2012 --- 2017 GRADUATE SCHOOL OF INTERIOR ARCHITECTURE AND DESIGN PANCHAYA SIENGSAKUL DESIGN PORTFOLIO BANGKOK ------> SAN FRANCISCO
ENTREPRENEURIAL INTERIOR ARCHITECTURE & DESIGN
VOLUME I COMME RCI A L DESIGN
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X-ray / sr / noun an electromagnetic wave of high energy and very short wavelength, which is able to pass through many materials opaque to light.
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PROJECT I COMMERCIAL DESIGN 2016 WORKPLACE OF THE FUTURE TOOLS : REVIT / ADOBE CC SUITE
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TCHO: FROM NASA TO THE BARS OF CHOCOLATE TCHO is a start-up chocolate born
TCHO designed a chocolate “Beta”
in Pier 17, San Francisco, the city
program in which feedback from their
where was the birthplace of Google,
customers helped us refine their early
Facebook, Microsoft and Apple.TCHO
formulations before final launch. Plus,
was firstly established by NASA
their packaging is modern and iconic;
engineer, founder of Wired and Peru
TCHO has won numerous design
cocoa manufacturers, recycling old
awards. The TCHO team includes
machines and adapted to modern
chocolate and food enthusiasts
times to become one of the best
with deep chocolate experience
chocolates in the world.
from industry leaders like Ghirardelli, Scharffen Berger, and Lake Champlain
Under the concept of “fail fast”: Take
Chocolates.
a fast, try it in different people and then iterarlo, as if it were software.
F ROM A R T I C L E T C H O I S N E W A M E R I C A N C H O C O L AT E . © 2 0 17 T C H O V E N T U R E S,
There are many ways in which TCHO
INC.
is where Silicon Valley start-up meets San Francisco food culture. That means TCHO marries the relentless pursuit of innovation to the obsession with flavor and quality which are hallmarks of our region. TCHO has a unique and innovative sourcing program, TCHOSource, that goes beyond Fair Trade — working directly with cacao farmers to improve their crops and livelihood.
BUSINESS AND FINANCIAL MANAGEMENT OPERATIONS SOCIAL MANAGEMENT AND CUSTOMER SERVICES
TECH SPECIALISTS AND SOFTWARE DEVELOPERS
This program has helped thousands of farmers in Peru, Ecuador, the Dominican Republic, and Ghana.
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THE NAME TCHO IS A PHONETIC SPELLING FOR THE FIRST SYLL ABLE OF CHOCOL ATE. TCHO IS PRONOUNCED “CHOH!” (THE “T” IS SILENT)
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SAN FRANCISCO, CALIFORNIA
DOGPATCH DEMOGRAPHICS
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ED C U
T ION A A T TAINM EN T %
DOGPATCH
SAN FRANCISCO AVERAGE
50
25
TOP 3 OCCUPATIONS OF MALES % DOGPATCH
SAN FRANCISCO AVERAGE
MALE IN MANAGEMENT OCCUPATIONS HERE
21.3%
CITY
14.1%
0 BACHELOR’S
MASTER’S
PROFESSIONAL’S
MALE IN BUSINESS AND FINANCIAL OPERATIONS OCCUPATIONS
DOCTORATE
HERE
6.2%
CITY
8.1%
MALE IN COMPUTER AND MATEMATICAL OCCUPATIONS
SAN FRANCISCO’S NEW INDIE NEIGHBORHOOD
HERE
11.2%
CITY
8.7%
TOP 3 OCCUPATIONS OF FEMALES %
Dogpatch is proof that good things come in small packages. The
DOGPATCH
charming microhood was largely industrial for years, but has become
SAN FRANCISCO AVERAGE
FEMALE IN MANAGEMENT OCCUPATIONS
a budding enclave of artisans and craftsmen. The area maintains a sleepy, untouched vibe on the surface — with palpitating creativity at the core.
HERE
30.5%
CITY
11.8%
FEMALE IN BUSINESS AND FINANCIAL OPERATIONS OCCUPATIONS
The historic district is home to some of the city’s oldest structures
HERE
10.5%
CITY
9.4%
FEMALE IN COMMUNITY AND SOCIAL SERICES OCCUPATIONS
and Victorian cottages. Pier 70 is an existing shipyard and industrial site that supported both World Wars and manufactured supplies for
HERE
2.8%
CITY
2.8%
the Gold Rush and Transcontinental Railway. The Noonan Building at Pier 70 is now studio space.
OU H EH S OL
D INCOME D I S TRI B TI U
ON
RENT PAID B Y RENTERS
HOUSEHOLD PER EACH $1000 SECTION
PENTERS PER EACH $100 SECTION
12
240
10
200
8
160
6
120
4
80
2
40
0
0 0 10 20 30 40 50 60
75
1001
25
1502
00
$max in thousand of $
0
2004
00
6008
00
1000
1500
2000
in $/month
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VOLUME I COMME RCI A L DESIGN
FROM THE FUTURE OF WORK BY VIVIAN GIANG
TRENDS FOR P R ODUCTIVE OFFICE DESIGN FOR 2016 1
2
3
CREATE PATHS FOR CHANCE MEETINGS
INCLUDE NOOKS NEAR COMMON AREAS
BUILD CONFERENCE ROOMS DIRECTLY IN COMMON AREAS
Creating paths for chance meetings,
The best-case scenario when people
Instead of the boring walls that usually
including nooks, and designing agile,
run into each other is that brilliant
put people to sleep, glass walls in the
unique workspaces are solutions that
conversations spark, resulting in
middle of a busy area can help keep
designers say promote collaboration,
innovative solutions. This is exactly
the mind awake.
creativity, and productivity in the
why you should include nooks—areas
modern office.
where people can go and maintain
Your mind is being spiked by the
some privacy—around these common
activity that’s swirling around, but
areas and paths.
the downside is that this could be a
It’s more crucial to make sure people are connecting and brainstorming with
problem for people who have issues
each other. The chance encounters are
If you have to reserve a conference
necessary to increase familiarity and
room to finish that conversation, then
to hopefully create conversations that
you lose time. It’s not efficient.
lead to solutions.
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concentrating.
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4
5
6
INCLUDE BOOTHS FOR PRIVATE CONVERSATIONS
CREATE AN AGILE WORKSPACE
HAVE ADJUSTABLE DESKS AND CONFERENCE TABLES
It’s certainly important for people to
We design spaces today where every
desks today should be able to adjust
have a sense of privacy. People need
employee doesn’t have to sit in a
to any height and conference tables
a space that they can go to make a
specific spot rather than going to sit
should do the same since research
conference or Skype call.
in one desk all day, it could be that I’ll
also shows that standing meetings
start working at a bench, then I’ll go
keep groups more engaged and less
Because it’s important to create
to a more quiet space for head-down
territorial than sitting meetings.
those spaces and create a company
concentration, then I’ll go to the social
culture that supports those spaces. In
hub because I want to connect with
Research shows that sitting too
other words, you don’t want to have
my co-workers. We’ve moved beyond
much is harmful to our health and
a culture where the boss is always
traditional offices to agile design.
employers should be concerned about
asking why someone isn’t at their
the health of their biggest asset: their
desk. People need to feel like they can
Agile designs make more sense
go to a private area for a phone call or
because it feels more comfortable
simply to work uninterrupted if they
for employees where people have
need to.
choices, more control, and power. We
employees.
still need to conquer how to control distractions. You can’t control all distractions, but you can get up and move.
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PENCIL ON DRAFT PAPERS
SKETCHES
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© P HOTO: DR. S A NDR A GE L B RICH
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CUSTOM DESIGN FOR CONFERENCE AND NOOK AREAS
CONSTRUCTION RESEARCH CARBON F I BRE -RE I NF ORCE D CONCRE T E Concrete reinforced with textiles instead of steel has many advantages: it saves raw materials, has a high potential for lightweight construction and can thus be used in innovative ways. Moreover reinforcement fabrics such as carbon do not rust and therefore have a longer lifespan. The thin-walled carbon fibre-reinforced concrete shells were manufactured by means of a flexible formwork system made of glass-fibre reinforced plastic (GFRP), whereby the researchers first coated and preformed the textile reinforcement structures with resin and then integrated the fibres into the concrete for casting the shells. A R T I C L E P U B L I S H E D 0 5 / 13 / 2 0 16 BE T TINA SIGMUND
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LIBERAL
CASUAL
BOLD
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MOOD AND TONE
CONCEPT: CHEMICAL LAB Lean and Mean to be Real is the
prescription for TCHO crews.I would like to represent iconic boldness of the company identity by applying space characters with their own philosophies.
FLEXIBILITY
First of all, energetic atmosphere is the leader of commercial space as it is where people spend most of their daily life within wake-time. Contrarily,
PRODUCTIVITY
diversity of unisex colors stands for vibrant and individual identity of the location. Dogpatch; a new art-indy neighborhood is a manufacturing Revival of San
EFFICIENCY
Francisco. Finally, liberality is representing TCHO as a new intellectual community of finest products with creativity and missions to change how people experience chocolates.
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1
RECEP TION
PUBLIC / CIRCUL ATION
2
L AB
ACCESSIBLE INDIVIDUAL WORKING SPACE
3
COLL ABOR ATION LIBR ARY
CONVENIENTLY ACCESSIBLE / LOW TR AFFIC
4
NOOK
INDIVIDUAL WORKING SPACE
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MANAGER OFFICE
VISUAL AND ACOUSTIC CONTROL
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WORKING SPACE
COLL ABOR ATION ARE A / HIGH TR AFFIC
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MEE TING ROOM
HIGHLY RESTRICTED
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CEO OFFICE
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CAFE TERIA AND LOUNGE
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CONFERENCE
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E XHIBITION DISPL AY
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ADA RESTROOM
8
8
4
4 5
6 6
7 9
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ZONING & CIRCULATION
12 10 12
11
2 3
4
1
EMPLOYEE VISITORS EGRESS
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F1
CONCRE TE
F2
CARPE T I
F3
CARPE T II
F4
ARE A RUG
F5
RECL AIMED WOOD PARQUE T
F6
TILE
F7
INDOOR SYNTHE TIC GR ASS
M1
CARBON FIBER-REINFORCED CONCRE TE
F1
F2
F3
F4
F5
F6
F7
M1
147' - 10 15/32"
M1
42' - 8 13/32"
F4
F5 F7 F3
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M A TER L IA & FU R N ITU E P R L N A '10 34
6" /1 15
'5 2" 1/
M1
F6
F1
'48
4
" 32 1/
F2
M1
-8 37'
6" 7/1
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23
7' - 10 1/2"
10' - 8"
Linere endant Light
Ad ustable Track Light
ERC
HUNA ontana Arte Pendant
5' - 0"
R 3' - 0"
VOLUME I COMME RCI A L DESIGN
5' 1 -1 " 32 7/
.00 60
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REFLECTED CEILING PLAN / LIGHT FIXTURE AND FURNITURE LEGENDS
FURNITURE LEGENDS
L1
L2
L3
L4
L5
L6
T1
T2
T3
T4
T5
T6
C1
C2
C3
C4
C5
C6
C7
C8
C9
C10
L1
6” RECESSED 11-W DIMMABLE LED RE TROFIT LIGHT TRIM
L2
EL AN GORVE 39 1/4” WIDE CHROME LED LINE AR PENDANT
L3
RILE Y BL ACK 10 WAT T LED TR ACK HE AD FOR JUNO
L4
HUNA PENDANT LIGHT FONTANA ARTE
L5
QUOIZEL MARINE 6” WIDE WESTERN BRONZE MINI PENDANT
L6
STOA WALL SCONE BY FOCUS LIGHTING
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11/32" '-
12' - 0 1/32"
VOLUME I COMME RCI A L DESIGN
NOR T H V IE W OF ME E T- U P NOOK
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DISSECTION OF THE SOUTH & NORTH VIEW
ELEVATIONS
NOR T H V IE W OF W ORK ING SPACE A ND C OL L A B OR AT I V E S TAT ION
SOU T H V IE W OF W ORK ING SPACE A ND ME E T- U P NOOK
SOU T H V IE W OF ME E T- U P NOOK
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VOLUME I COMME RCI A L DESIGN
RE
RE
This collaboration area was programmed to improve
All furniture was selected by considering modularity and
communication in this office. By considering the ecology
functions for collaborative area. This is also a library for
of the brand, there’re many departments working
employees gathering and researching resources. Even
cohesively in each production process; enhancing the
though, the space is open, however, carpet, and hanging
space with energetic mood-boosting finishing colours
clouds from the ceiling are designed for better acoustics.
with hexagon-shaped furniture to create bold and lively environment for collaborative purposes.
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COLLABORATION LIBRARY 28
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MEETING ROOMS People will notice from the first that
humour, these curtains are mimicking
this meeting room reminds them of a
restricted areas in factory that contain
retro car-wash service station or QC
important information of the company.
partition area. And it is correct. These
This humour is possible because of
transparent vivid yellow curtains are
TCHO’s community culture that makes
an operable partition of each meeting
this happens. Moreover, in contrast of
area as flexibility is the priority. To
red brick wall, bright and semi-matte
spice this room up from traditional
yellow finishing and natural touch from
meeting room, with some sense of
wood furniture are for users fun and comfort.
RE
RE
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RE
RE
CEO Office is located solitarily from other areas in order to create privacy and less pressure among employees. This room boundaries are brick walls and glazed windows and door for sustainability and ventilation. The room is quite simple but spacious with a few gimmicks that play a roll to reduce stressfulness and promote productivity.
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CEO OFFICE
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CAFETERIA & LOUNGE
Cafeteria and lounge is a break room for employees and employers functioning as a space to strengthen bonds among co-workers and their boss. With one long dining table with small prep-kitchen island and shelves for everyone’s convenience. Artificial green grass is the selected flooring material that psychologically relaxes human visual perception and calms mind. I chose perforated stainless steel partition making this room provocative and modern.
RE
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RE
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A V IE W INSIDE A C OMMON A RE A NOOK W I T H P L AY F UL A ND L IGH T HE A R T E D AT MOSP HE RE RE P RESE N T P ROVOK AT I V E P E RSP E C T I V E OF TCHO
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P RO JEC T 2
Entrepreneur / ntrə rə nər / noun 1 a person who organizes and manages any enterprise, especially a business, usually with considerable initiative and risk. 2 an employer of productive labor; contractor.
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PROJECT II COMMERCIAL DESIGN 2016 NEXT UNIVERSITY TOOLS : REVIT / ADOBE CC SUITE
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INTRO TO NEXT UNIVERSITY AND PROJECT MISSIONS
CLIENTELE & USER SCENARIO Steelcase is a United States-based furniture company which produces office furniture, architectural and technology products for office environments and the education, health care and retail industries. NEXT Education Spaces Steelcase Education works with leading educational institutions to create places that enhance the success and wellbeing of students and educators. Large Classroom Active Learning Classrooms In-between learning Spaces Faculty Connection Hub Student WorkCafe
Certificates + Profiles
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Materials Chemistry
End of Use + Recycling
Life Cycle Thinking + Assessments
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A HIGHER EDUCATION INSTUTION : NEXT UNIVERSITY NEXT University is a cutting-edge learning instution with the primary goal to develop students that will be
LEADERS
future leaders and innovators. “The Future is in our Hands” is a quote of NEXT, a private liberal arts institution with less that 2,200 students.
INNOVATORS
Primary users : High education learning center dedicated to build leadership learners with promising missions and visions as well as
FUTURE
facilities composed to support instuition’s crews and visitors. Age : between 20 -35 yrs.
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NEXT UNIVERSITY
LOCATION & SOLAR STUDY Next University 1584 Wesleyan Drive Norfolk, Virginia 23502
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VIRGINIA VS. TOTAL POPULATION
NORFOLK DEMOGRAPHICS TOTAL POPUL ATION MALE FEMALE
24 2 , 8 0 3 12 5,797 117, 0 0 6
CAUCASIAN AFRICAN AMERICAN ASIAN
47.75 % 4 2 .6 2 % 3.3 6 %
MEDIAN AGE OF BOTH SE XES MALE FEMALE
LOTS OF LOCAL AMENITIES SUNNY W E ATHER LOW COST OF LIVING
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Individuals And Groups :
GREEN MOVEMENT BECOMES EVERYEVERY ONE DAILY LIFE 1) Sustainable Conciousness : With climate control strategy and low harmful VOC gases emission for better ventilation, the studies indicated that improving indoor air quality can impact a person’s learning performance by as much as 10-20%. 2) Today, Students Are Engaged More By Active Learning System : From Milenium generation and up for ward, nowadays, stidents seek active learning environment while teaching method had been shifted to a learing-while-doing method. As a result, creating mock-up spaces where students can experience new situations in a focused setting is very crucial.
3) Integrate Technology By Critical
The study demonstrated that
Component For M-Generation
engagement increases as students
Millennium generation has a distinct
move from just receiving information
profile, for instance, multi-taskers with to discussing and experiencing it, and simultaniously wireless interactions
peaks when students in turn convey
are their nature. An Interior space
information to others.
should providing sufficient electrical outlets with comfortable furniture
6) Attract & Retain Human Resources
for the users who crave and expect
by Facilities Interiors Are Valuable
constant stimulation.
Marketing Tools For Recruiting : An apearance is always do matter.
4) Provide
Increasing of compettive environment
Flexibility by An Environment That Are
in education industry is a motivation
Both Flexible And Adaptable :
of improvement.
School design must acknowledge the rapid pace of change and create an
Studies indicate that physical
environment that are both flexible
condition of school facilities impacts
and adaptable for the future that
teacher working effectiveness and
respond to the teaching styles of
improves a relationship between
each professor with the ability to
students and faculty.
recogfigure quickly, quietly and with minimal distraction.
7) Establish Community By Sense Of Community Is A Part Of College
5) Encourage Collaboration by Easy
Experience : Students crave sense o
Transfer Information Between
community in the college time. With the sense of belonging can be served from student service center, social activities offering them centralized amenities.
FROM ERAMUS UNIVERSITY ROTTERDAM BY PAUL DE RUITER ARCHITECTS
DESIGN TRENDS IN HIGHER EDUCATION 46
VOLUME I COMME RCI A L DESIGN
SIMPLE
ORGANIC
INNOVATIVE
PROMISING
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MOOD AND TONE
CONCEPT: 3D GLASSES The Viewpoint of Technology,
we bring sustainability to life.
ORGANIC
NEXT, in other words, it refers
FUTURISTIC
to our responsibility to create future generations with leadership perspective and initiative to new innovation for community in dynamic
PROMISING
culture.
SUSTAINABLE
PHILOSOPHY
INNIVATIVE
Make Touchable Scenery 1) Create active and guilt-free movement for better future 2) Healthy Community thant enhancing learning performance
SIMPLE YOUNG
3) Create seamless culture in NEXT School Connection Hub
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COMBINATION
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SPACING
INTERSECTION
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SKETCH DESIGN DEVELOPMENT
BRANDING NEXT CORPORATE IDENTITY DEVELOPMENT I started with my sketches to relate my design mood and tone with the concept. By employing intersected curves and angle, it represents overlapping and intellectual knowledge in shapes of organic and flowing lines and forms. Digital Edit with font and shape selection Font: GOTHAM UPPERCASE Regular 120% Horizontal scale
ABCDE FGHIJK LMNOP QRSTU VWXYZ
FIRST VERSION
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COLOUR PENCIL ON DRAFT PAPERS
SKETCHES
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VOLUME I COMME RCI A L DESIGN
LE VEL 1 R6 R5
R3 R4 R2
R1
R3 R1
R6
R6 R5
R3 R4 R2
R1
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LE VEL 2
P RO JEC T 2
CIRCULATION / ZONING / FUNITURE AND MATERIAL PLANS
CIR CLU ATIO N & FLO R P O L N A ZONING : LE VEL 1 R1
ATRIUM
R2
STUDENT WORK CAFE
R3
STUDENT LOUNGE
R4
NE X T LIBR ARY
R5
IN-BE T WEEN LE ARNING SPACE
R6
L ARGE CL ASSROOM ZONING : L E V EL 2
R1
ATRIUM
R2
STUDENT WORK CAFE
R3
NOOK
R4
FACULT Y CONNECTION HUB
R5
IN-BE T WEEN LE ARNING SPACE
R6
ACTIVE LE ARNING CL ASSROOM
CIRCUL ATION TO MAIN TR ANSIT SECONDARY TR ANSITION TO ROOMS EGRESS
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LIGHT FIXTURES AND CEILING FINISHINGS
REFLECTED CEILING PLAN L1
L2
L3
L5
L6
L7
L4
L1
PHILLIPS LED RECESSED DOWNLIGHT
L2
INTR A LIGHTING PIPE TUBE P 60
L3
INTR A LIGHTING PIPE TUBE S25
L4
INTR A LIGHTING PIPE TUBE S60
L5
MIZ AR E THER CEILING PENDANT 500MM
L6
INTR A LIGHTING MINUS CEILING 2000LM
L7
INTR A LIGHTING MINUS CEILING 4 000LM
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F1
TERR AMAI MISSION OAK WHITE ENGINEERED FLOOR & PANELING
F2
MOHAWK MALTED MILK LOF T LIFE CARPE T
F3
ROYAL GR ASS ECODENSE ECO-FRIENDLY ARTIFICIAL GR ASS
F4
TERR A Z ZIO LUMINA BROKEN GL ASS AND CONCRE TE TERR A Z ZO
W1
VANDERSANDEN GROUP UNICOLOURED IVORY WHITE BRICK
W2
BENJAIN MOORE NATUR A INTERIOR PAINT-FL AT 512
W3
BIOTECTURE INDOOR GARDEN DESIGN BY MIDDLESE X
W4
BAUX ACOUSTIC WOOD WOOL PANELS
W5
TERR AMAI MISSION OAK WHITE ENGINEERED FLOOR & PANELING
W6
ROLLOUT ME TATRON MUR AL WHITE GEOME TRY WALLPA PER
W7
ROLLOUT ME TATRON MUR AL JAL A PENO GEOME TRY WALLPA PER
F1
F2
F3
F4
W1
W3
W4
W5
W6
W7
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DISSECTION OF THE SOUTH, EAST AND WEST VIEWS
ELEVATIONS 2
3
4
R 24' - 0"
Level 2 12' - 0"
Level 1 0' - 0"
1
Atrium and Student Work Ca e Elevation 1/4" = 1'-0"
1
2
3
4
5 A
B
C
D
E
Level 2 12' - 0"
Level 2 12' - 0"
Level 1 0' - 0"
Level 1 0' - 0" East View Elevation 3 1/16" = 1'-0"
2
3
10' - 8"
Learning S ace Elevation 2 1/16" = 1'-0"
4
Level 1 0' - 0"
P
4
D
North View Elevation 1/4" = 1'-0"
D
C
S
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VOLUME I COMME RCI A L DESIGN
One of Next intuitive missions is to create innovative human resources for better society. According to the study, it indicates that human working performance can increase up to 82% with good collaboration. In-Between learning space is designed for small groups of working collectively.
IN-BETWEEN LEARNING SPACE
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VOLUME I COMME RCI A L DESIGN
Sustainability is one of next initiation to bring natural resource consciousness in the community. The library contains various of used books, magazines and other unused study materials for students as well as provides book donation station for everyone.
NEXT LIBRARY 63
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VOLUME I COMME RCI A L DESIGN
Since students crave sense of community, this area will elaborate diversity of cultures, knowledge, interests etc. With the sense of belonging, students will be more corporative with other social activities and services than just studying.
FACULTY CONNECTION HUB 65
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VOLUME I COMME RCI A L DESIGN
1
4
A N AT RIUM AT MOSHE RE W I T H A T RE ME NDOUS L I V ING WA L L A ND A LUMINOUS NE X T LOGO
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T VOLUME II RESIDEN T I A L A ND MULT IF UNC T ION A L DESIGN
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P RO JEC T 3
Jux·ta·pose / jə stə / verb to place close together or side by side, especially for comparison or contrast.
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VOLUME II RESIDEN T I A L A ND MULT IF UNC T ION A L DESIGN
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PROJECT III RESIDENTIAL DESIGN 2016 4500 RESIDENCE TOOLS : REVIT / 3DS MAX /ADOBE CC SUITE
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VOLUME II RESIDEN T I A L A ND MULT IF UNC T ION A L DESIGN
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4500 RESIDENCE
LOCATION & SOLAR STUDY 1230 0 Mendenhall Loop Rd Juneau, AK 99801
Juneau, Alaska’s remote capital, sits in the state’s panhandle, at the base of 3,819-ft. Mt. Roberts. It’s a popular cruise-ship stop, reachable only by boat or seaplane. Population:
32,660
Annual high temperature:
48.1°F
Annual low temperature:
36.2°F
Average temperature:
42.15°F
Average annual precipitation - rainfall:
62.24 in
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VOLUME II RESIDEN T I A L A ND MULT IF UNC T ION A L DESIGN
CALM
CONTEMPORARY
NORDIC
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MOOD AND TONE
CONCEPT: SEE = SEA ‘See’ = ‘Sea’ The Serenity of a calm ocean and a starry night The minimalistic style of Scandinavia
Color Selection :
emerged during the 1930s. It
Balancing between cold and warm
promoted a simplistic way of living
with deep shades and nude tints
which insipred by a nature and Nordic climate. With beauty and
These colors emphasize coldness in
sustainability, Scadinavian design has
the northern hemisphere. However,
aimed to serve everyone in all walks
the subtlety and serenity of deep
of life with affordable and easy to
blue specifically depict a sense of
access products.
the location. In contrast, different shades of tan and orange bring out warmth and welcoming into the atmosphere.
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VOLUME II RESIDEN T I A L A ND MULT IF UNC T ION A L DESIGN
0.38 PIGMA PEN ON PAPER
SKETCHES
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4500 RESIDENT LEVEL 1-2
ZONING & CIRCULATION LE VEL 1 ENTRY LIVING ROOM DINING ARE A GRE AT HALL BAR AND KITCHEN SUN ROOM MAIN STAIRS MASTER BEDROOM I
ACCESS TO E X TERIOR
GAR AGE
INTERIOR CIRCUL ATION
STOR AGE
TO ANOTHER FLOOR
LE VEL 2 BEDROOM FAMILY ROOM MAIN STAIR ENTRY
ACCESS TO E X TERIOR
MASTER BEDROOM II
INTERIOR CIRCUL ATION
TERR ACE
TO ANOTHER FLOOR
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VOLUME II RESIDEN T I A L A ND MULT IF UNC T ION A L DESIGN
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LIGHT FIXTURE AND FURNITURE LEGENDS
REFLECTED CEILING PLAN L1
L2
L3
L4
L5
L6
L7
L8
L9
L10
L1
BARE TRIPLE X BLOWN GL ASS PENDANT L AMP BR AND ALMA LIGHT
L2
E THER CEILING LED PENDANT L AMP BR AND MIZ AR
L3
GYON CEILING LIGHT BR AND INTR A LIGHTING
L4
CREE 96” LED-STRIP LIGHT MANUFACTURER BEES LIGHTING
L5
COOL A PPLIQUE LED WALL MOUNTED SQUARE 270 BR AND SIMES
TL 65
COOL A PPLIQUE LED WALL MOUNTED ROUND 24V BR AND SIMES (S)
L7
COOL A PPLIQUE LED WALL MOUNTED ROUND 24V BR AND SIMES (L)
L8
LED CONCRE TE BALL ARD DOUBLE EMISSION BR AND SIMES
L9
MID-CENTURY TRIPOD FLOOR L AMP BR AND WEST ELM
L10
FLUTE PERSONAL TABLE L AMP BR AND HERMAN MILLER
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VOLUME II RESIDEN T I A L A ND MULT IF UNC T ION A L DESIGN
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DISSECTION OF THE SOUTH & NORTH VIEW
ELEVATIONS
W ES T V IE W OF A N E N T IRE RESIDE NCE SHO W ING U P P E R - F LOOR T E RR ACE A ND L I V ING ROOM
SOU T H V IE W OF A N E N T IRE RESIDE NCE SHO W ING M A IN E N T R A NCE A S W E L L A S B A R A ND K I TC HE N A RE A .
NOR T H V IE W OF T HE L I V ING ROOM, DING A RE A A ND P RI VAT E W ORK ING SPACE
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VOLUME II RESIDEN T I A L A ND MULT IF UNC T ION A L DESIGN
This is a corridor from the entrance nearby the garage leading to the stair way, kitchen and dining area. With tight space, I selected glazing and wood to create vision flow with a warm and welcoming atmosphere. From this perspective, there is a sand garden embosed in a granite floor to create a tranquil environment which emphasizes the glazing on the stair way that leading our eyes to look up to the second floor and the round-shape skylight.
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ENTRANCE AND STAIRWAY 18
VOLUME II RESIDEN T I A L A ND MULT IF UNC T ION A L DESIGN
Since the aesthetics of the location surrounded by marvelous mountain scenes of Alaska, large windows of the dining area are not only showing views but also allowing natural light into the space. Moreover, this area was designed for social gathering for entertainment and conversation. Walls between the dining room and the piano room were removed to extend spaciousness and interaction between spaces.
DINING AREA 19
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VOLUME II RESIDEN T I A L A ND MULT IF UNC T ION A L DESIGN
W I T H SK AY L IGH T B A R A BD K I TC HE N A RE A C ONNE C T E D TO A SUN ROOM
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P RO JEC T 3
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VOLUME II RESIDEN T I A L A ND MULT IF UNC T ION A L DESIGN
In this area, the room was extruded out in order to excel the residents’ horizontal vision by indulging nature. With minimalistic and luxurious marble finish fireplace, this room also gives a sense of a warm and cozy atmosphere. In contrast, the vibrant finishing and the color selection on furniture and textiles will spice up the space with character. At nighttime, dwellers can enjoy stargazing while warming themselves under the knitted throw blanket.
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LIVING ROOM
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VOLUME II RESIDEN T I A L A ND MULT IF UNC T ION A L DESIGN
As this room is located at the south of the house, it is fully exposed to the sun for the entire year. In addition, warm and fine reclaimed oak wood finishing will over whelmingly comfort residents with an experience of tasteful and delicate textiles that ease users both physically and mentally.
MASTER BEDROOM II 25
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VOLUME II RESIDEN T I A L A ND MULT IF UNC T ION A L DESIGN
1
A V IE W F ROM S TA IRS SHOW ING T E R R ACE ON T HE E X T E RIOR W I T H A S TOUNDING SCE N A RIO
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P RO JEC T 3
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T VOLUME Ii RESIDEN T I A L A ND MULT IF UNC T ION A L DESIGN
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P RO JEC T 4
Sufficiency / sə’ ənsē / noun the condition or quality of being adequate or sufficient.
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P RO JEC T 4
PROJECT IV MULTIFUNCTIONAL BUILDING 2016 BAY CLUB SF TENNIS TOOLS : PAPER CUT / REVIT / ADOBE CC SUITE
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VOLUME II RESIDEN T I A L A ND MULT IF UNC T ION A L DESIGN
HEALTH
33
TECHNOLOGY
CREATIVITY
DESIGN
SOCIAL
FUN
P RO JEC T 4
INTRO TO MULTIFUNCTIONAL BUILDING FOR GV
CLIENTLETE & GV PORTFOLIOS GV This is a collectives of the
world’s finest engineers, designers, physicians, marketers, and investors with dedication. http://www.gv.com This is a multifunctional building design project based in SOMA, San Francisco. I was assigned to design an interior and construction envelope for GV portfoliosfor health and innovation. The community goals are making life better among co-workers and tennis club members with : 1) A wellness approach 2) Engaging technology 3) Living with sustainability
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VOLUME II RESIDEN T I A L A ND MULT IF UNC T ION A L DESIGN
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BANK OF AMERICA
ST.VINCENT DE PAUL SOCIETY
BAY CLUB SF TENNIS SITE ANALYSIS
SOLAR & WIND STUDY 645 5th St, San Francisco, California 94107 Wind Frequency (Hrs) USA (37.6°, -122.4°) © Weather Tool
ACADEMY OF ART UNIVERSITY
CALTRAIN
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VOLUME II RESIDEN T I A L A ND MULT IF UNC T ION A L DESIGN
FLOW
TRANSPARENT
REPETITIVE
RHYTHMIC
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MOOD AND TONE
CONCEPT: UNDULATE Undulate verb move with a smooth wavelike motion. (especially of a leaf) having a wavy surface or edge. SYNONYMS: rise and fall surge swell heave ripple billow flow roll wavy
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VOLUME II RESIDEN T I A L A ND MULT IF UNC T ION A L DESIGN
PAPER CUT AND FOLD
MODULAR PAPER UNITS To understanding possibility of undulated facades and
interior structure, I created modular paper units through an experimental process; by digitally converted them into vector and multiplied the print and folded in order to create modularity.
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P RO JEC T 4
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VOLUME II RESIDEN T I A L A ND MULT IF UNC T ION A L DESIGN
PAPER CUT / 0.38 PIGMA PEN ON PAPER
SKETCH DESIGN DEVELOPMENT
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VOLUME II RESIDEN T I A L A ND MULT IF UNC T ION A L DESIGN
ISOMETRIC VIEW
TRAFFIC FROM EXTERIOR According the main street, this figure is
showing main accesibility throughout the building via elevators and egress stairs.
F1
F4
F3
F1
F3 F2
F1
F3 F4
43
F3
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VOLUME II RESIDEN T I A L A ND MULT IF UNC T ION A L DESIGN
45
LE VEL 1
LE VEL 2 A
LE VEL 3A
LE VEL 3B
P RO JEC T 4
CIRCULATION / ZONING / FUNITURE AND MATERIAL PLANS
FLO R O
L A P N S
LE VEL 2B
LE VEL 4 46
VOLUME II RESIDEN T I A L A ND MULT IF UNC T ION A L DESIGN
47
W2
BENJAIN MOORE NATUR A INTERIOR PAINT-FL AT 512
W3
BIOTECTURE INDOOR GARDEN DESIGN BY MIDDLESE X
W4
BAUX ACOUSTIC WOOD WOOL PANELS
W5
TERR AMAI MISSION OAK WHITE ENGINEERED FLOOR & PANELING
W6
ROLLOUT ME TATRON MUR AL WHITE GEOME TRY WALLPA PER
W7
ROLLOUT ME TATRON MUR AL JAL A PENO GEOME TRY WALLPA PER
M1
M2
M3
M3
M4
M5
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SUSTAINABLE MATERIAL AND VETILATION FLOW
SUSTAINABLE ELEVATIONS LOW-E GLASS WINDOWS
In order to use passive thermo systems and solar control, low-e coated glazing will minimize the amount of ultraviolet and infrared light that can pass through glass without compromising the amount of visible light that is transmitted.
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VOLUME II RESIDEN T I A L A ND MULT IF UNC T ION A L DESIGN
This area is located on the first floor where retails are operated. This Blue Bottle Coffee lounge was designed as a place for employees and visitors. For business purpose, sysnthetic grass flooring gives poeple a mental relief which positively affect their conversations.
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BLUE BOTTLE COFFEE LOUNGE 50
VOLUME II RESIDEN T I A L A ND MULT IF UNC T ION A L DESIGN
4
OF F ICE AT RIUM F OR G V P OR T F OL IO OF F ICES IN L E V E L 2B A ND GL A S S T UBE L IB R A R YC ONF E RE NCE ROOM
51
P RO JEC T 4
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VOLUME II RESIDEN T I A L A ND MULT IF UNC T ION A L DESIGN
Since employees are craving a sense of community, this office area will elaborate diversity of interests and functions. To create the sense of belonging, coworkers can be more corporate and fun in social activities at the seamless co-working spaces and the lounge.
OFFICE WORKING SPACE AND LOUNGE 53
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VOLUME II RESIDEN T I A L A ND MULT IF UNC T ION A L DESIGN
This cardio room are accommodations for Bay Club SF Tennis members and residents. With seamless glazing walls and windows, people can work out while seeing dynamics on the street view and gardens on the lobby level,
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SPORT CLUB CAR D IO ROOM 56
VOLUME II RESIDEN T I A L A ND MULT IF UNC T ION A L DESIGN
4
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A N AT RIUM AT MOSHE RE F OR G V OF F ICE W ORK E RS IN L E V E L 3B
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VOLUME III SUS TA IN A BL E DESIGN A ND A R T C OL L EC T ION
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P RO JEC T 5
Biomimicry / ə ’m m r / noun Biomimicry the / copying ’m mə or rē imitation / of a natural phenomenon’s or environment’s noun efficiency and survival mechanisms in manufacturing the design and processes productionor ofin materials, applied case-based structures, and sysreasoning; tems that are also modeled writtenon biomimickry biological entities and processes.
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VOLUME III 4 RE SUS TATA IL DESIGN IN A BL E DESIGN A ND A R T C OL L EC T ION
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PROJECT V SURVEY OF SUSTAINABLE DESIGN 2015 CHILDREN’S CREATIVITY MUSEUM PLAYGROUND TOOLS : WATERCOLOR / ADOBE CC SUITE
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VOLUME III SUS TA IN A BL E DESIGN A ND A R T C OL L EC T ION
YERBA BUENA GARDEN, SAN FRANCISCO
TAR G ET & OBJECTIVES Children’s Creativity Museum
221 4th St, San Francisco, CA 94103 This playground design project is one a corporate space of the Children’s Creativity Museum in the SOMA, San Francisco. The site is located among an urban neighborhood, an outdoor park outside the museum in Yerba Buena Garden with more active and creative environment.
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PRIMARY TARGET The primary users are children in elementary grade who play as active target who create motion in this park. According to the research, they tend to enjoy learning from adventure and outdoor activities more than the other ages. The playground can attract both museum visitors and well as others who are dropping by with their parents.
SECONDARY TARGET The secondary users are very essential to make this space becomes operative. These passive targets are the parents who bring their children to this museum and wide age range of people who come to enjoy a tranquility of the park. As a result, this project zoning had divided in to 2 types; active area and passive area.
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VOLUME III SUS TA IN A BL E DESIGN A ND A R T C OL L EC T ION
Biophilia is a hypothetical human tendency to interact or be closely associated with other forms of life in nature. Shapes of each playground station are inspired by organic shapes in nature. I got an inspiration from microorganism cells in the ocean; the living fossils that constrain their forms since primitive era until the present. The zoning and tool features have been simplified, while I remained some natural textures and colours the same as they were, for instance, wood panels, ropes and glasses .
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YERBA BUENA GARDEN, SAN FRANCISCO
PHILOSOPHY
The project’s objectives are to create a sustainable community along with amusement which is be able to engage systematic thinking in childhood. They can learn from activities; for instance, kids can experience passive heating and cooling knowledge from natural light, ventilation and thermomass, they will accomplish understanding life cycle of matters and essential reasons we should consider decomposition of non-toxic materials as well as they can determine renewable energy from the environment.
HEALTH
SUSTAINABILITY
CREATIVITY
SOCIAL
Each play station has their own objective for children proper developments. Firstly, with “health” concern, ‘Muscle skills’ in the arms and upper bodies of children will be further developed through play. Most children will not notice the physical involvement in any plays because they are too focused on their play and the task at hand. In addition, using sand is a medium that is inherently open-ended. Sand is an appropriate play object for every cognitive level of the child. With its fine characters, soothing, soft and flowing quality, sophisticated thought processes engage exploration and creativity. In addition, embedding them preserving natural resources with a wise selection, it is the best way to implant sustainable aspect in childhood and community. Moreover, a collaborating learning with amusement will promote their sustainable passion and responsibility in future. Finally, although each child may have a separate play space with delicate concentration, but when children are playing together, they are often faced with problems involving sharing tools or negotiating for play space. By working together in a common play space, children learn empathy and how to recognize and understand the perspectives of the other children while working together and sharing tools.
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VOLUME III SUS TA IN A BL E DESIGN A ND A R T C OL L EC T ION
ORGANIC
VIBRANT
CONTEMPORARY
CITRIC
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MOOD AND TONE
CONCEPT: HIDDEN BASE Each tool placement is aligned horizontally and vertically for aesthetic purpose. A rhythmic component will stimulate curiosity in children while promotes the user physical health and creativity. Plus, a huge sand basin that cover majority of the park will soothe and engage imagination and social activity among them.
ACTIVE ACTIVITIES
PASSIVE ACTIVITIES
HEALTH
CREATIVITY
SUSTAINABILITY
Trampoline
Swing
Junkle Gym
SOCIAL DEVELOPMENT
Monkey Bar
Seesaw
Swing
Sand Box
Slider
Sandbox
Seesawt
Sound Pipe
Hide And Seek
Sound Pipe
Jungle Gym Hiddentunnel
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VOLUME III SUS TA IN A BL E DESIGN A ND A R T C OL L EC T ION
WATERCOLOR ON PAPER
FLOOR PLAN SKETCH
5
7 9
4 3
10 3
2
1
11
6 8
P RO JEC T 5
PARK
PICNIC PLAYGROUND CIRCULATION
1
ROCK CLIMBING, TR AMPOLINE & SANDBOX
2
TUNNEL
3
PARK SE ATING AND STAIRS
4
SOL AR GARDEN PARK (PICNIC)
5
MONKE Y BAR AND SOUND PIPE
6
HIDDEN HOUSE, SLIDER & ROPE 1
7
HIDDEN HOUSE, SLIDER & SWING HOOPS 2
8
SWINGS
9
SEESAWS
10
SAND POND
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1
ROCK CL IMBING, T R A MPOL INE & SANDBOX By recycle materials as the embedded steps for climbing up to the trampoline, this trampoline also are made of natural rubber that also VOC’s free material. It can be a shade for children who are playing on the sand basin underneath. Physical +++ Sustainable +++ Creative ++ Social ++
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WATERCOLOR ON PAPER
PLAYGROUND STATIONS
2
T UNNEL
3
PA RK SE AT ING AND S TA IRS
The tunnel is located along with the stepped seating for people who want to spending time sitting in the park or parents who came with their children. This tool is representing how creature camouflage in nature, each kid’s physical and psychological health will get promoted from playing with challenging adventure or thrilling hide-and-seek. Physical +++ Sustainable + Creative ++ Social +
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VOLUME III SUS TA IN A BL E DESIGN A ND A R T C OL L EC T ION
4
SOL A R GA RDEN PA RK (PICNIC) The artificial trees are made to show renewable energy by embedded solar panels on leaves. Therefore, solar energy will turned into electricity and illuminate in night time. Moreover, on top of each tree, there’s a rain catcher that filters rain into clean water. Physical + Sustainable +++ Creative ++ Social +
15
P RO JEC T 5
5
MONK E Y BA R AND SOUND PIPE The pipes are connected with multifunctons. Kids can exercise or interact with each others by talking vie the sound pipe bar. This will improve their social skill and understand scientific facts behind communications. Physical +++ Sustainable + Creative + Social +++
These fancy trash cans are my own design that specify types of waste; recycle, compose, landfill and batter y. Ever y time you discard garbages, there will be a greeting and an appreciation; such as “thank you”, “feed me”, or “i’m hungr y” or “nom nom nom”. This interaction will engage children positive and fun aspect toward throwing away wastes and cleaning.
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VOLUME III SUS TA IN A BL E DESIGN A ND A R T C OL L EC T ION
6
HIDDEN HOUSE, SLIDER & SWING HOOPS 2 These are rubber pillars which are made of decomposable and VOCs free material. Their shapes and forms concisely imitate a forest and a grass field surrounding the “Hidden House of Fun� play station. Kids can approach to the hidden house through these colorful pillars and climb up to the house in various ways; such as, the rope slider, rubber steps, or perforates wood panel. The house is made of reclaimed wood that were heat-pressed and formed like a dome which were perforated for ventilation and natural light. During the day time, children also can experience an aesthetics and a contrast of light and shadow. Physical +++ Sustainable + Creative + Social +++
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VOLUME III SUS TA IN A BL E DESIGN A ND A R T C OL L EC T ION
7
HIDDEN HOUSE, SL IDER & SW ING HOOPS 2 This play station is also made of reclaimed wood. Even though, it’s smaller but its contraction is more air y and more challenging. This play station promotes childhood physical development from climbing, hanging and sliding. Physical +++ Sustainable ++ Creative + Social +++
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8
SW INGS While the swings are swinging, the motion will generate kinetic energy that make the fan-like flower rotate. Physical ++ Sustainable +++ Creative ++ Social +++
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VOLUME III SUS TA IN A BL E DESIGN A ND A R T C OL L EC T ION
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P RO JEC T 6
Mile¡stone / m l st n / noun 1 a stone set up beside a road to mark the distance in miles to a particular place. 2 an action or event marking a significant change or stage in development.
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VOLUME III SUS TA IN A BL E DESIGN A ND A R T C OL L EC T ION
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PROJECT VI THESIS OF MESUEM RENOVATION 2013 BUREAU OF FOSSIL RESEARCH AND GEOLOGICAL MUSEUM OF THAILAND TOOLS : AUTOCAD / WATERCOLOR / ADOBE CC SUITE
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VOLUME III SUS TA IN A BL E DESIGN A ND A R T C OL L EC T ION
© P HOTO: PA NCH AYA SIE NGS A K UL
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BUREAU OF FOSSIL RESEARCH AND GEOLOGICAL MUSEUM OF BANGKOK T his is t h e b e g inin g o f t h e T h ai M u s e u m
E v e n t h o u g h, t his e x is t in g m u s e u m w a s
R e n o v a t io n T h e sis I n 2 0 12 . A y e a r t o
r e n o v a t e d in 2 0 0 4 u n d e r t h e D e p a r t-
f inis h t his t h e sis b o o k w a s t h r illin g w i t h
m e n t o f M in e r al R e s o u r c e s , M inis t r y o f
l o t s o f c h all e n g in g . I t w a s m y f ir s t s t e p
N a t u r al R e s o u r c e s a n d E n v ir o n m e n t o f
t o g o o n si t e f o r a r e al r e s e a r c h, m e e t
T h ail a n d , i t s t ill l a c k s o f v isi t o r s .
r e al p e o p l e, a n d d o e x p e r im e n t w i t h a r t .
A c c o r din g t o m y r e s e a r c h . t h e r e’r e o nl y 3 - 5 g u e s t s p e r d a y.
T his is m y u n d e r g r a d t h e sis p r oj e c t W hi c h I s e l e c t e d e x is t in g si t e f o r r e n o -
A s a r e s ul t , t h e r e s o lu t io n is t o w a k e
v a t io n . I p r im a r il y t a r g e t f o r a c a d e mi c
t his p u b li c s p a c e a n d e n g a g e n e w a t-
p u r p o s e w hil e in t e g r a t in g in t e r a c t i v e
t r a c t io n f o r f a milie s a n d t o u r is t s w h o
a n d e x p e di t io n a r y f u n c t io n t o c r e a t e
w a n t t o s p e n din g t h eir q u ali t y t im e s
c o m m u ni t y f o r p e o p l e w h o in t e r e s t e d in
p l a y in g a n d l e a r nin g t o g e t h e r.
g e o l o g y a n d in t e r a c t i v e g a d g e t s . F r o m a q u o t e “m o r e o r b e t t e r ”, m y d e si g n o b j e c t io n is t o r e v i v e t h e s p a c e . T h ai m u s e u m c r isis h a s b e e n s t r u c k t o t h e f r e e z in g p o in t t h a t p e o p l e h a v e a n e g a t i v e a s p e c t t o w a r d i t a s a b o r in g b uil din g c o n t ainin g c o ll e c t io n s o f t hin g w i t h l o t s o f in f o r m a t io n .
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VOLUME III SUS TA IN A BL E DESIGN A ND A R T C OL L EC T ION
PHYSICAL AND PSYCHOLOGICAL CHARACTER OF THE AUDIENCES
TAR G ET USER S AND CONCEPT Target Physical Character : Elementary Students aged between 6-12 years
Under responsible of parents, teachers and inspectors with low/limited purchasing power Target Psychological Character : 1) better learning with fun and activities 2) Enjoy listening story 3) Need more motivation 4) Easy to get magnified and persuaded 5) Give priority to being among friends or a group 6) Accord their decisions to the majority 7) Easy to impress 8) Need more freedom with high creativity 9) Love adventure and challenge 10) Start imitating for learning and find their own identity 11) We a can inspect each child leadership from activities 12) Start making logic than emotional decision 13) Expect admiration and appreciation from older and friends when doing something they are fascinated in 14) Urge to learn and understand new things 15) Need space to express their thoughts and identity A R T I C L E P U B L I S H E D 0 9 / 0 3 / 2 0 12 D R . S U WA N N E E P U T T H I S R I / C H I L D A N D A D O L E S C E N T P S Y C H I AT R I S T T H E C A M B R I D G E H O S P I TA L , H A R VA R D U N E V E R S I T Y, U. S . A .
TEAMWORK
27
PIONEER
FUN
P RO JEC T 6
MISSION AND CONCEPT: RESURRECTION To study geology, the only way
Our earth is simply made up of
to discover and learn from the
four distinct layers; crust, mantle ,
ground is to dig deep in. In my
outer core and inner core. However,
term of ‘Resurrection’, it means to
there’re still lots of mysterious facts
deconstruct knowledge from Earth
waiting for us to discover to the key
layer by layer. This concept is inspired
of evolutions and the beginning of this
by Deconstructivism Architecture
planet.
movement which deconstructing and reinterpreting an old structure in order to create a new provocative and challenging one that repels an existence of the gravity.
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VOLUME III SUS TA IN A BL E DESIGN A ND A R T C OL L EC T ION
MOOD AND TONE
COMMUNICATION CHARACTERS Lean and Mean to be Real is the prescription for TCHO crews.I would like to represent iconic boldness of the company identity by applying space characters with their own philosophies. First of all, energetic atmosphere is the leader of commercial space as it is where people spend most of their daily life within wake-time. Contrarily, diversity of unisex colors stands for vibrant and individual identity of the location. Dogpatch; a new art-indy neighborhood is a manufacturing Revival of San Francisco. Finally, liberality is representing TCHO as a new intellectual community of finest products with creativity and missions to change how people experience chocolates.
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Consequently, this mood and tone will strengthen corporate identity of the museum by created an equation by integrate a color code with my own definition. Equation : Category —> Interpretation —> Color Way Equation 1 : Geology = Nature
—> Earth tone
Equation 2 : Target group + Mood&tone
—> Vivid Tone
Equation 3 : ≈ Earth tone + Vivid Tone
—> Earthy + Citric Color Way
After ward, I picked organic forms from the nature representing simple and appealing. This is another design element that will be applied to a construction and furniture. Considering safety, durability and resilience, I simplified organic shapes and transformed them into dynamic 3d elements.
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VOLUME III SUS TA IN A BL E DESIGN A ND A R T C OL L EC T ION
There’s a myth that weight of a whole ant’s population on earth is equal to human’s. Ants are the common species that can be found around the world while it is a key creature that sustain ecosystem in nature. American Museum of Natural History Researchers announced discovery of oldest known fossil ants-92-millionyear-old fossils found in New Jersey amber. The key theme of this museum is an Ant Empire as I want visitors to experience deep down into the earth. So ants will be a stor y teller and director y of this exhibition.
The Fossil Research and Geological Museum’s current name is the 360-degree Museum of Geology. It’s located on the first floor of the Morakot (Emerald) building run under Department of Mineral Resources, Ministry of Natural Resources and Environment, Rama VI Road, Ratchathewi, Bangkok, Thailand. Hours : Tue - Sun 8.30 am - 4.30 pm Closed : Every Monday and public holiday
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The museum is a merger of 2 former sections namely Paleontology section and Geological Museum section; Paleontology section contains fossil investigation, reseach and collections facilities; and geological mutseum section displays geological collections and contains commercial area.
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FA CA E D ESIG D N & FLO O RP L A N
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Building B h = 5.5 0 m
Building B h = 4.5 0 m
Building A h = 5.5 0 m
Building B h = 7.0 0 m
Building A h = 4.5 0 m
Building A h = 9.0 0 m
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VOLUME III SUS TA IN A BL E DESIGN A ND A R T C OL L EC T ION
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P RO JEC T 6
“Services, Facilities and Entry Area” From the entrance atrium, there’s a coatcheck area with lockers for no charge. No only providing amusement and education, this museum also considering safety and wellness of visitors. As it’s located across a Rama hospital, a firstaid area is designed with fun element to reduce children anxiety.
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VOLUME III SUS TA IN A BL E DESIGN A ND A R T C OL L EC T ION
“Welcome to An Ant Empire” To begin with an introduction to the creature who lives underground, ants. In this exhibition, there’re insect amber fossils setting along with a study of earth anatomy with examples where visitors will walk deep down on the ramp leading to another room.
37
P RO JEC T 6
This is an ADA ramp walking path where a wall is decorated with plaster ant models walking in line leading audiences to next room. In this room, one side of the walls have the earth crust layer installation that make people understand context shortly.
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P RO JEC T 6
“Minerals in Daily Life” In this atrium, each custom-made organic form is displaying real example of minerals and gem stones informed with their fun facts and benefits. On the floor, there’re ball stools for people to sit on or play. Each of them will be printed with a chemistry shortcut of an element. Moreover, there’s a hydraulic elevator route to next area.
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P RO JEC T 6
“Blink Blink a Room of Jewels� After egress the hydraulic elevator, visitors will enter new exhibition about gemstones. The context is including ancient myths about jewels for twelve astrological zodiacs, gems meanings and crystal properties production as well as gemstone processing.
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P RO JEC T 6
“Jurassic Adventure� Welcoming an audience with a projection on a wall in a dark room where stone-like bean bags on the floor provided for visitors to take a break and watch some VTRs. This is the first showcase of the B building begins with an introduction to an ancient world of dinosaurs and how life emerged on earth.
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VOLUME III SUS TA IN A BL E DESIGN A ND A R T C OL L EC T ION
This public library is open for everyone. To make a difference, there is a videomapping projecting of a sand basin embedded in the floor where kids can play a role an an archaeologist digging on site to reveal fossils.
45
P RO JEC T 6
Moreover, in the Cretaceous Adventure, there’s a curvy mezzanine projecting into the dioramas of creature that existed in the Cretaceous Period. Figures on the left: There’re play stations displaying real fossil collections in this area with hidden fun facts under each cube stool.
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P RO JEC T 6
“The Cretaceous Period was the last and longest segment of the Mesozoic Era. It lasted approximately 79 million years, from the minor extinction event that closed the Jurassic Period about 145.5 million years ago to the CretaceousPaleogene (K-Pg) extinction event dated at 65.5 million years ago.� A R T I C L E P U B L I S H E D 0 1/ 0 7/ 2 0 16 A M N H /J. B R O U G H A M
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P RO JEC T 6
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P RO JEC T 6
“A Postal Service and a Souvenir Shop”
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VOLUME III RESIDEN T I A L A ND MULT IF UNC T ION A L DESIGN
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PARO R T JEC C OLTL 7EC T ION
Ret·ro·spec·tive / r trə’s t / adjective looking back on or dealing with past events or situations. noun an exhibition or compilation showing the development of the work of a particular artist over a period of time.
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VOLUME III SUS TA IN A BL E DESIGN A ND A R T C OL L EC T ION
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A R T C OL L EC T ION
ART COLLECTION SELECTED ART PIECES AND DESIGNS 2012 - PRESENT TOOLS : AUTOCAD / WATERCOLOR / INK / ADOBE CC SUITE
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A R T C OL L EC T ION
FUSION BALINESE RESTAURANT : THE SEALICIOUS / 2012 The Sealicious in a fusion Balinese restaurant and bar integrating authentics with modern lifestyle. This space was designed to be spacious and exposed to an open air. In contrast, an atmosphere was subtle and distinctive employing an exclusive privacy. As an attraction for nightlife, an exterior is consisted of pool area and lounge for premier events. While an interior is a restaurant area, convention rooms, v.i.p. room, openair kitchen, grilling island and bars. A highlight of this restaurant is an living wall and waterfall decorated with mosses, venus flytraps, nepentheses and local wild orchids. TOOLS : PIGMA PEN 0.5 / WATERCOLOR / ADOBE CC SUITE
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VOLUME III SUS TA IN A BL E DESIGN A ND A R T C OL L EC T ION
59
A R T C OL L EC T ION
TOOLS : PIGMA PEN 0.5 / INK / ADOBE CC SUITE /2010
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A R T C OL L EC T ION
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I started doing watercolor illustration about a relationship between a pet and its owner a year after my own pet had died. I found returning to do something I’m passionated in is soothing and gives me lots of positive drive to share. The context of my illustrations is very simple. However, I would like to portray how great of an ordinary and healthy relationship power is that can compassionately make people and especially myself smile. TOOLS : WATERCOLOR / ADOBE CC SUITE / 2012-PRESENT
63
A R T C OL L EC T ION
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A R T C OL L EC T ION
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A R T C OL L EC T ION
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A R T C OL L EC T ION
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A R T C OL L EC T ION
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A R T C OL L EC T ION
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A R T C OL L EC T ION
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A R T C OL L EC T ION
In 2014, before I moved to San Francisco, I spent a month in Boston and made new friends. I was my very first experience traveling abroad by myself and did painting in an unfamiliar bedroom.
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A R T C OL L EC T ION
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A R T C OL L EC T ION
This my first illustration made in San Francisco depicting a topic of “who am I” when my master degree school year started. It illustrated my physical and psychological characters and interests in a semi-abstract way. I picked a few shades of blue as they are my personal most comfortable colors. Consequently, I’d have never known that at the end of my journey in academic year, my final portfolio will be corporate in blue as well.
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01
P RO JEC T 7
Determinate / də’tərmənət / adjective having exact and discernible limits or form.
02
VOLUME 4 RE TA IL DESIGN
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P RO JEC T 7
PROJECT VII RETAIL DESIGN 2017 HEATH CERAMICS SAN FRANCISCO TOOLS : REVIT / 3DS MAX / ADOBE CC SUITE
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05
© A R T IC L E A ND P HOTO : HE AT HCE R A MIC S.C OM
P RO JEC T 7
HUSBAND AND WIFE TEAM EDITH AND BRIAN HEATH
HEATH LEGACY QUALIT Y AND INTEGRIT Y WITHOUT
building was designed in collaboration
QUESTION.
with the Heaths and Marquis and Stoller Architects.
When the duo moved from Chicago to San Francisco in the early 1940s,
Edith designed her pieces for a single
Edith—who’d had little formal
kiln-firing, at a lower-than-normal
training in the area— began making
temperature, thus saving energy
ceramics. In 194 4, she held a one-
while producing a remarkably durable
woman exhibition at the Legion
product. Her work led to advances
of Honor, where her work was
in clay and glaze development,
noticed by Gump’s, a respected
securing Heath a unique place in
design store in San Francisco. They
ceramic history, along with design
commissioned Edith to create an
awards including the Industrial Arts
exclusive dinnerware collection for
Award from the American Institute of
them, and when more retail orders
Architects. Many of Edith’s original
started coming in, the couple officially
pieces are a part of the permanent
founded Heath Ceramics in Sausalito,
collections of museums such as
California in 1948.
MOMA and L ACMA.
In 1959, their business expanded into the factory which still houses our dinnerware manufacturing today. The
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VOLUME 4 RE TA IL DESIGN
SAN FRANCISCO, CALIFORNIA
MISSION DISTRICT DEMOGRAPHICS MISSION POPUL ATION DEMOGR APHICS
!"#
$$%&#
TOTAL
45,560
MALE
25,373
FEMALE
20,187
CRIME INDE X FOR CIT Y
"'%(#
CIT Y
490.9
U.S. AVER AGE
235.9
PERCENTAGE OF FAMILY HOUSEHOLDS
MISSION
32.6%
SAN FR ANCISCO
31.7%
R ANK OF TIME LE AVING HOME TO GO TO WORK 1st
2nd
8 AM
MODER ATE AGE OF RESIDENTS
07
3rd
8.30 AM
7 AM
P RO JEC T 7
This type of climate type is generally characterized by moist mild winters and dry summers. San Francisco’s climate is further modified by the location of the City on the northern end of a peninsula, surrounded on three sides by the relatively cool waters of the Pacific Ocean and San Francisco Bay. San Francisco weather averages Annual high temperature:
63.8°F
Average temperature:
57.3°F
Average annual precipitation - rainfall:
23.64 inch
Days per year with precipitation - rainfall:
68 days
Annual hours of sunshine:
2950 hours
TR AVEL TIME TO WORK -./-0. !*) +") +)) *!) ',) ")
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VOLUME 4 RE TA IL DESIGN
PAST AND PRESENT OF MISSION DISTRICT
USER SCENARIO & SITE ANALYSIS A majority of visitors is female who usually visits with family or by themselves. Moreover, they intentionally are HEATH tile’s customers. As well as, TARTINE MANUFACTORY’s costomers who pay a little visit to this shop. Age : 20 - 50 years old. YOUNG SLEEK HEALTHY
A
B
A Parking Lots C
09
B MUNI Stops C Bart Stations
P RO JEC T 7
Prior to the arrival of Spanish missionaries, the area which now includes the Mission District was inhabited by the Ohlone people who populated much of the San Francisco bay area. The Yelamu Indians inhabited the region for over 2,000 years. Spanish missionaries arrived in the area during the late 18th century. They found these people living in two villages on Mission Creek. It was here that a Spanish priest named Father Francisco Palóu founded Mission San Francisco de Asis on June 29, 1776. The Mission was moved from the shore of Laguna Dolores to its current location in 1783. Franciscan friars are reported to have used Ohlone slave labor to complete the Mission in 1791. The Mission District, also commonly called “The Mission”, is a neighborhood in San Francisco, California, United States, originally known as “the Mission lands” meaning the lands belonging to the sixth Alta California mission, Mission San Francisco de Asis. This mission, San Francisco’s oldest standing building, is located in the northwest area of the neighborhood. The Mission District is located in east-central San Francisco. It is bordered to the east by U.S. Route 101, which forms the boundary between the eastern portion of the district, known as “Inner Mission”, and its eastern neighbor, Potrero Hill. Sanchez Street separates the neighborhood from Eureka Valley (containing the sub-district known as “the Castro”) to the north west and Noe Valley to the south west. The part of the neighborhood from Valencia Street to Sanchez Street, north of 20th Street, is known as the “Mission Dolores” neighborhood. South of 20th Street towards 22nd Street, and between Valencia and Dolores Streets is a distinct neighborhood known as Liberty Hill.
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VOLUME 4 RE TA IL DESIGN
MISSION DISTRICT SAN FRANCISCO
SITE VISIT & SKETCHES 2900 18th Street
San Francisco, CA 94110 A former linen supply and laundry with good bones and great natural light is now a warm, inviting showroom space where you will find everything Heath. A Chef’s Kitchen area features our cookbook and food favorites, and a gallery space is home to various shows and events throughout the year.
© P HOTO : PA NCH AYA SIE NGS A K UL
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P RO JEC T 7
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REDESIGN OF THE JEATH CERAMICS
MISSION & PHILOSOPHY
1) Providing place for customers to experience, learn and enjoy a healthy culture with natural resource priority by using local suppliers and supporting local craftsmanship which sustain energy and resources as well as reduce chemical preservation. 2) Creating the community for people who interested in heathy lifestyle. While enhancing people aspect toward good dietary and sustainable products that can get along well with urban lifestyle and modern vibe.
3) Distinctively design that reconnect generations and diverse interests, like telling story and cosulting service, by opening weekend ceramics class for families or seniors as well as an open space for small seminar group between customers, designers and Heath Ceramics crews. 4) Apply aesthetics of eatery and art that appeal ling and engaging customer’s new experiences.
13
P RO JEC T 7
GUILT FREE
POP-UP COMPONENTFOR THE
Growing numbers of consumers can
COMMUNITY
no longer escape an awareness of the
By providing temporary spaces to mobile
damage done by their consumption:
units bringing innercity-chic to rural
to the planet, society, or themselves.
areas. pop-up retail fits right in with the
But a mixture of indulgence, addiction
Entertainment Economy, the Experience
and conditioning mean that most
Economy, the Surprise Economy, and so
can’t substantially change their
on. It’s about surprising consumers with
consumption habits. The result? A
temporary ‘performances’, guaranteeing
never-ending guilt spiral. Visibly guilt-
exclusivity consumers increasingly used
free. High status, chic or fashionable
to massclusively.
products that are visibly sustainable, as well as ethical or healthy
RECONNECT GENERATIONS
A GALLERY-LIKE SPACE
Connecting with your grandparents
Today’s coffee bars take their vibe
can give you a chance to cultivate a
very seriously—making us want
relationship with people responsible
to spend all day there. A signature
for shaping your family’s history and
beverage is part of the draw. By
future. You have the opportunity to
representing a good craftsperson
learn about your extended relatives, your health history and your heritage.
who works tirelessly to perfect and deliver excellence. The best creations are the ones that are made by hand.
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VOLUME 4 RE TA IL DESIGN
TIMELESS
JOURNEY
15
ELEGANT
P RO JEC T 7
MOOD AND TONE
CONCEPT: LIGHT YEAR LIGHT YEAR
THROUGH TIMELESS SKY
Living back to basic, Living with aesthetic, poetry, music, as well as the deepest difinition of potery MOOD AND TONE : Desrted Journey From a phrase Live and learn from a mile to miles, It’s like a process of making potery that’s time consuming but lots of stories while each mold created slowly. Big Journey Simple Timeless Elegant
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0.38 PIGMA PEN and COLOR PENCILS ON PAPER
SKETCHES ELEVATION DESIGN DEVELOPMENT First of all, I started sketching my abstract inspiration interpreting how can I apply rhythm into my designspace. Than it goes with contrast and variation of textures that I want to play with my design. DISPLAY AND STOREFRONT DESIGN DEVELOPMENT By bringing in an aesthertics of nature, feature fixturs; wall display and clounds from ceiling are representing seamless boardery of the room as the sky and clounds. Moreover, Leveling and contours of furniture are mountains that display themselves and small products and the signature fixture displays as a focal point. And solid box displays representing a river banks.
17
P RO JEC T 7
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VOLUME 4 RE TA IL DESIGN
3
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P RO JEC T 7
ROOMS / FUNITURE AND MATERIAL PLANS / ELEVATION
CIR CU L ATIO N & EF LECTED R CEIL IN G P L A N F1
YAGER MATERIALS BLUE RE ADY MIX CONCRE TE
F2
HE ATH CER AMICS HALF HE X STACK M
F3
HE ATH CER AMICS LIT TLE DIAMON MIX M
F4
HE ATH CER AMICS HALF HE X WAVE LM
L1
PHILLIPS LED BL ACK MINI CYLINDER HE AD FOR LIGHTOLIER
L2
EGLO 9 474 3A CORE T TO COPPER MINI PENDANT
L3
REGGIANI YONI SURFACE EMBISSED D35MM H150MM
L4
REGGIANI YONI SURFACE EMBISSED D60MM H155MM
L5
REGGIANI YONI SURFACE EMBISSED D22MM H150MM
L6
REGGIANI YONI SURFACE EMBISSED D95MM H395MM
L7
L AMP HUNA FONTANA ARTE MUSTARD YELLOW
L8
MINUS C 2OOOLM 21W 1135MM
F1
F2
F3
F4
L1
L2
L3
L4
L5
L6
L7
L8
CUSTOMERS VISITORS AND DESIGNERS EMPLOYEES
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VOLUME 4 RE TA IL DESIGN
Storefront Blade sign with Illuminating Logo
Entrance
21
W1
YAGER MATERIALS BLUE RE ADY MIX CONCRE TE
W2
HE ATH CER AMICS HALF HE X WAVE LM
W3
HE ATH CER AMICS YARROW MUR AL
P RO JEC T 7
ADA Ramp
!
"
UP
UP
!
"
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VOLUME 4 RE TA IL DESIGN
E N T R Y A RE A W I T H A DA R A M P A ND SM A L L G A L L E R Y F OR NE W F E AT URING P RODUC T S A ND C OP P E R B R A S S FAC A D
23
P RO JEC T 7
24
VOLUME 4 RE TA IL DESIGN
!
"
UP
UP
!
"
Thereâ&#x20AC;&#x2122;s a ADA ramp provided in this area where leading to an egress. With capacity storage on the wall and a minimal mable station in the middle, this zone contains signature products of Heath Ceramics.
25
P RO JEC T 7
SIGNATURE AND SALE P R ODUCTS 26
VOLUME 4 RE TA IL DESIGN
!
"
UP
UP
!
"
This is a corridor from the entrance nearby the garage leading to the stair way, kitchen and dining area. With tight space, I selected glazing and wood to create vision flow with a warm and welcoming atmosphere. From this perspective, there is a sand garden embosed in a granite floor to create a tranquil environment which emphasizes the glazing on the stair way that leading our eyes to look up to the second floor and the round-shape skylight.
27
P RO JEC T 7
HEATH TILE RESOURCES 28
VOLUME 4 RE TA IL DESIGN
!
"
UP
UP
!
"
A cashier is located in the center of the shop with up to three-people capacity. In front of the cashier is a featue area with fun suspended ceiling with empossed light fixtures immitating numerous stars in the sky.
29
P RO JEC T 7
CASHIER AND FEATURE P R ODUCTS 30
VOLUME 4 RE TA IL DESIGN
A NOT HE R P E RSE P E C T I V E OF A F E AT URE A RE AW HE RE T HE REâ&#x20AC;&#x2122;S A CE R A MIC T IL E C OL L A B OR AT I V E L IB R A LY IN T HE B ACK F OR HOUSE OW NE RS A ND DESIGNE RS
31
P RO JEC T 7
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P RO JEC T 8
Allegiance / əl lē jəns / noun loyalty or commitment of a subordinate to a superior or of an individual to a group or cause.
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P RO JEC T 8
PROJECT VIII RETAIL DESIGN 2017 DESIGN MILK POP-UP SHOWROOM TOOLS : REVIT / 3DS MAX / ADOBE CC SUITE
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INTRO TO DESIGN MILK
CLIENTELE & USER SCENARIO Design Milk is an online magazine dedicated to modern design founded by Jaime Derringer. Design Milk offers whatâ&#x20AC;&#x2122;s new in art, architecture, interior design, furniture and decor, fashion and technology which is always fresh and never sour with design finds from around the world.
A SHOWROOM FOR COLLECTIVE HOME DECOR PRODUCTS Design Milk recently had the pleasure of participating in ART NIGHT, an event focusing on art, design and architecture at the heart of a masterpiece of a Post Modern Design. A prestigious event, the staging of which united art and design, bringing together featured 20 designs in order to promote the creativity and rebellion of local artists, designers and architexts.
Unique services/products (39%)
37
Localized assortments (36%)
P RO JEC T 8
POP-UP STORES BECOME MORE THAN JUST A TREND
POP-UP RETAIL TRENDS 2017 According to PopUp Republic (PUR),
Everyone benefits - especially landlords who were
the leading end-to -end service
formerly stuck with vacant spaces, said Jeremy Baras,
provider for the pop -up industry since
CEO of PopUp Republic.
2012, pop -up store has grown to
Additionally, in a digital setting, these pop -ups are ideal
approximately $10 billion in sales and
for social media. The brands are looking for compelling
has become a marketing strategy for
content to share and the consumers are looking for
retailers looking to extend the brand
compelling content to engage with. Retailers can measure
and introduce new products.
success via sales lift in both their in-store environment and their e- Commerce site, particularly if they offer deals
Whether it’s a pop -up store, pop -
in the shop that consumers can redeem online
up restaurant or event, there’re ‘fear of missing out’ quality in
Consumers expect that thte pop -up shopping experience
them. “Customers are attracted to
will be unique — different from the average brick-
exclusivity. They’re attracted to a
and-mortar visit. They also look to pop -ups for more
‘here today, gone tomorrow’ type
specialized shopping. For example, 61% of shoppers list
of concept.” said Jeremy Baras, the
seasonal products as the main reason to shop at a pop -
CEO of PopUp Republic.
up store, according to a PopUp Republic poll. Pop -up shoppers also are looking for:
Designers and merchants alike can benefit from the pop -up party. Firstly,
ARTICLE PUBLISHED BY
Gaining customers and eliminating
R E TA I LT O U C H P O I N T S .C O M
long-term leases seems too good to be true. For instance, with pop ups over the holidays and now it’s a permanent pop -up venue.
Optimal pricing (34%)
Convenience (33%)
A fun experience (30%)
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P RO JEC T 8
COLLECTIVE DESIGN SHOWROOM BY DESIGN MILK
LOCATION & SOLAR STUDY 447 Battery St, San Francisco, CA 94111
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DESIGN DEVELOPMENT
MY INSPIRATIONS & SKETCHES
41
P RO JEC T 8
These are my experimental sketches to explore the interpretation of a word halo.From abstract to physical elements, I transform lines into shapes and convert them into forms of possibility of halo and natural subjects that are related to it.
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P RO JEC T 8
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P RO JEC T 8
After ward, I started designing my facade and programing for functional and convinient purposes. To create a futuristic atmosphere in my design, I play with a contrast between organic shapes of a halo with sharp-edged construction.
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VOLUME 4 RE TA IL DESIGN
MINIMAL
EXCLUSIVE
GENTLE
47
P RO JEC T 8
MOOD AND TONE
CONCEPT: HALO (noun) a disk or circle of light shown surrounding or above the head of a saint or holy person to represent their holiness. synonyms: ring of light, nimbus, aureole, glory, crown of light, corona I want this space to represent exclusiveness of how DesignMilk saintly approach a creative product design and lifstlyes with high eclectic delication for you. Users : Every genders age 23- 40 With positive aspect toward art and design as well as passionate in participation in new experiment and innovation.
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1
2
3
4
5
1
A
2
3
4
5
A
DN
Elevator
B
Elevator
B
UP
C
C
! D
1
49
Level 1 Egress 1/8" = 1'-0"
D
2
Me anine Egress 1/8" = 1'-0"
P RO JEC T 8
A TRAFFIC DIAGRAM
EGRESS DIAGRAM & FLOOR PLAN 1
2
3
4
5
1
2
3
4
5
44' - 3" 1
1
A201
10' - 0"
A201
A
24' - 1 21/32"
A
6' - 0"
F5
Curtain
F5 F4
Exhibition / Con erence ADA
Meeting Room / VIP Tem orary
4
Storage
FCurtain 3
18' - 8 1/2"
A201
11' - 0"
3 A102
Elevator
DN
Works ace
F3
Elevator
---
B
8' - 7 3/4"
---
B
UP
Collaboration Library
3
36' - 8 3/4"
3' - 1"
Existing Column
A
A
A201
Showroom Dis lay
C
C
F2 17' - 6 1/4"
Halo Installation
Po -u Retail
F3 Atrium
13' - 11 3/4"
Showroom Entry
D
F1
.00 70
D 2 A201
1
Level 1 1/8" = 1'-0"
2
Me anine 1/8" = 1'-0"
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VOLUME 4 RE TA IL DESIGN
1
2
3
4
5
1
A
A
B
B
C
C
2
3
4
5
! D
1
51
Level 1 Egress 1/8" = 1'-0"
D
2
Me anine Egress 1/8" = 1'-0"
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MATERIAL AND LIGHT FIXTURE LEGENDS
REFLECTED CEILING PLAN F1
F2
F3
F4
L1
L2
L3
L4
F1
DIAFOS CODICE3636 HIGH PRESSURE L AMINATE
F2
ABE T L AMINATI LUCISA 130 HIGH PRESSURE L AMINATE
F3
SUPERIOR HARDWOODS OF MONTANA BE ARTOOTH HICKORY UNFINISHED HARDWOOD
F4
YAGER MATERIALS BLUE RE ADY MIX CONCRE TE
L1
GYON - LED LINE AR LIGHT
L2
FOCAL POINT - SE AMLESS RECESSED LED 3.5 IN
L3
NER A - FNRP LED SUSPENDED PENDANT
L4
DAISALUX LUMINAIRIES IKUS-T 220 - 230 V
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VOLUME 4 RE TA IL DESIGN
1
53
Colored East Elevation
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DISSECTION OF THE EAST VIEW
ELEVATION
W1
W2
W3
W4
W1
YAGER MATERIALS BLUE RE ADY MIX CONCRE TE
W2
ABE T L AMINATI LUCISA 130 HIGH PRESSURE L AMINATE
W3
WHITE BRICKS AL ASK A WHITE VELOUR
W4
SUPERIOR HARDWOODS OF MONTANA BE ARTOOTH HICKORY UNFINISHED HARDWOOD
54
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From this perspective, there are arcs of peach neon-like LED constructed as a focal point in this space that leading visitors eyes into the collaborative space and library of collective art and design resources.
55
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SHOWROOM ENTRY AND INSTALLATION 56
VOLUME 4 RE TA IL DESIGN
This is the mezzanine perspective of an entire showroom where the far corner right is a pop-up retail area showing featured items of the Design Milk Collection. As thereâ&#x20AC;&#x2122;s a spacious atrium with skylights on the roof, in day time, the natural light are provided for sufficient visual comfort that can enhance product displays as well as an employee working performance.
VIEW FROM MEZZANINE 57
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58
VOLUME 4 RE TA IL DESIGN
59
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A ND LUMIN AT E D NEON - L IK E L E D INS TA L AT ION P L AYS A ROL E A S A F OC A L P OIN T L E A DING V ISI TOR TO A C OL L A B OR AT ION L IB R A LY
60
VOLUME 4 RE TA IL DESIGN
The maximum occupancy of this space is up to 10 people. As the mezzanine takes only 30 percent of the whole site, I am considering about flexibility of the space; all furniture is foldable operable and mobile.
61
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CO - WORKING SPACE 62
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To create an exclusive experience for the visitors, minimal, clean and polished custom-made display system creates rhythm, flow and harmony in the showroom. With distinctive shapes and forms, each display station dominates productâ&#x20AC;&#x2122;s outlines and dimensions with an idea of simple but appealing vibe.
CUSTOM DESIGN DISPLAY & FURNITURE 63
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AUTOBIOGRAPHY Panchaya Siengsakul‘s design foundation was constructed in a vibrant and diverse city, Bangkok, Thailand; where the Bangkokian contemporary street style has impacted her passion in interior architecture and design. After moving to San Francisco, she has been influenced by the aesthetics of Westcoast leading innovation and sustainability that makes art and design business speak louder. Panchaya believes not only kinetic power from outside-world inspiration can motivate us, but also each individual potential that drives creativities in art and design. To sustain diligence, a passion will be through with commitment. From the phrase, the sky has no limit, she regards eclectic information and discipline as an essence to every dimension in life and the pursuit of her goals. This portfolio shows the experimental, challenging and playful process she took to discover her own new design with her sharpness in visual communication and psychological interpretation. Under the concept “X-ray”, this book conveys the dissection of each design development through its DNA. As a result, blue was selected as the corporate color representing a “Cyanotype”, a photographic printing process that produces a cyan-blue copy referred to as blueprints. “I appreciate everything and all people who have broadened my perspective and inspired me in every period and dimension of life and time.“ Thank you.
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