Pluto & Julius Caesar Program

SETTING

A present-day Suburban kitchen.

RUNNING TIME

Approximately 85 minutes with no intermission.

CAST OF CHARACTERS Elizabeth Miller . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Suzanne O’Donnell* Bailey Miller . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Chris Metz Maxine Sailors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jillian Gizzi Cerberus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Heather Leonardi* Death . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . John Connon* *Denotes a Member of Actors' Equity Association

UNDERSTUDIES Understudies never substitute for listed players unless a specific announcement for the appearance is made at the time of the appearance.

Elizabeth – Morgan Price; Bailey – Adam Scharf; Maxine – Shannon Lynch; Cerberus – Jennifer Bonner; Death – Brett Waldron

CREATIVE & PRODUCTION TEAM Director . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Mark Routhier Assistant Directors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Sandia Ahlers, Savannah Markham Scenic Designer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Robbin Watts Costume Designer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Molly Walz Lighting Designer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Mary Heffernan Sound Designer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Chip Perry Stage Manager . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Victoria “Bird” Ruiz* Production Assistant . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Laura Lockner Board Operators . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Deanna Braine *Denotes a Member of Actors' Equity Association

INTERVIEW WITH THE PLUTO PLAYWRIGHT - STEVE YOCKEY This is not the first time Orlando Shakes has collaborated with playwright Steve Yockey. A workshop production of his play Heavier Than was presented as part of our annual new play reading festival, PlayFest, in April 2010. More recently, Feverish, a retelling of Phaedra and Hippolytus through a modern lens, was presented as a reading at November 2011’s PlayFest.

Public Relations Coordinator Melissa Landy had an opportunity to speak with Yockey about his latest new work. To check out the complete interview, visit Orlando Shakes’ blog at http://orlandoshakespearetheater.wordpress.com.

OST: What inspired you to write Pluto?

SY: The play was originally a commission from San Francisco Playhouse to write about anything I wanted---which was great, but also meant a lot of blue-sky anxiety because I could write about “anything I wanted.” So this play started out by cracking into the very common, unremarkable way we hold a fixed idea of someone in our minds. We meet them and decide who they are and then that’s how we think of them, done deal. It’s especially ingrained with loved ones.

We have difficulty allowing our idea of them to evolve even when the actual person changes, grows, or becomes something different right in front of us. So, it was taking that idea and exploring it with scale, from the intimate (a mother and son) to the epic (Pluto’s reclassification in 2006). And a tangential idea, in my mind at least, of what happens when we don’t talk about things, about changes. Do they go away or do they just scream louder?

OST: Your work often references characters or situations from Greek mythology. How did that begin?

SY: I’m obsessed with myth as a way of processing the world around us. The Greeks, along with most cultures, have these incredible stories that were meant to give perspective on life events. They were a way at getting some ground underneath “why things happen”, and trying to provide comfort in a chaotic world. Myths are memorable, iconic, and ripe for reuse because an audience sits down with a pre-existing idea of what those images and stories mean. And the big magic of theatre for me is in exploring new American myths, the stories we tell ourselves about who we are now, how we define ourselves, the ways we do and do not talk about things as a culture. The best and the worst of the people we want to be laid bare on stage. That’s exciting and can be inherently theatrical.

OST: Why is Pluto relevant to today’s audiences and what do you want them to take away from the production?

SY: Well, the subject matter is certainly haunting the national short term memory, if not the national conversation. But it frankly has been for a while. Pluto is not a play about guns. But it is absolutely a play about communication and the fallout when that communication goes away or breaks down. In that respect, the play is intensely of the moment and unapologetically speaks to an audience that has grown too accustomed to regular reports of local tragedies on the evening news. And really, at its heart, what we expect from each other.

OST: Do you have any advice for aspiring playwrights?

SY: Write as much as you can. And then do whatever you have to in order to get your work up on stage.

Don’t rob banks or blackmail or anything, but don’t wait around for someone else to discover your work. Also, find artists and theatres that resonate with what you’re doing and hang on to them. Those artistic relationships, the ones that you really nurture, will be your most important.

CAST BIOS JOHN CONNON* (Death | Debut Season) John is so happy to be making his onstage debut at Orlando Shakes. Previously, John has worked with Orlando Shakes as a teacher of adult acting classes, as a reader in the “Three By Tenn” reading series, and the PlayFest readings of The Exit Interview and Zombie Town. John has been featured in numerous awardwinning ad campaigns for Walmart, Jetson Appliances, and Telefonica. He co-created & co-produced the web series The Sex Trade, which has become an official selection for the LAWebFest this March. John would like to thank Michael and the girls; his ever supportive family and friends; Anne Hering, Jim Helsinger, and Mark Routhier.

JILLIAN GIZZI (Maxine | Debut Season) Jillian is thrilled to be returning to Orlando Shakespeare Theater after appearing in this season’s TYA production as the title role in Sleeping Beauty. She has been singing, acting, and dancing on various stages throughout Orlando including the Fringe Festival, Theatre Downtown, Bob Carr Performing Arts Center, Orlando REP, and the Garden Theatre. She was most recently seen in Dirty Rotten Scoundrels (Christine Colgate), Bill and Ted's Excellent Halloween Adventure (Taylor Swift), Reasons to be Pretty (Carly), and several various cabarets and performances. She'd like to thank her family, the cast and crew, and Mark and Bird for their support.

HEATHER LEONARDI* (Cerberus | 3rd Season) Heather is tickled pink to be returning to Orlando Shakes after appearing here in A Midsummer Night's Dream and Trapezium. Other credits include Laughter on the 23rd Floor, Mary's Wedding, Dangerous Liaisons, Stop Kiss, and The Shape of Things (Mad Cow Theatre); A Midsummer Night's Dream (Pennsylvania Shakespeare Festival); and You Can't Take it With You (Orlando Repertory Theatre). Heather holds a B.A. from Rollins College and is a proud member of Actors' Equity Association. Special thanks to her dog, Penelope Ann Doggiebottom, for the performance coaching.

CHRIS METZ (Bailey | Debut Season) Chris is thrilled to be making his debut at Orlando Shakespeare Theater this season, having appeared as Hortensio in The Taming of the Shrew and Foley Artist in It's a Wonderful Life: A Live Radio Play. A recent graduate of the University of Central Florida with a BFA in Acting, previous UCF credits include Gem of The Ocean (Selig), Twelfth Night (Sir Andrew), and Dracula (Renfield). As a writer and lyricist, his works have been performed in the Orlando Fringe Festival, Kennedy Center American College Theatre Festival, University of Waterloo (CA), and cabarets at NYC's 54 Below.

SUZANNE O’DONNELL* (Elizabeth | 14th Season) Suzanne recently appeared in It’s a Wonderful Life: A Live Radio Play, The Cortez Method, Othello, Sense and Sensibility, Farndale Avenue…, and God of Carnage at Orlando Shakespeare Theater. Her first season at Orlando Shakes was in 1993 playing Rosalind in As You Like It and Adriana in Comedy of Errors. Other OST credits include: the Governess in Turn of the Screw, Mistress Ford, Hermione, Hermia, Lady Percy, Julia, Ophelia, Emilia, Beatrice, and Kate in Taming of the Shrew. Recent regional credits include Boston Marriage (1812 Productions), Comedy of Errors, Arcadia (Folger Theatre), Romeo and Juliet, Dancing at Lughnasa (Arden Theatre), and Social Security, Dinner with Friends (Cape May Stage).

CREATIVE TEAM BIOS MARY HEFFERNAN (Lighting Designer | 7th Season) Mary greatly enjoys designing the Theater for Young Audiences series as well as Harriett’s New Play Series. Her past favorites include It’s a Wonderful Life: A Live Radio Play, Miss Nelson is Missing, Schoolhouse Rock Live!, and Charlie Bethel’s Beowulf. She is grateful for the opportunity to work on this production of Pluto.

CHARLES CHIP PERRY (Sound Designer | 2nd Season) Chip is an Assistant Professor in Lighting and Sound Design for Theatre at the University of Central Florida. A select list of professional credits includes: Lighting Director for WWE’s WrestleMania 29 and 30; Lighting Designer for The Complete Works of William Shakespeare (Abridged) at Orlando Shakes; the REP’s Lyle the Crocodile and Charlotte’s Web; Installation Crew for Dragons Go Go Wild at Lotte World (Seoul, South Korea); and Sound Design for the world premiere of Wizzer Pizzer at 7 Stages Atlanta. A partial client list of non-theatrical shows includes: Bonnaroo Music Festival, Lionel Richie, Firefly Music Festival, Forecastle Music Festival, Bandit Lites, Alabama, Kenny Chesney, and Bacardi Global.

MARK ROUTHIER (Director | 6th Season) Mark is the Director of New Play Development at Orlando Shakespeare Theater in Partnership with UCF, where he is an Assistant Professor in Directing and Acting. Mark’s Orlando credits include The Cortez Method, Sense and Sensibility, God of Carnage, Opus, and Charlotte’s Web for Orlando Shakespeare Theater; and Leveling Up for Theatre UCF. New Orleans credits: The Piano Teacher, Opus, The Seafarer, and John Biguenet’s Mold (Southern Rep); Zombie Town: A Documentary Play and Love Child (Southern Rep @ Le Chat Noir); Lanford Wilson’s Balm in Gilead [The Nola Project and Cripple Creek Theatre Co. – Big Easy Award for Best Director of a Drama, 2012 and Times-Pic’s Best Production of 2012]; and Orange Flower Water [Elm Theatre – Big Easy Award for Best Director of a Drama, 2011]. Bay Area credits: Monkey Room (Magic Theatre), Skin, The Bone Man of Benares, 70 Scenes of Halloween (Encore Theatre), Jihad Jones and the Kalashnikov Babes (Golden Thread).

VICTORIA “BIRD” RUIZ* (Stage Manager | 2nd Season) “Bird” graduated from Louisiana State University in 2012 and – after working as a stage management apprentice with the Orlando Shakespeare Theater – has joined the theater full-time as the Company Manager. As a Stage Manager for Orlando Shakes, Bird has worked on The Cortez Method, Sleeping Beauty, The Odyssey, The Exit Interview, and The Farndale Christmas Carol. Her previous credits include Swine Palace’s Design for Living, The Metal Children, and A Doll’s House; LSU’s The 25th Annual Putnam County Spelling Bee; and The Hangar Theatre’s Gem of the Ocean. Proud member of Actors' Equity Association.

MOLLY WALZ (Costume Designer | Debut Season) A native of Dayton, Ohio, Molly recently relocated to Orlando to work as the Costume Shop Manager at Orlando Repertory Theatre. She has a degree in theatre and a minor in history from Kent State University and has been working throughout the Midwest and up the east coast since graduation. Past companies include The Human Race Theatre Company, Allenberry Playhouse, The College Light Opera Company, and Glimmerglass Opera, among others. MollyWalz.com ROBBIN WATTS (Scenic Designer | 13th Season) In 27 years of working in professional theater, Robbin has worked as both a scenic artist and a designer. Over the last 10 years as a charge scenic artist with Orlando Shakespeare Theater, she has had the pleasure of designing over a dozen shows for the Theater for Young Audience Series. Robbin has also designed for Birmingham Children’s Theatre, Garden Variety Shakespeare, Festival Theatre, Atlantic Coast Theater for Youth, and Harrison School for the Performing Arts.

STEVE YOCKEY (Playwright | 3rd Season) Steve is a Los Angeles based writer with work produced throughout the country, in Europe and Asia.

Afterlife: a ghost story, Octopus, Large Animal Games, CARTOON, subculture (collected short plays), Very Still & Hard to See, The Fisherman’s Wife, and Wolves are published & available from Samuel French. Other plays include: Wonder, The Thrush & The Woodpecker, Bellwether, and Feverish. He is currently working on a commission for Atlanta’s Out of Hand Theater & actress Carolyn Cooke entitled Blackberry Winter.

Steve is a Phi Beta Kappa, Summa Cum Laude graduate of the University of Georgia and holds an MFA in Dramatic Writing from NYU’s Tisch School of the Arts (2008). After completing a yearlong National New Play Network residency at Marin Theatre Company in the San Francisco Bay Area, he now lives in Los Angeles, CA where he serves as a guest lecturer in the MFA Writing for Performance program at CalArts. He was one of two writers selected for the first US/Australia playwright exchange in February 2013, sponsored by NNPN and Playwriting Australia. Steve is the creator/coexecutive producer of the Sony Pictures Television project Teeth and is adapting both Simon Doonan’s Confessions of a Window Dresser and Zenescope’s Monster Hunters’ Survival Guide for Relativity. He is also at work on the impending television take on the 80s cult horror hit Creepshow.

SETTING Rome; Julius Caesar will be performed with one intermission.

CAST OF CHARACTERS Cassius, Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jason Asprey* Calpurnia, Portia, Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Anne Hering* Brutus, Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Paul Bernardo* Caesar, Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Nigel Gore* Casca, Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jim Ireland* Antony, Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Esau Pritchett* Octavius Caesar, Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . A. Ross Neal

UNDERSTUDIES Understudies never substitute for listed players unless a specific announcement for the appearance is made at the time of the appearance.

CREATIVE TEAM Director . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Tina Packer Assistant Director . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Thomas Ouellette Movement Director . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Kristin Wold Fight Director . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Bill Warriner Scenic Designer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Ryan McGettigan Lighting Designer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Eric T. Haugen** Costume Designer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Kristina Tollefson** Sound Designer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Britt Sandusky Stage Manager . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . George Hamrah* Production Assistants . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Paige Gober, Jessica Wolford Wardrobe Supervisor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Christopher Ersing Board Operators . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Mary Heffernan, Rob Jones

*Denotes a Member of Actors' Equity Association ** Denotes a Member of United Scenic Artists

JULIUS CAESAR SYNOPSIS -SPOILER ALERT!Marcellus and Flavius, the city tribunes, criticize the commoners of Rome for celebrating Caesar’s military defeat of Pompey. During the celebration a soothsayer warns Caesar to “beware the Ides of March”. A race is held for the Feast of Lupercal, and, while Caesar watches, Senator Cassius pulls Brutus aside. He tells him that Caesar has become dangerously powerful. At the same time, Caesar speaks with Antony, admitting he believes Cassius is not to be trusted. Another senator, Casca, approaches Cassius and Brutus to tell them Mark Antony just offered Caesar a crown three times, but Caesar refused it. Upon the third offer, Caesar fell to the ground in a fit of epilepsy. After recovering, Caesar executes Marcellus and Flavius for pulling decorations off of his statues.

That night there is a thunderstorm. Casca meets Cicero and tells of his strange visions, mostly of burning images. Cassius arrives and claims the thunderstorm is a good sign for their plan to assassinate Caesar. Casca agrees to help Cassius and tells him there is a band of senators supporting their cause.

While pleased, Cassius wants the support of Brutus before taking action.

Brutus is unable to sleep; his fears that Caesar will become a tyrant keep him awake. Cassius and his cohorts arrive at Brutus’ house and persuade him to join their cause. Once the men leave, Brutus’ wife, Portia, begs Brutus to tell her what is happening. At Caesar’s house, his wife, Calpurnia, warns Caesar not to go out because of a terrible dream she had during the storm. Caesar agrees to stay home but changes his mind when the Senator Decius says he will be mocked for cowering at home. On their way to the Senate, Artemidorus tries to warn Caesar of danger with a note, but Caesar ignores him. At the Senate, Marc Antony is distracted allowing the senators to descend upon and murder Caesar. Brutus speaks to the crowd, explaining that Caesar was killed for being too ambitious. Antony speaks next and incites the commoners to riot in protest over Caesar’s murder. Antony also reads Caesar’s will in which he leaves money and his gardens to all private citizens. In the riots that follow, the poet Cinna is murdered, being mistaken for the conspirator Cinna.

Antony and Octavian, Julius Caesar’s nephew, form a triumvirate with Lepidus to rule Rome. Cassius and Brutus rally together an army to overthrow the new leaders. Brutus learns that his wife killed herself by swallowing hot coals and is then told the triumvirate has killed 100 senators. Brutus and Cassius prepare to meet Antony’s army at Phillipi. That night, Caesar’s ghost appears to Brutus and tells him they will meet at Phillipi. The battle ensues and Cassius learns that his comrade, Titinius, has been captured. Upon hearing this news, Cassius commits suicide. Titinius, who was not really captured, hears of the suicide and kills himself with Cassius’ sword.

As the battles rages on, Antony gives orders that Brutus must be captured, dead or alive. Exhausted, Brutus finds a place to catch his breath with a few of his remaining followers. He asks each of them to kill him, but they all refuse. Eventually Brutus realizes his only option is to fall on his own sword.

When Octavian and Antony arrive, Strato explains how Brutus died. Mark Antony pays tribute to Brutus’ noble spirit, saying, “This was the noblest Roman of them all.” Octavian tells his soldiers to stand down; the battle is now over.

CAST BIOS JASON ASPREY* (Cassius; Ensemble | Debut Season) Shakespeare & Company: The Memory of Water (Frank), The Winter’s Tale (Autolycus), Richard III (Lord Hastings/Oxford), Hamlet (Title Role), White People (Alan Harris), All’s Well That Ends Well (Bertram), Rough Crossing (Gal), Blue/Orange (Bruce), The Mission of Jane (Julian Lethbury), The Promise (Jean Le Fanois), As You Like It (Oliver/Corin), Comedy of Errors (Angelo), King Lear (Edgar), Much Ado About Nothing (DonJohn/Sexton), Henry V (Fluellen), A Midsummer Night’s Dream (Puck), Macbeth (Macduff), and Julius Caesar (Antony). Regional: Julius Caesar (Cassius) at Shakespeare Now, Betrayal (Robert) at Nora Theatre, Einstein’s Dreams (Eduard Einstein) at Culture Project NYC, A Life in the Theatre (John) and The End of the Day (Grayden Massey) at Ensemble Theatre, Romeo and Juliet (Mercutio) at Swine Palace; also Knightbridge Theatre, Orpheum Theatre, Los Angeles Theatre Center, Mixed Company, and theatre in England, where he has also worked in TV and film.

PAUL BERNARDO* (Brutus; Ensemble | 8th Season) Paul is thrilled to be performing in his eighth Shakespeare production at Orlando Shakespeare Theater. Previously, Paul has appeared in Orlando Shakes productions of Titus Andronicus (Marcus), Julius Caesar (Brutus), The Two Gentlemen of Verona (Outlaw, Lobby Singer), Hamlet (Claudius), The Winter’s Tale (Polixenes, Antigonus), Measure for Measure (Duke Vincentio), and Macbeth (Banquo), as well as various PlayFest readings and workshops. Paul has also appeared in numerous industrials and commercials as well as independent and feature films, including Brian de Palma's Snake Eyes. Paul is a proud graduate of the Shakespeare Theater Company’s Academy for Classical Acting MFA program at the George Washington University and a member of the Upstart Creatures theater company in New York.

NIGEL GORE* (Caesar; Ensemble | Debut Season) Recent: Women of Will. Off-Broadway: Richard in Richard III, Colorado Shakespeare Festival (Best Actor Award, WestWord Denver); George in Who’s Afraid of Virginia Woolf, Boston’s Public Theatre (Eliot Norton Award Outstanding Actor); Macbeth in Macbeth and Bottom in Midsummer Night’s Dream, Colorado Shakespeare Festival; Mark Antony in Antony and Cleopatra, Sir Toby Belch in Twelfth Night, and Lavache in All's Well That Ends Well, Shakespeare & Company; Jason in Medea, Actor’s Shakespeare Project Boston; and Squeers/Hawk in Nicholas Nickleby Lyric Stage Boston (Eliot Norton Outstanding Actor nominee). Film: The Last Knights. Nigel’s first volume of poetry “On the Waves of Sound” will be published in 2014.

ANNE HERING* (Calpurnia; Portia; Ensemble | 8th Season) Anne has appeared in recent Orlando Shakes productions of The Life and Adventures of Nicholas Nickleby, Romeo and Juliet, Sense and Sensibility, Cymbeline, God of Carnage, Pride and Prejudice, All’s Well that Ends Well, Hamlet, Much Ado About Nothing, The Merchant of Venice, The Trial of Ebenezer Scrooge, The Glass Menagerie, Macbeth, The Comedy of Errors, The Merry Wives of Windsor, King Lear, Into the Woods, Twelfth Night, and The Winter’s Tale. Additional acting credits include Boston Marriage, The Real Thing, Wit, The Beauty Queen of Leenane, and The Little Prince with Orlando Theatre Project. Directing credits include The Turn of the Screw, Yankee Tavern, If You Give a Mouse a Cookie (at OST), Cabaret, Into the Woods, Bat Boy: the Musical, Hay Fever, A Perfect Ganesh, Defying Gravity, Jake’s Women, Sylvia, and All in the Timing. Anne is also the Director of Education at Orlando Shakespeare Theater.

JIM IRELAND* (Casca; Ensemble | 5th Season) Previous roles at Orlando Shakes include Tranio in The Taming of the Shrew, Charles Strickland in Race, The Fool in King Lear, and Tom in The Glass Menagerie.

Jim is a native of Philadelphia, a graduate of DeSales University, and a current resident of New York, where his Off-Broadway credits include: The Shawl with Dianne Wiest, directed by Sidney Lumet (Jewish Rep.); Ephemera (Theatre Row); and Motherbird (Original Cast) by Craig Lucas. Regional venues include The Walnut Street Theater, The Kennedy Center, McCarter Theatre, Wilma Theatre, Arden Theatre, and Pennsylvania Shakespeare Festival. Television: Law & Order, One Life to Live, and Guiding Light.

Jim's voice can be heard along with that of the late, great Colleen Dewhurst in the NPR Radio Drama, A Door In the Wall. Jim is the president of Blue Roses Productions and is a member of Circle East Theatre Company in New York, where he has directed and performed in plays by fellow members Lanford Wilson, Terrance McNally, and Craig Lucas.

A. ROSS NEAL (Octavius Caesar; Ensemble | Debut Season) Ross is a graduate from James Madison University with a BA in Musical Theatre.

His previous credits include The Life and Adventures of Nicholas Nickleby, It’s a Wonderful Life: A Live Radio Play, and The Taming of the Shrew (Orlando Shakes); Billy Flynn in Chicago; Stewpot in South Pacific; Prince in Romeo and Juliet; and Pony in subUrbia. He's very excited to be with the Orlando Shakespeare Theater this season.

ESAU PRITCHETT* (Antony; Ensemble | 4th Season) Esau is a graduate of The Music/Theatre/Dance Department of Oakland University. Originally from Saginaw, MI, Esau relocated to NYC in 1998. Over the past fifteen years he has worked in Regional Theatre all over the US. He has also been featured as a guest star on several episodes of the Law and Order franchise. He has appeared in local Independent films in NYC. Esau was last seen here in a production of Titus Andronicus, Othello, and A Midsummer Night's Dream. He is very excited to return, and is looking forward to a successful season and the exuberant support from the wonderful Orlando community.

CREATIVE TEAM BIOS GEORGE HAMRAH* (Stage Manager | 7th Season) George is a graduate of Allegheny College in Meadville, PA and The Eugene O'Neill Theater Center in CT. A proud member of Actors’ Equity Association for the past 20 years, Mr. Hamrah has worked as a Stage Manager for theatres throughout the east coast including Trinity Rep. in Providence, RI, The Barter Theatre in Virginia, Orlando Theatre Project, Florida Rep. and Riverside Theatre in Florida, Walt Disney World, Royal Caribbean International, Acadia Repertory Theatre in Maine and Arena Stage in Washington, DC. George has made his home in Central FL for the past 15 years with his wife Laura Hodos and their three cats. George is currently the Production Manager for Orlando Shakespeare Theater.

ERIC T. HAUGEN** (Lighting Designer | 19th Season) Through his company, Luminous Design Studios, Eric has designed the lighting for numerous theatre, television, architectural, and themed entertainment projects over the past 25 years. Eric has lit many productions at Orlando Shakespeare, beginning in 1995 with Othello and The Taming of the Shrew at Lake Eola up through last season’s production of Titus Andronicus. Eric’s lighting has also been seen Off-Broadway in New York on several musicals including The Ark and The Prince and the Pauper, as well as around the country in many regional theatres. Special thanks to Susan, Alexandra, and Connor. www.LD-Studios.com.

RYAN MCGETTIGAN (Scenic Designer | Debut Season) Houston area credits include: Catastrophic Theatre: Clean/Through (World Premiere), Old as Hell (World Premiere); Classical Theatre Company: Doctor Faustus, Ubu Roi; Stages Repertory Theatre: Failure: A Love Story, The Marvelous Wonderettes: Caps and Gowns, Next to Normal; Main Street Theater: Into the Woods, A Civil War Christmas, Close Up Space, Henry V (Prague Shakespeare Company), Memory House, Richard III (Prague Shakespeare Company); Black Lab Theatre: Boom. Other regional credits include: Nora Theatre Company (Boston, MA): On the Verge, The Secret Love Life of Ophelia; Cape Rep Theatre (Brewster, MA): Anna Christie, Eurydice, Beauty Queen of Leenane, Goodbye Mary Rose (World Premiere); Abilene Shakespeare Festival (Abilene, TX): Much Ado About Nothing; Legacy Theatre (Atlanta, GA): 9 to 5: The Musical, The Marvelous Wonderettes, 25th Annual Putnam County Spelling Bee. Opera credits include: Shepherd School of Music (Houston, TX): Volpone, Our Town, A Little Night Music; Houston Grand Opera, HGOco: Bound (World Premiere), From My Mother's Mother (World Premiere), Your Name Means the Sea (World Premiere). www.RyanMcGettigan.com.

THOMAS OUELLETTE (Assistant Director | 6th Season) Thomas recently directed Cat on a Hot Tin Roof at the Pennsylvania Shakespeare Festival. Orlando Shakes audiences have seen his productions of Race, Romeo and Juliet, Pride and Prejudice, Arms and the Man, and I Hate Hamlet. Also an actor, he appeared in recent productions at Orlando’s Mad Cow Theatre as Father Farley in Mass Appeal, Adam in Next Fall, and Hysterium in …Funny Thing. A former Chair of the Rollins College Department of Theatre and Dance and Producing Director of their storied Annie Russell Theatre, Thomas teaches directing and acting at Rollins and has produced, directed, and performed in many Annie shows since 1996. www.thomasouellette.com.

TINA PACKER (Director | Debut Season) Tina is the founding artistic director of Shakespeare & Company in Lenox, Massachusetts. She has directed most of Shakespeare’s plays (some of them several times), acted in seven of them (never when directing), and taught the whole canon one way or another at over thirty colleges in the U.S., including Harvard, M.I.T. and NYU. At Columbia, she taught in the M.B.A. program for four years, resulting in the publication of her piece, Power Plays: Shakespeare’s Lessons in Leadership and Management, with Deming Professor John Whitney. She began her career in England, having trained at the Royal Academy of Dramatic Art. Following this, she became an associate artist of the Royal Shakespeare Company, performing at Stratford, in the West End, and on tour. She has worked at The Royal Court in London; Glasgow, Edinburgh, Leicester, Coventry and Hornchurch repertory companies. For BBC Television, she played Dora to Ian McKellen’s David Copperfield, was a love interest for Patrick Troughton’s Doctor Who (which she has never lived down), and also performed in several other TV plays and series.

She came to the U.S. in 1974 when the Ford Foundation funded an eleven-month project for her to research the visceral roots of Elizabethan theater with five master teachers (Kristin Linklater, John Barton, B.H. Barry, John Broome, Trish Arnold), fifteen actors, and three managers. Out of these projects led by Tina throughout England and the US, her work has translated into the aesthetic and practical methods that Shakespeare & Company is based on, and still practices to this day. In 2009, Tina gave up the artistic directorship—though Shakespeare & Company remains her creative home and passion.

BRITT SANDUSKY (Sound Designer | 10th Season) Britt is thrilled to be part of this production team once again. He formally trained at the Audio Recording Technology Institute here in Orlando. Britt has designed the sound-scapes for many Orlando Shakespeare Theater favorites including The Life and Adventures of Nicholas Nickleby, Othello, Sense and Sensibility, Race, The Importance Of Being Earnest, The 39 Steps, Shotgun, Schoolhouse Rock Live, Robinson Crusoe, and many others. His film credits include many disciplines such as Foley artist, re-recording engineer, ADR supervisor, dialog mixer, and sound effects supervisor.

KRISTINA TOLLEFSON** (Costume Designer | 8th Season) Kristina is an Associate Professor at the University of Central Florida in Orlando where she also serves as Associate Chair and Undergraduate Coordinator for her department. In addition to her work at UCF, Kristina has designed costumes all over the country including Maples Repertory Theatre (MO), Orlando Repertory Theatre (FL), Purdue University (IN), Summer Stage Repertory Theatre (TX), Phoenix Theatre Indianapolis (IN), Florida Children's Repertory Theatre (FL), Prairie Repertory Theatre (SD), Emporia Summer Theatre (KS), Sioux Falls Playhouse (SD), South Dakota State University (SD), the East Dakota Water Development District (SD), and the UCF Alumni Association (FL). She holds an MFA from Purdue University in Costume Design and Technology, and a BA Degree from South Dakota State University in Theatre and English.

BILL WARRINER (Fight Director | 2nd Season) Your Friendly Neighborhood Fight Director has been creating nightmares around Orlando since 1998.

He started his journey in 1991, graduating from AMDA and diving in to the SAFD at the National Stage Combat Workshop in Las Vegas. Some of his recent work: Othello at Orlando Shakespeare Theater, the Phantasmagoria series for Empty Spaces, Urinetown for Valencia CC, and Extremities for the Greater Orlando Actors Theater. Special thanks to Paddy Crean, the Dean of American Fight Directors... ZAH!

KRISTIN WOLD (Movement Director | Debut Season) Kristin has been an actor and teacher with Shakespeare & Company in Lenox, MA since 1987.

Recent acting roles have included Ariel in The Tempest opposite Olympia Dukakis, the Duchess of York in Richard II, Regan in King Lear, Teresa in The Memory of Water, Timothea in Sea Marks, Emilia in Othello, and Sarah Harding in Ice Glen. Next summer at Shakespeare & Company, she will be playing Anne Hathaway in a one-woman show, Shakespeare's Will. Kristin teaches acting and movement for the BFA and MFA acting programs at the University of Connecticut. She has directed several Connecticut Repertory Theatre productions including Punk Rock, The Last Days of Judas Iscariot, Abraham Lincoln’s Big Gay Dance Party, Thin Air: Tales from a Revolution, and Judevine. Kristin studied acting at Burt Reynolds Jupiter Theatre, Florida State University, and with Tadashi Suzuki in Japan.

PRODUCTION DEPARTMENTS Artistic Director . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jim Helsinger Director of New Play Development . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Mark Routhier Production Manager . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . George Hamrah Assistant Production Manager . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Lisa Hardt Company Manager . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Victoria “Bird” Ruiz

EDUCATION Director of Education . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Anne Hering TYA Coordinator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jennifer Bonner Acting/Education Interns . . . . . . . . Anachebe Asomugha, Sophie Bell, Bridgette Hoover, Chris Metz, A. Ross Neal, Jeffrey Todd Parrott, Seth Wallen

SCENIC AND PROPERTIES Technical Director . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . James Erwin Assistant Technical Director . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Delson Junker Properties Master . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Kurt Bippert Properties Assistant . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jeff Jordan Scenic Charge Artist . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Patricia Sorbi Master Carpenters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Leanne Bock Carpenter & Sculptural Artisan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jeff Ferree Scenic Apprentices . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Ali Campbell, Benson Phinazee

LIGHTING AND SOUND Head of Lighting and Sound . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Rob Jones Master Electrician & Resident Designer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Mary Heffernan Electrics Apprentices . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Colleen Doherty, Patrick Gillespie

COSTUMES AND WARDROBE Costume Shop Manager & Resident Designer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Denise R. Warner Assistant Costume Shop Manager, Lead Draper & Resident Designer . . . . . . . . . . . . . . . . . . Mel Barger Draper/First Hands . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jeannie Marie Haskett, Mandy Swing Stitchers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Rachel Dombi, Tabitha Lyons, Emily Plonski Costume Apprentice . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Shayna McLaughlin

STAGE MANAGEMENT Production Stage Manager . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Stacy Renee Norwood* AEA Stage Managers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . George Hamrah*, Victoria “Bird” Ruiz* Stage Management Apprentices.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Paige Gober, Rachel Morris, Grace Richardson, Jessica Wolford * Denotes a Member of Actors' Equity Association

EMERITUS BOARD MEMBERS Marilyn Goldman, Community Leader Trisha Margeson, Community Leader Debbi Toohey, Community Leader Daniel F. McIntosh, Lowndes, Drosdick, Doster, Kantor & Reed

SPECIAL THANKS Matthew Michael’s Salon and Spa Orlando Shakespeare Theater Volunteers Michele Teevan and SpeakEasy Stage James Latzel and Trinity College

ORLANDO SHAKESPEARE THEATER DONORS Orlando Shakespeare Theater would like to thank all of our donors for their generous contributions.

This season we will be acknowledging donations in the program up to the date of the production.

Therefore, these gifts were received from June 2012 – February 17, 2014. We would also like to acknowledge our twenty-five year partnership with the University of Central Florida.

For more information regarding donating and the benefits you can receive, please visit our website.

PRODUCER - $25,000 and higher Harriett Lake Rita and John Lowndes Ken and Trisha Margeson

Mr. Frank Santos and Mr. Dan Dantin Valerie and Jim Shapiro

DIRECTOR - $24,999 to $10,000 Lyn and David Berelsman Coleman and Ingrid Cordell Suzanne E. Gilbert Siegmund I. and Marilyn Goldman in Honor of Steve Goldman and Julie Goldman Klein

Eric and Angel Hissom Mr. and Mrs. Lester Mandell A. Brian Phillips, P.A. Albert and Lisa Prast

The Bryce L. West Foundation Orlando Shakespeare Theater Guild

Alexis Pugh Helen C. Routhier Kathryn Chicone Ustler Penny and Tom Yochum

PLAYWRIGHT - $9,999 to $5,000 Gordon and Susan Arkin Anonymous Anonymous FX Design Group

Steve Goldman and Melanie Love Ron and Pat Strasberg Ford W. Kiene and Jennifer Quigley In Memory of Ted Toohey Jack Lord and Adam Hunter Deborah & Garritt Toohey Dr. Mary Palmer Leighton and Phyllis Yates

STAGE MANAGER - $4,999 to $2,500

Michael "Skip" Alderman Carol-Lynn and Frank Bevc Lori and Thomas Cleary Teresa and Jay Colling Ted B. Edwards Michael Elsberry and Sally Blackmun Andrea Massey-Farrell Anonymous

STAR - $2,499 to $1,000 David and Judy Albertson Stephanie Albertson Shep and Mindy Anders Kim Ashby in Memory of Bob and Katy Ashby Maria-Elena Augustin Dr. Beth Barnes and Dr. John Crocitto Susan Fox Beversluis Shirley D. Bias Matt and Alana Brenner Ms. Stewart H. Brown Al and Nancy Burnett Charitable Foundation Laurie Burns

Maureen and Mark Kennedy in Honor of Rita and John Lowndes Christina Kotsonis Lowndes, Drosdick, Doster, Kantor and Reed Paula and Michael Manchester Daniel and Elizabeth McIntosh

Michael & Marian Peters Ellen and Martin Prague Michael and Theresa Ryan Sy and Carolyn Saliba Simon and Ellen Snyder Ms. Cory L. Taylor Mr. and Mrs. Bob Yarmuth

Tom and Kathy Cardwell Charitable Fund of the Schwab Charitable Fund Carlton Fields Norah Carey Burke O'Ann and Pat Christiansen Drs. Jeff Cohen and Luci Belnick Susan M. Connelly Donovan and Mary Ann Dean Mary L. Demetree Richard and Terri Finkel Jean and Richard Florell Margaret B. Garland Brad and Kerry Giedd Mr. And Mrs. Alan Ginsburg

Mr. and Mrs. Keith Hesse John and Martha Hitt Bill and Katie Hohns Valerie and Eddie Insignares Dean Johnson Thomas Katheder Mr. and Mrs. David Kennedy Barbara and Giles Kemp Jill Kling Col. and Mrs. Robert and Jerilyn Kreps Jacquelyn Lamberty in Memory of Harry Lamberty Paula Leidich Meredith E. Level

STAR - $2,499 to $1,000 (cont.)

Dr. and Mrs. Mitchell L. Levin Mara and Harvey Levitt Bob and Mimi Lipka Ms. Jennifer Lowndes and Mr. Timothy Boeth Lowndes Family Fund Jim Lussier and Nancy Jacobson Robert and Julie Mandell Jay and Alison McClelland Bill and Ksenia Merck Mark T. Middlebrook Barry L. Miller Jim and Cynthia Milligan in Honor of Jacklyn Wright

LEAD - $999 to $500 Amazon Hose & Rubber Company Mr. and Mrs. Ambinder Melissa Baker Darryl M. Bloodworth Dean Bosco Dr. Chris Crotty and Ms. Janie Brownlee Drs. Donald and Laurette Bryan John and Dede Caron Circque Du Soleil Global Citizenship Department Bruce and Paula Collins Computer Business Consultants, Inc. Karen Cox Francie and Wayne Dear Emily Dorff Carol Drake Semra Eichelberger Fran Falcone Jose and Mimi Fernandez Miranda F. Fitzgerald Mr. & Mrs. Douglas Foreman Laraine and Phil Frahm PB&J Theatre Factory Susanne M. Fruehauf in Honor of Elisabeth F. Prast Barabra and Richard Fulton Louise, Mike and Molly Garvey

Arne and Deborah Nelson, Capt. Usn (Ret.) Dick and Mary Nunis Charitable Gift Fund Molly O'Neill The Pabst Charitable Foundation for the Arts Steve and Valerie Pickert John and Rhonda Quigley Mr. and Mrs. Brad Richmond Sascha Rizzo The Roper Family Foundation Maria M. Rubin John Daniel Ruffier

James and Judy Russell John and Margaret Sanders Rick Schell Drs. David Smuckler and Maxine Tabas JD Sutton Blaine and Rebecca Sweatt Kristina Tollefson Dr. and Mrs. Joseph W. Warren Joseph Vincent Anonymous John Wiley & Sons, Inc. Mr. Wayne Wolfson Ying Family Foundation

Marcia A. Gillett Fredel and Jim Goodrich J. Charles Gray and Saundra H. Gray Grant E. Gribble Katherine Ho and Joey Sacco Jack and Beth Isler Marc and Henrietta Katzen Thomas Paitson Kelly Sam Kennedy Ms. Peggy Kraemer Susan Lawrence Ms. Cynthia Layner Laurence Leinbach Mark & Noreen Levitt Shelly Licorish Carolyn Lord Dr. Francille M. MacFarland, M.D. Richard and Annette Manganel Mr. and Mrs. James M. Martin Craig and Jody Maughan The Mendel Melzer and Rosemary Maher Charitable Fund Donna M. Miller Robin H. Murphy Kenneth and Ann Hicks Murrah Jeff and Erin Myers Christopher Niess Leslie K. O'Neal-Coble

Harry and Jackie Pappas D.W. Phineas Perkins Bob Phillips Real Estate Strategies Patricia Rixmann Mr. Richard Russell and Mr. Thomas Ouellette Rupe and Lisa Sidhu Jean E. Siegfried In Honor of Shakespeare for Children Ron Stricklin Robert Stuart South Lake Montessori School Warren and Susan Tedder in Honor of Alexis Pugh John and Nancy-Lee Thompson Judy Thompson Klaudia Toohey Joan and Harry Travis Jerry and Barbara Twedt Anonymous Bickly Wilson Mr. & Mrs. Richard Weiner Mr. and Mrs. Robert Wolverton Robert and Taylor (Simpson) Wood George and Iris Young

Sandra R. Carbone Karne and Carl Carter Anonymous Cornerstone Class at the University of Central Florida Danielle Courtenay Mercia MacMichael Judith M. Duda Maurine Elliott Anonymous Mr and Mrs. Eshenroder

Judith and Norman Falkin George S. Fender in Honor of American Military Forces Kathryn Frahm Ida Freeman Lydia Gardner and John Terwilliger Lynn and Teresa Gillam Paul and Cathie Gips Jill Golder Shirley and Jack Guignard John and Amanda Hatton

PLAYER - $499 to $250 Mrs. Rita Adler Mr. Patrick Anderson Phillip and Jennifer Anderson Mr. David B. Baer Kurtis T. Bauerle Blaise Benoist Rev. Dr. Benjamin A. Berinti Carol Bressi-Cilona Ginger Bryant Anonymous Sally S. Campfield

PLAYER - $499 to $250 (cont.)

Martha O. Haynie Dr. and Mrs. Frank R. Hellinger, M.D. John and Mary Ruth Houston Jim Helsinger and Suzanne O'Donnell Jan Huebner Ms. Leslie Kinnaird Fred Koberlein Brian Kolka Chris Jones Rob and Wendy Landry Ellen Lang Linda Lindsey Jay Yellen & Elizabeth Maupin Anonymous Dr. Margaret G. Miller and Mr. Charles E. Miller Kristi Mitchell

William and Ede Nault Anonymous Pete’s Imagination Lois A. Pettit Dr. Steven and Nancy Price Janet H. Rapp James and Beverly Rawlings John and Louisa Reed Rebecca and Ryan Rhoden Dexter Richardson Karen Rivett Thomas and Elizabeth Roehlk Sue Ruberti Anonymous Evelyn Santos C. Scott Schmitt, Dmd Ms Julie Scott Mrs. Jean F. Schultz

Juliana M. Steele and Kenneth H. Johnson Lauranne and Samuel Stephens Phil and Melissa Sublette Jackie and Rod Sward Mr. Ed Timberlake Katherine E. Timon Anonymous Phoebe and Eliot Rosewater Debbey Von Heather Walsh and David Sigalow Beth Smith James Warmus Sarah Wasser and Family Neil and Malka Webman Patrica M. White Ralph and Betsy Zaorski Odd-O-Ts' Entertainment in Honor of All Those That Keep Us Performing!

For a list of our Ensemble members please visit our website honor roll.