cut and rose-cut diamonds weighing approximately 19.70 carats in total, attached to a later 14-karat white gold chain with filigree plaques, l. 16-1/4”, a pair of clip back earrings in the form of floral sprays with bead-set rose-cut diamonds weighing approximately 1.50 carats in total, l. 1-1/2”, and a brooch, also in the form of a floral spray, prong- and bead-set with rose-cut diamonds weighing approximately 3.12 carats in total, and three pearls, l. 2-3/4”.

total weight 97.8 grams

$6,000-$9,000

This unusual set illustrates the long tradition of modifying jewelry to conform to current fashion. The earrings here, for instance, probably began as sprays on a late Georgian corsage brooch set “en tremblant” - fitted on tiny springs so that they would tremble and glitter in the candlelightlater adapted to earrings with modern “omega” backs. The brooch, too, was probably from a similar, but slightly later corsage brooch or stomacher. The necklace was almost certainly the central part of a convertible suite which would have included an intricate frame to which it could be mounted and worn as a tiara, as well as a diamond-set chain to extend it for wear as a necklace (the current chain likely an early 20th-century replacement).

430

430

431

Beautiful Diamond Tennis Necklace

14k yellow gold, the necklace mounted with round brilliant-cut diamonds weighing approximately 25.00 carats in total. l. 16”, total weight 30.0 grams

$18,000-$25,000

432

Pair of Diamond Hoop Earrings

14k yellow gold, the inside/outside earrings mounted with round brilliant-cut diamonds weighing approximately 6.85 carats in total. l. 1-1/4”, total weight 10.7 grams

$5,000-$8,000

14k yellow gold, the bracelet mounted with round brilliantcut diamonds weighing approximately 1.90 carats in total. inside circumference 6-3/8”, total weight 7.0 grams

$1,500-$2,500

14k yellow gold, the necklace mounted with round brilliant-cut diamond stations weighing approximately 1.80 carats in total. adjustable l. 16”-17”-18”, total weight 2.7 grams

$1,800-$2,500

434 Diamonds-by-the-Yard Necklace

433 Diamond Bangle Bracelet

435

Pair of Diamond Hoop Earrings

14k yellow gold, the inside/outside earrings mounted with round brilliant-cut diamonds weighing approximately 2.25 carats in total. dia. 1-3/4”, total weight 9.4 grams

$1,800-$2,500

436

Diamond Bangle Bracelet

14k yellow gold, the bracelet mounted with round brilliantcut diamonds weighing approximately 3.00 carats in total. inside circumference 6-1/2”, total weight 7.2 grams

$2,500-$4,000

437

Diamond Pendant Necklace

14k yellow gold, the necklace set with a fixed bezelset round brilliant-cut diamond pendant weighing approximately 0.40 carats. adjustable l. 16”-17”-18”, total weight 1.7 grams

$1,200-$1,800

438

Gold Necklace and Bracelet Suite

14k yellow gold, the suite including two polished gold interlocking chain-link bracelets, l. 7”, together with a similar necklace, l. 18”. total weight 19.9 grams

$1,200-$1,800

439

Piaget Watch

18k yellow gold, the manual-wind watch with a 23.00 mm face with Roman numerals, the case back marked “924 B11 169262”, with an 18k gold mesh band marked “PIAGET 750”. inside circumference 6-1/4”, total weight 45.7 grams

$3,000-$5,000

440

Diamond Bangle Bracelet

14k white gold, the hinged bracelet mounted with round brilliant-cut and baguette-cut diamonds weighing approximately 1.56 carats in total. inside circumference 6-5/8”, total weight 14.5 grams

$3,000-$5,000

441

Pair of Diamond Earrings

14k white gold, the earrings mounted with round brilliantcut and baguette-cut diamonds weighing approximately 0.90 carats in total. l. 7/8”, total weight 6.9 grams

$1,800-$2,500

442 Diamond Ring

18k white gold, the ring mounted with round brilliant-cut and baguette-cut diamonds weighing approximately 1.40 carats in total. size 6-1/2, total weight 4.8 grams

$2,000-$4,000

443 Diamond Ring

18k white gold, the ring mounted with round brilliant-cut and baguette-cut diamonds weighing approximately 1.20 carats in total. size 6-1/4, total weight 2.7 grams

$1,400-$1,800

444 Pair of Diamond Stud Earrings

14k white gold, the earrings mounted with emerald-cut diamonds weighing approximately 2.02 carats in total, approximate color K-L-M and clarity VS2-SI2. total weight 1.3 grams

$5,000-$8,000

445 Diamond Band

18k white gold, the band mounted with round brilliant-cut and baguette-cut diamonds weighing approximately 1.30 carats in total. size 6-1/4, total weight 4.9 grams

$1,400-$1,800

446

M. I. Tobias & Co. / Hyde & Goodrich Gold Pocket Watch

1850s, Liverpool, England and New Orleans, Louisiana, white porcelain dial with Roman chapters, black sub-seconds and gold hands, signed “Hyde & Goodrich”, fusee movement by Michael Isaac Tobias, Liverpool for Hyde & Goodrich, New Orleans, #18183, 18k yellow gold case marked “F.S. & Co.” (probably F. Samuel & Co., Liverpool) the reverse guilloche engraved, dia. 48 mm; presented on a neoclassical gilt-metal watch stand, of easel-back portico form, centering a neoclassical masque, the serpent tongue forming the watch-hook, 8-1/2” x 6-1/8”.

$1,500-$2,500

446

14k white gold, the ring mounted with an emerald-cut treated sapphire weighing approximately 0.75 carats, accented by round brilliant-cut diamonds weighing approximately 0.30 carats in total. size 7-1/4, total weight

9.3 grams

$1,000-$1,500

447

Gentleman’s Sapphire and Diamond Ring

447

448

Three Judith Leiber Full Crystal Minaudieres

all 1980s, comprising a slim oblong silver and white crystal clutch, with gold hardware, drop-in chain, scalloped edge cover with snap closure, the gold kidskin-lined interior plaque-labeled “Judith Leiber”, includes a swing mirror, tasseled comb and dust bag, h. 3-5/8”, w. 7-1/2”, d. 1-7/8”; chain drop: 19-1/4”, a large shaped silver crystal bag, with gold hardware, drop-in chain and a gold cabochon stoneset flower and pearl-topped push closure, the gold kidskinlined interior plaque-labeled “Judith Leiber”, includes a swing mirror, tasseled comb and dust bag, h. 6-1/4”, w. 7”, d. 2-1/8”; chain drop: 17-1/4”, and a tubular silver crystal clutch with angled multi-colored floral ribs, with gold hardware, drop-in chain and push closure, the gold leather-lined interior plaque-labeled “Judith Leiber”, includes a swing mirror, tasseled comb and dust bag, h. 3”, w. 7”, d. 3”; chain drop: 19-1/4”.

$1,000-$1,500

449

Two Judith Leiber Crystal Minaudieres

1980s, the first example a pink silk-tasseled fan shape with brushed and polished gold hardware, drop-in chain and pink quartz-set push closure, the fan with floral bouquets along one side, silver on the reverse and one pink crystal arm, the gold kidskin-lined interior plaque-labeled “Judith Leiber”, includes a swing mirror, tasseled comb and two dust bags, h. 5-1/4”, w. 7-1/4”, d. 1-3/4”; chain drop: 18”; the other example a cushion-style bag with silver hardware, drop-in chain and brushed silver push closure, the exterior in an ombre design from silver to purple crystals, the silver kidskin-lined interior with a center divide and plaquelabeled “Judith Leiber”, includes a dust bag, h. 4-1/4”, w. 5-3/4”, d. 1-1/2”; chain drop: 19-1/4”.

Literature: See Enid Nemy & John Bigelow Taylor, Judith Leiber: The Artful Handbag (New York: Harry N. Abrams, 1995), p. 29, for three identical examples in various decorative patterns.

$1,000-$1,500

450

450

1980s-90s, comprising a large silver crystal clutch with silver hardware, drop-in chain and inset onyx push closure, the silver kidskin-lined interior plaque-labeled “Judith Leiber”, includes a matching coin purse, swing mirror, tasseled comb and dust bag, h. 6”, w. 8”, d. 1-1/2”; chain drop: 18-1/2”, the other example a gold crystal tubular twist clutch with scalloped ends and colored floral bands, with gold hardware, drop-in chain and gold push closure, the gold kidskin-lined interior plaque-labeled “Judith Leiber” and with an applied gold kidskin patch labeled “Neiman Marcus/by/Judith Leiber”, includes a swing mirror, tasseled comb and dust bag, h. 3-1/4”, w. 7”, d. 2-3/4”; chain drop: 19-1/4”.

$1,000-$1,500

1987, with drop-in chain, the gilt-metal figure with a necklace of silver crystals and cabochon garnets, a cabochon garnet belly button and a garnet-topped push closure, with an oblong gold kidskin pad underneath, the frame interior signed in script “Judith Leiber co 1987”, the gold kidskin-lined interior with a gusseted center divide plaque-labeled “Judith Leiber”, includes a swing mirror, tasseled comb and dust bag. h. 5-1/2”, w. 4-3/4”, d. 2-3/4”; chain drop: 17-1/2”

Literature: See Enid Nemy & John Bigelow Taylor, Judith Leiber: The Artful Handbag (New York: Harry N. Abrams, 1995), p. 133, for a similar h. 5-1/2”, w. 4-3/4” example in silver crystals with multicolored floral design.

$1,000-$1,500

451

Two Judith Leiber Full Crystal Minaudieres

451 Judith Leiber “Buddha” Minaudiere

452

Three Judith Leiber Full Crystal Minaudieres

comprising a red and silver crystal polka dot rounded box, 1990s, with gold hardware, pearl and cabochon carnelian push closure and drop-in chain, the gold kidskin-lined interior plaque-marked “Judith Leiber”, includes a swing mirror and tasseled comb, h. 4-1/4”, w. 5-1/2”, d. 2”; chain drop: 18-3/4”; an oblong octagonal box with bold stylized black, grey and silver stars, 1980s, with silver hardware, onyx push closure and drop-in chain, the silver kidskinlined interior plaque-labeled “Judith Leiber”, includes a swing mirror, tasseled comb and dust bag, h. 4”, w. 6-3/4”, d. 1-1/2”; chain drop: 19-1/2”; and an oblong shaped jet crystal bag, 1980s, with gold hardware, onyx-topped push closure and drop-in chain, the gold kidskin interior plaquemarked “Judith Leiber”, includes a swing mirror, tasseled comb and dust bag, h. 4-1/2”, w. 8”, d. 1-1/2”; chain drop: 19”.

$1,000-$1,500

453

Three Judith Leiber Full Crystal Minaudieres

1970s-90s, comprising a small, narrow clutch with silver hardware, drop-in chain and recessed silver crystal push closure, the gold crystal body embellished with scattered silver crystals, the silver kidskin-lined interior plaquelabeled “Judith Leiber”, includes a swing mirror, tasseled comb and dust bag, h. 3”, w. 5-3/4”, d. 1-1/4”; chain drop: 19”, an arched example with a wide fluted gold frame having four silver crystals centered underneath, a drop-in gold link chain and kiss closure, the lightly padded body with silver crystals front and back, the gold kidskin-lined interior plaque-labeled “Judith Leiber/New York”, includes a swing mirror, tasseled comb and dust bag, h. 4”, w. 6”, d. 1-1/2”; chain drop: 24”, and a small rectangular clutch with silver hardware, drop-in chain and onyx push closure, the jet body with parallel bands of jet, the silver kidskin-lined interior plaque-banded “Judith Leiber/New York”, includes a swing mirror and tasseled comb, h. 3-1/4”, w. 6”, d. 1-3/4”; chain drop: 19-1/2”.

$1,000-$1,500

454

Chanel Limited Edition Timeless Embroidered Silk Mini Classic Flap

1991-94, gold hardware, the champagne striped silk ground with floral embroidery throughout the exterior, the chain woven with self fabric, the beige lambskin-lined interior with zippered pocket and adjacent slip pocket stamped “Chanel”, the opposing side stamped “Made in France”, includes an authenticity card, dust bag and box. h. 5”, w. 6-7/8”, d. 2-1/2”; chain drop: 23”

Provenance: Private collection, Mobile, Alabama.

$1,400-$1,800

454

455 Richard Clague, Jr. (French/Louisiana, 1821-1873)

“Hunter and Fisherman, Louisiana Countryside”

oil on cradled wood panel signed and dated lower right. Period gilt frame.

18” x 22”, framed 28-1/2” x 33”

Provenance: Private collection, Baton Rouge, Louisiana.

$75,000-$125,000

Born in Paris and baptized at the St. Louis Cathedral in the French Quarter, Richard Clague, Jr. lived intermittently between the two cities. A student of the Ecole des BeauxArts, Clague brought the Barbizon tradition of plein-air landscape painting to Louisiana. Accompanied by his students, William Henry Buck and Marshall J. Smith, Jr., he traveled to remote rural south Louisiana communities to paint. In this painting, Clague captured the distinctive Louisiana landscape as a hunter and fisherman in a pirogue venture out for the day.

456

Marshall

“St. Tammany”

oil on canvas signed “MJS, Jr.,” and titled on stretcher bar, “Frost & Adams, Boston” canvas stamp and “Bowery & Foster, Picture Frames” label en verso. Period frame.

12” x 15-3/4”, framed 16-1/2” x 20-1/4”

Provenance: Private collection, Baton Rouge, Louisiana; New Orleans Auction Galleries, December 5, 2020, lot 105.

$8,000-$12,000

Marshall J. Smith, Jr. was one of the most talented of the late 19th-century Louisiana landscape painters. A student of Richard Clague, Jr., Smith furthered his studies at the Accademia dei Medici in Rome and the Royal Bavarian Academy of Fine Arts in Munich. Smith, along with fellow pupil William Henry Buck, accompanied Clague into the rural bayous, swamps and fields, often inaccessible by road, to record the landscape and daily life of tenant farmers and fishermen. In the painting “St. Tammany”, a woman of color wearing a scarlet tignon leads her cattle homeward toward a small cabin in a clearing of mossladen live oak trees.

Joseph Smith, Jr. (Virginia/Louisiana, 1854-1923)

456

457

Harold Rudolph

(German/Louisiana, ca. 1850-1883/4, act. New Orleans, 1873-1883/4)

“Choctaw Indians by Lake Pontchartrain”, 1876 oil on canvas signed and dated lower right, and Louisiana State Museum label en verso. Framed.

16” x 24”, framed 20-3/4” x 28-1/4”

Provenance: Previously in the Collection of William E. Groves, New Orleans, Louisiana.

Exhibited: Exhibited at the Louisiana State Museum, 1971.

Literature: Illustrated in Wiesendanger, Martin and Margaret, 19th Century Louisiana Painters and Paintings from the Collection of W. E. Groves, New Orleans: W. E. Groves Gallery, 1971, p. 90

$30,000-$50,000

The local newspapers New Orleans Republican and Daily Picayune documented Harold Rudolph’s arrival in the city in 1873 and wrote of the quality of portraits. Art dealer W. E. Seebold provided the painter with a studio above his gallery on Canal Street. With the suicide in 1877 of his partner and brother-in-law Brutus Ducomman, Rudolph turned his attention to landscapes.

The painting “Choctaw Indians by Lake Pontchartrain” depicted three women with a large woven basket. The Choctaw were known for the artistry of their baskets. Rudolph often included Native American Indians in his paintings as they peacefully coexist in the vast natural landscape.

457

458

William Aiken Walker (American/South Carolina, 1839-1921)

“Miss Kiley, Fruit Vendor, Port of New Orleans” “Smoking a Pipe, Bales of Cotton”

two oils on board signed lower left and lower right, respectively; latter penciltitled en verso, and each with a “Taylor Clark, Baton Rouge, LA” label en verso.

Framed alike.

8” x 4”, framed 14-1/4” x 10-1/4”

Provenance: Taylor Clark Gallery, Baton Rouge, Louisiana.

$3,000-$5,000

459

Attributed to William Henry Buck (Norwegian/Louisiana, 1840-1888)

“Stick in the Mud, 3 Days before Grace”

oil on canvas titled lower left and unsigned.

Framed.

14” x 24”, framed 18-3/4” x 28-3/4”

$30,000-$50,000

458

“Bayou at Twilight”

oil on canvas

signed lower right, a “Morton’s Auction” label and “McCaughen & Burr, Fine Arts, St. Louis, MO” stamp en verso.

Framed.

20” x 15”, framed 28” x 23”

Provenance: McCaughen & Burr Inc., St. Louis, Missouri; Morton’s Auction, New Orleans, Louisiana.

$5,000-$8,000

As a paymaster for the U.S. Navy, Joseph Rusling Meeker spent the Civil War aboard a ship as it traveled down the Mississippi River. Previously, Meeker had earned a scholarship to the National Academy of Design and studied with famed Hudson River Valley school painter Asher B. Durand. In his spare time aboard the ship, Meeker observed and made sketches of the bayous, swamps and waterways at different times of the day. After the war, Meeker reopened his St. Louis, Missouri studio and painted luminous southern landscapes from his sketches.

460 Joseph Rusling Meeker (American, 1827-1887)

460

461

Louis Nicholas Adolphe Rinck (French, 1802-1895, act. New Orleans 1840-1871)

“General De Roi”, 1855

oil on canvas signed and dated lower left. Framed.

42” x 33”, framed 48” x 39”

Provenance: Descended in the family of the sitter.

Literature: Listed and illustrated in Louisiana Portraits, ed. by Mrs. Thomas Bruns, The National Society of the Colonial Dames of America in the State of Louisiana, 1975, p. 281.

$10,000-$15,000

Born in Metz, France, Louis Nicholas Adolphe Rinck studied at the Berlin Academy and at the Ecole des Beaux-Arts in Paris. His training combined the refined draftsmanship of the French Neoclassical style of portraiture with the darker tonalities favored by German artists.

In December of 1840, Rinck traveled by ship to New Orleans where he advertised himself as an “ami de M. Vaudechamp” in The New Orleans Bee. During the early 1850s, Rinck and his wife Margarette owned a shop located on the first floor of the Pontalba Building in the French Quarter. Rinck remained in New Orleans for over 30 years and became renowned for his portraiture.

461

“Still Life of Fruit and Liquor Bottle”, 1894 oil on canvas signed

Provenance: Jean Bragg Gallery, New Orleans, Louisiana. $3,000-$5,000

462 William Woodward (American/Louisiana, 1859-1939)

and dated lower right. Period gilt frame.

18” x 30”, framed 26” x 38”

462

“Still Life of Roses”

oil on canvas signed upper right. Period gilt frame.

20” x 24”, framed 30” x 34”

Provenance: Jean Bragg Gallery, New Orleans, Louisiana.

$7,000-$10,000

With limited opportunities at the time for women to pursue a career as an artist, Marie Madeleine Seebold began her studies in 1877 with local artists Paul Poincy and George David Coulon. Her father, W. E. Seebold, a prominent art dealer, encouraged his daughter’s interest in art and she furthered her studies with William Merritt Chase in New York, at the Art Institute of Chicago, and the Philadelphia Museum of Art.

Particularly known for her abilities at still lives, the painting “Still Life of Roses”, signed with her maiden name, was created prior to her marriage to her mentor and longtime companion, Andres Molinary in 1915. Seebold was an active member of the turn-of-the-century art community and exhibited with the Artist’s Association of New Orleans, the Arts and Crafts Club and the Southern Art Union.

463 Marie Madeleine Seebold Molinary (American/New Orleans, 1866-1948)

463

464

Ella Miriam Wood (American/Louisiana, 1888-1976)

“Chapel, Old Newcomb College, Corner of 6th and Coliseum Sts.”, 1911

oil on board signed and dated lower right, and titled en verso. Framed.

9” x 13”, framed 10-1/2” x 14-1/2”

$4,000-$7,000

A student at Newcomb College, Ella Wood painted the “Chapel, Old Newcomb College” on the Washington Avenue campus in 1911, during her final year at the college and likely during a plein-air painting class. In memory of her daughter Sophie, Josephine Newcomb donated the set of Tiffany windows visible on the exterior of the chapel.

464

Active as both an artist and teacher at the turn of the century, Marie Faure taught art at McDonogh High School and Sophie B. Wright Girls’ High School, and exhibited with the Art Association of New Orleans in 1901 and 1902.

$3,000-$5,000

465 Marie Rosalba Faure (American/New Orleans, 1865-1927)

“Corner Store”, 1901

oil on canvas signed lower right. Framed. 12” x 18”, framed 15-1/2” x 22”

465

466

Knute Heldner

(Swedish/Louisiana, 1877-1952)

“Village Street, Covington, La.”

oil on board signed lower left, titled and with typewritten note en verso. Framed.

14” x 17-1/2”, framed 18” x 22”

Provenance: Jean Bragg Gallery, New Orleans, Louisiana.

$8,000-$12,000

Covington, located at the fork between the Bogue Falaya and Tchefuncte Rivers, became known for its mineral springs, pine tree-filled countryside, and cooler temperatures. During the early and mid-20th century, the small town attracted artists and visitors. In the painting, “Village Street, Covington, La.”, Heldner conveys the town’s charm by focusing on a picturesque cabin with a picket fence situated on a dirt road.

466

467 Ellsworth Woodward (American/New Orleans, 1861-1939)

“Lotus Fountain, Sophie Newcomb Memorial College, Washington Avenue Campus”

oil on canvas unsigned. Period gilt frame.

14” x 11”, framed 22” x 19-1/2”

Provenance: Jean Bragg Gallery, New Orleans, Louisiana.

$5,000-$8,000

As Professor of Art and Dean of Sophie Newcomb Memorial College, Ellsworth Woodward taught plein-air classes on the Washington Avenue Campus. The Lotus Fountain located at the front of Newcomb Chapel was a frequent subject for Woodward and his students.

468 Alexander John Drysdale (American/Louisiana, 1870-1934)

“Louisiana Bayou Scene”

oil wash on paper signed lower left. Glazed and framed.

22” x 32”, framed 23” x 34-3/4”

$2,500-$4,000

467

468

469

469

ca. 1800, New York, the swell-front top with a string-inlaid border, above a row of four drawers and four cabinets below, raised on slender, tapering square legs, bearing an old Sotheby’s sticker on the back.

h. 40”, w. 70”, d. 28”

$1,000-$1,500

470

Sofa

first quarter 19th century, probably Salem, Massachusetts, with a padded back and arms, the arm fronts with reeded details and supported by a turned and reeded post, raised on turned and reeded legs.

h. 35”, w. 77”, d. 25”

$1,500-$2,500

American Federal Flame Mahogany Sideboard

American Sheraton Mahogany and Satinwood-Inlaid

ca. 1800, North Shore Massachusetts, probably Salem, of diminutive proportions, the center section with a conforming curved drawer and inlaid feathered birch oval medallion, above a pair of cabinets and flanked by a curved drawer and cabinet on each end, raised on turned and reeded legs.

h. 41”, w. 62”, d. 24”

$1,500-$2,500

ca. 1900, possibly Baltimore, with fluted bodies and telescopic covers concealing fitted interiors, the covers with acorn-form knops.

h. 22”, dia. 9”

$1,500-$2,500

471

American Sheraton Inlaid Mahogany Bowfront Sideboard

472

Pair of Colonial Revival Mahogany Knife Urns in the Adam Taste

472 471

473

Early American Cherrywood Huntboard

first quarter 19th century, the rectangular top with a three-quarter gallery, above a row of three drawers, raised on tall, turned and reeded legs.

h. 46”, w. 55”, d. 23”

$1,000-$1,500

474

American Federal Fireplace Surround

first quarter 19th century, possibly New Jersey, the pine and poplar mantelpiece with carved paterae in the center, flanked by cut-cornered, raised panels over a lower panel of angled reeding.

h. 63-1/2”, w. 80-1/2”, d. 11”

$1,000-$1,500

473

474

second quarter 19th century, the oval top opening to accommodate five 21” leaves, mounted to a cluster-column split pedestal and platform base.

h. 29”, w. 45”, l. 53”, ext. l. 150”

$1,000-$1,500

second quarter 19th century, possibly by Anthony Quervelle, Philadelphia, the center section with a central mirror flanked by turned columns and scrolling returns with fruit, above side banks with a single drawer above a curved cabinet, raised on carved paw feet.

h. 59-1/2”, w. 72”, d. 24”

$1,000-$1,500

475 American Late Classical Mahogany Dining Table

476

American Late Classical Mahogany and MarbleTop Sideboard

478

After John James Audubon (American, 1785-1851)

“Californian Vulture: Cathartes californianus, Illiger. Old male, No. 86, Plate 426”, 1838

hand-colored engraving with aquatint and etching from Robert Havell’s (1827-1838) edition of The Birds of America Matted, glazed and framed. sight 37-1/2” x 24”, framed 48-1/2” x 34-3/4”

$7,000-$10,000

477

Pair of Classical Revival Bronze and Glass Bracketed Lanterns

first half 20th century, the bronze hexagonal lanterns with arched openings set with frosted cut glass panels, divided by Egyptian columns with projecting molded cornices, supported by leaf-molded, scrolled brackets, the circular backplates with egg-and-dart trim.

h. 20”, w. 9-1/4”, d. 10-1/4”

$2,000-$4,000

mid-19th century, the double-arched top surmounted by crockets and with quatrefoil piercings and end finials, above a case fitted with two doors, each arched and astragal-glazed, flanked to either side by cluster columns, raised on stacked and turreted feet. h. 114”, w. 54”, d. 21”

$3,000-$5,000

479

American Gothic Revival Stained Oak Cabinet

479

480

Pair of Cast Iron Benches in the Gothic Revival Taste

the backs decorated with pierced lozenges inset with quatrefoils, the arms and skirts decorated with pierced Gothic tracery, the seats pierced in a hexagonal grid.

h. 25”, w. 54-1/2”, d. 23-1/2”

$1,200-$1,800

481

Pair of Cast Iron Benches in the Gothic Revival Taste

the backs decorated with pierced lozenges inset with quatrefoils, the arms and skirts decorated with pierced Gothic tracery, the seats pierced in a hexagonal grid.

h. 25”, w. 54-1/2”, d. 23-1/2”

$1,200-$1,800

482

Patinated Bronze Birdcage on Stand

20th century, of Regency inspiration, the scrolled finials set with gilt spherules, the fitted cage on a stand with pierced and scrolled corners and stretchers, fitted with molded, polished bronze feet.

h. 92”, w. 26”, d. 26”

$1,200-$1,800

483

Pair of Cast Iron “Peacock” Benches, After Coalbrookdale

20th century, from an 1853 design, each with a peacock fantail back, flanked by tendrils, the sides with pierced scrollwork, with a slatted seat.

h. 38”, w. 46-3/4”, d. 27-1/4”

$1,200-$1,800

482

483

fourth quarter 19th century, probably Philadelphia, the back molded with ferns and pierced lozenges, the sides with ferns, the seat decorated with pierced scrollwork.

h. 33”, w. 53-1/2”, d. 21”

$1,000-$1,500

in the neoclassical taste, the rims decorated in the egg-and-dart pattern, the lower portions reeded. h. 23”, dia. 22”

$1,000-$1,500

484

American Cast Iron “Fern” Bench

485

Pair of Cast Iron Campana-Form Garden Urns

484

485

486

Victorian Cast Iron Figural Garden Fountain

late 19th/early 20th century, with three tiers, the tazza-form bowls on fluted baluster supports, the base modeled with swans.

h. 95”, dia. 41”

$1,000-$1,500

487

Rare Section of “Willow and Lamb” Cast Iron Fencing third quarter 19th century, Philadelphia, probably Robert Wood, decorated with recumbent lambs beneath willow trees, set into elongated and rounded panels, supported on scrollwork and accented with roses.

h. 29”, w. 48-1/2”

$2,000-$4,000

488

Rare “Willow and Lamb” Cast Iron Gate

third quarter 19th century, Philadelphia, probably Robert Wood, decorated with a pair of recumbent lambs beneath a willow tree, set into a pierced scrollwork ground.

h. 30-3/4”, w. 37”

$2,000-$4,000

487

486

489

Unusual Rococo Revival Bronze, Brass and Metal Gasolier

mid-19th century, the six-light gasolier supported by a masque-molded canopy with a cone finial, a draped female classical figure standing atop the body, set with three pairs of double leaf-molded branches terminating in cut glass shades, alternating with ram’s heads supporting rod-form chain holders.

h. 42”, dia. 32”

$2,000-$4,000

490 Bronze, Brass and Metal Gasolier, Attributed to Cornelius

mid-19th century, Philadelphia, the cabochon-molded canopy set into a spiral-reeded standard, set with metal putti holding cornucopia, the brass body set with scrolled arms decorated with bronze rococo mounts, terminating in frosted and cut glass shades, the arms with typical Cornelius gas keys.

h. 43”, dia. 28”

$1,000-$1,500

489

491

Sophie Gengembre Anderson (French/Ohio, 1823-1903)

“Mrs. John Carson Febiger, nee Anna Catherine Ryan (1824-1881)”, ca. 1849-53

oil on canvas signed mid left. Period frame.

40” x 31-1/2”, framed 52” x 42”

Literature: Listed and illustrated in Louisiana Portraits, ed. by Mrs. Thomas Bruns, The National Society of the Colonial Dames of America in the State of Louisiana, 1975, p. 97.

$8,000-$12,000

Irish immigrant Christopher Ryan settled in Ohio in 1832 and married Mary Boyce, the sister of Federal Judge Henry Boyce of Rapides Parish, Louisiana, who was appointed by President Zachary Taylor. Their daughter Anna Catherine Ryan married John Carson Febiger of Pittsburgh in 1849. During the Civil War, Febiger served as an Admiral for the Union forces, and on May 5, 1865, participated in the naval

battle with the Confederate ram CSS Albemarle off the coast of North Carolina. Admiral Febiger was commended for his “gallantry and skill” during the battle.

Born in Paris, France, Sophie Gengembre Anderson studied painting briefly in 1843 with Alexandre Joseph Steuben. Despite only having minimal formal training, Anderson became an accomplished portrait and genre painter.

Looking to avoid the unrest following the French Revolution, the Gengembre family moved in 1849 to America and settled in Cincinnati. While living in Cincinnati, Anderson earned portrait commissions from prominent families in Ohio and Pennsylvania. The family then moved to Manchester, Pennsylvania, where Sophie married the British artist, Walter Anderson. By 1854, the couple had moved to England.

Evidently, it was during her time in America that Anderson painted the portrait of “Anna Catherine Ryan Febiger.” The young bride was painted seated in an interior setting beside a table of books reflecting that she was well educated. Anderson signed the painting in the signatures of the middle book.

491

492

Rare Labeled J. & J. W. Meeks Rosewood Cylinder Desk

third quarter 19th century, with a later conforming marble top above a roll-back cylinder, opening to reveal a maple fitted interior with leather writing blotter, the top drawer bearing the “J. & J. W. Meeks, 14 Vesey Street, New York” stenciled label, the base with conforming curved grillwork doors and resting on a molded plinth base. h. 42”, w. 74”, d. 22”

$4,000-$7,000

493

American Rococo Revival Mahogany Tester Bed

mid-19th century, attributed to the warerooms of Prudent Mallard, New Orleans, with a complex serpentine and arched canopy, the paneled headboard with a brokenarch crest centered by a flower basket cartouche, the rails and footboard with applied carvings.

h. 113”, inside w. 65”, l. 81”, outside w. 76”, l. 93”

$4,000-$7,000

494

American Rococo Revival Mahogany and Marble-Top Dresser

mid-19th century, having an oval mirror with an elaborate scroll- and foliate- carved, pierced frame mounted to a small glove box, over a serpentine base fitted with four graduated drawers.

h. 88”, w. 41”, d. 23”

$1,000-$1,500

493

494

495

Five-Piece American Rococo Revival Mahogany

Half-Tester Bed Set

third quarter 19th century, attributed to Joshua Jones, Cincinnati, Ohio, comprised of a bed, h. , inside w. l. , outside w. l. , an armoire, h. , w. , d. , a marble-top dresser, h. , w. , d. , a marble-top washstand, h. , w. , d. , and an associated marble-top half commode, h. , w. , d. .

$5,000-$8,000

495 495

496

Pair of American Rococo Revival Walnut Console Tables

second half 19th century, each with a serpentine top over a conforming frieze with a cabochon- and leaf-carved cartouche, on cabriole legs joined by stretchers with a carved finial.

h. 24-1/2”, w. 39-1/4”, d. 16-1/2”

Provenance: Property descended in the Livaudais-Walshe family, New Orleans, Louisiana.

$1,000-$1,500

497

Impressive American Rococo Revival Giltwood Overmantel Mirror

mid-19th century, the oval mirror with a pierced crest decorated with scrollwork, lily pads and flowers, the molded surround carved with cabochons, the lower corners supported with carved scrollwork, banana leaves and flower heads, set with a beveled mirror plate.

h. 83”, w. 62”

$2,000-$4,000

496

497

498

Unusual Victorian Rosewood “Fantasy” Piano Chair

third quarter 19th century, in the Rococo taste, the asymmetrical, padded back with a fruit- and foliatecarved frame, and centered with a carved coat of arms and crown, mounted to a tripodal pedestal base with a carved, displayed eagle perched on the scrollwork feet.

h. 39”, w. 19”, d. 18”

$2,000-$4,000

499

Handsome American Renaissance Revival Gasolier

fourth quarter 19th century, the six-light gasolier retaining most of its original bronze dore et patine surface, the standard decorated with gilt acanthus leaves and leopard heads, hung with chains and gilt finials, supported on a sphere, raised on leopard-headed monopodia, the body supporting arms with Grecian “wave” molding, set with frosted and cut glass shades.

h. 33”, dia. 35”

$1,500-$2,500

499

498

third quarter 19th century, Philadelphia, the shaped brescia marble top over a conforming frieze with a central bowfront drawer, raised on fluted columns joined to a low shelf, the back fitted with a mirror plate. h. 36-1/2”, w. 62-1/2”, d. 21-3/4”

$1,000-$1,500

third quarter 19th century, each with a broken-arch pediment crest centered by a turned finial, above a pair of framed glass doors, each with gilt incising and flanked by fluted and carved columns, the protruding cabinet bases each with two framed and paneled doors. h. 109”, w. 51”, d. 22”

$3,000-$5,000

American Renaissance Revival Walnut and MarbleTop Console Table

501

Rare Pair of American Renaissance Revival Walnut Bookcases

502

Four-Light Brass Gasolier

mid-19th century, Philadelphia, Pennsylvania, probably Archer and Warner, the scrolled arms decorated with pierced grapevines, leaves and fruit, terminating in molded shade holders set with frosted and cut glass shades, the standard with graduated “stalactite” and rococo-decorated rope-twist upper portions, set with a pierced canopy. h. 43-1/2”, dia. 41-1/2”

$2,500-$4,000

503

Extensive Collection of Eastern European Polychrome-Plated Cut and Engraved Stemware

20th century, consisting of sixteen wine glasses, h. 8, dia. 3-1/4”, sixteen champagne/sherbet coupes, h. 5-1/2”, dia. 3-1/2”, six aperitif glasses, h. 5-1/2”, dia. 2”, six wine glasses with diamond-point borders, h. 8-1/2”, dia. 3”, thirteen champagne flutes, h. 8-1/2”, dia. 2”, and eight wine glasses, h. 7-3/4”, dia. 2-3/4”.

$1,000-$1,500

504

Eleven-Piece American Neo-RenaissanceStyle Mahogany Dining Set

late 19th century, attributed to R. J. Horner, New York, commonly referred to as the "Man-ofthe-Mountain" pattern, comprised of a circular extension table with one 14" leaf, h. 30", dia. 60", present ext. l. 74", opens to accommodate 88" of leaves, a server, h. 64-1/2", w. 53", d. 25", a sideboard, h. 88-1/2", w. 70", d. 28", two armchairs, h. 46", w. 26", d. 24", and six side chairs, h. 46", w. 22", d. 21".

$7,000-$10,000

late 19th century, attributed to R. J Horner, New York, having a rectangular top with a molded edge, the front and back sides each fitted with a working drawer and a faux drawer, supported by seated winged griffins mounted to a platform stretcher base.

h. 30”, w. 54”, d. 36”

$1,500-$2,500

Baroque-Style

early 20th century, the inset marble top above a carved and molded frame, and pierced and carved aprons, supported by large, scrolled legs and fruit-carved details mounted to a platform base, centered by a large, turned and carved finial and swags of fruit and flowers. h. 40”, w. 87”, d. 25”

$1,500-$2,500

505

American Neo-Renaissance-Style Mahogany Partner’s Desk

506

Walnut and Marble-Top Console Table

505

506

507

Rare American Brass Gasolier

mid-19th century, Philadelphia, probably Cornelius, the Rococo Revival gasolier with pierced and scrolled arms separated by masques, molded with grapevines and grape-leaf-molded shade holders, set with shades concealing the cylindrical gas burners, the brass standard decorated with two tiers of molded masques, and the scrolled canopy with like decoration, not electrified. h. 47”, dia. 37-1/2”

$1,000-$1,500

508

American Rococo Revival Mahogany Bookcase

third quarter 19th century, having a foliate-carved crest pediment mounted to an ogee-form cornice molding, fitted with a pair of glazed doors with carved tops and two side-by-side drawers in the base, the interior with four adjustable shelves. h. 105-1/2”, w. 62”, d. 14”

$1,200-$1,800

507

509

American Classical Revival Patinated Metal and Wood Floor Lamp

first quarter 20th century, the fringed shade trimmed with passementerie and hung with fringe and beadwork, on a two-light lamp with a brass-plated standard and a hardwood base, supported on winged caryatids.

h. 65”, w. 22”, d. 16”

$1,000-$1,500

510

American Aesthetic Movement Mahogany and MarbleTop Dresser

fourth quarter 19th century, in the manner of Herter Brothers, New York, having an inset marble top, the front fitted with three long drawers, each carved with floral and bird motifs, having applied molded trim throughout.

h. 30”, w. 60”, d. 24”

$1,000-$1,500

509

511

The use of metal in marquetry inlay was a popular element in the furniture of New York City Aesthetic movement makers. Inspired by Eastern and Far Eastern mixed metalwork, it was increasingly employed by Pottier & Stymus around 1876-77, and other makers such as Herter Brothers, Herts Brothers and Charles Tisch soon followed suit. Rather than the Eastern inlay motifs favored by firms such as Pottier & Stymus, Herter Brothers and George Schastey, this cabinet employs swag and ribbon marquetry of neoclassical inspiration. Herts Brothers, Neuman & Company and Charles Tisch more frequently utilized neoclassical-style metal with wood and/ or mother-of-pearl inlay in their work. The inlaid brass and wood swags on the present piece share the use of large-scale brass flowers with a well-known cabinet by Charles Tisch now in the Collection of the Metropolitan Museum of Art, New York. That cabinet was exhibited at the 1884 New Orleans Cotton Exhibition where it was awarded first prize.

511

American Neo-Grec Gilt-Metal and Brass Gasolier Hall Lantern

third quarter 19th century, the frame decorated with leopard’s heads grasping rings hung with chains, supported on rod-form “chains” from the canopy, the central burner now electrified, set with an engraved and frosted glass shade. h. 34-1/2”, dia. 15-1/2”

$1,000-$1,500

512

American Aesthetic Movement Inlaid Breakfront Cabinet/ Sideboard

ca. 1880-1885, New York, by a Herter Brothers competitor, most probably Charles Tisch, the upper section with a broken-arch crest over a brass, wood and mother-of-pearl panel, and an arched, beveled mirror below, the mirror flanked by paired columns and beveled mirrors beneath brass-inlaid swag panels, on a base with an elevated center section, fitted with a drawer with a hidden mechanical release, and an arched well below, stepping down on each side to a drawer with ribbon and swag inlay over a door with like inlay and a raised, inlaid panel. h. 92”, w. 69”, d. 16”

$2,500-$4,000

513

ca. 1875-1886, Connecticut, in a modern Gothic-style walnut case decorated with burl walnut veneer and incising, with an arched crest and matching finials, set with side colonettes, the dial marked “ST” and the calendar dial marked “Patented, Feb. 15, 1876”.

h. 47”, w. 24”, d. 7-3/4”

An identical clock is in the collection of the U.S. Senate.

$2,000-$4,000

513

514

Art Deco Cast Iron “Luminaire” Floor Lamp Fan

second quarter 20th century, Cincinnati, Ohio, composed of copper-washed cast iron, the adjustable fan in a pierced scrollwork cover, flanked by a pair of electric candles, supported on a reeded standard, raised on cabriole tripod legs decorated with pierced scrollwork, with a label reading “110 Volts - 60 Cycles, Luminaire, the Cincinnati Victor Co., Cincinnati, O. U.S.A.”.

h. 69”, dia. 28”

$1,000-$1,500

515

Art Deco Cast Iron “Luminaire” Floor Lamp Fan

second quarter 20th century, Cincinnati, Ohio, composed of copper-washed cast iron, the adjustable fan in a pierced scrollwork cover, flanked by a pair of electric candles, supported on a reeded standard, raised on cabriole tripod legs decorated with pierced scrollwork, with a label reading “110 Volts - 60 Cycles, Luminaire, the Cincinnati Victor Co., Cincinnati, O. U.S.A.”.

h. 69”, dia. 28”

$1,000-$1,500

Seth Thomas “No. 5” Office Calendar Clock

516

Nestor Hippolyte Fruge (American/Louisiana, 1914/16-2011/12)

“Rainy Evening”

oil on canvas signed lower left. Framed. 30” x 40”, framed 35” x 44”

$1,000-$1,500

516

517

John Henry Twachtman (American, 1853-1902)

“Dutch Village Scene with a Figure”, 1881 watercolor on paper monogrammed and dated lower right. Matted, glazed and framed. sight 8” x 9”, framed 19” x 22”

Provenance: Estate of William Armstead Robinson III, Shreveport, Louisiana; Private collection, Shreveport, Louisiana.

$1,000-$1,500

518

Swiss Cylinder Music Box

ca. 1900, possibly Mermod Freres, the burl walnutveneered case with ebonized trim, accented with inlay, the cover with an inlaid brass and mother-of-pearl medallion, an “air card” mounted on the back of the cover, listing twelve tunes, the interior veneered and ebonized to match the exterior.

h. 9”, w. 31-3/4”, d. 12-1/2”

$1,000-$1,500

517

518

third quarter 19th century, attributed to E. W. Hutchings, New York, having an inset marble top, the underside of the marble signed “Hutchings”, and a cast bronze molding around the perimeter of the deck, the front door and side panels inlaid.

$2,000-$4,000

third quarter 19th century, attributed to E. W. Hutchings, New York, having an inset marble top, the underside of the marble signed “E.W.H.”, and a cast bronze molding around the perimeter of the deck, the front door and side panels inlaid.

$2,000-$4,000

519

American Renaissance Revival Inlaid and Bronze-Mounted Marble-Top Parlor Cabinet

h. 46”, w. 51”, d. 18”

520 American Renaissance Revival Inlaid and Bronze-Mounted Marble-Top Parlor Cabinet

h. 46”, w. 51”, d. 18”

519

520

521

Frank Henry Shapleigh (American/New Hampshire, 1842-1906)

“New Hampshire Birches”, 1890

oil on canvas signed and dated lower right. Framed.

13” x 8”, framed 20” x 14-1/2”

$1,000-$1,500

522

Victorian Brass-Mounted Cast Iron Safe

second half 19th century, the front door with a brass label marked “Phillips & Son, Birmingham” and a brass retailer’s label marked “Jennings & Co., Agents, Belfast, Glasgow & Manchester”, raised on square feet.

h. 29-1/4”, w. 20”, d. 21”

$1,000-$1,500

523

Leaded Stained Glass and Bronze Floor Lamp

first quarter 20th century, composed of antique elements, the American shade, originally intended to serve as a chandelier, with linen-fold leaded panels surrounding a turtle-back center on the top, with a pierced rim, the concave sides set with opalescent and ruby glass, the sixlight bronze base with winged caryatid legs on hoof feet, the shade with a spurious stamped “Tiffany Studios New York” mark, and the base with a spurious “Tiffany Lamp and Decorating Company” mark.

h. 39”, dia. 23”

$4,000-$7,000

521

523

522

524

Rare Tiffany Studios Patinated Bronze Liturgical Mirrored Stand

first quarter 20th century, New York, probably bespoke for a private chapel or mausoleum, the pierced pedimented crest monogrammed “CM”, over a pierced scrollwork surround with a plaque reading “Pray for Us”, beneath the mirror, the rectangular bronze top supported on a trestle base with matching scrollwork trim, stamped “Tiffany Studios, New York”, on the back.

h. 88-1/2”, w. 48”, d. 22-1/2”

$2,500-$4,000

525 Tiffany Studios Patinated Bronze Table Lamp

first quarter 20th century, New York, the lobed base supporting a bronze harp, the socket fitted with a Tiffany-style pulled feather glass shade with a spurious “LCT” signature, the base signed “Tiffany Studios, New York, 419”.

h. 13”, dia. 5-1/4”

$2,000-$4,000 524

526

Exceptional French Fin-de-Siecle Bronze, Glass and Fabric Billiard Table Light

fourth quarter 19th century, fitted with seventeen lights, the acanthus-decorated, reeded, vasiform canopy supporting arms decorated with swags of flowers, joined with bronze drapery terminating in scrolled side arms, decorated with winged dragons, the scrolls supporting a pierced and lobed center frame, set with a cut-velvet and passementerie shade, concealing four lights and hung with fringe, the perimeter of the light set with scrolled, downturned bronze arms mounted with floriform frosted glass shades. h. 58”, w. 21-1/2”, l. 62”

$4,000-$7,000

527

Brunswick-Balke-Collender Co. Rosewood and Marquetry-Inlaid “Monarch” Pool Table

late 19th century, formerly a billiard’s table, now converted to a pool table, the apron inlaid in the Aesthetic taste and mounted to a gold-painted cast iron base modeled as lions.

$10,000-$15,000

526

528

Unusual Spanish Carved Teakwood Gun Rack

first quarter 20th century, the ends with carved Asian birds and griffins, the crest with a winged dragon and dated 1921, the back panel with a carved dedication in Spanish, holds six rifles.

h. 58”, w. 40”, d. 17”

$1,500-$2,500

529

Four-Piece Late Victorian Mahogany Parlor Suite

late 19th century, attributed to Karpen, comprised of a settee, h. 44”, w. 62”, d. 28”, a pair of armchairs, h. 44”, w. 31”, d. 26”, and a side chair, h. 41-1/2”, w. 24”, d. 20”, all with shell-carved crests and foliate details, lion arms and raised on carved paw feet.

$3,000-$5,000

530

Large Baroque-Style Carved Walnut and Marble-Top Sideboard

early 20th century, probably Grand Rapids, Michigan, the rectangular breakfront Portoro marble top above a conforming base with three carved drawers over pierced aprons with shells and sprays of fruit and flowers, raised on carved, tapering square legs joined by a swirl-form stretcher and finial. h. 36”, w. 84-1/2”, d. 22-1/2”

$1,500-$2,500

531

Rusty Phelps (American, b. 1936)

“Unchained Fury”, 1972

patinated bronze cast signature, dated, titled, and copyright-marked along front edge of self-base, on a conforming wooden base. h. 25-1/2”, w. 23”, d. 15”

$2,000-$4,000

532

Two Texas Steer Horn Chairs

early 20th century, including a cowhide-covered armchair, h. 36”, w. 26”, d. 22”, and a rare child’s armchair with carved birds and mariner’s compass, upholstered in brown velvet, h. 27-1/2”, w. 20”, d. 20”.

$1,000-$1,500

533

Japanese Patinated and Argente Bronze Eagle

first quarter 20th century, possibly Meiji period, the spread-winged bird perched atop a tree stump, marked at back of tree. h. 20”, w. 20”, d. 8”

$1,000-$1,500

“View of Mount Hood, Oregon” oil on canvas signed lower right.

Framed.

18” x 24”, framed 26-1/2” x 31-1/2”

$3,000-$5,000

534 William Samuel Parrott (American, 1843-1915)

532

533

535

Robert Wesley Amick (American, 1879-1969)

“The White Stallion” oil on canvas signed lower right. Framed.

28” x 36”, framed 31-3/4” x 39-1/2”

$1,500-$2,500

536

Cast Metal Horse’s Head in the style of French boucherie signs, the back with a slot for hanging. h. 27”, w. 8-1/2”, d. 20-1/2”

$1,200-$1,800

20th century, each with a patinated surface, modeled with flowing mane, on a rectangular base. h. 19”, w. 7”, l. 18”

$1,200-$1,800

537

Pair of Cast Iron Horse Heads

535

537

536

538

American Cast Iron Horse Watering Trough

mid 19th century, the tub-shaped trough with a molded rim, raised on a rectangular plinth, signed "J.L. Mott Iron Works, NY".

h. 20-1/2”, w. 24-1/4”, d. 46”

$2,000-$4,000

539

American Carved and Bleached Oak Library Table

ca. 1900, in the manner of R. J Horner, New York, the top with a gadroon-carved edge and reliefcarved border, one side fitted with two side-byside drawers, raised on large, turned-and-carved legs, each with a lion masque at the upper corner.

h. 29-1/2”, w. 54”, d. 31-1/4”

$1,200-$1,800

540

Victorian Pine and Polychrome Chest

third quarter 19th century and later, the rectangular top with rounded front corners, above a case fitted with two short drawers over two long, graduated drawers, all now with painted advertisements, raised on bulbous toupie feet. h. 31-1/2”, w. 33-1/2”, d. 18”

$1,200-$1,800

538

539

541

Robert Winthrop Chanler (American, 1872-1930)

“Mural”

trompe-l’oeil oil on canvas signed lower right, verso with “Grand Central Art Galleries, New York, New York” exhibition label. Framed.

46” x 36”, framed 50-1/2” x 40-1/2”

Provenance: Grand Central Art Galleries, New York, New York.

$1,000-$1,500

542

Pair of Victorian Cast Iron Garden Benches

fourth quarter 19th century, in the “Renaissance Scroll” pattern, with scroll-molded and pierced backs decorated with central masques, pierced gridform seats, molded cabriole legs and pierced skirts decorated with scrollwork and leaves. h. 31-1/2”, w. 43-1/2”, d. 18”

An identical example is in the Collection of the Metropolitan Museum of Art, New York, New York.

$1,000-$1,500

541

542

543

Cast Stone Fruit-Molded Fountain

second quarter 20th century, in the form of a mushroom, the fruit-molded top with a pineapple finial, the base in the form of a tree trunk.

h. 45”, dia. 18”

$2,000-$4,000

544

Patinated Bronze Fountain

of a boy holding a bull frog and squatting at the edge of the water, the fish at the base piped for water.

h. 23-1/2”, w. 13-1/2”, l. 28-1/2”

$1,200-$1,800

545

Patinated Bronze Mermaid Garden Fountain

mermaid resting against a plant strewn rocky outcropping, with fish at the base, two of them piped as fountains.

h. 41”, w. 18-1/2”, d. 9”

$1,500-$2,500

544

543

545

in the neoclassical taste, modeled as a water nymph holding a seashell to her ear, perched on the urn-form fountain, a bull frog seated on a lily pad in the center, piped to spurt the water, the square base decorated with molded vines. h. 41”, w. 22”, d. 22”

$1,500-$2,500

ca. 1975-1979, one decorated with a view of Christiansborg Palace and the other with sailboats, with green and blue artists’ signatures, one with a “WC” painter’s initials, raised on wooden stands. h. 15”, dia. 6-1/2”

$1,000-$1,500

546

Patinated Bronze Garden Fountain

547

Pair of Royal Copenhagen Vases

546

548 Georg Schmitz (German, 1851-1917)

“Steamership at Sea”, 1888 oil on canvas signed, dated and localized “Hamburg” lower left. Framed.

19” x 43”, framed 34-3/4” x 59-3/4”

Provenance: Arenskjold Antique Art, Hudson, New York, February 5, 2012.

$1,000-$1,500

549 George Hetzel (American, 1826-1899)

“Woodland Stream” oil on canvas signed lower left. Framed.

22” x 36”, framed 26-1/2” x 40-1/4”

$1,200-$1,800

548

550 Philadelphia Neoclassical Coin Silver Tea Set

second quarter 19th century, by Edward Lownes (17921834), including:

a teapot, h. 11-1/4”, l. 12-1/4”;

a coffeepot, h. 11-3/4”, l. 12-1/4”;

a hot water pot, h. 13-1/2”, l. 13-1/2”; an open sugar bowl, h. 8-1/2”, w. 8-1/2”; and a cream jug, h. 8-1/4”, l. 6-1/2”; each with ovoid body, floral rocaille banding, arched scroll handle (the pots with dolphin’s head mounts) and square plinth base on winged lion’s paw feet, monogrammed “MGG”, together with a Reed & Barton Silverplate Tray, 1930, Taunton, Massachusetts, oval with molded serpentine rim and handles, monogrammed “AHH”, 20-3/4” x 29-1/2”. 211.49 total t. oz.

Provenance: Rosedown Plantation, St. Francisville, Louisiana.

$4,500-$7,000

551

Large Philadelphia Coin Silver Water Pitcher

mid-19th century, by Robert & William Wilson, the ovoid body centering a rococo cartouche and decorated with repousse flowers and scrolls, with arched grapevine handle, and waisted collar, integral spout and domed foot decorated en suite.

h. 15-3/4”, l. 8-1/2”, dia. 6-3/4”; 31.51 t. oz.

Provenance: Private collection, Mobile, Alabama.

$1,000-$1,500

550 551

552

S. Kirk & Son Sterling Silver-Gilt Fruit Bowl

second quarter 20th century, Baltimore, Maryland, the shallow circular bowl decorated with deep repousse flowers and with shaped, applied rim, raised above a domed foot en suite.

h. 5”, dia. 10-1/4”; 32.71 t. oz.

Provenance: Private collection, Mobile, Alabama.

$1,000-$1,500

553

Alvin “Old Orange Blossom” Sterling Silver Flatware Set

the pattern designed in 1905 by Frederick John Habersack (1875-1932), Providence, Rhode Island, including six seven-piece place settings (one piece lacking), with an additional fourteen place pieces and ten serving pieces, monogrammed “C”, presented in a fitted, tarnish-resistant cloth-lined wooden case with lift-top and inset leather panels, 3-3/4” x 16” x 11-3/4”.

65 pieces plus case

75.90 total t. oz. (weighable silver)

Detailed list of pieces available on request.

$2,500-$4,000

552

Reed & Barton “Francis I” Sterling Silver Luncheon Set

the pattern designed in 1907 by Ernest Meyers, Taunton, Massachusetts, comprising twelve six-piece place settings, with an additional half-dozen teaspoons, four place pieces and a sugar shell, some monogrammed “N”. 85 pieces total 93.01 total t. oz. (weighable silver)

Provenance: Dr. and Mrs. Joseph E. Dugas, Jr., New Orleans, Louisiana.

Detailed list of pieces available on request.

$2,000-$4,000

American Silverplate Punch Set

fourth quarter 20th century, by the Sheridan Silver Co., Taunton, Massachusetts, including a large punchbowl, h. 11-1/8”, dia. 18”, twelve footed punch cups, h. 3-1/2”, dia. 3-1/4”, and a footed platter, dia. 21-1/2”, with vintage and floral decoration.

$1,000-$1,500

554

555

554 554 detail

556

Alvin “Prince Eugene” Sterling Silver Flatware Set

the pattern introduced in 1950, Providence, Rhode Island, including a dozen nine-piece place settings (one piece lacking), with an additional two dozen teaspoons, fifty-two place pieces and ten serving pieces, no monograms, presented in three Hagerty Silversmiths’ cloth-covered, fitted and zippered drawer inserts, 11-3/4” x 19”.

193 pieces + 3 tray inserts

197.45 total t. oz. (weighable silver)

$3,500-$5,000

557

Towle “Spanish Provincial” Sterling Silver Flatware

the pattern introduced in 1967, Taunton, Massachusetts, including twelve each of dinner forks, l. 7-3/4”, salad forks, l. 6-1/2”, dessert spoons, l. 6-5/8” and teaspoons, l. 6”, no monograms.

64.26 total t. oz

$1,200-$1,800

558

Eight Mexican Sterling Silver Water Goblets

contemporary, each of Spanish Colonial chalice form, with ovoid bowl, baluster stem and domed foot, decorated with a band of repousse roses on a matte ground.

h. 7-3/4”, dia. 4”; 82.53 total t. oz.

$1,000-$1,500

559

Antique Tabriz Carpet

3’ x 5’

$1,000-$1,500

560

Semi-Antique Persian Tabriz Carpet

signed in border.

9’ 4” x 12’ 6”

$1,000-$1,500

561

Turkish Angora Oushak Carpet

9’ 8” x 14’ 3”

$1,500-$2,500

559

560

561

Late 19th Century

Provenance: Bonhams, New York, New York.

$6,000-$9,000

562

Antique Oushak Carpet

13’ x 16’ 3”

563

Semi-Antique Heriz Carpet

9’ 6” x 12’ 9”

$3,000-$5,000

562

564

Turkish Angora Oushak Carpet 10’ x 14’ $1,500-$2,500

565

Antique Sarouk Carpet

10’ 6” x 14’ $2,500-$4,000

564

7’ 4” x 10’ 8”

$1,200-$1,800

2’

$1,000-$1,500

566 Semi-Antique Mahal Carpet

567 Turkish Angora Oushak Runner

7” x 25’ 3”

567

568

Two French Walnut Chairs

18th century, consisting of a fauteuil a la reine with downcurved arms supported by turned posts and raised on block-and-turned legs, joined by a turned stretcher, h. 42-1/2”, w. 22”, d. 26”, and a Louis XIII provincial side chair, h. 44-1/2”, w. 22”, d. 20”.

$1,200-$1,800

569

Giltwood Mirror in the Regence Style

the crest carved with scrollwork, flower heads and gadrooned trim, backed by a mirror plate, the primary mirror plate with a carved outer surround, with carved, pierced shells and scrollwork in the corners, set with a beveled mirror plate.

h. 61-1/4”, w. 31”

$1,000-$1,500

568

the twelve-light chandelier with a scrolled, patinated metal frame and candle branches on two tiers, terminating in floriform prism rings hung with colorless teardrop prisms and puce-colored prisms, and a faceted, cut crystal pendant drop, the corona hung with cut glass drops.

h. 25”, dia. 29”

$1,000-$1,500

early 20th century, the padded and domed back and sides joined by carved arms to the cushioned seat, raised above a foliate-carved apron on cabriole legs headed by shield carving and ending in scrolled toes.

h. 41-1/2”, w. 29”, d. 23”

Provenance: Private collection, Houston, Texas.

$1,200-$1,800

second quarter 19th century, mounted with a figure of a musketeer holding a powder horn, his musket to one side, the base with a cove-molded support decorated with acanthus leaves and scrollwork, on scrolled feet flanking an anthemion center drop.

h. 16-3/4”, w. 11-1/2”, d. 4-1/4”

$1,000-$1,500

571

Baroque-Style Patinated Metal and Glass Chandelier

572

French Restauration Gilt-Bronze Figural Mantel Clock

570 Regence-Style Parcel-Gilt Fruitwood Bergere

571

573

Pair of Regence-Style Fruitwood Fauteuils a la Reine

late 19th century, each with a tall, domed and padded back surmounted by a foliate shell crest, joined by padded, carved arms to the padded seat, raised above a shaped, shield-carved apron on cabriole legs ending in scrolled toes.

h. 52”, w. 28”, d. 25”

$1,200-$1,800

574

Pair of Louis XIV-Style Giltwood and Marble-Top Console Tables

19th century, each with a shaped marble top with a molded edge, above a pierced frieze centered by a musical torchere carving and with floral garland, raised on shaped, foliate-carved legs headed by a winged bird and joined by a stretcher featuring a stag being accosted by two hounds, ending in foliate toes.

h. 36”, w. 55”, d. 22-1/2”

$7,000-$10,000

573

575

Pair of Louis XV-Style Gilt-Bronze Chenets

fourth quarter 19th century, French, one decorated with a menacing wild boar and the other with a stag, nestled among pierced bronze scrollwork and rocaille work, after a model used in the Dauphin’s bedroom at Versailles, which was used as a hunting lodge.

h. 11”, w. 15-1/4”, d. 9-1/2”

$1,200-$1,800

576

Charles-Louis-Emilien Desprez (French, b. 1818)

“Hunt Among the Majestic Oaks” oil on canvas signed lower right. Framed.

19-3/4” x 28-5/8”, framed 25” x 33”

$1,500-$2,500

577

After Jean-Baptiste Clesinger (French, 1814-1883)

“Taureaux de Combat”

patinated bronze first half 20th century, cast signature along edge of self-base.

h. 32”, w. 53”, d. 21”

$2,000-$4,000

578

Pair of French Bronze-Mounted Marble Urn-Form Lamps

first half 20th century, the neoclassical-style verde antique marble urns carved with swirled fluting and decorated with pierced bronze bowknots supporting laurel swagging, the base decorated with carved marble reeding bound with gilt-bronze ribbon, mounted with shades. h. 35”, dia. 16”

$1,000-$1,500

579

Pair of Belle Epoque Bronze Andirons

fourth quarter 19th century, in the Baroque taste, with a mellow brown patina, the graduated, lobed standards supported on scroll-footed bases decorated with putto masques, supported on cast iron billet bars. h. 28”, w. 14-1/2”, d. 31-1/2”

$1,000-$1,500

580

Regence Giltwood Mirror in the Neoclassical Taste

first quarter 19th century, the scrollwork-lined crest decorated with a central urn and swags of flowers on a mirror plate ground, the side panels with Greek-key tops and bottoms, punctuated with carved medallions and leaves, the base with a cabochon and flower head supported by giltwood scrollwork. h. 73-1/2”, w. 42”

Provenance: Karla Katz Antiques, New Orleans, Louisiana; Private collection, New Orleans, Louisiana.

$1,500-$2,500

579

581

Handsome Napoleon III Bronze Dore et Patine Figural Clock

third quarter 19th century, mounted with a figure of Venus, with pearls in her hair, attended by cherubs, the clock dial with a bezel supporting swags of roses, the rounded case with bas-relief plaques of frolicking putti, framing a central plaque of a wreath with a quiver and torch, the sides with berry vines.

h. 18-3/4”, w. 20”, d. 9”

$1,500-$2,500

582

Pair of French Marble and Gilt-Bronze Garniture Urns

ca. 1900, in the Louis XV taste, the mottled brown marble pear-form bodies mounted with swan-form handles, the birds supporting swags and bowknots, the covers and bases molded with acanthus leaves.

h. 18-1/2”, w. 7-1/2”, d. 5-3/4”

$1,000-$1,500

583

Gyenes Lajos Szentgyorgyi (Hungarian, 1890-1971)

“Interior Scene, The Salon”, 1924

oil on canvas signed and dated lower right. Framed. 40” x 32”, framed 46” x 38”

$3,000-$5,000

581

583

582

584

Louis XV-Style Carved Mahogany Settee

20th century, the domed and padded back surmounted by a foliate shell-carved crest, joined by padded and scrolling arms to the single cushioned seat, raised above a shell-carved frieze on cabriole legs headed by acanthine carving and ending in scrolled toes. h. 41, w. 72”, d. 28”

Provenance: Estate of Norma Crawford Myers, Dallas, Texas.

$1,000-$1,500

585

Pair of Louis XVI-Style Kingwood Marquetry and Marble-Top Commodes

each with a rectangular breakfront Breche Violette marble top with rounded front corners, above a conforming case fitted with three drawers over three cupboard doors, all banded and with diamond-patterned parquetry panels, raised on ormolu-mounted, fluted, tapering circular legs. h. 39-1/2”, w. 48”, d. 22”

Provenance: Harris Antiques, Ltd., New Orleans, Louisiana, Private collection, New Orleans, Louisiana.

$3,000-$5,000

586

French Carved and Pierced Giltwood Mirror

early 20th century, in the Louis XVI taste, the elaborate pierced crest decorated with acanthus-carved scrollwork, flanking a basket of fruit under a bower of flowers, the rectangular mirror plate in a giltwood surround, carved with laurel leaves and interior beading, with flower knops carved on each side.

h. 66-1/4”, w. 38-1/4”

$2,000-$4,000

587

Impressive Napoleon III Gilt-Bronze Three-Piece Clock Set

third quarter 19th century, the clock decorated with a serene mother comforting a sleeping butterfly-winged putto nestled in a blossom with molded leaves, the covemolded base with incised scrollwork and raised on leafmolded feet, h. 19-1/2”, w. 23-1/2”, d. 8”, together with a pair of matching seven-light candelabra decorated with pairs of putti and leaf-molded sockets and candle cups, in the Rococo Revival taste, h. 31-1/2”, dia. 14-1/2”.

$4,000-$7,000

586

587

588

Louis XV-Style Kingwood Occasional Writing Table

20th century, the shaped, rectangular top with floral marquetry and full brass banding, the front with a pullout leather writing slide and a single frieze drawer on one side, joined to a parquetry-inlaid lower shelf by cabriole supports continuing to sabots.

h. 28”, w. 20”, d. 16”

$1,000-$1,500

589

French Giltwood and Painted Three-Panel Screen

ca. 1900, in the Louis XVI style, each panel with a carved dents-de-loup outline, the arched center panel above a mirror plate, the crest with ribbon-bound, carved trophies, the lower panels with figures in landscapes in the romantic taste.

h. 61-1/2”, w. 57” (fully extended)

$1,000-$1,500

590

Louis XVI-Style Fruitwood and Mixed Woods Cocktail Table

the banded, rectangular top with a full pierced brass gallery and featuring an elaborate inlaid medallion amidst scrolling patera patterns, above a conforming banded frieze, raised on canted, tapering square legs headed by ormolu maiden’s heads and ending in feet.

h. 18”, w. 48”, d. 22-1/2”

$1,000-$1,500

588

589

590

591

Pair of Louis XV-Style Kingwood and Marble-Top Petite Cabinets

20th century, each with a rectangular top with a concave front, above a conforming case fitted with a dentillated frieze drawer over two banded drawers and a like cupboard opening to two pull-out shelves, raised on cabriole legs ending in sabots.

h. 43”, w. 16”, d. 15-1/4”

Provenance: Castle Antiques & Design, North Hollywood, California.

$1,000-$1,500

592

Pair of Napoleon III Bronze Candelabra

third quarter 19th century, set with scrolled candle branches terminating in scrolled, rocaille-molded candle cups, set with bobeches and matching drip pans, mounted on scrolled and pierced stands supporting putti, on pierced, scrolled and rocaille-molded bases.

h. 21-1/2”, dia. 12”

$1,000-$1,500

19th century, the rectangular breakfront Blanc bleute' de Savoie gray-veined marble top with canted corners, above a conforming case fitted with three frieze drawers over two long drawers, all banded and with decorative inlays, flanked by faux fluted and canted pilasters, raised on cabriole feet ending in sabots.

h. 34”, w. 48-1/2”, d. 23”

$1,200-$1,800

593

Transitional Louis XV/XVI-Style Mahogany, Satinwood and Marble-Top Commode

591

592

593

fourth quarter 19th century, signed by Mason Marquis Languereau, in the Louis XVI taste, the clock with a giltbronze urn-form finial, the signed dial beneath a swag of laurel leaves tied in a bowknot, the marble base decorated with gilt-bronze panels with mounts of woven ivy and laurel, raised on molded toupie feet, h. 17-1/4”, w. 11-1/4”, d. 6-1/2”; together with a pair of six-light candelabra with scroll-molded candle cups on matching arms, supported by bronze kneeling putti, resting on column-form marble bases decorated with swags of gilt-bronze grape leaves, h. 22-1/4”, dia. 10-1/4”.

$1,200-$1,800

each with a padded and rounded, rectangular back surmounted by a foliate shell-carved crest, the padded seat raised on cabriole legs headed by shield carving and ending in scrolled toes, all with gilt accents. h. 42”, w. 21-1/2”, d. 20”

$1,200-$1,800

594

Three-Piece French Belle Epoque Gilt-Bronze and Marble Clock Set

595 Suite of Ten Louis XV-Style Parcel-Gilt Fruitwood Side Chairs

594

595

596

French Gilt-Bronze and Crystal Basket Chandelier

first quarter 20th century, in the Empire taste, the twelvelight chandelier with a frame hung with strands of cut glass drops, the gilt and patinated bronze center circle set with three triple molded bronze candle arms, set with pierced anthemia, the arms alternating with pierced bronze wreaths with crossed torches, with three interior sockets.

h. 48”, dia. 31-1/2”

$1,000-$1,500

French Belle Epoque Giltwood Cushion Mirror

fourth quarter 19th century, in the rococo taste, decorated with a central cabochon-mounted cartouche flanked by cherubs, supported on scrollwork and decorated with flower heads, the “cushions” with egg-and-dart giltwood surrounds, set with beveled mirror panels, the corners with carved giltwood leaves and flowers.

$1,800-$2,500

597

h. 79”, w. 39”

597

598

Louis XVI-Style Giltwood and Upholstered Bed

early 20th century, the padded headboard with a floral-carved crest and carved side posts, the footboard with circular piercing and short corner posts with carved fluting and acanthus leaves. h. 60”, inside w. 64”, l. 76”, outside w. 68”, l. 80”

$2,000-$4,000

599

Fine French Fin-de-Siecle Giltwood and Beveled Glass Five-Panel Screen

fourth quarter 19th century, each section set with three beveled panels with serpentine crests trimmed with flower heads and acanthus leaves, all panels trimmed with scrollwork and rocaille work, beneath the glass panels, set with giltwood panels incised with flowers. h. 86-1/4”, w. 108” (fully extended)

$1,000-$1,500

599

598

600

Louis XV-Style Parquetry-Inlaid and Marble-Top Commode

early 20th century, the Breche d’Alep marble top with beveled edges, over a bombe-form case fitted with three long drawers, the corners with ormolu mounts. h. 34”, w. 48”, d. 22”

$1,500-$2,500

601

Pair of French Bronze-Mounted Porcelain Urns in the Sevres Taste

ca. 1900, the urns painted with scenes of courting couples in 18th-century costume, on a bleu celeste ground, with leaf-molded bronze knops and pierced bronze handles, the bronze bases decorated with swags of flowers supported by leaf-molded scrollwork.

h. 25-1/2”, w. 8”, d. 7”

$1,000-$1,500

602

Three-Piece Herend Porcelain Garniture in the Sevres Style

20th century, Hungarian, decorated with birds in gilttrimmed panels on a bleu celeste ground, comprised of a pair of “vases a tete d’elephant”, h. 16”, w. 11-1/2”, d. 5”, and a potpourri gondole on stand, the pierced cover decorated with encrusted flowers, set with openings for bulbs, h. 14-1/2”, w. 13-1/2”, d. 7-1/4”, one vase and the potpourri with blue Herend marks.

$1,200-$1,800

600

601

602

603

French Bronze Dore and Sevres-Style Porcelain ThreePiece Clock Set

fourth quarter 19th century, in the Louis XV taste, the clock mounted with a bleu celeste porcelain urn decorated with putti, and a pierced bronze scrollwork and rocaille work case decorated with flower heads, a satyr masque overlooking the porcelain dial, h. 21”, w. 12-1/4”, d. 8-1/4”, the matching fivelight candelabra with scroll-molded candle branches set with matching candle sockets and drip pans, the standards mounted with Sevres-style porcelain, on pierced, scrollmolded bases, h. 26-1/4”, dia. 10-1/2”.

$1,200-$1,800

604

French Gilt-Metal Clock Set with Sevres-Style Porcelain

fourth quarter 19th century, the clock set with a porcelain dial decorated with a bird amongst flowers and playful putti, the works by Japy Freres, the case with an urn-shaped finial set with bleu celeste-ground porcelain, the sides with giltmetal swags of flowers over porcelain panels, the base with rectangular porcelain panels flanking a molded medallion, the case signed on the back by Phillipe Mourey. h. 18-1/2”, w. 9-3/4”, d. 6-1/2”

$1,000-$1,500

605

Stephen Jacob (French, b. 1846)

“The Courtship”

oil on canvas signed lower right. Framed.

22” x 15-3/4”, framed 33” x 26-1/2”

$1,000-$1,500

604

603

605

606

Two-Piece Louis XVI-Style Mahogany and BronzeMounted King-Size Bed Ensemble

ca. 1900, consisting of a pair of twin beds now joined to form a king-size bed, with framed, paneled and fluted posts and bronze pineapple finials, h. 72”, inside w. 81”, l. 83”, outside w. 83”, l. 87”, together with a marble-top side table with a single drawer above a framed and paneled door, with an open shelf below, h. 33-1/2”, w. 16”, d. 15”.

Provenance: Fireside Antiques, Baton Rouge, Louisiana.

$1,500-$2,500

607

Louis XVI-Style Kingwood Lady’s Desk

early 20th century, the brass-bound rectangular top with an inset leather writing surface, above a conforming frieze fitted with a long drawer to one side and a short, deeper drawer to the other, each with delicate inlaid vessels, raised on tapering square legs ending in toupie feet.

h. 29-1/2”, w. 31-1/2”, d. 20”

$1,000-$1,500

606 607

608

Pair of Continental Porcelain Potpourri Urns

fourth quarter 19th century, now mounted as lamps, in the chinoiserie taste and trimmed with flowers on a gilt ground, with mauve and green decorated handles and pierced necks, the wooden bases decorated to match.

h. 33”, w. 19-1/2”, d. 15-1/2”

$1,200-$1,800

609

Pair of French Fin-de-Siecle Giltwood Pier Mirrors

fourth quarter 19th century, in the rococo taste, with molded surrounds and serpentine crests, the pierced rocaille-carved crests flanked by scrolled pediments and trailing flowers, with laurel leaves on the corners, the lower edge with matching scrolled trim, set with beveled mirror plates.

h. 73”, w. 31”

$1,500-$2,500

610

French Provincial-Style Painted, Parcel-Gilt and Marble-Top Table

early 20th century, the overhanging white marble top with a beveled edge, above an acanthus-carved, painted and parcel-gilt frame, raised on cabriole legs with carved knees and toes.

h. 29”, w. 27”, d. 27”

$1,000-$1,500

611

Muirfield “Magnificence” Partial Dinner Service

20th century, Sri Lanka, decorated with gilt rims with light, raised scrollwork, the set comprised of thirty-three dinner plates, dia. 10-1/2”, thirty-two soup plates, dia. 8-3/4”, thirtyeight salad/dessert plates, dia. 8-1/2”, sixteen sauce dishes, h. 1-1/2”, dia. 5-1/2”, thirty-two cups and saucers, h. 2-1/2”, dia. 3”, a pair of round open vegetable bowls, h. 3”, dia. 9”, an oval covered tureen, h. 6-3/4”, l. 12-1/2”, two covered sugar bowls, h. 3-1/2”, l. 6-3/4”, two cream jugs, h. 3-1/4”, l. 5”, and salt and pepper shakers, h. 3-3/4”, dia. 1-3/4”, each piece marked, except the shakers.

$1,000-$1,500

613

612

Belle Epoque Marble Bust of Madame de Pompadour

fourth quarter 19th century, probably Italian, modeled with her distinctive, long ringlets and a garland of roses atop her head.

h. 23”, w. 17”, d. 10”

$1,000-$1,500

613

Pair of French Bronze-Mounted White Marble

Garniture

ca. 1900, with bronze flower knops and fluted necks, the bodies set with leaf-molded handles supporting swags of bronze roses, the marble bases fit with guilloche-molded bronze trim and medallion feet.

h. 21-1/4”, w. 6-3/4”, d. 5-1/2”

$1,000-$1,500

Urns

614

Three-Piece French Gilt-Bronze and Marble Diminutive Clock Set

fourth quarter 19th century, in the neoclassical taste, the clock with a fluted column base supporting the clock works, framed with gilt-bronze laurel leaves and a basket-of-flowers finial, the marble base with flanking pierced side scrolls and central swags of flowers, the works signed by Marti, h. 15”, w. 10”, d. 4”; together with a pair of matching two-light candelabra, h. 14-3/4”, w. 9-1/2”, d. 3-3/4”.

$1,000-$1,500

615

Pair of French Belle Epoque Marble and Gilt-Bronze Candelabra

fourth quarter 19th century, in the Louis XV taste, the fluted marble standards and bases mounted with giltbronze leaf-molded arms, terminating in matching candle cups and drip pans, the bases trimmed with gilt-bronze lotus leaves and ribbon-bound reeding. h. 21-1/4”, dia. 12”

$1,500-$2,500

616

Louis-Philippe Three-Piece Alabaster Clock Set

second quarter 19th century, the portico clock decorated with scrolled leaf carving and flowers, with Doric columns supporting the dentillated cornice, the dial set into a leaf-molded gilt-bronze bezel, h. 23-3/4”, w. 12-1/4”, d. 8”, and the pair of garniture urns with carved bodies set with leaf-carved, pierced handles and raised on drum-form bases, h. 20”, w. 7-1/4”, d. 4-1/4”.

$1,000-$1,500

617

Transitional Louis XV/XVI-Style Kingwood, Mixed Woods and Marble-Top Commode

20th century, the rectangular breakfront Hautacam violet marble top with canted corners, above a conforming case fitted with two long drawers centered by an inlaid floral spray, raised on cabriole legs ending in sabots.

h. 35-1/2”, w. 35”, d. 19-1/4”

$1,200-$1,800

618

Gilt-Metal, Porcelain and Glass Chandelier

second half 20th century, the ten-light chandelier with a standard set with cut and engraved glass supporting reeded, metal arms decorated with gilt-metal vines and leaves, set with scattered polychrome porcelain flowers, the arms terminating in molded glass drip pans, with a pendant faceted glass drop.

h. 33”, dia. 29-1/2”

$1,500-$2,500

617

618

619

Louis XV-Style Four-Piece Giltwood Parlor Suite

20th century, comprised of a settee, h. 45-1/2”, w. 71”, d. 26-1/2”, a pair of fauteuils, h. 41”, w. 27”, d. 42”, and a side chair, h. 38”, w. 21”, d. 19”, all with shaped and padded, rectangular backs surmounted by a foliate shell-shield crest, the padded seats raised above a shaped floralcarved apron, on cabriole legs ending in scrolled toes on casters.

$2,000-$4,000

620

Pair of French Gilt-Metal and Crystal Sconces

second half 20th century, in the Bagues style, decorated with quiver-form backplates supporting birds and giltmetal candle branches set with glass leaves, terminating in leaf-molded drip pans and faceted glass candle sockets, electrified.

h. 24-1/2”, w. 12-1/2”, d. 5-1/4”

$1,000-$1,500

621

Louis XV-Style Polychrome Bergere avec Oreilles

early 20th century, the domed and padded back surmounted by a molded cornice and joined by shaped, padded sides and arms to the cushioned seat, raised on molded cabriole legs ending in scrolled toes, upholstered in apricot Scalamandre chinoiserie silk damask. h. 36”, w. 26”, d. 21”

Provenance: Royal Antiques, New Orleans, Louisiana, Private collection, New Orleans, Louisiana.

$1,000-$1,500

622

French Gilt-Bronze Chenets and Firescreen

20th century, in the Louis XV taste, the chenets decorated with pierced scrollwork and leaves, h. 17-1/4”, w. 8-1/2”, d. 4”, the shield-form firescreen framed with scrollwork and rocaille work, the center mount decorated with flower heads and leafy tendrils, on pierced and scrolled feet. h. 27-1/2”, w. 26-1/2”, d. 7”

Provenance: Estate of Norma Crawford Myers, Dallas, Texas.

$1,000-$1,500

623

Sino-French Bronze-Mounted Rose Medallion Porcelain Punch Bowl

fourth quarter 19th century, the bowl decorated with mandarin figures and peonies, with French giltbronze mounts and a pierced rim, winged dragonform handles and a pierced base raised on molded elephant-headed legs.

h. 11”, w. 16-1/4”, d. 12-1/4”

$1,000-$1,500

624

After Jean-Baptiste Le Prince (French, 1734-1781)

“The Astrologer” oil on copper unsigned.

Framed.

16-7/8” x 13-1/2”, framed 25-1/4” x 20-3/4”

Provenance: Bonhams, London, England, April 6, 2017, lot 142.

$1,500-$2,500

623

624

625

Pair of Louis XIV-Style Kingwood Petite Commodes 20th century, each with a shaped, rectangular top with a three-quarter pierced brass gallery, above a conforming case fitted with three long drawers, the upper one opening to an inset leather writing surface, all with decorative string inlay and ormolu mounts, raised on cabriole legs with ormolu capitals and sabots.

h. 31”, w. 25-1/2”, d. 20”

$1,500-$2,500

626

Pair of French Gilt-Bronze and Marble Brazier-Form Garnitures

fourth quarter 19th century, decorated with molded flame finials, the fluted bodies supported by monopodia terminating in ram’s heads, on cove-molded marble bases.

h. 9-1/2”, dia. 5-3/4”

$1,000-$1,500

627

Pair of French Neo-Grec Bronze and Onyx Figural Candelabra

fourth quarter 19th century, now mounted as lamps, the molded sockets supported on pierced acanthus leaves hung with chains, on standards depicting water carriers, supported on white onyx bases decorated with bas-reliefmolded neoclassical panels, raised on gilt-bronze paw feet.

h. 52”, dia. 8-3/4”

$1,000-$1,500

627

628

Pair of Louis XV-Style Giltwood Fauteuils

each with a padded and rectangular back surmounted by a floral crest, joined by padded, scrolling arms to the like seat, raised on molded cabriole legs headed by a floral capital and ending in scrolled toes.

h. 41”, w. 28”, d. 22”

Provenance: Estate of Norma Crawford Myers, Dallas, Texas.

$1,000-$1,500

628

629

Pair of Louis XV-Style Giltwood Fauteuils

each with a padded, rectangular back surmounted by a floral crest, joined by padded, scrolling arms to the like seat, raised on molded cabriole legs headed by a floral capital and ending in scrolled toes.

h. 41”, w. 28”, d. 22”

Provenance: Estate of Norma Crawford Myers, Dallas, Texas.

$1,000-$1,500

629

630

Pair of French Gilt-Bronze Sconces in the Neoclassical Taste

second half 20th century, the backplates with pierced bowknots, supporting bunches of grapes and grape leaves, the leaf-molded and scrolled candle branches set with reeded candle sockets and fluted drip pans, decorated with molded laurel leaves.

h. 23”, w. 11-1/2”, d. 7”

$1,000-$1,500

631

Pair of Transitional Louis XV/XVI-Style Mahogany and Marble-Top Commodes

20th century, each with a breakfront Rouge Alicante marble top with canted corners, above a conforming case fitted with two long drawers centered by an inlaid musical trophee, the sides inlaid en suite, raised on cabriole legs ending in sabots.

h. 34”, w. 43”, d. 19”

$1,800-$2,500 630

632

Fine Aubusson Tapestry

early 19th century, the central motif of a lush flowerladen urn, with ribbon and floral posy border, now with a decorative support cornice for display.

116” x 50”

Provenance: The Antiquity Ltd. by Kyle Griffith Interiors, Memphis, Tennessee.

$1,200-$1,800

633

Unusual Empire-Style Brass and Crystal Chandelier

the twenty-light basket-form chandelier set with three groups of four candle branches, each on scrolled supports alternating with pairs of rope-twist brass supports, hung with strands of crystal drops. h. 37”, dia. 28”

Provenance: Villa Melrose Antiques, Los Angeles, California.

$1,500-$2,500

632

633

634

Louis XV-Style Kingwood and Parquetry Desk

20th century, the banded and shaped top with an ormolu band and lattice-patterned inlays, above a drawer opening to reveal a central double-hinged section, opening to a storage space and easel back, flanked to either side by an outward opening cupboard, the top pushing back for access, raised on cabriole legs headed by ormolu mounts and ending in sabots.

h. 30-1/2”, w. 42”, d. 26”

$1,000-$1,500

635

Louis XV-Style Fruitwood Bergere

19th century, the shaped and curved back surmounted by a molded, floral-carved crest, joined by padded arms to the cushioned seat, raised on cabriole legs headed by floral carving and ending in scrolled toes, upholstered in Scalamandre citron strie silk with vining floral embroidery.

h. 35-1/2”, w. 28”, d. 23”

Provenance: Royal Antiques, New Orleans, Louisiana, Private collection, New Orleans, Louisiana.

$1,000-$1,500

636

Herend “Rothschild Bird” Partial Dinner Service

20th century, Hungarian, the service including a large cachepot with green handles, h. 6”, dia. 10-1/4”, twenty-one dinner plates, dia. 10-1/2”, sixteen salad plates, dia. 7-1/2”, fifteen bread-and-butter plates, dia. 6”, twelve dessert plates, dia. 8-1/4”, five demitasse cups, h. 2-3/4”, dia. 2”, with fifteen saucers, dia. 5”, twelve footed tea cups, h. 2”, dia. 4”, with six saucers, dia. 5-3/4”, a pair of oval platters, w. 11-1/4”, l. 15”, a pierced fruit compote, h. 4-1/2”, dia. 8-1/2”, a coffee pot, h. 10-1/4”, w. 6-3/4”, a miniature coffee pot, h. 6-3/4”, w. 4-1/2”, a milk jug, h. 5”, w. 4-3/4”, two graduated sugar bowls, h. 3-3/4” to 4-1/2”, dia. 3-3/4” to 4”, a miniature cream jug, h. 2”, w. 3-1/2”, a flower-form low dish, h. 1-3/4”, dia. 8-3/4”, a square dish with a pierced rim, h. 1-1/4”, w. 7”, and an encrier with a bird and a pair of inkpots, h. 4-1/4”, w. 5-3/4”, d. 5”, each piece marked.

$3,000-$5,000

636 636 detail

637

Extensive Herend “Rothschild Bird” Partial Luncheon/ Dinner Service

20th century, Hungarian, including a round tureen with a bird knop, h. 10”, w. 11”, d. 10-1/4”, a similar round underplate, dia. 13-3/4”, an oval tureen with a bird knop, h. 9-1/2”, w. 11-1/2”, d. 7-3/4”, sixteen dinner plates, dia. 10-1/4”, fifteen breadand-butter plates, dia. 6”, twenty-one covered cream soup bowls with two additional covers, h. 4”, dia. 4-1/2”, twentythree matching underplates, dia. 6-1/4”, a coffee pot with a rose knop, h. 10-1/2”, w. 7-1/2”, a teapot with a rose knop, h. 7”, w. 9-1/4”, a miniature coffee pot with a rose knop, h. 7”, w. 5”, a miniature coffee pot with a cockerel knop, h. 7-1/4”, w. 5”, two cream jugs, h. 3-1/4” to 4”, w. 4” to 5-1/2”, a leaf dish, l. 4”, d. 3-1/4”, a miniature tureen, h. 4”, w. 5-1/4”, a round covered butter dish, h. 4”, dia. 5-1/4”, a small tureen with a rose knop, h. 6”, w. 11-3/4”, a round pierced bonbonniere with a pierced cover, h. 7-1/4”, dia. 7”, six flat teacups and saucers, h. 2”, dia. 5-3/4”, six demitasse cups with green handles and matching saucers, h. 2”, dia. 4-1/2”, three flat teacups with green handles, h. 2”, dia. 3-1/2”, three cream soup bowls with green handles and matching underplates, h. 2-1/2”, dia.

6-1/4”, two odd saucers, dia. 4-1/2”, and an oval tray with pink ribbon handles, w. 11”, l. 16”.

$3,000-$5,000

638

Collection of Herend “Rothschild Bird” Porcelain

20th century, Hungarian, including numerous rare forms, comprising an hors d’oeuvres set with a bird in the center, surrounded by scalloped and fitted dishes on a round bird-decorated tray, h. 10-1/2”, dia. 3-3/4”, a soup tureen with a lemon knop, h. 11-1/2”, w. 12-1/2”, a seven-piece hors d’oeuvres set with scalloped side dishes, on a round decorated tray, h. 5”, dia. 14-1/4”, a wine cooler, h. 5-1/2”, dia. 6-3/4”, a pair of three-light candelabra, h. 9”, dia. 6”, a double shell dish, h. 3-1/2”, l. 17-1/2”, a pair of small covered urns, h. 10”, w. 6-3/4”, a bombe cachepot with leaf-molded handles, h. 6”, l. 14”, an Empire-style cachepot on paw feet, h. 7-1/2”, dia. 8”, a sandwich tray, w. 6-1/2”, l. 14-1/2”, a sugar shaker, h. 5”, two round boxes, h. 3” to 3-1/2”, dia. 3-1/2” to 4-3/4”, a rectangular box, h. 1-1/4”, w. 3-3/4”, a tazza on a dolphin base, h. 3-3/4”, dia. 5-3/4”, a covered sugar bowl with a rose knop, h. 4-3/4”, dia. 4-3/4”, an open bowl with leaf-molded handles, h. 2”, dia. 4-1/4” and a jam dish, h. 2”, w. 5-1/4”, each piece marked.

$1,500-$2,500

20th century, Hungarian, with cone-form knops on the covers, the vases decorated with birds in trees and scattered butterflies, set with acanthus-molded and scrolled handles, marked on the bottoms. h. 19-1/2”, dia. 12-1/2”

$1,000-$1,500

639 Pair of Large Herend “Rothschild Bird” Covered

Garniture Urns

640

Pair of Transitional Louis XV/XVI-Style Mahogany and Mixed Woods Tables

each with a banded oval top centered by a floral basket inlay and within a full pierced brass gallery, above a conforming case fitted with a single drawer, joined to a like lower shelf by cabriole supports ending in sabots.

h. 29”, w. 23-1/2”, d. 17-1/2”

$1,000-$1,500

641

Pair of Louis XVI-Style Polychrome Bergeres

20th century, each with a padded and domed back surmounted by a floral wreath crest and pineapple finials, joined by padded arms on foliate uprights to the cushioned seat, raised on stop-fluted, tapering circular legs ending in peg feet.

h. 39-1/2”, w. 26-1/2”, d. 23”

$1,500-$2,500

640

Follower of Nicolas Poussin (French, 1594-1665)

“Enlevement”, ca. 1700 oil on linen unsigned.

Framed.

38-1/4” x 53-1/4”, framed 56-1/2” x 69-1/2”

$3,000-$5,000

643

Pair of Louis XVI-Style Mahogany and Marble-Top Center Tables

20th century, each with a circular marble top within a brass banding and above a conforming paneled frieze with applied ormolu garlands, raised on tapering square legs ending in peg feet.

h. 31”, dia. 24”

$1,000-$1,200

642

642

644

Pair of Louis XV-Style Fruitwood Bergeres avec Oreilles

20th century, each with a scrolling, floral-molded crest above a tufted and padded back, joined by shaped and padded sides and outscrolled arms to the cushioned seat, raised on molded cabriole legs headed by floral capitals and ending in scrolled toes.

h. 39”, w. 30”, d. 21”

Provenance: Estate of Norma Crawford Myers, Dallas, Texas.

$1,000-$1,500

19th century, the matching headboard and footboard with applied gilt-bronze mounts, the front rail with gilt-bronze mounts, the back rail without mounts.

h. 47-1/2”, inside w. 54”, l. 74-1/2”, outside w. 58”, l. 82”

$1,000-$1,500

645 Empire-Style Mahogany and Ormolu-Mounted Sleigh Bed

644

Napoleon III Rosewood Breakfront Bookcase

third quarter 19th century, in the rococo taste, of tripartite form, the molded, arched cornice centered by a shell- and floral-carved crest, over a conforming door with beveled glass, flanked by a pair of recessed doors with like glazing, the base with a scalloped apron and foliate- and scrollcarved legs with French toes. h. 97”, w. 90”, d. 22-3/4”

$1,000-$1,500

646

647

Aubusson Carpet

19th century.

15’ 9” x 18’ 10”

$3,000-$5,000

648

Aubusson Carpet in the Louis XVI Style

10’ x 14’ 3”

$1,000-$1,500

647

649

649

Pair of Louis XV-Style Mahogany Fauteuils

early 20th century, each with a shaped and padded back surmounted by a floral crest, joined by padded arms to the like seat, raised on cabriole legs headed by floral capitals and ending in scrolled toes.

h. 38-1/2”, w. 28”, d. 23”

$1,500-$2,500

650

Pair of Louis XV-Style Mahogany Fauteuils

early 20th century, each with a shaped and padded back surmounted by a floral crest, joined by padded arms to the like seat, raised on cabriole legs headed by floral capitals and ending in scrolled toes.

h. 38-1/2”, w. 28”, d. 23”

$1,500-$2,500

651

Pair of French Bronze Lanterns in the Rococo Taste

second quarter 20th century, the tops mounted with bronze scrolled chain holders, the octagonal lanterns with scrolled leaves beneath the reeded upper rims, the lower edges with bold, scrolled acanthus leaves, set with beveled glass panels.

h. 32”, dia. 27”

$2,000-$4,000

652

Pair of Minton-Spidell Louis XV-Style Oak Commodes 20th century, each with a rectangular top with rounded front corners and a projecting center section, above a conforming case fitted with three long drawers over a shaped and carved apron, raised on scrolled toes. h. 36”, w. 49-1/2”, d. 20-1/2”

$2,000-$4,000

651 652

653

Antal Berkes (Hungarian, 1874-1938)

“Autumn in the Park” oil on canvas signed lower left. Framed.

20” x 27-1/2”, framed 29-1/2” x 36-1/2”

$2,500-$4,000

653

654 Henry Thomas Schafer (British, 1854-1915)

“Cathedral of Saint Mary of Burgos, Spain”

“Market Day, Antwerp Town Center, Belgium”

two watercolors on paper laid down and backed in canvas each signed lower left, localized and signed en verso backing.

Each attractively matted, glazed and framed. each 18-1/4” x 14-1/4”, framed 29” x 25”

$1,000-$1,500

655

J. Bovy (Belgian, 19th/20th Century)

“The Town Square” oil on canvas signed lower right. Framed.

32” x 25-1/2”, framed 43” x 36”

$1,500-$2,500

654

656

French Carved and Pierced Giltwood Mirror

early 20th century, in the Louis XVI taste, the elaborate pierced crest decorated with acanthus-carved scrollwork, flanking a basket of fruit under a bower of flowers, the rectangular mirror plate in a giltwood surround, carved with laurel leaves and interior beading, with flower knops carved on each side. h. 66-1/4”, w. 38-1/4”

$1,800-$2,500

657

Paul Renard (French, 1941-1997)

“Parisian Snow Scene with View of Notre Dame”

gouache on paper signed lower right. Matted, glazed and framed. sight 7-1/4” x 11-1/4”, framed 19” x 23”

$1,000-$1,500

658

Louis XVI-Style Giltwood Bergere avec Oreilles

early 20th century, the domed and padded back surmounted by a foliate-carved crest and finials, joined by padded, downswept sides and arms to the cushioned seat, raised on spiral-fluted, tapering circular legs ending in toupie feet. h. 36-1/2”, w. 27-1/2”, d. 25”

$1,200-$1,800

659 Robert De Chatelenne (American/Texas, 20th Century)

“Winter Evening, Paris” oil on canvas signed lower right. Framed.

13” x 18”, framed 24” x 28-3/4”

Provenance: Estate of Norma Crawford Myers, Dallas, Texas.

$1,000-$1,500

660

Napoleon III Ebonized and Boulle Center Table

third quarter 19th century, the turtle-form top with elaborate, intricate Boulle inlay, above a conforming frieze fitted with a single drawer and centered with ormolu putti mounts, raised on cabriole legs headed by espagnolettes and ending in sabots.

h. 31”, w. 58”, d. 34”

$1,800-$2,500

661

Pair of Unusual French Parcel-Gilt Wooden Hanging Jardinieres

mid-20th century, in the Empire taste, set with semicircular plant containers ornamented with giltwood acanthus leaves, the tall backplates terminating in classical masques and trimmed with ribbon-bound reeding, painted with bellflowers, the centers with oval giltwood plaques of putti.

h. 38”, w. 9-1/4”, d. 5”

$1,000-$1,500

659

661

the shaped, slightly bowed rectangular marble top above a bombe case fitted with two long drawers, both with a gilt scene in the chinoiserie taste, within an ormolu frame, the sides en suite, raised on splayed legs ending in sabots.

h. 34”, w. 60”, d. 22-1/2”

$1,500-$2,500

662

Pair of French Neo-Grec Bronze Dore et Patine Garniture Urns

third quarter 19th century, decorated with bas-relief bacchanalian scenes on a patinated ground, mounted with pierced handles, raised on paw feet, the bases with gilt-bronze anthemia, the covers with molded fruit.

h. 16”, w. 9-1/2”, d. 6”

Provenance: Villa Melrose Antiques, Los Angeles, California.

$1,000-$1,500

the shaped marble top above a conforming bombe case fitted with two long drawers, raised on splayed legs ending in sabots, the whole accented with ormolu mounts and millwork.

h. 34”, w. 59”, d. 24”

$2,000-$4,000

663

Regence-Style Ebonized and Marble-Top Commode

664

Regence-Style Ebonized and Marble-Top Commode

662

663

Pair of Republic Period Chinese Export Porcelain Vases

ca. 1912-1949, with pink sgraffito grounds decorated with peonies in the famille rose palette, plum branches and birds, with turquoise interiors, seal marks on the bottoms, on hardwood bases.

h. 24-1/2”, dia. 7-1/2”

$1,500-$2,500

third quarter 19th century, the domed cornice surmounted by an ormolu floral and foliate shield crest with side finials, above a case fitted with a single, mirrored door opening to a shelved interior with a lower drawer, flanked to either side by an ormolu maiden mount, above a single, long drawer centered by an ormolu mount, raised on molded turret feet, the whole accented with ormolu mounts and brass line inlays.

h. 101”, w. 51”, d. 22-1/2”

$2,000-$4,000

665

666

Napoleon III Ebonized Armoire

665

third quarter 19th century, the rectangular top with rounded front corners, above a conforming case fitted with a Boulle panel frieze over a single door, centered by an oval Boulle panel, flanked to either side by ormolu atlantid mounts, the whole raised on rounded feet. h. 43”, w. 33-1/2”, d. 16-1/2”

$1,200-$1,800

third quarter 19th century, the turreted marble top inset into a gadroon edge, above a conforming case fitted with a decorative frieze over a single cupboard door centered by an oval panel and flanked to either side by an ormolu espagnolette, raised on rounded and molded feet. h. 43-1/4”, w. 32”, d. 16-1/2”

$1,200-$1,800

667

Napoleon III Ebonized, Boulle and Marble-Top Cabinet

668

Napoleon III Ebonized, Boulle and Marble-Top Commode

667

669

Three-Piece French Fin-de-Siecle Gilt-Bronze and Marble Centerpiece

fourth quarter 19th century, comprised of a shellform boat, piloted by a cherub, a classical figure with a torch lighting the way, the boat with pierced, gadrooned sides, on a molded base raised on a red griotte marble plinth, h. 18-3/4”, d. 7”, l. 16”, and a pair of matching shell-shaped ewers with spouts and scrolled handles set with dolphin-tailed putti, the bodies with pierced scrollwork panels and mounted with caryatids, on molded red griotte marble bases, h. 20”, dia. 5”.

$1,000-$1,500

670

French Giltwood Mirror in the Rococo Taste

fourth quarter 19th century, the outer edge decorated with bold garlands of flowers bound with ribbons, framed by an inner “sanded” border and a smaller floral surround. h. 50-1/2”, w. 42-1/2”

$1,000-$1,500

671

French Champleve Enamel, Bronze Dore and Onyx Figural Centerpiece

fourth quarter 19th century, the oval centerpiece with trophies supported on bowknots against laurel vines, on a Chinese red ground, set with a bronze dore laurel-molded rim and cherub-form handles, supporting swags of flowers, raised on hoof feet and mounted on an onyx platform set with champleve medallions.

h. 11-1/2”, w. 13”, d. 7-1/2”

$1,200-$1,800

672

French Molded and Cut Glass Chandelier

second half 20th century, the glass-clad standard hung with multiple prism rings terminating in glass scrolls hung with swags of drops and cut glass prisms, set with two tiers of rope-twist arms with molded prism rings, the lower portion decorated with large cut glass prisms and a spherical drop.

h. 46-1/2”, dia. 44”

Provenance: Villa Melrose Antiques, Los Angeles, California.

$2,500-$4,000

673

Pair of Chinese Cloisonne Vases on Stands

20th century, decorated with dragon and foo dog faces and scrollwork in cobalt panels on a turquoise ground, on hardwood stands.

h. 16”, dia. 6-1/4”

$1,000-$1,500

672 673

674

674

After Eugene (Evgeni Alexandrovich) Lanceray (Russian/French, 1848-1886)

“Troika”

patinated bronze cast signature in Cyrillic and dated 1881 at edge of selfbase, on a black marble base. h. 17-1/2”, w. 37”, d. 18”

$3,000-$5,000

675

After Jean-Francois-Theodore Gechter (French, 1795-1944)

“Charles Martel Combattant Abderame, Roi des Sarrasins”

patinated bronze 20th century, cast signature at front left of self-base. h. 18-3/4”, w. 18”, d. 10”

$2,000-$4,000

675

676

Georges Washington (French, 1827-1910)

“Les Emissaires”

oil on canvas signed lower left, old inventory labels and markings en verso.

Framed.

18” x 22”, framed 22-3/4” x 26-1/2”

$8,000-$12,000

677

After Jules Moigniez (French, 1835-1894)

“Cheval”

patinated bronze first half 20th century, cast signature along edge of selfbase, on a conforming green marble base.

h. 13-1/4”, w. 12”, d. 6-3/4”

$1,000-$1,500

676

677

678

Maria Prevot (French, 19th Century)

“Monsieur Felix Faure, President de la Republique Francaise, Sortant de sa villa au Havre, apres son voyage de Russie”, 1899

oil on canvas signed and dated lower left. Exhibition frame.

47” x 67”, framed 64” x 85-1/2”

$3,000-$5,000

679

Pair of French Restauration Bronze and Marble

second quarter 19th century, the kylix-form urns with leaf-molded handles and fluted bases, on verde antique marble plinths with leaf-molded bronze trim. h. 15-1/2”, w. 11”, d. 8”

$1,200-$1,800

Garniture Urns

678

679

681

French Bronze Argente Figure of Diana the Huntress

first

20th

h.

Provenance: Villa Melrose Antiques, Los Angeles, California.

$1,500-$2,500

680 Jean-Baptiste Germain (French, 1841-1910)

“Le Torrent”

patinated bronze ca. 1900, cast signature and dated 1899 along side of selfbase, numbered “7801” with “Exposition Universelle 1900 Medaille D’Or” stamp and “Souvenir Reconnaissant d’une Collaborations de 20 Annees” metal tag at back h. 32”, w. 13”, d. 13”

$1,500-$2,500

quarter

century, after Guillaume Coustou the Elder (French, 1677-1746), cast signature along back edge of self-base.

25-1/2”, w. 11”, d. 11”

682

Louis George-Legrand (Swiss, 1801-1883)

“Alpine Landscape”, 1850 oil on canvas signed and dated lower left. Framed.

35” x 47”, framed 42” x 58-1/2”

$1,500-$2,500

683

Frans Keelhoff (Belgian, 1820-1891)

“Cattle Pasturing in a Clearing Near a Bluff”

oil on linen signed lower left, remnant of a 19th-century English framer’s label. Framed.

34-1/2” x 55”, framed 42-1/4” x 63-1/4”

$3,000-$5,000

682

683

684

Collection of Hester Bateman Sterling Silver Tableware

all London, including:

a marrow scoop, hallmarked 1778-1779, l. 8-5/8”; an “Old English” tablespoon, hallmarked 1780-1781, monogrammed “W*H”, l. 8-1/4”; three “Old English” bright cut tablespoons, hallmarked 1782-1783, removed monograms, l. 4-1/2”;

a gilded teapot stand, hallmarked 1785-1786, of canted serpentine navette form, with beaded rim and four clawand-ball feet, l. 6-1/2”, w. 5-1/4”;

a pair of wine coasters, hallmarked 1785-1786, with reticulated gallery and turned rosewood base, engraved with a crest of an eagle rising, dia. 4-3/4”;

an “Old English” bright cut tablespoon, hallmarked 17851786, l. 4-3/4”;

an “Old English” platter spoon, hallmarked 1785-1786, removed monogram, l. 11-1/2”;

a toast rack, hallmarked 1790-1791, navette-shaped with pierced ovolo banding and four flat-column feet, h. 5-1/4”, l. 7-1/4”, w. 5-1/8”;

a pair of “Old English” bright cut tablespoons, hallmarked 1794, l. 8-1/2”; together with:

bright cut sugar tongs, hallmarked 1796-1797, by Peter and Ann Bateman, monogrammed “MAJ” on the bow, l. 5-5/8”. 24.96 total t. oz. (weighable silver)

$1,000-$1,500

685

Collection of English Sterling and Silverplate Tableware

including London sterling pieces: an Elizabeth II coronation mug, hallmarked 1953-1954, by Asprey & Co., of baluster form with applied medallion, h. 3-1/2”, dia. 2-1/4”, l. 3-1/2”; an Elizabeth II argyle, hallmarked 1966-1967, by Richard Comyns, in the Georgian taste, with ovoid body, domed lid and carved double-scroll handle, h. 7-3/4”, dia. 3-3/4”, l. 6-1/2”;

and in silverplate: an Elizabeth II cased condiment set by Walker & Hall, Sheffield, in the Georgian taste, including a salt cellar and spoon, a mustard pot and spoon, and a pepper caster, case 2-3/4” x 8” x 4”. 20.45 total t. oz. (sterling pieces only, including handle)

$1,200-$1,800

686

Four Continental Traveling Collapsible Cutlery Sets including:

a fine comital Franco-Austrian Empire traveling coach set, with a beaker, Vienna, 1815, by Joseph Heinisch (1765-1834), 13 lot (.812) silver, of slightly flaring cylindrical form with gilt interior and rim, h. 3-3/4”, dia. 3”, a separating fork, l. 7-1/2”, a separating spoon, l. 7-3/4”, and teaspoon, l. 5-1/8”, all Paris, 1809-1819, by Charles Salamon Mahler (ca. 1786-1845), first standard (.950) silver, with spatulate handle, a separating knife, Paris, 1809-1819, by Vital Antoine Cardeilhac (17841871), first standard (.950) silver, with threaded palmette design, the steel blade by Simon Salmon, l. 9-3/4”, and a spice box, h. 3”, dia. 1-1/8”, unmarked, cylindrical, unscrewing into two gilded compartments, with beaded cap, all pieces monogrammed “EEF” with a comital crown for Everilda Esterhazy, Countess de Fribert (1791-1874), the beaker with a suede insert fitted to hold the other pieces, all in a conforming fitted, red suede-lined red leather case decorated with gilt-tooled banding and stamp “C.se de Fribert”, overall h. 6-1/2”, dia. 3-1/2”; 11.47 t. oz. (weighable silver);

together with:

a silverplate and steel folding set, three pieces, the fork additionally with corkscrew, l. 5-5/8” to 6-3/4” (3-1/4” to 3-3/4” closed), with kid pouch for the utensils fitting into a paneled glass cup, the whole in a hinged leather case, l. 4-1/2”, w. 3”;

an IHER steel and mother-of-pearl folding set, Albacete, Spain, three pieces, l. 6-1/2” (3” closed), presented in a tan leather case, l. 4-1/4”, w. 2-3/4”; and

an Italian .800 Silver Folding Medicine Spoon, the ornate openwork handle with opposing angel and demon mascarons, l. 6-1/2” (2-3/4” closed), presented in a gilttooled red leather case, l. 3”, w. 1-3/4”.

$1,200-$1,800

Maria Anna Everilda Ursula Esterhazy van Galantha was born on February 10, 1791 in Aachen, North RhineWestphalia, the daughter of Balint Laszlo Graaf Esterhazy van Galantham, a noble member of the wealthy Hungarian Esterhazy family and his wife Maria Ursula Francesca van Hallwyl-Mydorge. On September 6, 1813 she married French diplomat Karl Ludwig, Viscount von Fribert (1793-1879), the illegitimate son of Caroline of Lichtenstein and her lover Captain Franz von Langendonck. She died on February 22, 1874 in Vienna. A biography of her parents survives in manuscript form, as do several of her letters. A history of this branch of the Esterhazy family may be found in Laszlo Berenyi, “Az Esterhazy-Hallwyl Grofok: A fraknoi Esterhazyak francia aganak tortenete” [“The Counts Of Esterhazy-Hallwyl: a History of the French Branch of the Esterhazys”], in Turul, v. 73 (Budapest: Hungarian Historical Society, 2000), pp. 6-21.

687

Six Sterling and Silverplate Traveling Cups

all of tapering cylindrical form, including: a Tiffany Sterling Silver Cup, the pattern introduced in 1909, New York, New York, h. 4-1/8”, dia. 2-1/2”; 3.85 t. oz., presented in a red suede-lined tanned leather case with buckle closure and carrying strap;

a Gorham sterling silver tumbler, dated 1908, Providence, Rhode Island, with gilt interior, engraved “Gretchen Barth / June 16th 1908”, h. 2-1/2”, dia. 2-1/4”, 1.14 t. oz., presented in fitted, velvet-lined black leather case, h. 3-1/2”, dia. 2-1/2”; an unmarked silverplate collapsing example with molded foot ring, monogrammed “C.E. & N.H.”, h. 2-1/2” (15/16” closed), dia. 2”;

a William G. Rogers, New York, silverplate collapsing example with gilt interior and hinged cup handle, h. 3-1/4” (15/16” closed), dia. 2-3/8”, presented in an alligator hide case, dia. 2-7/8”;

a Mark Cross, Berlin silverplate collapsing example with gilt interior and hinged cup handle, h. 3” (15/16” closed), dia. 2-1/2”, presented in a leather case, dia. 2-3/4”; and an unmarked silverplate collapsing example with guilloche banding, h. 3-1/8” (1-1/4” closed), dia. 2-1/2”, presented in a leather case, dia. 2-7/8”.

$1,000-$1,500

687

687 detail

688

Five Traveling Drinks Articles

including:

a German silverplate cocktail shaker set, design registry 1925, including a cocktail shaker, cap, combination strainer/ juicer, four shot cups with gilded interiors in a fitted rack, all nesting into the shaker and presented in a conforming black leather case, h. 5”, dia. 3-1/4”;

a set of six English silverplate nesting beakers, first quarter 20th century, each of tapering cylindrical form, two h. 4-1/2”, dia. 3-3/8”, four h. 3-3/4”, dia. 3-1/4”, the latter engraved with a badge of a greyhound courant and the motto “Sans Tache”, monogrammed “JSL”, presented in a fitted leather case with buckle strap handle, h. 7”, dia. 4”;

an English silverplate cocktail shaker, second quarter 20th century, of traditional form, with detachable straining collar and cap, presented in a conforming leather case, with buckle strap, h. 10”, dia. 4-3/4”;

a set of three English silverplate nesting beakers, first quarter 20th century, by Martin Hall & Co., Sheffield, each of tapering cylindrical form and decorated with flat-chased and wrigglework ovolo banding, presented in a conforming leather case, h. 4-1/4”, dia. 3-1/4”; and an English silverplate presentation flask, dated 1874, conical with friction-fitting detachable cup, engraved “Given by the Dulverton Troop, R.W.S.Y.C., Combe, 1874”, h. 10-1/2”, dia. 2”.

$1,200-$1,800

689

Four Covered Flasks

including:

an oval snakeskin-mounted example, Charles Westwood & Sons, Birmingham, the silverplate cap with integral collapsing shot cup, with engraved presentation date 1888-1913, h. 6”, w. 3-1/2”; an oval alligator-mounted example, with sterling silver cap hallmarked, London, 1865-1866, with later detachable silver cup marked 1889-1890, by Thomas Johnson II, h. 6”, w. 3-3/4”;

a rectangular leather-mounted example, probably American, late 19th century, with chromed metal cap; and a large rectangular woven rush-wrapped example, probably English, early 20th century, with chromed metal cap, 7-1/2” x 4”.

$1,000-$1,500

688

690

Four Nineteenth-Century Cased Silver Sets including:

a Victorian Sterling Silver Christening Set, hallmarked Birmingham, 1847-1848 (the fork 1887-1888), by Hillard & Thomason, in the traditional “Albert” pattern, filled handle and sterling blade, bowl and tines, l. 6” to 7-3/4”, presented in a fitted red satin- and velvet-lined leather case, 8-3/4” x 4”;

a Victorian Sterling Silver Christening Set, hallmarked London, 1864-1866, by Henry Lias & Son, in the traditional “Rose” pattern, the knife with filled handle and sterling blade, monogrammed “L”, l. 6-1/4” to 7-1/2”, presented in a fitted indigo satin- and velvet-lined leather case, 8-1/2” x 4-1/8”;

a Continental Belle Epoque Silverplate Hors d’Oeuvres Set, with pierced scroll handle, 6” to 7”, presented in a fitted claret satin- and velvet-lined leather case, 9” x 4-1/8”; and

a Victorian Silverplate Christening Set, with design registration date September 9, 1878, in an elaborate Renaissance Revival pattern, l. 6” to 8-1/4”, presented in a fitted olive satin-lined leather case, 9-3/4” x 3-3/4”. 6.51 t. oz. weighable silver (including filled handles)

690

691

Four Continental Silver Serving Sets

including:

a Cased Louis-Philippe Gilt Dessert Set, second quarter 19th century, by Eugene-Theodore Gillot (1799-1875), Paris, including a first standard (.950) silver fork, l. 7-3/4”, and spoon, l. 7-5/8”, a steel-bladed knife, l. 8”, and second standard (.800) silver-bladed knife, l. 8”, each with a mother-of-pearl handle with elaborate shell-and-scroll ferrule and finial, l. 7-3/4” to 8”, presented in a violet satinand velvet-lined case, case 1-3/4” x 9” x 5”;

a Cased Alexander II Gilt Place Setting, 1880, Moscow, probably by Ivan Alekseyev, 84 zlotnik (.875) silver, including a fork, l. 7-5/8”, tablespoon, l. 8”, teaspoon, l. 5”, steel-bladed knife, l. 10-1/2”, and small beaker, h. 2-1/4”, all with flowers on a hatched ground, each with monogram “DK” (in the Georgian Mkhedruli alphabet), 5.06 total t. oz. (weighable silver); presented in a fitted case, h. 2-1/4”, w. 11-1/2” x 5-1/2”;

a French Art Deco Fruit Set, second quarter 20th century, by Jacques & Pierre Cardeilhac, Paris, with twelve forks with first standard (.950) silver tines, l. 7-1/4”, and twelve knives with stainless steel blades, l. 8”, all with celluloid faux agate handles of elongated hexagonal section; and a Cased Austrian Placecard Holder Set, second quarter 20th century, Vienna, first standard (.935) silver, ten set with commemorative two-schilling pieces 1928-1937, and two with five schilling pieces 1934-1935, h. 1-1/2”, base dia. 1-1/8”, 6.92 total t. oz. presented in a cream satin and indigo velvet fitted case, 2” x 7” x 5-1/4”.

$1,000-$1,500

691

692

Collection of Figural Silverplate and Other Napkin

Rings

contemporary, including eleven reproduction silverplate figural napkin rings by James Mackie, Portland, Oregon, with five “Kate Greenaway” types, three with cherubs, and one each with pheasant, reindeer and clown, l. 2-1/2” to 5-1/2”; together with a set of nine stamped brass napkin rings with pierced pyr-and-scroll banding, h. 1”, dia. 1-1/2”.

693

Twelve Silverplate Figural Animal Napkin Rings

contemporary, cast and assembled from vintage elements, with floral, foliate, molded, braided and grapevine rings, with various animals, primarily cats, but also rabbits, piglets, a bear cub and fox, with dragonflies and butterfly.

l. 2-1/2” to 3-3/4”

$1,000-$1,500

694

German Novelty “Cat” Sterling Silver Cocktail Shaker

contemporary, in the form of a realistically detailed seated cat cleaning its fur, its mouth a faux spout fitted with a chained “stopper” of a fish tail, the head fitted with glass eyes and removing to reveal the detachable strainer. h. 7-1/2”, l. 7-1/2”, w. 4”; 38.02 t. oz.

$4,500-$7,000

693

695

German Novelty “Bear” Sterling Silver Cocktail Shaker

contemporary, in the form of a realistically detailed standing bear, holding an extending fishing pole with dangling fish, its mouth a faux spout fitted with a chained “stopper” of a half-swallowed fish, the head fitted with glass eyes and removing to reveal the detachable strainer. h. 9-3/4” (12” with pole extended), w. 2-3/4”, l. 4-1/2”; 28.79 t. oz.

$4,000-$7,000

694

696

German Sterling Silver Novelty Owl Cocktail Shaker

contemporary, in the form of a realistically detailed owl, its beak a faux spout fitted with a chained “stopper” with a frog on a lily pad, the head fitted with glass eyes detaching to reveal the detachable strainer.

h. 7-3/4”, w. 4-3/8”, d. 5”; 30.38 t. oz

$4,500-$7,000

697

Pair of Empire-Style Gilt-Metal and Marble-Top Occasional Tables

each with a circular marble top within a ribbed banding, raised on three supports headed by griffin capitals, joined by X-form stretchers and ending in paw feet on circular pads.

h. 27”, top dia. 12-1/2”

h. 27”, dia. 14”

$1,500-$2,500

698

Pair of Monumental French Bronze Candelabra

second half 20th century, of Baroque inspiration, the molded glass clad standards set with molded glass finials, and three tiers of sprays of drops over scrolled candle branches set with inverted bell-form candle sockets, the bases decorated with reeding, electrified.

h. 46”, dia. 16-3/4”

$1,000-$1,500

699

Pair of Louis-Philippe Black Marble and GiltBronze Candelabra

mid-19th century, now mounted as lamps, the sixlight candelabra with marble standards supporting leaf-molded, scrolling gilt-bronze candle arms set with faceted cabochon-molded candle cups and matching drip pans, and the tripartite bronze bases decorated with bronze gargoyles, mounted with bouillotte-style black tole shades. h. 17-3/4” (adjustable), shade dia. 20-1/2”

Provenance: Villa Melrose Antiques, Los Angeles, California.

$1,200-$1,800

700 Empire-Style Fruitwood Desk

the superstructure with a three-quarter pierced brass gallery above two deep end drawers with lion’smasque pulls, the open central section fitted with a pull-out leather-inset writing surface, above a frieze fitted with a central drawer flanked to either side by two ormolu maiden mounts, flanking a small drawer, raised on ribbed, tapering circular legs ending in gilt paw feet.

h. 45”, w. 42-1/2”, d. 22”

Provenance: Estate of Norma Crawford Myers, Dallas, Texas.

$1,200-$1,800

699

701 Handsome French Restauration Gilt-Bronze Clock

second quarter 19th century, the central clock case decorated with angels flanking an oil lamp, a classical maiden to one side and a lyre on a curule footstool on the other, the base decorated with a procession of putti, one being drawn in a chariot and fanned with palm fronds by a winged putto, mounted with a silk-string suspension movement.

h. 16-3/4”, w. 12”, d. 4-1/4”

$1,000-$1,500

702 Louis XVI-Style Ormolu-Mounted Bed and Armoire

early 20th century, the bed with an arched headboard and central gilt-bronze wreath, the posts with bronze pineapple finials, the footboard with bronze ribbon-andswag mounts, h. 58”, inside w. 60”, l. 81”, outside w. 63”, l. 85”; and the armoire with a molded cornice with a central domed section flanked to both ends by an ormolu acorn finial, above a wreath-applied frieze over two doors, each inset with a beveled mirror, the whole accented with ormolu mounts and raised on toupie feet, h. 94”, w. 59”, d. 22”.

$1,200-$1,800

703

Pair of French Barbedienne Neo-Grec Bronze and Marble Coupes

third quarter 19th century, the bowls with classical masques framed with bunches of grapes and pine cones, the pierced handles terminating in anthemia, raised on grape-molded stems, the bases signed “F. Barbedienne”, for founder Ferdinand Barbedienne (French, 1810-1892), on red griotte marble column-form plinths. h. 15-3/4”, w. 8-3/4”, d. 9”

$1,200-$1,800

704

Empire-Style Ormolu-Mounted Mahogany Gueridon

20th century, the banded, circular top with a starburstveneered pattern and ormolu edge, above a conforming paneled, ormolu-applied frieze, raised on four shaped supports headed by winged eagles, joined by a shaped, eagle-centered stretcher and ending in claw feet. h. 26-1/4”, dia. 28-1/2”

Provenance: Estate of Norma Crawford Myers, Dallas, Texas.

$1,000-$1,500

705

French School (Fourth Quarter 18th Century)

“Sappho Singing Her Verses” oil on canvas unsigned.

Framed. 30-5/8” x 42-5/8”, framed 36-1/4” x 48-1/4”

Provenance: Christie’s, New York, New York, January 30, 2014, lot 307.

$7,000-$10,000

705

706

Pair of Neoclassical Porcelain Urns of Sevres Inspiration

20th century, now mounted as lamps, decorated with bas-relief images of Amphitrite and putti, with gilt swagging and leaf-molded trim, set with molded ram’shead handles, on giltwood bases and mounted with shades.

h. 32-1/2”, dia. 15”

$1,000-$1,500

707

Unusual French Bronze Dore Plaque of Father Time

fourth quarter 18th century, the reclining figure perched upon a fluted wall-hung bracket, with a scrollwork and leaf-trimmed base, his wings dramatically spread on either side.

h. 19-1/2”, w. 17-1/2”, d. 6”

$2,000-$4,000

708

French Empire Gilt-Bronze Figural Clock

first quarter 19th century, of Aurora carrying a torch, pulling away her star-studded cloak to reveal sun rays peaking over the clock, the clock supported by putti blowing wind, a cockerell to one side, the base decorated with mounts of putti supporting a basket of flowers, flanked by swan-supported baskets, mounted with a silk-string suspension movement.

h. 21”, w. 15-1/4”, d. 5-3/4”

$1,000-$1,500

707

706

710

709

Louis XV-Style Carved Fruitwood Settee

20th century, the triple-domed, caned back surmounted by a molded shell- and foliate-carved crest joined by caned sides to the tri-cushioned seat, raised above a pierced foliate shell apron on cabriole legs ending in scrolled toes. h. 43”, w. 75”, d. 29”

Provenance: Estate of Norma Crawford Myers, Dallas, Texas.

$1,000-$1,500

710

Pair of Empire-Style Mahogany Fauteuils d’Encoignure

20th century, each with a bisected and padded back surmounted by a foliate-carved crest to downswept, likecarved arms, the padded seat raised on sabre legs ending in foliate scrolled toes, the whole with gilt accents. h. 34-1/2”, w. 31”, d. 20-1/2”

Exceptional Restauration Bronze Dore et Patine Mantel Clock

second quarter 19th century, in the neoclassical taste, decorated with emblems of war, the clock supporting a figure of Athena, Goddess of war, guarded by a Roman centurion, with a brazier of fire on the opposite side, with mounts of helmets and swords, the base with a bas-relief tablet of war horses and soldiers. h. 25-1/4”, w. 18-3/4”, d. 6-1/4”

Provenance: Villa Melrose Antiques, Los Angeles, California.

$2,500-$4,000

712

Pair of Large French Restauration Patinated Bronze and Marble Candelabra

second quarter 19th century, the six-light candelabra with siena marble standards and bases set with scrolled candle arms decorated with pierced acanthus leaves and molded candle sockets with leaf-molded bobeches, the standards supporting leaf-molded scrolled feet, raised on two-step bases ornamented with bronze ogee molding. h. 36-1/2”, dia. 14”

$1,800-$2,500

19th century, the padded, rectangular back surmounted by a backswept crest rail, joined to the cushioned seat by closed, scrolling arms, raised on bulbous, tapering circular legs ending in toupie feet.

h. 41-1/2”, w. 69”, d. 27”

$1,000-$1,500

mid-19th century, each with a slightly domed, backswept crest above the padded back, joined by scrolling arms to the padded seat, raised on sabre legs headed by a scroll capital and ending in inturned toes.

h. 37-1/2”, w. 23”, d. 21”

$1,000-$1,500

713

Louis-Philippe Mahogany Settee

714

Pair of Louis-Philippe Mahogany Fauteuils

714

715

Louis-Philippe Walnut and Marble-Top Commode

mid-19th century, the rectangular marble top with rounded front corners, above a conforming case fitted with an ogee-molded drawer over three long drawers, raised on bracket feet.

h. 36”, w. 48”, d. 21”

$1,000-$1,500

716

Louis-Philippe Giltwood Pier Mirror

mid-19th century, in the Rococo Revival taste, with an ogee-molded surround, the pierced crest decorated with scrollwork accented with flower heads, the corners with scrollwork and trailing fronds of flowers, the bottom corners with scrollwork and rocaille work.

h. 73-1/4”, w. 46-1/2”

$1,200-$1,800

716

Karl Hartmann (German, 1861-1927)

“May Day Maiden”, 1883

oil on canvas signed and dated “1883” lower left, and “S. R. Fuller, Decorative Picture Frame Maker, London” label en verso. Framed.

24” x 20”, framed 31-1/2” x 27-1/4”

$1,800-$2,500

717

717

718

718

Royal Copenhagen “Flora Danica” Porcelain Five-Piece Place Setting

2000-2009, comprising a dinner plate #624, depicting “Salix hastata L.”, dia. 10”, a salad plate #621, depicting “Epilobium pubescens Roth.”, dia. 7-5/8”, a bread and butter plate #615, depicting “Iberis nudicaulis L.”, dia, 5-3/4”, a flat cup #072, depicting “Campanula uniflora L.”, and a saucer #073, dia. 5-1/4”, all fully marked and presented in their original Royal Copenhagen square boxes labeled “Flora Danica/Since 1790”, with padded and fitted interiors.

Provenance: Private collection, New Orleans, Louisiana.

719

Royal Copenhagen “Flora Danica” Porcelain Five-Piece Place Setting

2005-2009, comprising a dinner plate #624, depicting “Ribes rubrum”, dia. 10”, a salad plate #621, depicting “Chamaenerion latifolium ambiguum.”, dia. 7-5/8”, a bread and butter plate #615, depicting “Cardamine faeroeensis Horn.”, dia. 5-3/4”, a flat cup #072, depicting “Cardamine pratensis L.”, h. 2-3/4”, and a saucer #073, dia. 5-1/4”, all fully marked and presented in their original Royal Copenhagen square boxes labeled “Flora Danica/Since 1790”, with padded and fitted interiors.

Provenance: Private collection, New Orleans, Louisiana.

$2,500-$4,000

719 719 720

720

Royal Copenhagen “Flora Danica” Porcelain Five-Piece Place Setting

1999-2009, comprising a dinner plate #624, depicting “Rubus excilis Lge.”, dia. 10”, a salad plate #621, depicting “Geum rivale L.”, dia. 7-5/8”, a bread and butter plate #615, depicting “Platenthera rotundafolia Lindl.”, dia. 5-3/4”, a flat cup #072, depicting “Viola Muhlenbergiana B minor Hook.”, h. 2-3/4”, and saucer #073, dia. 5-1/4”, all fully marked and presented in their original Royal Copenhagen square boxes labeled “Flora Danica/Since 1790”, with padded and fitted interiors.

Provenance: Private collection, New Orleans, Louisiana.

721

Pair of Paris-Style Porcelain Urns in the Empire Taste

20th century, the urns with a green ground, decorated with griffins and an angel feeding a seated lion, trimmed with scrollwork, set with winged caryatid handles, the bases with spurious crossed arrows marks.

h. 14-1/2”, w. 7-3/4”, d. 4”

$1,000-$1,500

722

Vilmos Nagy (Hungarian, 1874-1953)

“Sunset Stroll in the Park” oil on canvas signed lower right. Framed.

28” x 36”, framed 34” x 41-1/2”

$1,500-$2,500

723

Pair of Chinese Green Bottle Vases

now mounted as lamps, in the famille verte palette, mounted on cove-molded giltwood bases.

h. 23”, dia. 8-1/2”

$1,200-$1,800

721

723

724

Pair of Empire-Style Fruitwood Bergeres

20th century, each with a slightly domed and padded back and downswept arms within a molded, foliate-carved frame, to ram’s-head hand rests, the cushioned seat raised on tapering circular legs headed by a floral block capital and ending in lotus feet.

h. 32”, w. 28”, d. 23”

$1,200-$1,800

725

Pair of Rare Rock Crystal, Malachite and GiltBronze Candelabra

fourth quarter 19th century, Russian or French, now mounted as lamps, the delicately molded gilt-bronze candle branches set with leaves and scrollwork terminating in laurel-molded candle cups and drip pans, set into rock crystal turnings, trimmed with bronze beading, on malachite column-form bases with bronze trim, mounted with shades.

h. 36-1/4”, dia. 19”

$1,200-$1,800

724

725

726

Handsome Belle Epoque Bronze Dore and Malachite Urn

fourth quarter 19th century, Russian or French, now mounted as a lamp, the urn mounted with putto handles and swags of laurel supporting ram’s heads, the base with malachite roundels framed with bronze mounts of laurel leaves supported by bowknots, on a malachite base, mounted with a shade. h. 26”, dia. 15”

$1,000-$1,500

726

727

Cast Stone Fountain of a Putto Clutching a Swan 20th century, the draped putto supporting the swan’s head, which is piped for water, on an egg-and-dart-trimmed base. h. 49”, dia. 14-1/2”

$1,000-$1,500

“La Sculpture”, 1896 oil on canvas signed and dated lower right, titled on “Michelle Rosenfeld, New York” gallery label en verso.

Framed.

98-1/2” x 53”, framed 108-1/2” x 63”

Provenance: Michelle Rosenfeld Gallery, New York, New York; Sotheby’s New York, October 12, 1994, lot 175; Estate of Norma Crawford Myers, Dallas, Texas

$15,000-$25,000

728

Paul Francois Quinsac (French, 1858-1932)

728

729

French Bronze Dore Table Figure of a Putto Riding a Turtle

fourth quarter 19th century, after Auguste Moreau (French, 1834-1917), cast signature and the stamp of the Jollet Foundry, Paris on self-base, on a marble base.

h. 4-3/4”, w. 3-1/2”, d. 3-1/2”

$1,000-$1,500

730

Pair of French Belle Epoque Bronze, Marble and Crystal Figural Vases

fourth quarter 19th century, after Auguste Moreau (French, 1834-1917), each example with a patinated bronze putto carrying a bronze dore amphora on his back, fitted with a cut crystal vase, all mounted on a red griotte marble base, signed on the back.

h. 8-1/2”, w. 3-1/2”, d. 3”

$1,000-$1,500

731

Pair of French Bronze and Onyx Figural Vases

after Auguste Moreau (French, 1834-1917), each with a bronze dore urn molded with flowers and supported by a bronze patine cherub on a base signed “Aug Moreau”, above a molded onyx plinth.

h. 7-3/4”, dia. 3-3/4”

$1,000-$1,500

729

730

731

20th century, the quiver-form backplates terminating in reeded urns, the scrolled arms decorated with displayed cockerels, mounted with frosted, floriform glass shades.

fourth quarter 19th century, decorated in a Bacchanalian theme, with putti picking grapes from a grapevine border and putting them in baskets, the lower portions decorated with satyr masques, the fluted bases with molded laurel wreaths, signed “Prevost”.

732

Pair of Bronze Dore Vases, After Eugene Provost (French, 1836-1885)

h. 15-1/2”, w. 6-1/4”, d. 5”

$1,000-$1,500

732

733

733

Pair of French Bronze Sconces in the Empire Taste

h. 28-1/4”, w. 13”, d. 9-1/2” $1,000-$1,500

Continental Neoclassical Giltwood Cabinet

19th century, the heavily molded cornice surmounted by a broken hippogriff pediment centering an urn finial, flanked to either side by kylix finials and shaped scrolling panels, above a frieze with incised lines and dolphin designs, over four cupboard doors, the center two slightly domed, all inset with a glazed panel and backed by fabric panels, divided by freestanding, fluted Corinthian columns with theatrical masque block headers, the lower section fitted with four cupboard doors, all glazed and fabric lined en suite and divided by engaged cluster columns ending in paw feet on a plinth base, the whole richly ornamented with incised scrolling foliate accents. h. 114”, w. 132”, d. 19”

Provenance: Buzz Harper Antiques, Natchez, Mississippi.

$7,000-$10,000

735

Collection of Gilt-Trimmed Dinnerware Decorated by George Warrin

20th century, comprised of twelve dinner plates with scroll-decorated outer borders and raised gilt inner borders, dia. 10”, and twelve cream soup bowls and stands with cobalt-trimmed borders and floral center panels, h. 2-1/2”, dia. 6-3/4”, each piece marked “Warrin”.

$1,000-$1,500

735 736

736

Pair of Upholstered Slipper Chairs

each with a padded and tufted, slightly curved back above a padded seat, the base skirted. h. 33”, w. 25”, d. 25”

Provenance: Estate of Norma Crawford Myers, Dallas, Texas.

$1,000-$1,500

737

Bronze Tazza “In the Gardens of Orpheus” After Emile Louis Picault (French, 1833-1915)

fourth quarter 19th century, the tazza supported on paw feet, cast signature and inscribed “Salon 1867” lower left, inscribed “Courses de Bernay 1883” along rim. h. 4-3/8”, dia. 18-5/8”

$1,000-$1,500

third quarter 19th century, after a model by Victor Evrard (French, 1807-1877), the clock decorated with a young Hercules, after performing his third labor, killing the Goddess Diana’s pet deer, along with a bust of a fawn, set with signed “Marti” works, the dial signed by retailer, “Graverand, Bd des Capucines No 1, Paris”, the base decorated with nature morte game birds and pierced bronze panels backed with marble. h. 19”, w. 21”, d. 8-3/4”

Provenance: Bonhams, New York, New York, April 13, 2011, lot 2100.

$1,000-$1,500

second quarter 20th century, the six-light tapered, hexagonal lantern with a rope-twist standard, set with leaf-molded, scrolled supports, with shell and laurel crests and swags of laurel decorating the tops of the cut glass side panels, with scrollwork supporting the grape-molded pendant finial.

h. 53”, dia. 22”

$1,500-$2,500

738

Louis XVI-Style Gilt-Bronze and Marble Figural Mantel Clock

739

Large French Bronze Lantern

738

739

fourth quarter 19th century, the surround decorated with acanthus leaf corners, and the sides decorated with scrollwork and flower heads on a rocaille ground, the mirror plate bordered by a flat surround.

h. 51-1/4”, w. 46-1/2”

$1,000-$1,500

fourth quarter 19th century, the ball-turned standards decorated with molded fleursde-lis and supported on paw-footed bases set with lion’s heads grasping rings flanked by hippocampi, supported on cast iron billet bars.

h. 27-1/2”, w. 16-3/4”, d. 29”

$1,000-$1,500

740

Large French Giltwood Mirror in the Rococo Taste

740

741

741

Pair of Belle Epoque Bronze Andirons

743

After Edme Nicolas Faillot (French, 1810-1849)

“Lutte Critique”

bronze

20th century, cast signature along back of self-base, title plaque along front.

h. 16”, w. 12-1/2”, d. 10-1/2”

$1,200-$1,800

743

742

Napoleon III Ebonized and Burl Wood Drop-Leaf Table

third quarter 19th century, the rectangular top with a central musical panel surrounded by scrolling patterns, with a rounded drop-leaf to each end, all within a patterned ormolu banding, above a frieze fitted with a single drawer, raised on fluted, tapering circular legs headed by an ormolu capital, joined by an X-form stretcher and ending in toupie feet on casters.

h. 30”, w. 27”, d. 22”, ext. w. 45”

$1,000-$1,500

744

Napoleon III Ebonized and Boulle Parlor Cabinet

third quarter 19th century, the shaped top with an ormolu band, above a conforming case fitted with a Boulle paneled frieze over a central cabinet door with like oval panel, flanked to either side by a shaped and glazed panel door, raised on turreted feet, the whole with ormolu mounts and millwork.

h. 44”, w. 49”, d. 17”

$1,500-$2,500

742

744

745

Napoleon III Ebonized and Boulle Games Table third quarter 19th century, the shaped and hinged rectangular top opening to a baize-lined gaming surface, above a conforming frieze, raised on cabriole legs headed by ormolu maiden capitals and ending in foliate sabots, the whole richly ornamented with boulle work inlays.

$1,200-$1,800

746

Handsome French Champleve and Gilt-Bronze Mirror

ca. 1900, the delicately molded crest with a central masque flanked by pierced acanthus-molded scrollwork, terminating in floriform medallions, the corners of the mirror decorated with blue, carmine and white champleve scrolled rocaille work, the mirror trimmed with ribbonbound reeding secured with molded acanthus leaves.

$1,200-$1,800

h. 30-1/4”, w. 33”, d. 17-1/2”

h. 34”, w. 22”

745

746

“Mercury

747

After

“Bacchante Riding a

ca. 1900, erroneously inscribed “Claude Michel” at edge of self-base, on a marble plinth. h. 20-1/4”, dia. 7”

$1,200-$1,800

Philippe Laurent Roland (French, 1746-1816)

Goat”

748

After Vincent Desire Faure de Brousse (French, 1876-1908)

and Pandora”

patinated bronze 20th century, cast signature along edge of base. h. 40-1/2”, w. 17”, d. 14-1/2” $1,200-$1,800

748

747

749

After Jean-Baptiste Clesinger (French, 1814-1883)

“Satyr with Pan Flute”

patinated bronze

fourth quarter 19th century, cast signature, dated “1862” and with “F. Barbedienne” foundry inscription along back.

h. 31”, w. 18”, d. 15”

$1,500-$2,500

750

Napoleon III Ebonized and Damascene Inlay Center Table

third quarter 19th century, the turtle-form top banded and with an elaborate, scrolling foliate damascene inlay, above a conforming frieze fitted with a single drawer, raised on cabriole legs with like inlay, headed by an ormolu mount and ending in sabots.

h. 29-1/2”, w. 55”, d. 34”

$1,800-$2,500

749

751

ca. 1900, the gilt-bronze clock with an urn-form finial, decorated with patinated bronze frolicking putti, on a cove-molded base, h. 18-1/2”, w. 16”, d. 8”, and the matching tazzas with cobalt-plated cut glass bowls, supported on putti carrying ewers, the bronze bases matching the clock, h. 14-1/4”, dia. 9-1/4”.

$1,500-$2,500

752

third quarter 19th century, with serpentine sides and cabriole legs, inlaid with brass and mother-of-pearl crosses, the removable cover set into a pierced brass gallery, opening to reveal the planter, the legs with lion’shead masques and brass mounts.

h. 31”, w. 23-3/4”, d. 17-1/4”

$1,000-$1,500

French Belle Epoque Bronze and Glass Three-Piece Clock Set

Napoleon III Brass-Mounted and Mother-of-PearlInlaid Jardiniere

753

French Bronze and Glass Lantern

20th century, the four-light lantern with a cylindrical bronze frame, supported by scrolled arms from a bronze cap hung with sprays of drops, with more sprays of colorless and mauve cut glass drops around the upper and lower edges.

h. 23-1/2”, dia. 11”

$1,200-$1,800

754

Pair of Royal Vienna-Style Porcelain Vases

fourth quarter 19th century, the amphora-form vases supported on hoof feet and decorated with neoclassical figures on a gilt ground, the cobalt borders trimmed in raised gilt, with spurious “beehive” marks and other marks.

h. 7-1/2”, dia. 3”

$1,000-$1,500

755

Pair of French Porcelain and Bronze Urns

first half 20th century, now mounted as lamps, in the neoclassical taste, decorated with central wreaths and Greek-key border trim, raised on gilt-bronze paw feet and mounted with shades.

h. 25-1/2”, dia. 15”

$1,000-$1,500

753

754

755

ca. 1906-1930, the cobalt border framed with raised gilt inner and outer borders, with a green Lenox mark.

dia. 10-1/4”

$1,000-$1,500

757

fourth quarter 19th century, now mounted as lamps, decorated, respectively, with a satyr and his companion, each holding a cornucopia supporting bronze sockets, the circular bases on scrolled feet modeled with acanthus leaves.

h. 28-1/2”, dia. 6-1/2”

$1,200-$1,800

758

Figural Pedestal

fourth quarter 19th century, the revolving bronze top inset with onyx, the edge decorated with pierced scrollwork, the standard with a satyress draped in a lion’s skin above hoof feet, supported on a cove-molded base and raised on leaftrimmed and scrolled feet.

h. 36”, dia. 14-1/2”

$1,000-$1,500

756

Set of Twelve Lenox Porcelain Dinner Plates

Pair of French Belle Epoque Molded Bronze Figural Candlesticks

French Belle Epoque Bronze, Silvered Bronze and Onyx

756

20th century, of Belle Epoque inspiration, the lamp standards composed of winged figures on scroll-molded bases, mounted on column-form marble plinths, above molded, circular bottoms, mounted with shades.

$1,000-$1,500

first quarter 20th century, of Louis XV inspiration, raised on leaf-molded paw feet, pierced and decorated with gargoyles and scrollwork framing trophies of a bow and arrows, the crest with a central flame finial with female busts on each side.

$1,000-$1,500

759

French Pierced Bronze Firescreen

h. 32”, w. 29-1/2”, d. 8”

759

760

760 Pair of Brass-Plated Metal and Marble Lamps

h. 27”, dia. 16-1/2”

762

761

Large Bronze Garden Urn

after a design by Claude Ballin (French, 1616-1678), designed for the gardens at Versailles, the handles molded with heads of Janus, supported by boar’s heads, the upper portion with molded scrollwork and anthemia, the lower portion with molded leaves and acorns, framed by Greekkey incising.

h. 40-3/4”, w. 27-1/2”

$1,500-$2,500

762

Continental School (Mid-18th Century)

“Italianate Capriccio”

oil on canvas laid down on masonite indistinctly inscribed lower right, MGM and film notations inscribed en verso. Framed.

34-3/8” x 44-3/4”, framed 55-1/4” x 56-1/2”

763

Pair of Neoclassical-Style Metal Tree Tubs

the rectangular tubs with cone-form corner finials and wreath mounts on each side, raised on bun feet, the bottoms drilled for drainage.

h. 22-3/4”, w. 16-1/4”, d. 16-1/4”

$1,000-$1,500

764

Pair of Neoclassical-Style Metal Tree Tubs

the rectangular tubs with cone-form corner finials and wreath mounts on each side, raised on bun feet, the bottoms drilled for drainage.

h. 22-1/2”, w. 16-1/2”, d. 16-1/2”

$1,000-$1,500

763

764

765

Small Patinated Bronze Figural Fountain

in the neoclassical taste, of a pair of putti standing backto-back, supporting an inverted turtle shell, piped in the center.

h. 24”, w. 12-3/4”, d. 9”

$1,000-$1,500

766

Patinated Bronze Garden Cherub

the dancing laurel-wreathed figure playing the panpipes, standing on one foot.

h. 32-1/2”, w. 9-3/4”, d. 17”

$1,200-$1,800

765

765 detail

767

767

Pair of Cast Iron “Oak and Ivy” Benches

20th century, in the Coalbrookdale style, the back and sides decorated with fronds of oak leaves and acorns, on a pierced arcaded ground, set with slatted iron seats and lion’s-head arms terminating in cabriole legs set with paw feet.

h. 37”, w. 65-1/4”, d. 24”

$1,800-$2,500

768

Pair of Cast Iron Benches in the French Gothic Taste

the pierced backs with rows of lozenges set with quatrefoils, the rounded arms and skirts with Gothic piercing, with pierced grid-form iron seats, the legs with stretchers.

h. 34”, w. 55-1/2”, d. 22”

$1,800-$2,500

769

Semi-Antique Sarouk Carpet

13’ 4” x 23’ 5”

$3,000-$5,000

769

770 Turkish Angora Oushak Carpet

12’ x 14’ 8”

$2,000-$4,000

771 Turkish Angora Oushak Carpet

9’ 2” x 11’ 10”

$1,200-$1,800

770

Semi-Antique Mahal Carpet

Agra Serapi Carpet

Turkish Angora Oushak Carpet

772

773

774

775

Turkish Angora Oushak Carpet

9’ x 11’ 9”

$1,200-$1,800

776

Silk Tabriz Carpet

4’ x 6’ 10”

775

Conditions of Sale:

ALL SALES ARE “AS IS, WHERE IS” WITHOUT ANY WARRANTIES WHATSOEVER. PLEASE SEE SECTION 2(a) BELOW IN WHICH ANY AND ALL EXPRESS AND IMPLIED WARRANTIES (INCLUDING WITHOUT LIMITATION ANY WARRANTY AGAINST REDHIBITORY DEFECTS) ARE WAIVED.

1. Introduction

(a). These Conditions of Sale (“Conditions of Sale”) contain all the terms governing Auctions (defined below) conducted by Cakebread Art Antiques Collectables, Inc. d/b/a New Orleans Auction Galleries (“NOAG”), and all the terms under which NOAG and the Seller (defined below) of a Lot (defined below) contract with the Buyer (defined below). These Conditions of Sale may be amended by posted notices or oral announcements made during the Auction.

(b). Under these Conditions of Sale, the following capitalized terms are defined as follows:

• An “Auction” is a public auction conducted by NOAG, at which Bidders may place Bids to purchase one or more Lots offered for sale by NOAG. An Auction takes place over one or more days and includes separate auctions of one or more Lots within an event conducted by NOAG;

• The “Auctioneer ” is the auctioneer calling the Auction conducted by NOAG; A “Bid” is a bid made by a party at the Auction to purchase a Lot;

• A “ Bidder ” is (i) a person making a Bid at the Auction (whether in person, through an absentee bid, through electronic or internet means, or through telephone bidding); and/or (ii) a person who attends the Auction and registers to make a Bid (whether in person, through an absentee bid, through electronic or internet means, or through telephone bidding);

• A “ Buyer ” is the party that commits to purchase a Lot by submitting the Winning Bid at Auction;

• “ Buyer’s Premium” is defined in Section 4 below;

• “Catalogue” is the Auction catalogue utilized by NOAG to list the Lots offered at Auction;

• The “ Estimates” are the high and low estimates of value for each Lot set forth in the Catalogue presented by NOAG in connection with the Auction or otherwise set forth and/or announced at the Auction;

• The “ Hammer Price” for a Lot is the amount of the Winning Bid at the Auction, as announced by the Auctioneer, exclusive of commissions, Buyer’s Premium, expenses, and any taxes or other charges;

• A “ Lot ” is specific item of property offered for sale at Auction; The “Reserve” is defined in Section 3 below;

• The “ Purchase Price” is defined in Section 4 below; A “Sale” of a Lot occurs when a Winning Bid is declared at Auction for the Lot;

• The “ Seller ” of a Lot is the party who consigned the Lot with NOAG for purposes of selling the Lot, or is otherwise the seller of the Lot;

• The “ Winning Bid” is, as to a particular Lot, the Bid recognized by the Auctioneer as the highest and best Bid for that Lot.

(c). Except as otherwise stated, NOAG acts as consignment agent for the Seller. The contract for the sale of the Lot is therefore made between the Seller and the Buyer.

(d). By bidding at the Auction as a Bidder or Buyer, and/or by your signature on the bid form, paddle or online registration, you agree to be bound by these terms.

2. Before the Auction

(a). ALL SALES ARE “AS IS, WHERE IS” WITH NO EXPRESS OR IMPLIED WARRANTIES WHATSOEVER.

(i) NEITHER NOAG NOR THE SELLER PROVIDES ANY GUARANTEE OR WARRANTY AS TO THE NATURE, DESCRIPTION, GENUINENESS, PROVENANCE, IMPORTANCE, OR CONDITION OF THE LOT. All Sales and Auctions are without any representation or warranty of any kind by NOAG or the Seller. Bidders and Buyers are responsible for satisfying themselves concerning the condition of the Lots and the matters referred to in the catalogue entry, the Condition Report, or in any other statement or writing provided. All Sales are final and are “AS IS WHERE IS.”

(ii) No warranty of redhibition. ANY WARANTY AGAINST REDHIBITORY DEFECTS IS WAIVED AND EXCLUDED. NOAG and Seller provide absolutely no warranty against redhibitory defects, including without limitation: (x) any defects rendering a Lot useless or its use inconvenient; and (y) any defects diminishing the usefulness of a Lot; and any such warranties are waived and excluded. In addition, NOAG and Seller provide no warranties, guarantees, or representations as to whether a Lot is fit for its ordinary use, fit for Buyer’s intended use or for Buyer’s particular purpose.

(iii) No warranty against eviction. ANY WARRANTY AGAINST EVICTION IS WAIVED AND EXCLUDED. In the event that Buyer is evicted from possession of whole or part of the Lot, neither NOAG nor Seller have any duty whatsoever to return any part of the Purchase Price to Buyer. Buyer is buying at Buyer’s sole risk and peril as to third parties who may claim rights in the Lot after the Sale.

(iv) No warranty as to authorship. NOAG does not make any express or implied warranty as to authorship of works of art and fine art. No statement in the Catalogue or elsewhere, orally or in writing, shall be construed as an express or implied warranty, representation or limitation of liability as to authorship. Any such warranty is WAIVED.

(v) No warranty of peaceful possession, etc. The following warranties are waived and excluded: the absence of hidden defects, peaceful possession, and ownership. NOAG and Seller provide absolutely no warranty that the Lot is free from hidden defects, or for peaceful possession, or for ownership.

(vi) No other warranties. None of the Seller, NOAG, or any of NOAG’s officers, employees or agents, give any representation, warranty or guarantee or assume any liability of any kind in respect of any Lot with regard to merchantability, fitness for a particular purpose, description, size, quality, condition, attribution, authenticity, rarity, importance, medium, provenance, exhibition history, literature or historical relevance. Except as required by local law, any express or implied warranty of any kind whatsoever is excluded by this Section 2(a).

(b). Examination of property / Condition Reports. Prospective Buyers and Bidders are strongly advised to examine personally any property in which they are interested, before the Auction takes place. As a convenience, Bidders may request that NOAG produce a Condition Report (“Condition Report”) for a Lot, which, if produced, will provide additional detail concerning the condition of the Lot as observed by NOAG’s staff. NOAG reserves the right to decline to produce a Condition Report for any specific Lot, for any reason and in NOAG’s sole discretion.

(c). Catalogue and other descriptions.

(i) All statements made by NOAG as to condition, authorship, period, culture, source, origin, measurement, quality, rarity, provenance, importance, or historical relevance, whether in the Catalogue entry for the Lot, in the Condition Report, and/ or in a bill of sale, or made orally or in writing elsewhere, are qualified statements of opinion only and are not to be relied on as statements of fact. Such statements do not constitute a representation, warranty or assumption of liability by NOAG of any kind. References in the Catalogue entry or the Condition Report to damage or restoration are for guidance only and should be evaluated by personal inspection by the Bidder or a knowledgeable representative. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others.

(ii) Without limiting the foregoing, none of the Seller, NOAG, or any of NOAG’s officers, employees or agents, are responsible for the correctness of any statement of whatever kind concerning any Lot, whether written or oral, nor for any other errors or omissions in description or for any faults or defects in any Lot.

(iii) Any Estimates provided should not be relied on as a statement that this is the price at which the item will sell or its value for any other purpose. Any written or oral appraisal, Estimate or other statement of NOAG or our representatives with respect to the estimated or expected selling price of any Lot of Property is a statement of opinion only and shall not be relied upon by Bidders or prospective Bidders as a prediction or guarantee of the actual selling price.

(iv) NOAG shall not be liable for any errors or omissions in catalogue or other descriptions of the Property. Neither NOAG nor the Seller is responsible in any way for errors and omissions in the catalogue, or any supplemental material.

(d). Further acknowledgement. As a Bidder and prospective Buyer, you further agree and acknowledge that:

(i) You are not relying on NOAG’s skill or judgment in selecting to purchase any Lot;

(ii) No oral or written statements in the Auction Catalogue, Condition Report, or elsewhere are the cause of or reason behind your purchase of any Lot; and you would have incurred such purchase regardless of any oral or written statements about condition, attribution, kind, quality, value, or authorship made in the catalogue or elsewhere;

(iii) NOAG did not and could not have known that condition, attribution, kind, quality, expressed value, or authorship is the cause or reason why you decide to purchase any Lot;

(iv) Your purchase of any Lot is not intended to gratify a nonpecuniary interest; and

(v) NOAG did not know, nor should it have known, that any oral or written statement about a Lot in the catalogue, Condition Report or elsewhere would cause a nonpecuniary loss to a Buyer.

3. At the Auction

(a). Registration before bidding / Bidding requirements. In order to be accepted as a Bidder and allowed to place a Bid, all Bidders must meet all of the following requirements:

(i) A Bidder must complete and sign the attached registration form and provide identification to NOAG;

(ii) NOAG may require the production of bank or other financial references or any other additional information;

(iii) When making a Bid, a Bidder is accepting personal liability to pay the Purchase Price in full in the event that the Bidder submits the Winning Bid, unless it has been explicitly agreed in writing with NOAG before the auction of the Lot that the Bidder is acting as agent on behalf of an identified third party acceptable to NOAG, and that NOAG will only look to that principal for payment

(iv) All Bids are to be made in U.S. currency unless agreed upon between NOAG and the Bidder; and

(v) At NOAG’s sole discretion, NOAG may require any Bidder to post a cash deposit in an amount set by NOAG at its sole discretion. Such deposit may include, without limitation, a deposit of 25% of the Maximum Bid (or another amount set in NOAG’s sole discretion) in the case of Absentee Bids (defined below).

(b). Refusal of admission / Rejection of Bidders. NOAG has the right, at its complete discretion, to refuse admission to the premises or participation in any Auction. NOAG reserves the right to reject any Bidder for any reason whatsoever and in NOAG’s sole discretion.

(c). Absentee bids / Telephone bids.

(i) As a convenience to Bidders, NOAG may allow a Bidder to submit an absentee bid (“Absentee Bid”) or telephone bid (“Telephone Bid”) by filling out (in full) the section of the attached registration form marked “Absentee Bids / Telephone Bids.” In order to submit an Absentee Bid or Telephone Bid for an Auction, that registration form must be filled out and submitted to NOAG no later than 5:00 p.m. central time on the last business day before the commencement of the Auction. (NOAG reserves the right to accept late Absentee Bid or Telephone Bid submissions in NOAG’s sole discretion.) All Absentee Bid submissions must include a maximum bid amount (“Maximum Bid”).

(ii) If an Absentee Bid is submitted and accepted, at the time of the auction of the affected Lot, the Auctioneer or other NOAG staff will place the Absentee Bid at the amount of the opening bid amount, and will increase the amount as necessary until the earlier of (x) the Absentee Bid is the Winning Bid; or (y) the amount reaches the Maximum Bid. All such actions in this paragraph are at the sole discretion of the Auctioneer and/ or NOAG. If NOAG receives Absentee Bids on a particular Lot with identical Maximum Bid amounts, and at the Auction these are the highest bids on the Lot, the Lot will be sold to the person whose Absentee Bid was received and accepted first. In the event of a tie bid between an Absentee Bid and a Bid submitted by a Bidder physically present at the Auction (or a Telephone Bid), the Lot will be sold to physically present Bidder (or bidder submitting the Telephone Bid).

(iii) If a Telephone Bid is submitted and accepted, at the time of the auction of the affected Lot, NOAG staff shall attempt to contact the Bidder using the telephone number provided. If successfully contacted, the Bidder shall then be afforded the opportunity to place a Bid on the Lot by telephone. Telephone Bids may be recorded. By submitting a Telephone Bid, the Bidder consents to the recording of the conversation and the placing of the Bid.

(iv) Execution of Absentee Bids and Telephone Bids is a free service undertaken subject to other commitments at the time of the Auction and neither NOAG nor the Auctioneer shall have any liability for failing to execute an Absentee Bid or Telephone Bid or for errors and omissions in connection therewith.

(d). Video or digital images. At some Auctions there may be a video or digital screen. Errors may occur in its operation and in the quality of the image and we do not accept liability for such errors. NOAG reserves the right to video tape and record proceedings at any Auctions. Any personal information obtained will be held in confidence by NOAG but may be used or shared with our affiliates and marketing partners for customer analysis purposes and to help us to tailor our services to buyer requirements. Any Bidder attending an Auction in person who does not wish to be video-taped may make arrangements to make a Telephone Bid in accordance with Section 3(c) above.

(e). Reserves. All Lots are offered subject to a reserve, which is the confidential minimum price below which the Lot will not be sold (the “Reserve”). The Reserve for a Lot will not exceed the low Estimate for that Lot. The Auctioneer may open the bidding on any Lot below the Reserve by placing a bid on behalf of the Seller. The Auctioneer may continue to bid on behalf of the Seller up to the amount of the Reserve, either by placing consecutive bids or by placing bids in response to other bidders. Notwithstanding the foregoing, a Lot may be sold at a Hammer Price below the Reserve, at the discretion of the Auctioneer and NOAG, in any manner consistent with the agreement between NOAG and the Seller.

(f). No bidding by Seller. Under no circumstances shall Seller (as agent or principal), whether by itself or through its representatives, employees or agents (except as through the Auctioneer as set forth in Section 3(e) above), enter or cause to be entered a Bid on Seller’s Lot.

(g). Auctioneer’s discretion. The Auctioneer has the right at his or her absolute and sole discretion to refuse any Bid, to advance the bidding in such a manner as he or she may decide, to withdraw or divide any Lot, to combine any two or more Lots, and in the event of any error or dispute, to determine the Winning Bid, to continue the bidding, to cancel the Sale or to reoffer and resell the Lot or item in dispute. If any dispute arises after the Sale, NOAG’s sale record is conclusive. Unless otherwise announced by the Auctioneer at the time of Sale, all Bids are per Lot as numbered in the Catalogue and no Lot shall be divided for Sale. NOAG and/or the Auctioneer may withdraw any Lot at any time before such Lot is offered at Auction, for any reason and in their sole and absolute discretion. (h). Successful bid and passing of risk. The Auctioneer shall have absolute discretion in determining the Winning Bid and the striking of the Auctioneer’s hammer marks the acceptance of the highest and best bid as the Winning Bid and the conclusion of a contract for sale between the Seller and the Buyer. Risk and responsibility for the Lot but not its title passes to the Buyer immediately upon announcement of the Winning Bid at the Auction. (i). Post-auction sale. In the event that there is no Winning Bid at Auction for a Lot, or the Lot is withdrawn from the Auction, or the Sale is cancelled for non-payment pursuant to Section 4(g) below, NOAG may sell the Lot at public or private sale at any time thereafter, in a manner consistent with the agreement between Seller and NOAG. (j). NOAG assumes no responsibility for failure to execute Bids for any reason whatsoever.

4. After the Auction

(a). In order to consummate and complete the Sale, the Buyer must tender payment in full of all of the following amounts (all such amounts together being the “Purchase Price”) to NOAG:

(i) the Hammer Price; and

(ii) the “Buyer’s Premium” consisting of a premium of 25% of the Hammer Price, and for bids placed though online bidding partners LiveAuctioneers and Invaluable consisting of a 28% premium of the Hammer Price, up to and including a Hammer Price of $200,000; and 12% of the amount by which the Lot’s Hammer Price exceeds $200,000 (NO DISCOUNTS); and

(iii) Any applicable Louisiana, state, local, and federal or other taxes, calculated as required by law. Any documentation of tax exemption must be provided by the Bidder contemporaneously with the execution of the attached registration form.

(b). Payment and passing of title. The Buyer and any other Bidders are responsible for contacting NOAG for Auction results during the week after the conclusion of the Auction. Subject to the provisions of Section 4(i) below which may require earlier payment, the Buyer must pay the full Purchase Price no later than 4:30 pm central time on the fifteenth calendar day following the conclusion of the Auction. Payments may be submitted during business hours to: New Orleans Auction Galleries, 333 St. Joseph Street, New Orleans, Louisiana 70130, Telephone number: 504-566-1849. Payments may be made by certified check, cash, wire transfer, or credit card (Visa, Mastercard, and American Express). Payments will be accepted by non-certified check only in NOAG’s sole discretion, from Buyers that have been qualified by NOAG in NOAG’s sole discretion. Title to the Lot does not pass to the Buyer until the full amount of the Purchase Price has been tendered and received by NOAG in good cleared funds, even in circumstances where the Lot has been released to the Buyer.

(c). Credit Cards. Your signature on this form constitutes permission to charge the full amount of the Purchase Price on your credit card, if you are the Buyer on a Lot and payment is not received within five business days of the close of the Auction. Your signature on this form also constitutes permission to charge the full amount of Storage Charges (defined below), if and when accrued, on a periodic basis on your credit card.

(d). Release of Lot to Buyer. No Lot will be released to the Buyer unless and until NOAG receives full payment of the Purchase Price, and such payment has cleared and NOAG has received confirmation of all funds owed. At its sole discretion, NOAG may release a specific Lot at any time, notwithstanding the foregoing provision. In addition, NOAG may require that Lots not be released until the Buyer has cleared additional checks in NOAG’s sole discretion, including without limitation, any anti-money laundering or antiterrorism financing checks to NOAG’s satisfaction. In the event that a Buyer fails to complete any anti-money laundering or anti-terrorism financing checks to NOAG’s satisfaction, NOAG shall be entitled to cancel the Sale and take any other action permitted or required under applicable law. In addition, notwithstanding the foregoing, Lots cannot be released until after the conclusion of the Auction.

(e). Export/Import license and Dealers. It is the Buyer’s sole responsibility to obtain any relevant export or import license. The denial of any license or any delay in obtaining licenses shall not justify the rescission of any sale nor any delay in making bill payment for the Lot; and shall not limit or alter any of the obligations of the Buyer herein. Dealers purchasing for resale must enter appropriate their Dealer Resale Number on the attached registration form and provide NOAG with proper documentation.

(f). Storage charge. Subject to the foregoing provisions, any Lot that is not picked up by the end of the day on the fifteenth calendar day following the conclusion of the Auction is subject to an additional storage charge of $5.00 per Lot per day (“Storage Charge”) for as long as the Lot is stored at NOAG’s facilities. The outstanding amount of this Storage Charge must be paid in full (in addition to the Purchase Price) before such Lot will be released to the Buyer. Such Storage Charge accrues on a daily basis and is billed monthly. All items handled or stored will be at the Buyer’s risk. NOAG is not liable for any damage to Lots after the conclusion of the Auction.

(g). Remedies for non-payment. If the Buyer fails to make payment in full of the Purchase Price in good cleared funds within the time required by Section 4(b) above, or payment in full of any applicable Storage Charge when incurred, NOAG shall be entitled in its absolute discretion to exercise one or more of the following rights or remedies (in addition to asserting any other rights or remedies available by law):

(i) to charge outstanding amounts to the Buyer’s credit card;

(ii) to charge interest at the rate of one and one-half percent (1.5%) per month (but not to exceed the highest amount chargeable under applicable law);

(iii) to hold the Buyer liable for the total amount due and to commence legal proceedings for its recovery together with interest, legal fees and costs to the fullest extent permitted under applicable law;

(iv) to exercise any other remedy or remedies available under the law, including but not limited to a second sale of said item in accordance with the provisions of applicable law, including the subsequent enforcement of any deficiency against the initial buyer;

(v) to cancel the sale;

(vi) to resell the property publicly or privately on such terms as we shall think fit;

(vii) to pay the Seller an amount up to the net proceeds payable in respect of the amount bid by the defaulting Buyer;

(viii) to set off against any amounts which NOAG may owe the Buyer in any other transactions, the outstanding amount remaining unpaid by the Buyer;

(ix) where several amounts are owed by the Buyer to NOAG, in respect of different transactions, to apply any amount paid to discharge any amount owed in respect of any particular transaction, whether or not the Buyer so directs;

(x) to reject at any future Auction any Bids made by or on behalf of the Buyer or to obtain a deposit from the Buyer before accepting any Bids;

(xi) to exercise all the rights and remedies of a person holding security and/or privilege over any property in our possession owned by the Buyer, whether by way of pledge, security interest or in any other way, to the fullest extent permitted under Louisiana law (including without limitation under La. Civil Code art. 3247, La. R.S. 10:7-209 and 10:7-210 and other applicable law), or (xii) to take such other action as NOAG deems necessary or appropriate. In connection with the item

(xi) above, the Buyer will be deemed to have granted such security to NOAG and NOAG may retain the affected Lot and any property of the Buyer as collateral security for such Buyer’s obligations to NOAG and to the Seller

If we resell the property under Section 4(g)(vi) above, the Buyer shall be liable for payment of any deficiency between the total amount originally due to us and the price obtained upon resale as well as for all costs, expenses, damages, legal fees and commissions and premiums of whatever kind associated with both sales or otherwise arising from the default. If we pay any amount to the Seller under paragraph (vii) above, the Buyer acknowledges that NOAG shall have all of the rights of the Seller, however arising, to pursue the Buyer for such amount.

(h). Shipping and packing. All shipping, packing, and transportation of Lots from NOAG’s facilities is the responsibility of Buyer. NOAG may, as a courtesy, assist Buyer with necessary arrangements, but by doing so, NOAG assumes no responsibility or liability for shipping, packing, moving, or transportation, including without limitation damage to Lots, damage to Buyer’s vehicle, or any personal injury of any persons involved.

(i). Earlier payment may be required. For any specific Lot, and notwithstanding the provisions of Section 4(b) above, NOAG may require, in its sole discretion, that the Hammer Price for the Lot be paid immediately upon the striking of the Auctioneer’s hammer and announcement of the Winning Bid, with the balance of the Purchase Price being due by the close of the Auction.

5.Copyright

The copyright in all images, illustrations and written material produced by or for NOAG relating to a Lot including without limitation the contents of the Catalogue, is and shall remain at all times the property of NOAG and shall not be used by the Buyer or Bidder, nor by anyone else, without our prior written consent. NOAG and the Seller make no representation or warranty that the Buyer of a Lot will acquire any copyright or other reproduction rights in it.

6. Severability

If any part of these Conditions of Sale is found by any court to be invalid, illegal or unenforceable, that part shall be discounted and the rest of the conditions shall continue to be valid to the fullest extent permitted by law.

7. Data Collection

In connection with the operation of our auction business, NOAG may need to seek personal information from Bidders or obtain information about Bidders from third parties (e.g., credit checks from banks). Such information will be processed and kept by us in confidence. Some of Bidders’ personal data may also need to be shared with third party service providers (e.g., shipping or storage companies) for Bidders’ benefit. By participating in an Auction, you agree to all previously stated disclosure.

8. Law and Jurisdiction

The rights and obligations of the parties with respect to these Conditions of Sale, the conduct of the Auction and any matters connected with any of the foregoing shall be governed and interpreted under the laws of the State of Louisiana. By bidding at the Auction and/or through execution of the attached registration form, the Bidder consents to the exclusive jurisdiction of the courts of the State of Louisiana and the Federal courts of the United States of America located in the Eastern District of Louisiana.

New Orleans Auction galleries

333 Saint Joseph Street, New Orleans, LA 70130 | 504-566-1849 | Fax: 504-566-1851 | info@neworleansauction.com

ABSENTEE / TELEPHONE BID FORM

Name (Please Print): ______________________________________________ Date: ______________________

Business Name: ______________________________________________________________________________

Dealer Resale # (Dealers must also sign official State of Louisiana document): _______________________________

Address: _____________________________________________________

City: _____________________________________________ State: ____________ ZIP: ___________________

Telephones: Work (_____)_____________ Home (______)______________ Fax (______)_______________

E-mail Address: _________________________________________________________________________________

Conditions of Sale: Conditions of sale are as set forth in the applicable New Orleans Auction Galleries catalogue. Placing a telephone bid and/or absentee bid in the auction constitutes acceptance of all Conditions of Sale posted by NOAG as amended by any posted notices or oral announcements during the sale.

Lot # Bid Amount (not including buyer’s premium) OR Telephone Number to Call: $ $ $ $ $ $ $ $ $

VISA / MasterCard / American Express #: ____________________________________________

Expiration Date: _____________ CVV #: __________ Billing Zip:

I have read and agree to the Conditions of Sale. I agree that a buyer’s premium will be charged on each lot purchased at 25% up to and including $200,000 plus 12% of the hammer price greater than $200,000 (no discounts). Your signature on this form constitutes permission to charge successful bids to your credit card, including the 25% buyer’s premium, if payment is not received within five days of the auction.

Signature (Required):

Please fax this form by 5:00 p.m. the day before the auction to 504-566-1851 or scan and email to info@neworleansauction.com

Rev. Jan. 2023

AUCTIONEERS

PHOTOGRAPHY

Tessa Steinkamp Director of Auctions

Susan D. Sarofim CEO

Jelena Restovic James Director of Fine Art

Michele Carolla Fine Art Specialist

Ireys Bowman General Consignments

Greg S. Kowles General Consignments

Kim Lemon Director of Fine Jewelry GIA Graduate Gemologist

Cedric Roberts | Sean Ranson Bennie Amos | Emmitt Kendrick, Jr. Gerald Hampton | Juanita Bazile Sol Carter | Theadrow Mark Furnell Augustin, Jr. Will Williams, Jr.

Denise Haik Office Administration

Tessa Steinkamp, LA #1265 Taylor Eichenwald, LA #1922 Michael DeGeorge, LA #1774

Ellen McKenzie English & Continental Furniture Thomas Halverson American Furniture

Charles C. Cage Silver Specialist & Office Manager

Taylor Eichenwald Assistant Director

Burke Designer

Christa Ougel Photographer & Graphic Designer

ADMINISTRATION OPERATIONS CONSULTANTS

Grace Connors Manager of Online Auctions

Amelia Schussler Creative Director

Sylvia Burn Client Services & Office Administration

Sophie Curtis Client Services