VIII PLAY

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nhaka cartography of animist body and radical black african presences *** methodologies for research driven practices and processes


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self actual value santĂŠ personhood life liberty happiness

play | in search of TSIKA personhood


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play to allow go into a state of discovery SIN judgement state of learning | writing weight

all tensions in the body to disappear

+ PESO Â

activity voluntary intrinsically motivated re | creational pleasure | enjoyment


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body space emerge play mode

play children game hopscotch | pada game | culture

hops skips jumps

directional play rules adapted mature player amateur player

nhaka play movement ideas conjured the effect is virtuosity of dynamics | virtues of choice | daring | pleasure of discovery

game moves community inter | action

mistake SI stepping on line | bumping into someone in the lanes

singular body play | sola

rule time out running outside HOP SKIP JUMP

recover your MATH


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hopscotch game playground solo y grupo hop jump retrieve


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intelligence freedom physical


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ifesto plus

nhaka confronts and returns virtuosity without compromise or apology to live art nhaka is monument living archive liberatory practice decoded

animist technology declares experimental and contemporary art dance to be dead on life support stagnant a museum artifact

animist technologies


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thinking africa | 2017

centro de residencias artísticas matadero madrid

jesus robisco images|principales

otros shika mohamed yousry javier sánchez salcedo aïda colmenero dïaz + gerard casas

nhaka animist technologies

bhuku

nora chipaumire

aïda colmenero dïaz

+ can felipa barcelona | 2018

pre bhuku research learning embodiment

nora chipaumire + shamar wayne watt

4company nora chipaumire shamar wayne watt-artist


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