JACK
NEWYORK TREND
NEW YORK TREND
December 17, 2015 - December 23, 2015
MAYOR DAVID DINKINS, REP. CHARLES RANGEL, HONORED WITH LIFETIME ACHIEVEMENT AWARDS
JACK AND JILL NATIONAL CONVENTION TO FOCUS ON HISTORY AND FUTURE
AND JILL OF AMERICA
,
Incorporated, the most prominent African American family organization, will hold its 46th National Convention, July 23 through July 28, in Minneapolis, Minnesota. The theme is “Celebrating A Masterpiece of Life, Love, Leadership, & Legacy.”“This convention promises to be a memorable gathering where we will celebrate our rich history, strengthen our bonds, and chart a course for the future of our organization.”
The Black Stars News 2015 Annual Awards Dinner will honor Mayor David Dinkins, Rep. Charles Rangel, Rep. Yvette Clarke, R. Donahue Peebles, Barbara Arnwine, Inez Barron, Sabrina Lamb, Dr. Rudy Crew, Stephen Byrd, Alia Jones, and the Central Park Five survivors of gross injustice on December 18 from 6:00pm –10:00pm at MIST Harlem, 46 West 116th Street
The 46th National Convention will present signature events, honor Jack and Jill’s notable alumni, and provide engaging opportunities with the organization’s partners. National President Kornisha McGill Brown said, “This convention promises to be a memorable gathering where we will celebrate our rich history, strengthen our bonds, and chart a course for the future of our organization. I encourage all attendees to make the most of this opportunity to connect with fellow members, learn from each other, and embrace the values that unite us as a Jack and Jill Family.”
“Each honoree chosen for recognition has demonstrated exceptional leadership and vision in her or his respective profession or endeavor and in some significant measure has contributed towards creating a more just society in this country,” says Black Star News founder and publisher Milton Allimadi. “Obviously much work needs to be done here and around the world.”
Key events include a teen leadership summit, community health fair, national legislative luncheon, programming luncheon, sports-themed family night, special closing gala, and pre-national convention memorial luncheon titled “Advocating For Justice, Inspiring Change: Remembering the Legacy of George Floyd.” Jack and Jill of America, Inc. has been committed to honoring Mr. Floyd since he was tragically murdered on May 25, 2020, in Minneapolis while in police custody. Civil rights activist, attorney, and Jack and Jill Father Benjamin Crump will be the memorial luncheon keynote speaker.
The “Your Health, Your Legacy – A Health Fair Empowering You To Make A Difference” event is open to the public and will be held at the Minneapolis Convention Center on Tuesday, July 23, 12:30 PM/CDT to 3:00 PM/CDT. It will empower attendees to make a positive difference, particularly those in the African American community.
The gala starts at 6:00pm with a cocktail hour to be followed by the dinner and awards ceremonies. There will be musical entertainment by opera singer Cassandra Douglas and from harmonica phenomenon William Galison. David Dinkins is honored for Lifetime Achievement — he was New York City’s first African American mayor and also welcomed Nelson Mandela to the city after his release in 1990.
Rep. Charles Rangel, also honored for Lifetime Achievement, has served in Congress since 1971. He is a recipient of The Bronze medal for helping save soldiers behind enemy line during the Korean War
There are various highlights and curated opportunities for national convention attendees throughout the week. The President’s Welcome Reception at Paisley Park—an invitation-only event—will provide invited guests a chance to experience the extraordinary creative compound of late
Rep. Yvette Clarke is a Democratic member of the US House of Representatives from New York whose 9th district covers much of central Brooklyn. Before entering Congress in 2007, she
innovator and musical mastermind Prince, a Minneapolis native. Jack and Jill Fathers will attend a Minnesota Twins baseball game and tour the Minnesota Vikings Training Facility. This year’s national convention also offers a new Alumni Track for Jack and Jill Alums ages 19 through 25 to participate in various professional development sessions, panel discussions, financial planning seminars, and networking opportunities with corporate partners. Additionally, the week is comprised of even more designated events for Jack and Jill Teens, Children, Mothers, Associates, Fathers, and Alumni. Featured 46th National Convention entertainers and special guests include iconic drummer and percussionist Shelia E., DJ Vince Adams, pioneering music group Bell Biv DeVoe, musicians Gritz and Jelly Butter, gospel recording artist Lady
R. Donahue Peebles, honoree, is a leading developer and founder of The Peebles Co., the nation’s largest African American-owned real estate firm with $3.5 billion worth of properties under development or management — he was one of the pioneering developerswho helped turn around and revitalize the once-blighted Anacostia neighborhood in Washington, D.C. A champion of African-American economic empowerment Peebles’ is contemplating a possible run for NYC mayor in 2017.
Honoree Barbara Arnwine, civil rights lawyer, is a champion of protecting voting rights of ethnic minority groups — the emerging
Siebert Williams
Toro
Pohlad
There will also be an exciting announcement highlighting the organization’s new Pink and Blue Pages Business Directory
The inaugural directory is a celebration of the impact made through economic development and a commitment to support Black businesses.
Transformative Justice Coalition. Arnwine was for 26 years executive Lawyers’ Committee for Civil Rights Under the Law. , honoree, formerly a member, is now council member and a champion of education for
Tramaine Hawkins, and actor Jay Ellis
Sponsors of Jack and Jill of America, Inc.’s
46th National Convention are the following:
Unilever
Prudential
Progressive Jack and Jill of America
Foundation
Nickelodeon
AARP
Imhotep Gary Byrd is a legendary radio talk show host and executive producer, radio DJ, poet, songwriter, music recording artist and producer, rapper, writer and community activist. He began his career as a radio DJ in Buffalo at age 15. For over 30 years, he’s been a talk show host at WBLS and WLIB radio in New York City. He also has a Friday night radio talk show on WBAI
Bristol Myers Squibb
Campaign for Tobacco-Free Kids
MedTronic
Baxter
Double Good
American Family Insurance
Thrivent
Established in 1938 by Black mothers with the mission of nurturing future African American leaders, Jack and Jill of America, Inc. currently holds biennial national conventions. Collectively, in addition to participating in the stellar events of the 46th National Convention, Jack and Jill Mother Members from across the nation will convene in Minneapolis to conduct the business of Jack and Jill so that the organization continues to flourish as it has done successfully for 86 years. This convention will officially complete 27th National President Kornisha McGill Brown’s noteworthy four years of service on two Jack and Jill of America, Inc. National Executive Boards, as well as her 17-year tenure as a mother member. “We are so very grateful for this opportunity to bring our Jack and Jill Families together for our 46th National Convention in Minneapolis, Minnesota,” she said. “As my final term of leading the organization as National President comes to an end, I look forward to gathering once again to perform the business of Jack and Jill and ‘Celebrating A Masterpiece of Life, Love, Leadership, and Legacy.’”
York and a former chancellor of the New York public schools system. Pioneering producers Stephen Byrd and Alia Jones, through their company Front Row Production, brought “Cat on a Hot Tin Roof” and “A Streetcar Named Desire” with a multi-ethnic cast to Broadway. In 2016 they bring “Eclipsed” with Oscar Winner Lupita Nyong ’O to Broadway. Honorees, the so-called Central Park 5, are collectively and individually heroes. They are survivors of one of the ugliest miscarriage of justice in New York’s history; having been railroaded and unjustly convicted for a crime they did not commit and for which they served long prison sentences ranging from seven years to 13 years before being exonerated when the actual rapist confessed. They are: Yusef Abdus Salaam; Raymond Santana Jr., Antron McCray, Kevin Richardson, and Kharey Wise.
The Black Star News, which focuses on investigative journalism, has been featured as a result of some if its news scoops, on CNN, The New York Daily News, The New York Post, The Village Voice, and Brill’s Content magazine.
Honoree Sabrina Lamb, founder of World of Money, is a champion of financial literacy for youth-- she teaches knowledge about handling money, budgeting and planning.
Editas
Best Buy
Target
Fulcrum Therapeutics
Honest Company
Dr. Rudy Crew, honoree, is one of the nation’s leading educators. He’s president of Medgar Evers College of The City University of New
Jack and Jill of America, Inc. was founded in 1938 to nurture future African American leaders by stimulating the growth and development of children through educational, cultural, civic, recreational, health and social programs inspired by mothers. Through its 262 chapters organized in seven regions across the United States, Jack and Jill is considered the largest African American family organization in the nation representing 70,000 family members which includes, mother members, fathers, and children ages two through 19. For more information about Jack and Jill of America, Inc. please visit jackandjillinc.org or @jackandjillinc
Past Black Star News honorees have included: Gil Noble (Like It Is), Rep. Maxine Waters, Soledad O’Brien (CNN), Ms. Camille Cosby, Voza Rivers (New Heritage Theatre), Errol Louis (NY1 News), Amel Larrieux (Entertainer), Dr. William Pollard (Medgar Evers College), Herm Edwards (NY Jets), Nayaba Arinde (Amsterdam News), La-Verna Fountain (Columbia University), Lillian Roberts (DC37), Desiree Dancy (New York Times), Greg Floyd (Local 237), Rev. Al Sharpton (National Action Network), and many others.
NATIONAL
NATIONAL BLACK FAMILY MONTH
JULY IS BLACK FAMILY MONTH! A special time for us to honor the strength, resilience and rich heritage of our families. The family is the backbone of society, playing a vital role in shaping communities and generations. It is within our families that we learn many things, such as values, life lessons, and build confidence and self-esteem.
This month is the perfect time to strengthen family ties, support one another, and cultivate a sense of belonging and pride. Whether it’s cooking family recipes, going on a trip organizing a family reunion, enjoying a delicious barbecue, or having a storytelling session with our elders, let’s make it a point to engage in activities that bring us closer.
Black Family Month is our time to affirm the enduring spirit of our families, celebrate our legacy, and inspire future generations to carry forward our traditions and purpose. Let’s make this month a celebration of who we are and the love that binds us together.
DOCUMENTARY EXAMINES COTILLIONS AND BLACK GIRLHOOD
Debutante balls have traditionally been associated with a particular kind of coming of age: that of teen girls who are well-to-do and, for the most part, white. A newly revived Black debutante ball in Canton, Ohio, uses the cotillion experience as programming for Black girls, many of whom live below the poverty line.
“The Debutantes,” which premiered this summer at the Tribeca Film Festival, presents three young “debs” — Teylar Bradley, Amelia Boles and Dedra Robbins — as they grapple with what it means for them to come of age and mark that transition.
Director Contessa Gayles wanted
the documentary to celebrate Black girlhood before it slips away. For these debutantes in training — who reflect on the pressure of paying bills, familial tensions and discovering themselves in a world where they feel judged — that transition appears to come all too soon.
“I know a lot of times Black girls in particular are adultified at a young age,” Gayles said in an interview. “It kind of doesn’t allow us the opportunity to live fully in our girlhood and then to make that transition, and then have that transition be celebrated.”
The documentary was co-produced by NBC News Studios, which, along with NBC News, is owned by Comcast
The young women of the 2022 Stark County Debutante Cotillion were the first group in decades to take part in the rite of passage ceremony after Black women in Canton began holding cotillions in the 1970s.
Gayles used traditional documentary vérité, archival footage and video blogs that the debutantes themselves filmed to capture the girls’ experience being presented to society. These personal videos, of the girls driving to work or dancing with friends, were part of allowing them to have control over their own narrative, Gayles said.
Gayles also created scenes of the debutantes posed on sets that reflected their inner worlds and dreams — with Boles as a pageant queen waving to crowds in a parade, Robbins in a garden of butterflies, and Bradley filmed through the lens of a refracted kaleidoscope. These “dreamscape worlds,” as Gayles described them, serve as the backdrop in the film for the debutantes’ existential contemplations of what it means to be a Black girl and a Black woman.
In “The Debutantes,” Gayles said she incorporated archival footage to stage an “intergenerational dialogue between the older generation and the current generation of Gen Z girls.”
As the film opens, black-and-white archival footage rolls of young Black girls in the 1970s, curtseying before society. In the background, a clip of Toni Morrison’s 2004 commencement speech at Wellesley College announces the girls’ coming of age. “There is nothing, believe me, more satisfying, more gratifying than true adulthood,”
she says. “The adulthood that is the span of life before you.” The earnest moment is punctuated by a video of the girls joyfully doing a TikTok dance.
In a community where the tradition of debutante balls skipped a generation, Gayles said the girls’ lack of familiarity with cotillion allowed them to decide what parts of the traditionally exclusionary experience served them and what parts challenged their sense of self.
The quintessential presentation of the debutante by male escorts, for example, drew the criticism of those in training. At waltz lessons, their faces twisted when the dance instructor told their male dance partners, “It’s like you’re holding a delicate flower.” During the traditional debutante dance between father and daughter, Robbins, who does not have a relationship with her father, wondered why she couldn’t share that moment with her mom instead.
Gayles captured an intergenerational conversation in which cotillion co-chair Nicole Bush candidly addresses the heavily gendered components of the debutante ball. While Bush recognized that times are changing, she said she struggled to “rethink” tradition. “That would make a better program for us, I know it would, to the community. But it’s just not within my values system; I’m old-school,” she said.
By creating this dialogue, Gayles said she wanted to start a conversation at the intersection of class, race and gender — a debutante experience that is distinct from its white counterparts and explores what it means to come of age as a Black girl.
Photo Source: Black PR Wire
AMELIA BOLES IN "THE DEBUTANTES."
Photo Credit: NBC News Studios
90 PERCENT OF BLACK HOMICIDES FROM GUNS
Guns are by far the most common weapon used to kill Black homicide victims in America according to Black Homicide Victimization in the United States: An Analysis of 2022 Homicide Data, a new study from the Violence Policy Center (VPC). The study shows that in 2022 there were 13,466 Black homicide victims in the United States and that 87.4 percent of these victims were killed with guns. Black Americans represented 13.6 percent of the U.S. population that year yet accounted for 54.1 percent of all homicide victims.
“The toll gun homicide exacts on Black men, women, boys, and girls is a national shame that demands action. The resulting devastation ravages families, friends, and communities. The purpose of this report is to help support advocates and organizations working to stop this lethal violence while continuing to educate and engage the public and policymakers on the need to address this ongoing crisis,” states VPC Executive Director Josh Sugarmann
The report is based on 2022 WISQARS mortality data from the federal Centers for Disease Control and Prevention (CDC) and Supplementary Homicide Report (SHR) data submitted to the Federal Bureau of Investigation (FBI). The study details homicide rates for 2022, the most recent year for which comprehensive national data is available. This is the 18th year the Violence Policy Center has released the study.
In addition to national data, the annual study also ranks the states according to their Black homicide victimization rates and offers additional information for each of the 10 states with the highest Black homicide victimization rates. In 2022, the 10 states with the highest Black homicide victimization rates were: Missouri, Wisconsin, Illinois, Oregon, Louisiana, Kentucky, Indiana, Arkansas, Pennsylvania, and Mississippi.
This is the 16th year in a row that Missouri has ranked either first or second in the nation for Black homicide victimization. Despite already having the highest Black homicide victimization rate in the country, in the last decade CDC data reveal that the Black homicide victimization rate in Missouri more than doubled, increasing from 30.7 per 100,000 in 2013 to 65.7 in 2022.
For the entire UNITED STATES, the
study finds that in 2022:
There were 13,446 Black homicide victims in the United States. Black Americans represented 13.6 percent of the U.S. population, yet accounted for 54.1 percent of all homicide victims.
The majority of Black homicide victims in the United States were shot and killed with guns (87.4 percent or 11,750 out of 13,446). There were 696 victims killed with knives or other sharp instruments.
On average, more than 36 Black Americans died each day from homicide, of these, 32 were known to have died from gun homicides.
The Black homicide victimization rate in the United States was nearly four times the overall national victimization rate and nearly seven times the white homicide victimization rate. In 2022, the black homicide victimization rate was 29.0 per 100,000. In comparison, the overall national homicide victimization rate was 7.7 per 100,000. For whites, the national homicide victimization rate was 4.2 per 100,000.
Of the 13,446 Black homicide victims, 11,528 (85.7 percent) were male and 1,918 (14.3 percent) were female.
The Black male homicide victimization rate in the United States was more than four times the overall male victimization rate and more than eight times the white male homicide victimization rate. In 2022, the homicide victimization rate for Black male victims was 50.5 per 100,000. In comparison,
the overall rate for male homicide victims was 12.3 per 100,000 and the rate for white male homicide victims was 6.2 per 100,000.
The Black female homicide victimization rate in the United States was nearly three times the overall female victimization rate and nearly four times the white female homicide victimization rate. In 2022, the homicide victimization rate for Black female victims was 8.2 per 100,000. In comparison, the overall rate for female homicide victims was 3.0 per 100,000 and the rate for white female homicide victims was 2.2 per 100,000.
For homicides in which the victim to offender relationship could be identified, 76.5 percent of Black victims (3,202 out of 4,184) were killed by someone they knew. The number of victims killed by strangers was 982.
For homicides in which the circumstances could be identified, 80.9 percent (4,028 out of 4,977) were not related to the commission of any other felony. Of these, 53.9 percent (2,172 homicides) involved arguments between the victim and the offender.
At the same time, the firearms industry, looking to expand beyond its shrinking base of white male gun owners, has focused its marketing efforts on Black, Latino, and Asian Americans. If successful, such efforts can only increase gun death and injury in these communities (see the 2021 Violence Policy Center studies How the Firearms Industry and NRA Market Guns to
Communities of Color and How the Firearms Industry Markets Guns to Asian Americans).
Previous versions of the VPC report used exclusively FBI SHR data to describe Black homicide victimization. In January of 2021, the FBI changed the way crime data are collected in the United States, which negatively impacted the reliability of such data from some states. As a result of the incomplete nature of state-by-state SHR crime data for 2022, using these data for ranking the states is not possible. In order to continue examining state-specific Black homicide victimization rates and offering state rankings, this report utilizes CDC WISQARS data to describe victim demographics and weapons used at both the national level and the state level for the 10 states with the highest Black homicide victimization rates. To offer further detail on Black homicide victimization in the United States, FBI SHR data are used to describe the victim and offender relationship and homicide circumstances at the national level. The Violence Policy Center hopes that at some point in the near future FBI crime data will once again be sufficiently robust to allow for a more complete analysis of the data.
The age-adjusted rates published in this report were calculated by the National Center for Health Statistics. The rates are calculated by dividing the number of Black homicide victims by the Black population and multiplying the result by 100,000.
EVENTS race forward UNVEILS
INAUGURAL CULTURAL WEEK OF ACTION
RACE FORWARD and AMERICANS FOR THE ARTS
(AFTA) announced today the 14 projects that received funding to anchor the inaugural Cultural Week of Action on Race and Democracy, a new initiative that leverages arts, culture, and creativity to elevate dialogues and spark action to advance a multiracial democracy. Other local projects, while not eligible for funding, are still encouraged to participate and add information about their activity to our Cultural Week of Action interactive map.
“The selected projects represent the diversity, innovation, and uniqueness inherent in the fabric of our country,” said Glenn Harris, President of Race Forward. “That’s what a multiracial democracy is all about. It’s local communities organizing together to build a future that centers equity, justice, and belonging.”
The 14 selected anchor projects are:
The Power of Us: Birmingham Summit on Cultural Organizing and Justice by Birmingham Black Repertory Theatre Collective (Birmingham, AL)
Shining a Light on Alaska’s Diverse Communities by Native Movement (Alaska – statewide)
Black Disabled Artists
Owner/Publisher
Executive Editor
Editor-In-Chief
Dr. Teresa Taylor Williams
Assistant to Publisher, Administrative
Zoie Williams
International Correspondent
Ann Brown
Travel Editor
Jim Weaver
Contributing Editor
Justin Williams
Circulation Manager
Robert L. Taylor
Cultural Festival by Black Political Cultivation Arizona (Phoenix, AZ)
Ebony Beach Club Memory Portal by the Studio of Autumn Breon (California – statewide)
Southern Sierra Miwuk Nation by the Mariposa County Arts Council, Inc (Mariposa, CA)
BLACK TULIP by Betti Ono Foundation (Oakland, CA)
The Black Futures Newsstand: Reckoning with, Repairing, and Re-Imagining Chicago’s Media Ecosystem by MediaJustice (Chicago, IL)
The Affrilachia Summit by Gateway Regional Arts Center (Mt. Sterling, KY)
The Show Yourself Festival by The Quiet Voice (Nashville, TN)
“As I See You Exhibit” Michael Brown Jr. by The Michael Brown Sr. Chosen for Change Organization (Ferguson, MO)
Do It for the Culture, Cleveland by Cleveland VOTES (Cleveland, OH)
“Immigration Project” by Early Era Collective (Oklahoma City, OK)
Coming Home by Vanport Mosaic (Portland, OR)
Initiation – Reclaiming Ancestral Knowledge, Reimagining Communities by South Dallas Parent Coalition (Dallas, TX)
More than 375 projects were
submitted for consideration. The selected projects exemplify strong partnerships with artists, community organizations, local arts agencies, and various units of local and Tribal government and explore our American history, how it shapes our present, and how people are organizing to build an equitable and racially just future.
Twelve organizations have partnered with Race Forward and Americans for the Arts to help amplify and elevate the Cultural Week of Action on Race and Democracy: Djimon Hounsou Foundation, Equitable Cities, For Freedoms, The German Marshall Fund of the United States, Narrative Arts,
Narrative Initiative, National Civic League, National League of Cities, Othering & Belonging Institute, People’s Action Institute, PolicyLink and World Cities Culture Forum
“It is only possible to create a shared, national identity for our country by celebrating the stories, symbols, sounds, and sensations that represent our cultural heritage,” said Suzy Delvalle and Jamie Bennett, interim co-CEOs of Americans for the Arts “Together, these projects create a beautiful quilt of American stories. The artists at the center of them are carrying the histories we have lived and rehearsing the futures we have not yet experienced.”
Art
Emeritus
Anastasia Williams
Justin Williams
Teresa Williams
Is it Alzheimer’s? Or just signs of aging? Get screened and find out.
If you have trouble remembering, learning new things, concentrating or making decisions that affect everyday life, the sooner you can find out what’s going on, the better.
Early screening of your cognitive health allows for earlier detection and diagnosis of potential Alzheimer’s disease or other types of dementia. Early diagnosis means more time to plan for the future, express your preferences for care, adapt your home environment and seek support. We can help you learn about available resources.
Early diagnosis also provides opportunities to try new treatments. For those who are experiencing possible early cognitive decline, we offer the opportunity to participate in ongoing research studies/clinical trials that may help slow the progression of Alzheimer’s symptoms. Our Center of Excellence for Alzheimer’s Disease — one of 10 centers in New York State — is funded in part by a grant from the New York State Department of Health.
THE ARTS
STUDIO MUSEUM IN HARLEM ANNOUNCES SUMMER AND FALL EXHIBITIONS
The STUDIO MUSEUM IN HARLEM today announced its dynamic roster of summer and fall exhibitions and programs, including the launch of New Additions, the institution’s first podcast; the presentation of Something in the Water: Expanding the Walls 2024;
The presentation of works by the Studio Museum’s current artists in residence will be on view from September 26, 2024, through February 2025. Shown at MoMA PS1 as part of a multiyear collaboration with The Museum of Modern Art and MoMA PS1, Pass
permanent collection have shaped the broader cultural landscape through their diverse artistic practices.
The podcast, made in collaboration with Sound Made Public, debuted with six episodes and include conversations with artists Tunji
and the annual exhibition for the Museum’s cornerstone Artist-inResidence program.
On June 18, the Museum’s summer programming kicked off with the launch of New Additions, a podcast series that forefronts the Studio Museum’s permanent collection. Highlighting the Studio Museum’s enduring support of the rich artistic heritage of artists of African descent, the podcast featured exclusive conversations with artists whose works have been newly acquired into the Studio Museum’s growing permanent collection: Tunji AdeniyiJones, Vladimir Cybil Charlier, Jadé Fadojutimi, Nikita Gale, Zora J Murff, and Brandon Ndife, with more artists to come.
The latest iteration of the Studio Museum’s longstanding and beloved teen photography program Expanding the Walls: Making Connections Between Photography, History, and Community culminates on July 31, 2024, with Something in the Water: Expanding the Walls 2024, an exhibition of the 2024 participants’ work. As an entry point for teens to explore and define their artistic practices while building community, the program, now in its twenty-fourth year, examines photographs in the James Van Der Zee Archive, which was established at The Met in 2021 through a landmark collaboration between The Met, the Studio Museum, and Donna Van Der Zee
Carry Hold: Studio Museum
Artists in Residence 2023–24 will feature the work of sonia louise davis, Malcolm Peacock, and Zoë Pulley, the 2023–24 cohort of the Museum’s Artist-inResidence program.
Also presented in collaboration with MoMA, and continuing through October 14, 2024, at MoMA’s street-level galleries is Projects: Tadáskía. This exhibition features a large-scale, site-responsive wall drawing and sculptures by the multidisciplinary, Brazil-based artist Tadáskía, who articulates themes of transformation and joy in her work.
NEW ADDITIONS PODCAST
Launched June 18, 2024, on all major podcast platforms
Grown out of an online interview series and print feature in the Studio Museum’s biannual magazine Studio, the new podcast New Additions features intimate conversations with artists whose work has been recently added to the Studio Museum’s permanent collection. Hosted by Studio Museum Senior Curatorial Assistant Habiba Hopson, the podcast series spotlights artists at pivotal moments in their careers. In the hour-long discussions, artists share their path to artmaking, their process in the studio, their dreams and aspirations, and more. Above all, New Additions showcases how artists in the Studio Museum’s
Something in the Water: Expanding the Walls 2024 is organized by Jayson Overby, Assistant Curator, Studio Museum in Harlem; with Ally Caple, Expanding the Walls Coordinator, Studio Museum in Harlem; and the Expanding the Walls 2024 participants.
--- ABOUT EXPANDING THE WALLS
Founded in 2001, Expanding the Walls supports the photographic practices of teenage artists based in New York City through workshops, gallery visits, and discussions led by contemporary artists. For over twenty years, the archive of renowned Harlem photographer James Van Der Zee (1886–1983) has been the program’s central inspiration. Over the course of the free eight-month program, the young artists also engage with the work of photographers such as Dawoud Bey, LaToya Ruby Frazier, Texas Isaiah, Ming Smith, and Carrie Mae Weems. These artists, alongside Van Der Zee, provide a rich intergenerational dialogue in which the teens can situate their work and practices.
Adeniyi-Jones, Vladimir Cybil Charlier, Jadé Fadojutimi, Nikita Gale, Zora J Murff, and Brandon Ndife. More artists will be featured in six additional episodes, with each to be released on the second Tuesday of the month. All episodes can be accessed for free on the Studio Museum’s website and on demand across all major podcast platforms, including Apple Podcasts, Spotify, Amazon Music, and Google Podcasts.
SOMETHING
IN THE WATER: EXPANDING THE WALLS 2024
Online July 31, 2024–July 30, 2025
Something in the Water: Expanding the Walls 2024 features work from the 2024 participants of the Studio Museum’s teen photography program Expanding the Walls: Making Connections Between Photography, History, and Community. With a camera in hand, the program’s sixteen young photographers move through their city in ways they haven’t before, bringing viewers into the transient nature of their day-to-day lives as they traverse—and consider—the vastness of New York City. The photographs in the online exhibition gesture toward the participants’ relationship with adolescence and place, and how they find themselves in the quiet moments of the city and its outskirts—along the water and on the streets.
Expanding the Walls and youth programs are made possible with support from the Keith Haring Foundation Education Fund; Joy of Giving Something; Phillip and Edith Leonian Foundation; Conscious Kids; Hearst Endowment Fund; and by the Jacob and Gwendolyn Lawrence Trust. The Studio Museum in Harlem’s Learning and Engagement programs are supported by the Thompson Foundation Education Fund; William R. Kenan, Jr. Charitable Trust; Con Edison; Harlem Community Development Corporation; May and Samuel Rudin Family Foundation; and Joseph and Joan Cullman Foundation for the Arts. Additional support provided by the New York City Department of Cultural Affairs and New York State Council on the Arts. The Studio Museum in Harlem is deeply grateful for Donna Van Der Zee’s continued support of Expanding the Walls
--- PASS CARRY HOLD: STUDIO MUSEUM ARTISTS IN RESIDENCE 2023–24
September 26, 2024–February 2025
MoMA PS1, 22–25 Jackson Avenue, Long Island City, NY
Pass Carry Hold: Studio Museum Artists in Residence 2023–24 features the work of 2023–24 artists in residence sonia louise davis, Malcolm Peacock, and Zoë Pulley
FROM LEFT TO RIGHT: MALCOLM PEACOCK, ZOË PULLEY, AND SONIA LOUISE DAVIS.
Photo: Courtney Sofiah Yates
ENTERTAINMENT
COUNTRY SENSATION NAMED NISSAN ARTIST FOR JULY
BET MUSIC and NISSAN are teaming up to shine a spotlight on rising Black stars in the music world, and they're kicking things off with none other than the dynamic Cali-bred Country sensation, Tanner Adell. Fresh off of an electrifying debut performance on Nissan’s BET Amplified stage during Culture’s Biggest Night, BET Awards 2024, Tanner Adell also takes the BET Amplified Artist of the Month crown this July, bringing her fresh, unapologetic take on Country music to the forefront.
Tanner Adell burst onto the scene last year with her debut mixtape Buckle Bunny, earning major props from The New York Times, NPR, Billboard, MusicRow, and more. With hits like “I Hate Texas,” where she spills the tea on a messy breakup, to viral favorites like “Buckle Bunny,” Tanner’s got a knack for mixing raw honesty with infectious beats. Her unique sound is set to take her straight to stardom, and BET and Nissan are here for it.
Tanner’s roots are as diverse as her sound. From summers in Wyoming learning to drive four-wheelers and cars at a young age, to belting out Phantom of the Opera, her childhood was a blend of wild freedom and deep musical passion. And, Tanner’s humble beginnings have cultivated an artist whose musical prowess has taken her from the country all the way to Cowboy Carter, receiving the ultimate co-sign singing on Beyonce’s blockbuster album of 2024.
Tanner Adell can now add BET Amplified Artists to her list of accolades. And, what better way to celebrate than performing on the BET Amplified stage on Culture’s biggest
night, BET Awards 2024? Recently signed to Atlanta-based label LVRN, Tanner Adell is poised to continue taking her country roots outside the walls of Nashville and onto the world stage.
As a BET Amplified artist, Tanner Adell will receive BET Music’s support across multiple BET campaigns and platforms, including BET, BET Her, BET Jams, BET Soul, BET com, BET Socials.
Previous BET Amplified artists include 41, Ambré, Armani White, Asake, Big Boss
Vette, BossMan Dlow, Coco Jones, Connie Diiamond, Fridayy, HDBeenDope, Kaliii,
Lady London, Lakeyah, Larry June, Lola
Brooke, Maiya The Don, October London, Skilla Baby, That Mexican OT and more!
Tanner Adell is here to unapologetically pave her own lane in Country music.
Brought up between the coast of Manhattan Beach, California and the rustic charm of Star Valley, Wyoming, the songstress lived a free-spirited childhood in the country, complete with cowboy boots and rodeos.
Weaving the tales of her upbringing through her musical storytelling, Tanner’s lyricism keeps its roots in Country while infusing an addictive blend of pop vocals and hip-hop beats. Tanner spills out energetic tunes and honest ballads that draw upon her personal narrative as a biracial woman embracing the truest version of herself. Hear Tanner reclaim the power back for the girls with her July 2023 debut mixtape, Buckle Bunny, a first-of-its-kind in the Country genre, which earned praise from The New York Times, NPR, Billboard, MusicRow and more. As fans continue to discover and rave over
Tanner’s unique style through her Buckle Bunny mixtape, she continues to have a huge 2024 of new music and touring while she graces the stage at some of the biggest domestic and international festivals including Faster Horses and Golden Sky, already checking off C2C, Stagecoach and Hangout Festival Tanner continues to keep fans on the edge of their seat, pushing the genre boundaries yet again in the forthcoming
pop-infused get-over-you anthem, “Whiskey Blues,” Twisters soundtrack feature “Too Easy,” and summer bop “Cowboy Break My Heart,” out now. She made her TV performance debut on the Jennifer Hudson Show earlier this year and most recently performed on the 2024 BET Awards. The rising star promises to keep reimagining music with unbridled innovation while making her mark on Music City and beyond.
Photo Credit: Chase Foster
ENTERTAINMENT
FESTIVAL OF CULTURE CELEBRATES 30 YEARS
The 2024 ESSENCE Festival of Culture™ presented by CocaCola®, is proud to celebrate a three decade legacy of boundless Black joy, rich cultural heritage, and “loving us.” From July 4-7, 2024, in New Orleans, this four-day event promises to be an unparalleled experience blending legacy and evolution. Presenting sponsor Coca-Cola® and major sponsors AT&T®, L’Oréal Groupe, McDonald’s USA, and Target Corporation will continue the festival’s commitment to uplifting the Black community, as returning partners to the festival in its 30th year.
To commemorate the festival’s milestone birthday, ESSENCE unveils a new brand campaign titled, “We Love Us,” as a testament to the festival’s enduring commitment to enriching our cultural and social fabric. In 1995, ESSENCE planted a seed in the rich cultural soil of New Orleans to serve as a one-time celebration to commemorate the 25th anniversary of the magazine that would blossom into the present-day ESSENCE Festival of Culture™, the go-to destination for Black people year-after-year. The festival does not just celebrate three decades of heritage, but elevates the joy of being Black, solidifying the festival as a beacon of hope and unity amid today’s cultural challenges. As the ESSENCE Festival of Culture™ has evolved and expanded from its origin as solely a music festival, so have the ways that Black people, culture & heritage are showcased there, by highlighting music & entertainment, health & wellness, entrepreneurship & empowerment, diversity, beauty, and the community that we love and serve. All of the elements that we love about us will be front and center at this year’s festival, which promises to be a celebration where the music we grew up on, the education we need, and the affirmation we seek – all come together in a space that feels like home.
“Marking three decades of the ESSENCE Festival of Culture™ presented by Coca-Cola®, alongside our valued partners and sponsors is key to building meaningful experiences that prioritize capital, capacity and community, hence our new tagline 'We Love Us',” said Caroline Wanga, President and CEO of Essence Ventures. “The revolution must be financed at the right value in order for equitable community commerce to manifest. At the intersection of joy and justice, we generate revised narratives that affirm Black culture as the driver of all culture. We proclaim true equity for our global presence in the key determinants of wealth, and we unapologetically celebrate global diasporic accomplishments big and small with audacity and intentionality. The full spectrum of our tapestry will once again be the center of attention
as we employ 'Black Birthday Behavior' in our forever home, New Orleans. Our trust currency and brokerage is the price of entry for any organization that chooses to engage us on behalf of the community. Therefore, we don’t have sponsors, we have partners. That partnership is fueled by an understanding of our impact prerequisite combined with their impressions and expectations, as the algorithm for sustainable growth and prosperity. So we here at Essence Ventures offer both gratitude and fortitude to the partners that align to our values and intent.”
The 2024 sponsors of this year’s festival will present strategic
McDonald’s USAMajor Sponsor
McDonald’s USA remains dedicated to uplifting Black culture by sponsoring EFOC for over two decades. The brand is honored to unite communities through culture, fashion, activations, and more to commemorate this historic moment.
Target CorporationMajor Sponsor
For all the “Black women who love Target,” (#IYKYK). Thank you for making us part of YOUR circle just as much as you bring joy and style to OURS.
Attendees can look forward to a diverse array of daytime experiences at the
star-studded line-up.
Tickets for the 2024 ESSENCE Festival of Culture™ are now available at ESSENCEFestival. com. Virtual attendees can join in on the celebration at ESSENCE. com and ESSENCEFestival.com, as well as join the conversation on social media at @ESSENCEFest on X, Facebook, and Instagram.
ABOUT ESSENCE COMMUNICATIONS, INC. ESSENCE Communications is the number one—and only 100% Blackowned—media, technology and commerce company at scale dedicated to Black women and communities. With a community of more than 31 million
activations that stand as a testament to the enduring love for Black culture over the past 30 years including:
The Coca-Cola® CompanyPresenting Sponsor
The Coca-Cola® Company is honored to continue its support of Black women’s culture, community, and legacy as the presenting sponsor of the Essence Festival of Culture™, in its 30th year.
AT&T® - Major Sponsor
Through panels, performances, interactive programming and themed giveaways, AT&T® will connect festival goers to a rich celebration across 30 years of the culture that fosters community and inspires greater possibility.
L’Oréal Groupe - Major Sponsor
L'Oréal Groupe is proud to honor 30 years of the ESSENCE Festival of Culture™ and the celebration of Black Joy in the shared mission to promote a more inclusive vision of beauty.
Ernest N. Morial Convention Center. From returning fan-favorites ESSENCE Food & Wine Festival™, BEAUTYCON™: @ESSENCEFEST Edition, AFROPUNK BLKTOPIA™, ESSENCE Film Festival® by ESSENCE STUDIOS™, ESSENCE Stage™, SOKO MRKT™ by ESSENCE®, ESSENCE Authors™, ESSENCE® GU® CREATORS HOUSE, GBEF® HQ, to the newly introduced ESSENCE Hollywood House™ and the Suede: Men’s Experience™ (formerly known as In His Zone), there will be something for everyone to enjoy. The evening concert series at the Caesar's Superdome will pay homage to the festival’s rich history while looking towards the future, featuring headlining performances from some of the biggest names in entertainment including R&B superstar USHER, global icon Janet Jackson, the legendary Charlie Wilson, 3x GrammyAward winner Victoria Monét, and a special performance of Birdman & Friends Presents 30 Years of Cash Money Millionaires along with a full
Black women, ESSENCE inspires a global audience through diverse storytelling and immersive original content rooted in Culture, Equity and Celebration. The brand's multi-platform presence in/ publishing, experiential and online encompasses its namesake magazine; digital, video and social platforms; television specials; books; and signature live events, including Black Women in Music, Black Women in Hollywood, ESSENCE Black Women in Sports, Fashion House, Street Style and the ESSENCE Festival of Culture™
ABOUT ESSENCE VENTURES A multi-faceted ecosystem that uplifts the Global Black experience through frictionless, borderless economic advancements at the intersection of community and culture, ESSENCE Ventures is a member of the Sundial Group of Companies and is the parent company for ESSENCE Communications, Inc., AFROPUNK, Beautycon and Essence Studios
JAY-Z INVESTS IN LEADING LUXURY WATCH PLATFORM
Global watch marketplace WRISTCHECK is proud to announce a significant investment from music icon, business mogul, and watch aficionado Shawn “JAY-Z” Carter –marking a major milestone for Wristcheck in cementing itself as the pioneering, go-to platform for the next generation of watch enthusiasts worldwide.
With a profound passion for watches and an unrivaled influence in multiple industries spanning decades, JAY-Z stands as a visionary who played a crucial role in shaping modern watch culture as the world knows it today.
JAY-Z’s support as an investor is a testament to Wristcheck’s credibility and commitment to revolutionizing the USD $100 billion watch space.
JAY-Z joins Alibaba Entrepreneurs Fund, Gobi Partners GBA, and K3 Ventures in Wristcheck’s pre-series A funding.
“We’re thrilled to welcome JAY-Z as an investor and partner at Wristcheck. As the most influential celebrity watch collector of the 21st century, his endorsement carries immense weight both personally and professionally. JAY-Z has always been an inspiration to me. I remember growing up to his music – his lyrics not only introduced me to watch brands like Audemars Piguet, but also fueled my love for watches even further. His own journey
of entrepreneurship resonated deeply with me – greatly influencing my own path in building Wristcheck.” – Austen Chu, founder & CEO of Wristcheck.
and budgets from the rarest and most coveted models to watches at every price point.
Since its establishment in 2021,
YEAR-ON-YEAR MOMENTUM
Wristcheck has facilitated transactions with the world’s leading watch collectors, including JAY-Z himself, with numerous transactions surpassing USD $1 million involving some of the world’s rarest timepieces. Its highest recorded transaction exceeds USD $5 million. The platform provides watch enthusiasts with unparalleled access to thousands of guaranteed authentic timepieces, catering to a wide range of preferences
Wristcheck has exhibited exponential growth defying global economic challenges – attracting millions of watch enthusiasts worldwide, online and offline. Its immersive retail experience and focus on contemporary watch culture have resonated strongly with Gen Z watch buyers in particular – 70% of their audience is under the age of 35. In 2023, the platform experienced a remarkable 300%+ increase in total transaction volume. In the first four
months of 2024, Wristcheck has reported a 588% year-over-year growth in online commerce alone, with an average order value of USD $22,000. With a proven track record of engaging in high-profile partnerships, Wristcheck has collaborated with leading brands like Audemars Piguet and Louis Vuitton – further distinguishing Wristcheck’s novel approach to brand-building and community with its penchant for fostering unique and groundbreaking partnerships that redefine industry norms.
In addition to their marketplace, Wristcheck offers world-class in-house watchmaking services, an industryleading timepiece grading system “The Wristcheck Grade,” and the world’s first auditable watch index powered by real-time transaction prices. Wristcheck is dedicated to creating a holistic next-generation ecosystem for watch enthusiasts.
“The incredible ecosystem JAY-Z has built at Roc Nation perfectly aligns with what we are building here at Wristcheck – the watch world of tomorrow. I am beyond excited for the future that lies ahead.” – Austen Chu
This latest investment from JAY-Z will enable Wristcheck to continue its plans for global expansion and further enhance its tech product features and services for watch enthusiasts worldwide.
APPLICATIONS OPEN FOR ENTREPRENEURS NETWORK
Ernst & Young LLP (EY US) is calling all trailblazing Black and Hispanic/ Latino entrepreneurs to join the 2025 cohort of the EY Entrepreneurs Access Network (EAN). This accelerator program is now accepting applications until the August 30, 2024, deadline.
THE NEED
Black- and Hispanic/Latino-owned businesses are economic powerhouses, generating over $183 billion1 and a staggering $800 billion,2 respectively. Yet, they're just scratching the surface of their potential. EAN helps bridge the disparity in access and resources, and supports these businesses in scaling.
THE BENEFIT
With personalized coaching, a tailored curriculum, a community of
visionary entrepreneurs and access to the EY entrepreneurial ecosystem, including Entrepreneur Of The Year® program and EY Entrepreneurial Winning Women™ community members, participants benefit from surroundsound support as well as connections to investors and industry giants.
THE IMPACT
Since its inception, EAN has empowered nearly 300 CEOs and founders, aligning them with $51 million in capital and supporting over $600 million in new contracts and services. Last year alone, participants soaked up 2,298 mentor hours and engaged in 1,000 businessbuilding encounters.
PROGRAM SNAPSHOT
Duration: 12-month tailored program for the unstoppable executive
Offerings: One-on-one coaching, custom learning, extensive networking and visibility to an array of audiences
Criteria: Black or Hispanic/Latino business owners, founding CEOs or majority owners of US-based, privately held, for-profit companies over two years old and 51% owned by Black or Hispanic/Latino individuals.
HOW TO APPLY
Applicants can now apply at ey. com/ean. It's a free program with no application fee. Applications are accepted through August 30, 2024, with rolling acceptances starting December 2024.
REAL SUPPORT AND SUCCESS
"Black and Hispanic/Latino entrepreneurs are among the unsung heroes of our economy. With EAN, we're not just imagining a world where barriers don't exist — we're creating it. If you're ready to scale and ignite your business's impact, let's make it happen together," says Nit Reeder, EY EAN Program Director.
Monica Hernandez of MAS Global Consulting: "EAN is a huge support for me. I met a network of likeminded entrepreneurs and experts that continue to be a support system."
Audley Wilson of RoboBurger: "We received essential guidance from EY's top executives as we navigated capital funding."
Cicely Peace-Edouard of The Simple VUE: "The relationships we fostered through EAN were instrumental in helping us find access to funding and opportunities."
ABOUT
EY
EY exists to build a better working world, helping create long-term value for clients, people and society and build trust in the capital markets.
Enabled by data and technology, diverse EY teams in over 150 countries provide trust through assurance and help clients grow, transform and operate.
Working across assurance, consulting, law, strategy, tax and transactions, EY teams ask better questions to find new answers for the complex issues facing our world today.
EY refers to the global organization, and may refer to one or more, of the member firms of Ernst & Young Global Limited, each of which is a separate legal entity. Ernst & Young Global Limited, a UK company limited by guarantee, does not provide services to clients. Information about how EY collects and uses personal data and a description of the rights individuals have under data protection legislation are available via ey.com/privacy EY member firms do not practice law where prohibited by local laws. For more information about our organization, please visit ey.com
Photo Source: Black PR Wire
DIVERSITY & INCLUSION
NAACP TEAMS WITH NETFLIX TO SUPPORT MAKEUP ARTISTS
Committed to increasing diverse representation in the entertainment industry, the NAACP and the Handy Foundation, have partnered to announce the return of the NAACP x Handy Foundation Glam Squad Training Program. With the support of Netflix, the NAACP and the Handy Foundation will expand the program to two different editions this year.
“We have always been driven by a mission to advance diversity, equity, and inclusion – on and off screen. Now more than ever, we see a clear need for underrepresented creatives in this industry.” said Kyle Bowser, Senior Vice President of the NAACP Hollywood Bureau “We are proud to partner with Netflix and Handy Foundation in this fight to make a tangible impact in creating more access points for up and coming artists.”
The NAACP x Handy Foundation Glam Squad Training Program aims to train ten aspiring BIPOC Hair and Makeup artists and provide them with the necessary skills for opportunities to work on film and television sets. During their rigorous 7-week program, trainees will learn specialized training for various skin tones and techniques, special EFX, work on mock photo shoots, gain handson experience working at the state-ofthe-art NAACP+ Studios and gain insight from tenured industry professionals including; Quintessence Patterson, Key Make Up Artist Starz’s BMF; Moe Coles, Key Hair Artist; Camille Friend, Oscar Nominated and NAACP Image Award Winner; Danielle Milton, Founder/ CEO, The Milton Agency; Kali Patrice, Multihyphenate hairstylist and creator of STYLE LIKE A BOSS; and Carol Rasheed, Image Award-Winning Makeup Department Head for The Color Purple
The first edition of this program launches in April and after weeks of thorough internal assessments, ten individuals were selected from a highly competitive applicant pool. The 2024 Spring Cohort participants are Chanice Williams, Jennifer Cormack, Kalia White, Rashima Wilson, Alyndy Chavez, Rocket Minjizzle, Jeannee Primm, Dominique Henson, Summer Stephens and Ainya Carter. Training this year’s cohorts will be Keshia Smith, a seasoned holistic makeup artist with over 20 years of experience. Smith has worked with renowned brands such as Nars Cosmetics, MAC Cosmetics, Smashbox and more. Smith was chosen to spearhead this initiative, due to her impactful work with projects for Target’s Black History Month venture and Dove’s Crown Act campaign.
Ri-Karlo Handy, Founder of the Handy Foundation said, "Actors and performers come from diverse backgrounds with unique needs and require beauty professionals to have experience in servicing different hairstyles, textures and skin tones. The Handy Foundation is honored to partner with the NAACP and Netflix on this initiative. It will be a game changer for
performers and the next generation of beauty professionals alike.”
The support from Netflix for the NAACP x Handy Foundation Glam Squad Training Program is part of the company’s Fund for Creative Equity, a dedicated effort to help build new opportunities for underrepresented communities within entertainment.which is designed to build new pathways for underrepresented communities within entertainment.
the NAACP Hollywood Bureau as a center for advocacy and change. The Bureau’s purpose is to pursue and secure equitable opportunities and authentic representations in media that reflect our diverse communities. The alliances, coalitions, and partnerships we forge are dedicated to honoring diverse and multicultural forms of artistic expression and promoting responsible approaches toward commercial exploitation.
The NAACP advocates, agitates, and
by veteran film and television executive Ri-Karlo Handy in 2020. Handy's journey as an equity advocate began after sparking a viral debate regarding the need for more Black editors in Hollywood in the wake of the Black Lives Matter protests. The Foundation's mission is to connect below-theline workers to job opportunities in Hollywood, providing training and professional development while helping production companies, studios and networks meet diversity and inclusion
Tiffany Burrell-Lewis, Director of Creative Talent Development, Netflix, said: “Hair and makeup artists are pivotal to bringing stories to life on screen, and it’s a privilege to support NAACP and the Handy Foundation as they continue to pave the way for a new generation of talent focused on this craft.”
At the program’s completion, one or more participants will have an opportunity to work as a production assistant in the hair and makeup department for an industry partner. Last year, several members of the first cohort were contracted as hair and makeup stylists on several NAACP+ Studios projects including the NAACP Image Awards, NAACP Virtual Award show and the NAACP convention.
For more than twenty years, the NAACP has steadily increased its commitment to influencing the output of Hollywood’s image-making apparatus, by activating
litigates for civil rights due to Black America. Our legacy is built on the foundation of grassroots activism by the biggest civil rights pioneers of the 20th century and is sustained by 21st century activists. From classrooms and courtrooms to city halls and Congress, our network of members across the country works to secure the social and political power that will end race-based discrimination. That work is rooted in racial equity, civic engagement, and supportive policies and institutions for all marginalized people. We are committed to a world without racism where Black people enjoy equitable opportunities in thriving communities.
NOTE: The Legal Defense Fund –also referred to as the NAACP-LDF - was founded in 1940 as a part of the NAACP, but now operates as a completely separate entity.
ABOUT THE HANDY FOUNDATION --
The Handy Foundation was established
goals. Below-the-line workers - editors, camera operators, make-up artists, grips and lighting crews - make up the majority of Hollywood's workforce. Unfortunately, representation and opportunities for professionals from communities of color in this industry falls woefully short of the national average. The Handy Foundation's training programs aim to one day provide pathways for all film and television crafts, and is one of several ways in which the organization is working to impact this lack of diversity. The Handy Foundation also manages a database of available below-theline workers, and works through that resource to connect studios and networks to a wider talent base. In addition, the non-profit's website offers aspiring production talent a library of resources that can support their goals as they continue to establish themselves within the industry. To learn more, please visit handyfoundation.org
END NOTES
BIG BROTHERS ANNOUNCES 2024 HALL OF FAME
BIG BROTHERS BIG SISTERS OF AMERICA (BBBSA), the preeminent oneto-one youth mentoring organization in the United States, announced its newest class of inductees to the BBBSA Alumni Hall of Fame. The BBBSA Alumni Hall of Fame honors former mentors (“Bigs”) and mentees (“Littles”), who embody the transformative power of human connection and continue to champion the lifelong impact of mentorship. The ceremony was held during BBBSA’s annual ‘Bigger Together’ National Conference in Dallas, Texas. Nearly 2,000+ in-person and virtual attendees, representing over 200+ BBBS agencies nationwide, joined emcee and Media Maven, Sybil Wilkes, and Violinist, Richmond Punch, to commemorate the achievements of the inductees as they shared their inspiring personal stories, illustrating the enduring impact of mentorship and the critical role it plays in shaping futures. Featuring remarkable leaders and volunteers representing diverse backgrounds from sports to entertainment, philanthropy, and business, the influential inductees have all made a significant difference in their communities and exemplified BBBS’
mission to empower all young people to reach their full potential.
The esteemed members of the third Alumni Hall of Fame class include (in alphabetical order):
DALE LONG, 50-Year BBBS Volunteer, Former Big DENNIS BROWN, CEO Emeritus, BBBS Hawaii, Former Little ERIN SCANLON, Deloitte & Touche LLP Partner, Deloitte Foundation President, Former Big HILL HARPER, New York Times BestSelling Author, Award-Winning Actor, Entrepreneur, Philanthropist, Former Big MARISSA SOLIS, Senior Vice President, Global Brand and Consumer Marketing, NFL, Former Big and Little OSA ODIGHIZUWA, Defensive Tackle, Dallas Cowboys, Former Little
“It is with great pride that we honor and celebrate the 2024 inductees of the BBBSA Alumni Hall of Fame. Each honoree has championed the power of mentorship as individuals and leaders in their commitment to empowering future generations,” said Artis Stevens, President and CEO of Big
Brothers Big Sisters of America “Each year, we are thrilled to celebrate a group of our estimated 20 million alumni Bigs and Littles, who are change-makers in their communities and embody our ‘It Takes Little to be Big’ mentality at BBBS.”
ABOUT BIG BROTHERS BIG SISTERS OF AMERICA
Founded in 1904, Big Brothers Big Sisters of America is the largest and most experienced youth mentoring organization in the United States. The mission of Big Brothers Big Sisters of America is to
create and support one-to-one mentoring relationships that ignite the power and promise of youth. Big Brothers Big Sisters’ evidence-based approach is designed to create positive youth outcomes, including educational success, avoidance of risky behaviors, higher aspirations, greater confidence, and improved relationships. Big Brothers Big Sisters has over 230 local agencies serving more than 5,000 communities across all 50 states and the District of Columbia. For more information, visit: www.bbbs.org
MUSEUM OF AFRICAN AMERICAN HISTORY ACQUIRES SLAVE BADGES
The SMITHSONIAN’S NATIONAL MUSEUM OF AFRICAN AMERICAN HISTORY AND CULTURE recently acquired what is thought to be the largest and most complete set of historic Charleston Slave Badges. The collection includes 146 rare badges dating as far back as 1804. It also features badges with makers’ marks and two with personalized inscriptions. To share the stories of these objects with a worldwide audience, the museum has launched a Searchable Museum feature at SearchableMuseum.com/SlaveBadges, which tells the historical significance of Charleston Slave Badges and the museum’s recent exciting acquisition.
“We are honored to share the story of enslaved African Americans who contributed to building the nation,” said Mary Elliott, NMAAHC museum curator. “It is a story that involves the juxtaposition of profit and power versus the human cost. The story sheds light on human suffering and the power of the human spirit of skilled craftspeople who held onto their humanity and survived the system of slavery, leaving their mark on the landscape in more ways than one.”
Through this digital offering, visitors can engage with the objects and learn about the legislated system of leased enslaved labor in Charleston, South Carolina, those who profited from the system and how enslaved African Americans navigated the landscape of slavery using their abilities, skills and intellect. In addition to providing the history of Charleston Slave Badges, the new Searchable Museum feature will provide insight into collecting, archaeology, the role of vocational training and the meaning of freedom.
The Slave Badge system was initially legally instituted in Charleston in 1783 as a form of control and a source of profit. The badge system required that enslaved African Americans whose labor was leased out by their enslavers wear registered identifying badges. The badges identified the occupation of the enslaved laborer, whether as a skilled craftsperson or a servant. It was a form of control and surveillance over African Americans who had limited autonomy to move about the city conducting work—but
today they are reminders that the enslaved were skilled workers who built much of Charleston.
Enslavers paid a registration fee to the city for each enslaved person whose labor they leased out and, in turn, the city provided the badges that registered leased enslaved laborers were required to wear. Enslavers profited from money earned leasing out the labor of skilled African Americans, while the city received profit and gained the benefit of the skilled work of enslaved African Americans who, essentially, built Charleston’s urban landscape.
Enslaved African Americans, bearers of the slave badges, served in various capacities as indicated by the badge labels, including skilled mechanics, porters, fishers, fruiterers, carpenters, porters and servants. Although the badges served as a form of control, those who wore them had some degree of autonomy to move about the city while conducting work. This provided greater opportunities for communicating with a wider network of enslaved Black people. In some instances, they were also able to keep some of the money earned from their labor, which helped toward purchasing freedom for themselves and loved ones.
The recently acquired historic collection was compiled by renowned collector Harry S. Hutchins Jr., who, along with co-authors Brian E. Hutchins and historian Harlan Greene, wrote and published the book Slave Badges and the Slave Hire System in Charleston, South Carolina, 1783–1865, which is highly regarded among collectors. Hutchins dedicated his life to collecting slave badges, expressing that he felt it was important to tell the story of the skilled craftspeople. When presented with the opportunity to draft the credit line for the collection, Hutchins provided the following text “Partial Gift of Harry S. Hutchins, Jr. DDS, Col. (Ret.) and his Family, dedicated to the individuals these Slave Hire Badges represent and their descendants.”
ABOUT THE MUSEUM ---
Since opening Sept. 24, 2016, the National Museum of African American History and Culture has welcomed 11 million in-person
COLLECTION OF THE SMITHSONIAN’S NATIONAL MUSEUM OF AFRICAN AMERICAN HISTORY AND CULTURE, PARTIAL GIFT OF HARRY S. HUTCHINS, JR. DDS, COL. (RET.) AND HIS FAMILY, DEDICATED TO THE INDIVIDUALS THESE SLAVE HIRE BADGES REPRESENT AND THEIR DESCENDANTS
visitors and millions more through its digital presence. Occupying a prominent location next to the Washington Monument on the National Mall in Washington, D.C., the nearly 400,000-square-foot museum is the nation’s largest and most comprehensive cultural destination devoted exclusively to exploring, documenting and showcasing the African American story and its impact on American and world history. The museum
has also launched and is continually expanding its reach with the Searchable Museum portal and other efforts to bring African American history into the world’s hands and homes. For more information about the museum, visit nmaahc.si.edu, follow @NMAAHC on X, Facebook and Instagram or call Smithsonian information at (202) 633-1000.
Photo Source: Black PR Wire
If you are anywhere in your journey with substance use disorder,
I want you to stop, look around and open your heart.
Revel in the abundance of your existence. See how small substance use disorder can be when sat next to all that you are or ever could be.
Fill your existence with beauty, purpose and a life of service.
And your substance use disorder— your history of addiction, the things you may have done that you are not proud of—will one day be small enough to deal with while allowing you space to live this life of joy.
Hold on.
We are not the sum of our scars but rather a beautiful mosaic of the life they hold together.
—Joseph Washington, DC In recovery from substance use disorder Learn how substance use recovery can
