ØÇ Ñ»ÕÇÝ³Ï ³ë»ó, áñ ³Ûë ï³ñÇ ÷³é³ïáÝÇÝ ãÇ Ù³ëݳÏóÇ, áñáíÑ»ï»õ §Ø³ëݳÏóáõÃÛáõÝÁ ѳÕÃ³Ý³Ï ¿¦ ëϽμáõÝùÁ Çñ»Ý ãÇ μ³í³ñ³ñáõÙ: Ðdzëó÷áõÃÛ³Ý ½·³óáõÙÁ ³ÛÝù³Ý Ù»Í ¿ñ, áñ »Ã» Ó»éùÇë ÏÇÝáËóÇÏ ÉÇÝ»ñ, ËóÇÏáí ÏÏáïñ»Ç Ýñ³ ï·ÇïáõÃÛ³Ý Ï³Õ³å³ñÁ: Î÷áñÓ»Ç ³½³ï»É Ýñ³Ý Çñ Ý»ñùÇÝ Ï³Õ³å³ñÇó, áñÁ áã áùÇ Ñ»ï ϳå ãáõÝÇ »õ áã áù Ù»Õ³íáñ ã¿, áñ ݳ å³ëÇí ëå³éáÕÇó ¹»ÝÁ, áãÇÝãÇ ÁݹáõÝ³Ï ã¿: ØÇ Å³Ý·áï ÷ïí³Íù, áñÁ Ùï»É áõ ϻջùáõÙ ¿ ³ÝÓÇ áõ ѳë³ñ³ÏáõÃÛ³Ý Ý»ñ³ß˳ñÑÁ: - ²åñ»ë,- ³ë»óÇ,- ß³ï É³í »ë Ùï³Í»É,- Ùݳ ùá ¹Åμ³ËïáõÃÛ³Ý ÷³ÏáõÕáõ Ù»ç: ØÇ áõñ³Ë³óÇ áõñÇßÝ»ñáí, ÙÇ ÑÙ³ÛíÇ ù»½ ßñç³å³ïáÕ Ñ³çáÕáõÃÛ³Ùμ, ÙÇ Ù³ëݳÏóÇ ÏÛ³ÝùÇÝ: ÎÛ³ÝùÁ ³ÝÏ³Ë ùá Ù³ëݳÏóáõÃÛáõÝÇó ÙÇ»õÝáõÛÝ ¿ Ϸݳ ³é³ç áõ »ñμ»ù ãÇ ¹³¹³ñÇ ÉÇÝ»É: ¸³ ùá áñáßáõÙÝ ¿, Ñ»ÕÇݳÏ: ÆëÏ »ë ëïÇåí³Í »Ù, Ù»Ï ³Ý·³Ù ¿É ѳÛï³ñ³ñ»É. öáùñ μÛáõç» áõ ³ÝÏ³Ë ÏÇÝá Ýϳñ»Éáõ ѳٳñ ³ÝÑñ³Å»ßï ¿ Ù»Ï ·ñ³Ù á·»íáñáõÃÛáõÝ, Ù»Ï Ã»ÛÇ ·¹³É ÏÇñù áõ ëÇñ»Éáõ ³Ýëå³é ¿Ý»ñ·Ç³: ²ÝÏ³Ë ÏÇÝá ϳñáÕ »Ý Ýϳñ»É` ³ÝÏ³Ë ÷áÕÇó, ³ÝÏ³Ë Çß˳ÝáõÃÛáõÝÝ»ñÇó, ³ÝÏ³Ë ÷ï³Í ϳ٠÷ÃÃ³Í Ùß³ÏáõóÛÇÝ ÙÇç³í³ÛñÇó, ³ÝÏ³Ë Ñ³ë³ñ³ÏáõÃÛ³Ý ëïñϳóí³ÍáõÃÛ³Ý Ï³Ù ½³ñ·³óí³ÍáõÃÛ³Ý, ÏñÃí³ÍáõÃÛ³Ý Ï³Ù ï·ÇïáõÃÛ³Ý ³ëïÇ׳ÝÇó, ³ÝÏ³Ë ³Ù»Ý ÇÝãÇó: ²ÜÎ²Ê ÎÆÜà βðàÔ ºÜ ÜβðºÈ ²ÜÎ²Ê Ø²ð¸ÆÎ:
ö³é³ïáÝÇ Ý³Ë³·³Ñ` ¶³·ÇÏ Ô³½³ñ¿
One of the authors of the previous festival informed me that he won’t participate this year as the principle of œParticipation is VictoryB doesn’t satisfy him any longer. My disappointment was so great that if I had a camera with me, I’d smash up his illiteracy and ignorance with it. I’d try to free him from his own senseless dogmatism which has nothing to do with anyone. Actually it only his fault, that he’s not capable of anything beyond passive consuming. A rusty wreck that is disturbing the inner world of the individual and the society. œGood for youB, I said, œGood idea. Stay at the dead end of your misery! Don’t be happy for others, for the success that’s around you, don’t be part of Life! Life will go on with or without your participation, it won’t stop. It’s your decision, author! While I have to state again: In order to make a law budget independent film you need a little enthusiasm, a teaspoon of passion and limitless energy to love. Independent films can be made irrespective of money and authorities, of rotten or prosperous cultural environment, of social psychology of a slave or that of a thinker, irrespective of the extent of education or illiteracy, irrespective of anything. INDEPENDENT FILMS CAN BE SHOT BY INDEPENDENT PEOPLE.
Festival President: Gagik Ghazareh
ÏÇÝá ³é³Ýó ųå³í»ÝÇ ÏÇÝá ³é³Ýó ųå³í»ÝÇ ÏÇÝá ³é³Ýó ųå³í»ÝÇ ÏÇÝá ³é³Ýó ųå³í»ÝÇ
Ø º Î O N E
Î ² ¸ ð Ø º Î ð à ä º M I N UTE - O N E S H OT
VI Üö²Î / ACCEA
ÄÚàôðÆ Ü³Ë³·³Ñ ܳñÇÝ» ØÏñïãÛ³Ý - ÎÇÝáé»ÅÇëáñ ²Ý¹³ÙÝ»ñ ÐáíѳÝÝ»ë ¶³ÉëïÛ³Ý - ÎÇÝáé»ÅÇëáñ ܳÇñ³ Øáõñ³¹Û³Ý - è»ÅÇëáñ - ³ÝÇÙ³ïáñ ÐáíѳÝÝ»ë »ù·Ûá½Û³Ý - ²ñӳϳ·Çñ JURY President Narine Mkrtchyan - Film Director Members Hovhannes Galstyan - Film Director Naira Muradyan - Director of Animation Hovhannes Tekgyozyan - Prose Writer Film without Film without Film without Film without Film without Film without Film without Film without
ÙñóáõÛÃ / competition
²Ç¹³ ³éáÛ³Ý Aida Taroyan
“öñÏáõÃÛáõÝ” “Rescue”
tosivo@mail.ru
DV
κÜ겶ðàôÂÚàôÜ / üÆÈغð ÌÝí»É ¿ 1989Ã.-ÇÝ, ºñ»õ³ÝáõÙ: êáíáñáõÙ ¿ ºñ»õ³ÝÇ ä»ï. гٳÉë³ñ³ÝÇ Ñá·»μ³ÝáõÃÛ³Ý ý³ÏáõÉï»ïáõÙ: ¸»μÛáõï: BIOGRAPHY / FILMOGRAPHY Born in Yerevan in 1989. Studies at YSU, faculty of Psychology. Debut.
´àì²Ü¸²ÎàôÂÚàôÜ â¹³¹³ñáÕ Å³Ù³Ý³ÏÇ É³í³·áõÛÝ áõÕÇÝ Ó»éù Ù»ÏÝ»ÉÝ ¿ ³Ý·³Ù í³ï íÇ׳ÏáõÙ` ÷ñÏ»Éáí áõ ÷ñÏí»Éáí: SYNOPSIS The best way out of the endless time is to give a helping hand even in the worst situation; thus to save and be saved.
6 ¾ç»Û êÇÝ·Ñ ´Ñ³ñ¹í³ç Ajay Singh Bhardwaj doctor_asb2005 @yahoo.com
“ÖßÙ³ñïáõÃÛáõÝÁ Ù»ÏÝ ¿, μ³Ûó Ù³ñ·³ñ»Ý»ñÝ ³ÛÝ Ù»Ïݳμ³ÝáõÙ »Ý ï³ñμ»ñ Ï»ñå ” “The Truth is one; sages call it by various names” DV
κÜ겶ðàôÂÚàôÜ / üÆÈغð ÌÝí»É ¿ 1985Ã.-ÇÝ, ÜÛáõ ¸»ÉÇ, Ðݹϳëï³Ý: êáíáñáõÙ ¿ ºñ»õ³ÝÇ ä»ï. ´ÅßϳϳÝгٳÉë³ñ³ÝáõÙ: ¸»μÛáõï: BIOGRAPHY / FILMOGRAPHY Born in 1985 in New Delhi, India. Studies at Yerevan State Medical University. Debut.
´àì²Ü¸²ÎàôÂÚàôÜ Ø³ñ¹ÇÏ ³ïáõÙ »õ ëå³ÝáõÙ »Ý Çñ³ñ ѳÝáõÝ ÏñáÝÇ: ´³Ûó Ù»Ýù μáÉáñë ¿É ·Çï»Ýù, áñ ÏñáÝÝ»ñÇ ÑÇÙÝ³Ï³Ý Ýå³ï³ÏÁ Ù»ÏÝ ¿: ºñμ Ù»Ýù ÇٳݳÝù ×ßÙ³ñïáõÃÛáõÝÁ, ³ÛÝ Ù»½ Ϲ³ñÓÝÇ ³½³ï: SYNOPSIS People hate and kill each other for religion. But we all know, that the Aim of all religions is the same. Then why? We shall know the truth and the truth shall make us free.
²ÉÇ ²Ýë³ñÇ Ali Ansari
“î³ñ³ÍáõÃÛáõÝ” “Space”
cheshmeto@yahoo.com
ýáïáËóÇÏ photo camera
κÜ겶ðàôÂÚàôÜ / üÆÈغð ÌÝí»É ¿ 1979Ã.-ÇÝ, »Ññ³ÝáõÙ, Æñ³Ý: ²í³ñï»É ¿ ºñ»õ³ÝÇ ¶»Õ»óÇÏ ²ñí»ëïÝ»ñÇ ²½·³ÛÇÝ ²Ï³¹»ÙdzÝ` ¹Ç½³ÛÝÇ μ³ÅÇÝÁ: ³ïñáÝÇ é»ÅÇëáñ: ¸»μÛáõï:
´àì²Ü¸²ÎàôÂÚàôÜ êÇñá ï³ñ³ÍáõÃÛ³Ý Ù³ëÇÝ: SYNOPSIS About love space.
BIOGRAPHY / FILMOGRAPHY Born in 1979, Tehran, Iran. Graduated from Yerevan State Academy of Fine Arts. Designer, theatrical director. Debut.
7 ²Ý³ÑÇï гÛñ³å»ïÛ³Ý Anahit Hayrapetyan
“л, Ü»- Ü»” “He, Ne - Ne” H8
hayrapetyana@gmail.com
κÜ겶ðàôÂÚàôÜ / üÆÈغð ÌÝí»É ¿ 1981¿.-ÇÝ, ÈÔÐ-áõÙ, г¹ñáõÃ: ²í³ñï»É ¿ ÐäÖÐ, ÏáÙåÛáõï»ñ³ÛÇÝ Ñ³Ù³Ï³ñ·»ñ »õ ÇÝýáñÙ³ïÇϳ: ¶ñáÕ: ²ß˳ïáõÙ ¿ œArmeniaNowB ¾É. ûñÃáõÙ` áñå»ë Éáõë³ÝϳñÇã: BIOGRAPHY / FILMOGRAPHY Born in 1981,N. Gharabagh,Hadrut.Graduated from Polytechnical University, computer systems and informatics. Writer, Works as a photographer at œArmeniaNowB online magazine.
´àì²Ü¸²ÎàôÂÚàôÜ Ð» Ý» Ý», ÃáÕ»`ù ѳݷÇëï, ÇÝã »ù ÇÝÓ Ý³ÛáõÙ: SYNOPSIS He ne ne, leave me alone, don’t stare at me.
²ÝÇ î»ñï»ñÛ³Ý Ani Terteryan
“Ðdzëó÷áõÃÛáõÝ” “Disillusion” DV
κÜ겶ðàôÂÚàôÜ / üÆÈغð ÌÝí»É ¿ 1989Ã.-ÇÝ, ºñ»õ³ÝáõÙ: êáíáñáõÙ ¿ ºñ. سÝϳí³ñÅ³Ï³Ý Ð³Ù³Éë³ñ³ÝÇ Î»Ýë³μ³Ý³Ï³Ý ü³ÏáõÉï»ïáõÙ: ¼μ³ÕíáõÙ ¿ »ñ³ÅßïáõÃÛ³Ùμ, ÝϳñãáõÃÛ³Ùμ: ¸»μÛáõï: BIOGRAPHY / FILMOGRAPHY Born in Yerevan in 1989. Studies at YSPU, faculty of Biology. Interested in music and painting. Debut.
´àì²Ü¸²ÎàôÂÚàôÜ ØÇ ÏÇÝ í»ñóÝáõÙ ¿ ÷áÕáóáõÙ ÁÝÏ³Í ¹ñ³Ù³å³Ý³ÏÁ` ³é³Ýó ѳë³ñ³ÏáõÃÛ³Ý Ï³ñÍÇùÁ ѳßíÇ ³éÝ»»Éáõ: SYNOPSIS A woman picks up a wallet from the street not caring about the social opinion.
8 ²Ýáõß ²é³ù»ÉÛ³Ý Anoush Arakelyan myerevan@yahoo.com
“²Ù»Ý ÇÝã ³ÝÇÙ³ëï ¿” “All Is Vanity” DV
κÜ겶ðàôÂÚàôÜ / üÆÈغð ÌÝí»É ¿ ºñ»õ³ÝáõÙ:1991Ã.-ÇÝ ³í³ñï»É ¿ μ³ñÓñ³·áõÛÝ ÏñÃáõÃÛáõÝÁ` ëï³Ý³Éáí ϳï³ñáÕ³Ï³Ý ³ñí»ëïÇ μ³Ï³É³íñÇ ÏáãáõÙ: ʳճó»É ¿ óïñáÝáõÙ áõ ÏÇÝáÛáõÙ, ѳݹ»ë ¿ »Ï»É Ñ»éáõëï³ï»ëáõÃÛáõÝáõÙ: BIOGRAPHY / FILMOGRAPHY Born in Yerevan. She graduated in 1991 with a BA in Performing Arts. Anoush has performed for stage, film and TV.
´àì²Ü¸²ÎàôÂÚàôÜ ²ÛÝ ³Ù»ÝÁ, áñ ³ÝáõÙ »Ýù ѳÝáõÝ ³ñï³ùÇÝÇ: SYNOPSIS The measures we go to for the sake of appearance.
²ñÙ»Ý ²í»ïÇëÛ³Ý Armen Avetisyan
²Ýí»ñݳ·Çñ Untitled
arm83@mail.ru
DV
κÜ겶ðàôÂÚàôÜ / üÆÈغð ÌÝí»É ¿ 1983Ã.:êáíáñáõÙ ¿ ºñ»õ³ÝÇ üǽÏáõÉï ÆÝëïÇïáõïáõÙ: ²ß˳ïáõÙ ¿ Üáñ ʳñμ»ñ¹Ç Øß³ÏáõÛÃÇ î³ÝÁ` áñå»ë ·»Õ³ñí»ëï³Ï³Ý Ù³ëÇ í³ñÇã:
´àì²Ü¸²ÎàôÂÚàôÜ Æ í»ñçá, ³Ûë ³ß˳ñÑáõÙ Ù³ñ¹Á ÑÛáõñ ¿:γÃÁ »õ ³ñÛáõÝÁ Ù³ñ¹áõ »õ Ýñ³ Ï»Ýó³ÕÇ ³Ýμ³Å³Ý»ÉÇ Ù³ëÝ »Ý. Ù³ùñáõÃÛáõÝ, ÏÇñù, Ù³Ñ:
BIOGRAPHY / FILMOGRAPHY Born in 1983. Studies at YSI of Physical Education. Works at Culture Home Of Nor Kharberd as the head of fine arts department.
SYNOPSIS The film illustrates that man is only a guest in this world. The milk and the blood are the inseparable part of the human and his life: purity, passion, death.
9
ÊØ´²ÚÆÜ / GROUP
²ñÙ»Ý »õ ¾¹ Armen and Ed
“Ðáñë ²ñ»õ” “Horys Arev”
tarmeno591@yahoo.com
DV
´àì²Ü¸²ÎàôÂÚàôÜ ÆÝã-áñ ï»Õ ùÝݳ¹³ïáõÃÛáõÝ, ÇÝã áñ ï»Õ »ñÇï³ë³ñ¹³Ï³Ý ˳Õ: SYNOPSIS On one hand it’s a criticism , on the other it’s a youthful game.
²Éí³ñ¹ ²ÙÇñÛ³Ý Alvard Amiryan
“´³ñÇ ÉáõÛë” “Good morning” ýáïáËóÇÏ photo camera
κÜ겶ðàôÂÚàôÜ / üÆÈغð ÌÝí»É ¿ 1950Ã.-ÇÝ, ä³ñëϳëï³ÝáõÙ: ²ï³ÙݳμáõÛÅ: BIOGRAPHY / FILMOGRAPHY Born in Iran in 1950. Dentist.
´àì²Ü¸²ÎàôÂÚàôÜ ²é³íáïÛ³Ý` û¹³å³ñÇÝ»ñÁ Ýϳñ»ÉÇë, Ù»ÏÁ μ³ñÇ ÉáõÛë Ù³Õûó í»ñ»õÇó, »õ ³Û¹ å³ÑÇÝ ÍÝí»ó Ç٠ϳ¹ñÁ: SYNOPSIS I was shooting the hot air balloons in the morning when somebody wished a good morning. This is how my minute shot was born.
10 ²Ù³ÉÛ³ »õ ¼³é³ Amalya and Zara amalik.am@rambler.ru
“à±ôñ »ë ·ÝáõÙ” “Where are you going?” DV
ÊØ´²ÚÆÜ / GROUP
κÜ겶ðàôÂÚàôÜ / üÆÈغð ². ´³É³μ»ÏÛ³Ý $ ÍÝí. 1989Ã.-ÇÝ,äïÕÝÇ: ¼. ¼áõϳëÛ³Ý $ ÍÝí. 1991Ã.-ÇÝ, ºñ»õ³Ý: êáíáñáõÙ »Ý ºñ. ä»ï. ÐáõÙ³ÝÇï³ñ ùáÉ»çáõÙ, ïáõñǽÙÇ ý³ÏáõÉï»ï: BIOGRAPHY / FILMOGRAPHY A. Balabekyan was born in 1989 in Ptghni, Armenia Z. Zukasyan was born in Yerevan in 1991. They study at Yerevan State Humanitarian College, faculty of tourism.
´àì²Ü¸²ÎàôÂÚàôÜ Î³¹ñáõÙ Ý»ñϳ۳óíáõÙ ¿ ë»ñáõݹݻñÇ Ý»ñ¹³ßݳÏáõÃÛáõÝÁ, »ñμ å³åÇÏÁ ͳÕÇÏ ¿ ï³ÉÇë »ñ»Ë³ÛÇÝ: SYNOPSIS The shot shows the harmony between generations: the old man is giving a flower to the child.
“ðáå»Ç ÏÛ³ÝùÁ” “The Life of the Minute”
²Ýݳ æѳݷÇñÛ³Ý Anna Jhangiryan ghangirjana@rambler.ru
DV
κÜ겶ðàôÂÚàôÜ / üÆÈغð ÌÝí»É ¿ 1983Ã.-ÇÝ, ºñ»õ³ÝáõÙ: 2005Ã.-ÇÝ ³í³ñï»É ¿ ÎÇÝáÛÇ »õ ³ïñáÝÇ ä»ï. ÆÝëïÇïáõïÇ ÏÇÝá·ÇïáõÃÛ³Ý ý³ÏáõÉï»ïÁ: 2007Ã.-ÇÝ ëáíáñ»É ¿ È»ÝýÇÉÙÇ œÎ³¹ñB ëïáõ¹Ç³ÛáõÙ: 2005 - œ²ÉïÇïáõ¹³B ϳñ׳ٻïñ³Å:
´àì²Ü¸²ÎàôÂÚàôÜ ðáå»Ç ÏÛ³ÝùÁ SYNOPSIS The Life of the Minute
BIOGRAPHY / FILMOGRAPHY Born in 1983, Yerevan. In 2005 graduated from YSI of Cinema and Theatre: faculty of cinema criticism . Studied at œKadrB studio in St. Petersburg in 2007. 2005 $ œAltitudeB, short.
11
²ñÙÇÝ» ´³½»Û³Ý Armine Bazeyan
“ÆÝã ½·³óÇñ” “What did you feel?”
armine999@pochta.ru
μçç³ÛÇÝ Ñ»é³Ëáë cell phone
κÜ겶ðàôÂÚàôÜ / üÆÈغð ÌÝí»É ¿ 1984Ã.-ÇÝ, ºñ»õ³ÝáõÙ: ²í³ñï»É ¿ ºñ»õ³ÝÇ œØËÇóñ лñ³óáõB ³Ýí³Ý å»ï. μÅßÏ³Ï³Ý Ñ³Ù³Éë³ñ³ÝÁ: êåáñï³ÛÇÝ μÅÇßÏ: лï³ùñùñíáõÙ ¿ ³ñí»ëïáí áõ Ñá·»μ³ÝáõÃÛ³Ùμ: ¸»μÛáõï: BIOGRAPHY / FILMOGRAPHY Born in 1984, Yerevan. Graduated from Yerevan State Medical University after œMkhitar HeraciB: sport medic. Interested in art and psychology. Debut.
´àì²Ü¸²ÎàôÂÚàôÜ Ð³ëóñ»É »ë »ñμ»õ¿ ëÇñ»É, ëÇñ»É áõÅ·ÇÝ, áÕç ¿áõÃÛ³Ùμ, Ñá·áí, Ù³ñÙÝáí… SYNOPSIS Have you ever loved anyone deeply, with all your essence, soul and body…
²ñÙ»Ý Ð³ÏáμÛ³Ý Armen Hacopian armeno591@yahoo.com
κÜ겶ðàôÂÚàôÜ / üÆÈغð ÌÝí»É ¿ 1991Ã.-ÇÝ, »Ññ³ÝáõÙ, Æñ³Ý: ºñ»õ³ÝáõÙ ¿ 2002Ã.-Çó:êáíáñáõÙ ¿ ºñ. ³ï. »õ ÎÇÝáÛÇ ä»ï. ÆÝëïÇïáõïáõÙ: 2007$œê³éݳñ³ÝB(Ø»Ï Î³¹ñ Ø»Ï ðáå»), œì³Û ùáõB: BIOGRAPHY / FILMOGRAPHY Born in 1991 in Tehran, Iran; has lived in Yerevan since 2002, studies at YSI of Cinema and Theatre. 2007 $ œRefrigeratorB, (One Minute One Shot), 2007 - œShitB.
“öáÕÁ” “Money” DV
´àì²Ü¸²ÎàôÂÚàôÜ Ä³Ù³Ý³Ï³ÏÇó »ñÇï³ë³ñ¹áõÃÛáõÝÁ í³ïÝáõÙ ¿ ųٳݳÏÁ` Ùáé³Ý³Éáí ϳñ»õáñ μ³Ý»ñÁ: SYNOPSIS The modern youth are wasting their time and forgetting about important things.
12 ²ñïÛáÙ ¸³íÃÛ³Ý Artyom Davtyan
“ºí ÝáñÇó »Ýó·Çï³Ïó³μ³ñ” “And again subconsciously” ï»ë³ËóÇÏ photocamera
κÜ겶ðàôÂÚàôÜ / üÆÈغð ÌÝí»É ¿ 1986Ã.-ÇÝ, ºñ»õ³ÝáõÙ: êáíáñáõÙ ¿ гÛýÇÉÙ ÏÇÝáëïáõ¹Ç³ÛáõÙ: è»ÅÇëáñ, ¹»ñ³ë³Ý: BIOGRAPHY / FILMOGRAPHY Born in Yerevan in 1986. Filmmaker and actor. Studies at HayFilm Cinema Studio.
´àì²Ü¸²ÎàôÂÚàôÜ ÈÇÝáõÙ »Ý ¹»åù»ñ, »ñμ ³ÝÓÁ Ù»ñÅíáõÙ »õ ë³Ñٳݳ÷³ÏíáõÙ ¿: »ñ»õë ÙÝáõÙ ¿ Ñáõë³É, áñ ϳ »õë ÙÇ í»ñçÇÝ ÑáõÛë: ö³÷³·»Éáí í»ñçÇÝÇë ³éϳÛáõÃÛáõÝÁ` ÑáõÛëÁ ã»Ýù Ù³ñáõÙ Ù»ñ Ý»ñëáõÙ: SYNOPSIS Sometime a person is not accepted by others. Perhaps the only thing to do then is to hope and not let hope die.
“ÈéáõÃÛ³Ý ³ß˳ñÑÇó” “From the World of Silence”
²ñ÷³ гÏáμÛ³Ý Arpa Hacopian arpawl@yahoo.com
ýáïáËóÇÏ photocamera
κÜ겶ðàôÂÚàôÜ / üÆÈغð ÌÝí»É ¿ 1981-ÇÝ, »Ññ³ÝáõÙ, Æñ³Ý: 2003 - œ15.03.1981B, 2004 - œ¿É »ñμ»ùB, 2005 œ²Ýí»ñݳ·ÇñB, 2006 - œÐ³Ù»ñ·œ, 2007 œ²Ýí»ñݳ·Çñ 52B, 2007 -œ²ÝÏÛáõݳù³ñB: (Ø»Ï Î³¹ñ Ø»Ï ðáå»): BIOGRAPHY / FILMOGRAPHY Born 1981, Tehran, Iran. 2003 $ œ15.03.1981B, 2004 $ œ…and neverB 2005 $ œUntitledB, 2006 $ œConcertB 2007 - œUntitled 52B 2007 - œCornerstoneB (One Minute One Shot).
´àì²Ü¸²ÎàôÂÚàôÜ ÜáñÇó ѳݹÇå»óÇÝù: Üñ³ Ñ»ï »ñϳñ ï³ñÇÝ»ñ »Ù ß÷í»É. ѳñ³½³ïë ¿: ÆÝÓ Ñ³Ù³ñ ï³ñûñÇÝ³Ï ã¿ñ Çñ ËáëùÁ, ѳëϳÝáõÙ ¿Ç: Æñ ÉéáõÃÛ³Ý Ù»ç ¹»é óùÝí³Í ¿ñ Ù³ÝÏáõÃÛáõÝë: гëϳó³, áñ ß³ï »Ù Ñ»é³ó»É å³ñ½áõÃÛáõÝÇó: ܳ ÁݹáõÝ³Ï ã¿ Éë»É ³ÕÙáõÏÁ, ݳ í³Û»ÉáõÙ ¿ œÇñB ÉéáõÃÛ³Ý ³ß˳ñÑÁ:
SYNOPSIS
I met a man who came from œthe world of silenceB. I hadn’t talked to her long, She is my relative. Her way of talking wasn’t strange to me. I understood it well. Her laughter helped me guess that his silence still contained my childhood. I realized that I was very far from the simplicity of a childish communication. She is unable to hear the noise, she’s enjoying œherB world of silence.
13
²ñÃáõñ ´ñáõïÛ³Ý Artur Brutyan
“ØÇ ÍË»ù” “Don’t Smoke”
edo55@mail.ru
DV
κÜ겶ðàôÂÚàôÜ / üÆÈغð ÌÝí»É ¿ 1991Ã.-ÇÝ, ºñ»õ³ÝáõÙ: êáíáñáõÙ ¿ œØËÇóñ ê»μ³ëï³óÇB ÏñóѳٳÉÇñáõÙ: ¸»μÛáõï: BIOGRAPHY / FILMOGRAPHY Born in Yerevan in 1991. Studies at œMkhitar SebastatsiB college. Debut.
´àì²Ü¸²ÎàôÂÚàôÜ ØÇçáóÝ»ñ, áñ Ó»éݳñÏáõÙ »Ý ãÍËáÕÝ»ñÁ ÍËáÕÝ»ñÇó ³½³ïí»Éáõ ѳٳñ: SYNOPSIS Methods which help non-smokers get rid of smokers.
´³Õ¹³ë³ñ гÏáμÛ³Ý Baghdasar Hacopian
κÜ겶ðàôÂÚàôÜ / üÆÈغð êÇñáõÙ »Ù ·ñ»É ëó»Ý³ñÝ»ñ, ½μ³Õí»É Ýϳñ³Ñ³ÝáõÙÝ»ñáí: BIOGRAPHY / FILMOGRAPHY I like writing scripts and filming.
“ÒÏÝáñëÁ” “The Fisherman” DV
´àì²Ü¸²ÎàôÂÚàôÜ ÒÏÝáñëÁ Ýëï³Í ¿ É×Ç ³÷ÇÝ, ÓáõÏ ¿ μéÝáõÙ: SYNOPSIS The fisherman is sitting on the shore of the lake and fishing.
14 ´³Û³Ý¹áõñ äáÕáëÛ³Ý Bayandur Pogosyan
“¾É »ñμ»ù” “Nevermore” DV
songoffall@yahoo.com
κÜ겶ðàôÂÚàôÜ / üÆÈغð ÌÝíáõÙ ¿ ³Ù»Ý ³Ý·³Ù, »ñμ ä³ï»ñ³½ÙÝ áõ ºñ³ÅßïáõÃÛáõÝÁ μ³ËíáõÙ »Ý: ²åñáõÙ ¿ ѳ½³ñ ÏÛ³Ýù, áñ ÇÝùÝ Çñ»Ý ÝáñÇó ëå³ÝÇ: ÆëÏ Ñ»ïá` Ýáñ μ³ËáõÙ, áõ ݳ í»ñ³ÍÝíáõÙ ¿:
´àì²Ü¸²ÎàôÂÚàôÜ ÂíáõÙ ¿, û ÏÛ³ÝùÁ ÙÇ å³Ñ ¹³éÝáõÙ ¿ »ñç³ÝÏáõÃÛ³Ùμ áõ ³ñϳÍÝ»ñáí ÉÇ Ï³ñáõë»É: ´³Ûó ÇÝïñáí»ñï ºëÇ ÙÇ ÏïáñÁ ³ÛÝù³Ý ¿É »ñç³ÝÇÏ ãÇ: Üñ³ ѳٳñ ¹³ Ù»Ï ³ÛÉ ·áõÛݽ·áõÛÝ ÙÕÓ³í³ÝçÇ Ý³Ë»ñ·³Ýù ¿:
BIOGRAPHY / FILMOGRAPHY Is born every time War and Music collide. Lives thousand lives to kill himself once more. And then, another collision, and he’s reborn.
SYNOPSIS At a moment life seems to become a merry-goround, full of happiness and adventure. But some part of the introverted Self is not happy.To him, it’s a prelude to another colorful nightmare.
¸³íÇà ²ÃáÛ³Ý Davit Atoyan
“Ðñ³Ýï” “Hrant” VHS
κÜ겶ðàôÂÚàôÜ / üÆÈغð ÌÝí»É ¿ 1982Ã.-ÇÝ, ºñ»õ³ÝáõÙ: ÜϳñáõÙ ¿ í³ÛñÇ μÝáõÃÛáõÝÝ áõ ÇÝã Ñݳñ³íáñ ¿ Ýϳñ»É: ¸»μÛáõï:
´àì²Ü¸²ÎàôÂÚàôÜ Ðñ³ÝïÁ ëÇñáõÙ ¿ ß÷í»É: SYNOPSIS Hrant loves to communicate.
BIOGRAPHY / FILMOGRAPHY Born in Yerevan in 1982. Shoots wild nature and everything that is possible to shoot. Debut.
15 ¸³íÇà àëϳÝÛ³Ý Davit Voskanyan
“ÞïñÇË Ïá¹” “Barcode”
davisiart@gmail.com
DV
κÜ겶ðàôÂÚàôÜ / üÆÈغð ÌÝí»É ¿ 1980Ã.-ÇÝ, ì³Ý³ÓáñáõÙ: ²í³ñï»É ¿ ºäÖÐ-Ý, ¾ÏáÝáÙÇϳ-ϳé³í³ñáõÙ: ²ñͳó·áñÍ:2006 - œ¸áõ ݳۻóÇñ ÇÝÓB (γ¹ñ, ðáå»), 4ØïáñáõÙB, (œºë »ÙB), 2007 œ²ãùÇë ѳÙá½»É »Ý Ó»½B (γ¹ñ, ðáå»): BIOGRAPHY / FILMOGRAPHY Born in 1980,Vanadzor.Graduated from YSPU, faculty of economics and management. 2006 $œYou looked at meB (Minute, Shot fest),œReflectionB (œYes emB fest), 2007 œI See You’ve Been ConvincedB,
´àì²Ü¸²ÎàôÂÚàôÜ üÇÉÙáõÙ å³ïÏ»ñíáõÙ ¿ ³ñͳÃÇ ÓáõÉÙ³Ý åñáó»ëÝ áõ ¹ñ³ÝÇó ëï³óí³Í ÝÙáõßÁ: SYNOPSIS The process of melting of silver and the item made out of it.
¸³íÇà ì³ñ¹³½³ñÛ³Ý Davit Vardazaryan
“²Éï»ñ¿·á ¹³Ñ×Ç Ñ³Ù³ñ” “Alterego for Executor”
pavlovich04@mail.ru
DV
κÜ겶ðàôÂÚàôÜ / üÆÈغð ÌÝí»É ¿ 1984Ã.-ÇÝ: ²ñ³μ³·»ï ¿, ½μ³ÕíáõÙ ¿ óñ·Ù³ÝãáõÃÛ³Ùμ »õ Éáõë³ÝϳñãáõÃÛ³Ùμ: 2007 - œØÇ ³Ý·³Ù, ÏñÏÇÝ, ÁݹÙÇßïB (Ø»Ï Î³¹ñ Ø»Ï ðáå»):
´àì²Ü¸²ÎàôÂÚàôÜ ºñμ ¹³ÑÇ×Ý»ñÁ ½áÑ»ñ ã»Ý ·ïÝáõÙ, ³ÝóÝáõÙ »Ý Çñ»Ýù Çñ»Ýó, »õ ³Ûë ¹»åùáõÙ Ýñ³Ýù ³í»ÉÇ ¹³Å³Ý »Ý. ¹³ÑÇ×Ý»ñÇ ³Éï»ñ¿·áÝ Çñ»Ýó ½áÑ»ñÝ »Ý: ÆëÏ ßáõñçμáÉáñÁ ÙdzÛÝ Ù³Ñ³å³ïÅÇ œÑ³Ý¹Çë³ï»ëÝ»ñÝB »Ý:
BIOGRAPHY / FILMOGRAPHY Born in 1984. Specialized in Arabian Studies. Translator and a photographer. 2007 $ œOnce, Once Again, ForeverB, (One Minute One Shot).
SYNOPSIS When the executors find no victims, they turn to themselves, and then they are even crueler: then the alteregos of the executors are their victims. And only œspectatorsB of the capital punishment can be seen around them.
16 ¾¹áõ³ñ¹ êáÕáÛ³Ý Edward Soghoyan
“¶Çñù” “Book” DV
κÜ겶ðàôÂÚàôÜ / üÆÈغð ÌÝí»É ¿ 1991Ã.-ÇÝ, ºñ»õ³ÝáõÙ: êáíáñáõÙ ¿ ºñ»õ³ÝÇ Â³ïñáÝÇ »õ ÎÇÝáÛÇ ä»ï³Ï³Ý ÆÝëïÇïáõïáõÙ:
´àì²Ü¸²ÎàôÂÚàôÜ üÇÉÙÁ å³ïÏ»ñáõÙ ¿ å³ñ³åáõñ¹Ç Ù³ïÝí³Í »ñÇï³ë³ñ¹áõÃÛ³ÝÁ, áñÁ ãÇ áõ½áõÙ ½μ³Õí»É û·ï³Ï³ñ ·áñÍáí:
BIOGRAPHY / FILMOGRAPHY Born in Yerevan in 1991. Studies at Yerevan State Cinema-Theatrical Institute.
SYNOPSIS The film shows the idle youth who don’t want to do anything useful.
¾¹·³ñ ʳÝÓñ³ïÛ³Ý Edgar Khandzratyan ekhandzratyan@gmail.com
“¶áÃ³Ï³Ý à·áí”. ýÇÉÙ-½áõ·áñ¹áõÃÛáõÝ “Gothic Spirits”: film - association μçç³ÛÇÝ Ñ»é³Ëáë cell phone
κÜ겶ðàôÂÚàôÜ / üÆÈغð ÌÝí»É ¿ 1984Ã.,г۳ëï³ÝáõÙ ¸»μÛáõï: BIOGRAPHY / FILMOGRAPHY Born in 1984, Armenia Debut.
´àì²Ü¸²ÎàôÂÚàôÜ üÇÉÙ - ¼áõ·áñ¹áõÃÛáõÝ ÙÇçݳ¹³ñÛ³Ý ·áÃ³Ï³Ý ËáñÑñ¹³íáñ »õ, ÙÇ»õÝáõÛÝ Å³Ù³Ý³Ï, Ñáíí»ñ·³Ï³Ý ïñ³Ù³¹ñáõÃÛ³Ùμ: ÀÝϳÉáõÙÁ »Ýó¹ñíáõÙ ¿, áñ å»ïù ¿ ÉÇÝÇ ½·³Û³Ï³Ý, ×Çßï ÇÝãå»ë, ÁݹѳÝáõñ ³éÙ³Ùμ, ÁÝϳÉíáõÙ ¿ »ñ³ÅßïáõÃÛáõÝÁ: SYNOPSIS Film - Association in medieval gothic mystic and ,at the same time, pastoral mood.The perception is supposed to be sensual, on the whole, just like in case of music.
17
¾ñÇϳ ޳˳ñÛ³Ýó Erika Shakhariants
“¶áñÍ N …” “Case N …”
shakhariants@gmail.com
DV
κÜ겶ðàôÂÚàôÜ / üÆÈغð ³ïñáÝÇ »õ ÎÇÝáÛÇ ä»ï³Ï³Ý ÆÝëïÇïõïÇ œÙáõÉï ÝϳñÇãB ÏáõñëÇ áõë³ÝáÕáõÑÇ: BIOGRAPHY / FILMOGRAPHY Studies at Yerevan State Institute of Cinema and Theatre, animator.
´àì²Ü¸²ÎàôÂÚàôÜ ÆÝãå»ë ϳñáÕ »ë μ³Ýï ÁÝÏÝ»É: SYNOPSIS The way one can get to jail.
“´³Éɳ¹ ´áõÉÕ³ñ³Ï³Ý ÏáßÇÏÝ»ñÇ Ù³ëÇÝ” “Ballad about Bulgarian Shoes”
¾¹í³ñ¹ ³¹»õáëÛ³Ý Edward Tadevossian ed.tadevossian@gmail.com
Ãí³ÛÇÝ ýáïáËóÇÏ digital photo camera
κÜ겶ðàôÂÚàôÜ / üÆÈغð âáõÝÇ
´àì²Ü¸²ÎàôÂÚàôÜ ´³Éɳ¹ ´áõÉÕ³ñ³Ï³Ý ÏáßÇÏÝ»ñÇ Ù³ëÇÝ:
BIOGRAPHY / FILMOGRAPHY None.
SYNOPSIS Ballad about Bulgarian Shoes.
18 “¶ï»É »Ù, ÇÙÝ ¿” “I’ve found, it’s mine”
¶Ç·³ ´³Ûݹáõñ³ßíÇÉÇ Giga Baindurashvili
DV
vakerman_vako@yahoo.com
κÜ겶ðàôÂÚàôÜ / üÆÈغð ¶Ç·³ ´³Ûݹáõñ³ßíÇÉÇÝ ëáíáñáõÙ ¿ ÂμÇÉÇëÇÇ ä»ï³Ï³Ý гٳÉë³ñ³ÝáõÙ: BIOGRAPHY / FILMOGRAPHY Giga Baindurashvili’s studyies at Tbilisi State University.
´àì²Ü¸²ÎàôÂÚàôÜ ÎÛ³ÝùÁ Ù»Ï ñáå»áõÙ: SYNOPSIS Life in One Minute.
лɻݳ Ø»ÉùáÝÛ³Ý Helena Melkonian
“01.03.08 г۳ëï³Ý” “01.03.08 Hayastan”
jijihelen@mail.ru
DV
κÜ겶ðàôÂÚàôÜ / üÆÈغð ÌÝí»É ¿ 1988Ã.-ÇÝ, ºñ»õ³ÝáõÙ: êáíáñáõÙ ¿ ºñ»õ³ÝÇ Â³ïñáÝÇ »õ ÎÇÝáÛÇ ä»ï. ÆÝëïÇïáõïÇ í³í»ñ³·ñ³Ï³Ý é»ÅÇëáõñ³ÛÇ μ³ÅÝáõÙ:
´àì²Ü¸²ÎàôÂÚàôÜ Ø³ñïÇ Ù»ÏÇ ¹»åù»ñÇó Ñ»ïá ÍÝí³Í ·³Õ³÷³ñ ¿, áñÁ ËáñÑñ¹³ÝßáõÙ ¿ ÙdzëÝáõÃÛáõÝ, ë»ñ »õ, áñ ³Ù»Ý³Ï³ñ»õáñÝ ¿` ˳ճÕáõÃÛáõÝ:
BIOGRAPHY / FILMOGRAPHY Born in Yerevan in 1988. Studies at YSI of Theater and Cinema, department of documentary filmmaking.
SYNOPSIS The idea arisen after March 1 events symbolizes unity, love, and most important of all peace.
19 ¶»Õ³Ù ÐáíѳÝÝÇëÛ³Ý Gegham Hovhanissian
“î³é³å³Ýù” “Sufferings” μçç³ÛÇÝ Ñ»é³Ëáë
cell phone
κÜ겶ðàôÂÚàôÜ / üÆÈغð ÌÝí»É ¿ 1989Ã.-ÇÝ, Üáñ ·ÛáõÕ, ²μáíÛ³ÝÇ ßñç³Ý: êáíáñáõÙ ¿ ä»ï. سÝϳí³ñÅ³Ï³Ý ÆÝëïÇïáõïÇ Éáõë³Ýϳñã³Ï³Ý μ³ÅÝáõÙ: ¸»μÛáõï: BIOGRAPHY / FILMOGRAPHY Born in 1989, Nor Gyugh, Abovyan region, Armenia. Studies at Yerevan State Pedagogical Institute,
´àì²Ü¸²ÎàôÂÚàôÜ öáñÓ»É »Ù ÙÇç³ïÇ ï³é³å³ÝùÝ»ñÇ Ù»ç óáõÛó ï³É Ù³ñ¹Ï³ÛÇÝ áñáß³ÏÇ ³åñáõÙÝ»ñ: SYNOPSIS I tried to show certain human emotions through sufferings of an insect.
²Ýáõß³í³Ý Ðáí³ÏÇÙÛ³Ý Anoushavan Hovakimian
“´³Õ³¹ñ³ïáÙë” “Recipe” DV
ahovakimian@yandex.r u
κÜ겶ðàôÂÚàôÜ / üÆÈغð ÌÝí»É ¿ 1973Ã.-ÇÝ, ºñ»õ³ÝáõÙ: 1996-97ÃÃ. ëáíáñ»É ¿ ö³ñÇ½Ç êáñμáÝÇ 8-ñ¹ ѳٳÉë. äɳëïÇÏ³Ï³Ý ²ñí»ëïÝ»ñÇ ý³ÏáõÉï.-áõÙ: èáõë³ëï³ÝÇ äñáý. г۳ëï³ÝÇ BÜáñ¿áÝB ÜϳñÇãÝ»ñÇ ÙÇáõÃÛáõÝÝ»ñÇ ³Ý¹³Ù ¿:
´àì²Ü¸²ÎàôÂÚàôÜ üÇÉÙÁ ãÇ ï³ÉÇë å³ï³ë˳ÝÝ»ñ, ýÇÉÙÁ ѳñó³¹ñáõÙ ¿: SYNOPSIS The film gives no answers. It raises a question.
BIOGRAPHY / FILMOGRAPHY Born in Yerevan in 1973. 1996-1997 $ studied at Sorbonne University 8 in Paris, faculty of Plastic Art. Member of Russian Professional and Armenian œNoreonB Unions of Artists.
20 Ðñ³Ûñ »õ ²ñÙ»Ý Hrayr and Armen
“êÇñ»ó»ù ½ÙÇÙdzÝë” “Love One Another” μçç³ÛÇÝ Ñ»é³Ëáë
ÊØ´²ÚÆÜ / GROUP
κÜ겶ðàôÂÚàôÜ / üÆÈغð ºñáõë³Õ»ÙÇ í³ñųñ³ÝÇ áõë³ÝáÕÝ»ñ: BIOGRAPHY / FILMOGRAPHY Students of Jerusalem College.
cell phone
´àì²Ü¸²ÎàôÂÚàôÜ ì³Ý³Ï³Ý ïÇñ³óáõÝ 40 $ ûñÛ³ å³ÑùÇ Å³Ù³Ý³Ï: ÌáÙ³å³ÑáõÃÛ³Ý áõ ³ÕáÃùÇ Ù»ç óÕí³Í, Ù»Õë³íáñ ³ß˳ñÑÇó í»ñ³ó³Í` ÷áñÓáõÙ ¿ ·ïÝ»É Çñ Ñá·»õáñ ³é³ÝÓÝáõÃÛ³Ý μ³ñÇ åïáõÕÝ»ñÁ: SYNOPSIS The monk during his 40-day Lent. Deep in his prayer and fast, away from the guilty world, he is trying to find the fruit of his spiritual isolation.
гÙÉ»ï »õ ¶»Õ³Ù Hamlet and Gegham
“ºñÏËáëáõÃÛáõÝ” “Dialogue” DV
ÊØ´²ÚÆÜ / GROUP
´àì²Ü¸²ÎàôÂÚàôÜ êÇñ³Ñ³ñÝ»ñÁ »õ Ýñ³Ýó ÙÇç»õ ÁÝÏ³Í Ë³ãÁݹáïÝ»ñÁ: SYNOPSIS A couple and the problems between them.
21 гÙÉ»ï ì³ñ¹³ÝÛ³Ý Hamlet Vardanyan
“ê»ñ »õ ÏÛ³Ýù” “Love and Life” DV
κÜ겶ðàôÂÚàôÜ / üÆÈغð ÌÝí»É ¿ 1979Ã.-ÇÝ, ²μáíÛ³ÝÇ ßñç³ÝÇ Üáñ ¶ÛáõÕáõÙ: ²í³ñï»É ¿ ï»ÕÇ ÙÇçݳϳñ· ¹åñáóÁ: BIOGRAPHY / FILMOGRAPHY Born in 1979, Nor Gyugh, Abovyan region, Armenia. Finished the local secondary school.
´àì²Ü¸²ÎàôÂÚàôÜ ÈÛáõÏÇó ¹áõñë »ÏáÕ μ³ÝíáñÇ ³éç»õÇó ѻͳÝÇíáí ³ÝóÝáõÙ ¿ ÙÇ ½áõÛ·: SYNOPSIS A couple on a bike passes by a worker who is getting out of the hatch.
гÛϳÝáõß âáμ³ÝÛ³Ý Haykanush Chobanyan
“гíÁ, û ÓáõÝ” “The Hen Or The Egg” DV
hayyykanush@rambler.ru
κÜ겶ðàôÂÚàôÜ / üÆÈغð ÌÝí»É ¿ 1977Ã.-ÇÝ, ¾çÙdzÍÝáõÙ: ²í³ñï»É ¿ ¶ÛáõÕ ²Ï³¹»ÙdzÝ: ¸»μÛáõï:
´àì²Ü¸²ÎàôÂÚàôÜ àñÝ ¿ñ ëϽμÇó, ѳíÁ, û ÓáõÝ: гñó, áñÇ å³ï³ë˳ÝÁ ÷áñÓáõÙ »Ýù μ³ó³Ñ³Ûï»É, μ³Ûó…
BIOGRAPHY / FILMOGRAPHY Born in 1977, Ejmiatsin. Graduated from Armenian Agrarian Academy. Debut.
SYNOPSIS Which was the first $ the hen or the egg. The answer we are trying to find, but…
22 ijÝݳ Janna
“9.11.91” “9.11.91” VHS
κÜ겶ðàôÂÚàôÜ / üÆÈغð ÌÝí»É ¿ г۳ëï³ÝáõÙ, ³åñáõÙ ¿ Ðáõݳëï³ÝáõÙ: 2007 - œîÕ³Ù³ñ¹ÇÏB (Ø»Ï Î³¹ñ Ø»Ï ðáå»): BIOGRAPHY / FILMOGRAPHY Born in Armenia; lives in Greece. 2007 $ œMenB (One Minute One Shot).
´àì²Ü¸²ÎàôÂÚàôÜ Î³Ý ï³ñ»Ãí»ñ, áñáÝù ù³ÛÉáõÙ »Ý Ù³ñ¹áõ Ñ»ï ³ÝÁݹѳï, Ñݳñ³íáñ ¿ ³Ù»Ý ûñ: SYNOPSIS There are dates, which are constantly following one, perhaps every day.
Ä»ñÙ»Ý ¶ñÇ·áñÛ³Ý Jermen Grigoryan
“¸Åí³ñ áõÕÇ” “Difficult Way”
jermen_gh@mail.ru
DV
κÜ겶ðàôÂÚàôÜ / üÆÈغð êÇñáõÙ »Ù ûå»ñ³ïáñÇ Ù³ëݳ·ÇïáõÃÛáõÝÁ áõ ³é³Ýó ¹ñ³ ã»Ù å³ïÏ»ñ³óÝáõÙ ÇÙ ûñÁ: BIOGRAPHY / FILMOGRAPHY I like my profession of a cameraman and I can’t imagine my day without it.
´àì²Ü¸²ÎàôÂÚàôÜ Ø³ñ¹Á ϳñáÕ³ÝáõÙ ¿ ѳÕóѳñ»É μáÉáñ ¹Åí³ñáõÃÛáõÝÝ»ñÁ: SYNOPSIS Man can overcome any difficulty.
23 γñ»Ý »õ ¸³íÇà Karen and Davit
“ ¶»ñÇ” “Addict”
karenchik66@mail.ru
μçç³ÛÇÝ Ñ»é³Ëáë
cell phone ÊØ´²ÚÆÜ / GROUP
κÜ겶ðàôÂÚàôÜ / üÆÈغð ¸. ´³ñë»ÕÛ³Ý $ ÍÝí»É ¿ 1990Ã.-ÇÝ, ÂμÇÉÇëÇ: êáíáñáõÙ ¿ ÎÇÝáÛÇ »õ ³ï ä»ï. ÆÝëïÇïáõïáõÙ: ¸»ñ³ë³Ý: ¸»μÛáõï: Î. àõëïÛ³Ý $ ÍÝí»É ¿ 1989Ã.-ÇÝ, ÂμÇÉÇëÇ: êáíáñáõÙ ¿ Î. »õ Â. ä»ï. ÆÝëï: úå»ñ³ïáñ: ¸»μÛáõï:
´àì²Ü¸²ÎàôÂÚàôÜ ÂÙñ³ÝÛáõÃÇ ·»ñÇÝ ÏÛ³ÝùáõÙ Ùáé³ÝáõÙ ¿ μáÉáñ ëñμáõÃÛáõÝÝ»ñÁ: êïñÏáõÃÛáõÝ, áñÇÝ ãÇ Ñ³ÕÃáõÙ ÝáõÛÝÇëÏ ³ÛÝ í»Ñ³ÝÓÝ ½·³óÙáõÝùÁ, ÇÝãåÇëÇÝ ¿ ë»ñÁ:
SYNOPSIS BIOGRAPHY / FILMOGRAPHY The addict forgets about anything sacred in D. Barseghyan: born in Tbilisi in 1990. Studies life. He is a prisoner and a slave; and even at YSI of Cinema and Theater. Actor. Debut love can’t free him. K. Ustyan: Born in Tbilisi in1989.Studies at YSI of Cinema and Theater. Cameraman. Debut.
ÈÇÉÇà ê³ñ·ëÛ³Ý Lilit Sargsyan
“Ü»íñá½” “Neurosis”
magicliliac@yahoo.co.uk
DV
κÜ겶ðàôÂÚàôÜ / üÆÈغ𠜴ÉÉÉáõáõáõB - Ø»Ï Î³¹ñ Ø»Ï ðáå» 2005: BIOGRAPHY / FILMOGRAPHY œBlllouuuuuuB $ One Minute One Shot 2005.
´àì²Ü¸²ÎàôÂÚàôÜ ø³ÝÇ áñ μ³é»ñáí μáí³Ý¹³ÏáõÃÛáõÝÁ ã»Ù áõ½áõÙ ³ñï³Ñ³Ûï»É, μ»ñ»Ù ÙÇ ³ëáódzódz, áñÝ áõÝ»Ç ÙïùáõÙ ·áñÍÁ Ýϳñ»ÉÇë. ï³ñí³ 4 »Õ³Ý³ÏÝ»ñÁ: SYNOPSIS As I don’t want to explain the concept of the work by means words, I’ll turn to an association I had in mind while making the film: the 4 seasons of the year.
24 ÈáõëÇÝ» ä»ïñáëÛ³Ý Lusine Petrossian
“Þ³ñÅáõÙ” “Movement”
lujs@mail.ru
Ãí³ÛÇÝ ýáïáËóÇÏ digital photocamera
κÜ겶ðàôÂÚàôÜ / üÆÈغð 2003Ã.-Çó, ³ß˳ïáõÙ ¿ ¶»Õ³ñí»ëïÇ í³ñųñ³ÝáõÙ: 2007 - œøá ºï»õÇóB (Ø»Ï Î³¹ñ Ø»Ï ðáå»): BIOGRAPHY / FILMOGRAPHY Teaching at the College of Fine Arts since 2003. 2007 $ œFollowing You B (One Minute One Shot)
´àì²Ü¸²ÎàôÂÚàôÜ ºñμ áõß³¹Çñ »ë ÉÇÝáõÙ, ßñç³å³ïáõÙ ÝϳïáõÙ »ë Ñ»ï³ùñùÇñ áõ ÛáõñûñÇÝ³Ï »ñ»õáõÛÃÝ»ñ, ûñÇݳã³÷áõÃÛáõÝÝ»ñ: SYNOPSIS When you are careful, you notice interesting and extraordinary phenomena and regularities that surround you.
سñdz٠êáõËáõ¹Û³Ý Mariam Sukhudyan
“»Õáõï” “Teghut”
right227@gmail.com
DV
κÜ겶ðàôÂÚàôÜ / üÆÈغð ÌÝí»É ¿ 1980Ã.-ÇÝ, ºñ»õ³ÝáõÙ: ²í³ñï»É »Ù ºäÖÐ $ Ç è³¹Çá ý³ÏáõÉï»ïÁ: ¼μ³ÕíáõÙ ¿ Çñ »õ ßñç³å³ïÇ ¿Ïá ·Çï³óáõÃÛ³Ý μ³ñÓñ³óÙ³Ùμ: öáñÓáõÙ ¿ Ï»ñï»É Éáõë³íáñ ׳Ù÷³:
´àì²Ü¸²ÎàôÂÚàôÜ üÇÉÙáõÙ ËáëíáõÙ ¿ »ÕáõïÇ ³Ýï³éÇ Ù³ëÇÝ, áñÁ Ý»ñϳ۳óíáõÙ ¿ áñå»ë ³ß˳ñÑÇ ÙÇ Ù³ëÝÇÏ, áñÇ ³íÇñáõÙÁ μ»ñáõÙ ¿ »ñÏñ³·Ý¹Ç Ý»ñ¹³ßݳÏáõÃÛ³Ý Ë³Ã³ñÙ³ÝÁ:
BIOGRAPHY / FILMOGRAPHY Born in Yerevan in 1980. Graduated from YSAU, radio faculty. Interested in improving her and others’ knowledge of ecology. Tries to maintain a bright future.
SYNOPSIS The film tells about the Forest of Teghut. It is presented as a part of the world the destruction of which is leading to the destruction of the Earth's harmony.
25 سñÇÝ» ºÕdz½³ñÛ³Ý Marine Yeghiazaryan
“âÇ ÉÇÝáõÙ, ãÇ ÉÇÝáõÙ...” “Once up non a time…”
tosivo@mail.ru
DV
κÜ겶ðàôÂÚàôÜ / üÆÈغð ÌÝí»É ¿ 1986Ã.-ÇÝ, ¹»é ³åñáõÙ ¿: 2005 - œÊ³ïáõïÇÏB, 2006 œÊ³ÕB, 2007 - œê»õ áõ ëåÇï³ÏB: BIOGRAPHY / FILMOGRAPHY Born in 1986, still alive. 2005 $ œDandelionB, 2006 $ œPlayB, 2007 $ œBlack and whiteB.
´àì²Ü¸²ÎàôÂÚàôÜ ØÇ ¹ñí³· ÏÛ³ÝùÇó SYNOPSIS An episode from life
Ø»ñÇ ²Õ³Ë³ÝÛ³Ý Mery Aghakhanyan
“ºë ÉéáõÙ »Ù” “I’m silent”
jgarry@freenet.am
DV
κÜ겶ðàôÂÚàôÜ / üÆÈغð ÌÝí»É ¿ 1978Ã.-ÇÝ, ¸³É³ñáõÙ, ²ñ³ñ³ïÇ ßñç³Ý: 2002-ÇÝ ³í³ñï»É ¿ ºñ»õ³ÝÇ ä»ï. ÎáÝë»ñí³ïáñdzÝ: ²ñí»ëïÇ ¹³ë³ïáõ ¿:
´àì²Ü¸²ÎàôÂÚàôÜ ÆÙ Ù»ç ÉéáõÃÛáõÝÁ ÑÝãáõÙ ¿, μ³Ûó ¹³ ¹áõñë ¿ Ëáëù»ñÇó. ·Çï³ÏóáõÃÛ³Ý »õ Ý»ñëÇ hÝãáÕáõÃÛáõÝ ¿:
BIOGRAPHY / FILMOGRAPHY Born in 1978 in Ghalar, District of Ararat. Graduated from YS Conservatory. Works as an Art teacher.
SYNOPSIS I have the sound of silence inside me, but it’s above words: it is the sound that comes from the consciousness and from inside.
26 ܳñ» ²ÃáÛ³Ý Nare Atoyan
“г½ÇÏÝ áõ Ò³ÛÝÇÏÁ” “Hazik and Dzaynik”
paytsar2003@mail.ru
DV
κÜ겶ðàôÂÚàôÜ / üÆÈغð ÌÝí»É ¿ 1983Ã.-ÇÝ, êï»÷³Ý³í³ÝáõÙ: êáíáñáõÙ ¿ ¶³ÉÇù ѳٳÉë³ñ³ÝáõÙ: 2007 - œÐ³ñÛáõñ ï³ñí³ Ù»ÝáõÃÛáõÝB (Ø»Ï Î³¹ñ Ø»Ï ðáå»): BIOGRAPHY / FILMOGRAPHY Born in Stepanavan in 1983. Studies at Galik University. 2007 $ œOne Hundred Years of SolitudeB,(One Minute One Shot).
´àì²Ü¸²ÎàôÂÚàôÜ Ð»ùdzà ëÇñá Ù³ëÇÝ: SYNOPSIS A story about love.
ÜáÛ êÇÙáÝÛ³Ý Noy Simonyan
“Ø»ËÁ” “The Nail”
no_rabiz@mail.ru
DV
κÜ겶ðàôÂÚàôÜ / üÆÈغð ÌÝí»É ¿ 1990Ã.-ÇÝ: êáíáñáõÙ ¿ ºäÐ ³ñ»õ»É³·ÇïáõÃÛ³Ý ý³ÏáõÉï»ïáõÙ: ¸»μÛáõï: BIOGRAPHY / FILMOGRAPHY Born in 1990. Studies at Yerevan State University - Oriental Studies. Debut.
´àì²Ü¸²ÎàôÂÚàôÜ Î³ñ»õáñÁ Ù»ÍáõÃÛáõÝÝ áõ ·»Õ»óÏáõÃÛáõÝÁ ã¿, ³ÛÉ û·ï³Ï³ñáõÃÛ³Ý ·áñÍáÝÁ: SYNOPSIS It’s not the size or beauty that counts, but rather the factor of usefulness.
27 ÜáõÝ» ²ÛɳÝçÛ³Ý Nune Aylanjyan
“â³á γϳᔠ“Ciao Cacao”
nune88@mail.ru
DV
κÜ겶ðàôÂÚàôÜ / üÆÈغð ÌÝí»É ¿ 1988Ã.-ÇÝ: êáíáñáõÙ ¿ ºäØÐ Øß³ÏáõÛÃÇ ý³ÏáõÉï»ïáõÙ, Éñ³·ñáÕ: 2007 - œºÃ»œ (Ø»Ï Î³¹ñ Ø»Ï ðáå»): BIOGRAPHY / FILMOGRAPHY Born in 1988. Reporter. Studies at the faculty of Culture in YSPU. 2007 $ œIfB (One Minute One Shot).
´àì²Ü¸²ÎàôÂÚàôÜ ÆëÏ³Ï³Ý ëÇñá Ù»ç ϳñ»õáñ ¿ Áݹ³Ù»ÝÁ »ñÏáõ ϳñÍÇù` ùáÝÝ áõ Ýñ³ÝÁ, ÇëÏ Ù³ñ¹ÇÏ ÇÝã áõ½áõÙ »Ý ÃáÕ Ùï³Í»Ý: гϳé³Ï ¹»åùáõÙ` ã³á-ϳϳá: SYNOPSIS There are only two viewpoints important in true love - those of the lovers. Other people’s ideas don’t count. But if you don’t agree, then œciao cacaoB.
“´³ñÇ ÉáõÛë ÅáÕáíáõñ¹” “Good morning guys”
öáõÛ³Ý ´³Õñǽ³¹» Pooyan Bagherzadeh
DV
κÜ겶ðàôÂÚàôÜ / üÆÈغð ÌÝí»É ¿ 1987ÇÝ Â»Ññ³ÝáõÙ, Æñ³Ý: è»ÅÇëáñ $ œÐ³ñ³μ»ñáõÃÛáõÝB (ϳñ׳ٻïñ³Å) ¸»ñ³ë³Ý - œºñÏÇÝù ³é³Ýó ³ÝÓݳ·ñÇB (ϳñ׳ٻïñ³Å):
´àì²Ü¸²ÎàôÂÚàôÜ Ø»Ýù ¹»é ã»Ýù ѳëϳÝáõ٠ųٳݳϳÏÇó ³ß˳ñÑÁ: SYNOPSIS We don`t understand modern world yet…!
BIOGRAPHY / FILMOGRAPHY Born in 1987, Tehran, Iran. œRelationshipB (short) - director, œSky without passportB (short) - actor.
28 “γñÙÇñÁ” “The Red”
ê³Ùí»É ²´¶³ñÛ³Ý Samvel ABGaryan
DV
κÜ겶ðàôÂÚàôÜ / üÆÈغð ÌÝí»É ¿ 1958Ã., ºñ»õ³ÝáõÙ: ¼μ³ÕíáõÙ ¿ ·»Õ³ÝϳñãáõÃÛ³Ùμ, »ñ·ÇͳÝϳñãáõÃÛ³Ùμ, ù³Ý¹³Ïáí: 2004 $ œÂéÇãù No. 3B, 2006 œÐ³í»ñÅáõÃÛáõÝÁ…œ, 2007 $ œÆëÏ ¸áõB (Ø»Ï Î³¹ñ Ø»Ï ðáå»): BIOGRAPHY / FILMOGRAPHY Born in Yerevan in 1985. Active in fine arts, caricature and sculpture. 2004 - œFly No. 3B, 2006 $ œThe Eternity…B 2007 $ œAnd YouB, (One Minute One Shot).
´àì²Ü¸²ÎàôÂÚàôÜ ²åñ»Éáõ ó³ÝÏáõÃÛáõÝ: SYNOPSIS Desire to live.
ê»ñ·»Û гÏáμÛ³Ý Sergey Hakobyan
“ Æñ³Ï³ÝáõÃÛáõÝ” “Reality”
cec@rambler.ru
DV
κÜ겶ðàôÂÚàôÜ / üÆÈغð ÌÝí»É ¿ 1984Ã.-ÇÝ: êáíáñáõÙ ¿ ºäÐ-Ç ýǽÇϳÛÇ ý³ÏáõÉï»ïáõÙ: 2008 œØ³ñ¹B (Ø»Ï Î³¹ñ Ø»Ï ðáå»):
´àì²Ü¸²ÎàôÂÚàôÜ Ð³ë³ñ³Ï³Ï³Ý ѳñ³μ»ñáõÃÛáõÝÝ»ñÇ Ù³ëÇÝ: SYNOPSIS About social relationships.
BIOGRAPHY / FILMOGRAPHY Born in 1984. Studies at YSU, faculty of Physics. 2008 $ œHumanB (One Minute One Shot).
29 “¸ÇïáÕáõÃÛáõÝ” “Reprimand”
Þ³ÑñÇÛ³ñ ޳ѳٳà Shahryar Shahamat
DV
shahryarshahamat@ yahoo.com
κÜ겶ðàôÂÚàôÜ / üÆÈغð ÌÝí»É ¿ 1983Ã.-ÇÝ, »Ññ³ÝáõÙ, Æñ³Ý: ØÇ ù³ÝÇ ýÇÉÙ»ñáõ٠ѳݹ»ë ¿ »Ï»É áñå»ë é»ÅÇëáñÇ ³ëÇëï»Ýï: ä³ïñ³ëï»É ¿ Ñ»éáõëï³·áí³½¹Ý»ñ: BIOGRAPHY / FILMOGRAPHY Born in 1983, Tehran, Iran. Worked as a director assistant for several films. Made TV teasers in Iran.
´àì²Ü¸²ÎàôÂÚàôÜ ÜϳïáÕáõÃÛáõÝ, ¹ÇïáÕáõÃÛáõÝ: SYNOPSIS Reprimand.
ÞáÕÇÏ Â³¹»õáëÛ³Ý Shoghik Tadevossian
“ºë ù»½ ã¿Ç ëå³ëáõÙ” “I didn’t expect you”
aysor-plus@web.am
DV
κÜ겶ðàôÂÚàôÜ / üÆÈغð ÌÝí»É ¿ 1986Ã.-ÇÝ, ºñ»õ³ÝáõÙ: êáíáñáõÙ ¿ ºñ»õ³ÝÇ Â³ïñáÝÇ »õ ÎÇÝáÛÇ ä»ï³Ï³Ý ÆÝëïÇïáõïáõÙ: 2005 - œÊËáõÝçB, 2007 - œö»ïñí³ñÇ 25-ÁB:
´àì²Ü¸²ÎàôÂÚàôÜ î³Ý ׳ݳå³ñÑÇÝ: SYNOPSIS On the way home.
BIOGRAPHY / FILMOGRAPHY Born in 1986, Yerevan. Studies at Yerevan State Institute of Theatre and Cinema. 2005 $ œSnailB, 2007 $ œ25th of FebruaryB.
30 êÇÉí³ âáμ³ÝÛ³Ý Silva Chobanyan
“ÂáÕ ÉÇÝÇ” “Let It Be”
silvaanaa@rambler.ru
DV
κÜ겶ðàôÂÚàôÜ / üÆÈغð ÌÝí»É ¿ ³ÝóÛ³É Ñ³½³ñ³ÙÛ³ÏáõÙ` ¾çÙdzÍÝáõÙ: ÀݹáõÝí»É ¿ ºñ. ÎÇÝáÛÇ »õ ³ï. ä»ï. ÆÝëï.-Á »õ μ³ñ»μ³Ëï³μ³ñ ãÇ ³í³ñï»É: êï»Õͳ·áñÍáõÙ ¿ œ¸ñ³Ù³ïÇϳB óï»ñ³ËÙμáõÙ: 2006 - œößñí³Í Çñ³Ï³ÝáõÃÛáõÝB: BIOGRAPHY / FILMOGRAPHY Born last millennium in Edjmiatsin. Entered Yerevan St. Inst. of Cinema and Theater, but luckily didn’t graduate. Acts at the theatrical group œDramaticaB .2006 $ œBroken RealityB.
´àì²Ü¸²ÎàôÂÚàôÜ âÝ³Û³Í ³ÕáÃùÝ»ñÇ μ³½Ù³½³ÝáõÃÛ³ÝÁ` ¹ñ³Ýù áõÝ»Ý ²ëïÍáõÝ Ñ³ëÝ»Éáõ Ù»Ï ×³Ý³å³ñÑ: SYNOPSIS Prays can be different, but their way to God is only one.
ê³ß³ Îáμáí Sasha Kobow bkobow@berkeley.edu
“úåïÇÏ³Ï³Ý Ë³μϳÝù” “Trompe L'oeil” DV
κÜ겶ðàôÂÚàôÜ / üÆÈغð 2002 ÎÇÝáé»ÅÇëáõñ³ÛÇ Ù³·Çëïñáë, ÎáÉáõÙμdzÛÇ Ð³Ù³Éë³ñ³Ý, ÜÛáõ Úáñù 2005 $ ÎÇÝáï»ëáõÃÛ³Ý ¸áÏïáñ³Ýïáõñ³: ´³½Ù³ÃÇí ϳñ׳ٻïñ³Å ýÇÉÙ»ñ:
BIOGRAPHY / FILMOGRAPHY 2002 - Master of Fine Arts, Columbia University, New York $ Degree in Film Directing 2005 - PhD in Film Theory. Many short films.
´àì²Ü¸²ÎàôÂÚàôÜ ì³Õ ÏÇÝáÛÇ å³ñ½ Ñݳñù: ì»ñݳ·ÇñÁ Ýϳñã³Ï³Ý ï»ËÝÇϳÛÇ Ñݳñù ¿: SYNOPSIS A simple trick from the old days of filmmaking. Title is a terminus techniques referring to a type of painting.
31 îÇ·ñ³Ý Ðáíë»÷Û³Ý Tigran Hovsepyan
“Þ÷áõÙ” “Communication”
tigran_sepian@mail.ru
DV
κÜ겶ðàôÂÚàôÜ / üÆÈغð ÌÝí»É ¿ 1990Ã.-ÇÝ, ²ßݳÏáõÙ, г۳ëï³Ý: ä³ïñ³ëïíáõÙ ¿ ÁݹáõÝí»É ºñ»õ³ÝÇ ÎÇÝáÛÇ »õ ³ïñáÝÇ ä»ï. ÆÝëïÇïáõï: BIOGRAPHY / FILMOGRAPHY Born in 1990, Ashnak, Armenia. Preparing to enter Yerevan State Institute of Cinema and Theater.
´àì²Ü¸²ÎàôÂÚàôÜ Þ÷áõÙÁ ѳ׻ÉÇ ¿ ݳ»õ ÙÇç³ïÝ»ñÇÝ: SYNOPSIS Insects are also glad for communication.
ì³Ññ³Ù ²ÏÇÙÛ³Ý Vahram Akimian
“ʳճÑñ³å³ñ³Ï” “Playground”
last_unknown_hero@ yahoo.com
DV
κÜ겶ðàôÂÚàôÜ / üÆÈغð ÌÝí»É ¿ 1982Ã.-ÇÝ, ºñ»õ³ÝáõÙ: î³ñÇÝ»ñ ß³ñáõÝ³Ï ÷ÝïñáõÙ ¿ §Çñ ÏÇÝáݦ:
´àì²Ü¸²ÎàôÂÚàôÜ êå³ëáõÙ: SYNOPSIS Waiting.
BIOGRAPHY / FILMOGRAPHY Born in 1982, Yerevan. Looking for œhis cinemaB for years.
32 ì³Ý 껹ñ³ÏÛ³Ý Van Sedrakyan
“лﳹ³ñÓ Ñ³Û³óù” “Plus sight”
vansed@mail.ru
DV
κÜ겶ðàôÂÚàôÜ / üÆÈغð ÌÝí»É ¿ 1988Ã.-ÇÝ, ³åñáõÙ ¿ñ ÙÇÝã»õ ëáõÛÝ Ãí³Ï³Ý³Ç ²åñÇÉÇ 12-Á: êå³ëáõÙ ¿ ÙÇÝã»õ ýÇÉÙÇ Ýå³ï³ÏÁ Çñ³Ï³Ý³Ý³ »õ ß³ñáõݳÏÇ ³åñ»É:
´àì²Ü¸²ÎàôÂÚàôÜ Ä³Ù³Ý³ÏÇ ÁÝóóùáõÙ Ñ»ï »Ýù ݳÛáõÙ áõ ï»ëÝáõÙ, áñ ųٳݳÏÁ Ù»½ÝÇó ß³ï μ³Ý ¿ ËÉ»É: ºí Ñ³×³Ë ëå³ëáõÙ »Ýù, áñ Ù»ñ Ïáñóñ³ÍÁ Ñ»ï Ï·³:
BIOGRAPHY / FILMOGRAPHY Born in 1988, had been living till April 12. Now he is waiting for the aim of the film to come true so he can go on living.
SYNOPSIS We look back as we live and notice that the Time took a lot from us. And we often wait for that loss to be returned.
¼³é³ гÏáμÛ³Ý Zara Hakobian
“â»Ù áõ½áõÙ” “I don’t want”
zarka15@rambler.ru
DV
κÜ겶ðàôÂÚàôÜ / üÆÈغð ÌÝí»É ¿ 1988Ã.-ÇÝ, ºñ»õ³ÝáõÙ: êáíáñáõÙ ¿ ºñ»õ³ÝÇ ä»ï³Ï³Ý سÝϳí³ñÅ³Ï³Ý Ð³Ù³Éë³ñ³ÝáõÙ. ³å³·³ μݳå³Ñå³Ý: ²åñáõÙ ¿ ³ñí»ëïáí:
´àì²Ü¸²ÎàôÂÚàôÜ ²Ýå³ï³ëË³Ý Ñ³Û³óùÝ»ñÇ å³ï׳éáí ³é³ç³ó³Í μáõéÝ ½·³óÙáõÝùÝ»ñ, áñáÝù ï³ÝçáõÙ »Ý ÙÇïùÁ »õ ëïÇåáõÙ Çñ³Ï³Ý³óÝ»É ó³Ýϳó³ÍÁ:
BIOGRAPHY / FILMOGRAPHY Born in Yerevan in 1988. Studies at YSPU. Future ecologist. Can’t live without art.
SYNOPSIS The glances stay unanswered arousing strong feelings which torture the mind and make one realize whatever he wishes.
33 ¼³é³ ØÇݳëáí³ Zara Minasova
“سùñ³·áñÍáõÙ” “Catharsis”
lilzcat@mail.ru
VHS
κÜ겶ðàôÂÚàôÜ / üÆÈغð ÌÝí»É ¿ 1986Ã.-ÇÝ, ºñ»õ³ÝáõÙ: êáíáñáõÙ ¿ ºñ. лéáõëï³é³¹ÇáÛÇ ²Ï³¹»ÙdzÛáõÙ: 2006 - œÖ³Ï³ï³·ÇñB 2007 $œÎ»ñå³ñ³Ý³÷áËáõÃÛáõÝB (Ø»Ï Î³¹ñ Ø»Ï ðáå»): BIOGRAPHY / FILMOGRAPHY Born in 1986, Yerevan. Student at the Academy of Television and Radio. 2006 $ œDestinyB, 2007 $ œMetamorphosisB (One Minute One Shot).
´àì²Ü¸²ÎàôÂÚàôÜ ²é³Ýó Ù»Ïݳμ³ÝáõÃÛ³Ý: SYNOPSIS No Comments.
Krister Kennedy øñÇëûñ ø»Ý»¹Ç
“ʳóñáõ٠ٻϔ “Disturbance One”
krister.kennedy@ natuerkstan.net
DV
κÜ겶ðàôÂÚàôÜ / üÆÈغð ÌÝí»É ¿ 1959Ã.-ÇÝ, ¶Ûáûμáñ·áõÙ, Þí»¹Ç³: §ìǽáõ³É¦ ³ñïÇëï ¿ 1990-Çó:
´àì²Ü¸²ÎàôÂÚàôÜ Úáà íǹ»áÝ»ñÇó μ³Õϳó³Í ÇÝëï³ÉdzódzÛÇ ÙÇ Ù³ëÁ: Ø»¹Ç³ÛÇ »õ É»½íÇ Ù³ëÇÝ` É»½íÇó ¹áõñë:
BIOGRAPHY / FILMOGRAPHY Born in 1959 in Goetheborg, Sweden. Working as a visual artist since 1990.
SYNOPSIS Part of seven video film loops that constitute an installation. About Media, language, outside the language.
34 öÇûñ úÛëï»ñë»Ï Peter Ojstersek
“Ø»Í å³ÛÃÛáõÝ” “Big Bang”
ojstersek@yahoo.se
DV
κÜ겶ðàôÂÚàôÜ / üÆÈغð
´àì²Ü¸²ÎàôÂÚàôÜ
BIOGRAPHY / FILMOGRAPHY
SYNOPSIS
гÏáμ ÎáÉÛ³Ý Hakob Kolyan
“ÎÛ³ÝùÇ ËݹÇñ” “Matter of Life”
hakop83@mail.ru
DV
κÜ겶ðàôÂÚàôÜ / üÆÈغð ÌÝí»É ¿ 1983Ã.-ÇÝ, ²ËÉó˳ÛáõÙ, ìñ³ëï³Ý: ²í³ñï»É ¿ ºñ»õ³ÝÇ Â³ïñáÝÇ »õ ÎÇÝáÛÇ ä»ï³Ï³Ý ÆÝëïÇïáõïÁ: ²ß˳ïáõÙ ¿ ²½·³ÛÇÝ ÎÇÝáÏ»ÝïñáÝáõÙ. ûå»ñ³ïáñÇ ³ëÇëï»Ýï: BIOGRAPHY / FILMOGRAPHY Born in Akhltskha, Georgia in 1983. Graduated from YS University of Cinema and Theater. Works as an assistant of the cameraman in the National Cinema Center.
´àì²Ü¸²ÎàôÂÚàôÜ Ð³óÁ Ý»ñϳ۳óíáõÙ ¿ áñå»ë ÏÛ³ÝùÇ ËݹÇñ, áñÇ Ñ³Ù³ñ Ù³ñ¹ÇÏ »ñμ»ÙÝ ëïÇåí³Í »Ý ÉÇÝáõÙ í׳ñ»É ÏÛ³Ýùáí: SYNOPSIS Bread is presented as a major issue of life which people sometimes have to give their lives for.
35 êáõ ÂáÙë»Ý Su Tomesen su@sutomesen.nl
“´³óûÃÛ³ Ø»ïñá” “Elevated Subway” DV
κÜ겶ðàôÂÚàôÜ / üÆÈغð ²ñí»ëï³·»ï ²Ùëï»ñ¹³ÙÇó, Üǹ»ñɳݹݻñ: 2007 - ³í³ñï»É ¿ ê³Ýμ»ñ· ÆÝëïÇïáõïÇ ¶»Õ³ñí. μ³ÅÝÇ Ù³·Çëïñ³ïñáëÇ áñ³Ï³íáñÙ³Ùμ: ¼μ³ÕíáõÙ ¿ íǹ»áÛáí, Éáõë³ÝÏñ³ãáõÃÛ³Ùμ »õ ÇÝëï³É³ódzݻñáí: BIOGRAPHY / FILMOGRAPHY Su Tomesen is a visual artist from the Netherlands, Amsterdam. She obtained her MA at the Sandberg Institute, 2007. Her work consists of videos, photos and installations.
´àì²Ü¸²ÎàôÂÚàôÜ ìǹ»á-ÓáÝ ø³½ÇÙÇñ سɻíÇãÇÝ, áñÁ ëå³Ýí»É ¿ ´ñáõÏÉÇÝáõÙ, ÜÛáõ Úáñù: ¶áñÍÁ Ù³ëݳÏó»É ¿ Ø»Ï ðáå»Ý»ñ ÷³é³ïáÝÇÝ, ä³ñ³¹Ç½á, ²Ùëï»ñ¹³Ù, 2002: SYNOPSIS A video, an ode to Kazimir Malevich, shot in Brooklyn, NYC. The video was nominated for a One Minute award at The One Minutes in Paradiso Amsterdam in 2002.
ÙñóáõÛÃÇó ¹áõñë / out of competition
ê³ß³ Îáμáí Sasha Kobow
“²ëïÇ׳ݔ “Stair”
bkobow@berkeley.edu
01:00 DV
²ØÜ USA
κÜ겶ðàôÂÚàôÜ / üÆÈغð 2002 ÎÇÝáé»ÅÇëáõñ³ÛÇ Ù³·Çëïñáë, ÎáÉáõμdzÛÇ Ð³Ù³Éë³ñ³Ý, ÜÛáõ Úáñù 2005 $ ÎÇÝáï»ëáõÃÛ³Ý ¸áÏïáñ³Ýïáõñ³: ´³½Ù³ÃÇí ϳñ׳ٻïñ³Å ýÇÉÙ»ñ: BIOGRAPHY / FILMOGRAPHY 2002 - Master of Fine Arts, Columbia University, New York $ Degree in Film Directing, 2005 - PhD in Film Theory. Many short films.
´àì²Ü¸²ÎàôÂÚàôÜ ²ÝóÛ³É ï³ñÇ Ý»ñϳ۳óñ»É ¿Ç Ù»Ï ñá廳Ýáó ýÇÉÙ, áñÁ å³ïÏ»ñáõÙ ¿ñ ÏÍÏáõÙÝ»ñë áñ¹áõë ÍÝí»Éáõó ³é³ç: ²Ûë ï³ñÇ ¹áõù ϳñáÕ »ù ï»ëÝ»É, û ÇÝãå»ë ¿ ݳ μ³ñÓñ³ÝáõÙ ³ëïÇ׳ÝÝ»ñáí: ²Ûëå»ë ¿ ÏÇÝáÝ ³ñï³óáÉáõÙ Ù»ñ ÏÛ³ÝùÇ ÁÝóóùÁ: SYNOPSIS Last year I submitted a One Minute film called œContractionB from the birth of my son. This year you see him climb a staircase. This is how film tracks time and movement of our lives.
37
²ñ»·²½³ïÛ³Ý Areg Azatyan aysor-plus@web.am
“гïí³Í ³ß˳ñÑÇ ³Ù»Ý³É³í ýÇÉÙÇó” “A Fragment from the World`s Best Film” 01:00 35 mm
κÜ겶ðàôÂÚàôÜ / üÆÈغð ÌÝí»É ¿ 1986Ã.-ÇÝ, ºñ»õ³ÝáõÙ: êáíáñáõÙ ¿ ºñ. ÎÇÝáÛÇ »õ ³ï. ä»ï. ÆÝëï. -áõÙ: ¶ñáÕ: 2003 - œä³ïáõѳÝÇó ¹áõñëB, 2004 œ¸³ñå³ëB, œ¾ßÁB, 2005 - œÖ³Ý×ÁB, 2008 $ œ¼³ïÇÏÇ áïùÇó μéÝí³ÍB: BIOGRAPHY / FILMOGRAPHY Born in Yerevan 1986. Studies at YSI of Cinema and Theater. Writer. 2006 œOut of the WindowB, 2004 - œThe DonkeyB, 2005 $ œThe FlyB, 2008- œGrasping from the Lady Bird’s LegB.
´àì²Ü¸²ÎàôÂÚàôÜ ê³ Ï³¹ñ ¿ ³ß˳ñÑÇ ³Ù»Ý³É³í ýÇÉÙÇó: سëݳÏóáõÙ »Ý ³Ù»Ý³Ñ³ÛïÝÇ ¹»ñ³ë³ÝÝ»ñÁ, é»ÅÇëáñÝ»ñÁ »õ ³ÛÉÝ: ´³Ûó Ýñ³Ýù μáÉáñÝ ³Ýï»ë³Ý»ÉÇ »Ý: SYNOPSIS It is a frame from the best film, with all the famuos actors, film directors and others. But they are all invisible.
êáÝdz ä³É³ë³ÝÛ³Ý Sonia Balassanian
²Ýí»ñݳ·Çñ Untitled 01:00 DV
sonarned@aol.com
κÜ겶ðàôÂÚàôÜ / üÆÈغð ²ñ»õÁ ϳٳó ѳÉíáõÙ ¿ ÇÙ Ù»ç, ÉǽáõÙ ¿ ¹»Ùùë, Ù³ñÙÇÝë, Ó»éù»ñë… ÂáÕ»ù ³Ý³ÝáõÝ ÙݳÙ:
´àì²Ü¸²ÎàôÂÚàôÜ Ö³Ù÷áñ¹áõÃÛáõÝ: SYNOPSIS Journey.
BIOGRAPHY / FILMOGRAPHY The sun slowly is melting inside me, licking my face, my body, my hands. Let me stay un-named.
38 ¶³·ÇÏ Ô³½³ñ¿ Gagik Ghazareh
“ÜíÇñáõÙ” “Donation”
vartenik@yahoo.com
ѳٳϳñ·Çã computer
κÜ겶ðàôÂÚàôÜ / üÆÈغð ÌÝí»É ¿ ³ÝÑÇß»ÉÇ Å³Ù³Ý³ÏÝ»ñáõÙ áõ ÙÇÝã ûñë ãÇ ¹³¹³ñ»É ÍÝí»É: ÌÝíáõÙ ¿ ³Ù»Ý ûñ áõ ½μ³ÕíáõÙ ï³ñμ»ñ μ³Ý»ñáí: BIOGRAPHY / FILMOGRAPHY Was born long ago, doesn’t stop being born with every new day, and being occupied with various things.
´àì²Ü¸²ÎàôÂÚàôÜ ¶³ñáõÝ: 2008: ÜíÇñáõÙ ï·ÇïáõÃÛ³Ý ÍáõÕ³ÏáõÙ μéÝí³Í ³ÝÙ»Õ Ù»Õ³íáñÝ»ñÇÝ: SYNOPSIS Spring. 2008. A donation to the innocent guilty people trapped in ignorance.
¶³Û³Ý» ºÕdz½³ñÛ³Ý Gayane Yeghiazaryan
κÜ겶ðàôÂÚàôÜ / üÆÈغð ÌÝí»É ¿1980Ã.,¶ÛáõÙñÇ: ²í³ñï»É ¿ ºñ. ³ï. »õ ÎÇÝáÛÇ ä»ï.ÆÝëï.-:Á: ØáõÝç ¹ñ³Ù³ÛÇ ¹»ñ³ë³ÝáõÑÇ: 2004 œ²Ýí»ñݳ·ÇñB, (àëÏ» ÌÇñ³Ý ÷³é³ïáÝ, ѳïáõÏ ¹ÇåÉáÙ), 2005 œ¸ñ³ËïB, 2006 œ24.04.1915B, 2007 œÎÛ³ÝùB(Ø»Ï Î³¹ñ Ø»Ï ðáå» - È³í³·áõÛÝ Ï³¹ñ): BIOGRAPHY / FILMOGRAPHY Born in 1980,Gyumri.Graduated from YS Inst. of Theater a Cinema. Silent drama actress. 2004 - œUntiledB (Golden Apricot film fest, special diploma), 2005 - œParadiseB, 2006 œ24.04. 1915B, 2007-œLifeB(One Minute One Shot: Best Shot). ÈáõëÇÝ» ´ñáõïÛ³Ý Lusine Brutyan luna21@inbox.ru
“ÊÙáñáõÙ” “Fermentation” 01:00 DV
´àì²Ü¸²ÎàôÂÚàôÜ ÊÙáñáõÙÇ Ý»ñùÇÝ ÉÇóù»ñÇó »Ýó¹ñíáõÙ ¿ œËÙáñÇB ¹ñ³Ï³Ý ϳ٠μ³ó³ë³Ï³Ý ³ñÓ³·³ÝùÁ ÏÛ³ÝùáõÙ: Úáõñ³ù³ÝãÛáõñ ³ñ¹ÛáõÝù »ñϳñ³ï»õ ËÙáñÙ³Ý ³ñ¹ÛáõÝù ¿: SYNOPSIS Any result is a result of long inner processes and fermentation. The inner charge of fermentation determines either a positive or a negative outcome .
39 “ÎíÇÝï¿ë»Ýódz” “Quintessence” 10:14 H8
κÜ겶ðàôÂÚàôÜ / üÆÈغð ÌÝí»É ¿ 1987Ã.-ÇÝ, ºñ»õ³ÝáõÙ: êáíáñáõÙ ¿ ºñ»õ³ÝÇ ì. ´ñÛáõëáíÇ, ³Ýí. È»½í³μ³Ý³Ï³Ý ÆÝëïÇïáõïáõÙ: üñ³Ýë»ñ»Ý É»½íÇ Ã³ñ·Ù³ÝÇã: ¸»μÛáõï:
´àì²Ü¸²ÎàôÂÚàôÜ ´ÝáõÃÛáõÝÁ ϳé³í³ñáõÙ »Ý 4 ÑÇÙÝ³Ï³Ý ¿áõÃÛáõÝÝ»ñ` ÑáÕ, çáõñ, û¹, Ïñ³Ï: ´³Ûó ϳ 5-ñ¹ ¿áõÃÛáõÝÁ, áñÁ ϳñáÕ ¿ ϳé³í³ñ»É ³Ûë μáÉáñ áõÅ»ñÁ ë»÷³Ï³Ý Ó»éù»ñáí:
BIOGRAPHY / FILMOGRAPHY Born in Yerevan in 1987. Studies at YSLU; Specializes in French; translator. Debut
SYNOPSIS Nature is governed by 4 major essences: soil, fire, water and air; but there is also the 5th essence that controls all of these powers.
²Ýáõß³í³Ý Ðáí³ÏÇÙÛ³Ý Anoushavan Hovakimian
“¸³ï³ñÏ Üß³ÝÝ»ñ” “Empty Signs” 3:20 DV
ahovakimian@yandex.ru
´àì²Ü¸²ÎàôÂÚàôÜ Ø³ñ¹Ý Çñ³Ï³ÝáõÃÛ³Ý ÷á˳ñ»Ý ï»ëÝáõÙ ¿ ë»÷³Ï³Ý »õ ³ß˳ñÑÇ Ýß³ÝÝ»ñÁ, ¹ñ³Ýó ÷áËѳñ³μ»ñáõÃÛáõÝÝ»ñÁ: лïá ¹ñ³Ýù ÏáñóÝáõÙ »Ý Çñ»Ýó ëϽμÝ³Ï³Ý Ý߳ݳÏáõÃÛáõÝÁ` í»ñ³Íí»Éáí ¹³ï³ñÏ Ýß³ÝÝ»ñÇ: ʳճÉáí Ýß³ÝÝ»ñÇ Ñ»ï »õ ï»Õ³¹ñ»Éáí ¹ñ³Ýó Ýáñ,Çñ»Ýó áã ѳïáõÏ ÙÇç³í³ÛñáõÙ` ëï»ÕÍíáõÙ ¿ Ýáñ Ý߳ݳÛÇÝ Çñ³Ï³ÝáõÃÛáõÝ: ¸ñ³Ýù ëï³ÝáõÙ »Ý Ýáñ ÇÙ³ëï »õ ëÏëáõÙ ³åñ»É Çñ»Ýó áõñáõÛÝ, ³ÝÏ³Ë »õ ÇÝùݳμ³í ÏÛ³Ýùáí: SYNOPSIS Instead of the reality people see their own signs of the world and the relationships among them. Then these lose their initial significance and turn into empty signs. Playing with the signs and placing them in new environments that are strange to them, one makes a new reality of sign systems. The signs acquire new meanings and start to live their own independent life.
40 ¾¹í³ñ¹ ³¹»õáëÛ³Ý Edward Tadevossian ed.tadevossian@gmail.co m
κÜ겶ðàôÂÚàôÜ / üÆÈغð âáõÝÇ: BIOGRAPHY / FILMOGRAPHY None.
“¼áõéݳ” “Zurna” 13:33 ýáïáËóÇÏ photocamera
´àì²Ü¸²ÎàôÂÚàôÜ ¼áõéÝ³Ý ³Ýë³ÙμɳÛÇÝ ·áñÍÇù ¿, áõÝÇ ëáõñ, ×ã³óáÕ Ó³ÛÝ: ¸»μÛáõï: SYNOPSIS Zurna is an ensemble instrument and has a sharp, ringing sound. Debut.
¸³íÇà ²ÃáÛ³Ý Davit Atoyan
“Î³Ý·Ý»É û¹áõÙ” “In the Air” 17:30 VHS
κÜ겶ðàôÂÚàôÜ / üÆÈغð ÌÝí»É ¿ 1982Ã.-ÇÝ, ºñ»õ³ÝáõÙ: ÜϳñáõÙ ¿ í³ÛñÇ μÝáõÃÛáõÝÝ áõ ÇÝã Ñݳñ³íáñ ¿ Ýϳñ»É: ¸»μÛáõï:
´àì²Ü¸²ÎàôÂÚàôÜ Üñ³Ýù ˳ÕáõÙ »Ý ù³Ùáõ Ñ»ï: SYNOPSIS They are play with the wind.
BIOGRAPHY / FILMOGRAPHY Born in Yerevan in 1982. Shoots wild nature and everything that is possible to shoot. Debut.
41 ¸³íÇà àëϳÝÛ³Ý Davit Voskanyan
“ÞïñÇË Ïá¹” “Barcode”
davisiart@gmail.com
4:00 DV
κÜ겶ðàôÂÚàôÜ / üÆÈغð ÌÝí»É ¿ 1980Ã.-ÇÝ, ì³Ý³ÓáñáõÙ: ²í³ñï»É ¿ ºäÖÐ-Ý, ¾ÏáÝáÙÇϳ-ϳé³í³ñáõÙ: ²ñͳó·áñÍ:2006 - œ¸áõ ݳۻóÇñ ÇÝÓB (γ¹ñ, ðáå»), 4ØïáñáõÙB, (œºë »ÙB), 2007 œ²ãùÇë ѳÙá½»É »Ý Ó»½B (γ¹ñ, ðáå»): BIOGRAPHY / FILMOGRAPHY Born in 1980,Vanadzor.Graduated from YSPU, faculty of economics and management. 2006 $œYou looked at meB (Minute, Shot fest),œReflectionB (œYes emB fest), 2007 œI See You’ve Been ConvincedB,
´àì²Ü¸²ÎàôÂÚàôÜ üÇÉÙáõÙ å³ïÏ»ñíáõÙ ¿ ³ñͳÃÇ ÓáõÉÙ³Ý åñáó»ëÝ áõ ¹ñ³ÝÇó ëï³óí³Í ÝÙáõßÁ: SYNOPSIS The process of melting of silver and the item made out of it.
´³Û³Ý¹áõñ äáÕáëÛ³Ý Bayandur Poghosian songoffall@yahoo.com
“²ñÃݳóñáõ ÇÝÓ, »ñμ ê»åï»Ùμ»ñÁ í»ñç³Ý³” “Wake me up, when September ends” 19:17 μçç³ÛÇÝ Ñ»é³Ëáë cell phone
´àì²Ü¸²ÎàôÂÚàôÜ Üñ³Ýó ÁÝÏ»ñ³óñ»óÇÝ ÇÝï»ñÝ»ïÁ, ³ÉÏáÑáÉÝ áõ ÷ßñí³Í ëñï»ñÁ: Ø»Ï ûñ surprise.am $ Ç ÏÛ³ÝùÇó, ÇÝãå»ë ݳ»õ ÙïáñáõÙÝ»ñ Ù³ñ¹Ï³Ýó ËáëïáõÙÝ»ñÇ »õ ѳñ³μ»ñáõÃÛáõÝÝ»ñÇ Ù³ëÇÝ:¸»μÛáõï:
SYNOPSIS They became friends thanks to internet, alcohol and broken hearts. A day in the life of surprise.am, as well as meditations about people’s promises and relations. Debut.
42 γñ»Ý ´³ÕÇÝÛ³Ý Karen Baghinian
“ê³Ñٳݔ “Borderline”
kbaghinyan@yahoo.com
01:00 DV
κÜ겶ðàôÂÚàôÜ / üÆÈغð ÌÝí»É ¿ 1970Ã., ºñ.: ÎÇÝá³ñï. åñá¹Ûáõë»ñ 2004-Çó: è»Å. 2001 - œÂ³·³íáñÇ ·³ÉëïÛ³Ý ëå³ëáõÙáíB, îÝûñ»Ý 2005 - œ¸áõ¹áõÏÁ` áñå»ë ³½·³ÛÇÝ Ýí³·³ñ³ÝB` (UNESCO), 2005 - œ²Ýݳ سÛÇÉÛ³Ý. ß³ñ³Ï³ÝÝ»ñB BIOGRAPHY / FILMOGRAPHY Born in Yerevan in 1970. Film producer since 2004.2001 œWaiting for the King’s ArrivalB $ director, 2005 œDuduk as a National InstrumentB(UNESCO) - producer, 2005 œAnna Mayilyan. Armenian PsalmsB
´àì²Ü¸²ÎàôÂÚàôÜ ØÇÝã»õ ë³ÑÙ³ÝÇÝ ã»ë ѳëÝáõÙ, ã³÷¹ ã»ë ׳ݳãáõÙ: SYNOPSIS You don't know your path unless you get to the borderline.
“ì³Û ùáõ” “Shit”
²ñÙ»Ý Ð³ÏáμÛ³Ý Armen Hacopian armeno591@yahoo.com
κÜ겶ðàôÂÚàôÜ / üÆÈغð ÌÝí»É ¿ 1991Ã.-ÇÝ, »Ññ³ÝáõÙ, Æñ³Ý: ºñ»õ³ÝáõÙ ¿ 2002Ã.-Çó:êáíáñáõÙ ¿ ºñ»õ³ÝÇ Â³ïñáÝÇ »õ ÎÇÝáÛÇ ä»ï. ÆÝëïÇïáõïáõÙ: 2007$œê³éݳñ³ÝB(Ø»Ï Î³¹ñ Ø»Ï ðáå»):
4:00 DV
´àì²Ü¸²ÎàôÂÚàôÜ ÒÙ»é, ÓÛáõÝ, ÓÙ»é, ÓÛáõÝ, ÓÙ»é, ÓÛáõÝ… SYNOPSIS Winter, snow, winter, snow, winter, snow...
BIOGRAPHY / FILMOGRAPHY Born in 1991 in Tehran, Iran; has lived in Yerevan since 2002, studies at Yerevan State Cinema -Theatrical Institute 2007 $ œRefrigeratorB, (One Minute One Shot) 2007 - œShitB.
43 îÇ·ñ³Ý Ðáíë»÷Û³Ý Tigran Hovsepyan
“ʳՔ “Game”
tigran_sepian@mail.ru
4:00 DV
κÜ겶ðàôÂÚàôÜ / üÆÈغð ÌÝí»É ¿ 1990Ã.-ÇÝ, ²ßݳÏáõÙ, г۳ëï³Ý: ä³ïñ³ëïíáõÙ ¿ ÁݹáõÝí»É ºñ»õ³ÝÇ ÎÇÝáÛÇ »õ ³ïñáÝÇ ä»ï. ÆÝëïÇïáõï: BIOGRAPHY / FILMOGRAPHY Born in 1990, Ashnak, Armenia. Preparing to enter Yerevan State Institute of Cinema and Theater.
´àì²Ü¸²ÎàôÂÚàôÜ Ê³Õ: SYNOPSIS Game.
гë³Ý ƽ³ÝÉá Hasan Izanloo pcfilmproduction@ gmail.com
“Ü»Õ áõÕÇ” “ Narrow Way” 01:00 DV
Æð²Ü IRAN
κÜ겶ðàôÂÚàôÜ / üÆÈغð ÌÝí»É ¿ 1977Ã.-ÇÝ, Æñ³ÝáõÙ: Üϳñ³Ñ³Ý»É ¿ 4 ϳñ׳ٻïñ³Å ýÇÉÙ, μ³Ý½Ù³ÃÇí ýÇÉÙ»ñáõÙ »Õ»É ¿ ûå»ñ³ïáñ: BIOGRAPHY / FILMOGRAPHY Born in 1977, Iran. Directed 4 short films. Cooperated with many directors as cameramen.
´àì²Ü¸²ÎàôÂÚàôÜ ØÇ ëÇÙíáÉÇÏ ýÇÉÙ ·»ïÝÇ ï³Ï ³åñáÕ Ý³å³ëï³ÏÇ ÏÛ³ÝùÇ Ù³ëÇÝ: SYNOPSIS A symbolic film which shows the life of a rabbit under the ground.
44 George Maskharashvili ¶»áñ·Ç سß˳ñ³ßíÇÉÇ
“´ñá¹í»Û 45” “Broadway 45” 58:00 DV
ìð²êî²Ü GEORGIA
κÜ겶ðàôÂÚàôÜ / üÆÈغð ÌÝí»É ¿ 1977Ã., ÂμÇÉÇëÇáõÙ, ìñ³ëï³Ý: 2000Ã.- ÇÝ ³í³ñï»É ¿ Âμ. ¶»Õ. ä»ï. ²Ï.: 2004Ã.- ÇÝ ³í³ñï»É ¿ Âμ. ÎÇÝáÛÇ áõ ³ï. ä»ï. гٳÉë³ñ³ÝÁ: 2000 - œä³ïB, 20ñ. 2002 - œöáëà ö³ÝùB 30ñ. 2004 - œ¶³íñÇϳB - 30ñ. 2007 œ´ñá¹í»Û 45B - 58ñ.:
BIOGRAPHY / FILMOGRAPHY Born in 1977 Tbilisi,Georgia.2000 graduated from Tb. St. Ac. of Fine Arts, 2004 graduated from Tb. St. Univ. of Theatrical and Cinema Art. 2000 BA wallB 20min. 2002-œpost punkB 30min. 2004 BGavrikaB,30min.,2007BBroadway 45B 58 min.
´àì²Ü¸²ÎàôÂÚàôÜ ìñ³óÇ »ñÇï³ë³ñ¹ ³ñí»ëï³·»ïÁ ·³ÉÇë ¿ ÜÛáõ Úáñù`μ³ó³Ñ³Ûï»Éáõ ³ß˳ñÑÁ, μ³Ûó Çñ³Ï³Ý ³ß˳ñÑÁ ï³ñμ»ñíáõÙ ¿ñ Çñ ëå³ëáõÙÝ»ñÇó: SYNOPSIS The young Georgian artist comes to New York to discover his own world, but he finds out the real world is a bit different from what he’d expected.
“ºñϳ÷ÇÍ” “Rails”
Þ³ÝÃ³É ö³ñóÙÛ³Ý Chantal Partamian
1:17 8mm
chantalpartamian@ hotmail.com
ÈÆ´²Ü²Ü LEBANON
κÜ겶ðàôÂÚàôÜ / üÆÈغð ÌÝí»É ¿ 1984Ã.-ÇÝ, ´»ÛñáõÃáõÙ, ÈÇμ³Ý³Ý: Üϳñ»É ¿ ϳñ׳ٻïñ³Å ýÇÉÙ»ñ: ²ÛÅÙ ³ß˳ïáõÙ ¿ ÙÇ ¹áÏáõÙ»Ýï³É ýÇÉÙÇ íñ³, áñÁ Ý»ñϳ۳óÝáõÙ ¿ Ñí. ÈÇμ³Ý³ÝáõÙ ·ïÝíáÕ Ï³ë»ï³ÛÇÝ éáõÙμ»ñÁ:
´àì²Ü¸²ÎàôÂÚàôÜ ºñϳ÷ÇÍ SYNOPSIS Rails
BIOGRAPHY / FILMOGRAPHY Born in 1984, Beirut, Lebanon. Has directed short documentaries, and is currently working on a documentary about cluster bombs in south Lebanon.
45 “êÇñ»ÉÇ Ü” “Dear N” 07:50
“гïí³ÍÝ»ñ...” “Fragments...” 04:03 super 8mm
´àì²Ü¸²ÎàôÂÚàôÜ Ü³Ù³Ï í³í»ñ³·ñáõÃÛáõÝ` Ýϳñ³Ñ³Ýí³Í å³ï»ñ³½ÙÇ Å³Ù³Ý³Ï: ܳٳÏÁ, áñáõÙ ß³ñ³¹ñáõÙ »õ Ù»Ïݳμ³ÝáõÙ »Ý Çñ³¹³ñÓáõÃÛáõÝÝ»ñÁ, áõÕÕ³ñÏáõÙ ¿ ³ñï³ë³ÑÙ³ÝáõÙ ³åñáÕ ÁÝÏ»ñáçÁ: Æñ³ñ »Ý ѳçáñ¹áõÙ »ñÏáõ ï»ë³ñ³Ý. ´»ÛñáõÃÇ Ñ³ñ³íáõ٠ϳï³ñíáÕ Ñëϳ۳ͳí³É ³íÇñ³ÍáõÃÛáõÝÝ»ñÁ »õ ϳÙñçÇ ëÇÙíáÉÇÏ í»ñ³Ï³éáõóáõÙÁ, áñÇ ÙÇ Í³ÛñÇó ÙÛáõëÁ Ó·íáõÙ ¿ ÈÇμ³Ý³ÝÇ ¹ñáßÁ: SYNOPSIS A letter documentary shot during the war. It’s a point of view of the events as they are recounted in a letter-like form and sent to a friend abroad. The images shift between the massive destruction in the south of Beyrouth and the symbolic rebuilding of a bridge with Lebanese flag spread from one side to the other.
´³·ñ³ï êÇÙáÝÛ³Ý Bagrat Simonyan
“Êݹñ³Ýù” “The Request”
best1074@mail.ru
6:00 DV
κÜ겶ðàôÂÚàôÜ / üÆÈغð ²í³ñï»É ¿ ºñ»õ³ÝÇ ä»ï. سÝϳí³ñÅ³Ï³Ý ÆÝëï. ÎáõÉïáõñ³ÛÇ ý³ÏáõÉï»ïÁ. óïñáÝÇ é»ÅÇëáñ: ʳճñϳÛÇÝ ýÇÉÙ»ñ 1994 - œØ»Ý³ËáëáõÃÛáõÝB, 1998 - œºë ëÇñáõÙ »Ù ù»½B, 1999 - œ¸³ï³å³ñïí³ÍÝ»ñÁB, œÜ»ñϳåݳÏB, 2001 - œØ»ÝáõÃÛáõÝB, œâ»Ù ϳñáÕ ëÇñ»É, ã»Ù ϳñáÕ ³ï»ÉB, 2006 - œºÕ»ù »ñç³ÝÇÏB: œ²ÝóÛ³ÉÇ ³ñÓ³·³ÝùÝ»ñÁB, í³í»ñ³·ñ³Ï³Ý, 2007: BIOGRAPHY / FILMOGRAPHY Graduated from Yerevan State Pedagogical Ins., facilty of Culture, theatrical director. 1994 $ œMonologueB, 1998 $ œI Love YouB, 1999 $ œThe CondemnedB, œPaletteB, 2001 $ œLonelinessB, œI Can’t Love, I Can’t HateB, 2006 $ œBe HappyB, 2007 $ œThe Echoes of the PastB (doc).
46 ´àì²Ü¸²ÎàôÂÚàôÜ ¶³ñáõÝÁ Ù»ñ ù³Õ³ùáõÙ. ï³ñμ»ñ ¹Çï³Ï»ï»ñ: SYNOPSIS Spring in our city: different viewpoints. ²ððàôÂÚàôÜ ì³í»ñ³·ñ³Ï³Ý è»ÅÇëáñ - ´³·ñ³ï êÇÙáÝÛ³Ý êó»Ý³ñÇëï - ´³·ñ³ï êÇÙáÝÛ³Ý úå»ñ³ïáñ - ²ñÃáõñ ¸»íñÇÏÛ³Ý ØáÝï³Å - ´³·ñ³ï êÇÙáÝÛ³Ý, ²ñÃáõñ ¸»íñÇÏÛ³Ý 2007, г۳ëï³Ý, ü³ÝïáÝ êï»Õͳ·áñÍ³Ï³Ý ÊáõÙμ PRODUCTION Documentary Director - Bagrat Simonyan Script - Bagrat Simonyan Camera $ Arthur Devrikyan Editing $ Bagrat Simonyan, Arthur Devrikyan 2007, Armenia, Phantom Creative Group
гÙÉ»ï ì³ñ¹³ÝÛ³Ý Hamlet Vardanyan
“´Ó»ùÁ ” “Old Men” 8:30 DV
κÜ겶ðàôÂÚàôÜ / üÆÈغð ÌÝí»É ¿ 1979Ã.-ÇÝ, ²μáíÛ³ÝÇ ßñç³ÝÇ Üáñ ¶ÛáõÕáõÙ: ²í³ñï»É ¿ ï»ÕÇ ÙÇçݳϳñ· ¹åñáóÁ: ¼μ³ÕíáõÙ ¿ ÏÇÝáÛáí: ¸»μÛáõï BIOGRAPHY / FILMOGRAPHY Born in 1979, Nor Gyugh, Abovyan region, Armenia. Finished the local secondary school. Debut. ´àì²Ü¸²ÎàôÂÚàôÜ ØÇ ¹³Å³Ý ѳßí»Ñ³ñ¹³ñÇ å³ïÙáõÃÛáõÝ` ÃáéÝÇÏÇ ³ÏïÇí Ù³ëݳÏóáõÃÛ³Ùμ: SYNOPSIS A story about a cruel punishment together with grandson as an active participant.
47 ²ððàôÂÚàôÜ Ê³Õ³ñϳÛÇÝ Ñ³Ùñ ÏÇÝá, 2007, г۳ëï³Ý è»ÅÇëáñ - гÙÉ»ï ì³ñ¹³ÝÛ³Ý êó»Ý³ñÇëï - гÙÉ»ï ì³ñ¹³ÝÛ³Ý úå»ñ³ïáñ, ÙáÝï³Å - ¶»Õ³Ù ÐáíѳÝÇëÛ³Ý ÐÝãÛáõÝ $ ê³ëáõÝ Ð³Ûñ³å»ïÛ³Ý ¸»ñ»ñáõÙ $ ê³ëáõÝ Ð³Ûñ³å»ïÛ³Ý, ¶»õáñ· ¶»õáñ·Û³Ý, гÙÉ»ï ì³ñ¹³ÝÛ³Ý, ÚáõñÇ ê³Ñ³ÏÛ³Ý PRODUCTION Feature and silent film, 2007, Armenia Director - Hamlet Vardanyan Script - Hamlet Vardanyan Camera, editing $ Gegham Hovhannisyan Sound $ Sasun Hayrapetyan Cast - Sasun Hayrapetyan, Gevorg Gevorgyan, Hamlet Vardanyan, Juri Sahakyan
1.”âáñë ϳñ׳ٻïñ³Å ” BFour shorts” - 06:00 2.Búñáñáó³ÛÇÝ” “Lullaby”
¶Ç·³ â˻ǹӻ Giga Chkheidze giga65@hotmail.com
- 02:00
3.BгÙÉ»ï” / ”Hamlet “ -
¶ºðزÜƲ GERMANY
04:00 DV
κÜ겶ðàôÂÚàôÜ / üÆÈغð ÌÝí»É ¿ 1965Ã.-ÇÝ, ÂμÇÉÇëÇáõÙ, ìñ³ëï³Ý: 1986Ã.-ÇÝ ³í³ñï»É ¿ ÂμÇÉÇëÇÇ ÎÇÝáÛÇ »õ ³ïñáÝÇ ²½·³ÛÇÝ ¸åñáóÁ: 1986-1991 ³ß˳ï»É ¿ ìñ³ëï³ÝÇ ä»ï. §¶ñáõ½Ç³ üÇÉÙ¦ ÏÇáÝëïáõ¹Ç³ÛáõÙ` áñå»ë μ»Ù³¹ñáÕ ûå»ñ³ïáñ: 1992Ã.-Çó ³ÝÏ³Ë ÏÇÝáé»ÅÇëáñ ¿: 2006 - §ÊáéáõÝǦ (06:00), §²ñ»õ³Í³ÕÇÏÝ áõ سñïÁ¦ (15:00), §´»éÉÇÝ 96¦(07:00), 2007 §úñáñáó³ÛÇݦ(02:00), §Ð³ÙÉ»ï¦(04:00). BIOGRAPHY / FILMOGRAPHY Born in 1965, Tbilisi, Georgia. Graduated from National Theatre and Film School Tbilisi in 1986.1986-1991 worked as a director of photography at the Georgian State Film Studio œGruzia FilmB. In 1992 he began his career as an independent filmmaker. 2006 $ œKhoruniB (06:00), œA Sunflower and MarchB (15:00), œBerlin 96B (07:00), 2007 $ œLullabyB (02:00), œHamletB (04:00). ´àì²Ü¸²ÎàôÂÚàôÜ
48
1. ¶»ñÑá·Ý³Í, ͳÝñ³μ»éÝí³Í ù³Õ³ù³ÏñÃáõÃÛáõÝ, É׳ó³Í ÑÇÝ áõ Ýáñ Ùß³ÏáõÛùÝ»ñ ¹³ñ³ëϽμÇÝ: ì»ñçÇ ·Çï³ÏóáõÙ »õ êϽμÇ ëå³ëáõÙ: 2. Üáñ î³ñÇÝ »ñ»Ë³ÛÇ ¹Çï³Ï»ïÇó: 3. ØáͳÏÇ Ù»Ý³ËáëáõÃÛáõÝÁ ͳÝñ ÁÝÃñÇùÇó Ñ»ïá: SYNOPSIS
1. Overtired, burdened civilization, stagnant cultures $ ancient and modern at the beginning of this century. Acknowledgment of the end and expectation of the beginning. 2. A Happy New Year through the child’s own eyes. 3. A monologue of a mosquito after a heavy dinner.
²ØÜ / USA º·áñ ä³Ýã»ÝÏá Egor Panchenko
“úå»ñ³ ³å»ùë 11” “Opera Apex 11”
01:00
üð²ÜêƲ / FRANCE “êáõë” “Chut(e)”
Îáñïá ü³ç³É Corto Fajal
15:30
“²Ýѳٳå³ï³ë˳ÝáõÃÛáõÝ” “La Discordance”
ä³ïñÇÏ Ð»ñٳݹ»ë Patrick Hernandez
16:23
“ê»õáõÏÁ” “La Noiraude” 29:45
ü³μÇ»Ý »õ ì»ñáÝÇϳ γÝáñ Fabienne et Veronique Kanor
49 “Ò³ËáÕ³Ï Ø³ýdz” “Mafia Loose”
´»Ý»¹ÇÏï ¸»ÉÙ³ë Benedicte Delmas
14:00
“سë»ñ” “Parties”
²Ýïáõ³Ý È» ´áë Antoine LE BOS
19:44
“ä³ÛٳݳϳÝáõÃÛáõÝ” “Sur un air conditionne” 08:45
²Ýݳ ê³ñ·ëÛ³Ý Anne Sarkissian
ѳïáõÏ Íñ³·Çñ / special program
“âêä²êì²ÌܺðÀ” ²ÝÏ³Ë ÏÇÝáÛÇ ÷³é³ïáÝ, üñ³Ýëdz, ÈÇáÝ
ÎÇÝá÷³é³ïáÝÁ, ÑÇÙݳ¹ñÙ³Ý ï³ñí³ÝÇó ëÏëÛ³É` 1997, Ýå³ï³Ï áõÝÇ ó³Ýϳó³Í ýÇÉÙ, íǹ»á ϳ٠ÏÇÝá, Ñݳñ³íáñÇÝë É³í³·áõÛÝ å³ÛÙ³ÝÝ»ñáõÙ óáõó³¹ñ»É Çñ ݳËÝ³Ï³Ý ýáñÙ³ïáí áõ ï»õáÕáõÃÛ³Ùμ: ijٳݳϳÏÇó Ãí³ÛÇÝ ï»ËÝáÉá·Ç³Ý»ñÁ ï³ñμ»ñ ÙÇçáóÝ»ñáí Ñݳñ³íáñáõÃÛáõÝ »Ý ëï»ÕÍáõÙ ³éÝãí»É áõ ¹Çï»É ³í»ÉÇ Ù»Í ù³Ý³Ïáí ·áñÍ»ñ. ѳٳϳñ·ã³ÛÇÝ ¿Ïñ³Ý, μçç³ÛÇÝ Ñ»é³Ëáë… ö³é³ïáÝÁ ÙÇ å³Ñ ÁݹѳïáõÙ ¿ ³Û¹ ÑáëùÁ` í»ñ³Íí»Éáí ÙÇ ï³ñ³ÍùÇ, áñï»Õ ѳݹÇë³ï»ëÁ ¹ÇïÙ³Ý å³ÑÁ ÏÇëáõÙ ¿ Ñ»ÕÇݳÏÝ»ñÇ »õ Ýñ³Ýó ·áñÍ»ñÇ Ñ»ï:
“LES INATTENDUS” Independent film festival, France, Lyon
Since its beginnings in 1997, Les Inattendus has endeavoured to exhibit each film in its original format (video, film) and length, in the best audio and visual conditions possible. While digital technologies now also enable the reception of an ever growing number of works in a solitary environment (computer screen, mobile telephone…), the festival sets out to interrupt the flow for a while, becoming a space where the audience shares moments of vision with the authors and their works.
www.les-inattendus.club.fr
ê»ëÇÉ è³í»É - “Cyclamen Persicum”, 2007, 10:00, üñ³Ýëdz àõÕճѳ۳ó »ñÏ¿Ïñ³Ý ëáõå»ñ 8ÙÙ -áí: Ø»ï³Ùáñýá½, úíǹÇáëÇ §úñ÷»áë »õ ¾íñǹÇÏ»¦ ³é³ëå»ÉÇ ÑÇÙ³Ý íñ³: ä³ïÏ»ñáõÙ áõ ÏÛ³ÝùÇ ¿ ÏáãáõÙ »ñÏáõ Ï»ñå³ñÝ»ñÇ: ì»ñ»õÇ ¿Ïñ³ÝÇÝ úñ÷»áëÝ ¿` »ñÏñÇ íñ³, Ý»ñù»õáõÙ` ¾íñǹÇÏ»Ý` ¹ÅáËùáõÙ: “Cyclamen Persicum” de Cecile Ravel 2007, France, 10 min, Super 8 mm, Experimental After the myth of Orpheus and Eurydice by Ovid (Metamorphoses). A vertical diptych en Super 8mm materialises the situation of the two characters: on the upper screen Orpheus inhabits the earth; on the lower screen Eurydice is in Hades. èÇã³ñ¹ Ü»ñ - “ØÇá-úÇÙ-ÆáÙ”, 2006, 3:00, üñ³Ýëdz ºë Ù³ëݳïí³Í »Ù $ DZÝã ¿ ¹³ Ý߳ݳÏáõÙ: “Mio / Oim / Iom” de Richard Neir 2006, France, 3 min, HI8 sur DVD, Hybride I`m in bits - what does it mean ?
ê»μ³ëïÛ³Ý üñ»Ûë - “²íïá - è³¹Çá”, 2007, 5:30, üñ³Ýëdz - ØdzÛÝ³Ï ÑÇí³Ý¹Á é»Ýï·»ÝáÉá·Ç³ÛÇ μ³ÅÝáõÙ: “Auto radio” de Sebastien Fraysse 2007, France, 5 min 30s, Mini DV A patient on the loose in a radiology department.
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¾ñÇÏ ä³ïñÇÏ - “²åß»óÝáÕ å³ïÏ»ñÝ»ñ”, 2006, 12:46, ²ØÜ Ðñ³Å»ßï ÏÇÝáÛÇ ÙÇçáóÇÝ: ¾ÙáõÉëdzÛÇ ³Ûë ¹³ñáõÙ, ׷ݳųٳÛÇÝ Çñ³íÇ׳ÏÇÝ ÏÇݻٳïÇÏ Ñ³Û³óù ¹ñë»õáñ»Éáõ Ó·ïáõÙ: гݹÇë³ï»ëÇ áõ Ñ»ÕÇݳÏÇ ¹»ÏáÝëïñáõÏódz ß³ñÅíáÕ å³ïÏ»ñÇ Ùçáóáí: “Startle Pattern” de Eric Patrick, 2006, USA, 12 min 47s, 16 mm, Animation A farewell card to the film medium. In this late age of emulsion, a call of the cinematic gaze to a state of crisis and a deconstruction of spectatorship and authorship in the moving image. Ä»éáÙ üÇÝá, Ú³Ý È»·áõ³ -“ìÇÉdzÙÇ ëáõñμ ÑÇß³ï³ÏÇÝ” ”2005,12:07, üñ³Ýëdz ²Ûë ýÇÉÙÇ ³Ù»ÝûñÛ³ ¿íáÉÛáõóÇ³Ý Ý»ñϳ۳óÝáõÙ ¿` í³í»ñ³·ñ³Ï³Ý »õ ˳ճñϳÛÇÝ Ùáï»óáõÙ: Ò³ÛÝÁ »õ å³ïÏ»ñÁ ½³ñ·³ÝáõÙ »Ý ïñ³Ù³μ³Ýáñ»Ý: Üñ³Ýó ³Ýϳå³Ïó»ÉÇ ½áõ·áñ¹áõÙÝ»ñÁ Ñݳñ³íáñáõÃÛáõÝ »Ý ï³ÉÇë Ý»ñó÷³Ýó»É ÑÇßáÕáõÃÛ³Ý Ëáñù»ñÁ: “To the sacred memory of William” de Jerome Fino and Yann Leguay 2005, France, 12 min 7s, Super 8 mm sur DV Cam, Essai The day by day evolution of this film is an approach to both documentary and fiction. Sound and image unwind in a sequential manner, their disjointed associations give insight into the distance of memory.
ä³áÉá ´áÝýÇÉÇá - “سÛñÁ”, 2007, 7:20, Æï³Édz - î³ñûñÇÝ³Ï »õ ó³í³ÉÇ å³ïÙáõÃÛáõÝ ÙÇ ÏÝáç Ù³ëÇÝ, áí ÷áùñÇÏ, Ý»Õ ë»ÝÛ³ÏáõÙ ÉáõÛë ³ß˳ñÑ ¿ μ»ñáõÙ ßáõÝ: “Mater” de Paolo Bonfiglio 2007, Italie, 7 min 20s, Mini DV, Animation The strange and painful story of a woman in a cramped little room who gives birth to a dog ²ÙÇݳïááõ ¾ã³ñ¹ “ÔñÕ½ëï³ÝÇ ¿ëùǽݻñ”, 2006, 12:00, üñ³Ýëdz гïí³ÍÝ»ñ ÔñÕ½ëï³ÝÇ Ñ³ñ³íáõÙ ³ßݳݳÛÇÝ ï»ë³ñ³ÝÝ»ñÇó: “Esquisses Kirghizes” de Aminatou Echard 2006, France, 12min, Super 8 mm sur Mini DV, Documentaire Fragments d`automne dans le sud du Kirghizistan. êÇÉíÇ ¸»Ý» - “àõ±ñ »ë ·ÝáõÙ”, 2007, 4 : 50, üñ³Ýëdz Ø»Ýù ÷áñÓáõÙ »Ýù Ñ»ï»õ»É ѻͳÝíáñ¹ÇÝ, áñÁ ï³ÝáõÙ ¿ Ù»½ Ñ»é³íáñ ׳ݳå³ñѳÛÇÝ Ýϳñ³Ñ³ÝÙ³Ý: î»ëÝ»Ýù ÇÝãù³Ý Ñ»éáõ ݳ Ϸݳ: “Ou vas-tu?” de Sylvie Denet, 2007, France, 4 : 50, Mini DV, Sans dialogue, Couleur, Animation We attempt to keep up with a cyclist who is bringing us on a long travelling shot. Just how far will he go?
53 ²Ýç»Éá äÇÏá½Ç - “00:06:03:08”, 2006, 6:03, Ø»Í ´ñÇï³Ýdz ²Ûë ·áñÍÁ Ý»ñϳ۳óÝáõÙ ¿ åñá·ñ»ëÇí Ãí³ÛÇÝ ù³Ûù³ÛáõÙÁ: “00:06:03:08” de Angelo Picozzi 2006, UK, 6 min 3s et 8i, Mini DV, Art video This piece explores progressive digital decay.
²ì,”¸áõμáõë”, 2005, 4:09, èáõë³ëï³Ý ¸³ë³Ï³Ý ÏÇÝáÛÇ ¹³Ý¹³Õ å³ñÁ ¼»É³ÝÇ è³ßáÑáÇ »ñ³ÅßïáõÃÛ³Ý ï³Ï. ç³½³ÛÇÝ ¿É»ÏïñáݳÛÇÝ »õ ¹³μ »ñ³ÅßïáõÃÛáõÝÝ»ñÇ Ë³éÝáõñ¹: “Dubus” de AV , 2005, Russie, 4 min 9s, DVD, Expérimental A slow dance of classical cinema to the music of Zelany Rashoho, a mixture of jazz, electro and dub. ¶³μñÇ»É è»ÛÝ» - “²ñù³Û³¹áõëïñÁ ÑÇí³Ý¹ ¿…“, 2006, 16:33, üñ³Ýëdz γݳÛù Çñ»Ýó ³é³ÝÓÝáõÃÛ³Ý Ù»ç “La princesse est indisposée, elle ne reçoit personne” de Gabrielle Reiner 2006, France, 16 min 33s, 16 mm / Super 8 mm sur Mini DV, Experimental Portraits of women in their privacy and solitude.
“غΠðàäºÜºð” ÐÇÙݳ¹ñ³Ù, Üǹ»ñɳݹݻñ, ²Ùëï»ñ¹³Ù
œØ»Ï ðáå»Ý»ñB - ß³ñÅíáÕ å³ïÏ»ñÝ»ñ áñáÝù ï»õáõÙ »Ý áõÕÇÕ Ù»Ï ñáå»: ²Ûë ·³Õ³÷³ñÁ ÉÇáíÇÝ Ñ³Ù³å³ï³ë˳ÝáõÙ ¿ ³ñ³·ÁÝóó ÁÝϳÉÙ³Ý áõ ÁÙμéÝÙ³Ý Ù»ñ ³Ûëûñí³ Çñ³Ï³ÝáõÃÛ³ÝÁ, »õ ѳݹÇë³ÝáõÙ ¿ ·áí³½¹Ý»ñÇ, ï»ë³ÑáÉáí³ÏÝ»ñÇ, ï»ë³ËóÇÏÝ»ñÇ, ѳٳϳñ·ÇãÝ»ñÇ »õ ÇÝï»ñÝ»ïÇ ³½¹»óáõÃÛ³Ý ³ñ¹ÛáõÝù: ijٳݳÏÇ ë³Ñٳݳ÷³ÏáõÙÁ ëïÇåáõÙ ¿ Ñ»ÕÇݳÏÇÝ ùÝݳ¹³ïáñ»Ý Ùï³Í»É ³ÛÝ Ù³ëÇÝ, û ÇÝã ¿ ݳ ó³ÝϳÝáõÙ Ù»½ ÷á˳Ýó»É: œØ»Ï ðáå»Ý»ñB ÑÇÙݳ¹ñ³ÙÁ ëÏë»É ¿ Çñ ·áñÍáõÝ»áõÃÛáõÝÁ 1998-ÇÝ: ²ÛÅÙ ³ÛÝ ¹³ñÓ»É ¿ ÙÇ Ñ³Ù³ß˳ñѳÛÇÝ ó³Ýó, áñáõÙ Ý»ñ·ñ³íí³Í »Ý Ñ»ÕÇݳÏÝ»ñ 87 »ñÏñÝ»ñÇó, »õ áõÝÇ 9000 íǹ»á ³ß˳ï³ÝùÝ»ñÇó μ³Õϳó³Í ³ñËÇí: ²Ûë ýÇÉÙ»ñÁ Ù³ëݳÏóáõÙ »Ý (ÙÇç)³½·³ÛÇÝ ÏÇÝá÷³é³ïáÝÝ»ñÇ, óáõó³¹ñíáõÙ »Ý Ñ»éáõëï³óáõÛóáí, ï»Õ³¹ñíáõÙ »Ý ÇÝï»ñÝ»ïáõÙ »õ ³ÛÉÝ: ÐÇÙÝ³Ï³Ý Çñ³¹³ñÓáõÃÛáõÝÁ ²Ùëï»ñ¹³ÙÇ ³Ù»Ý³ÙÛ³ ÙñóáõÛÃÝ ¿, áñÝ áõÕ»ÏóíáõÙ ¿ Ùñó³Ý³Ï³μ³ßËáõÃÛ³Ý ³ñ³ñáÕáõÃÛ³Ùμ: œØ»Ï ðáå»Ý»ñB ÑÇÙݳ¹ñ³ÙÝ áõÝÇ Ù»Í ù³Ý³ÏáõÃÛ³Ùμ ÝÛáõûñ, ·³Õ³÷³ñÝ»ñ, ÙÇçáóÝ»ñ, ѳñáõëï ÷áñÓ áõ ß÷áõÙÝ»ñ, áñáÝù áõñ³Ë ÏÉÇÝ»ñ ÏÇë»É Ñ»ï³ùñùñíáÕÝ»ñÇ Ñ»ï: ²Ûë Ýí³×áõÙÝ»ñÇ í³é ûñÇÝ³Ï ¿ §Ð³Ùß˳ñѳÛÇÝ 1 ðáå»Ý»ñ¦ ÙÇçáó³éõÙÁ, áñÇ ÁÝóóùáõÙ óáõó³¹ñíáõÙ »Ý ³Ù»Ý³Ñ»ï³ùñùÇñ Ø»Ï ðáå» ýÇÉÙ»ñÁ 90 ï³ñμ»ñ »ñÏñÝ»ñÇó: 2008 Ã.-Ç ÑáõÝÇëÇÝ ¿ùëåá½ÇódzÛÇ μ³óáõÙÁ ï»ÕÇ Ïáõݻݳ ä»ÏÇÝÇ Ä³Ù³Ý³Ï³ÏÇó ²ñí»ëïÇ Â³Ý·³ñ³ÝáõÙ: Îóáõó³¹ñíÇ ³í»ÉÇ ù³Ý 1000 ýÇÉÙ 100 ¿Ïñ³ÝÇó: Üáñ ³ñí»ëïÇ Ó»õ, áñÁ ϳñáÕ ¿ óáõÛó ï³É, û ÇÝã ϳñáÕ »Ý ³Ý»É »ñÇï³ë³ñ¹ ³ñí»ëï³·»ïÝ»ñÁ ïñí³Í ³½³ïáõÃÛ³Ý Ñ»ï 60 í³ÛñÏÛ³ÝÇ ë³ÑÙ³ÝÝ»ñáõÙ:
“THE ONE MINUTES” Foundation, Netherlands, Amsterdam The One Minutes (TOM) is a brand name for moving images that last exactly one minute. It fits well in our world of looking quickly, understanding immediately and it is a response to the influence of commercials, video clips and the increased affordability of camera’s, computers and access to Internet. The limited time frame forces the maker to think critically about what he/she would like to show us. The One Minutes were launched in 1998 and by now it has developed into a global network with makers from 87 countries and an archive of 9000 video works that are shown (inter) nationally at festivals, on tv, internet, exhibitions etc. Its core activity is the annual competition with an award ceremony in Amsterdam. The One Minutes foundation manages a wealth of images, facilities, contacts and experiences and would like to share this with third parties. One highlight in the existence of this platform is the World One Minutes. A presentation of the best and most interesting one minutes from 90 countries. In June 2008 the exhibition will open in the Beijing Today Art Museum. More than 1000 one minutes on 100 monitors. A new art form. It will be a manifestation what young artists do with freedom within the limitation of 60 seconds.
www.theoneminutes.org
ü³ÝÝÇ ü³ï»ñÏÝ»Ëï - §²Ýí»ñݳ·Çñ¦ , ²íëïñdz ä³ñáݳÛù ¸»ÉÙáï - §´»ñ³Ý »õ ϳñÙÇñ ѳí»ñ¦, ´»É·Ç³ ¶»áñ·Ç»í Îñ³ëï»í - §¸»Ùù, òí»ï³Ý¦, ´áõÉÕ³ñdz ÎÇÝ· ²¹½ - §êï³ëÇ 60 í³ÛñÏÛ³ÝÁ¦, ÎÇåñáë Èáõϳë гç»Ï - §êïñ»åïáÏáãǦ, â»Ëdz ÎñÇëïÇÝ Ð³ÛÙÛáõÉÉ»ñ - §²Ýí»ñݳ·Çñ¦, ¸³Ýdz лݹñÇÏ ÎñÇÝ³É - §Ð³Ýë¦, ¾ëïáÝdz îÇÙá ì³ÛïÇÝ»Ý - §616¦, üÇÝɳݹdz îÇ»ñÇ Ø³Ý¹áÝ - §âáñ³ó³Í ï»ñ»õÝ»ñ¦, üñ³Ýëdz ð»·Çݳ λɳÇï³ - §²Ýí»ñݳ·Çñ¦, ¶»ñÙ³Ýdz γï»ñÇݳ ØÇïñÇ - §²ÝÇí¦, Ðáõݳëï³Ý äÇï»ñ ì³¹·»½ - §¶áõݳíáñ ºØ¦, ÐáõÝ·³ñdz üñ³ÝëÇë ÈÛáõÏ ì³ëë»ñ - §24/7¦, Æéɳݹdz êÇÙáÝ È»Ïϳ - §Ðáõß³Ýí»ñ¦, Æï³Édz γÉÉ» ¸ÇíÝÛá - §Î³ñ³ ûëï³/ÙÇ»ñ³ ûëﳦ, ȳïídz Æ·Ý» ²É»μ³Ûï» - §È³í ÏÇÝÁ¦, ÈÇïí³ ²ÝÛ³ سëÉÇÝ·- §âÙáé³Ý³ë »ñ³½³Ýù å³Ñ»É¦, È·áõùë»Ùμáõñ· æá½»ý ê³Ç¹ - §Ø³Éó¦, سÉó ²Éɳñ¹ ¼áïÙ³Ý - §ÐáÙá ¿ÏÏá Ù³ë 2ñ¹¦, Üǹ»ñɳݹݻñ ØÇù³Û»É ìáÅï³ëÇÏ - §È»Ñ¦, Ȼѳëï³Ý ´ñáõÝá ²Ý»¹³ - §ÈáõÛë¦, äáñïáõ·³Édz Æáݳ سñÇÝ»ëÏáõ, ²Ý¹ñ»Û ÄáõÅ³Ý - §Þ³ËÙ³ï¦, èáõÙÇÝdz ìɳ¹ÇÙÇñ³ äÏáÉáí³ - §¾É»Ïïñ³Ï³ÝáõÃÛáõݦ, êÉáí³Ïdz ¸³ÙÇç³Ý Îñ³ëÇݳ, ê³ë³ ܳμ»ñ·áÛ - §Ö³Ý³å³ñÑÇݦ, êÉáí»Ýdz Æñ³ïË» ʳÛá - §üáïá¦, Æëå³Ýdz úëϳñ ÜÇÉëáÝ - §²Ýí»ñݳ·Çñ¦, Þí»¹Ç³ ¸³ÝÇ»É ´»í³Ý - §úùëýáñ¹Ç ÷áÕáó¦, ØdzóÛ³É Â³·³íáñáõÃÛáõÝ
“Untitled”, Tanni Futterknecht, Austria “Mouth and red chickens”, Messieurs Delmotte, Belgium “The face, cvetan”, Georgiev Krastev, Bulgaria “Sixty seconds of Stass”, King Adz, Cyprus “Streptococci”, Lukas Hajec ,Czech Rep. “Untitled”, Kristine Hymuller, Denmark “Hans”, Hendrik Krinal, Estonia “616”, Timo Vaittinen, Finland “Les feuilles mortes”, Thierry Mandon, France “Untitled”, Regina Kelaita, Germany “Wheel”, Katerina Mitri , Greece Colorful eu”, Peter Vadócz , Hungary “24/7”, Francis Luke Wasser, Ireland “Souvenir”, Simone Lecca, Italy“Kara osta/miera osta”, Kalle Iivniex, Latvia “The good wife”, Igne Alebaite, Lithuania “Don't forget to make a wish”, Anja Masling, Luxembourg ” Malta”, Joseph Said, Malta “Homo ecco part II”, Allard Zoetman, The Netherlands “Pole”, Michal Wojtasik, Poland “Light”, Bruno Anedda, Portugal “Chess”, Iona Marinescu, Andrei Jujan, Romania “Electricity”, Vladimira Pcolova, Slovakia “On the road”, Damijan Kracina, Sasa Nabergoj , Slovenia “Photo”, Iratxe Jaio, Spain “Untitled”, Oskar Nilsson, Sweden “Oxford street”, Daniel Bevan, United Kingdom
55
“غΠðàäº ÎÆÜà »õ ìƸºà” ö³é³ïáÝ, Þí»Ûó³ñdz, ²³ñ³áõ 60 í³ÛñÏÛ³Ý ¹»ÙáÏñ³ïdz ÌÝí»É ¿ ×Ýßí³ÍáõÃÛ³Ý ½·³óáõÙÇó, »ñμ ÏÇÝá÷³é³ïáÝÝ»ñÇ μ³½Ù³ÃÇí ϳÝáÝÝ»ñÇó, áõÕ»óáõÛóÝ»ñÇó »õ ݳËÁÝïñ³Ï³Ý åñáó»ëÝ»ñÇó Ñá·Ý³Í ÙÇ ËáõÙμ é»ÅÇëáñÝ»ñ áñáß»óÇÝ ÑÇÙݳ¹ñ»É ÙÇ Ýáñ, ÉÇáíÇÝ ÅáÕáíñ¹³í³ñ³Ï³Ý ÷³é³ïáÝ: ´áÉáñ Ý»ñϳ۳óí³Í ýÇÉÙ»ñÁ óáõó³¹ñíáõÙ »Ý: ö³é³ïáÝÁ ·áñÍáõÙ ¿ ɳÛÝ ó³Ýóáí »õ ÷á˳ݳÏáõÙ ýÇÉÙ»ñ ѳٳ·áñͳÏÇó ÷³é³ïáÝÝ»ñÇ Ñ»ï: ²Ûë ï³ñÇ û·áëïáëÇÝ ï»ÕÇ Ïáõݻݳ ÑÇÝ·»ñáñ¹ ³Ý·³Ù: سëݳÏÇó ýÇÉÙ»ñÁ μ³Å³ÝíáõÙ »Ý Ñ»ï»õÛ³É ËÙμ»ñÇ. ·»Õ³ñí»ëï³Ï³Ý/¹áÏáõÙ»Ýï³É, ³ÝÇÙ³ódz, ÷áñÓ³ñ³ñ³Ï³Ý »õ ÙÇÝã»õ 20 ï³ñ»Ï³Ý å³ï³ÝÇÝ»ñÇ ýÇÉÙ»ñ: ÄáõñÇÝ Ñ³ÕÃáÕ ¿ ÁÝïñáõÙ Ûáõñ³ù³ÝãÛáõñ »ÝóËÙμÇó: гݹÇë³ï»ëÝ Çñ Ñ»ñÃÇÝ ¿ ùí»³ñÏáõÙ: üÇÉÙ»ñÁ ÷³é³ïáÝÇÝ Ï³ñáÕ »Ý Ý»ñϳ۳óí»É ÙÇÝã»õ Ù³ÛÇëÇ 31Á:
“ONE MINUTE FILM and VIDEO” Festival, Switzerland, Aarau 60 second democracy The One Minute Film & Video Festival Aarau Switzerland, which will take place for the fifth time this August, was born out of a feeling of frustration: Fed up with the rules, guidelines and preselections which they encountered at film festivals, a group of young filmmakers decided to found a new -- totally democratic -- festival: All films submitted would be shown. The festivals operate in a loose network, sharing films with their sister-festivals. Last year, 1800 people came to the festival. A total of 1000 films were shown, 450 of which were submitted in the international competition by amateurs and professionals from 26 countries. The competing films are divided into the categories feature/documentary, animation, experimental and "U20", films by under 20-year-olds. A jury selects a winner for each category; the audience is asked to vote for their favourite film. This year, encounters with filmmakers and workshops will enable festival guests to become engrossed with the international fad of independent 60-second-filmmaking. One Minute Film & Video Festival Aarau, 22-24 August 2008. Films can be submitted until May 31th.
www.oneminute.ch www.oneminutes.tv
îáμdzë ÜÛáÉ» - §Î³ñ× Ñ³ñó³½ñáõÛó ´»ñÝ¹Ç Ñ»ï¦ ü³μÛ»Ý ´»éãÇ - §Ð»ÍÛ³ÉÝ áõñí³Ï³ÝÇ íñ³¦ ʳíÛ»ñ ¶³ñëdz - §Ø»Í û·ÝáõÃÛáõݦ ÜÇÏáë ì»ÉÇáïÇë - §øÇã ¿ñ ÙÝáõÙ ³ë»Ç¦ ijÏÉÇÝ ´ñáõïã» - §êñï˳éÝáó¦ ڳݳë Ø»Ýμ»ñ· - §¾íÇïᦠ¶»ñ³É¹ ¶ñáû - §Üáóï»ïñ¦ Üáñ سëë³Û³Ï³Ý ²ñï³¹ñáõÃÛáõÝ - §è³ï³ïáõÛ¦ üáÉÏ»ñ ÎÕÇ·»ñ - §Ø³ñ¹Ï³ÛÇÝ ÑÝãÛáõݳÛÇÝ ý³ÛÉ»ñ¦ î³μdzë ÜÛáÉ» - §Â»ÝÇëÇëïÝ»ñ¦ ´³ñμ³ñ³ ì»·Ù³Ý - §²Ë ¹áõ ëÇñ»ÉÇ ÷áùñÇϦ ÎÇñÇÉ ¶ý»ÉÉ»ñ - §Ð³Ù³ñÛ³ Çñ³Ï³Ý¦ ÂáÙ³ë ìÇÝÏÉ»ñ - §ìÇ׳μ³ÝáõÃÛáõݦ î³μdzë ÜÛáÉ» - §üáݹÛáõ ÁÝï³Ý»Ï³Ý ½í³ñ׳Ýù¦ üñ³áõù» ¾¹¹³ ¶ñáÝ»ñ - §´³ñÇ »ñæ üñ³Ýó ì³ÝÝ»ñ - §¸³ë³Ï³ÝÁ¦ èÇϳñ¹á ´»éݳëÏáÝÇ - §ä³ïÇ íñ³¦ èáÉý лÉɳà - §ö»Ý·¦ ÎñÇëïáý Ø»ÝóÇ - §²÷뻦 êÛáõ½Ç ¶³Ç¹áë - §Ð³ñó³½ñáõÛó ³ß˳ï³ÝùÇ Ñ³Ù³ñ¦ Ú»Ýë ²³ëÙ³Ý - §ÆÝãå»ë ³Ù»Ý ûñ¦ سñÇáÝ Þñ³Ù - §Ð³ïáõÏ Ï³ñ·³íÇ׳Ϧ ÈáõÏ³ë ¾··»ñ - §ö»Ý·¦ ü³μÛ³Ý ¶³Ùå»ñ - §¶ÉáõË˳éÝÇ㦠ܳ½³ñÇá ´ñ³Ýϳ - §Â³ÕáõÙ¦ Ú³Ý üáõùë - §¶áñͳí³ñáõÑÇÝ áõÕÕíáõÙ ¿ ¹»åÇ ädzý¦ ö³áõñ³ ¸áÙμñáõëÏÇ - §²Ýݳ Èá·¦ êÇÉíÇá ²Éμ»ñïÇ - §B ¸³ÏÇ㦠ü.ñ»¹Ç - §ê»É³íǦ “A brief interview with Bernd” – Tobias Noelle “Ghostrider” – Fabian Bertschi “Big Help“– Javier Garzia “I was about to say” – Nicos Veliotis “Kotzbrocken” – Jaqueline Brutsche “Evito “– Janos Menberg “Eine Taschenbuechin” – Gerald Grote “Ratatouille” – Neue Massenproduktion “Human Sound Files” – Volker Krieger “Tennisplayerz” – Tobias Noelle “Ach du liebes Bischen” – Barbara Wegmann “Almost Real “– Cyrill Gfeller “Donnerwetter” – Thomas Winkler “Fondue Family Fun” – Tobias Noelle “Gute Reise” – Frauke Edda Groner “Klassiker” – Franz Wanner “L`Hombra Sul Muro” – Riccardo Bernasconi “Paeng” – Rolf Hellat “Teller” – Christoph Menzi “Vorstellungsgespraech” – Susi Gaidos “Wie jeden Tag” – Jens Aasmann “Sonderstatus” – Marion Schramm “Paeng” – Lukas Egger “Mindshaker” – Fabian Gamper “Inearthia” – Nazario Branca “Die Fabrikantin auf Piaf” – Jan Fuchs “Anna_Log” – Paula Dombrooski “B-Locher” – Silvio Alberti “C`est la vie “– F. ready
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Æñ³Ý³Ï³Ý ºñÇï³ë³ñ¹³Ï³Ý ÎÇÝáÙÇáõÃÛáõÝ Iranian Young Cinema Society
info@iycs.ir
”ÎÛ³ÝùÇ ÙÇ ûñ” “One Day of Life”
²ÑÙ³¹ ø³í³Ý¹ Ahmad Kavand
13:00 ·áõݳíáñ / color 16 mm
κÜ겶ðàôÂÚàôÜ / üÆÈغð / BIOGRAPHY / FILMOGRAPHY ÌÝí»É ¿ 1963à ´áõñáõç»ñ¹áõÙ: Ð³×³Ë»É ¿ Æñ³Ý³Ï³Ý ºñÇï³ë³ñ¹³Ï³Ý ÎÇÝáÙÇáõÃÛ³Ý (ƺÎØ) é»ÅÇëáõñ³ÛÇ Ïáõñë»ñÇ: ì³í»ñ³·ñáÕ: Born in 1967 in Boroujerd. Attended IYCS filmmaking courses. Documentalist. ´àì²Ü¸²ÎàôÂÚàôÜ / SYNOPSIS Èùí³Í ÙÇ ·ÛáõÕáõÙ ³åñáÕ ÙdzÛÝ³Ï ÙÇ ÁÝï³ÝÇùÇ ÏÛ³ÝùÇó Ù»Ï ûñ: One day of the life of a lonely rural family living in a deserted village. ²ððàôÂÚàôÜ / PRODUCTION è»ÅÇëáñ - ²ÑÙ³¹ ø³í³Ý¹ êó»Ý³ñÇ Ñ»ÕÇÝ³Ï - ²ÑÙ³¹ ø³í³Ý¹ úå»ñ³ïáñ - ´»Ñ½³¹ öáõñ-¾μñ³ÑÇÙ ÐÝãÛáõÝ $ ü³ñ½³¹ ²ÉÇ ØáѳÙÙ³¹Ç
Director: Ahmad Kavand Script: Ahmad Kavand Cameraman: Behzand Pour Ebrahim Sound: Farzad Ali Mohammadi
59 ”ÈéáõÃÛáõÝ, ²Ý³å³ï” “Silence, Desert”
ØáçÃ³μ³ Ø³ÑÙáõ¹Ç Mojtaba Mahmoudi
7:00 ·áõݳíáñ / color DV
κÜ겶ðàôÂÚàôÜ / üÆÈغð / BIOGRAPHY / FILMOGRAPHY ²í³ñï»É ¿ ƺÎ-Ç é»ÅÇëáõñ³ÛÇ Ïáõñë»ñÁ: Üϳñ»É ¿ 3 ϳñ׳ٻïñ³Å ýÇÉÙ: ²ß˳ï»É ¿ áñå»ë ëó»Ý³ñÇëï, é»ÅÇëáñÇ û·Ý³Ï³Ý, ³ñï³¹ñáõÃÛ³Ý Õ»Ï³í³ñ: Graduated from the IYCS filmmaking courses. He’s made three short films. Worked as a scriptwriter, director assistant and production manager. ´àì²Ü¸²ÎàôÂÚàôÜ / SYNOPSIS üÇÉÙÁ Ý»ñϳ۳óÝáõÙ ¿ гç³ñÇ` ²μñ³Ñ³Ù Ù³ñ·³ñ»Ç ÏÝáç áõÕ»õáñáõÃÛáõÝÁ çñÇ Ñ»ï»õÇó: The film depicts the quest by Hajar, Prophet Abraham’s wife, for water. ²ððàôÂÚàôÜ / PRODUCTION è»ÅÇëáñ, êó»Ý³ñ $ ØáçÃ³μ³ Ø³ÑÙáõ¹Ç úå»ñ³ïáñ - ²ÙÇñ ²ÉÇ÷áõñ ÐÝãáõÝ - ²ÙÇñ ²ÉÇ÷áõñ
Director, Scriptwriter: Mojtaba Mahmoudi Cameraman: Amir Alipour Sound: Amir Alipour
”¼áÑÁ” “The Victim”
ö³Ý³Ñ ´³ñ Êá¹³ 軽³Ç Panah Bar Khoda Rezaei
13:00 ·áõݳíáñ / color 35mm
κÜ겶ðàôÂÚàôÜ / üÆÈغð / BIOGRAPHY / FILMOGRAPHY ÌÝí»É ¿ 1977 Þ³½³Ý¹áõÙ: ¼μ³ÕíáõÙ ¿ é»ÅÇëáõñ³Ûáí (áõÝÇ μ³Ï³É³íñÇ ÏáãáõÙ): سëݳÏó»É ¿ μ³½Ù³ÃÇí ³½·³ÛÇÝ áõ ÙÇç³½·³ÛÇÝ ÏÇÝá÷³é³ïáÝÝ»ñáõÙ: Born in 1977 in Shazand. BA in film making. Active in short filmmaking. His films have participated in many national and international festivals. ´àì²Ü¸²ÎàôÂÚàôÜ / SYNOPSIS ´³½Ù³ÃÇí ³Ý·³Ù íÇÅ³Í ÏÇÝÁ »ñ¹áõÙ ¿ ï³ÉÇë, áñ »Ã» ݳ ϳñáճݳ ÍÝݹ³μ»ñ»É, ݳ Ϲ³ñÓÝÇ Çñ ½³í³ÏÇÝ êáõñμ ºÏ»Õ»óáõ ëå³ë³íáñ: A woman who had aborted many times made a vow that if she could give birth to a child she would make him the server of the Holy Shrine. ²ððàôÂÚàôÜ / PRODUCTION
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è»ÅÇëáñ, êó»Ý³ñ $ ö³Ý³Ñ ´³ñ Êá¹³ 軽³Ç úå»ñ³ïáñ $ Øáñû½³ öáõñ -ê³Ù³¹Ç Ò³Ûݳ·ñáõÃÛáõÝÁ $ Ðáõë»ÛÝ ¶áõñçÛ³Ý
Director, Scriptwriter: Panah Bar Khoda Rezaei Cameraman: Morteza Pour Samadi Sound Recorder: Hossein Ghourchian
”²½³ïáõÃÛ³Ùμ ÉÇ ì³Ý¹³Ï” “A Cage Full of Freedom”
æ³í³¹ Øá½¹³μ³¹Ç Javad Mozdabadi
16:00 ·áõݳíáñ / color DV
κÜ겶ðàôÂÚàôÜ / üÆÈغð / BIOGRAPHY / FILMOGRAPHY ÌÝí»É ¿ 1974 Ã.ÇÝ Ø³ß³¹áõÙ: ²í³ñï»É ¿ »Ññ³ÝÇ Ð³Ù. μ³Ï³É³íñdzïÇ ³ñ¹. ¹Ç½³ÛÝÇ μ³ÅÇÝÁ: ì³í»ñ³·ñáÕ: Born in 1974 in Mashad. BA in industrial designing in Tehran University. Documentalist. ´àì²Ü¸²ÎàôÂÚàôÜ / SYNOPSIS ØÇ Ù³ñ¹ ×Ý×ÕáõÏÝ»ñ ¿ μéÝáõÙ »õ í³×³éáõÙ »Ï»Õ»óÇ ·Ý³óáÕÝ»ñÇÝ, áñå»ë½Ç Ýñ³Ýù ³½³ï ³ñÓ³Ï»Ý ³Û¹ ×Ý×ÕáõÏÝ»ñÇÝ: ²ÛëåÇëáí ݳ ÷áÕ ¿ í³ëï³ÏáõÙ: A man traps sparrows and sells them to the people in the shrine to let them free for their vow. This way he earns his living. Boundaries make problems in modern life. ²ððàôÂÚàôÜ / PRODUCTION è»ÅÇëáñ, êó»Ý³ñ $ æ³í³¹ Øá½¹³μ³¹Ç úå»ñ³ïáñ $ гÙǹ 軽³ ³íáÉÇ
Director, Scriptwriter: Javad Mozdabadi Cameraman: Hamid Reza Tavoli
”²ñ»õÇ êïí»ñÁ” “The Shadow of the Sun”
سçǹ ödzýù»Ý Majid Pilafkan
5:00 ·áõݳíáñ / color DV
κÜ겶ðàôÂÚàôÜ / üÆÈغð / BIOGRAPHY / FILMOGRAPHY ÌÝí»É ¿ 1984Ã., »Ññ³ÝáõÙ: àõÝÇ μÝ³Ï³Ý ·ÇïáõÃÛáõÝÝ»ñÇ áñ³Ï³íáñáõÙ: ²í³ñï»É ¿ ƺÎ-Ç é»ÅÇëáõñ³ÛÇ Ïáõñë»ñÁ »Ññ³ÝÇ Ù³ëݳ×ÛáõÕáõÙ: ¼μ³ÕíáõÙ ¿ ݳ»õ ÙáÝï³Åáí: Born in 1984, Tehran. Holds a diploma in natural sciences. Graduated from IYCS filmmaking courses in Tehran branch. Active in editing. ´àì²Ü¸²ÎàôÂÚàôÜ / SYNOPSIS üáñÙ³ÉÇëï³Ï³Ý á×áí å³ïÏ»ñíáõÙ »Ý ²ßáõñ³ÛÇ ¹ñ³Ù³ïÇÏ Çñ³¹³ñÓáõÃÛáõÝÝ»ñÁ: The dramatic event of Ashura is depicted in a formalistic fashion.. ²ððàôÂÚàôÜ / PRODUCTION è»ÅÇëáñ $ سçǹ ödzýù»Ý úå»ñ³ïáñ - سçǹ ödzýù»Ý ÐÝãÛáõÝ - 軽³ è³ÑÇÙÇ
Director: Majid Pilafkan Cameraman: Majid Pilafkan Sound: Reza Rahimi
61 ”U ” “U ”
ødzñ³Ý· ²É³» Kiarang Alaei
5:30 ·áõݳíáñ / color betacam
κÜ겶ðàôÂÚàôÜ / üÆÈغð / BIOGRAPHY / FILMOGRAPHY ÌÝí»É ¿ 1976Ã. س߳¹áõÙ: Üϳñ»É ¿ ÙÇ ù³ÝÇ Ï³ñ× ýÇÉÙ»ñ: Born in 1976 in Mashad. Directed several short films. ´àì²Ü¸²ÎàôÂÚàôÜ / SYNOPSIS ê³ÑÙ³ÝÝ»ñÁ åñáμÉ»ÙÝ»ñ »Ý ëï»ÕÍáõ٠ųٳݳϳÏÇó ÏÛ³ÝùáõÙ:The film depicts the The boundaries make problems in modern life. ²ððàôÂÚàôÜ / PRODUCTION è»ÅÇëáñ, êó»Ý³ñ $ ødzñ³Ý· ²É³» úå»ñ³ïáñ- ¾μñ³ÑÇÙ Þ³ù»ñÇ ÐÝãáõݳÛÇÝ Ò»õ³íáñáõÙ - ¾μñ³ÑÇÙ Þ³ù»ñÇ
Director, Scriptwriter: Kiarang Alaei Cameraman: Ebrahim Shakeri Sound Mix: Ebrahim Shakeri
” ø»ã»” “ Kecheh”
²ÉÇ黽³ æ³Ñ³ÝÇý³ñ Alireza Jahanifar
14:00 ·áõݳíáñ / color betacam
κÜ겶ðàôÂÚàôÜ / üÆÈغð / BIOGRAPHY / FILMOGRAPHY ÌÝí»É ¿ 1972 Ã.ÇÝ ¶áÉ»ëï³ÝáõÙ: ä³ñëÏ³Ï³Ý ¶ñ³Ï³ÝáõÃÛ³Ý ´³Ï³É³íñ: ¼μ³ÕíáõÙ ¿ Éáõë³ÝϳñãáõÃÛ³Ùμ: Born in 1972 in Golestan. BA in Farsi literature. Active in photography. ´àì²Ü¸²ÎàôÂÚàôÜ / SYNOPSIS γñå»ï å³ïñ³ëï»Éáõ ï³ñμ»ñ ³ëïÇ׳ÝÝ»ñÁ` ëϽμÇó ÙÇÝã»õ í»ñç: Different stages of making felts, from the very beginning to the end. ²ððàôÂÚàôÜ / PRODUCTION è»ÅÇëáñ, êó»Ý³ñ - ²ÉÇ黽³ æ³Ñ³ÝÇý³ñ úå»ñ³ïáñ - ²ÑÙ³¹ ʳÃÇñÇ
Director, Scriptwriter: Alireza Jahanifar Cameraman: Ahmad Khatiri
62 ”ÐáÕÇ Ò³ÛÝÁ” “Sound of Soil”
øáõñáß ¶³ñÙë³ñÇ Kourosh Garmsari
15:00 ·áõݳíáñ / color 16mm
κÜ겶ðàôÂÚàôÜ / üÆÈغð / BIOGRAPHY / FILMOGRAPHY ²åñ»É ¿ 1969 $ 2003 Ãà ´³Ý¹³ñ ²μμ³ëáõÙ: سÝϳí³ñÅ, Éáõë³ÝϳñÇã: He lived in 1969 $ 2003 in Bandar Abbas. Pedagogue, photographer. ´àì²Ü¸²ÎàôÂÚàôÜ / SYNOPSIS Ü»ñßÝãí³Í œæ³ÑÉ»ÑB ÏáãíáÕ ³í³Ý¹³Ï³Ý Ï»ñ³ÙÇϳÛÇó å³ïñ³ëïí³Í ÏáõÅÇó` »ñ³Åßï³Ï³Ý Ýáï³Ý»ñÇ ß³ñù ¿ ëï»ÕÍíáõÙ: A set of the musical notes is formed inspired by the sound of a traditional ceramic pot called œJahlehB. ²ððàôÂÚàôÜ / PRODUCTION è»ÅÇëáñ, êó»Ý³ñ $ øáõñáß ¶³ñÙë³ñÇ úå»ñ³ïáñ - Ôáɳ٠ê³μ½Çù³ñ ÐÝãáõݳÛÇÝ Ó»õ³íáñáõÙ - øáõñáß ¶³ñÙë³ñÇ
Director, Scriptwriter: Kourosh Garmsari Cameraman: Gholam Sabzikar Sound - Mix: Kourosh Garmsari
ü³ñß³¹ ü³¹³»Û³Ý Farshad Fadaeian
”ÌáõÕ³ÏÁ” “The Trap” 18:00 ·áõݳíáñ / color betacam
κÜ겶ðàôÂÚàôÜ / üÆÈغð / BIOGRAPHY / FILMOGRAPHY ÌÝí»É ¿ 1947à ÇÝ ´³μáÉáõÙ: öÇÉÇëá÷³ÛáõÃÛ³Ý μ³Ï³É³íñ: Èáõë³ÝϳñÇã, í³í»ñ³·ñ³Ï³Ý ýÇÉÙ»ñÇ é»ÅÇëáñ: Born in 1947 in Babol. BA in Philosophy. Professional photographer and documentary filmmaker. ´àì²Ü¸²ÎàôÂÚàôÜ / SYNOPSIS ò³Ýó»ñÇ å³ïñ³ëïÙ³Ý åñáó»ëÁ` ·áñͳñ³Ý³ÛÇÝ å³ïÏ»ñÝ»ñÇ Ý»ñùá: Production process of various types of nets, dazzling with powerful images of industry. è»ÅÇëáñ, êó»Ý³ñ $ ü³ñß³¹ ü³¹³»Û³Ý Director, Scriptwriter: Farshad Fadaeian ²ððàôÂÚàôÜ / PRODUCTION úå»ñ³ïáñ - Ø»Ñ¹Ç æ³ý³ñÇ Cameraman: Mahdi Jafari ÐÝãáõݳÛÇÝ Ó»õ³íáñáõÙ $ ü³ñß³¹ ü³¹³»Û³Ý Sound - mix: Farshad Fadaeian
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“²îºÈƺ ì²ð²Ü” ì³ñ³Ý ݳ˳·ÇÍÁ ³ß˳ñÑáí Ù»Ï ï³ñ³Íí³Í ÷áñÓ³ñ³ñáõÃÛáõÝÝ»ñÇó ¿, áñáÝù í»ñ³÷áËáõÙ »Ý ³ñï³Ñ³Ûïã³ÙÇçáóÝ»ñÝ áõ å³ïÏ»ñ³ÛÇÝ Ñ³Õáñ¹³Ïó³Ù³Ý Ó»õ»ñÁ: ¸³ë³Ï³Ý »õ ³Ï³¹»ÙÇ³Ï³Ý ÇÙ³ëïáí ì³ñ³ÝÁ ¹åñáó ã¿. ·áñÍáÕ Ù»Ãá¹Ý»ñÁ ݳ˻õ³é³ç Ëñ³ËáõëáõÙ »Ý ·áñÍáõÝ»áõÃÛ³Ý »õ ÷áñÓÇ ÙÇçáóáí áõëáõóÙ³Ý ëϽμáõÝùÁ: Úáõñ³ù³ÝãÛáõñ áõë³ÝáÕÇ Ñ³Ù³ñ áÕç ·áñÍÁÝóóÝ ÁÝóÝáõÙ ¿ ýÇÉÙ»ñ Ýϳñ»Éáõ ßñç³Ý³ÏÝ»ñáõÙ: ´³Ûó ËáëùÁ ãÇ ·ÝáõÙ ³ñï³¹ñáõÃÛ³Ý Ù³ëÇÝ, ù³ÝÇ ¹»é áõë³ÝáÕÝ»ñÁ ëÏëÝ³Ï é»ÅÇëáñÝ»ñ »Ý »õ Çñ³íáõÝù áõÝ»Ý ë˳ÉÝ»ñ ÃáõÛÉ ï³Éáõ: œì³ñ³ÝB êïáõ¹Ç³Ý ß³ÑáõÛà ãÑ»ï³åݹáÕ ³ëáódzódz ¿ »õ ѳë³ñ³Ï³Ï³Ý ϳ½Ù³Ï»ñåáõÃÛáõÝ: ²ÛÝ CILECT-Ç (ѳٳß˳ñѳÛÇÝ ÏÇÝá »õ Ñ»éáõëï³¹åñáóÝ»ñÇ ³ëáódzódz) - Ç ³Ý¹³Ù ¿: ì³ñ³ÝÁ ·ïÝíáõÙ ¿ ÚáõÝ»ëÏáÛÇ ËáñÑñ¹³ïíáõÃÛ³Ý Ý»ñùá »õ ϳÝáݳíáñ Ï»ñåáí ³ß˳ïáõÙ ¿ ²ñï³ùÇÝ ¶áñÍ»ñÇ Ü³Ë³ñ³ñáõÃÛ³Ý ÎáÙáõÝÇϳódzݻñÇ ´³ÅÝÇ Ñ»ï:
“ATELIER VARAN” The Varan project is part of the worldwide experiments which diversify forms of expression and communication through images. Varan is not a school in the classic and academic sense: the working methods strongly encourage the principle of teaching through practice. For each student, everything revolves around the making of "real scale" films. But it doesn't deal with production as such, in so far as the apprentice filmmakers in training have a right to make mistakes. The Ateliers Varan is a non profit-making association and a Non-Governmental Organisation. It is a member of CILECT (the association of the world's film and television schools). Varan has a consulting status with UNESCO and works regularly with the Communication Department of the Ministry of Foreign Affairs.
www.ateliersvaran.com
¾ÉÇݳ Þ³Ñݳ½³ñáí³ / Elina Shahnazarova §ÆÙ ÷áùñÇÏ Çï³É³Ï³Ý μ³ÏÁ¦, DV,17:15, г۳ëï³Ý §Þß»ñÇ Ã³·³íáñÁ¦: Üñ³ §Ã³·³íáñáõÃÛáõÝÁ¦ - ÷áùñÇÏ §Çï³É³Ï³Ý¦ μ³Ï ¿. ÙÇ ù³ÝÇ ÁÝï³ÝÇùÝ»ñáí: “My Little Italian Neighbourhood”, DV 17:15, Armenia œKing of the BottlesB. His œkingdomB is a small œItalianB neighborhood with a few families living in it.
ÜÇݳ ʳã³ïñÛ³Ý / Nina Khachatryan §ÆÙ ³ÕáÃùÁ¦, 13:09, DV, г۳ëï³Ý гïí³ÍÝ»ñ »ñÇï³ë³ñ¹ ³Õçϳ ûñ³·ñÇó: ܳ áõ½áõÙ ¿ ÏÛ³ÝùÁ ÝíÇñ»É ²ëïÍá ͳé³ÛáõÃÛ³ÝÁ, μ³Ûó ³ëïÇ׳ݳμ³ñ ѳëϳÝáõÙ ¿, áñ Çñ ÏáãÙ³ÝÝ ³ÝѳñÇñ ¿ Ïñ»É ë»õ í»Õ³ñÁ: “My Prayer” , 13:09, DV, Armenia Episodes from the life of a girl who wants to devote her life to serving to God but gradually realizes that the black cowl is incompatible with her title and mission. øÛ³Ù³ÉÛ³ è½³»õ³ / Qiamalia Rzayeva §ÀÝÏáõ½»Ýáõ ï»ñ»õÝ»ñ¦, 20:37, DV, ²¹ñμ»ç³Ý ÐáñÁ ÃáÕÝ»Éáí ٻݳÏáõÃÛ³Ý Ù»ç, Ù»ÏÁ ÙÛáõëÇ Ñ»ï»õÇó Ýñ³Ýù Ñ»é³ÝáõÙ »Ý: ºí ÙdzÛÝ ÁÝÏáõ½»Ýáõ ï»ñ»õÝ»ñÝ »Ý å³Ñå³ÝáõÙ ¹³ï³ñÏ ë»ÝÛ³ÏÝ»ñÁ: “Walnut Leaves”, 20:37, DV, Azerbaijan They leave their father all alone and go away one by one. And only the walnut leaves are now guarding the empty room.
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²ßáï ¶»õáñ·Û³Ý / Ashot Gevorgyan §²ÝóÛ³ÉÁ Ù»ñ ßáõñç¦, 11:47, DV, г۳ëï³Ý Þñç³å³ïáÕ ³ß˳ñÑÁ ÉÇ ¿ ÑÇßáÕáõÃÛ³Ùμ: ²Ù»Ý ÇÝã ÷áËíáõÙ ¿, μ³Ûó Ù»ñ Ñáõß»ñÁ ÙÇßï ÙÝáõÙ »Ý Ù»½ Ñ»ï: “The Past Around Us”, 11 :47, Armenia The world surrounding us is full of memories. Everything changes but our memories always stay with us.
ÜÇç³¹ ʳÉÇÉ-àõÉý³Ã / Nijad Khalil-Ulfat §Ø»ñ Ùáï` ì»ñ³ÛáõÙ¦, 21:18, DV, ²¹ñμ»ç³Ý - ÂμÇÉÇëÇÇ ì»é³ ßñç³ÝáõÙ ·áÛáõÃÛáõÝ áõÝÇ ³Ý¹ñÏáíϳëÛ³Ý ÅáÕáíáõñ¹Ý»ñÇ Ý»ñϳ۳óáõóÇãÝ»ñÇ »é³ÝÏÛáõÝÇ: Üñ³ó ѳÕáñ¹³ÏóáõÃÛ³Ý É»½áõÝ íñ³ó»ñ»ÝÝ ¿, μ³Ûó ϳñáÕ »Ý Çñ³ñ Ñ»ï Ëáë»É áõ ѳëÏ³Ý³É Ý³»õ ѳñ³½³ï É»½áõÝ»ñáí: “With Us in Vera”, 21 :18, DV, Azerbaijan. In the district of Vera, Tbilisi, there is a triangle of representatives of Caucasian people. The language of their communication is Georgian, but they can also speak their own languages and understand each other.
»Ùáõñ Øųídz / Temur Mjavia §¾É»ÏïñÇãϳ¦, 21:17, DV, ìñ³ëï³Ý ºÃ» ¹áõù áõ½áõÙ »ù ³ñ³·ÁÝóó ·Ý³óùáí ·Ý³É ´áñÅáÙÇ, ßï³å»4ù: ²Û¹ ·Ý³óùÁ ßáõïáí Ï÷á˳ñÇÝíÇ: î³ù ѳ·Ýí»ù, ·Ý³óùÇ å³ïáõѳÝÝ»ñÝ ³ÝÑ»ï³ó»É »Ý: âÙáé³Ý³ù í»ñóÝ»É ë»÷³Ï³Ý ³ÃáéÁ, Ñݳñ³íáñ ¿ ëïÇåí³Í ÉÇÝ»ù ׳Ù÷áñ¹»É ϳݷݳÍ: “Electric Train ” , 21 : 17, DV, Georgia If you want to travel to Borjomy on a fast train , then you should hurry. The train will soon be replaced by another one. Put on some worm clothes, the windows of the train had disappeared. Don’t forget your own chairs, or you may have to be standing.
66 àâ´èÜàôÂÚ²ÜÀàâä²îºð²¼ØÆÜàâî¶ÆîàôÂÚ²ÜÀàâÒ²ÜÒðàôÚÂÆÜàâ²Ü Ö²Þ²ÎàôÂÚ²ÜÀàâ β޲è²ÎºðàôÂÚ²ÜÀàâ ²ä²îºÔºÎ²îìàôÂÚ²ÜÀàâ²ÜвîÆä²Þî²ØàôÎøÆÜàâ Îè²ä²ÞîàôÂÚ²ÜÀàâ ²ÜúðÆÜàôÂÚ²ÜÀàâàðêÆÜNO VIOLENCENO WAR NOILLITERACYNOBOREDOMNOTASTELESSNESSNO BRIBERYNO DISINFORMATIONNOCULTOFPERSONALITYNOWORSHIPNO ILLEGALITYNOHUNTINGàâ´èÜàôÂÚ²ÜÀàâä²îºð²¼ØÆÜàâî¶ÆîàôÂÚ²ÜÀàâÒ²ÜÒðàôÚÂÆÜ à â ² Ü Ö ² Þ ² Î à ô Â Ú ² Ü À à â β޲è²ÎºðàôÂÚ²ÜÀàâ´èÜàôÂÚ²ÜÀàâä²îºð²¼ØÆÜàâàðêÆÜ NOILLITERACYNOBOREDOMNOTASTELESSNESSNO BRIBERYàâ´èÜàôÂÚ²ÜÀàâä²îºð²¼ØÆÜàâî¶ÆîàôÂÚ²ÜÀàâÒ²ÜÒðàôÚ ÆÜàâ²ÜÖ²Þ²ÎàôÂÚ²ÜÀàâ β޲è²ÎºðàôÂÚ²ÜÀAGENO DISINFORMATIONNOCULTOFPERSONALITYNOWORSHIPNO ILLEGAL ì²Ü²ìàðâàôÂÚ²ÜÀàâ´èÜàôÂÚ²ÜÀàâä²îºð²¼ØÆÜàâàðêÆÜ ì²Ü²ìàðâàôÂÚ²ÜÀàâ´èÜàôÂÚ²ÜÀàâä²îºð²¼ØÆÜàâàðêÆÜ NOILLITERACYNOBOREDOMNOTASTELESSNESS NO BRIBERY àâ´èÜàôÂÚ²ÜÀàâä²îºð²¼ØÆÜàâî¶ÆîàôÂÚ²ÜÀàâÒ²ÜÒðàôÚÂÆÜàâ²ØÆ Üàâî¶ÆîàôÂÚ²ÜÀàâÒ²ÜÒðàôÚÂÆÜàâ²NOILLITERACYNOBOREDOMNOTASTELESSNESSNO BRIBERYNOPATRONAGENO DISINFORMATIONN O C U L T O F P E R S O N A L I T Y N O W O R S H I P N O LEGALITYNOHUNTINGàâ´èÜàôÂÚ²ÜÀàâä²îºð²¼ØÆÜàâî¶ÆîàôÂÚ²ÜÀ
“´²ÔÆÜÚ²Ü ²ðî ìƸºà” “BAGHINYAN ART VIDEO” §î³ñ»Ñ³ó¦, §¶áï»Ï³Ë¦, §øáÃáõϦ, §²Ù³Ýáñ¦, 2005-06 гÛÏ³Ï³Ý ³í³Ý¹³Ï³Ý Üáñ î³ñí³ ÍÇë³Ï³ñ·Ç ï³ññ»ñÁ: “New Year Pie”, “New Year Sock”, “Log”, “New Year” 2005-06 Elements of traditional Armenian New Year Rituals §ø³ÛÉ»Ýù ųٳݳÏÇÝ Ñ³ÙÁÝóó¦, 2:30, 2006 î»Õ»Ï³ïí³Ï³Ý ï»ËÝáÉá·Ç³Ý»ñÇ Ý߳ݳÏáõÃÛáõÝÁ ųٳݳϳÏÇó ÏÛ³ÝùáõÙ: “Let’s walk in foot with time”, 2:30, 2006 The importance of information technologies in modern life. §ø³ÛÉ»ñ·¦, §ºë ùá å³ßïå³ÝÝ »Ù¦, §ºë ÇÙ ³Ýáõß Ð³Û³ëï³ÝǦ, §¼áñ³ó »Ï»Õ»óǦ, §Ø³Ûñë¦, §È»éݳϳݦ, §Ê³Õ³Õ ï³ñǦ, 8:35, 2007 ÜíÇñí³Í гÛÏ³Ï³Ý μ³Ý³ÏÇ 15-³ÙÛ³ÏÇÝ: “March”, “I’m your defence”, “To My Sweat Armenia”, “Church Zorats”, “My Mother”, “Hill Man”, “Year in Peace” 8:35,2006 §²å³ß˳ñáõÃÛ³Ý Þ³ñ³Ï³ÝÝ»ñ¦, 18:28, 2005. ºñ·ãáõÑÇ ²Ýݳ سÛÇÉÛ³ÝÇ Ï³ï³ñÙ³Ùμ ÑÝãáõÙ »Ý Ø»ëñáå سßïáóÇ »Ï»Õ»ó³Ï³Ý ß³ñ³Ï³ÝÝ»ñÁ, 5-ñ¹ ¹³ñ: “Church Songs of Confession” 18:28, 2005 Mesrop Mashtots’s Church songs (5th century) performed by Anna Mailyan. §¸áõ¹áõϦ, 10:05, 2005 гÛÏ³Ï³Ý ¿ÃÝÇÏ Ýí³·³ñ³ÝÇ Í³·áõÙÝ áõ ÏÇñ³éáõÙÁ: “Duduk” 10:02, 2005 The origins and use of Armenian ethnical music bank. §Þ³ñÅáõÙ¦, 8:20, 2008 ø³Ý¹³ÏÝ ³ÛÉ Ó»õ ã¿ñ ϳñáÕ áõݻݳÉ: ºé³å³ïáõÙ: “Movement”, 8: 20,2008 The sculpture couldn’t be of any other shape.Trilogy §ì³ñ¹³Ý³Ýó γÝã¦, 22:28, 2008 ÄáÕáíáõñ¹Á å³ßï³ÙáõÝùÇ ³é³ñϳ ¿ ¹³ñÓñ»É 1500 ï³ñ»Ï³Ý, ³ÛÉ»õë ٳѳóáÕ Í³éÁ, áñÝ` Áëï ³í³Ý¹áõÛÃÇ, ïÝÏ»É ¿ ùñÇëïáÝ»³Ï³Ý ѳí³ïùÇ Ñ³Ù³ñ ݳѳï³Ïí³Í ¼áñ³í³ñ ì³ñ¹³Ý سÙÇÏáÝÛ³ÝÁ: à±ñÝ ¿ ѳí³ïÇ Çñ³Ï³Ý ³ÕμÛáõñÁ: “Call of Vardan”, 22:28, 2008 People turned a 1500 - year old tree into an object of belief. According to the legend this dying tree was planted by Commander Vardan Mamikonyan who gave his life for Christian Religion. What is the real source if this belief?
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“¸º´àÞÆð üÆÈØ” ö³é³ïáÝ “سùáõñ ³ÝáõñçÝ»ñ” ²ÝÏ³Ë »õ ÷áùñ μÛáõç» ýÇÉÙ»ñÇ ÙÇç³½·³ÛÇÝ ÷³é³ïáÝ èáõë³ëï³Ý, ê³ÝÏï ä»ï»ñμáõñ· Üå³ï³ÏÝ ¿ Ý»ñ·ñ³í»É »õ ³ç³Ïó»É ³ÝÏ³Ë ÏÇÝáÛÇ ·³Õ³÷³ñÇÝ ³ÝÙݳóáñ¹ ÝíÇñí³Í ¿Ýïáõ½Ç³ëïÝ»ñÇ: ÎÇÝáÛÇ, áñÁ Çñ³Ï³ÝáõÃÛ³Ý í»ñ³ñï³¹ñÙ³Ý ëï»Õͳñ³ñáõÃÛ³Ý Ù»ç ³ÝÏ³Ë ¿ ù³Õ³ù³Ï³Ý, ýÇݳÝë³Ï³Ý »õ å»ï³Ï³Ý ×ÝßáõÙÝ»ñÇó: ÎÇÝáÛÇ, áñÁ ÏáÙ»ñóÇáÝ Ù»Í ÷³é³ïáÝÝ»ñÇ ßù³Ñ³Ý¹»ë³ÛÇÝ ã³÷³ÝÇßÝ»ñáõÙ ï»Õ ãáõÝÇ: ²ÙμáÕç ³ß˳ñÑÇ »ñÇï³ë³ñ¹ é»ÅÇëáñÝ»ñÇ ÏÇÝáÛÇÝ, áíù»ñ ³½³ï »Ý Ù³ëë³Û³Ï³Ý Ùß³ÏáõÛÃÇ ëå³éáÕ³Ï³Ý å³Ñ³Ýç³ñÏÁ μ³í³ñ³ñ»Éáõ ó³ÝÏáõÃÛáõÝÝ»ñÇó, áñÁ ųٳݳϳÏÇó Ù³ñ¹áõ μ³ñ¹ ¹ÇÙ³ÝϳñÁ Ó»õ³Ë»ÕáõÙ ¿ »õ ѳٳѳñûóÝáõÙ: ÎÇÝáÛÇ, áñ ϳñÇù áõÝÇ Ñ³Õáñ¹³ÏóáõÃÛ³Ý »õ ÷áËû·ÝáõÃÛ³Ý: ø³ñá½áõÙ ¿ Ù³ñ¹áõ` ³½³ï ÇÝùݳñï³Ñ³ÛïÙ³Ý ³Ýûï³ñ»ÉÇ Çñ³íáõÝùÁ:
“DEBOSHIR FILM” Festival “Pure Dreams” International Independent and Low Budget Film Festival, Russia, St. Petersburg The festival aims to involve enthusiasts devoted to the idea of the independent cinema. This is cinema that does not depend on the political, financial and state pressure upon the creative act of artistic reflection of nowadays; which doesn’t undergo the parade frames of great commercial festivals. This is cinema which exists in all the world $ the cinema by young directors which are not oriented towards pleasing the undemanding mass culture which depersonalizes and levels the complicacy of the contemporary person who needs mutual help and communication, as well as propaganda of his indefeasible right of free self-expression. www.deboshirfilm.ru
²É»ùë³Ý¹ñ ´³ßÇñáí Alexander Bashirov
”úÉÇ·³ñËdzÛÇ »ñϳû ·³ñß³å³ñÁ” “The Iron Heel” 68:00 1998, èáõë³ëï³Ý / Russia
´àì²Ü¸²ÎàôÂÚàôÜ æ»Ï ÈáݹáÝÇ Ýßí³Í í»åÇó Ù»çμ»ñáõÙÝ»ñÇ û·ï³·áñÍÙ³Ùμ »õ γñÉ Ø³ñùëÇ §Î³åÇï³É¦Ç ûٳݻñáí, §Î³ÉÇμñǦ »õ TEQUILAJAZZZ ËÙμ»ñÇ »ñ³ÅßïáõÃÛ³Ýμ, ųٳݳϳÏÇó ý³Ýﳽdz 90 -³Ï³ÝÝ»ñÇ í»ñçÇ ê³ÝÏï ä»ï»ñμáõñ·Ç ÇÝï»ñÇ»ñÝ»ñáõÙ: úÉÇ·³ñËdzÛÇ Ñ»ï³Ëáõ۽ݻñÁ ³Ý¹³¹³ñ Ñ»ï»õáõÙ »Ý ѳí»ñÅ³Ï³Ý ÙdzÛÝáõÃÛ³ÝÁ ¹³ï³å³ñïí³Í áõ ³ÝÁÝ¹Ñ³ï ³ÝѳݷëïáõÃÛ³Ý Ù»ç, í»×»ñÇ áõ óáõÛó»ñÇ Ñ³Ýñ³Í³Ýáà ϻñå³ñ` ÜÇÏáÉ³Û ä»ïñáíÇãÇÝ áãÝã³óÝ»Éáõ ѳٳñ: üÇÉÙÁ ÝíÇñíáõÙ ¿ ëáí»ï³Ï³Ý ÏÇÝáÛÇ ¹³ë³Ï³ÝÝ»ñ` ¾Ûݽ»ÛÝßï»ÛÝÇÝ, ¸áíÅ»ÝÏáÛÇÝ, ÎáõÉÇßáíÇÝ, äáõ¹áíÏÇÝÇÝ, ´³ñÝ»ïÇÝ: Üϳñ³Ñ³ÝáõÙÝ»ñÁ ï»õ»É »Ý ï³ëÁ ûñ` ãÝ³Û³Í Ù³ÙáõÉÁ ³ß˳ï³ÝùÝ»ñÇÝ Ñ»ï»õ»É ¿ ³ÙμáÕç 1997 Ãí³Ï³ÝÇ ÁÝóóùáõÙ:
69 SYNOPSIS A modern fantasy based on quotations from Jack London’s novel and Karl Marx’s œCapitalB accompanied by the music of TEQUILAJAZZ and the œColibryB band. The setting is St Petersburg at the end of the 90s. The investigators of the oligarchy are constantly haunting Nicolay Petrovich, a character who is condemned to loneliness and permanent anxiety and is well known in fights and demonstrations. They are trying to destroy him. The film is devoted to the classics of the Soviet Cinema: Eisenstein, Dovjenko, Kulishov, Pudovkin, Barnet. The shooting took ten days although the media fallowed the process throughout the whole of 1997..
Øðò²Ü²Îܺ𠧲ñͳû ٻ˦ - È³í³·áõÛÝ ¹»μÛáõï §²ð̲º غÊ-98¦, Î.ü., êáãÇ, ÎÇÝáÙ³ÙáõÉÇ Ùñó³Ý³Ï - §ìÆì²î èàôê²Î²Ü ÎÆÜà-98¦ Î.ö., ê. ä»ï»ñμáõñ·, üÆäðºêêÆ-Ç ÅÛáõñÇÇ ÑÇß³ï³ÏáõÙ - §ÎÆÜàî²ìð-98¦ è.´.Î.ö., êáãÇ, ÄÛáõñÇÇ Ñ³ïáõÏ Ùñó³Ý³Ï É³í³·áõÛÝ ûå»ñ³ïáñ³Ï³Ý ³ß˳ï³ÝùÇ Ñ³Ù³ñ »õ ùÝݳ¹³ïÝ»ñÇ ÅÛáõñÇÇ Ñ³ïáõÏ Ùñó³Ý³Ï - §ä²îàôÐ²Ü ¸ºäÆ ºìðà䲦 è.Î.ö., ìÆ´àð¶, Ùñó³Ý³Ï §ì²¶ð¦ - §èàîºð¸²Ø-99¦ Ø.Î.ö., ÄÛáõñÇÇ ·É˳íáñ Ùñó³Ý³Ï, É³í³·áõÛÝ ïÕ³Ù³ñ¹áõ ¹»ñ³Ï³ï³ñÙ³Ý Ñ³Ù³ñ Ùñó³Ý³Ï, èáõë³ëï³ÝÇ ÏÇÝáùÝݳ¹³ïÝ»ñÇ »õ ÏÇÝá·»ïÝ»ñÇ ·ÇɹdzÛÇ Ùñó³Ý³Ï §¶ð²Î²ÜàôÂÚàôÜÜ àô ÎÆÜàÜ-99¦ Î.ö., ¶³ïãÇݳ, È³í³·áõÛÝ »íñáå³Ï³Ý ÏÇÝá §²Èºøê²Ü¸ðƲ-99¦ Ø.Î.ö., §ÎÇÝáùÝݳ¹³ï¦ Éñ³·ñÇ Ùñó³Ý³Ï - §ìºÜºîÆÎ-98¦ Ø.Î.ö.
AWARDS œSilver NailB $ Best Debut œSilver Nail 98B Film Festival, Sochi; Cinema Media Award $ œViva Russian Cinema-98B F.F., St Petersburg; Special mention of Fipressi Jury $ œKinotaur $ 98B Russian Open F. F., Sochi; Special Award for the Best Camera Work and Special Award of Cinema Critics’ Jury $ œA Window to EuropeB R. F. F., Viborg; œTigerB $ œRotterdam - 99B M. F. F., Jury’s Main Award , Best Actor Award, award of Russian Cinemacritics’ Guild - œLiterature and Cinema 99B F. F., Gatchina; Best European Film $ œAlexandria 99B M. F. F.; œFilm CriticB Magazine Award $ œVenice - 98B Moscow Film Festival
²ððàôÂÚàôÜ è»ÅÇëáñ, ëó»Ý³ñÇëï - ²É»ùë³Ý¹ñ ´³ßÇñáí úå»ñ³ïáñ- ê»ñ·»Û ȳݹá, ìɳ¹ÇÙÇñ ´ñÇÉÛ³Ïáí ¸»ñ»ñáõÙ - ²É»ùë³Ý¹ñ ´³ßÇñáí, èÇï³ Ø³ñ·á, ºÉ»Ý³ Úáõ¹³Ýáí³, ÆÝݳ ìáÉÏáí³, ÆñÇݳ Þ³ñáí³ïáí³, ܳï³ÉÛ³ äÇíáí³ñáí³ îÝûñ»ÝÝ»ñ- ê»ñ·»Û ìɳ¹ÇÙÇñáí, èá¹ÇáÝ ÆëÙ³ÛÇÉáí, ²É»ùë³Ý¹ñ ´³ßÇñáí §¸»μáßÇñ-ýÇÉÙ¦
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PRODUCTION Director: Alexander Bashirov Screenplay: Alexander Bashirov Camera: Sergej Lando, Vladimir Bryljakov Cast: Alexander Bashirov, Rita Margo, Elena Judanova, Inna Volkova, Irina Sharovatova, Natalja Pivovarova Produced by: Sergej Vladimirov, Rodion Ismajilov, Alexander Bashirov œDeboshir FilmB
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”´³ÑÇïç³Ù³É” “Bahitjamal”
²ÉÇË³Ý ºñųÝáí Alilikhan Yerjanov kinosoldat@mail.ru
19:00 2007, Ô³½³Ëëï³Ý / Kazakhstan
κÜ겶ðàôÂÚàôÜ / üÆÈغð ²ÉٳóÛÇ ÎÇÝá³Ï³¹»ÙdzÛÇ ãáñáñ¹ ÏáõñëÇ áõë³ÝáÕ:
BIOGRAPHY / FILMOGRAPHY Student of the 4th year of the Cinema Critics Department, SPCTSU
´àì²Ü¸²ÎàôÂÚàôÜ ÎáõμÇãÁ Ëáëï³ó»É ¿ñ Ýñ³Ý ѳݹÇå»É û·áëïáëÇ 1 -ÇÝ, μ³Ûó Ñá·»μáõųñ³Ý ÁÝϳí: î³ë ï³ñÇ ³Ýó ¹ÇÙ»ó ÷³ËáõëïÇ: ´³Ûó Ýñ³ ѳëó»Ý ·ïÝ»ÉÁ ¹Åí³ñ ¿: ¶Çß»ñÁ ³ñ³· ÏÃéÝÇ:
SYNOPSIS Kubich had promised to meet her on August 1, but he got to asylum. Ten years later he escaped. But it was difficult to find his address now. The night will pass away very fast.
²ððàôÂÚàôÜ è»ÅÇëáñ, ëó»Ý³ñÇëï »õ ûå»ñ³ïáñ ²ÉÇÉË³Ý ºñųÝáí ¸»ñ»ñáõÙ - ê»ñÇÏ ²μÇß»õ, ²ñëÉ³Ý ²Ïáõμ³»õ
PRODUCTION Director, script-writer and cameraman: Alilikhan Yerjanov Cast: Serik Abishev, Arslan Akubayev
71 ØÇñáëɳí êɳμáßåÇóÏÇ Miroslav Slaboshpitsky horror@pochta.ru
”ä³ï³Ñ³ñ” “Incident” 20:00 2005, àõÏñ³Çݳ / The Ukraine
´àì²Ü¸²ÎàôÂÚàôÜ î³ñ»ó ³Ýï³é³å³ÑÁ å³ïñ³ëïíáõÙ ¿ñ ³ÝóϳóÝ»É ³ÝËéáí ûñ: ØïÝ»É ï³ù çñÇ Ù»ç, Éë»É é³¹Çá… Üñ³ ³ÕçÇÏÁ áõ½áõÙ ¿ñ ÷»ë³óáõÇ Ñ»ï ³Ý³ÏÁÝÏ³É ³Ûó»É»É ÑáñÁ… â·Çï»ë áñï»ÕÇó ѳÛïÝí»ó ÑÇÝ Í³ÝáÃÁ` ûÕÇáí áõ áõï»ÉÇùáí… ºí ¿ÉÇ »ñÏáõëÁ:
SYNOPSIS An elderly woodman is going to spend a nice quiet evening: have a worm bath, listen to the radio… His daughter was to pay him a sudden visit with her fiancee…But an old acquaintance turns up with a bottle of vodka and food… And the two are together again.
²ððàôÂÚàôÜ è»ÅÇëáñ - ØÇñáëɳí êɳμáßåÇóÏÇ §¸»μÛáõï¦ ëïáõ¹Ç³
PRODUCTION Director: Miroslav Slaboshpitsky œDebutB Studio
سñÏá 賳à Marco Raat pille@allfilm.ee
”¸³Ý³Ï” “Knife” 60 :00 2007 ¾ëïáÝdz / Estonia
κÜ겶ðàôÂÚàôÜ / üÆÈغð 1988 Ã. ³í³ñï»É ¿ î³ÉÉÇÝÇ ÏÇÝá¹åñáóÇ é»ÅÇëáõñ³ÛÇ ý³ÏáõÉï»ïÁ: ÜϳñáõÙ ¿ ¹áÏáõÙÝï³É »õ ϳñ× ýÇÉÙ»ñ, íǹá³ñï, Ñ»éáõëï³Ñ³Õáñ¹áõÙÝ»ñ: ²ÝÏ³Ë ÏÇÝáùÝݳ¹³ï ¿: 2004 - §¶áñÍ³Ï³É ì³ÛñÇ ´³¹ÇÏÁ¦: BIOGRAPHY / FILMOGRAPHY Graduated from the film-making department of Tallinn Cinema School in 1998; Shoots documentary and short films, videoart, TV programs; is an independent film critic. 2004 $ œAgent Wild DuckB ´àì²Ü¸²ÎàôÂÚàôÜ ºñμ»ÙÝ ÏÛ³ÝùÁ ϳñáÕ ¿ ÉÇÝ»É ß³ï ëáíáñ³Ï³Ý: ºñμ ³Ù»Ý ÇÝã ã³÷³½³Ýó É³í ¿ áõ Ó³ÝÓñ³ÉÇ: ¶áõó»±, ÉáõÍáõÙÁ ѳÝó³Ýù ·áñÍ»ÉÝ ¿: ´³Ûó ¹áõ ã»ë ϳñáÕ… ¸³ ×Çßï ã»ñ ÉÇÝÇ, Ñݳñ³íáñ ¿ áã ÙÇ Ï»ñå ãû·Ý»ñ: ÆëÏ Ù»ÕùÇ ·Çï³ÏóÙ³ÝÁ ϳí»É³Ý³ñ ë»÷³Ï³Ý ï·ÇïáõÃÛ³Ý ·Çï³ÏóáõÙÁ. Ë»Éùǹ ÷ã»É ¿ñ ϳï³ñ»É §³ÝÃáõÛɳïñ»ÉǦ ѳÝó³Ýù: ¶áõó»±, å»ïù ¿ ·ïÝ»É §×Çßï¦ Ñ³Ýó³Ýù: γÙ, ·áõó»±, ×Çßï ѳÝó³ÝùÁ å»ïù ¿ ·ïÝÇ ù»½:
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SYNOPSIS Sometimes life can be too ordinary. Going too well, too dull. Perhaps crime is the way out. But you couldn’t… That would be wrong. That might be of no help after all. While the feeling of guilt would include the acknowledging that you’d been stupid enough to commit a œwrongB crime. Maybe you should find the œrightB crime. Or maybe the œrightB crime will find you. ²ððàôÂÚàôÜ è»ÅÇëáñ, ëó»Ý³ñÇëï, ûå»ñ³ïáñ - سñÏá 賳à úå»ñ³ïáñ - سñà ³ÝÇ»É ¸»ñ»ñáõÙ - سÇà سÉÙëï»Ý, λñëïÇ Ð»ÇÝÉááõ, ´ñÇï³ ì³Ñáõñ, ¾ÉÉ» ÎáõÉÉ, ¶»ñï è³áõ¹ë»÷ îÝûñ»Ý - öÇÉÉ» èÁÝÏ
PRODUCTION Director: Marko Raat Screenplay: Marko Raat, Marko Raat Camera: Mart Taniel Cast: Mait Malmsten, Kesti Heinloo, Britta Vahur, Elle Kull, Gert Raudsep Producer: Pille Rynk
²É»ùë³Ý¹ñ³ ê³ßÝ»í³ Alexandra Sashneva
”ܳñÏá½ ãÇ ÉÇÝÇ” “There will be no Anesthesia” 100:00 2007, èáõë³ëï³Ý / Russia
κÜ겶ðàôÂÚàôÜ / üÆÈغð ÌÝí»É ¿ êÙáÉ»ÝëÏÇ Ù³ñ½áõÙ: êï³ó»É ¿ ·»Õ³·Çï³Ï³Ý, μ³Ý³ëÇñ³Ï³Ý, Ñá·»μ³Ý³Ï³Ý, »ñ³Åßï³Ï³Ý »õ μ»Ù³¹ñ³Ï³Ý ÏñÃáõÃÛáõÝ: ²ß˳ï»É ¿ TV-áõÙ, »ñ³Åßï³Ï³Ý óïñáÝáõÙ, ¿ëïñ³¹³ÛáõÙ: §ü»ÉÇãÇﳦ éáù ËÙμÇ »ñ·ãáõÑÇ: 2001 -ÇÝ Ññ³ï³ñ³Ï»É ¿ §Ü³ñÏá½ ãÇ ÉÇÝǦ ·ÇñùÁ: 2002 -ÇÝ §Ü³ñÏá½ ãÇ ÉÇÝǦ »ñ³Åßï³Ï³Ý ëϳí³é³ÏÁ: §ìǹ»á100-ÉÇó³ äñá¹³Ïßݦ ëïáõ¹Ç³ÛÇ μáÉáñ ݳ˳·Í»ñÇ Ñ³Ù³³ñï³¹ñáÕÝ ¿: øÉÇå»ñÇ, ¹áÏáõÙ»Ýï³É, ³ÝÇÙ³óÇáÝ »õ ˳ճñϳÛÇÝ ýÇÉÙ»ñÇ é»ÅÇëáñ: ´»Ù³¹ñ»É ¿§¸»Ï³μñÇëïÝ»ñÁ êÇμÇñáõÙ¦ Ý»ñϳ۳óáõÙÁ: ²Ýѳï³Ï³Ý óáõó³Ñ³Ý¹»ëÝ»ñ ØáëÏí³ÛáõÙ »õ ö³ñǽáõÙ: BIOGRAPHY / FILMOGRAPHY Born in the region of Smolenski. Education: Art, Linguistics, Psychology, Music, Performing Art Work: at TV, Music Theater; singer in rock band œFelicitaB 2001 $ published the book œThere Will Be No AnesthesiaB 2002 $ CD œThere Will Be No AnesthesiaB Curator of all projects of œVideo 100 лица ProductionB; director of documentary, animation and feature films; Private Exhibitions in Moscow and Paris. Theatrical director of the performance œDecembrists in SiberiaB;
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´àì²Ü¸²ÎàôÂÚàôÜ ²Ûë å³ïÙáõÃÛáõÝÁ ϳñáÕ ¿ñ å³ï³Ñ»É ÙdzÛÝ äÇï»ñáõÙ: ø³Õ³ùÁ ³Ûë ý³Ýï³ëïÇÏ å³ïÙáõÃÛ³Ý ·É˳íáñ Ñ»ñáëÝ ¿: äñáý»ëáñ È»·»áÝÁ, ÝáõÛÝ ÇÝùÁ` äɳëïÇÉÇÝ» îÇÏÝÇÏÝ»ñÇ ì³ñå»ïÁ, ݳñÏáïÇÏÝ»ñÇ »õ Ýáñ³·áõÛÝ ï»ËÝáÉá·Ç³Ý»ñÇ û·ÝáõÃÛ³Ùμ ·áÕ³ÝáõÙ ¿ ³ÙμáÕç ù³Õ³ùÇ Ñ³çáÕáõÃÛáõÝÁ: ØdzÛÝ »ñÇï³ë³ñ¹ ÝϳñãáõÑÇ Èǽ³ ÎáßÏÇÝ³Ý ¿ Áݹ¹ÇÙ³ÝáõÙ Ýñ³Ý: üÇÉÙÁ Ýϳñ³Ñ³Ýí»É ¿ ¸Ù. Ú³ÝÏáíëÏáõ §Ð³í³Ý³Ï³ÝáõÃÛ³Ý ïÇñ³Ï³ÉÁ¦ »õ ²É. ê³ßÝ»í³ÛÇ §Ü³ñÏá½ ãÇ ÉÇÝǦ ý³Ýï³ëïÇÏ í»å»ñÇ ÑÇÙ³Ý íñ³: ²ñųݳó»É ¿ μ³½áõÙ Ùñó³Ý³ÏÝ»ñÇ: SYNOPSIS The film is based on prize-winning novels (Dmitry Yankovsky’s Probabilities’ Master and Alexandra Sashneva’s There Will Be No Anesthesia). This story could only happen in St. Petersburg. The city becomes a central character in this grotesque narrative. Professor Legion (also Master of clay puppets) uses drugs and sophisticated technology to steal luck from the city. Only Liza Koshkina, a young artist, dares to oppose him. A powerful sample of 2006 Petersburg independent film. ²ððàôÂÚàôÜ è»ÅÇëáñ - ²É»ùë³Ý¹ñ³ ê³ßÝ»í³ îÝûñ»Ý - ¸ÙÇïñÇ Ú³ÝÏáíëÏÇ §ìǹ»á100-ÉÇó³ äñá¹³Ïßݦ
PRODUCTION Director: Alexandra Sashneva Produced by: Dmitry Yankovsky œVideo 100 лица ProductionB
äÛáï»ñ ¼³μ»ÉÇÝ Peter Zabelin petrzabelin@rambler.ru
”ÎÇñ³ÏÇ” “Sunday” 28:00 2007, èáõë³ëï³Ý / Russia
κÜ겶ðàôÂÚàôÜ / üÆÈغð ÌÝí»É ¿ 26.09.1978 È»ÝÇÝ·ñ³¹áõÙ: 1995 - 1999 ëáíáñ»É ¿ êäμä²ÂÆ -Ç ¹»ñ³ë³Ý³Ï³Ý ý³ÏáõÉï»ïáõÙ: 2002 $ÇÝ ³í³ñï»É ¿ êäμäβР$Ç é»ÅÇëáõñ³ÛÇ ý³ÏáõÉï»ïÁ: 2002 $Çó ÝϳñáõÙ ¿ ³ÝÏ³Ë ÏÇÝá: §²ÉÉ» Ñáå¦ 2002, §ÎÛ³ÝùÇ ³Ýѳñà ӻõ³íáñáõÙÁ¦ 2005: BIOGRAPHY / FILMOGRAPHY Born in 26.09.1978, in Leningrad. 1995 $ 1999: studied acting in St. Petersburg S.A. T. I. 2002: graduated from the faculty of film-making at St. Petersburg S.U. Since 2002: active in independent filmmaking. 2002: œAlle HopB 2005: œThe Rough Design of lifeB ´àì²Ü¸²ÎàôÂÚàôÜ ØÇ ³Õçϳ å³ïÙáõÃÛáõÝ, áí Ñ»ñáÛÇÝÇ ÝϳïÙ³Ùμ ÃáõÉáõÃÛ³Ý å³ï׳éáí Ïáñóñ»É ¿ áã ÙdzÛÝ í³ñùÇ áõ μ³ñá۳ϳÝáõÃÛ³Ý ÏáÕÙÝáñáßÇãÝ»ñÁ, ݳ»õ ÏÛ³ÝùÇ ÇÙ³ëïÁ: ܳ ѳٳӳÛÝíáõÙ ¿ ϳï³ñ»É ï»éáñÇëï³Ï³Ý ³Ïï, μ³Ûó í»ñçÇÝ å³ÑÇÝѳëϳÝáõÙ ¿ ³ñ³ñùÇ ³ÙμáÕç ë³ñë³÷»ÉÇáõÃÛáõÝÁ: ´³Ûó ѻﹳñÓÇ ×³Ý³å³ñÑ ³ÛÉ»õë ãϳ…
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SYNOPSIS A story about a girl who has lost not only her perception of morality and behaviour but also her sense of life due to heroin. She agrees to commit a terrorist act but at the final moment she realizes the entire horror of it. However it’s too late, there’s no way back… ²ððàôÂÚàôÜ è»ÅÇëáñ »õ ëó»Ý³ñÇëï - äÛáïñ ¼³μ»ÉÇÝ úå»ñ³ïáñÝ»ñ - ²É»ùë»Û äñáí³ïáñáí, ¸ÙÇïñÇ â»ñíÛ³Ïáí ¸»ñ»ñáõÙ - ܳï³ÉÛ³ ¸³ÝÇÉáí³, سÏëÇÙ ÎñáõåëÏÇ, ²Ý¹ñ»Û ¶áõÉÝ»õ ê.î.².ä., èáõë³ëï³Ý, ê³ÝÏï ä»ï»ñμáõñ·
PRODUCTION Director: Peter Zabelin Screenplay: Peter Zabelin Camera: Alexey Provatorov, Dmitri Chervjakov Cast $ Natalja Danilova, Maxim Krupsky, Andrej Gulnev
²ÝïáÝ êáõ˳ñ»õ Anton Sukharev Ig-group@mail.ru
”سñ¹ - »ÛÝÇÏ” “Kettle Man” 83:00 2006, èáõë³ëï³Ý / Russia
κÜ겶ðàôÂÚàôÜ / üÆÈغð ÌÝí»É ¿ 12.07.1983 È»ÝÇÝ·ñ³¹áõÙ: êáíáñ»É ¿ êäμä²ÂÆ - áõÙ: ¸»ñ³ë³Ý: Þáõñç 10 ï³ñÇ ½μ³ÕíáõÙ ¿ áã ³é»õïñ³ÛÇÝ ÏÇÝáÛáí: §ø³ñ-ØÏñ³ï-ÂáõÕæ 2002, §²é³Ýó μéݳÏÇ ×³ÙåñáõϦ 2004, §Ø³ñ¹-»ÛÝÇϦ 2006, §êåÇï³Ï¦ 2006, §öáùñÇÏ Çß˳ݦ 2007, §æ³½Á ä»ï»ñμáõñ·áõÙ¦ 2007: BIOGRAPHY / FILMOGRAPHY Born in 12.07.1983 in Leningrad Actor Studied at St. Petersburg SATE. Active in non-commercial cinema for about 10 years 2002 - œRock-Scissors-PaperB 2004 $ œSuitcase Without A HandleB 2006 $ œKettle ManB 2006 $ œWhiteB 2007 $ œThe Little PrinceB 2007 $ œJazz in PetersburgB ´àì²Ü¸²ÎàôÂÚàôÜ üÇÉÙÇ Ñ»ñáëÁ ³ÝÁݹѳï Ý»ñùÇÝ ß³ñÅÙ³Ý Ù»ç ¿, áñÁ áãÇÝãÇ ãÇ μ»ñáõÙ: üÇÉÙÁ ·áñÍáÕáõÃÛ³Ý ³ÝÇÙ³ëïáõÃÛ³Ý Ù³ëÇÝ ¿. ·ñ³Ï³ÝáõÃÛ³Ý, μ»Ù³¹ñáõÃÛ³Ý, »ñ³ÅßïáõÃÛ³Ý »õ ÏÇÝáÛÇ ¿ùëå»ñÇÙ»Ýï³É Ùï³ÑÕ³óáõÙÝ»ñÇ Ñ³Ù³¹ñáõÙ:
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SYNOPSIS The hero is in constant inner struggle that takes him nowhere. The film is about the absurdity of action, it is a combination of experimental ideas in literature, performance, music and cinema. ²ððàôÂÚàôÜ è»ÅÇëáñ - ²ÝïáÝ êáõ˳ñ»õ êó»Ý³ñÇëï - ²É»ùë»Û äɳïáõÝáí úå»ñ³ïáñÝ»ñ - ÚáõñÇ Æë˳Ïáí ¸»ñ»ñáõÙ - êï»å³Ý ´³É³ÏßÇÝ, ²É»ùë³Ý¹ñ³ îÇÙáý»»õ³, ìɳ¹ÇÙÇñ îáõñÏáí, Èǹdz ¸áñáï»ÝÏá, ê»ñ·»Û ޻ɷáõÝáí §iG-group¦, ê³ÝÏï ä»ï»ñμáõñ· PRODUCTION Director: Anton Sukharev Screenplay: Alexei Platunov Camera: Yuri Iskhakov Cast: Stepan Balakshin, Aleksandra Timofeeva, Vladimir Turkov, Lidia Dorotenko, Sergey Shelgunov œiG - GroupB, St. Petersburg
”øñáç гÙμáõÛñÁ” “The Sister’s Kiss”
¸ÙÇïñÇ ¶ññÇμ³Ýáí Dmitry Gribanov tygra78@rambler.ru
50:00 2007, èáõë³ëï³Ý / Russia
κÜ겶ðàôÂÚàôÜ / üÆÈغð / BIOGRAPHY / FILMOGRAPHY 2003 -ÇÝ ³í³ñï»É ¿ ê³ÝÏï ä»ï»ñμáõñ·Ç Øß³ÏáõÛÃÇ Ð³Ù³Éë³ñ³ÝÁ: ¸ÇåÉáÙ³ÛÇÝ ³ß˳ï³ÝùÁ` §²ÝÇñ³Ï³ÝáõÃÛáõݦ: §Ü²â²Èà - 2003¦ ÷³é³ïáÝáõÙ ³ñųݳó»É ¿ É³í³·áõÛÝ ¿ùëå»ñÇÙ»Ýï³É ýÇÉÙ Ùñó³Ý³ÏÇÝ: 2003: graduated from Culture University of St. Petersburg. Graduation work: - œUnreality B, œThe Start - 2003B: best experimental film award ´àì²Ü¸²ÎàôÂÚàôÜ / SYNOPSIS ºñÏáõ μ³ñÓñ ¹³ë³ñ³ÝóÇ ³ÕçÇÏÝ»ñ ³ÝѳçáÕ³Ï »Ý ѳϳé³Ï ë»éÇ Ñ»ï ѳñ³μ»ñí»ÉÇë: гݹÇå»Éáí Çñ³ñ` ³ÝÙÇç³å»ë ëÇñ³Ñ³ñíáõÙ »Ý ÙÇÙÛ³Ýó: ´³Ûó ß³ï ßáõïáí å³ñ½áõÙ »Ý, áñ ùáõÛñ»ñ »Ý: Two high school girls are not successful in their relations with the opposite sex. They meet each other and fall in love. But soon it turns our that they are sisters. ²ððàôÂÚàôÜ / PRODUCTION
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è»ÅÇëáñ, ëó»Ý³ñÇëï, ûå»ñ³ïáñ ¸ÙÇïñÇ ¶ñÇμ³Ýáí ¸»ñ»ñáõÙ - äáÉÇݳ êï»å³Ýáí³, ܳ¹Û³ ºÙ»ÉÇݳ
Director, Screenplay, Camera: Dmitry Gribanov Cast: Polina Stepanova, Nadia Yemelina
”Ø»Ë ” “Nail ”
ÚáõñÇ ÈáÝÏáí Yuri Lonkov metro-yurik@yandex.ru
2:00 2006, ²ØÜ / USA
κÜ겶ðàôÂÚàôÜ / üÆÈغð / BIOGRAPHY / FILMOGRAPHY ÌÝí»É ¿ 1961Ã. øÇßÇÝ»íáõÙ: öáùñ μÛáõç» ýÇÉÙ»ñÇ ÷³é³ïáÝÝ»ñÇ Ù³ëݳÏÇó: Born in 1961, Kishinev. Participant of Small budget Film Festivals: œMEDIA-FORUMB §ESFF 2006¦, œKansk Video FestivalB, œIZOLENTA 2007B. ´àì²Ü¸²ÎàôÂÚàôÜ / SYNOPSIS Àݹ¹ÇÙáõÃÛ³Ý Ù³ëÇÝ å³ïÙáõÃÛáõÝ. Ï»Ýó³ÕáõÙ, μÝáõÃÛ³Ý Ù»ç, ó³ÝÏáõÃÛáõÝÝ»ñáõÙ: A story about struggle in everyday routine, in the nature, in desires. ²ððàôÂÚàôÜ / PRODUCTION è»ÅÇëáñ, ëó»Ý³ñÇëï, ûå»ñ³ïáñ - ÚáõñÇ ÈáÝÏáí ¸»ñ»ñáõÙ - λÝó³Õ³ÛÇÝ ³é³ñϳݻñ
Director, scriptwriter and cameraman: Yuri Lonkov Cast: standard everyday objects
ÎÇÝá¹³ë³ËáëáõÃÛáõÝ Lecture on Cinema
¼³í»Ý ´áÛ³çÛ³Ý ÎÇÝá·»ï, §CinemArt¦ ѳݹ»ëÇ ·É˳íáñ ËÙμ³·Çñ »õ г۳ëï³ÝÇ Ð³Ýñ³ÛÇÝ Ñ»éáõëï³ÁÝÏ»ñáõÃÛ³Ý ÏÇÝáóáõó³¹ñáõÙÝ»ñÇ »õ ÏñÏÝûñÇݳÏÙ³Ý μ³ÅÝÇ ·É˳íáñ ËÙμ³·Çñ:
Zaven Boyajyan Film critic, editor-in-chief of CinemArt magazine and editor-in-chief of Film Showing and Dub Department of Armenian Public TV Company.
вîàôÎ ÞÜàðвβÈàôÂÚàôÜ SPECIAL THANKS ÷³é³ïáÝÇ Ùï»ñÇÙÝ»ñÇÝ áõ ѳñ³½³ïÝ»ñÇÝ to friends and to relatives of the festival
²Õ³íÝÇ Ô³½³ñÛ³Ý Aghavni Ghazryan ØÇ˳ÛÇÉ ì³ëÇÉ»í Michayil Vasilyev ê³Û³Ý³ ÎáõÅáõ·»ï Sayana Kujuget ¾Ù»ÉÇÝ ¶áõÇÉÉÇ»ñ Emelyne Gulliere ÈÇÉÇ³Ý ´»Ýë» Lilian Bense êáõ ÂáÙëáÝ Su Tomesen êï»ý³Ý üÇɳïÇ Stephan Filati ²ÉμñÇÏ ²μñ³Ñ³ÙÛ³Ý Albrik Abrahamyan ¾ÉÇݳ Þ³Ñݳ½³ñáí³ Elina Shahnazarova ²ñÙ»Ý ´³Õ¹³·áõÉÛ³Ý Armen Baghdagulyan ²ßáï ¸³íÃÛ³Ý Ashot Davtyan ²ñ·Çßï Ú³íÇãÛ³Ý Argisht Yavichyan ¾¹áõ³ñ¹ ä³É³ë³ÝÛ³Ý Edward Balassanian êáÝdz ä³É³ë³ÝÛ³Ý Sonia Balassanian ê³Ùí»É ²´¶³ñÛ³Ý Samvel ABGarian ¼³í»Ý ´áÛ³çÛ³Ý Zaven Boyajyan ػɳÝÛ³ ºÕdz½³ñÛ³Ý Melanya Eghiazaryan ²ñÙÇÝ» ²ÝïÇÏÛ³Ý Armine Antikyan ê³Ùí»É ²ÙÇñ˳ÝÛ³Ý Samvel Amirkhanyan γñ»Ý ´³ÕÇÝÛ³Ý Karen Baghinyan ì³ñ³½¹³ï ê»Ûñ³ÝÛ³Ý Varazdat Seyranyan è³ý³Û»É ê»Ûñ³ÝÛ³Ý Rafael Seyranyan èáõμ»Ý ÐáíѳÝÝÇëÛ³Ý Ruben Hovhansissyan ²É»ùë³Ý¹ñ ´³ßÇñáí Alexander Bashirov
“êÆܺزðî” - ÎÇÝáÛÇ »õ ³ñí»ëïÇ Ñ³Ý¹»ë “CINEMART” - Cinema and arts magazine “Ȳîºê” - ɳ½»ñ³ÛÇÝ ï»ËÝáÉá·Ç³Ï³Ý ѳٳϳñ· “LATES” - lazer technological systems “вڲêî²Ü” سñ½³-³éáÕç³ñ³Ý³ÛÇÝ Ð³Ù³ÉÇñ “HAYASTAN” Sport-Health Complex “ܲðºÎ²òÆ”- ²ñí»ëïÇ ØÇáõÃÛáõÝ “NAREGATSI ” Art Institute
œMEK KADR MEK ROPEB ËáõÙμ œàô²Ü ØÆÜÆ àô²Ü Þ²ÂB group ¶³·ÇÏ Ô³½³ñ¿ - ö³é³ïáÝÇ ÙáõÝ»ïÇÏ Gagik Ghazareh - The messenger of the festival ì³Ññ³Ù ²ÏÇÙÛ³Ý - ö³é³ïáÝÇ ¹ñá߳ϳÏÇñ Vahram Akimian - The flagman of the festival ì³ñ¹áõÑÇ Þ³Ñݳ½³ñÛ³Ý - óñ·Ù³ÝãáõÑÇ Varduhi Shahnazaryan - translator ¾¹·³ñ ʳÝÓñ³ïÛ³Ý - ¹Ç½³ÛÝ Edgar Khandzratyan - design ¾¹í³ñ¹ ³¹»õáëÛ³Ý - Éáõë³ÝϳñÇã Edward Tadevossian - photographer
ÜÞàôØܺð / NOTES
ÜÞàôØܺð / NOTES