Urban Streetscape

Page 1

URBAN STREETSCAPE

W i t h P e r m i s s i o n s f r o m N e w t o n I n s t i t u t i o n a l L i n k P r o j e c t 2 0 1 8 - 2 0 2 1

The Hidden Dimension

No matter what happens in the world of human beings, it happens in a spatial setting, and the design of that setting has a deep and persisting influence on people.
— Edward T. Hall

Outline of Report

Significance of the Street

Definition of Streetscape

Streetscape vs Panorama

Streetscape Documentation

Ways to Layout and Present

Significance of the Street

“Streets are one of the crucial city elements that signify the public life of the place. Hence, streetscaping becomes the determining criteria for the success of the city.”
- Aarushi Gupta

Definition of Streetscape

Streetscape is a term “that refers to is used to describe the natural and built fabric of the street and defined as the design quality of the street and its visual effect.”

Streetscape vs Panorama

Streetscape Panorama

linear street line panorama

multi-viewpoint panorama; a set of photographs taken from different viewpoints along the street front

classic 360° panorama taken from one viewpoint by the photographer as they swivel with the camera from one end to another

Streetscape shows a consistent and complete street elevation presents each building along the street equally prioritizes the orientation of the street and recognizes which side of the street is represented

Panorama

buildings at either end are not recognizable distorts the image; the nearer the building, the bigger it is the image is flattened out from the full 360° rotation; the north and south ends face the same direction

Streetscape Documentation

at least 50% overlap

On-Site

Take note of landmarks and adjacent streets

As you conduct the documentation, observe common building materials and local flora & fauna; capture close-up images of those relevant elements

50% overlap diagram by Hugin (Figure 3)

Figure 3: Overlap Diagram

Editing and Photo Stitching

Collate the photos (ideally, the default arrangement is sequenced)

Overlay each photo by its order

Crop the photos

Tilt-shift accordingly to avoid distortion

Software/Programs

Ways to Layout and Present

Numbered S o f B r o a d S t r e e t
Odd
Strand and Savoy Neville Terrace

The Image of the City

There is no final result, only a continuous succession of phases.
— Kevin Lynch

R e f e r e n c e s

B r i t a n n i c a D i c t i o n a r y . ( n . d . ) . R e t r i e v e d f r o m h t t p s : / / w w w . b r i t a n n i c a . c o m / d i c t i o n a r y / s t r e e t

B r o a d S t r e e t V i s i o n P l a n . ( n . d . ) . S t r e e t E l e v a t i o n s . R e t r i e v e d f r o m h t t p s : / / b r o a d s t r e e t v i s i o n p l a n . w e e b l y . c o m / s t r e e t - e l e v a t i o n s . h t m l

D e s i g n e r . ( 2 0 1 4 , M a y 1 3 ) . U r b a n R e d e s i g n P r o p o s a l s . h t t p s : / / w w w . c i v i l p r o j e c t s o n l i n e . c o m / c i v i lp r o j e c t s / u r b a n - r e d e s i g n - p r o p o s a l s /

D i e t r i c h , J . ( 2 0 1 4 , D e c e m b e r 3 ) . l i n e a r s t r e e t l i n e p a n o r a m a v s . c l a s s i c 3 6 0 ° p a n o r a m a .

P A N O R A M A S T R E E T L I N E . R e t r i e v e d f r o m h t t p s : / / p a n o r a m a s t r e e t l i n e . c o m / n e w s / l i n e a rs t r e e t l i n e - p a n o r a m a - v s - c l a s s i c - 3 6 0 - p a n o r a m a

D i e t r i c h , J . ( 2 0 1 6 , N o v e m b e r 2 3 ) . P h o t o S t o r y : W r o c l a w R y n e k i n P o r t r a i t . U r b a n T r a v e l B l o g . h t t p s : / / w w w . u r b a n t r a v e l b l o g . c o m / p h o t o s / w r o c l a w - m a r k e t - s q u a r e /

F e n c e s , J . ( n . d . ) . C r e a t i n g l i n e a r p a n o r a m a s w i t h H u g i n . h t t p : / / w w w . d o j o e . n e t / t u t o r i a l s / l i n e a r - p a n o /

G u p t a , A . ( 2 0 2 2 , J a n u a r y 2 4 ) . W h a t I s A S t r e e t s c a p e A n d W h y A r c h i t e c t s S h o u l d C a r e . R T F | R e t h i n k i n g t h e F u t u r e . h t t p s : / / w w w . r e - t h i n k i n g t h e f u t u r e . c o m / r t f - f r e s hp e r s p e c t i v e s / a 5 6 4 - w h a t - i s - a - s t r e e t s c a p e - a n d - w h y - a r c h i t e c t s - s h o u l d - c a r e / M a r k s o n S t r e e t C o m p o s i t e s - S c o t t N o r s w o r t h y . ( n . d . ) . h t t p s : / / s c o t t n o r s w o r t h y . c o m / f i l t e r / l a n d s c a p e / M a r k s o n - S t r e e t - C o m p o s i t e s

U n i v e r s i t y o f D e l w a r e . ( n . d . ) . S t r e e t s c a p i n g | P l a n n i n g f o r C o m p l e t e C o m m u n i t i e s i n D e l a w a r e .

R e t r i e v e d f r o m h t t p s : / / w w w . c o m p l e t e c o m m u n i t i e s d e . o r g / p l a n n i n g / c o m p l e t es t r e e t s / s t r e e t s c a p i n g /

V a d r e v u , S . ( 2 0 2 1 , F e b r u a r y 1 5 ) . S t r e e t s c a p i n g – a n i m p o r t a n t i m a g e f o r a c o u n t r y ’ s i d e n t i t y . R T F

| R e t h i n k i n g t h e F u t u r e . R e t r i e v e d f r o m h t t p s : / / w w w . r e - t h i n k i n g t h e f u t u r e . c o m / c i t y - a n da r c h i t e c t u r e / a 2 4 9 8 - s t r e e t s c a p i n g - a n - i m p o r t a n t - i m a g e - f o r - a - c o u n t r y s - i d e n t i t y /

P h o t o R e f e r e n c e s

S l i d e 4 : ( n . d . ) . M a r u n o u c h i N a k a d o r i . R e t r i e v e d f r o m h t t p s : / / w w w . t o k y og o . a s i a / c o m m o n / m a i n p o p i m g / u 5 b 8 6 5 8 e 6 6 8 9 a 2 . j p g

S l i d e 7 :

U n i v e r s i t y o f D e l w a r e . ( n . d . ) . S t r e e t s c a p i n g p r o v i d e s . . . . R e t r i e v e d f r o m

h t t p s : / / w w w . c o m p l e t e c o m m u n i t i e s d e . o r g / f i l e s / 2 0 2 1 / 0 1 / S t r e e t s c a p i n g - p r o v i d e s - 3 -

7 6 8 x 6 1 4 . p n g

S l i d e 6 : D i e t r i c h , J . ( n . d . ) . W r o c l a w R y n e k E a s t s i d e . R e t r i e v e d f r o m h t t p s : / / p a n o r a m a s t r e e t l i n e . d e / w pc o n t e n t / u p l o a d s / 2 0 1 6 / 0 4 / W r o c l a w R y n e k O s t 4 5 0 . j p g S l i d e 8 : R u e d a , D . ( 2 0 1 6 ) . P a n o r a m a V i e w f r o m G o o g l e S t r e e t V i e w . R e t r i e v e d f r o m

h t t p s : / / i . s t a c k . i m g u r . c o m / a P p S R . p n g

S l i d e 1 0 & 1 1 :

P a n o r a m a S t r e e t l i n e . ( n . d . ) . S t r e e t l i n e P a n o r a m a a n d C l a s s i c P a n o r a m a . h t t p s : / / c d n . p a n o r a m a s t r e e t l i n e . c o m / u p l o a d s / 2 0 1 4 / 0 4 / p a n o r a m a g r a f i k s . p n g S l i d e 1 2 : I K R A M s h a a r i . ( 2 0 1 6 , D e c e m b e r 1 4 ) . V i e w o f C i t y S t r e e t . R e t r i e v e d f r o m h t t p s : / / w w w . p e x e l s . c o m / p h o t o / v i e w - o f - c i t y - s t r e e t - 2 5 0 6 5 9 / S l i d e 1 3 : F e n k e s , J . ( n . d . ) . 5 0 % o v e r l a p d i a g r a m . R e t r i e v e d f r o m h t t p : / / w w w . d o j o e . n e t / t u t o r i a l s / l i n e a rp a n o / i m a g e s / h o w t o m o v e . p n g

l i d e 1 4 : D i e t r i c h , J . ( 2 0 1 7 ) . W i l h e l m s t r a s s e . R e t r i e v e d f r o m h t t p s : / / p a n o r a m a s t r e e t l i n e . d e / w pc o n t e n t / u p l o a d s / 2 0 1 9 / 0 5 / s e l l i n w i l h e l m s t r a s s e p a n o r a m a 6 5 0 f w . j p g

S l i d e 1 5 : D i e t r i c h , J . ( 2 0 1 5 ) . F o r t n u m a n d M a s o n . R e t r i e v e d f r o m h t t p s : / / p a n o r a m a s t r e e t l i n e . d e / w pc o n t e n t / u p l o a d s / 2 0 1 6 / 0 7 / L o n d o n P i c a d i l l y 5 0 0 . j p g

S l i d e 1 6 :

D e s i g n e r . ( 2 0 1 4 ) . S t r e e t E l e v a t i o n s . h t t p s : / / w w w . c i v i l p r o j e c t s o n l i n e . c o m / w pc o n t e n t / u p l o a d s / 2 0 1 4 / 0 4 / s

O ' N e i l l , L . ( 2 0 1 4 ) . P h o t o e l e v a t i o n o f C o r k S t r e e t . R e t r i e v e d f r o m h t t p s : / / i . p i n i m g . c o m / o r i g i n a l s / 7 6 / e 4 / b 1 / 7 6 e 4 b 1 a 4 9 e f c c 6 8 2 2 2 e f a 1 d f 9 f f 1 d b 0 d . j p g

D i e t r i c h , J . ( 2 0 1 6 ) . W r o c l a w R y n e k R i n g B r e s l a u M a p K a r t e . R e t r i e v e d f r o m h t t p s : / / w w w . u r b a n t r a v e l b l o g . c o m / w p - c o n t e n t / u p l o a d s / 2 0 1 6 / 1 0 / W r o c l a w - R y n e k - R i n g -

B r e s l a u - M a p - K a r t e - 4 S - 7 6 8 x 5 1 8 . j p g

S l i d e 1 7 & 1 8 : ( n . d . ) . 2 0 0 B l o c k o f B r o a d S t r e e t ( O d d N u m b e r e d S i d e ) . R e t r i e v e d f r o m h t t p s : / / b r o a d s t r e e t v i s i o n p l a n . w e e b l y . c o m / u p l o a d s / 5 / 2 / 9 / 5 / 5 2 9 5 9 5 8 / 7 5 7 5 6 6 5 o r i g . j p g ( n . d . ) . 2 0 0 B l o c k o f B r o a d S t r e e t ( E v e n N u m b e r e d S i d e ) . R e t r i e v e d f r o m h t t p s : / / b r o a d s t r e e t v i s i o n p l a n . w e e b l y . c o m / u p l o a d s /

S l i d e 1 9 & 2 0 :

D i e t r i c h , J . ( 2 0 1 1 ) . S t r a n d a n d S a v o y . R e t r i e v e d f r o m h t t p s : / / p a n o r a m a s t r e e t l i n e . d e / w pc o n t e n t / u p l o a d s / 2 0 1 1 / 0 8 / L o n d o n S t r a n d S a v o y s t r e e t p a n o r a m a f o t o . j p g

D i e t r i c h , J . ( 2 0 1 2 ) . N e v i l l e T e r r a c e . R e t r i e v e d f r o m h t t p s : / / p a n o r a m a s t r e e t l i n e . d e / w p -

c o n t e n t / u p l o a d s / 2 0 1 2 / 0 5 / L o n d o n N e v i l l e T e r r a c e 3 0 0 b . j p g

S l i d e 2 1 & 2 2 : A h m a d , M . , L a g m a n , A . , P a d i l l a , C , P e , S . , & P o , K . ( 2 0 1 9 ) . J . P . R i z a l , M a r i k i n a S t r e e t s c a p e .

I n p a r t i a l r e q u i r e m e n t f o r P l a n n i n g 2 c l a s s u n d e r A r . S y l v i a C l e m e n t e

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