de code II
swagga
de code II
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de code II
nhaka cartography of animist body and radical black african presences *** methodologies for research driven practices and processes
de code II
walking running swimming flying figure 8 infinity writing erasing destabilizing stabilizing. radical black african presences presencing time zoning resisting weaponizing democrating
swagga | unlocking reading writing
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the swagga is born of reading writing self into space - time writing calligraphy cartographing how you present yourself to the world
deposits of residue footprint breath invisible signature of limps in space time a conjuring of past and future selves space time mindful breathing generous seeing one moves from walking to running swimming flying without dislodging the plug or without moving the feet
de code II
stolen good obtained theft illicit mean
swagga
de code II
unlocking
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writing reading
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sin disculpas
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presencia negra sin disculpas
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good book s have marked us in our swag revelations unfold acts of grace acts of mercy
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jesus walking messiah running disciple
flying prophet swimming judas kissing
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de code II
ifesto plus
nhaka confronts and returns virtuosity without compromise or apology to live art nhaka is monument living archive liberatory practice decoded
animist technology declares experimental and contemporary art dance to be dead on life support stagnant a museum artifact
animist technologies
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nhaka animist technologies
bhuku
nora chipaumire
aïda colmenero dïaz
+ can felipa barcelona | 2018
pre bhuku
research learning embodiment
nora chipaumire +
shamar wayne watt
4companynorachipaumire shamar wayne watt-artist
thinking africa | 2017
centro de residencias artísticas matadero madrid
jesus robisco images|principales
otros
shika mohamed yousry javier sánchez salcedo aïda colmenero dïaz
+
gerard casas