de code V
abductions
de code V
de code V
nhaka cartography of animist body and radical black african presences *** methodologies for research driven practices and processes
de code V
on the mathematics of time self marking self determining presence virtuosity hesitations exclamations consenting | surrender complicite | erasive administered | hysteria mathematical equation catch up keep up
abductions | consenting surrender sound enters
de code V
sound enters‌ the body and has its way with it- possesses the body- a consenting surrender sound enters‌
the body and has its way with it- possesses the bodya consenting surrender
complicity you writing - speaking time feeling the vortex Â
de code V
better not to introduce external music until this moment, to all us to get high with no external narcotic, sonic vibration virtuous body expand vocabulary. sound makers vibration makersconversation communication hear enter in - sound in us listen to listen music is narcotic music high
inside - generosity and democracy sound in silence | sound IN BODY external music | amplified arrives when body is properly aligned ready and disciplined . its music purpose then is to accelerate to catapult volt the body into its future potential. pressure of sound and volume of sound on the skin , on ear drums on joints and tendons creates near hysteria within the body . allowing multiple hallelujahs to SHOUT |OPEN virtuosities that only sound can unlock one must therefore only administer this mathematical narcotic purposefully , knowing that there is no return from the futures once the free falling space travel begins - the body cannot stop and ask to get off
de code V
gloryhollahallelujah time mathematical equation
self determining self marking silent SOUND a reference to what is and what is not silence avoids + delays inevitable audio hallucination and audio abduction !
self determining self marking silent SOUND a reference to what is and what is not silence avoids + delays inevitable audio hallucination and audio abduction !
READ KODWO ESHUN
the presence of both opens up a threshold that is vast -knowable and unknown at the same time perhaps related to the vastness of the skin it’s ability to permeate and distribute sound pleasures or ideas held in sound - sound is viral and acts onto the body as a virus the speed with which sound begins to infect the organism must be respected ! sound is an animist narcotic exoskeletal kodwo eshun | abducted by audio sound
READ KODWO ESHUN
the presence of both opens up a threshold that is vast knowable and unknown at the same time perhaps related to the vastness of the skin it’s ability to permeate and distribute sound pleasures or ideas held in sound sound is viral and acts onto the body as a virus the speed with which sound begins to infect the organism must be respected ! sound is an animist narcotic ! exoskeletal ( kodwo eshun - abducted by audio sound ! )
de code V
de code V
de code V
de code V
de code V
de code V
de code V
de code V
de code V
de code V
de code V
de code V
de code V
de code V
de code V
de code V
de code V
de code V
ifesto plus
nhaka confronts and returns virtuosity without compromise or apology to live art nhaka is monument living archive liberatory practice decoded
animist technology declares experimental and contemporary art dance to be dead on life support stagnant a museum artifact
animist technologies
de code V nhaka animist
technologies
bhuku
nora chipaumire
aïda colmenero dïaz
+ can felipa barcelona 2018
pre bhuku research
learning embodiment
nora chipaumire +
shamar wayne watt
4company nora chipaumire shamar wayne watt artist
thinking africa | 2017
centro de residencias artísticas matadero madrid
jesus robisco images |principales
otros
shika mohamed yousry
javier sánchez salcedo
aïda colmenero dïaz
+
gerard casas