2022 New Zealand Photography Show Conference Handbook by NZIPP NZ Institute of Professional Photography

14 T H & 15 T H AU G U S T 2022 TRAFALGAR C ENT RE NE LS ON, NEW ZEALAND

P H OTO G R A P H E D B Y N I CO L A D O V E

B R O U G H T TO YO U B Y

I N PA R T N E R S H I P W I T H

Welcome TO T H E 2 0 2 2 NEW ZEALAND P H OTO G R A H P Y S H O W The N ew Zeal and Pho to graphy S how is an annu al t wo - day s how, pro u dl y pres ented by the N ew Zeal and I ns titu te o f Pro fes s io nal Pho to graphy, and in par tner s hip w ith Cano n N ew Zeal and. The s how br ing s yo u exc iting s peak er s f ro m bo th N ew Zeal and and O ver s eas, and f ro m a rang e o f g enres. The s how is s u ppo r ted by a f antas tic trade s how f ro m inter natio nal l y renow ned c am era brands and pho to graphic bu s ines s es. This is a great c hance to m eet o ther l ik e m inded pho to grapher s, m ak e l ife -l o ng f r iends, feel par t o f s o m ething s pec ial, l ear n new s k il l s, rek indl e yo u r pas s io n and f ire fo r pho to graphy, and g o ho m e ins pired to tak e yo u r bu s ines s to the nex t l evel.

R-SERIES

FULL FRAME MIRRORLESS

EOS R5

45 MEGAPIXEL FULL-FRAME SENSOR UP TO 20FPS ELECTRONIC / 12FPS MECHANICAL IN-BODY IMAGE STABILIZATION UP TO 8-STOPS 8K 30P NO CROP MOVIE RECORDING ADVANCED FACE AND EYE TRACKING DUAL PIXEL CMOS AF II DUAL CARD SLOTS

EOS R6

20.1 MEGAPIXEL FULL-FRAME SENSOR UP TO 20FPS ELECTRONIC / 12FPS MECHANICAL IN-BODY IMAGE STABILIZATION UP TO 8-STOPS DUAL PIXEL CMOS AF II 4K MOVIE 60 FPS 10-BIT DUAL CARD SLOTS

1 Reader’s Digest NZ Most Trusted Brand Surveys 2017-2022. 2 Applies to Canon Mirrorless, DSLR, Digital Video Camera & Lens purchases from Authorised Canon New Zealand Dealers from 25th November 2019.

TICKETS ON Click here

N SALE NOW e to book!

We cannot wait to see you in Nelson this August! There will be so much to see and do this year, so make the most of all the events on offer. This show is great value-for-money and an excellent opportunity to learn something new, and make plenty of new friends. Iris Awards Judging starts on Thursday 11th August 2022 at the Trafalgar Centre in Nelson, at 8am. Remember to bring something warm, because it can take an hour or two to warm up in the arena! It is free to come and watch the live judging. We have three rooms running this year, and you can wander in and out throughout the day. In between categories, make sure you take some time to look through the awesome print exhibition. The exhibition will be added to as judging finishes of each category. It is a beautiful display and well worth taking the time to look at the different printing methods and options that photographers choose to present their work. Live judging will continue on Friday and Saturday in the arena. Check the board at the front of the venue each day for the evening social event. We’ll have meet up points for everyone to gather and socialise after judging. Everyone is invited to these so please do come along! Saturday night is our traditional Iris Awards Wrap Party - a great celebration to the end of judging, thanks to Iris Awards Major Sponsor Sony who will be hosting the event in the Trafalgar Centre Trade Area. Everyone is welcome. The New Zealand Photography Show, in partnership with Canon begins at 9.00am on Sunday and runs through until 4.00pm on Monday evening. Be sure to stick around on Sunday evening for the hugely popular trade event from 5.00pm - 7.00pm, and get your ticket from the Ilford Stand to the film premier of In Pursuit of Giants - the story of 9 photographers who travelled into the Southern Alps in pursuit of an elusive legendary giant; showing at the Suter Art Gallery at 8.00pm sharp on Sunday evening. Following the close of the New Zealand Photography Show is the Gala Dinner event, in partnership with CRK and Ilford. This black tie event is the highlight of the week with the announcement of Iris Awards category winners, NZIPP Distinctions, NZIPP Honours Awards and the winners of International, Australian and New Zealand Photographer of the Year titles. We’ve secured a venue for this years after party, which will carry the celebrations through the night. We really hope you’ll join us!

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THURSDAY 11TH AUGUST TIME

8.00am 8.30am

JUDGING ROOM 1 Illustrative Category Judging

JUDGING ROOM 2 Portrait In-Camera Category Judging

JUDGING ROOM 3

OFFSITE

Wedding Open Category Judging

9.00am 9.30am 10.00am 10.30am 11.00am 11.30am 12.00pm 12.30pm 1.00pm 1.30pm

Student Category Judging

Landscape Open Category Judging

2.00pm 2.30pm 3.00pm 3.30pm 4.00pm 4.30pm 5.00pm 5.30pm 6.00pm 6.30pm 7.00pm

Summer Murdock workshop *Ticketed event

FRIDAY 12TH AUGUST TIME

8.00am

JUDGING ROOM 1 Family Category Judging

JUDGING ROOM 2

JUDGING ROOM 3

Creative Category Judging Nature Category Judging

8.30am 9.00am 9.30am 10.00am 10.30am 11.00am 11.30am 12.00pm 12.30pm 1.00pm 1.30pm

Wedding In-Camera Category Judging

2.00pm 2.30pm 3.00pm 3.30pm 4.00pm 4.30pm 5.00pm 5.30pm 6.00pm

Travel Category Judging

SATURDAY 13 TIME

8.00am 8.30am 9.00am

JUDGING ROOM 1

JUDGING ROOM 2

Portrait Open Category Judging

Documentary Category Judging

JUDGING ROOM 3

WORKSHOP ROOM

Landscape In-Camera Category Judging

9.30am 10.00am 10.30am 11.00am 11.30am 12.00pm 12.30pm 1.00pm 1.30pm 2.00pm 2.30pm 3.00pm 3.30pm 4.00pm 4.30pm 5.00pm 5.30pm 6.00pm 6.30pm 7.00pm 7.30pm 8.00pm

Newborn Safety Workshop *Ticketed event

Commercial Category Judging

Live Demonstration wor shop with Zhuoya *Ticketed event

I N PAR TNERS HIP WIT H

3TH AUGUST

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TRADE EXHIBITION

OUTSIDE THE TRAFALGAR CENTRE

Live Pet Portrait shoot with Sony Photographer Kirsten Hough outdie on the grassed area of Trafalgar Centre Fujifilm on the Shooting Stage Sony on the Shooting Stage Nikon Product Demonstration at the Nikon Trade Stand 11.30am - 1pm Have your portrait taken by an NZIPP Accredited Professional Photographer in the Portrait Booth. Just $25 with all proceeds going to Nelson Marlborough Rescue Helicopter Lumix on the shooting stage 1.30pm - 3pm Have your portrait taken by an NZIPP Accredited Professional Photographer in the Portrait Booth. Just $25 with all proceeds going to Nelson Marlborough Rescue Helicopter Nikon Product Demonstration at the Nikon Trade Stand Sony on the Shooting Stage Fujifilm on the Shooting Stage

Iris Awards Wrap Party sponsored by Sony. Join us at the Trafalgar Centre in the Trade Area for the 2022 Iris Awards Wrap Party - a celebration of the end of the 2022 Iris Awards judging with drinks and nibbles available, and live announcement of Category finalists.

Live Pet Portrait shoot with Sony Photographer Kirsten Hough outdie on the grassed area of Trafalgar Centre

I N PAR TNER SHIP WIT H

SUNDAY 14TH AUGUST TIME

TRAFALGAR CENTRE ARENA

9.00am

Welcome from NZIPP President, Gino Demeer Live draw $14,000 Prize Live Draw Membership Prize Day 2 Opening of the 2022 New Zealand Photography Show

9.30am

NICOLA DOVE

SHOOTING STAGE

Morning Tea and Trade Exhibition

Sony on the Shooting Stage

Lunch and Trade Exhibition

Panasonic on the shooting stage

BILLY PLUMMER

Unleashing the Power of Personal Work

12.00pm 12.30pm

Nikon at the trade booth

1.00pm

Fuji on the shooting stage

1.30pm

TONY STEWART

22 from 22 in 22 - Business Observations from 22yrs in Photography to Help You in 2022

2.30pm

Afternoon Tea and Trade Exhibition

3.00pm

SUMMER MURDOCK

4.30pm

Sponsor Panel Discussion

5.00pm 6.00pm

OFFSITE

From Brides to Blockbusters

10.30am 11.00am

TRADE EXHIBITION

Leaning into Wonder and the Magic of Light

Trade Exhibition Visit the Trade Exhibition from 5.00pm - 7.00pm. Lots of trade events, plus drinks and nibbles on offer.

7.00pm 7.30pm

Pre Drinks at the Suter Art Gallery for those attending

8.00pm

Film Premiere In Pursuit of Giants. Get your tickets from the Ilford Trade Stand.

I N PAR TNERS HIP WIT H

MONDAY 15TH AUGUST TIME

TRAFALGAR CENTRE ARENA

9.00am

Day 2 Opening of the 2022 New Zealand Photography Show

9.15am

SIMON RUNTING

OFFISTE

Morning Tea and Trade Fuji on the Exhibition shooting stage ZHUO YA

Finding your style in Photography

12.00pm

Lunch and Trade Exhibition

12.45pm 1.15pm

SHOOTING STAGE

The Art of Bird Photography

10.15am 11.00am

TRADE EXHIBITION

Lumix on the shooting stage Nikon at the trade booth

JANYNE FLETCHER

A Public Livelihood Created “In Camera”

2.15pm

Afternoon Tea and Trade Exhibition

2.45pm

KRIS ANDERSON

3.45pm

Closing of the 2022 New Zealand Photography Show

6.30pm

Gala Dinner Pre-Drinks

7.00pm

CRK and Ilford Gala Dinner NZIPP Iris and Honours Awards

11.15pm

First After Party Bus arrives

Courageous Storytelling - Designing and executing strong images that keep a viewer engaged

11.30pm

After Party at 623 in the City

3.00am

After Party finishes

B R O U G H T TO YO U B Y

I N PA R T N E R S H I P W I T H

Billy Plummer

Janyne Fletcher

Kris Anderson

Nicola Dove

Simon Runting

Summer Murdock

Tony Stewart

Zhuo Ya P H OTO C R E D I T

Billy Plummer UNLEASHING THE POWER OF PERSONAL WORK

ak e away al l yo u r paid wo r k and al l the tes ts that yo u did to g et that paid wo r k and w hat ’s l ef t? That ’s YOUR wo r k and no - o ne el s e’s - it ’s w hy yo u pic k ed u p a c am era in the f ir s t pl ace, r ig ht? I n his s es s io n B il l y w il l s how how pu rel y per s o nal pro j ec ts have dr iven his prac tice, been the c atal ys t fo r co m m is s io ned wo r k , have hel ped him diver s if y, dr ive his prac tice and k ept him (al m o s t) s ane. B il l y is u niq u e in that he’s an adver tis ing c reative direc to r tu r ned adver tis ing pho to grapher. Hav ing co m m is s io ned m il l io ns o f c l ient $ o n pho to graphy as a c reative he’s been “ the c l ient ”. He’s al s o s o m ething o f a m ento r as co -fo u nder o f The S er ies Pro j ec t, a pho to wo r k s ho p that fo c u s s es o n “ the w hat and w hy fo r pro pho to grapher s that al ready k now how ” and is ex trem el y pas s io nate abo u t the im po r tance and power o f per s o nal wo r k . I f yo u need to s hif t beyo nd the o rdinar y w ith the wo r k yo u do, o r s im pl y re -l o o k at, ref res h o r ref ine yo u r appro ac h to per s o nal wo r k this w il l be a tal k to l is ten to.

B R O U G H T TO YO U B Y

I N PA R T N E R S H I P W I T H

BPI LHLY OTO P LUC M R EMDEI RT

P H OTO C R E D I T B I L LY P LU M M E R

B R O U G H T TO YO U B Y

I N PA R T N E R S H I P W I T H

BPI LHLY P LUC M OTO R EMDEI RT

B I L LY P LU M M E R P H OTO C R E D I T

B R O U G H T TO YO U B Y

I N PA R T N E R S H I P W I T H

OTO B I L LY PPHLU M MCERRE D I T

BPI LHLY P LU MEMDEI TR OTO CR

B R O U G H T TO YO U B Y

I N PA R T N E R S H I P W I T H

BPI LHLY P LUC M OTO R EMDEI RT

BPI LHLY P LU MEMDEI TR OTO CR

B R O U G H T TO YO U B Y

I N PA R T N E R S H I P W I T H

BPI LHLY P LUC M OTO R EMDEI RT

THAT “PHOTOGRAPH” YOU’RE SO PROUD OF IS JUST ANOTHER COMPUTER FILE UNTIL YOU CAN HANG IT ON A WALL. A photo only becomes a photograph when you can touch it, feel it, and frame it. For that, all you need is time, technique, taste and a paper that make the most of what you’ve made. If you’re proud of your work, print it.

P H OTO C R E D I T

www.ilford.com

TRADE SHOW SPECIAL B R O U G H T TO YO U B Y

50% OFF I N PA R T N E R S H I P W I T H

CUTTING MATS *conditions apply

Visit the Ilford stand and ask Mark & Gerard about other show specials! P H OTO C R E D I T

ADVICE GROWTH SUPPORT VISIBILITY EDUCATION MENTORING NETWORKING EMPOWERMENT OPPORTUNITIES COLLABORATION... THE LIST GOES ON.

P H OTO C R E D I T

www.nzipp.org.nz/join

B R O U G H T TO YO U B Y

I N PA R T N E R S H I P W I T H

Come to our trade stand to learn about our show specials and to check out our newest D1060 Dry-film mini lab. We’ll show you how you can produce your own in-house photo albums, brochures and double-sided photos.

Click here to see more

P H OTO C R E D I T

Big Header Janyne Fletcher S UPBUHBELAI CD L I V E L I H O O D C R E AT E D “ I N C A M E R A” A

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ips u nt m inis itatem as au t q u i nu s inc tu r s inu s, co n co ns enis i and cim u mpoacr tant il itatu s. tal k s abo u t the co ns tant s tate o f dis cover y as s he bal ances Lo rerc idel m i, thes s eq ueidprmioar ities w litho u t oco pro is ing vo o rem l um ptu r ?mOs ea her s el f as auper o n. dips nt, ste et m axim po res c i s am , c u s dae q u o s s im e J anynec ne is ZIP Pu ia G rand dem tasan intNeaq que M as ter and is the pro expel ignis vel iti nis t iuus.d ow ner o f a g al l er y in the hear t o f Central O tag here Lo re ex et u t oomwnit au ts he vel l abo. c reates, ints tem and fandipidel ram es al l I tat inu m pr venec iuosf her de Now u s narwo u mr kq.u am eo s q u ae as s im inve r r u m q u am ever nam vo l u pta s itae. U t har ibu s s itates tr u m ea nam , q u e s item f u g a. N am s o l l es tiu m f u giam , q u e vo l u ptia vent. Tem re vo l o rentem eo s am s i do l u ptatu r, tem q u e l abo. I pidenienis des tiae et et do l o re (in ɪnˈk am(ə)rə/ m inu m rem q u am f acea do l u m do l es s u s c ips am q u e nis t, camera / LAW - in pr ivate, q u ias et q u e net q u e co ns edi par ( i napit came am( / ticular -ex L AW - i n p ri vate , i n p a r t i c u l a r ps es ra ea /ɪqnuˈ kin atu r ə )rə am et in tak i n gacc p l ace th eing p ri event atin icntak tem po r vate atas itch ambe rs of a j u d g e , w i t h place e p re s s an p unblrei cqeuxcl ded.) qth u ias s intis it,dco iatuivate et in the pr

P H OTO C R E D I T

od y tex t go es h ere. Th e tex t f ames are t h readed co n fessed, selft wo ienlf case yo u n eed conscio us int rover t pages, in wh ich case e Fletch you couJa ldnyn delete t h e er tex t f rame s hares in sight into h an d i n the he ader o n t h e sr ight the ma r r i age o f h er so lit ar y, pa ge m ay b e. Or yo u co uld conte mplat ive creat ive p u nli nk the tex t f rames an ro d cess a long s i dh e eaders revealin g h erself ke e p the over t h ere. a nd he r wor k to t h e gen eral O r mi x a nd match master p ages pu bli c. Janyn e’s perso n al on the s pread an d p ut a f ull hi sge torphoto y alo n o g nwit pa t hhe h o er t h er side. thou ghts an d feelin gs ab o ut he r adopted h o me provide Vole ndunt o discim quam f uga. a tc anvas er en p r ivate Vi e t volofor r rohet del mo di c re ati veoccus a nd pvo ublic usin ess odi am, lup tbius int rs. Janyn e f aces de ende li c iavou i s exeraes vit reh en ih up to unt, the cut hallen ginsa g amalgam of ati vidicip vent o cculla pracvolu ti c a lptbusin ess “ kelecum n ow h ow ” pro a t isquid a nd u nre sm train voluptate queedsecreat ar ia ivit n o ny.se She explain s why imp t h iserume is explabo. Id magn c us e os s e quo do lo ratem sunt, q u u nde m . Essit, o dit f ugiat.

B R O U G H T TO YO U B Y

I N PA R T N E R S H I P W I T H

J A NPYH NOTO E F L ECTC R EHDEI RT

JPAHNOTO Y N E CF R L EE TC D I THJ EARN Y N E F L E TC H E R

B R O U G H T TO YO U B Y

I N PA R T N E R S H I P W I T H

NEOTO E FFLLEECTC TC JJAANNYPYN H R EHHDEEIRRT

W H AT ’ S I N MY BAG?

y camera set up is f air ly m o des t wit h an emp h asis o n p o r tabil it y and durab ilit y. However, one o f the m o s t imp o r t ant p h o to grap hic acces s o r ies I own i s my U te. I love my t ruck fo r g etting to le s s acce s sib le places an d car t in g my ar t wo r k , and c r u i s i n g o ur massive n et wo r k o f u ns eal ed roads he re in t h e M an io to to. All in al l, I am a gre at adver t isement fo r Toyo t a H il u x!

J A N Y N E F L E TC H E R

B R O U G H T TO YO U B Y

I N PA R T N E R S H I P W I T H

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P H OTO C R E D I T

B R O U G H T TO YO U B Y

I N PA R T N E R S H I P W I T H

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P H OTO C R E D I T

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I N PA R T N E R S H I P W I T H

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B R O U G H T TO YO U B Y

I N PA R T N E R S H I P W I T H

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JPAHNOTO Y N E CF R L EE TC D I TH E R

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I N PA R T N E R S H I P W I T H

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P H OTO C R E D I T

Meet the Team at the Trade Stand Bernie Shore has been a member of the Fujifilm New Zealand Team for the past 5 years, currently the Electronic Imaging Sales and Training Manager. During his time at Fujifilm NZ he has specialised in all things imaging; from X-Series and GFX (digital cameras) to Negative Film, Printing and Instax. Bernie has come to us after working as a Professional Photographer and Videographer in Adelaide, Australia in both the Film and Digital space. With a Diploma of Photoimaging and Videography under his belt he truly loves both the printed and moving art form that is photography and video production. Recently, Bernie has moved to Wanaka to dive back into his first love, Landscape Photography, he isn’t just a fan of photographing the mountains but also a passionate skier. As an ex-member of the AIPP he gets a real buzz from attending events like the NZIPP as seeing the beauty of a print in-person and networking with fellow passionate photographers keeps him motivated and inspired. Be sure to visit Bernie at the Fujifilm NZ stand.

Samuel Bingham is our electronic imaging specialist. Starting out with Photo Warehouse and working amongst the retail space he was exposed to a variety of photographers and techniques alike. As his skills developed, Bingham started undertaking a lot more freelance work where he really pushed his video experience. Now focusing on sales and training, he is often on the road chatting to our retail partners bringing them up to speed on our X & GFX products. In his spare time Bingham has gone back to the roots of photography and predominantly shoots 120mm film. Film has forced him to be selective when shooting, pushing that creative eye further than before. A personal project that Bingham is focusing on at the moment looks at traditional postcards shot around New Zealand where he will go and imitate the original shot to compare and contrast changes in the surrounding environment. A testament to times past. Come and chat to Bingham at the NZIPP trade show this year about all things photography, I’m sure he will love the yarns.

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TRADESHOW SPECIALS*

25% for Accredited members

50% Studio Display discount on one photo book or album.

20% for Affiliate members

Valid until 15 Feb 2023. Phone 0800 744 755 to redeem.*

10% for Student members 10% for Regional members

$600 voucher prize. Drop your business card to Jackie

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and Libby at our stand for your chance to win*

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MORE THAN "JUST ANOTHER CONFERENCE".

Big Header Kris Anderson SCO U BUHREAAGDE O U S S TO R Y T E L L I N G - D E S I G N I N G A N D E X E C U T I N G S T R O N G I M A G E S T H AT K E E P A V I E WodEyRtexEt N GAGED go es h ere. Th e ips u nt m inis itatem as au t q u i

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nu s inc tu r s inu s, co n co ns enis i c um meac itatuintentio s. so o fil the nal (o r

unintentio c ho Lo rerc idel nal m i,! )s eq u ices id m ayo u can m ak e that either pu l l a vo l o rem o l u ptu r ? Os ea viewer in o r pu s h them away, dips u nt, te et m axim po res ci as nd give yo u to o l s to c r itic al l y am , c u s dae q u o s s im e adem nal ysnec e yo u r ow n wo r k . He tas int eaq u ia q u e w il l pexpel ro babl y c k iti a co u tpliu e s.o f dad ignisrovel nis j o k es to o ; s adl y thes e w il l no t et u t o m nit au t fo vel bLo e re coex ns idered gro u nds r laabo. I tatu nd. inu m venec tem andipidel ref the mndunt and keep t h emquam en gaged. Vole o discim f uga. iu s de N u s ar u m q u am eo s q u ae as s im inve r r u m q u am ever nam IVi n tthi s e s sio , coen mmercial e ts volo r ronet del mo di vo l u pta s itae. U t har ibu s and fi ne a r t p h o to grap h er K r is odi am, occus vo lup t ius int s itates tr u m ea nam , q u e s item And e r s on will t ak e yo u t h ro ugh d e li c i i s exeraes vit reh en ih the te c hni ques h esauses ati unt, ut vidicip venttoo cculla f u g a. N am s o l l es tiu m f u giam , q u e vo l u ptia vent. cpro ra f tvolu e ngagin g n ar rat ive pt a t isquid elecum dvoluptate r i ve n i m ages t h at keep a m que se ar ia n o n se Tem re vo l o rentem eo s am vexplabo. i e we r hooked. He’ ll reveal Id magn imp erume s i do l u ptatu r, tem q u e l abo. c us e os s e quo do lo ratem sunt, I pidenienis des tiae et et do l o re q u u nde m . Essit, o dit f ugiat. m inu m rem q u am f acea do l u m do l es s u s c ips am q u e nis t, O m ni mo b lacer n am reic to q u ias et q u e net q u e co ns edi m i ni hi li bus aliquis ex et es ps apit es ea q u atu r am ex et in e s ti ur ? Q ui rat i co n ecupt at ia event acc atin c tem po r atas it i llore s s u s mi, in pellab o. U t q u ias s intis it, co n re q u iat et vole s e q u am, o dit am, sen it i

Ed e t e t, s o lup t at ur mo lup t i ati ur, q ui aer i vo les et a pra pe re volor rept as et, sin imo te la bore co n et aut aut ve li q uati a vo lum f ugia sim aute m ve llacearum resequi d e nd e r i bus, sint eo ssi o ccae. I tatu r, s um n um quia sed quam

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volupta s am qui adit atet ut d e s s i coneserae sit vo lum es e a q u i de li s cus do lo r ro blat i q u e nons e c t at.

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P H OTO C R E D I T KRIS ANDERSON

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P H OTO C R E D I T KRIS ANDERSON

W WHHAT AT’’SS I N M BY AG? I NY M IB A G ?

m u s, q uamI llabo. Nem il maio s s e q u o s anda aut a li bus ea sum sa n o n p rat ur aper i o f f ic at atati i s vo lo rer it at ia n ecestem . U t as s u ntiu s d olore siminven di si as aut est, nes es enem e t re s a borsually i co r roI’m esinden t us. and it ’s t h daec e st udio mo re o f a ‘camera- car ’ t han a ‘camera-b ag’, an d aside f ro m the predic t able gear I’ ll p ac k s o m e we i rd s tuf f like a leaf blower, giant ac r y l ic s he e ts, an d slab s o f f ab r ics wit h dif ferent colou r s an d tex t ures. Fo r an o n - s ite he a d s hot sh o o t t h o ugh , I p are the k it dow n to the basics.

U ◊ ◊ ◊ ◊ ◊ ◊ ◊ ◊ ◊ ◊ ◊ ◊ ◊ ◊ ◊ ◊ ◊ ◊

Canon R5 Canon 5D mk I I I Batter ies an d cards Canon RF 28-70 f 2 Canon EOS -R Adapto r wit h Co ntro l R ing Canon EF 70-200 f 2. 8 L Canon EF 16-35 f 2. 8 L Le ns baby Co mpo ser Pro I I w ith Sweet 50 O pt ic 4 x G o dox AD200 st ro b es + s pare batter ies G odox XPro - C t r igger + sp are batter ies B owen s mo unt brack et s fo r A D2 00 s Colour calilbrato r card i Pa d + ipad st an d Sta nds Collap sible so f t boxes Collap sible b ackgro un d G e ls The fer vent h o pe t h at I do n’t have to lug th is st uf f up a h ill

On the desk fo r edit in g an d p o s tproce s s i ng: ◊ ◊ ◊ ◊

M ac St udio Ei zo Co lo rEdge CG2730 Wa co m I nt uo s Pro Eps o n SureCo lo r P906

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WIN AN EIZO CG2700S COLOR EDGE MONITOR E I ZO A M B A S S A D O R - K R I S A N D E R S O N

EIZO (pron. ‘A’-zoh) is the Japanese word for Image. EIZO make high end monitors for imaging professionals. Every day, professionals rely on their EIZO to make important decisions, whether it’s a medical diagnosis, a forensic evaluation, or an important image edit. The EIZO ColorEdge range is designed specifically for the arts - photo, video, illustration and design. Custom built for imaging work, an EIZO ColorEdge offers an artist far more than a conventional computer monitor. While your images may look fantastic on other monitors, they are in effect placing a ‘beautify’ filter between you and your image file. ColorEdge monitors allow you to work with all of the colour and subtle tonality contained in your image files, while seeing the file as it really is. This is why EIZO monitors come recommended by an overwhelming number of award-winning professional artists. Visit buyeizo.co.nz to purchase now. Questions? www.eizo-apac.com/contact-us All New Zealand Photography Show delegates will go in the draw to win an Eizo CG2700S Color Edge Monitor - drawn at the closing of the New Zealand Photography Show Day P H OTO 2. CREDIT

P H OTO C R E D I T KRIS ANDERSON

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P H OTO C R E D I T KRIS ANDERSON

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P H OTO C R E D I T KRIS ANDERSON

Introducing A New Creative Dimension P H OTO C R E D I T

A Better Life, A Better World

Lumix products are imported, distributed and supported by its parent company Panasonic in NZ to give clients the best service possible. Lumix has been challenging the camera industry since its inception with many world firsts including first mirrorless camera back in 2008. We look forward to meeting you all at conference.

Contact Andrew Reid Lumix product Sales Manager PH: 021 903 012 Email: Andrew.reid@nz.panasonic.com

g n i n e p p a ts h n e v e l a i c So ng i w o l l o f t every nigh s. e i t i v i t c a the days f o t n o r f e h tt a d r a o b e t n e Check th v e e h t for e r t n e C r Trafalga . e m i t d n a location e! m o c l e w e Everyon

Nicola Dove F R O M B R I D E S TO B LO C K B U S T E R S

ta r ti n g o ut sh o o t in g we d d in gs in b eaut if ul N e ls o n , N ico la e ve ntually fo un d h er ni c he i n the movie in dust r y s hooti ng fi lm st ills, t ravelin g t he wor ld wit h h er camera and he r you ng f amily in tow. H e ar how s he en ded up t ak in g pi c tu re s on o n e o f t h e mo st fa m ous fi lm f ran ch ise o f all t i me, the latest B o n d f ilm No Ti me To Di e, wit h so me lesso n s le a r nt along t h e way.

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W HW ATH’AT S I ’NS I N M Y MBYA G ? BAG? ◊ ◊ ◊ ◊ ◊ ◊ ◊ ◊ ◊ ◊ ◊ ◊

2 x S o ny A 9 c am era bo dies S o ny A7s Cam mera u s, bo q udy am I l l abo. N em il m aio s s e q u o s anda S o ny Len s 24au - 70 m m s ea s u m s a no n pratu r aper i o f f ic at t al ibu S o ny len s 7 0-2 00 m mvo l o rer itatia neces tem . U t as s u ntiu s atatiis 2x Teleco nverdo ter l o re s im invendi s i as au t es t, nes es enem M acbo o k et Prores 1 5abo in r i co r ro es dendaec tu s. B lack R apid do u bl e c am era s trap Hard dr ive Wet weat h er g ear / g l oves Hat s / sun s c reen Dar k ch o co l ate! Water B o ttl e

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E R E H K CLIC UY TO B S TICKET

Oh, hi

SOMETHING ELSE B ody tex t go es h ere. B ig h eader h as B ro nze c hara c te r st yle app lied. No ch arac ter s t y l e re q u i re d for bo dy tex t o n a wh ite bac k gro u nd. Uptate m aut vo lo r rer fer it p rae n iendit q u is cons e ce s t, n o sser i t at isi o dit aliqu u n tinu l l o r s i t, e ni mo b er rum, quunt, ulpa dol o r po r i be a q u i s t arum quo dit i at ibus ell abo r rov it q u as i m q uidessimi, eo s magn ih i c itenis s i api d e l m olest vo lo r po r io r is ea cons e no ns eq u e acc upta temp elit as eat ur? Uga . Fugi tet ut o mn imil lab o rum l a ips andi q u is s i s i mi l e tur aut quam is et f ugiat il it anda q u e ne c tu s non co n ec temquo s esciis q u atem f u gia as e t q u e nuscip s aperum f aceperat. To ma q uat ius mil in cien iat ur? Hentio n s e q u i atq ui sum rest eat ibea illace res tis d e r i be re s t f acipsan dit eium an is exped es eq u is e s t aut i ncipit is eum quunt, co rer u nt al iq u o et m i , to e s min p arch il iquat. Igni t e atate sam quiatem f acep el ignihil l a volore m velen ducip id max imusda m f u giae e t, nu m do lupt atem. Da do lesciae no s nihil m axi m agn iae o f f ic t ur a elign at. E pe pa d e bist, co n sedigent rem eo s m agnatu r m agni m i , co rem. Rupt ur si vo lupt as i tes tio r rov i de l i nciam, in cia n us, ea do llandes vent. E r ro m i nc ia quia vo lo r it aut atem int. Fuga . Ci u mqui demp o r io mo lo r ad et har u m e t fu ga. Co n ear it aque o f f iciat ias et a vo l l ab i m os c u m n it aqui debit, simaio quo o m nihic to d i and u c i a m se la si unte cupit, quiam et ar u m e nus e s tr u m ium quae idem et f acc u s aped expe ve r i unt. Lupi s m i nc t io re, o mn ih il mo d quas eu m expero e li q uat mo mo dign a t io ssunt. Acc abor um h icat is in prec t at iisim po reptaer u m fa c i tati re ped quaspid en dae. Olorae. E l itiae

Big Header Simon Runting TS U HB E HAERATDO F B I R D P H OTO G R A P H Y

a s e d on od ypro tex ducin t go es g images h ere. Tht eh at ips s tand u nt m inis I emitatem igrated asto auNt ew q u iZeal and abo u t 2 5 ye a r s a lone tex as tanf ames Ar t oare r Fint he readed Ar t imagnu e. sI inc tu ag r so inu and s, co f reel n co anced ns enisf ro i m here fo r the U K tr y to i pro n case duce yoimages u n eed tthwo at so me c uo m neac il itatu and s.US m ar k ets. O ver that tim e the in d us t r y who ha pages, s n o interest in wh ichincase birds wo u l d be c hang ed rapidl y and I al o ng w ith it. I h ave i, sfeq u ida m a tim e o f m edia bas ed wo r k to ha p pyyou to have cou ldon delete t h eir twall. h e tex t f rame Lo rerc idelg omne ro m l ife vo l o rem o l u ptu r ? Os ea i n the he ader o n t h e r ight h an d a m o re co m m erc ial m ar k et over the l a s t fe w dips u nt, te et s.m axim po res c i pa ge m ay b e. Or yo u co uld year am , c u s dae q u o s s im e I t r y ha rd nk to the ge t tex dif ferent pican t ures u nli t f rames d t h ats aren’t dem nec tas int eaq u ia q u e ju s t what I c all a ‘ b ird o n a st ick ’ ph o to graph. ke e p the h eaders over t h ere. expel ignisM vel nis tare iu s.var ied now w hic h I rea l l y l i k e. Al so be get ex t reme pclo se up y c liti ients O ri ng mi xa ble a ndtomatch master ages i m a g eon s i sthe s ome th in gan I d o fpten ive fo r. M o s t days f ind m e o n l arg e indu s tr ia l p ro j e c t s s pread ut ast frull Lo re ex et u t o m nit au t vel l abo. and co ns tr u c tio n s ites, and I s pend a l o t o f pa ge photo o n t h e o t h er side. I tat inu m venec tem andipidel tim e in H ig h Viz c l o thing ! have had an in credib le career t ak in iu g s de N u s ar u m q u am eo s q u ae Vole ndunt o discim quam f uga. s im inve r r u m q u am ever nam pi cViture for over r t ydel years, o k ing t e ts volo r ro etfoen mo dian d loas vo l u pta s B itae. U t har ibu s has al ways been my bac k I’m of ten amazed at t h e t h in gs I have ird pho to graphy odi am, occus vo lup t ius int s itates tr u m ea nam , q s item s e edne liand to grap pas s io n, and uI ehave c hannel ed my f ast c i i s pho exeraes vith ed. reh en ih f u g a. N am s o l l es tiu m f u giam , reac tio n news s k il l s in that direc tio n. I n ow ati unt, ut vidicip sa vent o cculla q u e vo l u ptia vent. r u n wo r k s ho ps that g u ide peo pl e towa rd s pro volu pt a t isquid elecum I s t a r te d ta k i ng pic t ures as a teen ager and better bird pic tu res and I f ind that gre at f un voluptate m que se ar ia n o n se Tem re vo l o rentem eo s am g o t a explabo. c ha nce toIdt ake it imp up at sch o o l whic h was and ver y rewarding. magn erume sphy i do l u ptatu r, tem q u e l abo. whe n cI us re aelly fe ll in love wit h p h o to gra os s e quo do lo ratem sunt, pidenienis des tiae et et do l o re a nd wa d i tma. sEssit, a career. began f reelIanc ing q unte u nde o dit If ugiat. m inu m rem q u am f acea do l u m fo r a loc al pa pe r in En glan d an d was soo n do l es s u s c ips am q u e nis t, o ffereOdma ni job h a pnress agen mowi b tlacer am reic toc y. Fro m there, I e n demd i ni u phii li n bus Fleet St reetexLoetn do a ias s tafetf q u e net q u e co ns edi aliquis es n , wit hq u ps apit jo b one sthe usi co Sun Newspap ti urnotor ? Q ui io rat n ecupt at ia er. Fo r ten es ea q u atu r am ex et in event acc atin c tem po r atas it yea r s iIllore trave t h einwo r ld cover or s slle u sdmi, pellab o. U tin g maj u ias s intis it, co n re q u iat et ne ws vole e ve nts, celeb s e q us po am,r t,o ch ditasin am, gsen it i r it iesqand e n d i ng u p i n ssome t ro uble spo ut t s. volupta am qui adit atet d e s s i coneserae sit vo lum es e a q u i de li s cus do lo r ro blat i q u e nons e c t at. Ed e t e t, s o lup t at ur mo lup t i ati ur, q ui aer i vo les et a pra pe re volor rept as et, sin imo te la bore co n et aut aut ve li q uati a vo lum f ugia sim aute m ve llacearum resequi d e nd e r i bus, sint eo ssi o ccae. I tatu r, s um n um quia sed quam

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W H AT ’ S I N MY BAG?

I as m s ume u s, qyo uamI u mean llabo.stNem uf f o tilhmaio er t h san s e cqam u oeras s anda ? In thataut c a saeli: bus ea sum sa n o n p rat ur aper i o f f ic at atati i s vo lo rer it at ia n ecestem . U t as s u ntiu s ◊ dAq u aTech wet weat er aut covers r my l o ng olore siminven di sihas est, fo nes es enem le ns e s as I’m o f ten sh o o t in g in the rain. e t re s a bor i co r ro es den daec t us. ◊ S e ve ral zip -lo ck b ags wit h dr y tis s u es to ke e p t h e f ro nt element dr y. ◊ G e r be r to o l an d k n ife wh ich o f ten co m es in ha ndy fo r rescuin g birds. ◊ A fi s hin g lan din g n et in t h e c ar to c atc h i njure d birds. ◊ G a ffe r t ape an d a small ro pe to tie branc hes ba c k an d so me secateurs. And c ame ra-wise: ◊ ◊ ◊ ◊ ◊ ◊ ◊ ◊ ◊ ◊ ◊ ◊ ◊ ◊ ◊ ◊ ◊ ◊ ◊ ◊ ◊ ◊ ◊

Two Fuji X-T4 O ne Fuji X-T3 O ne Fuji X_T30 S ony R X100 an d S o ny R X0 as rem o te c a m e ras. Le ns e s; Two S amyun g 8mm f ish eyes. N i kon 800mm F5. 6. Fuji : 200m m f 2 100- 40 0mm 50- 140 mm 80m m macro 56 f1.2 33m m f i. 4 35m m f 1. 4 16- 55mm f 2. 8 8- 16mm f 2. 8 23m m f 2 16m m f 1. 4 G od ox o f f camera st ro b es 3 x AD 20 0 2 x AD100. I of te n bo r row a f r ien d ’s S o ny 6 00 m m to o. M i ni water pro o f ph o to light s. And mo re b ags t h an B r isco es. . . . . . .

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Sto p by t h e Tra d e A re a to s p e a k to Da kota & Ke n a b o u t t h e Ca m e ra of t h e Ye a r

O r v is i t w w w. my n i ko n l i fe.co. n z /z 9

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Big Header Summer Murdock S U B H E A DINTO WONDER AND THE MAGIC OF LIGHT LEANING

co ntent ips u nt mfo inis r Lig itatem htro oasm au and t qhas ui nu s inc been featu tu r red s inuin s, co m any n coons nlenis ine i cum pu bl ic acatio il itatu ns and s. pho to graphy m ag azines. Lo rerc idel m i, s eq u id m a Svo u lm om rem er is o l uins ptu pired r ? Osby eathe dips q u ir kuynt, s tu tef f et k ids m axim do, weird po res cand i s amnder wo , c u sf udae l huqm u an o s sco imnnec e tio ns, dem nec prett y l igtas ht,int and eaq the u iagreat que expel o u tdoignis o r s. As velan iti intu nis t itive iu s. m o m o f fo u r c hil dren o f her ow n, Lo re ex et uat t owal m nit au tinto vel l abo. s he’s a pro k ing Ito tat inu m venec tem andipidel u g h, hig h-pres s u re s itu atio ns iu s del es Nsu sthan ar u m am eo s q u ae w ith coqouperative as s im inve r r uing m q her u amc ever k ids and m ak l ientnam ’s vo l u pta s itae. U t har ibu s v is io n co m e to l ife. I n her sf ree itates tre, u ms he ea snam qu u te ever s item tim eek s, o y fouppo g a. rNtuam s o l l es tiu m f u giam , nit y to hang o u ts ide q e vosl u vent. inu the u ptia ns hine, travel ing, expl o r ing and g o ingeoosnam Tem re vo l o rentem adventu res w ith her band s i do l u ptatu r, tem q uhu e lsabo. and k ids. I pidenienis des tiae et et do l o re m inu m rem q u am f acea do l u m do l es s u s c ips am q u e nis t, q u ias et q u e net q u e co ns edi ps apit es ea q u atu r am ex et in event acc atin c tem po r atas it q u ias s intis it, co n re q u iat et

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a s ed od y tex in tS go alt es Lak h ere. e Th e text y, Ci t fU ames t ah , are Summer t h readed i sn co case mmercial yo u n eed t wo pages, pho to graph in wher ichwh case o syou pe ccou i ali ze ld sdelete in ch ildren t h e tex , t f rame i nfethe li s t y le, he ader an d poonr t rait h e rure. ight h an d pa gehas She m ay a breal e. Or p assio yo u co n fo uld r cuanli ptu nkr ithe ng htex er town f rames k idsan wh do ke e pwithe you ll of h ten eaders see over in f rot hntere. of O r rmi he c ame x a nd ra match but p h master o to grapphages in g on the com m e srcpread i al campaign an d p uts afof ull r pa ge bra nds photo li ke Disn o n t ey, h e oGtar h er min side. , Pi lls bur y, B ig B ro t h ers B ig Vole o discim quamt hfeuga. Si s tendunt r s of Amer ica pays Vi e t volo r ro et en del mo di bi tlls. odi am, occus vo lup t ius int d e li c i ibe She’s s exeraes e n teachvit in greh a en ih sati ucce unt,s sut fulvidicip o n lin esawo vent r k shoocculla p cpro a llevolu d the pt aM tagic isquid o f Light elecum fo r voluptate the las t 9 m years que at seI llumin ar ia n oate n se explabo. C la s s e s, aId n omagn n lin eimp pho erume to grap hy sc cus hool e ossshe e quo fo un doded lo ratem an d run sunt, s. q u u nde She’s wor m ked . Essit, witohdit bran f ugiat. ds like Ad obe c re at in g educat io n al O m ni mo b lacer n am reic to m i ni hi li bus aliquis ex et es e s ti ur ? Q ui rat i co n ecupt at ia i llore s s u s mi, in pellab o. U t vole s e q u am, o dit am, sen it i volupta s am qui adit atet ut d e s s i coneserae sit vo lum es e a q u i de li s cus do lo r ro blat i q u e nons e c t at.

B R O U G H T TO YO U B Y

L i ght e li c i ts a p ro fo un d sen se of awe and wo n der. I t can tur n an ordin ar y scen e into s om e thi ng o t h er wo r ldly. L i ght ampl if ies emo t io n s an d conne c ti ons in images an d s pe a ks s traight to o ur h ear t s. I t cou ld be argued t h at ut ilizin g li ght i n i nterest in g ways is t h e s i ngle m ost p ower f ul way to m ake you r wo r k sin g. S o i f we k n ow t h at light is key i n c re ati ng interest in g images, are we re ally in co nt ro l o f it ? D o we walk into a sit uat io n an d re ally SE E t h e light an d k n ow how to us e it to it s f ullest pote nti a l intent io n ally? Jo in Su m m e r as sh e ex plo res h ow to s low d own , be in sp ired by li ght, a nd see it wit h f resh e ye s. She will discuss h ow to c re ate va r yin g degrees o f h aze and contro l it wit h intent io n

I N PA R T N E R S H I P W I T H

vs l u c k as wel l as the bas ic s o f ac hiev ing dram atic s u n f l are and r im l ig ht. S he w il l s hare her l ig ht-bas ed o u tdo o r l o c atio n s co u ting s ys tem and m o re. This dis c u s s io n w il l pu s h yo u c reativel y as wel l as give yo u s o m e tec hnic al k now l edg e and co nf idence that w il l hel p yo u l et g o o f s o m e u ncer taint y abo u t co ntro l l ing the l ig ht aro u nd yo u and hel p yo u g et the im ag es that are s tu c k in yo u r head o u t into yo u r c am era.

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I C

m u s, q uamI llabo. Nem il maio s s e q u o s anda aut a li bus ea sum sa n o n p rat ur aper i o f f ic at atati i s vo lo rer it at ia n ecestem . U t as s u ntiu s d olore siminven di si as aut est, nes es enem e t re s a bor i co r ro es den daec t us. an o n R5, Can o n 5D M ar k i v, Cano n 24-70 2. 8 ii, Can o n 135 2. 0, Cano n 85 1. 4, Can o n 50 1. 2, Cano n 35 1. 4 L, Can o n 16-35 2. 8 ii L, Can on TS -E 24 3.5 L , Ca no n 70-200 2. 8 ii L, an d Aq u atec h Und e r water h o usin g wit h a do me po r t fo r my M a r k IV. H air t ies, ch apst ick , 8 camera batter ies, and way to o many memo r y cards, pr is m , hac k ed 50 mm le n s fo r f reelen sin g, duck w his tl e, fo am ne r f ball, smar t ies, len s pen s, ex tra co ntac ts, and a blu eto o t h sp eak er at t ach ed to the outs i de wit h a carabin er clip.

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od y tex t go es h ere. Th e ips u nt m inis itatem as au t q u i to assist all ZIPns P enis G rand texeared t f ames are t h readed nu s inc tu rTos ny inuis s, an co nN co i M as ter o f h o toyo grap ers tgrap Pho s. to graphy, w ho has been wo r k ing i n pcase u nheed wo plin g c uw mith ac il itatu the bin usin f p h o to gra phy, f u l l tim e in pho to graphy fo r 2 2 pages, whess ichocase Lo rerc idel m i, s.s eq id mj ua s t o n the o u ts k ir ts o f To ny will p resent a ser ie s year Livuing you cou ld delete t h e tex t f rame vo l o rem o l u ptu r ? Os ea To ny ’s bu s ines s is ver y obs ehe r vat io nos,n glean ed f ro m dover C hr is tc hu rc h, iof n the ader t h e r ight h an dips u nt, te et m axim po c i ng co m m erc ial, t wo a des ex pyo eruien in t h e g eneral, w ith ares s tro pa gede mcay b e. Or coce uld q u o s s im e event bas is. H is prev io u s ic tinf rames dust r y.an I nt wedding and uphotogra nli nk theph tex d ro ducesdam , c u s dae dem nec tas int eaq u ia q u e pr im ar y & s eco ndar y throu gh many perso n alt han ecdo te s, bac k gro u nd was ke e p the h eaders over ere. expel ignis vel iti nis t iu s. l as hav ing tau g ht Tony also delve into apnages umbe r o f teac hing, as wel O r mi xwiallnd match master ke ythe bu ssipread ness pr indciples, rore m ex etbu s s tu r 1 0y r s par t tim e o n on an p ut a flear ull n ed fLo u ts ines o m nit audies t vel fo l abo. as sge or te d b usin over hIistat inu m Avenec R A Dipl om a o f Pho to graphy co u r s e. pa photo o n ess t h e co o turses h er side. tem andipidel c a re e r als o. Vole ndunt o discim quam f uga. iu s de N u s ar u m q u am eo s q u ae as s im inve r r u m q u am ever nam Vi t e t volo r ro et en del mo di vo l u pta s itae. U t har ibu s odi am, occus vo lup t ius int The ove ra l l aim is to push at ten dee’s s itates tr u m ea nam , q u e s item d e li c i i s exeraes vit reh en ih u nde r s tan din g o f b usin ess prac t ifsue,g a. N am s o l l es tiu m f u giam , ati unt, ut vidicip sa vent o cculla s o the y c an ref lec t o n h ow t h ey can q u e vo l u ptia vent. pro volu pt a t isquid elecum be com e th e b est p h o to grap h ic voluptate m que se ar ia n o n se Tem re vo l o rentem eo s am pra c ti ti oner t h ey want to explabo. Id magn imp erume s i do l u ptatu r, tem q u e l abo. be. I nte nded to ch allen ge c us e os s e quo do lo ratem sunt, I pidenienis des tiae et et do l o re and e d u c ate, To ny will ref lec t q u u nde m . Essit, o dit f ugiat. m inu m rem q u am f acea do l u m on s u r v i val in a t umult uo us do l es s u s c ips am q u e nis t, i ndus tr y, bhlacer avin g ex per O m ni mo n am reicien toced q u ias et q u e net q u e co ns edi d iigi hanaliquis ge, Canter b ur m nita hillicbus ex et esy e GFC, anat d ia n ow ps apit es ea q u atu r am ex et in eesatir thq ur ? uQak uies, rattihco n ecupt event acc atin c tem po r atas it i d. ivered in p aro. t wit iCov llore s sD u se lmi, in pellab Ut h q u ias s intis it, co n re q u iat et humou yet wit h am, a cosen mpit letely vole s e qr,u am, o dit i hone s t asnd us message. volupta amser quiioadit atet ut d e s s i coneserae sit vo lum es e a q u i de li s cus do lo r ro blat i qFor u e ne nons e c ot at. w ph to graph ers, t h is pre s e ntatio n co uld read ‘ Th e Ed e t e t, s o lup t at ur mo lup t i Uns a i d Thin gs I Wish S o meo n e ati ur, q ui aer i vo les et a pra H a d Told M e St ar t in g O ut !”. pe re volor rept as et, sin imo te la bore co n et aut aut ve li q uati a vo lum f ugia sim Eq uamlly,vemany asp ecresequi t s will aute llacearum re s onate w it h seaso n pro’s, d e nd e r i bus, sint eo ssied o ccae. a re n der t h quia at wesed do n’t Ias tatu r, mi s um n um quam always d o wh at we k n ow we s hould be do in g!

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nu m tes,r ms q uamI o f wh llabo. at isNem in my il came maio sra s ebag, q u o swel anda l I aut aa liCan am buso neauser, sum wit sa h n oanbpitrat o fura aper f r u it i soalf fad ic at atati of a sisse vo ssolor ies! rer it at ia n ecestem . U t as s u ntiu s d olore siminven di si as aut est, nes es enem e t re s a bor i co r ro es den daec t us. M y m ai n k it is a Can o n R6 wit h Cano n 24 -10 5 le ns, s uppo r ted by a EOS5DI I I an d L s er ies 70 200 f2.8. I also pack in a Can o n 16 -35 w ide, and 2 Canon 600Ex R T Sp eedlites. All that w ith an as s or tme nt o f releases, co rds, co l o u r c hec k er, c a rds, batter ies an d f ilters, in a Th ink Tank ‘Ai r por t Tak e O f f ’ back pack - wh ic h I think is ju s t the best. Now an d again I’ ll add a 10 5m m Si gm a m acro, an asso r t ment o f poc k et w izards and a n old Sun pack 3600 f lash !

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