VOL.0 : Panchaya's Interior Architecture & Design Portfolio

Page 1

2012 --- 2017 GRADUATE SCHOOL OF INTERIOR ARCHITECTURE AND DESIGN PANCHAYA SIENGSAKUL DESIGN PORTFOLIO BANGKOK ------> SAN FRANCISCO

ENTREPRENEURIAL INTERIOR ARCHITECTURE & DESIGN


VOLUME I COMME RCI A L DESIGN

01


P RO JEC T 1

X-ray / sr / noun an electromagnetic wave of high energy and very short wavelength, which is able to pass through many materials opaque to light.

02


VOLUME I COMME RCI A L DESIGN

03


P RO JEC T 1

PROJECT I COMMERCIAL DESIGN 2016 WORKPLACE OF THE FUTURE TOOLS : REVIT / ADOBE CC SUITE

04


VOLUME I COMME RCI A L DESIGN

05


P RO JEC T 1

TCHO: FROM NASA TO THE BARS OF CHOCOLATE TCHO is a start-up chocolate born

TCHO designed a chocolate “Beta”

in Pier 17, San Francisco, the city

program in which feedback from their

where was the birthplace of Google,

customers helped us refine their early

Facebook, Microsoft and Apple.TCHO

formulations before final launch. Plus,

was firstly established by NASA

their packaging is modern and iconic;

engineer, founder of Wired and Peru

TCHO has won numerous design

cocoa manufacturers, recycling old

awards. The TCHO team includes

machines and adapted to modern

chocolate and food enthusiasts

times to become one of the best

with deep chocolate experience

chocolates in the world.

from industry leaders like Ghirardelli, Scharffen Berger, and Lake Champlain

Under the concept of “fail fast”: Take

Chocolates.

a fast, try it in different people and then iterarlo, as if it were software.

F ROM A R T I C L E T C H O I S N E W A M E R I C A N C H O C O L AT E . © 2 0 17 T C H O V E N T U R E S,

There are many ways in which TCHO

INC.

is where Silicon Valley start-up meets San Francisco food culture. That means TCHO marries the relentless pursuit of innovation to the obsession with flavor and quality which are hallmarks of our region. TCHO has a unique and innovative sourcing program, TCHOSource, that goes beyond Fair Trade — working directly with cacao farmers to improve their crops and livelihood.

BUSINESS AND FINANCIAL MANAGEMENT OPERATIONS SOCIAL MANAGEMENT AND CUSTOMER SERVICES

TECH SPECIALISTS AND SOFTWARE DEVELOPERS

This program has helped thousands of farmers in Peru, Ecuador, the Dominican Republic, and Ghana.

06


VOLUME I COMME RCI A L DESIGN

07


P RO JEC T 1

THE NAME TCHO IS A PHONETIC SPELLING FOR THE FIRST SYLL ABLE OF CHOCOL ATE. TCHO IS PRONOUNCED “CHOH!” (THE “T” IS SILENT)

08


VOLUME I COMME RCI A L DESIGN

SAN FRANCISCO, CALIFORNIA

DOGPATCH DEMOGRAPHICS

09


P RO JEC T 1

ED C U

T ION A A T TAINM EN T %

DOGPATCH

SAN FRANCISCO AVERAGE

50

25

TOP 3 OCCUPATIONS OF MALES % DOGPATCH

SAN FRANCISCO AVERAGE

MALE IN MANAGEMENT OCCUPATIONS HERE

21.3%

CITY

14.1%

0 BACHELOR’S

MASTER’S

PROFESSIONAL’S

MALE IN BUSINESS AND FINANCIAL OPERATIONS OCCUPATIONS

DOCTORATE

HERE

6.2%

CITY

8.1%

MALE IN COMPUTER AND MATEMATICAL OCCUPATIONS

SAN FRANCISCO’S NEW INDIE NEIGHBORHOOD

HERE

11.2%

CITY

8.7%

TOP 3 OCCUPATIONS OF FEMALES %

Dogpatch is proof that good things come in small packages. The

DOGPATCH

charming microhood was largely industrial for years, but has become

SAN FRANCISCO AVERAGE

FEMALE IN MANAGEMENT OCCUPATIONS

a budding enclave of artisans and craftsmen. The area maintains a sleepy, untouched vibe on the surface — with palpitating creativity at the core.

HERE

30.5%

CITY

11.8%

FEMALE IN BUSINESS AND FINANCIAL OPERATIONS OCCUPATIONS

The historic district is home to some of the city’s oldest structures

HERE

10.5%

CITY

9.4%

FEMALE IN COMMUNITY AND SOCIAL SERICES OCCUPATIONS

and Victorian cottages. Pier 70 is an existing shipyard and industrial site that supported both World Wars and manufactured supplies for

HERE

2.8%

CITY

2.8%

the Gold Rush and Transcontinental Railway. The Noonan Building at Pier 70 is now studio space.

OU H EH S OL

D INCOME D I S TRI B TI U

ON

RENT PAID B Y RENTERS

HOUSEHOLD PER EACH $1000 SECTION

PENTERS PER EACH $100 SECTION

12

240

10

200

8

160

6

120

4

80

2

40

0

0 0 10 20 30 40 50 60

75

1001

25

1502

00

$max in thousand of $

0

2004

00

6008

00

1000

1500

2000

in $/month

10


VOLUME I COMME RCI A L DESIGN

FROM THE FUTURE OF WORK BY VIVIAN GIANG

TRENDS FOR P R ODUCTIVE OFFICE DESIGN FOR 2016 1

2

3

CREATE PATHS FOR CHANCE MEETINGS

INCLUDE NOOKS NEAR COMMON AREAS

BUILD CONFERENCE ROOMS DIRECTLY IN COMMON AREAS

Creating paths for chance meetings,

The best-case scenario when people

Instead of the boring walls that usually

including nooks, and designing agile,

run into each other is that brilliant

put people to sleep, glass walls in the

unique workspaces are solutions that

conversations spark, resulting in

middle of a busy area can help keep

designers say promote collaboration,

innovative solutions. This is exactly

the mind awake.

creativity, and productivity in the

why you should include nooks—areas

modern office.

where people can go and maintain

Your mind is being spiked by the

some privacy—around these common

activity that’s swirling around, but

areas and paths.

the downside is that this could be a

It’s more crucial to make sure people are connecting and brainstorming with

problem for people who have issues

each other. The chance encounters are

If you have to reserve a conference

necessary to increase familiarity and

room to finish that conversation, then

to hopefully create conversations that

you lose time. It’s not efficient.

lead to solutions.

11

concentrating.


P RO JEC T 1

4

5

6

INCLUDE BOOTHS FOR PRIVATE CONVERSATIONS

CREATE AN AGILE WORKSPACE

HAVE ADJUSTABLE DESKS AND CONFERENCE TABLES

It’s certainly important for people to

We design spaces today where every

desks today should be able to adjust

have a sense of privacy. People need

employee doesn’t have to sit in a

to any height and conference tables

a space that they can go to make a

specific spot rather than going to sit

should do the same since research

conference or Skype call.

in one desk all day, it could be that I’ll

also shows that standing meetings

start working at a bench, then I’ll go

keep groups more engaged and less

Because it’s important to create

to a more quiet space for head-down

territorial than sitting meetings.

those spaces and create a company

concentration, then I’ll go to the social

culture that supports those spaces. In

hub because I want to connect with

Research shows that sitting too

other words, you don’t want to have

my co-workers. We’ve moved beyond

much is harmful to our health and

a culture where the boss is always

traditional offices to agile design.

employers should be concerned about

asking why someone isn’t at their

the health of their biggest asset: their

desk. People need to feel like they can

Agile designs make more sense

go to a private area for a phone call or

because it feels more comfortable

simply to work uninterrupted if they

for employees where people have

need to.

choices, more control, and power. We

employees.

still need to conquer how to control distractions. You can’t control all distractions, but you can get up and move.

12


VOLUME I COMME RCI A L DESIGN

PENCIL ON DRAFT PAPERS

SKETCHES

13


P RO JEC T 1

14


VOLUME I COMME RCI A L DESIGN

© P HOTO: DR. S A NDR A GE L B RICH

15


P RO JEC T 1

CUSTOM DESIGN FOR CONFERENCE AND NOOK AREAS

CONSTRUCTION RESEARCH CARBON F I BRE -RE I NF ORCE D CONCRE T E Concrete reinforced with textiles instead of steel has many advantages: it saves raw materials, has a high potential for lightweight construction and can thus be used in innovative ways. Moreover reinforcement fabrics such as carbon do not rust and therefore have a longer lifespan. The thin-walled carbon fibre-reinforced concrete shells were manufactured by means of a flexible formwork system made of glass-fibre reinforced plastic (GFRP), whereby the researchers first coated and preformed the textile reinforcement structures with resin and then integrated the fibres into the concrete for casting the shells. A R T I C L E P U B L I S H E D 0 5 / 13 / 2 0 16 BE T TINA SIGMUND

16


VOLUME I COMME RCI A L DESIGN

LIBERAL

CASUAL

BOLD

17


P RO JEC T 1

MOOD AND TONE

CONCEPT: CHEMICAL LAB Lean and Mean to be Real is the

prescription for TCHO crews.I would like to represent iconic boldness of the company identity by applying space characters with their own philosophies.

FLEXIBILITY

First of all, energetic atmosphere is the leader of commercial space as it is where people spend most of their daily life within wake-time. Contrarily,

PRODUCTIVITY

diversity of unisex colors stands for vibrant and individual identity of the location. Dogpatch; a new art-indy neighborhood is a manufacturing Revival of San

EFFICIENCY

Francisco. Finally, liberality is representing TCHO as a new intellectual community of finest products with creativity and missions to change how people experience chocolates.

18


VOLUME I COMME RCI A L DESIGN

1

RECEP TION

PUBLIC / CIRCUL ATION

2

L AB

ACCESSIBLE INDIVIDUAL WORKING SPACE

3

COLL ABOR ATION LIBR ARY

CONVENIENTLY ACCESSIBLE / LOW TR AFFIC

4

NOOK

INDIVIDUAL WORKING SPACE

5

MANAGER OFFICE

VISUAL AND ACOUSTIC CONTROL

6

WORKING SPACE

COLL ABOR ATION ARE A / HIGH TR AFFIC

7

MEE TING ROOM

HIGHLY RESTRICTED

8

CEO OFFICE

9

CAFE TERIA AND LOUNGE

10

CONFERENCE

11

E XHIBITION DISPL AY

12

ADA RESTROOM

8

8

4

4 5

6 6

7 9

19

7


P RO JEC T 1

ZONING & CIRCULATION

12 10 12

11

2 3

4

1

EMPLOYEE VISITORS EGRESS

20


VOLUME I COMME RCI A L DESIGN

F1

CONCRE TE

F2

CARPE T I

F3

CARPE T II

F4

ARE A RUG

F5

RECL AIMED WOOD PARQUE T

F6

TILE

F7

INDOOR SYNTHE TIC GR ASS

M1

CARBON FIBER-REINFORCED CONCRE TE

F1

F2

F3

F4

F5

F6

F7

M1

147' - 10 15/32"

M1

42' - 8 13/32"

F4

F5 F7 F3

21


P RO JEC T 1

M A TER L IA & FU R N ITU E P R L N A '10 34

6" /1 15

'5 2" 1/

M1

F6

F1

'48

4

" 32 1/

F2

M1

-8 37'

6" 7/1

22


23

7' - 10 1/2"

10' - 8"

Linere endant Light

Ad ustable Track Light

ERC

HUNA ontana Arte Pendant

5' - 0"

R 3' - 0"

VOLUME I COMME RCI A L DESIGN

5' 1 -1 " 32 7/

.00 60


P RO JEC T 1

REFLECTED CEILING PLAN / LIGHT FIXTURE AND FURNITURE LEGENDS

FURNITURE LEGENDS

L1

L2

L3

L4

L5

L6

T1

T2

T3

T4

T5

T6

C1

C2

C3

C4

C5

C6

C7

C8

C9

C10

L1

6” RECESSED 11-W DIMMABLE LED RE TROFIT LIGHT TRIM

L2

EL AN GORVE 39 1/4” WIDE CHROME LED LINE AR PENDANT

L3

RILE Y BL ACK 10 WAT T LED TR ACK HE AD FOR JUNO

L4

HUNA PENDANT LIGHT FONTANA ARTE

L5

QUOIZEL MARINE 6” WIDE WESTERN BRONZE MINI PENDANT

L6

STOA WALL SCONE BY FOCUS LIGHTING

24


11/32" '-

12' - 0 1/32"

VOLUME I COMME RCI A L DESIGN

NOR T H V IE W OF ME E T- U P NOOK

25


P RO JEC T 1

DISSECTION OF THE SOUTH & NORTH VIEW

ELEVATIONS

NOR T H V IE W OF W ORK ING SPACE A ND C OL L A B OR AT I V E S TAT ION

SOU T H V IE W OF W ORK ING SPACE A ND ME E T- U P NOOK

SOU T H V IE W OF ME E T- U P NOOK

26


VOLUME I COMME RCI A L DESIGN

RE

RE

This collaboration area was programmed to improve

All furniture was selected by considering modularity and

communication in this office. By considering the ecology

functions for collaborative area. This is also a library for

of the brand, there’re many departments working

employees gathering and researching resources. Even

cohesively in each production process; enhancing the

though, the space is open, however, carpet, and hanging

space with energetic mood-boosting finishing colours

clouds from the ceiling are designed for better acoustics.

with hexagon-shaped furniture to create bold and lively environment for collaborative purposes.

27


P RO JEC T 1

COLLABORATION LIBRARY 28


VOLUME I COMME RCI A L DESIGN

29


P RO JEC T 1

MEETING ROOMS People will notice from the first that

humour, these curtains are mimicking

this meeting room reminds them of a

restricted areas in factory that contain

retro car-wash service station or QC

important information of the company.

partition area. And it is correct. These

This humour is possible because of

transparent vivid yellow curtains are

TCHO’s community culture that makes

an operable partition of each meeting

this happens. Moreover, in contrast of

area as flexibility is the priority. To

red brick wall, bright and semi-matte

spice this room up from traditional

yellow finishing and natural touch from

meeting room, with some sense of

wood furniture are for users fun and comfort.

RE

RE

30


VOLUME I COMME RCI A L DESIGN

RE

RE

CEO Office is located solitarily from other areas in order to create privacy and less pressure among employees. This room boundaries are brick walls and glazed windows and door for sustainability and ventilation. The room is quite simple but spacious with a few gimmicks that play a roll to reduce stressfulness and promote productivity.

31


P RO JEC T 1

CEO OFFICE

32


VOLUME I COMME RCI A L DESIGN

CAFETERIA & LOUNGE

Cafeteria and lounge is a break room for employees and employers functioning as a space to strengthen bonds among co-workers and their boss. With one long dining table with small prep-kitchen island and shelves for everyone’s convenience. Artificial green grass is the selected flooring material that psychologically relaxes human visual perception and calms mind. I chose perforated stainless steel partition making this room provocative and modern.

RE

33

RE


P RO JEC T 1

34


VOLUME I COMME RCI A L DESIGN

A V IE W INSIDE A C OMMON A RE A NOOK W I T H P L AY F UL A ND L IGH T HE A R T E D AT MOSP HE RE RE P RESE N T P ROVOK AT I V E P E RSP E C T I V E OF TCHO

35


P RO JEC T 1

36


VOLUME I COMME RCI A L DESIGN

37


P RO JEC T 2

Entrepreneur / ntrə rə nər / noun 1 a person who organizes and manages any enterprise, especially a business, usually with considerable initiative and risk. 2 an employer of productive labor; contractor.

38


VOLUME I COMME RCI A L DESIGN

39


P RO JEC T 2

PROJECT II COMMERCIAL DESIGN 2016 NEXT UNIVERSITY TOOLS : REVIT / ADOBE CC SUITE

40


VOLUME I COMME RCI A L DESIGN

INTRO TO NEXT UNIVERSITY AND PROJECT MISSIONS

CLIENTELE & USER SCENARIO Steelcase is a United States-based furniture company which produces office furniture, architectural and technology products for office environments and the education, health care and retail industries. NEXT Education Spaces Steelcase Education works with leading educational institutions to create places that enhance the success and wellbeing of students and educators. Large Classroom Active Learning Classrooms In-between learning Spaces Faculty Connection Hub Student WorkCafe

Certificates + Profiles

41

Materials Chemistry

End of Use + Recycling

Life Cycle Thinking + Assessments


P RO JEC T 2

A HIGHER EDUCATION INSTUTION : NEXT UNIVERSITY NEXT University is a cutting-edge learning instution with the primary goal to develop students that will be

LEADERS

future leaders and innovators. “The Future is in our Hands” is a quote of NEXT, a private liberal arts institution with less that 2,200 students.

INNOVATORS

Primary users : High education learning center dedicated to build leadership learners with promising missions and visions as well as

FUTURE

facilities composed to support instuition’s crews and visitors. Age : between 20 -35 yrs.

42


VOLUME I COMME RCI A L DESIGN

43


P RO JEC T 2

NEXT UNIVERSITY

LOCATION & SOLAR STUDY Next University 1584 Wesleyan Drive Norfolk, Virginia 23502

44


VOLUME I COMME RCI A L DESIGN

VIRGINIA VS. TOTAL POPULATION

NORFOLK DEMOGRAPHICS TOTAL POPUL ATION MALE FEMALE

24 2 , 8 0 3 12 5,797 117, 0 0 6

CAUCASIAN AFRICAN AMERICAN ASIAN

47.75 % 4 2 .6 2 % 3.3 6 %

MEDIAN AGE OF BOTH SE XES MALE FEMALE

LOTS OF LOCAL AMENITIES SUNNY W E ATHER LOW COST OF LIVING

45

29 28 31


P RO JEC T 2

Individuals And Groups :

GREEN MOVEMENT BECOMES EVERYEVERY ONE DAILY LIFE 1) Sustainable Conciousness : With climate control strategy and low harmful VOC gases emission for better ventilation, the studies indicated that improving indoor air quality can impact a person’s learning performance by as much as 10-20%. 2) Today, Students Are Engaged More By Active Learning System : From Milenium generation and up for ward, nowadays, stidents seek active learning environment while teaching method had been shifted to a learing-while-doing method. As a result, creating mock-up spaces where students can experience new situations in a focused setting is very crucial.

3) Integrate Technology By Critical

The study demonstrated that

Component For M-Generation

engagement increases as students

Millennium generation has a distinct

move from just receiving information

profile, for instance, multi-taskers with to discussing and experiencing it, and simultaniously wireless interactions

peaks when students in turn convey

are their nature. An Interior space

information to others.

should providing sufficient electrical outlets with comfortable furniture

6) Attract & Retain Human Resources

for the users who crave and expect

by Facilities Interiors Are Valuable

constant stimulation.

Marketing Tools For Recruiting : An apearance is always do matter.

4) Provide

Increasing of compettive environment

Flexibility by An Environment That Are

in education industry is a motivation

Both Flexible And Adaptable :

of improvement.

School design must acknowledge the rapid pace of change and create an

Studies indicate that physical

environment that are both flexible

condition of school facilities impacts

and adaptable for the future that

teacher working effectiveness and

respond to the teaching styles of

improves a relationship between

each professor with the ability to

students and faculty.

recogfigure quickly, quietly and with minimal distraction.

7) Establish Community By Sense Of Community Is A Part Of College

5) Encourage Collaboration by Easy

Experience : Students crave sense o

Transfer Information Between

community in the college time. With the sense of belonging can be served from student service center, social activities offering them centralized amenities.

FROM ERAMUS UNIVERSITY ROTTERDAM BY PAUL DE RUITER ARCHITECTS

DESIGN TRENDS IN HIGHER EDUCATION 46


VOLUME I COMME RCI A L DESIGN

SIMPLE

ORGANIC

INNOVATIVE

PROMISING

47


P RO JEC T 2

MOOD AND TONE

CONCEPT: 3D GLASSES The Viewpoint of Technology,

we bring sustainability to life.

ORGANIC

NEXT, in other words, it refers

FUTURISTIC

to our responsibility to create future generations with leadership perspective and initiative to new innovation for community in dynamic

PROMISING

culture.

SUSTAINABLE

PHILOSOPHY

INNIVATIVE

Make Touchable Scenery 1) Create active and guilt-free movement for better future 2) Healthy Community thant enhancing learning performance

SIMPLE YOUNG

3) Create seamless culture in NEXT School Connection Hub

48


VOLUME I COMME RCI A L DESIGN

COMBINATION

49

SPACING

INTERSECTION


P RO JEC T 2

SKETCH DESIGN DEVELOPMENT

BRANDING NEXT CORPORATE IDENTITY DEVELOPMENT I started with my sketches to relate my design mood and tone with the concept. By employing intersected curves and angle, it represents overlapping and intellectual knowledge in shapes of organic and flowing lines and forms. Digital Edit with font and shape selection Font: GOTHAM UPPERCASE Regular 120% Horizontal scale

ABCDE FGHIJK LMNOP QRSTU VWXYZ

FIRST VERSION

50


VOLUME I COMME RCI A L DESIGN

51


P RO JEC T 2

52


VOLUME I COMME RCI A L DESIGN

COLOUR PENCIL ON DRAFT PAPERS

SKETCHES

53


P RO JEC T 2

54


VOLUME I COMME RCI A L DESIGN

LE VEL 1 R6 R5

R3 R4 R2

R1

R3 R1

R6

R6 R5

R3 R4 R2

R1

55

LE VEL 2


P RO JEC T 2

CIRCULATION / ZONING / FUNITURE AND MATERIAL PLANS

CIR CLU ATIO N & FLO R P O L N A ZONING : LE VEL 1 R1

ATRIUM

R2

STUDENT WORK CAFE

R3

STUDENT LOUNGE

R4

NE X T LIBR ARY

R5

IN-BE T WEEN LE ARNING SPACE

R6

L ARGE CL ASSROOM ZONING : L E V EL 2

R1

ATRIUM

R2

STUDENT WORK CAFE

R3

NOOK

R4

FACULT Y CONNECTION HUB

R5

IN-BE T WEEN LE ARNING SPACE

R6

ACTIVE LE ARNING CL ASSROOM

CIRCUL ATION TO MAIN TR ANSIT SECONDARY TR ANSITION TO ROOMS EGRESS

56


VOLUME I COMME RCI A L DESIGN

57


P RO JEC T 2

LIGHT FIXTURES AND CEILING FINISHINGS

REFLECTED CEILING PLAN L1

L2

L3

L5

L6

L7

L4

L1

PHILLIPS LED RECESSED DOWNLIGHT

L2

INTR A LIGHTING PIPE TUBE P 60

L3

INTR A LIGHTING PIPE TUBE S25

L4

INTR A LIGHTING PIPE TUBE S60

L5

MIZ AR E THER CEILING PENDANT 500MM

L6

INTR A LIGHTING MINUS CEILING 2000LM

L7

INTR A LIGHTING MINUS CEILING 4 000LM

58


VOLUME I COMME RCI A L DESIGN

59

F1

TERR AMAI MISSION OAK WHITE ENGINEERED FLOOR & PANELING

F2

MOHAWK MALTED MILK LOF T LIFE CARPE T

F3

ROYAL GR ASS ECODENSE ECO-FRIENDLY ARTIFICIAL GR ASS

F4

TERR A Z ZIO LUMINA BROKEN GL ASS AND CONCRE TE TERR A Z ZO

W1

VANDERSANDEN GROUP UNICOLOURED IVORY WHITE BRICK

W2

BENJAIN MOORE NATUR A INTERIOR PAINT-FL AT 512

W3

BIOTECTURE INDOOR GARDEN DESIGN BY MIDDLESE X

W4

BAUX ACOUSTIC WOOD WOOL PANELS

W5

TERR AMAI MISSION OAK WHITE ENGINEERED FLOOR & PANELING

W6

ROLLOUT ME TATRON MUR AL WHITE GEOME TRY WALLPA PER

W7

ROLLOUT ME TATRON MUR AL JAL A PENO GEOME TRY WALLPA PER

F1

F2

F3

F4

W1

W3

W4

W5

W6

W7


P RO JEC T 2

DISSECTION OF THE SOUTH, EAST AND WEST VIEWS

ELEVATIONS 2

3

4

R 24' - 0"

Level 2 12' - 0"

Level 1 0' - 0"

1

Atrium and Student Work Ca e Elevation 1/4" = 1'-0"

1

2

3

4

5 A

B

C

D

E

Level 2 12' - 0"

Level 2 12' - 0"

Level 1 0' - 0"

Level 1 0' - 0" East View Elevation 3 1/16" = 1'-0"

2

3

10' - 8"

Learning S ace Elevation 2 1/16" = 1'-0"

4

Level 1 0' - 0"

P

4

D

North View Elevation 1/4" = 1'-0"

D

C

S

60


VOLUME I COMME RCI A L DESIGN

One of Next intuitive missions is to create innovative human resources for better society. According to the study, it indicates that human working performance can increase up to 82% with good collaboration. In-Between learning space is designed for small groups of working collectively.

IN-BETWEEN LEARNING SPACE

61


P RO JEC T 2

62


VOLUME I COMME RCI A L DESIGN

Sustainability is one of next initiation to bring natural resource consciousness in the community. The library contains various of used books, magazines and other unused study materials for students as well as provides book donation station for everyone.

NEXT LIBRARY 63


P RO JEC T 2

64


VOLUME I COMME RCI A L DESIGN

Since students crave sense of community, this area will elaborate diversity of cultures, knowledge, interests etc. With the sense of belonging, students will be more corporative with other social activities and services than just studying.

FACULTY CONNECTION HUB 65


P RO JEC T 2

66


VOLUME I COMME RCI A L DESIGN

1

4

A N AT RIUM AT MOSHE RE W I T H A T RE ME NDOUS L I V ING WA L L A ND A LUMINOUS NE X T LOGO

67


P RO JEC T 2

68


T VOLUME II RESIDEN T I A L A ND MULT IF UNC T ION A L DESIGN

01


P RO JEC T 3

Jux·ta·pose / jə stə / verb to place close together or side by side, especially for comparison or contrast.

02


VOLUME II RESIDEN T I A L A ND MULT IF UNC T ION A L DESIGN

03


P RO JEC T 3

PROJECT III RESIDENTIAL DESIGN 2016 4500 RESIDENCE TOOLS : REVIT / 3DS MAX /ADOBE CC SUITE

04


VOLUME II RESIDEN T I A L A ND MULT IF UNC T ION A L DESIGN

05


P RO JEC T 3

4500 RESIDENCE

LOCATION & SOLAR STUDY 1230 0 Mendenhall Loop Rd Juneau, AK 99801

Juneau, Alaska’s remote capital, sits in the state’s panhandle, at the base of 3,819-ft. Mt. Roberts. It’s a popular cruise-ship stop, reachable only by boat or seaplane. Population:

32,660

Annual high temperature:

48.1°F

Annual low temperature:

36.2°F

Average temperature:

42.15°F

Average annual precipitation - rainfall:

62.24 in

06


VOLUME II RESIDEN T I A L A ND MULT IF UNC T ION A L DESIGN

CALM

CONTEMPORARY

NORDIC

07


P RO JEC T 3

MOOD AND TONE

CONCEPT: SEE = SEA ‘See’ = ‘Sea’ The Serenity of a calm ocean and a starry night The minimalistic style of Scandinavia

Color Selection :

emerged during the 1930s. It

Balancing between cold and warm

promoted a simplistic way of living

with deep shades and nude tints

which insipred by a nature and Nordic climate. With beauty and

These colors emphasize coldness in

sustainability, Scadinavian design has

the northern hemisphere. However,

aimed to serve everyone in all walks

the subtlety and serenity of deep

of life with affordable and easy to

blue specifically depict a sense of

access products.

the location. In contrast, different shades of tan and orange bring out warmth and welcoming into the atmosphere.

08


VOLUME II RESIDEN T I A L A ND MULT IF UNC T ION A L DESIGN

0.38 PIGMA PEN ON PAPER

SKETCHES

09


P RO JEC T 3

10


VOLUME II RESIDEN T I A L A ND MULT IF UNC T ION A L DESIGN

11


P RO JEC T 3

4500 RESIDENT LEVEL 1-2

ZONING & CIRCULATION LE VEL 1 ENTRY LIVING ROOM DINING ARE A GRE AT HALL BAR AND KITCHEN SUN ROOM MAIN STAIRS MASTER BEDROOM I

ACCESS TO E X TERIOR

GAR AGE

INTERIOR CIRCUL ATION

STOR AGE

TO ANOTHER FLOOR

LE VEL 2 BEDROOM FAMILY ROOM MAIN STAIR ENTRY

ACCESS TO E X TERIOR

MASTER BEDROOM II

INTERIOR CIRCUL ATION

TERR ACE

TO ANOTHER FLOOR

12


VOLUME II RESIDEN T I A L A ND MULT IF UNC T ION A L DESIGN

13


P RO JEC T 3

LIGHT FIXTURE AND FURNITURE LEGENDS

REFLECTED CEILING PLAN L1

L2

L3

L4

L5

L6

L7

L8

L9

L10

L1

BARE TRIPLE X BLOWN GL ASS PENDANT L AMP BR AND ALMA LIGHT

L2

E THER CEILING LED PENDANT L AMP BR AND MIZ AR

L3

GYON CEILING LIGHT BR AND INTR A LIGHTING

L4

CREE 96” LED-STRIP LIGHT MANUFACTURER BEES LIGHTING

L5

COOL A PPLIQUE LED WALL MOUNTED SQUARE 270 BR AND SIMES

TL 65

COOL A PPLIQUE LED WALL MOUNTED ROUND 24V BR AND SIMES (S)

L7

COOL A PPLIQUE LED WALL MOUNTED ROUND 24V BR AND SIMES (L)

L8

LED CONCRE TE BALL ARD DOUBLE EMISSION BR AND SIMES

L9

MID-CENTURY TRIPOD FLOOR L AMP BR AND WEST ELM

L10

FLUTE PERSONAL TABLE L AMP BR AND HERMAN MILLER

14


VOLUME II RESIDEN T I A L A ND MULT IF UNC T ION A L DESIGN

15


P RO JEC T 3

DISSECTION OF THE SOUTH & NORTH VIEW

ELEVATIONS

W ES T V IE W OF A N E N T IRE RESIDE NCE SHO W ING U P P E R - F LOOR T E RR ACE A ND L I V ING ROOM

SOU T H V IE W OF A N E N T IRE RESIDE NCE SHO W ING M A IN E N T R A NCE A S W E L L A S B A R A ND K I TC HE N A RE A .

NOR T H V IE W OF T HE L I V ING ROOM, DING A RE A A ND P RI VAT E W ORK ING SPACE

16


VOLUME II RESIDEN T I A L A ND MULT IF UNC T ION A L DESIGN

This is a corridor from the entrance nearby the garage leading to the stair way, kitchen and dining area. With tight space, I selected glazing and wood to create vision flow with a warm and welcoming atmosphere. From this perspective, there is a sand garden embosed in a granite floor to create a tranquil environment which emphasizes the glazing on the stair way that leading our eyes to look up to the second floor and the round-shape skylight.

17


P RO JEC T 3

ENTRANCE AND STAIRWAY 18


VOLUME II RESIDEN T I A L A ND MULT IF UNC T ION A L DESIGN

Since the aesthetics of the location surrounded by marvelous mountain scenes of Alaska, large windows of the dining area are not only showing views but also allowing natural light into the space. Moreover, this area was designed for social gathering for entertainment and conversation. Walls between the dining room and the piano room were removed to extend spaciousness and interaction between spaces.

DINING AREA 19


P RO JEC T 3

20


VOLUME II RESIDEN T I A L A ND MULT IF UNC T ION A L DESIGN

W I T H SK AY L IGH T B A R A BD K I TC HE N A RE A C ONNE C T E D TO A SUN ROOM

21


P RO JEC T 3

22


VOLUME II RESIDEN T I A L A ND MULT IF UNC T ION A L DESIGN

In this area, the room was extruded out in order to excel the residents’ horizontal vision by indulging nature. With minimalistic and luxurious marble finish fireplace, this room also gives a sense of a warm and cozy atmosphere. In contrast, the vibrant finishing and the color selection on furniture and textiles will spice up the space with character. At nighttime, dwellers can enjoy stargazing while warming themselves under the knitted throw blanket.

23


P RO JEC T 3

LIVING ROOM

24


VOLUME II RESIDEN T I A L A ND MULT IF UNC T ION A L DESIGN

As this room is located at the south of the house, it is fully exposed to the sun for the entire year. In addition, warm and fine reclaimed oak wood finishing will over whelmingly comfort residents with an experience of tasteful and delicate textiles that ease users both physically and mentally.

MASTER BEDROOM II 25


P RO JEC T 3

26


VOLUME II RESIDEN T I A L A ND MULT IF UNC T ION A L DESIGN

1

A V IE W F ROM S TA IRS SHOW ING T E R R ACE ON T HE E X T E RIOR W I T H A S TOUNDING SCE N A RIO

27


P RO JEC T 3

28


T VOLUME Ii RESIDEN T I A L A ND MULT IF UNC T ION A L DESIGN

29


P RO JEC T 4

Sufficiency / sə’ ənsē / noun the condition or quality of being adequate or sufficient.

30


VOLUME II RESIDEN T I A L A ND MULT IF UNC T ION A L DESIGN

31


P RO JEC T 4

PROJECT IV MULTIFUNCTIONAL BUILDING 2016 BAY CLUB SF TENNIS TOOLS : PAPER CUT / REVIT / ADOBE CC SUITE

32


VOLUME II RESIDEN T I A L A ND MULT IF UNC T ION A L DESIGN

HEALTH

33

TECHNOLOGY

CREATIVITY

DESIGN

SOCIAL

FUN


P RO JEC T 4

INTRO TO MULTIFUNCTIONAL BUILDING FOR GV

CLIENTLETE & GV PORTFOLIOS GV This is a collectives of the

world’s finest engineers, designers, physicians, marketers, and investors with dedication. http://www.gv.com This is a multifunctional building design project based in SOMA, San Francisco. I was assigned to design an interior and construction envelope for GV portfoliosfor health and innovation. The community goals are making life better among co-workers and tennis club members with : 1) A wellness approach 2) Engaging technology 3) Living with sustainability

34


VOLUME II RESIDEN T I A L A ND MULT IF UNC T ION A L DESIGN

35


P RO JEC T 4

BANK OF AMERICA

ST.VINCENT DE PAUL SOCIETY

BAY CLUB SF TENNIS SITE ANALYSIS

SOLAR & WIND STUDY 645 5th St, San Francisco, California 94107 Wind Frequency (Hrs) USA (37.6°, -122.4°) © Weather Tool

ACADEMY OF ART UNIVERSITY

CALTRAIN

36


VOLUME II RESIDEN T I A L A ND MULT IF UNC T ION A L DESIGN

FLOW

TRANSPARENT

REPETITIVE

RHYTHMIC

37


P RO JEC T 4

MOOD AND TONE

CONCEPT: UNDULATE Undulate verb move with a smooth wavelike motion. (especially of a leaf) having a wavy surface or edge. SYNONYMS: rise and fall surge swell heave ripple billow flow roll wavy

38


VOLUME II RESIDEN T I A L A ND MULT IF UNC T ION A L DESIGN

PAPER CUT AND FOLD

MODULAR PAPER UNITS To understanding possibility of undulated facades and

interior structure, I created modular paper units through an experimental process; by digitally converted them into vector and multiplied the print and folded in order to create modularity.

39


P RO JEC T 4

40


VOLUME II RESIDEN T I A L A ND MULT IF UNC T ION A L DESIGN

PAPER CUT / 0.38 PIGMA PEN ON PAPER

SKETCH DESIGN DEVELOPMENT

41


P RO JEC T 4

42


VOLUME II RESIDEN T I A L A ND MULT IF UNC T ION A L DESIGN

ISOMETRIC VIEW

TRAFFIC FROM EXTERIOR According the main street, this figure is

showing main accesibility throughout the building via elevators and egress stairs.

F1

F4

F3

F1

F3 F2

F1

F3 F4

43

F3


P RO JEC T 4

44


VOLUME II RESIDEN T I A L A ND MULT IF UNC T ION A L DESIGN

45

LE VEL 1

LE VEL 2 A

LE VEL 3A

LE VEL 3B


P RO JEC T 4

CIRCULATION / ZONING / FUNITURE AND MATERIAL PLANS

FLO R O

L A P N S

LE VEL 2B

LE VEL 4 46


VOLUME II RESIDEN T I A L A ND MULT IF UNC T ION A L DESIGN

47

W2

BENJAIN MOORE NATUR A INTERIOR PAINT-FL AT 512

W3

BIOTECTURE INDOOR GARDEN DESIGN BY MIDDLESE X

W4

BAUX ACOUSTIC WOOD WOOL PANELS

W5

TERR AMAI MISSION OAK WHITE ENGINEERED FLOOR & PANELING

W6

ROLLOUT ME TATRON MUR AL WHITE GEOME TRY WALLPA PER

W7

ROLLOUT ME TATRON MUR AL JAL A PENO GEOME TRY WALLPA PER

M1

M2

M3

M3

M4

M5


P RO JEC T 4

SUSTAINABLE MATERIAL AND VETILATION FLOW

SUSTAINABLE ELEVATIONS LOW-E GLASS WINDOWS

In order to use passive thermo systems and solar control, low-e coated glazing will minimize the amount of ultraviolet and infrared light that can pass through glass without compromising the amount of visible light that is transmitted.

48


VOLUME II RESIDEN T I A L A ND MULT IF UNC T ION A L DESIGN

This area is located on the first floor where retails are operated. This Blue Bottle Coffee lounge was designed as a place for employees and visitors. For business purpose, sysnthetic grass flooring gives poeple a mental relief which positively affect their conversations.

49


P RO JEC T 4

BLUE BOTTLE COFFEE LOUNGE 50


VOLUME II RESIDEN T I A L A ND MULT IF UNC T ION A L DESIGN

4

OF F ICE AT RIUM F OR G V P OR T F OL IO OF F ICES IN L E V E L 2B A ND GL A S S T UBE L IB R A R YC ONF E RE NCE ROOM

51


P RO JEC T 4

52


VOLUME II RESIDEN T I A L A ND MULT IF UNC T ION A L DESIGN

Since employees are craving a sense of community, this office area will elaborate diversity of interests and functions. To create the sense of belonging, coworkers can be more corporate and fun in social activities at the seamless co-working spaces and the lounge.

OFFICE WORKING SPACE AND LOUNGE 53


P RO JEC T 4

54


VOLUME II RESIDEN T I A L A ND MULT IF UNC T ION A L DESIGN

This cardio room are accommodations for Bay Club SF Tennis members and residents. With seamless glazing walls and windows, people can work out while seeing dynamics on the street view and gardens on the lobby level,

55


P RO JEC T 4

SPORT CLUB CAR D IO ROOM 56


VOLUME II RESIDEN T I A L A ND MULT IF UNC T ION A L DESIGN

4

57


P RO JEC T 4

A N AT RIUM AT MOSHE RE F OR G V OF F ICE W ORK E RS IN L E V E L 3B

58


VOLUME III SUS TA IN A BL E DESIGN A ND A R T C OL L EC T ION

01


P RO JEC T 5

Biomimicry / ə ’m m r / noun Biomimicry the / copying ’m mə or rē imitation / of a natural phenomenon’s or environment’s noun efficiency and survival mechanisms in manufacturing the design and processes productionor ofin materials, applied case-based structures, and sysreasoning; tems that are also modeled writtenon biomimickry biological entities and processes.

02


VOLUME III 4 RE SUS TATA IL DESIGN IN A BL E DESIGN A ND A R T C OL L EC T ION

03


P RO JEC T 5

PROJECT V SURVEY OF SUSTAINABLE DESIGN 2015 CHILDREN’S CREATIVITY MUSEUM PLAYGROUND TOOLS : WATERCOLOR / ADOBE CC SUITE

04


VOLUME III SUS TA IN A BL E DESIGN A ND A R T C OL L EC T ION

YERBA BUENA GARDEN, SAN FRANCISCO

TAR G ET & OBJECTIVES Children’s Creativity Museum

221 4th St, San Francisco, CA 94103 This playground design project is one a corporate space of the Children’s Creativity Museum in the SOMA, San Francisco. The site is located among an urban neighborhood, an outdoor park outside the museum in Yerba Buena Garden with more active and creative environment.

05


P RO JEC T 5

PRIMARY TARGET The primary users are children in elementary grade who play as active target who create motion in this park. According to the research, they tend to enjoy learning from adventure and outdoor activities more than the other ages. The playground can attract both museum visitors and well as others who are dropping by with their parents.

SECONDARY TARGET The secondary users are very essential to make this space becomes operative. These passive targets are the parents who bring their children to this museum and wide age range of people who come to enjoy a tranquility of the park. As a result, this project zoning had divided in to 2 types; active area and passive area.

06


VOLUME III SUS TA IN A BL E DESIGN A ND A R T C OL L EC T ION

Biophilia is a hypothetical human tendency to interact or be closely associated with other forms of life in nature. Shapes of each playground station are inspired by organic shapes in nature. I got an inspiration from microorganism cells in the ocean; the living fossils that constrain their forms since primitive era until the present. The zoning and tool features have been simplified, while I remained some natural textures and colours the same as they were, for instance, wood panels, ropes and glasses .

07


P RO JEC T 5

YERBA BUENA GARDEN, SAN FRANCISCO

PHILOSOPHY

The project’s objectives are to create a sustainable community along with amusement which is be able to engage systematic thinking in childhood. They can learn from activities; for instance, kids can experience passive heating and cooling knowledge from natural light, ventilation and thermomass, they will accomplish understanding life cycle of matters and essential reasons we should consider decomposition of non-toxic materials as well as they can determine renewable energy from the environment.

HEALTH

SUSTAINABILITY

CREATIVITY

SOCIAL

Each play station has their own objective for children proper developments. Firstly, with “health” concern, ‘Muscle skills’ in the arms and upper bodies of children will be further developed through play. Most children will not notice the physical involvement in any plays because they are too focused on their play and the task at hand. In addition, using sand is a medium that is inherently open-ended. Sand is an appropriate play object for every cognitive level of the child. With its fine characters, soothing, soft and flowing quality, sophisticated thought processes engage exploration and creativity. In addition, embedding them preserving natural resources with a wise selection, it is the best way to implant sustainable aspect in childhood and community. Moreover, a collaborating learning with amusement will promote their sustainable passion and responsibility in future. Finally, although each child may have a separate play space with delicate concentration, but when children are playing together, they are often faced with problems involving sharing tools or negotiating for play space. By working together in a common play space, children learn empathy and how to recognize and understand the perspectives of the other children while working together and sharing tools.

08


VOLUME III SUS TA IN A BL E DESIGN A ND A R T C OL L EC T ION

ORGANIC

VIBRANT

CONTEMPORARY

CITRIC

09


P RO JEC T 5

MOOD AND TONE

CONCEPT: HIDDEN BASE Each tool placement is aligned horizontally and vertically for aesthetic purpose. A rhythmic component will stimulate curiosity in children while promotes the user physical health and creativity. Plus, a huge sand basin that cover majority of the park will soothe and engage imagination and social activity among them.

ACTIVE ACTIVITIES

PASSIVE ACTIVITIES

HEALTH

CREATIVITY

SUSTAINABILITY

Trampoline

Swing

Junkle Gym

SOCIAL DEVELOPMENT

Monkey Bar

Seesaw

Swing

Sand Box

Slider

Sandbox

Seesawt

Sound Pipe

Hide And Seek

Sound Pipe

Jungle Gym Hiddentunnel

10


VOLUME III SUS TA IN A BL E DESIGN A ND A R T C OL L EC T ION

WATERCOLOR ON PAPER

FLOOR PLAN SKETCH

5

7 9

4 3

10 3

2

1

11

6 8


P RO JEC T 5

PARK

PICNIC PLAYGROUND CIRCULATION

1

ROCK CLIMBING, TR AMPOLINE & SANDBOX

2

TUNNEL

3

PARK SE ATING AND STAIRS

4

SOL AR GARDEN PARK (PICNIC)

5

MONKE Y BAR AND SOUND PIPE

6

HIDDEN HOUSE, SLIDER & ROPE 1

7

HIDDEN HOUSE, SLIDER & SWING HOOPS 2

8

SWINGS

9

SEESAWS

10

SAND POND

12


VOLUME III SUS TA IN A BL E DESIGN A ND A R T C OL L EC T ION

1

ROCK CL IMBING, T R A MPOL INE & SANDBOX By recycle materials as the embedded steps for climbing up to the trampoline, this trampoline also are made of natural rubber that also VOC’s free material. It can be a shade for children who are playing on the sand basin underneath. Physical +++ Sustainable +++ Creative ++ Social ++

13


P RO JEC T 5

WATERCOLOR ON PAPER

PLAYGROUND STATIONS

2

T UNNEL

3

PA RK SE AT ING AND S TA IRS

The tunnel is located along with the stepped seating for people who want to spending time sitting in the park or parents who came with their children. This tool is representing how creature camouflage in nature, each kid’s physical and psychological health will get promoted from playing with challenging adventure or thrilling hide-and-seek. Physical +++ Sustainable + Creative ++ Social +

14


VOLUME III SUS TA IN A BL E DESIGN A ND A R T C OL L EC T ION

4

SOL A R GA RDEN PA RK (PICNIC) The artificial trees are made to show renewable energy by embedded solar panels on leaves. Therefore, solar energy will turned into electricity and illuminate in night time. Moreover, on top of each tree, there’s a rain catcher that filters rain into clean water. Physical + Sustainable +++ Creative ++ Social +

15


P RO JEC T 5

5

MONK E Y BA R AND SOUND PIPE The pipes are connected with multifunctons. Kids can exercise or interact with each others by talking vie the sound pipe bar. This will improve their social skill and understand scientific facts behind communications. Physical +++ Sustainable + Creative + Social +++

These fancy trash cans are my own design that specify types of waste; recycle, compose, landfill and batter y. Ever y time you discard garbages, there will be a greeting and an appreciation; such as “thank you”, “feed me”, or “i’m hungr y” or “nom nom nom”. This interaction will engage children positive and fun aspect toward throwing away wastes and cleaning.

16


VOLUME III SUS TA IN A BL E DESIGN A ND A R T C OL L EC T ION

6

HIDDEN HOUSE, SLIDER & SWING HOOPS 2 These are rubber pillars which are made of decomposable and VOCs free material. Their shapes and forms concisely imitate a forest and a grass field surrounding the “Hidden House of Fun� play station. Kids can approach to the hidden house through these colorful pillars and climb up to the house in various ways; such as, the rope slider, rubber steps, or perforates wood panel. The house is made of reclaimed wood that were heat-pressed and formed like a dome which were perforated for ventilation and natural light. During the day time, children also can experience an aesthetics and a contrast of light and shadow. Physical +++ Sustainable + Creative + Social +++

17


P RO JEC T 5

18


VOLUME III SUS TA IN A BL E DESIGN A ND A R T C OL L EC T ION

7

HIDDEN HOUSE, SL IDER & SW ING HOOPS 2 This play station is also made of reclaimed wood. Even though, it’s smaller but its contraction is more air y and more challenging. This play station promotes childhood physical development from climbing, hanging and sliding. Physical +++ Sustainable ++ Creative + Social +++

19


P RO JEC T 5

8

SW INGS While the swings are swinging, the motion will generate kinetic energy that make the fan-like flower rotate. Physical ++ Sustainable +++ Creative ++ Social +++

20


VOLUME III SUS TA IN A BL E DESIGN A ND A R T C OL L EC T ION

21


P RO JEC T 6

Mile¡stone / m l st n / noun 1 a stone set up beside a road to mark the distance in miles to a particular place. 2 an action or event marking a significant change or stage in development.

22


VOLUME III SUS TA IN A BL E DESIGN A ND A R T C OL L EC T ION

23


P RO JEC T 6

PROJECT VI THESIS OF MESUEM RENOVATION 2013 BUREAU OF FOSSIL RESEARCH AND GEOLOGICAL MUSEUM OF THAILAND TOOLS : AUTOCAD / WATERCOLOR / ADOBE CC SUITE

24


VOLUME III SUS TA IN A BL E DESIGN A ND A R T C OL L EC T ION

© P HOTO: PA NCH AYA SIE NGS A K UL

25


P RO JEC T 6

BUREAU OF FOSSIL RESEARCH AND GEOLOGICAL MUSEUM OF BANGKOK T his is t h e b e g inin g o f t h e T h ai M u s e u m

E v e n t h o u g h, t his e x is t in g m u s e u m w a s

R e n o v a t io n T h e sis I n 2 0 12 . A y e a r t o

r e n o v a t e d in 2 0 0 4 u n d e r t h e D e p a r t-

f inis h t his t h e sis b o o k w a s t h r illin g w i t h

m e n t o f M in e r al R e s o u r c e s , M inis t r y o f

l o t s o f c h all e n g in g . I t w a s m y f ir s t s t e p

N a t u r al R e s o u r c e s a n d E n v ir o n m e n t o f

t o g o o n si t e f o r a r e al r e s e a r c h, m e e t

T h ail a n d , i t s t ill l a c k s o f v isi t o r s .

r e al p e o p l e, a n d d o e x p e r im e n t w i t h a r t .

A c c o r din g t o m y r e s e a r c h . t h e r e’r e o nl y 3 - 5 g u e s t s p e r d a y.

T his is m y u n d e r g r a d t h e sis p r oj e c t W hi c h I s e l e c t e d e x is t in g si t e f o r r e n o -

A s a r e s ul t , t h e r e s o lu t io n is t o w a k e

v a t io n . I p r im a r il y t a r g e t f o r a c a d e mi c

t his p u b li c s p a c e a n d e n g a g e n e w a t-

p u r p o s e w hil e in t e g r a t in g in t e r a c t i v e

t r a c t io n f o r f a milie s a n d t o u r is t s w h o

a n d e x p e di t io n a r y f u n c t io n t o c r e a t e

w a n t t o s p e n din g t h eir q u ali t y t im e s

c o m m u ni t y f o r p e o p l e w h o in t e r e s t e d in

p l a y in g a n d l e a r nin g t o g e t h e r.

g e o l o g y a n d in t e r a c t i v e g a d g e t s . F r o m a q u o t e “m o r e o r b e t t e r ”, m y d e si g n o b j e c t io n is t o r e v i v e t h e s p a c e . T h ai m u s e u m c r isis h a s b e e n s t r u c k t o t h e f r e e z in g p o in t t h a t p e o p l e h a v e a n e g a t i v e a s p e c t t o w a r d i t a s a b o r in g b uil din g c o n t ainin g c o ll e c t io n s o f t hin g w i t h l o t s o f in f o r m a t io n .

26


VOLUME III SUS TA IN A BL E DESIGN A ND A R T C OL L EC T ION

PHYSICAL AND PSYCHOLOGICAL CHARACTER OF THE AUDIENCES

TAR G ET USER S AND CONCEPT Target Physical Character : Elementary Students aged between 6-12 years

Under responsible of parents, teachers and inspectors with low/limited purchasing power Target Psychological Character : 1) better learning with fun and activities 2) Enjoy listening story 3) Need more motivation 4) Easy to get magnified and persuaded 5) Give priority to being among friends or a group 6) Accord their decisions to the majority 7) Easy to impress 8) Need more freedom with high creativity 9) Love adventure and challenge 10) Start imitating for learning and find their own identity 11) We a can inspect each child leadership from activities 12) Start making logic than emotional decision 13) Expect admiration and appreciation from older and friends when doing something they are fascinated in 14) Urge to learn and understand new things 15) Need space to express their thoughts and identity A R T I C L E P U B L I S H E D 0 9 / 0 3 / 2 0 12 D R . S U WA N N E E P U T T H I S R I / C H I L D A N D A D O L E S C E N T P S Y C H I AT R I S T T H E C A M B R I D G E H O S P I TA L , H A R VA R D U N E V E R S I T Y, U. S . A .

TEAMWORK

27

PIONEER

FUN


P RO JEC T 6

MISSION AND CONCEPT: RESURRECTION To study geology, the only way

Our earth is simply made up of

to discover and learn from the

four distinct layers; crust, mantle ,

ground is to dig deep in. In my

outer core and inner core. However,

term of ‘Resurrection’, it means to

there’re still lots of mysterious facts

deconstruct knowledge from Earth

waiting for us to discover to the key

layer by layer. This concept is inspired

of evolutions and the beginning of this

by Deconstructivism Architecture

planet.

movement which deconstructing and reinterpreting an old structure in order to create a new provocative and challenging one that repels an existence of the gravity.

28


VOLUME III SUS TA IN A BL E DESIGN A ND A R T C OL L EC T ION

MOOD AND TONE

COMMUNICATION CHARACTERS Lean and Mean to be Real is the prescription for TCHO crews.I would like to represent iconic boldness of the company identity by applying space characters with their own philosophies. First of all, energetic atmosphere is the leader of commercial space as it is where people spend most of their daily life within wake-time. Contrarily, diversity of unisex colors stands for vibrant and individual identity of the location. Dogpatch; a new art-indy neighborhood is a manufacturing Revival of San Francisco. Finally, liberality is representing TCHO as a new intellectual community of finest products with creativity and missions to change how people experience chocolates.

29


P RO JEC T 6

Consequently, this mood and tone will strengthen corporate identity of the museum by created an equation by integrate a color code with my own definition. Equation : Category —> Interpretation —> Color Way Equation 1 : Geology = Nature

—> Earth tone

Equation 2 : Target group + Mood&tone

—> Vivid Tone

Equation 3 : ≈ Earth tone + Vivid Tone

—> Earthy + Citric Color Way

After ward, I picked organic forms from the nature representing simple and appealing. This is another design element that will be applied to a construction and furniture. Considering safety, durability and resilience, I simplified organic shapes and transformed them into dynamic 3d elements.

30


VOLUME III SUS TA IN A BL E DESIGN A ND A R T C OL L EC T ION

There’s a myth that weight of a whole ant’s population on earth is equal to human’s. Ants are the common species that can be found around the world while it is a key creature that sustain ecosystem in nature. American Museum of Natural History Researchers announced discovery of oldest known fossil ants-92-millionyear-old fossils found in New Jersey amber. The key theme of this museum is an Ant Empire as I want visitors to experience deep down into the earth. So ants will be a stor y teller and director y of this exhibition.

The Fossil Research and Geological Museum’s current name is the 360-degree Museum of Geology. It’s located on the first floor of the Morakot (Emerald) building run under Department of Mineral Resources, Ministry of Natural Resources and Environment, Rama VI Road, Ratchathewi, Bangkok, Thailand. Hours : Tue - Sun 8.30 am - 4.30 pm Closed : Every Monday and public holiday

31


P RO JEC T 6

The museum is a merger of 2 former sections namely Paleontology section and Geological Museum section; Paleontology section contains fossil investigation, reseach and collections facilities; and geological mutseum section displays geological collections and contains commercial area.

32


VOLUME III SUS TA IN A BL E DESIGN A ND A R T C OL L EC T ION

FA CA E D ESIG D N & FLO O RP L A N

33


P RO JEC T 6

Building B h = 5.5 0 m

Building B h = 4.5 0 m

Building A h = 5.5 0 m

Building B h = 7.0 0 m

Building A h = 4.5 0 m

Building A h = 9.0 0 m

34


VOLUME III SUS TA IN A BL E DESIGN A ND A R T C OL L EC T ION

35


P RO JEC T 6

“Services, Facilities and Entry Area” From the entrance atrium, there’s a coatcheck area with lockers for no charge. No only providing amusement and education, this museum also considering safety and wellness of visitors. As it’s located across a Rama hospital, a firstaid area is designed with fun element to reduce children anxiety.

36


VOLUME III SUS TA IN A BL E DESIGN A ND A R T C OL L EC T ION

“Welcome to An Ant Empire” To begin with an introduction to the creature who lives underground, ants. In this exhibition, there’re insect amber fossils setting along with a study of earth anatomy with examples where visitors will walk deep down on the ramp leading to another room.

37


P RO JEC T 6

This is an ADA ramp walking path where a wall is decorated with plaster ant models walking in line leading audiences to next room. In this room, one side of the walls have the earth crust layer installation that make people understand context shortly.

38


VOLUME III SUS TA IN A BL E DESIGN A ND A R T C OL L EC T ION

39


P RO JEC T 6

“Minerals in Daily Life” In this atrium, each custom-made organic form is displaying real example of minerals and gem stones informed with their fun facts and benefits. On the floor, there’re ball stools for people to sit on or play. Each of them will be printed with a chemistry shortcut of an element. Moreover, there’s a hydraulic elevator route to next area.

40


VOLUME III SUS TA IN A BL E DESIGN A ND A R T C OL L EC T ION

41


P RO JEC T 6

“Blink Blink a Room of Jewels� After egress the hydraulic elevator, visitors will enter new exhibition about gemstones. The context is including ancient myths about jewels for twelve astrological zodiacs, gems meanings and crystal properties production as well as gemstone processing.

42


VOLUME III SUS TA IN A BL E DESIGN A ND A R T C OL L EC T ION

43


P RO JEC T 6

“Jurassic Adventure� Welcoming an audience with a projection on a wall in a dark room where stone-like bean bags on the floor provided for visitors to take a break and watch some VTRs. This is the first showcase of the B building begins with an introduction to an ancient world of dinosaurs and how life emerged on earth.

44


VOLUME III SUS TA IN A BL E DESIGN A ND A R T C OL L EC T ION

This public library is open for everyone. To make a difference, there is a videomapping projecting of a sand basin embedded in the floor where kids can play a role an an archaeologist digging on site to reveal fossils.

45


P RO JEC T 6

Moreover, in the Cretaceous Adventure, there’s a curvy mezzanine projecting into the dioramas of creature that existed in the Cretaceous Period. Figures on the left: There’re play stations displaying real fossil collections in this area with hidden fun facts under each cube stool.

46


VOLUME III SUS TA IN A BL E DESIGN A ND A R T C OL L EC T ION

47


P RO JEC T 6

“The Cretaceous Period was the last and longest segment of the Mesozoic Era. It lasted approximately 79 million years, from the minor extinction event that closed the Jurassic Period about 145.5 million years ago to the CretaceousPaleogene (K-Pg) extinction event dated at 65.5 million years ago.� A R T I C L E P U B L I S H E D 0 1/ 0 7/ 2 0 16 A M N H /J. B R O U G H A M

48


VOLUME III SUS TA IN A BL E DESIGN A ND A R T C OL L EC T ION

49


P RO JEC T 6

50


VOLUME III SUS TA IN A BL E DESIGN A ND A R T C OL L EC T ION

51


P RO JEC T 6

“A Postal Service and a Souvenir Shop”

52


VOLUME III RESIDEN T I A L A ND MULT IF UNC T ION A L DESIGN

53


PARO R T JEC C OLTL 7EC T ION

Ret·ro·spec·tive / r trə’s t / adjective looking back on or dealing with past events or situations. noun an exhibition or compilation showing the development of the work of a particular artist over a period of time.

54


VOLUME III SUS TA IN A BL E DESIGN A ND A R T C OL L EC T ION

55


A R T C OL L EC T ION

ART COLLECTION SELECTED ART PIECES AND DESIGNS 2012 - PRESENT TOOLS : AUTOCAD / WATERCOLOR / INK / ADOBE CC SUITE

56


VOLUME III SUS TA IN A BL E DESIGN A ND A R T C OL L EC T ION

57


A R T C OL L EC T ION

FUSION BALINESE RESTAURANT : THE SEALICIOUS / 2012 The Sealicious in a fusion Balinese restaurant and bar integrating authentics with modern lifestyle. This space was designed to be spacious and exposed to an open air. In contrast, an atmosphere was subtle and distinctive employing an exclusive privacy. As an attraction for nightlife, an exterior is consisted of pool area and lounge for premier events. While an interior is a restaurant area, convention rooms, v.i.p. room, openair kitchen, grilling island and bars. A highlight of this restaurant is an living wall and waterfall decorated with mosses, venus flytraps, nepentheses and local wild orchids. TOOLS : PIGMA PEN 0.5 / WATERCOLOR / ADOBE CC SUITE

58


VOLUME III SUS TA IN A BL E DESIGN A ND A R T C OL L EC T ION

59


A R T C OL L EC T ION

TOOLS : PIGMA PEN 0.5 / INK / ADOBE CC SUITE /2010

60


VOLUME III SUS TA IN A BL E DESIGN A ND A R T C OL L EC T ION

61


A R T C OL L EC T ION

62


VOLUME III SUS TA IN A BL E DESIGN A ND A R T C OL L EC T ION

I started doing watercolor illustration about a relationship between a pet and its owner a year after my own pet had died. I found returning to do something I’m passionated in is soothing and gives me lots of positive drive to share. The context of my illustrations is very simple. However, I would like to portray how great of an ordinary and healthy relationship power is that can compassionately make people and especially myself smile. TOOLS : WATERCOLOR / ADOBE CC SUITE / 2012-PRESENT

63


A R T C OL L EC T ION

64


VOLUME III SUS TA IN A BL E DESIGN A ND A R T C OL L EC T ION

65


A R T C OL L EC T ION

66


VOLUME III SUS TA IN A BL E DESIGN A ND A R T C OL L EC T ION

67


A R T C OL L EC T ION

68


VOLUME III SUS TA IN A BL E DESIGN A ND A R T C OL L EC T ION

69


A R T C OL L EC T ION

70


VOLUME III SUS TA IN A BL E DESIGN A ND A R T C OL L EC T ION

71


A R T C OL L EC T ION

72


VOLUME III SUS TA IN A BL E DESIGN A ND A R T C OL L EC T ION

73


A R T C OL L EC T ION

74


VOLUME III SUS TA IN A BL E DESIGN A ND A R T C OL L EC T ION

75


A R T C OL L EC T ION

76


VOLUME III SUS TA IN A BL E DESIGN A ND A R T C OL L EC T ION

77


A R T C OL L EC T ION

In 2014, before I moved to San Francisco, I spent a month in Boston and made new friends. I was my very first experience traveling abroad by myself and did painting in an unfamiliar bedroom.

78


VOLUME III SUS TA IN A BL E DESIGN A ND A R T C OL L EC T ION

79


A R T C OL L EC T ION

80


VOLUME III SUS TA IN A BL E DESIGN A ND A R T C OL L EC T ION

81


A R T C OL L EC T ION

This my first illustration made in San Francisco depicting a topic of “who am I” when my master degree school year started. It illustrated my physical and psychological characters and interests in a semi-abstract way. I picked a few shades of blue as they are my personal most comfortable colors. Consequently, I’d have never known that at the end of my journey in academic year, my final portfolio will be corporate in blue as well.

82


VOLUME 4 RE TA IL DESIGN

01


P RO JEC T 7

Determinate / də’tərmənət / adjective having exact and discernible limits or form.

02


VOLUME 4 RE TA IL DESIGN

!"$

$

# %"&

&"#

!"#

!"#

&"#

' 03


P RO JEC T 7

PROJECT VII RETAIL DESIGN 2017 HEATH CERAMICS SAN FRANCISCO TOOLS : REVIT / 3DS MAX / ADOBE CC SUITE

04


VOLUME 4 RE TA IL DESIGN

05

© A R T IC L E A ND P HOTO : HE AT HCE R A MIC S.C OM


P RO JEC T 7

HUSBAND AND WIFE TEAM EDITH AND BRIAN HEATH

HEATH LEGACY QUALIT Y AND INTEGRIT Y WITHOUT

building was designed in collaboration

QUESTION.

with the Heaths and Marquis and Stoller Architects.

When the duo moved from Chicago to San Francisco in the early 1940s,

Edith designed her pieces for a single

Edith—who’d had little formal

kiln-firing, at a lower-than-normal

training in the area— began making

temperature, thus saving energy

ceramics. In 194 4, she held a one-

while producing a remarkably durable

woman exhibition at the Legion

product. Her work led to advances

of Honor, where her work was

in clay and glaze development,

noticed by Gump’s, a respected

securing Heath a unique place in

design store in San Francisco. They

ceramic history, along with design

commissioned Edith to create an

awards including the Industrial Arts

exclusive dinnerware collection for

Award from the American Institute of

them, and when more retail orders

Architects. Many of Edith’s original

started coming in, the couple officially

pieces are a part of the permanent

founded Heath Ceramics in Sausalito,

collections of museums such as

California in 1948.

MOMA and L ACMA.

In 1959, their business expanded into the factory which still houses our dinnerware manufacturing today. The

06


VOLUME 4 RE TA IL DESIGN

SAN FRANCISCO, CALIFORNIA

MISSION DISTRICT DEMOGRAPHICS MISSION POPUL ATION DEMOGR APHICS

!"#

$$%&#

TOTAL

45,560

MALE

25,373

FEMALE

20,187

CRIME INDE X FOR CIT Y

"'%(#

CIT Y

490.9

U.S. AVER AGE

235.9

PERCENTAGE OF FAMILY HOUSEHOLDS

MISSION

32.6%

SAN FR ANCISCO

31.7%

R ANK OF TIME LE AVING HOME TO GO TO WORK 1st

2nd

8 AM

MODER ATE AGE OF RESIDENTS

07

3rd

8.30 AM

7 AM


P RO JEC T 7

This type of climate type is generally characterized by moist mild winters and dry summers. San Francisco’s climate is further modified by the location of the City on the northern end of a peninsula, surrounded on three sides by the relatively cool waters of the Pacific Ocean and San Francisco Bay. San Francisco weather averages Annual high temperature:

63.8°F

Average temperature:

57.3°F

Average annual precipitation - rainfall:

23.64 inch

Days per year with precipitation - rainfall:

68 days

Annual hours of sunshine:

2950 hours

TR AVEL TIME TO WORK -./-0. !*) +") +)) *!) ',) ")

12345.

) ')

*)

+)

!)

")

()

08


VOLUME 4 RE TA IL DESIGN

PAST AND PRESENT OF MISSION DISTRICT

USER SCENARIO & SITE ANALYSIS A majority of visitors is female who usually visits with family or by themselves. Moreover, they intentionally are HEATH tile’s customers. As well as, TARTINE MANUFACTORY’s costomers who pay a little visit to this shop. Age : 20 - 50 years old. YOUNG SLEEK HEALTHY

A

B

A Parking Lots C

09

B MUNI Stops C Bart Stations


P RO JEC T 7

Prior to the arrival of Spanish missionaries, the area which now includes the Mission District was inhabited by the Ohlone people who populated much of the San Francisco bay area. The Yelamu Indians inhabited the region for over 2,000 years. Spanish missionaries arrived in the area during the late 18th century. They found these people living in two villages on Mission Creek. It was here that a Spanish priest named Father Francisco Palóu founded Mission San Francisco de Asis on June 29, 1776. The Mission was moved from the shore of Laguna Dolores to its current location in 1783. Franciscan friars are reported to have used Ohlone slave labor to complete the Mission in 1791. The Mission District, also commonly called “The Mission”, is a neighborhood in San Francisco, California, United States, originally known as “the Mission lands” meaning the lands belonging to the sixth Alta California mission, Mission San Francisco de Asis. This mission, San Francisco’s oldest standing building, is located in the northwest area of the neighborhood. The Mission District is located in east-central San Francisco. It is bordered to the east by U.S. Route 101, which forms the boundary between the eastern portion of the district, known as “Inner Mission”, and its eastern neighbor, Potrero Hill. Sanchez Street separates the neighborhood from Eureka Valley (containing the sub-district known as “the Castro”) to the north west and Noe Valley to the south west. The part of the neighborhood from Valencia Street to Sanchez Street, north of 20th Street, is known as the “Mission Dolores” neighborhood. South of 20th Street towards 22nd Street, and between Valencia and Dolores Streets is a distinct neighborhood known as Liberty Hill.

10


VOLUME 4 RE TA IL DESIGN

MISSION DISTRICT SAN FRANCISCO

SITE VISIT & SKETCHES 2900 18th Street

San Francisco, CA 94110 A former linen supply and laundry with good bones and great natural light is now a warm, inviting showroom space where you will find everything Heath. A Chef’s Kitchen area features our cookbook and food favorites, and a gallery space is home to various shows and events throughout the year.

© P HOTO : PA NCH AYA SIE NGS A K UL

11


P RO JEC T 7

12


VOLUME 4 RE TA IL DESIGN

REDESIGN OF THE JEATH CERAMICS

MISSION & PHILOSOPHY

1) Providing place for customers to experience, learn and enjoy a healthy culture with natural resource priority by using local suppliers and supporting local craftsmanship which sustain energy and resources as well as reduce chemical preservation. 2) Creating the community for people who interested in heathy lifestyle. While enhancing people aspect toward good dietary and sustainable products that can get along well with urban lifestyle and modern vibe.

3) Distinctively design that reconnect generations and diverse interests, like telling story and cosulting service, by opening weekend ceramics class for families or seniors as well as an open space for small seminar group between customers, designers and Heath Ceramics crews. 4) Apply aesthetics of eatery and art that appeal ling and engaging customer’s new experiences.

13


P RO JEC T 7

GUILT FREE

POP-UP COMPONENTFOR THE

Growing numbers of consumers can

COMMUNITY

no longer escape an awareness of the

By providing temporary spaces to mobile

damage done by their consumption:

units bringing innercity-chic to rural

to the planet, society, or themselves.

areas. pop-up retail fits right in with the

But a mixture of indulgence, addiction

Entertainment Economy, the Experience

and conditioning mean that most

Economy, the Surprise Economy, and so

can’t substantially change their

on. It’s about surprising consumers with

consumption habits. The result? A

temporary ‘performances’, guaranteeing

never-ending guilt spiral. Visibly guilt-

exclusivity consumers increasingly used

free. High status, chic or fashionable

to massclusively.

products that are visibly sustainable, as well as ethical or healthy

RECONNECT GENERATIONS

A GALLERY-LIKE SPACE

Connecting with your grandparents

Today’s coffee bars take their vibe

can give you a chance to cultivate a

very seriously—making us want

relationship with people responsible

to spend all day there. A signature

for shaping your family’s history and

beverage is part of the draw. By

future. You have the opportunity to

representing a good craftsperson

learn about your extended relatives, your health history and your heritage.

who works tirelessly to perfect and deliver excellence. The best creations are the ones that are made by hand.

14


VOLUME 4 RE TA IL DESIGN

TIMELESS

JOURNEY

15

ELEGANT


P RO JEC T 7

MOOD AND TONE

CONCEPT: LIGHT YEAR LIGHT YEAR

THROUGH TIMELESS SKY

Living back to basic, Living with aesthetic, poetry, music, as well as the deepest difinition of potery MOOD AND TONE : Desrted Journey From a phrase Live and learn from a mile to miles, It’s like a process of making potery that’s time consuming but lots of stories while each mold created slowly. Big Journey Simple Timeless Elegant

16


VOLUME 4 RE TA IL DESIGN

0.38 PIGMA PEN and COLOR PENCILS ON PAPER

SKETCHES ELEVATION DESIGN DEVELOPMENT First of all, I started sketching my abstract inspiration interpreting how can I apply rhythm into my designspace. Than it goes with contrast and variation of textures that I want to play with my design. DISPLAY AND STOREFRONT DESIGN DEVELOPMENT By bringing in an aesthertics of nature, feature fixturs; wall display and clounds from ceiling are representing seamless boardery of the room as the sky and clounds. Moreover, Leveling and contours of furniture are mountains that display themselves and small products and the signature fixture displays as a focal point. And solid box displays representing a river banks.

17


P RO JEC T 7

18


VOLUME 4 RE TA IL DESIGN

3

?!?(B"#2'44> ---

A106

!""#$%&$'(

D

,$-"(.$+'/'0

F2

!""#$%&$'(

C

!""#$%&$'(

F1 ---

1"/2*'"(3'45*62#( /&5(1*'&$2*'"

1"/2*'"(3'45*62#( /&5(1*'&$2*'"

!"#$%&"'()*+

4 A106

B

F1

;$26A"&8/'"(/&5(="'/>$6(3422"'0

7"8(/''$9/-(/&5(:"8"--"'0(;$4#<

FG$2

!""#$)&$)(

!""#$)&$)(

C24'"H'4&2 !""#$%&$'(

=/#A$"'

="'/>$6(?'2(@&#2/--/2$4&

F1 1-

F&2'/&6"

A106 ---

!""#$)&$)(

UP

F2

F1

A

C/-"(@2">#

!""#$%&$'(

B/>E

UP

D44<(/&5(B"6$E"#

F3 F4

2 A106

#

D !% !"

C

!( !+

!$

!% !'

!+

!&

B !( !&

!%

!&

!"

!*

!"

!'

!&

!%

A )

19

!%

!'

!% !&

)


P RO JEC T 7

ROOMS / FUNITURE AND MATERIAL PLANS / ELEVATION

CIR CU L ATIO N & EF LECTED R CEIL IN G P L A N F1

YAGER MATERIALS BLUE RE ADY MIX CONCRE TE

F2

HE ATH CER AMICS HALF HE X STACK M

F3

HE ATH CER AMICS LIT TLE DIAMON MIX M

F4

HE ATH CER AMICS HALF HE X WAVE LM

L1

PHILLIPS LED BL ACK MINI CYLINDER HE AD FOR LIGHTOLIER

L2

EGLO 9 474 3A CORE T TO COPPER MINI PENDANT

L3

REGGIANI YONI SURFACE EMBISSED D35MM H150MM

L4

REGGIANI YONI SURFACE EMBISSED D60MM H155MM

L5

REGGIANI YONI SURFACE EMBISSED D22MM H150MM

L6

REGGIANI YONI SURFACE EMBISSED D95MM H395MM

L7

L AMP HUNA FONTANA ARTE MUSTARD YELLOW

L8

MINUS C 2OOOLM 21W 1135MM

F1

F2

F3

F4

L1

L2

L3

L4

L5

L6

L7

L8

CUSTOMERS VISITORS AND DESIGNERS EMPLOYEES

20


VOLUME 4 RE TA IL DESIGN

Storefront Blade sign with Illuminating Logo

Entrance

21

W1

YAGER MATERIALS BLUE RE ADY MIX CONCRE TE

W2

HE ATH CER AMICS HALF HE X WAVE LM

W3

HE ATH CER AMICS YARROW MUR AL


P RO JEC T 7

ADA Ramp

!

"

UP

UP

!

"

22


VOLUME 4 RE TA IL DESIGN

E N T R Y A RE A W I T H A DA R A M P A ND SM A L L G A L L E R Y F OR NE W F E AT URING P RODUC T S A ND C OP P E R B R A S S FAC A D

23


P RO JEC T 7

24


VOLUME 4 RE TA IL DESIGN

!

"

UP

UP

!

"

There’s a ADA ramp provided in this area where leading to an egress. With capacity storage on the wall and a minimal mable station in the middle, this zone contains signature products of Heath Ceramics.

25


P RO JEC T 7

SIGNATURE AND SALE P R ODUCTS 26


VOLUME 4 RE TA IL DESIGN

!

"

UP

UP

!

"

This is a corridor from the entrance nearby the garage leading to the stair way, kitchen and dining area. With tight space, I selected glazing and wood to create vision flow with a warm and welcoming atmosphere. From this perspective, there is a sand garden embosed in a granite floor to create a tranquil environment which emphasizes the glazing on the stair way that leading our eyes to look up to the second floor and the round-shape skylight.

27


P RO JEC T 7

HEATH TILE RESOURCES 28


VOLUME 4 RE TA IL DESIGN

!

"

UP

UP

!

"

A cashier is located in the center of the shop with up to three-people capacity. In front of the cashier is a featue area with fun suspended ceiling with empossed light fixtures immitating numerous stars in the sky.

29


P RO JEC T 7

CASHIER AND FEATURE P R ODUCTS 30


VOLUME 4 RE TA IL DESIGN

A NOT HE R P E RSE P E C T I V E OF A F E AT URE A RE AW HE RE T HE RE’S A CE R A MIC T IL E C OL L A B OR AT I V E L IB R A LY IN T HE B ACK F OR HOUSE OW NE RS A ND DESIGNE RS

31


P RO JEC T 7

32


VOLUME 4 RE TA IL DESIGN

33


P RO JEC T 8

Allegiance / əl lē jəns / noun loyalty or commitment of a subordinate to a superior or of an individual to a group or cause.

34


VOLUME 4 RE TA IL DESIGN

35


P RO JEC T 8

PROJECT VIII RETAIL DESIGN 2017 DESIGN MILK POP-UP SHOWROOM TOOLS : REVIT / 3DS MAX / ADOBE CC SUITE

36


VOLUME 4 RE TA IL DESIGN

INTRO TO DESIGN MILK

CLIENTELE & USER SCENARIO Design Milk is an online magazine dedicated to modern design founded by Jaime Derringer. Design Milk offers what’s new in art, architecture, interior design, furniture and decor, fashion and technology which is always fresh and never sour with design finds from around the world.

A SHOWROOM FOR COLLECTIVE HOME DECOR PRODUCTS Design Milk recently had the pleasure of participating in ART NIGHT, an event focusing on art, design and architecture at the heart of a masterpiece of a Post Modern Design. A prestigious event, the staging of which united art and design, bringing together featured 20 designs in order to promote the creativity and rebellion of local artists, designers and architexts.

Unique services/products (39%)

37

Localized assortments (36%)


P RO JEC T 8

POP-UP STORES BECOME MORE THAN JUST A TREND

POP-UP RETAIL TRENDS 2017 According to PopUp Republic (PUR),

Everyone benefits - especially landlords who were

the leading end-to -end service

formerly stuck with vacant spaces, said Jeremy Baras,

provider for the pop -up industry since

CEO of PopUp Republic.

2012, pop -up store has grown to

Additionally, in a digital setting, these pop -ups are ideal

approximately $10 billion in sales and

for social media. The brands are looking for compelling

has become a marketing strategy for

content to share and the consumers are looking for

retailers looking to extend the brand

compelling content to engage with. Retailers can measure

and introduce new products.

success via sales lift in both their in-store environment and their e- Commerce site, particularly if they offer deals

Whether it’s a pop -up store, pop -

in the shop that consumers can redeem online

up restaurant or event, there’re ‘fear of missing out’ quality in

Consumers expect that thte pop -up shopping experience

them. “Customers are attracted to

will be unique — different from the average brick-

exclusivity. They’re attracted to a

and-mortar visit. They also look to pop -ups for more

‘here today, gone tomorrow’ type

specialized shopping. For example, 61% of shoppers list

of concept.” said Jeremy Baras, the

seasonal products as the main reason to shop at a pop -

CEO of PopUp Republic.

up store, according to a PopUp Republic poll. Pop -up shoppers also are looking for:

Designers and merchants alike can benefit from the pop -up party. Firstly,

ARTICLE PUBLISHED BY

Gaining customers and eliminating

R E TA I LT O U C H P O I N T S .C O M

long-term leases seems too good to be true. For instance, with pop ups over the holidays and now it’s a permanent pop -up venue.

Optimal pricing (34%)

Convenience (33%)

A fun experience (30%)

38


VOLUME 4 RE TA IL DESIGN

39


P RO JEC T 8

COLLECTIVE DESIGN SHOWROOM BY DESIGN MILK

LOCATION & SOLAR STUDY 447 Battery St, San Francisco, CA 94111

40


VOLUME 4 RE TA IL DESIGN

DESIGN DEVELOPMENT

MY INSPIRATIONS & SKETCHES

41


P RO JEC T 8

These are my experimental sketches to explore the interpretation of a word halo.From abstract to physical elements, I transform lines into shapes and convert them into forms of possibility of halo and natural subjects that are related to it.

42


VOLUME 4 RE TA IL DESIGN

43


P RO JEC T 8

44


VOLUME 4 RE TA IL DESIGN

45


P RO JEC T 8

After ward, I started designing my facade and programing for functional and convinient purposes. To create a futuristic atmosphere in my design, I play with a contrast between organic shapes of a halo with sharp-edged construction.

46


VOLUME 4 RE TA IL DESIGN

MINIMAL

EXCLUSIVE

GENTLE

47


P RO JEC T 8

MOOD AND TONE

CONCEPT: HALO (noun) a disk or circle of light shown surrounding or above the head of a saint or holy person to represent their holiness. synonyms: ring of light, nimbus, aureole, glory, crown of light, corona I want this space to represent exclusiveness of how DesignMilk saintly approach a creative product design and lifstlyes with high eclectic delication for you. Users : Every genders age 23- 40 With positive aspect toward art and design as well as passionate in participation in new experiment and innovation.

48


VOLUME 4 RE TA IL DESIGN

1

2

3

4

5

1

A

2

3

4

5

A

DN

Elevator

B

Elevator

B

UP

C

C

! D

1

49

Level 1 Egress 1/8" = 1'-0"

D

2

Me anine Egress 1/8" = 1'-0"


P RO JEC T 8

A TRAFFIC DIAGRAM

EGRESS DIAGRAM & FLOOR PLAN 1

2

3

4

5

1

2

3

4

5

44' - 3" 1

1

A201

10' - 0"

A201

A

24' - 1 21/32"

A

6' - 0"

F5

Curtain

F5 F4

Exhibition / Con erence ADA

Meeting Room / VIP Tem orary

4

Storage

FCurtain 3

18' - 8 1/2"

A201

11' - 0"

3 A102

Elevator

DN

Works ace

F3

Elevator

---

B

8' - 7 3/4"

---

B

UP

Collaboration Library

3

36' - 8 3/4"

3' - 1"

Existing Column

A

A

A201

Showroom Dis lay

C

C

F2 17' - 6 1/4"

Halo Installation

Po -u Retail

F3 Atrium

13' - 11 3/4"

Showroom Entry

D

F1

.00 70

D 2 A201

1

Level 1 1/8" = 1'-0"

2

Me anine 1/8" = 1'-0"

50


VOLUME 4 RE TA IL DESIGN

1

2

3

4

5

1

A

A

B

B

C

C

2

3

4

5

! D

1

51

Level 1 Egress 1/8" = 1'-0"

D

2

Me anine Egress 1/8" = 1'-0"


P RO JEC T 8

MATERIAL AND LIGHT FIXTURE LEGENDS

REFLECTED CEILING PLAN F1

F2

F3

F4

L1

L2

L3

L4

F1

DIAFOS CODICE3636 HIGH PRESSURE L AMINATE

F2

ABE T L AMINATI LUCISA 130 HIGH PRESSURE L AMINATE

F3

SUPERIOR HARDWOODS OF MONTANA BE ARTOOTH HICKORY UNFINISHED HARDWOOD

F4

YAGER MATERIALS BLUE RE ADY MIX CONCRE TE

L1

GYON - LED LINE AR LIGHT

L2

FOCAL POINT - SE AMLESS RECESSED LED 3.5 IN

L3

NER A - FNRP LED SUSPENDED PENDANT

L4

DAISALUX LUMINAIRIES IKUS-T 220 - 230 V

52


VOLUME 4 RE TA IL DESIGN

1

53

Colored East Elevation


P RO JEC T 8

DISSECTION OF THE EAST VIEW

ELEVATION

W1

W2

W3

W4

W1

YAGER MATERIALS BLUE RE ADY MIX CONCRE TE

W2

ABE T L AMINATI LUCISA 130 HIGH PRESSURE L AMINATE

W3

WHITE BRICKS AL ASK A WHITE VELOUR

W4

SUPERIOR HARDWOODS OF MONTANA BE ARTOOTH HICKORY UNFINISHED HARDWOOD

54


VOLUME 4 RE TA IL DESIGN

From this perspective, there are arcs of peach neon-like LED constructed as a focal point in this space that leading visitors eyes into the collaborative space and library of collective art and design resources.

55


P RO JEC T 8

SHOWROOM ENTRY AND INSTALLATION 56


VOLUME 4 RE TA IL DESIGN

This is the mezzanine perspective of an entire showroom where the far corner right is a pop-up retail area showing featured items of the Design Milk Collection. As there’s a spacious atrium with skylights on the roof, in day time, the natural light are provided for sufficient visual comfort that can enhance product displays as well as an employee working performance.

VIEW FROM MEZZANINE 57


P RO JEC T 8

58


VOLUME 4 RE TA IL DESIGN

59


P RO JEC T 8

A ND LUMIN AT E D NEON - L IK E L E D INS TA L AT ION P L AYS A ROL E A S A F OC A L P OIN T L E A DING V ISI TOR TO A C OL L A B OR AT ION L IB R A LY

60


VOLUME 4 RE TA IL DESIGN

The maximum occupancy of this space is up to 10 people. As the mezzanine takes only 30 percent of the whole site, I am considering about flexibility of the space; all furniture is foldable operable and mobile.

61


P RO JEC T 8

CO - WORKING SPACE 62


VOLUME 4 RE TA IL DESIGN

To create an exclusive experience for the visitors, minimal, clean and polished custom-made display system creates rhythm, flow and harmony in the showroom. With distinctive shapes and forms, each display station dominates product’s outlines and dimensions with an idea of simple but appealing vibe.

CUSTOM DESIGN DISPLAY & FURNITURE 63


P RO JEC T 8

64



AUTOBIOGRAPHY Panchaya Siengsakul‘s design foundation was constructed in a vibrant and diverse city, Bangkok, Thailand; where the Bangkokian contemporary street style has impacted her passion in interior architecture and design. After moving to San Francisco, she has been influenced by the aesthetics of Westcoast leading innovation and sustainability that makes art and design business speak louder. Panchaya believes not only kinetic power from outside-world inspiration can motivate us, but also each individual potential that drives creativities in art and design. To sustain diligence, a passion will be through with commitment. From the phrase, the sky has no limit, she regards eclectic information and discipline as an essence to every dimension in life and the pursuit of her goals. This portfolio shows the experimental, challenging and playful process she took to discover her own new design with her sharpness in visual communication and psychological interpretation. Under the concept “X-ray”, this book conveys the dissection of each design development through its DNA. As a result, blue was selected as the corporate color representing a “Cyanotype”, a photographic printing process that produces a cyan-blue copy referred to as blueprints. “I appreciate everything and all people who have broadened my perspective and inspired me in every period and dimension of life and time.“ Thank you.


END OF THE VOLUME ----------------------->


Turn static files into dynamic content formats.

Create a flipbook
Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.